 Four main strategies have been used by translators . The first leaves all characters ' names unchanged and in their original spelling : thus the name is respected and readers reminded of the original cultural setting , but the liveliness of the pun is lost . Eva Malagoli varied this source @-@ oriented approach by using both the English Christian names and the adjective earnest , thus preserving the pun and the English character of the play , but possibly straining an Italian reader . A third group of translators replaced Ernest with a name that also represents a virtue in the target language , favouring transparency for readers in translation over fidelity to the original . For instance , in Italian , these versions variously call the play L 'importanza di essere Franco / Severo / Fedele , the given names being respectively the values of honesty , propriety , and loyalty . French offers a closer pun : " Constant " is both a first name and the quality of steadfastness , so the play is commonly known as De l 'importance d 'être Constant , though Jean Anouilh translated the play under the title : Il est important d 'être Aimé ( " Aimé " is a name which also means " beloved " ) . These translators differ in their attitude to the original English honorific titles , some change them all , or none , but most leave a mix partially as a compensation for the added loss of Englishness . Lastly , one translation gave the name an Italianate touch by rendering it as Ernesto ; this work liberally mixed proper nouns from both languages . 
 Four main strategies <a href='been_done' title='1'><mark>have</mark></a> been used by translators . The first <a href='uninflect' title='2'><mark>leaves</mark></a> all characters <a href='null_genetive' title='3'><mark>'</mark></a>names unchanged and in their original spelling : thus the name is respected and readers reminded of the original cultural setting , but the liveliness of the pun is lost . Eva Malagoli varied this source @-@ oriented approach by using both the English Christian names and the adjective earnest , thus preserving the pun and the English character of the play , but possibly straining an Italian reader . A third group of translators replaced Ernest with a name <a href='null_relcl' title='4'><mark>that</mark></a>also <a href='uninflect' title='5'><mark>represents</mark></a> a virtue in the target language , favouring transparency for readers in translation over fidelity to the original . For instance , in Italian , these versions variously call the play L 'importanza di essere Franco / Severo / Fedele , the given names being respectively the values of honesty , propriety , and loyalty . French <a href='uninflect' title='6'><mark>offers</mark></a> a closer pun : " Constant " <a href='drop_aux' title='7'><mark>is</mark></a>both a first name and the quality of steadfastness , so the play is commonly known as De l 'importance d 'être Constant , though Jean Anouilh translated the play under the title : Il est important d 'être Aimé ( " Aimé " <a href='drop_aux' title='8'><mark>is</mark></a>a name which also <a href='uninflect' title='9'><mark>means</mark></a> " beloved " ) . These translators differ in their attitude to the original English honorific titles , some change them all , or <a href='None' title='10'><mark>none</mark></a> , but most leave a mix partially as a compensation for the added loss of Englishness . Lastly , one translation gave the name an Italianate touch by rendering it as Ernesto ; this work liberally mixed proper nouns from both languages . 
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