 Alkan 's attachment to the music of his predecessors is demonstrated throughout his career , from his arrangements for keyboard of Beethoven 's Seventh Symphony ( 1838 ) , and of the minuet of Mozart 's 40th Symphony ( 1844 ) , through the sets Souvenirs des concerts du Conservatoire ( 1847 and 1861 ) and the set Souvenirs de musique de chambre ( 1862 ) , which include transcriptions of music by Mozart , Beethoven , J. S. Bach , Haydn , Gluck , and others . In this context should be mentioned Alkan 's extensive cadenza for Beethoven 's 3rd Piano Concerto ( 1860 ) , which includes quotes from the finale of Beethoven 's 5th Symphony . Alkan 's transcriptions , together with original music of Bach , Beethoven , Handel , Mendelssohn , Couperin and Rameau , were frequently played during the series of Petits Concerts given by Alkan at Erard . 
 Alkan <a href='null_genetive' title='1'><mark>'s</mark></a>attachment to the music of his predecessors is demonstrated throughout his career , from his arrangements for keyboard of Beethoven <a href='null_genetive' title='2'><mark>'s</mark></a>Seventh Symphony ( 1838 ) , and of the minuet of Mozart <a href='null_genetive' title='3'><mark>'s</mark></a>40th Symphony ( 1844 ) , through the sets Souvenirs des concerts du Conservatoire ( 1847 and 1861 ) and the set Souvenirs de musique de chambre ( 1862 ) , which include transcriptions of music by Mozart , Beethoven , J. S. Bach , Haydn , Gluck , and others . In this context should be mentioned Alkan <a href='null_genetive' title='4'><mark>'s</mark></a>extensive cadenza for Beethoven <a href='null_genetive' title='5'><mark>'s</mark></a>3rd Piano Concerto ( 1860 ) , which <a href='uninflect' title='6'><mark>includes</mark></a> quotes from the finale of Beethoven <a href='null_genetive' title='7'><mark>'s</mark></a>5th Symphony . Alkan <a href='null_genetive' title='8'><mark>'s</mark></a>transcriptions , together with original music of Bach , Beethoven , Handel , Mendelssohn , Couperin and Rameau , <a href='uninflect' title='9'><mark>were</mark></a> frequently played during the series of Petits Concerts given by Alkan at Erard . 
Alkan  attachment to the music of his predecessors is demonstrated throughout his career , from his arrangements fir keyboard of Beethoven  Seventh Symphony ( 1838 ) , and of the minuet of Mozart  40th Symphony ( 1844 ) , through da sets Souvenirs des concerts du Conservatoire ( 1847 and 1861 ) and the set Souvenirs de musique de chambre ( 1862 ) , which include transcriptions of music by Mozart , Beethoven , J. S. Bach , Haydn , Gluck , and others . In dis context should b mentioned Alkan  extensive cadenza for Beethoven  3rd Piano Concerto ( 1860 ) , which include quotes from tdafinale of Beethoven  5th Symphony . Alkan  transcriptions , together wit original music of Bach , Beethoven , Handel , Mendelssohn , Couperin and Rameau , was frequently played durin the series of Petits Concerts given by Alkan at Erard .