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<mask> (April 28, 1917 – July 20, 2006) was an American film and television character actor. Biography
Cornthwaite was born in Saint Helens, Oregon. He said that his interest in acting began in his early teens, when he was forced to recite one line in a school play. He began his acting career in 1937, appearing in a college production of Twelfth Night, while attending Reed College in Portland, Oregon. In the late 1930s, he enrolled in Long Beach City College and worked at radio stations in Southern California. He earned a degree from the University of Southern California after serving as an intelligence officer in the Army Air Force during World War II. Cornthwaite began his time in the US Army Air Force as a radio-gunner in B-25 aircraft as part of the 12th Medium Bombardment Group in 1942.He then served as a radio operator and superintendent of the watch with the 79th Fighter Group from 1943-1944. This was followed by serving as a writer and broadcaster with the Mediterranean Allied Air Forces from 1944 until 1945. In this position he performed Public Relations duties in Naples, Rome, Corsica and other locations in the Mediterranean area. While on Corsica, Cornthwaite worked on his first film which was for the Free French Air Force. He acted as a writer and sound engineer recording Capitaine Eve Curie (daughter of Marie and Pierre Curie) of the Free French Air Force. He did the commentary in French and English. Cornthwaite also dubbed the voice of American Air Force General Ira Eaker since he did not speak any French.Upon his return to civilian life in 1946, Cornthwaite moved to Hollywood and soon found movie work, typically portraying scientists, lawyers and other "learned types" in a number of studio productions. In 1951, Cornthwaite was cast in Howard Hawks's production of The Thing from Another World. His character, Dr. Carrington, the unofficial leader of an Arctic polar expedition, observes the nearby crash of an unidentified flying object, and urges his military counterparts to communicate with the creature inside, even at the cost of their own lives. This performance eventually earned him entry into the "Science Fiction Hall of Fame" in 1993. Other notable films include The War of the Worlds, What Ever Happened to Baby Jane?, Colossus: The Forbin Project and the Joe Dante production of Matinee, in which he shared screen time with fellow 1950s screen notables, William Schallert and Kevin McCarthy in the "film within a film", "MANT", a spoof of sci-fi films. Similarly, Cornthwaite appeared as Dr. Carrington opposite Ken Tobey (again as Hendry) in a spoof titled Attack of the B Movie Monster, shot in 1984. Expanded and retitled The Naked Monster, it was released on DVD in 2005 by Anthem Pictures.Stage and television work
He remained primarily a stage actor throughout his career, and translated a number of plays from French to English. Balancing his theater work with "bill-paying" jobs, he appeared frequently on television, including a role as naturalist John James Audubon in three episodes of the Desilu Studios Production, The Adventures of Jim Bowie, starring Scott Forbes. He appeared twice as Joe Brennan in the first Brian Keith television series, Crusader, which aired on CBS in the middle 1950s. He appeared in five episodes of CBS's Perry Mason, including the role of murderer Herbert Dean in the series' third episode in 1957, "The Case of the Nervous Accomplice", and murderer Carl Bruner in the 1962 episode, "The Case of the Ancient Romeo". He also made appearances during the 1950s, 1960s and 1970s in such series as Perry Mason, Crossroads, The Californians, Rescue 8, The Twilight Zone, The Roaring 20s, The Rifleman, Death Valley Days, Gunsmoke (in 1957 as “Lou Staley”, brother to the title character & angry killer in “Mavis McCloud”, Voyage to the Bottom of the Sea, Batman (episodes 35 and 36), The Monkees, Gidget, Laverne & Shirley, Dragnet, Combat!,  The Munsters, Laredo, Kate and Allie, and Get Smart, in which he had a semi-recurring role as CONTROL's lab scientist, Professor Windish. One of his last major stage roles was in a La Jolla Playhouse production of The Cherry Orchard opposite Lynn Redgrave. Among Cornthwaite's last television works was a recurring role as a man with Alzheimer's on the series Picket Fences.Death
Cornthwaite's death was attributed to natural causes. He died at the Motion Picture and Television Country House and Hospital in Woodland Hills, California. He was 89. Partial filmography

 Union Station (1950) as Emergency Room Orderly (uncredited)
 Gambling House (1950) as Stefan (uncredited)
 The Thing from Another World (1951) as Dr. Arthur Carrington
 The Mark of the Renegade (1951) as Innkeeper
 His Kind of Woman (1951) as Hernandez (uncredited)
 Something to Live For (1952) as Young Man (uncredited)
 Monkey Business (1952) as Dr. Zoldeck
 The War of the Worlds (1953) as Dr. Pryor
 Day of Triumph (1954) as Simon the Zealot
 Stranger on Horseback (1955) as Arnold Hammer
 Kiss Me Deadly (1955) as FBI Agent #1
 The Purple Mask (1955) as Napoleon Bonaparte
 The Leather Saint (1956) as Dr. Lomas
 The Spirit of St. Louis (1957) as Harry Knight, Lindbergh Student (uncredited)
 Hell on Devil's Island (1957) as Gov. Renault
 The Power of the Resurrection (1958) as Caiaphas
 Ten Seconds to Hell (1959) as Franz Loeffler
 Day of the Outlaw (1959) as Tommy Preston, Wyoming Hotel Owner
 Reptilicus (1961) as Man (voice, uncredited)
 All Hands on Deck (1961) as Naval Inspector (uncredited)
 What Ever Happened to Baby Jane? (1962) as Dr. Shelby
 The Ghost and Mr. Chicken (1966) as Lawyer Springer
 The Ride to Hangman's Tree (1967) as T.L. Harper
 Waterhole No.3 (1967) as George, Hotel Clerk
 The Legend of Lylah Clare (1968) as Studio Photo Archivist (uncredited)
 Colossus: The Forbin Project (1970) as First Scientist
 The Peace Killers (1971) as Ben
 The Longest Night (1972) as Frank Cavanaugh
 Journey Through Rosebud (1972) as Hearing Officer
 Futureworld (1976) as Mr. Reed
 Deal of the Century (1983) as Huddleston
 Who's That Girl (1987) as Minister
 Time Trackers (1989) as Dr. Alistair Craig
 Frame Up (1991) as Earl Cott
 Matinee (1993) as Dr. Flankon (uncredited)
 The Naked Monster (2005) as Dr. Carrington (final film role)

References

External links

1917 births
2006 deaths
American male film actors
American male television actors
University of Southern California alumni
Reed College alumni
People from St. Helens, Oregon
Long Beach City College alumni
Male actors from Los Angeles
Male actors from Portland, Oregon
20th-century American male actors
United States Army Air Forces personnel of World War II
United States Army Air Forces officers


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<mask> (April 7, 1924 – April 19, 2001) was a French poet. Biography
Born in Paris, <mask> lived in France until 1941 when his family left occupied Europe for the United States. He studied comparative literature first at Amherst College and then at Harvard University. After teaching for a year, he returned to France. Here <mask> became friends with the poets Pierre Reverdy, René Char, and Francis Ponge, and with the painters Pierre Tal-Coat and Alberto Giacometti. Du Bouchet was one of the precursors of what would come to be called "poésie blanche" or "white poetry." In 1956, he published a collection of poems entitled Le Moteur blanc or "The White Motor".In 1966, he, along with (among others) Yves Bonnefoy, Jacques Dupin, Louis-René des Forêts and Gaëtan Picon, founded the poetry revue L'Ephémère. Twenty issues were published from 1966 to 1973. In 1961, <mask>'s first major poetry collection, Dans la chaleur vacante, was published to critical acclaim and he won the Prix de la critique (the Critic's Prize) for that year. He also wrote art criticism, most notably about the works of Nicolas Poussin, Hercules Seghers, Tal-Coat, Bram van Velde and Giacometti, and translated works by Paul Celan, Hölderlin, Osip Mandelstam, Boris Pasternak, Laura Riding, William Faulkner, Shakespeare and James Joyce. In 1983 he won the National Poetry Prize or "Prix national de la poésie". <mask> <mask> died in 2001 at the age of 76, in Truinas, Drôme department of France. Poetry

