Weight
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For more than five centuries, from about 1400 to 1900, Akan smiths cast weights of immense diversity. Their small size made them portable and easy to trade. Each weight was cast individually in the lost-wax method. What resulted was a unique piece, but one that had to be a specific weight to function. The shape or figure of a weight did not correspond to a set unit of measure: a porcupine in one set could equal an antelope in another, or a geometric form in a third. For important transactions, gold dust was placed on one side of a small, handheld balance scale, a weight on the other. Each party to the dealing verified the amount of gold dust using his or her own weights."}, {"label": "Label Text", "content": "Visually, weights fall into two distinct categories: geometric and figurative. Stylistically they are divided into early (c. 1400-1700) and late (c. 1700-1900) periods. This object is a early-period geometric weight. The bent arm cross or swastika on this weight is a traditional design that is usually described as a stylization of the crossed crocodile motif. The crossed crocodiles have one belly but when eating they fight. The meaning conveyed is 1) there is unity in diversity, and 2) it is a mockery of greediness--since in the end, it all goes to the same place, the stomach."}, {"label": "Description", "content": "Cast copper alloy geometric weight in the form of an octagon with a raised swastika on top."}, {"label": "Provenance", "content": "Ambassador Franklin H. Williams, New York, -- to 1973"}, {"label": "Content Statement", "content": "As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions."}, {"label": "Image Requests", "content": "High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/"}], "title": [{"label": "Object Name", "content": "<I>abrammuo</I>"}], "objectType": [{"label": "Type", "content": "Sculpture"}], "creditLine": [{"label": "Credit Line", "content": "Gift of Franklin H. Williams"}], "name": [{"label": "Maker", "content": "Akan artist"}], "topic": [{"label": "Topic", "content": "Status"}, {"label": "Topic", "content": "Metalworking"}, {"label": "Topic", "content": "geometric motif"}, {"label": "Topic", "content": "male"}, {"label": "Topic", "content": "swastika"}, {"label": "Topic", "content": "Trade"}, {"label": "Topic", "content": "Currency"}], "place": [{"label": "Geography", "content": "Ghana"}, {"label": "Geography", "content": "C\u00c3\u00b4te d'Ivoire"}], "physicalDescription": [{"label": "Medium", "content": "Copper alloy"}, {"label": "Dimensions", "content": "H x W x D: 1.9 x 2.9 x 2.9 cm (3/4 x 1 1/8 x 1 1/8 in.)"}], "dataSource": [{"label": "Data Source", "content": "National Museum of African Art"}], "objectRights": [{"label": "Restrictions & Rights", "content": "CC0"}]}}, "url": "edanmdm:nmafa_73-19-16", "hash": "80dd0c2b61a1d5f52324b8e1128c705734fa3756", "docSignature": "e6fb430ae324523c21de47d448ee1514", "timestamp": 1663781618, "lastTimeUpdated": 1656577803, "title": "Weight"}