Conference and Events Services CES Students Reserving Space Reserving Space Some departments on campus book locations that fall under their purview The following chart details whom to contact in those instances For general questions on booking space contact Conference and Events Services Booking location Contact Office Phone Chapels Field Hassenfeld Conference Center North Quad Classrooms Rabb Steps Usdan Student Center Conference and Events Services Kutz 9 64300 Great Lawn Shapiro Student Center Shapiro Theater Student Activities Shapiro Student Center Request Web Form SCC 201 65065 Any Residence Hall Common Space inside or outside Quad Directors Residence Life Usdan G032 65060 Swig Lounge Intercultural Center Swig 68580 Rapaporte Treasure Hall Slosberg Deborah Rosenstein 64867 Spingold Theater Julien Tremblay 64194 Space for Recurring Meetings or Rehearsals Many groups schedule weekly or monthly meetings or rehearsals that require little more than an empty room or classroom Classroom spaces can be booked outside of class times generally after 645 pm and on weekends Many classrooms are equipped with audiovisual equipment charges apply and offer a convenient and economical option for presentations Classroom setups can not be altered and food is not permitted Multiple dates can be listed on one form as long as they are all part of the same event Please distinguish among meetings rehearsals and actual performances Keep in mind dates of breaks and finals as space may be extremely limited To reserve space submit a request form to Conference and Events Services This can be submitted online or in person All requests to reserve space in the Shapiro Student Center should be directed to JV Souffrant in the Department of Student Activities Requests for space in the Shapiro Student Center are considered only by completing the Space Request Web Form

O O B O O O B I B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O


Book your special events at Bricco We have accommodations at all of our locations for groups of 10350 Bricco opened in September 2003 providing the Downtown Akron scene with a casual fun dining alternative Newly remodeled in the fall of 2014 the restaurant draws an eclectic mix of a business crowd dining alongside college students We make great food and great drinks at great prices Our extensive drink menu features 120 wine selections many of which you may order by the glass Our beer menu offers 100 choices ranging from classic favorites to hip and trendy brews and locally produced ales Additionally our seasonal drink menu rotates regularly so theres always something new to try We are located next to Canal Park home of Akrons MILB team the Rubber Ducks We are also within walking distance of the Akron Civic Theater and Lock 3 The University of Akron and EJ Thomas Hall are just a short drive Join us before a show or after the game Retail Wine Night is every Sunday Monday and Tuesday Valet parking is offered MondayFriday during lunch and MondaySaturday during dinner We offer a private dining room for parties of up to 50 people Call for details and availability Now serving on SUNDAY a la carte BRUNCH from 103 and dinner from 311 Todays Specials Sunday January 6th Sunday Hours A La Carte Brunch 10am3pm Dinner 3pm11pm Retail Wine Prices every Sunday Monday and Tuesday Soup of the Day Buffalo Chicken with Bleu Cheese Crumbles Hummus of the Day Spiced Apple Desserts Buckeye Pie Tiramisu Chocolate Raspberry Mousse Torte Pumpkin Cheesecake Orange Cranberry Cheesecake Creme Brulee

O O O O O B O O O O O O O O O O O O B O O O O O O B I I O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O


Wedding Dress Alterations 7 Tips Every Bride Needs to Know Getty Images Fit is everything Which is why when it comes to your wedding dress alterations are also everything You can splurge on a pricey dress but if its not altered properly it wont look any better than a gown thats a tenth of the cost says Terry Hall of New York Citys Kleinfeld Bridal As you break out the measuring tape here are seven key things to remember when it comes to bridal alterations 1 Stay on Schedule To take the stress out of weddingdress alterations its best to buy your dress early leaving plenty of time for fittings and tailoring Buy a dress 10 months before the wedding if possible It can take up to five months from the time you order it to arrive in the salon Schedule a fitting two months before the wedding and a final fitting no later than two weeks before your wedding If youre making major changes to the designreworking the corset or cups for example or accommodating a pregnancybudget a few extra weeks 2 Remember to Budget for Alterations Bridal alterations can add up Some salons charge per service 225 to shorten your gown 150 to resew seams etc while others do a flat fee around 500 to 700 that covers anything youll need to make the dress fit you perfectly Design changes can cost anywhere from 50 to cut a sweetheart neckline to a few hundred to add lace or beading reshape the silhouette or change the fabric Make sure you factor in these costs before you buy 3 Be Mindful of Your Anticipated Wedding Weight Never order a toosmall dress as motivation Hall says Even if youre diligent about those kale smoothies you cant predict how much youll shrinkand its easier to take a larger dress in than to let a smaller one out Instead consider a gown with structure About 40 percent have builtin corsets which can be easily tightened or loosened And ask if the designer will build new cups if your bust size changes Some wont Cant find a corseted gown you love Try an A line which covers lingering pounds In general the slinkier the gown the harder it is to 4 Wear Your Wedding Shoes When your tailor adjusts the hem make sure to bring the shoes youll wear at the wedding so youll be the same height you will on the big day If you havent picked out your wedding shoes yet bring a pair with a height comparable to the shoes you imagine yourself wearing 5 Go for a Hemline that Grazes the Ground Rita Ertl Monique Lhuilliers director of alterations advises brides to aim for a hemline that gently grazes the ground With your hem grazing the floor you will be able to walk dance and mingle with your guests Ertl explains The main thing is to make sure you wont trip on the dress After the seamstress pins the dress hemline so that it grazes the ground walk around the salon a bit in your shoes to make sure its a comfortable length As for any brides wondering if a grazing hemline will end up staining and ruining the dress rest assured but the stains will come out during the postwedding preservation of the wedding dress So dont worry about it 6 Bring Along the Undergarments and Accessories Youll Wear on the Big Day Bring whatever undergarments you plan on wearing along with you to your fitting We all know the difference Spanx or the right strapless bra can make You want to wear exactly what youll be wearing on your wedding day including shapewear for the best possible tailoring And while jewelry gloves and other accessories might not change the fit of your wedding dress they contribute to the overall look For example where your wedding necklace falls might influence where you want the neckline of your dress to sit 7 Bring a Friend Its always good to bring your mom or a friend with you to your dress fittings just so you have an extra set of eyes Bring someone with a great sense of style and an opinion you trust See Johanna Ortizs Debut Bridal Collection TOPICS Brides Magazine JuneJuly 2015 Wedding Dresses 10 Months to Go Subscribe to the Magazine Get a year of BRIDES plus 2 free gifts Subscribe to the Newsletter Instagram

