Full review can be found here 
 This story has a lovely, wide and varied cast of fragile people who are all broken in one way or another. Amelia is sheltered, scared of going too far from the boundaries she's set on her own life; Devlin is carrying the weight of the loss of his wife and daughter; Camilla is hiding a secret that could cost her the position she holds in the university; Temple is just weird, a bit eccentric; Ethan is dealing with an aging father and his father is still haunted by the drawn out death of his wife some fifteen years previously; Daniel is carrying around the evidence of attempted suicide... 
 All of these characters, excepting Amelia, were students at the university when Afton Delacourt was murdered and Ethan's father, a teacher there, implicated as the murderer. But someone high up swept Afton's murder under the rug and no one will talk about it now, all of these people becoming cagey whenever Amelia asks anything about the death. There are secrets being hidden, and they are certainly well hidden and though I enjoyed Amelia trying to get to the bottom of this situation, sometimes her conversations with her friends sounded more like a police interrogation than anything else. 
 I liked the portrayal of ghosts. Not so much tethered here by unfinished business, but more because they don't want to let go of the living, and they suck the life, the energy, the vitality from their victim without them ever knowing. 
 For a long time, there's an awful lot of repetition from Amelia as she keeps telling herself that she should not let Devlin into her life, she should get out of this before she upsets her ghost situation anymore... and it goes on and on. There's too much repetition there and I didn't really like it. I got the point the first twenty times, I don't need to hear it another twenty. There are also questions still left unanswered, so I hope that the author will be tackling those in the books to come. There are also big information dumps about cemeteries towards the beginning. These are done in dialogue in the guise of Amelia explaining the symbolism to Devlin, which I can readily accept - it's certainly better than Amelia going into an internal monologue about it! The author certainly did her research about the history of this symbolism and I found a lot of the information very interesting. I'm looking forward to finding out more in the following books!