A smiling young lady in a halter top and gray pants beckons to someone off-camera.
A young lady beckons to someone while smiling.
Inside, on the ceiling of the central octagonal dome, are Correggio's greatest masterpieces, his frescoes of the Assumption of the Virgin (1530) where he achieved, in the truest sense, exalting emotion without the sentimentality of Mannerist imitators.