"[Music playing]" "And next to me, I guess, is we have one of the producers," "Who's producer [inaudible]." "And I think that Lloyd Kaufman is one of the producers" "That is hard to ignore." "LLOYD KAUFMAN:" "Everyone should be paying" "Attention to what we are doing." "It doesn't matter what you're doing." "Pay attention!" "MAN:" "OK." "Here we go." "LLOYD KAUFMAN:" "I have to tell everybody" "Eight times everything we do." "We got to tell you, you, you, you." "Pay attention!" "MAN:" "At Troma Entertainment, they seem" "To be everywhere all the time." "It's a very impressive organization." "People who make... we call ourselves the Troma team." "People are not making a Troma movie for the money." "They're not making a Troma movie to get a big hotel suite." "They're making art." "INTERVIEWER:" "So what have we been waiting for right now?" "I'm waiting to squeeze a fart out of this PA." "MAN:" "He was the director and the producer" "And the writer, I believe, of "Class of Nuke 'Em High,"" ""Toxic Avenger."" "The latest film is "Terror Fimer."" "Yes." "On CNN or something, they're giving" "Advice to up-and... filmmakers." "And the first thing they said is, please" "Don't make a movie about making a movie." "Nobody cares." "It's about a Troma film crew, right?" "And they're shooting "The Toxic Avenger 4."" "Yeah, yeah." "Oh, yeah." "This smells like the first mask." "But there's a serial killer that's" "Picking them off one by one." "MAN IN BUSHES: [screaming]" "LLOYD KAUFMAN:" "Cut." "MAN:" "Cut!" "And as Lloyd Kaufman would say, it's" ""Henry, Portrait of a Serial Killer"" "Meets "Living in Oblivion" through the eyes" "Of Frank Capra." "The way this project began was we reflected," "What is independent art?" "What is independent cinema?" "And in the process of doing so, we" "Remembered there were a lot of interesting anecdotes" "Along the way in Tromaville over the past 25 years." "Would you say this is a good B movie?" "It's gonna be a great B movie." "A great B movie?" "A great B movie." "We had some great pyrotechnics, explosions, people on fire," "Decapitations, leg amputations, two-sex freak." "I can't even tell you anymore, because if Lloyd watches" "This thing, I just want him to know that I'm not giving away" "The ending or any crucial plots to "Terror"" ""Firmer," just enough to entice people, hook 'em in." "So this movie is about a young group of people for whom" "The film that they are making is the most" "Important thing in their lives." "[Inaudible] the concept of this movie isn't really" ""Terror Firmer," it's called... what were" "We talking about in the van?" "It's called "Seven Days of Sleep Deprivation."" "[Laughter]" "They're led on their quest to make great art" "By a blind, broken down, independent, low-budget movie" "Director." "It's very close to the storyline of this film," "You know?" "Coffee and no cops." "Director getting frustrated." "Nothing happening." "LLOYD KAUFMAN:" "Only because the people are too fucking lazy," "We had a goddamn day off." "And they use it as a day off." "People on the production ought to be here doing the planning." "The whole fucking week has been fucked up." "Actors totally out of it." "LLOYD KAUFMAN:" "You're about 10 minutes too later there, Neve." "The minute she turns to move, get in there." "We are this movie." "Everything that has been predicted" "Is going to come true, right down to people" "Being killed onset in savage and unprovoked murders." "LLOYD KAUFMAN:" "We're in the fucking pickles here." "We're in the fuckin'... we're never gonna finish this thing." "[Music playing]" "MAN:" "Oh, no." "MAN: (DISGUSTED) Oh." "MAN:" "Pull Camera A." "LLOYD KAUFMAN:" "Action!" "MAN: (LAUGHING) Yeah, Troma." "[Vomiting sound]" "LLOYD KAUFMAN:" "Where's the blood?" "Where's the blood?" "Dagnabbit." "Where's the blood?" "Don't do that." "[Explosion]" "Don't do anything like that." "[Cheers]" "Dammit, could people listen, please?" "And if someone's killed on my set, I'll blow my brains out." "[Music playing]" "[Helicopter]" "LLOYD KAUFMAN: [groaning]" "What is that?" "Can you show that to me?" "What is that?" "It's Toxie's head on Lloyd's mind stick." "INTERVIEWER:" "How goes it?" "Pretty well." "We're readying scene nine right now, which" "Is where Toxie and Sarah are making" "Sweet, sweet love to each other with the cityscape" "In the background." "Interesting trivia fact about this scene" "Is that right now the actor playing the Toxic Avenger" "Is drunk." "INTERVIEWER:" "Toxie, you are in high spirits today." "Oh, absolutely." "I feel that I am especially superheroes today." "Yeah, yeah." "INTERVIEWER:" "That's the keyword." "If there was any troubles within the city of Manhattan" "Right now, me as the Toxic Avenger" "Would come to the rescue of Giuliani." "(IN DEEP VOICE) Looking for me?" "You know?" "So you get the technology plus the campy Speed Racer stuff." "And that's pretty much how I've conquered Toxie." "INTERVIEWER:" "Kick ass." "[Laughs]" "Check out my Toxie outfit." "LLOYD KAUFMAN:" "This works." "WOMAN:" "It's too short." "LLOYD KAUFMAN:" "Why don't we... why don't we just take" "The scissors?" "ROY DAVID:" "That's what I'm thinking." "LLOYD KAUFMAN:" "Yeah." "It's up to you, Roy." "You tell us what you want to do." "ROY DAVID:" "It doesn't matter to me." "Whatever makes the art the art." "LLOYD KAUFMAN:" "Just don't cut..." "I think you'll be..." "ROY DAVID:" "I do [inaudible] drawers halfway dropped." "LLOYD KAUFMAN:" "Yeah, yeah." "No, drop the drawers." "Everything's great." "Just don't cut the T-shirt." "ROY DAVID:" "OK." "LLOYD KAUFMAN:" "That way you can go up or down." "See?" "The more ass I show, the happier I am." "You know?" "I got a good ass." "INTERVIEWER:" "How we doing there, Steven?" "We're doing pretty good." "We're a little bit behind schedule today." "What are we doing?" "Thank you very much." "We're going to have a blocking, so" "The actors..." "let's bring the actors in for the blocking," "Please." "Could we clear all non-essentials" "From set, please?" "Close set." "OK." "Here we go." "Picture's up." "Five, please. [Inaudible]." "Ready and slate in." "Roll sound." "INTERVIEWER:" "What's that?" "MAN:" "OK, here we go." "See if he gets hit." "MAN:" "Very quiet, please." "Roll the picture." "I can see." "[Gasps]" "I can see." "I'm coming!" "Oh, and I can see!" "I'm seeing it." "I'm coming!" "And it's so beautiful!" "[Moans]" "LLOYD KAUFMAN:" "I see myself coming." "I see myself coming." "LLOYD KAUFMAN:" "Yeah, that's the funny line." "I'm coming, and I'm seeing..." "I can see myself coming, right?" "LLOYD KAUFMAN:" "I'm coming, I'm coming. (IN HIGH-PITCHED VOICE)" "I could see, I could see." "And then a, I see myself coming, and it's so beautiful!" "Ah!" "Well, this is when the arm goes into the television like this." "What we're doing is we're shooting it backwards." "So I'm gonna pull this, and it's gonna come away." "Watch your back, camera comin' through." "MAN:" "Camera moves." "Watch your backs, folks." "Watch it." "But when they reverse it, it's going to be" "Going into the television." "INTERVIEWER:" "So you're going to flip" "The camera over and shoot it?" "And then they got to play it backwards" "When the guys are editing it?" "Yeah." "MAN:" "One, two, three!" "It's a cut." "MAN:" "Good." "INTERVIEWER:" "That's gonna be a seamless effect." "[Clap and cheer]" "Eh." "INTERVIEWER:" "What's up, Lloyd?" "What are you doing?" "Cheat sheets?" "Doing the, uh... trying to figure out how we can make up 98% of the day in 10 minutes." "We like... we've done, like, 2% of the work." "And the day is 2/3 over." "INTERVIEWER:" "Any ideas?" "We'll cut out a lot of scenes, yeah." "INTERVIEWER: [chuckle]" "Sir." "Steven, uh, what..." "let's say we finish with this thing at 3:00." "I think we should go to number 25, turn off the midget." "Is the midget here?" "The midget's call is pretty much in 10, 15 minutes." "So she'll be here." "I think that the midget scene is a very simple scene." "All right." "So then let's go..." "let's do 25 and just tear ass through it." "You gotta get people to move, though." "The midget scene could be very nice at magic hour as well," "You know?" "Yeah, all right." "Now costumes." "Who's costumes?" "Is he gonna be OK?" "Can you lift your skirt like that?" "MAN:" "Yes." "LLOYD KAUFMAN:" "Ready?" "Nobody talk." "Let's just go." "[Groans]" "Here we go." "Standing by." "Action." "Breathe, Melvin." "Breathe!" "[Hyperventilating]" "LLOYD KAUFMAN:" "Come out." "You can do it!" "It's coming!" "I can feel it!" "Mommy!" "LLOYD KAUFMAN:" "Cut." "Good." "INTERVIEWER:" "So are you doing a scene today?" "Yeah, we're doing a scene today." "INTERVIEWER:" "Which one?" "The opening montage where the individual, Ariel, gets his leg" "Ripped off and beaten about the head" "Dramatically by the mysterious woman." "INTERVIEWER:" "So what aspect will you be playing in this?" "Actually, I'm the stunt coordinator." "I'm gonna make sure that nothing..." "INTERVIEWER:" "Oh!" "Right now Steven, our line producer's with an officer," "Discussing whether or not..." "Oh, we're... they're checking" "Out our permit." "So we got thrown off..." "We were supposed to film over here." "The police came, said that..." "MAN:" "In your trunk?" "WOMAN:" "Yes." " that we couldn't." "That was basically it." "Now we're moving in here." "The big, fat pigs from New York just threw us off the street" "Where we had a permit." "And because of some kind of promoting." "Can you imagine if it had been Paramount of Time Warner?" "You think they would have thrown them off?" "Right?" "Having lived in Los Angeles, I really admire" "The New York Police Department." "INTERVIEWER: [laughs]" "Believe me, they would have shot us." "Now, the LAPD would have shot us." "[Laughter]" "LLOYD KAUFMAN:" "Ready?" "MAN:" "Yeah." "LLOYD KAUFMAN:" "Call it!" "MAN:" "Shot 124." "MAN:" "We got speed?" "MAN:" "Speed." "[Beeping] MAN:" "Mark it." "MAN:" "Mark." "LLOYD KAUFMAN:" "And..." "[Truck squealing in background]" "Action!" "(IN FRENCH ACCENT) Boy, just the kind" "Of king-size pussy that I like." "Hey, what are you doing?" "!" "Wh... that's my leg!" "Oh!" "Oh-oh!" "[Screams]" "Come back, you bitch!" "You punk ass!" "[Lunges]" "Oh!" "[Spraying]" "MAN:" "Oh, ugh-oh, gees." "INJURED MAN:" "Ah!" "LLOYD KAUFMAN:" "Cut, cut, cut, cut." "INJURED MAN:" "Holy shit." "LLOYD KAUFMAN:" "Are you OK, Eric?" "[Applause]" "MAN:" "That's what they wanted." "MAN:" "What happened to your head?" "They had to do a scene where they pour water on my head." "It's like a giant thing of water." "So the only little thing is that there's" "A big, heavy cap to the jug." "So they don't take the top of the jug off." "So the jug hits me in the head." "But this is troubling." "Lock up the set." "Pick it up, clean it up, and shut up." "[Shouting]" "Cut!" "Cut." "Cut." "MAN:" "That's a cut." "That's a cut." "LLOYD KAUFMAN:" "Freeze, freeze, freeze." "MAN:" "You gotta be careful." "LLOYD KAUFMAN:" "Freeze!" "When I say "freeze," use that thing." "Freeze." "Freeze." "Thank you." "The shit is so gross, though." "I'm so sorry." "[Laughs]" "Hey, but it... but it just smells like soup, right?" "Yeah." "It smells like... it's basically... we're dumping" "A can of barley soup on you." "And then I squished it up..." "like," "There's blood chunks that we poured into it the other night." "So same thing, it's just brown." "ROY DAVID:" "So it's all chunky and clear." "So I'll just pretend like I'm down in some bullshit Palm" "Springs health club where they're" "Always pouring all this stuff." "It's got water." "MAN:" "OK, folks, can we have all actors..." "LLOYD KAUFMAN:" "Now what?" "What..." "I want to... what are the things that are in the... oh," "There's a condom." "Excellent." "WOMAN:" "Cigarette butts." "RUTH PONGSTAPHONE-SAFER:" "Lots of toilet paper." "LLOYD KAUFMAN:" "Good." "And you gotta make it thick enough." "I'm coming in a minute." "Just..." "look." "Just make