 Goffman describes the theatrical performances that occur in face @-@ to @-@ face interactions . He holds that when an individual comes in contact with another person , he attempts to control or guide the impression that the other person will form of him , by altering his own setting , appearance and manner . At the same time , the person that the individual is interacting with attempts to form an impression of , and obtain information about , the individual . Goffman also believes that participants in social interactions engage in certain practices to avoid embarrassing themselves or others . Society is not homogeneous ; we must act differently in different settings . This recognition led Goffman to his dramaturgical analysis . He saw a connection between the kinds of " acts " that people put on in their daily lives and theatrical performances . In a social interaction , as in a theatrical performance , there is an onstage area where actors ( individuals ) appear before the audience ; this is where positive self @-@ concepts and desired impressions are offered . But there is , as well , a backstage – a hidden , private area where individuals can be themselves and drop their societal roles and identities . 
 Goffman <a href='uninflect' title='1'><mark>describes</mark></a> the theatrical performances <a href='null_relcl' title='2'><mark>that</mark></a>occur in face @-@ to @-@ face interactions . He <a href='uninflect' title='3'><mark>holds</mark></a> that when an individual <a href='uninflect' title='4'><mark>comes</mark></a> in contact with another person , he <a href='uninflect' title='5'><mark>attempts</mark></a> to control or guide the impression that the other person will form of him , by altering his own setting , appearance and manner . At the same time , the person that the individual is interacting with attempts to form an impression of , and obtain information about , the individual . Goffman also <a href='uninflect' title='6'><mark>believes</mark></a> that participants in social interactions engage in certain practices to avoid embarrassing themselves or others . Society <a href='negative_concord' title='7'><mark>is</mark></a> <a href='negative_concord' title='8'><mark>not</mark></a>homogeneous ; we must act differently in different settings . This recognition led Goffman to his dramaturgical analysis . He saw a connection between the kinds of " acts " that people put on in their daily lives and theatrical performances . In a social interaction , as in a theatrical performance , <a href='dey_it' title='9'><mark>there</mark></a> is an onstage area where actors ( individuals ) appear before the audience ; this is where positive self @-@ concepts and desired impressions are offered . But <a href='dey_it' title='10'><mark>there</mark></a> is , as well , a backstage – a hidden , private area where individuals can be themselves and drop their societal roles and identities . 
Goffman describe da theatrical performances occur in face @-@ to @-@ face interactions . He hold that when an individual come in txt witt anotha person , he attempt to control or guide tdaimpression that thdather person will form of him , by altering his own settin , appearance and manner . At the same time , the person dat thedadividual is interacting with attempts to form an impression of , and obtain information bou , the daividual . Goffman also believe that participants in social interactions engage in certain practices to avoid embarrassing themselves or others . Society ain't homogeneous ; we must act differently in different settings . dis recognition led Goffman to his dramaturgical analysis . He saw a connection between the kinds of " acts " that people put on in their daily lives and theatrical performances . In a social interaction , as in a theatrical performance , it is an onstage area where actors ( individuals ) appear b4 the audience ; tdisis where positive self @-@ concepts and desired impressions r offered . But it is , as well , a backstage – a hidden , private area where individuals can be themselves and drop their societal roles and identities .