: Litchfield Productions)
An excerpt can be viewed at
with Curator’s Notes by Poppy De Souza.
 “Bushranger to be New Colour Film” Advertiser, Adelaide, 11th January 1950, p. 3
 “Color Film May Be Made Here”, News, Adelaide, 2nd August 1950, p. 2
 Charles Chauvel, “Our Outback a Rich Field for Filmmakers”, Sydney Morning Herald, 31st August 1950, p. 2
 Chronicle, Adelaide, 24th August 1950, p. 3
 South Australia Parliamentary Papers, August 8th 1950
 “Premier Playford is Expert Film-Grabber”, Smith’s Weekly, August 26th 1950, p. 2
 “Hollywood Comes to Australia”, Australian Diary No. 44 (1951, Australia: Department of Information Bureau, Film Division).
 “A Dust Storm”, Evening Journal, Adelaide, 29th July 1869, p. 3
 “Red Dust Storm”, Port Pirie Recorder, 2nd January 1928, p. 3
 Blyth Agriculture, 6th December 1929, p. 2
 “Lewis Milestone Papers”, Folder 32, Margaret Herrick Library, Academy of Motion Picture Arts & Sciences
 “Lewis Milestone Papers”, Folder 32, Margaret Herrick Library
 “Papers of Colin Simpson”, Box 41, National Library of Australia, MS 5253
 Colin Simpson, Adam in Ochre (London: Angus and Robertson, 1951) p. 17
 See Phillip Jones, “Red Ochre Expeditions”, Journal of Anthropological Society of South Australia 22(1) September 1984 and Phillip Jones, “That Special Property” in Ochre and Rust, (Adelaide: Wakefield Press, 1997)pp. 337-378
 Deb Verhoeven, Sheep and the Australian Cinema (Melbourne University Press, 2006)
 Patrick Keating, Hollywood Lighting from the Silent Era to Film Noir, (New York: Columbia University Press, 2010) p. 214
 Papers of Colin Simpson, Box 41, National Library of Australia, MS5253
 Cairns Post, 16th November 1953, p. 1
 See Gevacolor entry Barbara Flueckiger “Timeline of Historical Film Colors” http://zauberklang.ch/filmcolors/timeline-entry/1312/#/ accessed 17th July 2018
 “Press Reviews of Royal Tour Film”, Armidale Express and New England General Advertiser, 30th June 1954, p. 12
 Sarah Street, Colour Films in Great Britain: The Negotiation of Innovation 1900-55 (Palgrave MacMillan, London, 2012) p. 13
 See Paul Byrnes, Curator’s Notes, The Queen in Australia, Australian Screen Online
accessed 18th July 2018
 “Tour Documentary” New York Times, June 16th 1954
 Welcome the Queen, directed by Howard Thomas (British Pathe, 1954).
 Daily Telegraph, Sydney, 2nd October 1952, p. 19
 Susanne Chauvel, Charles and Elsa Chauvel: Movie Pioneers (University of Queensland Press, 1989) p. 152
 “A lifelong battle for the films of Australia” Canberra Times, 15th October 1989. P. 20
 Dianna Young, “Mutable things: colours as material practice in the northwest of South Australia”, Journal of Royal Anthropological Institute 17(2) June 2011 p. 356-376
 “Film Chance for 100 SA Horsemen”, The News, Adelaide, 23rd September 1950, p. 4