Anyone who bests me with a blade is free to take it, said Adrin, chewing on his tough meat.
Adrin is eating tough meat.
As a result of the painstaking centimeter-by-centimeter recovery of the fragmentary but still powerful traces of the real Leonardo, we can now see, for example, that Philip (third to the right) has an expression of acute grief rather than the simpering pathos left by restorers who presumed to improve on the original.