context:  a clumsy plagiarism of the Russian School" and called Ravel a "mediocrely gifted debutant ... who will perhaps become something if not someone in about ten years, if he works hard." Another critic, Pierre Lalo, thought that Ravel showed talent, but was too indebted to Debussy and should instead emulate Beethoven. Over the succeeding decades Lalo became Ravel's most implacable critic.From the start of his career, Ravel appeared calmly indifferent to blame or praise. Those who knew him well believed that this was no pose but wholly genuine. The only opinion of his music that he truly valued was his own, perfectionist and severely self-critical. At twenty years of age he was, in the words of the biographer Burnett James, "self-possessed, a little aloof, intellectually biased, given to mild banter." He dressed like a dandy and was meticulous about his appearance and demeanour. Orenstein comments that, short in stature, light in frame, and bony in features, Ravel had the "appearance of a well-dressed jockey", whose large head seemed suitably matched to his formidable intellect. During the late 1890s and into the early years of the next century, Ravel was bearded in the fashion of the day; from his mid-thirties he was clean-shaven.
instruct_1_q_1: (1) What are the names of the two people who played a joke on Nigel?
instruct_1_q_2: (2) Whose teachers were key influences on their development as a composer?
instruct_1_q_3: (3) What are the last names of the two people who Palmer said were obvious influences to Curtis?
instruct_1_q_4: (4) What are the first names of the two people who were dismissed as the Beatles' lawyers?
instruct_1_q_5: (5) What are the names of Ravel's two teachers who were key influences on his development as a composer?