Mosshart approached the process by thinking about what was missing from her own wardrobe and, after a trip to an Italian print house – "It was so inspiring, like going to an art gallery of fabrics" – she started playing with cuts and styles. A standout look from the collection is a psychedelic two-piece suit, which, she explains, started life in a totally different way. "The original print is so far removed from what you see now, the colours were different, the scale of the print was smaller; I changed it to look like oil in water. I loved the process because you can completely fuck with the original idea. It’s like playing a song over and over again – it grows with you. You get more ballsy every time you sing it, so it evolves."