<mask> <mask>'s poetry—greatly and conflictually influenced by the poetic and interpretive preoccupations of Stéphane Mallarmé, the "banality" of Pierre Reverdy's images, Arthur Rimbaud's "abrasive/coarse reality", the work of Henri Michaux, as well as the philosophical work of Heidegger—is characterized by a valuation of the page layout (with words erupting from the white of the page), by the use of free verse and, often, by difficult grammar and elusive meaning (he writes in "Notes on Translation" that sense "is not fixed").As a result of these influences, his work evokes a sense of an existential, if not elemental, Heraclitian present. The natural elements of earth and air reappear constantly in his poems. The world, as he has written, will not end up in a book, as Mallarmé had claimed, since for <mask>t the world has no end. <mask>'s poetry confronts (that is to say, it touches with its front or forehead) external reality (mountains, wind, stones...) and the words describe, and are at the same time a part of, that reality. (How, then, could sense ever be fixed?, he asked.) This confrontation provokes a sense of otherness (not in a purely Heideggerian manner, as <mask>'s being is revealed as an object of flesh in its nudity and poverty) and a realization of the presence of objects and elements in the world and of the self as such an object, a "thing among things", as he frequently writes, echoing the phenomenologist Maurice Merleau-Ponty. List of works
 Mercure de France :
 Dans la chaleur vacante, 1961 (reissued in 1991 by Poésie/Gallimard), awarded the Critic's Prize (fr: Prix de la Critique).La Tempête de William Shakespeare (translation), 1963. Où le soleil, 1968. Qui n'est pas tourné vers nous, 1972. Voyage en Arménie de Ossip Mandelstam (translation), first edition in 1983, reissued in 2004. Poèmes de Paul Celan (translation), 1986. Ici en deux, 1986 (reissued in 2011 by Poésie/Gallimard). Désaccordée comme par de la neige, Tübingen, 22 May 1986, 1989.Axiales, 1992. Poèmes et proses, 1995. Entretien dans la montagne by Paul Celan (translated in collaboration with John E. Jackson), 1996. L’Emportement du muet, 2000. Fata Morgana :
 Air 1950-1953 followed by Défets, 1986. Laisses, 1984 (reissue). L'Incohérence, 1984 (reissue).Rapides, 1984 (reissue). Peinture, 1983. Le Voyage en Arménie,  by Ossip Mandelstam (translation), 1983 (reissued in 2004). Aujourd'hui c'est, 1984 (reissued in 1994). Une tache, 1988. Carnet, 1994. Le Méridien, by Paul Celan (translation), 1995.Pourquoi si calmes, 1996. Carnet 2, 1998. D'un trait qui figure et défigure, with a foreword by Alberto Giacometti, 1997. Annotations sur l'espace non datées. Carnet 3, 2000. Tumulte, 2001. Lire Finnegans Wake (with an afterword by <mask>), 2003.Éditions Gallimard:
 Le Gambit du cavalier, by William Faulkner (translation), 1952. "Dans la chaleur vacante" suivi de "Où le soleil", collection published by "Poésie"/Gallimard, 1991. L'Ajour, collection published by "Poésie"/Gallimard, 1998. Ici en deux, preface by M. Collot, collection published by "Poésie"/Gallimard, 2011. Other editors :
Air, Jean Aubier, 1951. Sans couvercle, Guy Lévis Mano, 1953. Au deuxième étage, Le Dragon publishing company, 1956.Le Moteur blanc, Guy Lévis Mano, 1956. Sol de la montagne, with etchings by Dora Maar, Jean Hugues, 1956. Cette surface, with an illustration by Tal-Coat, Pierre-André Benoit publishing company, 1956. Dans la chaleur vacante, with an illustration by Jean Hélion, Pierre-André Benoit publishing company, 1959. Reissued by Mercure de France (1961 et 1978). Reissue followed by Où le soleil, Gallimard, Poésie-Gallimard collection, 1991. Sur le pas, with illustrations by Tal-Coat, Maeght Éditeur, 1959.La Lumière de la lame, with etchings by Joan Miró, Maeght Éditeur, 1962. L'Avril, Janine Hao (1963). Reissue preceded by 'Fraîchir, Thierry Bouchard, 1983. L'Inhabité, with an illustration by Claude Georges, Le Point Cardinal, 1964. Reissued by Jean Hugues, with an illustration by Alberto Giacometti, 1965. La Couleur, Le Collet de buffle, 1975. Laisses, Françoise Simecek, 1975.Reissue by Hachette, P.O.L., 1979, and by Fata Morgana, 1984. Air 1950-1953, Clivages, 1977. Le Révolu, Orange Export Ltd, 1977. Un jour de plus augmenté d'un jour, Le Collet de buffle, 1977. Là, aux lèvres, Clivages, 1978. Poèmes, L'Ire des Vents, 1978. Sous le linteau en forme de joug, with an illustration by Tal-Coat, Clivages/Françoise Simecek, 1978.L'Incohérence, Hachette, P.O.L., 1979. Dans leurs voix, leurs eaux, with illustrations by Bram Van Velde, Maeght Éditeur, 1980. Rapides, Hachette, P.O.L., 1980. Reissued by Fata Morgana, 1984. Défets, Clivages, 1981. Fraîchir, Clivages, 1981. Les Hauts-de-Buhl, L'Ire des Vents, 1981.Reissued by Fourbis, 1989. Ici en deux, avec des illustrations de Geneviève Asse, Quentin Éditeur, 1982. Reissued by Mercure de France, 1986. Carnets 1952-1956, édition de M. Collot, Paris, Plon, 1989. Cendre tirant sur le bleu et Envol, Clivages, 1986. Reissued in 1991. Carnets 1952-1956, Librairie Plon, 1989.Reissued by Fata Morgana, 1994 and 1998. De plusieurs déchirements dans les parages de la peinture, Éditions Unes, 1990. Alberto Giacometti — dessin, Maeght Éditeur. Le Second Silence de Pasternak, with preface by V. Martinez, Éditions La Rivière Échappée, Rennes, 2009. Henri VIII, by William Shakespeare (translation), afterword by J.-B. de Seynes, Paris, Le Bruit du Temps, 2011. Aveuglante ou banale.Essais et articles 1949-1959, editing and preface by C. Layet, Paris, Le Bruit du Temps, 2011. Une lampe dans la lumière aride. Carnets 1949-1959, editing and preface by C. Layet, Paris, Le Bruit du Temps, 2011
 Un mot : ce n'est pas le sens, bilingual editing by M. Bishop and V. Martinez, English translation by M. Bishop, Halifax (Canada), VVV, 2013. Sur un rouge de Nicolas de Staël, editing by J.-P. Léger, Paris, Clivages, 2013. Essais sur l'art, editing by T. Augais, to be issued in 2014. Translations into English :
Un mot : ce n'est pas le sens, bilingual editing by M. Bishop and V. Martinez, English translation by M. Bishop, Halifax (Canada), VVV, 2013. Openwork: Poetry and Prose, selected, translated, and presented by Paul Auster and Hoyt Rogers, New Haven and London, Yale University Press, 2014.Outside: Poetry and Prose, selected, translated, and presented by Eric Fishman and Hoyt Rogers, Fayetteville, Bitter Oleander Press, 2020. Interviews
 "Avec du Bouchet", interview with Georges Piroué (1961), L'étrangère  No.14-15, La Lettre Volée, June 2007. "<mask> Bouchet à la croisée des langages", Le monde des livres, 10 June 1983 (L'étrangère  No.14-15). "Déplacement de glaciers. Récit d'entretiens avec <mask> Bouchet" by Daniel Guillaume, Poétiques et Poésies contemporaines. Etudes, Le Temps qu'il fait, 2003. "Entretien avec <mask> du Bouchet" by D. Grandmont, L'Humanité, 10 November 1995 (L'étrangère  No.14-15).Promenades ethnologiques en France, three broadcasts in several parts, for which A<mask> <mask> is producer and actor, France Culture, August 1981. Surpris par la nuit, interview with A. Veinstein, France Culture, 24 January 1995. Surpris par la nuit, à propos de Andains et de Poèmes et proses, France Culture, 14 August 1999
 Surpris par la nuit, "Espaces de la poésie", broadcast by Jean-Pascal Léger, France Culture, 23–24 December 2002. Further reading
