Masonry is the cornerstone of Kipling’s best novel Kim, and the key to his finest long story The Man Who Would be King.
His interest in Freemasonry is easily recognised in much of his work and examples are too numerous for one article.
In his short stories and poems, he often used words from the ritual and in his later short stories he often uses the lodge meeting as a vehicle through which to tell the story.
After Mozart, I would choose Kipling as the most creative Freemason in our three-hundred-year history. Mozart’s interest in the Craft is well documented from the company he kept in Vienna in the 1780s, and the lodges he joined and attended. In addition to The Magic Flute, he composed music for specific Masonic ceremonies including one for his own father’s second ceremony. But Kipling’s Masonic life is much more puzzling and largely unresearched and the sources of his Masonic material largely untraced. Sadly, lectures he gave to his mother lodge have been lost.
Rudyard Kipling became a Freemason in India in 1885 at 20 years old, given a dispensation by the District Grand Master and was almost immediately appointed as the Secretary of his mother lodge, Hope and Perseverance No.782 (E.C.) United Grand Lodge of England still has the original annual returns he signed.
When he left India after his early successes, he ceased to be an active Freemason although still only 24, but he never severed his connections with the Craft. Those four years made a huge impact on his life and work. He lived in the USA and England and travelled extensively. Except for one single recorded visit he never attended another Lodge meeting after he left India. On this occasion he visited Rosemary Lodge No.2851, London, in 1924 as a guest of his next-door neighbour Colonel Sutherland-Harris. Yet, for the next 45 years of his life, Masonry featured in his work and was often the driving force behind his narratives and thinking.
Despite his non-attendance at meetings, he was a founder member of several lodges, including one created to support the Imperial War Graves Commission – Builders of the Silent Cities No. 4948 – where his signature appears on the warrant. Despite this, he did distance himself from any active involvement. So where did he find his ideas?
I found one of the answers to this enigma in the archives at Freemasons’ Hall. The biggest puzzle was the source of the story of Kim. It is undoubtedly the finest picture we have of late Victorian India, after the Indian Mutiny but before the Raj starts to disintegrate.
On the very first page of the book, we meet the boy Kim whom we are told is “a poor white of the very poorest”. Both his parents are dead. His mother, like many British in India, died of cholera. His father had been a colour sergeant in an Irish regiment, who on leaving the army became addicted to opium. All he left Kim were three pieces of paper: his ne varietur, his clearance certificate and his birth certificate. Before he died, he urged Kim (still only a child) that he must hang on to these papers as one day everything would come right and he “would be exalted between pillars – monstrous pillars – of beauty and strength”.
His father said that the papers belonged “to a great piece of magic – such magic as men practised over yonder behind the Museum, in the big blue-and-white Jadoo-Gher – the Magic House, as we name the Masonic Lodge”.
Kim lives on his wits in the bazaars of Lahore and he carries these papers sewn into an amulet around his neck. His father had promised that “they will come for you a great Red Bull on a green field and the Colonel riding on his tall horse”. Kim does not realise that this refers to the flag of his father’s old regiment, and the lodge he joined as a member of it. As the story unfolds, the Regiment do find him. On examining the amulet, they realise he is the son of one of their former comrades. and as his father was a Freemason, Kim’s future is assured as the Regiment takes responsibility for the orphan child.
This is only the start of Kim’s adventures as he travels India with the Lama, the holy ma