Pictures of crowds are particularly interesting, because, you know, you go to that, you try to figure out the threshold with something you can define very easily, like a face, goes into becoming just a texture. "Paparazzi."
Los cuadros de multitudes son particularmente interesantes, porque, saben, te acercas a aquello... tratas de resolver el umbral con algo que puedas identificar muy fácilmente, como una cara, que se va convirtiendo en