 Many of Brusch 's couplets , part of contemporary common usage , give the impression of weighty wisdom , but in his hands become only apparent truths , hypocrisy or platitudes . His use of onomatopoeia is a characteristic of his work : " Allez @-@ oop @-@ da " — Max and Moritz steal fried chickens with a fishing rod down a chimney — " reeker @-@ rawker " ; " at the plank from bank to bank " ; " rickle @-@ rackle " , " hear the millstones grind and crackle " ; and " tinkly @-@ clinket " as Eric the cat rips a chandelier from a ceiling in Helen Who Couldn 't Help It . Busch uses names he gives characters to describe their personality . " Studiosus Döppe " ( Young Bumbel ) has little mental ability ; " Sauerbrots " ( Sourdough ) would not be of a cheerful disposition ; and " Förster Knarrtje " ( Forester Knarrtje ) could hardly be a socialite . 
 Many of Brusch <a href='null_genetive' title='1'><mark>'s</mark></a>couplets , part of contemporary common usage , give the impression of weighty wisdom , but in his hands become only apparent truths , hypocrisy or platitudes . His use of onomatopoeia <a href='drop_aux' title='2'><mark>is</mark></a>a characteristic of his work : " Allez @-@ oop @-@ da " — Max and Moritz steal fried chickens with a fishing rod down a chimney — " reeker @-@ rawker " ; " at the plank from bank to bank " ; " rickle @-@ rackle " , " hear the millstones grind and crackle " ; and " tinkly @-@ clinket " as Eric the cat <a href='uninflect' title='3'><mark>rips</mark></a> a chandelier from a ceiling in Helen Who Couldn 't Help It . Busch <a href='uninflect' title='4'><mark>uses</mark></a> names he <a href='uninflect' title='5'><mark>gives</mark></a> characters to describe their personality . " Studiosus Döppe " ( Young Bumbel ) <a href='got' title='6'><mark>has</mark></a> little mental ability ; " Sauerbrots " ( Sourdough ) would <a href='negative_concord' title='7'><mark>not</mark></a><a href='negative_concord' title='8'><mark>be</mark></a> of a cheerful disposition ; and " Förster Knarrtje " ( Forester Knarrtje ) could hardly be a socialite . 
Many of Brusch  couplets , part of contemporary common usage , give da impression of weighty wisdom , but in his hands become only apparent truths , hypocrisy or platitudes . His use of onomatopoeia a characteristic of his work : " Allez @-@ oop @-@ da " — Max and Moritz steal fried chickens witt a fishing rod downn a chimney — " reeker @-@ rawker " ; " at tdaplank from bank to bank " ; " rickle @-@ rackle " , " hear thdaillstones grind and crackle " ; and " tinkly @-@ clinket " as Eric the cat rip a chandelier from a ceiling in Helen Who Couldn 't Help It . Busch use names he give characters to describe their personality . " Studiosus Döppe " ( Young Bumbel ) got lil mental ability ; " Sauerbrots " ( Sourdough ) would ain't of a cheerful disposition ; and " Förster Knarrtje " ( Forester Knarrtje ) could hardly b a socialite .