of ambitious projects, such as a performance of Beethoven’s complete sonatas for violin and pianoforte on a 1804 Broadwood piano (Museum of the American Piano, New York), and his successful performance at the Cappella Paolina at the Quirinale in Rome. His recording debut came with the Concertos for pianoforte and orchestra by F. Kuhlau and F. Berwald with the Sassari Symphonic Orchestra, for Inedita. Also for Inedita he recorded Beethoven’s Concerto in E-flat major WoO 4 (1784), winning acclaim among critics in Italy and internationally. He followed up on his research into Beethoven’s youthful concertos with the Rondo in B-flat major and the Concerto in D op.61a, both greeted enthusiastically by international musicologists and a candidate for the Prix International du Disque, Cannes. The seventh volume of “Beethoven Rarities” (INEDITA), dedicated to a revision of Concerto op.58 in the 1808 manuscript version, and Concerto op.19 with the handwritten cadenza taken from the Kafka Skizzenbuch, earning 5 stars from Rivista Musica. He produced a CD dedicated to music for violin and pianoforte by the Norwegian composer C. Sinding (ASV), which won praise from Fanfare, BBC News, Guardian, Daily Telegraph. He has recorded the Sonatas of Lino Liviabella and Nino Rota for viola and Pianoforte with Luca Sanzò, and the complete works for violin and pianoforte by Ottorino Respighi, with Marco Rogliano (TACTUS). The CD (BRILLIANT) with Luca Sanzò of Viola and Piano sonatas by Paul Hindemith has received important recognition from Gramophone, Fanfare, MusicWeb International, Musica, Opusklassiek. In his review on Fanfare of the Three Hindemith’s Piano Sonatas (BRILLIANT) James H. North so describes Paciariello’s features: “a Gustav Leonhardt turned into a Van Cliburn”.