although Prometheus had warned his brother never to accept gifts from the Olympians, Epimetheus was love-stricken, and he and Pandora wed. The gods adorned the couple with many wedding gifts, and Zeus presented them with a beautifully wrought box, known today as Pandora's Box. When Pandora opened the box, all suffering and despair was unleashed upon humankind, and Zeus had finally taken his revenge.
As the introducer of fire and inventor of crafts, Prometheus was seen as the patron of human civilization, thus, it is not surprising that he was commemorated to some extent in Greek worship. A small shrine to Prometheus was located in the Kerameikos, or potter's quarter, of Athens, not far from Plato's Academy. As is common in many altars and votive reliefs to Prometheus, he was honored in an altar with Hephaestus. In the Akademia, located just outside of Athens, there stood another altar to Prometheus, from which athletes raced to the city carrying burning torches. The contest involved keeping the torch alight while running; if the torch of the lead runner came to be extinguished, he lost his claim to victory. The festival during which these torch races took place was known as Promethia. In Argos, the chief city of Argolis in Southern Greece, the citizens kept a tomb of Prometheus and honored him as a dead hero. The city of Opous in Central Greece also claimed to honor a grave of Prometheus.
The myth of Prometheus is one of the most popular Greek myths, and has enjoyed reverberations in art, literature, and even science. His story has inspired many authors, composers, and artists throughout the centuries, and various works have been created that either allude to Prometheus or use his story as a template. Among the most famous of these are the play Prometheus Bound, traditionally attributed to Aeschylus (525-456 B.C.E.), and Mary Shelley's 1818 novel Frankenstein, the alternative title of which is The Modern Prometheus. The following year, Shelley's husband, Percy Bysshe Shelley, also contributed a play with similar 