Wish

You

Were

Here

Pink

Floyd

album

From

Wikipedia

the

free

encyclopedia

Wish

You

Were

Here

Studio

album

by

Pink

Floyd

Released

September

Recorded

JanuaryJuly

Studio

Abbey

Road

Studios

London

Genre

Progressive

rock

art

rock

experimental

rock

Length

Label

Harvest

Columbia

Producer

Pink

Floyd

Pink

Floyd

chronology

The

Dark

Side

of

the

Moon

Wish

You

Were

Here

Animals

Additional

cover

Original

vinyl

shrink

wrap

Alternate

cover

US

Columbia

album

cover

Singles

from

Wish

You

Were

Here

Have

a

Cigar

Welcome

to

the

Machine

Released

November

Wish

You

Were

Here

is

the

ninth

studio

album

by

the

English

rock

band

Pink

Floyd

It

was

released

on

September

in

the

United

Kingdom

by

Harvest

Records

and

a

day

later

in

the

United

States

by

Columbia

Records

their

first

American

release

for

the

label

Based

on

material

Pink

Floyd

composed

while

performing

in

Europe

Wish

You

Were

Here

was

recorded

over

numerous

sessions

at

Abbey

Road

Studios

in

London

Two

songs

criticise

the

music

business

another

expresses

alienation

and

the

multipart

composition

Shine

On

You

Crazy

Diamond

is

a

tribute

to

Pink

Floyd

founder

Syd

Barrett

who

left

seven

years

earlier

due

to

mental

health

problems

As

with

their

previous

album

The

Dark

Side

of

the

Moon

Pink

Floyd

used

studio

effects

and

synthesizers

and

brought

in

guest

singers

Roy

Harper

who

provided

the

lead

vocals

on

Have

a

Cigar

and

Venetta

Fields

who

added

backing

vocals

to

Shine

On

You

Crazy

Diamond

Wish

You

Were

Here

topped

record

charts

in

the

United

Kingdom

and

the

United

States

and

Harvest

Records

parent

company

EMI

was

unable

to

print

enough

copies

to

meet

demand

Although

it

initially

received

mixed

reviews

it

went

on

to

receive

critical

acclaim

appearing

on

Rolling

Stone

s

lists

of

The

Greatest

Albums

of

All

Time

and

the

Greatest

Prog

Rock

Albums

of

All

Time

Pink

Floyd

keyboardist

Richard

Wright

and

guitarist

David

Gilmour

cited

it

as

their

favourite

Pink

Floyd

album

Contents

Background

Concept

Recording

Syd

Barretts

visit

Instrumentation

Vocals

Touring

Packaging

Critical

reception

Commercial

performance

Reissues

and

remastering

Track

listing

Personnel

Pink

Floyd

Additional

musicians

Production

Charts

and

certifications

Certifications

External

links

Background

During

Pink

Floyd

sketched

out

three

new

compositions

Raving

and

Drooling

You

Gotta

Be

Crazy

and

Shine

On

You

Crazy

Diamond

These

songs

were

performed

during

a

series

of

concerts

in

France

and

England

the

bands

first

tour

since

The

Dark

Side

of

the

Moon

As

Pink

Floyd

had

never

employed

a

publicist

and

kept

themselves

distant

from

the

press

their

relationship

with

the

media

began

to

sour

Following

the

publication

of

a

negative

critique

of

the

bands

new

material

by

NME

written

by

Nick

Kent

a

devotee

of

Syd

Barrett

and

Pete

Erskine

the

band

returned

to

the

studio

in

the

first

week

of

Concept

Wish

You

Were

Here

is

Floyds

second

album

with

a

conceptual

theme

written

entirely

by

Roger

Waters

It

reflects

his

feeling

that

the

camaraderie

that

had

served

the

band

was

by

then

largely

absent

The

album

begins

with

a

long

instrumental

preamble

and

segues

into

the

lyrics

for

Shine

On

You

Crazy

Diamond

a

tribute

to

Syd

Barrett

whose

mental

breakdown

had

forced

him

to

leave

the

group

seven

years

earlier

Barrett

is

fondly

recalled

with

lines

such

as

Remember

when

you

were

young

you

shone

like

the

sun

and

You

reached

for

the

secret

too

soon

you

cried

for

the

moon

Wish

You

Were

Here

is

also

a

critique

of

the

music

business

Shine

On

crosses

seamlessly

into

Welcome

to

the

Machine

a

song

that

begins

with

an

opening

door

described

by

Waters

as

a

symbol

of

musical

discovery

and

progress

betrayed

by

a

music

