 As a child , Mark Hartley discovered many of the " Ozploitation " B @-@ movies from the 1970s and ' 80s while watching late @-@ night television , but was disappointed when they were completely overlooked in books he read detailing Australian cinema . After becoming an accomplished music video director , his interest in this era of Australian filmmaking grew and he spent years researching a potential documentary film . He was close to giving up on the project when he sent a 100 @-@ page draft of the script to American film director Quentin Tarantino , not expecting to receive a reply . Tarantino was a longtime fan of " Ozploitation " films and had even dedicated his film Kill Bill to Brian Trenchard @-@ Smith 's work . He replied the day after , telling Hartley that he would do whatever he could to get the film made . Hartley traveled to Los Angeles , California to meet with Tarantino , who agreed to sit for hours of interviews as one of the film 's most prominent interviewees . Hartley spent the following five years interviewing other actors , directors , screenwriters and producers , collecting original stock footage , and then cutting the 100 hours of interviews and 150 hours of film footage down into a 100 @-@ minute film . 
 As a child , Mark Hartley discovered many of the " Ozploitation " B @-@ movies from the 1970s and ' 80s while watching late @-@ night television , but was disappointed when they <a href='uninflect' title='1'><mark>were</mark></a> completely overlooked in books he read detailing Australian cinema . After becoming an accomplished music video director , his interest in this era of Australian filmmaking grew and he spent years researching a potential documentary film . He was close to giving up on the project when he sent a 100 @-@ page draft of the script to American film director Quentin Tarantino , not expecting to receive a reply . Tarantino was a longtime fan of " Ozploitation " films and <a href='been_done' title='2'><mark>had</mark></a> even dedicated his film Kill Bill to Brian Trenchard @-@ Smith <a href='null_genetive' title='3'><mark>'s</mark></a>work . He<a href='been_done' title='4'><mark></mark></a> replied the day after , telling Hartley that he would do whatever he could to get the film made . Hartley traveled to Los Angeles , California to meet with Tarantino , <a href='null_relcl' title='5'><mark>who</mark></a>agreed to sit for hours of interviews as one of the film <a href='null_genetive' title='6'><mark>'s</mark></a>most prominent interviewees . Hartley spent the following five years interviewing other actors , directors , screenwriters and producers , collecting original stock footage , and then cutting the 100 hours of interviews and 150 hours of film footage down into a 100 @-@ minute film . 
As a child , Mark Hartley discovered many of the " Ozploitation " B @-@ movies from the 1970s and ' 80s while watching late @-@ nite television , but was disappointed when they was completely overlooked in books he read detailing Australian cinema . After becoming an accomplished music video director , his interest in dis era of Australian filmmaking grew and he spent yrs researching a potential documentary film . He was close to giving up on the project when he sent a 100 @-@ page draft of the script to American film director Quentin Tarantino , not expecting to receive a txt . Tarantino was a longtime fan of " Ozploitation " films and done even dedicated his film Kill Bill to Brian Trenchard @-@ Smith  work . He been replied da day after , telling Hartley that he would do whatever he could to get the film made . Hartley traveled to Los Angeles , California to meet with Tarantino , agreed to sit fa hours of interviews as one of the film  most prominent interviewees . Hartley spent tdafollowing five years interviewing other actors , directors , screenwriters and producers , collecting original stock footage , and then cuttin the 100 hours of interviews and 150 hours of film footage down into a 100 @-@ minute film .