an do the form very well, it may still be dead. To make it come alive you must develop a sense of enemy. When practicing the solo sequence, you must imagine there is an enemy in front of you, and you must clearly feel his movements and his interaction with you. Your ability to visualize realistically will be greatly aided if you practice the techniques with a partner. There are times when you will not use visualizations, but every time you do the sequence your movement must be flavored with this knowledge of how you interact with an opponent. The more you practice with this imaginary enemy before you, the more realistic and useful your practice will be. If you practice with a very vivid sense of enemy, you will learn to apply your qi and jin naturally, and your whole spirit will melt into the sequence. This is not unlike performing music. If one musician just plays the music and the other plays it with his whole heart and mind, the two performances are as different as night and day. In one case the music is dead, while in the other it is alive and touches us.
If you don't know how to incorporate jin into the forms, then even if you do the sequence for many years it will still be dead. In order for the sequence to be meaningful, jin and technique must be combined. An important way to do this is to practice fast taijiquan. Practicing fast taijiquan is part of the Yang aspect of taijiquan, and it allows you to manifest your internal qi into external forms and power. Once you can do the sequence of movements automatically and can coordinate your breathing and qi circulation with the movements, you should practice doing the form faster and faster. Remember, if you ever get into a fight, things are likely to move pretty fast, so you have to be able to respond fast in order to defend yourself effectively. If you only practice slowly, then when you need to move fast your qi will be broken, your postures unstable, and your yi scattered. If any of this happens, you will not be able to use your jin to fight. Therefore, once you have developed your qi circulation you should practice the sequence faster until you can do it at fighting speed. Make sure you don't go too fast too soon, or you will sacrifice the essentials such as yi concentration, qi balance, breath coordination, and the storage of jin in the postures. When doing fast taiji, do not move at a uniform speed. Incorporate the pulsing movement of jin so that you are responding appropriately to the actions of your imaginary enemy. It is difficult to develop the pulsing movement of jin solely by doing the sequence, so you should also do jin training either before or concurrently with the fast taijiquan. If you are interested in knowing more about taijiquan jin development in detail, you should refer to the book "Tai Chi Theory and Martial Power", and see this previous article: http://www.fightingarts.com/reading/article.php?id=556.
About The Author:
Dr. Yang, Jwing-Ming started his Gongfu (Kung Fu) training at the age of fifteen under the Shaolin White Crane (Bai He) Master Cheng, Gin Gsao. In thirteen years of study (1961-1974) under Master Cheng, Dr. Yang became an expert in the White Crane style of Chinese martial arts, which includes both the use of bare hands and of various weapons such as saber, staff, spear, trident, two short rods, and many others. With the same master he also studied White Crane Chin Na, Tui Na and Dian Xue massages, and herbal treatment.
At the age of sixteen, Dr. Yang began the study of Taijiquan (Yang Style) under Master Gao, Tao. After learning from Master Gao, Dr. Yang continued his study and research of Taijiquan with several masters and senior practitioners such as Master Li, Mao-Ching and Mr. Wilson Chen in Taipei. Master Li learned his Taijiquan from the well-known Master Han, Ching-Tang, and Mr. Chen learned his Taijiquan from Master Chang, Xiang-San. Dr. Yang has mastered the Taiji barehand sequence, pushing hands, the two-man fighting sequence, Taiji sword, Taiji saber, and Taiji Qigong.
At 18, he entered Tamkang College in Taipei Xian to 