it thick enough, so that when it's on the ground," "It isn't going to evaporate or dribbling off" "And then it disappears." "Looks great." "Yeah." "See, look, worried that what's gonna happen is when they close" "The door, all of that stuff is just gonna" "Run in to non-visible land." "This stuff should be, like, painted on, so" "That it's there... so it sticks." "Then right before the take, we'll put a shitload on him." "Let's see how it..." "Yes, I am giving mouth-to-mouth to Roy." "INTERVIEWER:" "Are you excited about it?" "No." "INTERVIEWER:" "Are you excited about getting" "Mouth-to-mouth from Yaniv?" "Absolutely." "This'll be the first man I've kissed." "MAN:" "It's got to have a lot in his mouth," "So when Yaniv comes down, it gets on his face." "MAN:" "Yeah." "MAN:" "Right before the take." "[Shouting]" "YANIV SHARON:" "Don't worry, everyone." "I know CPR." "[Disgusted groans]" "Can we do that mouth-to-mouth again?" "I lost my turd when I dove out." "I had no turd to spit out." "INTERVIEWER:" "What was it like to kiss Roy David?" "Well, I gave him mouth-to-mouth, technically." "There was one part, though..." "I know" "I'm gonna get killed for this, but when his mouth was open..." "And usually when I go down, his mouth is closed and I just," "Like, breathe over his mouth." "But his mouth was open." "And I think I got a little bit tongue in there." "So you know, but I'm not gay or anything." "I think it was actually the fecal matter-shaped..." "I mean," "The fecal matter-shaped Tootsie roll." "It might've been the terd..." "But hopefully, it was the turd." "But I don't know." "But any man that would get excited covered in shit" "And still be able to be aroused, I've got problems with that." "That's a fetish of some sort." "It's kind of soft to be the turd, because the turd was" "Already hard and painted over." "But I did feel flesh to flesh." "So I was a little concerned." "As long as Yaniv didn't have any movement in his groin area," "I think we're OK on the homosexuality wrap." "I'm pretty sure I'm not gay, not that being gay's" "A bad thing." "INTERVIEWER:" "Can an onset romance ever work out?" "For Yaniv and I, I seriously doubt it," "Because he's a little out of shape," "And I prefer my men or women a little bit more muscular." "INTERVIEWER:" "Would you be gay for Roy David, though?" "No." "No, no." "I had, like, his tongue..." "I tasted Roy." "Ugh!" "(IN FRENCH ACCENT) Don't shit where you eat, my friend." "Action." "Well, you see..." "Hey, hey, hey, hey." "[Interposing french voices]" "You gotta keep driving, too. [Inaudible]." "From then on, it's you're only French." "Well, I think there has to be some... maybe" "You start speaking French." "[Stutters in french]" "You know, do a whole thing." "And because the car has to go a little out of control." "Do you want this to be more like that, the (IN STRONG" "(FRENCH ACCENT) ho, ho, ho, ho?" "[Inaudible]" "I think just you're like a really cool guy." "You know, you're really a hot shit." "MAN: (IN SUAVE FRENCH ACCENT) More like that, you know?" "Hey." "(IN SUAVE FRENCH ACCENT) You sure are lucky we pick you up," "You know?" "We could have taken anybody tonight, and we pick you." "You have to talk about breasts." "Sorry, breasts." "Because after this, a big-breasted woman's" "On the set of the movie." "She's shot and her breasts explode." "MAN:" "OK." "I think really more talk about big breasts." "So she's angry." "So later when you see the woman getting" "Blown away, [inaudible]." "Also, I think we're gonna try to create a thing where you keep..." "There will be lots of vomit." "It will just keep MAN:" "Great." "Spewing." "INTERVIEWER:" "Jeanne, what did you make the vomit out of?" "It's just bread, bread crumbs, corn muffins, cranberries," "Poppy seeds, and water." "And then he's gonna have the Bromo, too." "So he'll froth and..." "LLOYD KAUFMAN:" "You ready?" "Hold on." "Don't drink the vomit yet." "Carrie's gonna put some Bromo in her mouth" "While the camera's rolling and the vomit" "In her mouth at the same time." "I think we should go..." "We'll go to the... hopefully," "You'll be able to keep it in." "If not, just vomit on him." "And then we keep the vomit going." "We just keep vomiting." "OK?" "This has to be ultra-realism, too." "[Shouting]" "[Wretches]" "LLOYD KAUFMAN:" "Start talking, Joseph." "[Shouting]" "Again, again." "[Wretches]" "Don't lean out the car." "Stay where you are. [Inaudible]." "[Vomiting]" "Cut, cut, cut!" "I am very happy to have that scene with Lloyd Kaufman," "Because I really wanted it." "You know?" "And nobody will recognize me." "That's a good one." "MAN:" "You guys work hard." "MAN:" "Yeah." "MAN:" "And I think it's very important." "Oh, look at the roof." "We make the vomit, and we get to clean it up." "(IN WELSH ACCENT) Old ha-roof, ga-roof." "LLOYD KAUFMAN:" "Action." "Tom, whenever you're ready." "MAN:" "OK, Lloyd, come in whenever you want." "(SHOUTING) Quiet!" "Quiet!" "Now look, I'm the director." "I'm the director." "Uh, uh, now look, I am the director." "I'm not saying this is something... but... ah, shit." "Let me do it again." "Sorry, I apologize." "MAN:" "Mark, [inaudible] 256, mark." "Mark it." "MAN:" "Ready, Lloyd." "(SHOUTING) Now, it's a very dangerous world." "There are people dying, and starving," "And being dismembered, being maimed, being butt..." "There is..." "look, it's a very dangerous..." "It's a very dangerous world." "MAN:" "The eyes." "It's a very dangerous world." "People are being... it's a very dangerous world." "It's a very dangerous world." "People are dying." "They are starving." "They are being dismembered as we speak, tortured." "They're being cornholed all over the world." "It's dangerous." "It's worse on a movie set." "It's worse on a movie set, because you've" "Got danger and stupidity." "I don't want somebody dying on my set." "If someone dies here, I'll blow my brains out." "It'll be your fault." "My career will be over." "It'll be your fault!" "And I'll... sorry." "Uh, cut." "[Laughter]" "[Beep]" "MAN:" "And here we go." "We're all set." "MAN:" "Mark it." "MAN:" "Speed." "MAN:" "Ready, Lloyd." "(SHOUTING) The world is a very dangerous place." "People are being murdered, and raped, and dismembered" "All over the place." "They're dying of starvation." "They're being cornholed." "It's horrible." "It's worse here on the movie set." "It's got..." "What are you doing?" "You look like you're talking to me." "I'm sorry." "I really can't..." "All right." "It was the eyes." "LLOYD KAUFMAN:" "I'm sorry." "I'm trying to concentrate on you." "LLOYD KAUFMAN:" "I know, it's just, uh..." "No, no, no, he doesn't need it." "He wants an empty script." "LLOYD KAUFMAN:" "I thought you... no, I'm sorry." "I wanted to bring up your eyes." "When I go like that, it's just to remind you about your eyes." "OK, fair enough." "Sorry." "MAN:" "OK, here we go." "Going again." "And play it in." "MAN:" "Lloyd?" "LLOYD KAUFMAN:" "Yeah?" "MAN:" "Don't rush it." "Five pickups on 258." "MAN:" "Mark it." "MAN:" "Mark." "Ready, Lloyd." "(SHOUTING) There's danger lurk... there's danger" "Lurking everywhere." "It's a horrible world." "There's starvation, dismemberment," "Torture, rape, cornholing." "It's all over the place." "But it's worse on a movie set." "It's worse, because there's danger and stupidity." "And if someone's killed on my set, I'll blow my brains out." "It'll be the end of my career." "And you, you will be at fault!" "Cut." "MAN:" "OK, that's a cut." "[Beep]" "[Applause]" "MAN:" "Nice job." "[Cheers]" "No, no, listen, listen, let's get a drink of water for Lloyd." "INTERVIEWER:" "If I'm not mistaken," "Were you just promoted?" "[Scoffs]" "INTERVIEWER:" "Because I remember you not" "Having a headset the other day." "Yeah, well, people quit." "Jeff quit yesterday." "Oh, he didn't quit." "He..." "INTERVIEWER: [inaudible]." "Jeff was the key PA." "INTERVIEWER:" "Uh-huh." "Is it true that our location manager quit?" "Um, I am not sure." "I have heard the same rumor." "Well, she was complaining about the lack of communication," "And the problems, and blah, blah, blah." "INTERVIEWER:" "Is it true that the second second AD quit?" "Simon?" "Yes, yes, yes." "INTERVIEWER:" "He quit?" "Yes." "Yes." "His shirt got covered in blood." "INTERVIEWER:" "What?" "His shirt got covered in blood." "INTERVIEWER:" "Is that why he quit?" "Yes." "The second... second AD or third AD" "Did the... he got sprayed with blood and he had his shirt on." "INTERVIEWER:" "No, I heard it's because his grandmother's sick" "And in the hospital." "That was a totally different person." "INTERVIEWER:" "Oh, really?" "That's another person?" "But don't make a... no, we don't want to hear about I'm so hot," "I'm so tired." "It's negativity." "It's the fucking dao, it's yin and yang," "Whatever you want to call it." "MAN:" "OK, [inaudible]." "Just be one moment, please." "Stand by." "My crew is around there." "We have a fake camera." "[inaudible] is going to say," "OK." "He's gonna make a little speech about this is the most squibs." "Then the squibs are going to go off, bah-bah-bah-bah." "Brad, well, you definitely, definitely want to shoot..." "You definitely want to shoot all of the stuff" "Before the squibbs..." "MAN:" "That you need." "That you need." "Because what happens is the squibs, all the... you know," "They have little cuts in the shirt." "They have little cuts in the shirt." "Like, see how your T-shirt looks nice and white," "Well, ours has little things that probably" "Stick out a little bit." "So anything new that happens before the squibs" "You definitely want to shoot." "Because you're gonna see the squibs [inaudible]." "After the squibs, it doesn't matter, because he's" "Got all the shit on him." "If you don't know exactly what a squib is, it's just a patch..." "Little packets of blood... actually," "Condoms pretty much are filled with blood with small charges" "On 'em lit off by a positive/negative fuse" "Right here." "WOMAN:" "So it's electricity." "Exactly." "And they'll just simultaneously go off, like" "[Makes popping noises]" "But as with anything with a currency going through it," "There's a certain sense of danger there." "So you got to be careful." "So I'm the one that's going to be getting squibbed." "So a lot of charges going off." "And just be aware of the safety factors here." "Listen up to what I say." "OK?" "MAN:" "Yes, sir." "Keep your wits about you, all right?" "LLOYD KAUFMAN:" "It's been said, by the way," "That "Troma's War" had more squibs in that film" "Used than any other movie except perhaps" "Peckinpah's "Straw Dogs."" "WOMAN:" "Wow." "But "Troma's War" did have a woman's" "Breasts exploding, which is far more historically significant." "Indeed so." "[Laughter]" "[Applause]" "This one goes off first." "But then the rest of them are all" "Random throughout his whole body." "LLOYD KAUFMAN:" "Yeah, cool." "Excellent, excellent." "So just this one is first so he knows what's going on." "And then from there, it's just..." "LLOYD KAUFMAN:" "Beautiful." "Wonderful." "MAN:" "Bead on Lloyd." "[Interposing voices]" "LLOYD KAUFMAN:" "Quiet and action!" "[Pops]" "Cut, cut." "MAN:" "That's a cut!" "[Applause]" "Yeah, it's a little sting." "A little sting." "But that's about it." "Now, this is no explosion or nothing." "You're just going to pull the plug on this, right?" "Yeah, and blood's gonna come out." "[Camera rolling]" "LLOYD KAUFMAN:" "Watch your hands in the cup." "Back off." "Go ahead." "Throw it longer." "Ah, roll out." "Stop." "[Interposing voices]" "MAN:" "Cut, cut!" "INTERVIEWER:" "Oh, you're just gonna pull it?" "MAN:" "Pull it [inaudible]" "INTERVIEWER:" "Blood goes off." "MAN:" "It looks like he's get shot," "And then blood spreads out." "I mean, that's the plan." "MAN: [inaudible]." "Ready." "Settle." "And action!" "Look, we better do it again, and just put some blood in there," "And get a shot of him." "Nothing came out." "LLOYD