 Meanwhile , in Paris Meyerbeer began to seek new libretti , initially considering Le prophète of Scribe , Le cinq mars by Henri Saint @-@ Georges and eventually settling on Scribe 's Vasco da Gama ( later to become L 'Africaine ) , which he contracted to complete by 1840 . However , Meyerbeer had envisaged that the main role in L 'Africaine would be written for Falcon ; after the catastrophic failure of her voice in 1837 , he turned instead to Le prophète . 
 Meanwhile , in Paris Meyerbeer began to seek new libretti , initially considering Le prophète of Scribe , Le cinq mars by Henri Saint @-@ Georges and eventually settling on Scribe <a href='null_genetive' title='1'><mark>'s</mark></a>Vasco da Gama ( later to become L 'Africaine ) , which he contracted to complete by 1840 . However , Meyerbeer <a href='been_done' title='2'><mark>had</mark></a> envisaged that the main role in L 'Africaine would be written for Falcon ; after the catastrophic failure of her voice in 1837 , he turned instead to Le prophète . 
Meanwhile , in Paris Meyerbeer began to seek new libretti , initially considering Le prophète of Scribe , Le cinq mars by Henri Saint @-@ Georges and eventually settling on Scribe  Vasco da Gama ( later to become L 'Africaine ) , which he contracted to complete by 1840 . However , Meyerbeer done envisaged that da main role in L 'Africaine would b written fa Falcon ; after tdacatastrophic failure of her voice in 1837 , he turned instead to Le prophète .