Choreography as a Translation Process
What is the body’s capacity to communicate? How can spoken words be translated into choreography? McCormack offers a summary of the relationship between translation theory and choreographic practice. Focusing on how the term translation has been used in choreographic discourse, she explores how theories located in translation studies might be borrowed and re-appropriated in order to understand the relationship between movement and source text in verbatim dance-theatre. The chapter concludes with a case study of DV8 Physical Theatre’s verbatim dance-theatre performance work in order to ask if source text and choreographic translation can exist in a heteroglossic (Bakhtin 1981) relationship with each other on stage.
The article considers the influence of the integration of educational and ::: production institutions and organizations on the activation of investment ::: processes in an agro-industrial complex. The following activities are ::: highlighted: additional language classes in higher education institutions for ::: the purpose of students’ further training and production practice abroad; ::: enhanced participation of the producers in the educational process; ::: development of academic exchange and student mobility.