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<mask> (January 4, 1918 – January 12, 2002) was an American artist most known for her paintings and sketches created during World War II, while serving as an official art correspondent in the United States Army. However, <mask>'s complete oeuvre consists of more than war depictions but also still life's and landscapes created in a range of mediums, including oil, pastel, ink, pencil, and watercolor. Overview

<mask> grew up with accomplished parents. Her mother, Bessie Breuer, was an American journalist, novelist, and playwright, while her stepfather, <mask>, was a successful artist and architect, most involved in murals and sculptures. A third marriage for both <mask> and Bessie Breuer, <mask> was subsequently adopted by Henry, while also having a son of their own named Peter, <mask>'s only sibling. Before <mask>'s initial art interest set in, she yearned to be a concert pianist, and it wasn't until her teenage years that it became apparent to her parents and herself that she had an innate gift for pencils and paint. While in high school, <mask> studied at the Arts Students League with well-known artists such as Alexander Brook, William Zorach, and Yasuo Kuniyoshi.During her years of attending Bennington college, she also had the opportunity of studying abroad in Paris at the Académie Julian and the École Fernand Léger as well as working underneath the tutelage of Jean Lurçat and Abraham Rattner. Once back in the United States, she assisted her father with many mural projects commissioned by the government-funded Federal Art Project of the Works Progress Administration. Assignments included Washington D.C's Department of Justice and Department of Interior buildings, Pennsylvania State University, and the Gleason, Tennessee and Depew, New York post offices. The 1940s brought new art experiences separate from her father. After a small landscape of hers was accepted in the New York show called “Artists for Victory,” <mask> wanted to be more directly involved in the war efforts and joined the Women's Army Corps in 1943. Starting as a photo-technician, it was only after much convincing of war department officials that she took an overseas assignment to the Pacific Theater, where it appears most of her time was spent in Manila, Philippines. <mask> began an intense period of depicting military life and the evacuations of the wounded for the Air Transport Command.During this time, she also flew with a crew over to China. These military life paintings were later exhibited at the Metropolitan Museum of Art in New York and the National Gallery of Art in Washington D.C. Her work continued to be awarded and honored through different exhibitions. At the WAC showroom in Rockefeller Center, New York City, <mask> exhibited 33 paintings and drawings of bomber crews in action entitled “Men in Flight.”

After the conclusion of the war, she came back home to find her father busy establishing the Skowhegan School of Painting and Sculpture, where he would serve as president, teacher, and trustee. After the schools founding, <mask> was invited to lecture about her time as a war artist and later stayed on to become a member of the faculty, a director for 15 years, a member of the Boards, and finally, a trustee. In these positions, <mask> quickly earned the respect of both faculty and students as they described her efforts as indispensable. Besides displaying her work in major museums, <mask> published a book of drawings depicting Grecian landscape from her two-year trip traversing the countryside of Greece and Italy.Accompanying her drawings was text written by Henry Miller based on memories of his own journey in 1939. It appears they made each other's acquaintance in Paris during <mask>'s study abroad and continued to keep in touch through the years. The post-war years brought a renewed interest in landscape painting as seen through numerous renderings of the Hudson River and floral still life's. Her later works focused on interior shots of her home in Rockland County, many showcasing her beloved pet cats. In 1987 <mask> was elected to the American Academy and Institute of Arts and Letters. Membership to this academy is limited to 250 Americans who have made notable achievements in art, literature, and music. Although members rotate in and out with their subsequent passing, past members are continually remembered and kept alive through their records.<mask>'s final show took place in 2001, a year before her passing, at the Edward Hopper House Art Center in Nyack, New York. Future plans are in the works for a retrospective of <mask>’s work in 2022 headed by her living niece, <mask>. Artistic Career

Mural Work
In the 1930s, <mask> aided her stepfather, Henry Varnum <mask>, in painting murals for the United States Justice Department and the Conservation of American Wildlife for the Department of the Interior, located in Washington D.C. She also assisted Henry with a commission by the Pennsylvania State University, paying tribute to the University’s founding and the evolution of its land-grant mission of teaching, research, and service— completed in 1940. These murals were contracted under the Federal Art Project of the Works Progress Administration, a program that set aside 1% of public buildings’ cost for “embellishment.” Eventually, <mask>’s skills were recognized independently from her father. She received her own WPA mural commission for the Depew, New York post office in 1941, and the Gleason, Tennessee post office in 1942. The mural over the Depew postmaster’s office is titled Beginning the Day and features a scene of mostly men interacting and conducting business. It has been described by scholar Sylvia Moore that this particular mural showcases Piero della Francesca’s influence on <mask> with the figures clustered together in small carefully balanced groups.In Tennessee, the mural Gleason Agriculture was one of the last murals painted in the state for the Treasury Section. The composition illustrates Gleason's sweet potato industry with workers preparing baskets for shipping and the Gleason railroad depot in the background. <mask> also painted green leaves around the frame signaling prosperity for the community. Due to her success in these murals, in 1948 <mask> won the Edwin Austin Abbey Memorial Fellowship which included a grant that enabled her to study in Italy and Greece. World War II
The decision to become involved with the war efforts was easily made with her brother and many friends already in the service, as well as both parents aiding in their own way; Henry Varnum <mask> was a member of the artist war record project, and Bessie Breuer wrote radio scripts for the Office of War Information. "I felt that I had been living a rather cloistered life— attending private schools—always surrounded with high-powered people. I wanted to get to know ordinary people, and I wanted to know what the rest of the world was like."Beginning her service in the Women’s Army Corps as a photographic technician at Luke Air Field, Arizona, <mask> initiated a drawing class for convalescents at the post hospital. However, in an interview given later in life, <mask> lamented that the Army only wanted women to be in secretarial positions, nothing more. On detached service in New York City, <mask> would continue her study of art. Over weekends, she traveled to Washington D.C by train, where she used her mother’s connections with The Pentagon to further her dreams of being assigned overseas. Bessie Breuer’s literary agent, Bernice Baumgarten, happened to be married to James Gould Cozzens, first employed under the U.S. Army Air Forces and then by the USAAF Office of Information Services. He sympathized with <mask>’s wishes to join a B-29 bombing mission over Tokyo and arranged for her to join under the Women’s Army Corps. However, when she arrived at LaGuardia Field to report for duty it was discovered that Oveta Culp Hobby, the director of the WAC, had denied her permission to go abroad due to the lack of toilet facilities for her use on the ship.Instead, <mask> was assigned to Fort Totten, a small permanent army installation situated on land across the bay from LaGuardia Field. Although it is not known what her role consisted of during the day, at nights she joined a group of army personnel driving over to Mitchell Field. The group would meet incoming planes loaded with war casualties flown in directly from the Battle of the Bulge— the largest and bloodiest single battle fought by the U.S. in WWII. In her journal, she described the experience of watching the wounded unloaded by forklift, transferred to ambulances headed to the Field Hospital, before finally being transferred to hospitals across the country for more specialized medical treatment. It is here at Mitchel Field that <mask> experienced first-hand the atrocities of war. After such nights, she would recreate these experiences in her sketchbook. It was also around this time that <mask> had her first painting exhibited, a small landscape of San Francisco, in the 1942 “Artists for Victory'' show at the Metropolitan Museum of Art.It is unclear whether she was officially a part of the Army Art Program with female artists Marion Greenwood, Lucia Wiley, and Doris Rosenthal. However, it seems incredibly likely as her father, Henry Varnum <mask>, was the head of the War Art Unit under the Corps of Engineers and led a group of artists in Alaska. Regardless, the Army Art Program ended in 1943 to eliminate what was deemed an unnecessary war expenditure. Instead, <mask>’s dream of sketching the war abroad was made possible by Fortune magazine and their request for her to illustrate a feature article for the Air Transport Command. In order to be granted the freedom to travel anywhere, at any time, and with no conditions attached, Captain Cunningham had <mask> discharged from the Women’s Army Corps before she set off to the Pacific Theater. During this time, <mask> began to create her most emotional and thought-provoking works depicting wounded soldiers, make- shift operation rooms, and psychiatric patients suffering from the horrors of war. While in Manila, Philippines, she specifically sketched patients with both physical and psychiatric wounds.Addressing a doctor in charge of the psychiatric ward, he expressed to <mask>, “Most people in familiar circumstances can deal with stress, but the emotional trauma of war destroys their ability to cope.”

Being rather adventurous, <mask> continued her travels to China, a direct disobeyment for leaving her assigned theater of operations. After noticing a group of Chinese soldiers in the Manila Airport terminal, <mask> found herself joining the crew. Landing in Kunming after an eventful experience of a failed propeller, the crew asked her to join the rest of their journey of flying around the world, ending in New York.

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 However, <mask> turned the offer down, describing how she did not desire to fly The Hump, the eastern end of the Himalayan Mountains, which was extremely dangerous and made more difficult by a lack or absence of reliable charts, radio navigation aids, and weather information. Once finishing her tour of duty, <mask> returned home and submitted all of her work— sketches and paintings– to her boss Lafarge, an officer with the Air Transport Command. However, for reasons unknown, the U.S. Army rejected her work, granting <mask> the ability to exhibit and show her wartime creations. Greece, Drawings by <mask>, Text by Henry Miller
Winning the Edwin Austin Abbey Memorial Fellowship in 1948 for her successful murals allowed <mask> to study in both Italy and Greece.She returned from the trip two years later with suitcases full of sketchbooks containing watercolors and ink creations. Although this trip was conducted shortly after the end of WWII, a published book of her Grecian sketches did not come to fruition until 1964 with the collaborative efforts of author Henry Miller. Accompanying <mask>’s artwork, Miller gave detailed memories coinciding with each illustration. He stated in the book: Since writing The Colossus of Maroussi, on my return from Greece in 1940, I have never written another line about Greece and probably would not now had I not happened upon these colored drawings of <mask>. A glance at these vivid impressions of hers and I feel as if I were reliving my stay in Greece.It appears that <mask>’s and Miller’s relationship began in Paris, France. In 1937 she studied under painter Abraham Rattner who happened to be close friends with Miller. Through this connection, they were introduced and became friends, keeping in touch many years after the war resulting in this publication.Major Works and Exhibitions

 1938: Collaborative mural project in Washington, D.C for the Department of Justice and Department of Interior Buildings. 1940: Collaborative mural for Pennsylvania State University. 1941: Mural commissioned for Depew, New York post office. 1942: Mural commissioned for Gleason, Tennessee post office. 1942: “Artists for Victory” show at the Metropolitan Museum of Art. 1943: First solo show at the American-British Art Center, NYC. 1943: Military life paintings exhibited at the Metropolitan Museum of Art and the National Gallery of Art.1944: First one-person show at the American-British Art Center in NYC. 1944: “Men in Flight” exhibition showcasing 33 paintings and drawings of bomber crews in action at the WAC Showroom in Rockefeller Center, New York City. 1944: Exhibited at the National Gallery of Art— the only woman and non-commissioned officer in a group show. 1946: Wartime wash and ink drawings shown at the American-British Art Center. 1946: The Whitney Museum Annual Exhibition of Contemporary American Sculpture, Watercolors, and Drawings. Exhibited— Waiting, undated. 1948: American-British Art Center Show.1952: The Whitney Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings. 1956: The Whitney Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings. 1957: The Whitney Museum Annual Exhibition: Sculptures, Paintings, Watercolors. Exhibited—Girl with Rooster, undated. 1959: The Whitney Museum Annual Exhibition: Contemporary American Painting. Exhibited—Flowers, undated. 1992: New York solo show at Terry Dintenfass.2001: Exhibition of works on paper at the Edward Hopper House Art Center in Nyack, New York. Unfortunately, due to a lack of photographs and museum catalogues, it is challenging to conclude her most famous works or exhibitions. Available images of <mask>’s oeuvre are found at her personal website monitored by her surviving niece, <mask>. Awards

