Mendes ' dominating visual style was deliberate and composed , with a minimalist design that provided " a sparse , almost surreal feeling — a bright , crisp , hard edged , near Magritte @-@ like take on American suburbia " ; Mendes constantly directed his set dressers to empty the frame . He made Lester 's fantasy scenes " more fluid and graceful " , and Mendes made minimal use of steadicams , feeling that stable shots generated more tension . For example , when Mendes used a slow push in to the Burnhams ' dinner table , he held the shot because his training as a theater director taught him the importance of putting distance between the characters . He wanted to keep the tension in the scene , so he only cut away when Jane left the table . Mendes did use a hand @-@ held camera for the scene in which Col. Fitts beats Ricky . Mendes said the camera provided the scene with a " kinetic [ ... ] off @-@ balance energy " . He also went hand @-@ held for the excerpts of Ricky 's camcorder footage . Mendes took a long time to get the quality of Ricky 's footage to the level he wanted . For the plastic @-@ bag footage , Mendes used wind machines to move the bag in the air . The scene took four takes ; two by the second unit did not satisfy Mendes , so he shot the scene himself . He felt his first take lacked grace , but for the last attempt , he changed the location to the front of a brick wall and added leaves on the ground . Mendes was satisfied by the way the wall gave definition to the outline of the bag .