 Sidney Colvin , in his 1917 biography on Keats , grouped " Indolence " with the other 1819 odes in categorizing Keats 's " class of achievements " . In 1948 , Lord Gorell described the fifth stanza as , " lacking the magic of what the world agrees are the great Odes " but describes the language as " [ d ] elicate , charming even " . Later , in a 1968 biography of Keats , Gittings describes the importance of the poem : " The whole ode , in fact , has a borrowed air , and he acknowledged its lack of success by not printing it with the others ... Yet with its acceptance of the numb , dull and indolent mood as something creative , it set the scene for all the odes that followed . " 
 Sidney Colvin , in his 1917 biography on Keats , grouped " Indolence " with the other 1819 odes in categorizing Keats <a href='null_genetive' title='1'><mark>'s</mark></a>" class of achievements " . In 1948 , Lord Gorell described the fifth stanza as , " lacking the magic of what the world <a href='uninflect' title='2'><mark>agrees</mark></a> are the great Odes " but <a href='uninflect' title='3'><mark>describes</mark></a> the language as " [ d ] elicate , charming even " . Later , in a 1968 biography of Keats , Gittings <a href='uninflect' title='4'><mark>describes</mark></a> the importance of the poem : " The whole ode , in fact , <a href='got' title='5'><mark>has</mark></a> a borrowed air , and he acknowledged its lack of success by not printing it with <a href='None' title='6'><mark>the</mark></a><a href='negative_concord' title='7'><mark>others</mark></a> ... Yet with its acceptance of the numb , dull and indolent mood as something creative , it set the scene for all the odes <a href='null_relcl' title='8'><mark>that</mark></a>followed . " 
Sidney Colvin , in his 1917 biography on Keats , grouped " Indolence " with da other 1819 odes in categorizing Keats  " class of achievements " . In 1948 , Lord Gorell described tdafifth stanza as , " lacking the magic of what the world agree r thdareat Odes " but describe thedanguage as " [ d ] elicate , charming even " . Later , in a 1968 biography of Keats , Gittings describe the daortance of the poem : " The wdae ode , in fact , got a borrowed air , and he acknowledged its lack of success by not printing it with no others ... Yet with its acceptance of the nuda, dull and indolent mood as something creative , it set the scene for all the odes followed . "