What do you make of the burgeoning ‘true crime’ phenomenon? And where do you see your series within that?

I think if you look at the common denominators in all of these stories that have gained some level of popularity in recent years, there is a murder at the centre, of course, but there are also incidences of extreme injustice. I think audiences get really invested in stories where accountability, for whatever reason, hasn’t been taken – it angers them, and it should. While I was making The Keepers, I found myself angry all the time, as did my crew: angry at the injustice, at the lack of accountability, at the pain inflicted, at the lack of protection for these children by our state. So I hope we can use the long format to convey that feeling; I will be a happy storyteller if people leave The Keepers angry, and maybe, in an ideal world, that might lead to some systemic changes.