Gina Carbone Gina grew up in Massachusetts and California in her own version of The Parent Trap. She went to three different middle schools, four high schools, and three universities -- including half a year in Perth, Western Australia. She currently lives in a small town in Maine, the kind Stephen King regularly sets terrible things in, so this may be the last you hear from her.<doc-sep>The box office bump is real, and for this year’s Best Picture winner, the increase in ticket sales over the weekend was more noticeable than usual. Green Book followed up its big triumph on February 24th by climbing back up the box office chart, reaching sixth place for the third time in its three-and-a-half months in theaters. The crowd-pleasing drama wasn’t exactly suffering beforehand; its overall theatrical attendance was the fourth best of the eight Oscar nominees in the Best Picture category. The movie’s success has been steady in the background, though, and only ever reached its previous best placement, sixth, the weekend after the Academy announced its nominees in late January. Technically, this past weekend wasn’t Green Book‘s greatest, box office wise. The movie sold the most tickets (609,200) in its first weekend in wide release. Next best (607,800) was its first weekend as a contender for Best Picture. This past weekend was Green Book‘s best attendance since then (5206,500), helped by Universal more than doubling its screen count. That boost was a 115% increase over the movie’s prior weekend. That’s only the best gain for a newly cemented Best Picture winner since Moonlight two years ago, though comparisons aren’t easily made given the differences in release dates and prior popularity ahead of the Academy Awards. But let’s look at the last 11 years of box office boosts for the top Oscar prize winners anyway: Green Book : 115% increase for 506,500 tickets sold (6% of the movie’s total), up from 11th place to 6th in its 16th weekend. : 115% increase for 506,500 tickets sold (6% of the movie’s total), up from 11th place to 6th in its 16th weekend. The Shape of Water : 58.7% increase for 256,300 tickets sold (4% of then-total), down from 11th place to 12th in its 15th weekend. : 58.7% increase for 256,300 tickets sold (4% of then-total), down from 11th place to 12th in its 15th weekend. Moonlight : 227% increase for 260,300 tickets sold (9% of then-total), up from 18th place to 13th in its 20th weekend. : 227% increase for 260,300 tickets sold (9% of then-total), up from 18th place to 13th in its 20th weekend. Spotlight : 140% increase for 205,900 tickets sold (4% of then-total), up from 21st place to 14th in its 18th weekend. : 140% increase for 205,900 tickets sold (4% of then-total), up from 21st place to 14th in its 18th weekend. Birdman : 119% increase for 236,900 tickets sold (5% of then-total), up from 15th place to 12th in its 20th weekend. : 119% increase for 236,900 tickets sold (5% of then-total), up from 15th place to 12th in its 20th weekend. 12 Years a Slave : 116% increase for 265,200 tickets sold (4% of then-total), up from 18th place to 9th place in its 21st weekend. : 116% increase for 265,200 tickets sold (4% of then-total), up from 18th place to 9th place in its 21st weekend. Argo : 15.1% increase for 264,900 tickets sold (2% of then-total), down from 12th place to 13th in its 21st weekend. : 15.1% increase for 264,900 tickets sold (2% of then-total), down from 12th place to 13th in its 21st weekend. The Artist : 24.8% increase for 457,800 tickets sold (10% of then-total), up from 13th place to 11th in its 15th weekend. : 24.8% increase for 457,800 tickets sold (10% of then-total), up from 13th place to 11th in its 15th weekend. The King’s Speech : 15.1% DROP for 792,600 tickets sold (5% of then-total), holding at 8th place in its 15th weekend. : 15.1% DROP for 792,600 tickets sold (5% of then-total), holding at 8th place in its 15th weekend. The Hurt Locker : 88.6% increase for 104,200 tickets sold (5% of then-total), up from 20th place to 17th in its 25th weekend. : 88.6% increase for 104,200 tickets sold (5% of then-total), up from 20th place to 17th in its 25th weekend. Slumdog Millionaire: 43.4% increase for 1,612,100 tickets sold (10% of then-total), up from 5th place to 3rd in its 16th weekend. Other Best Picture winners in the past decade have had greater increases, percentage-wise (Moonlight, Spotlight). And others sold more tickets compared to their sales up to that point (Moonlight, The Artist). Another sold more tickets in its first weekend as a Best Picture winner (The King’s Speech). One other movie reached its best chart placement after winning (The Artist). Still, Green Book looks to have had the greatest combination of data since Slumdog Millionaire was crowned back in 2009. That movie was already doing well and so only saw an increase of 43.4%, but its attendance, percentage of its then-total sales, and box office placement was its best yet at #3. The best combination compared to Green Book goes back further with Unforgiven in 1993. Clint Eastwood’s