KAUFMAN:" "No, nothing came out." "WOMAN:" "It didn't go off." "Well, no." "There was no thing that pulled it." "You know what I mean?" "So they pulled the plug out, and then it" "Was supposed to blow through." "And it just didn't go." "It didn't happen." "MAN:" "And action!" "LLOYD KAUFMAN:" "Pump the blood." "Blood." "Blood, dying." "OK, good." "Good." "So I guess we ought to be shooting" "That way to begin with." "Get the crew [inaudible]." "This area's gonna have to be cleaned," "Because the movie people would be shooting this way." "WOMAN:" "Excuse me." "I'm leaving today at 2:30." "That's why we're shooting this way." "I don't know if you were aware of it." "I'm aware of it." "And you know what?" "Instead of starting at the beginning," "We're gonna shoot this way, so we can get... get your lines." "So everyone's back behind this line." "And it all... all are yapping." "And then Benjamin says, are you doing the revisions again?" "Right?" "Take it up to there." "And then once Benjamin goes in here," "I think the other guys probably will" "Start moving forward a bit." "Oh, the other thing is we've got to make sure... since Will's" "Been put into all this horrendous makeup," "That we get to a lot of stuff." "We've got to knock off a lot of this dialogue." "But while we're shooting this way," "This stuff should be moved to that side, right?" "Mm-hm." "And that way, also, Andy has to leave at 2:30." "So, uh..." "Jesus." "Fuckin' [inaudible]." "[Inaudible] Larry, it looks like Casey's trying to kill" "Us all with a homemade bomb." "Yeah, I think it's a mistake." "I think you've got to stay over there." "You know?" "Or in other words, you gotta stay in limbo," "Because at 2:30..." "I think we've got to isolate you," "So that... you know what I mean?" "Since you're leaving, we've got to keep shooting." "So I think you should stay over near that gas tank." "You know what I mean?" "Just..." "Just bye, y'all." "[Laughter]" "No, no." "Come over..." "Come closer." "Come closer." "Please, hurry up." "Listen, you won't get any lines in." "You've got 10 minutes to shoot your stuff." "MAN:" "Action!" "[Vomits]" "MAN:" "Stay there, stay there." "Carl, go on." "[Wretches]" "LLOYD KAUFMAN:" "Cut." "MAN:" "Roll out." "That's cut." "[Cheers and applause]" "LLOYD KAUFMAN:" "Bravo." "Pick up on the vomit." "[Loud motor running]" "MAN:" "Turn it off!" "[Whistle]" "[Coughs]" "LLOYD KAUFMAN:" "You gotta turn it off when we say to turn it off." "MAN:" "Quiet, please." "WOMAN:" "We couldn't hear you." "LLOYD KAUFMAN:" "Stand by for a rehearsal." "WOMAN:" "Woo-hoo!" "Could you have loved me if you knew I had (SNIFFLING) these?" "[Wails shrilly]" "Can someone else read the lines?" "MAN:" "Aw, shit, dude, you got your ass kicked by a chick." "LLOYD KAUFMAN:" "Cut it, cut it." "Sarah, you gotta read lines." "SARAH:" "I'm sorry, I thought he was gonna make barfing noises." "Oh, oh, I didn't want to go over that." "LLOYD KAUFMAN:" "All right, shut up!" "And just read the lines." "Cut that slate in." "Let's go." "Well, hold it." "Wait a minute." "All right, let's cut for a minute." "Actually, why don't you... why don't" "You kids... while we're rehearsing," "You kids go over there." "[Laughter] Sorry." "I'm sorry." "Just go over there while we're rehearsing." "MAN:" "Wear those earplugs." "LLOYD KAUFMAN:" "Be careful, though." "All right?" "Just stand over there." "Don't listen." "[Inaudible]" "I'm sorry, folks." "I apologize." "There's laws about this." "MAN:" "Action." "MAN:" "No, don't rub it." "Uh, OK, you don't have two nails [inaudible]." "OK?" "Fingernails?" "LLOYD KAUFMAN:" "Not 'sposed to." "Nope." "Show the dick." "MAN:" "Uh, Sarah..." "SARAH:" "Yeah, 58." "MAN:" "Do we have [inaudible] standing by?" "INTERVIEWER:" "So Lloyd, have you worked" "With miniatures in other films?" "Yes, I've worked with miniatures in other films." "In fact, this film is no change." "Brains of the production staff is miniature." "Detectives, uniformed policemen sleeping." "Yo, we had talked." "We don't have them." "LLOYD KAUFMAN:" "We don't them." "Why didn't we call someone?" "[Inaudible]" "WOMAN:" "Uh-oh." "You guys... someone's gotta..." "You have to read the script." "Right?" "I-I..." "What I'm talking about is neither" "Of you guys read the script." "Neither of you guys looked at the call sheet." "So why didn't you do that?" "Go up and down the line." "They're actually mentioned in the script." "You know, I only concentrated on the big" "Nose and the stuff that's..." "That's the other one." "But that means you didn't read the script." "You're the AD." "No, I did." "I did." "And I broke it down." "And when I broke it down, I underlined each character." "And I just missed the word "cops" there." "MAN:" "OK." " You have to be more thorough." "MAN:" "So the plan is to do it tomorrow?" "No, let's get them out here." "Let's get 'em here." "We'll do a cut-away." "MAN:" "The police officer should be wearing" "A professional officer's outfit, or can we" "Use a guard at the gate?" "The guard at the gate might be able to look" "Like a police officer." "Don't we have costumes here?" "It's supposed to be Mike and Wendy." "Mike and Wendy." "Those guys, the running..." "The guys who are running." "One is in uniform, and one isn't." "Wendy has her uniform, right?" "MAN:" "Yeah." "She's getting into it now." "Bring her and the other guy who's supposed to be Mike." "Fuck, Adam." "Come on, man." "You guys ought to be reading the script, too." "Mike is the guy who questions this, right?" "Is his costume here?" "He's supposed to be in uniform." "That's the point." "[inaudible]" "Well, is his costume here?" "Then someone should wear it, whatever his costume is." "It's not." "That's what... it was a suggestion just to use a guard," "Because we weren't sure if that would be an acceptable double." "That was the only question [inaudible]." "Mike is a guy." "Just put anybody in Mike's suit." "Cover his head." "MAN:" "OK, that's what we're doing." "Please." "The guard is a big, fat guy with..." "And I think he's black on top of it." "Mike is a... you know what Mike looks like." "You rehearsed with him." "MAN:" "Yup, I remember." "MAN:" "How we doin'?" "MAN:" "We've been informed that the cop now" "Has his uniform with him." "So we [inaudible]." "Which cop do you have?" "We have the female cop in her uniform ready to go." "You said "his."" "Use the male pronoun." "OK." "Himself." "So all right." "So Wendy's in costume." "She's heading this way." "Yes, exactly." "And the other guy, do we have his costume?" "No, the other guy is not only not here," "But we don't have his costume." "So we wanted to [inaudible] possibly use a guard..." "No!" "It's gotta look like the other guy, whatever he's gonna wear." "Ask Stephanie, what is the other guy gonna be wearing?" "MAN:" "She just told me it was going to be his uniform," "Which he was bringing with him." "A-ha." "So then bring... then let's try the guard." "MAN:" "OK." "And have him cover his... oh, does Stephanie" "Have another cop outfit?" "Supposedly not." "That's what we're gonna [inaudible]." "LLOYD KAUFMAN:" "All right." "Well then just see if the guard is willing to come and do it." "I'm sorry." "All right." "[Helicopter flying overhead]" "But Adam, Michael..." "Michael is not..." "Michael" "Is not wearing the suit." "He's actually going to be wearing a policeman outfit." "Yes." "That's what I was informed." "OK." "So then let's use the guard." "Sure." "That'd be fine." "Freeze!" "And don't move either!" "Come on in there." "Joe's got a live one." "Hurry up, hurry up." "Don't move." "Don't move." "LLOYD KAUFMAN:" "He's dead." "It's been dead." "This is the end of the movie." "We're just going to do that little piece," "So we can get to the fire, I guess." "MAN:" "OK." "OK." "So we're starting off with the farting PA piece." "LLOYD KAUFMAN:" "Tell everybody to start in close." "And then as Fart Boy comes through," "Everybody goes back, because they know there's" "A dangerous situation coming." "We're in the fuckin' pickle here." "We're in the fuckin'... we're never gonna finish this thing." "INTERVIEWER:" "So what have we been waiting for right now?" "I'm waiting to squeeze a fart out of this PA and burn, baby." "LLOYD KAUFMAN:" "Don't do the..." "MAN:" "Oh, no." "MAN: (DISGUSTED) Oh." "LLOYD KAUFMAN:" "That was good." "MAN:" "Come on, let's do it." "LLOYD KAUFMAN:" "Was there a prop, underwear?" "No, that's his real underwear." "Those are those skid marks." "INTERVIEWER:" "Oh, boy." "[Laughs]" "MAN:" "OK, we're just doing a fire test now." "MAN:" "The test is good." "MAN:" "OK, that's it for the test." "And picture is next." "LLOYD KAUFMAN:" "OK, now let's position the pipe if we can..." "MAN:" "Yeah, go ahead." "LLOYD KAUFMAN:" "I've got it." "Out." "MAN:" "Can we wrap?" "MAN:" "Let me see." "Uh, I still see it." "So bring your ass..." "No, lower your ass." "Bring your ass in, so that I see the pipe." "Well, you gotta bring your ass up." "Up." "MAN:" "All right, you've got about 30 seconds [inaudible]." "MAN:" "There." "LLOYD KAUFMAN:" "There we go." "MAN:" "Take one, please." "Here we go." "LLOYD KAUFMAN:" "Thank you, Greg." "[Inaudible]" "MAN: a little bit more this direction, please." "Yeah, that's it." "Good." "Thank you." "LLOYD KAUFMAN:" "Gotta go." "MAN:" "Here we go." "Role count by A." "[Beep]" "MEN:" "B." "MAN:" "Role count with B." "MAN:" "B." "MAN:" "Ready and..." "[Interposing voices]" "Action." "Stand... all right, stand by." "MAN:" "Let's see the pipe." "Up!" "Ready." "LLOYD KAUFMAN:" "Action." "MAN:" "Let's see the pipe." "MAN:" "Action, fire!" "Cut the fire." "Hey, hey." "Hanging in there?" "MAN:" "Woo-woo-woo!" "MAN:" "Aw, hey." "Hey, my friend." "[Laughter] How you doin'?" "Hangin' in there?" "I'm good." "I'm..." "I'm here." "We're hanging in there." "We're waiting to set you on fire, though." "[Laughter]" "INTERVIEWER:" "Tell me who Will's stunt double is." "Bobby Sanders." "INTERVIEWER:" "Is... and then point to him." "Is Will's stunt double." "INTERVIEWER:" "That is Will's stunt double." "Dead ringer." "Where's Will?" "Do you love me, too?" "Do you see?" "Do you care?" "Rocky?" "INTERVIEWER:" "So those..." "The pants you're wearing" "Are fire retardant or no?" "Yeah, these are fire retardant pants and a fire retardant top." "Fire retardant, uh, head piece as well." "The actual vest that I'm gonna be using" "Is gonna be fire retardant as well." "And I'm gonna have the Nomex gel all over my body." "INTERVIEWER:" "What is that?" "BOBBY SAMUELS:" "The Nomax gel?" "It's a fire retardant type gel." "It keeps the fire off of me, so I don't get hot." "INTERVIEWER:" "So what are some things you have to, like," "Focus on when you're going this stunt?" "[Sighs] Stay calm." "No big movements at all, because big movements..." "I move the wrong way like this, and flames" "Would whip from around my back, and whip up to my face." "And there's a chance that I could [sniffs] inhale fire." "So you gotta be very careful." "INTERVIEWER:" "How many of these have you done before?" "Uh, this is my third one." "INTERVIEWER:" "Still exciting?" "Of course." "INTERVIEWER:" "Is this just a precautionary bed or something?" "Yeah, just precaution." "INTERVIEWER:" "OK, good." "[Interposing voices]" "MAN: [inaudible] same clothes, same build, same skin color." "INTERVIEWER:" "I know, it's perfect." "MAN:" "Rolling." "MAN:" "B." "MAN:" "Roll Camera B." "MAN:" "B." "MAN:" "B." "MAN:" "Set and action!" "You're up, kid." "Go." "[Screams]" "MAN:" "Go down." "Ah!" "LLOYD KAUFMAN:" "Cut, cut, cut." "MAN:" "That's a cut, that's a cut." "LLOYD KAUFMAN:" "Yeah, the stunt was harrowing." "I was so worried about the man in the afro," "The guy in the afro with..." "The little candle on his back." "Tiny, little... yeah." "[Laughter]" "Plus, I love the way the stunt guys are all like cowboys." "You know?" "OK, get ready, ready." "MAN:" "The testosterone [inaudible]." "What was it?" "OK?" "You're