texts:
<mask> (born 4 July 1958) is an Irish musicologist and university professor. With specialisations in a) Irish musical and cultural history, b) the music of the Austrian baroque composer Johann Joseph Fux, and c) the development of Anglo-American musicology since 1945, he is one of the most widely published and influential academics in his areas of research. <mask> is also a poet, with two published collections of poetry (2012, 2018). Education
<mask> was born in Dublin to <mask> (1926–2013) and Sheila, née Danaher (1928–1988), the joint eldest (with twin brother, John) of six children. He received his early musical training at the Municipal School of Music, Dublin and at the Royal Irish Academy of Music (RIAM), where he studied cello with Aisling Drury Byrne. He was a member of the Schola Cantorum at St Finian's College, Mullingar from 1971 to 1976. He took bachelor's degrees in Music and English at University College Dublin (UCD) in 1981 and wrote a master's thesis on the plays of Harold Pinter.He completed an MA in musicology at the University of Toronto (1984), where he was elected a Junior Fellow of Massey College in 1983. Returning to Dublin, he completed his PhD at Trinity College Dublin in 1986 with a thesis on the oratorios of Johann Joseph Fux, written under the supervision of Hormoz Farhat. Teaching appointments
After teaching for a year at St Patrick's College, Maynooth (today: Maynooth University), <mask> was appointed lecturer in music in 1985 at UCD, where he succeeded Anthony Hughes as Professor of Music in 1993. He has held visiting professorships in musicology at the University of Western Ontario (1996), University of Munich (1999), King's College, Cambridge (2005) and the University of Zagreb (2006, 2017), and he has given invited lectures and keynote addresses at conferences and symposia across North America and Europe. Achievements
<mask> is "an exceptionally productive scholar, whose work has been transformative. His monographs and edited volumes have been reviewed as being major works of scholarship". In 1990, he established the ongoing book series Irish Musical Studies, of which he is joint general editor with Gerard Gillen.In 1992, he instituted at UCD the first Irish taught master's degree in musicology. In 1994, he was appointed a national advisory editor for the revised, 2001 edition of The New Grove Dictionary of Music and Musicians; and in 1995 he co-organised (with Patrick Devine) the first major international musicological conference ever to be held in Ireland, at Maynooth. The founding of the Society for Musicology in Ireland (SMI) is largely due to his vision and effort, and he served as its inaugural president from 2003 to 2006. Likewise, the publication of the Encyclopaedia of Music in Ireland (2 volumes, 2013) would have been unthinkable without <mask>, who has argued for such a publication repeatedly from as early as 1989. He became its joint editor, with Barra Boydell. In his many articles on Irish music and in three monographs – The Keeper's Recital (1998), The Progress of Music in Ireland (2005) and Music and the Irish Literary Imagination (2008) – he has shed new light on the central role of music in Irish cultural and intellectual life; for the last-named book he was awarded the Michael J. Durkan Prize from the American Conference for Irish Studies (ACIS). Honours received
In 2006, <mask> became the first historical musicologist to be elected to the Royal Irish Academy after Aloys Fleischmann (1966) and John Blacking (1983).Other honours include Fellowship of the RIAM (2007) and the first DMus awarded by the National University of Ireland for published work in musicology (2007). He is also an Honorary Fellow of the Academy of St Cecilia (London). In acknowledgement of the publication of the Encyclopaedia of Music in Ireland, both editors received the Harrison Medal of the Society for Musicology in Ireland in 2014. In 2015, he was elected to the Academia Europaea, and in 2018 he was elected Corresponding Fellow of the Croatian Academy of Sciences and Arts, the first Irish person to receive this honour. On the occasion of his sixtieth birthday in 2018, he was honoured with a festschrift, edited by Lorraine Byrne Bodley with contributions from more than 40 authors that is a testimony to <mask>'s wide research interests and his impressive circle of academic friends across the globe. David Hiley wrote of it: "This book is a fine tribute to a remarkable scholar. Not only has <mask> revealed unknown musical riches in Germany and Austria, he has set the music of Ireland in a clearer, truer perspective".Poetry
The eloquent, expressive and often poetic style of <mask>'s musicological writing finds a more artistic outlet in his poetry. As a master's student in Toronto, he had already won the university's gold medal for poetry in 1984. Two published volumes of his poetry have appeared to date: Polite Forms (2012) and The Kenmare Occurrences (2018). Polite Forms has been described as "a sequence of poems that meditates on family life" that "remember and reimagine scenes from childhood and adolescence" Of his second collection, a Canadian critic wrote: "<mask>'s strength is to hold both speaker and listener at a distance that is a kind of proximity; the poems acknowledge that memory is flawed, baffling, and all we have to go on." Selected writings

Monographs
 The Keeper's Recital: Music and Cultural History in Ireland, 1770–1970 (Cork: Cork University Press, 1998), . The Progress of Music in Ireland (Dublin: Four Courts Press, 2005), . Music and the Irish Literary Imagination (Oxford: Oxford University Press, 2008), .The Well-tempered Festschrift. Reading 'Music Preferred (Vienna: Hollitzer-Verlag, 2020);
 The Musical Discourse of Servitude. Authority, Autonomy and the Work-Concept in the Music of Fux, Handel and Bach (New York: Oxford University Press, 2020);

Edited books
 (with Gerard Gillen) Irish Musical Studies vol. 1: Musicology in Ireland (Blackrock County Dublin: Irish Academic Press, 1990), . Johann Joseph Fux and the Music of the Austro-Italian Baroque (Aldershot: Scolar Press, 1992), ; reprinted (London: Routledge, 2016, ; e-book (London: Routledge, 2017, ). (with Gerard Gillen) Irish Musical Studies vol. 2: Music and the Church (Blackrock County Dublin: Irish Academic Press, 1993), .(with Gerard Gillen) Irish Musical Studies vol. 3: Music and Irish Cultural History (Blackrock County Dublin: Irish Academic Press, 1995), . (with Patrick F. Devine) Irish Musical Studies vols 4 & 5: The Maynooth International Musicological Conference 1995: Selected Proceedings; 2 vols (Dublin: Four Courts Press, 1996),  (vol. 1),  (vol. 2). (with Michael Murphy) Musical Constructions of Nationalism. Essays on the History and Ideology of European Musical Culture, 1800–1945 (Cork: Cork University Press, 2001),  (hardback),  (paperback).(with Ivano Cavallini) Musicology without Frontiers. Essays in Honour of Stanislav Tuksar (Zagreb: Hrvatsko muzikološko društvo, 2010), . (with Vjera Katalinić, Stanislav Tkusar) Musical Theatre as High Culture? The Cultural Discourse on Opera and Operetta in the 19th Century (Zagreb: Hrvatsko muzikološko društvo, 2011), . (with Barra Boydell) The Encyclopaedia of Music in Ireland, 2 volumes (Dublin: UCD Press, 2013), . (with Kerry Houston) A Musical Offering. Essays in Honour of Gerard Gillen (Dublin: Four Courts Press, 2017), .(with Ivano Cavallini, Jolanta Guzy-Pasiak) Music, Migration and European Culture. Essays in Honour of Vjera Katalinic (Zagreb: Hrvatsko muzikolosko drustvo [Croatian Musicological Society], 2020), . Articles
(without forewords and book reviews)

 "Erhaltene Quellen der Oratorien von Johann Joseph Fux: Ein Bericht", in: Kirchenmusikalisches Jahrbuch vol. 67 (1983), pp. 123–131. "Canon in the Baroque Era: Some Precedents for the Musical Offering", in: Journal of the Riemenschneider Bach Institute vol. 15 (1984) no.4, pp. 4–14. "The Need for a Sociology of Irish Folk Music", in: International Review of the Aesthetics and Sociology of Music vol. 15 (1984) no. 1, pp. 3–13. (with Robin Elliott) "A Collection of Oratorio Libretti, 1700–1800, in the Thomas Fisher Rare Book Library, University of Toronto", in: Fontes Artis Musicae vol.32 (1985) no. 2, pp. 102–113. "The Sanctuary Lamp: An Assessment", in: Irish University Review vol. 17 (1987), pp. 71–81. "Musicology in Ireland", in: Acta musicologica vol.60 (1988) no. 3, pp. 290–305. "Frank Llewelyn Harrison and the Development of Postwar Musicological Thought", in: Hermathena vol. 146 (1989), pp. 39–48. "Carolan and the Dislocation of Music in Ireland", in: Eighteenth-Century Ireland vol.4 (1989), pp. 55–64. "The Case for an Encyclopedia of Music in Ireland", in: The Irish Review vol. 6 (1989), pp. 39–45. "The Critical Focus of American Musicology", in: Journal of American Studies vol. 23 (1989) no.3, pp. 453–459. (with Frank Lawrence) "Heinrich Bewerunge (1862–1923): Ein Beitrag zur Geschichte des Caecilianismus in Irland", in: Kirchenmusikalisches Jahrbuch vol. 74 (1990), pp. 41–66. "A Canadian Model for Music in Ireland", in: Canadian Journal of Irish Studies vol. 16 (1990), pp.1–6. "Music and the Perception of Music in Ireland", in: Studies vol. 79 (1990), pp. 38–44. "Brian Friel, Thomas Murphy and the Use of Music in Contemporary Irish Drama", in: Modern Drama vol. 33 (1990) no. 4, pp.553–562. "Musicology, Positivism and the Case for an Encyclopedia of Music in Ireland", in: Musicology in Ireland, ed. Gerald Gillen & <mask> (Blackrock Co. Dublin, 1990), pp. 295–300. "The Holy Commandments of Tonality", in: Journal of Musicology vol. 9 (1991) no. 2, pp.254–269. "The Sepolcro Oratorios: An Assessment", in: Johann Joseph Fux and the Music of the Austro-Italian Baroque, ed. <mask> (Aldershot, 1992), pp. 164–230. "Mozart: The Second Centenary", in: Studies vol. 80 (1991), pp. 41–47."Church Music and Musicology in Ireland", in: Music and the Church, ed. Gillen & White (Blackrock Co. Dublin, 1993), pp. 333–338. (with Frank Lawrence) "Towards a History of the Cecilian Movement in Ireland", in: Music and the Church, ed. Gillen & White (Blackrock Co. Dublin, 1993), pp. 78–107. "Music and the Irish Literary Imagination", in: Music and Irish Cultural History ed.Gillen & White (Blackrock Co. Dublin, 1995), pp. 212–228. "The Oratorios of Johann Joseph Fux and the Imperial Court in Vienna", in: Studies in Music from the University of Western Ontario vol. 15 (1995), pp. 1–16. "Some Canonic Variations", in: Studies vol. 85 (1996), pp.271–277. "Maynooth Conference Report", in: Journal of Musicology vol. 14 (1996) no. 4, pp. 579–589. "The Conceptual Failure of Music Education in Ireland", The Irish Review vol. 21 (1997), pp.44–48. "The Preservation of Music and Irish Cultural History", in: International Review of the Aesthetics and Sociology of Music vol. 27 (1997) no. 2, pp. 123–138. "If It's Baroque, Don't Fix It: On the 'Work-Concept' and the Historical Integrity of Musical Composition before 1800", in: Acta musicologica vol. 69 (1997) no.1, pp. 94–104. "'Something Is Taking Its Course': Dramatic Exactitude and the Paradigm of Serialism in Samuel Beckett", in: Samuel Beckett and Music, ed. Mary Bryden (Oxford, 1998), pp. 159–171. "American Musicology and 'The Archives of Eden'", in: Journal of American Studies vol. 32 (1998) no.1, pp. 1–18. "'A Book of Manners in the Wilderness': The University as Enabler in Music Education", in: College Music Symposium vol. 38 (1998),pp. 47–63. "Strange Intimacies: Music, Politics and the Irish Imagination", in: Music in Ireland, 1798–1998,