B I O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O B I I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O

wedding dress
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Denver CO Home Care Our professional care teams each led by a Registered Nurse deliver expert compassionate and personal care Home Care Info Careers Set up a complimentary inhome assessment and learn more info Contact Us Areas We Service Around Central Denver CO BrightStar Care of Denver CO is available to help you and your family 24 hours a day 7 days a week We bring our quality home care services to these and other local communities Some of the communities we serve include Englewood Aurora Denver Cherry Hills Village Centennial Littleton Elizabeth Castle Rock Dont see your area being serviced Please call us as we may be able to accommodate locations outside of our service area map Home Care Services Central Denver CO Our BrightStar Care team of Denver CO delivers just the right level of care for your loved ones personal and medical needs from bathing and dressing to Alzheimers care to hightech nursing Personal Care We are ready to assist with any personal care needs bathing grooming eating and more Transitional Care Optimize recovery and enjoy a safe return home from the hospital with our unique approach Alzheimers Dementia Care Our specialized approach to memory care promotes dignity safety and communication Hospice Compassionate inhome assistance to make the most of your time together How do I get started The search for a home nursing agency is often new to families who need it Thats why we created this resource to help you find the care you and your loved one deserve Download Guide Our Story When we needed care for a loved one we couldnt find the right mix of expertise flexibility and compassion that we wanted and she deserved So we founded BrightStar Care Learn More About BrightStar Care 您的瀏覽器目前無法識別任何可用的影片格式 按一下這裡以瀏覽關於 HTML5 影片的常見問題 A Higher Standard of Quality Our RN Director of Nursing is your trusted partner Our Professional Care Team led by a Registered Nurse Director of Nursing delivers expert compassionate and personal care Our care experts are ready to serve 247 RN oversight ensures the right care from the right people Learn More About Our Nurse Involvement What Our Clients Say I am a 78 year old retired MD I am a severe quadriplegic secondary to multiple medical setbacks The last setback was a severe salmonella infection on April 20 Complimentary InHome Assessment Call us today to schedule a care assessment and conversation with a BrightStar Care Registered Nurse Contact Us Careers at BrightStar Care Looking to make a difference in peoples lives At BrightStar Care you can do that every day Apply Now

O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O B O O O O O O O O O O B O O O O O O O O O