up, kid, go." "LLOYD KAUFMAN:" "Getting all pumped up." "And then the next thing..." "It's like this little flame" "About this big." "And then the guy... and the wig was an afro, too." "That was hilarious." "There was also a wonderful piece of you with the wall of fire" "That was like..." "I mean, a lot of it looked phony," "But there was one two-second piece where, I mean," "You really look... and your acting was great, too." "And it really looked like you were engulfed in fire." "MAN:" "That was kinda fun." "MAN:" "And action!" "MAN: [wails]" "MAN:" "Be still, though, with your face." "[Wails]" "LLOYD KAUFMAN:" "Line?" "I just wanted to get laid." "LLOYD KAUFMAN:" "Do it again with the flame a little lower." "MAN:" "A little lower." "LLOYD KAUFMAN:" "But the wall of fire thing worked very good." "MAN:" "Action!" "LLOYD KAUFMAN:" "Keep going." "Go again!" "Can you do another blast?" "All right." "MAN:" "Another blast is good?" "LLOYD KAUFMAN:" "Cut, I think we're all right." "Your makeup is horrible." "Horrifying." "MAN:" "Yeah." "That was, uh..." "I could just tell... when I walked out" "There and I saw everyone like..." "Go-od." "That just stopped me in my tracks." "Ruth, that looks great." "And your face looks all misshapen" "'Cause of the [inaudible]." "MAN:" "You look like one of those ghouls that came out" "Of the graveyard in "Thriller."" "[Laughter]" "Hermaphrodite." "LLOYD KAUFMAN:" "Oh, my god." "Shit, mon." "MAN:" "That's a nice one, too." "LLOYD KAUFMAN:" "What the heck is that thing?" "It's from that shit." "LLOYD KAUFMAN:" "What is that?" "It looks like..." "It's glue." "I've tried baby oil." "I've tried..." "I mean, it'll come off" "The next time I have to get..." "LLOYD KAUFMAN:" "Well, I'll tell ya," "That scene was... that was a disturbing makeup." "I mean..." "I mean now that you're out of it, [inaudible] dead." "MAN:" "You know, I never got to see myself." "So I could look down and see that." "But I never got to look in the mirror." "So it would be a nice surprise for me." "LLOYD KAUFMAN:" "It was pretty [inaudible]." "Oh, Jesus, it was disturbing." "MAN:" "We're picking it up here from when" "Moose goes in with the knife and continuing through." "The whole thing with the dousing and the lasso, [inaudible]." "[Screaming]" "Doing the lasso stuff." "All that's happening now." "Everyone's running in, doing our actions." "So let's set up." "Let's have everybody in place." "INTERVIEWER:" "What are we waiting for here?" "[Makes explosion noise]" "This is where we're gonna blow up... this is..." "I get blown up." "I know." "I've got to get blown up later on." "WOMAN:" "Why are you wearing a nice shirt with jeans?" "Because this shirt gets..." "I needed three." "They needed three exact shirts to get blown up." "And this dummy's going to wear the shirt," "So it can't be short-sleeved." "It can't be... so I have to have long sleeves, you see?" "MAN:" "It's very simple." "You're either going to have a dummy flying" "Through the air in pieces, or you're" "Going to have a fireball." "One or the other, right?" "Yeah, because if you can't blow the dummy up, right," "Like, blow it in pieces and see it if it's" "In the middle of a fireball." "MAN:" "Because it just won't be visible." "MAN:" "Right." "So you have to decide if you want to do a dummy blowing up" "In the air, like, in pieces with just" "Some smoke and sparkle inside." "Or you want to have a fireball around the dummy." "There's a possibility you won't see anything" "Except for this fireball." "And then it'll be now you see it," "Now you don't kind of thing." "MAN:" "Yeah." "MAN:" "What we're doing is we're making a device that'll" "Save the camera from getting any kind of debris" "Or any kind of flame exposure to this explosion" "That we're going to be doing today." "Now you might want to cover your ears." "It's going to be very loud." "MAN:" "Fire in the hole." "MAN:" "And action!" "[Explosion]" "Holy shit." "[Applause and cheers]" "The best explosion in Troma history." "Awesome." "That was well worth the wait." "That was..." "MAN:" "Charlotte, how does it feel now" "That your father was blown up?" "I feel very proud of him." "I fee like he really, you know, risked his life for the camera." "MAN: [laughs]" "Big explosion." "Larry Benjamin jumps on top." "Boom!" "And then all of a sudden, it's raining Ben." "Hallelujah." "It was amazing." "We were pleasantly surprised." "Everything on this movie so far has been sort of how" "We deal with disappointment." "And that was one thing that lived up to our expectations" "And possibly exceeded them." "So I'm very happy with the explosion." "Bits of Lloyd flew everywhere." "This was tremendous gratification." "I think I'm gonna get a loop tape of it" "And just roll it over and over and over again." "Jesus." "Look, it blew him out of the sneakers." "Damn." "Or did they go up and fall?" "Yeah, what..." "No, he..." "[Inaudible] his sneakers at all?" "No, the sneakers were, like, attached." "It's just I don't think not too well, and just [inaudible]." "[Laughter]" "Blew the body out of the sneakers." "It's beautiful, man." "Blew himself out of the Nikes." "WOMAN:" "These are my sneakers." "MAN:" "It's, mm, almost 10:00." "We have a lot of scenes to shoot." "It's our first day in New Jersey." "We're planning to pack in all these people over here." "MAN:" "Plus all these people that are in the car." "[Laughs]" "MAN:" "It's been a hectic first day." "And considering after we worked on scene 58 for three days" "Straight, this is a welcome change." "Hopefully, we will get there and we won't all" "Get yelled at too much." "Anyone from the Art department?" "It's supposed to be a movie set." "MAN:" "Art department..." "Now, we need movie props like cameras and things." "And we need to get actors." "We need to get the running group, right?" "So [inaudible] should be in it." "MAN:" "I'll get the cover." "WOMAN:" "Front camera?" "Thanks." "[Inaudible] is this scene is... was wrongly scheduled." "And that it's too big, and it should've" "Been put some other time." "We're gonna be here forever." "And Lloyd is this close to blowing up." "[Explosion noise]" "It looks like he wants to go in that direction." "Let's start getting people moving around." "It's after the bathroom, right?" "[Inaudible]." "Meanwhile, the background is being organized." "The sound man is listening." "So when we give him a [inaudible]," "He'll have some ideas." "You have any idea when they're going to get to me tonight?" "INTERVIEWER:" "I do not know." "We're trying to bang out a lot of shots." "You're definitely getting your shot in." "Well, if it's not done today, I mean, I'm not going to be..." "I can't be here tomorrow." "INTERVIEWER:" "Mm-hm." "LLOYD KAUFMAN:" "Hold it." "Where's the sound guy?" "Get the sound guy here, and watch this." "Where is the sound man?" "(SHOUTING) [inaudible]." "I gave up a whole day's work of money for nothing?" "I mean, they called me for 9:00 this morning." "LLOYD KAUFMAN:" "Working on backgrounds," "We're gonna have this huge thing happening now." "It's all developing." "If you could shut up and organize it," "The natural course will take over" "And we'll get a good scene." "So let's just keep working." "Everyone concentrate." "I took a day off from work." "Then they tell me it's 10:00." "Then they tell me it's 12:00." "And then they tell me it's 2:00." "And [inaudible]." "And I can't stay... and I'm not staying till 11:00 either." "I got to get up tomorrow morning and go to work." "LLOYD KAUFMAN:" "All right, folks." "This is beautiful." "Action." "[Inaudible]." "LLOYD KAUFMAN:" "You're about 10 minutes too late there, Neve." "The minute she turns to move, get in there." "Goddammit." "Can people listen, please?" "And Adam, you listen and translate." "Because obviously, I'm not speaking the same language." "So just translate." "Speak their... whatever they're talking." "ADAM:" "They didn't hear you." "LLOYD KAUFMAN:" "Sorry." "I'm sorry." "It's just she was doing the same goddamn thing." "Otherwise, I'm on air here for 10 minutes." "No purpose on the dolly." "We're setting up the beautiful thing." "[Interposing voices]" "Don't do this!" "Don't do anything like that, dammit!" "It's taking that energy away from over here." "Don't do anything!" "It's a very complicated shot." "If this were in a Hollywood studio, you'd be here for weeks" "Doing it." "[Inaudible] two weeks setting up one fucking shot like this." "Don't do anything that pulls away from the energy." "See what she's doing right there?" "Stop." "Just everybody, let this thing happen." "Ready?" "MAN:" "Slate in." "Roll sound." "LLOYD KAUFMAN:" "Don't fight it." "Do not fight it." "Flow with it." "[beep]" "MAN:" "Mark." "LLOYD KAUFMAN:" "Part of the dao." "Ready?" "MAN:" "Ready." "LLOYD KAUFMAN:" "Action!" "Have you seen Christine?" "Uh, yeah." "I think she went outside to, uh, practice her lines." "Fresh air improves memory." "I knew that." "Everybody thinks I don't know shit." "DJ knows shit." "Ma, I drip like a leaky faucet for that guy." "No." "MAN:" "Hey, coffee?" "I already have two." "Aw, shit!" "Fuckin' hot!" "Oh-oh, it hurts, doesn't it?" "Well, maybe it wouldn't hurt so bad" "If there wasn't so much of it?" "You see, when I send you to get cups, I mean small ones." "We use small cups, so people don't leave huge, full cups" "Of coffee lying around." "You understand?" "(WEAKLY) Uhhuh." "Now, what's the rather painful lesson" "To be learned here today?" "Uh, small cups." "Good." "Remember next time." "Switch to fuckin' decaf." "LLOYD KAUFMAN:" "Cut." "Beautiful." "OK." "MAN:" "We got to do that again." "MAN:" "Adam." "LLOYD KAUFMAN:" "All right, quiet!" "Quiet!" "MAN:" "Quiet, please, guys." "We need [inaudible]." "JOE FLEISHAKER:" "Why did they have to change the schedule" "And not do my scene?" "I don't know the reasons." "But the reasons did not deal with... did not consider" "My concerns and my needs." "So what am I 'sposed to do?" "Give up my job, not do my regular job?" "Not go to work tomorrow?" "I can't come and be here till midnight." "MAN:" "We're not planning on keeping" "You anywhere past 10:00." "Right now it is a quarter past 7:00." "OK." "MAN:" "We're knocking off a quick scene with Lloyd." "And then we're planning on shooting your scene." "Oh, that's... well, nobody told me that." "I'm hearing people getting ready to do other scenes." "MAN:" "You're busy yelling." "Well, maybe." "But I wasn't yelling until you came over to talk to me." "All I hear is that you're threatening to leave." "I have to leave set in the middle of a scene" "To come back here and tell you that I want you in this movie?" "I was just concerned that it seemed like other scenes were" "Being pushed and pushed and pushed in between after I" "Already [inaudible]." "And I just can't be pushed later and later and later, because I" "Have to get out of here." "And as you well know, I have my limitations, too." "I get out of here at 12:00 tonight," "I'm not going to be able to work on time tomorrow." "We can do your scene as quickly or as slowly as we need to." "Well, [inaudible] is not a problem." "Because I want the scene to come out right [inaudible]." "I'm not walking out [inaudible]." "Will made the midget cry." "MAN:" "You wanna do the last, full rehearsal, Lloyd?" "Is Jim leaving?" "Are you splitting?" "OK, thanks." "I want him to put Theo's makeup kit on his head," "So she had some leverage." "MAN:" "Oh, you don't want to be in the scene?" "You don't want to be in this film?" "MAN:" "Well, this is just kind of a... it is the making of a film." "So there's, like, behind the scenes." "Yeah." "[Shouting]" "MAN:" "You're not digging it?" "Not really." "I'll come see it." "MAN:" "All right." "Good luck." "LLOYD KAUFMAN:" "Dead cow?" "MAN:" "So guys, can we have everyone here, please?" "LLOYD KAUFMAN:" "He doesn't have to change!" "He doesn't have to change!" "Just get the one guy out, and get Michael to lie down