 On songs such as " Jump Street " and " Love Words " , Ellerbee incorporated distortion into his guitar playing , which gave the songs a thicker texture . " Jump Street " is a blues piece , " Air Ship " comprises a six @-@ bar riff , and the atonal " Times Square " has futuristic dance themes . " Love Words " heavily uses polymodality , a central feature of harmolodics , and juxtaposes Coleman 's extended solo against a dense , rhythmically complex backdrop . Nicholson observed West African rhythms and collective improvisation rooted in New Orleans jazz on " Love Words " , and suggested that " Sleep Talk " was derived from the opening bassoon solo in Igor Stravinsky 's 1913 orchestral work The Rite of Spring . 
 On songs such as " Jump Street " and " Love Words " , Ellerbee incorporated distortion into his guitar playing , which gave the songs a thicker texture . " Jump Street " is a blues piece , " Air Ship " <a href='uninflect' title='1'><mark>comprises</mark></a> a six @-@ bar riff , and the atonal " Times Square " <a href='got' title='2'><mark>has</mark></a> futuristic dance themes . " Love Words " heavily <a href='uninflect' title='3'><mark>uses</mark></a> polymodality , a central feature of harmolodics , and <a href='uninflect' title='4'><mark>juxtaposes</mark></a> Coleman <a href='null_genetive' title='5'><mark>'s</mark></a>extended solo against a dense , rhythmically complex backdrop . Nicholson observed West African rhythms and collective improvisation rooted in New Orleans jazz on " Love Words " , and suggested that " Sleep Talk " was derived from the opening bassoon solo in Igor Stravinsky <a href='null_genetive' title='6'><mark>'s</mark></a>1913 orchestral work The Rite of Spring . 
On songs such as " Jump Street " and " Love Words " , Ellerbee incorporated distortion into his guitar playing , which gave da songs a thicker texture . " Jump Street " is a blues piece , " Air Ship " comprise a six @-@ bar riff , and tdaatonal " Times Square " got futuristic dance themes . " luh Words " heavily use polymodality , a central feature of harmolodics , and juxtapose Coleman  extended solo against a dense , rhythmically complex backdrop . Nicholson observed West African rhythms and collective improvisation rooted in New Orleans jazz on " Love Words " , and suggested that " slp Talk " was derived from thdapening bassoon solo in Igor Stravinsky  1913 orchestral wrk The Rite of Spring .