French Revolution, Masonic Symbolism and regeneration

by Terry Melanson – April 27, 2012

Fire in the Minds of Men: Origins of the Revolutionary Faith, by James H. Billington, is arguably the most valuable reference on revolutionaries ever written. (The softcover that I purchased in 2004 is in tatters from overuse and nearly impossible to handle; the situation is the same, I suspect, for many students and historians of the subject.) The body of the text is remarkable enough, however his extensive notes also feature a narrative full of minutia, and multiple citations ranging from a paragraph to a full page. I continually mine it for new leads, and constantly discover that many of the obscure older sources – once only housed in prestigious University and libraries – are now accessible on the internet.

An example that I’ve found lately is a 1910 article by Otto Karmin. Here’s the passage from Billington followed by citations (pp. 93, 537-8):

In the early days of the revolution, Masonry provided much of the key symbolism and ritual—beginning with the Masonic welcome under a “vault of swords” of the king at the Hotel de Ville three days after the fall of the Bastille.[36] To be sure, most French Masons prior to the revolution had been “not revolutionaries, not even reformers, nor even discontent”;[37] and, even during the revolution, Masonry as such remained politically polymorphous: “Each social element and each political tendency could ‘go masonic’ as it wished.”[38] But Masonry provided a rich and relatively nontraditional foraging ground for new national symbols (coins, songs, banners, seals), new forms of address (tu, frère, vivat!), and new models for civic organizations, particularly outside Paris.[39]

[…]

36. On the use of the voûte d’acier on Jul 17, see J. Palou, La Franc-maçonnerie, 1972, 187.

In the New World, where the links between Masonic and revolutionary organizations were particularly strong, rival revolutionary parties sometimes assumed the names of rival rites. In Mexico, for instance, escoceses (pro-English “centralists” from Scottish rite lodges) battled yorquinos (federalists from the rite of York introduced by the first U.S. ambassador, Joel Poinsett). See A. Bonner, “Mexican Pamphlets in the Bodleian Library,” The Bodleian Library Record, 1970, Apr, 207–8.

Basically, what he did was mine the data in a standard numismatic reference work and highlight the examples of Masonic influence – minus illustrations, hence the need for my own treatment. The evidence is clear and seems deliberate, although one isn’t quite sure whether the artists involved were actually Masons themselves.

Before Karmin lists his numismatic findings, there’s a ten page introduction about Masonic influences in general. Rallying cries, songs, and distinct phrases suddenly appear in popular revolutionary discourse that can be traced back to Masonic lore. L’École de Mars is mentioned as well, whose uniforms were designed by the famous artist Jacques-Louis David, responsible for some of the most iconic images of the French Revolution. Karmin matter-of-factly calls him “le franc-maçon David,” but disagreement among historians persists (Professor Albert Boime, however, apparently provided evidence in the affirmative, during a 1989 conference titled “David contre David.”)

David had many students. The engraver Augustin Dupré was one of them. He was friends with Benjamin Franklin who commissioned him to engrave the famous Libertas Americana medal in 1782/3. Dupré is prominent in Karmin’s list, having been the engraver for numbers’ 39, 423, 608, 613, 748 and duplicates thereof.

Number 608 (1793) is quite interesting. It’s a coin depicting the August 10th, 1793 Fête de l’Unité et de l’Indivisibilité, featuring the “Fountain of Regeneration” (the Egyptian goddess Isis) on the ruins of the Bastille. David was responsible for the details of the festival, while his student Dupré commemorated it.

Fête de l’Unité et de l’Indivisibilité

Historian Dan Edelstein provides some important perspective:

Instead of a new Augustus, this golden age was placed under the aegis of Astraea, goddess of justice, referred to hear through her zodiacal scales (“sous ta balance”). But it wasn’t only in poetry that this return to the golden age was suggested. The festival itself comprised numerous attempts to materialize, or perform, this restoration of a natural state. First among these was the statue of Nature herself. Here was no ordinary allegory, not one of those Cybele’s or Ceres’s that parade through revolutionary iconography, but the original nature goddess herself, Isis. “The ancients … called Nature … Is-is,” Nicolas de Bonneville reminded his readers in his 1792 treatise on religion and myth. One did not need an antiquarian’s erudition to note this identity: Kant, for instance, refers to Isis as “Mother Nature” in a famous footnote in the Critique of Judgment.

