 In the same year appeared the Sonate de Concert , Op. 47 , for cello and piano , " among the most difficult and ambitious in the romantic repertoire ... anticipating Mahler in its juxtaposition of the sublime and the trivial " , and with its four movements showing again an anticipation of progressive tonality , each ascending by a major third . Other anticipations of Mahler ( who was born in 1860 ) can be found in the two " military " Op. 50 piano studies of 1859 Capriccio alla soldatesca and Le tambour bat aux champs ( The drum beats the retreat ) , as well as in certain of the miniatures of the 1861 Esquisses , Op. 63 . The bizarre and unclassifiable Marcia funebre , sulla morte d 'un Pappagallo ( Funeral march on the death of a parrot , 1859 ) , for three oboes , bassoon and voices , described by Kenneth Hamilton as " Monty @-@ Pythonesque " , is also of this period . 
 In the same year appeared the Sonate de Concert , Op. 47 , for cello and piano , " among the most difficult and ambitious in the romantic repertoire ... anticipating Mahler in its juxtaposition of the sublime and the trivial " , and with its four movements showing again an anticipation of progressive tonality , each ascending by a major third . Other anticipations of Mahler ( <a href='null_relcl' title='1'><mark>who</mark></a>was born in 1860 ) can be found in the two " military " Op. 50 piano studies of 1859 Capriccio alla soldatesca and Le tambour bat aux champs ( The drum <a href='uninflect' title='2'><mark>beats</mark></a> the retreat ) , as well as in certain of the miniatures of the 1861 Esquisses , Op. 63 . The bizarre and unclassifiable Marcia funebre , sulla morte d 'un Pappagallo ( Funeral march on the death of a parrot , 1859 ) , for three oboes , bassoon and voices , described by Kenneth Hamilton as " Monty @-@ Pythonesque " , <a href='drop_aux' title='3'><mark>is</mark></a>also of this period . 
In the same year appeared da Sonate de Concert , Op. 47 , for cello and piano , " among the most difficult and ambitious in the romantic repertoire ... anticipating Mahler in its juxtaposition of the sublime and tdatrivial " , and with its 4 movements showing again an anticipation of progressive tonality , each ascending by a major third . Other anticipations of Mahler ( was born in 1860 ) can b found in thdawo " military " Op. 50 piano studies of 1859 Capriccio alla soldatesca and Le tambour bat aux champs ( The drum beat thedatreat ) , as well as in certain of the daiatures of the 1da Esquisses , Op. 63 . The bidare and unclassifiable Marcia funebre , sulla morte d 'un Pappagallo ( Funeral march on the death of a parrot , 1859 ) , for three oboes , bassoon and voices , described by Kenneth Hamilton as " Monty @-@ Pythonesque " , also of this period .