There are already some examples of this cropping up in the post-Time’s Up era that serve as important starting points. Coralie Fargeat’s Revenge, which opened on a limited run last month, has racked up critical acclaim as a gripping horror movie in a which the film’s heroine must fight her way out of a life-or-death situation after being isolated and sexually assaulted on a weekend getaway trip. Documentarian Jennifer Fox released her HBO film The Tale at this year’s Cannes Film Festival, a fictional retelling of her own very real trauma in which she explores the mutability of memory as it relates to her rape as a child.