If Isis was different from other allegories, it was because Egypt was different, or more specifically, because Egypt came first. “Greek myths [are only] an imitation of Egyptian ones,” Pernety asserted, echoing Plutarch’s claims in Isis and Osiris. And in the beginning, humanity worshipped nature: “Our fathers rendered a cult to nature whom they called … Isis.” A slew of antiquarian research favored this Egyptian primacy, associating Egypt with the “historical” land of the golden age. By choosing Isis over a Roman or Greek goddess, [Jacques-Louis] David, who planned the festival, was thus signaling that the Revolution took its mystical vocation seriously. Enigmatically seated where the process of French regeneration had begun four years before, Isis symbolized less the Enlightenment idea of nature qua observable “system” than an antiquarian idea of nature qua original order of the world, since lost. As E. H. Gombrich noted in his discussion of the fountain, “the novus ordo was somehow a return to the wisdom of the ancients.” (The Terror of Natural Right: Republicanism, the Cult of Nature, and the French Revolution, University of Chicago Press, 2009, pp. 184-185)

“Egyptomania” during the Enlightenment is well documented – literature, Freemasonry, secret societies of all sorts, antiquarianism and philosophy. It didn’t escape the imagination of the Bavarian Illuminati, either. In combination with venerating Minerva and her owl, Adam Weishaupt admonished his initiates to study the doctrines of the Egyptian Priests of Isis; a pyramid was painted on the Lodge floor during Minerval assemblies; above the head of the Minerval Superior hung a “man-headed [Ba-]bird with a headdress and helmet surmounted by a feather, standing upright on a sphere of the sun and holding in one paw a sword and shield and an olive branch in the other”; and excerpts from Sethos and Crata Repoa were read after reciting the Ode to Wisdom (Perfectibilists, pp. 174, 214-20, 226 n.27).

The President of the convention, Hérault de Séchelle addressed the 1793 gathering:

“Sovereign of the savage and of the enlightened nations, O Nature, this great people, gathered at the first beam of day before thee, is free! It is in thy bosom, it is in thy sacred sources, that it has recovered its rights, That it has regenerated itself after traversing so many ages of error and servitude: It must return to the simplicity of thy ways to rediscover liberty and equality. O Nature! receive the expression of the eternal attachment of the French people for thy laws; And may the teeming waters gushing from thy breasts, may this pure beverage which refreshed the first human beings, consecrate is this Cup of Fraternity and Equality the vows that France makes thee this day, — the most beautiful that the sun has illumined since it was suspended in the immensity of space.” (cf. Edelstein, op. cit., p.182)

This “regeneration” of France was marked by longing for a golden age utopian-primitivism; in the palingenesis ideology of Charles Bonnet, Court de Gebelin, Saint-Martin, Joseph de Maistre and a sociopolitical (perfectibilist) philosophy of history later popularized in the works of Saint-Simon and Hegel (who was in turn influenced by Herder and other philosophers associated with the Illuminati).

As I wrote in 2008:

Palingenesis is derived from the Greek palin- (again) and genesis (birth, becoming), meaning “continuous rebirth,” and is closely related (if not identical) to the doctrine of metempsychosis, or the transmigration of the souls (hence, for obvious reasons, Bonnet might have been a key source in constructing the philosophy found in the Docetist degree). Throughout Weishaupt’s “metaphysical disquisitions,” one can recognize “echoes of Charles Bonnet’s extrapolations to possible future worlds,” writes Di Giovanni.77 Akin to a sort of materialistic pantheism, and infused with the quest for pansophia (universal knowledge) and pre-established harmony, “Bonnet’s philosophical palingenesis is a naturalistic explanation of resurrection”; representing a sequence “by which the chain rises toward biological complexity and spiritual perfection as ‘évolution.’”78

[…]

76. Di Giovanni op. cit.; on Locke: pp. 45, 47; on Bonnet: pp. 46, 308-9 n. 39. In Einige
Originalschriften des Illuminatenordens, p. 321, while in a letter to Zwack on the possibility
of renaming the Illuminati as the Society of the Bees, Weishaupt specifically recommends
Bonnet and Georges-Louis Leclerc, Comte de Buffon (1707-1788); both of whom had
written natural studies and observations on the behavior of bees.
77. Ibid., p. 46.
78. Arthur McCalla, A Romantic Historiosophy: The Philosophy of History of Pierre-Simon Ballanche, BRILL, 1998, pp. 155, 156. Bonnet had also put forth a sort of evolutionary
Catastrophism, speculating that the world had gone through “a series of ‘revolutions of the
globe’, or physical catastrophes, that so massively reshape the earth that each revolution is
like a new creation” (Perfectibilists., pp. 192, 202).

