So Aaron Koblin and I began auditioning new technologies that could put more of you inside of the work, like your childhood home in "The Wilderness Downtown," your hand-drawn portraits, in "The Johnny Cash Project," and your interactive dreams in "3 Dreams of Black." We were pushing beyond the screen, trying to connect more deeply to people's hearts and
Así que Aaron Koblin y yo empezamos a considerar nuevas tecnologías que pudieran poner más de Uds. dentro de la obra, como su hogar de la infancia en "The Wilderness Downtown", sus retratos dibujados a mano en "The Johnny Cash Project", y sus sueños interactivos en "3 Dreams of Black." Estábamos yendo más allá de