A section of black and white timbered Elizabethan work, a Queen Anne wing, and some early Victorian alterations made a strange conglomeration of styles of architecture; but the roses and ivy had climbed up and clothed ancient and modern alike, and Time had softened the jarring nineteenth-century additions, so that the whole now blended into a mellow, brownish mass, with large, bright windows enclosed in a frame of well-clipped greenery.