here." "And get the cow head!" "INTERVIEWER:" "Like, what kind of acting technique" "Do you encourage?" "Meisner, Stanislavski method, for the average actor person?" "I don't." "I think I just let them take over and do their own thing." "We did have a scene yesterday with one of our production" "Assistants named Joey." "He played a part on the film, and..." "Just come in." "Just do your entrance, right?" "You know the line?" "[Interposing voices]" "I, of course, had to get the performance out of him." "So..." "[Interposing voices]" "MAN:" "Everyone's very quiet." "LLOYD KAUFMAN:" "Action, Joey!" "[Whooshing noise]" "LLOYD KAUFMAN:" "Oh, you're smiling." "What am I doing?" "LLOYD KAUFMAN:" "Just come in oh, he" "Doesn't know what he's doing?" "[Interposing voices]" "Did anybody give him the line?" "Benjamin's first rule." "[Interposing voices]" "OK." "But you understand, you're just like trying to put him out." "He's on fi... he's on fire, and you're [inaudible]." "LLOYD KAUFMAN:" "Just come in." "Just do your entrance, right?" "And action!" "Benjamin's first rule of production, safety to humans." "OK." "Let's go back here." "And the Oscar goes to..." "[Laughter]" "LLOYD KAUFMAN:" "I felt the best way to do it was to just yell" "And scream, and..." "Just get fuckin' serious, fuckin' scared." "Benjamin's first rule of production, safety to humans." "Do it." "Ready?" "Benjamin's first..." "LLOYD KAUFMAN:" "Don't." "You're smiling." "You're smiling." "Benjamin's first rule of production, safety..." "LLOYD KAUFMAN:" "Enunciate." "Ready?" "Wait for action." "And... don't smile." "If you smile, you can eat someone else's dinner." "You ready?" "Ready?" "And action." "Benjamin's first rule of production, safety to humans." "LLOYD KAUFMAN:" "Bigger." "Benjamin's first rule of production, safety to humans." "Benjamin's first rule of production, safety to humans." "LLOYD KAUFMAN:" "But bigger, bigger." "Benjamin's first rule of production, safety to humans." "OK." "Benjamin's first rule of production, safety to humans." "LLOYD KAUFMAN:" "Yeah." "Keep... you gotta keep the thing going, right?" "Here we go." "Once more." "Action!" "Benjamin's first rule of production." "Safety to humans." "LLOYD KAUFMAN:" "Good." "And then you'll run off." "Again." "Ready?" "No stupidity now. [Inaudible]." "Go back." "Do it again." "Again." "You still don't have it." "You know, I'll yell out at him every... right" "Before every take, act, act, act, act, act, act, act, act!" "Now everybody else stop stupidity." "Right?" "Just everyone close, please." "You guys just don't do anything." "Right?" "He's got to concentrate." "MAN:" "OK, quiet." "LLOYD KAUFMAN:" "Now start acting, Joey!" "Here we go." "Ready?" "Action!" "Benjamin's first rule of production, safety to humans." "But you have to keep the energy going, right?" "Safety to humans!" "Right?" "You've seen cartoons, right?" "Yeah." "LLOYD KAUFMAN:" "Go." "Do it like that, right?" "Ready?" "Again." "Back [inaudible]." "MAN:" "Quiet, please." "Here we go." "Reset." "LLOYD KAUFMAN:" "Start acting." "Come on." "Ready?" "Standing by." "Action!" "No, you're smiling when you come in." "You're not smiling." "You gotta act." "Otherwise, please." "Do the acting." "Action." "Benjamin's first rule of production, safety to humans!" "LLOYD KAUFMAN:" "Safety to humans." "But keep it going." "You're doing, safety to humans." "And you don't want to be..." "Or no, I want" "WOMAN:" "You're going to go... you're" "Gonna go and put the fire out." "LLOYD KAUFMAN:" "Hold the emotion." "Hold the emotion." "Right?" "WOMAN:" "I know, but..." "LLOYD KAUFMAN:" "Ready." "Action!" "Benjamin's first rule of production, safety to humans." "LLOYD KAUFMAN:" "Yeah, that's it." "[laughter]" "Now pull the thing out." "Pull the thing out." "Shh..." "LLOYD KAUFMAN:" "What's so fuckin' funny?" "You're losing light, and the guy isn't acting." "Come on." "You... you gotta keep in character right now." "We'll do one more rehearsal for focus." "Action!" "Act!" "Benjamin's first rule of production, safety to humans." "LLOYD KAUFMAN:" "Good." "But... now, why did you look over there?" "Why did you look over to this guy?" "Because the action is back here." "You started looking over here, and then you looked, like," "Over there as if somebody was summoned there to... you" "Know what I mean?" "JOEY:" "Yeah." "I..." "I guess I had a [inaudible]." "LLOYD KAUFMAN:" "Look in the same spot." "Look at this man in the glasses." "Or look at my hands." "See where my hand is?" "OK." "So just be looking there, and then you'll go off frame." "Ready?" "OK." "Start some smoke." "MAN:" "Let's start the smoke, please." "LLOYD KAUFMAN:" "Here we go, everybody." "MAN:" "Scene 58x, number one, take one." "MAN:" "Smokin'!" "[Motor running]" "MAN:" "Wrong sound!" "[Motor stops]" "[Beep]" "MAN:" "Mark it." "LLOYD KAUFMAN:" "Action!" "Benjamin's first rule of production, safety to humans!" "[Shouting]" "LLOYD KAUFMAN:" "OK." "MAN:" "Cut!" "LLOYD KAUFMAN:" "Very good." "All right." "That's sort of how I did the Joey technique." "And indeed, he acted." "But that's because he had not really been acting very much." "Also, I don't know who's in charge of casting." "But somebody should have gotten a decent actor to play" "That part yesterday, right?" "We shouldn't be putting actors in these parts" "Unless they can act." "There's a shitload of actors out there." "Anybody could've done it except for that kid, Joey." "But now that he's in it, we gotta keep him going." "We have to keep him..." "Tying him into this thing." "Can you make sure that Joey is here." "He's supposed to be in this next scene." "Is here today?" "No, Andy... she said she found a new monkey." "LLOYD KAUFMAN:" "Hey, cut, cut." "Why are you standing up?" "WOMAN:" "Did you want Joey saying something?" "Just..." "No." "WOMAN:" "No?" " Joey?" "No, he should just be there." "Joey should be there, huh?" "That's my big break." "I'm gonna fucking shoot myself." "Let's go see the shit." "Yeah, we were talking about the shit in the costume." "I think we should just place the costume on top of the guy" "And pretend..." "like, let's say instead" "Of putting the shit in your pants, just you would be naked." "Well, you'd be in your underpants." "You'd lie down on the ground." "You'd put the shit on your ass." "Big pile of shit." "And then we'd gently lay the costume on top of you" "Like a blanket." "And then we'd just sort of like pretend it was coming off." "INTERVIEWER:" "Is it good?" "Nope." "Action!" "Line?" "This isn't chocolate..." "This isn't chocolate pudding." "ALL:" "Oh!" "This isn't chocolate pudding." "ALL: (DISGUSTED) Oh." "[Beep]" "LLOYD KAUFMAN:" "Action!" "[Beep]" "[Beep]" "[Beep]" "[Beep]" "[Laughs]" "[Laughter]" "This is so disgusting." "[Dry heaves]" "It just shows that it's worth it for Troma." "[Inaudible] I better be getting at least $1 million." "[Vomits]" "[Spits]" "[Vomits]" "Yeah-he-ha, Troma!" "[Dry heaves]" "The shit I go through to make art for Troma." "I love it." "[Burps]" "Lloyd, in terms of having some juicy scenes tomorrow, right?" "Yeah, we should get into the juice." "Do the PA getting his legs cut off?" "Yeah." "And the guy's face being melted by the light." "That's like two fairly..." "I mean, they're" "Not long scenes, but the effects and stuff, right?" "Sure, do 'em." "You need a place where you can dig a hole," "Because the person has to be there and sitting in the hole" "With his legs down below." "Now, maybe there's a place like right over..." "Oh, I see." "And then his legs have got to be buried." "So you bury... what you do is when you bury his legs..." "I need to figure out somewhere outside, right?" "You're going to have the stumps." "You're going to have, like, the stumps." "Yeah, yeah, yeah, I understand that." "Totally." "Totally done this before." "Legs chopped off [inaudible]." "Now, hold it." "If you could just find some grass where I [inaudible]." "And then have them dig a hole." "But unfortunately, we need the trucks to be able to... it's got" "To be the same kind of ground that the trucks can come back..." "Or that cars can..." "Wonderful." "INTERVIEWER:" "What'd you just do there?" "You... you just found the, uh..." "That's where the squashing Edward [inaudible]." "So it starts off you're scanning" "The area for hazards, right?" "You're, like, looking around." "The crew's looking around over here, too." "They're a little dispersed." "LLOYD KAUFMAN:" "On these Troma, you ought to always" "Have some blood on set." "OK." "Let's just finish this off." "So the trucks are coming in." "He finishes his speech." "And wham, bam!" "He's cut in half." "He's down on the ground now." "And members of the crew jump up." "MAN:" "And there's that line." "That's when the crew will disperse." "A couple of people will go to the front of the van" "To see who's driving 'em." "And then..." "MAN:" "Who's going [inaudible]?" " And then..." "MAN:" "Call 911." "[airplane flying overhead]" "And then these two lines." "Yeah, yeah, your lines." "Why you... you guys gotta continue the fight" "For truly independent cinema!" "Ugh!" "MAN:" "Somebody call 911." "MAN: 911, 911!" "MAN:" "Let's cut." "MAN:" "Thank you very much." "And God bless you." "MAN:" "So folks, we can go ahead and head back to holding." "We're going to bring you out in a little bit" "When we do the reversal and we see the legs... the [inaudible]" "For the legs." "[Applause]" "Everyone can go except the asshole PA." "MAN:" "Go ahead, roll it." "MAN:" "Rolling B, three, two, one!" "Go!" "[Snap]" "MAN:" "Fuckin' yeah-heah!" "LLOYD KAUFMAN:" "Cut!" "Go forward, John." "MAN:" "Oh!" "[Laughter]" "LLOYD KAUFMAN:" "Cut it, cut it, cut it." "MAN:" "Got it." "MAN:" "Cut!" "Good." "[Cheers and applause]" "LLOYD KAUFMAN:" "All right, get out of there, you schmuck." "[Interposing voices]" "MAN:" "So folks, we need to be very aware of this hole right" "Here." "Everyone, be very careful, please." "Very careful." "MAN:" "OK, let's let our actor in." "MAN:" "You could stand up like using your feet." "Um, yeah." "MAN:" "No, we could put some boards" "Underneath to put your feet on." "[Inaudible] like your feet are hanging now." "MAN:" "Light, please!" "WOMAN:" "I got him cardboard." "MAN:" "Oh, nice." "MAN:" "So folks, I just want everyone..." "MAN:" "Oh, sorry." "WOMAN:" "Gonna get in there?" "WOMAN:" "Yeah." "MAN:" "This is freaking me the fuck out." "WOMAN:" "How come?" "What's it like?" "I don't know." "I'm just..." "I'm in another world right now." "I'm fucking gone, baby." "WOMAN:" "Are you, really?" "Does it feel like it could be real, what" "It would be like in Vietnam?" "This is why I'm a vegetarian." "That." "Ew!" "MAN:" "Go quiet." "We're rolling sound." "We're rolling." "MAN:" "Mark." "LLOYD KAUFMAN:" "Action!" "[Shouting and screaming]" "MAN:" "First of all, everyone did a great job there," "And you guys all need to be applauded." "Thank you for your cooperation." "It went off very well." "[Applause] OK." "So now here's what's going on." "We're going on to 38D with all you guys." "Guys, all right." "First of all, we need it quiet." "Second of all, here's what's going on." "We're doing the dance up until the fall." "So let's keep it quiet, and we're gonna rehearse." "What should the dance be?" "What should he do when [inaudible]?" "Basically..." "Yeah, yeah, exactly." "Right." "And he should do, like, the thing." "Do a little electrocuting, you know, a little of that." "And then you should be doing like this," "You know, like high... high thing." "You know?" "And you're almost trying to take it off." "And then go into the... that stuff." "OK?" "Yeah." "Can you squirt the smoke inside the lens?" "All right." "Let's roll." "[Beep]" "MAN:" "We are rolling." "LLOYD KAUFMAN:" "Rolling!" "MAN:" "Rolling!" "LLOYD KAUFMAN:" "Ready and action." "[Makes strangled noises]" "LLOYD KAUFMAN:" "Whoa." "Don't break it." "Gentle." "Gentle." "Come back the other way." "Come back the