 red-sandstone architecture. Millions of Americans have felt this succession of emotions. Possibly very young and ingenuous tourists feel them still, but in days before tourists, when the romance was a reality, not a picture, they were overwhelming. When the boys went out to Eaton Hall, they were awed, as Thackeray or Dickens would have felt in the presence of a Duke. The very name of Grosvenor struck a note of grandeur. The long suite of lofty, gilded rooms with their gilded furniture; the portraits; the terraces; the gardens, the landscape; the sense of superiority in the England of the fifties, actually set the rich nobleman apart, above Americans and shopkeepers. Aristocracy was real. So was the England of Dickens. Oliver Twist and Little Nell lurked in every churchyard shadow, not as shadow but alive. Even Charles the First was not very shadowy, standing on the tower to see his army defeated. Nothing thereabouts had very much changed since he lost his battle and his head. An eighteenth-century American boy fresh from Boston naturally took it all for education, and was amused at this sort of lesson. At least he thought he felt it.
Then came the journey up to London through Birmingham and the Black District, another lesson, which needed much more to be rightly felt. The plunge into darkness lurid with flames; the sense of unknown horror in this weird gloom which then existed nowhere else, and never had existed before, except in volcanic craters; the violent contrast between this dense, smoky, impenetrable darkness, and the soft green charm that one glided into, as one emerged — the revelation of an unknown society of the pit — made a boy uncomfortable, though he had no idea that Karl Marx was standing there waiting for him, and that sooner or later the process of education would have to deal with Karl Marx much more than with Professor Bowen of Harvard College or his Satanic free-trade majesty John Stuart Mill. The Black District was a practical education, but it was infinitely far in the distance. The boy ran away from it, as he ran away from everything he disliked.
Had he known enough to know where to begin he would have seen something to study, more vital than the Civil Law, in the long, muddy, dirty, sordid, gas-lit dreariness of Oxford Street as his dingy four-wheeler dragged its weary way to Charing Cross. He did notice one peculiarity about it worth remembering. London was still London. A certain style dignified its grime; heavy, clumsy, arrogant, purse-proud, but not cheap; insular but large; barely tolerant of an outside world, and absolutely self-confident. The boys in the streets made such free comments on the American clothes and figures, that the travellers hurried to put on tall hats and long overcoats to escape criticism. No stranger had rights even in the Strand. The eighteenth century held its own. History muttered down Fleet Street, like Dr. Johnson, in Adams’s ear; Vanity Fair was alive on Piccadilly in yellow chariots with coachmen in wigs, on hammer-cloths; footmen with canes, on the footboard, and a shrivelled old woman inside; half the great houses, black with London smoke, bore large funereal hatchments; every one seemed insolent, and the most insolent structures in the world were the Royal Exchange and the Bank of England. In November, 1858, London was still vast, but it was the London of the eighteenth century that an American felt and hated.
Education went backward. Adams, still a boy, could not guess how intensely intimate this London grime was to become to him as a man, but he could still less conceive himself returning to it fifty years afterwards, noting at each turn how the great city grew smaller as it doubled in size; cheaper as it quadrupled its wealth; less imperial as its empire widened; less dignified as it tried to be civil. He liked it best when he hated it. Education began at the end, or perhaps would end at the beginning. Thus far it had remained in the eighteenth century, and the next step took it back to the sixteenth. He crossed to Antwerp. As the Baron Osy steamed up the S