 Considerable attention was generated by the more sexual image of Furtado presented in promotion and publicity for the album , and in particular the music videos for " Promiscuous " and " Maneater " , in which she dances around with her midriff exposed . According to Maclean 's magazine , some said that Furtado 's progression was a natural transformation of a pop singer ; others believed that she had " sold out " in an effort to garner record sales , particularly after her second album was a commercial failure in comparison to her first . Maclean 's wrote that her makeover " seems a bit forced " and contrasted her with singers such as Madonna and Emily Haines of Metric : " [ they ] seem to be completely in control , even somewhat intimidating in their sexuality : they 've made a calculated decision for commercial and feminist reasons . In contrast , Furtado 's new , overt sexuality comes off as unoriginal — overdone by thousands of pouty pop stars with a quarter of Furtado 's natural talent ... the revamping feels as if it 's been imposed rather than chosen by the unique , articulate singer we 've seen in the past . " 
 Considerable attention was generated by the more sexual image of Furtado presented in promotion and publicity for the album , and in particular the music videos for " Promiscuous " and " Maneater " , in which she <a href='uninflect' title='1'><mark>dances</mark></a> around with her midriff exposed . According to Maclean <a href='null_genetive' title='2'><mark>'s</mark></a>magazine , some said that Furtado <a href='null_genetive' title='3'><mark>'s</mark></a>progression was a natural transformation of a pop singer ; others believed that she <a href='been_done' title='4'><mark>had</mark></a> " sold out " in an effort to garner record sales , particularly after her second album was a commercial failure in comparison to her first . Maclean <a href='null_genetive' title='5'><mark>'s</mark></a>wrote that her makeover " <a href='uninflect' title='6'><mark>seems</mark></a> a bit forced " and contrasted her with singers such as Madonna and Emily Haines of Metric : " [ they ] seem to be completely in control , even somewhat intimidating in their sexuality : they 've made a calculated decision for commercial and feminist reasons . In contrast , Furtado <a href='null_genetive' title='7'><mark>'s</mark></a>new , overt sexuality <a href='uninflect' title='8'><mark>comes</mark></a> off as unoriginal — overdone by thousands of pouty pop stars with a quarter of Furtado <a href='null_genetive' title='9'><mark>'s</mark></a>natural talent ... the revamping <a href='uninflect' title='10'><mark>feels</mark></a> as if it 's been imposed rather than chosen by the unique , articulate singer we 've seen in the past . " 
Considerable attention was generated by the more sexual image of Furtado presented in promotion and publicity fir the album , and in particular the music videos for " Promiscuous " and " Maneater " , in which she dance around with her midriff exposed . According to Maclean  magazine , sum said that Furtado  progression was a natural transformation of a pop singer ; others believed dat she done " sold out " in an effort to garner record sales , particularly after her second album was a commercial failure in comparison to her first . Maclean  wrote that her makeover " seem a bit forced " and contrasted her w/ singers such as Madonna and Emily Haines of Metric : " [ they ] seem to b completely in control , even somewhat intimidating in their sexuality : they 've made a calculated decision fa commercial and feminist reasons . In contrast , Furtado  new , overt sexuality cum off as unoriginal — overdone by thousands of pouty pop stars with a quarter of Furtado  natural talent ... da revamping feel as if it 's been imposed rather than chosen by tdaunique , articulate singer we 've seen in the past . "