Apr 01, 2023
Apr 01, 2023
An icon means a model or an example one can emulate. Originally, the word icon mean meant a religious and sacred symbol, and in the latest computer terminology, it means a symbol used as a diagram or picture. But in the popular usage, icon means a charismatic person who can draw a good following and provide them an ideal and identity. To have a good example, an icon that appeals to heart, is one of the prime needs of a young person.
Is Our Culture Outdated?
Often we hear complaints from the younger generation that our culture has become outmoded. 'We are in the 21st century' is a sentence repeatedly flung at us. This is the age of electronic mastery of communications. Science and technology are fast subduing the unknown. So they say and turn away to what they consider new horizons, holding in hand the new icons of inspiration: the cellphone at the ears, the laptop in one hand and the glossy in-flight magazine in the other.
We do not blame them. In an attempt to show that Indian culture has had the strength to survive twenty to thirty centuries with ease, we have unconsciously made it appear as an oversized, ancient entity, out of touch with the modern world. Our scholars repeatedly try to push back the dates of our scriptures as if age alone is holiness. If our Vedas, Upanishads, epics and Puranas have survived all these centuries, it is because they have carried the power of knowledge in them, the powers of Savita (the Sun deity, symbolizing creation) whom we continue to evoke for gathering inspiration through the Gayatri mantra:
Om tat savitur varenyam bhargo dhevasya dheemahi
Dheyo yo na prachodayat
'We meditate on the glory of that Being
who has produced this universe;
may He enlighten our minds.'
Consider the above Sanskrit verse of 24 syllables and reflect over how it has been the mainstay of innumerable traditions, from the most orthodox Vedic religions to the Sufi traditions of dervishes. How can we put an 'age-tag' to it? Another problem that has unconsciously affected the psyche of the younger generation in keeping away from our culture has been the visual representation of our sages in sculpture, painting, films. They seem to be always old people, having matted hair and long beards. Once again, the unconscious comes to the fore. What can this old fogy advice me about my problem today? The contrast is made sharper because of the association of wisdom today with 'a well groomed look' as a Master of Business Administration or the Director of a Multinational. The very richness of Indian culture ' so wide, so deep ' has also been a deterrent. What is Indian culture? Is there no single point on which I can remain focused? Hence Indian youth stands today somewhat perplexed about the phenomenon of our culture. The youth generation would like to know what constitutes the core of this tradition which could help them advance in life, material as well as spiritual. But battered by the visual media the answer seems to be elusive.
India's Cultural Awakening
Fortunately for us, a little over a hundred years ago, an event occurred which replicated the Upanishadic times. A guru was seen surrounded by his disciples in a temple at Kolkata. Not much went on except conversation. It was a conversation that was interspersed with devotional hymns. The guru himself was not very old and many of the disciples were just teenagers. That was a time when English education and the Western way of living had taken Indian youth in its vice-like grip. That was the time when precious palm leaf manuscripts were being thrown away in the Ganges or Cauvery as worthless scribbling of incomprehensible religious traditions. That was the time when British rule over India seemed destined to last for ever and ever. And the guru was Sri Ramakrishna.
Sri Aurobindo, a young man of twenty-two, educated at Cambridge returns home in 1893 and hears of this guru. By then Sri Ramakrishna has withdrawn from the physical and Swami Vivekananda, another young man of thirty is spreading India's eternal message of Vedanta in America. Sri Aurobin