 1940: Awarded a Works Progress Administration mural commission. 1944: Awarded first prize in the National Army Arts Contest. 1948: Awarded the Edwin Austin Abbey Memorial Fellowship for mural painting, a grant for advanced study and travel. 1971: Awarded the Benjamin Altman landscape prize from the Nation Academy of Design in New York City.1972: Awarded the Hassam grant by The National Academy of Arts and Letters. 1972: Awarded the Henry War Ranger purchase fund prize by the National Academy of Design. 1977: Awarded the Hassam grant by The National Academy of Arts and Letters. 1981: Awarded the Benjamin Altman Landscape prize from the National Academy of Design for her oil painting, Ice on the River, undated. 1987: Elected to the American Academy and Institute of Arts and Letter. Now known as the American Academy of Arts and Letters. Styles and influences
The time of <mask>'s mural creations overlapped with her studies at the Art Students League, the Académie Julian, and the École Fernand Léger.It was in these institutions that she was taught classical art techniques and the works of the masters. It appears that <mask> used these studies in her ongoing work as seen in the Depew mural— figures clustered in small, carefully balanced groups mimic the work of Piero della Francesca. This blending of knowledge with new subjects continued in her renderings of Pacific air evacuations. As scholar Sylvia Moore points out, the study Restraining Psychotic at Holding Station, completed in a Guam station, resembles a scene from a classical crucifixion cycle. In consideration of <mask>'s choice of materials, her life work was rendered through pastels, ink, watercolor, and oil. However, while serving in the army abroad, it appears <mask> opted for ink and pencil sketches and pastel images. These materials were easily transported and quick to use.Working in the fast-paced environment of military stations, <mask> had little time to depict these fleeting moments; therefore, her works contain fine and sketchy lines with simplified backgrounds. The example of Green Figure in Hull, completed in oil on masonite board, perhaps shows an infrequent moment of rest, thus allowing her to work with a slow-drying material. The compositions of men and planes also highlight her ability to merge human figures with the machines they control. After the war years, <mask> returned to creating landscapes, starting with a trip across Greece and Italy, in which her sketches later turned into a book titled Greece with text by Henry Miller. He describes her work as one that conveys "intimate, first-hand knowledge of her subject" and showcases her exact and simple use of lines. <mask>'s landscapes shifted from her travels to familiar scenes from her home in Rockland County and New York in general. One seemingly favorite subject matter included the Hudson River.In further explanation of these works, <mask> quotes, "I'm not really interested in realistic particulars of a scene... I'm trying to get a sense of big spaces and a larger whole." During the last years of her life, <mask>'s artwork turned more inward and intimate as it described her day to day routine; paintings filled with pet cats and floral bouquets. Although perhaps not deemed as exciting compared to her work in the 40s, <mask> delicately renders her environment with both a sense of interest, acceptance, and honor. Survey of Criticism
In all of the publications that mention <mask>’s name, only high compliments are paid regarding her work. For starters, Henry Miller raved about her sketches as his only incentive to write more regarding his travels to Greece. He is also quoted as if mystified by her talents.I come back to the drawings again and again, to marvel over their simplicity and exactitude.What intrigues one is their suggestive quality. What has been left out— with purpose, to be sure— remains like some mysterious X quantity, or effluvium rather. Ambiance is all.Critic Edward Alden Jewell of the New York Times also reviewed her one-person show, “Men in Flight,” at the American-British Art Center, saying “she sees with her own eyes and thinks for herself... <mask> is still very young and already she has accomplished a great deal.”

Yet again, for the same show, the praise only continued.Artist <mask>’s quick impressions convey an intimate first-hand knowledge of her subject...behind all this young artists work one senses alertness, keen observation and growth.At the same center in 1946, <mask> showed wartime wash and ink drawings such as Blood Transfusion, undated and Walking Wounded, undated. An unknown New York Times reviewer labeled the work as “powerful and moving studies.”

After the war, <mask> experienced an intensified interest in landscapes and still-life’s and, regardless of the missing action compared to her wartime work, received great acclaim. Alan Gussow, an artist and author, expressed that one experiences “whole worlds of feeling revealed in simple flowers” in her work. Arguably one of the most significant awards bestowed on <mask> was the induction as a distinguished artist to the American Academy and Institute of Arts and Letters. In an article describing this event, Michael Hitzig quoted Gertrude Dahlberg, widow of Edwin Dahlberg— a great painter also hailing from Rockland— saying “Since the death of Edward Hopper in 1966, the only nationally renowned painter whose earliest roots are in Rockland is <mask>.”

Hitzig did not hold back when offering his own compliments:

If she is not exactly an “immortal,” like one of those French Immortals who comprise the Académie Française, <mask> of New York City, had come within bailing distance of that exalted appellation...Contribute to Field
Recognizing the amount of praise <mask>’s artwork received in her lifetime, it is difficult to understand how a figure of such acclaim was lost over time. Although her mural creations remain intact, her renderings of World War II seem to be the most significant contribution she has given the world. It is through her artwork that we see a new poignant angle including an emphasis on both physical and mental wounds of those who fought. <mask> also gifted us a female’s perspective of the male-driven world of war, adding yet another layer of intrigue and insight. Even after showcasing these experiences, critics continued to rave over her landscapes and still life’s, expressing that she was more than her emotional compositions, but an artist of incredible skill and technique. For individuals to recognize and love her works would be ideal; to add <mask> back into the art historical conversation is a must. References

Further reading
 American Women Artists in Wartime, 1776-2010
 Henry Miller's Timeless Greece Through the Drawings of <mask>
 North American women artists of the twentieth century: a biographical dictionary

External links
 <mask>'s website
 Post Office Mural in Gleason, Tennessee
 Post Office Mural in Depew, New York

1918 births
2002 deaths
20th-century American women artists
Bennington College alumni
American women painters
Women

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<mask><mask> (March 22, 1911 – January 7, 1996) was a Filipino-American fiction, poetry and nonfiction writer. He was born and raised in Tondo, Manila. His family roots are originally from Lubao, Pampanga, Philippines. He lived in the United States for many years where he is widely credited as a pioneering Asian-American writer. Biography

<mask> received his Bachelor of Arts degree from the University of the Philippines where he first studied creative writing under Paz Marquez Benitez. In 1941, <mask> was a government pensionado (scholar) to the United States at the University of Illinois, Columbia University, and Harvard University. He had arrived in San Francisco on October 12, 1941 aboard the  leaving his wife and three daughters in the Philippines.When war in the Pacific came to the Philippines on December 8 (December 7 Hawaii time) he feared he would never see his family again—a reality that "not only interrupted his study of realism; it was overwhelming it" leading to a transformation in his sense of national consciousness and identity. That crisis changed the nature of his writing into a less carefree style to one mixing laughter and pain; described by Florentino Valeros as "a man hiding tears in his laughter." During World War II, he served with the Philippine government in exile under President Manuel L. Quezon in Washington, D.C., together with the playwright Severino Montano and Philippine National Artist Jose Garcia Villa. <mask> left for home on January 17, 1946 aboard the  arriving in early February. In 1967, he returned to the  United States to become a teacher and university administrator. He received a Rockefeller fellowship at the Writers Workshop of the University of Iowa where he later taught as a Fulbright exchange professor. <mask> has also received a Guggenheim Foundation fellowship, a Republic Cultural Heritage Award in Literature as well as several Palanca Awards for his short stories.Scent of Apples won a 1980 American Book Award from the Before Columbus Foundation. <mask> received an honorary doctorate degrees in humanities and letters from the University of the Philippines, and Bicol University (Legazpi City, Albay) in 1981. He was also a Professor of Creative Writing and Distinguished Writer in Residence at the Wichita State University from 1973 to 1982, at which time the university awarded him an honorary doctorate degree in humane letters. After his retirement, <mask> became Visiting Writer and Artist at De La Salle University in Manila; the university honored <mask> by renaming its creative writing center after him. Works

Novels
The Volcano (1965)
Villa Magdalena (1965)
The Praying Man (1982)
The Man Who (Thought He) Looked Like Robert Taylor (1983)
What the Hell for You Left Your Heart in San Francisco? Bienvenido N. Santos By: Tensuan, Theresa M.. IN: Madsen, Asian American Writers.Detroit, MI: Gale; 2005. pp. 273–78
Up from Benevolent Assimilation: At Home with the Manongs of Bienvenido Santos By: Bascara, Victor; MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States, 2004 Spring; 29 (1): 61–78. A Filipino Prufrock in an Alien Land: Bienvenido <mask>'s The Man Who (Thought He) Looked Like Robert Taylor By: Ty, Eleanor; Lit: Literature Interpretation Theory, 2001 Sept; 12 (3): 267–83. Bienvenido N. <mask> (1911–1996) By: Mannur, Anita. IN: Nelson, Asian American Novelists: A Bio-Bibliographical Critical Sourcebook. Westport, CT: Greenwood; 2000. pp. 317–22
Themes in the Poetry of Bienvenido <mask> By: Rico, Victoria.IN: Garcia, The Likhaan Book of Philippine Criticism. Quezon City, Philippines: U of the Philippines P; 2000. pp. 174–96
Filipino Writing in the United States: Reclaiming Whose America? By: San Juan, E., Jr.. IN: Garcia, J. Neil C.; The Likhaan Book of Philippine Criticism. Quezon City, Philippines: U of the Philippines P; 2000. pp. 441–64
The Novels of Bienvenido N. <mask> By: Grow, L. M.. Quezon City, Philippines: Giraffe; 1999.Filipino American Literature By: Gonzalez, N. V. M.. IN: Cheung, An Interethnic Companion to Asian American Literature. Cambridge: Cambridge UP; 1996. pp. 62–124
You Lovely People: The Texture of Alienation By: Rico, Victoria S.; Philippine Studies, 1994; 42 (1): 91–104. Marriage in Philippine-American Fiction By: Manuel, Dolores de; Philippine Studies, 1994; 42 (2): 210–16. Themes in the Poetry of Bienvenido <mask> By: Rico, Victoria; Philippine Studies, 1994; 42 (4): 452–74. Split-Level Christianity in The Praying Man By: Puente, Lorenzo; Philippine Studies, 1992; 40 (1): 111–20.The Myth and the Matrix in Bienvenido N<mask>' Scent of Apples: Searching for Harmony among Incongruities By: Valdez, Maria Stella; DLSU Dialogue, 1991; 25 (1): 73–86. The Poet and the Garden: The Green World of Bienvenido N. Santos By: Grow, L. M.; World Literature Written in English, 1989 Spring; 29 (1): 136–145. Echoes and Reflections in Villa Magdalena By: Vidal, Lourdes H.; Philippine Studies, 1987; 35 (3): 377–382. Can These, Too, Be Midwestern? Studies of Two Filipino Writers By: Bresnahan, Roger J.; Midamerica: The Yearbook of the Society for the Study of Midwestern Literature, 1986; 8: 134–147. Modern Philippine Poetry in the Formative Years: 1920-1950 By: Grow, L. M.; ARIEL: A Review of International English Literature, 1984 July; 15 (3): 81–98. The Christian World-View of Bienvenido N. Santos By: Grow, L. M.; AUMLA: Journal of the Australasian Universities Language and Literature Association, 1983 Nov.; 60: 234–251.The Midwestern Fiction of Bienvenido N<mask> By: Bresnahan, Roger J.; Society for the Study of Midwestern Literature Newsletter, 1983 Summer; 13 (2): 28–37. Augusto F. Espiritu, "Fidelity and Shame: Bienvenido <mask>," in Five Faces of Exile: The Nation and Filipino American Intellectuals. Stanford: Stanford University Press, 2005. pp. 139–178. Footnotes

