Kinemacolor entry Barbara Flueckiger Timeline of Historical Film Colours
http://zauberklang.ch/filmcolors/timeline-entry/1214/ accessed 18th July 2018
 “A New Art”, Sunday Times, Sydney, 15th December 1912, p. 15
 Sun, Sydney, 16th February 1913, p. 2
 George Johnson, Photography in Colours, London: Routledge, 1911, p. 114
 Technicolor advertisement, 1930, George Eastman Museum website,
accessed 18th July 2018
 Motion Picture World, October 6th, 1917 quoted in Fred Basten,Glorious Technicolor: The Movies’ Magic Rainbow (New Jersey: Barnes, 1980) p. 27
 Stuart Cunningham, Featuring Australia: The Cinema of Charles Chauvel (Sydney: Allen and Unwin, 1991) p. 64-5
 Everyones, Sydney, 15th September 1937. Reference from Graham Shirley “Colour Cinematography – Unpublished Notes”, 2002.
 See New Century Films Colour Animation Film Fragment National Film and Sound Archive, Australia Catalogue. https://www.nfsa.gov.au Accessed 18th July 2018.
 Hugh McInnes, Sheila Higgins Oral History Interview, Canberra, National Film and Sound Archive, Australia, 1977.
 Sydney Morning Herald, 25th March 1939, p. 8
 “One-Reel Novelty Films Made Here”, Courier-Mail, Brisbane, 28th November 1938, p. 5
 A Playground of the Pacific, directed by Stan Pentreath (1937, Australia: Cameracraft). An excerpt can be viewed at the National Film and Sound Archive, Australia youtube channel.
accessed 18th July 2018
 “All-Australian Colour Shorts”, Table Talk, Melbourne, 6th April 1939, p. 14
 Mercury , (Hobart), 28 January 1939, p. 5
 “Willie the Wombat”, Smiths Weekly, Sydney, 20th May 1939, p. 23
 Sydney on Show, (c 1940, Australia: Solarchrome Colour Processing). An excerpt can be viewed at Australian Screen.
accessed 18th July 2018
 Motion Picture Herald, March 23rd, 1946, p. 23
 “Monopoly Action Hits Film Firms”, LA Times, 14th August 1947
 “Fast Colour”, Time, March 22nd, 1948
 The News, Adelaide, 12th January 1948, p. 2
 “Newsreel News”, Smith’s Weekly, Sydney, 24th January 1948, p. 17
 The Joy of Living, directed by Eric Porter (1948, Australia: Litchfield Productions)
An excerpt can be viewed at
with Curator’s Notes by Poppy De Souza.
 “Bushranger to be New Colour Film” Advertiser, Adelaide, 11th January 1950, p. 3
 “Color Film May Be Made Here”, News, Adelaide, 2nd August 1950, p. 2
 Charles Chauvel, “Our Outback a Rich Field for Filmmakers”, Sydney Morning Herald, 31st August 1950, p. 2
 Chronicle, Adelaide, 24th August 1950, p. 3
 South Australia Parliamentary Papers, August 8th 1950
 “Premier Playford is Expert Film-Grabber”, Smith’s Weekly, August 26th 1950, p. 2
 “Hollywood Comes to Australia”, Australian Diary No. 44 (1951, Australia: Department of Information Bureau, Film Division).
 “A Dust Storm”, Evening Journal, Adelaide, 29th July 1869, p. 3
 “Red Dust Storm”, Port Pirie Recorder, 2nd January 1928, p. 3
 Blyth Agriculture, 6th December 1929, p. 2
 “Lewis Milestone Papers”, Folder 32, Margaret Herrick Library, Academy of Motion Picture Arts & Sciences
 “Lewis Milestone Papers”, Folder 32, Margaret Herrick Library
 “Papers of Colin Simpson”, Box 41, National Library of Australia, MS 5253
 Colin Simpson, Adam in Ochre (London: Angus and Robertson, 1951) p. 17
 See Phillip Jones, “Red Ochre Expeditions”, Journal of Anthropological Society of South Australia 22(1) September 1984 and Phillip Jones, “That Special Property” in Ochre and Rust, (Adelaide: Wakefield Press, 1997)pp. 337-378
 Deb Verhoeven, Sheep and the Australian Cinema (Melbourne University Press, 2006)
 Patrick Keating, Hollywood Lighting from the Silent Era to Film Noir, (New York: Columbia University Press, 2010) p. 214
 Papers of Colin Simpson, Box 41, National Library of Australia, MS5253
 Cairns Post, 16th November 1953, p. 1
 See Gevacolor entry Barbara Flueckiger “Timeline of Historical Film Colors” http://zauberklang.ch/filmcolors/timeline-entry/1312/#/ accessed 17th July 2018
 “Press Reviews of Royal Tour Film”, Armidale Express and New England General Advertiser, 30th June 1954, p. 12
 Sarah Street, Colour Films in Great Britain: The Negotiation of Innovation 1900-55 (Pa