“I love fringe,” Rodgers tells Refinery29. “A good fringe coat or jacket will take you far. It never goes out of style.” It was important for Rodgers to work with pieces, like fringe, that feel timeless, but also speak to the time period in which the story was set. The costume designer sourced tons of items for the film at costume houses in New York and LA, but also she says, scored big in Brooklyn vintage shops like Beacon’s Closet and L Train Vintage. After Lee sent Rodgers the script, she says she set up shop in Howard University’s library in D.C., where she dug through an archive of Black magazines like Essence, Ebony, and Jet to make sure the clothing was historically accurate.