 In his foreword to John Marriott 's book , Thunderbirds Are Go ! , Anderson put forward several explanations for the series ' enduring popularity : it " contains elements that appeal to most children – danger , jeopardy and destruction . But because International Rescue 's mission is to save life , there is no gratuitous violence . " According to Anderson , Thunderbirds incorporates a " strong family atmosphere , where Dad reigns supreme " . Both O 'Brien and script editor Alan Pattillo have praised the series ' positive " family values " . In addition , Heffer and others have written of its cross @-@ generational appeal . In 2000 , shortly before the series ' BBC revival , Brian Viner remarked in Radio Times that Thunderbirds was on the point of " captivating yet another generation of viewers " . Stuart Hood , writing for The Spectator in 1965 , praised Thunderbirds as a " modern fairy tale " ; adding that it " can sometimes be frightening " , he recommended that children watch it accompanied by their parents . Writing for Dreamwatch in 1994 , Andrew Thomas described Thunderbirds as only " nominally " a children 's programme : " Its themes are universal and speak as much to the adult in the child as the child in the adult . " 
 In his foreword to John Marriott <a href='null_genetive' title='1'><mark>'s</mark></a>book , Thunderbirds Are Go ! , Anderson put forward several explanations for the series ' enduring popularity : it " <a href='uninflect' title='2'><mark>contains</mark></a> elements <a href='null_relcl' title='3'><mark>that</mark></a>appeal to most children – danger , jeopardy and destruction . But because International Rescue <a href='null_genetive' title='4'><mark>'s</mark></a>mission is to save life , <a href='dey_it' title='5'><mark>there</mark></a> is no gratuitous violence . " According to Anderson , Thunderbirds <a href='uninflect' title='6'><mark>incorporates</mark></a> a " strong family atmosphere , where Dad <a href='uninflect' title='7'><mark>reigns</mark></a> supreme " . Both O 'Brien and script editor Alan Pattillo <a href='been_done' title='8'><mark>have</mark></a> praised the series ' positive " family values " . In addition , Heffer and others <a href='been_done' title='9'><mark>have</mark></a> written of its cross @-@ generational appeal . In 2000 , shortly before the series ' BBC revival , Brian Viner remarked in Radio Times that Thunderbirds was on the point of " captivating yet another generation of viewers " . Stuart Hood , writing for The Spectator in 1965 , praised Thunderbirds as a " modern fairy tale " ; adding that it " can sometimes be frightening " , he recommended that children watch it accompanied by their parents . Writing for Dreamwatch in 1994 , Andrew Thomas described Thunderbirds as only " nominally " a children <a href='null_genetive' title='10'><mark>'s</mark></a>programme : " Its themes <a href='drop_aux' title='11'><mark>are</mark></a>universal and speak as much to the adult in the child as the child in the adult . " 
In his foreword to John Marriott  book , Thunderbirds Are Go ! , Anderson put forward several explanations for the series ' enduring popularity : it " contain elements appeal to most children – danger , jeopardy and destruction . But because International Rescue  mission is to save life , it ain't no gratuitous violence . " According to Anderson , Thunderbirds incorporate a " strong family atmosphere , where Dad reign supreme " . Both O 'Brien and script editor Alan Pattillo done praised da series ' positive " family values " . In addition , Heffer and others done written of its cross @-@ generational appeal . In 2000 , shortly before tdaseries ' BBC revival , Brian Viner remarked in Radio Times dat Thunderbirds was on thdaoint of " captivating yet anotha generation of viewers " . Stuart Hood , writing for The Spectator in 1965 , praised Thunderbirds as a " modern fairy tale " ; adding tdatit " can sometimes be frightening " , he recommended that children watch it accompanied by their parents . Writing for Dreamwatch in 1994 , Andrew Thomas described Thunderbirds as only " nominally " a children  programme : " Its themes universal and speak as much to the adult in the child as the child in the adult . "