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In music , an approach chord -LRB- also chromatic approach chord and dominant approach chord -RRB- is a chord one half-step higher or lower than the goal , especially in the context of turnarounds and cycle-of-fourths progressions , for example the two bar 50s progression  :. music. music. chord. chord ( music ). half-step. semitone. turnarounds. Turnaround ( music ). cycle-of-fourths. circle of fifths. 50s progression. 50s progression. |  G  /  Em  /   |  Am  /  D7  /   |   |. may be filled in with approach chords  :. |  G F9 Em Abm  |  Am D # 7 D7 Gb7  |   |. ninth chord. F9 being the half-step to Em , Am being the half-step to Am , D7 being the half-step to D7 , and G7 being the half-step to G. G being I , Em being vi , Am being ii , and D7 being V7 -LRB- see ii-V-I turnaround and circle progression -RRB- .. half-step. semitone. ninth chord. tonic ( music ). submediant. supertonic. dominant seventh chord. ii-V-I turnaround. ii-V-I turnaround. circle progression. circle progression. An approach chord may also be the chord immediately preceding the target chord such as the subdominant -LRB- FMaj7 -RRB- preceding the tonic -LRB- CMaj7 -RRB- creating a strong cadence through the contrast of no more than two common tones  : FACE -- CEGB .. chord. chord ( music ). subdominant. subdominant chord. tonic. tonic ( music ). strong cadence. strong cadence. Approach chords may thus be a semitone or a fifth or fourth from their target .. fifth. perfect fifth. fourth. perfect fourth. Approach chords create the harmonic space of the modes in jazz rather than secondary dominants .. harmonic space. harmony. modes. mode ( music ). jazz. jazz