So, the first images from the house under Vaccarello's guidance are quite unexpected. Shot in Paris by the American artist Collier Schorr, the portraits are a far cry from both Vaccarello's style, and Hedi Slimane's glitzed-out '80s maximalist vibe that so divided critics. The black-and-white pictures capture 15 new faces, and the focus is very much on the faces.What we can see of the clothes — virtually nothing (a black bra, maybe, possibly a white T-shirt) — would suggest Vaccarello has stripped things down, well, quite a lot. The New York Times' Vanessa Friedman aptly characterized the new look as "paring down the fuss, the better to rebuild." The images look more like a Calvin Klein campaign from the '90s than the work of a man known for his “sexy, dynamic [and] audacious” flair (as Donatella described it to British Vogue).