Comment on the mid-50s of the 20th century ideological critique campaign of Hu Shi
By the end of 1954,with "two little people" critical study by Yu Ping-bo's Dream fuse,start the party in the ideological field of large-scale criticism of Hu Shi thought movement,this criticism from the three aspects of this campaign to make brief comments.
As part of ‘two essays in dialogue’ with a piece written by Dale Hudson, this article ::: advances critical discussions of the documentary film given the context of, and ::: challenges posed by, digitality. Specifically, it analyses ‘the digital’ in Michael ::: Takeo Magruder’s {transcription} and [FALLUJAH. IRAQ. 31/03/2004] and ::: Christina McPhee’s La Conchita mon amour as a means to advance discussion ::: of documentary beyond claims to realism and documentary truth towards what ::: Trinh T. Minh-ha calls ‘boundary events’. Tay argues that digital video, editing ::: and compositing expose the limitations of visual evidence to represent trauma.