 In 1911 , the composer Charles Villiers Stanford cited Meyerbeer 's music as an example of the dangers he believed lay in improvising at the piano without a clear plan , ( although there is in fact no evidence to suggest Meyerbeer worked in this way ) , writing : ' Man of genius though he was , as any man who wrote the fourth act of the Huguenots must have been , Meyerbeer is a sign @-@ post of this danger of trusting to the pianoforte as a medium of inspiration.' 
 In 1911 , the composer Charles Villiers Stanford cited Meyerbeer <a href='null_genetive' title='1'><mark>'s</mark></a>music as an example of the dangers he believed lay in improvising at the piano without a clear plan , ( although <a href='dey_it' title='2'><mark>there</mark></a> is in fact no evidence to suggest Meyerbeer worked in this way ) , writing : ' Man of genius though he was , as any man <a href='null_relcl' title='3'><mark>who</mark></a>wrote the fourth act of the Huguenots must have been , Meyerbeer is a sign @-@ post of this danger of trusting to the pianoforte as a medium of inspiration.' 
In 1911 , the composer Charles Villiers Stanford cited Meyerbeer  music as an example of da dangers he believed lay in improvising at tdapiano w/o a clear plan , ( although it is in fact no evidence to suggest Meyerbeer worked in dis way ) , writing : ' Man of genius though he was , as any man wrote the fourth act of the Huguenots must have been , Meyerbeer is a sign @-@ post of tdisdanger of trusting to the pianoforte as a medium of inspiration.'