His final tour, entitled "A Night Out with the Boys: Could This Be for the Last Time?" took place in 1997.

(meta data) TITLE: Gary Glitter's Last Stand? - MTV

(meta data) AUTHOR: http://www.facebook.com/mtvnews

(meta data) PUBLISHED DATETIME: 1997-12-22 13:00

December 22 [13:00 EDT] -- Gary Glitter's U.K. tour wrapped up in front of 8000 glam fans Sunday night in Manchester, England, and it may have been the fans last chance to see him perform live on tour.

Glitter billed his 25th Anniversary road trip as "A Night Out With The Boys -- Could This Be The Last Time?"

Britain's Press Association reports that Glitter, dressed in a silver jumpsuit with his trademark huge shoulderpads and high hair, made no mention of the child pornography allegations leveled against him earlier.

Police reportedly found indecent photos housed on Glitter's computer last month.

Glitter, a/k/a Paul Gadd, has denied the charges.

Glitter may stop touring, but he's not about to go away.

He's kept himself busy since his 1970s heyday, and he's likely to continue well into the next century.

He's just released a 32-track greatest hits record, and 1998 will see the release of at least one movie, a comedy called "ILoveYouLoveMeLove," and Glitter's autobiography

The rocker had been playing himself in the new Spice Girls movie singing his hit "I'm the Leader of the Gang" in a duet with the girls, but his part was cut following his arrest even though he has yet to be charged.

His scene was described by a fellow actor as "Gary Glitter and the Chippendale-cloned Dreamboys" with Glitter reportedly dressed in a black sequinned catsuit, platform shoes and "boot-black aircraft carrier hair."

In 1973, Glitter appeared at the London Palladium. It was a sell-out concert. In the same year his performance at the Rainbow Theatre was recorded and released as a live album, "Remember Me This Way". Glitter undertook a world tour, performing in Europe, Scandinavia, Australia, and New Zealand. He continued to tour until 1976, and his temporary retirement from music.
 During his comeback period of the 1980s, he did fewer tours, and mainly toured Britain. He did shows in Ireland, Germany, France, America and Bahrain. During the 1990s, he toured America several times, finally gaining the significant popularity he sought in the 1970s. In 1995, he undertook his last major tour, visiting Dubai, Abu Dhabi, Bangkok and Singapore.


The band released their second album "Modern English Decoration" in June 2017, which was preceded by the single "Mimi Pretend".

(meta data) TITLE: Ulrika Spacek announce Modern English Decoration, share new single "Mimi Pretend"

(meta data) PUBLISHED DATETIME: 1488371640

# Ulrika Spacek announce Modern English Decoration, share new single "Mimi Pretend"

Ulrika Spacek have announced Modern English Decoration, the follow up to awe-striking debut The Album Paranoia, and shared a brand new single.

Recorded, produced, and mixed entirely in the band's shared house (a former art gallery), Modern English Decoration is the very essence of who Ulrika Spacek have come to be.

"This record was made in various rooms in our house, predominantly in the living room," the band's Rhys Edwards illustrates.

"Every part of the album reflects this, from the title to the setting of the lyrics.

Doing everything ourselves is not just necessary: it's important to us, as it allows us to truly create our own world."

Creating their own world is no easy undertaking, but the group take every challenge in their stride.

"We enjoy listening to music through the album format and want our records to reflect that," Edwards adds.

"Though we may explore this in the future, our records are not 'jam' records.

We're fans of collage based art, and create music in the same way."

"Mimi Pretend" is the first taste of the new record, with layered refrains and echoing chimes offering up a rich tapestry ripe for exploration.

Opening the album, the track is a gateway into the setting Ulrika Spacek have created for themselves.

"We started making this record as soon as we finished our first," Edwards recalls.

"Like our debut, we started with Track One on the album and went from there.

Making a batch of songs then ordering them after they're all finished isn't something we have much interest in."

Ulrika Spacek perform at London's Sebright Arms on 8 March before opening for Slowdive at Glasgow Art School on 27 March and Liverpool Arts Club on 28 March.

##### Modern English Decoration is released via Tough Love on 2 June and is available to pre-order now.

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The 1975 let loose on heavy new single "People"

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Blue Hawaii announce new album with first single in two years "

Anna Meredith delivers intense new instrumental "moonmoons"

Joan Shelley shares new Bonnie "Prince" Billy collaboration "The Fading"

BAUM shows us the deepest depths of Iceland in secluded visuals for "Bad Kid"

Barny Fletcher gives us erratic, 24-carat alt-rap gold with "Crops"

Phoebe Green drops a slice of bold satire on the zesty "Easy Peeler"

Sweden's I Met Famous People looks for hope in the lo-fi dream of "That Will Save Me"

French trio Oracle Sisters return with "Spotlight", a noirish ode to the Parisian underworld

Theodor Black's "Tangerines" is a smoky haze of rich jazz and R&B influences

History.:Current Lineup & Signing to Tough Love Records, 2014–Present.

In Spring 2014, Edwards began working on new material in Berlin with Reading school friend and sometime Tripwires live guitarist Rhys Williams. On returning to England, they re - located to Homerton, East London where they completed the album at a shared house named KEN with drummer Callum Brown and fellow Tripwires members Joseph Stone and Ben White. The band made their live debut in London in May 2015. Soon after saw the formation of 'Oysterland', a self-curated night that combined the band's earliest live performances with a series of art exhibitions. They released "The Album Paranoia" in February 2016 and embarked on a UK tour the same month. In September 2016, the band released stand-alone single "Everything: All The Time".


The spacecraft's operation was extended by several weeks by exploiting its remaining supply of helium gas, which was used to pressurize its propellant tanks, as reaction mass.

Innovative use of pressurant extends MESSENGER's Mercury mission | Astronomy.com

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# Innovative use of pressurant extends MESSENGER's Mercury mission

Although the planetary satellite will run out of fuel in 2015, engineers have come up with a way to add some four weeks to its remaining time.

Johns Hopkins University Applied Physics Lab, Laurel, Maryland |

artist's concept shows the MESSENGER spacecraft in orbit around Mercury.

NASAThe MErcury Surface, Space ENvironment, GEochemistry, and Ranging (MESSENGER) spacecraft will soon run literally on fumes.

After more than 10 years traveling in space, nearly four of those orbiting Mercury, the spacecraft has expended most of its propellant and was on course to impact the planet's surface at the end of March 2015.

But engineers on the team have devised a way to use the pressurization gas in the spacecraft's propulsion system to propel MESSENGER for as long as another month, allowing scientists to collect even more data about the planet closest to the Sun.

"MESSENGER has used nearly all of the onboard liquid propellant," explained MESSENGER Mission Systems Engineer Dan O'Shaughnessy of the Johns Hopkins University Applied Physics Laboratory (APL) in Laurel, Maryland.

"Typically, when this liquid propellant is completely exhausted, a spacecraft can no longer make adjustments to its trajectory.

For MESSENGER, this would have meant that we would no longer have been able to delay the inevitable impact with Mercury's surface.

However, gaseous helium was used to pressurize MESSENGER's propellant tanks, and this gas can be exploited to continue to make small adjustments to the trajectory."

This gas is less efficient, he added, but as effective as the liquid propellant at modifying the spacecraft's trajectory.

"The team continues to find inventive ways to keep MESSENGER going, all while providing an unprecedented vantage point for studying Mercury," said APL's Stewart Bushman, lead propulsion engineer for the mission.

"To my knowledge, this is the first time that helium pressurant has been intentionally used as a cold-gas propellant through hydrazine thrusters.

These engines are not optimized to use pressurized gas as a propellant source.

They have flow restrictors and orifices for hydrazine that reduce the feed pressure, hampering performance compared with actual cold-gas engines, which are little more than valves with a nozzle."

"Propellant, though a consumable, is usually not the limiting life factor on a spacecraft, as generally something else goes wrong first," he continued.

"As such, we had to become creative with what we had available.

Helium, with its low atomic weight, is preferred as a pressurant because it's light, but rarely as a cold gas propellant because its low mass doesn't get you much bang for your buck."

