If you ask me what's good this week, the first thing I'm gonna say is this BØRNS track with Lana Del Rey, which is 99.9% up my alley. It was inevitable that these two would team up, they're like two sides of the same West Coast-obsessed coin. Though she's only a feature on the track, this seems to be written for Lana. Lyrically, it invokes youth, religion, and puts dark visions of blood into your mind all at once — practically a trifecta of her hot topics . But since it's a BØRNS track the explicit sexuality is missing, in favor of illusions to wild nights and spinning rather than overtly (or even metaphorically) talking about drug use. Where Lana likes a Lolita-esque take on innocent sexuality in her songs, BØRNS prefers romanticism. More interesting than the lyrical interplay telling the story of a couple on an adventure is what Del Rey does for BØRNS' voice; her monotone, lower register seems to give him permission to not only hit the high notes he's known for but to let his voice dance in the melody in a more animated manner than usual (note it in the second verse, as well as the final bridge). BØRNS has, from the start of his career , eschewed gender-norms about what music by a man should sound like or concern itself with, but in this track with Del Rey as his foil, he also manages to play with gender roles using their voices. It's a gorgeous twist on California dreaming.