industry

more

interested

in

greed

and

success

and

ends

with

a

party

the

latter

epitomising

the

lack

of

contact

and

real

feelings

between

people

Similarly

Have

a

Cigar

scorns

record

industry

fatcats

with

the

lyrics

repeating

a

stream

of

cliches

heard

by

rising

newcomers

in

the

industry

and

including

the

question

by

the

way

which

ones

Pink

asked

of

the

band

on

at

least

one

occasion

The

lyrics

of

the

next

song

Wish

You

Were

Here

relate

both

to

Barretts

condition

and

to

the

dichotomy

of

Waters

character

with

greed

and

ambition

battling

with

compassion

and

idealism

The

album

closes

with

a

reprise

of

Shine

On

and

further

instrumental

excursions

I

had

some

criticisms

of

Dark

Side

of

the

Moon

noted

David

Gilmour

One

or

two

of

the

vehicles

carrying

the

ideas

were

not

as

strong

as

the

ideas

that

they

carried

I

thought

we

should

try

and

work

harder

on

marrying

the

idea

and

the

vehicle

that

carried

it

so

that

they

both

had

an

equal

magic

Its

something

I

was

personally

pushing

when

we

made

Wish

You

Were

Here

Recording

Abbey

Road

Studios

Alan

Parsons

EMI

staff

engineer

for

Pink

Floyds

previous

studio

album

The

Dark

Side

of

the

Moon

had

declined

the

bands

offer

to

continue

working

with

them

The

group

had

worked

with

engineer

Brian

Humphries

on

recorded

at

Pye

Studios

and

again

in

when

he

replaced

an

inexperienced

concert

engineer

Humphries

was

therefore

the

natural

choice

to

work

on

the

bands

new

material

although

since

a

stranger

to

EMIs

Abbey

Road

setup

he

encountered

some

early

difficulties

On

one

occasion

Humphries

inadvertently

spoiled

the

backing

tracks

for

Shine

On

a

piece

that

Waters

and

drummer

Nick

Mason

had

spent

many

hours

perfecting

with

echo

The

entire

piece

had

to

be

rerecorded

The

sessions

for

Wish

You

Were

Here

at

Abbey

Roads

Studio

Three

lasted

from

January

until

July

recording

on

four

days

each

week

from

pm

until

very

late

in

the

evening

The

group

found

it

difficult

at

first

to

devise

any

new

material

especially

as

the

success

of

The

Dark

Side

of

the

Moon

had

left

all

four

physically

and

emotionally

drained

Keyboardist

Richard

Wright

later

described

these

sessions

as

falling

within

a

difficult

period

and

Waters

recalled

them

as

torturous

Mason

found

the

process

of

multitrack

recording

drawn

out

and

tedious

while

David

Gilmour

was

more

interested

in

improving

the

bands

existing

material

Gilmour

was

also

becoming

increasingly

frustrated

with

Mason

whose

failing

marriage

had

brought

on

a

general

malaise

and

sense

of

apathy

both

of

which

interfered

with

his

drumming

Mason

has

since

stated

that

Nick

Kents

criticism

in

the

NME

may

have

had

some

influence

in

keeping

the

band

together

It

was

a

very

difficult

period

I

have

to

say

All

your

childhood

dreams

had

been

sort

of

realised

and

we

had

the

biggest

selling

records

in

the

world

and

all

the

things

you

got

into

it

for

The

girls

and

the

money

and

the

fame

and

all

that

stuff

it

was

all

everything

had

sort

of

come

our

way

and

you

had

to

reassess

what

you

were

in

it

for

thereafter

and

it

was

a

pretty

confusing

and

sort

of

empty

time

for

a

while

David

Gilmour

Humphries

gave

his

point

of

view

regarding

these

struggled

sessions

in

a

interview

There

were

days

when

we

didnt

do

anything

I

dont

think

they

knew

what

they

wanted

to

do

We

had

a

dartboard

and

an

air

rifle

and

wed

play

these

word

games

sit

around

get

drunk

go

home

and

return

the

next

day

Thats

all

we

were

doing

until

suddenly

everything

started

falling

into

place

After

several

weeks

Waters

began

to

visualise

another

concept

The

three

new

compositions

from

tour

were

at

least

a

starting

point

for

a

new

album

and

Shine

On

You

Crazy

Diamond