Adjusting MESSENGER's trajectory will allow scientists to spend extra time exploring Mercury from close range.

This past summer, the team launched a low-altitude observation campaign to acquire the highest-resolution images ever obtained of Mercury, enabling scientists to search for volcanic flow fronts, small-scale tectonic features, layering in crater walls, locations of impact melt, and new aspects of hollows — detailed views that are providing a new understanding of Mercury's geological evolution.

"During the additional period of operations, up to four weeks, MESSENGER will measure variations in Mercury's internal magnetic field at shorter horizontal scales than ever before, scales comparable to the anticipated periapsis altitude between 7 kilometers and 15 kilometers [4 and 9 miles] above the planetary surface," said APL's Haje Korth, the instrument scientist for the Magnetometer.

"Combining these observations with those obtained earlier in the mission at slightly higher altitudes will allow the depths of the sources of these variations to be determined.

In addition, observations by MESSENGER's Neutron Spectrometer at the lowest altitudes of the mission will allow water ice deposits to be spatially resolved within individual impact craters at high northern latitudes."

MESSENGER's periapsis altitude is now approximately 63 miles (101km) and decreasing.

The next orbit-correction maneuver January 21, 2015, will raise the altitude at closest approach from approximately 15.5 miles (25km) to just over 50 miles (80km).0

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After running out of propellant for course adjustments, "MESSENGER" entered its expected terminal phase of orbital decay in late 2014.


Sean acted as the judge for the Bra competition during the first year of the event and it was so popular that he has been asked back every year since with the competition getting bigger and better each year, with Sean himself participating in part of the 2011 ride and sporting a special weather themed Bra during that year's event.

(meta data) TITLE: Breast Way Round: Fort William to Glasgow, the road home

# Breast Way Round: Fort William to Glasgow, the road home

## After four days, the Breast Way Round bikers travel the final, emotional miles to Glasgow

After four days of battling the elements and driving miles in testing conditions, Breast Way Round 2011 has come to an emotional end.

The charity motorbike riders arrived in Glasgow's George Square at 1pm on Monday afternoon (May 30) to a celebratory atmosphere.

Crowds lined the city centre streets to wave the women and men home after they clocked up hundreds of miles across Scotland to raise funds for Macmillan Cancer Support.

Shirley Ann Barnes started the bike ride four years ago after the charity helped one of her best friends.

She says this weekend has been extremely special.

She said: "I'm exhausted, I'm emotional but more than that I'm so proud of everybody who has taken part.

"There were parts of this event that were really quite scary, but the fact that everyone pulled together and helped each other shows that Breast Way Round is the event that it is.

"It's all down to the commitment of these women and the men that come along to help support us.

"It's just an awesome event and I'm so humbled and privileged that these people want to take part in something that's so special to me."

Check out our picture gallery from the final day of Breast Way Round

The bikers left Fort William at 9am, travelling down the A82 towards Glasgow.

Their route took them through Glencoe, once again in the rain, before pulling in at Tyndrum to refuel their bikes and have some cakes, thanks to the Real Food Cafe, who also added to the charity collection.

After the first stop, the bikers carried on along the twists and turns of the A82, hugging the banks of Loch Lomond before they regrouped again at Loch Lomond Shores.

From here, with some help from Strathclyde Police, the groups of bikers started the final leg of their journey to George Square and were also accompanied by STV's Sean Batty who joined the bikers on a trike.

Sean usually greets the Breast Way Round bikers in Glasgow to judge the all important boys bra competition, but was delighted to get on the back of the trike and even sport his own, specially designed, weather themed bra.

He said: "Going to Loch Lomond, actually meeting the bikers there, and coming back with the wind in our hair was a really good experience.

"I've had so much fun - its been incredible.

"It was great when we drove through Dumbarton into Glasgow – people were waving from office windows, it was a really incredible atmosphere and it was great to be on the other side and see what it's like for them to come in."

In George Square, many motorbike dealers, friends, family and even live entertainment welcomed back the riders.

Emotions also ran high one biker from each group was selected to release their memory balloons, filled with tags, memories and names of loved ones who have lost their battle against cancer.

And as the bikers, who have travelled from all over Scotland and even England to take part in the ride, and their families started to head off – Shirley Ann looked back on an incredible weekend.

She added: "When you're sponsored to do an event that's close to your heart you have to go with what's thrown at you.

"You need the support of everyone around you – the Breast Way Round couldn't be more supportive."

"It's safe, it's female and it's fantastic."

You can still donate to Breast Way Round online

Or did you see the bikers travelling through Scotland?

Email your pictures and memories to nicola.dowds@stv.tv.

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He learned Gaelic and hoped to be fluent in time for the Paisley MOD in 2013.
 Sean has been a supporter and Judge for part of the Breast Way Round Charity event since 2008. The event consists of female motorcyclists participating in a sponsored motorcycle ride round Scotland, and as part of the event the male motorcyclists who participate (often partners, friends and family of female participants) will dress up in fancy dress including decorated bras which are then judged as part of a competition at the event location where the ride ends.


The show was produced by Robert Ahrens, Mickey Liddell/LD Entertainment, Hunter Arnold, James Wesley, Jim Burba and Bob Hayes.

(meta data) TITLE: Seth Rudetsky's Disaster! Musical Headed for Broadway with Adam Pascal and Faith Prince | Playbill

# Seth Rudetsky's Disaster! Musical Headed for Broadway with Adam Pascal and Faith Prince

Theatre personality (and Playbill columnist) Seth Rudetsky will soon have two new titles: Broadway librettist and Broadway star.

Rudetsky and Jack Plotnick's musical Disaster!, a parody of 1970's disaster movies which ran Off-Broadway in 2012 and 2013, has booked Broadway's Nederlander Theatre for a March 2016 opening with an all-star cast.

Directed by Plotnick, with a book by Rudetsky and Plotnick, Disaster! will star Tony winner Roger Bart, Tony nominee Kerry Butler, Tony nominee Kevin Chamberlin, Tony nominee Adam Pascal, Tony winner Faith Prince, Drama Desk winner Rachel York, Drama Desk nominee Jennifer Simard, Max Crumm, Lacretta Nicole—and Rudetsky himself.

The score for Disaster! features a songbook of memorable pop, rock and disco hits of the 1970's, including "Hot Stuff," "I Am Woman," "Knock On Wood" and "Daybreak."

Disaster! begins previews Feb. 9, 2016, and officially opens March 8, 2016.

It's described thus in press notes: "Just when you thought it was safe to go back to the theatre comes Broadway's new musical comedy Disaster!

Earthquakes, tidal waves, infernos and rampant wildlife can't stop an outrageous cast of characters from dancing, gambling and singing the night away aboard New York's first floating casino and discothèque."

Rudetsky told Playbill.com exclusively, "Ever since I read Charles Busch's book 'Whores of Lost Atlantis,' I've always wanted to write a show and perform in it, surrounded by my friends.

I co-wrote Disaster! with my friend Jack, whom I've known since 1991, and everyone in the show is a friend from forever ago!

I've known Faith since the early 90's (we have the same therapist!).

And Kerry and I have known each other since we were in a kids nightclub in the 80's.

I could go through the whole cast but the point is this is a dream come true!"

The Disaster! design team includes JoAnn M. Hunter (School of Rock–The Musical) creating the choreography, Tony Award nominee Tobin Ost (Newsies) designing sets, six-time Tony Award winner William Ivey Long (The Producers, Hairspray) designing costumes and Tony Award winner Jeff Croiter (Peter and the Starcatcher) designing the lighting.

Additional cast and design team will be announced shortly.

Rudetsky and the original Off-Broadway company of Disaster!

Disaster! originated at the Triad Theatre Off-Broadway for a two-month run in 2012.

It reopened in a more fully designed production at another Off-Broadway venue, St. Luke's Theatre, for a six-month run in 2013.

Tickets go on presale to members of Audience Rewards (AudienceRewards.com) Nov. 16-20.

Tickets go on sale to the general public beginning Nov. 20 at 10 AM via Ticketmaster.com or by calling (877) 250-2929.

