s in the years immediately following its publication, it has also subsequently fallen victim to outbursts (or exhibitions) of moral opprobrium. All of Ovid's works were burned by Savonarola in Florence in 1497; Christopher Marlowe's translation was banned in 1599, and another English translation of the Ars amatoria was seized by US Customs in 1930.
It seems possible that Edmond Rostand's fictionalized portrayal of Cyrano de Bergerac makes an allusion to the Ars amatoria: the theme of the erotic and seductive power of poetry is highly suggestive of Ovid's poem, and Bergerac's nose, a distinguishing feature invented by Rostand, calls to mind Ovid's cognomen, Naso (from nasus, 'large-nosed').