seemed

a

reasonable

choice

as

a

centrepiece

for

the

new

work

Mostly

an

instrumental

twentyminuteplus

piece

similar

to

Echoes

the

opening

fournote

guitar

phrase

reminded

Waters

of

the

lingering

ghost

of

former

bandmember

Syd

Barrett

Gilmour

had

composed

the

phrase

entirely

by

accident

but

was

encouraged

by

Waters

positive

response

Waters

wanted

to

split

Shine

On

You

Crazy

Diamond

and

sandwich

two

new

songs

between

its

two

halves

Gilmour

disagreed

but

was

outvoted

three

to

one

Welcome

to

the

Machine

and

Have

a

Cigar

were

barely

veiled

attacks

on

the

music

business

their

lyrics

working

neatly

with

Shine

On

to

provide

an

apt

summary

of

the

rise

and

fall

of

Barrett

Because

I

wanted

to

get

as

close

as

possible

to

what

I

felt

that

sort

of

indefinable

inevitable

melancholy

about

the

disappearance

of

Syd

Raving

and

Drooling

and

You

Gotta

Be

Crazy

had

no

place

in

the

new

concept

and

were

set

aside

until

the

following

album

Animals

Syd

Barretts

visit

On

June

on

the

eve

of

Pink

Floyds

second

US

tour

that

year

Gilmour

married

his

first

wife

Ginger

That

day

the

band

were

completing

the

mix

of

Shine

On

You

Crazy

Diamond

when

an

overweight

man

with

shaven

head

and

eyebrows

entered

carrying

a

plastic

bag

Waters

did

not

recognise

him

Gilmour

presumed

he

was

an

EMI

staff

member

Wright

presumed

he

was

a

friend

of

Waters

but

realised

it

was

Barrett

Mason

also

failed

to

recognise

him

and

was

horrified

when

Gilmour

identified

him

In

Masons

Pink

Floyd

memoir

Inside

Out

he

recalled

Barretts

conversation

as

desultory

and

not

entirely

sensible

Storm

Thorgerson

reflected

on

Barretts

presence

Two

or

three

people

cried

He

sat

round

and

talked

for

a

bit

but

he

wasnt

really

there

Waters

was

reportedly

reduced

to

tears

by

the

sight

of

his

former

bandmate

When

fellow

visitor

Andrew

King

asked

how

Barrett

had

gained

so

much

weight

Barrett

said

he

had

a

large

refrigerator

in

his

kitchen

and

had

been

eating

lots

of

pork

chops

He

mentioned

that

he

was

ready

to

help

with

the

recording

but

while

listening

to

the

mix

of

Shine

On

showed

no

signs

of

understanding

its

relevance

to

him

Barrett

joined

Gilmours

wedding

reception

in

the

EMI

canteen

but

left

without

saying

goodbye

It

was

the

last

time

the

band

members

saw

Barrett

until

his

death

in

Barretts

appearance

may

have

influenced

the

final

version

of

Shine

On

You

Crazy

Diamond

a

subtle

refrain

performed

by

Wright

from

See

Emily

Play

is

audible

towards

the

end

Im

very

sad

about

Syd

Of

course

he

was

important

and

the

band

would

never

have

fucking

started

without

him

because

he

was

writing

all

the

material

It

couldnt

have

happened

without

him

but

on

the

other

hand

it

couldnt

have

gone

on

with

him

Shine

On

is

not

really

about

Sydhes

just

a

symbol

for

all

the

extremes

of

absence

some

people

have

to

indulge

in

because

its

the

only

way

they

can

cope

with

how

fucking

sad

it

is

modern

life

to

withdraw

completely

I

found

that

terribly

sad

Roger

Waters

Instrumentation

Shine

On

You

Crazy

Diamond

The

four

note

phrase

from

Shine

On

You

Crazy

Diamond

composed

by

David

Gilmour

Have

a

Cigar

Have

a

Cigar

was

sung

by

Roy

Harper

something

that

Waters

later

regretted

The

song

contains

lyrics

that

are

critical

of

the

music

industry

Problems

playing

these

files

See

media

help

As

in

The

Dark

Side

of

the

Moon

the

band

used

synthesizers

such

as

the

EMS

VCS

on

Welcome

to

the

Machine

but

softened

with

Gilmours

acoustic

guitar

and

percussion

from

Mason

The

beginning

of

Shine

On

contains

remnants

from

a

previous

but

incomplete

studio

recording

by

the

band

known

as

Household

Objects

Wine

glasses

had

been

filled

with

varying

amounts

of

fluid

and

recordings

