 MTV 's Corey Moss compared Stefani 's performance to Madonna with regard to " the eight costume changes to the dancers to the theatrics to , hell , even the music itself " and avouched that she sounded completely different from how she did with No Doubt . Moss asserted that the No Doubt lead vocalist was the " most captivating thing onstage " with her " confident strut and dead @-@ on vocals " . Jon Pareles of The New York Times admired the " glamour and groove " antics of the show and how Stefani " flaunt [ ed ] the perks of stardom " . He praised her music , describing the album as " a smart [ record ] , with honed rhythm tracks that flit from funk to pop , electronics to rock " , although calling most tracks " superficial " , being about " style " , " success " , " shopping " and " sex " . 
 MTV <a href='null_genetive' title='1'><mark>'s</mark></a>Corey Moss compared Stefani <a href='null_genetive' title='2'><mark>'s</mark></a>performance to Madonna with regard to " the eight costume changes to the dancers to the theatrics to , hell , even the music itself " and avouched that she sounded completely different from how she did with No Doubt . Moss asserted that the <a href='None' title='3'><mark>No</mark></a> Doubt lead vocalist was the " most captivating thing onstage " with her " confident strut and dead @-@ on vocals " . Jon Pareles of The New York Times admired the " glamour and groove " antics of the show and how Stefani " flaunt [ ed ] the perks of stardom " . He praised her music , describing the album as " a smart [ record ] , with honed rhythm tracks <a href='null_relcl' title='4'><mark>that</mark></a>flit from funk to pop , electronics to rock " , although calling most tracks " superficial " , being about " style " , " success " , " shopping " and " sex " . 
MTV  Corey Moss compared Stefani  performance to Madonna w regard to " the eight costume changes to the dancers to da theatrics to , hell , even tdamusic itself " and avouched dat she sounded completely different from how she did with No Doubt . Moss asserted that the Don't no Doubt lead vocalist was the " most captivating thing onstage " witwidr " confident strut and dead @-@ on vocals " . Jon Pareles of Thdaew York Times admired thedaglamour and groove " antics of the show and how Stefani " flaunt [ ed ] the perks of stardom " . He praised her music , describing the daum as " a smart [ record ] , withwitted rhythm tracks flit from funk to pop , electronics to rock " , although callin most tracks " superficial " , being abt " style " , " success " , " shopping " and " sex " .