Disaster! is being produced by Robert Ahrens, Mickey Liddell/LD Entertainment, Hunter Arnold, James Wesley and Jim Burba & Bob Hayes in association with Katherine McGregor, Mary J. Davis and Stephen CuUnjieng.

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The two-time Olivier Award-winning illusionist and mentalist begins a limited Broadway engagement at the Cort Theatre September 6.

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The Disney production will kick off this fall.

The Dear Evan Hansen Tony winner belts out in his latest pop song.

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The traveling production will launch in September in Schenectady, New York.

Forbidden Broadway Will Return to New York This Fall

The long-running musical spoof will take aim at Hadestown, Moulin Rouge!, Frozen, Dear Evan Hansen, and more.

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Origins go back to the early 1990s. While working together in 1992, Seth Rudetsky and Drew Geraci developed the concept of creating a musical reminiscent of the 70s disaster films they both appreciated. The original storyline involved the New York City blackout of 1977 and incorporated the decade's top songs as both musical numbers and vehicles for comedy.
 When Rudetsky was asked in 2011 to put on a show benefiting the nonprofit organization Only Make Believe, he decided to return to his disaster musical idea, and in the span of three months, he and Jack Plotnick revised the concept and wrote the first script of "Disaster!".   Major changes included widening the plot's range: instead of focusing on one disaster, the NYC blackout, they decided to introduce a variety of catastrophes common to the popular films of the 1970s that they had grown up watching. The benefit show successfully impressed critics, and from its success, the musical later had a nine show Off-Off-Broadway run before being made into an Off-Broadway production. A Broadway production directed by Plotnick opened in March 2016 at the Nederlander Theatre, with an all-star cast and choreography by JoAnn M. Hunter.


In 2011, Lowe represented the Junior Kangaroos in a game against the Junior Kiwis.

11 NRL players feature in Junior Kangaroos - NRL.com

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# 11 NRL players feature in Junior Kangaroos

Gagai will represent the Junior Kangaroos at Ausgrid Stadium on October 16

Eleven players with NRL experience have been named to represent the ARL Junior Kangaroos for their upcoming international against the New Zealand Junior Kiwis on Sunday, October 16, at Ausgrid Stadium, Newcastle.

Nathan Massey, Cameron King, Dane Gagai and Josh Jackson gain selection for the second time in the ARL Junior Kangaroos as they were part of the David Hamilton coached side which drew the 2010 series with the Junior Kiwis one-all.

The North Queensland Cowboys duo of Moses Pangai and Kyle Feldt have also been rewarded with selection after exemplary grand final performances against the New Zealand Warriors NYC side.

The team will assemble on Tuesday, October 11, from 3pm at the Executive Inn located at Wests Newcastle, New Lambton, for medicals.

Dale Finucane (Canterbury- Bankstown Bulldogs)

Josh Jackson (Canterbury- Bankstown Bulldogs)

Jack De Belin (St George-Illawarra Dragons)

Alex McKinnon (St George-Illawarra Dragons)

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While living in Toowoomba he played rugby league for Valleys Toowoomba.
 In 2008, Lowe was selected for the Australian Schoolboys side but was ruled out due to a wrist injury. That year he represented the Queensland Under 18 Maroons in a match against NSW Country.
 After finishing high school, Lowe signed with the Sydney Roosters for the 2009 season. That year he played for the Newtown Jets SG Ball side and made his debut for the Roosters NYC team. Between 2009 and 2011, Lowe played 61 games and scored 19 tries for the Roosters under 20's team. In 2009, Lowe played for the Queensland Under 18's. In 2010, he was a member of the Junior Kangaroos squad, but did not play a game.


In October 2013, Treasure placed the title into the Steam Greenlight process to bring the game (based on the Xbox 360 version) to Microsoft Windows, with hopes to bring their other titles to the platform later.

(meta data) TITLE: Ikaruga hits Steam Greenlight • Eurogamer.net

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Our pick of the most powerful console commands for TES 5.

Japanese developer Treasure has launched cult classic "shmup" Ikaruga on Steam Greenlight in the hope of releasing it on Valve's digital platform.

The vertical shoot 'em up made waves upon its 2001 release for its polarity-switching gameplay.

It meant you could switch the ship's polarity at will to absorb enemy bullets of a certain colour.

The Steam version, described as "the latest tune-up version based on Xbox 360 edition", would as you'd expect support the Xbox 360 controller

It also features local two-player co-op.

Ikaruga creator Hiroshi Iuchi, who also directed Radiant Silvergun and Gradius 5, left Treasure some time ago to create Kokuga for Nintendo 3DS.

On Twitter, Treasure said: "New challenge!

We are trying to distribute Treasure games on Steam."

Perhaps if Ikaruga is greenlit, we may see Radiant Silvergun on the platform, too.

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Digital Foundry on the GPUs that can match or exceed console visuals.

"Ikaruga" was first released in arcades in Japan on 20 December 2001. A Dreamcast port was released exclusively in Japan on 5 September 2002. Although not yet published in the West, "Ikaruga" began to garner a cult following in North America among import gamers. On 16 January 2003, Infogrames published "Ikaruga" for the GameCube in Japan under their Atari label. Later that month Infogrames confirmed the GameCube version of "Ikaruga" would come to North America and Europe, with Infogrames representatives citing the popularity of "Ikaruga" in Japan and growing fan base around the world. The game was finally released on 15 April 2003 In North America and 9 May 2003 in Europe.
 On 12 September 2007, Microsoft announced they were planning on releasing "Ikaruga" on Xbox Live Arcade for the Xbox 360. It was released on 9 April 2008, and included new features such as leaderboards, achievements, and the ability to record and replay playthroughs. Treasure later released "Ikaruga" on the arcade distribution platform, NESiCAxLive, on 8 August 2013.


The album "Dissolvi" was released August 3, 2018 on the Ghostly International label, and includes collaborations with GABI and Julianna Barwick.

(meta data) TITLE: FACT mix 688: Steve Hauschildt

(meta data) PUBLISHER: http://www.facebook.com/factmagazine

## L-Vis 1990 & Sinjin Hawke Feat. Pink Dollaz–'Cake (UNiiQU3 Remix)'

Producer Steve Hauschildt assembles a diverse mix of IDM, jazz, funk, folk and early electronics.

Back in the mid-2000s, the musical landscape was quite different from how it is today – in the underground, CDRs and cassettes ruled supreme.

And while there was a dense crowd of ragtag American acts spilling their anxiety in editions of 30, a few distinct acts stood head and shoulders above the rest.

Cleveland's Emeralds were among the most prominent outfits of the era, and helped re-ignite interest in synthesizer music with their hypnotic Klaus Schulze and Tangerine Dream-influenced drones.

Established in 2005 by John Elliott, Steve Hauschildt and Mark McGuire, the trio released a now-legendary catalogue of albums, EPs and splits before bringing the project to an abrupt close in 2013.

Since then, Steve Hauschidlt has been working alone, melting Emeralds' blissful synth meditations into new forms, bringing in influence from IDM, dub techno, dream pop and R&B.

In 2016, he released Strands, one of FACT's top releases of that year, and last year followed it up with Dissolvi on the Ghostly imprint.

Hauschildt's most high-profile release to date, Dissolvi contained dreamy collaborations with vocalists GABI and Julianna Barwick and dipped further into pop territory.

On his FACT mix, he manages to explore his musical history almost completely, drifting from pensive IDM (Gescom, Brothomstates) to vintage electronics (Roland Kayn, Kraftwerk), hazy pop (Cocteau Twins), sizzling R&B (Prince, Janet Jackson) and whatever else is in the listening pile.

