Colour and patterns
Colour is the most immediately visible stylistic element. The two-colour or polychrome process depends on the number of dye baths which follow the preparation of reserves. Formerly exclusively natural, dyes today are often synthetic. The choice of colour is associated with symbolism of the colours and this aspect is equally referred to here.
Some original patterns come from reserve-dyeing processes and are revealed by playing with the colours.
geometric representation, sowing
Scarf, kiet Cambodia, Kandaal Province, 20th century Silk Bernard Dupaigne Mission 71.1970.61.30
The design was the work of specialist Muslims, probably women (Cham and Malay). The scarves make up part of the Muslim women’s costume, but can equally be used during Khymer celebrations. The border pattern distinguishes the Cambodian product designs from those of Sumatra. Taffeta, dyed after reserve by stitching before gathering (lozenge-shaped and lines) and by tying knots (small circles). Two dye baths : red, then indigo blue creating by superimposition a dark brown shade. Application of various colouring agents. 216x77 cm