This one left me torn. First the praise. 
 Exceedingly well executed. Wilson is rock solid on skill. Tying a story told in chapter-episodes together into a coherent whole is not easily done, and usually I am left less than impressed. This actually felt like a solid whole. The dystopian setting is populated with disparate characters that are solidly drawn in very few lines. You care about characters you hardly know, and there's this lovely thread of hope running throughout, never becoming cloying. There's a deft hand with suspense here as well, and at it's high point I had to clear my mind a bit before going to sleep. But then, I can be freaked pretty easily, so take that as you will. Overall, I'm looking forward to seeing more work by this author. 
 Now, the flip side is... the plot. Oh dear. Yet another dystopian future novel... this time served up blended with the old sci-fi chestnut of technology turning on humanity. With a side order of early cyborg-ism. Oh, and lightly salted with assorted stereotypes- the Noble Savage, the Japanese Techno-lover with his Android wife, the Military Man who gives his life for one of his men... so many tropes, so little time. 
 Honestly, if it wasn't so well done, I probably would not have bothered to finish it, and would have picked up something by one of the Golden Age Masters on this plot instead. Still, it's been a while since I read anything with this particular plot-line. Perhaps it's rested long enough to be fresh for a new audience... and audience that is discovering that sci-fi isn't just for nerds and Trekkies. 
 AS AN ASIDE, Spielberg's picked up the option on this and is apparently scheduled to start shooting spring of next year. It seems to be a short period for writing the adaptation, but the the novel as it stands would translate easily to a screenplay. I do hope that Spielberg doesn't tinker with it too much. On the other hand, he does know how to handle spec-fic audiences, probably better than anyone left in Hollywood. So I doubt we'll see a repeat of the travesties that Asimov's "I, Robot" and Hubbard's* "Battlefield Earth" became when translated to film. 
 * Say what you will about Hubbard, "Battlefield Earth" is a masterwork of Golden Age Science Fiction, and deserves better treatment than that film.