Nationalist fascist fervour sprung from the same fount, as has been pointed out by Roger Griffin:

From the very beginning the Revolutionaries understood they were ‘participating in what seemed to them to be the regeneration of the world’. … “[requiring] nothing less than a new man and new habits’, and that these could somehow be created by new symbols. The events in the East bloq in the bicentenary of the French Revolution provide eloquent testimony to the fact that liberalism in its extra-systemic, utopian aspect is still capable of acting as a populist form of palingenetic myth as fascism was in its day. (The Nature of Fascism, Routledge, 1993, pp. 193-4)

“What was the influence of Freemasonry on the French Revolution? The clerical world has always maintained that the latter was the result of a conspiracy of the lodges; the Masonic world has always fought against this thesis. For political reasons, some Masonic authors have denied any, or mostly any, influence their society may have had on revolutionary events, [while] others – concerned with historical truth – have shown the important role played by the lodges, and particularly by their members, on the progress of the Revolution. […] To symbolize its principles and ideals, the Revolution drew upon two sources: the symbols and trappings of classical antiquity, and the rituals of Freemasonry. In the first category belong the goddesses of Liberty, Hercules, the Phrygian caps, fasces, clubs, vanquished hydras, etc.; the second borrowed the square, compass, level, trowel, the triangle with and without a radiant eye, the sun, moon, intertwined hands, knotted tassels, the mirror, the pelican, the eagle bearing its young, the beehive, circumference, etc.” (Karmin, pp. 3, 10)

1789

N 42. Estates General; Otto: “Henning did not notice the Masonic inspiration of this piece; in fact you not only see the square and compass but the [Masonic ‘Jachin and Boaz’] ‘two column’ [motif] surmounted by the sun and moon. It is true that the latter is very skillfully represented by a bishop’s miter, placed somewhat obliquely.” (p. 11)

N 68. Henning: “An astronomical trophy consisting of a globe, a compass, a scale, a quarter circle, a square, a mirror and laurels. Above, the moon and sun.” Otto: “Henning was mistaken; the mirror he is talking about is the handle of a trowel. It is true that the mirror is also a Masonic symbol, introduced by the ‘Strict Observance’ in 1782.” (p.11)

1790

N 124. Pelican. A common masonic symbol usually reserved for Rosicrucian degrees (compare with this Masonic medallion).

N 155. Radiant triangle.

N 172. Masonic imagery on both the obverse and reverse; in particular, notice the square and compass displayed in precisely the manner of Freemasonry. The upside-down triangles are a mystery; Otto speculates that it may have been an anti-Christian sentiment. Owl of Minerva is present as well.

N 184. Radiant triangle

1791

N 282. ‘Chiffones d’Arles’ Medallion: Anti-revolutionary piece; Serpent eating its tail (Ouroboros).Catalogue of the Mayer collection: “A society of Royalists, in the city of Arles, assembled every night, during the early part of the revolution, at the house of a man named Giffon. This name was ultimately corrupted into Chiffon, which, in the patois of Arles, signifies a siphon. In the Tresor Numismatique, plate xxxi., figure 9, is a medal with this figure of a siphon upon it, and the legend, CHIFFONNE D’ARLES. The society was dissolved by a decree of the Legislative Assembly, in 1792.”

N 305. Gold medallion, very rare. Philippe-Frédéric de Dietrich (mason and Illuminatus), the first mayor of Strasbourg; Minerva. Obverse: an eagle, bearing its young, soaring towards the sun.

1792

N 370. Liberty cap; level.

N 374. Minerva seated, with level (on a cornerstone, perhaps).Nearly identical with this masonic medal from the Lodge “Centre des Amis” in 1793, who’s Master was Roëttiers de Montaleau.

N 392. Beehive (Masonic symbol of industry utilized in the 3rd degree); radiant sun with a human face. Very similar to the medal struck in 1788 (below), commemorating the scientific society, Cercle des Philadelphes, whose founders and majority of its members, were Masons and anti-Mesmerists. Mesmer himself, ironically enough, was a member of the occult-Masonic Philadelphes de Narbonne.

N 398. Liberty holding level.

N 423, 424, 425. The Genius of France, holding the scepter of Reason (all-seeing eye at its extremity), etching the word Constitution on a tablet, flanked by Phrygian cap and triangle.

N 455, 458. Liberty, Phrygian cap, and triangle.

1793

N 526. Same as 374.

N 565. Hope wearing a Liberty cap; exergue: the level.

N 566. Liberty standing; left, a broken column and a glowing eye.

N 573. School of Sorèze Medallion. Minerva; children playing around a tree of liberty; square and compass at their feet.

N 575. Triangle with all-seeing eye.

N 579. Pelican feeding young.

N 604. Minerva holding a level.

N 608. Nature, in the guise of the goddess Isis; exergue: the level.

N 611. Ark with constitution, supported by Egyptian looking females who in turn flank an Ouroboros; exergue: the level.

N 613, 614, 615, 616 same as 423, 424, 425.

1794

N 618. Cubic Stone surmounted by fasces, serpent, and winged Petasos of Hermes (the latter not mentioned by Karmin).

N 629. Level.