Francis Dhomont – 'Les Enchantements De L'Imagination'

The Tallis Scholars – 'Palestrina – Missa Papae Marcelli – Kyrie'

Cocteau Twins – 'Pink Orange Red (Acoustic Version)'

Guy Reibel – 'On Eût Dit Des Coups D'Ailes – IV'

Janet Jackson – 'Put Your Hands On' (unreleased)

Patty Waters – 'Moon, Don't Come Up Tonight'

B.E.F. feat. Glenn Gregory – 'Perfect Day'

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After the folding of Emeralds in 2013, Hauschildt's first widely distributed release arrived in 2011, when Kranky released his full-length "Tragedy & Geometry". The album features heavy use of the Prophet '08 synthesizer, and is influenced by 1970s-era Kosmische musik. Its title is taken from the subjects governed by two of the Greek muses, Melpomene and Polyhymnia.
 In 2012 a second album "Sequitur" was released, followed by the collection of outtakes and demos "S/H" on Editions Mego a year later. In the latter part of 2014, Hauschildt contributed the collection "Air Texture IV" together with BNJMN. In September 2015, he released the album "Where All Is Fled", which marked a return with new material after a three-year absence.
 In October 2016, Hauschildt released the album "Strands".


He competed at the 1964 Winter Olympics and the 1968 Winter Olympics.

(meta data) TITLE: Herbert Steinbeißer Bio, Stats, and Results | Olympics at Sports-Reference.com

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Born: January 8, 1938 in Ruhpolding, Bayern, Germany

Affiliations: SC Ruhpolding, Ruhpolding (GER)

Herbert Steinbeißer (born 8 January 1938) is a German cross-country skier.


As the Medical Director of CURE Children's Hospital of Uganda, Warf pioneered a low-cost, low-risk alternative to the typical treatment for hydrocephalus.

(meta data) TITLE: Harvard's Raj Chetty and Benjamin Warf Win 2012 MacArthur Grants | Harvard Magazine

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The author and fellow activists at a Divest Harvard rally this past April: (from left) Caleb Schwartz '20, Flores-Jones, Anand Bradley '19, Owen Torrey '21, Eva Rosenfeld '21, and Sophia Higgins '21

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Click on arrow at right to view full image gallery(1 of 8) The "Rocking Horse Graveyard," in Lincoln, Massachusetts— "It's a fun, whimsical thing with a flea- market feel," Ocker says.

"But at night it's one of the creepiest sights on the planet.

Exploring New England's more unusual sites with J.W. Ocker

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Click on arrow at right to view full image gallery(1 of 4) Mak designed lighting for a 2019 staging of The Bridges of Madison County by the Philadelphia Theater Company.

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Pleasures to explore in and around Worcester

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### Introducing: Ask a Harvard Professor

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# Raj Chetty and Benjamin Warf Win MacArthur Grants

Harvard Memorial Church Interim Minister

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Warf grew up in Pikeville, Kentucky, where his father was a pastor. After graduating from Harvard Medical School in 1984, Warf completed his neurosurgical residency training at Case Western University in 1991, and was the first Fellow in Pediatric Neurosurgery at Boston Children's Hospitalfrom 1991 to 1992. He joined the faculty of University of Kentucky College of Medicine in 1992, where he served as Chief of Pediatric Neurosurgery and Director of Surgical Education until 2000.
 In 2000, Warf moved his wife and 6 children to Uganda to help found the CURE Children's Hospital of Uganda, the only pediatric neurosurgery specialty hospital in sub-Saharan Africa. There, he served as Medical Director and Chief of Surgery until 2006. The hospital remains a part of the CURE International network of surgical specialty hospitals for children in developing countries, currently performing over 1200 pediatric neurosurgical operations each year. Through training and professional development, the hospital is now fully staffed by Ugandan neurosurgeons, physicians, and nurses. While there, Warf founded the CURE Hydrocephalus program that trains and equips neurosurgeons from developing countries to treat infant hydrocephalus using a minimally invasive endoscopic technique (ETV/CPC) that greatly reduces the number of children requiring implantation of and lifelong dependence on ventriculoperitoneal shunts.


These printed materials were on every legal document, magazine, and newspaper, plus many other types of paper used throughout the colonies, including playing cards.

(meta data) TITLE: A Summary of the 1765 Stamp Act : The Colonial Williamsburg Official History & Citizenship Site

## Looking to Buy Tickets & Gifts or Book a Vacation? Click Here

The Stamp Act was passed by the British Parliament on March 22, 1765.

The new tax was imposed on all American colonists and required them to pay a tax on every piece of printed paper they used.

Ship's papers, legal documents, licenses, newspapers, other publications, and even playing cards were taxed.

The money collected by the Stamp Act was to be used to help pay the costs of defending and protecting the American frontier near the Appalachian Mountains (10,000 troops were to be stationed on the American frontier for this purpose).

The actual cost of the Stamp Act was relatively small.

What made the law so offensive to the colonists was not so much its immediate cost but the standard it seemed to set.

In the past, taxes and duties on colonial trade had always been viewed as measures to regulate commerce, not to raise money.

The Stamp Act, however, was viewed as a direct attempt by England to raise money in the colonies without the approval of the colonial legislatures.

If this new tax were allowed to pass without resistance, the colonists reasoned, the door would be open for far more troublesome taxation in the future.

Few colonists believed that they could do anything more than grumble and buy the stamps until the Virginia House of Burgesses adopted Patrick Henry's Stamp Act Resolves.

These resolves declared that Americans possessed the same rights as the English, especially the right to be taxed only by their own representatives; that Virginians should pay no taxes except those voted by the Virginia House of Burgesses; and that anyone supporting the right of Parliament to tax Virginians should be considered an enemy of the colony.

The House of Burgesses defeated the most extreme of Henry's resolutions, but four of the resolutions were adopted.

Virginia Governor Fauquier did not approve of the resolutions, and he dissolved the House of Burgesses in response to their passage.

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After Great Britain was victorious over France in the Seven Years' War – which manifested in America as the French and Indian War – a small Stamp Act was enacted that covered of all sorts of documents. The Stamp Act 1765 (short title "Duties in American Colonies Act 1765"; 5 George III, c. 12) was a direct tax imposed by the British Parliament on the colonies of British America. The act required that many printed materials in the colonies be produced on stamped paper produced in London and carrying an embossed revenue stamp.


Located in London, Ontario, Canada, the Library and Information Science (LIS) program at the University of Western Ontario (also referred to as Western University) offers both Masters and PhD level programs through the Faculty of Information and Media Studies (FIMS).

Graduate Programs - Faculty of Information & Media Studies - Western University

Graduate ProgramsMA Media StudiesMA Popular Music & CultureMaster of Health Information ScienceMaster of Library & Information ScienceMaster of Media in Journalism & CommunicationPhD Health Information SciencePhD Library & Information SciencePhD Media StudiesUndergraduate ProgramsCertificates & Diplomas

Dean's Officefimsadmin@uwo.ca 519-661-3720FIMS & Nursing BuildingRm 2050Graduate Student Servicesfims-gradservices@uwo.ca 519-661-4017FIMS & Nursing BuildingRm 2020

Are you a Current Graduate Student looking for indepth policy or procedural information?

Visit the Graduate Intranet for information related to your program.

### Choose a program that interests you:

Master of Arts in Media Studies Study the social, cultural, economic and political forces at play in the convergence of media institutions, technologies and industries.

Master of Arts in Popular Music & Culture Explore any and all facets of popular music through the lens of critical media study and cultural theory.

Master of Health Information Science A research-based degree at the intersection of healthcare and information management, policy, knowledge translation, and clinical practice.

Master of Library and Information Science

Master of Library & Information Science Be part of the new wave of librarians and information specialists while building on well-established principles of librarianship.

Master of Media in Journalism and Communication

Master of Media in Journalism & Communication Move seamlessly between journalism and communications careers using skills developed in this professional program.

PhD in Health Information Science A research-based degree at the intersection of healthcare and information management, policy, knowledge translation, and clinical practice.

PhD in Library & Information Science Be a part of a group of researchers working to help meet the challenge of a continually evolving information society.

PhD in Media Studies Study the social, cultural, economic and political forces at play in the convergence of media, technologies and industries.

Library and Information Science program at the University of Western Ontario


Nukeeva was crowned as Miss Kyrgyzstan 2013, represented Bishkek.

(meta data) TITLE: Eye For Beauty: Miss Kyrgyzstan 2013 crowned

Kyrgyzstan crowned a brand new queen last night.

Zhibek Nukeeva (18) defeated 20 other delegates to be named Miss Kyrgyzstan 2013.

