 Mention should also be made of Meyerbeer 's intense concern with the business of opera , which indeed had formed part of his studies under Vogler . This gave him the background not only to deal with complex contractual issues and to negotiate with publishers , but extended to wooing the press and ' marketing ' in general . Indeed , he was probably the originator of the ' press conference ' at which journalists were fed refreshment and information . This marketing and commercialisation of opera was reinforced by Meyerbeer 's Paris publisher Maurice Schlesinger who had established his fortune on the back of Robert , and even persuaded Honoré de Balzac to write a novella ( Gambara ) to promote Les Huguenots . Schlesinger 's publication of Franz Liszt 's Reminiscences de Robert le diable sold out on the day of issue and was immediately reprinted . Such manoeuvres did little to endear Meyerbeer to his fellow artists , and indeed engendered envious comments of the sort already quoted from Berlioz and Chopin . 
 Mention should also be made of Meyerbeer <a href='null_genetive' title='1'><mark>'s</mark></a>intense concern with the business of opera , which indeed <a href='been_done' title='2'><mark>had</mark></a> formed part of his studies under Vogler . This gave him the background not only to deal with complex contractual issues and to negotiate with publishers , but extended to wooing the press and ' marketing ' in general . Indeed , he was probably the originator of the ' press conference ' at which journalists <a href='uninflect' title='3'><mark>were</mark></a> fed refreshment and information . This marketing and commercialisation of opera was reinforced by Meyerbeer <a href='null_genetive' title='4'><mark>'s</mark></a>Paris publisher Maurice Schlesinger <a href='null_relcl' title='5'><mark>who</mark></a><a href='been_done' title='6'><mark>had</mark></a> established his fortune on the back of Robert , and even persuaded Honoré de Balzac to write a novella ( Gambara ) to promote Les Huguenots . Schlesinger <a href='null_genetive' title='7'><mark>'s</mark></a>publication of Franz Liszt <a href='null_genetive' title='8'><mark>'s</mark></a>Reminiscences de Robert le diable sold out on the day of issue and was immediately reprinted . Such manoeuvres did little to endear Meyerbeer to his fellow artists , and indeed engendered envious comments of the sort already quoted from Berlioz and Chopin . 
Mention should also be made of Meyerbeer  intense concern w/ da bizness of opera , which indeed done formed part of his studies under Vogler . dis gave him the background not only to deal with complex contractual issues and to negotiate wiwittublishers , but extended to wooing the press and ' marketing ' in general . Indeed , he was probably the originator of the ' press conference ' at which journalists was fed refreshment and information . This marketing and commercialisation of opera was reinforced by Meyerbeer  Paris publisher Maurice Schlesinger done established his fortune on the back of Robert , and even persuaded Honoré de Balzac to write a novella ( Gambara ) to promote Les Huguenots . Schlesinger  publication of Franz Liszt  Reminiscences de Robert le diable sold out on the day of issue and was immediately reprinted . Such manoeuvres did little to endear Meyerbeer to his fellow artists , and indeed engendered envious comments of the sort already quoted from Berlioz and Chopin .