Mosaic art Written By Frederick O Waage Per Jonas Nordhagen See Article History Mosaic in art decoration of a surface with designs made up of closely set usually variously coloured small pieces of material such as stone mineral glass tile or shell Unlike inlay in which the pieces to be applied are set into a surface that has been hollowed out to receive the design mosaic pieces are applied onto a surface that has been prepared with an adhesive Mosaic also differs from inlay in the size of its components Mosaic pieces are anonymous fractions of the design and rarely have the dimensions of pieces for intarsia work fitted inlay usually of wood whose function is often the rendering of a whole portion of a figure or pattern Once disassembled a mosaic can not be reassembled on the basis of the form of its individual pieces Technical insight is the key to both the creation and the appreciation of mosaic and the technical aspects of the art require special emphasis There are also significant stylistic religious and cultural aspects of mosaic which has played an important role in Western art and has appeared in other cultures Although mosaic is an art form that appears in widely separated places and at different times in history in only one placeByzantiumand at one time4th to 14th centuriesdid it rise to become the leading pictorial art Principles of design Between mosaic and painting the art with which it has most in common there has been a reciprocal influence of varying intensity In colour and style the earliest known Greek figurative mosaics with representational motifs which date from the end of the 5th century bce resemble contemporary vase painting especially in their outline drawing and use of very dark backgrounds The mosaics of the 4th century tended to copy the style of wall paintings as is seen in the introduction of a strip of ground below the figures of shading and of other manifestations of a preoccupation with pictorial space In late Hellenistic times there evolved a type of mosaic whose colour gradations and delicate shading techniques suggest an attempt at exact reproduction of qualities typical of the art of painting In Roman imperial times however an important change occurred when mosaic gradually developed its own aesthetic laws Still basically a medium used for floors its new rules of composition were governed by a conception of perspective and choice of viewpoint different from those of wall decoration Equally important was a simplification of form brought about by the demand for more expeditious production methods In the same period the increasing use of more strongly coloured materials also stimulated the growing autonomy of mosaic from painting As a means of covering walls and vaults mosaic finally realized its full potentialities for striking and suggestive distance effects which surpass those of painting The general trend towards stylizationthat is reduction to twodimensionalityin late antique Roman painting 3rd and 4th centuries ce may have been stimulated by experimentation with colour in mosaic and particularly by the elimination of many middle tones for the sake of greater brilliance The central role played at that time by mosaic in church decoration for which it is particularly well suited encourages the assumption that the roles had shifted and painting had come under its influence The strong sinuous outlines and the absence of shading that came to characterize painting during certain periods of Byzantine and western European art of the Middle Ages may have originated in mosaic technique and use of materials It is notable however that from the Renaissance to the 20th century mosaic was again wholly dependent on painting and its particular forms of illusionism In modern mosaic practice the main tendency is to build on the unique and inimitable qualities of the medium Although not a few of the works created in the 20th century reveal the influence of painting figurative or abstract the art came a long way toward selfrealization By and large the modern mosaic makers share with their medieval predecessors the conviction that there are functions to which the materials of mosaic lend themselves with particular appropriateness Materials In antiquity mosaics first were made of uncut pebbles of uniform size The Greeks who elevated the pebble mosaic to an art of great refinement also invented the socalled tessera technique Tesserae Latin for cubes or dice are pieces that have been cut to a triangular square or other regular shape so that they will fit closely into the grid of cubes that make up the mosaic surface The invention of tesserae must have been motivated by a desire to obtain densely set mosaic pictures which could match in pavements the splendour of contemporary achievements in painting Tesserae vary considerably in size The finest mosaics of antiquity were made of tesserae cut from glass threads or splinters of stone ordinary floor decorations consisted of cubes about one centimetre square Medieval works often display a differentiation in tessera size based on function areas requiring a wealth of details faces and hands for instance are sometimes set with tesserae smaller than average while dress and jewelry are occasionally set with very large single pieces As long as mosaic was a technique for the making of floors the main requisite of its materials was besides their colour their resistance to wear Stone Stone therefore was long dominant and throughout antiquity the natural colours of stone provided the basic range of tints at the artists disposal They put their mark not only on the earliest Greek works but continued to determine colour schemes far into Roman times Stone continued to be used in Christian monumental decorations but on a more limited scale and for special effects In Byzantine mosaics faces hands and feet for example were set with stone while cubes of marble often of coarse crystals were used to depict woollen garments Stone was also used for background details rocks buildings probably to bring about particular illusions Though marble and limestone were ordinarily preferred in a period when Roman mosaic cultivated a black and white technique black basalt was widely employed Marble cubes painted red probably to substitute for red glass have been found in many Byzantine mosaics in 9thcentury works at Istanbul for example Because its granular nonpolished surface is often preferred to the hard brilliance of other materials stone is also widely used in modern mosaics At the University of Mexico in Mexico City for example the mosaics covering the exterior of the library by Juan OGorman 195153 and the exterior of the stadium by Diego Rivera 1957 are made with natural stone Glass Glass which first appeared among the materials of mosaic in the Hellenistic period 3rd1st century bce brought unlimited colour possibilities to the art In floors however it had to be used sparingly because of its brittleness In floors glass tesserae were used for the strongest hues of red green and blue while softer tints were rendered with coloured stone With the development of wall mosaic glass largely took over the functions of stone producing tints of unsurpassed intensity and leading to a continuing search for new coloristic effects With little knowledge of the laws of optics but with immense practical experience mosaic makers of the Early Christian period gave the art a completely new direction with the exploitation of gold and silver glass tesserae Like a mirror the glass from which this kind of tesserae was made had a metal foil applied or better encased in it The metal was gold leaf or for the silver probably tin These pieces of mirror glass gave golden or white reflections of high intensity and could be used to depict objects of precious metal or to heighten the effect of other colours but above all it was used as a means of rendering the light emanating from God Gold tesserae were first used by the Romans in both floor and vault decoration of late antiquity Initially their role was simply to give a golden effect Gold tesserae for example were employed to depict a golden wreath in a floor mosaic at Antioch c 300 ce and gold vessels in some of the vault mosaics in Santa Costanza in Rome Later when this use of gold for imitation purposes had become more refined some spectacular effects were produced in the depiction of garments The Good Shepherd in the Mausoleum of Galla Placidia at Ravenna c 450 ce is dressed in golden robes of densely set gold cubes shaded with stripes of lightyellow tesserae The female saints in SantApollinare Nuovo c 550570 ce in the same town wear costumes set with green glass cubes among which appear both patterns and large fields of gold tesserae producing a striking similarity to rich silk brocade Silver was used in a similar way Christ scenes in SantApollinare Nuovo 500526 ce employ silver tesserae in the drawn sword of Peter in the betrayal no doubt an imitation of steel Silver tesserae are also found in the silver jug and basin in the scene of Pilate washing his hands Gold cubes were distributed among the ordinary tesserae to add to the shimmer of light in ornaments and background details To avoid an uneven gleam in the surface the mirror effect was often moderated by setting the gold tesserae in reverse so that the visible part of the cube is the side with the thickest sheet of glass covering the gold leaf In the nowlost mosaics of the Church of the Dormition in Nicaea a scholar observed another exquisite effect which he called dark gold created by cubes from which some of the gold leaf had been chipped off for example in the frontal part of Marys golden footstool 7th or 8th century ce An early instance of the use of gold for depicting light emanating from God is in a representation of ChristHelios Christ as the Sun God in a 3rdcentury mausoleum under St Peters at Rome Here a few gold tesserae are seen in the rays coming from Christs head The halo of gold a feature so common in Christian art that religious pictures without it can hardly be imagined developed in mosaic art in the 4th century ce The gold background signifying divine light probably originated in Roman mosaic art but the first preserved instances date from the advanced 4th century The cupola mosaic of Áyios Geórgios at Thessaloníki c 400 for example has a background of gold In Italian mosaics of the 5th century other types of background such as a darkblue ground or a more naturalistic landscape setting were dominant Only at the beginning of the 6th century did the gold background become the rule In addition to this massive predilection for gold the Christian East began to use silver to depict the symbolic light emanating from Christ First it was used for the entire disc of his halo later only for the cross arms The archangels were the only figures besides Christ for whom the silver halo was used The light of God appearing as rays from above in scenes of the Annunciation Nativity Baptism and Transfiguration was also depicted with silver tesserae Finally silver and gold were used together in Byzantine representations of the infant Jesus whose golden robes are highlighted with silver cubes the apse and south vestibule of Hagia Sophia Istanbul both 9th century Other materials In Christian mosaics tesserae of motherof pearl or coarsegrained marble cut to round or oblong shapes were used to depict pearl Though pieces of semiprecious stones were among the mosaic materials of antiquity their use was rarely dictated by the wish for particular sumptuous effects Reduced to common tessera size bits of this strongly coloured material served as part of the general colour scheme of the mosaic pictures Objects like those of the preColumbian American Indian cultures in which because of its exquisite materials such as turquoise and garnet mosaic attained the status of jewelry have not been found in Western art Among the materials that have played and continued to play a role in the production of mosaic ceramic is the most versatile Terracotta threads were used in Greek mosaics as contours and tesserae of the same material were frequently used by the Byzantines for the depiction of red objects and garments Today glazed or unglazed ceramic is used and is one of the strongest competitors with glass and stone Ceramic tesserae are cut from tiles or like much modern glass mosaic material such as pressed glass come prefabricated Prefabricated tesserae have the advantage of a very uniform and smooth surface which harmonizes with glass steel and other new building materials Techniques The most commonly used adhesive for mosaics was mortar the function of which was in the 20th century largely taken over by modern tougher kinds of cements or glue In Roman floors two to three layers of mortar preceded the setting bed that was to carry a tesserae facing The first layer rested on a thick foundation of stone that prevented settling of the mortar bed and the formation of cracks For wall mosaics the preparation was equally painstaking and in many cases an application of a waterproofing of resin or tar preceded the laying of the mortar There then followed two layers of coarse roughened mortar the stability of which was often improved by large nails that had been driven into the joints of the wall before the work of laying started A third and final layer was of fine consistency binding elements such as pounded brick As in fresco painting technique of using watersuspended pigments in a moist plaster surface the setting bed was applied in patches never larger than were needed for one days work In a frescoed surface the breaks between the different stages of the work can easily be detected they are harder to discover in mosaic Numerous underpaintings discovered in wall mosaics indicate that sketches often detailed and with the main colours suggested were executed on the setting bed to serve as guides for the disposition of the tesserae Similar procedures are thought to have been part of the technique of floor mosaic In church mosaics rough preliminary sketches have been found on layers underneath the setting bed and in a few instances even on the brick wall itself This kind of preparatory sketch for which there are parallels in wall painting suggests that the artist was trying out the overall scheme of the decoration before making a more detailed sketch on the setting bed Instead of laying the tesserae one by one directly onto the mortar another method was sometimes used In Pompeii many of the socalled emblēmata central panels of floors which were made up of smaller than average tesserae and were often of very high artistic quality appear to have been preset on trays of stone or terracotta which were then embedded in the mortar of the floor The surrounding mosaic area was then set according to the ordinary direct method Although the direct method was used for wall mosaics during the Middle Ages there are signs in at least one medieval monument of a partial use of the prefabricationor indirectmethod in the cupola mosaic of the church of Áyios Geórgios Thessaloníki c 400 the heads of the saints seem to have been inserted in the mortar in one piece The indirect method was the one most used in the 20th century In the workshop the mosaic is first set in reverse with glue on paper or cloth and then applied to the floor or wall The technique permits preassembling of mosaics intended even for curved surfaces cupolas or apses It has been hypothesized that behind the enormous output of floor mosaics in the Roman era lay similar production methods which had developed out of the tray procedure described above The introduction of wall mosaics led to experimentation with the spacing and angling of tesserae The solidity of floor mosaics depended on a closeset texture but in wall mosaics in which the element of wear was no longer relevant the organization of the surface could become Pope John VII 705707 ce in the old St Peters in the Vatican Later periods preferred a somewhat closer setting but the irregular surface continued to be in fashion for most of the Middle Ages The tilting of tesserae became an art in itself In 6thcentury Byzantine mosaics there evolved a new technique whereby gold and silver tesserae were set at extremely sharp angles to enhance reflection By pointing their mirror ends downward in the direction of the onlooker it was possible to secure maximum light effect In Hagia Sophia at Istanbul the enormous gold areas in the wall mosaics of the emperor Justinian are set with cubes tilted this way In one particularly dark corner the tesserae are not only tilted downward but are also turned slightly sideways to catch the light from a nearby window A similar technique based on a high degree of tilting of the gold tesserae in unlit areas can be observed in the mosaics of the Dome of the Rock in Jerusalem c 690 ce Haloes set with tilted cubes that bring out the circle of light surrounding the heads of holy figures became common in Byzantine mosaics of the 6th to 7th centuries as is seen in the mosaic panels dating from this period in the church of Áyios Dhimítrios Thessaloníki Striking examples of such haloes are also found among mosaics that were put up in Hagia Sophia in Istanbul in the 9th century above all in a panel with the kneeling emperor Leo VI Effects such as those described above are unthinkable without the accumulated experience of the craftsmanartist In the 20th century mosaic increasingly became an art divided between the inventor who furnished the design and the worker who executed it It may be that the dry character of many modern mosaics can be ascribed to the fact that the artist no longer put his thumb on every tessera Page 1 of 2 Next page Periods and centres of activity Additional Reading External Websites Article History Article Contributors Feedback Corrections Updates Help us improve this article Contact our editors with your feedback Mosaic Art View All Media key people Giotto Cimabue Juan OGorman Monir Farmanfarmaian Pietro Cavallini Domenico Beccafumi Antonio Salviati Michele Giambono Cavaliere DArpino Carlos Mérida related topics Opus vermiculatum Tessera Opus sectile Opus tessellatum Commesso Pebble mosaic Tessellated pavement Decorative art Cosmati work Pietra dura Enamelwork Lacquerwork Inlay Pottery Interior design Metalwork Dress Furniture Calligraphy Heraldry Spanish Inquisition Erie Canal Pythagoras United Nations South Africa Nikola Tesla Plessy v Ferguson Lewis and Clark Expedition History of Mesopotamia Spanish Civil War Connect with Britannica Introduction Principles of design Materials Stone Glass Other materials Techniques Periods and centres of activity Ancient Greek and Hellenistic mosaics Roman mosaics Early Christian mosaics Byzantine mosaics Early Byzantine mosaics Middle Byzantine mosaics Late Byzantine mosaics Medieval mosaics in western Europe Renaissance to modern mosaics PreColumbian mosaics

