Rebecca Lindenberg is an uncomfortable book as the unfolding and indexing of anyone's love and grief is uncomfortable. Craig Arnold's disappearance sent shockwaves through the poetry community and the community around University of Wyoming, but Lindenberg is ground zero for that lost. The fact she knitted her loss into these poems and that they are relatable, readable, and, at times, innovative make it all the more impressive. The analogous forms Lindenberg employs adds some ordering, distance, and craft to the images and fragments of grief, joy, and remembrance. For what is essentially a raw, elegiac collection, the fact that there is any sense of play at all is amazing in-and-of-itself.