masks:
Harry White
White
Harry White
Frank White
White
White
White
White
White
Harry White
Harry White
White
Harry White
Harry White


type: original

texts:
 ed. Richard Pine (Cork, 1998), pp.29–37. "Ballads"; "Belfast Harp Festival"; "Dancing"; "Ethnic Music"; "Music"; "Musical Institutions and Venues, 1700–1990"; "Opera"; "Popular Music", in: The Oxford Companion to Irish History, ed. Seán J. Connolly (Oxford, 1998). "Fux, Johann Joseph", in: The Bach Companion, ed. Malcolm Boyd (Oxford, 1999), pp. 184–185. "Music: History and Performance", in: The Blackwell Companion to Modern Irish Culture, ed.William J. McCormack (Oxford, 1999), pp. 405–411. "Et in Arcadia ego: Fux and the Viennese Sepolcro", in: Atti del antiquae musicae Italicae studiosi, ed. Andrea Luppi (Como, 1999), pp. 213–228. "Brian Friel and the Condition of Music", in: Irish University Review vol. 29 (1999) no.1, pp. 6–15. (with David Fallows, et al.) "Music and Sister Disciplines: Past, Present and Future", in: Current Musicology vol. 63 (1999), pp. 150–169. "Bunting, Edward", in: Die Musik in Geschichte und Gegenwart (MGG), biographical part vol.3 (Kassel: Bärenreiter, 2000). "Gefühl und Wissen: Axel Klein und die irische Musik", in: Irland Journal vol. 11 (2000), pp. 25–27. "Polite Forms", in: Aloys Fleischmann: A Musician Remembered, ed. Ruth Fleischmann (Cork, 2000), pp. 262–266."Bewerunge, Heinrich"; "Deane, Raymond"; "Fux, Johann Joseph" (with Thomas Hochradner); "Harrison, Francis Llewelyn" (with David Scott); "Ireland (1)"; "Larchet, John Francis"; "Ó Riada, Seán", in: The New Grove Dictionary of Music and Musicians, 2nd edition (London: Macmillan, 2001). "Nationalism, Colonialism and the Cultural Stasis of Music in Ireland", in: Musical Constructions of Nationalism, ed. <mask> & Michael Murphy (Cork, 2001), pp. 257–272. "Music and Cultural History in Ireland", in: Historični Seminar 1998–2000, ed. Metoda Kokole (Ljubliana, 2001), pp. 187–204."'De stylo ecclesiastico': Sacred Music at the Imperial Court Chapel in Vienna c1700–1730 and the Influence of Northern Italy", in: Barocco Padano: Atti del X convegno internazionale sulla musica sacra nei secoli XVII–XVIII, ed. Alberto Colzani, Andrea Luppi, Maurizio Padoan (Como, 2002), pp. 265–283. "Is This Song About You? Some Reflections on Music and Nationalism in Germany and Ireland", in: International Review of the Aesthetics and Sociology of Music vol. 33 (2002) no. 2, pp.131–147. "The Divided Imagination: Music in Ireland after Ó Riada", in: Irish Music in the Twentieth Century, ed. Gareth Cox, Axel Klein (Dublin, 2003), pp. 11–28. "'Our Musical State Became Refined': The Musicology of Brian Boydell", in: The Life and Music of Brian Boydell, ed. Gareth Cox, Axel Klein, Michael Taylor (Dublin, 2003), pp. 45–62."'I am the Very Model of a Modern Musicologist': The Savoy Operas and British Cultural History", in: Mladi Zajc/Young Zajc, ed. Vjera Katalinić, Stanislav Tuksar (Rijeka, 2003), pp. 85–93 (in Croatian), pp. 193–201 (in English). "The Afterlife of a Tradition: Fux, Vienna and the Classical Style", in: Musical Cultures in the Adriatic Region during the Age of Classicism, ed. Vjera Katalinić, Stanislav Tuksar (Zagreb, 2004), pp. 23–32."Johann Joseph Fux and the Question of Einbau Technique", in: Bach Studies from Dublin, ed. Ann Leahy, Yo Tomita (Dublin, 2004), pp. 29–49. "Art Music and the Question of Ethnicity: The Slavic Dimension of Czech Music from an Irish Perspective", in: International Review of the Aesthetics and Sociology of Music vol. 35 (2004) no. 1, pp. 29–46."Aidan Carl Mathews", in: The UCD Aesthetic, ed. Anthony Roche (Dublin, 2005), pp. 239–245. "Musicology", in: Nineteenth-Century Ireland: A Guide to Recent Research, ed. Margaret Kelleher, Laurence M. Geary (Dublin, 2005), pp. 165–181. "'Paltry, Scented Things from Italy': Ireland and the Discourse of Nationalism in 19th-Century European Musical Culture", in: Musica e storia vol.12 (2005) no. 3, pp. 649–662. "The Sovereign Ghosts of Thomas Moore", in: Print Culture and Intellectual Life in Ireland, 1660–1941 (Essays in Honour of Michael Adams), ed. Martin Fanning, Raymond Gillespie (Dublin, 2006), pp. 164–185. "Fux, Johann Joseph", in: The Cambridge Mozart Encyclopaedia, ed.Cliff Eisen, Simon P. Keefe (Cambridge, 2006), pp. 186–187. "The Afterlife of a Tradition: European Music and Irish Literature in the Nineteenth Century", in: De musica disserenda vol. 11 (2006) no. 2, pp. 107–119. "The Rules of Engagement: Richard Taruskin and the History of Western Music", in: Journal of the Society for Musicology in Ireland vol.2 (2006–7), pp. 21–49. "Cultural Theory, Nostalgia and the Historical Record: Opera in Ireland and the Irishness of Opera during the Nineteenth Century", in: Music in Nineteenth-Century Ireland, ed. Michael Murphy, Jan Smaczny (Dublin, 2007), pp. 15–35. "Riverdance: Irish Identity and the Musical Artwork", in: New Hibernia Review vol. 13 (2009) no.2, p. 63–69. "Edward Bunting"; "Turlough Carolan"; "Thomas Moore"; "Seán Ó Riada", in: Dictionary of Irish Biography ed. James Maguire, James Quinn (Cambridge, 2009 and online)
 "The Invention of Ethnicity: Traditional Music and the Modulations of Irish Culture", in: De musica disserenda vol. 14 (2009) no. 2, pp. 85–95. "'A Better Form of Drama': Tom Murphy and the Claims of Music", in: Alive in Time': The Enduring Drama of Tom Murphy.New Essays, ed. Christopher Murray (Dublin, 2010), pp. 139–154. "The Musical Afterlives of Thomas Moore", in: Musicology without Frontiers: Essays in Honour of Stanislav Tuksar, ed. Ivano Cavallini, <mask> (Zagreb, 2010), pp. 175–188. "Synge, Music and Edwardian Dublin", in: Synge and Edwardian Ireland, ed.Brian Cliff, Nicholas Grene (Oxford, 2011), pp. 84–101. "Wien: Kirchenmusik am kaiserlichen Hof im 17. und 18. Jahrhundert", in: Enzyklopädie der Kirchenmusik, vol. 2: Zentren der Kirchenmusik, ed. Matthias Schneider, Beate Bugenhagen (Laaber: Laaber Verlag, 2011), pp. 287–315."Cultural Theory, Literary Reception and the Question of 'Irishness' in Nineteenth-Century Opera", in: Musical Theatre as High Culture?, ed. Vjera Katalinić (Zagreb, 2012), pp. 9–24. "Johann Joseph Fux and the Musical Discourse of Servitude", in: Sakralmusik im Habsburgerreich, ed. Tassilo Erhardt (Vienna, 2013), pp. 11–24. "The Invention of Ethnicity.Traditional Music and the Modulations of Irish Culture", in: Music and Identity in Ireland and Beyond, ed. Mark Fitzgerald, John O'Flynn (Farnham: Ashgate, 2014), pp. 273–286. "The Invention of Irish Music: Remembering Grattan Flood", in: Franjo Ksavar Kuhač (1834–1911). Musical Historiography and Identity, ed. Vjera Katalinić, Stanislav Tuksar (Zagreb, 2014), pp. 207–215."Johann Joseph Fux and the Imperative of Italy", in: European Musicians in Venice, Rome and Naples (1650–1750), ed. Gesa zur Nieden, Anne Madeleine Goulet (Rome, 2015), pp. 575–586. "The Imperium of Music", in: Voices on Joyce, ed. Anne Fogarty, Fran O'Rourke (Dublin, 2015), pp. 107–118. "Citation, Narrative and Meaning: Woody Allen and the Late Schubert", in: Schubert's Late Music.History, Theory, Style, ed. Lorraine Byrne Bodley, Julian Horton (Cambridge, 2016), pp. 77–88. "The Lyre of Apollo: Thomas Moore and the Irish Harp", in: Harp Studies, ed. Sandra Joyce, Helen Lawlor (Dublin, 2016), pp. 90–104. "Courtyards in Delft", in: Ireland and Quebec.Multidisciplinary Perspectives on History, Culture and Society, ed. Margaret Kelleher, Michael Kenneally (Dublin, 2016), pp. 197–210. "The English Resistance to Opera", in: Ivan Zajc (1832–1914). Musical Migrations and Cultural Transfers, ed. Stanislav Tuksar (Zagreb, 2016), pp. 175–184."MacPherson, Ossian and the Bardic Ideal", in: De Musica Disserenda vol. 12 (2016), pp. 109–120. "The Lexicography of Irish Musical Experience: Notes Towards a Digital Future", in: Fontes Artis Musicae vol. 63 (2016) no. 3, pp. 192–201."'Attending His Majesty's State in Ireland': English, German and Italian Musicians in Dublin, 1700–1762", in: Music Migration in the Early Modern Age, ed. Jolanta Guzy-Pasiak, Aneta Markuszewska (Warsaw, 2016), pp. 53–64. "Evangelists of the Postmodern: Reconfigurations of Bach since 1985", in: Understanding Bach vol. 12 (2017), pp. 85–107. "The Imagined Unities of Thomas Moore", in: Thomas Moore and Romantic Inspiration, ed.Brian Caraher, Sarah McCleave (London, 2017), pp. 31–42. "'A priest of eternal imagination': Joyce, Music and Roman Catholicism", in: A Musical Offering, ed. Kerry Houston, <mask> (Dublin, 2017), pp. 373–386. "'Making Symphony articulate': Bernard Shaw's Sense of Music History", in: British Musical Criticism and Intellectual Thought, 1860–1950, ed. Jeremy Dibble, Julian Horton (Woodbridge, 2018), pp.84–101. "'We did not choose this patrimony'": Irish Musical Inheritances since Independence, in: Patrimoine/Cultural Heritage in France and Ireland, ed. Eamon Maher, Eugene O'Brien (Oxford etc., 2019), pp. 57–78. "Affordances of the Piano: A Cinematic Representation of the Victorian Salon", in: Musical Salon Culture in the Long Nineteenth Century, ed. Anja Bunzel, Natasha Loges (Woodbridge, 2019), pp. 153–167."Thomas Moore: 'Letter on Music' (1810)", in: Documents of Irish Music History in the Long Nineteenth Century, ed. Kerry Houston, Maria McHale, Michael Murphy (Dublin, 2019), pp. 21–32. "'After long silence': Examining Paradigms for an Unwritten History", in: International Review of the Aesthetics and Sociology of Music vol. 50 (2019) no. 1–2, pp. 47–69."Das Land ohne Musik? Ireland in the European Ear", in: Ireland in the European Eye, ed. Gisela Holfter, Bettina Migge (Dublin, 2019), pp. 350–367. "Riverdance", in: Recalling the Celtic Tiger, ed. Eamon Maher, Eugene O'Brien, Brian Lucey (Oxford etc., 2019), pp. 279–81."Tonality, Genre and the Great War: Musical Narrative and the Impact of Modernism", in: The Great War (1914-1918) and Music, ed. Stanislav Tuksar, Monika Jurić Janjik (Zagreb, 2020), pp. 59–70. "Alternative Histories (Reflections from a Private Library)", in: Music, Migration and European Culture. Essays in Honour of Vjera Katalinic, ed. Ivano Cavallini, Jolanta Guzy-Pasiak, <mask> (Zagreb, 2020), pp. 411–427."'Les fruits de loisir': Some European Conceptions and Misconceptions of Irish Music", in: Music in Society [Sarajevo], vol. 11 (2020), pp. 63–84. "'Monuments of its own magnificence': Musicology within Irish Studies", in: Reimagining Irish Studies for the Twenty-First Century, ed. Eamon Maher, Eugene O'Brien (Oxford etc., 2021), pp. 169–182. "'Made in Italy': Johann Joseph Fux and the Formation of a 'Dynastic Style'", in: Between Central Europe and the Mediterrannean: Music, Literature and the Performing Arts, ed.Ivana Tomić Ferić, Antonela Marić (Split, 2021), pp. 301–316. "25 January 1922: Premiere of Swan Hennessy's Second String Quartet, Paris. Art Music and the Struggle for Independence", in: Ireland 1922. Independence, Partition, Civil War, ed. Darragh Gannon, Fearghal McGarry (Dublin, 2022), pp. 33–39.Poetry
 Polite Forms (Dublin: Carysfort Press, 2012), . The Kenmare Occurrences (American Fork, UT: Kelsay Books, 2018), . Bibliography
 Robin Elliott: "<mask>, <mask>", in: The Encyclopaedia of Music in Ireland, ed. <mask>, Barra Boydell (Dublin: UCD Press, 2013), pp. 1055–1057. Lorraine Byrne Bodley (ed. ): Music Preferred.Essays in Musicology, Cultural History and Analysis in Honour of <mask> (Vienna: Hollitzer Verlag, 2018), 774 pages, . References