B B O O O O O O O O O O O B O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O B O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O B O O O O O O O O O O O O O B O O O O O O O O B O O O O O O O B O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O B O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O 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O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O 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James Hoban Irish architect Written By The Editors of Encyclopaedia Britannica Last Updated Dec 4 2018 See Article History James Hoban born c 1762 Callan County Kilkenny Iredied Dec 8 1831 Washington DC US architect who was the designer and builder of the White House in Washington DC Hoban was trained in the Irish and English Georgian style and worked in this design tradition throughout his architectural career Hoban emigrated to the US after the Revolutionary War first settling in Philadelphia and then in South Carolina There he designed the old state capitol building at Columbia 1791 burned in 1865 whose facade and portico were based on LEnfants proposed Federal Hall in New York City 1789a design that was widely published in the US At George Washingtons suggestion Hoban went to the federal capital in 1792 and submitted a plan for the presidential mansion He won the national competition and received the commission to build the White House as well as 500 and a lot in the District of Columbia The cornerstone was laid in 1793 and work continued until 1801 Hoban also supervised the reconstruction of the building after it was destroyed in the War of 1812 The design for the White House was generally influenced by Leinster House in Dublin and the main facade by plate 51 in James Gibbs Book of Architecture London 1728 From 1793 to 1802 Hoban was one of the superintendents in charge of the erection of the Capitol as designed by William Thornton In Washington DC Hoban also designed the Grand Hotel 179395 the Little Hotel 1795 and his last federal commission the State and War Offices 1818 External Websites Article History Article Contributors Feedback Corrections Updates Help us improve this article Contact our editors with your feedback James Hoban Irish architect born c 1762 Callan Ireland died December 8 1831 Washington DC United States movement style Neoclassical art

B I B I O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I B I O O O O O O O O O O O O O O O O O


Aril plant anatomy Written By The Editors of Encyclopaedia Britannica Aril accessory covering of certain seeds that commonly develops from the seed stalk found in both angiosperms and gymnosperms It is often a brightcoloured fleshy envelope as in such woody plants as the yews and nutmeg but smaller seed appendages may also be considered arils such as the spongy outgrowths on castor beans Animals are attracted to arils and usually eat them with the seeds dispersing the undigested seeds in their wastes The fatty arils on castor beans are a type of elaiosome oil body that serve to entice ants for dispersal castor bean seeds Castor bean seeds used to make oil cakes Brian PrechtelUS Department of Agriculture Image number K92002 nutmeg mace The feathery reddish aril that covers each nutmeg seed is removed to make mace WH Hodge Arils are common in members of the arrowroot family Marantaceae and plants of the genus Oxalis The red flesh surrounding each pomegranate seed is an edible aril as is the white flesh of ackee lychee and rambutan all three of which are members of the family Sapindaceae The aril of nutmeg is the source of the spice known as mace pomegranate seed The red fleshy arils of pomegranate seeds Punica granatum svetavoFotolia ackee Interior of an ackee fruit Blighia sapida Roger McCleaniStockThinkstock lychee Edible lychee fruits Litchi chinensis native to Southeast Asia Subbotina AnnaFotolia Article History Article Contributors Feedback Corrections Updates Help us improve this article Contact our editors with your feedback Aril Plant anatomy related topics Seed

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Bareboat charter transport THIS IS A DIRECTORY PAGE Britannica does not currently have an article on this topic Learn about this topic in these articles use in shipping industry In charter party tramp shipvoyage charter time charter bareboat charter and lumpsum contract The voyage charter is the most common Under this method a ship is chartered for a oneway voyage between specific ports with a specified cargo at a negotiated rate of freight On time charter the charterer hires the ship for In ship The tramp trade On bareboat charter which is less frequently used in ordinary commercial practice the owner of the ship delivers it up to the charterer for the agreed period without crew stores insurance or any other provision and the charterer is responsible for running the ship as if

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bareboat charter
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List of prime ministers of Australia Written By The Editors of Encyclopaedia Britannica See Article History Australia established as a federated union in 1901 is a constitutional monarchy and its government is led by a prime minister generally the leader of the majority political party or coalition in the federal House of Representatives This is a chronologically ordered list of the prime ministers from the earliest to the most recent Each prime minister is listed only once multiple terms are noted in parentheses Edmund Barton 190103 Alfred Deakin 190304 190508 190910 John Christian Watson 1904 George Houston Reid 190405 Andrew Fisher 190809 191013 191415 Joseph Cook 191314 William Morris Hughes 191516 191623 Stanley Melbourne Bruce 192329 James Henry Scullin 192932 Joseph Aloysius Lyons 193239 Earle Page 1939 Robert Gordon Menzies 193940 194041 194966 Arthur William Fadden 1941 John Curtin 194145 Francis Michael Forde 1945 Joseph Benedict Chifley 194549 Harold Holt 196667 John McEwen 196768 John Grey Gorton 196871 William McMahon 197172 Gough Whitlam 197275 Malcolm Fraser 197583 Robert Hawke 198391 Paul Keating 199196 John Howard 19962007 Kevin Rudd 200710 2013 Julia Gillard 201013 Tony Abbott 201315 Malcolm Turnbull 201518 Scott Morrison 2018 The Editors of Encyclopaedia Britannica Article History Article Contributors

