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Details View larger ISBN-10: 0534613535 ISBN-13: 9780534613532 Edition: 3rd 2004 (Revised) Authors: Clint Brown, Cheryl McLean List price: $249.95 Buy it from $20.63 Get eBook Mkt 30 day, 100% satisfaction guarantee! Details on our satisfaction guarantee › Used Starting from $20.63 Buy used: $20.63 + Add to cart This item will ship on Monday, September 26. what's this? Rush Rewards U Members Receive: You have reached 400 XP and carrot coins. That is the daily max! The leading textbook for college figure-drawing classes, DRAWING FROM LIFE provides a clear, comprehensive, and thought-provoking guide to drawing the human form for anyone interested in exploring this time-honored artistic tradition. For centuries, drawing the human figure has given artists the tools and vocabulary for creating paintings, sculpture, drawings, or prints?from Renaissance classical to contemporary expression. In addition to working from the model, the figure-drawing student needs instruction in anatomy, history, and conceptual approaches to drawing the human form; such instruction is often missing from life drawing classes due to time constraints. DRAWING FROM LIFE offers… More these elements, along with a tremendous selection of drawings that represent the broad range of approaches, techniques, and media for drawing from life. The chapters follow the natural development of a student's growth, from fundamental sketching and gesture drawing to creative expression and exploration. An entire chapter on drawing the figure in perspective offers information that is not available in comparable textbooks. Students begin with quick sketches and gesture drawings, giving them a non-threatening introduction on a level they can readily understand and master. The cohesive presentation of anatomy, including a chapter on the human head, helps students understand the human structure and its impact on visible form. The final section brings the concepts, vocabulary, and history presented in the earlier chapters to bear on contemporary use of the figure in art. Less Customers also bought Book details List price: $249.95 Edition: 3rd Copyright year: 2004 Publisher: Wadsworth Publication date: 7/7/2003 Binding: Paperback Pages: 272 Size: 7.75" wide x 9.75" long x 0.50" tall Weight: 1.716 Language: English Author Table of Contents Cheryl McLeandiscovered many of the Oregon's lesser-known attractions during travels with her husband and daughter. She lives in Corvallis, Oregon. The Fundamentals Learning to See An Important Tradition The Mind's Eye The Right Frame of Mind A Sketch to Build On The Drawing Process Learning from the Old Masters The Sketch as Part of the Creative Process The Figure's Gesture, The Artist's Hand Expressing Volume, Weight, and Mass The Schematic Sketch The Compositional Sketch: Figure-Frame Relationship The Expressive Content of a Sketch In the Studio Proportions, Perception, and Perspective The Search for a Standard of Proportions The Eight-Heads-High Standard of Proportions Sight Measuring Proportions Plotting the Body's Proportions Learning to See: Beyond Preperception Perspective and Its Influence on Proportions The Development of Linear Perspective Structural and Planar Analysis In the Studio The Magic of Line The Function of Line The Phrasing of Line In the Studio Value as Light and Form Rendering Light and Modeling Form Continuous Tone Hatch and Cross-hatch Integrating Value Techniques Toned Paper and Color Media In the Studio Anatomy Foundations of the Human Structure A Brief History of Artistic Anatomy Learning from the Masters Anatomy as a Whole Anatomy of the Torso Articulation of the Limbs and Trunk Anatomical Differences Between Male and Female Figures In the Studio Anatomy of the Limbs The Leg The Arm The Hands The Feet In the Studio Heads and Portraits The Proportions of the Head The Anatomy of the Head Variations in Orientation of the Head Age and Gender Differences Portrait Variations Self-Portraits In the Studio Composition and Expression Composition and the Figurative Formalist A Figurative-Formalist Bias Composition Breaking Up the Pictorial Space The Abstract Concerns of the New Realist Light as Structure: The Camera's Influence Toward Expression In the Studio Expression and the Figurative Humanist Expressing Empathy Expressing Social Concerns Self-Expression Expressing Sensuality: Nude versus Naked Expressing Cultural Identity Expressing Subconscious Reality Expression and Composition In the Studio Becoming Your Own Best Critic Drawing Tools and Materials Endnotes Glossary Index Useful Websites Free shipping A minimum purchase of $35 is required. 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