1958 births
20th-century musicologists
21st-century Irish poets
21st-century musicologists
Academics of University College Dublin
Alumni of the Royal Irish Academy of Music
Alumni of Trinity College Dublin
Irish male poets
Irish musicologists
Living people
Members of Academia Europaea
Members of the Royal Irish

masks:
Harry White
Harry White
Harry White
Harry White
White
Harry
Harry White
Harry White


texts:
<mask> (born July 16, 1980) is a South Korean singer. He is known as a robot actor and member of the South Korean boy group Sechs Kies and the duet group J-Walk, along with fellow SechsKies member Kim Jae-duck. His nickname is "One Shot”. Career

SechsKies
<mask> followed a friend to try out for DSP audition and got selected. At the interview, he said he was good at nothing and was picked because of this honest answer. It was revealed later that Kang Sung-hun, who had the power of choosing members, chose him for his good looks and positive attitude. He was in his second year of high school when he debuted as Sechs Kies in 1997.He was known to be the most considerate and the youngest of member of the group. Though he had little parts in the group, he was noted for his ease at singing. Sechs Kies achieved great success and became an icon of the 1990s. However, they suddenly disbanded after promotion of fourth album in May 2000. J-Walk
In 2002, Su-won teamed with Kim Jae-duck to form J-Walk under Kiss Entertainment and began to sing more. They released their first album, entitled Suddenly same as hit song in March 2002. "Suddenly" went as high as No.2 on the music charts. However, their follow up album "Someday" was not as successful. They took SBS Gayo Daejeon Popularity Award with Kang Sung-hun in 2002. They subsequently collaborated with their former DSP label-mate Click-B to form a project boy group, JnC, under Kiss Entertainment. After releasing their debut project album in 2004, one of Click-B's members left, leaving JnC inactive. Their first EP Sun Shower(여우비) was delayed until 2007 when they signed with Vitamin Entertainment. J-Walk released their third album My Love in 2008 and Eun Ji-won helped them by participating in the music video and featuring in the title song.Since Kim Jae-duck entered the military shortly after, Su-won had to promote the album by himself. Su-won entered the military in December 2009 and served in Division 15's military band. He was released from the army in October 2011. After they were discharged from army, J-Walk has signed under A&G Modes and released some digital songs. They returned with mini album "Love...Painfully" with main track "Strive" in December 2013. Robot Actor
In September 2013, Su-won starred in the idol edition of "Love and War" but he was criticized for his poor acting, which has been labeled "robot-acting" and "unwatchable". In 2014, people stopped criticizing him because of his nice attitude and good performance on the show Radio Star.Moreover, he regained fame with his imitations of his poor acting at variety shows which led to many offers of CFs (advertisements). <mask>-won also starred in the drama "Misaengmool", which was a parody version of the popular drama "Misaeng" as the main character <mask> Rae. However, people were dissatisfied with his improved acting skills, and even missed his "robot-acting." 2016: Reunite As SechsKies
In 2016, SechsKies finally reunited after their disbandment 16 years ago in a famous Korean variety TV show called "Infinite Challenge". They held a pop-up reunion concert on 14 April, the day before the anniversary of SechsKies' debut. After Infinite Challenge aired, Sechs Kies earned many more fans; their hit songs ranked high in music charts and “Couple” was seen in 11th place in Music Bank. With their growing popularity, YG Entertainment officially announced that they signed a contract with SechsKies except for Ko Ji Yong on May 11.On October 7, SechsKies released a new digital single "Three Words (세 단어)" which topped all 8 major music charts shortly after release, achieving all-kill status. It also ranked high in Asian music charts and global iTunes in Taiwan and is among top tracks on iTunes charts in Hong Kong, Singapore, Malaysia, Thailand and others. It is revealed that Su-won wanted to get back together the most in the  Radio Star and led the way so he enjoys reunion very much. Also, he received more invitation after reunion and joined many different activities and TV shows. On November 23, YG announced that SechsKies' new album will be released on December 1, 2016. The new album "2016 Re-ALBUM" contains 10 past hit songs of SechsKies that were rearranged and remastered by YG producers, and is prepared a special gift for fans. SechsKies continued the Yellow Note concert tour on December 10 in Daegu and on December 24–25 in Busan.On October 31, all SechsKies tour concert seats for December were sold out within a few minutes. On December 16, YG announced SechsKies is to hold a "Yellow Note Final in Seoul" concert on January 21 and 22 at the Jamsil Indoor Stadium. On December 22, all 13,000 tickets were sold out within three minutes. At the end of the year, SechsKies won several awards including Click! Star Wars Awards Hall of Fame, the 6th Gaon Chart Music Awards The Kpop Contribution of The Year, the 8th Melon Music Awards Hall of Fame, the 31st Golden Disc Awards Best Male Group Performance and the 26th Seoul Music Awards Bonsang. 2017: The 20th Anniversary

On April 19, YG announced that SechsKies' new album "The 20th Anniversary" will be released on April 28, 2017. Along with the release of the album, two title tracks will be promoted are "Sad Song" and "Be Well".The album topped the charts in Hong Kong, Malaysia, Taiwan, Philippines, Singapore, Thailand, Vietnam, Indonesia, Australia and United States. SECHSKIES's album also topped Mnet, Bugs, Genie and Naver Chart. All the songs in the album made it to the top 100 on the Melon chart, which is remarkable and shows that SECHSKIES has a wide fan base. SechsKies album topped Gaon Chart and Hanteo real time chart, daily chart and weekly chart. "Be Well" also topped Gaon Digital Chart, Download Chart, BGM Chart and Mobile Chart for the 1st week of May. SechsKies held consecutive wins for the title track "Be Well" on MBC Music Core in May. They also won for the #1 spot on KBS Music Bank.On May 4, SechsKies held their first fansign event after 18 years at Time Square located in Yeongdeungpo-gu, Seoul. The venue was filled with more than 3,000 fans gathered to see them. On May 12, YG announced that SechsKies' will debuting in Japan after 20 years debut in Korea. SechsKies' album "The 20th Anniversary" Japan Edition will be released on July 19. YG announced SechsKies' will held their first Japan Fan Meeting at the Yokohama Bay Hall in Kanagawa on July 23 and at the Namba Hatch in Osaka on September 3. On June 9, YG announced SechsKies' will held their first Korea Fan Meeting since their reunion at the SK Olympic Handball Gymnasium in Seoul on July 15. On June 26, all tickets were sold out within one minutes.On August 7, YG announced SechsKies is to hold "20th Anniversary Concert" on September 23 at the Gocheok Sky Dome. On August 22, all tickets were sold out within a few minutes. After collaboration
Su-won opened his own clothing line in the United States and provided uniforms for JYJ Kim Junsu's Hotel. He also has opened a Singapore restaurant, "Yummy Kampong," in Dongdaemun. Personal life
On June 12, 2021, <mask>'s agency announced that he and his non-celebrity girlfriend were planning their wedding. and the wedding will be held on November 14, 2021, in a private ceremony. Invite only acquaintances and family.Discography