B O B I O B O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O


Representative democracy political philosophy THIS IS A DIRECTORY PAGE Britannica does not currently have an article on this topic Learn about this topic in these articles ancient Greece In democracy Classical Greece the Assembly was composed of representatives chosen by lot from each of 139 small territorial entities known as demes created by Cleisthenes in 507 The number of representatives from each deme was roughly proportional to its population The Councils use of representatives though chosen by lot rather than by election description In democracy Democratic institutions direct democracy gave way to representative democracya transformation so sweeping that from the perspective of a citizen of ancient Athens the governments of gigantic associations such as France or the United States might not have appeared democratic at all This change in turn entailed a new answer to question 3 ideal democracy In democracy Ideal and representative democracy In modern representative democracies the features of ideal democracy to the extent that they exist are realized through a variety of political institutions These institutions which are broadly similar in different countries despite significant differences in constitutional structure were entirely new in human Jamestown Colony attempt In Jamestown Colony Representative democracy and slavery 1619 In the summer of 1619 two significant changes occurred in the colony that would have lasting influence One was the companys introduction of representative government to English America which began on July 30 with the opening of the General Assembly Russian history In Russia Emancipation and reform section of the nobility for representative government at the national levelnot for full parliamentary rule still less for a democratic suffrage but for some sort of consultative assembly in which public issues could be debated and which could put before the emperor the views of at least the educated section

B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O


What Are The Chances Of Rejection Around half the people who have had a liver transplant will find that their body tries to reject the new liver This is usually within the first three months and is picked up in routine tests Upping the dose of immunosuppressant drugs usually sorts this out If this does not work then you will be readmitted to hospital put on steroids and given higher doses of antirejection drugs It is very rare for someones body to completely reject the liver You should make sure that you take your medications properly to avoid this happening Contact your GP transplant coordinator or liver unit if you experience any of the following flulike symptoms fever above 38ºC vomiting diarrhoea yellow eyes or skin pale stools dark urine itching swelling of the abdomen or ankles redness localised pain warmth swelling or discharge from the wound that smells any sudden changes Call 999 if you experience any of the following difficulty breathing feeling dizzy or faint chest pain severe pain Life after a liver transplant In the time leading up to a transplant you will probably have been very ill and your normal activities will have become severely restricted After the operation you should see a huge improvement in your quality of life and with some adjustments you should be able to lead a normal healthy life My Tacrolimus Following your liver transplant your bodys immune system will try to reject the new liver Tacrolimus medication and other immunosuppressant medications play an important part in the longterm health of your transplanted liver by preventing rejection Tacrolimus is used to control your bodys immune response This will enable you to accept the transplanted organ Recently a number of different formulations of tacrolimus have become available It is important that you make sure you always receive the same formulation of tacrolimus that was chosen by your specialist transplant team Click here for more information httpwwwmytacrolimuscoukpatientarea

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Contact Sales Request Info BCM43684 4x4 80211ax WiFi Residential Access Point Chip Overview Specifications The BCM43684 implements up to four streams of 80211ax specification to enable throughput of up to 48 Gbps for residential WiFi access points Features Support for four streams of 80211ax 48 Gbps PHY rate 160 MHz channel bandwidth 1024 QAM modulation Uplink downlink OFDMA MUMIMO ZeroWait DFS AirIQ interference identification Full compliance to IEEE and WFA 80211ax specifications Lifecycle Status Active

O O O O O O O O B I O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O


Markaz The 110 billion arms deal to Saudi Arabia is fake news Bruce Riedel Monday June 5 2017 Markaz Last month President Trump visited Saudi Arabia and his administration announced that he had concluded a 110 billion arms deal with the kingdom Only problem is that there is no deal Its fake news Author Bruce Riedel Senior Fellow Foreign Policy Center for 21st Century Security and Intelligence Center for Middle East Policy Director The Intelligence Project Ive spoken to contacts in the defense business and on the Hill and all of them say the same thing There is no 110 billion deal Instead there are a bunch of letters of interest or intent but not contracts Many are offers that the defense industry thinks the Saudis will be interested in someday So far nothing has been notified to the Senate for review The Defense Security Cooperation Agency the arms sales wing of the Pentagon calls them intended sales None of the deals identified so far are new all began in the Obama administration None of the deals identified so far are new all began in the Obama administration An example is a proposal for sale of four frigates called multimission surface combatant vessels to the Royal Saudi navy This proposal was first reported by the State Department in 2015 No contract has followed The type of frigate is a derivative of a vessel that the US Navy uses but the derivative doesnt actually exist yet Another piece is the Terminal High Altitude Air Defense system THAAD which was recently deployed in South Korea The Saudis have expressed interest in the system for several years but no contracts have been finalized Obama approved the sale in principle at a summit at Camp David in 2015 Also on the wish list are 150 Black Hawk helicopters Again this is old news repackaged What the Saudis and the administration did is put together a notional package of the Saudi wish list of possible deals and portray that as a deal Even then the numbers dont add up Its fake news Moreover its unlikely that the Saudis could pay for a 110 billion deal any longer due to low oil prices and the twoplus years old war in Yemen President Obama sold the kingdom 112 billion in weapons over eight years most of which was a single huge deal in 2012 negotiated by thenSecretary of Defense Bob Gates To get that deal through Congressional approval Gates also negotiated a deal with Israel to compensate the Israelis and preserve their qualitative edge over their Arab neighbors With the fall in oil prices the Saudis have struggled to meet their payments since You will know the Trump deal is real when Israel begins to ask for a package to keep the Israeli Defense Forces qualitative edge preserved What is coming soon is a billiondollars deal for more munitions for the war in Yemen The Royal Saudi Air Force needs more munitions to continue the air bombardment of the Arab worlds poorest country Finally just as the arms deal is not what it was advertised so is the muchhyped united Muslim campaign against terrorism Instead the Gulf states have turned on one of their own Saudi Arabia has orchestrated a campaign to isolate Qatar This weekend Saudi Arabia the UAE Bahrain and Egypt broke relations with Qatar Saudi allies like the Maldives and Yemen jumped on the bandwagon Saudi Arabia has closed its land border with Qatar This is not the first such spat but it may be the most dangerous The Saudis and their allies are eager to punish Qatar for supporting the Muslim Brotherhood for hosting AlJazeera and keeping ties with Iran Rather than a united front to contain Iran the Riyadh summits outcome is exacerbating sectarian and political tensions in the region For more analysis on Saudi Arabia and other Arab countries breaking ties with Qatar listen to Bruce Riedels 5 on 45 podcast Markaz Check out our other foreign policy blog Order from Chaosa howto guide for managing the end of the postCold War era

O O B I I I O B I O O B O O O O O O O O O O O O B I O O O O O O O O O B I I I O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O