She will represent her country at the 2013 Miss World Pageant in Indonesia later this year.

Meerim Erkinbaev was named the first runner-up and she will be her country's first representative at the Miss International Pageant.

The second runner-up was Mariam Esenova who might compete at Miss Earth 2013.

The new Miss Kyrgyzstan (center) with her first runner-up (2nd from L) who will compete at Miss International 2013 and the second runner-up (Far Right) who might represent her country at Miss Earth 2013.

Miss South Africa 2017 Controversy: Did Demi-Leigh "Cheat" her Way to the Crown?

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in May 2016, it was revealed that she had been cast as Ginny Weasley in "Harry Potter and the Cursed Child".

(meta data) TITLE: First look at Harry, Ginny and Albus Potter in character - Pottermore

# Cursed Child reveals first look at Harry, Ginny and Albus Potter in character

L-R, Jamie Parker as Harry, Sam Clemmett as Albus and Poppy Miller as Ginny.

## The actors playing Ginny and Albus Potter are confirmed, as the production of Cursed Child unveils a new series of character portraits showing the actors in costume.

While J.K. Rowling says Jamie Parker 'simply is Harry now.'

We're just a week away from the first preview of Harry Potter and the Cursed Child Parts One and Two and today we are thrilled to share character portraits of Harry, Ginny and Albus Severus Potter, as they will appear in the play.

When asked about actor Jamie Parker's transformation, J.K. Rowling said: 'He simply is Harry now.

There's a kind of relief in watching him, he gets it so right.'

With Jamie is Sam Clemmett as Albus Severus Potter, and Poppy Miller as Ginny Potter.

Poppy has previously appeared on stage in productions of Macbeth and Twelfth Night, while her film and TV work has included roles in Line of Duty, Sex & Drugs & Rock & Roll and The Second Best Exotic Marigold Hotel.

While Sam has appeared in productions of Lord of the Flies, and Wendy and Peter Pan for the Royal Shakespeare Company and you may also have spotted him on your TV screens in The Musketeers and Foyle's War.

As well as confirming more of the Cursed Child cast, these wonderful photos give us so much to be excited about: this is the first time we've caught a glimpse of Jamie with Harry's legendary scar; the first time we've seen Harry, Ginny and Albus together and the first time we've seen Katrina Lindsay's costume designs and hair and make-up designs by Carole Hancock.

It might seem almost strange to see Harry Potter without his trusty Hogwarts robes, but Jamie took us through Harry's more grown-up attire.

'He's wearing a suit because he's a Ministry man, but he's not just a bloke in a suit, that's way too anonymous,' Jamie explained.

'And it sounds strange but we talked around a lot of different suits, because there are suits and suits, and a lot of them we put on and we went "Mmm it's just not right".

'With all the character's costumes we want them to be instantly familiar when people see them, so that people feel like the story's safe in our hands, and that we're taking that responsibility seriously.'

Speaking of instantly familiar, how did Jamie feel donning the world-famous scar and glasses?

These are stories that people have lived with for their whole lives, they've grown up with and now they're adults re-joining the tale, picking it up where they left off and I'm one of them.

In a sense you don't need more than the scar and the glasses, you kind of go, "there it is" and I don't really know how to put it into words, it's just immeasurably exciting and I can't wait to show it to people.'

'It's a unique gig in the sense that you have seven volumes of backstory that you get to bring on with you.

And we were all very keen to make sure that the first time you see Harry it just feels right.'

Poppy Miller was thrilled with her new look as Ginny Potter (née Weasley).

'So far I've had a fabulous haircut and, as this is Ginny's hair, it's obviously red and quite sleek,' Poppy explained.

'I also get to wear a gorgeous, hand-knitted jumper.

I think of it as a really tasteful Pygmy Puff.'

J.K. Rowling was just as happy to see Poppy in character.

She said: 'I think a lot of people would like to have Poppy's Ginny for a mother.

Kind and cool, exactly as I imagined her.'

Sam Clemmett told us he was sure Albus's robes were hand-me-downs from his character's elder brother.

'This is what Albus wears at the start of the show,' he said.

'I had the idea he was wearing James's – his older brother's – hand-me-downs.

So I wanted him to feel quite uncomfortable, and be able to play with his clothes.'

Ever conscious of keeping the secrets, J.K. Rowling said: 'There's much I could say about Sam-as-Albus, but we'd be into spoiler territory so quickly I'll just say we couldn't have cast better.'

And, as Poppy shares, the production of Cursed Child continues to deliver amazing surprises for the cast too.

'We are very excited about sharing the play with everyone who is coming,' Poppy said.

'All of us are seeing things every day, what other people are doing for the first time on stage, that's making us squeal with excitement.

This week, Pottermore will reveal new images of some of the other characters from Harry Potter and the Cursed Child Parts One and Two.

Come back tomorrow to see more beloved wizarding characters and the actors behind the roles.

Harry Potter and the Cursed Child Script eBook

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 Miller was born in Norwich, England and studied philosophy and English at Cambridge University and later attended the Webber Douglas Academy of Dramatic Art. She is mostly known for her role as DC Carol Browning in the British detective series "The Commander".   Miller has a role in the well ITV television movie "If I Had You", and was also more recently involved in Series 2 of "Red Cap".
 One of her best known performances to date was as Mary Magdalene in "The Last Days of Judas Iscariot" at the Almeida Theatre. She also appeared on the Nickelodeon show "House of Anubis" playing Vera Devenish in season 2.
 In the BBC's remake of E. F. Benson's "Mapp and Lucia" (2014) she played the Padre's wife, Evie Bartlett, a character from the original books who had not appeared in ITV's 1980s adaptation.


In 2007, member states agreed that the EU is to use 20% renewable energy in the future and that it has to reduce carbon dioxide emissions in 2020 by at least 20% compared to 1990 levels.

(meta data) TITLE: EU sets 20% target for carbon cuts | Environment | The Guardian

(meta data) AUTHOR: https://www.theguardian.com/profile/jessicaaldred

(meta data) PUBLISHER: https://www.facebook.com/theguardian

(meta data) PUBLISHED DATETIME: 2008-01-23T11:56:00-0500

Available for everyone, funded by readers

Commission outlines target to cut 20% of Europe's carbon emissions by 2020 on 1990 levels

First published on Wed 23 Jan 2008 11.56 EST

The UK must increase by sevenfold the proportion of its energy coming from renewables to meet European commission targets on carbon emissions outlined in Brussels today.

The commission confirmed the goal of cutting 20% from Europe's carbon emissions by 2020 compared with 1990 levels, and generating one-fifth of the EU's power from renewable sources by that time.

As its contribution, Britain must get 15% of its energy for heat, electricity and transport from renewables such as wind, wave, tidal, solar and biomass.

Only 2% of the UK's energy is renewable - the lowest percentage of any major European country.

Britain must cut greenhouse gas emissions by 16%, and get 10% of road transport fuel from biofuels, subject to them being produced in a sustainable way.

The business secretary, John Hutton, said the government was already doing a major review of its climate change strategy and was committed to meeting its EU targets.

But he said the final figure committed by Britain would be set in negotiations between ministers based on today's commission proposals.

"Whatever the final outcome, the UK is already exploring a vast expansion of wind energy offshore, and tidal power on the Severn, and we are already thoroughly reviewing our strategy to drive progress further," he said.

The commission president, Jose Manuel Barroso, urged European governments to play their full part in achieving what he called the world's most comprehensive deal on climate change.

He said they would increase energy security as well as addressing climate change, while creating thousands of new businesses and millions of jobs.

He told MEPs that the EU was determined to lead the way in facing up to the most important challenge of the 21st century.

The EU was ready to increase its CO2 reduction target to 30% as soon as the rest of the world made significant commitments, he said.

The targets, which must be endorsed by MEPs and member governments and would come into force in 2009, are different for the 27 members states according to their circumstances.

There are measures to support the development of carbon capture and storage (CCS) technology, an overhaul of the carbon trading scheme, and sustainability criteria for biofuels.

Green groups said the commission had not gone far enough.