were

made

of

a

wet

finger

circling

the

edge

of

each

glass

These

recordings

were

multitracked

into

chords

and

used

in

the

opening

of

Shine

On

Jazz

violinist

Stéphane

Grappelli

and

classical

violinist

Yehudi

Menuhin

were

performing

in

another

studio

in

the

building

and

were

invited

to

record

a

piece

for

the

new

album

Menuhin

watched

as

Grappelli

played

on

the

song

Wish

You

Were

Here

however

the

band

later

decided

his

contribution

was

unsuitable

and

until

it

was

believed

that

the

piece

had

been

wiped

It

turns

out

his

playing

was

included

on

the

album

but

so

low

in

the

final

mix

that

the

band

presumed

it

would

be

insulting

to

credit

him

He

was

paid

for

his

contribution

equivalent

to

in

Dick

Parry

again

played

saxophone

on

Shine

On

You

Crazy

Diamond

The

opening

bars

of

Wish

You

Were

Here

were

recorded

from

Gilmours

car

radio

with

somebody

turning

the

dial

the

classical

music

heard

is

the

finale

of

Tchaikovsky

s

Fourth

Symphony

Vocals

Recording

sessions

had

twice

been

interrupted

by

US

tours

one

in

April

and

the

other

in

June

and

the

final

sessions

which

occurred

after

the

bands

performance

at

Knebworth

proved

particularly

troublesome

for

Waters

He

struggled

to

record

the

vocals

for

Have

a

Cigar

requiring

several

takes

to

perform

an

acceptable

version

His

problems

stemmed

in

part

from

the

stresses

placed

upon

his

voice

while

recording

the

lead

vocals

of

Shine

On

You

Crazy

Diamond

Gilmour

was

asked

to

sing

in

his

place

but

declined

and

eventually

colleague

and

friend

Roy

Harper

was

asked

to

stand

in

Harper

was

recording

his

own

album

in

another

of

Abbey

Roads

studios

and

Gilmour

had

already

performed

some

guitar

licks

for

him

Waters

later

regretted

the

decision

believing

he

should

have

performed

the

song

The

Blackberries

recorded

backing

vocals

for

Shine

On

You

Crazy

Diamond

Touring

The

band

played

much

of

Wish

You

Were

Here

on

July

at

the

Knebworth

music

festival

Roy

Harper

performing

at

the

same

event

on

discovering

that

his

stage

costume

was

missing

proceeded

to

destroy

one

of

Pink

Floyds

vans

injuring

himself

in

the

process

This

delayed

the

normal

setup

procedure

of

the

bands

sound

system

As

a

pair

of

World

War

II

Spitfire

aircraft

had

been

booked

to

fly

over

the

crowd

during

their

entrance

the

band

were

not

able

to

delay

their

set

The

result

was

that

a

power

supply

problem

pushed

Wrights

keyboards

completely

out

of

tune

damaging

the

bands

performance

At

one

point

he

left

the

stage

but

the

band

were

able

to

continue

with

a

less

sensitive

keyboard

a

piano

and

a

simpler

light

show

Following

a

brief

intermission

they

returned

to

perform

The

Dark

Side

of

the

Moon

but

critics

displeased

about

being

denied

access

backstage

savaged

the

performance

Packaging

Part

of

the

Warner

Bros

studio

complex

in

California

where

the

cover

image

was

photographed

Mono

Lake

in

California

Wish

You

Were

Here

was

sold

in

one

of

the

more

elaborate

packages

to

accompany

a

Pink

Floyd

album

Storm

Thorgerson

had

accompanied

the

band

on

their

tour

and

had

given

serious

thought

to

the

meaning

of

the

lyrics

eventually

deciding

that

the

songs

were

in

general

concerned

with

unfulfilled

presence

rather

than

Barretts

illness

This

theme

of

absence

was

reflected

in

the

ideas

produced

by

his

long

hours

spent

brainstorming

with

the

band

Thorgerson

had

noted

that

Roxy

Music

s

Country

Life

was

sold

in

an

opaque

green

cellophane

sleeve

censoring

the

cover

image

and

he

copied

the

idea

concealing

the

artwork

for

Wish

You

Were

Here

in

a

blackcoloured

shrinkwrap

therefore

making

the

album

art

absent

The

concept

behind

Welcome

to

the

Machine

and

Have

a

Cigar

suggested

the

use

of

a

handshake

an