Feather Trigger For precise shooting in the field or off the bench theres absolutely no substitute for a good predictable trigger The XBolts new threelever Feather Trigger provides a clean crisp pull with no takeup or creep and minimal overtravel The trigger is screw adjustable from 3 to 5 lbs and factory preset at approximately 3 12 lbs An alloy trigger housing contains the hard chromed steel components that are highly polished on all critical contact surfaces Precise engagement angles mean the XBolt Feather Trigger feels light and right and stays that way through many thousands of rounds Unlike competitors triggers with Your browser does not currently recognize any of the video formats available Click here to visit our frequently asked questions about HTML5 video Without a great trigger a rifles accuracy is no more than luck Our crisp and smooth threelevel Feather Trigger gives Browning XBolt rifles custom trigger perfromance straight from the box

B I O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O B I I I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O


Schools Colleges Bulletin Degree Programs Search Academics ENG Courses Introduction to Engineering ENG EK 131 Credits 2 Introduction to engineering analysis andor design through a sequence of two modules or minicourses chosen from a selection of modules offered by participating engineering faculty Each module presents students with key concepts and techniques relevant to an applied area of engineering Limited to freshmen and sophomores students with less than 64 credits toward degree requirements 2 cr either sem FALL 2018 Schedule Section Instructor Location Schedule Notes B1 Barbari EPC 201 M 1010 am1155 am FALL 2018 Schedule Section Instructor Location Schedule Notes B2 Barbari EPC 201 W 1010 am1155 am FALL 2018 Schedule Section Instructor Location Schedule Notes B3 Vajda ERA B11 M 1010 am1155 am Introduction to ProteinDrug Delivery FALL 2018 Schedule Section Instructor Location Schedule Notes B4 Vajda ERA B11 W 1010 am1155 am Introduction to ProteinDrug Delivery FALL 2018 Schedule Section Instructor Location Schedule Notes E1 Konrad PHO 207 M 1010 am1155 am FALL 2018 Schedule Section Instructor Location Schedule Notes E2 Konrad PHO 207 W 1010 am1155 am Class Full FALL 2018 Schedule Section Instructor Location Schedule Notes E3 Sander PHO 105 M 1010 am1155 am Class Full FALL 2018 Schedule Section Instructor Location Schedule Notes E4 Sander PHO 105 W 1010 am1155 am Class Closed FALL 2018 Schedule Section Instructor Location Schedule Notes M1 Sarin EPC 206 M 1010 am1155 am Introduction to Materials Processing Product Development FALL 2018 Schedule Section Instructor Location Schedule Notes M2 Sarin EPC 206 W 1010 am1155 am Introduction to Materials Processing Product Development FALL 2018 Schedule Section Instructor Location Schedule Notes M3 Gopalan SOC B59 M 1010 am1155 am FALL 2018 Schedule Section Instructor Location Schedule Notes M4 Gopalan SOC B59 W 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes B1 Duncanson M 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes B2 Duncanson W 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes B3 Vaina M 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes B4 Vaina W 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes E1 Staff M 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes E2 Staff W 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes E3 Staff M 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes E4 Staff W 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes E5 Staff M 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes E6 Staff W 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes M1 Staff M 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes M2 Staff W 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes M3 Staff M 1010 am1155 am SPRG 2019 Schedule Section Instructor Location Schedule Notes M4 Staff W 1010 am1155 am Note that this information may change at any time Please visit the Student Link for the most uptodate course information Programs Departments Policies Terms of Use Note that this information may change at any time Read the full terms of use College of Engineering Accreditation Boston University is accredited by the New England Commission of Higher Education NECHE

O O O O O O O O O O O B B I I O O O O B O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O B I O O O O O O O O O O O

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Rent a Car at Louisville Standiford Intl Apo SDF Rent a Car at SDF Select My Car Locations Canada USA United States Kentucky Louisville Louisville Standiford Intl Apo Louisville Standiford Intl Apo SDF Address 600 Terminal Drive Louisville KY 40209 United States Phone 1 5023663360 Hours of Operation Sun 700 AM 1200 AM Mon Fri 600 AM 1200 AM Sat 700 AM 1200 AM Keydrop Location If flying in the rental counter is within the terminal with a short walk to the car lot Location Information Fastbreak Service Proceed to the Budget counter Fastbreak lineor normal line if no Fastbreak line designationor follow directions to the Fastbreak Kiosk Present identification and receive your rental agreement The counter representative will give the customer the keys directions to their car FASTBREAK RETURN Follow the airport signs for Car Rental return You do not need to return to the counter to complete your rental Record your mileage and fuel level on the rental agreement and drop it in the Budget Fastbreak return box A closed rental agreement will be mailed to you within 48 hours General Directions COUNTER Go down escalator and Budget Counter is straight ahead to the right If arriving by car enter the center doors on the 1st floor and turn left Budget is the first counter on the left CARS At the end of the terminal within walking distance RETURNS Same as pickup AFTERHOURS RETURNS Park lock the car Place the completed contract the keys in the key drop box Drop box can be found at the counter There also is an outside drop box located in the parking lot next to the service booth Remember to take your personal belongings with you DRIVERS CIRCLE When you arrive go to the Budget counter in the baggage claim area The manager or key person will have your contract ready and personally escort you to your vehicle Valet Return If offered you will be told about our service as you are escorted to your car Afterhours Returns Park lock the car Place the completed contract the keys in the Drop Box located in the Returns area Remember to take your personal belongings with you Terms and Conditions Optional Coverages Credit Card Policies Debit Card Policies Drivers License Requirements Additional Driver Policy Additional Fees and Credit Holds Age Requirements Fuel Policy Required Credentials SMS Policy Towing Travel Into Other Countries Travel Into Other States eTolls Acceptance of Loss Damage Waiver relieves the renter and authorized additional drivers of financial responsibility if the Budget car is damaged or stolen while under rental contract Using the vehicle in violation of any of the use restrictions listed on the rental agreement could void LDW and leave the renter fully responsible for any damage to the vehicle LDW is not available in all states and certain restrictions may apply in some states At the time of rental the customer must initial whether heshe accepts or declines the LDW andor other optional services LDW and other optional services must be signed for at the rental counter If LDW is not accepted the customer may be responsible for up to the full fair market value of the car if it is damaged vandalized or stolen during the rental The customer may also be responsible for reimbursing Budget for the revenue lost by not being able to use the car while it is being repaired or not recovered due to theft referred to as Loss Of Use

O O O O B I I I O O O O O O O O O O O O O O O O B I I I B I I I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O

