subject of censorship can be broken down into six main
Here these topics will
be considered in more detail and group/classroom
activities will be suggested.
1. What is censorship?
Censorship can be
broadly defined as the suppression of knowledge or
Activity: List the elements of films that that you would want to censor? E.g. in terms of language, plot, subject matter. This should help determine the main areas and features of censorship. Give reasons why we would censor films - e.g. to protect minors, minority groups, etc. Give reasons why we would object to or restrict censorship - e.g. issue of free speech.
2. Censorship in the cinema
We can now compare how films have come to be censored in real life with the elements we have identified in the activity above.
In the US with the coming of sound in 1927 there was a call for stricter censorship. The Production or Hays Code of film classification was introduced in 1934 to control the depiction of religious groups, foreign countries, foreigners, sexual and criminal activity, and other repellent subjects. This held sway until the early 1950s. In 1968 a classification system was established that all Hollywood movies adhere to on a voluntary basis. It is run by the MPAA (Motion Picture Association of America).
In Britain we have the BBFC (British Board of Film Classification). This also classifies films and certifies them for public distribution.
Group Activity: Discuss whether classification is just a self-imposed method of censorship. Is it there for the benefit of the motion picture industry, government or viewer? What groups or organisations have most influence on it? What pressures are on it? Is classification paternalistic, patronising and a reflection or establishment of standards.
British Board of Film Classification website:
Motion Picture Association of America website:
3. Is censorship really necessary?
Activity: What films or film sequences have you seen that you think should have been censored. Did these elements shock or influence you in any way?
Effects of media on the audience have mainly been conducted in relation to TV audiences and focussed on the issue of violence. For example, in laboratory conditions children have been shown violent film clips and then their behaviour has been monitored afterwards to see if they act more aggressively than a control group that has not been shown violent films.
Content Analysis has also been employed to count the number of acts of violence, violent language and related actions in a specific film. A high score would rate the film as being more likely to inspire aggressive reactions than a low scoring film.
Polls and surveys, and test screenings are another means of determining how an audience responds to a film.
Group Activity: View a film sequence and note the incidents of violence contained in it. Afterwards discuss the pros and cons of this content analysis in relation to censorship. Critics claim that such studies are limited as they do not consider the wider context of the film and its effect on the viewer. A direct cause and effect - viewing a violent film causing aggressive behaviour - has been very hard to establish on a scientific basis.
The BBFC notes that it gives more allowance to Art House movies, or films that bring important issues to a wider audience e.g. Spielbergís Schindlerís List or Saving Private Ryan. It also gives different allowances to different genres - e.g. it will except more violence in a cartoon than a crime movie.
Group 1. Imagine you
are making a Horror film
What elements would you need to feature in your groupís chosen film genre? What areas of censorship would you have to consider? E.g. in terms of nudity, sexual activity, language, presentation of criminal acts, violence, moral message of the movie, the target audience. How would you tackle the issue of censorship?
This activity shows
that different genres have different audience
Beyond the film itself we have to consider its wider social context.
For example, after a terrorist outrage - such as immediately after 9/11 film makers avoided mak