other way." "Whoa, gentle, gentle, gentle." "MAN:" "Relax a little more." "Good job." "LLOYD KAUFMAN:" "Dance." "Just move your legs." "MAN:" "Make him go down on his knees." "Yeah." "LLOYD KAUFMAN:" "No, no." "Get up, get up, get up." "MAN:" "Ted, you've got to get on the fuckin' [inaudible]." "LLOYD KAUFMAN:" "Get up, get up." "Go to your right." "To your right, to your left." "Your left." "A little more." "Move your feet but don't move your head a lot." "OK." "Action." "Cut." "Good." "MAN:" "Nice." "MAN:" "You should do it..." "The thing broke, man." "LLOYD KAUFMAN:" "I'm not doing it again." "You kidding?" "Just get the thing on his head and have him dance around." "MAN:" "Yeah." "Don't smoke." "It's bad for your skin." "That's gotta feel funky in your ears." "MAN:" "Bring him up more, or you like where that is?" "LLOYD KAUFMAN:" "Looks good here for me." "MAN:" "OK." "If you like it, we could keep that." "MAN:" "Here we go." "And roll sound." "[Whirring]" "LLOYD KAUFMAN:" "Camera, the camera." "Camera, goddammit." "Action!" "MAN:" "Action!" "MAN:" "Move out of the way!" "[Interposing voices]" "WOMAN:" "Lift him up." "Move him up." "MAN:" "Nice." "Lift him up." "LLOYD KAUFMAN:" "Lift him up." "MAN:" "Nice." "MAN:" "Oh!" "LLOYD KAUFMAN:" "Cut, cut, cut." "Give Steven a cigarette." "MAN:" "Yeah." "LLOYD KAUFMAN:" "They won't need any, because they" "Don't want to get super-slimed." "All they have to do is..." "I've been saying it for six weeks." "Super slime." "Super... it's in my book." "It's everywhere." "They don't want to do it." "We're gonna shoot this head blowing up with about" "Four feet of detonation cord." "MAN:" "Yeah, well, these are..." "MAN:" "Those are the explosives that trigger the det cord." "You attach a squib here on each end," "Push that yellow button there." "MAN: [inaudible]." "MAN:" "B!" "MAN:" "Ready!" "LLOYD KAUFMAN:" "And action!" "[Explosion]" "MAN:" "That's a cut." "Nobody move." "Everyone stay on set, please." "Stand by." "MAN:" "Don't move." "LLOYD KAUFMAN:" "Let's go on." "It looked very nice." "MAN:" "OK, let's move on." "The explosion was a lot..." "Was a lot more intense than..." "You had first [inaudible]." "Yeah, yeah." "OK, great." "You can shoot it." "MAN:" "Ready and roll camera A. And action!" "[Pop]" "[Screams]" "LLOYD KAUFMAN:" "Beautiful." "[Cheers and applause]" "They're gone!" "INTERVIEWER:" "Can you tell me about the scene" "That... your big scene today?" "Well, I'm going to be in a head cast and in my boxer shorts." "There's an emergency on set, and I get up and I run naked." "This is the day, man." "We're gonna get to see Yaniv's rocket." "Yeah, baby!" "All right." "Here we go." "Let's go." "MAN:" "Quiet, please." "LLOYD KAUFMAN:" "Ready?" "Action!" "[Shouting]" "Cut!" "MAN:" "Yeah, Yaniv!" "[Applause and cheers]" "INTERVIEWER:" "What can you tell me about baring it all?" "Very liberating but it ain't over yet." "I got to run to 42nd Street now, Times Square, baby." "MAN:" "The whole world will be familiar with the geography..." "Big Apple!" "Of your gonads, my friend." "YANIV SHARON:" "Yeah!" "Yes, Yaniv." "We're filming in the street tomorrow." "INTERVIEWER:" "Yeah?" "In, like, Times Square?" "Yeah, the guy's going to run through Times" "Square with no clothes on." "INTERVIEWER:" "Yaniv, how are feeling today?" "Nervous as hell, y'all." "Nervous as hell." "It's all right." "It's all right, though." "It's gonna be a good scene." "LLOYD KAUFMAN:" "Should be a wide shot of this Times Square." "And Yaniv... it should be empty." "And Yaniv's butt should come into frame." "And he bumps into that post there." "Go ahead." "No." "Stop." "Goddammit!" "Here." "Just do what I do." "Watch." "You come in here, and you do like this. [Inaudible]." "Just do like that. [Inaudible]." "It's all moving very tight here." "MAN:" "Very quiet." "Very quickly." "MAN:" "And ready?" "Here we go, folks." "Ready and Brendan, set?" "BRENDAN:" "Yeah." "MAN:" "And action on rehearsal!" "[Sirens]" "MAN:" "He stopped on his own in the middle of the shot." "So what?" "Don't have Edward talk to them, right?" "Just leave it alone." "The guy doesn't know where the camera is." "See?" "Now you got an angry guy." "He's never gonna leave." "Just let the guy alone." "Let him walk, and get him out of the fucking picture." "MAN:" "So we might as well give him holes for him to look." "MAN:" "You don't see the front of him." "We just see his ass." "Did you know that guy wasn't an extra?" "No." "I didn't see him." "Out of nowhere, I just... just bang." "MAN:" "Oh, man." "It's fucked up." "MAN:" "All right, I'm ready to shoot." "MAN:" "Roll camera." "Yeah!" "Out!" "Action!" "[Laughter]" "[Shrieking]" "MAN:" "That's a cut." "[Cheers and applause]" "We gotta... they're gonna... you have to wrap it up for today." "They're not gonna let him shoot anymore here." "And that's about it." "When I got there..." "They called action." "And I just ran." "I did my thing, tried to go as crazy as possible." "I hit the pole." "Then I zigzagged." "And I was running this way." "I was looking at... to someone to run into." "But I couldn't... when it was over, the whole" "People applauded in me." "It felt great." "It's awesome." "MAN:" "Half straw." "Where could half straw be?" "WOMAN:" "Who wants this up their ass?" "[Shouting]" "Not in my ass!" "Dah!" "Right?" "And you do it, Jerry, OK?" "OK." "You can just bring it... hit the table and hit... you know?" "OK?" "[Yelling]" "Ah!" "Dude!" "My ass!" "LLOYD KAUFMAN:" "Cut." "MAN:" "Right." "So where are you gonna [inaudible], do you think?" "LLOYD KAUFMAN:" "I think that'd be right here." "Just kind of see a behind, and the beautiful funnel." "And your behind [inaudible]." "MAN:" "So this, too?" "You feel this, too?" "I mean, as much as we can cheat that underneath, like," "Your ball sack or something." "LLOYD KAUFMAN:" "No, we gotta wedge" "Towels in between his legs." "Or if you taped... so the thing'll stay in place." "Whoa-oh." "LLOYD KAUFMAN:" "Yeah, right there is good." "MAN:" "Pssh." "LLOYD KAUFMAN:" "On action." "WOMAN:" "You got a thirsty ass, hey?" "[Groans]" "[Laughter]" "LLOYD KAUFMAN:" "Cut, cut." "INTERVIEWER:" "Have you been nude on film before, though?" "Uh, nah... on stage." "There's not much call for me to be nude on film." "LLOYD KAUFMAN:" "Keep it so it doesn't" "Drip in his eyes, please." "For a first stab, this looks good." "And ready?" "MAN:" "Slate and roll sound." "LLOYD KAUFMAN: [inaudible] you start screaming." "I'll tell you when to withdraw the thing." "[Beep] Roll." "Hip and scream!" "[Screams]" "LLOYD KAUFMAN:" "Do it again on that same other spot" "For number one." "[Screams]" "LLOYD KAUFMAN:" "Cut." "All right." "Good." "Hold, please." "MAN:" "Cap reloads." "INTERVIEWER:" "And his brain's gonna fall" "Out of that area on the top?" "Um, she's gonna stab him." "And pull them out... reach in and pull 'em out." "MAN:" "We got brains in the Tupperware." "[Inaudible]" "BRENDAN:" "You gotta build something" "To hold the head stiff." "MAN:" "Copy." "BRENDAN:" "It's unbelievable." "It's just common sense, man." "Yeah." "If you're [inaudible] you gotta have something hard to stick" "Underneath and hold onto." "WOMAN:" "All right, Brendan." "If you think you can do a better job, then why don't you do it?" "BRENDAN:" "This whole head has no support." "It just collapses like a balloon." "LLOYD KAUFMAN:" "I think that's the best we did." "MAN:" "Rolling." "MAN:" "And ready and action!" "MAN:" "Cut." "[Laughter]" "MAN:" "OK, folks." "We should all be in our first position." "I'm grabbing my balls and stuff in our scene, can I improve?" "Because it's like I..." "I..." "Yeah, sure." "What is it that you don't like?" "Well, it's just like I'm trying to hit on her," "And there's no scene if she's already grabbing my balls." "I just [inaudible]." "Oh, I see." "So don't... do it the other way around." "Do it?" "Have her talk about the fountain first." "She can grab my balls after, do you" "Live in the house, Toadster?" "Yeah." "Hey!" "Nice to see you, man." "Hey, nice to see you." "Hey, everybody." "MAN: [inaudible]." "Quiet, please." "Quiet on set!" "Hey!" "Look who's here..." "The great Ron Jeremy!" "[Applause]" "He's one of the principal characters of this movie." "And remember, it's OK to masturbate as long as it's" "Not against your principle." "Whoa-ho-ho-ho." "LLOYD KAUFMAN:" "Come on." "Shut up." "Get out." "I want to keep working on this." "There goes the respect." "LLOYD KAUFMAN:" "Quiet!" "MAN:" "Quiet, please." "Quiet on set!" "Where's the love?" "Where's the romance?" "All right." "Let's go." "We gotta rehearse." "I'm gonna take him to meet Ruth." "Right?" "Ruth Pongstaphone." "We have to block this, so we can see what the lighting is." "Get out of there, Catherine." "Get out!" "Please, just wait." "Wait two minutes." "We're just blocking." "WOMAN:" "OK." "LLOYD KAUFMAN:" "This is [inaudible] here." "I gotta do it." "So I'm not pleasant." "I'm sorry." "Ready?" "MAN:" "We're standing by for rehearsal." "Very quiet." "LLOYD KAUFMAN:" "Where's the stunt guy?" "Get Robby here." "Tell him to stay fucking here, all right?" "Uh, how's this feel?" "Be able to take the shoulder down this way." "INTERVIEWER:" "So have you fallen down stairs before?" "Yes." "INTERVIEWER:" "What are some things you have" "To do to not kill yourself?" "Well, one thing is what I'm doing now." "To allow myself the freedom of movement." "If I didn't have this stuff on, then I would fall cautiously." "And it would show on film." "[Shouting]" "[Shouting]" "LLOYD KAUFMAN:" "Ron." " Hi, Lloyd." "How's it going?" "LLOYD KAUFMAN:" "Good." "You look great." "Well, you look good yourself." "LLOYD KAUFMAN:" "Thank you." " How's it going?" "LLOYD KAUFMAN:" "Good." "I have a question for you." "Shoot." "LLOYD KAUFMAN:" "In the flashback, you sing a song." "I think it should be "Amazing Grace."" "You know?" "When Casey comes here... and I think" "You should sing that same song." ""Amazing Grace."" "Oh, the same thing I sing [inaudible]." "But now it's twisted, because I have no tongue." "LLOYD KAUFMAN:" "Yeah." " (SINGING) Amah-zing grace." "[Mumbles]" "LLOYD KAUFMAN:" "But do you know "Amazing Grace?"" "No, but I'll learn it." "[Mumbles indechiperhably]" "[Chatter]" "MAN:" "It's crunch time, baby." "You have 30 seconds to do this." "The cops won't let us do it anymore." "We're, like, being pulled as of, like, now." "So if we don't do this now before the Sergeant comes back," "I'd say we're in deep shit." "They're gonna revoke our license for good." "MAN:" "Two, one." "Back to first positions, please." "Everyone come on in." "People walking around and then you'll [inaudible]." "LLOYD KAUFMAN:" "Wait." "OK." "Excellent." "Keep the door open, so you guys can come out." "Come out of there." "MAN:" "Yeah, go in there." "LLOYD KAUFMAN:" "Go in there and come out." "Ready?" "Go in." "MAN:" "There, we're speeding." "LLOYD KAUFMAN:" "Beautiful." "MAN:" "We're speeding still." "MAN:" "We have speed." "MAN:" "Ready, Lloyd?" "LLOYD KAUFMAN:" "Yeah." "I'm focused on them." "MAN:" "Mark it." "Yeah." "LLOYD KAUFMAN:" "And focus on them." "Action!" "WOMAN:" "All right, let him through." "Back up, ya muckrakers." "Outta the way!" "Excuse me, sir." "I know this must be very painful for you at a time like this." "But when did you first realize your son" "Was a body part-tickling hermaphroditic lunatic?" "[Mumbles]" "COP:" "All right, that's it." " Back off!" " Get outta the way!" " Back up!" "Back up!" "[Mumbles]" "MAN:" "That's a cut." "You got it?" "LLOYD KAUFMAN:" "Take photos." "Don't take the stuff off." "Everybody else get out." "MAN:" "Yeah, that's a wrap, folks." "We need everybody out of the street and inside." "That is a wrap." "That's a wrap." "[Chatter]" "LLOYD KAUFMAN:" "I don't know why [inaudible]." "They tell me at the last minute that... you know," "Rather than telling me at the beginning of the day," "They tell me at the last..." "like