 In the late 20th and early 21st centuries , several campaigners and writers characterised Tintin in the Congo as racist due to its portrayal of the Congolese as infantile and stupid . According to Tom McCarthy , Hergé depicted the Congolese as " good at heart but backwards and lazy , in need of European mastery . " There had been no such controversy when originally published , because it was only following the Wind of Change and decolonisation , which occurred during the 1950s and 1960s , that Western attitudes towards indigenous Africans shifted . Harry Thompson argued that one must view Tintin in the Congo in the context of European society in the 1930s and 1940s , and that Hergé had not written the book to be " deliberately racist " . He argued that it reflected the average Belgian view of Congolese people at the time , one that was more " patronising " than malevolent . Jean @-@ Marie Apostolidès supported this idea , as did biographer Benoît Peeters , who asserted , " Hergé was no more racist than the next man . " After meeting Hergé in the 1980s , Farr commented , " You couldn 't have met someone who was more open and less racist . " 
 In the late 20th and early 21st centuries , several campaigners and writers characterised Tintin in the Congo as racist due to its portrayal of the Congolese as infantile and stupid . According to Tom McCarthy , Hergé depicted the Congolese as " good at heart but backwards and lazy , in need of European mastery . " <a href='dey_it' title='1'><mark>There</mark></a> had been no such controversy when originally published , because it was only following the Wind of Change and decolonisation , which occurred during the 1950s and 1960s , <a href='null_relcl' title='2'><mark>that</mark></a>Western attitudes towards indigenous Africans shifted . Harry Thompson argued that one must view Tintin in the Congo in the context of European society in the 1930s and 1940s , and that Hergé <a href='been_done' title='3'><mark>had</mark></a> not written <a href='None' title='4'><mark>the</mark></a><a href='negative_concord' title='5'><mark>book</mark></a> to be " deliberately racist " . He argued that it<a href='been_done' title='6'><mark></mark></a> reflected the average Belgian view of Congolese people at the time , one <a href='null_relcl' title='7'><mark>that</mark></a>was more " patronising " than malevolent . Jean @-@ Marie Apostolidès supported this idea , as did biographer Benoît Peeters , <a href='null_relcl' title='8'><mark>who</mark></a>asserted , " Hergé was no more racist than the next man . " After meeting Hergé in the 1980s , Farr commented , " You couldn 't <a href='been_done' title='9'><mark>have</mark></a> met someone <a href='null_relcl' title='10'><mark>who</mark></a>was more open and less racist . " 
In the late 20th and early 21st centuries , several campaigners and writers characterised Tintin in da Congo as racist due to its portrayal of tdaCongolese as infantile and stupid . According to Tom McCarthy , Hergé depicted the Congolese as " good at heart but backwards and lazy , in need of European mastery . " It had been no such controversy when originally published , because it was only following thdaind of Change and decolonisation , which occurred during the 1950s and 1960s , Western attitudes towards indigenous Africans shifted . Harry Thompson argued that one must view Tintin in thedango in the datext of European society in the 1das and 1940s , and that Hergé done not written no book to b " deliberately racist " . He argued that it been reflected the avdage Belgian view of Congolese mfs at the time , one was more " patronising " than malevolent . Jean @-@ Marie Apostolidès supported this idea , as did biographer Benoît Peeters , asserted , " Hergé was no more racist than the nexdaan . " After meeting Hergé in the 1980s , Farr commented , " u couldn 't done met some1 was more open and less racist . "