often

empty

gesture

and

George

Hardie

designed

a

sticker

containing

the

albums

logo

of

two

mechanical

hands

engaged

in

a

handshake

to

be

placed

on

the

opaque

sleeve

the

mechanical

handshake

logo

would

also

appear

on

the

labels

of

the

vinyl

album

this

time

in

a

black

and

blue

background

The

albums

cover

images

were

photographed

by

Aubrey

Po

Powell

Storms

partner

at

the

design

studio

Hipgnosis

and

inspired

by

the

idea

that

people

tend

to

conceal

their

true

feelings

for

fear

of

getting

burned

and

thus

two

businessmen

were

pictured

shaking

hands

one

man

on

fire

Getting

burned

was

also

a

common

phrase

in

the

Warner

Bros

studios

in

Los

Angeles

Initially

the

wind

was

blowing

in

the

wrong

direction

and

the

flames

were

forced

into

Rondells

face

burning

his

moustache

The

two

stuntmen

changed

positions

and

the

image

was

later

reversed

The

albums

back

cover

depicts

a

faceless

Floyd

salesman

in

Thorgersons

words

selling

his

soul

in

the

desert

shot

in

the

Yuma

Desert

in

California

again

by

Aubrey

Po

Powell

The

absence

of

wrists

and

ankles

signifies

his

presence

as

an

empty

suit

The

inner

sleeve

shows

a

veil

concealing

a

nude

woman

in

a

windswept

Norfolk

grove

and

a

splashless

diver

at

Mono

Lake

titled

Monosee

the

German

translation

of

Mono

Lake

on

the

liner

notes

in

California

again

emphasising

the

theme

of

absence

The

decision

to

shroud

the

cover

in

black

plastic

was

not

popular

with

the

bands

US

record

company

Columbia

Records

who

insisted

that

it

be

changed

they

were

overruled

EMI

were

less

concerned

the

band

were

reportedly

extremely

happy

with

the

end

product

and

when

presented

with

a

preproduction

mockup

they

accepted

it

with

a

spontaneous

round

of

applause

Critical

reception

Professional

ratings

Review

scores

Source

Rating

AllMusic

Blender

Encyclopedia

of

Popular

Music

The

Great

Rock

Discography

Music

Story

MusicHound

Rock

The

Rolling

Stone

Album

Guide

The

Village

Voice

A

The

album

was

released

on

September

in

the

UK

and

on

the

following

day

in

the

US

In

Britain

with

advance

sales

it

went

straight

to

number

one

and

demand

was

such

that

EMI

informed

retailers

that

only

percent

of

their

orders

would

be

fulfilled

With

advance

orders

the

largest

for

any

Columbia

release

it

reached

number

one

on

the

US

Billboard

chart

in

its

second

week

Wish

You

Were

Here

was

Pink

Floyds

fastestselling

album

ever

On

release

the

album

received

mixed

reviews

Ben

Edmunds

wrote

in

Rolling

Stone

Shine

on

You

Crazy

Diamond

is

initially

credible

because

it

purports

to

confront

the

subject

of

Syd

Barrett

the

long

and

probably

forever

lost

guiding

light

of

the

original

Floyd

But

the

potential

of

the

idea

goes

unrealised

they

give

such

a

matteroffact

reading

of

the

goddamn

thing

that

they

might

as

well

be

singing

about

Roger

Waterss

brotherinlaw

getting

a

parking

ticket

This

lackadaisical

demeanor

forces

among

other

things

a

reevaluation

of

their

relationship

to

all

the

space

cadet

orchestras

they

unconsciously

sired

The

one

thing

those

bands

have

going

for

them

in

their

cacophonously

inept

way

is

a

sincere

passion

for

their

art

Melody

Maker

s

reviewer

wrote

From

whichever

direction

one

approaches

Wish

You

Were

Here

it

still

sounds

unconvincing

in

its

ponderous

sincerity

and

displays

a

critical

lack

of

imagination

in

all

departments

However

Robert

Christgau

wrote

in

The

Village

Voice

The

music

is

not

only

simple

and

attractive

with

the

synthesizer

used

mostly

for

texture

and

the

guitar

breaks

for

comment

but

it

actually

achieves

some

of

the

symphonic

dignity

and

crossreferencing

that

The

Dark

Side

of

the

Moon

simulated

so

ponderously

He

later

wrote

My

favorite

Pink

Floyd

album

has

always

been

Wish