Citations

References

External links
Bienvenido <mask> in infoplease
People: Bienvenido <mask>
Immigration blues
Filipino-American literature
A guide to literary criticism on the internet for Bienvenido <mask>
Up from benevolent assimilation: at home with the Manongs of Bienvenido Santos by Victor Bascara
Filipino Writers Album
Filipino-American Literature at Emory University
Introduction to Asian Pacific American Literature at the University of Oregon
De la Salle University
Rereading History, Rewriting Desire: Reclaiming Queerness in Carlos Bulosan's America is in the Heart and Bienvenido <mask>' Scent Of Apples by Melinda L. de Jesus
Wichita State University

Filipino writers
People from Tondo, Manila
Writers from Manila
Filipino emigrants to the United States
American writers of Filipino descent
University of the Philippines alumni
1911 births
1996 deaths
20th-century American novelists
American male novelists
American novelists of Asian descent
American short story writers of Asian descent
American male short story writers
20th-century American short story writers
American Book Award winners
20th-century American male writers

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<mask> (born 2 September 1992) is an English professional footballer who plays as a forward for  club Stockport County. A pacey two-footed striker, he had a three-year scholarship with The New Saints before he turned professional at the club in 2012. Following loan spells with Caersws, Carmarthen Town and Cefn Druids, he went on to score 61 goals in 122 league and cup appearances for TNS. During his five years as a first-team player the club secured five Welsh Premier League titles, three Welsh Cup titles and three Welsh League Cup titles, including two successive trebles in the 2014–15 and 2015–16 seasons. He was signed by Blackpool for a £35,000 fee in August 2017, and spent the second half of the 2017–18 season on loan at Wrexham. He joined Port Vale on loan for the first half of the 2018–19 season, before being loaned out to FC Halifax Town for the second half of the campaign. He signed with Barrow in May 2019 and helped the club to win promotion into the Football League as champions of the National League in the 2019–20 season, winning a place on that season's National League Team of the Year.He left Barrow to sign with National League side Stockport County in July 2021. Club career

The New Saints
Quigley joined New Saints in 2009 on a three year scholarship programme. He went on loan to Cymru Alliance side Caersws in September 2011, though inadvertently cost the "Bluebirds" a three point deduction after the club made an error during his registration. He signed a two-year professional contract with TNS in May 2012. He made his debut for the club on 12 September, coming on as an 86th-minute substitute for Simon Spender in a 1–0 defeat at Prestatyn Town. On 11 October 2012, he joined Welsh Premier League rivals Carmarthen Town on a one-month loan deal. He made an "explosive start" to his time at Richmond Park, helping to create a goal a minute after coming on as a half-time substitute during at 4–2 defeat to Connah's Quay Nomads.He made five appearances for Mark Aizlewood's "Old Gold", and went on to make a total of seven appearances for TNS by the end of the 2012–13 season as the Oswestry based club won the league title by a 22-point margin over Airbus UK Broughton. On 16 August 2013, he went out on loan to Cymru Alliance side Cefn Druids. He scored two goals in six appearances for TNS during the 2013–14 campaign, with his first goals for the club coming in a 9–1 victory at Bangor City on 18 April. TNS again won the league under the stewardship of Craig Harrison, this time finishing 14 points clear of second-place Airbus UK Broughton. On 22 July 2014, he appeared in the UEFA Champions League for the first time, during the second round of qualification, as the Saints lost 2–0 at home to Slovakian side ŠK Slovan Bratislava. He was named as the club's Young Player of the Year for the 2014–15 season, having scored 12 goals in 36 games. He also won his third Welsh Premier League title as TNS finished 18 points ahead of runners-up Bala Town.Two of his goals came in the final of the Welsh League Cup on 25 January, as the Saints triumphed 3–0 over Bala Town. On 2 May, he appeared as a 71st-minute substitute for Adrian Cieslewicz in the final of the Welsh Cup at Latham Park, which ended in a 2–0 victory over Newtown to secure TNS the domestic treble. On 1 July 2015, he scored his first goal in European competition, as the Saints recorded a 2–1 win at Faroe Islanders B36 Tórshavn in the opening round of qualification. He received the first sending off of his career on 23 October, during stoppage time in a 4–0 win at Aberystwyth Town. He scored 18 goals from 39 appearances in the 2015–16 campaign, helping TNS to a fifth consecutive league title. He again appeared in the final of the Welsh League Cup, as TNS defeated Denbigh Town 2–0 at Maesdu Park on 25 January. They also retained their Welsh Cup title to complete their second successive domestic treble, with <mask> scoring the second goal of a 2–0 victory over Airbus UK Broughton at the Racecourse Ground.He scored 16 goals in 26 games in the 2016–17 season, including two goals against San Marino side Tre Penne during Champions League qualification. TNS were again dominant in the league, finishing 27 points ahead of second-place Connah's Quay Nomads after recording a World record 27 consecutive top-flight wins. They also secured a third straight Welsh League Cup title with a 4–0 win over Barry Town United at Cyncoed Stadium. However they lost the Welsh Cup final, falling 2–1 to Bala Town at Nantporth. He opened the 2017–18 season in good form by scoring three goals during Champions League qualification as the Saints defeated Gibraltar side Europa in the first round. Manager <mask> said that he was "absolutely made up for the lad" after <mask> secured a move into the English Football League following his eight year spell at Park Hall. Blackpool
On 16 August 2017, <mask> signed a two-year contract (with the option of a third) with League One side Blackpool after being signed for an initial fee of £35,000 (potentially rising to £50,000).Manager Gary Bowyer said that "he's a young, powerful forward who fits in with the model we're trying to develop at the club". He made his debut for the "Tangerines" on 29 August, playing the first 70 minutes of an EFL Trophy match against Wigan Athletic at Bloomfield Road, which went on to end as a penalty shoot-out defeat following a 1–1 draw. He made his first league appearance on 12 September, coming on as an injury time substitute for Kyle Vassell in a 3–1 victory at Plymouth Argyle. On 16 January 2018, <mask> joined National League side Wrexham on loan for the remainder of the 2017–18 season. Manager Dean Keates said that "all being the well the frustration that he has had from the first half of the season [with limited first-team opportunities at Blackpool] he can take it out on our opposition for the rest of the season for us". Having failed to score in nine substitute league appearances and five EFL Trophy starts for the "Seasiders", he rediscovered his form with the "Dragons" and scored eight goals in 17 National League fixtures. On 5 July 2018, <mask> joined League Two club Port Vale on loan for the whole of the 2018–19 season, where he was reunited with former TNS teammate Connell Rawlinson.Manager Neil Aspin stated that he had been recommended by coach Gary Brabin. Upon joining the "Valiants" <mask> said "It’s going to be my first proper stint in the Football League and I can’t wait to get started". He scored his first and only goal for the club on 13 November, opening the scoring during a 2–1 win at Walsall in the EFL Trophy. He was recalled to Blackpool in January after making just one league start and 12 further appearances at Vale Park. On 3 January 2019, <mask> returned to the National League on loan, this time at FC Halifax Town; manager Jamie Fullarton said that "not only will <mask> add another dimension to our squad and hopefully bring goals, his personality and character will fit seamlessly into the group. He is a great addition and a real coup for us to get such a signing across the line". Barrow
On 20 May 2019, <mask> signed for National League side Barrow on a three-year deal.He was the division's top-scorer with 20 goals by the time the National League was suspended due to the coronavirus pandemic, though <mask> himself was also suspended following a red card in a 1–0 home defeat to Notts County on 7 March. Though the season was not resumed, Barrow went on to be promoted to the Football League as National League champions. He signed a new three-year contract in July 2020. He was also named on the National League Team of the Year, along with teammates Josh Kay and John Rooney. He took until late November to score his first goal of Barrow's return to the Football League, though manager David Dunn believed it would kick-start the striker's season. Dunn was sacked a few weeks later though, and new appointment Michael Jolley said that <mask> was "a focal point for the team, he's a threat and a real handful. He takes a lot of heat on behalf of the team...I'm really looking forward to working with him". Jolley's reign lasted just two months, but caretaker-manager Rob Kelly kept faith in <mask>, who scored 15 goals from 41 appearances to help Barrow to finish above the League Two relegation zone at the end of the 2020–21 season. Stockport County
On 15 July 2021, <mask> announced his departure from Barrow and returned to the National League to join Stockport County for an undisclosed fee, signing a three-year deal. He cited "family reasons" as the reason for his move to Edgeley Park and urged Barrow fans not to listen to "lies" to the contrary as new Barrow manager Mark Cooper stated that Stockport had offered a contract that Barrow could not compete with. Style of play
<mask> is a pacey two-footed forward. Despite being , he prefers to play with the ball on the ground. Career statistics

Honours
The New Saints
Welsh Premier League: 2012–13, 2013–14, 2014–15, 2015–16, 2016–17
Welsh Cup: 2013–14, 2014–15, 2015–16; runner-up: 2016–17
Welsh League Cup: 2014–15, 2015–16, 2016–17; runner-up: 2012–13