J-Walk
Suddenly (2002)
Someday (2002)
Sun Shower (여우비)(EP) (2007)
My Love(2008)
Frappuccino (EP) (2013)
Love...Painfully (EP) (2013)

JnC
The New History Begins (J-Walk & Click-B Project Album), (2004)

Others
1990s with Joon Park, Lee Ji-hye, EXID's Hyerin (Digital single from The Event King Of The Month), (2016)

Music credits

Filmography

Film

Variety Shows

Endorsement

References

1980 births
K-pop singers
Living people
DSP Media artists
Sechs Kies members
South Korean male idols
South Korean male film actors
South Korean male singers
South Korean pop singers

masks:
Jang Su won
Jang Su won
Jang Su
Jang Geu
Jang


texts:
<mask> (died 495 BC) was the legendary seventh and final king of Rome, reigning 25 years until the popular uprising that led to the establishment of the Roman Republic. He is commonly known as Tarquin the Proud, from his cognomen Superbus (Latin for "proud, arrogant, lofty"). Ancient accounts of the regal period mingle history and legend. Tarquin was said to have been the son or grandson of <mask>, the fifth king of Rome, and to have gained the throne through the murders of both his wife and his elder brother, followed by the assassination of his predecessor, Servius Tullius. His reign is described as a tyranny that justified the abolition of the monarchy. Background
Tarquin was said to be the son or grandson of <mask>, the fifth king of Rome, and Tanaquil. Tanaquil had engineered her husband's succession to the Roman kingdom on the death of Ancus Marcius.When the sons of Marcius subsequently arranged the elder Tarquin's assassination in 579 BC, Tanaquil placed Servius Tullius on the throne, in preference to her own sons or grandsons. According to an Etruscan tradition, the hero Macstarna, usually equated with Servius Tullius, defeated and killed a Roman named Gnaeus <mask>, and rescued the brothers Caelius and Aulus Vibenna from captivity. This may recollect an otherwise forgotten attempt by the sons of Tarquin the Elder to reclaim the throne.<ref>Cornell, The Beginnings of Rome, pp. 133–141.</ref>

To forestall further dynastic strife, Servius married his daughters, known to history as Tullia Major and Tullia Minor, to <mask> <mask>, the future king, and his brother Arruns. One of Tarquin's sisters, Tarquinia, married Marcus Junius Brutus, and was the mother of <mask> Brutus, one of the men who would later lead the overthrow of the Roman Kingdom. The elder sister, Tullia Major, was of mild disposition, yet married the ambitious Tarquin. Her younger sister, Tullia Minor, was of fiercer temperament, but her husband Arruns was not.She came to despise him, and conspired with Tarquin to bring about the deaths of Tullia Major and Arruns. After the murder of their spouses, Tarquin and Tullia were married. Together, they had three sons: Titus, Arruns, and Sextus, and a daughter, Tarquinia, who married Octavius Mamilius, the prince of Tusculum. Overthrow of Servius Tullius
Tullia encouraged her husband to advance his own position, ultimately persuading him to usurp Servius. Tarquin solicited the support of the patrician senators, especially those from houses that had been raised to senatorial rank under Tarquin the Elder. He bestowed presents upon them, and spread criticism of Servius the king. In time, Tarquin felt ready to seize the throne.He went to the senate-house with a group of armed men, sat himself on the throne, and summoned the senators to attend upon King Tarquin. He then spoke to the senators, denigrating Servius as a slave born of a slave; for failing to be elected by the senate and the people during an interregnum, as had been the tradition for the election of kings of Rome; for having become king through the machinations of a woman; for favouring the lower classes of Rome over the wealthy, and for taking the land of the upper classes for distribution to the poor; and for instituting the census so that the wealth of the upper classes might be exposed in order to excite popular envy. When word of this brazen deed reached Servius, he hurried to the curia to confront Tarquin, who leveled the same accusations against his father-in-law, and then in his youth and vigor carried the king outside and flung him down the steps of the senate-house and into the street. The king's retainers fled, and as he made his way, dazed and unattended, toward the palace, the aged Servius was set upon and murdered by Tarquin's assassins, perhaps on the advice of his own daughter. Tullia, meanwhile, drove in her chariot to the senate-house, where she was the first to hail her husband as king. But Tarquin bade her return home, concerned that the crowd might do her violence. As she drove toward the Urbian Hill, her driver stopped suddenly, horrified at the sight of the king's body, lying in the street.But in a frenzy, Tullia herself seized the reins, and drove the wheels of her chariot over her father's corpse. The king's blood spattered against the chariot and stained Tullia's clothes, so that she brought a gruesome relic of the murder back to her house. The street where Tullia disgraced the dead king afterward became known as the Vicus Sceleratus, the Street of Crime. Reign

Tarquin commenced his reign by refusing to bury the dead Servius, and then putting to death a number of leading senators, whom he suspected of remaining loyal to Servius. By not replacing the slain senators, and not consulting the senate on matters of government, he diminished both the size and the authority of the senate. In another break with tradition, Tarquin judged capital crimes without the advice of counselors, causing fear amongst those who might think to oppose him. He made a powerful ally when he betrothed his daughter to Octavius Mamilius of Tusculum, among the most eminent of the Latin chiefs.Early in his reign, Tarquin called a meeting of the Latin leaders to discuss the bonds between Rome and the Latin towns. The meeting was held at a grove sacred to the goddess Ferentina. At the meeting, Turnus Herdonius inveighed against Tarquin's arrogance, and warned his countrymen against trusting the Roman king. Tarquin then bribed Turnus' servant to store a large number of swords in his master's lodging. Tarquin called together the Latin leaders, and accused Turnus of plotting his assassination. The Latin leaders accompanied Tarquin to Turnus' lodging and, the swords then being discovered, the Latin's guilt was then speedily inferred. Turnus was condemned to be thrown into a pool of water in the grove, with a wooden frame, or cratis, placed over his head, into which stones were thrown, drowning him.The meeting of the Latin chiefs then continued, and Tarquin persuaded them to renew their treaty with Rome, becoming her allies rather than her enemies. It was agreed that the soldiers of the Latins would attend at the grove on an appointed day, and form a united military force with the Roman army. Next, Tarquin instigated a war against the Volsci, taking the wealthy town of Suessa Pometia. He celebrated a triumph, and with the spoils of this conquest, he commenced the erection of the Temple of Jupiter Optimus Maximus, which Tarquin the Elder had vowed. He then engaged in a war with Gabii, one of the Latin cities that had rejected the treaty with Rome. Unable to take the city by force of arms, Tarquin resorted to another stratagem. His son, Sextus, pretending to be ill-treated by his father, and covered with the bloody marks of stripes, fled to Gabii.The infatuated inhabitants entrusted him with the command of their troops, and when he had obtained the unlimited confidence of the citizens, he sent a messenger to his father to inquire how he should deliver the city into his hands. The king, who was walking in his garden when the messenger arrived, made no reply, but kept striking off the heads of the tallest poppies with his stick. Sextus took the hint, and put to death, or banished on false charges, all the leading men of Gabii, after which he had no difficulty in compelling the city to submit. Tarquin agreed upon a peace with the Aequi, and renewed the treaty of peace between Rome and the Etruscans. According to the Fasti Triumphales, he won a victory over the Sabines, and established Roman colonies at the towns of Signia and Circeii. At Rome, Tarquin leveled the top of the Tarpeian Rock, overlooking the Forum, and removed a number of ancient Sabine shrines, in order to make way for the Temple of Jupiter Optimus Maximus on the Capitoline Hill. He constructed tiers of seats in the circus, and ordered the excavation of Rome's great sewer, the cloaca maxima.According to one story, Tarquin was approached by the Cumaean Sibyl, who offered him nine books of prophecy at an exorbitant price. Tarquin abruptly refused, and the Sibyl proceeded to burn three of the nine. She then offered him the remaining books, but at the same price. He hesitated, but refused again. The Sibyl then burned three more books before offering him the three remaining books at the original price. At last Tarquin accepted, in this way obtaining the Sibylline Books.Pliny the Elder, Historia Naturalis, xiii. 88.Overthrow and exile

