 The music incorporates elements of jazz and 20th @-@ century avant @-@ garde . The instruments in the orchestra frequently interrupt both each other and the female voices , and some sections of the composition seem as though they are improvised . Laborintus II makes use of both traditional percussion instruments and electronic sounds , and their interplay serves to " erect musical and textural architectures , then disassemble them quickly " . Max Feldman has compared the style to that of Raymond Scott . 
 The music <a href='uninflect' title='1'><mark>incorporates</mark></a> elements of jazz and 20th @-@ century avant @-@ garde . The instruments in the orchestra frequently interrupt both each other and the female voices , and some sections of the composition seem as though they are improvised . Laborintus II <a href='uninflect' title='2'><mark>makes</mark></a> use of both traditional percussion instruments and electronic sounds , and their interplay <a href='uninflect' title='3'><mark>serves</mark></a> to " erect musical and textural architectures , then disassemble them quickly " . Max Feldman <a href='been_done' title='4'><mark>has</mark></a> compared the style to that of Raymond Scott . 
The music incorporate elements of jazz and 20th @-@ century avant @-@ garde . The instruments in da orchestra frequently interrupt both each other and tdafemale voices , and sum sections of the composition seem as though they are improvised . Laborintus II make use of both traditional percussion instruments and electronic sounds , and their interplay serve to " erect musical and textural architectures , then disassemble em quickly " . Max Feldman done compared the style to dat of Raymond Scott .