Barrow
National League: 2019–20

Individual
National League Team of the Year: 2019–20

References

Living people
1992 births
Sportspeople from Shrewsbury
People from Shrewsbury
English footballers
Association football forwards
The New Saints F.C.players
Caersws F.C. players
Carmarthen Town A.F.C. players
Cefn Druids A.F.C. players
Blackpool F.C. players
Wrexham A.F.C. players
Port Vale F.C. players
FC Halifax Town players
Barrow A.F.C.players
Stockport County F.C. players
Cymru Premier players
Cymru Alliance players
English Football League players
National League (English football) players

masks:
Scott David Quigley
Quigley
Scott Ruscoe
Quigley
Quigley
Quigley
Quigley
Quigley
Quigley
Scott
Quigley
Quigley
Quigley
Quigley
Quigley
Quigley


texts:
<mask> (born April 22, 1943) is a Puerto Rican politician from New York City and an ordained Pentecostal minister. He represented the 18th district of the New York City Council from 2018 to 2021. A member of the Democratic Party, <mask> represented the 32nd district in the New York State Senate from 2003 to 2017; his Senate district included parts of the Bronx neighborhoods of Castle Hill, Parkchester, Morrisania, Hunts Point, Melrose, Longwood, and Soundview. A socially conservative Democrat, <mask> is known for his outspoken opposition to abortion and same-sex marriage. Early life and education
Born and raised in Bayamón, Puerto Rico, <mask> served in the United States Army beginning in 1960, ultimately obtaining an honorable discharge three years later. He moved to New York City in 1965. Also in 1965, <mask> pleaded guilty to marijuana and heroin possession charges and was sentenced to probation.<mask> became an evangelical Christian in 1966. He earned a Bachelor's Degree from Lehman College in 1976. Career

Early career
<mask> formed a senior center, Christian Community in Action, in 1977. In 1978, he became an ordained minister of the Church of God, which describes itself as evangelical and pentecostal. <mask> formed Christian Community Neighborhood Church; as of 2017, he remains a pastor of that church. <mask> is the founder and president of the New York Hispanic Clergy Organization. In 1993, <mask> was appointed to serve on New York City's Civilian Complaint Review Board.In 1994, while on the Civilian Complaint Review Board, <mask> was critical of the city hosting the Gay Games, claiming that doing so would lead to an increase in AIDS cases and to wider acceptance of homosexuality by young people. <mask> wrote that hosting the Games would lead children "to conclude that if there are so many gay and lesbian athletes then there is nothing wrong, nor any risks involved." Other members of the Board condemned <mask>'s comments. New York State Senate
In 2002, Diaz was elected to the New York State Senate. He represented the 32nd district in the New York State Senate from 2003 to 2017; his Senate district included parts of the Bronx neighborhoods of Castle Hill, Parkchester, Morrisania, Hunts Point, Melrose, Longwood, and Soundview. In 2007, <mask> expressed anger at Governor Eliot Spitzer after Spitzer reversed course and abandoned his plan to allow undocumented immigrants to obtain New York driver's licenses. <mask> said he had been betrayed by Spitzer.<mask> was one of three Democratic Senators, known as the "Gang of Three", who threatened to abandon the Democratic majority elected to the New York State Senate on November 4, 2008. A fourth, Senator-elect Hiram Monserrate, backed out of the group in early November. According to a memorandum leaked to the New York Times in December 2008, the remaining "Gang of Three" tried to use their leverage to have one of them named Senate Majority Leader and another named chair of the Senate Finance Committee, and to obtain a guarantee that the Senate would not vote on the issue of same-sex marriage. This deal fell through, and the three reached a compromise in which they recognized State Senator Malcolm Smith as Senate Majority Leader in January 2009. In 2010, <mask> was challenged by Carlos "Charlie" Ramos in a Democratic primary campaign. <mask> won the primary by a margin of 79% to 22%. Ramos' campaign complained of a number of polling irregularities, including intimidation of voters, bringing campaign literature into polling sites, and expelling certified poll watchers who worked for Ramos.<mask> is known for his "What You Should Know" column, which he began writing in 2012 and which began being published in 2016 in La Voz Internacional, a bilingual conservative online newspaper. New York City Council
Diaz was first elected to the New York City Council in 2001. He was elected to the New York State Senate the following year. <mask> won the 2017 Democratic primary for the 16th district of the New York City Council with 42% of the vote. In November 2017, <mask> was elected to the City Council in District 18. <mask> created controversy in February 2019 after asserting that the City Council was "controlled by the homosexual community". On February 13, 2019, the City Council voted to disband the Diaz-chaired Committee on For-Hire Vehicles, and Council Speaker Corey Johnson called for his resignation.In July 2020, <mask> announced that he would not seek re-election in 2021. He was succeeded by Amanda Farías. 2020 U.S. House of Representatives election

In April 2019, <mask> declared his candidacy for the U.S. House of Representatives in New York's 15th congressional district. On June 23, 2020, he lost the Democratic primary, finishing third out of 12 candidates (behind victor Ritchie Torres and second-place finisher Michael Blake). Political positions

Abortion and stem cell research
<mask> has taken prominent public positions against abortion and against embryonic stem cell research. Diaz has written the following: "'Hitler used the ashes of the Jews to make bars of soap. In America, we are selling fetal tissue to be used in: the manufacture of cosmetics as well as for medical research.What is the difference? Do not point your finger at Hitler, we are worse'". In 2008, when a colleague proposed legislation that would expand abortion rights in New York, <mask> described the bill as "one of the most dangerous and radical pieces of proposed legislation in New York State that I have ever seen." <mask> again compared abortion to the Holocaust in May 2012, drawing criticism from the Anti-Defamation League. LGBT issues
In 2003, <mask> filed a lawsuit to stop the expansion of the Harvey Milk School, claiming that the school infringed upon the rights of heterosexual students. The lawsuit was settled in 2006 after the school agreed not to discriminate against heterosexual students and not to restrict admission to students who identify as LGBT, and after the City of New York agreed that the school would be open to all students. In 2007, as his party—led by Governor Eliot Spitzer and Lt.Governor David Paterson—sought to pass same-sex marriage legislation, <mask> opposed the bill and was highly critical of Democratic support for it. <mask>'s opposition to same-sex marriage continued in 2008, when he vowed to vote against same-sex marriage legislation and to withhold his support from any Senate Majority Leader who would allow the bill to become law. In May 2009, <mask> led a rally against same-sex marriage in front of the New York City office of Governor David Paterson; the rally was attended by an estimated 20,000 participants. In a November 2009 piece in The New York Times, <mask> was quoted as saying that he "love[s]" his gay and lesbian relatives, but "[doesn't] believe in what they are doing". The same article quoted <mask>'s openly gay chief counsel, who described <mask> as "a true believer in Christian values, in treating people the way you want to be treated." On December 2, 2009, <mask> voted against same-sex marriage legislation, which failed to pass the Senate. On May 15, 2011, <mask> led a rally of same-sex marriage opponents in the Bronx.His granddaughter Erica Diaz, who is openly lesbian, led a counterprotest. During <mask>'s speech, his granddaughter came up on the stage with him, and <mask> hugged and kissed her and said, "This is my granddaughter. I love her. I love her. I love her. I respect her decisions. She does what she wants."Erica subsequently stated that "You cannot tell someone that you love them and stay silent when people call for their death. 'Love' is empty when you say someone's life isn't natural." <mask> reported receiving numerous death threats, and a New York gay bar said it would hold a "Fuck Ruben Diaz" event. On June 24, 2011, <mask> once again voted against same-sex marriage legislation; however, this time the measure passed the Senate by a vote of 33–29. Governor Andrew Cuomo signed the bill later that evening. In 2017, <mask> helped to prevent the passage of the Gender Expression Non-Discrimination Act (GENDA), a transgender rights bill, by voting against it in committee. <mask> previously voted against GENDA in committee in 2010.In 2019, <mask> described the New York City Council as being "controlled by the homosexual community." Personal life
Diaz and his first wife, Didionilda <mask> (Vega), have three children. One of their sons, <mask> <mask>., is also a politician and was elected Bronx Borough President in April 2009. As of 2015, <mask> is married to <mask>. See also
 2009 New York State Senate leadership crisis
 Anti-abortion movement
 LGBT rights opposition
 Paterson, David "Black, Blind, & In Charge: A Story of Visionary Leadership and Overcoming Adversity. "Skyhorse Publishing. New York, New York, 2020

References

External links
 New York State Senate: <mask> <mask>
 Let Legislators Be Legislators

|-

|-

1943 births
Living people
American anti-abortion activists
American Pentecostal pastors
American evangelicals
Anti-same-sex-marriage activists
American politicians of Puerto Rican descent
Discrimination against LGBT people in the United States
Puerto Rican people in New York (state) politics
Hispanic and Latino American politicians
Hispanic and Latino American state legislators in New York (state)
Lehman College alumni
New York City Council members
Hispanic and Latino American New York City Council members
New York (state) Democrats
New York (state) state senators
People from Bayamón, Puerto Rico
United States Army soldiers
Activists from New York (state)
21st-century American politicians
Politicians from the Bronx

masks:
Rubén Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Díaz
Rubén
Díaz Jr
Díaz
Leslie Díaz
Rubén
Díaz


texts:
<mask> (born 1939) is an American abstract painter based in Keene, New York. Early life and education
<mask> was born in 1939 in Kalispell, Montana and spent much of his childhood in Woodland, California. After two years at Antioch College, <mask> returned to California and attended Sacramento State before joining the University of California, Davis arts program. At UC Davis, <mask> studied under William T. Wiley and Wayne Thiebaud alongside artists including David Gilhooly, Richard Shaw, Stephen Kaltenbach and Bruce Nauman. While a student, <mask> exhibited works in Davis, Chico and Sacramento, and collaborated with Nauman on 16mm film projects. He graduated with a B.A. in 1966 and an M.A.in 1968, and received a Regents Fellowship in 1967-1968. Artistic career

<mask> moved to New York after completing his M.A., joining a community of SoHo-based artists. His first solo New York show at the Leo Castelli Gallery in 1972 included a number of large canvases described by the art critic David L. Shirey as "[r]esembling something like Paisley prints or enlarged marble paper gone berserk". The large works produced during this period were described in 1974 by Newsweek art critic Douglas Davis as "richly impacted with rough, writhing shapes and textured in hundreds of colors that have been poured and whipped onto the surface." In 1975 <mask> again collaborated with Bruce Nauman on the film project Pursuit, in which 16 people are shown running on a conveyor belt, one by one, until exhausted. In 1979, <mask> established a professional relationship with the Nancy Hoffman Gallery that continues to the present day. His first solo show with Hoffman took place in 1981, again featuring large-scale works including one eighteen feet wide.After moving permanently to the Adirondacks in 1981 to join his wife and her family, <mask>'s work began to include elements drawn from the surroundings of his new home, as he described in a 1987 interview:

Since 1999, <mask>'s work has been roughly divided into two series: Venetians, inspired by the colors of Venetian glass beads, and works that draw from the seasonal colors of the Adirondacks and embed images of leaves, sticks, and stones between layers of paint. Style and technique

<mask>'s early professional work is built upon the gestural abstraction of Jackson Pollock, using acrylic paint partially mixed with vivid pigments and poured on paper or canvas from buckets, bottles or caps, then manipulated to create a marbled effect. In 1973 the critic Peter Schjeldahl described this early work as having a "particular dialectic... between an overall 'marbleized' look that is essentially impersonal — it is hard to imagine that a mere human hand could have performed anything so intricately gorgeous — and subtle, intelligently directed exertions of drawing and composition that become apparent on closer scrutiny." The most prominent technique in <mask>'s work is a distinctive process known as "painting in verso". <mask> adopted this method in the 1970s at the prompting of his friend Art Schade, initially using large beds of modelling clay, carved and cut to create spaces into which paint could be poured. Once dry, the paint was lifted from the clay, manipulated further, and affixed to the canvas front-to-back to create a three-dimensional surface. <mask> shifted from clay to use high-density polyethylene as the base to create the "skins" that make up his works; he describes himself as a "laminator", visualizing the finished piece and assembling it in layers:

