A Good Day to Die Hard was directed by John Moore in 2008.
Gilles Peress -LRB- born December 29 , 1946 -RRB- is a French photographer and a member of Magnum Photos .. Magnum Photos. Magnum Photos. Peress began working with photography in 1970 , having previously studied political science and philosophy in Paris .. One of Peress ' first projects examined immigration in Europe , and he has since documented events in Northern Ireland , Lebanon , Palestine , Iran , the Balkans , Rwanda , the U.S. , Afghanistan and Iraq .. His ongoing project , Hate Thy Brother , a cycle of documentary narratives , looks at intolerance and the re-emergence of nationalism throughout the world and its consequences .. Peress ' books include Telex Iran ; The Silence  : Rwanda ; Farewell to Bosnia ; The Graves  : Srebrenica and Vukovar ; A Village Destroyed ; and Haines .. Portfolios of his work have appeared in the New York Times Magazine , The Sunday Times Magazine , Du magazine , Life , Stern , Geo , Paris-Match , Parkett , Aperture and The New Yorker .. New York Times Magazine. New York Times Magazine. The Sunday Times Magazine. The Sunday Times Magazine. Life. Life ( magazine ). Stern. Stern ( magazine ). Geo. GEO ( magazine ). Paris-Match. Paris-Match. Parkett. Parkett. Aperture. Aperture ( magazine ). The New Yorker. The New Yorker. Peress ' work has been exhibited and is collected by the Museum of Modern Art , Metropolitan Museum of Art , Whitney Museum of American Art and MoMA PS1 , all in New York ; Art Institute of Chicago ; Corcoran Gallery of Art , Washington , D.C ; San Francisco Museum of Modern Art ; J. Paul Getty Museum in Los Angeles ; Walker Art Center and Minneapolis Institute of Arts ; Victoria and Albert Museum in London ; Musee d'Art Moderne de la Ville de Paris , Musee Picasso , Parc de la Villette and Centre Georges Pompidou in Paris ; Museum Folkwang , Essen ; and Sprengel Museum in Hannover .. Museum of Modern Art. Museum of Modern Art. Metropolitan Museum of Art. Metropolitan Museum of Art. Whitney Museum of American Art. Whitney Museum of American Art. MoMA PS1. MoMA PS1. Art Institute of Chicago. Art Institute of Chicago. Corcoran Gallery of Art. Corcoran Gallery of Art. San Francisco Museum of Modern Art. San Francisco Museum of Modern Art. J. Paul Getty Museum. J. Paul Getty Museum. Walker Art Center. Walker Art Center. Minneapolis Institute of Arts. Minneapolis Institute of Arts. Victoria and Albert Museum. Victoria and Albert Museum. Musee d'Art Moderne de la Ville de Paris. Musee d'Art Moderne de la Ville de Paris. Musee Picasso. Musee Picasso. Parc de la Villette. Parc de la Villette. Centre Georges Pompidou. Centre Georges Pompidou. Museum Folkwang. Museum Folkwang. Sprengel Museum. Sprengel Museum. Awards and fellowships Peress has received include a Guggenheim Fellowship , National Endowment for the Arts grants , Pollock-Krasner and New York State Council on the Arts fellowships , the W. Eugene Smith Grant for Humanistic Photography and the International Center of Photography Infinity Award .. Guggenheim Fellowship. Guggenheim Fellowship. National Endowment for the Arts. National Endowment for the Arts. Pollock-Krasner. Pollock-Krasner Foundation. New York State Council on the Arts. New York State Council on the Arts. W. Eugene Smith Grant. W. Eugene Smith Memorial Fund. International Center of Photography. International Center of Photography. Peress is Professor of Human Rights and Photography at Bard College in New York and Senior Research Fellow at the Human Rights Center at UC Berkeley .. Bard College. Bard College. UC Berkeley. UC Berkeley. Peress joined Magnum Photos in 1971 and served three times as vice president and twice as president of the co-operative .. Magnum Photos. Magnum Photos. He and his wife , Alison Cornyn , live in Brooklyn with their three children .. Brooklyn. Brooklyn. `` Over the past four decades , in one ambitious project after another , Gilles Peress has creatively transformed and reinvigorated photography 's tradition of engaged reportage .. Perhaps the most ambitious and sustained of all of those projects is his richly textured and deeply moving visual essay on two decades of bitter conflict that devastated Northern Ireland in the wake of Bloody Sunday in 1972 .. That extended essay has the gripping immediacy and epic sweep of a novel by Tolstoy . ''. - Peter Galassi , Chief Curator , Department of Photography ,. The Museum of Modern Art , New York. Museum of Modern Art. Museum of Modern Art