Deadpool is here to prove that nothing is sacred...not even your zombie lore. 
 In a mock 28 Days Later opening, Deadpool awakens from a food-induced coma to a New York that's seemingly been abandoned and a note left by the restaurant's owner--who evidently cared enough about his loyal patron to lock him inside before fleeing. It takes Deadpool several panels of reflection (and an obligatory I Am Legend reference) before he starts putting together a string of glaringly obvious missed signs in the days leading up to his coma. 
 "I just figured...hey...the world's messed up, right? Crumbling economy...natural disasters...weapons of mass destruction...televised baking competitions. Surely, these are the end times." 
 But this is still Deadpool we're talking about here...and only when the undead start coming out in droves does his situation finally (and amusingly) register. 
 As it turns out, these zombies aren't quite like the moaning undead masses he's come to expect--they're still semi-sentient, capable of speech and memory but devoid of free will. And they seemingly WANT someone to finish them off. Not the kind of guilt-free wholesale monster carnage the merc-with-a-mouth would have preferred. Worse still, he's forced to consider where his next reload is going to come from. Which quickly results in this gallant battle-cry: 
 "Too many zombies! Fall back to a safe distance and make snarky comments to disguise cowardice." 
 After being rescued by a rag-tag crew of survivors, Deadpool takes charge and does the noblest thing he's capable of...he leads them aimlessly around the countryside in search of a suitable place to wait out the apocalypse. And in the process, he discovers that he may be the only "superhero" the world has left. 
 I have to give the writer props for capturing Deadpool's character, putting out some worthwhile one-liners, and satirizing the zombie craze across the board. (In addition to some of the previously mentioned zombie formats, this reader recognized Zombieland, The Walking Dead, Lollipop Chainsaw, Shawn of The Dead...but I'm sure there were more.) The end seemed a bit rushed and the "twist" was a little unsatisfying, but overall I really enjoyed this one. 
 The art style was skilled and fitting--much of the comic being done in black and white while Deadpool himself remained colored. There was plenty of excessive blood depicted--as you'd expect from anything zombie-related. But the gore aspect was muted a bit by the colorization choice. More morbid satire than true horror, but not something I'd ever recommend for children or young teens. 
 Recommended: For people who love zombies. And...people who hate zombies. (Seriously, if you're zombie-ambivalent, this one probably isn't for you.) 
 Favorite quote: 
 "I'm supposed to...CONSERVE...ammunition? THAT will take some getting used to."