But the lowest point is when Amy — clad in sheer nylons and a self-referred "slutty" dress she once wore for Halloween — hits the town with Carla and Kiki so that she can wipe the taste of her cheating ex from her palette and get laid. She mothers the men at the bar, scaring them off one after the next, until — lo and behold — a hot dad from school walks in and sweeps her off her feet.Jessie (Jay Hernandez) is a sexy widower who is apparently ready to get back out there, and all it takes is for him to tell Amy that she's a "good mom" before she pounces on him at the bar. They get busy, which I think we're supposed to interpret as Amy officially reclaiming her mojo. That ultimately translates to her running against Gwendolyn for the PTA presidency — and to liberating the other moms from the tyranny of trying to be a perfect mother.In the end, a considerably more relaxed Amy — less one loser husband and plus a major dose of self-confidence — drops her kids off at school, leisurely waves at her former nemesis, and huddles up with her new besties, who have learned their own mom lessons along the way. The moral of this story, it would seem, is that there are no good moms or bad moms: There are just mothers, striving to do the best with what they have, and still trying to retain a sense of self beyond the realm of parenthood. There is some truth to that cliché, but not even that message can save Bad Moms from ringing overwhelmingly inauthentic to modern parenthood. After spending all this time trying to make being a mom look difficult, it wraps up by showing us that it can be so easy, if only women would just calm down and realize what's really important. It's oversimplification at best, and a patronizing moral that modern mothers definitely don't need, even in comedic form, at its very worst.