 Initially modeling his writing style on the songs of Woody Guthrie , the blues of Robert Johnson , and what he termed the " architectural forms " of Hank Williams songs , Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s , infusing it " with the intellectualism of classic literature and poetry " . Paul Simon suggested that Dylan 's early compositions virtually took over the folk genre : " [ Dylan 's ] early songs were very rich ... with strong melodies . ' Blowin ' in the Wind ' has a really strong melody . He so enlarged himself through the folk background that he incorporated it for a while . He defined the genre for a while . " 
 Initially modeling his writing style on the songs of Woody Guthrie , the blues of Robert Johnson , and what he termed the " architectural forms " of Hank Williams songs , Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s , infusing it " with the intellectualism of classic literature and poetry " . Paul Simon suggested that Dylan <a href='null_genetive' title='1'><mark>'s</mark></a>early compositions virtually took over the folk genre : " [ Dylan <a href='null_genetive' title='2'><mark>'s</mark></a>] early songs <a href='uninflect' title='3'><mark>were</mark></a> very rich ... with strong melodies . ' Blowin ' in the Wind ' <a href='got' title='4'><mark>has</mark></a> a really strong melody . He so enlarged himself through the folk background <a href='null_relcl' title='5'><mark>that</mark></a>he incorporated it for a while . He defined the genre for a while . " 
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