Originally posted on Small Review 
 3.5 stars 
 New Girl is a tough book to like, but it's worth pushing past the the gratuitous sex and noxious characters to experience the brilliant retelling of Daphne du Maurier's Rebecca hidden in this contemporary gem. I have read and love Rebecca, so keep in mind my experience with New Girl is colored by that. 
 Never say never 
 The pacing is moderate to slow and not all that much happens. Mostly it's contemporary inter-personal stuff without any BIG events (there are a few Medium events). 
 You know I have no patience for that, but surprisingly, I was actually ok with this. The original book doesn't have a whole lot going on either and I managed to love that one. Just like the original, I was totally transfixed by New Girl and I can't even pin point why. I felt that need to keep reading throughout the whole book. 
 These people! 
 Part of my fascination was because I was so wrapped up in watching these crazy people spiral out of control. Reading about them was almost like a guilty pleasure. I wanted to see what messed up thing they'd do next. 
 Their characterizations are spot on. The original characters were real pieces of work, but Paige Harbison managed to add humanity to her versions while still maintaining their Gothic lunacy. Don't expect swoony heroes and heroines you can whole-heartedly root for. Neither Rebecca nor New Girl are that kind of book. 
 The epically creepy Mrs. Danvers was reimagined as the tragic, but no less skin-crawlingly weird, Dana Veers. Dana's reenactment of Mrs. Danvers' creeptastic walk down memory lane through Rebecca's clothing was pitch perfect. Yikes! I'm getting shivers down my spine just thinking about it. 
 Even more notable was Paige Harbison's treatment of the Rebecca/Becca character. Rebecca is morphed from a goddess she-devil into a somewhat sympathetic Becca struggling with mental illness (sympathy only gets her so far though. She's still a she-devil I'd want to stay as away from as possible). 
 Unlike Rebecca, who haunts the periphery of the novel while never actually making an appearance in the flesh, Becca is given almost equal pagetime as the narrator. Third-person POV chapters alternate with the narrator's first person chapters and tell the tale of Becca's bombastic, twisted time at Manderly. 
 YAY, you have a spine! 
 The narrator of Rebecca was a total weenie. Her narrative was completely absorbing, but gosh did she go on and on about how she didn't think she could ever measure up to the mesmerizing Rebecca. She was so utterly eclipsed by Rebecca that her name isn't even mentioned in the book (she is known only as the "second Mrs. de Winter"). 
 Given that, I was surprised when the narrator in New Girl actually stood up for herself! The title (naming "New Girl" and NOT Becca) should have been my first clue that this girl is not about to indulge in the pity part the second Mrs. de Winter was so known for. 
 Instead of internal torment, the narrator gets hit with an onslaught of "You're not as good as Becca" from her classmates. There was an oppressive feeling of the faceless mob always whispering behind her back. I was reminded of those books where the whole town accuses a woman of witchcraft and then makes her life miserable. 
 Where did the stars go? 
 I was fine with the less exciting plot because it was totally enthralling. What I wasn't fine with was the detour home the main character took during winter break. 
 There is sort of a point to it (it shows her personal growth and how she's moving on), but, meh, it did nothing for me. I'm not really into that kind of thing, but more importantly it felt like a DETOUR. I was antsy to get back to the story already. It doesn't take up much time though. 
 There were also some inconsistencies in voice, particularly with the narrator. For the first few chapters her voice seemed like a put-on trying to seem more intellectual and highfalutin but it evened out and sounded a lot more "normal high school girl" after that. 
 (view spoiler)[I was also kind of bummed that the ending didn't have an explosive conclusion like the original with fire and murder and secret revelations and mental breakdowns. New Girl's ending was far too tame. (hide spoiler)] 
 But the biggest reason for stars off is the level and treatment of sex. It DOES serve a point, but I wish that point had been made in more of a PG/PG-13 manner. It's not graphic, but only just barely. It's described in such a crass manner, which is perfect for the characters, but not so perfect for me as a reader. Many of these scenes contributed to my total lack of respect for most of the characters. Even more frustrating is the fact that these scenes are so prolific and detailed that I can't comfortably give this book to my library kids (and I so would have if it weren't for these scenes). 
 Bottom line 
 This is one of the better retellings I've read. Paige Harbison honored the sentiment of the original, but deftly twisted events and characterizations in ways English teacher's assigning literary comparison essays can only hope for. I am impressed. 
 I would definitely read another retelling by Paige Harbison, but I'm not fully sold on reading an original story of hers yet. The non-retelling parts were a little rough and I'm still hung up on her handling of the sex scenes. 
 New Girl is a standalone. 
 Originally posted on Small Review