 Wagner 's disciple Theodor Uhlig followed Schumann 's Judaeophobic line in his 1850 review of Le prophète : ' To a good Christian [ it ] is at best contrived , exaggerated , unnatural and slick , and it is not possible that the practised propaganda of the Hebrew art @-@ taste can succeed using such means . ' Uhlig 's phrase ' the Hebrew art @-@ taste ' was to be used by Richard Wagner to spark off his attack on Meyerbeer , ' Das Judenthum in der Musik ( Jewishness in Music ) . ' ( see below ) . 
 Wagner <a href='null_genetive' title='1'><mark>'s</mark></a>disciple Theodor Uhlig followed Schumann <a href='null_genetive' title='2'><mark>'s</mark></a>Judaeophobic line in his 1850 review of Le prophète : ' To a good Christian [ it ] is at best contrived , exaggerated , unnatural and slick , and it <a href='negative_concord' title='3'><mark>is</mark></a> <a href='negative_concord' title='4'><mark>not</mark></a>possible that the practised propaganda of the Hebrew art @-@ taste can succeed using such means . ' Uhlig <a href='null_genetive' title='5'><mark>'s</mark></a>phrase ' the Hebrew art @-@ taste ' was to be used by Richard Wagner to spark off his attack on Meyerbeer , ' Das Judenthum in der Musik ( Jewishness in Music ) . ' ( see below ) . 
Wagner  disciple Theodor Uhlig followed Schumann  Judaeophobic line in his 1850 review of Le prophète : ' To a gud Christian [ it ] is at best contrived , exaggerated , unnatural and slick , and it ain't possible dat da practised propaganda of the Hebrew art @-@ taste can succeed using such means . ' Uhlig  phrase ' the Hebrew art @-@ taste ' was to be used by Richard Wagner to spark off his attack on Meyerbeer , ' Das Judenthum in der Musik ( Jewishness in Music ) . ' ( see below ) .