King's Theatre.
We bave to congratulaitie boeWisW frefined singing on the re- covery of DIad. Ronzi di Begnis, and her return to her station at this theatre. She appeared on Saturday in Rossini's opera, It Turco in Italia, in the character or Donn2a FioriWa, the coquettish Neapo- litan lady, wlho prefers-as long as decorum will aUow-.an amorous Turkish prince, her admirer, to an antiquated Italian gentleman, bei husband. Her reception was most flattering, and her whole per- formnance merited the frequent plaudits which it excited. The part of .V'clin2, il Tinrco, was filled by Signor Remorini, well known in all parts of [taly as a bass singer of the first rank. Formany years he wasagreat favouriteat lMilan, Naples, Rome, &c., and has been per- forming at Lisbon, which city he has just left. His voice is un- commonily powerful, but rather hard; its range is not extensive, and it is defective in the means of expressing that tenlerness of pas- sion which becomes a well-bred lover, even though he bea AIussul- man. On the other hand, he has plenty of flexibilitv, and executes his passages with ease and neatness. His action is that of an expc- rienced performer: in stature he is about the middle size, but of his features we could discern nothing, mufsed up as they were in moustaches and a beard worthy of a Prince of the high Ottoman empire. Signor Dc B3egnis, as G-cronio, was as excellent as ever. For the rest, much is not to be said; though, Signor Rosichi, who personated the poet, must be mentioned. XV-e are sorry that the or hns exposed himself to the dangers of our climte, and-in all the civility of diplomatic language-recommend him to return speedily to his balmy and more genial native air. KINVG'S TrBATRE.