now," "Where we have to be off by 8 o'clock." "Well, listen." "You guys have to tell me by the beginning of the day," "You gotta be out by 8 o'clock." "Right?" "Nobody told me..." "MAN:" "This was supposed to be a daytime shot, Lloyd." "It was marked as [inaudible]." "LLOYD KAUFMAN:" "Well, so what?" "You gotta tell me that." "I don't..." "I'm assuming I can shoot all day." "You guys have to say, boys, your day ends at 8 o'clock," "Like it or not." "I would have been outta here." "I wouldn't... you know, I could have quit other stuff." "I mean, I think we got it." "I'm going to go look at dailies." "[Chatter]" "MAN:" "It's not a table or anything." "It's a hot set." "MAN:" "So nobody touches it, especially [inaudible]." "MAN:" "Folks, quiet down, please." "I could already be screaming and yelling, all that stuff." "Just tell me how much you need and..." "MAN:" "Yeah." "MAN:" "We're gonna lift this..." "MAN:" "Oh, Joe." "MAN:" "OK." "OK, here we go." "Edge, slate in." "Roll sound." "Speed." "LLOYD KAUFMAN:" "Make it look like you're chopping a tree, OK?" "MAN:" "OK, [inaudible]." "LLOYD KAUFMAN:" "Action!" "Ah, what are you doing to me?" "Stop that!" "Ah!" "Ah!" "Ah!" "Ah!" "LLOYD KAUFMAN: [inaudible] the thing!" "[Inaudible]!" "Ah!" "Ah!" "[Spits]" "Ah!" "Ah!" "LLOYD KAUFMAN:" "Pull him back." "Move forward now." "I can't." "LLOYD KAUFMAN:" "Cut, cut." "Ah, man." "This is... my mouth is [inaudible]." "I'm gonna puke in a second." "[Interposing voices] MAN:" "All right." "Let's get paper towels." "Let's get water on the set right away." "LLOYD KAUFMAN:" "Excellent, Joe." "I don't want it dripping in my eyes." "MAN:" "It's just corn syrup." "I need it over my eyes." "Look, it's gonna drip into my eyes." "MAN:" "There's no soap or anything in it." "MAN:" "Just water and a napkin." "MAN:" "It won't hurt ya." "Don't worry." "MAN:" "Water's comin' in." "LLOYD KAUFMAN:" "Look how nice." "Keep goin'." "Do it faster." "Wee!" "[Inaudible] so much fun." "Female blood wrestling." "That'd be great." "MAN: 170 on Camera A." "MAN:" "Yeah, don't chew 'em." "Just keep 'em there." "Right." "LLOYD KAUFMAN:" "Yeah, that's it." "Just one more piece." "MAN:" "That's enough." "No." "MAN:" "Come on." "One more." "MAN:" "One more." "MAN:" "It's just bread." "LLOYD KAUFMAN:" "OK, good." "All right." "Here we go." "[Whirring sound]" "LLOYD KAUFMAN:" "Keep goin', keep goin'." "MAN:" "That's it." "Keep goin'." "Ah!" "MAN:" "Good." "[Slicing noises]" "Ah!" "[Shouting]" "MAN:" "OK, everyone." "MAN:" "That's a cut!" "Yeah!" "[Cheers and applause]" "MAN:" "Uh, Joe!" "LLOYD KAUFMAN:" "Hello, Joe Fleishaker!" "[Cheers and applause]" "Joe Fleishaker!" "When you wanted to do this part, I was skeptical." "That's right, that's right." "Very skeptical." "And now how do you feel?" "Oh, I feel great." "I'm just wondering if viewers satisfied" "With the ultimate result?" "LLOYD KAUFMAN:" "More than satisfied." "JOE FLEISHAKER:" "I mean, don't ask me today" "Whether I'll do it again." "Wait a couple of weeks." "Well, this was the easy part." "Tomorrow you'll have to do your own stunt down the escalator." "We forgot to tell you that." "You have to actually fall down the escalator." "Oh, well, then I don't have to wash this stuff off." "[Laughter]" "I need a paper towel for my eyes." "I'm about to go blind." "I am not going to be able to wash my back," "And wash my... you know, get rid of the [inaudible]." "So..." "WOMAN:" "Yeah." "OK." "When I'm at home, I use a brush," "Because I'm just a big guy." "[Interposing voices]" "I refuse to clean up today." "MAN:" "Again." "LLOYD KAUFMAN:" "All right." "Let them out, folks." "MAN:" "Come on." "LLOYD KAUFMAN:" "Come on out." "Thank you so much." "MAN:" "DVD, stop rolling camera." "No, because I can't reach everywhere anyway." "So just wanted to give me a wipe-down [inaudible]." "Ben, can you help me?" "Can somebody help me or what?" "MAN:" "What do you need?" "Yeah, can you help me?" "MAN:" "Is it that much bloo..." "JOE FLEISHAKER:" "Just get Gabe in here or something." "He can do it, if you don't mind, to help out." "MAN:" "I ain't doing anything with the underwear." "MAN:" "Feet... tape on his feet." "Could you get the other tape off?" "MAN:" "I need, like, a knife." "[inaudible] cut his legs off." "Oh-ho-ho." "Yeah, I'm about to slide off this chair." "[Laughs]" "[Inaudible]" "LLOYD KAUFMAN:" "Eh, Adam, is there any way" "To get all these actors who are gonna be in the... you know," "They haven't even picked up Lemmy." "Lemmy's going to be done with..." "They left to pick up Lemmy already." "LLOYD KAUFMAN:" "No, because I told them to." "So we're gonna go pick Lemmy up at 5 o'clock." "This is the most horrible, horrible" "Group I've ever... horrible." "Horrible." "I'm trying to rehearse this thing" "Or we're going to be here all night." "I'm getting absolutely... you know," "I'm running around doing everything." "All right?" "I'm sorry." "The place is a pigsty, so there's" "All sorts of filth and scum all over the carpets" "With white stuff." "So when you have a chance, get your crew to clean that up," "Too, please." "MAN:" "All right." "That I will say "please," because I'd" "Have to say it eight times." "Is there that little microphone [inaudible]?" "Yes, I got the table." "Yeah, get... see what you guys can" "Hustle to make it kind of look like what the script says." "I know that the sitting around up there is very important." "I can't get any of the ADs." "I can't get the..." "You know, I think" "I've got everybody assembled." "[inaudible] mapped it out." "But there's no props." "There's the usual." "And nobody's told the Art department that they" "Need microphones and cameras." "[Coughing]" "Lloyd, is it closeup on his face?" "I guess." "Or over her shoulder or something." "You know?" "I mean, would you want me to see" "The candy bar or just his face?" "Yeah, if you can." "It seems like most of it's..." "Hey, Joe, keep talking about..." "Just improvise stuff." "Certain chocolate with red meat and" "White... because white chocolate I like with [inaudible]." "MAN:" "Action." "How would you like to be in this film I'm investing in?" "Would you like a piece of, uh, chocolate?" "I didn't think so." "I eat this stuff all the time... white chocolate," "Dark chocolate." "All right." "It's good." "I'm worried at this rate we won't finish." "We're going so incredibly slowly." "Yeah." "So how... maybe if..." "I don't think" "Brendan knows how much there is to do after this." "In other words, there's all this stuff." "And Joe has to then write up." "We've got to do the stunt [inaudible]." "That stuff from behind there where" "She's..." "I think he just thinks there's, like, two shots." "I don't think there's any concept of the work that" "Has to be done." "There's also a question of how much coverage" "We do on each little scene." "You know?" "We don't need to do coverage." "Well, we need a shot of the dialogue." "That's what we've got to get." "But it's..." "Don't we have that already?" "No." "No, I don't." "That's the problem." "Would you like a square of chocolate?" "I really love chocolate." "I can eat it anytime." "I eat it at a car, bar, in a restaurant." "White chocolate, dark chocolate." "MAN:" "I think it's going pretty well." "We're moving along." "I went to the health food store next door." "MAN:" "Oh, to get an oat bran muffin." "WOMAN:" "OK." "You know what?" "You..." "Wait, I gotta get the..." "Oh, yeah." "MAN:" "Folks, please keep it down." "LLOYD KAUFMAN:" "Perfect." "OK." "Whatever." "Just make the fall good." "Bring the actor into place." "[Interposing voices]" "And stop." "LLOYD KAUFMAN:" "Beautiful." "All right, let's sing a prayer." "MAN:" "OK." "Here we go." "And roll Camera A." "[Beep]" "MAN:" "Rolling." "MAN:" "Roll Camera B." "MAN:" "B." "[Shrieks]" "MAN:" "Cut!" "MAN:" "Clear, clear." "MAN:" "Everybody all right?" "MAN:" "You all right, Bobby?" " I'm OK." "MAN:" "All right." "LLOYD KAUFMAN:" "Good." "Yeah." "[Applause and cheers]" "He did good?" "LLOYD KAUFMAN:" "Huh?" "He was good?" "Definitely." "It went on." "It never ended, too." "It kept going and going." "The escalator thing was... we spent hours" "Getting that guy in padding." "It was absolutely not nec... there" "Are fat guys around who do it." "You know?" "Eh, I could do that." "Watch this." "The head is rolling around on that escalator." "MAN:" "Got it." "Yeah." "The question is, we don't want to see the stairs [inaudible]." " Why not?" " Oh, good." "All right?" "'Cause I can put them over here and go" "From the escalator over here." "MAN:" "The wrong direction, though." "As you pull back, [inaudible] photographers" "Take pictures of him." "We have 'em, yeah." "MAN:" "We're done with the escalator stuff?" "I don't... we're doing this now." "That's all I will tell you." "MAN:" "Excellent." "Thank you." "So we want to do this, we need..." "Brendan would like to have some people taking photos," "Some commuters, whatever." "And then we need the Lemmy, Lemmy," "The character who was supposed to have" "Been picked up a long time ago." "Huh?" "They did go." "Yeah, they went late, though." "He should have been at these rehearsals, you see?" "Yeah." "You see?" "See?" "He's..." "So he's gonna be in here to do..." "He's supposed to be in the scene." "So now we're going to rehearse it." "And Will is doing a great job." "But now we're going to have to go through the whole thing" "With Lemmy." "MAN:" "Lemmy is here, Steven." "Oh, cool." "Well, get his cue cards." "MAN:" "His cue cards." "LLOYD KAUFMAN:" "Hey, Lemmy." "All right." "How ya doin'?" "This is a Coke and Jack Daniels in a bag." "Lemmy's liquor!" "Ah!" "MAN:" "Stand by for picture." "MAN:" "Here, ready for Lemmy." "Excellent." "[Screams]" "Madame." "Madame." "Madame, tell me, how did you feel" "When you first saw the mangled body" "Of this venal, fat bastard?" "I believe my first reaction was" "[Screaming]" "LEMMY:" "Oh, madame, we know how painful this must be for you." "ADAM:" "I wanted to introduce myself." "Adam Hammel." "I'm assistant director." "LEMMY:" "Absolutely." "Nice to meet you." "So now we have this monologue thing we're talking about." "We are running a little behind schedule today, so we're not..." "LEMMY:" "Imagine my surprise." "Yeah." "So we're not positive we're going to get to it today." "So rather than keep you here the rest of the afternoon" "And just have you sit around..." "LEMMY:" "Then you'll send me the fuck home." "Yeah." "And then if you want, we can call you if it looks" "Like we're going to get to it." "We could do it another day, possibly by tomorrow." "Oh, we have tomorrow." "Yeah." "We could even do it [inaudible]." "Exactly." "That's a really good idea." "Yeah." "So..." "Just somewhere with fucking air conditioning" "This time, would you?" "I know, really." "I'm sorry about that." "INTERVIEWER:" "This relive up to your expectations of a..." "Yeah." "Low budget." "Overheated." "No air conditioning." "Usual stuff." "PATRICK CASSIDY:" "We can get in touch" "If you want to be touched up." "MAN:" "I think he was pissed off that he" "Had to wait as long as he did for being on set yesterday." "And then he never got his stuff shot." "Are you sure?" "Come on?" "LEMMY: [inaudible]." "He won't do that [inaudible]." "If it was anything other than that." "I mean... but that was... guarantee you" "That was the reason he wasn't gonna come in." "And then Dave Schultz said nah, we'll find something else." "And then that day... he just doesn't want to... you" "Know, and I don't blame him." "That's something that... you know," "For a band of his image, that's not the smartest thing to do." "Let's come up with something else for him." "All I can tell you is, whether it was relayed to you or not," "You don't leave him for eight hours." "Never." "You lose him right there in a moment." "I mean, you're talking about a guy on speed and booze." "You know what I mean?" "And you know, you use him and you get him in and