A shirtless man with a hat works amid metal objects.
A worker is doing work without a shirt.
The film, directed by Steven Soderbergh, would be worth seeing just for Stamp's performance, at once rock-hard and goofily blinkered, and for Peter Fonda's wittily self-parodic turn as the suspected killer, a music producer who coasts on '60s counterculture easiness while his lackeys do the dirty work.