The director of Friends of the Earth UK, Tony Juniper, called the plan a "disgrace".

"Europe wants to be a world leader in tackling global warming, but its carbon-reduction target is far weaker than the one agreed at last month's UN climate summit in Bali," he said.

"Scientists warn that a cut of at least 30% is required to prevent a climatic catastrophe.

The solutions already exist, what we lack is political ambition and courage.

"Although the UK has one of the biggest renewable energy potentials in the EU, we lag behind most of our European neighbours in developing green power.

The government must revolutionise its support for renewables."

Greenpeace said a major shift in government priorities was needed to meet the targets.

"Britain is set to embark on a clean energy revolution, and it's vital that we approach this with a can-do attitude," said the Greenpeace executive director, John Sauven.

"Gordon Brown deserves praise for committing to this target, and if his government can deliver it we will have closed the energy gap with clean, reliable technology, created thousands of green-collar jobs and safeguarded our energy supplies – as well as setting an international example on climate change.

"We now need a completely new industrial policy to make this happen, supporting the engineers and business leaders who can make the target a reality.

Just as important is a step change in government thinking, where for too long civil servants at the Department for Business, Enterprise and Regulatory Reform have treated the renewables industry with utter contempt."

Stephen Singer, head of the European climate and energy unit of the WWF, said: "The European commission presented a relatively weak proposal and not a single European country supported more ambitious targets ...

Overall, it is a very small effort to cope with a threat that might lead to Arctic melting and displacement of millions of people in developing countries because of increased floods."

Green MEP for the south-east, Caroline Lucas, said: "It is a serious source of regret that the EU commission has based its climate package on a mere 20% greenhouse gas reduction by 2020.

"Member states have committed to a 30% greenhouse gas reduction (which is in line with the reduction scientists agree is the minimum necessary) assuming an international agreement is reached.

By setting the bar lower from the outset, the EU is negatively prejudging the outcome of international climate negotiations and sending the wrong signal to the rest of world."

The Renewable Energy Association's chief executive, Philip Wolse, said the UK government's response to the proposals "lack sustenance and urgency".

"We have been reviewing this area for years.

We should be using biomass for energy, not paper for more reports," he said.

"Ministers admitted in last year's energy white paper that present policies will only deliver a 5% contribution from renewables to the UK's energy by 2020.

They signed up to the European 20% target last March – has nothing been done since?"

"The European commission has been gentle giving us a below-average target especially considering we have the best wind, wave and tidal resources in Europe."

The commission has stuck with its target of biofuels for 10% of all road fuel in Europe - and in Britain - by 2020, but introduced sustainability criteria because of fears about the environmental impact of growing fuel crops.

Biofuels used in the EU must be proven to provide a real saving in emissions of at least one-third compared with fossil fuels, and be produced using agricultural best practices.

They must not be produced on "land of high biodiversity" or with high carbon stocks.

The transport secretary, Ruth Kelly, said: "The UK has been leading the international drive to make sure the biofuels we use come from sustainable sources and we will be pressing to make sure European biofuels policy also includes strong safeguards to maximise greenhouse gas savings and protect the environment."

But Robert Bailey, Oxfam's international spokesman, said the strategy "failed to protect the land, livelihoods and human rights of vulnerable people, and create a huge threat to sustainable development where there should have been an opportunity".

"It is untenable for the commission to proceed with this legislation in the knowledge that it is unlikely to deliver on its primary policy objective of reducing emissions from transport."

The proposals include an overhaul of the EU's emissions trading system, with plans to auction emissions permits that were previously handed out for free.

The commission wants to cut the allowances allocated to member states by a fifth by 2020, and favours an EU-wide emissions cap instead of the previous allocations for individual countries.

The scheme allocates a fixed quota of CO2 emissions permits to heavy polluters, but allows companies to trade the credits among themselves.

It proposes to expand the scheme to airlines and industries such as cement, steel and paper.

 Initially, EU environmental policy was rather introspective. More recently, however, the Union has demonstrated a growing leadership in global environmental governance. The role of the EU in securing the ratification and entry into force of the Kyoto Protocol in the face of US opposition is an example in this regard. This international dimension is reflected in the EU's Sixth Environmental Action Programme, which recognises that its strategic objectives can only be achieved if a series of key international environmental agreements are actively supported and properly implemented both at an EU level and worldwide. The entry into force of the Lisbon Treaty further strengthens the EU's global environmental leadership ambitions. The vast body of EU environmental law which now exists has played a vital role in improving habitat and species protection in Europe as well as contributed to improvements in air and water quality and waste management. However, significant challenges remain, both to meet existing EU targets and aspirations and to agree new targets and actions that will further improve the environment and the quality of life in Europe and beyond.
 One of the top priorities of EU environmental policy is combatting climate change.


She is the first beauty pageant winner from India to win this title.

(meta data) TITLE: Meenakshi Chaudhary, Miss India Grand, is Miss Grand Slam 2018! — Global Beauties

(meta data) PUBLISHED DATETIME: 2019-02-11

About GBNewsGB RankingsGB Grand SlamContact Global Beauties

# Meenakshi Chaudhary, Miss India Grand, is Miss Grand Slam 2018!

The 21st Miss Grand Slam, the most celebrated title within the GB Awards, is Miss India Grand 2018, Meenakshi Chaudhary.

Her intelligence, celebrated beauty, unmatchable charisma, kind personality and strong stage presence, put her right on top of the list of all 440 national representatives who in 2018 represented their countries in the five Grand Slam beauty pageants: Miss Grand International, Miss International, Miss Supranational, Miss Universe and Miss World.

Chaudhary gives Miss Grand International its 2nd Grand Slam title in only three years.

Ariska Putri Perti Pertiwi, Miss Indonesia Grand and Miss Grand International 2016, was the first one.

The Indian stunner, who placed 2nd in Miss Grand International 2018, succeeded South Africa´s Demi-Leigh Nel-Peters, Miss Grand Slam 2017.

As a matter of fact, just like in Miss Universe 2018, South Africa missed a Miss Grand Slam back-to-back victory by very little: Tamaryn Green, Miss South Africa Universe, is Miss Grand Slam´s 1st runner-up, just behind Meenakshi.

Rounding out a golden "Top 3", is Miss Philippines Universe and Miss Universe, Catriona Gray.

Among the 5 Grand Slam winners of 2018, she is the best ranked in this competition.

Proving that it was no easy competition, two extraordinary young ladies followd right next in the list: Maeva Coucke, Miss France World, placed 4th, and Vanessa Ponce de Leon, Miss Mexico World and Miss World, ranked 5th.

The continental Miss Grand Slam winners are:

ASIA - Meenakshi Chaudhary, India Grand;AFRICA - Tamaryn Green, South Africa Universe;EUROPE - Maeva Coucke, France World;AMERICAS - Vanessa Ponce de Leon, Mexico World;CARIBBEAN - Kiara Ortega, Puerto Rico Universe;OCEANIA - Emily Tokic, Australia International

Miss Grand Slam winners form the 5 pageants are:

GRAND INTERNATIONAL - Meenakshi Chaudhary, India (original winner placed 2nd);UNIVERSE - Tamaryn Green, South Africa (original winner placed 2nd);WORLD - Maeva Coucke, France (original winner placed 2nd);SUPRANATIONAL - Bárbara Reis, Brazil (original winner placed 2nd);INTERNATIONAL - Mariem Velazco, Venezuela (she is the original winner).

Obeservation: It demonstrates that the original winners were either 2nd or Miss Grand Slam winners in their respective pageants, showing overall very fair choices in 2018.

