 The tenor of his work changed as he developed his style and adapted to his surroundings ( " chameleon @-@ like " according to Watson ) : his earliest works are in a relatively derivative , courtly style , but he came into his own in the years of the rebellion . Owen comments on the " grim simplicity " of the Qinzhou poems , which mirrors the desert landscape ; the works from his Chengdu period are " light , often finely observed " ; while the poems from the late Kuizhou period have a " density and power of vision " . 
 The tenor of his work changed as he developed his style and adapted to his surroundings ( " chameleon @-@ like " according to Watson ) : his earliest works are in a relatively derivative , courtly style , but he came into his own in the years of the rebellion . Owen comments on the " grim simplicity " of the Qinzhou poems , which <a href='uninflect' title='1'><mark>mirrors</mark></a> the desert landscape ; the works from his Chengdu period are " light , often finely observed " ; while the poems from the late Kuizhou period <a href='got' title='2'><mark>have</mark></a> a " density and power of vision " . 
Da tenor of his wrk changed as he developed his style and adapted to his surroundings ( " chameleon @-@ like " according to Watson ) : his earliest works are in a relatively derivative , courtly style , but he came into his own in the years of tdarebellion . Owen comments on the " grim simplicity " of the Qinzhou poems , which mirror thdaesert landscape ; thedarks from his Chengdu period are " light , often finely observed " ; while the poems from the dae Kuizhou period got a " density and power of vision " .