 One of Busch 's notable stories is Der Virtuos ( 1865 ) , which describes the life of a pianist who plays privately for an excited listener . Satirizing the self @-@ publicizing artist 's attitude and his overblown adoration , it varies from Busch 's other stories as each scene does not contain prose , but is defined with music terminology , such as " Introduzione " , " Maestoso " and " Fortissimo vivacissimo " . As the scenes increase in tempo , each part of his body and lappet run around . The penultimate scene again depicts the pianist 's movements , with score sheets floating above the grand piano on which musical notes are dancing . Over the years graphic artists have been fascinated by Der Virtuos . August Macke , in a letter to gallery owner Herwarth Walden , described Busch as the first Futurist , stating how well he captured time and movement . Similar pioneering scenes are in Bilder zur Jobsiade ( 1872 ) . Job fails to answer rather easy questions set by twelve clergy , who shake their heads in synchronicity . Each scene is a movement study that presages Eadweard Muybridge 's photography . Muybridge began his work in 1872 , not released until 1893 . 
 One of Busch <a href='null_genetive' title='1'><mark>'s</mark></a>notable stories <a href='drop_aux' title='2'><mark>is</mark></a>Der Virtuos ( 1865 ) , which <a href='uninflect' title='3'><mark>describes</mark></a> the life of a pianist <a href='null_relcl' title='4'><mark>who</mark></a><a href='uninflect' title='5'><mark>plays</mark></a> privately for an excited listener . Satirizing the self @-@ publicizing artist <a href='null_genetive' title='6'><mark>'s</mark></a>attitude and his overblown adoration , it <a href='uninflect' title='7'><mark>varies</mark></a> from Busch <a href='null_genetive' title='8'><mark>'s</mark></a>other stories as each scene <a href='uninflect' title='9'><mark>does</mark></a> not contain <a href='negative_concord' title='10'><mark>prose</mark></a> , but is defined with music terminology , such as " Introduzione " , " Maestoso " and " Fortissimo vivacissimo " . As the scenes increase in tempo , each part of his body and lappet run around . The penultimate scene again <a href='uninflect' title='11'><mark>depicts</mark></a> the pianist <a href='null_genetive' title='12'><mark>'s</mark></a>movements , with score sheets floating above the grand piano on which musical notes are dancing . Over the years graphic artists <a href='been_done' title='13'><mark>have</mark></a> been fascinated by Der Virtuos . August Macke , in a letter to gallery owner Herwarth Walden , described Busch as the first Futurist , stating how well he captured time and movement . Similar pioneering scenes are in Bilder zur Jobsiade ( 1872 ) . Job <a href='uninflect' title='14'><mark>fails</mark></a> to answer rather easy questions set by twelve clergy , <a href='null_relcl' title='15'><mark>who</mark></a>shake their heads in synchronicity . Each scene <a href='drop_aux' title='16'><mark>is</mark></a>a movement study <a href='null_relcl' title='17'><mark>that</mark></a><a href='uninflect' title='18'><mark>presages</mark></a> Eadweard Muybridge <a href='null_genetive' title='19'><mark>'s</mark></a>photography . Muybridge began his work in 1872 , not released until 1893 . 
One of Busch  notable stories Der Virtuos ( 1865 ) , which describe da life of a pianist play privately fa an excited listener . Satirizing tdaself @-@ publicizing artist  attitude and his overblown adoration , it vary from Busch  other stories as each scene do not contain no prose , but is defined wit music terminology , such as " Introduzione " , " Maestoso " and " Fortissimo vivacissimo " . As the scenes increase in tempo , each part of his body and lappet run around . The penultimate scene again depict the pianist  movements , wwscore sheets floatin above the grand piano on which musical notes are dancing . Over thdaears graphic artists done been fascinated by Der Virtuos . August Macke , in a letter to gallery owner Herwarth Walden , described Busch as the first Futurist , stating how well he captured time and movement . Similar pioneering scenes are in Bilder zur Jobsiade ( 1872 ) . Job fail to answer rather easy questions set by twelve clergy , shake their heads in synchronicity . Each scene a movement study presage Eadweard Muybridge  photography . Muybridge began his wrk in 1872 , not released until 1893 .