In 509 BC, having angered the Roman populace through the pace and burden of constant building, Tarquin embarked on a campaign against the Rutuli. At that time, the Rutuli were a very wealthy nation, and Tarquin was keen to obtain the spoils that would come with victory, in hopes of assuaging the ire of his subjects. Failing to take their capital of Ardea by storm, the king determined to take the city by siege. With little prospect of battle, the young noblemen in the king's army fell to drinking and boasting. When the subject turned to the virtue of their wives, <mask> Collatinus claimed to have the most dedicated of spouses. With his companions, they secretly visited each other's homes, and discovered all of the wives enjoying themselves, except for Lucretia, the wife of Collatinus, who was engaged in domestic activities. Lucretia received the princes graciously, and together her beauty and virtue kindled the flame of desire in Collatinus' cousin, Sextus <mask>, the king's son.After a few days, Sextus returned to Collatia, where he implored Lucretia to give herself to him. When she refused, he threatened to kill her, and claim that he had discovered her in the act of adultery with a slave, if she did not yield to him. To spare her husband the shame threatened by Sextus, Lucretia submitted to his whims. But when he had departed for the camp, she sent for her husband and father, revealing the whole affair, and accusing Sextus. Despite the pleas of her family, Lucretia took her own life out of shame. Collatinus, together with his father-in-law, Spurius Lucretius Tricipitinus, and his companions, <mask> Brutus and Publius Valerius, swore an oath to expel the king and his family from Rome. As Tribune of the Celeres, Brutus was head of the king's personal bodyguard, and entitled to summon the Roman comitia.This he did, and by recounting the various grievances of the people, the king's abuses of power, and by inflaming public sentiment with the tale of the rape of Lucretia, Brutus persuaded the comitia to revoke the king's imperium and send him into exile. Tullia fled the city in fear of the mob, while Sextus Tarquinius, his deed revealed, fled to Gabii, where he hoped for the protection of the Roman garrison. However, his previous conduct there had made him many enemies, and he was soon assassinated. In place of the king, the comitia centuriata resolved to elect two consuls to hold power jointly. Lucretius, the prefect of the city, presided over the election of the first consuls, Brutus and Collatinus. When word of the uprising reached the king, Tarquin abandoned Ardea, and sought support from his allies in Etruria. The cities of Veii and Tarquinii sent contingents to join the king's army, and he prepared to march upon Rome.Brutus, meanwhile, prepared a force to meet the returning army. In a surprising reversal, Brutus demanded that his colleague, Collatinus, resign the consulship and go into exile, because he bore the hated name of Tarquinius. Stunned by this betrayal, Collatinus complied, and his father-in-law was chosen to succeed him. Meanwhile, the king sent ambassadors to the senate, ostensibly to request the return of his personal property, but in reality to subvert a number of Rome's leading men. When this plot was discovered, those found guilty were put to death by the consuls. Brutus was forced to condemn to death his two sons, Titus and Tiberius, who had taken part in the conspiracy. Leaving <mask> in charge of the city, Brutus departed to meet the king upon the field of battle.At the Battle of Silva Arsia, the Romans won a hard-fought victory over the king and his Etruscan allies. Each side sustained painful losses; the consul Brutus and his cousin, Arruns <mask>, fell in battle against each other. After this failure, Tarquin turned to Lars Porsena, the king of Clusium. Porsena's march on Rome and the valiant defense of the Romans achieved legendary status, giving rise to the story of Horatius at the bridge, and the bravery of Gaius Mucius Scaevola. Accounts vary as to whether Porsena finally entered Rome, or was thwarted, but modern scholarship suggests that he was able to occupy the city briefly before withdrawing. In any case, his efforts were of no avail to the exiled Roman king. Tarquin's final attempt to regain the Roman kingdom came in 498 or 496 BC, when he persuaded his son-in-law, Octavius Mamilius, dictator of Tusculum, to march on Rome at the head of a Latin army.The Roman army was led by the dictator Albus Postumius Albus and his Master of the Horse, Titus Aebutius Elva, while the elderly king and his last remaining son, <mask>, accompanied by a force of Roman exiles, fought alongside the Latins. Once more the battle was hard-fought and narrowly decided, with both sides suffering great losses. Mamilius was slain, the master of the horse grievously injured, and <mask> barely escaped with his life. But in the end, the Latins abandoned the field, and Rome retained her independence. After the Latin defeat and the death of his son-in-law, Tarquin went to the court of Aristodemus at Cumae, where he died in 495. Modern representations
William Shakespeare alludes to Tarquin in his plays, Titus Andronicus, Julius Caesar, Coriolanus, Macbeth, and Cymbeline. In 1765, Patrick Henry gave a speech before the Virginia House of Burgesses in opposition to the Stamp Act of 1765.Toward the end of his speech, he inserted as a rhetorical flourish a comparison between King George III and various historical figures who were brought low by their enemies, including Charles I, Caesar, and, in some accounts, Tarquin. The cultural phenomenon known as "tall poppy syndrome," in which persons of unusual merit are attacked or resented because of their achievements, derives its name from the episode in Livy in which Tarquin is said to have instructed his son Sextus to weaken the city of Gabii by destroying its leading men. The motif of using an unwitting messenger to deliver such a message through the metaphor of cutting the heads off the tallest poppies may have been borrowed from Herodotus, whose Histories contain a similar story involving ears of wheat instead of poppies. A passage concerning Livy's version of the story appears in Kierkegaard's Fear and Trembling. Benjamin Britten employed the character in his 1946 chamber opera The Rape of Lucretia. Tarquin also appears in the fourth book of The Trials of Apollo series by Rick Riordan. He is depicted as a zombie king who attacks the demigods for trying to rewrite the Sybilline Books.References

Bibliography
 Dionysius of Halicarnassus, Romaike Archaiologia (Roman Antiquities). Titus Livius (Livy), History of Rome. Gaius Plinius Secundus (Pliny the Elder), Historia Naturalis (Natural History). Maurus Servius Honoratus (Servius), Ad Virgilii Aeneidem Commentarii (Commentary on Vergil's Aeneid). The Oxford Companion to American Literature, 6th ed., Oxford University Press, (1995). D.P. Simpson, Cassell's Latin and English Dictionary, Macmillan Publishing Company, New York (1963).Timothy J. Cornell, The Beginnings of Rome: Italy and Rome from the Bronze Age to the Punic Wars (c. 1000–264 BC), Routledge, London (1995). John Lippitt, Routledge Philosophy Guidebook to Kierkegaard and 'Fear and Trembling''', Routledge (2003). External links

 Britannica: Tarquin, King of Rome
 Stemma Tarquiniorum

6th-century BC births
495 BC deaths
5th-century BC Romans
6th-century BC Romans
6th-century BC monarchs
Kings of Rome
Monarchs who abdicated
Etruscan kings
Tarquinii

masks:
Lucius Tarquinius Superbus
Lucius Tarquinius Priscus
Lucius Tarquinius Priscus
Tarquinius
Lucius Tarquinius
Superbus
Lucius Junius
Lucius Tarquinius
Tarquinius
Lucius Junius
Lucius
Tarquinius
Titus Tarquinius
Titus Tarquinius


texts:
<mask> (born <mask>, 23 December 1985), also known as Blood Orange and formerly Lightspeed Champion, is an English singer, songwriter, record producer and director based in New York City. From 2004 to 2006, Hynes was a member of the band Test Icicles, playing guitar, synth, and occasionally performing vocals. They released one full-length album in 2005. Hynes went on to release two solo studio albums as Lightspeed Champion and subsequently five more as Blood Orange, between 2008 and 2019. He has written, played or produced for and with artists such as Tinashe, Solange Knowles, Connan Mockasin, Tei Shi, Sky Ferreira, FKA twigs, Haim, Florence and the Machine, Carly Rae Jepsen, The Chemical Brothers, Kylie Minogue, A$AP Rocky, Mac Miller, Blondie, Harry Styles, Jazmine Sullivan, and Mariah Carey. Early life
<mask> was born and raised in Ilford, East London to a Guyanese mother and a Sierra Leone Creole father. He was educated at the Chadwell Heath Foundation School, now known as Chadwell Heath Academy.From their formation in 2004 until their break-up in 2006, <mask> was a member of the dance-punk band Test Icicles, playing guitar, synth, and occasionally performing vocals. They released one full-length album, For Screening Purposes Only, in 2005. <mask> relocated to New York in 2007 where he resides. Solo work

Lightspeed Champion
In early 2007, <mask>, under the name Lightspeed Champion, recorded his debut album in Omaha, Nebraska with Saddle Creek producer Mike Mogis. A number of Omaha-based musicians appeared on the record, including Mogis himself, trumpet player and pianist Nate Walcott, The Faint's drummer Clark Baechle and guest vocalist Emmy the Great, along with moonlighting members of Cursive and Tilly and the Wall. These recording sessions resulted in the single "Galaxy of the Lost", released on 30 July 2007, and the album Falling Off the Lavender Bridge, released on 21 January 2008. The name 'Lightspeed Champion' comes from a series of comic strips Hynes drew as a teenager in his school mathematics books.The touring band for the Falling Off the Lavender Bridge album at various points consisted of friends of Hynes' from other bands, including Florence Welch of Florence and the Machine and Emmy the Great. Mike Siddell, formerly of Hope of the States, played violin with the band. Anna Prior, formerly of Leeds bands Dead Disco and The Ivories, played drums for most of the tour. Other guest members to have contributed in live shows include Alex Turner of the Arctic Monkeys, Faris Badwan of The Horrors, Frederick Blood-Royale of Ox.Eagle.Lion.Man, Jack Peñate and Eugene McGuinness as well as We Are Scientists' Keith Murray on Late Night with Conan O'Brien on 6 June 2008. Backed by a full band, Hynes appeared at the NME 2008 Awards, broadcast on Channel 4 on 29 February 2008, dressed as characters from Star Wars, including Princess Leia on the drums. The band's affinity with Star Wars continued when they played the main theme to the trilogy at the Wireless Festival in 2008. Hynes and a violinist Mike Siddell began a short US tour in March 2008, ending with an appearance at SXSW in 2008.At SXSW, they befriended The Wombats, who supported them at a Royal Albert Hall concert. Hynes also performed with We Are Scientists at the Glastonbury in 2008 (John Peel Stage) and appeared at Belgian music festival Pukkelpop in August 2008. By the end of what became a two-year touring period, <mask> had suffered severe damage to his throat, and had to undergo extensive surgery. He took a two and a half-year hiatus from touring, appearing occasionally to play shows in New York and a top billed slot at the Carling Festival in 2009. In December 2008, <mask> was asked on behalf of the British Film Institute to perform the soundtrack of the cult Hal Ashby film Harold and Maude after a screening of the performance. Hynes had to cancel this due to an operation he had to undergo on his throat. The event was rescheduled for May 2009.In July 2009 <mask> reprised the soundtrack and performed at Latitude Festival. In June 2009, Hynes performed at the Barbican Centre in London in commemoration of the composer Moondog, singing renditions along with London Saxophonic of songs from the Moondog album Sax Pax for a Sax. He also sang "Fujiyama Part 2" backed by The Britten Sinfonia. In April 2010, <mask> returned to the Barbican to perform with The Triffids for a special concert in honour of their singer David McComb along with Warren Ellis, Tindersticks and members of The Brian Jonestown Massacre. He returned for a two-week European tour in June 2010. <mask> has recorded a number of bootlegs and unofficial releases, made available to the public through his blog and MySpace. These include an album written and recorded entirely in a day and an EP consisting of covers of Green Day songs.The second Lightspeed Champion album, Life Is Sweet! Nice to Meet You, was released in 2010. <mask> retired the project to focus fully on his Blood Orange project. Blood Orange