You

Were

Here

and

you

know

why

It

has

soul

thats

why

its

Roger

Waterss

lament

for

Syd

not

my

idea

of

a

tragic

hero

but

as

long

as

hes

Rogers

that

doesnt

matter

According

to

Acclaimed

Music

Wish

You

Were

Here

is

the

most

ranked

record

on

critics

alltime

lists

In

it

was

voted

on

Rolling

Stone

magazines

list

of

the

Greatest

Albums

of

All

Time

In

it

was

chosen

as

the

fourth

greatest

progressive

rock

album

by

Rolling

Stone

In

Q

readers

voted

Wish

You

Were

Here

the

greatest

album

of

all

time

In

the

same

magazine

placed

it

at

number

in

its

list

of

the

Greatest

British

Albums

Ever

In

one

of

Germanys

largest

public

radio

stations

WDR

asked

its

listeners

to

vote

for

the

best

albums

of

all

time

Wish

You

Were

Here

was

voted

number

one

In

Wish

You

Were

Here

was

ranked

number

on

Pitchfork

Media

s

list

of

the

Top

albums

of

the

IGN

rated

Wish

You

Were

Here

as

the

greatest

classic

rock

album

and

Ultimate

Classic

Rock

placed

Wish

You

Were

Here

second

best

in

their

list

of

Worst

to

Best

Pink

Floyd

Albums

Despite

the

problems

during

production

the

album

remained

Wrights

favourite

Its

an

album

I

can

listen

to

for

pleasure

and

there

arent

many

Floyd

albums

that

I

can

Gilmour

shares

this

view

I

for

one

would

have

to

say

that

it

is

my

favourite

album

the

Wish

You

Were

Here

album

The

end

result

of

all

that

whatever

it

was

definitely

has

left

me

an

album

I

can

live

with

very

very

happily

I

like

it

very

much

Commercial

performance

Pink

Floyd

and

their

manager

Steve

ORourke

had

been

dissatisfied

with

the

efforts

of

EMIs

US

label

Capitol

Records

and

Wish

You

Were

Here

was

Pink

Floyds

first

album

with

Columbia

Records

an

affiliate

of

CBS

The

band

remained

with

EMI

s

Harvest

Records

in

Europe

As

a

result

of

the

label

switch

the

band

gained

ownership

of

their

recordings

so

that

from

Wish

You

Were

Here

onward

every

one

of

their

albums

has

been

copyrighted

to

either

Pink

Floyd

Music

Limited

or

after

Waters

departure

Pink

Floyd

Ltd

instead

of

the

corresponding

record

label

The

album

was

certified

Silver

and

Gold

and

sales

respectively

in

the

UK

on

August

and

Gold

in

the

US

on

September

It

was

certified

six

times

platinum

on

May

and

by

has

sold

an

estimated

million

copies

worldwide

Have

a

Cigar

was

chosen

by

Columbia

as

their

first

single

with

Welcome

to

the

Machine

on

the

Bside

in

the

US

The

album

was

a

commercial

hit

in

Europe

topping

Dutch

English

and

Spanish

charts

in

Spain

the

album

remained

at

number

one

for

about

weeks

Reissues

and

remastering

Wish

You

Were

Here

has

been

remastered

and

rereleased

on

several

formats

In

the

UK

and

US

the

album

was

reissued

in

quadraphonic

using

the

SQ

format

in

and

in

a

special

HiFi

Today

audiophile

print

was

released

in

the

UK

In

the

US

it

was

released

on

CD

in

and

in

the

UK

and

again

as

a

remastered

CD

with

new

artwork

in

In

the

US

Columbias

CBS

Mastersound

label

released

a

halfspeed

mastered

audiophile

LP

in

and

in

Sony

Mastersound

released

a

goldplated

CD

remastered

using

Super

Bit

Mapping

with

the

original

artwork

from

the

LP

in

both

longbox

and

jewel

case

forms

the

latter

with

a

cardboard

slipcover

The

album

was

included

as

part

of

the

box

set

Shine

On

and

five

years

later

Columbia

Records

released

an

updated

remastered

CD

seconds

longer

than

the

EMI

remasters

from

giving

a

running

time

of

Its

label

was

a

recreation

of

the

original

machine

handshake

logo

with

a

black

and

blue

background

The

album

was

subsequently

rereleased

in

for

its

anniversary

on

the

Capitol

Records

label

in

the

US

The

album

was

rereleased

and

remixed

in

in

multiple

editions

as

part

of

the

Why

Pink

Floyd

reissue

campaign

The

Wish