 Pierre Schneider, « Air », in Critique n° 62, July 1952. Jean-Pierre Richard, "<mask> du Bouchet", in Onze études sur la poésie moderne, Paris, Le Seuil, 1964. Bulletin de bibliophilie n° 3-4, "<mask> Bouchet", Châteauroux, 1977. Pierre Chappuis, <mask> Bouchet, Seghers "Poètes d'aujourd'hui", 1979.Collection, L'ire des vents  No.6-8, "Espaces pour <mask> du Bouchet", Châteauroux, 1983. Michel Collot (dir. ), Autour d'André du Bouchet, proceedings of the symposium of the ENS, Paris, Presses de l'ENS, 1986. Michel Collot, "A. du Bouchet et le pouvoir du fond", in L'Horizon fabuleux, Volume II, José Corti, 1988. Jacques Depreux, A. <mask>t ou la parole traversée, Seyssel, Champ Vallon/"Champ Poétique", 1988. Prévue  No.3, <mask> Bouchet, Paris, 1993. Jean-Michel Reynard, L'interdit de langue.Solitudes d'André du Bouchet, Paris, Fourbis, 1994. Sources  No.16, Paris, 1996. Prétextes  No.13, Paris, 1997. Ralentir travaux  No.8, Paris, 1997. Jean-Baptiste de Seynes, "Liberté d'André du Bouchet", in La rivière échappée  No.8-9, 1997. Michael Jakob, Présence d'André du Bouchet, Die, A Die, 1998. Alain Mascarou, Les Cahiers de "L'éphémère", 1967-1972.Tracés interrompus, preface by J.-M. Maulpoix, Paris, L'harmattan, 1998. Yves Peyré, <mask> Bouchet. hauteur d'oubli, Paris, Galilée, 1999. Collection, Compar(a)ison. An International Journal of Comparative Literature, No.2, Amsterdam, Peter Lang, 1999. Claude Esteban, "Aussi loin que l'air, jusqu'à nous", in Etranger devant la porte, II, Thèmes, Farrago/Léo Scheer, 2001. Collection, Po&sie  No.96, Paris, Belin, 2001.Clément Layet, <mask> <mask>, Paris, Seghers "Poètes d'aujourd'hui", 2002. Philippe Met (dir. ), <mask> Bouchet et ses autres, Ecritures contemporaines 6, Paris, Minard, 2002. Antoine Emaz, <mask> Bouchet, Paris, Albin Michel, 2003. Michael Bishop, Altérités d'André du Bouchet, Amsterdam, Rodopi, 2003. Henri Maldiney, "Les blancs d'André du Bouchet", in Art et existence, Paris, Klincksieck, 2003. Henri Maldiney, "Naissance de la poésie dans l'oeuvre d'<mask> Bouchet", in L'art, l'éclair de l'être, Chambéry, Comp'Act, 2003.Collection, Saluer André du Bouchet, Paris, William Blake & Co. Edit., 2004. Philippe Jaccottet, Truinas, le 21 avril 2001, Genève, La dogana, 2004. Amthor Wiebke, Schneegespräche an gastlichen Tischen. Wechselseitiges Übersetzen bei Paul Celan und <mask> <mask>, Universitätsverlag Winter, Heidelberg, 2006. Yves Bonnefoy, Dans un débris de miroir, Paris, Galilée, 2006. Franc Ducros, Ici partagé, disparaissant, Montpellier, Champ Social, 2006.L'étrangère  No.14-15, <mask> Bouchet 1, coordinated by François Rannou, Brussels, La Lettre Volée, 2007 [rich in unpublished volumes]. L'étrangère  No.16-17-18, <mask> Bouchet 2, coordinated by François Rannou, Brussels, La Lettre Volée, 2007 [rich in unpublished volumes]. François Rannou, L'inadvertance, Rennes, Publie.net, 2008. Europe, <mask> Bouchet, No.986-987, coordinated by Victor Martinez, Paris, June–July 2011. Michel Collot, Jean-Pascal Léger (dir. ), Présence d'André <mask>uchet, proceedings of the conference (or symposium) of Cerisy, Paris, Hermann, 2012. Victor Martinez, <mask> Bouchet.Poésie, langue, événement, Amsterdam / New York, Rodopi, 2013. Elke de Rijcke, L'expérience poétique dans l'oeuvre d'<mask> du Bouchet, Brussels, La Lettre Volée, 2013. [2 volumes]

External links
 (in French) An overview on <mask> <mask> and other contemporary poets

1924 births
2001 deaths
Writers from Paris
Amherst College alumni
Harvard University alumni
French male poets
20th-century French poets
20th-century French male writers

masks:
André du Bouchet
André du Bouchet
Du Bouchet
Du Bouchet
André du
Bouchet
André du
Bouchet
du Bouche
Du Bouchet
Du Bouchet
André Gide
André du
André du
André
. du
Bouchet
André
André du
André du
André
du Bouche
André du
André du
André du
Bouchet
André du
André du
André du
André du
Bouchet
André du
André du
André du
du Bo
André du
André
André Du
Bouchet


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<mask> (6 November 1929 – 5 May 2003) was an Australian author of crime fiction and western fiction. Background
<mask> was born <mask> in Mackay, Queensland, but was known as <mask> or <mask>. <mask> wrote fiction paperback novellas published by Cleveland Publishing from 1955 until 1989. He wrote four crime titles as Des R. <mask> in the mid-1950s. <mask> is also believed to have written up to 80 of the 290-300 titles of the well-known Larry Kent detective series. <mask> is best known for his western novellas published under several pseudonyms. <mask>'s pseudonyms included: Shad Denver, Gunn Halliday, Adam Brady, Brett Iverson, Matt Cregan, Sheldon B. Cole, Walt Renwick and Morgan Culp.He is known to have written over 500 titles using these pseudonyms. The great majority of <mask>'s titles were 40,000 words long. Over a 34 year writing career it is estimated that he wrote between 24 and 30 million words; most of which was published. <mask> married and divorced twice and had three children. <mask> died in Brisbane, Queensland aged 73. Bibliography
<mask>'s publications under his name include:
 'Desperate Call', (195-? ), Silhouette Detective, Number 751, Cleveland Publishing, Sydney, Australia.'Farewell to Peril', (195-? ), Silhouette Detective, Number 750, Cleveland Publishing, Sydney, Australia. 'Go Lightly, Stranger', (195-? ), Marlin Book, Number 570, Cleveland Publishing, Sydney, Australia. 'Night Crime', (195-? ), New York Detective, Number 751, Cleveland Publishing, Sydney, Australia. <mask>'s publications as Shad Denver include:
 'A Killer Can Die', (196-), Chisholm Western, Number 691, Cleveland Publishing, Sydney, Australia.'A Notch Called Nero', (197-), Peacemaker Western, Number 216, Cleveland Publishing, Sydney, Australia. 'A Score to Settle', (198-), Cleveland Western, Number 2150, Cleveland Publishing, Sydney, Australia. 'A Town Divided', (1967), Phoenix Western, Number 271, Cleveland Publishing, Sydney, Australia. 'Along Came Munro', (196-), Big Horn Western, Number 347, Cleveland Publishing, Sydney, Australia. 'Amen for Fools', (1992), Bison Western, Number 1045, Cleveland Publishing, Sydney, Australia. 'Beholden to Kill', (196-), Santa Fe Western, Number 336, Cleveland Publishing, Sydney, Australia. 'Bible's Hireling', (196-), Chisholm Western, Number 687, Cleveland Publishing, Sydney, Australia.'Big Man', (195-), Chisholm Western, Number 665, Cleveland Publishing, Sydney, Australia. 'Big Man Country', (196-), Winchester Western, Number 793, Cleveland Publishing, Sydney, Australia. 'Big Men Fall Hard', (196-), Arizona Western, Number 122, Cleveland Publishing, Sydney, Australia. 'Blood Hatred', (196-), Bison Western, Number 145, Cleveland Publishing, Sydney, Australia. 'Blood is the Spur', (1966), Bison Western, Number 346, Cleveland Publishing, Sydney, Australia. 'Blood on Big River', (196-), Cleveland Western, Number 1224, Cleveland Publishing, Sydney, Australia. 'Blood Valley', (196-), Pinto Western, Number 417, Cleveland Publishing, Sydney, Australia.'Bloodlines Don't Lie', (1989), Bison Western, Number 952, Cleveland Publishing, Sydney, Australia. 'Boothill Branded', (196-), Condor Western, Number 226, Cleveland Publishing, Sydney, Australia. 'Boothill Debt', (196-), Chisholm Western, Number 686, Cleveland Publishing, Sydney, Australia. 'Boothill for Innocents', (196-), Sierra Western, Number 449, Cleveland Publishing, Sydney, Australia. 'Boothill Vengeance', (196-), Condor Western, Number 243, Cleveland Publishing, Sydney, Australia. 'Bounty in Blood', (196-), Winchester Western, Number 738, Cleveland Publishing, Sydney, Australia. 'Branded', (195-), Chisholm Western, Number 666, Cleveland Publishing, Sydney, Australia.'Bring Him Back Dead', (196-), Chisholm Western, Number 706, Cleveland Publishing, Sydney, Australia. 'Bristow's Noon', (1968), Cleveland Classic, Number 132, Cleveland Publishing, Sydney, Australia. 'Buchanan', (1970), Cleveland Western, Number 1345, Cleveland Publishing, Sydney, Australia. 