 Music critic Oli Marlow reviewed the soundtrack in 2013 , calling it a unique fusion of religious , folk , and classical music , with influences from around the world . He also commented on the sound design of the film , calling it psychedelic , and saying that there was " a lot of incredible incidental music " in the film that was not included in the soundtrack releases . In a 1999 paper submitted to London 's Symposium on Sound in Cinema , film critic Shoma A. Chatterji said , " Sholay offers a model lesson on how sound can be used to signify the terror a character evokes . Sholay is also exemplary in its use of soundmatching to jump cut to a different scene and time , without breaking the continuity of the narrative , yet , intensifying the drama . " 
 Music critic Oli Marlow reviewed the soundtrack in 2013 , calling it a unique fusion of religious , folk , and classical music , with influences from around the world . He also commented on the sound design of the film , calling it psychedelic , and saying that <a href='dey_it' title='1'><mark>there</mark></a> was " a lot of incredible incidental music " in the film <a href='null_relcl' title='2'><mark>that</mark></a>was not included in <a href='None' title='3'><mark>the</mark></a>soundtrack <a href='negative_concord' title='4'><mark>releases</mark></a> . In a 1999 paper submitted to London <a href='null_genetive' title='5'><mark>'s</mark></a>Symposium on Sound in Cinema , film critic Shoma A. Chatterji said , " Sholay <a href='uninflect' title='6'><mark>offers</mark></a> a model lesson on how sound can be used to signify the terror a character evokes . Sholay <a href='drop_aux' title='7'><mark>is</mark></a>also exemplary in its use of soundmatching to jump cut to a different scene and time , without breaking the continuity of the narrative , yet , intensifying the drama . " 
Music critic Oli Marlow reviewed da soundtrack in 2013 , callin it a unique fusion of religious , folk , and classical music , with influences from around the world . He also commented on tdasound design of the film , ccallinit psychedelic , and saying that it was " a lot of incredible incidental music " in the film was not included in soundtrack no releases . In a 1999 paper submitted to London  Symposium on Sound in Cinema , film critic Shoma A. Chatterji said , " Sholay offer a model lesson on how sound can be used to signify the terror a character evokes . Sholay also exemplary in its use of soundmatching to jump cut to a diffrent scene and time , w/o breaking thdaontinuity of the narrative , yet , intensifying the drama . "