out." "That's how we do it." "We talked to Todd and he said that Lemmy" "Didn't want to do the bit that we" "Wrote about the hermaphrodites." "I didn't know that the content was such a problem till," "Like, a half an hour ago." "WOMAN:" "This is my..." "Stephanie." "It's nice to meet you." "All right." "Well, here's our... here's our..." "[Inaudible]." "You got stuff to do." "Yeah, you guys are just pissing him off." "Here's the only option I have for you guys," "And it can't be done here." "Have him do... actually, he said he wouldn't do that." "He rewrote it." "Have Dave shoot it [inaudible]." "Think you can do that there?" "A good scene?" "MAN:" "It will never happen." "WOMAN:" "You're welcome." "INTERVIEWER:" "How did you hook up with the Troma people?" "LEMMY:" "Fair enough." "INTERVIEWER:" "Fair enough." "I feel like an idiot about the Lemmy thing, too." "I was screaming and yelling." "And we have to take care of Lemmy." "We have to do... baby him and then we ended" "Up wasting a shitload of money." "Yeah." "The stuntmen all have wives and children." "Doesn't make for good stunts." "Supposedly they came." "They OKed it." "They agreed to have their equipment here," "Which isn't here." "Now they're saying it's more money." "And they're saying we lied about how high the jump was." "There was lots of screaming and yelling." "LLOYD KAUFMAN:" "I don't know what to say except" "Find some white prick that maybe we can" "At least fake the [inaudible]." "This is a jump for women." "LLOYD KAUFMAN:" "If I'm on the ground here," "[Inaudible] where I don't see as much of it." "I don't really see the buildings." "I see the boxes, but I may not get the entire floor." "MAN:" "I think that's OK, because we" "[Inaudible] in the [inaudible]." "So I'd go for that [inaudible]." "Yeah, at least we get some height." "MAN:" "Yeah." " [inaudible] through space." "MAN:" "A dead ringer for our actor." "Steven and Adam, I think we ought" "To try to get this thing off." "MAN:" "OK, here we go." "Very quiet, please." "And action!" "Oh!" "It's a cut!" "Everyone stay clear, please." "MAN:" "Don't move." "I'm here." "Let's stay clear, please." "Everyone hold their positions." "MAN:" "This is a very tense moment for everybody." "What's up?" "[Applause and cheers]" "(BREATHING HEAVILY) Yeah." "Yeah." "Lenny?" "Yes?" "Just drink a little water." "[Inaudible], you think?" "No, it's fine." "MAN:" "I knew it was gonna be a hard fall." "And I was..." "LLOYD KAUFMAN:" "It was great." "Oh, thank you." "LLOYD KAUFMAN:" "It was great." "I was right under there." "It was great." "I tried to screech my feet like I was fighting the..." "LLOYD KAUFMAN:" "It was terrific." "Yeah, you did a great job." "Sensational." "This was the best." "It was the best." "You have shit." "I mean, it's boring stuff." "MAN:" "We'll work with it." "You know, we can work with it." "It would have been better to get somebody cheaper and better." "Yeah." "But..." "No, we should have just... well, we should have just ordered" "The... we should have just done the stunt," "Just hired a guy to do a high fall" "And paid him whatever it is." "MAN:" "Right." "This was garbage." "MAN:" "Yeah." "There was no bone with these guys." "Everything was no good." "Everything was bad." "Steven wanted to fire him at the armory." "But I didn't want to..." "I just didn't" "Want to get into a fight." "That's after everything." "Steven did fire him, I think." "But I just didn't want to get [inaudible]." "Here's your final check." "You're fired." "It's not quite the... it's not quite the same effect." "We need stuff that looks more street level." "I'm worried this is going to read roof." "Garbage bags." "What do we have here?" "This sort of looks like street-level stuff." "This [inaudible]." "MAN:" "We used this in the pregnant killing." "Yeah, but it's all part of a movie," "So it'll throw people off." "Yeah, that's cool." "Let's put the flat here then." "Let's build up here, so at least you can... yeah." "Maybe if you wanna fall on this thing, go right ahead." "OK." "[Inaudible] in front of the door there." "That's the thing, that the garbage here" "Would have to be away, because then" "You don't want to [inaudible]." "Do whatever you want." "Slate in, roll sound." "MAN:" "Speed." "LLOYD KAUFMAN:" "Watch yourself." "MAN:" "Second hand." "Ready?" "Rolling?" "LLOYD KAUFMAN:" "Action!" "Cut, cut!" "MAN:" "Wrap." "Cut!" "Get the first aid kit, please." "I think you can come out of that mask, right?" "You wanna just grab Yaniv running down Ninth Avenue?" "MAN:" "To crush on his head." "LLOYD KAUFMAN:" "Now we need Yaniv." "We need him running and falling down." "You better look at a Polaroid." "Yeah, it's not..." "They don't have enough gauze." "They don't have any gauze." "I asked two hours ago about the gauze." "So now you're down." "Now your stuff is fucked, right?" "It's the stupidest bunch of people I've" "Ever worked with in my life." "I hope it's on video." "I mean, I just don't believe it." "I even said it, too, before lunch." "I said it to about eight people." "Now, look, you're the producer." "Go and solve it, Steven." "Please." "This is where it's bad news, right?" "This is why I don't want anyone working past Friday." "I'll do it myself, whatever it is." "All I know is it's a very dumb bunch of people." "That's all I know." "Lazy and dumb." "And I hate everybody." "I definitely hate Adam, and I hate Steven, and I hate Yurgi." "I hate you." "I understand." "[Laughs]" "MAN:" "Eventually I'll wash." "I hate this man." "That scent'll go away." "But there is love." "No." "Definitely not." "I love Yaniv." "I love you very much." "YANIV:" "Oh." "You want a hug?" "Are you guys gonna have enough to cover his mouth?" " I'm doing the best I can." " OK." "Is that OK?" "Well, what if you put toilet paper, uh..." "We don't have any, 'cause there's no toilet." " Oh." " Here's some big [inaudible]." "Those napkins maybe over his mouth." "We've lost the cock sock." "Serious problem." "Somewhere around here is lurking a piece of pantyhose" "That once was on Yaniv's dick." "Somebody finds that, they're in serious trouble." "YANIV:" "I know the second I do the shot," "What the fuck [inaudible]." "I know." "YANIV:" "And then the cop won't know, because I told him" "I have..." "Adam and Steven." "Adam and Steven, sorry to interrupt." "We ought to make sure there's no confusion" "About what's on this guy's pee-pee and all that." "So look at what's on there, and then tell the policeman." "Make sure that whatever he's wearing or not wearing," "We're in sync with the officer, please." "The thing on my dick looks ridiculous." "Why don't I take it off now, but he won't know?" "He's not looking." "MAN:" "OK, here we go." "Ready to go." "LLOYD KAUFMAN:" "All right." "All right." "Just go over to your position." "You find [inaudible] down there?" "Yes." "You want the towel?" "MAN:" "You should just have it covering the top of you" "For now, all right?" "MAN:" "No, can you tuck your face more up into the tire?" "LLOYD KAUFMAN:" "Yeah, that's gonna be great." "Can we... can we just load him up with blood?" "Just put a lot of blood on his arms and legs." "And on his upper torso." "Do you have any cranberry sauce or any" "Of that other gizzards or something" "That can be laid gently on top?" "YANIV:" "This arm isn't really bloody." "You probably need to bloody it more." "LLOYD KAUFMAN:" "Do your electrocution, Yaniv." "Smack your head... smack your hands a bit on the ground," "Because that'll make the blood splatter a little bit." "All right, standing by." "OK, roll Camera A." "[Beep]" "LLOYD KAUFMAN:" "Rolling." "MAN:" "Roll Camera B. MAN:" "Rolling." "MAN:" "Rolling." "MAN:" "Ready and action!" "[Flopping]" "LLOYD KAUFMAN:" "Kick your legs more, Yaniv!" "Wiggle 'em more." "Wiggle 'em." "Your hands, your legs." "MAN: [inaudible]." "LLOYD KAUFMAN:" "That's it." "Do more of the electrocution." "Don't slap so much." "Up!" "Up with your hands." "Up, up, up!" "MAN:" "Your legs up, too." "LLOYD KAUFMAN:" "Yeah, yeah, your legs up." "Up with your legs." "MAN:" "Yeah." "MAN:" "There you go." "MAN:" "Oh, that's it." "Up!" "LLOYD KAUFMAN:" "More of that." "More of that!" "That's it!" "That's it." "Die!" "Dead, dead." "[Applause and cheers]" "Heh." "It doesn't look like there's any penis there, though." "The only trouble is it looked just like..." "It didn't... all I could..." "MAN:" "NC-17." "MAN:" "Oh-ho-ho." "Oh." "[Breathing heavily]" "INTERVIEWER:" "Is it cold, Yaniv?" "Yeah, it's fuckin' cold." "[Shivers]" "WOMAN:" "Cute." "[Laughter]" "MAN:" "Take a left!" "A left!" "Oh!" "Yeah!" "[Applause]" "[Cheers]" "Thank you." "That was a very beautiful shot." "That was excellent." "Great." "I just wanted you to [inaudible]." "I said, no, I can't." "I was like, yeah, New York!" "Yeah, I know." "If we do the thing in post-production where we go" "To San Gennaro Festival and we do stuff" "During Christmas at Macy's." "And then maybe you do a cartwheel or something if we" "Get our nerve up to do that." "MAN:" "OK, guys." "Let's wrap up." "Picture wrap." "Let's go home." "MAN:" "Yeah." "MAN:" "All right, guys." "That is a wrap for this movie!" "[Cheers and applause]" "[Pop]" "[Music playing]" "MAN:" "Last time I heard, it was sold out," "So I think we're doin' all right today." "LLOYD KAUFMAN:" "Um, again, there are many people who have" "Made "Terror Firmer" possible." "And I cannot possibly thank them all." "But for Michael Hers and for me, we" "Are very grateful to the entire team" "That made this film possible." "The theme of this film is to call attention to the fact" "That the independent spirit, independent art," "Independent effort, independent, entrepreneurial, independent" "Politics are all under assault as they never have been." "The fact that so many of you are here in this cinema" "Is evidence of the fact that, indeed, the independent spirit" "Lives, and a taste to be challenged" "And the desire to be challenged by art in a cinema still lives." "So now let's make some art." "Thank you." "[Cheers and applause]" "Woo!" "LLOYD KAUFMAN:" "Let's get through this." "We're never gonna finish the goddamn scene!" "MAN:" "OK, right now..." " Horse shit." "You're spending two hours on a scene" "That should take a minute." "MAN:" "I'll just go over here and..." "Get all them in. [Inaudible]." "You don't need anything now but Moose." "Just get all... everyone here, everybody." "Everyone." "OK." "Can we have all actors over here, please?" "Here we go." "LLOYD KAUFMAN:" "It's really dangerous the way" "You're running this set." "OK, folks." "From now on, [inaudible]." "LLOYD KAUFMAN:" "What I'm suggesting" "Is you gotta keep looking at it." "MAN:" "I..." "I have no tab, video tab." "I can't tell." "LLOYD KAUFMAN:" "Well, it isn't a matter of video tab." "That's like that movie magic shit." "It's the same thing." "MAN:" "Well, if I had a chance to look through the cards..." "No, it's a matter of just being careful," "Letting... keeping people away from the edges." "MAN:" "OK." "I guess... so nobody called any..." "We didn't call people or..." "MAN:" "Yeah, we did call people, but a lot of people" "Told us they're [inaudible]." "Ah." "So that means when we get to New Jersey," "We'll have actually nobody on set?" "They did their bags, right?" "You better get your guys right." "MAN:" "Yup." "At least have the guts to call us at night" "And say you're not gonna have anybody." "[Inaudible] look up that area over there." "[Inaudible] have people." "It's gonna fuck up... there's already stuff in the dailies" "Where you have people standing around" "In the background kind of like just" "Standing there having coffee." "Well, it..." "You shoulda paid me, man." "I'm tellin' you." "You shoulda fuckin' paid me." "All I wanted is a little money to get through the summer." "But instead, all you do is yell." "Yell, yell, yell, yell." "I can't fuckin' take it anymore." "What the fuck you doin' here?"