Throughout his career, <mask>'s work has featured vibrant juxtaposed colors, with later works making frequent use of color disharmony between organic and geometric forms.Academic career
After graduating from UC Davis, <mask> took up a position at Sacramento State before moving to the east coast. Between 1970 and 1980 he taught at the School of Visual Arts in New York. During the 1980s he held visiting artist and lecturer positions, including at Virginia Commonwealth University and the University of North Carolina, Chapel Hill. He completed his academic career at the University of Vermont, joining its arts faculty in 1993 and retiring as a full professor in 2011. Selected public collections

 National Gallery of Art, Washington DC
 Yale University Art Gallery, New Haven, CT
 Ackland Art Museum, Chapel Hill, NC
 Albright–Knox Art Gallery, Buffalo, NY
 Flint Institute of Arts, Flint, MI
 Chazen Museum of Art, Madison, WI
 Kemper Museum of Contemporary Art, Kansas City, MO
 Allen Memorial Art Museum, Oberlin, OH
 Faulconer Gallery at Grinnell College, Grinell, IA
 University Museum of Contemporary Art, Amherst, MA
 Springfield Art Museum, Springfield, MO
 Des Moines Art Center, Des Moines, IA
 Frederick R. Weisman Art Foundation, Los Angeles, CA
 Honolulu Museum of Art Spalding House, Honolulu, HI
 St Louis Art Museum, St Louis, MO
 Manetti Shrem Museum of Art, Davis, CA
 Plattsburgh State Art Museum, Plattsburgh, NY

Selected exhibitions
 2018 "Retroflection", Lake George Arts Project’s Courthouse Gallery, Lake George, NY
 2016 "Ways and Means" (Norte Maar), 1285 Avenue of the Americas Art Gallery, New York (group exhibition)
 2015 "Next", Nancy Hoffman Gallery, New York. 2010 "Raft", Nancy Hoffman Gallery, New York
 2004 "Threaders", Nancy Hoffman Gallery, New York
 2002 "Transformation of Nature", California State University
 2001 Nancy Hoffman Gallery, New York; Atea Ring Gallery, Westport, New York
 1997 "Collectors’ Choice Exhibition", Center for the Arts, Vero Beach, Florida
 1991 Francis Colburn Gallery, University of Vermont, Burlington; Judy Youens Gallery,
Houston, Texas
 1987 The Cook Company Gallery, Rancho Cordova, California. 1981 Nancy Hoffman Gallery, New York
 1973 "Six Painters of the Seventies: Abstract Painting in New York", William Hayes Ackland Art Center (group exhibition)
 1972 Leo Castelli Gallery, New York; The New Gallery, Cleveland, Ohio

Awards

 2010	Barnett and Annalee Newman Foundation Grant-award
 2001-02	Kroepsch-Maurice Excellence in Teaching Award, University of Vermont
 1993-94	Faculty Development Grant, University of Vermont
 1989-90	National Endowment for the Arts Fellowship
 1978-79	National Endowment for the Arts Fellowship
 1967-68	University of California Regent’s Fellowship, 1967-68

The "Slant Step"

In 1963, William T. Wiley bought an oddly-slanted wood and linoleum step stool at a junk shop in Mill Valley, California for fifty cents, and gave it to Bruce Nauman, who kept it in his studio.The stool attracted the attention of students and faculty at the UC Davis art program, as a found object that provided "cultish inspiration", provoking drawings, sculptures and other work. In September 1966 it was exhibited alongside those works in the Slant Step Show at the Berkeley Gallery in San Francisco; during the exhibition, the step vanished from the gallery, supposedly taken by Richard Serra to New York and subsequently returned to California by Stephen Kaltenbach. In 2010, <mask> disclosed that he had taken the step from Davis in 1967 and used it as a teaching aid in his various faculty positions. He and other UC Davis alumni artists collectively served as its caretakers, occasionally loaning it to exhibitions and dubbing themselves "The New York Society for the Preservation of the Slant Step": "Somebody has got to keep the damn thing so we -- myself, Arthur Schade, and a couple of other buddies -- kept it." In 2012, <mask> and Schale donated the step to UC Davis in conjunction with the exhibition "Flatlanders on the Slant", valuing the piece for tax purposes at the fifty cents it cost Wiley in 1963. In 2014, the writer and artist Peter Plagens established the purpose of the step: it was designed to raise the knees while defecating. References

External links
 <mask>: Biography at Nancy Hoffman Gallery
 Artsy profile
 Profile from Lake Placid News

American artists
Artists from New York (state)
Abstract painters
1939 births
University of California, Davis alumni
University of Vermont faculty
20th-century artists
21st-century artists
Living people
People from Kalispell, Montana

masks:
Frank Owen
Owen
Owen
Owen
Owen
Owen
Owen
Owen
Owen
Owen
Owen
Owen
Owen
Owen
Owen
Owen
Owen
Owen
Frank Owen


texts:
James David Washington (born August 26, 1980), better known under his stage name <mask>EANZ, is an American vocal producer, songwriter, actor, singer and record producer from Harrisburg, Pennsylvania, now working out of Philadelphia, signed to Timbaland Productions and Sunset Entertainment Group. He got his start working under the tutelage of Jazz from the hit R&B group, Dru Hill, when he was an artist in the R&B group "Tresan". In 2005, Beanz started working alongside Timbaland as a vocal producer and more recently, as a song producer. He co-wrote the winning entry of the Eurovision Song Contest 2008, "Believe" by Dima Bilan. <mask> "Wanna Get With You"

2005

El Feco
 "Like It Like That"

Apache Indian – Time For Change
 18. "A Prayer For Change" (featuring Gunjan)

Shakira – Oral Fixation Vol.2
 05. "Animal City" – co-producer

Jamie Foxx – Unpredictable
 05. "Can I Take U Home" – background vocals

2006

Kulcha Don – It's All About You
 07 "Say So"

Nelly Furtado – Loose
 01. "Afraid" (featuring Attitude)
 02. "Maneater" – vocal producer, co-writer, background vocals
 03. "Promiscuous" (featuring Timbaland)– vocal producer, background vocals
 04. "Glow"
 05."Showtime" – vocal producer, background vocals
 06. "No Hay Igual" – vocal producer, background vocals
 08. "Say It Right" – vocal producer, background vocals
 09. "Do It" – vocal producer
 11. "Wait For You" – vocal producer
 13. "All Good Things (Come to an End)" – vocal producer, background vocals
 Maneater (<mask>z Bhangra Remix) (featuring Amar) – producer
 Promiscuous (<mask>z Bhangra Remix) (featuring Amar & Timbaland) – producer, background vocals

Danity Kane – Danity Kane
 03. "Want It" – vocal producer, co-writer
 04."Right Now" – vocal producer, co-writer

Fergie – The Dutchess
 unknown tracks with Timbaland

Diddy – Press Play
 14. "After Love" (featuring Keri Hilson) – co-writer

Gwen Stefani – The Sweet Escape
 "Fast Lane"
 unknown tracks with Timbaland

Fantasia – Fantasia
 12. "Bore Me (Yawn)" – co-writer

2007

Katharine McPhee – Katharine McPhee
 01. "Love Story" – vocal producer
 03. "Open Toes" – vocal producer
 05. "Not Ur Girl" – vocal producer
 06. "Each Other" – vocal producer
 07."Dangerous" – vocal producer
 11. "Neglected" – vocal producer, background vocals

Timbaland – Timbaland Presents Shock Value
 03. "Release" (featuring Justin Timberlake) – background vocals
 06. "Come And Get Me" (featuring 50 Cent & Tony Yayo) – background vocals
 12. "Bombay" (featuring Amar & <mask>z)

Lady Ru – My Addiction
 01. "My Addiction" (featuring Amar)
 02. "Snake Charmer" (featuring El Feco)
 03."Hands Up" (featuring Kuf Knotz & Azyah)
 04. "Got Me (Burnin' Up)" (featuring Apache Indian, Shahin Badir & Leseya Lee)
 05. "Catch Me" (featuring Taz)
 06. "Your Woman"
All Produced by <mask>z
 07. "Chances Are" (featuring Channi Singh) – additional vocal producer
 11. "Mr. DJ" (featuring Leseya Lee) – vocal producer, co-writer
 12. "You & Me" (featuring Kino) – co-writer
 "My Man" (featuring Anjali & Mana)
 "My Obsession" (featuring Gunjan)
 "So Hot" (featuring Ms. Jade & Apache Indian)
 "So Many Ways" (featuring Kufie The MC)

Mutya Buena Real Girl
 "Heat"
 "Wanna Be"

M.I.A.– K A L A
 12. "Come Around" (featuring Timbaland)

Britney Spears – Blackout
 01. "Gimme More" – vocal producer, co-writer, background vocals
 04. "Break The Ice" – vocal producer, co-writer, background vocals
 06. "Get Naked (I Got A Plan)" – vocal producer, co-writer
 09. "Hot As Ice" – vocal producer, background vocals
 11. "Perfect Lover" – vocal producer, co-writer, background vocals
 13."Outta This World" – vocal producer, co-writer
 15. "Get Back" – vocal producer, background vocals

Duran Duran – Red Carpet Massacre
 03. "Nite Runner" – additional vocals
 05. "Box Full O' Honey" – vocal producer
 09. "Zoom In" – vocal producer
 10. "She's Too Much" – vocal producer, background vocals
 11. "Dirty Great Monster" – vocal producer
 12."Last Man Standing" – vocal producer

Test Drive
 "Drive Me Crazy" (featuring Sebastian) – vocal producer, co-writer

2008

Keri Hilson
 "Get It Girl" – background vocals

Danity Kane – Welcome to the Dollhouse
 02. "Bad Girl" (featuring Missy Elliott) – vocal producer, co-writer, background vocals
 03. "Damaged" – vocal producer
 05. "Strip Tease" – vocal producer, co-writer
 12. "Poetry" – vocal producer

Credits on the first run of this album are wrong, <mask> was the vocal producer on 90% of Danity Kane album. As seen in Making the Band 4, Season 2. Matt Pokora – MP3
 01."Dangerous" (featuring Sebastian & Timbaland) – vocal producer, co-writer
 02. "Catch Me If You Can" – vocal producer, co-writer
 04. "No Me Without U" – vocal producer, co-writer
 12. "Why Do You Cry?" – co-producer, vocal producer, co-writer
 14. "Like A Criminal" – vocal producer, co-writer

Day26 – Day26
 02. "Got Me Going"
 06."Co Star"
 07. "Come In (My Door's Open)
 13. "Just Should've Told You"

