 In his major theoretical statement , ' Opera and Drama ' ( 1852 ) , Wagner objected to the music of Meyerbeer , asserting its superficiality and incoherence in dramatic terms ; this work contains Wagner 's well @-@ known put @-@ down of Meyerbeer 's operas as ' effects without causes ' . It also contains the sardonic crack that ' [ Rossini ] never could have dreamt that it would some day occur to the Bankers , for whom he had always made their music , to make it for themselves ' . ' Jewishness in Music ' was reissued in 1869 , ( after Meyerbeer 's death ) in an extended form , with a far more explicit attack on Meyerbeer . This version was under Wagner 's own name – and as Wagner had by now a far greater reputation , his views obtained far wider publicity . These attacks on Meyerbeer ( which also included swipes at Felix Mendelssohn ) are regarded by Paul Lawrence Rose as a significant milestone in the growth of German anti @-@ Semitism . 
 In his major theoretical statement , ' Opera and Drama ' ( 1852 ) , Wagner objected to the music of Meyerbeer , asserting its superficiality and incoherence in dramatic terms ; this work <a href='uninflect' title='1'><mark>contains</mark></a> Wagner <a href='null_genetive' title='2'><mark>'s</mark></a>well @-@ known put @-@ down of Meyerbeer <a href='null_genetive' title='3'><mark>'s</mark></a>operas as ' effects without causes ' . It also <a href='uninflect' title='4'><mark>contains</mark></a> the sardonic crack that ' [ Rossini ] never could <a href='been_done' title='5'><mark>have</mark></a> dreamt that it would some day occur to the Bankers , for whom he <a href='been_done' title='6'><mark>had</mark></a> always made their music , to make it for themselves ' . ' Jewishness in Music ' was reissued in 1869 , ( after Meyerbeer <a href='null_genetive' title='7'><mark>'s</mark></a>death ) in an extended form , with a far more explicit attack on Meyerbeer . This version was under Wagner <a href='null_genetive' title='8'><mark>'s</mark></a>own name – and as Wagner had by now a far greater reputation , his views obtained far wider publicity . These attacks on Meyerbeer ( which also included swipes at Felix Mendelssohn ) are regarded by Paul Lawrence Rose as a significant milestone in the growth of German anti @-@ Semitism . 
In his major theoretical statement , ' Opera and Drama ' ( 1852 ) , Wagner objected to the music of Meyerbeer , asserting its superficiality and incoherence in dramatic terms ; dis wrk contain Wagner  well @-@ known put @-@ down of Meyerbeer  operas as ' effects w/o causes ' . It also contain the sardonic crack dat ' [ Rossini ] never could done dreamt tdatit would sum day occur to the Bankers , for whom he done always made their music , to make it for theyself ' . ' Jewishness in Music ' was reissued in 1869 , ( after Meyerbeer  death ) in an extended form , with a far more explicit attack on Meyerbeer . This version was under Wagner  own name – and as Wagner had by now a far greater reputation , his views obtained far wider publicity . These attacks on Meyerbeer ( which also included swipes at Felix Mendelssohn ) are regarded by Paul Lawrence Rose as a significant milestone in the growth of German anti @-@ Semitism .