Pietro was suspicious of formal art training, art history training, because he feared that it filled people up with jargon, and then they just classified things rather than looking at them, and he wanted to remind us that all art was once contemporary, and he wanted us to use our eyes, and he was especially evangelical about this message, because he was losing his sight.
Pietro desconfiaba de la educación artística formal de la educación de la historia del arte, porque temía que atiborrara a la gente con jerga, y después simplemente se dedicaran a clasificar cosas en lugar de observarlas, y quería recordarnos que todo arte había sido contemporáneo alguna vez. y quería que usáramos los ojos, y era especialmente evangélico en cuanto a este