 Meyerbeer had no pupils and no direct ' school ' . Yet as his works spanned the golden age of grand opera , clear traces of his influence can be found in the grand operas of Fromental Halévy , Gaetano Donizetti , Giuseppe Verdi and others . After 1850 , Huebner notes a continuing tradition of operas at Paris where ' principals appear with chorus at the end of an act and where private intrigue conjoins a well @-@ articulated public dimension in the plot ' and cites amongst others Charles Gounod 's La nonne sanglante ( 1854 ) , Ambroise Thomas 's Hamlet and operas by Jules Massenet , amongst them Le roi de Lahore ( 1877 ) and Le Cid ( 1885 ) . The line of succession was however virtually washed away in the tide of Wagner in Paris after 1890 ( see below ) . The influence of Meyerbeer has also been detected in the operas of Antonín Dvořák and other Czech composers , and in the operas of Russian composers including Rimsky @-@ Korsakov and the young Tchaikovsky , who thought Les Huguenots ' one of the greatest works in the repertoire ' . 
 Meyerbeer had no pupils and no direct ' school ' . Yet as his works spanned the golden age of grand opera , clear traces of his influence can be found in the grand operas of Fromental Halévy , Gaetano Donizetti , Giuseppe Verdi and others . After 1850 , Huebner <a href='uninflect' title='1'><mark>notes</mark></a> a continuing tradition of operas at Paris where ' principals appear with chorus at the end of an act and where private intrigue <a href='uninflect' title='2'><mark>conjoins</mark></a> a well @-@ articulated public dimension in the plot ' and <a href='uninflect' title='3'><mark>cites</mark></a> amongst others Charles Gounod <a href='null_genetive' title='4'><mark>'s</mark></a>La nonne sanglante ( 1854 ) , Ambroise Thomas <a href='null_genetive' title='5'><mark>'s</mark></a>Hamlet and operas by Jules Massenet , amongst them Le roi de Lahore ( 1877 ) and Le Cid ( 1885 ) . The line of succession was however virtually washed away in the tide of Wagner in Paris after 1890 ( see below ) . The influence of Meyerbeer <a href='been_done' title='6'><mark>has</mark></a> also been detected in the operas of Antonín Dvořák and other Czech composers , and in the operas of Russian composers including Rimsky @-@ Korsakov and the young Tchaikovsky , <a href='null_relcl' title='7'><mark>who</mark></a>thought Les Huguenots <a href='null_genetive' title='8'><mark>'</mark></a>one of the greatest works in the repertoire ' . 
Meyerbeer had no pupils and no direct ' school ' . Yet as his works spanned the golden age of grand opera , clear traces of his influence can b found in da grand operas of Fromental Halévy , Gaetano Donizetti , Giuseppe Verdi and others . After 1850 , Huebner note a continuing tradition of operas at Paris where ' principals appear with chorus at the end of an act and where private intrigue conjoin a well @-@ articulated public dimension in the plot ' and cite amongst others Charles Gounod  La nonne sanglante ( 1854 ) , Ambroise Thomas  Hamlet and operas by Jules Massenet , amongst them Le roi de Lahore ( 1877 ) and Le Cid ( 1885 ) . Tdaline of succession was however virtually washed away in the tide of Wagner in Paris after 1890 ( see below ) . The influence of Meyerbeer done also been detected in the operas of Antonín Dvořák and other Czech composers , and in the operas of Russian composers including Rimsky @-@ Korsakov and the young Tchaikovsky , thought Les Huguenots  one of the realest works in thdaepertoire ' .