'Bullet Whipped', (196-), Winchester Western, Number 729, Cleveland Publishing, Sydney, Australia. 'Bullets at Broken Ridge', (196-), Bison Western, Number 116, Cleveland Publishing, Sydney, Australia. 'Call Me Mister! ', (196-), Chisholm Western, Number 658, Cleveland Publishing, Sydney, Australia.'Candidate for a Rope', (196-), Sierra Western, Number 447, Cleveland Publishing, Sydney, Australia. 'Code of a Rebel', (1970), Lobo Western, Number 279, Cleveland Publishing, Sydney, Australia. 'Colorado Spread', (196-), Bison Western, Number 305, Cleveland Publishing, Sydney, Australia. 'Cowards Die Twice', (1972), Iron Horse Western, Number 221, Cleveland Publishing, Sydney, Australia. 'Cut a Notch', (196-), Condor Western, Number 161, Cleveland Publishing, Sydney, Australia. 'Danby Territory', (196-), Santa Fe Western, Number 376, Cleveland Publishing, Sydney, Australia. 'Day of the Gun', (196-), Pinto Western, Number 413, Cleveland Publishing, Sydney, Australia.'Dead Man's Gun', (195-), Chisholm Western, Number 674, Cleveland Publishing, Sydney, Australia. 'Deadly Calibre', (196-), Bison Western, Number 199, Cleveland Publishing, Sydney, Australia. 'Dean Takes Over', (196-), Bison Western, Number 142, Cleveland Publishing, Sydney, Australia. 'Death Rides Double', (196-), Arizona Western, Number 127, Cleveland Publishing, Sydney, Australia. 'Decision at Laramie' (196-), Coronado Western, Number 954, Cleveland Publishing, Sydney, Australia. 'Deputy', (195-), Chisholm Western, Number 667, Cleveland Publishing, Sydney, Australia. 'Deputy of Death', (1967), Cleveland Western, Number 1301, Cleveland Publishing, Sydney, Australia.'Desperate Frontier', (196-), High Brand Western, Number 220, Cleveland Publishing, Sydney, Australia. 'Diablo Six Gun', (196-), Bison Western, Number 123, Cleveland Publishing, Sydney, Australia. 'Don't Bury Me Yet', (1987), Top Hand Western, Number 332, Cleveland Publishing, Sydney, Australia. 'Don't Push Your Luck', (1975), Lobo Western, Number 306, Cleveland Publishing, Sydney, Australia. 'Drygulcher's Doom', (196-), Pinto Western, Number 422, Cleveland Publishing, Sydney, Australia. 'Dudes Sometimes Dare', (196-), Cleveland Western, Number 1232, Cleveland Publishing, Sydney, Australia. 'Edge of Eden', (196-), Raw Hide Western, Number 432, Cleveland Publishing, Sydney, Australia.'Everyone's Gunning for Gabriel', (1975), Winchester Western, Number 252, Cleveland Publishing, Sydney, Australia. 'False Law', (196-), Coronado Western, Number 980, Cleveland Publishing, Sydney, Australia. 'Fight or Run', (196-), Cleveland Western, Number 1624, Cleveland Publishing, Sydney, Australia. 'Flash Gannon', (195-), Chisholm Westerns, Number 651, Cleveland Publishing, Sydney, Australia. 'Fools Carve Notches', (196-), Rawhide Western, Number 431, Cleveland Publishing, Sydney, Australia. 'Godspeed', (1972), Bison Western, Number 622, Cleveland Publishing, Sydney, Australia. 'Goldplated Maverick', (196-), Bobcat Western, Number 130, Cleveland Publishing, Sydney, Australia.'Gun Crazy Town', (196-), Arizona Western, Number 117, Cleveland Publishing, Sydney, Australia. 'Gun Creed', (196-), Bobcat Western, Number 124, Cleveland Publishing, Sydney, Australia. 'Gun Dean', (195-), Chisholm Western, Number 668, Cleveland Publishing, Sydney, Australia. 'Gun Elect', (196-), Sierra Western, Number 448, Cleveland Publishing, Sydney, Australia. 'Gun for a Deputy', (195-), Big Horn Western, Number 306, Cleveland Publishing, Sydney, Australia. 'Gun Gospellers', (1966), Condor Western, Number 194, Cleveland Publishing, Sydney, Australia. 'Gun Kid', (195-), Chisholm Western, Number 664, Cleveland Publishing, Sydney, Australia.'Gun Prod', (196-), Sierra Western, Number 439, Cleveland Publishing, Sydney, Australia. 'Gun Ranny', (1971), Coronado Western, Number 1022, Cleveland Publishing, Sydney, Australia. 'Gun Shy', (196-), Sierra Western, Number 423, Cleveland Publishing, Sydney, Australia. 'Gun Stampede', (196-), Arizona Western, Number 137, Cleveland Publishing, Sydney, Australia. 'Gun Storm', (195-), Chisholm Western, Number 672, Cleveland Publishing, Sydney, Australia. 'Gun Without Mercy' (196-), Winchester Western, Number 735, Cleveland Publishing, Sydney, Australia. 'Gunfight on Main', (196-), Bison Western, Number 114, Cleveland Publishing, Sydney, Australia.'Gunman's Altar', (196-), Top Hand Western, Number 131, Cleveland Publishing, Sydney, Australia. 'Gunplay to Eternity', (196-), Bison Western, Number 301, Cleveland Publishing, Sydney, Australia. 'Guns from Out of the Sun', (196-), Cleveland Western, Number 1019, Cleveland Publishing, Sydney, Australia. 'Gunsight Showdown', (196-), Sierra Western, Number 433, Cleveland Publishing, Sydney, Australia. 'Gun-Smart', (196-), Bison Western, Number 109, Cleveland Publishing, Sydney, Australia. 'Gunsmoke Terror', (195-), Bison Western, Number 170, Cleveland Publishing, Sydney, Australia. 'Gunther's Noose', (196-), Santa Fe Western, Number 355, Cleveland Publishing, Sydney, Australia.'Had My Fill of Hate', (2017), Bison Western, Number 1587, Cleveland Publishing, Sydney, Australia. 'Hang a Dead Man', (1966), Santa Fe Western, Number 343, Cleveland Publishing, Sydney, Australia. 'Hard as Nails', (196-), Phoenix Western, Number 350, Cleveland Publishing, Sydney, Australia. 'Hate Filled Holster', (196-), Winchester Western, Number 727, Cleveland Publishing, Sydney, Australia. 'Hellion for Hire', (196-), Arizona Western, Number 118, Cleveland Publishing, Sydney, Australia. 'Hell's Acre', (197-), Phoenix Western, Number 315, Cleveland Publishing, Sydney, Australia. 'Hell's Hireling', (196-), Sierra Western, Number 456, Cleveland Publishing, Sydney, Australia.'Here Lies a Loser', (1967), Bison Western, Number 434, Cleveland Publishing, Sydney, Australia. 'Heritage of Hate', (196-), Coronado Western, Number 934, Cleveland Publishing, Sydney, Australia. 'Hero's Hell', (195-), Big Horn Western, Number 320, Cleveland Publishing, Sydney, Australia. 'High Noon Corral', (196-), Coronado Western, Number 979, Cleveland Publishing, Sydney, Australia. 'Hold it, Mister! ', (1970), Cleveland Western, Number 1249, Cleveland Publishing, Sydney, Australia. 'I Will Stand!', (1976), Winchester Western, Number 260, Cleveland Publishing, Sydney, Australia. 'In a Jackal's Dust', (1974), Bison Western, Number 655, Cleveland Publishing, Sydney, Australia. 'Invitation to Boot Hill', (196-), Cleveland Western, Number 1401, Cleveland Publishing, Sydney, Australia. 'Iron Man', (196-), Coronado Western, Number 964, Cleveland Publishing, Sydney, Australia. 'Johnny Lobo', (196-), Santa Fe Western, Number 300, Cleveland Publishing, Sydney, Australia. 'Johnny Revenge', (1966), Bison Western, Number 225, Cleveland Publishing, Sydney, Australia. 'Judge Not, Die Not!', (196-), Cleveland Western, Number 1451, Cleveland Publishing, Sydney, Australia. 'Kane', (196-), Coronado Western, Number 959, Cleveland Publishing, Sydney, Australia. 'Keep Off, Stranger', (196-), Arizona Western, Number 125, Cleveland Publishing, Sydney, Australia. 'Keep Shootin', (196-), Bison Western, Number 112, Cleveland Publishing, Sydney, Australia. 'Lanny Shan', (196-), Winchester Western, Number 809, Cleveland Publishing, Sydney, Australia. 'Last of the Tancreds', (1974), Pinto Western, Number 493, Cleveland Publishing, Sydney, Australia. 'Law for Hire', (195-), Big Horn Western, Number 330, Cleveland Publishing, Sydney, Australia.'Left-Handed Law', (196-), Santa Fe Western, Number 318, Cleveland Publishing, Sydney, Australia. 'Long Trail of Diablo', (1970), Cleveland Classic, Number 98, Cleveland Publishing, Sydney, Australia. 'Lorimer's Day', (196-), Santa Fe Western, Number 361, Cleveland Publishing, Sydney, Australia. 'Man Behind the Gun', (196-), Bobcat Western, Number 154, Cleveland Publishing, Sydney, Australia. 