With Lightspeed Champion on effective hiatus, Hynes decided to concentrate on a new musical project more focused on R&B and electronica, called Blood Orange. Various live performances under this alias have taken place in New York and London within November and December 2009, consisting of Hynes, a guitar, and a laptop. On 17 December 2009, Hynes performed a song titled "Forget It" on the final It's On with Alexa Chung show on MTV. He performed to a backing track dressed in a wizard costume.Hynes' debut single under the moniker Blood Orange, "Dinner", was released in January 2011 on Terrible Records, with an accompanying video directed by Alan Del Rio that debuted on Pitchfork TV. Following this, his full-length record Coastal Grooves was released in August 2011 on Domino Records. The song "Sutphin Boulevard" was featured on the 17 January 2011 premiere episode of the MTV show Skins. On 9 April 2012, <mask> embarked on a tour as Blood Orange opening for Florence and the Machine. In November 2013, Hynes released the second Blood Orange album, Cupid Deluxe. The album features guest appearances, including performances from David Longstreth (Dirty Projectors), Caroline Polachek (Chairlift), Samantha Urbani (Friends), Clams Casino, Despot, Adam Bainbridge (Kindness), Skepta and more. The album was promoted by three singles: "Chamakay", "You're Not Good Enough" and "Uncle ACE".The album was streamed in full on <mask>' own YouTube channel on 5 November 2013. The album also includes a cover of "I Can Only Disappoint U", originally by the British rock group Mansun under the title "Always Let You Down". In November, Blood Orange appeared on the cover of The Fader in its 89th issue. Hynes scored the 2013 film Palo Alto, directed by Gia Coppola. On 8 January 2014, it was announced that Blood Orange was on the line-up for Coachella Valley Music and Arts Festival in Indio, California. In November 2015, Hynes released a collaborative EP with New Zealand psychedelic pop artist Connan Mockasin titled Myths 001: Collaborative Recordings Captured in Marfa, TX 9–16 March 2015. On 18 April 2016, <mask> announced his third record under the Blood Orange moniker would be entitled Freetown Sound.It was released on 28 June 2016, three days ahead of the planned 1 July 2016 release. His album Freetown Sound was shortlisted by IMPALA (The Independent Music Companies Association) for the Album of the Year Award 2016, which rewards on a yearly basis the best album released on an independent European label. On 19 July 2018, <mask> announced his fourth studio album under the Blood Orange moniker, Negro Swan, and released in the following week its first two singles: "Charcoal Baby" and "Jewelry". The album was released on 24 August 2018. On 25 June 2019, <mask> announced his fifth release under the Blood Orange moniker in an interview with Cultured Magazine. The mixtape, titled Angel's Pulse, was released on 12 July 2019. Writing and producing for other artists

Hynes has written and contributed songs to a number of other acts.His arrangements and vocals have appeared on songs by The Chemical Brothers ("All Rights Reversed", from 2007's Grammy Award winning album We Are the Night), and Basement Jaxx, on their album Scars. <mask> has co-written and produced songs for Diana Vickers on Songs from the Tainted Cherry Tree, another No. 1 debutante on the UK Albums Chart. He has also produced and written songs for Theophilus London, including his second album, Vibes, released in 2014, and the 2011 EP, Lovers Holiday, which he also featured on. Hynes contributed music to the 2010 film MacGruber, including the duet "Rock My Body" with Saturday Night Live cast member Kristen Wiig. In late 2011, he produced Australian noise pop duo Bleeding Knees Club's debut album Noth ing to Do, which was released on 2 March 2012. He co-wrote and co-produced Solange Knowles' 2012 EP True.<mask> has co-written the song "Everything Is Embarrassing" for Sky Ferreira. He worked with Britney Spears on her eighth album, Britney Jean, however, none of his songs made the final cut. He co-wrote and co-produced Kylie Minogue's song "Crystallize", a charity single for One Note Against Cancer. Hynes co-wrote and produced "All That" with Carly Rae Jepsen for her album E•MO•TION, and also co-wrote "Body Language" for her EP Emotion: Side B.

Hynes co-wrote two songs on Spector's second album, Moth Boys, "Cocktail Party / Heads Interlude" and "Decade of Decay". Hynes also co-wrote "Difficult Phone Call", a track on the extended version of the album. Hynes was also one of the producers on the album. Hynes produced and was featured on Hun43rd by A$AP Rocky, off of Rocky's third studio album, Testing.Hynes was also featured on Self Care by Mac Miller, off of Mac's album Swimming. Hynes and collaborator Ian Isiah co-created and performed an adaptation of "Grateful" by gospel singer Hezekiah Walker for a fashion show by New York based designer Telfar Clemens. Hynes co-wrote with Deborah Harry Blondie's single "Long Time", included on the band's eleventh album Pollinator. it was released as its second single and reached the #5 on the Billboard's Hot Dance Chart and #19 on the Adult Alternative Songs. It was also a hit in United Kingdom. In 2021, Hynes was also featured on Alien Love Call, a single by Turnstile. Classical music and scores
Hynes has collaborated several times with composer Philip Glass, performing his piano Etudes for radio, at Carnegie Hall and the Kennedy Center.Hynes has written scores for art pieces and film in collaboration with Alex Da Corte, Josh Kline & the Palo Alto score for the movie of the same name by Gia Coppola. A special performance of Eastern Sports was performed at ICA Philadelphia in 2015 and at the Whitney Museum of Art in 2017. Two performances of the "Palo Alto" score took place in 2016. In 2019, Hynes composed the score for the film Queen & Slim. Discography

Blood Orange
 Coastal Grooves (2011)
 Cupid Deluxe (2013)
 Freetown Sound (2016)
 Negro Swan (2018)
 Angel's Pulse (2019)

Lightspeed Champion
 Falling Off the Lavender Bridge (2008)
 Life Is Sweet! Nice to Meet You (2010)

Devonté Hynes
 Palo Alto (2013)
 Fields with Third Coast Percussion (2019)
Queen & Slim (2019)
We Are Who We Are (2020)
Mainstream (2020)
Passing (2021)

References

External links

 Official website
 <mask>s on Facebook
 <mask>s on YouTube
 Lightspeed Champion on Myspace

1985 births
Living people
Musicians from London
21st-century Black British male singers
British expatriates in the United States
English folk musicians
English people of Guyanese descent
Sierra Leone Creole people
English people of Sierra Leonean descent
English record producers
Domino Recording Company artists
Test Icicles members

masks:
Devonté Hynes
David Joseph Michael Hynes
Dev Hynes
Hynes
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Hynes
Hynes
Hynes
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Dev Hyne
Dev Hyne


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<mask>,  (; December 25, 1904 – March 3, 1999) was a German-Canadian pioneering physicist and physical chemist, who won the Nobel Prize for Chemistry in 1971, "for his contributions to the knowledge of electronic structure and geometry of molecules, particularly free radicals". <mask>'s main work concerned atomic and molecular spectroscopy. He is well known for using these techniques that determine the structures of diatomic and polyatomic molecules, including free radicals which are difficult to investigate in any other way, and for the chemical analysis of astronomical objects. <mask> served as Chancellor of Carleton University in Ottawa, Ontario, Canada from 1973 to 1980. Early life and family

<mask> was born in Hamburg, Germany on December 25, 1904 to Albin H<mask> and Ella Biber. He had an older brother, Walter, who was born in January 1904. Herzberg started Vorschule (pre-school) late, after contracting measles.<mask> and his family were atheists and kept this fact hidden. His father died in 1914, at 43 years of age, after having suffered from dropsy and complications due to an earlier heart condition. <mask> graduated Vorschule shortly after his father's death. His wife died in 1971. Education and career
Initially, <mask> considered a career in astronomy, but his application to the Hamburg Observatory was returned advising him not to pursue a career in the field without private financial support. After completing high school at the Gelehrtenschule des Johanneums, <mask> continued his education at Darmstadt University of Technology with the help of a private scholarship. <mask> completed his Dr.-Ing.degree under Hans Rau in 1928. 1992 Sworn into the Queen's Privy Council for Canada
 1999 Died aged 94

Honours and awards
<mask>'s most significant award was the 1971 Nobel Prize in Chemistry, which he was awarded "for his contributions to the knowledge of electronic structure and geometry of molecules, particularly free radicals". During the presentation speech, it was noted that at the time of the award, <mask> was "generally considered to be the world's foremost  molecular spectroscopist." <mask> was honoured with memberships or fellowships by a very large number of scientific societies, received many awards and honorary degrees in different countries. The NSERC <mask> Canada Gold Medal for Science and Engineering, Canada's highest research award, was named in his honour in 2000. The Canadian Association of Physicists also has an annual award named in his honour. The Herzberg Institute of Astrophysics is named for him.He was made a member of the International Academy of Quantum Molecular Science. Asteroid 3316 Herzberg is named after him. In 1964 he was awarded the  Frederic Ives Medal by the OSA. At Carleton University, there is a building named after him that belongs to the Physics and Mathematics/Statistics Departments, Herzberg Laboratories. <mask> was elected a Fellow of the Royal Society (FRS) in 1951. The main building of John Abbott College in Montreal is named after him. Carleton University named the Herzberg Laboratories building after him.A public park in the College Park neighbourhood of Saskatoon also bears his name. Books and publications
<mask> authored some classic works in the field of spectroscopy, including Atomic Spectra and Atomic Structure and the encyclopaedic four volume work: Molecular Spectra and Molecular Structure, which is often called the spectroscopist's bible. The three volumes of Molecular Spectra and Molecular Structure were re-issued by Krieger in 1989, including extensive new footnotes by <mask>. Volume IV of the series, "Constants of diatomic molecules" is purely a reference work, a compendium of known spectroscopic constants (and therefore a bibliography of molecular spectroscopy) of diatomic molecules up until 1978. Atomic Spectra and Atomic Structure. (Dover Books, New York, 2010, )
 The spectra and structures of simple free radicals: An introduction to molecular spectroscopy. (Dover Books, New York, 1971, ).Molecular Spectra and Molecular Structure: I. Spectra of Diatomic Molecules. (Krieger, 1989, )
 Molecular Spectra and Molecular Structure: II. Infrared and Raman Spectra of Polyatomic Molecules. (Krieger, 1989, )
 Molecular Spectra and Molecular Structure: III. Electronic Spectra and Electronic Structure of Polyatomic Molecules. (Krieger, 1989, )
 Molecular Spectra and Molecular Structure IV. Constants of Diatomic Molecules, K. P. Huber and G. <mask>, (Van nostrand Reinhold company, New York, 1979, ).Archives
There are <mask> fonds at Library and Archives Canada and at National Research Council Canada. See also

 List of German Canadians

References

Further reading

External links
  including the Nobel Lecture, December 11, 1971 Spectroscopic Studies of Molecular Structure
 Science.ca profile
 Canadian Science and Technology Museum Hall of Fame
 Encyclopædia Britannica entry

