 Other similarities include engaging in the suspense the speaker is attempting to create . In both scenarios , you must put aside the knowledge that the performers know the outcome of the event being relayed and , in a sense , play along . This is integral to his stance as he explains “ the argument that much of talk consists of replayings and that these make no sense unless some form of storyteller 's suspense can be maintained shows the close relevance of frame @-@ indeed , the close relevance of dramaturgy @-@ for the organization of talk . ” Lastly , because the replaying of strips is not extemporaneous , but rather preformulated , it is yet another parallel between a stage production and conversation . All of these things work in concert to provide a foundation of how talk is framed . 
 Other similarities include engaging in the suspense the speaker is attempting to create . In both scenarios , you must put aside the knowledge <a href='null_relcl' title='1'><mark>that</mark></a>the performers know the outcome of the event being relayed and , in a sense , play along . This <a href='drop_aux' title='2'><mark>is</mark></a>integral to his stance as he <a href='uninflect' title='3'><mark>explains</mark></a> “ the argument that much of talk consists of replayings and that these make no sense unless some form of storyteller <a href='null_genetive' title='4'><mark>'s</mark></a>suspense can be maintained <a href='uninflect' title='5'><mark>shows</mark></a> the close relevance of frame @-@ indeed , the close relevance of dramaturgy @-@ for the organization of talk . ” Lastly , because the replaying of strips <a href='negative_concord' title='6'><mark>is</mark></a> <a href='negative_concord' title='7'><mark>not</mark></a>extemporaneous , but rather preformulated , it <a href='drop_aux' title='8'><mark>is</mark></a>yet another parallel between a stage production and conversation . All of these things work in concert to provide a foundation of how talk is framed . 
Other similarities include engaging in da suspense tdaspeaker is attempting to create . In both scenarios , youu must put aside the knowledge the performers know thdautcome of the event being relayed and , in a sense , play along . This integral to his stance as he explain “ the argument dat much of tlk consists of replayings and that dese make no sense unless some form of storyteller  suspense can b maintained show the close relevance of frame @-@ indeed , thedaose relevance of dramaturgy @-@ fir the organization of talk . ” Lastly , bc the replaying of strips ain't extemporaneous , but rather preformulated , it yet another parallel between a stage production and conversation . All of these things work in concert to provide a foundation of how talk is framed .