Lord, what fools these mortals be! - Puck 
 The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was. - Bottom 
 So damn, was this what in acid trip is suppose to feel like? 'Cause large parts of this play was balls-to-the-walls trippy. Beyond that there's a lot of things that impressed me about this play. 
 This is as big a satire of romantic stories/genre you can get, and knowing The Bard it was meant to be that way. He meticulously points fun at the genre despite himself being one of its greatest contributers. He's not taking this serious in the perceived plot, the point of this play is for the audience observation/reactions, we are almost unwitting characters in this play. 
 Every notion and archetype in these stories are laughed at and deconstructed swiftly. Puck AKA Robin Goodfellow is the pivotal anti-Cupid and the Fairy King Oberon the bizarro-world St. Valentine, don't worry though because nobody in this play shows anything close to guilt, and besides, this being a comedy means everything gets fixed good as new and happy endings all around. I won't get deep into all the dozens of themes showing up but the lack of a solid 4th wall confirmed (for me) that this play is meant for us to examine all the characters and their actions (and reactions i.e. the play at the wedding) carefully. Oh, and per the course it's a Shakespeare play so we need dirty obscene jokes and does Nick BOTTOM not disappoint (ass).