 Painting. Washington, DC: National Gallery of Art, 1979; Bazin, Germain. Histoire de l'histoire de l'art; de Vasari à nos jours. Paris: Albin Michel, 1986, pp. 238-243, 540-541; Guercio, Gabriele. Art as Existence: The Artist's Monograph and Its Project. Cambridge, MA: MIT Press, 2006, p. 21; biographies: Sprigge, Sylvia Saunders. Berenson: a Biography. London: Allen & Unwin, 1960; Mariano, Nicky. Quarant’anni con Berenson. Florence: Sansoni, 1969, English, Forty Years with Berenson. New York: Knopf, 1966; Secrest, Meryle. Being Bernard Berenson: a Biography. New York: Holt, Rinehart and Winston, 1979; Samuels, Ernest. Bernard Berenson: the Making of a Connoisseur. Cambridge, MA: Belknap Press, 1979, [volume 1], and Samuels, Ernest and Samuels, Jayne Newcomer. Bernard Berenson: the Making of a Legend [volume 2]. Cambridge, MA: Belknap Press, 1987; Strachey, Barbara, and Samuels, Jayne, ed. Mary Berenson: A Self-Portrait from her Diaries and Letters. New York: Norton, 1983; Simpson, Colin. Artful Partners: Bernard Berenson and Joseph Duveen. New York: Macmillan, 1986; Calo, Mary Ann. Bernard Berenson and the Twentieth Century. Philadelphia: Temple University Press, 1994; [F. Zeri's recollection of] Zeri, Federico. The Daily Telegraph (London). November 2 (1998), p. 21; "Berenson and Harvard" [I Tatti website] http://berenson.itatti.harvard.edu/berenson/; autobiographical/primary source: Rumor and Reflection. New York: Simon and Schuster, 1952; Kiel, Hanna, and Walker, John, and Mariano, Nicky, eds. The Bernard Berenson Treasury; a Selection from the Works, Unpublished Writings, Letters, Diaries, and Journals of the Most Celebrated Humanist and Art historian of Our Times, 1887-1958. New York: Simon and Schuster, 1962; Sunset and Twilight: from the Diaries of 1947-1958. New York: Harcourt, Brace & World, 1963; Biocca, Dario, ed. A Matter of Passion: Letters of Bernard Berenson and Clotilde Marghieri. Berkeley: University of California Press, 1989; and Morra, Umberto. Conversations with Berenson. Boston: Houghton Mifflin, 1965; Berenson, Bernard. Sketch for a Self-Portrait. London: Robin Clark, 1991.
Bibliography: all of Berenson's writing was done in English. A few pieces appeared first in Italian translation. [bibliography to 1955:] Mostyn-Owen, William, ed. Bibliografia di Bernard Berenson. Milan: Electa editrice 1955; The Venetian Painters of the Renaissance. New York: G. P. Putnam, 1894; The Central Italian Painters of the Renaissance. London: G. P. Putnam, 1897; The Study and Criticism of Italian Art. 2d series. London: George Bell, 1902 [containing the essay "Rudiments of Connoisseurship"]; The Drawings of Florentine Painters Classified, Criticised and Studied as Documents in the History and Appreciation of Tuscan Art. 2 vols. New York: Dutton, 1903; North Italian Painters of the Renaissance.New York: G.P. Putnam's Sons, 1907; Three Essays in Method. Oxford: Clarendon, 1926; Studies in Medieval Painting. New Haven, CT: Yale University Press, 1930; [first combined printing of all four texts] Italian Painters of the Renaissance, Oxford: Clarendon Press, 1930; Italian Pictures of the Renaissance: A List of Principal Artists and their Works. Oxford University Press, 1932; Aesthetics and History. London: Pantheon, 1948; Caravaggio, his Incongruity and his Fame. London: Chapman and Hall, 1953; The Arch of Constantine, or, The Decline of Form. New York, Macmillan Co., 1954; One Year's Reading for Fun, 1942. New York: Knopf, 1960.
[estate catalog:] Russoli, Franco, and Mariano, Nicky. The Berenson Collection. Milan: Arti grafiche Ricordi, 1964.