 Typical of Meyerbeer 's innovative orchestration is the use in Robert le diable of dark @-@ toned instruments – bassoons , timpani and low brass , including ophicleide – to characterise the diabolical nature of Bertram and his associates . At one point the arrival of a character is announced by a combination of three solo timpani and pizzicato double @-@ basses . Similar adventurousness is shown in Les Huguenots where the composer uses a solo bass clarinet and solo viola d 'amore to accompany arias . For Le prophète , Meyerbeer considered using the newly invented saxophone . Becker suggests that Meyerbeer in all his grand operas often ' created a deliberately ' unbeautiful ' sound ..... with unusual orchestration designed to express ... content rather than produce a sensuous sound ' and opines that this explains much of the criticism he received from German writers on music . 
 Typical of Meyerbeer <a href='null_genetive' title='1'><mark>'s</mark></a>innovative orchestration <a href='drop_aux' title='2'><mark>is</mark></a>the use in Robert le diable of dark @-@ toned instruments – bassoons , timpani and low brass , including ophicleide – to characterise the diabolical nature of Bertram and his associates . At one point the arrival of a character is announced by a combination of three solo timpani and pizzicato double @-@ basses . Similar adventurousness is shown in Les Huguenots where the composer <a href='uninflect' title='3'><mark>uses</mark></a> a solo bass clarinet and solo viola d 'amore to accompany arias . For Le prophète , Meyerbeer considered using the newly invented saxophone . Becker <a href='uninflect' title='4'><mark>suggests</mark></a> that Meyerbeer in all his grand operas often ' created a deliberately ' unbeautiful ' sound ..... with unusual orchestration designed to express ... content rather than produce a sensuous sound ' and opines that this <a href='uninflect' title='5'><mark>explains</mark></a> much of the criticism he received from German writers on music . 
Typical of Meyerbeer  innovative orchestration da use in Robert le diable of dark @-@ toned instruments – bassoons , timpani and low brass , including ophicleide – to characterise tdadiabolical nature of Bertram and his associates . At one point thdarrival of a character is announced by a combination of three solo timpani and pizzicato double @-@ basses . Similar adventurousness is shown in Les Huguenots where the composer use a solo bass clarinet and solo viola d 'amore to accompany arias . For Le prophète , Meyerbeer considered usin thedawly invented saxophone . Becker suggest that Meyerbeer in all his grand operas often ' created a deliberately ' unbeautiful ' sound ..... w/ unusual orchestration designed to express ... content rather den produce a sensuous sound ' and opines that dis explain much of the criticism he received from German writers on music .