Marshall does explore some of the day’s politics on the album. On “In Your Face,” the divisive nature of discourse among political ideologies (“In the age of military, you are engaged / With such fanfare activity / You let them do things as they please / In a grave, you’re accounted for / If you were red, you’d be spoken for / Your colour blue is grey"). Empowerment, out of the ashes of a broken relationship, also gets a hard look from Marshall, in a duet with Lana Del Rey on “Woman” ("Your cage is like a weapon, / a tool to get me, shaped and fit for the other ones / Well my cage is a weapon, it’s perfect for me / It’s the one suit you seem to never see"). And even economic inequality bears mention, in the tale of “Robin Hood” (“Big fat cat, biggest piece of the pie, high top hat, leaves no disguise / Who robbing, he robbing you.”). Her cover of Rihanna’s “Stay” has probably gotten the most press, and is an imaginative reinterpretation of the song that makes it somehow slightly less morose but still terribly sad.