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Check

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on

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ffl

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later

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guy

at

desk

was

able

to

help

the

only

reason

I

give

stars

but

again

everything

on

buds

end

was

perfect

The

is

like

a

Glock

but

better

more

accurate

great

night

sights

my

meaty

Neanderthal

fists

love

the

sized

frame

but

my

freedom

seed

delivery

Speed

is

increased

by

the

shorter

slide

and

less

felt

recoil

of

the

design

of

the

weapon

Reviewed

By

Charles

B

on

Rating

of

Stars

Couldnt

ask

for

a

better

Glock

in

my

opinion

Love

the

slimmer

size

and

the

color

takes

some

getting

used

to

seeing

Definitely

a

good

looking

gun

Reviewed

By

Chuck

B

on

Rating

of

Stars

The

straight

out

of

the

case

is

the

most

accurate

Glock

I

own

Glock

nailed

it

with

the

by

putting

a

slide

on

the

frame

The

size

of

makes

the

pistol

suitable

for

EDC

without

compromising

ammo

capacity

or

overall

control

The

weapon

performs

flawlessly

with

grain

grain

and

all

the

P

ammo

I

can

feed

it

The

fit

and

finish

along

with

all

the

standard

features

are

superb

At

the

great

Buds

price

it

is

an

excellent

choice

Get

it

you

wont

be

disappointed

Reviewed

By

Griffin

M

on

Rating

of

Stars

Its

a

Glock

what

else

do

you

need

to

say

Did

the

best

on

the

market

if

you

want

a

weapon

that

will

always

work

that

will

always

go

bang

and

load

the

next

round

buy

a

Glock

Dont

go

altering

it

from

the

way

it

is

straight

out

of

the

box

remember

that

upgrades

are

not

always

upgrades

Thats

perfect

way

it

is

Dixieland

Gunsmithing

Reviewed

By

Malcolm

D

on

Rating

of

Stars

Great

pistol

Handles

well

and

shoots

great

Reviewed

By

Adam

S

on

Rating

of

Stars

I

had

this

gun

sent

to

an

FFL

dealer

in

his

late

whose

been

shooting

his

whole

life

Quote

Ive

never

liked

the

feel

of

Glocks

and

their

triggers

Im

not

a

big

striker

fire

pistol

guy

but

the

minute

I

picked

up

this

I

went

to

buds

and

ordered

my

own

Its

really

a

fantastic

little

shooter

yall

Adam

in

Washington

State

Reviewed

By

Benjamin

L

on

Rating

of

Stars

simply

unbelievable

i

LOVE

my

sig

but

truth

be

told

this

thing

keeps

a

much

tighter

pattern

than

my

sig

when

im

lettin

em

fly

fast

n

furious

and

it

seems

to

be

quicker

getting

on

target

too

for

whatever

reason

ugly

but

built

rugged

and

reliable

and

deadly

accurate

at

much

farther

distances

than

im

typically

effective

at

Reviewed

By

John

G

on

Rating

of

Stars

The

only

thing

better

than

the

was

the

service

I

received

from

Buds

Show

More

Reviews

B O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O B B O O O O O O B O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O B O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O B I O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O B O O O O O O O O O B O B O O O O O O O O O O B O O O O O O O O O O O O B B O O O O O O O O O O O O O B O O O O O O O O O O O B B O O O O O O O B O O O B O O O O O O O O O O O B B O O O O O O O O O O B O O O O O O O O O B O O O O O O B O O O O O B O O O B O O O O O O O O O O O B B O O O O O O O O O O O O B O O O O O O O O O O O B O O O O O O B O O O O O O O O O O O B O O O O O O O O O O O B B O O O O O O B O O O O O O O O O O O O B B O O O O O O O O O O O O O B O O O O O O O O O O O O B O O O O O O B O O O O O O O O O O O O O B O O O O O O O O O O O O B O O O O O O B O O O O O B O O O O O O O O O O O O B O O O O O O O O O O O O O O O O B O O O O O O O O O O O O B O O O O O O B O O O O O O O O O O O O B O O O O O O O O O O O B O O O O O O B O O O O O O O O O O B O O O O O O O O O O O O B B O O O O O O O O O O B O O O O O O O O O O O O B B O O O O O O O O O O O O O B O O O O O O O O O O O B B O O O O O O O B O O O B O O O O O O O O O O O B B O O O O O O O O O O B O O O O O O O O O B O O O O O O B O O O O O B O O O B O O O O O O O O O O O B B O O O O O O O O O O O O B O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O B O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O


Boards and Sheeting Timber display 48 737 results found sort by Relevance 1 2 3 4 5 Meranti Meranti Esstee Skirting Meranti 67 x 13mm x 30m Select nearest store R85 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson MIL04 Pine Dado Rail 2400mm Select nearest store R150 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z14 Jelutong Moulding 2000mm Select nearest store R115 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z8 Jelutong Moulding 2000mm Select nearest store R51 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z13 Jelutong Moulding 2000mm Select nearest store R34 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z11 Jelutong Moulding 2000mm Select nearest store R165 Each Deliver Collect MORE INFO Successfully added to trolley Timber Timber Col Timbers 10 x South African Pine Quadrant 19 x 19 x 3000mm Select nearest store Deliver Collect MORE INFO Successfully added to trolley PAR Sap Untreated PAR Sap Untreated Esstee Building Meranti Decking Timber Boards 3000 x 70 x 17mm Select nearest store R106 Each Deliver Collect MORE INFO Successfully added to trolley PAR Sap Untreated PAR Sap Untreated Esstee Building Par Meranti Timber Boards 1800 x 70 x 20mm Select nearest store R106 Each Deliver Collect MORE INFO Successfully added to trolley PAR Sap Untreated PAR Sap Untreated Esstee Building Par Meranti Timber Boards 1800 x 44 x 20mm Select nearest store R77 Each Deliver Collect MORE INFO Successfully added to trolley PAR Sap Untreated PAR Sap Untreated Esstee Building Par Meranti Timber Boards 1800 x 20 x 20mm Select nearest store R39 Each Deliver Collect MORE INFO Successfully added to trolley PAR Sap Untreated PAR Sap Untreated Esstee Conven Skirting 85 x 12 x 3600mm Select nearest store R137 Each Deliver Collect MORE INFO Successfully added to trolley PAR Sap Untreated PAR Sap Untreated Esstee Conven Skirting 65 x 15 x 3000mm Select nearest store R52 Each Deliver Collect MORE INFO Successfully added to trolley PAR Sap Untreated PAR Sap Untreated Esstee Building Par Meranti Timber Boards 1800 x 144 x 20mm Select nearest store R215 Each Deliver Collect MORE INFO Successfully added to trolley PAR Sap Untreated PAR Sap Untreated Esstee Building Par Meranti Timber Boards 1800 x 94 x 20mm Select nearest store R132 Each Deliver Collect MORE INFO Successfully added to trolley SABS Timber SABS Timber SAP Timber Untreated 50 x 114 x 2400mm Select nearest store R4900 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z13N Le Classique Mouldings 2000mm Select nearest store R76 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z5 Jelutong Moulding 2000mm Select nearest store R51 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z2 Jelutong Moulding 2000mm Select nearest store R29 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson ARCH4 Pine Architrave 2400mm Select nearest store R115 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z12 Jelutong Moulding 2000mm Select nearest store R51 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z10N Natural Le Classique Moulding 2000mm Select nearest store R56 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z4 Jelutong Moulding 2000mm Select nearest store R51 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z6 Jelutong Moulding 2000mm Select nearest store R78 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z10IVORY Le Classique Moulding 2000mm Select nearest store R63 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z10WHT Le Classique Mouldings 2000mm Select nearest store R63 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z2W Le Classique Moulding Walnut 2000mm Select nearest store R31 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson ARCH1 Pine Architrave 2400mm Select nearest store R200 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z9 Jelutong Moulding 2000mm Select nearest store R51 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z10L Jelutong Moulding 2000mm Select nearest store R165 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson ARCH2 Pine Architrave 2400mm Select nearest store R140 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z10S Jelutong Moulding 2000mm Select nearest store R51 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z11S Jelutong Moulding 2000mm Select nearest store R115 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z10 Jelutong Moulding 2000mm Select nearest store R165 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson MIL01 Pine Dado Rail 2400mm Select nearest store R150 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson ARCH3 Pine Architrave 2400mm Select nearest store R155 Each Deliver Collect MORE INFO Successfully added to trolley Timber Timber CCA Treated Thatching Laths 15 x 25 x 3000mm Select nearest store Deliver Collect MORE INFO Successfully added to trolley Boards Sheeting Evowood Softboard 2440 x 1220 x 10mm Select nearest store R182 Each Deliver Collect MORE INFO Successfully added to trolley SABS Timber Regional SABS Timber Sapele Timber CCA H2 Treated 38 x 114 x 5100mm Select nearest store Deliver Collect MORE INFO Successfully added to trolley SABS Timber SABS Timber Timber SAP H2 CC Treated 4200 x 114 x 38mm Select nearest store Deliver Collect MORE INFO Successfully added to trolley SABS Timber SABS Timber Timber SAP H2 CCA Treated 38mm x 114mm x 3000mm Select nearest store Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson P12 Jelutong Moulding 2000mm Select nearest store R78 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z12N Natural Le Classique Mouldings 2000mm Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson Z12W Le Classique Moulding 2000mm Select nearest store R62 Each Deliver Collect MORE INFO Successfully added to trolley Mouldings Mouldings Larson MILSK1 Pine Skirting 2400mm Select nearest store R215 Each Deliver Collect MORE INFO Successfully added to trolley PAR Sap Untreated PAR Sap Untreated Pole CCA Treated 3000 x 50 70mm Select nearest store Deliver Collect MORE INFO Successfully added to trolley SABS Timber SABS Timber Sapele Timber CCA H2 Treated 38 x 114 x 3300mm Select nearest store Deliver Collect MORE INFO Successfully added to trolley SABS Timber Regional SABS Timber Sapele Timber CCA H2 Treated 38 x 114 x 2700mm Select nearest store Deliver Collect MORE INFO Successfully added to trolley 1 2 3 4 5