Ashlee Simpson – Bittersweet World
 01. "Outta My Head (Ay Ya Ya)" – vocal producer, co-writer, background vocals
 02. "Boys" – co-writer
 03. "Rule Breaker" – vocal producer, co-writer, background vocals
 04. "No Time For Tears" – background vocals
 05."Little Miss Obsessive" (featuring Tom Higgenson) – vocal producer, co-writer
 06. "Ragdoll" – vocal producer, co-writer, background vocals
 07. "Bittersweet World" – vocal producer, background vocals
 08. "What I've Become" – vocal producer, co-writer, background vocals
 09. "Hot Stuff" – co-writer
 10. "Murder" (featuring Izza Kizza) – vocal producer, co-writer, background vocals
 "Can't Get Over It"
 "Follow U"

Ashanti – The Declaration
 14. "Why" – co-writer
 "For My Man"
 "The World Song"

Taio Cruz – She's Like A Star Single
 "I Just Wanna Know (<mask>z Remix)"

Donnie Klang – Just a Rolling Stone
 06."Pick It Up"

Jennifer Hudson – Jennifer Hudson
 03. "Pocketbook" (featuring Ludacris) – co-producer, co-writer, background vocals
 "Fallin Out Of Heaven"

Craig David – Greatest Hits
 04. "Insomnia" – producer

Lemar – The Reason
 03. "Little Miss Heartbreaker"

Britney Spears – Circus
 01. "Womanizer" – vocal producer
 04. "Kill The Lights" – co-writer, background vocals
 08. "Blur" – vocal producer, background vocals

Jamie Foxx – Intuition
 02."I Don't Need It" – vocal producer, background vocals
 17. "Street Walker"
 "Nothin For Ya"

Jada
 unknown track

2009

Chris Cornell – Scream (Mosley/Interscope/Universal)
 01. "Part of Me" – vocal producer, background vocals
 02. "Time" – co-writer, vocal producer, background vocals
 03. "Sweet Revenge" – co-writer with James Fauntleroy, vocal producer, background vocals
 04. "Get Up" – co-writer with James Fauntleroy, vocal producer, background vocals
 05. "Ground Zero" – co-writer, vocal producer, background vocals
 06."Never Far Away" – co-writer with Ryan Tedder & The Clutch, vocal producer, background vocals
 07. "Take Me Alive" – co-written with Justin Timberlake, vocal

masks:
Jim B
Jim Beanhaliya Williams
Jim Bean
Jim Bean
Jim Bean
Jim Bean
Jim Beanz
Jim Bean


texts:
 producer, background vocals
 08. "Long Gone" – vocal producer
 09. "Scream" – co-writer, vocal producer, background vocals
 10. "Enemy" – co-writer with Ryan Tedder & The Clutch, vocal producer, background vocals
 11. "Other Side Of Town" – co-writer, vocal producer
 12. "Climbing Up The Walls" – co-writer, vocal producer
 13."Watch Out" – co-writer, vocal producer, background vocals
 "Lost Cause"

Keri Hilson – In A Perfect World... (Zone 4-Mosley Interscope/Universal)
 04. "Return the Favor" (featuring Timbaland) – vocal producer
 06. "Slow Dance" – co-writer with Justin Timberlake, vocal producer, background vocals
 08. "Intuition" – writer, co-producer, vocal producer
 09. "How Does It Feel" – co-writer, co-producer, vocal producer, background vocals
 14. "Where Did He Go" – vocal producer
 15. "Quicksand" – vocal producer
 16."Hurts Me" – vocal producer
 "The Ring"

Dzham
 "Every Day"

Ciara – Fantasy Ride (Jive/RCA Records/LaFace, Sony Music, Zomba)
 04. "Turntables" (featuring Chris Brown) – vocal producer, background vocals
 08. "Work" (featuring Missy Elliott) – vocal producer

Charlie Hustle
 "Go Hard" (featuring Rebel)

Dima Bilan – Believe
 01. "Automatic Lady" – producer, vocal producer, writer
 02. "Don't Leave" — producer, vocal producer, background vocals, writer
 03. "Amnesia" — producer, co-writer with Ryan Tedder
 04. "Number 1 Fan" — producer, vocal producer, writer
 05."Believe" — producer, vocal producer, background vocals, writer
 06. "Lonely" – producer, vocal producer, writer
 07. "Mistakes" – producer, vocal producer, background vocals, writer
 09. "Anythin' 4 Love" (featuring D.O.E.) – producer, vocal producer, writer
 11. "Circles" — producer, vocal producer, background vocals
 "Number 1 Fan" (featuring Sebastian) — producer, vocal producer, background vocals, writer

Esmée Denters – Outta Here (Tennman/Interscope/Universal)
 04. "Love Dealer" – background vocals
 05."Gravity" – vocal producer, background vocals
 10. "The First Thing" – vocal producer, background vocals
 13. "Sad Symphony" – co-writer, vocal producer
 "Boyfriend"
 "Closer"

Luigi Masi – Save His Shoes
 03. "Strobelight" – producer, vocal producer, writer
 06. Better Now (featuring Sebastian) – producer, vocal producer, writer

Ginuwine – A Man's Thoughts
 "Disappearing Acts (featuring James Fauntleroy)
 "Hate To Love"

Lemar
 "U Got Me"

Whitney Houston – I Look To You
 "Undefeated" – producer, co-writer with Candice Nelson

Shakira – She Wolf
 13. "Give It Up to Me" (featuring Lil Wayne)

Adam Lambert – For Your Entertainment
 11. "Sleepwalker" – vocal production

Leseya Lee – The Phoenix
 01."Get Up And Jump"
 02. "Junk N Tha Trunk"
 03. "Blow" (featuring Cavan)

Timbaland – Shock Value II
 02. "Carry Out" (featuring Justin Timberlake) – writer, additional vocals
 06. "Tomorrow in the Bottle" (featuring Chad Kroeger & Sebastian) – writer
 07. "We Belong to the Music" (featuring Miley Cyrus) – writer, vocal producer
 08. "Morning After Dark" (featuring Nelly Furtado & SoShy)- writer, additional vocals, vocal producer
 09."If We Ever Meet Again" (featuring Katy Perry) – writer, co-producer with Timbaland, vocal producer
 10. "Can You Feel It" (featuring Esthero & Sebastian) – writer
 11. "Ease Off the Liquor" – writer
 12. "Undertow" (featuring The Fray & Esthero) – writer
 13. "Timothy Where You Been" (featuring Jet) – writer
 14. "Long Way Down" (featuring Daughtry) – writer
 15. "Marchin On (Timbo Version)" (featuring OneRepublic) – writer
 17."Symphony" (featuring Attitude, Bran' Nu & D.O.E.) – writer
 "I'm in Love With You" (featuring Tyson Ritter) – writer

JC Chasez – Kate
 "Fire" – co-producer

Samantha Jade
 "Eyez On Me"  – co-producer with Timbaland
 "Make U Love Me" – co-producer with Timbaland and King Logan of The Royal Court
 "Curious" – co-writer with Samantha Jade & Corte Ellis

2010

Amar – Show It Off
 01. "Masala" (featuring <mask> & D.O.E.) 02. "Sajana (Pyar Ka Pehra) (featuring Shankar Mahadevan)
 03. "See Me Girl" (featuring Apache Indian)
 04. "Bombay Billionaire" (featuring Sonu Niigaam)
 09."Dil Ruba"
 14. "Dekhne Tumko Tarse Naina"

Gunjan – Goonj: Echoes From Gunjan
 01. "Tum Mile"

Lemar
 "Shout Out"

Rebel
 "Get in Fit In"
 "Have You Made Love Lately"
 "Is This What They Call Love"
 "Reloaded"
 "Roses"
 "Shoulda Coulda"
 "Snows in July"
 "Strung Out"
 "Who Are You"
 "Wifey"
 "Disappearing Acts"

JoJo – Can't Take That Away from Me
 03. "Pretty Please"

Tina
 "So Good" (featuring Fat Joe)

Rihanna – Loud
 unknown tracks with Timbaland

Chase Landon
  "Flirt" – producer, vocal producer, co-writer with Candice Nelson

Keyshia Cole – Calling All Hearts
 09. "Last Hangover" (featuring Timbaland) – vocal producer

Craig David
  "Dirty Mouth" – producer, vocal producer, co-writer

2011

Raghav – The Phoenix
  "Fire" – producer, vocal producer, co-writer
  "Top of the World" – producer

Chris Brown – F.A.M.E. 16. "Paper, Scissors, Rock" (featuring Timbaland & Big Sean)

Dima Bilan – Dreamer
 "Rocket Man" – producer, vocal producer, writer
 "Get Outta My Way" – producer, vocal producer, writer

Luigi Masi – Pick Up Line
 "Pick Up Line" – producer, vocal producer, writer

Demi Lovato- Unbroken
 01."All Night Long" (featuring Missy Elliott & Timbaland) – writer, vocal producer
 04. "Together" (featuring Jason Derulo) – writer, co-produced with Timbaland, vocal producer
 05. "Lightweight" – writer, co-produced with Timbaland, vocal producer

Patricia Kazadi
 "Go Crazy (<mask>z Remix)"

Joe Jonas – Fastlife
 09. "Not Right Now" – writer

Real Steel Soundtrack
 09. Timbaland feat. Veronica "Give It A Go"

Day26 – A New Day
 "Made Love Lately"

2012

Cheryl Cole – A Million Lights
 "Screw You" (featuring Wretch 32) – vocal producer
 "Sexy Den a Mutha" – co-writer, producer
 "All Is Fair" – co-writer, producer
 "Boys Lie" – co-writer, producer, background vocals
 "I Like It" – co-writer, producer, additional vocals
 "Teddy Bear" – co-writer, producer

JoJo – Jumping Trains
 "Hell of a Song"
 "I Want Him On Top (Of My Life)"
 "Sexy to Me"

Lyrica Anderson – King Me Mixtape
 "Mixtape"
 "Mixtape" feat. Missy Elliott

2013

Darin – Exit
 "Playing With Fire"
 "Before I Pass Out (feat.Lil Jon)"
 "Same Old Song"
 "F Your Love"
 " What It's Like"

AGNEZ MO
 "Coke Bottle feat Timbaland and T.I"

2015
 Titan TV series Empire

Lil' Kim
 unknown tracks with Timbaland

Deborah Cox
 "Baby Love"
 "Call It Love"
 "Can't Wait"
 "Famous"
 "Love Will Conquer All"
 "No Good"
 "Picky Girl"
 "Unexpected Hero"

Lemar
 "Our Song"
 "Turn It Off"
 "War No More"

References

External links

 "The Thomas Crown Chronicles" Jim Beanz News Archive
 "Mosley Music Group" Jim Beanz News Archive
 <mask> Beanz Management, Vandana Gupta and Mike Daddy

