PSim Home > York Corpus Christi Play [ Staging | Contexts | Origin | Glossary ]
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an historical anecdote illustrating how the religious, economic, and civic
life of the medieval Christian were inextricably linked, read "A
Christ Taken Prisoner"
The outdoor theatrical event in the medieval city of York, England, known to its performers and audiences as the "Corpus Christi Play," is a collection of brief religious plays that together represent the story of Christian salvation. The York cycle is one of four that have survived in more or less complete form. The others are known as Chester, Wakefield, (after the cities where they were performed) and N-Town (now identified with no known city, but formerly identified as Townley). The York cycle was performed nearly every year, on the feast of Corpus Christi (Latin for the Body of Christ). The plays were already an established tradition in the late 14th century, and they continued in one form or other (weakened by Protestant censorship) until the mid-to-late 16th century.
Nobody knows who wrote the plays, or even how many authors there were, although the group of plays describing the Passion seems to bear the stamp of an exceptional dramatist now called "the York Realist." The plays date from the time before England's separation from the Church of Rome; as such, they emphasize the sacraments and rituals of the Catholic faith and urge people to salvation through active membership and participation in the community of worshippers. Since the plays were performed as part of a day-long celebration of Corpus Christi -- the presence of the Body of Christ in the sacrament of the Eucharist -- they upheld the authority of the Church as a theological and moral guide for living in this world and the next.
To begin to understand the popularity and significance of the Corpus Christi plays, we must first recognize the significance of the feast being celebrated. During the early middle ages, as church architecture and artistry moved away from the con