You

Were

Here

Immersion

Box

Set

includes

the

new

stereo

digital

remaster

by

James

Guthrie

on

CD

an

unreleased

Surround

Mix

by

James

Guthrie

on

DVD

and

Bluray

a

Quad

Mix

which

had

been

released

only

on

vinyl

LP

and

tape

on

DVD

as

well

as

the

original

stereo

mix

on

DVD

and

Bluray

This

campaign

also

featured

the

stereo

remaster

on

heavyweight

vinyl

as

well

as

the

stereo

remaster

and

the

surround

sound

mix

as

a

hybrid

Super

Audio

CD

SACD

In

the

vinyl

was

rereleased

on

the

bands

own

Pink

Floyd

Records

label

this

time

remastered

by

James

Guthrie

Joel

Plante

and

Bernie

Grundman

Track

listing

All

lyrics

written

by

Roger

Waters

Side

one

No

Title

Music

Lead

vocals

Length

Shine

On

You

Crazy

Diamond

Parts

IV

Gilmour

Wright

Waters

Waters

Welcome

to

the

Machine

Waters

Gilmour

Total

length

Side

two

No

Title

Music

Lead

vocals

Length

Have

a

Cigar

Waters

Roy

Harper

Wish

You

Were

Here

Gilmour

Waters

Gilmour

Shine

On

You

Crazy

Diamond

Parts

VIIX

Waters

Wright

Gilmour

Parts

Wright

Part

Waters

Total

length

Personnel

Pink

Floyd

David

Gilmour

vocals

guitars

lap

steel

guitar

EMS

Synthi

AKS

tape

effects

additional

bass

Roger

Waters

vocals

bass

guitar

EMS

VCS

additional

guitar

tape

effects

Nick

Mason

drums

percussion

tape

effects

Richard

Wright

Hammond

organ

ARP

String

Ensemble

V

Minimoog

Steinway

piano

EMS

VCS

Hohner

Clavinet

Wurlitzer

electric

piano

backing

vocals

Additional

musicians

Dick

Parry

tenor

and

baritone

saxophone

on

Shine

On

You

Crazy

Diamond

Roy

Harper

lead

vocals

on

Have

a

Cigar

Venetta

Fields

backing

vocals

on

Shine

On

You

Crazy

Diamond

Carlena

Williams

backing

vocals

on

Shine

On

You

Crazy

Diamond

Production

Brian

Humphries

engineering

Peter

James

engineering

assistant

engineering

Bernie

Caulder

Phil

Taylor

additional

photography

remaster

Hipgnosis

design

photography

Peter

Christopherson

Jeff

Smith

Howard

Bartrop

and

Richard

Manning

design

assistants

George

Hardie

graphics

Jill

Furmanovsky

additional

photography

remaster

James

Guthrie

remastering

producer

Doug

Sax

remastering

Charts

and

certifications

Australian

Albums

Kent

Music

Report

Austrian

Albums

Ö3

Austria

Canada

Top

AlbumsCDs

RPM

Dutch

Albums

MegaCharts

German

Albums

Offizielle

Top

New

Zealand

Albums

RMNZ

Norwegian

Albums

VGlista

Spanish

Albums

AFE

Swedish

Albums

Sverigetopplistan

UK

Albums

OCC

US

Billboard

Chart

Peak

position

Austrian

Albums

Ö3

Austria

German

Albums

Offizielle

Top

UK

Albums

OCC

Chart

Peak

position

German

Albums

Offizielle

Top

UK

Albums

OCC

Chart

Peak

position

German

Albums

Offizielle

Top

Chart

Peak

position

Belgian

Albums

Ultratop

Flanders

Belgian

Albums

Ultratop

Wallonia

Italian

Albums

FIMI

Spanish

Albums

PROMUSICAE

Swiss

Albums

Schweizer

Hitparade

Chart

Peak

position

Austrian

Albums

Ö3

Austria

Belgian

Albums

Ultratop

Flanders

Belgian

Albums

Ultratop

Wallonia

Czech

Albums

ČNS

IFPI

Dutch

Albums

MegaCharts

Finnish

Albums

Suomen

virallinen

lista

French

Albums

SNEP

German

Albums

Offizielle

Top

Italian

Albums

FIMI

New

Zealand

Albums

RMNZ

Norwegian

Albums

VGlista

Polish

Albums

ZPAV

Portuguese

Albums

AFP

Spanish

Albums

PROMUSICAE

Swedish

Albums

Sverigetopplistan

Swiss

Albums

Schweizer

Hitparade

UK

Albums

OCC

US

Billboard

Chart

Peak

position

Polish

Albums

ZPAV

Certifications

Argentina

CAPIF

Gold

Australia

ARIA

Platinum

Austria

IFPI

Austria

Platinum

Canada

Music

Canada

Platinum

France

SNEP

Diamond

Germany

BVMI

Platinum

Italy

FIMI

Platinum

Poland

ZPAV

Gold

United

Kingdom

BPI

Platinum

United

States

RIAA

Platinum

sales

figures

based

on

certification

alone

shipments

figures

based

on

certification

alone

References

Informational

notes

The

first

two

would

later

be

renamed

Sheep

and

Dogs

and

reappear

on

Animals

There

seems

to

be

some

confusion

about

the

date