1904 births
1999 deaths
Canadian atheists
Canadian Nobel laureates
20th-century Canadian astronomers
Canadian physical chemists
Chancellors of Carleton University
Companions of the Order of Canada
Cornell University faculty
Fellows of the Royal Society of Canada
Fellows of the Royal Society
Foreign associates of the National Academy of Sciences
Founding members of the World Cultural Council
University of Göttingen faculty
University of Chicago faculty
Canadian people of German-Jewish descent
German atheists
German physical chemists
German emigrants to Canada
German Nobel laureates
Members of the International Academy of Quantum Molecular Science
Members of the Queen's Privy Council for Canada
Nobel laureates in Chemistry
Fellows of the American Physical Society
Scientists from Hamburg
Faraday Lecturers
Spectroscopists
Academics of the University of Bristol
Technische Universität Darmstadt alumni
People educated at the Gelehrtenschule des Johanneums
Technische Universität Darmstadt faculty

masks: Gerhard Heinrich Friedrich Otto Julius Herzberg


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<mask> (born October 24, 1974), also known by his stage name <mask>, is a Filipino politician and actor currently serving as the 22nd Mayor of Manila since 2019. Before heading the capital of the Philippines, he started to gain notability as an actor and television personality. He entered politics in 1998 and ran for Councilor and was elected for three consecutive terms. In 2007, he ran as Vice Mayor of Manila and was elected for three consecutive terms. In 2016, He was term-limited as Vice Mayor and unsuccessfully ran for Senator in the 2016 senatorial elections. He placed 16th out of 50 candidates. He then served in the Duterte cabinet as Social Welfare Undersecretary for a few months in 2018 before running and being elected Mayor of Manila in a landslide victory against his former allies, Joseph Estrada and Alfredo Lim in the 2019 local elections.<mask> has described his leadership style as akin to that of his predecessor Alfredo Lim, citing their shared commitment in reducing crime and maintaining cleanliness of the capital. <mask> is also noted for his streetwise public image due to his use of colorful language coupled with Manila street slang. As a result, he was catapulted into prominence and is colloquially referred to as Yorme, a verlan backslang metathesis of the English word, mayor, used in Taglish and reversed phonemically as part of Filipino/Tagalog street slang. Whether the word is Tagalog or Taglish, it is the way of reversing or jumbling of syllables so as to create local colloquial words. On September 22, 2021, <mask> announced his bid for the Philippine presidency in the 2022 election. Early life
<mask> is the only child of Joaquin Copias Domagoso (1930–1995), a stevedore from Antique province at Manila's North Harbor, and <mask> (1946–2020) from Allen, Northern Samar. Born and raised in the slums of Tondo, Manila, <mask> spent his childhood in poverty.In 1993, <mask> entered the entertainment business after he was discovered by a talent scout who encouraged him to audition for That's Entertainment, a defunct teen variety show that was hosted by German <mask> (no relation), and got the part. His indebtedness to the late television presenter and talent manager for catapulting him to fame prompted him to adopt his screen name "<mask> <mask>". Due to his matinee idol image rooted in his boyish features, <mask> landed acting roles in a few mainstream films as well as softcore films. For his higher education, <mask> completed public administration at the Pamantasan ng Lungsod ng Maynila and enrolled in non-degree programs at the University of the Philippines, the Harvard Kennedy School, and Saïd Business School. Acting career
<mask> caught the attention of talent scout Wowie Roxas in 1992 while attending a funeral in Tondo and was then persuaded to join show business. He was part of That's Entertainment, a daily variety show featuring German <mask>'s stable of aspiring teenage actors, under the screen name <mask> <mask>. His major break came in 1993 when he was cast in a cameo role in the romantic movie May Minamahal and became a leading man to Claudine Barretto in Muntik na Kitang Minahal a year later.He later became known for his mature roles during his short stint in the "titillating films" genre that was prevalent in the country during the 1990s and appeared in Siya'y Nagdadalaga, and has appeared in movies such as Exploitation, Mga Babae sa Isla Azul and Misteryosa. In 2004, he made an appearance on his life story featured by Maalaala Mo Kaya, the episode title called Aklat, where Danilo Barrios portrayed him. In 2005, during his third term as a councilor of Manila, he returned to acting as a kind-hearted priest in the television drama series Mga Anghel na Walang Langit. He also had a brief appearance in 2007 in the television drama series Bakekang. The following year during his first term as vice mayor, <mask> had a supporting role in the afternoon soap opera Ligaw na Bulaklak. In 2014, he appeared in Japanese lifestyle variety show Homecoming, where it was revealed that he is a godfather of then-AKB48 member, Sayaka Akimoto, according to photo documentations by Akimoto's Filipina mother, as the episode showed Akimoto traveling to the Philippines to explore her Filipino roots. He was visited and interviewed on the show by Akimoto, her mother, Akimoto's fellow AKB48 co-member Mariko Shinoda, and comedian Hiroshi.In 2019, <mask> appeared in the film 3pol Trobol: Huli Ka Balbon! as Yorme, a former Mayor of Balete, Batangas, and leader of a horse ranch as well as an old friend of the Philippine President. He also made a cameo appearance in the 24th anniversary special of Bubble Gang. A musical biographical film based on <mask>'s life, Yorme: The <mask> Domagoso Story, was released on January 21, 2022, and was distributed by Viva Films. Raikko Mateo, McCoy de Leon, and Xian Lim portrayed <mask> in different times of his life, with <mask> also appearing as himself. Political career

Councilor of Manila
<mask> started his political career when he was elected and sworn in as Councilor for Manila's first legislative district in 1998. He was re-elected in 2001 and 2004.His mentor, Vice Mayor Danilo Lacuna, encouraged him to study while fulfilling his duties. In 2003, <mask> obtained his business administration degree from the International Academy of Management and Economics in Makati. He took a crash course in Local Legislation and Local Finance at the University of the Philippines Diliman. He then studied public administration at the Pamantasan ng Lungsod ng Maynila (University of the City of Manila). He also attended short courses in leadership and governance at the John F. Kennedy School of Government at Harvard University, and at the Said Business School, University of Oxford. Vice Mayor of Manila

After his third and final term as City Councilor, <mask> ran for Vice Mayor in 2007 under Asenso Manileño, as the running mate of outgoing Vice Mayor Danilo Lacuna. During his election campaign, he criticized what he called "black propaganda" by opponents, but did not pursue any charges.<mask> eventually won the elections, beating his closest rival by about 80,000 votes; however, Lacuna lost to Senator Alfredo Lim, a former Mayor himself. He was re-elected in 2010, this time under Nacionalista Party and as the running mate of incumbent Mayor Alfredo Lim of the Liberal Party. <mask> also served as Vice Chairman of the Manila Historical and Heritage Commission. He studied law at Arellano University School of Law, but dropped in his second year when he was elected as Vice Mayor of Manila. In May 2012, Joseph Estrada, the former President of the Philippines, announced his intention to run for Mayor of Manila in the 2013 local election, but only for one term. <mask>, who was running for re-election as Vice Mayor, was chosen as Estrada's running mate. Estrada drove his famous "Jeep ni Erap" from San Juan to his new house at Altura, Santa Mesa, Manila to ceremonially launch his candidacy.He was joined by his wife, former Senator Loi Ejercito and <mask>. <mask> then joined Estrada's party Pwersa ng Masang Pilipino (PMP) and United Nationalist Alliance (UNA), which was then its coalition with PDP-Laban. He was successfully re-elected in 2013, with Estrada beating Lim as the new Mayor of Manila. On February 16, 2013, <mask> and other five councilors were arrested by the police due to alleged bingo operations held in a public place. <mask> denied the bingo game was in a public place in Santa Cruz, Manila and believed that then-Mayor Lim was involved in his arrest and that the bingo game was not illegal. The day before, Lim and Estrada signed a "Peace Covenant" to prevent any election-related violence in the City of Manila. The gambling charges were eventually dismissed by the Department of Justice due to lack of evidence.2016 Senate bid

In 2015, <mask> announced that he would run for Senator of the Philippines in 2016. He was named to the senatorial slate of presidential candidate and Senator Grace Poe's Partido Galing at Puso coalition and as an adopted senatorial candidate of Senator Bongbong Marcos, who was then running for Vice President. He lost in his bid, placing 16th overall. His term as Vice Mayor of Manila ended on June 30, 2016. He was succeeded by Honey Lacuna. Member of Duterte's cabinet
In July 2017, President Rodrigo Duterte appointed <mask> as Chairman of the Board and Chief Executive Officer of the North Luzon Railways Corporation (NorthRail). <mask> resigned from the post in October 2017.In May 2018, <mask> was appointed by Duterte as Undersecretary for Luzon Affairs and Special Concerns at the Department of Social Welfare and Development. In October 11, 2018, he officially resigned from this post to run for Mayor of Manila in the 2019 elections. Mayor of Manila

<mask> currently serves as the mayor of Manila, beginning his tenure in 2019. In the local elections, he garnered more than 50% of the votes; this was considered an historic win for <mask>, having defeated both his predecessors Alfredo Lim and incumbent Mayor Joseph Estrada. In a December 2020 yearend face-to-face survey conducted by RP-Mission and Development Foundation Inc., <mask> earned 77% approval rating from the city's constituents, becoming the third top-performing mayor in the National Capital Region after Joy Belmonte (Quezon City) with 85%, and Vico Sotto (Pasig) with 82%. City services and infrastructure
<mask> signed an ordinance that gives a monthly allowance of  to each student of the Pamantasan ng Lungsod ng Maynila and Universidad de Manila. Likewise, all Grade 12 students in all public schools in Manila will get a  monthly allowance to be received via "cash cards".To qualify, the student must be a resident and registered voter of the city, and that they do not incur a failing mark or commit misconduct in school. If the student is not yet of legal age to vote, his or her parent or guardian must be a registered voter to claim the monetary benefit. Senior citizens, persons with disabilities (PWDs), and solo parents who reside in the capital are entitled to a  monthly allowance. The elderly also would receive  and a cake as a birthday gift from the city government, on top of their  monthly allowance. Moreno's infrastructure projects include the redevelopment of the historic Jones Bridge, the construction of a 10-storey 384-bed building at the Ospital ng Maynila Medical Center, and the redevelopment of Manila Zoo that reopened on December 30, 2021. Public housing for the homeless and city employees was one of the campaign promises of <mask>, and his administration oversaw the construction of high-rise in-city housing projects such as the Tondominium 1 and 2, and Binondominium. COVID-19 pandemic

Cleanup drive
<mask> oversaw the cleaning of congested and besmirched streets of Manila.He ordered the clearing of city streets from ambulant vendors to address the city’s congestion problem and waste management. The clearing of the streets from hawkers and illegal venders paved the way for stopping the felonious operations of extortionists from vendors and hawkers and exposed derelict heritage sites within the city, some of which became debauched through human actions. Illegally built infrastructures, including government edifices which impedes the movement of motorists and pedestrians were ordered to be demolished. His cleanup drive of Manila North Cemetery after All Souls' day garnered attention online and spurred a nationwide implementation of the same approach to city decongestion. On October 8, 2019, <mask> signed Executive Order No. 43 mandating all 896 barangays and frontline City Hall offices to conduct a weekly clean-up drive, in support of Duterte's directive to clear all public roads and sidewalks of obstructions. <mask> also spearheaded the cleaning of Manila's sewers and the removal of dilapidated barges off the Pasig River.He also led the cleanup of waters around Baseco Compound, which took 10 days, including weekends, to collect more than 30,000 kilograms of garbage. 2022 presidential campaign

