 Virgin and Child with Saints , a drawing in Stockholm 's Nationalmuseum , is believed to be a study of a portion of the original altarpiece by a follower of van der Weyden , who possibly may have been the Master of the Koberger Ründblatter . The drawing has a loosely sketched background and shows , from left to right : an unidentified bishop saint with mitre and crosier making a blessing gesture ; a narrow gap with a few wavy vertical lines suggesting a start at the outline of a further kneeling figure ; a barefoot bearded figure in a rough robe identified as Saint John the Baptist ; a seated Virgin holding on her lap the Christ Child who leans to the right , looking at a book ; and holding the book , a kneeling beardless male identified as John the Evangelist . The drawing stops at the end of John 's robe , at about the point on the London panel where Joseph 's walking stick meets John and the Magdalene 's robes . This suggests that the Magdalene panel was the first to be cut from the larger work . 
 Virgin and Child with Saints , a drawing in Stockholm <a href='null_genetive' title='1'><mark>'s</mark></a>Nationalmuseum , is believed to be a study of a portion of the original altarpiece by a follower of van der Weyden , <a href='null_relcl' title='2'><mark>who</mark></a>possibly may have been the Master of the Koberger Ründblatter . The drawing <a href='got' title='3'><mark>has</mark></a> a loosely sketched background and shows , from left to right : an unidentified bishop saint with mitre and crosier making a blessing gesture ; a narrow gap with a few wavy vertical lines suggesting a start at the outline of a further kneeling figure ; a barefoot bearded figure in a rough robe identified as Saint John the Baptist ; a seated Virgin holding on her lap the Christ Child <a href='null_relcl' title='4'><mark>who</mark></a><a href='uninflect' title='5'><mark>leans</mark></a> to the right , looking at a book ; and holding the book , a kneeling beardless male identified as John the Evangelist . The drawing stops at the end of John <a href='null_genetive' title='6'><mark>'s</mark></a>robe , at about the point on the London panel where Joseph <a href='null_genetive' title='7'><mark>'s</mark></a>walking stick <a href='uninflect' title='8'><mark>meets</mark></a> John and the Magdalene <a href='null_genetive' title='9'><mark>'s</mark></a>robes . This <a href='uninflect' title='10'><mark>suggests</mark></a> that the Magdalene panel was the first to be cut from the larger work . 
Virgin and Child wit Saints , a drawing in Stockholm  Nationalmuseum , is believed to be a study of a portion of da original altarpiece by a follower of van der Weyden , possibly may have been tdaMaster of thdaoberger Ründblatter . The drawing got a loosely sketched background and shows , from left to right : an unidentified bishop saint with mitre and crosier making a blessing gesture ; a narrow gap with a few wavy vertical lines suggesting a start at thedatline of a further kneeling figure ; a barefoot bearded figure in a rough robe identified as Saint John the Baptist ; a seated Virgin holdin on her lap the daist Child lean to the rite , looking at a book ; and hholdinthe book , a kneeling beardless male identified as John the Edagelist . The drawing stops at the endaf John  robe , at about the point on the London panel where Joseph  walkin stick meet John and the Magdaene  robes . This suggest that the Magdalene panel was the firsdao b cut from the larger work .