 The depictions of Mariana by Tennyson and in later works are not the same . The difference with Millais 's depiction is not in the image of a forlorn woman or of a woman who is unwilling to live an independent life ; instead , it is her sexualised depiction that is greater than found in Tennyson . His version also removes the dreariness of Tennyson 's and replaces it with a scene filled with vibrant colours . Gaskell 's depiction is of Ruth is similar to Tennyson in her weariness and wanting to die . However , she is a sexually independent figure when she rejects her lover who has returned . Tennyson 's character , on the other hand , would likely have happily accepted her lover . While Tennyson 's character cannot recognise beauty within nature , Gaskell 's character is able to turn to nature to gain spiritually in a manner similar to the Romantic poems , including Tintern Abbey by William Wordsworth or This Lime @-@ Tree Bower My Prison by Samuel Taylor Coleridge . There is also a connection with Mariana 's condition and the condition within Coleridge 's Dejection : An Ode . However , the narrator at the end of Dejection is able to be roused into movement whereas Mariana never reaches that point . Furthermore , Mariana is unlike the Romantic poems because the character is not one with nature or able to achieve transcendence through imagination . Furthermore , there is little outside of Mariana that exists within the poem as Mariana 's mood does not respond to changes in nature . 
 The depictions of Mariana by Tennyson and in later works <a href='negative_concord' title='1'><mark>are</mark></a> <a href='negative_concord' title='2'><mark>not</mark></a>the same . The difference with Millais <a href='null_genetive' title='3'><mark>'s</mark></a>depiction <a href='negative_concord' title='4'><mark>is</mark></a> <a href='negative_concord' title='5'><mark>not</mark></a>in <a href='None' title='6'><mark>the</mark></a><a href='negative_concord' title='7'><mark>image</mark></a> of a forlorn woman or of a woman <a href='null_relcl' title='8'><mark>who</mark></a><a href='drop_aux' title='9'><mark>is</mark></a>unwilling to live an independent life ; instead , it is her sexualised depiction <a href='null_relcl' title='10'><mark>that</mark></a><a href='drop_aux' title='11'><mark>is</mark></a>greater than found in Tennyson . His version also <a href='uninflect' title='12'><mark>removes</mark></a> the dreariness of Tennyson <a href='null_genetive' title='13'><mark>'s</mark></a>and <a href='uninflect' title='14'><mark>replaces</mark></a> it with a scene filled with vibrant colours . Gaskell <a href='null_genetive' title='15'><mark>'s</mark></a>depiction is of Ruth is similar to Tennyson in her weariness and wanting to die . However , she <a href='drop_aux' title='16'><mark>is</mark></a>a sexually independent figure when she <a href='uninflect' title='17'><mark>rejects</mark></a> her lover <a href='null_relcl' title='18'><mark>who</mark></a><a href='been_done' title='19'><mark>has</mark></a> returned . Tennyson <a href='null_genetive' title='20'><mark>'s</mark></a>character , on the other hand , would likely <a href='been_done' title='21'><mark>have</mark></a> happily accepted her lover . While Tennyson <a href='null_genetive' title='22'><mark>'s</mark></a>character cannot recognise <a href='negative_concord' title='23'><mark>beauty</mark></a> within <a href='negative_concord' title='24'><mark>nature</mark></a> , Gaskell <a href='null_genetive' title='25'><mark>'s</mark></a>character <a href='drop_aux' title='26'><mark>is</mark></a>able to turn to nature to gain spiritually in a manner similar to the Romantic poems , including Tintern Abbey by William Wordsworth or This Lime @-@ Tree Bower My Prison by Samuel Taylor Coleridge . <a href='dey_it' title='27'><mark>There</mark></a> is also a connection with Mariana <a href='null_genetive' title='28'><mark>'s</mark></a>condition and the condition within Coleridge <a href='null_genetive' title='29'><mark>'s</mark></a>Dejection : An Ode . However , the narrator at the end of Dejection <a href='drop_aux' title='30'><mark>is</mark></a>able to be roused into movement whereas Mariana never <a href='uninflect' title='31'><mark>reaches</mark></a> <a href='None' title='32'><mark>that</mark></a><a href='negative_concord' title='33'><mark>point</mark></a> . Furthermore , Mariana <a href='drop_aux' title='34'><mark>is</mark></a>unlike the Romantic poems because the character <a href='negative_concord' title='35'><mark>is</mark></a> <a href='negative_concord' title='36'><mark>not</mark></a>one with nature or able to achieve transcendence through imagination . Furthermore , <a href='dey_it' title='37'><mark>there</mark></a> is little outside of Mariana <a href='null_relcl' title='38'><mark>that</mark></a><a href='uninflect' title='39'><mark>exists</mark></a> within the poem as Mariana <a href='null_genetive' title='40'><mark>'s</mark></a>mood <a href='uninflect' title='41'><mark>does</mark></a> not respond to <a href='negative_concord' title='42'><mark>changes</mark></a> in nature . 
Da depictions of Mariana by Tennyson and in later works ain't tdasame . The difference with Millais  depiction ain't in no image of a forlorn woman or of a woman unwilling to live an independent life ; instead , it is her sexualised depiction greater than found in Tennyson . His version also remove the dreariness of Tennyson  and replace it wid a scene filled with vibrant colours . Gaskell  depiction is of Ruth is similar to Tennyson in her weariness and wanting to die . However , she a sexually independent figure when she reject her lover done returned . Tennyson  character , on the other hand , would likely done happily accepted her lover . While Tennyson  character cannot recognise no beauty within no nature , Gaskell  character able to turn to nature to gain spiritually in a manner similar to the Romantic poems , including Tintern Abbey by William Wordsworth or This Lime @-@ Tree Bower mah Prison by Samuel Taylor Coleridge . It is also a connection with Mariana  condition and thdaondition within Coleridge  Dejection : An Ode . However , thedarrator at the da of Dejection able to be roused into movement whereas Mariana never reach no point . Furthermore , Mariana unlike the Romantic poems cus the cdaacter ain't one wwidnature or able to achieve transcendence through imagination . Furthermore , it is lil outside of Mariana exist within the podaas Mariana  mood do not respond to no changes in nature .