Australian actress Young anchors the film with a strong, unvarnished performance. Her narration provides insight into the double life she leads: on the outside, she's carefree, a party girl whose boyfriend's drunk, mean comments mean nothing as she storms off to text her older lover. But on the inside, she's struggling. Struggling to keep up appearances, to figure out what she wants, what's expected of her, and how to exist in this world that seems hostile on every front. Nef is poignantly resilient as Bex, a trans woman who, like Lily, projects utmost fierce yasss feminist pride in her public persona; this is a smokescreen concealing a fragile being whose face crumples when the boy she likes uses her for sex but is ashamed to go public. (Abra and Waterhouse aren't given much to work with, however. Other than the fact that the two are sisters — a fact that never really gets explained, despite the fact that Em and their mom are Black while Sarah is not — we don't get to know much about them.)