 Meyerbeer 's immense wealth ( increased by the success of his operas ) and his continuing adherence to his Jewish religion set him apart somewhat from many of his musical contemporaries . They also gave rise to rumours that his success was due to his bribing musical critics . Richard Wagner ( see below ) accused him of being interested only in money , not music . Meyerbeer was , however , a deeply serious musician and a sensitive personality . He philosophically resigned himself to being a victim of his own success : his extensive diaries and correspondence – which survived the turmoil of 20th @-@ century Europe and have now been published in eight volumes – are an invaluable source for the history of music and theatre in the composer 's time . 
 Meyerbeer <a href='null_genetive' title='1'><mark>'s</mark></a>immense wealth ( increased by the success of his operas ) and his continuing adherence to his Jewish religion set him apart somewhat from many of his musical contemporaries . They also gave rise to rumours that his success was due to his bribing musical critics . Richard Wagner ( see below ) accused him of being interested only in money , not music . Meyerbeer was , however , a deeply serious musician and a sensitive personality . He philosophically resigned himself to being a victim of his own success : his extensive diaries and correspondence – which survived the turmoil of 20th @-@ century Europe and <a href='been_done' title='2'><mark>have</mark></a> now been published in eight volumes – <a href='drop_aux' title='3'><mark>are</mark></a>an invaluable source for the history of music and theatre in the composer <a href='null_genetive' title='4'><mark>'s</mark></a>time . 
Meyerbeer  immense wealth ( increased by da success of his operas ) and his continuing adherence to his Jewish religion set em apart somewhat from many of his musical contemporaries . They also gave rise to rumours that his success was due to his bribing musical critics . Richard Wagner ( see below ) accused him of being interested only in paper , not music . Meyerbeer was , however , a deeply serious musician and a sensitive personality . He philosophically resigned hisself to being a victim of his own success : his extensive diaries and correspondence – which survived tdaturmoil of 20th @-@ century Europe and done now been published in eight volumes – an invaluable source fa the history of music and theatre in thdaomposer  time .