Elizabeth Zvonar

Elizabeth Zvonar (born 1972) is a Canadian  contemporary artist that works primarily with mixed-media collage and sculpture based in Vancouver, British Columbia, Canada. She is currently represented by Daniel Faria Gallery, Toronto, Ontario, Canada.

Life and education 
Zvonar was born in Thunder Bay, Ontario. She has attended Aichi Gakusen University in Toyota City, Japan (1994), Capilano College in North Vancouver, Canada (1995), and Hokkaido University of Art & Design in Sapporo, Japan (1996). She ultimately received a BFA at Emily Carr Institute of Art and Design in Vancouver, Canada in 2002, the same institution that would later reward her with the Emily Award for Outstanding Achievement by an Emily Carr Alumna in 2011.

Work 

Working extensively with collage materials, Zvonar’s practice works towards presenting a new history by collecting images from a variety of sources (advertisements, lifestyle, and art history) and reinterpreting them through juxtaposition. By working with images of the female body, Zvonar’s work reinterprets the use of female representation through a reductive and additive process that investigates the nuances and disparities of printed material in relation to identity formation.

Solo Exhibitions 
Zvonar has exhibited at the Contemporary Art Gallery, Daniel Faria Gallery, Artspeak, and the Vancouver Art Gallery Offsite. In 2017, Zvonar participated in a residency at the Burrard Arts Foundation, where she exhibited her solo show To You it Was Fast. 

Her workTHE CHALLENGE OF ABSTRACTION was exhibited at the Daniel Faria Gallery, Toronto from May 2 to June 6, 2015. Zvonar exhibited collages, sculptures, and casts. One of her featured works, IT’S THE GAPS THAT CHANGE THE SEQUENCE, "presents two different images of open legs arranged in a mesmerizing spiral." 

In 2018 her show Banal Baroque waswas presented at Daniel Faria Gallery, which explored themes of "bodily and sexual excess" by "recontextualizing mass-produced objects, mass media objects, magazines, and mannequin parts to animate the uncanny treatment of the human figure that lies dormant in this source material." Her work is noted to evoke Surrealist and Dadaist collage, particularly those of Hannah Höch. Amongst the exhibited works were Marcel Meets Judy (2013), which featured a "mass-produced pink seashell candy dish." This object was rendered obsolete from its function and references Marcel Duchamp’s readymades and Judy Chicago’s porcelain vagina-flowers in The Dinner Party, 1974-1979.

Artworks in Collections 
Elizabeth Zvonar's artworks can be found in the following collections:
 Burnaby Art Gallery
 Neuberger Berman
 Toronto-Dominion Bank
 Vancouver Art Gallery
 Morris and Helen Belkin Art Gallery

Solo Exhibitions 
 The Future Is Coming Everyday. 2017. Coquitlam: Evergreen Cultural Centre.
 To you it was fast. 2017. Vancouver: Burrard Arts Foundation.
 The Experience. 2015. Vancouver: Vancouver Art Gallery Offsite.
 THE CHALLENGE OF ABSTRACTION. 2015. Toronto: Daniel Faria Gallery.
 I Really Do Believe The Best Thing A Person Can Do With Themselves Is To Expand Their Minds. 2014. Vancouver: Gallery 295.
 Banal Baroque. 2013. Toronto: Daniel Faria Gallery.
 On Time. 2009. Vancouver: Contemporary Art Gallery.
 There Are No Rules. 2009. Vancouver: The Western Front.
 Super Human Be In. 2008. Vancouver: Malaspina Printmakers.
 Parallel Dimension: 2007. Vancouver: Artspeak Gallery.

Awards 
 2016  AIMIA | AGO Photography Prize (Shortlisted)
 2015  VIVA AWARD, The Jack and Doris Shadbolt Foundation for The Visual Arts
 2012-15  City of Vancouver Artist in Residence Award
 2011  Emily Award, Outstanding achievement by an Emily Carr Alumna, Emily Carr University
 2009  City of Vancouver Mayor’s Award, Emerging Visual Artist
 2007  VADA (Vancouver Art Development Award)

References 

Category:Canadian contemporary artists
Category:Living people
Category:Canadian women artists
Category:Canadian collage artists
Category:Artists from Ontario
Category:People from Thunder Bay
Category:1972 births