'Man from Boot Hill', (196-), Bison Western, Number 164, Cleveland Publishing, Sydney, Australia. 'Man on His Own', (196-), Santa Fe Western, Number 337, Cleveland Publishing, Sydney, Australia. 'Mean Town', (196-), Coronado Western, Number 961, Cleveland Publishing, Sydney, Australia.'Mister Big Gun', (196-), Bobcat Western, Number 125, Cleveland Publishing, Sydney, Australia. 'Mister Fast Gun', (195-), Chisholm Western, Number 663, Cleveland Publishing, Sydney, Australia. 'Mister, You Got Trouble', (197-), Arizona Western, Number 327, Cleveland Publishing, Sydney, Australia. 'Mourn the Valiant', (196-), Chisholm Western, Number 683, Cleveland Publishing, Sydney, Australia. 'Move on Deputy! ', (195-), Big Horn Western, Number 308, Cleveland Publishing, Sydney, Australia. 'Never Back Down', (1975), Classic Western, Number 387, Cleveland Publishing, Sydney, Australia.'Night Hawk', (196-), Sierra Western, Number 425, Cleveland Publishing, Sydney, Australia. 'None But the Fast', (196-), Sierra Western, Number 452, Cleveland Publishing, Sydney, Australia. 'Notches Along the Trail', (1966), Cleveland Western, Number 1238, Cleveland Publishing, Sydney, Australia. 'Notch-Hunter's Territory', (196-), Cleveland Western, Number 2254, Cleveland Publishing, Sydney, Australia. 'Notch-Hunter's Territory', (1991), Bison Western, Number 1025, Cleveland Publishing, Sydney, Australia. 'One Bullet, No More! ', (1975), Classic Western, Number 370, Cleveland Publishing, Sydney, Australia.'One Notch Too Many', (196-), Winchester Western, Number 782, Cleveland Publishing, Sydney, Australia. 'One Notch, One Noose', (196-), Pinto Western, Number 438, Cleveland Publishing, Sydney, Australia. 'Outlaw', (196-), Rawhide Western, Number 412, Cleveland Publishing, Sydney, Australia. 'Outlaw Country', (196-), Bobcat Western, Number 132, Cleveland Publishing, Sydney, Australia. 'Outlaw

masks:
Desmond Robert Dunn
Dunn
Robert Desmond Dunn
Desmond Robert Dunn
Des Dunn
Dunn
Dunn
Dunn
Dunn
Dunn
Dunn
Dunn
Dunn
Dunn
Dunn


texts:
 Justice', (196-), Bison Western, Number 117, Cleveland Publishing, Sydney, Australia. 'Owlhoot Decoy', (196-), Rawhide Western, Number 428, Cleveland Publishing, Sydney, Australia. 'Posse of the Damned', (196-), Rawhide Western, Number 457, Cleveland Publishing, Sydney, Australia.'Preferably Dead', (196-), Chisholm Western, Number 685, Cleveland Publishing, Sydney, Australia. 'Proud Exile', (196-), Sierra Western , Number 445, Cleveland Publishing, Sydney, Australia. 'Raiders Yonder', (196-), Bison Western, Number 443, Cleveland Publishing, Sydney, Australia. 'Return to Laredo', (1974), Classic Western, Number 133, Cleveland Publishing, Sydney, Australia. 'Ride Any Trail', (1971), Bison Western, Number 608, Cleveland Publishing, Sydney, Australia. 'Ride or Hang', (196-), Arizona Western, Number 199, Cleveland Publishing, Sydney, Australia. 'Ride Roughshod', (196-), Chisholm Western, Number 680, Cleveland Publishing, Sydney, Australia.'Ride Vaquero', (196-), Sierra Western, Number 441, Cleveland Publishing, Sydney, Australia. 'Sam Colby...Deceased', (197-), Peacemaker Western, Number 214, Cleveland Publishing, Sydney, Australia. 'Sam Harmon is Back! ', (1979), Classic Western, Number 395, Cleveland Publishing, Sydney, Australia. 'Sam Houston is Back! ', (197-), Cleveland Western, Number 1673, Cleveland Publishing, Sydney, Australia. 'Satan and a Gun', (196-), Bison Western, Number 221, Cleveland Publishing, Sydney, Australia.'Savage Steel', (196-), Rawhide Western, Number 423, Cleveland Publishing, Sydney, Australia. 'Send for Blain', (196-), Condor Western, number 229, Cleveland Publishing, Sydney, Australia. 'Shoot to Kill', (196-), Condor Western, Number 125, Cleveland Publishing, Sydney, Australia. 'Short Walk to Boothill', (196-), Bison Western, Number 185, Cleveland Publishing, Sydney, Australia. 'Six-Gun Stampede', (196-), Santa Fe Western, Number 305, Cleveland Publishing, Sydney, Australia. 'Sons of Sin', (1966), Phoenix Western, Number 314, Cleveland Publishing, Sydney, Australia. 'Stacked Deck', (195-), Chisholm Western, Number 650, Cleveland Publishing, Sydney, Australia.'Tehane's Territory', (1976), Iron Horse Western, Number 287, Cleveland Publishing, Sydney, Australia. 'Thane Dusang', (196-), Condor Western, Number 184, Cleveland Publishing, Sydney, Australia. 'The 11th Commandment', (196-), Cleveland Western, Number 1652, Cleveland Publishing, Sydney, Australia. 'The Back Shooter', (196-), Rawhide Western, Number 419, Cleveland Publishing, Sydney, Australia. 'The Bounty Man', (1975), Classic Western, Number 369, Cleveland Publishing, Sydney, Australia. 'The Curse', (196-), Top Hand Western, Number 219, Cleveland Publishing, Sydney, Australia. 'The Curse of Bade Alroe', (196-), Cleveland Western, Number 1233, Cleveland Publishing, Sydney, Australia.'The Deadman's Hand', (198-), High Brand Western, Number 320, Cleveland Publishing, Sydney, Australia. 'The Delinquent Gun', (196-), Condor Western, Number 159, Cleveland Publishing, Sydney, Australia. 'The Devil's Acres', (1974), Classic Western, Number 171, Cleveland Publishing, Sydney, Australia. 'The Executioner', (1975), Phoenix Western, Number 299, Cleveland Publishing, Sydney, Australia. 'The Gun Fight', (196-), Condor Western, Number 166, Cleveland Publishing, Sydney, Australia. 'The Gunpackers', (197-), Big Horn Western, Number 364, Cleveland Publishing, Sydney, Australia. 'The Guns of Gideon', (1976), Classic Western, Number 373, Cleveland Publishing, Sydney, Australia.'The Guthrie Guns', (1970), Bobcat Western, Number 335, Cleveland Publishing, Sydney, Australia. 'The Hotter Side of Hell', (1983), Bison Western, Number 935, Cleveland Publishing, Sydney, Australia. 'The Hungry Gun', (1973), Tumble Weed Western, Number 241, Cleveland Publishing, Sydney, Australia. 'The Hunt - and the Kill', (1973), Classic Western, Number 293, Cleveland Publishing, Sydney, Australia. 'The Judas', (196-), Coronado Western, Number 955, Cleveland Publishing, Sydney, Australia. 'The Last Guntrail', (196-), Sierra Western, Number 431, Cleveland Publishing, Sydney, Australia. 'The Last Shell', (196-), Santa Fe Western, Number 321, Cleveland Publishing, Sydney, Australia.'The Limbo Trail', (1970), Cleveland Classic, Number 76, Cleveland Publishing, Sydney, Australia. 'The Man Behind the Gun', (196-), Bobcat Western, Number 154, Cleveland Publishing, Sydney, Australia. 'The Outlaw', (196-), Condor Western, Number 158, Cleveland Publishing, Sydney, Australia. 'The Peace Officer', (196-), Chisholm Western, Number 684, Cleveland Publishing, Sydney, Australia. 'The Price of Notches', (196-), Bison Western, Number 304, Cleveland Publishing, Sydney, Australia. 'The Requiem Trail', (196-), Santa Fe Western, Number 342, Cleveland Publishing, Sydney, Australia. 'The Star Target', (196-), Sierra Western, Number 424, Cleveland Publishing, Sydney, Australia.'The Sundown Man', (1975), Classic Western, Number 387, Cleveland Publishing, Sydney, Australia. 'The Third Gun', (196-), Arizona Western, Number 105, Cleveland Publishing, Sydney, Australia. 'The Valiant Die', (196-), American Wild West, Number 29, Cleveland Publishing, Sydney, Australia. 'The Wild Bunch', (196-), Pinto Western, Number 409, Cleveland Publishing, Sydney, Australia. 'The Will of Isaac Dockery', (1976), Classic Western, Number 345, Cleveland Publishing, Sydney, Australia. 'The Young Gun', (196-), Coronado Western, Number 945, Cleveland Publishing, Sydney, Australia. 'They'll Come a Day', (197-), Pinto Western, Number 519, Cleveland Publishing, Sydney, Australia.'Time to Kill', (1972), Classic Western, Number 393, Cleveland Publishing, Sydney, Australia. 'Tin Star Target', (196-), Sierra Western, Number 424, Cleveland Publishing, Sydney, Australia. 'Tombstone Testament', (1970), Peacemaker Western, Number 296, Cleveland Publishing, Sydney, Australia. 'Two for the Tall Tree', (1976), Classic Western, Number 342, Cleveland Publishing, Sydney, Australia. 'Walk Tall', (196-), Bobcat Western, Number 021, Cleveland Publishing, Sydney, Australia. 'Wear the Brand', (1976), Classic Western, Number 373, Cleveland Publishing, Sydney, Australia. 'When Tyler Came to Town', (196-), Bison Western, Number 294, Cleveland Publishing, Sydney, Australia.'Where the Eagle Rides', (197-), Peacemaker Western, Number 231, Cleveland Publishing, Sydney, Australia. 'Why Hang Shanahan? ', (1978), High Brand Western, Number 327, Cleveland Publishing, Sydney, Australia. 'Wild Gun', (1967), Arizona Western, Number 231, Cleveland Publishing, Sydney, Australia. 'Winchester '73', (196-), Sierra Western, Number 422, Cleveland Publishing, Sydney, Australia. 'Winchester Decision', (195-), Big Horn Western, Number 329, Cleveland Publishing, Sydney, Australia. 'You Asked for It!', (1998), Cleveland Western, Number 2568, Cleveland Publishing, Sydney, Australia. 'Your'e Buyin' Trouble, (196-), Chisholm Western, Number 742, Cleveland Publishing, Sydney, Australia. <mask>'s publications as Gunn Halliday include:
 'A Bullet Waited', (196-), Winchester Western, Number 726, Cleveland Publishing, Sydney, Australia. 'A Bullet's Amen', (196-), Top Hand Western, Number 247, Cleveland Publishing, Sydney, Australia. 'A Town Without Law', (1970), Phoenix Western, Number 280, Cleveland Publishing, Sydney, Australia. 'Arizona Kid', (196-), Bobcat Western, Number 162, Cleveland Publishing, Sydney, Australia. 'Back Down, Mister', (196-), Bison Western, Number 158, Cleveland Publishing, Sydney, Australia.'Bad Breed', (196-), Top Hand Western, Number 223, Cleveland Publishing, Sydney, Australia. 'Badge, Gun and Holder', (196-), Bison Western, Number 205, Cleveland Publishing, Sydney, Australia. 'Badge Without a Claim', (196-), Bison Western, Number 320, Cleveland Publishing, Sydney, Australia. 'Bannon', (197-), Cleveland Western, Number 1352, Cleveland Publishing, Sydney, Australia. 'Be Told! ', (1975), Classic Western, Number 380, Cleveland Publishing, Sydney, Australia. 'Blood Colt", (195-), Chisholm Western, Number 662, Cleveland Publishing, Sydney, Australia.'Boothill Justice', (196-), Coronado Western, Number 973, Cleveland Publishing, Sydney, Australia. 'Bound for Boothill', (197-), Bobcat Western, Number 192, Cleveland Publishing, Sydney, Australia. 'Bounty in Notches', (196-), Winchester Western, Number 765, Cleveland Publishing, Sydney, Australia. 'Brace Strang', (196-), Bison Western, Number 163, Cleveland Publishing, Sydney, Australia. 'Brad Kane', (196-), Arizona Western, Number 114, Cleveland Publishing, Sydney, Australia. 'Brand of a Badman', (1967), Arizona Western, Number 265, Cleveland Publishing, Sydney, Australia. 'Bullet Judgement', (196-), Sierra Western, Number 451, Cleveland Publishing, Sydney, Australia.'Burn the Brand Deep', (196-), Bobcat Western, Number 198, Cleveland Publishing, Sydney, Australia. 'Challenge at Cannon Ridge', (196-), Condor Western, Number 203, Cleveland Publishing, Sydney, Australia. 'Cimarron Kid', (195-), Chisholm Western, Number 661, Cleveland Publishing, Sydney, Australia. 'Clage Colard', (196-), Coronado Western, Number 970, Cleveland Publishing, Sydney, Australia. 'Cordite Trail', (196-), Pinto Western, Number 424, Cleveland Publishing, Sydney, Australia. 'Cry Rope', (196-), Condor Western, Number 192, Cleveland Publishing, Sydney, Australia. 'Danton's Day', (196-), Cleveland Western, Number 1578, Cleveland Publishing, Sydney, Australia.'Dead of Alive', (196-), Coronado Western, Number 949, Cleveland Publishing, Sydney, Australia. 'Death Rides its Own Trail', (196-), Bobcat Western, Number 278, Cleveland Publishing, Sydney, Australia. 'Devil's Playground', (196-), Pinto Western, Number 429, Cleveland Publishing, Sydney, Australia. 'Devil's Tie Rope', (1975), Cleveland Western, Number 1985, Cleveland Publishing, Sydney, Australia. 'Duane', (196-), Pinto Western, Number 468, Cleveland Publishing, Sydney, Australia. 'Everywhere Thunder', (1973), Bison Western, Number 636, Cleveland Publishing, Sydney, Australia. 'Fear Fever', (196-), Sierra Western, Number 428, Cleveland Publishing, Sydney, Australia.'Feud at Pardon Point', (196-), Peacemaker Western, Number 180, Cleveland Publishing, Sydney, Australia. 'Fightin' Man', (196-), Arizona Western, Number 141, Cleveland Publishing, Sydney, Australia. 'First Bullet Counts', (196-), Chisholm Western, Number 695, Cleveland Publishing, Sydney, Australia. 'First Notch', (196-), Coronado Western , Number 952, Cleveland Publishing, Sydney, Australia. 'Gamble or Die', (196-), Bison Western, Number 156, Cleveland Publishing, Sydney, Australia. 'Gun Decision', (196-), Condor Western, Number 183, Cleveland Publishing, Sydney, Australia. 'Gun Rebel', (196-), Bison Western, Number 191, Cleveland Publishing, Sydney, Australia.'Gun Thunder', (196-), Big Horn Western, Number 325, Cleveland Publishing, Sydney, Australia. 'Gunman's Gamble', (196-), Peacemaker Western, Number 162, Cleveland Publishing, Sydney, Australia. 'Guns of Cimarron', (196-), Bison Western, Number 155, Cleveland Publishing, Sydney, Australia. 'Guns of Hell's Country', (196-), Arizona Western, Number 237, 237, Cleveland Publishing, Sydney, Australia. 'Guns on Main Street', (197-), Bison Western, Number 308, Cleveland Publishing, Sydney, Australia. 'Gunslinger', (197-), Phoenix Western, Number 342, Cleveland Publishing, Sydney, Australia. 'Gunsmoke Legacy' (1967), Coronado Western, Number 991, Cleveland Publishing, Sydney, Australia.'Hard Trail to Destiny', (1966), Coronado Western, Number 975, Cleveland Publishing, Sydney, Australia. 'Hate Dies Hard', (196-), Arizona Western, Number 126, Cleveland Publishing, Sydney, Australia. 'Heroes Die Fast', (196-), Condor Western, Number 164, Cleveland Publishing, Sydney, Australia. 'High Stakes', (196-), Condor Western, Number 172, Cleveland Publishing, Sydney, Australia. 'Hostage', (196-), Sierra Western, Number 462, Cleveland Publishing, Sydney, Australia. 'I Want Him Dead! ', (1970), Bobcat Western, Number 339, Cleveland Publishing, Sydney, Australia.'Impatient Gun', (195-), Big Horn Western, Number 319, Cleveland Publishing, Sydney, Australia. 'Just One More Notch', (1975), Lobo Western, Number 304, Cleveland Publishing, Sydney, Australia. 'Keep Driftin'', (196-), High Brand Western, Number 233, Cleveland Publishing, Sydney, Australia. 'Killer's Destiny', (196-), Top Hand Western, Number 261, Cleveland Publishing, Sydney, Australia. 'Last Stand Corral', (196-), Coronado Western, Number 976, Cleveland Publishing, Sydney, Australia. 'Lead Creased', (196-), Coronado Western, Number 953, Cleveland Publishing, Sydney, Australia. 'Litany for Losers', (196-), Santa Fe Western, Number 341, Cleveland Publishing, Sydney, Australia.'Lobo Law Man', (196-), Bison Western, Number 218, Cleveland Publishing, Sydney, Australia. 'Loner with a Badge', (196-), Cleveland Western, Number 1234, Cleveland Publishing, Sydney, Australia. 'Loners Five', (196-), Bison Western, Number 483, Cleveland Publishing, Sydney, Australia. 'Loner's Limbo', (196-), Rawhide Western, Number 438, Cleveland Publishing, Sydney, Australia. 'Lynch Law' (196-), Pinto Western, Number 445, Cleveland Publishing, Sydney, Australia. 'Mark of a Man', (1971), Bison Western, Number 846, Cleveland Publishing, Sydney, Australia. 'Maverick Thunder', (196-), Big Horn Western, Number 332, Cleveland Publishing, Sydney, Australia.'Nailed', (195-), Chisholm Western, Number 670, Cleveland Publishing, Sydney, Australia. 'Never a Quitter', (1975), Winchester Western, Number 255, Cleveland Publishing, Sydney, Australia. 'No Jury', (196-), Sierra Western, Number 450, Cleveland Publishing, Sydney, Australia. 'No Trail for Innocents', (197-), Top Hand Western, Number 311, Cleveland Publishing, Sydney, Australia.