that

Barrett

turned

up

and

Gilmours

wedding

Blake

writes

that

Gilmours

wedding

was

on

July

the

date

also

given

by

Ginger

in

The

Pink

Floyd

FAQ

but

that

witnesses

swore

they

saw

Barrett

at

his

reception

at

Abbey

Road

Other

authors

claim

that

the

reception

and

Barretts

visit

were

on

June

Nick

Mason

has

expressed

doubt

over

this

EMI

Capitol

EMI

Harvest

SHVL

UK

Columbia

PCQ

US

EMI

Harvest

SHVL

Columbia

CK

US

EMI

CDP

UK

EMI

CD

EMD

Columbia

HC

Columbia

CK

Columbia

CK

Capitol

Capitol

Capitol

Citations

a

b

Greatest

Prog

Rock

Albums

of

All

Time

June

Retrieved

July

Pink

Floyd

Spin

Magazine

p

Encyclopedia

of

Recorded

Sound

Guy

A

Marco

p

Schaffner

p

Schaffner

pp

a

b

c

Mason

p

a

b

c

The

Pink

Floyd

and

Syd

Barrett

Story

DVD

BBC

Di

Perna

p

a

b

c

d

Schaffner

p

Schaffner

p

Fielder

Hugh

Sinking

the

pink

Classic

Rock

Christmas

Mason

pp

Mason

p

Mason

pp

a

b

c

In

the

Studio

with

Redbeard

Barbarosa

Ltd

Productions

archived

from

the

original

on

December

a

b

Mason

p

a

b

Buskin

Richard

December

Pink

Floyd

Shine

On

You

Crazy

Diamond

Sound

on

Sound

Retrieved

April

a

b

c

Schaffner

pp

Mason

p

Mason

p

a

b

c

Blake

p

a

b

Schaffner

p

a

b

Watkinson

Anderson

p

a

b

Povey

p

Schaffner

pp

Schaffner

p

a

b

Mason

pp

Watkinson

Anderson

p

Schaffner

pp

Watkinson

Anderson

p

a

b

Mason

p

Wilson

John

September

Violinist

Grappelli

found

on

lost

Pink

Floyd

track

BBC

retrieved

September

Richard

Metzger

April

Wish

You

Were

Here

Pink

Floyd

Jam

with

Stéphane

Grappelli

Dangerous

Minds

retrieved

April

UK

Retail

Price

Index

inflation

figures

are

based

on

data

from

Clark

Gregory

The

Annual

RPI

and

Average

Earnings

for

Britain

to

Present

New

Series

MeasuringWorth

Retrieved

November

Schaffner

pp

Blake

p

Schaffner

pp

Schaffner

pp

Schaffner

pp

Mason

pp

Schaffner

p

a

b

c

Schaffner

pp

a

b

c

d

e

Povey

p

a

b

Stuart

Julia

March

Cover

stories

Registration

required

The

Independent

hosted

at

infowebnewsbankcom

retrieved

August

Kean

Danuta

June

Cover

story

that

leaves

authors

out

of

picture

Financial

Times

retrieved

August

Erlewine

Stephen

Thomas

Wish

You

Were

Here

AllMusic

retrieved

August

Twist

Carlo

Pink

Floyd

Wish

You

Were

Here

Blender

archived

from

the

original

on

December

retrieved

April

Larkin

Colin

Pink

Floyd

Encyclopedia

of

Popular

Music

ed

Omnibus

Press

a

b

Pink

Floyd

Wish

You

Were

Here

Acclaimed

Music

Archived

from

the

original

on

December

Retrieved

December

Graff

Gary

Durchholz

Daniel

eds

MusicHound

Rock

The

Essential

Album

Guide

Farmington

Hills

MI

Visible

Ink

Press

p

Sheffield

Rob

November

Pink

Floyd

Album

Guide

Wenner

Media

Fireside

Books

Archived

from

the

original

on

February

Retrieved

December

a

b

Christgau

Robert

December

Consumer

Guide

The

Village

Voice

New

York

Retrieved

August

a

b

Povey

p

a

b

Schaffner

p

Blake

p

Edmunds

Ben

November

Pink

Floyd

Wish

You

Were

Here

Rolling

Stone

archived

from

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Mark

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Might

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O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I I I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O 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O O O O O O O O B I I I O O O O O O O O O O O O O O O O B I I I O O O O O O O O O O O O O O O O O B I I I O O O O O O O O O O O B I I I O O O O O O O O O O O O O O O O B I I I O O O O O O O O O O O O O B I I I O O O O O O O O O O O O O O O B I I I O O O O O O O O O O O O O O O O O B I I I O O O O O O O O O O O O O O O O O O B I I I O O O O O O O O O O O O O O O O O O O O O O B I I I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I I I O B O O O O O O O O O O B I I I B I I O O O O O O O B I I I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O

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