It was in these fifty-eight meticulously worded notes that stylists found something of a roadmap for nailing this year’s theme. But those notes are full of artful caveats that keep Camp as a defined term in the abstract. Take for instance, Sontag’s final musing: “The ultimate Camp statement: it's good because it's awful.” Makes sense, right? Then she adds: “Of course, one can't always say that. Only under certain conditions.” So with all that lack of assuredness in mind, who swung and landed in the stands? It turns out, quite a few.