The fashion industry is among very few who, at least right now, are hungry for an outsider’s opinion on America. And when it came time for Raf Simons to continue that commentary via his collections for Calvin Klein 205W39NYC, their appetite was insatiable. At the surface of his fall 2018 show, onlookers could draw several connections to a dystopia that no longer seems so far off — a blackened barnyard (set atop a foot of popcorn), clothes reminiscent of the Great Depression, hazmat suits, and more — but, after his third collection for the American label, is Simons still in a dogged pursuit of commenting on our unconscious history? Or, like most of us, ready to move on from it?