Musicians from Harrisburg, Pennsylvania
Record producers from Pennsylvania
Songwriters from Pennsylvania
Musicians from Philadelphia
Eurovision Song Contest winners
Living people
1980

masks:
Jim Beanz
Jim Bean
Jim


texts:
<mask>  is an Australian sociologist, academic and researcher. He is Emeritus Professor of Sociology at the University of Queensland. <mask>'s primary scholarly contributions are in the areas of agri-food studies, social aspects of the environment, natural resource management, genetic engineering, and sport and leisure. He is known for his significant contribution to rural sociology and agri-food studies. Education
<mask> attended James Ruse Agricultural High School in Sydney from 1963 until 1968. In 1972, he graduated from the University of Sydney in Agricultural Science, majoring in Agricultural Economics. He then enrolled at the University of New England and obtained a Diploma of Social Science before moving to the United States.He attended the University of Wisconsin-Madison, receiving his master's degree in Sociology in 1978. He moved back to Australia in 1979 and earned his Doctoral degree in 1998 from Griffith University. Career
<mask> joined the Riverina College of Advanced Education (later named Charles Sturt University) in 1973 and served as Regional Research Officer until 1977, becoming Lecturer in Sociology from 1978 until 1987. In the following year, he was promoted to Senior Lecturer, and then to Associate Professor. His book, Capitalism and the Countryside: The Rural Crisis in Australia was published in 1987 and received critical acclaim. In 1993, <mask> joined Central Queensland University as Foundation Professor of Sociology and later became Head of the Department of Social Sciences and Director of the Rural Social and Economic Research Centre. He established the Institute for Sustainable Regional Development in 1997, becoming its inaugural Executive Director.He was instrumental in the formation of the Fitzroy Basin Association (the catchment management authority for the Central Queensland region), and served as a member of the Management Committee from 1998 until 2002. <mask> moved to The University of Queensland in 2002 as Professor of Sociology and Head of the School of Social Science. He remained in the latter role for two terms, from 2002 to 2009. In the following year he became co-leader of the Global Change Institute's Food Security Focal Area, and later became Chair of the Institute's College of Experts. He retired in 2013, becoming Emeritus Professor of Sociology at The University of Queensland. <mask> is a former co-editor of the International Journal of Sociology of Agriculture and Food. He was the Inaugural Director of the Centre for Rural Social Research at Charles Sturt University from 1988 to 1993, and launched the journal Rural Society.In 1993 he co-founded the Australasian Agri-food Research Network, an active network of over 100 academics, students and government representatives that holds yearly conferences on rural and agri-food issues. He was a founding member of the international food-based Think Tank in 2013. He was elected President of the International Rural Sociology Association in 2012 and served in that role until 2016. Research
<mask> has published over 400 journal articles and book chapters and some 25 books and special editions of journals. He has worked on a range of topics including the sociology of agriculture, rural restructuring, rural ideology, agribusiness, farm politics, the environment, the role of the state, rural welfare, community resilience, social impacts of agricultural biotechnologies, and globalization. Agriculture and the environment
With colleagues, <mask> conducted a path analysis of factors involved in the selection of organic food by Australian consumers. The study showed that concerns about the naturalness of foods was a critical factor in the decision to purchase organic foods.Barriers to the purchase of organic foods were also identified. He showed how the productivist trajectory of Australian agriculture was compromising ecological health and undermining food security, arguing that reversing environmental degradation would be a difficult task in the context of structural and attitudinal factors. He demonstrated the importance of food regime theory in understanding changing relations in agri-food supply chains. He also studied the impacts of ‘supermarketisation’ in altering patterns of food production and consumption. The restructuring of regional Australia
<mask> has studied the globalizing tendencies that lead to significant alterations in agricultural production, and involvement of food companies in marketing. He has written about the social transformation of rural regions, finding that a ‘dynamics of decline’ is present in many rural settings. He examined regulatory governance in Norway, Australia and the United Kingdom and highlighted changes in food governance trajectories.He also identified the impacts of neoliberal policy in increasing vulnerability of both rural communities and the food governance system. Financialisation of food and farming
With colleagues, <mask> has identified the important role finance plays in Australia's food and farming industries. Research has shown that financial entities such as merchant banks, sovereign wealth funds, private equity firms and hedge funds are purchasing farmlands and agribusiness firms in an effort to increase returns to shareholders. Many employ a ‘food security’ discourse to legitimate their activities. However, some of their activities have led to unintended but serious consequences, including food price distortions, land grabbing, social protest and the concentration of power in supply chains. Awards and honors
1968 – School Captain, James Ruse Agricultural High School
1969–1972 – Commonwealth University Scholarship, Sydney University
1972 – President, Sydney University Agricultural Society
1978–1979 – Australian Wool Corporation Postgraduate Research Scholarship and Travel Grant
1992 – Travel Grant, Australia-New Zealand Foundation
1997 – Distinguished Service Award, US Community Development Society
2002 – Life Member, Fitzroy Basin Association
2002 – Emeritus Professor, Central Queensland University
2004 – Fellow, Academy of Social Sciences in Australia
2011 – ‘Living Book’ award, Brisbane IDEAS Festival
2014 – Life Member, The Australian Sociological Association
2016 – Presidential Service Award, International Rural Sociology Association

Bibliography

Books

Selected articles
Lockie, S., Lyons, K., <mask>, G., & Mummery, K. (2002). Eating ‘green’: motivations behind organic food consumption in Australia.Sociologia ruralis, 42(1), 23–40. Miller, T., <mask>, G. A., McKay, J., & Rowe, D. (2000). Globalization and sport: Playing the world. Sage. Gray, I., Gray, I. W., & <mask>, G. (2001). A future for regional Australia: Escaping global misfortune. Cambridge University Press.Lockie, S., Lyons, K., <mask>, G., & Grice, J. (2004). Choosing organics: a path analysis of factors underlying the selection of organic food among Australian consumers. Appetite, 43(2), 135–146. Burch, D., & <mask>, G. (2009). Towards a third food regime: behind the transformation. Agriculture and human values, 26(4), 267–279.Vanclay, F., & <mask>, G. (1995). The environmental imperative: eco-social concerns for Australian agriculture. References

External links
<mask>'s page on University of Queensland

1950 births
Living people
Australian sociologists
University of Queensland faculty
University of New England (Australia) alumni
University of Wisconsin–Madison College of Letters and Science alumni
Griffith University alumni
Fellows of the Academy of the Social Sciences in Australia

masks:
Geoffrey Alan Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Geoffrey Lawrence


texts:
<mask> (; 7 April 1948 – 17 January 2020), nicknamed Petruzzu 'u turcu () by fans, was an Italian footballer who played mainly in the role of a forward. He started his professional club career in Italy with Varese in 1966, helping the club to achieve promotion to Serie A in his first season with the side; after a promising debut campaign in the Italian top-flight the following season, he joined Juventus in 1968, where he enjoyed a highly successful and prolific eight–year stint, winning three Serie A titles. He then spent two seasons with Internazionale, where he won the Coppa Italia in 1978, before moving to Ascoli, where he remained for three seasons. He finally retired in 1982, after a single season with Swiss club Lugano. At international level, <mask> represented Italy on 25 occasions between 1968 and 1975, scoring eight goals. He made his senior international debut at UEFA Euro 1968 on home soil, and is widely known for later scoring in the final victory over Yugoslavia, which gave Italy their first ever European Championship title. He later also took part at the 1974 FIFA World Cup.After retiring, he worked as a pundit. He died on 17 January 2020, from amyotrophic lateral sclerosis. Club career
<mask> was born in Catania, Sicily. During his career (1964–1982) he played for Massiminiana, Varese, Juventus, Internazionale and Ascoli. In Serie A, he played 338 matches and scored 105 goals (For Juventus, he played 205 games and scored 78 goals). Although he never won the Serie A Top Goalscorer award, he was the third highest goalscorer in the League on three occasions, during the 1968–69, 1969–70 and 1973–74 seasons. He made his professional debut with Missiminiana di Catania in Serie D, showing promising goalscoring prowess during the 1965–66 season, in which he scored 18 goals.He was subsequently purchased by Varese in Serie B, the team with which he gained promotion to Serie A, scoring six goals in 37 matches, and making his Serie A debut on 24 September 1967, against Fiorentina, at the age of nineteen. During his first season in Serie A, he scored an impressive 11 goals, three of which were scored in Varese's shocking 5–0 win over Juventus on 4 February 1968, a performance which enabled him to be called up to the Italian national side. Due to his precocious performances, he was purchased by Juventus in 1968 for a world record of 650 million Lire at the time, and with the Turin club, he won three Serie A titles, also helping the club to the final of the last edition of the Inter-Cities Fairs Cup, in 1971, a tournament in which he was top scorer, with ten goals. Juventus were defeated by Leeds in the final, however. In 1974, <mask> was named the club's captain. He currently holds the record for the most goals in the Inter-Cities Fairs Cup by a Juventus player (12), as well as the all-time record for goals in the Coppa Italia by a Juventus player (30). Alongside Roberto Baggio, he is the joint tenth highest goal-scorer for Juventus in Serie A, with 78 goals, the joint fourth all-time Juventus goalscorer in European competitions, and the joint fifth all-time Juventus goalscorer in International competitions, with 22 goals.He is also the seventh-highest all-time goalscorer for the club in all competitions. With Juventus, he was also the top-scorer of the 1974–75 edition of the Coppa Italia, in which Juventus reached the second round, finishing second in their group, and missing the final by a single point. Anastasi also reached the final of the 1972–73 European Cup with Juventus, where they were defeated 1–0 by Ajax. In total, he scored 130 goals for Juventus, in 303 appearances. In 1976, <mask> began to find less space within the first team Juventus squad, partially due to his disagreements with manager Carlo Parola, and he transferred to Inter in exchange for Roberto Boninsegna. With Inter, Anastasi won the 1977–78 Coppa Italia, making a substitute appearance in the final against Napoli, although his Inter performances were not as consistent or prolific as those with Juventus. As a result, he was sold to Ascoli in 1978, and he remained at the club for three more Serie A seasons, scoring 9 goals.In December 1979, he scored his 100th goal in Serie A in a 3–2 win over his former club, Juventus. He spent his final year playing for FC Lugano in the Swiss League, during the 1981–82 season, before retiring. International career