WINNER: MISS GRAND INTERNATIONAL - Meenakshi Chaudhary - 81 points 2nd - Miss Universe - Tamaryn Green - 71 points3rd - Miss Universe - Catriona Gray - 57 points

4th - Miss World - Maeva Coucke - 56 points5th - Miss World - Vanessa Ponce de Leon - 47 points

See how the judges voted (from number 1 to 5. 1st receives 12 points, 2nd - 7 points, 3rd - 4 points, 4th - 2 points, 5th - 1 point):

Vandercasteele - IND G, RSF U, FRA W, MEX W, PHI UBande - IND G, RSA U, FRA W, MEX X, PHI UFawcett - IND G, FRA W, MEX W, PHI U, RSA UPalmero - PHI U, RSA U, IND G, MEX W, FRA WMedel - RSA U, MEX W, IND G, PHI U, FRA WGuiraldes - PHI U, RSA U, FRA W, MEX W, IND GRodriguez - PHI U, FRA W, RSA U, IND G, MEX WDuarte - FRA W, RSA U, PHI U, MEX W, IND GIsa - IND G, RSA U, FRA W, MEX W, PHI UBeart - IND G, MEX W, RSA U, PHI U, FRA WMaes - MEX W, FRA W, PHI U, IND G, RSA UNieminen - RSA U, IND G, PHI U, MEX W, FRA W

Our judges: Jean-Marie Vandercasteele from Belgium, Sifiso Bande from South Africa, Sally-Ann Fawcett from the UK, Paul Palmero from the Philippines, Jose "Pepe" Medel from Mexico, Ricardo Guiraldes from Chile, Julio Rodriguez from Venezuela, Rafael Duarte from Brazil, Richard Isa from Curaçao, Albin Beart, from India; Katia Maes from the Netherlands.; and Marjukka Nieminen from Finland.

Meenakshi Chaudhary joins the very special roll of 20 Miss Grand Slam winners so far:

2018 - Meenakshi Chaudhary, India Grand International.

2017 - Demi-Leigh Nel-Peters, South Africa Universe.

2016 - Ariska Putri Pertiwi, Indonesia Grand International.

2015 –Stephania Stegman, Paraguay Supranational.

2014 – Rolene Strauss, South Africa World.

2010 – Angela Martini, Albania Universe.

2008 – Dayana Mendoza, Venezuela Universe.

2006 – Sabrina Houssami, Australia World.

2005 – Natalie Glebova, Canada Universe.

2004 – Jennifer Hawkins, Australia Universe.

2002 – Christina Sawaya, Lebanon International.

2001 – Denise Quiñones, Puerto Rico Universe.

1998 – Wendy Fitzwilliam, Trinidad & Tobago Universe

THE 50 MOST BEAUTIFUL GIRLS IN THE WORLD

Congratulations to the winner and to all amazing women who made their countries proud by participating in the world´s 5 leading beauty competitions in 2018!!

Thanks to our judges for your hard work and complete impartiality!!

GBAwards, GBAwards18, Miss Grand SlamHenrique FontesFebruary 12, 2019Miss Grand Slam, Global Beauties, Global Beauties Grand Slam, GB Awards 2018, Meenakshi Chaudhary, Miss Grand India, Femina Miss India, Miss Grand International, Miss Universe, Miss World, Miss Supranational, Miss International

MissWorldHenrique FontesFebruary 15, 2019Miss Indonesia, Miss World, Princess Megonondo, Vanessa Ponce de Leon, Julia Morley

#### GB Awards 2018: Miss Universe wins "Best Contestants´ Introduction" Award

GBAwards, GBAwards18Henrique FontesFebruary 11, 2019Miss Universe, GB Awards, Miss Grand International, Miss World, Miss Supranational, Miss International

At Miss Universe 2000 in Cyprus, she achieved the highest score in the swimsuit competition and her finalist interview score was the highest individual score in any category in the history of the Miss Universe contest, as her interview saw a majority of the judges giving her the maximum 9.99 mark.
 After her final question, in which she delivered a defense of the Miss Universe contest (and other beauty pageants), she became the second Indian Miss Universe. Dutta's win led to her appointment as a UNFPA Goodwill Ambassador in 2001. In the same year, Priyanka Chopra and Dia Mirza won their respective Miss World and Miss Asia Pacific titles which gave India a rare triple victory in the world of beauty pageants. Lara was also elected as 'Miss Grand Slam 2000' by the pageant portal, Global Beauties besting all the delegates from the Grand Slam beauty pageants of the year 2000.


Also from the Hague, the Golden Earrings, who later gained international fame in the 1970s and 1980s as Golden Earring, had a top ten hit in the Netherlands in 1965 with "Please Go", followed by "That Day", which went to number two on the Dutch charts.

(meta data) TITLE: Frans Krassenburg of the Golden Earrings: Something Else! Interview

(meta data) PUBLISHER: https://www.facebook.com/SomethngElseReviews

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# Frans Krassenburg of the Golden Earrings: Something Else! Interview

Best known to radio fans today for later hits "Radar Love" and "Twilight Zone," the Golden Earrings had their earliest success in the 1960s as a pop band with Frans Krassenburg out front, only dropping the "s" in 1969 before turning to hard rock.

Krassenburg, who was later replaced by Barry Hay, helped the Dutch group to a Top 10 showing in their native country with 1965's "Please Go."

The follow up, "That Day," was only kept from the top spot by the Beatles' "Michelle."

By the turn of the decade, Golden Earrings co-founders George Kooymans and Rinus Gerritsen had retooled without Krassenburg, eventually hitting with "Radar Love" in 1973 and then "Twilight Zone" in 1983.

They've had the same lineup, completed by drummer Cesar Zuiderwijk, since 1970.

Krassenburg, meanwhile, began his solo career with an appropriate song, "Golden Earrings," before becoming an entrepreneur.

He joined us to talk about the earliest days of this legendary group from the Netherlands …

STEVE ELLIOTT: Frans, for our readers who may not be familiar with the Golden Earrings' early beginnings can you tell us how you joined the band in 1964?

I already had my own band called the Sharks at that time and played a lot in local clubs in the neighborhood of the Hague.

I was singing the songs of Cliff Richard and Elvis Presley.

At the same time, the Golden Earrings were looking for a singer, because they listened much to Radio Luxemburg to hear the English pop bands sing.

And, by the start of the first single of the Beatles they asked me to join the group and so, I started to sing songs by the Beatles, Rolling Stones, the Kinks, the Zombies, and many others.

Not too long after you joined the band, you all recorded your first single "Please Go" and debut album Just Earrings, both released in 1965.

What do you remember about each of them?

Because we had the right people around us, we were invited to come to the studio to record a lot of our own songs written by George (Kooymans, lead guitar and vocals) and Rinus (Gerritsen, bass and vocals).

We played "Please Go" already live for a couple of months, so we started to record "Please Go."

After the release, the single became a hit and ended on the 10th place in the Dutch Top 40.

After that, we were invited again to record an LP with songs of George and Rinus.

All great songs influenced by Beatles, Kinks etc.

After your first single, you all began a string of many Top 10 and Top 20 hit singles.

I understand the very catchy single "That Day" was recorded in England.

It definitely was a big jump as an achievement from the previous songs.

I also saw the video for it, and my personal favorite single "Daddy Buy Me A Girl," on YouTube.

I think "That Day," because it was recorded in England in the Pye Studio at the same time as the Stones were recording.

After 10 weeks as No. 2 in the charts, we recorded again in the Pye Studio the single, "If You Leave Me" No. 9 in the charts.

After that, we recorded again in the Hague and made "Daddy Buy Me A Girl," which ended up I think on No. 11 in the charts, and we made a very good video clip sitting on elephants at a circus with beautiful girls around us.

It seemed like to me that George Kooymans and Rinus Gerritsen were a powerhouse songwriting team for the band.

Is it fair to say you guys' sound was influenced by the Kinks, Beatles and Monkees?

Yes, we were very influenced by Beatles, Kinks, Zombies etc. — and they still are my favorites.

What do you think about the second Golden Earrings album, Winter Harvest?

I like the melodic song "Call Me" a lot.

In late-'66, rhythm guitarist Peter de Ronde left the band.

The second album is my favorite, and was made in the Phonogram Studio at Hilversum.

A song like "Don't Wanna Loose that Girl" was born in the studio.

They were all great songs by George and Rinus, and we picked out our new single "In My House," which ended up on No. 12 in the charts.

At the same time, Peter de Ronde left the band because his influence was too little comparable to the other members of the band.

