fflin, 1965; Berenson, Bernard. Sketch for a Self-Portrait. London: Robin Clark, 1991.
Bibliography: all of Berenson's writing was done in English. A few pieces appeared first in Italian translation. [bibliography to 1955:] Mostyn-Owen, William, ed. Bibliografia di Bernard Berenson. Milan: Electa editrice 1955; The Venetian Painters of the Renaissance. New York: G. P. Putnam, 1894; The Central Italian Painters of the Renaissance. London: G. P. Putnam, 1897; The Study and Criticism of Italian Art. 2d series. London: George Bell, 1902 [containing the essay "Rudiments of Connoisseurship"]; The Drawings of Florentine Painters Classified, Criticised and Studied as Documents in the History and Appreciation of Tuscan Art. 2 vols. New York: Dutton, 1903; North Italian Painters of the Renaissance.New York: G.P. Putnam's Sons, 1907; Three Essays in Method. Oxford: Clarendon, 1926; Studies in Medieval Painting. New Haven, CT: Yale University Press, 1930; [first combined printing of all four texts] Italian Painters of the Renaissance, Oxford: Clarendon Press, 1930; Italian Pictures of the Renaissance: A List of Principal Artists and their Works. Oxford University Press, 1932; Aesthetics and History. London: Pantheon, 1948; Caravaggio, his Incongruity and his Fame. London: Chapman and Hall, 1953; The Arch of Constantine, or, The Decline of Form. New York, Macmillan Co., 1954; One Year's Reading for Fun, 1942. New York: Knopf, 1960.
[estate catalog:] Russoli, Franco, and Mariano, Nicky. The Berenson Collection. Milan: Arti grafiche Ricordi, 1964.