revisionist Western increased 197% for 613,100 tickets sold and a rise in placement to 8th from an unknown spot. But that still wasn’t a climb to the movie’s best spot yet. Unforgiven was the rare eventual Best Picture winner that opened in first place and stayed there awhile. We have to go back to 1988 and The Last Emperor for such a boost: following the April 11th Oscars telecast that year, Bernardo Bertolucci’s nearly four-hour China-set epic saw a 306% increase for 826,900 tickets and a rise in placement from 16th to 4th. And that weekend’s attendance was a whopping 12% of its total so far. More Oscar winners from this year saw boosts of their own over the weekend. Spider-Man: Into the Spider-Verse was back on more than 2,000 screens after being named Best Animated Feature, and thereby it saw an increase of 143.3% over the prior weekend’s attendance. A Star is Born, which won the Best Original Song Academy Award, shot up 203.9%. Best Actor and Best Actress winners Bohemian Rhapsody and The Favourite and Best Documentary Feature winner Free Solo all saw boosts — respectively, 54%, 46.1%, and 155.4%. Meanwhile, Best Makeup and Hairstyling winner Vice dropped 59.2%, and If Beale Street Could Talk, for which Regina King won the Oscar for Best Supporting Actress, dipped 8%. Oscar losers understandably saw major decreases in attendance. The Wife fell 76.4% after Glenn Close surprisingly failed to finally win an Academy Award for Best Actress, and Ralph Breaks the Internet fell 40.1%, though that’s more likely because the movie is now out on home video. The Oscar-nominated shorts programs fell a whopping 81.8%. Foreign nominees Cold War, Capernaum, Shoplifters, and Never Look Away all dropped, too. But Mary Poppins Returns managed to increase 8.9% despite losing in all four of its Oscar categories. That’s some magic. In other box office news, while How to Train Your Dragon: The Hidden World held the top spot, Tyler Perry’s A Madea Family Funeral closed out the Madea franchise with its third-lowest opening yet. Greta didn’t prove to be a major it, but it’s still one of Neil Jordan’s best openers ever and Isabelle Huppert’s second-best domestic debut. The most notable newbies were in limited release. Apollo 11 continued to prove documentaries are back in business theatrically with a 15th-place opening with 178,000 tickets sold in just 120 locations. And that wasn’t even the best per-screen average of the weekend, as Gaspar Noe’s Climax and Christian Petzold’s Transit performed even better at fewer than 10 theaters each. Here are the weekend’s top 10 titles by the number of tickets sold with new and newly wide titles in bold and totals in parentheses: 1. How to Train Your Dragon: The Hidden World – 3.3 million (10.8 million) 2. Tyler Perry’s A Madea Family Funeral – 3 million (3 million) 3. Alita: Battle Angel – 0.8 million (8 million) 4. The Lego Movie 2: The Second Part – 0.7 million (10.2 million) 5. Fighting with My Family – 0.52 million (1.7 million) 6. Green Book – 0.51 million (8.4 million) 7. Isn’t It Romantic – 0.5 million (4.5 million) 8. Greta – 0.496 million (0.5 million) 9. What Men Want – 0.31 million (5.5 million) 10. Happy Death 2U – 0.27 million (2.8 million) All box office figures via Box Office Mojo.<doc-sep>
“Green Book” can thank the Academy for its notable bump in ticket sales. After taking home the Oscar for best picture Sunday night, the road-trip drama about a friendship between a bigoted bouncer and a famed black musician generated $4.7 million at the North American box office. Universal’s “Green Book,” which also took home statues for best supporting actor (Mahershala Ali) and best original screenplay, expanded the movie to 2,600 locations. That haul marks a 121% increase in revenue, enough to secure fifth place at the domestic box office in its 16th weekend of release. “Green Book” also picked up steam at the international box office, adding another $31.9 million from 64 foreign markets. It debuted in China this weekend with a solid $17.1 million. “Green Book” had a slow start when it first debuted in November, but it’s been chugging along in theaters and saw a sizable hike in ticket sales after getting some awards love. “Green Book,” produced by Participant Media and DreamWorks, has now earned $75 million in North America and $112 million overseas. Sony’s “Spider-Man: Into the Spider-Verse” also benefited from Oscar glory. The superhero adventure, which brought home the Oscar for best animated film, pocketed $2.1 million from 2,404 screens. The movie has grossed over $360 million globally, including $187 million at the domestic box office. Similarly, Warner Bros.’ “A Star Is Born,” the winner of best original song for “Shallow,” picked up another $1.8 million from 1,150 locations for a domestic bounty of $212 million. The 209% jump in ticket sales is even more impressive considering “A Star Is Born” was released in October and has been on home entertainment for some time now. Overseas, the musical drama starring Bradley Cooper and Lady Gaga has grossed $214 million.