With the Italy national team, <mask> was a member of the squad that won the 1968 UEFA European Football Championship on home soil, a tournament during which he made his international debut during the first leg of the final against Yugoslavia at the Stadio Olimpico in Rome on 8 June, which ended in a 1–1 draw. In the final replay against the same opponent two days later, he also scored his first international goal, the second goal in Italy's 2–0 victory, with a right-footed volley from just outside the area. He was initially set to take part in the 1970 FIFA World Cup in Mexico with Italy, but he was unable to participate due to injury. In his place, and that of midfielder Giovanni Lodetti, two strikers were called up by manager Ferruccio Valcareggi: Roberto Boninsegna and Pierino Prati, as Italy went on to reach the final. <mask> also participated at the 1974 FIFA World Cup, scoring one goal in the team's 3–1 victory against Haiti in the first round, although Italy failed to advance from their group.In total, he played 25 international matches for Italy between 1968 and 1975, scoring 8 goals. Style of play
<mask> is regarded as one of the best Italian strikers of his generation, as he was a fast, physical, hard-working, reliable, and agile forward, with good reactions. He was also a prolific, intelligent, instinctive, and opportunistic goalscorer, who was capable of making attacking runs to lose his markers and advance into more effective goalscoring positions, courtesy of his pace, power, movement off the ball, and positional sense inside the penalty area. A diminutive player with a sturdy build, <mask> usually played as a striker in the centre-forward position, like his idol, John Charles; however, he had a rather modern and unorthodox interpretation of this role, and did not function as a traditional number nine, who mainly operated inside the box. Indeed, in this role, although he was capable of playing with his back to goal, using his strength to hold up the ball and lay it off for teammates, he was also known for his mobility and link-up play, as well as his ability to make quick exchanges with his teammates, and create chances or provide assists for other players, which saw him essentially act as more of an attacking midfielder at times. He also stood out for his dedication, bravery, fighting spirit, and generous team-play, as well as his unpredictable movement and high defensive work-rate off the ball, including his tendency to drift out wide, press opponents, or even track back into midfield in order to help win back possession. As such, he has been described as what as is known in Italian football jargon as a centravanti di manovra ("manouvering centre-forward," i.e.a centre-forward who participates in the build-up of attacking plays), a role which has retroactively been likened to a precursor of the "false 9" role in modern football. Despite not having the best first touch, or being the most naturally creative, tactical, or skilful player, he was a talented player and a fast sprinter, who possessed excellent acceleration and anticipation, as well as good dribbling skills with either foot, which led the Italian journalist Cesare Lanza to compare him to Luigi Meroni; as such, he also played on the right wing on occasion, due to his flair, solid technique, and crossing ability, and he even had a tendency to drift onto the left flank when he was deployed as an out-and-out striker in order to create chances for his teammates. Nicknamed "il Pelé bianco" ("the white Pelé," in Italian) by the Juventus fans, <mask> was extremely popular with his club's fanbase, and was known in particular for his acrobatic ability in the air, as well as for having a penchant for scoring spectacular goals with strikes of extreme technical difficulty, including from volleys and bicycle kicks. He was also an excellent finisher with either foot, despite being naturally right-footed, and was capable of scoring with powerful shots while on the run. In addition to his playing ability, as a Sicilian who had success Juventus, <mask> – as well as several of his other southern–Italian club teammates – also became a social symbol for many other southern Italian immigrants in a time of great social divide between the northern and the southern regions of the country; in particular, he became an icon for factory-workers who had moved from the South of Italy to Turin in order to find work with Fiat. His other nicknames were "Petruzzo" and "Petru 'u turcu" ("Peter the Turk," in the Sicilian dialect), due to the dark, olive-colour of his complexion whenever he was tanned. Off the pitch, however, he did at times draw criticism in the media for his lack of discipline.After retirement
After retiring from professional football, <mask> worked briefly as a youth coach, and later served as a football pundit for the Italian television network 7 Gold and SKY. Personal life
<mask> was married to Anna; together, they had two sons: Silvano and Gianluca. He met his wife during his time with Varese, when he first began his professional career. After his retirement, he returned to the town, where he remained until his death. Death
<mask> died in Varese on 17 January 2020, at the age of 71, having been diagnosed with amyotrophic lateral sclerosis in 2018. During the last three years of his life, medical examinations also found that he had an intestinal tumour, which was removed through an operation. Honours
Juventus
Serie A: 1971–72, 1972–73, 1974–75

Inter
Coppa Italia: 1977–78

Italy
UEFA European Championship: 1968

Individual
Coppa Italia Top Goalscorer: 1974–75
Inter-Cities Fairs Cup Top Scorer: 1970–71
Italian Football Hall of Fame: 2019

References

External links

1948 births
2020 deaths
1974 FIFA World Cup players
S.S.D.Varese Calcio players
Ascoli Calcio 1898 F.C. players
Expatriate footballers in Switzerland
FC Lugano players
Inter Milan players
Italian footballers
Italian expatriate footballers
Italy international footballers
Italy under-21 international footballers
Juventus F.C. players
Sportspeople from Catania
Serie A players
Serie B players
Serie D players
UEFA Euro 1968 players
UEFA European Championship-winning players
Association football forwards
Footballers from Sicily
Neurological disease deaths in Lombardy
Deaths from motor neuron disease

masks:
Pietro Anastasi
Anastasi
Anastasi
Anastasi
Anastasi
Anastasi
Anastasi
Anastasi
Anastasi
Anastasi
Anastasi
Anastasi
Anastasi
Anastasi


texts:
<mask> (28 March 1943 – 10 September 2008) was a Slovak ice hockey referee and ice hockey administrator. He officiated from 1962 to 1986, including games in the Czechoslovak First Ice Hockey League, IIHF World U20 Championships, and Ice Hockey World Championships. He served as an executive with the Slovak Ice Hockey Federation from 1990 to 2003, where he developed officials, translated rules into Slovak, and directed the organizing committee when Slovakia hosted international events. He was also the manager of the Slovakia men's national ice hockey team from 1993 to 1998. He served as a committee member of the International Ice Hockey Federation (IIHF) from 1993 to 2008, and was a supervisor of officials at World Championships and Winter Olympic Games. His contributions to the IIHF and international ice hockey were recognized in 2008 when he received the Paul Loicq Award. Early life
<mask> was born 28 March 1943, in Žilina, Czechoslovakia.He graduated from secondary school in Žilina in 1960, then finished a two-year audiovisual program at an engineering school in Bratislava. He completed basic military service from 1962 to 1964, then worked as an audio engineer and as a technician at Charles University. Okoličány played hockey as a defenceman for Dynamo Žilina from 1957 to 1961, and with Dukla Bratislava during his military service. He retired from playing due to health reasons. Officiating career
Okoličány had a career as an ice hockey referee for 26 years from 1962 to 1986. He made his professional referee debut at age 19, and was the youngest official in the Czechoslovak First Ice Hockey League. His first match was in Brno between the home team ZKL Brno, and visitors Spartak Moravia Olomouc.He worked for 15 seasons in the Czechoslovak First Ice Hockey League, and was ranked among the top officials in 11 of those 15 seasons. He officiated internationally from 1973 to 1985, and was chosen to work at four IIHF World U20 Championships, and two Ice Hockey World Championships B-division tournaments. Coaching career
Okoličány had a brief career as an ice hockey coach from 1988 to 1992, after retiring as a referee. He coached Slovak youth teams in Trenčín and Topoľčany, and later worked youth teams in Spain. Slovak national hockey
Okoličány became chairman of the Slovak Ice Hockey Federation in 1990, and served a chair of the youth commission. Later that same year, he was put in charge of the referee committee, taught referee courses, translated the International Ice Hockey Federation (IIHF) ice hockey rules into the Slovak language, and nominated Vladimír Baluška for international refereeing duties with the IIHF. When Prague and Bratislava co-hosted the 1992 Men's World Ice Hockey Championships, Okoličány participated in planning for hosting games in Bratislava, and proposed upgrades to the arena.In December 1992, Ján Mitošinka was elected as the new chairman, who in turn nominated Okoličány as vice-president of the Slovak Ice Hockey Federation. From 1993 to 2003, Okoličány directed the organizing committee when Slovakia hosted 12 IIHF competitions. Okoličány was the manager of the Slovakia men's national ice hockey team at the 1993 Olympic qualification. Slovakia won the event, and Okoličány went on to manage the team for ice hockey at the 1994 Winter Olympics, the 1996 Men's World Ice Hockey Championships, the 1997 Men's World Ice Hockey Championships and ice hockey at the 1998 Winter Olympics. In a 2008 interview, he said that "I have worked with Art Berglund since 1993, when we appeared as Slovakia on the national hockey map. He was one of those who supported us. It was not easy to get to the Olympic qualifiers, or to organize the IIHF competitions with us".IIHF administrator
<mask> was part of the IIHF's junior committee from 1993 to 1998, and a member of the IIHF's referee committee from 1998 to 2008. During this time, he was a supervisor of officials and a video goal judge during ten Ice Hockey World Championships, the 2002 Winter Olympics and 2006 Winter Olympics, and 45 other IIHF competitions. He was recognized as an authority on the interpretation and development of the ice hockey rules. Okoličány and the referee committee were responsible for performance of the officials at IIHF events. He described his duties as working from 7:00 a.m. to 11:00 p.m. during events; which included analyzing previous matches, evaluating officials and correcting mistakes, and planning which officials referee future matches. He stated that new referees were rarely chosen for the championship final, and his goal was to prepare officials for future Winter Olympic Games. Honors and awards
<mask>'s career as an official was recognized when he was awarded the IIHF Referee Gold Badge.In May 2008, <mask> was honored with the Paul Loicq Award, presented for "special contributions to the IIHF and international ice hockey". He received the award during the IIHF Hall of Fame induction ceremony at the 2008 IIHF World Championship in Quebec City. He was the first Slovak to win the award, and his acceptance speech noted the great satisfaction he felt to receive the award during the IIHF's 100th anniversary celebrations in Canada. He also credited his wife for supporting while he was away for 130 days per year at seven to eight tournaments. Death and legacy
<mask> died on 10 September 2008, in Bratislava, due to complications from surgery. He had lived most of his life in Bratislava at the time of his death. His remains were cremated and his funeral was attended by René Fasel on behalf of the IIHF.Fasel said in memoriam, "The entire international ice hockey family is devastated by <mask>'s death. It feels like it was just yesterday that we celebrated his accomplishments in Quebec City. He was a person that was simply there, at every World Championship, at every Olympics, working tirelessly for the good of the sport". Ice Hockey Federation of Russia president  Vladislav Tretiak referred to Okoličány as "a great caliber professional who lived with hockey and was always devoted to sports". Czechoslovak national player Jozef Golonka stated, "I met him as one of the best Czechoslovak referees and was a real top. For many years he has been a member of the IIHF at the Referee Committee, and only a well-trained person can do it. I believe it is a great loss not only for Slovak, but also for Czechoslovakian hockey and for the IIHF.because he was the one who had everything the referees had to say under the thumb, he was the man who could get the best out of every referee, and he was a very strong man and he could always assert himself". Okoličány is the namesake of the <mask> Okoličány Award, given annually to the best referee in the Slovakia. Family
<mask> Okoličány was the fourth generation of a notable Slovak hockey family formerly named Okolicsányiovci, originating from the town of Liptovský Mikuláš. His great-grandfather Albert was the patriarch of the family, worked as a notary and organized hockey at universities in Slovakia. <mask>'s grandfather Nicholas moved the family to Bratislava, and organized hockey in the Slovak capital. <mask>'s father Vojtech was a referee at the World Championships and the Winter Olympic Games, was a founder of the Slovak Ice Hockey Federation, and was inducted into the Slovak Hockey Hall of Fame in 2003. Okoličány postponed his wedding for half a year at the wishes of his father, due to the death of his father's brother Otto.After the six months, <mask> married Elena Pešková, an administrative worker from Bratislava. His son Martin won a Slovak championship playing hockey in Ružinov, but decided against a career as a referee to the disappointment of his father. References

Bibliography

1943 births
2008 deaths
Czech audio engineers
Czechoslovak ice hockey coaches
Czechoslovak ice hockey defencemen
International Ice Hockey Federation executives
Olympic officials
Paul Loicq Award recipients
People from Žilina
Slovak ice hockey officials
Slovak sports executives and administrators
Slovakia men's national ice hockey team
Sportspeople from Bratislava

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