B O O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B B O O O O O O O O O O O O O O O O O O O O O O O O O O O O B B O O O O O O O O O O O O O O O O O O O O O O O O O O O O B B O O O O O O O O O O O O O O O O O O O O O O O O O O O O B B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B B O O O O O O O O O O O O O O O O O O O O O O O O O O O O B B O O O O O O O O O O O O O O O O O O O B O B O B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B B O O O O O O O O O O O O O O O O O O O O B O O O O O O O O O O O O O O O O O O O O O O B O O B O B O O O O O O O O O O O O O O O O O O O O B O B B O O O O O O O O O O O O O O O O O O O O O B O B B O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O B O B O B O O O O O O O O O O O O O O O O O O O O B O O B O B O O O O O O O O O O O O O O O O O O O O O O O O


Vermontbased Edmundites to pay up in priest sexabuse lawsuit Addressing bishops from around the world gathered in Philadelphia Pope Francis said the stories of children sexually abuse by clergy weigh heavy on his heart and mind He said God weeps over them VPC Photo AP FILE A Colchesterbased religious order is among several Roman Catholic institutions that recently settled a priest sex abuse lawsuit in Connecticut for nearly 1 million The court case centered on misconduct claims involving defrocked priest Charles Many a Vermont native and St Michaels College graduate who helped lead parishes in Essex Junction and in Groton Connecticut and was a member of the Society of St Edmund The society and the Roman Catholic Diocese of Norwich in Connecticut agreed to split the 900000 settlement paid to Andrew Aspinwall 50 of New London said his lawyer Kelly Reardon The agreement which Aspinwall and the defendants reached on the eve of a trial that was set to begin early this month contained no admission of wrongdoing Many vehemently denies doing anything inappropriate with anybody said Reardon who has questioned the former priest as part of the legal proceedings But she said Aspinwalls allegations of being molested by Many in the late 1970s and early 1980s at Sacred Heart Church in Groton Connecticut and being raped in a chapel at a nearby Catholic retreat changed his life and continue to affect him He has struggled throughout his life with periods of depression with a lot of anxiety surrounding things that might seem unusual for a man like fear of the dark fear of unknown people fear of loud noises He has that sort of startle reflex particularly because of the incident that occurred in the chapel Reardon said Hes had a lot of issues with his faith and belief in God Roman Catholic priests misconduct claims have circulated for decades The Burlington Free Press typically does not name people who say they were victims of sexual misconduct unless they agree to be identified which Aspinwall has Numerous attempts were unsuccessful last year to contact Many at the Williston retirement home where he lives A call to the home Thursday reached only a general voice message system Calls to officials with the Society of St Edmund also were not returned Thursday The society previously told the Free Press that Many was released from his vows and returned to lay status in 1995 Misconduct claims involving Many have circulated for more than three decades and prompted at least one other lawsuit a federal case filed in 1996 in Connecticut that resulted in an 850000 verdict against the former priest But the case was overturned on appeal and the victim was unable to afford the costs of continuing the lawsuit according to Burlington Free Press reporting at the time Many arrived at Sacred Heart in 1978 after the Edmundites who provided clergy for the parish named him an assistant priest Reardon said Aspinwall was an altar boy Reardon said The allegations were that Charles Many after every service would take him aside and engage in inappropriate behavior such as touching fondling and so forth Reardon said The assaults began in early 1979 and escalated to the rape in Mystic Connecticut the lawyer said in recounting Aspinwalls allegations Members of the Society of St Edmund served as chaplains at this church at Fort Ethan Allen in Colchester in the 1950s Photo Courtesy St Michaels College Abuse of boys continued upon transfer to St Lawrence Church in Vermont The Edmundites removed Many from Sacred Heart in 1981 for unclear reasons Reardon said The earlier federal lawsuit also involved allegations of misconduct at Sacred Heart and Reardon said she had lined up parishioners and parents from the church who were prepared to testify at trial that they had complained to the authorities within the church that this priest was engaging in inappropriate behavior Many was transferred to St Lawrence Church in Essex Junction in 1981 According to Free Press reporting about the former priest in 2002 the official reason for Manys transfer was a theological dispute with a fellow priest at the Connecticut parish Court records from that case state Many continued to abuse adolescent boys in Vermont during the next five years until a parishioner contacted the state Catholic diocese to raise concerns according to Free Press reporting The former priest told the Free Press in 2002 that he never molested anyone Reardon who worked as a television news reporter in Burlington in the 2000s before becoming a lawyer said Aspinwall went on to a long career as a correctional officer in Connecticut and retired around 2010 He brought the lawsuit shortly before he turned 48 the deadline under Connecticut law for making such claims The defendants were the Society of St Edmund the Diocese of Norwich its former bishop Sacred Heart Church and Many court records show Under the settlement Many was removed as a defendant the sides agreed to pay their own costs and Aspinwall dropped the lawsuit Court documents in Connecticut show the case was withdrawn Wednesday Support investigative journalism in Vermont by downloading our app or subscribing to the Burlington Free Press Contributing Emilie Teresa Stigliani of the Free Press Contact Adam Silverman at 8026601854 or asilvermanfreepressmediacom Follow him on Twitter at wej12

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