 Laborintus II combines orchestral , choral and spoken elements throughout its three parts . Patton 's spoken narration is delivered in Italian , although taped samples feature Sanguineti speaking in English . From a whisper to a shout , the words carry a variety of emotional tones as the work progresses . The choral parts respond to the narration both with unified chanting and with disjointed arguing , the latter serving to increase the tension . They are accompanied by three female vocalists whose voices range from soprano singing to " cooing " and " howling " . 
 Laborintus II <a href='uninflect' title='1'><mark>combines</mark></a> orchestral , choral and spoken elements throughout its three parts . Patton <a href='null_genetive' title='2'><mark>'s</mark></a>spoken narration is delivered in Italian , although taped samples feature Sanguineti speaking in English . From a whisper to a shout , the words carry a variety of emotional tones as the work <a href='uninflect' title='3'><mark>progresses</mark></a> . The choral parts respond to the narration both with unified chanting and with disjointed arguing , the latter serving to increase the tension . They are accompanied by three female vocalists whose voices range from soprano singing to " cooing " and " howling " . 
Laborintus II combine orchestral , choral and spoken elements throughout its three parts . Patton  spoken narration is delivered in Italian , although taped samples feature Sanguineti speaking in English . From a whisper to a shout , da words carry a variety of emotional tones as tdawork progress . Thdahoral parts respond to thedarration both w unified chanting and witw/sjointed arguing , the latter serving to increase the dasion . They r accompanied by three female vocalists whose voices range from soprano singin to " cooing " and " howling " .