 Thomas Newman 's score was recorded in Santa Monica , California . He mainly used percussion instruments to create the mood and rhythm , the inspiration for which was provided by Mendes . Newman " favored pulse , rhythm , and color over melody " , making for a more minimalist score than he had previously created . He built each cue around " small , endlessly repeating phrases " — often , the only variety through a " thinning of the texture for eight bars " . The percussion instruments included tablas , bongos , cymbals , piano , xylophones , and marimbas ; also featured were guitars , flute , and world music instruments . Newman also used electronic music and on " quirkier " tracks employed more unorthodox methods , such as tapping metal mixing bowls with a finger and using a detuned mandolin . Newman believed the score helped move the film along without disturbing the " moral ambiguity " of the script : " It was a real delicate balancing act in terms of what music worked to preserve [ that ] . " 
 Thomas Newman <a href='null_genetive' title='1'><mark>'s</mark></a>score was recorded in Santa Monica , California . He mainly used percussion instruments to create the mood and rhythm , the inspiration for which was provided by Mendes . Newman " favored pulse , rhythm , and color over melody " , making for a more minimalist score than he <a href='been_done' title='2'><mark>had</mark></a> previously created . He built each cue around " small , endlessly repeating phrases " — often , the only variety through a " thinning of the texture for eight bars " . The percussion instruments included tablas , bongos , cymbals , piano , xylophones , and marimbas ; also featured <a href='uninflect' title='3'><mark>were</mark></a> guitars , flute , and world music instruments . Newman also used electronic music and on " quirkier " tracks employed more unorthodox methods , such as tapping metal mixing bowls with a finger and using a detuned mandolin . Newman believed the score helped move the film along without disturbing the " moral ambiguity " of the script : " It was a real delicate balancing act in terms of what music worked to preserve [ that ] . " 
Thomas Newman  score was recorded in Santa Monica , California . He mainly used percussion instruments to create da mood and rhythm , tdainspiration fa which was provided by Mendes . Newman " favored pulse , rhythm , and color over melody " , making ffira more minimalist score than he done previously created . He built each cue around " small , endlessly repeating phrases " — often , thdanly variety thru a " thinning of the texture ffaeight bars " . The percussion instruments included tablas , bongos , cymbals , piano , xylophones , and marimbas ; also featured was guitars , flute , and world music instruments . Newman also used electronic music and on " quirkier " tracks employed more unorthodox methods , such as tapping metal mixing bowls with a finger and using a detuned mandolin . Newman believed the score helped move the film along w/o disturbing thedamoral ambiguity " of the script : " It was a real delicate balancing act in terms of wht music worked to preserve [ dat ] . "