I then continued on to make a whole body of work about Marilyn, the biggest icon of all, and trying to titillate by shooting through doorways and shutters and so on and so forth, and only showing certain angles to create a reality that, obviously, is completely constructed.
Y tratando de excitar a través de la toma de imágenes desde los marcos de las puertas y contraventanas, etc. Y solamente mostrando ciertos ángulos, para crear una realidad que, obviamente, es completamente construida.