As with the first book in the Kitty Norville series, this is my third time reading Kitty Goes to Washington. That said, I am very familiar with this series, and my thoughts on this book are glowingly positive--even more than the first time, and I'll list the reasons below. 
 In this book, Kitty Norville has fled from her home in Colorado and has taken her radio talk show on the road. She lives her life now as a werewolf without a pack, and she's coping, but unhappy. Then she gets a surprising summons to speak at a congressional hearing regarding the Center of Paranatural Biology, or some such thing. She goes for it, of course (free publicity!) but as you might imagine, things go awry when she meets an arrogant vampire underling named Leo, and a bible-thumping senator, Joseph Duke. 
 My original rating for this book had been four stars, but I decided to change this to five because I really, just immensely loved reading this book. I was at the edge of my seat, turning pages like a madman. And the ending! What a great climactic ending! After three times around the track, that says a lot about a story. Carrie Vaughn, like any prolific writer, has her "good" stories and her...well...not so good stories. Dare I say crappy stories? Well this second installment in the long running Kitty series is definitely one of the better ones. Certainly better than the first book! 
 I even remember complaining about the Church of the Pure Faith story arc, which I mentioned in my first review. It finds its conclusion in Kitty Goes to Washington, and the first time I read the books, I thought its ending had been...anti-climactic? But I thought the fallout from Elijah Smith's demise was fairly interesting, and it also served as a way of introducing Jeffrey Miles, TV personality and psychic. Jeffrey is a recurring character in the series. It also helped to deepen the character of Roger Stockton, the exploitative weird news journalist. Once I took these things into account, I looked on the Church of the Pure Faith story arc more favorably. It still isn't one of my favorite Kitty adventures, but it certainly isn't the worst. 
 That's really the only complaint that I have for this book, and as you can see, it's not really a complaint. Kitty Goes to Washington has a fairly tight plot. The action was fast paced. The mysteries were intriguing. I have stated that the Kitty Norville series has this side to it that I likened to nerds at D&D night, that side where the story goes down weird "what-if" avenues and paints a broad and colorful view of how the supernatural might exist in our world. In this book, I think the best example of that is displayed in Fritz, an old German werewolf with a sad and violent past. This is really important for people to realize about the Kitty Norville series: it tips its hat to old fantasy pulp magazines, wherein strange and speculative stories were published. Why else would Carrie Vaughn use the tongue-in-cheek title convention of "Kitty and the..." I sort of chuckle when I see people whine about Kitty's ironic name, and the funny book titles. They're missing the joke, and it's a shame! 
 But that leads to my next point: this series is not for everyone. It revels in its pulp fiction qualities and giggles at the ironic situations it presents. It's self-aware humor. Kitty's narrative voice is witty and humorous, and she isn't shy to point out the stereotypes that populate her world. She can get whiny at times, and she really, really loves to run her mouth. Her idealist beliefs might frustrate some readers too. Another thing that might turn people off is its lack of smut. As paranormal fiction goes, there isn't as much romance as you might expect in the Kitty Norville series. I'd still classify this series as PNR, because I think the target audience is still the same, but I'd do so with the caveat that not all the Kitty books are smut-laced adventures so much as just...adventures with some occasional sexiness. This book is just such a case. Kitty Goes to Washington has a very sexy love interest in Luis, the were-jaguar, but he isn't really a central character in the book (even if he is a recurring character in the series.) 
 The climax to this installment is leaps and bounds better than the last, so that's another good point for it. Once I got to the end, I couldn't stop reading. It feels satisfying, it feels significant. If you were frustrated by the downer ending of Kitty and the Midnight Hour you'll be happy to know that Kitty Goes to Washington has a much more kick ass conclusion. 
 I'm actually surprised by how much I liked this book a third time around. Despite enjoying re-reading the first book, I was afraid this one would be stale, or perhaps just not be as awesome as I remembered it. Thankfully, this was not the case. How reassuring to know I had such great taste as a teenager!