After the excellent hit single "Sound of the Screaming Day" in mid-1967 was released, you left the band — with singer Barry Hay coming on board to replace you.

After that, we recorded again in London the new single "Don't Run Too Far," which ended on No. 14 in the charts.

Then in the late of 1967, we recorded 'Sound of the Screaming Day' again in London and during a meeting in the Hague, we decided to split — because, after making so many hits, it's very difficult to go on, on the same level.

They wanted to change their style of music, making it more heavy music with a spectacular performance.

I wasn't that kind of singer and Barry Hay was the perfect person for it.

About two years later, the fantastic drummer Jaap Eggermont left the band as well.

I understand he became a record producer.

Why did he leave the band at that point?

Jaap Eggermont left the group to become a record producer and he still is.

He was the producer of "Stars On 45," a No. 1 in America.

You released your first solo single "Golden Earrings" later on in 1967.

What was that song about, and what are your thoughts on your debut solo album also released that same year?

The song "Golden Earrings" was first sung by Peggy Lee in the early '50s, I think, and we thought that as we started with this song we could set up a solo project for me.

Well, the single ended on No. 20 in the charts, but I was invited to make a solo album with songs chosen by myself and my producer.

It wasn't such a big hit, but we were very satisfied by making it.

Now, these days, it is only interesting to collectors.

STEVE ELLIOTT: What did you do after 1967?

What music of yours from that point in time onward stands out for you?

Do you still like to perform live and record?

After 1967, I started my own restaurant.

These days, I have a new band and I'm still singing and performing.

It is a band with two horns, three singers and we make music like soul, funk and, of course, music from the sixties.

STEVE ELLIOTT: Do you think a reunion with the original members for either a one-off concert or new recording is still possible?

I don't think it's possible to do a reunion with my old friends, because they're still playing other kinds of songs — and I don't think they're waiting around to do the early songs.

Steve Elliott has written for Shindig, Twist and Shake, Garage & Beat and Ugly Things.

A big fan of all things rock and roll - especially the British Invasion, garage rock, psychedelic, new wave, folk rock, surf and power pop - he was a consultant on Sundazed Music's reissue of 'The Best of Butch Engle & The Styx: No Matter What You Say' in 2000, and has also provided liner notes for Italy's Misty Lane Records.

Contact Something Else! at reviews@somethingelsereviews.com.

#### Latest posts by Steve Elliott (see all)

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Tags: Frans Krassenburg, Golden Earring, new release, Something Else! Interview, Steve Elliott, The Golden Earrings

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### Cheap Trick – Cheap Trick (1977); We're All Alright! (2017): Shadows in Stereo

Toto, "Only the Children" from The Seventh One (1988): Toto Tuesdays Michael McDonald, "Find It In Your Heart" from Wide Open (2017): One Track Mind Chicago, "Hanky Panky" from Chicago VII (1974): Saturdays in the Park Paul McCartney, July 25, 2017: Shows I'll Never Forget June Foray, Legendary Voice Actor (1917-2017): An Appreciation The Beatles, "Flying" from Magical Mystery Tour (1967): Deep Beatles Yes, "Cinema" from 90125 (1983): YESterdays

#### Paul McCartney, July 25, 2017: Shows I'll Never Forget

#### June Foray, Legendary Voice Actor (1917-2017): An Appreciation

#### The Beatles, "Flying" from Magical Mystery Tour (1967): Deep Beatles

#### Cheap Trick – Cheap Trick (1977); We're All Alright! (2017): Shadows in Stereo

#### Gary Bartz's NTU Troop – Harlem Bush Music – Uhuru (1971)/Joe Henderson – The Elements (1973) (2017 reissues)

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(meta data) TITLE: Old music: Golden Earring – Twilight Zone | Music | The Guardian

(meta data) AUTHOR: https://www.theguardian.com/profile/michaelhann

(meta data) PUBLISHER: https://www.facebook.com/theguardian

(meta data) PUBLISHED DATETIME: 2012-12-13T02:00:00-0500

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# Old music: Golden Earring – Twilight Zone

The best AOR record of the early 80s? Something by Fleetwood Mac, maybe?

First published on Thursday 13 December 2012 02.00 EST

Full marks to Golden Earring for perseverance and adapatibility.

They're now 51 years into their career, and still having hits – their most recent album, the unfortunately titled Tits'n'Ass, reached No 1 earlier this year.

Admittedly, it was in Holland, but you've got to expect Dutch people to support what must be considered their greatest ever band.

Their first records – made as the Golden Earrings – were in the style history has dubbed Nederbeat, that being the admirably tough Dutch take on the British R&B explosion of the mid-60s.

They embraced the psychedelia and then the new mood of progressive exploration – their 1970 album Eight Miles High featured a 19-minute take on the Byrds' song that's surprisingly decent, as 19-minute takes on mid-60s pop classics go – and found themselves briefly famous outside their home nation when Radar Love became an international hit in 1973, the kind of boogie that seemed effortlessly find an audience in those distant days.

Then they disappeared back to massive success in Holland and relative obscurity everywhere else for another nine years, until 1982 saw the release of Twilight Zone, which became a US smash.

Golden Earring were by now a different band again, producing slick pop-rock that was perfectly placed to capitalise on both the rise of AOR and the birth of MTV.

The usual explanation for Twilight Zone's success is that its stylish, cinematic promo clip became a staple of the young music network, and that's true.

But it rather ignores the song, which is just about as good as AOR ever got.

I'm not sure an American band would or could ever have written Twilight Zone: there's a very European edginess and sense of discomfort to it, both lyrically and muscially, which the faux noir video suits admirably.

And you can hear the many and varied lives of Golden Earring folded into its construction – the beat group in its simple opening guitar figure and familiar chord changes and the progressive explorers in the guitar solos of the extended album version brought together into something slick and of its time.

Of its time, though, suggests it is mired in the 80s.

Twilight Zone has a clean and crisp production (probably helped by being just a little too early for the gated snare sound that ruined so many records in the second half of the decade) that's all but timeless – certainly, many of the groups who've been dabbling with 80s MOR in the past couple of years might learn something from its combination of rock's propulsion and pop's tunefulness: this is indisputably a rock band – that crashing chord, just off the beat, at "when the bullet hits the bone" is proof enough of that.

Twilight Zone would work without the production bells and whistles, but they're restrained enough to complement the song, and I think a straight rock version wouldn't generate the same excitement (a part of me wonders what Trevor Horn might have made of it, given what he did to Yes's Owner of a Lonely Heart).

In fact, after finding the Eight Miles High clip above, I tweeted the link.

A couple of minutes later, Golden Earring – who must assiduously self-search – tweeted back: "thats a long time ago Michael...:-)"

1964–1968: Peak years.:Variants in regions outside of the US and Canada.:Continental Europe.

The beat boom swept through continental Europe, resulting in the emergence of national movements sometimes cited as European variants of garage rock.  The Netherlands had one of the largest scenes, sometimes retroactively described as Nederbeat.   From Amsterdam, the Outsiders, who Richie Unterberger singled out as one of the most important 1960s rock acts from a non-English Speaking country, featured Wally Tax on lead vocals and specialized in an eclectic R&B and folk-influenced style. Q65 from the Hague recorded extensively and lasted well into the 1970s, releasing the invective "I Despise You" in 1966.


In 2019, there were more than 411 service stations supplying E85 fuel, comprising 85 percent ethanol and 15 percent gasoline.

(meta data) TITLE: Alternative Fuels Data Center: Alternative Fueling Station Counts by State

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The Wayback Machine - https://web.archive.org/web/20190211145220/https://afdc.energy.gov/stations/states

### U.S. Department of Energy - Energy Efficiency and Renewable Energy

# Alternative Fueling Station Counts by State

Below you will find a listing of alternative fuel station counts by state and fuel type.

* Includes legacy chargers but does not include residential electric charging infrastructure.

** Totals are the number of stations for all fuel types combined.

Individual stations count multiple times if the station offers more than one fuel type.

For electric, the count includes charging outlets.

Electric – electric vehicle supply equipment (EVSE)

Minnesota produces ethanol fuel and is the first to mandate its use, a ten percent mix (E10).