On September 22, 2021, <mask> declared his presidential bid in the upcoming 2022 election, with physician and social media personality Willie Ong serving as his vice presidential running mate. Following the announcement, Ong left the Lakas-CMD party to join <mask>'s Aksyon Demokratiko. Some of <mask>'s views on certain issues include fast-tracking the distribution of COVID-19 vaccines nationwide, maintaining the Duterte administration's "Build! Build! Build! Program", allowing the franchise renewal of ABS-CBN, maintaining peaceful relations with other countries and international organizations, and ending divisive politics in favor of an "open governance" rooted in "competence" over "connections".Political positions

Vandalism
<mask> is also known for his consistent and controversial stand against vandalism and unauthorized tarpaulins. On November 12, 2019, the left-leaning group Panday Sining, the cultural arm of Anakbayan, defaced the newly-painted and cleaned Lagusnilad Underpass located near the Manila City Hall. <mask> slammed the group publicly and rejected their apology. The mayor also proceeded with their arrest after another act of vandalism in Recto LRT Station was attributed to the group. Panday Sining was officially declared as "persona non grata" in the city of Manila on December 6, 2019. Many left-leaning groups condemned the mayor's actions against them. In October 2020, <mask> ordered the removal of the tarpaulins declaring the Communist Party of the Philippines, as well as the New People's Army and the National Democratic Front, as persona non grata in the National Capital Region.However this event prompted Lt. Gen. Antonio Parlade Jr., spokesperson of the National Task Force to End Local Communist Armed Conflict to ask if Mayor <mask> is welcoming terrorists into Manila. On December 7, 2020, in an interview posted on YouTube, <mask> vehemently denied any support for or affiliation with the terrorist groups. LGBT+ rights
On October 2020, <mask> signed an ordinance protecting members of the LGBT community from discrimination and abuse, including the denial of employment and other opportunities on the basis of the person's sexual gender identity. However, he clarified in an interview that he is not in favor of same-sex marriage. He added that it is our law and in a civilized world, we are guided by the law. Personal life
<mask> has been married to Diana Lynn Ditan, a businesswoman, since 2000. They have five children, including Joaquin (JD), also an actor himself.On August 15, 2021, <mask> tested positive for COVID-19. On August 25, 2021, <mask> recovered from COVID-19. Electoral history

Senatorial election, 2016:
<mask> <mask> (PMP) – 11,126,944 (16th, 12 candidates with the highest number of votes win the 12 seats in the Senate)

Filmography

Film

Television

References

External links
 Official website of the City of Manila, Mayor section

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1974 births
Living people
Aksyon Demokratiko politicians
Arellano University alumni
Candidates in the 2022 Philippine presidential election
Filipino actor-politicians
Filipino people of Spanish descent
Male actors from Manila
Manila City Council members
Mayors of Manila
Mayors of places in Metro Manila
Nacionalista Party politicians
National Unity Party (Philippines) politicians
Pamantasan ng Lungsod ng Maynila alumni
People from Manila
People from Tondo, Manila
Pwersa ng Masang Pilipino politicians
Tagalog people
That's Entertainment (Philippine TV series)
That's Entertainment Monday Group Members

masks:
Francisco Moreno Domagoso
Isko Moreno
Moreno
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Moreno
Moreno
Rosario Moreno
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Moreno
Isko
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<mask> (17881861) was an English physician and sanitary reformer. Early life
<mask> was born at Martock, Somerset, into a strict Baptist family, his parents being <mask> and <mask>. In 1802 he won a scholarship to the Bristol Baptist College to train as a minister, but in 1807 funds were abruptly withdrawn, on the grounds that he was 'entertaining opinions widely different from us on most of the doctrines we consider to be essential to Evangelical Religion'. At 19 years old he was already showing the courage and independence of mind that were to characterise his life, however it led to a break with his parents who never spoke to him again. Over the following four years <mask> turned to Unitarianism, influenced by William Blake, a minister at Crewkerne, Somerset: Blake put him in touch with John Prior Estlin at Lewin's Mead, Bristol. Another friend, and Unitarian convert from Baptism who became a physician, was Benjamin Spencer. These associations and friendships drew him into the centre of 19th Century reform.Medical man
<mask> entered the University of Edinburgh in October 1812, and in November took over the Unitarian congregation meeting in Skinners' Hall, Canongate, which had stayed together without a minister since the death in 1795 of James Purves; he became known as a powerful preacher and raised the attendance sharply. In June 1813 he began a course of fortnightly evening lectures on universal restoration; these were published in 1816 and made him a literary reputation. Also in 1813 he founded the Scottish Unitarian Association, with James Yates, which brought <mask> into contact with the Unitarian Lady Gillies and her nieces Mary and Margaret Gillies who would play a large part in his later life. In 1816 he took his M.D. degree, and began to practice at Yeovil, Somerset, also becoming minister at a chapel in that town, but moved in 1820 to London, devoting himself mainly to medicine. Public health
In 1824 <mask> was appointed physician to the London Fever Hospital.8 The following year he began to write papers on public health. His post gave him the opportunity to study diseases of poverty.In the late 1830s, with Neil Arnott and James Phillips Kay, he was one of the first doctors brought in to report to the Poor Law Commission. In 1842 he was one of the founders of an early housing association, the Metropolitan Association for Improving the Dwellings of the Industrious Classes. <mask> was a close ally on public health matters with Edwin Chadwick, and like him supported the miasma theory. From 1848 to 1854 they worked closely together at the Central Board of Health. But the appointment of Lord Seymour made their work very difficult, despite the support of Anthony Ashley-Cooper, 7th Earl of Shaftesbury. <mask> was frequently consulted in fever epidemics and on sanitary matters by public authorities. His reports on quarantine (1845), cholera (1850), yellow fever (1852), and on the results of sanitary improvement (1854) were of international importance.Bentham dissection
<mask> <mask> was a close friend of Jeremy Bentham and his secretary Edwin Chadwick. He had a particular interest in applying his philosophical beliefs to the field of medical research. In 1827 he published The Use of the Dead to the Living, a pamphlet which argued that the current system of burial was a wasteful use of bodies that could otherwise be used for dissection by the medical profession. Bentham attached a paper, written in 1830 to his will instructing <mask> <mask> to create the auto-icon. It stated:

Bentham's wish to preserve his dead body was consistent with his philosophy of utilitarianism. In his essay Auto-Icon, or the Uses of the Dead to the Living, Bentham wrote, "If a country gentleman has rows of trees leading to his dwelling, the auto-icons of his family might alternate with the trees; copal varnish would protect the face from the effects of rain." On 8 June 1832, two days after his death, invitations were distributed to a select group of friends, and on the following day at 3 p.m., before the dissection, <mask> <mask> delivered a lengthy oration over Bentham's remains in the Webb Street School of Anatomy & Medicine in Southwark, London.In the oration <mask> argued that:"If, by any appropriation of the dead, I can promote the happiness of the living, then it is my duty to conquer the reluctance I may feel to such a disposition of the dead, however well-founded or strong that reluctance may be". Afterward, the skeleton and head were preserved and stored in a wooden cabinet called the "Auto-icon", with the skeleton padded out with hay and dressed in Bentham's clothes. From 1833 it stood in Southwood <mask>'s Finsbury Square consulting rooms until he abandoned private practice in the winter of 1849-50 when it was moved to 36 Percy Street, Margaret Gillies' studio, who made studies of it. In March 1850 Southwood Smith offered the auto-icon to Henry Brougham who readily accepted it for UCL. <mask>'s lobbying helped lead to the 1832 Anatomy Act, the legislation which allowed the state to seize unclaimed corpses from workhouses and sell them to surgical schools. While this act is credited with ending the practice of grave robbery, it has also been condemned as discriminatory against the poor. Works
In 1830 <mask> published A Treatise on Fever, which became a standard authority on the subject.In this book he established a direct connection between the impoverishment of the poor and epidemic fever. The underlying theory opposed contagion as a mechanism of spread of disease, and postulated no pathogen that was airborne; it argued that the exclusion of "pure air" could suffice to create mortal disease. Family

<mask> married twice, firstly in 1808, to Anne Read, the daughter of a prominent Bristol tradesman. Anne died of fever four years later, at age 24, leaving <mask> a widower with two young daughters, Caroline and Emily. His second marriage was to Mary, daughter of John Christie of Hackney, and they had three children, including his only son, Herman (died 23 July 1897, aged 77). The second marriage was not successful and soon Mary and her three children moved abroad. Miranda and Octavia Hill were his granddaughters, among the five daughters of his eldest, Caroline (c. 1809–1902), who married James Hill, merchant in 1835, and as <mask> Hill was known as a writer and educationalist.His other daughter, Emily (c. 1810-1872), moved to Florence, Italy. <mask> had separated from his second wife by the end of the 1830s, and for the rest of his life he lived quietly with the artist Margaret Gillies. Along with his son Herman and daughter Emily they visited Wisbech in June 1836 and dined with Caroline and the actor William Macready, who was appearing as Hamlet in the Georgian Angles Theatre owned by James and Caroline. They also owned a school they built in front of the theatre. Following his son-in-law James Hill's second bankruptcy in 1840, his three-year-old granddaughter Gertrude Hill (1837–1923) came to live with him. In the 1861 census the household lived at Heath House, Weybridge and consisted of <mask> 72, Mary Gillies 62, Margaret Gillies 56, his son <mask> 40, wine merchant, his granddaughter Gertrude Hill, 23 lady, and a cook and a housemaid. Later life
In his 70th year <mask> travelled abroad for the first time to Milan, Italy to examine the irrigation works.Two years later, on a visit to his daughter Emily in Florence, he caught a chill and died there on 10 December 1861. He is interred there in the English Cemetery of Florence, his tombstone, an obelisk with a cameo portrait, was sculpted by Joel Tanner Hart. His daughter Emily, who died in 1872, is buried beside him. Further reading
 Cook G. C. <mask> <mask> FRCP (1788–1861): leading exponent of diseases of poverty, and pioneer of sanitary reform in the mid-nineteenth century. J. Med. Biog. (2002) 10(4): 194–205

Notes

References

Attribution:

External links

1788 births
1861 deaths
People from South Somerset (district)
19th-century English medical doctors
Alumni of the University of Edinburgh

masks:
Thomas Southwood Smith
Smith
William Smith
Caroline Southwood
Smith
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Southwood
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Southwood
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Southwood
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Caroline Southwood
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Thomas Smith
Herman Smith
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Thomas Southwood
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