d to that of the Scythians of southern European Russia.The Bronze Age culture on Fergana's western border is associated with settlers living in large houses grouped to form settlements of considerable size. Some of the inhabitants worked in copper mines at the time when potters of the Chust Bronze Age culture of the Fergana Valley were producing fine-quality tableware, as well as cruder pottery articles. The best Chust pottery was very thin, covered with a red slip (liquid clay) and decorated after glazing with black triangular and scroll designs.Nomadic culturesDuring the 1st millennium BC and the 1st centuries of the Christian era, certain nomadic tribes affected the course of Central Asia's artistic history. Cyrus II the Great, the ancient Persian king who founded the Achaemenian Empire, was killed by the nomadic Massagetai when campaigning in eastern Iran in 530 BC. At the time, the Śaka tribe was pasturing its herds in the Pamirs, central Tien Shan, and in the Amu Darya delta. Their gold belt buckles, jewelry, and harness decorations display sheep, griffins, and other animal designs that are similar in style to those used by the Scythians (Scythian art), a nomadic people living in the Kuban basin of the Caucasus region and the western section of the Eurasian plain during the greater part of the 1st millennium BC. When considered together with objects of a like nature recovered from the frozen burial sites of the western Altai Mountains, it becomes evident that many of the Central Asian tribesmen commonly shared the traditions and culture that were once associated only with the Scythians.Altaic tribesBecause of a freak climatic freeze, some of the Altaic burials, notably those of the 5th century BC at Pazyryk and neighbouring sites, such as Katanda, Shibe, and Tuekt, were isolated from external climatic variations by a protective layer of ice that conserved the organic substances buried in them. At Pazyryk these included the bodies of horses and an embalmed man whose body was covered with tattoos (tattoo) of Scythian animal motifs. The remarkable textiles recovered from the Pazyryk burials include the oldest woollen knotted-pile carpet known, the oldest embroidered Chinese silk, and two pieces of woven Persian fabric (State Hermitage Museum, St. Petersburg). Red and ochre predominate in the carpet, the main design of which is of riders, stags, and griffins. Many of the Pazyryk felt hangings, saddlecloths, and cushions were covered with elaborate designs executed in appliqué feltwork, dyed furs, and embroidery. Of exceptional interest are those with animal and human figural compositions, the most notable of which are the repeat design of an investiture scene on a felt hanging and that of a semihuman, semibird creature on another (both in the State Hermitage Museum, St. Petersburg). Clothing, whether of felt, leather, or fur, was also lavishly ornamented.horse reins either had animal designs cut out on them or were studded with wooden ones covered in gold foil. Their tail sheaths were ornamented, as were their headpieces and breastpieces. Some horses were provided with leather or felt masks made to resemble animals, with stag antlers or rams' horns often incorporated in them. Many of the trappings took the form of iron, bronze, and gilt wood animal motifs either applied or suspended from them; and bits had animal-shaped terminal ornaments. Altaic animals frequently display muscles delineated with dot and comma markings, a formal convention that may have derived from appliqué needlework. Although such markings are sometimes included in Assyrian, Achaemenian, and even Urartian animal representations of the ancient Middle East, they seldom appear on those of purely Scythian origin. Roundels containing a dot serve the same purpose on the stag and other animal renderings executed by contemporary Śaka metalworkers. Animal processions of the Assyro-Achaemenian type also appealed to many Central Asian tribesmen and are featured in their arts.Certain geometric designs and sun symbols, such as the circle and rosette, recur at Pa