N 630. Winged liberty holding level; all-seeing eye atop a mountain, referring to the Montagnards during the Terror — i.e., the panoptic totalitarianism of the Committee of Public Safety.

N 636. Convention, Robespierre and Cecile Renault. Level.

1795

N 679. Republic of France. Level.

N 681. Council of Five Hundred. Level.

1796

N 748. Hercules, Liberty and Equality (holding level).

1797

N 789 and 790. Level and Ouroboros.

N 792. Cisalpine Republic. Level.

N 796. Not noticed by Karmin, the medallion is dedicated to the painter Nicolas Poussin. Compass in support of a pentagram (both masonic symbols).

N 799. Same as 748.

N 810. Level.

1798

N 845, 846, like 789, 790.

N 866 like 748.

N 873. Level.

1799

N 884, 886, like 889 890.

N 887. Spirit bearing a map in his right hand and the square and compass in his left hand.

Grand Orange Lodge of Scotland

The Grand Orange Lodge of Scotland is the autonomous Grand Lodge
that organises the Orange Institution in Scotland.

The three Sheperds are adoring the Star of Bethlehem but what are the three soldiers doing…

History

The origins of Scottish Orangeism are traceable back to the Irish Rebellion of 1798, inspired by the French Revolution. Scottish Soldiers serving with Fencible regiments, as well as the Regulars, were sent to Ireland to assist in defending against the rebellion. In this task they often served alongside Orange Yeomanry, the Order having been formed less than three years previously to band together loyal men in mutual protection of religion and country…..

July 12th is the day Orangemen celebrate King Billy – The Battle of the Boyne 1690

🙂

Thousands of bonfires have been built in Protestant areas across the North for their annual July 11 bonfire night to Baal. They’ll deny it but it got out like all of their secrets.

It’s the “The Glorious Revolution” – “The Glorious Twelfth” – “Orangeman’s Day” and the Bonfires are Burning in Effigy! Unfortunately for many it’s not just one day – they hog the full month. Their first parade was out of an Orange Lodge in 1796 ?Co Armagh, ?Co Tyrone. How many Catholics murdered in history is incalculable but since it’s for Baal… It’s really a day when very insecure paranoidal English and Scottish Orangemen (Orangeies) celebrate the downfall of Irish Catholic Nationalists which in turn placed them under a penal yoke for centuries. It was the job of these lodges to watch for any encroachment of the Rome, the idolators, the Papists. These Orangeies are so brave they throw stones at little kids, yes, at children going to Holy Cross school.

They’re people who light huge bonfires, and burn the names of murdered children in effigy at their Baal ceremony bonfires. They parade around Catholic Churches playing, “The Famine Song”, when they’re done with their marching parades, they burn people out of their homes, and at night the bonfires begin in earnest.

These people have to be the most mean-spirited people I’ve ever met in my travels, and such is my luck I grew up around the corner from them. I used to watch their hand signals and stuff – thought they were daft – still do but the powers that be don’t – so gotta watch the watchers. heh

Oral Tradition told us growing up (N Ireland) that they were Orangemen for a while, then they added a higher Purple degree, later they added the dreaded Black Knights – the Black Knights of Malta and the Black Knights of the Templar (mediachecker-> apparently adding these degrees was a Papish Plot to overthrow Protestantism despite they fact they did it themselves but that’s the mentality of some of them.) These black degrees were what we called the “Black Orangemen”, we were warned to stay away from them…our parents or neighbors would point them out. These Black Orangemen would use the ringing in Elijah and Baal to offset Papal idolatry – rather than Christ and His twelve apostles using Joseph and his Brethren which is probably the major reason we were warned to stay away from them. It was all supposed to be secret but there were lots of leaks. I just scanned something on them on wiki who make them out to be conciliatory and respectable which isn’t the history – the word chameleons come to mind. We were to them the eternal enemy of “Romanism and Priestcraft”. Oopsie!

Depending on where you lived, we’d hide in our homes hoping we wouldn’t be attacked or board up windows, and padlock the doors. But they’d get you by smoking you out if you were in their cross-hairs. I just read where they’re now looking to parade in Dublin – hope it never happens. Anyway we used to sing songs to keep the fear away –

Here’s one in memory of this day: “On St Patricks Day we’ll be merry and gay, and we’ll chase all the Orangemen out of our way, and if that doesn’t do we’ll chop them in two, and send them to hell with the red, white and blue.” Kids are mean. heh

If memory serves me these lodges spung up in towns where there were English Barracks housing tens of officers…

Mithras, God of the Sunset, low on the Western main. Thou descending immortal,
immortal to rise again! Now when the watch is ended, now when the wine is drawn,
Mithras, also a soldier, keep us pure till the dawn!” ~ From Song to Mithras, Rudyard Kipling, Freemason.”