The photographer Ingrid Berthon Moine is taken with testicles, both figuratively and physiologically; turning to the anatomically accurate statues of Classical Greece for her project Marbles, she focuses her lens on representations of the male sex organ. Isolated from the rest of the statues, the male sex organs take on new meanings, their textured curves wrought in stone with masterly precision.
The careful renderings of the genitalia reveal tender folds of skin; set against the aged and worn marble, the apparent softness is complicated by durability. Testicles, as a cultural symbol, retain these nuances; they are simultaneously representative of sexual vigor and unfaltering power, but they are also framed as a physical weakness, an immensely vulnerable organ. As Berthon Moine explains, the word itself gave rise to aggressive, powerful words like “detest, protest, or contest or […] testify.” But the artist was also inspired by the theory of the neuroscientist John Coates, who posited that the testosterone hormone played a role in the financial recession; these marble testicles hope to express both the powers and dangers that we assign to them.
In a world where artworks depicting naked women outnumber works by women artists in our most renowned art museums, Berthon Moine’s work serves to turn the male gaze in on itself. She explains that until recently, only women were made to feel aware of being watched, judged by their sexual allure. She sees this dynamic shifting to expose both genders to the gaze of others, and this series, uncomfortable to some and amusing to others, is a part of that transition. (via Hyperallergic)