texts:
 'Not Without Hate', (196-), Big Horn Western, Number 337, Cleveland Publishing, Sydney, Australia. 'One Man - Two Shadows', (196-), High Brand Western, Number 232, Cleveland Publishing, Sydney, Australia. 'Outlaw Maverick', (196-), Sierra Western, Number 429, Cleveland Publishing, Sydney, Australia.'Peace Day in Calamity', (196-), Big Horn Western, Number 340, Cleveland Publishing, Sydney, Australia. 'Quest for a Killer', (196-), Santa Fe Western, Number 320, Cleveland Publishing, Sydney, Australia. 'Range Boss', (196-), Santa Fe Western, Number 313, Cleveland Publishing, Sydney, Australia. 'Ride Like Hell', (196-), Bison Western, Number 233, Cleveland Publishing, Sydney, Australia. 'Ridin' Drag', (196-), Pinto Western, Number 412, Cleveland Publishing, Sydney, Australia. 'Riot an Rainbow Ridge', (1967), Arizona Western, Number 238, Cleveland Publishing, Sydney, Australia. 'Saddle Savage', (195-), Chisholm Western, Number 671, Cleveland Publishing, Sydney, Australia.'Sagebrush Showdown', (196-), Bison Western, Number 254, Cleveland Publishing, Sydney, Australia. 'Satan's Challenge', (196-), Peacemaker Western, Number 184, Cleveland Publishing, Sydney, Australia. 'Satan's Outcast', (196-), Bison Western, Number 295, Cleveland Publishing, Sydney, Australia. 'Scars of Fury', (196-), Cleveland Western, Number 1237, Cleveland Publishing, Sydney, Australia. 'Six-Gun Lobo', (196-), Top Hand Western, Number 201, Cleveland Publishing, Sydney, Australia. 'Some Kill, Some Die', (1967), Arizona Western, Number 248, Cleveland Publishing, Sydney, Australia. 'Stopover at Boothill', (1975), Santa Fe Western, Number 412, Cleveland Publishing, Sydney, Australia.'Sundown for Hellions', (1966), Big Horn Western, Number 339, Cleveland Publishing, Sydney, Australia. 'Tangle Fast', (196-), Coronado Western, Number 950, Cleveland Publishing, Sydney, Australia. 'The Damned and the Dead', (196-), Big Horn Western, Number 348, Cleveland Publishing, Sydney, Australia. 'The Day a Lawman Died', (196-), Cleveland Western, Number 1230, Cleveland Publishing, Sydney, Australia. 'The Fast Play', (195-), Big Horn Western, Number 315, Cleveland Publishing, Sydney, Australia. 'The Fast Rifle', (196-), Bison Western, Number 166, Cleveland Publishing, Sydney, Australia. 'The Fearless Gun', (196-), Bison Western, Number 160, Cleveland Publishing, Sydney, Australia.'The Gun Travels North', (195-), Big Horn Western, Number 311, Cleveland Publishing, Sydney, Australia. 'The Hanging Man', (1969), Condor Western, Number 296, Cleveland Publishing, Sydney, Australia. 'The Hard Breed', (196-), High Brand Western, Number 249, Cleveland Publishing, Sydney, Australia. 'The Law of Lead', (196-), Santa Fe Western, Number 316, Cleveland Publishing, Sydney, Australia. 'The Lawman's Lead', (196-), Sierra Western, Number 430, Cleveland Publishing, Sydney, Australia. 'The Long Rope Incident', (196-), Winchester Western, Number 748, Cleveland Publishing, Sydney, Australia. 'The Man Who Came Back', (196-), Arizona Western, Number 748, Cleveland Publishing, Sydney, Australia.'The Marshal's Gun', (196-), Sierra Western, Number 426, Cleveland Publishing, Sydney, Australia. 'The Searching Gun', (196-), Sierra Western, Number 427, Cleveland Publishing, Sydney, Australia. 'The Seventh Scar', (196-), Chisholm Western, Number 689, Cleveland Publishing, Sydney, Australia. 'The Wesley Bunch', (196-), Big Horn Western, Number 357, Cleveland Publishing, Sydney, Australia. 'The Young Hellion', (196-), Arizona Western, Number 192, Cleveland Publishing, Sydney, Australia. 'Three Graves', (196-), Coronado Western, Number 960, Cleveland Publishing, Sydney, Australia. 'Town for the Asking', (196-), Santa Fe Western, Number 331, Cleveland Publishing, Sydney, Australia.'Town With No Law', (196-), Big Horn Western, Number 410, Cleveland Publishing, Sydney, Australia. 'Trail Scarred', (196-), Peacemaker Western, Number 186, Cleveland Publishing, Sydney, Australia. 'Two-Fisted Ramrod', (196-), Pinto Western, Number 428, Cleveland Publishing, Sydney, Australia. 'Walk Proud', (196-), Bob Cat Western, Number 142, Cleveland Publishing, Sydney, Australia. 'Warbag Breed', (1966), Arizona Western, Number 206, Cleveland Publishing, Sydney, Australia. 'Where Brands Don't Count', (196-), Bobcat Western, number 288, Cleveland Publishing, Sydney, Australia. 'Where Buzzards Feed', (196-), Pinto Western, Number 463, Cleveland Publishing, Sydney, Australia.'Yellowstone', (196-), Rawhide Western, Number 414, Cleveland Publishing, Sydney, Australia. <mask>'s publications as Adam Brady include:
 'Born to be Wild', (1973), Chisholm Western, Number 720, Cleveland Publishing, Sydney, Australia. 'Don't Send a Dude', (1981), Halliday Western, Number 13, Cleveland Publishing, Sydney, Australia. 'Drifter's Brand', (1980), Halliday Western, Number 10, Cleveland Publishing, Sydney, Australia. 'Fury of the .44', (1967), Cleveland Western, Number 2, Cleveland Publishing, Sydney, Australia. 'Halliday', (1967), Halliday Western, Number 1, Cleveland Publishing, Sydney, Australia. 'Name Your Bounty', (1973), Halliday Western, Number 7, Cleveland Publishing, Sydney, Australia.'Put a Price On It! ', (1982), Halliday Western, Number 17, Cleveland Publishing, Sydney, Australia. 'Ride for the Devil! ', (1967), Bobcat Western, Number 295, Cleveland Publishing, Sydney, Australia. 'So Who's Arguin'? ', (1982), Halliday Western, Number 16, Cleveland Publishing, Sydney, Australia. 'The Drifting Breed', (197-), Big Horn Western, Number 367, Cleveland Publishing, Sydney, Australia.'The Final Flutter', (1974), Halliday Western, Number 9, Cleveland Publishing, Sydney, Australia. 'The Wayward Breed', (1981), Halliday Western, Number 12, Cleveland Publishing, Sydney, Australia. 'What'll It Be? ', (1981), Halliday Western, Number 15, Cleveland Publishing, Sydney, Australia. 'Where Dust Won't Settle', (1980), Halliday Western, Number 14, Cleveland Publishing, Sydney, Australia. 'Why Men Die', (1967), Arizona Western, Number 294, Cleveland Publishing, Sydney, Australia. 'Why Not Hang Him?', (1981), Halliday Western, Number 11, Cleveland Publishing, Sydney, Australia. <mask>'s publications as Brett Iverson include:
 'Back Trail to Hate', (1974), Arizona Western, Number 435, Cleveland Publishing, Sydney, Australia. 'Bible and Gun', (1967), Bison Western, Number 430, Cleveland Publishing, Sydney, Australia. 'Come Get Me! ', (1958), Rawhide Western, Number 495, Cleveland Publishing, Sydney, Australia. 'Fool's Frontier', (196-), Cleveland Western, Number 990, Cleveland Publishing, Sydney, Australia. 'Guns from Out of the Sun', (1974), Cleveland Western, Number 127, Cleveland Publishing, Sydney, Australia.'Hate Holds a Gun', (1958), Santa Fe Western, Number 393, Cleveland Publishing, Sydney, Australia. 'Jury Seven', (1976), Classic Western, Number 372, Cleveland Publishing, Sydney, Australia. 'No Shadows at Noon', (1965), Cleveland Western, Number 1026, Cleveland Publishing, Sydney, Australia. 'Outlaw's Bible', (1975), Arizona Western, Number 396, Cleveland Publishing, Sydney, Australia. 'Red River Crossing', (1975), Classic Western, Number 357, Cleveland Publishing, Sydney, Australia. <mask>'s publications as Matt Cregan include:
 'A Killing at Quinto', (196-), Arizona Western, Number 178, Cleveland Publishing, Sydney, Australia. 'Big Man's Country', (196-), Santa Fe Western, Number 328, Cleveland Publishing, Sydney, Australia.'Bounty for a Killer', (196-), Winchester Western, Number 763, Cleveland Publishing, Sydney, Australia. 'Code of Violence', (196-), Bison Western, Number 307, Cleveland Publishing, Sydney, Australia. 'Courage Wears a Star', (196-), Arizona Western, Number 115, Cleveland Publishing, Sydney, Australia. 'Coyotes Don't Rust', (196-), Condor Western, Number 156, Cleveland Publishing, Sydney, Australia. 'Deane', (196-), Raw Hide Western, Number 427, Cleveland Publishing, Sydney, Australia. 'Gun Scar', (196-), Condor Western, Number 176, Cleveland Publishing, Sydney, Australia. 'Hang High, Hang Long', (196-), Winchester Western, Number 764, Cleveland Publishing, Sydney, Australia.'Homage to a Hellion', (196-), Arizona Western, Number 180, Cleveland Publishing, Sydney, Australia. 'Live High, Hang Long', (196-), Winchester Western, Number 764, Cleveland Publishing, Sydney, Australia. 'Mister Deputy', (196-), Bobcat Western, Number 111, Cleveland Publishing, Sydney, Australia. 'Showdown at Glory Creek', (196-), Condor Western, Number 207, Cleveland Publishing, Sydney, Australia. 'Stake-Out', (196-), Santa Fe Western, Number 324, Cleveland Publishing, Sydney, Australia. 'Stranger to Justice', (196-), Peacemaker Western, Number 210, Cleveland Publishing, Sydney, Australia. 'Sundown Mesa', (196-), Santa Fe Western, Number 736, Cleveland Publishing, Sydney, Australia.'Tall Man's Code', (196-), Top Hand Western, Number 225, Cleveland Publishing, Sydney, Australia. 'The Gun Owl', (196-), Winchester Western, Number 732, Cleveland Publishing, Sydney, Australia. 'The Hole Card', (196-), Santa Fe Western, Number 301, Cleveland Publishing, Sydney, Australia. 'The Law of Hell', (196-), Bobcat Western, Number 103, Cleveland Publishing, Sydney, Australia. 'The Peace Star', (196-), Winchester Western, Number 734, Cleveland Publishing, Sydney, Australia. 'Time Out for Hanging', (196-), Coronado Western, Number 967, Cleveland Publishing, Sydney, Australia. 'Trail to Trouble', (196-), Top Hand Western, Number 227, Cleveland Publishing, Sydney, Australia.'Two for Rope', (197-), Chisholm Western, Number 716, Cleveland Publishing, Sydney, Australia. <mask>'s publications as Sheldon B Cole include:
 'Boothill is Anywhere', (196-), Loner Western, Number 203, Cleveland Publishing, Sydney, Australia. 'Carne's Raiders', (1967), Pinto Western, Number 333, Cleveland Publishing, Sydney, Australia. 'Draw Fast - or Die', (196-), Loner Western, Number 213, Cleveland Publishing, Sydney, Australia. 'Firebrand Country', (1968), Loner Western, Number 225, Cleveland Publishing, Sydney, Australia. 'Gun for Gun', (196-), Loner Western, Number 222, Cleveland Publishing, Sydney, Australia. 'Kill or Hang!', (1967), Loner Western, Number 4, Cleveland Publishing, Sydney, Australia. 'Losers Don't Count', (1970), High Brand Western, Number 336, Cleveland Publishing, Sydney, Australia. 'Mask of a Man', (1980), Peacemaker Western, Number 288, Cleveland Publishing, Sydney, Australia. 'Name the Stakes', (196-), Loner Western, Number 226, Cleveland Publishing, Sydney, Australia. 'Only One Survives', (196-), Top Hand Western, Number 336, Cleveland Publishing, Sydney, Australia. 'Outcast Country', (196-), Loner Western, Number 206, Cleveland Publishing, Sydney, Australia. 'Somewhere - a Showdown', (198-), Sierra Western, Number 547, Cleveland Publishing, Sydney, Australia.'Sundown comes Suddenly', (196-), Rawhide Western, Number 535, Cleveland Publishing, Sydney, Australia. 'The Buzzards are Gathering', (196-), Loner Western, Number 224, Cleveland Publishing, Sydney, Australia. 'The Guns of Gabriel', (196-), Loner Western, Number 218, Cleveland Publishing, Sydney, Australia. 'The Memory Trail', (1971), Loner Western, Number 18, Cleveland Publishing, Sydney, Australia. 'The Testament Trail', (196-), Loner Western, Number 214, Cleveland Publishing, Sydney, Australia. 'Where Guns Talk', (1967), Loner Western, Number 405, Cleveland Publishing, Sydney, Australia. <mask>'s publications as Walt Renwick include:
 'Death Decides', (196-), Bison Western, Number 152, Cleveland Publishing, Sydney, Australia.'Decide and Die', (196-), Bison Western, Number 152, Cleveland Publishing, Sydney, Australia. 'Draw, Damn You!, (196-), Pinto Western, Number 456, Cleveland Publishing, Sydney, Australia. 'Drop In, or Die! ', (197-), Iron Horse Western, Number 292, Cleveland Publishing, Sydney, Australia. 'Gun Whipped', (196-), Sierra Western, Number 414, Cleveland Publishing, Sydney, Australia. 'He Came Back to Kill', (196-), Bison Western, Number 144, Cleveland Publishing, Sydney, Australia. 'Killers Three', (196-), Arizona Western, Number 171, Cleveland Publishing, Sydney, Australia.'No Stranger to Trouble', (1967), Bison Western, Number 489, Cleveland Publishing, Sydney, Australia. 'Outlaw Medic' (196-), Top Hand Western, Number 224, Cleveland Publishing, Sydney, Australia. 'Reach Out - and Take', (196-), Peacemaker Western, Number 183, Cleveland Publishing, Sydney, Australia. 'The Hate of Rico Dean', (1960), Cleveland Classic, Number 204, Cleveland Publishing, Sydney, Australia. 'The Last Raw Hell', (196-), Pinto Western, Number 427, Cleveland Publishing, Sydney, Australia. 'The Losers', (196-), Santa Fe Western, Number 354, Cleveland Publishing, Sydney, Australia. 'The Wide Spread', (196-), Bobcat Western, Number 106, Cleveland Publishing, Sydney, Australia.<mask>'s publications as Morgan Culp include:
 'Clem Dussard', (196-), Sundown Western, Number 1733, Cleveland Publishing, Sydney, Australia. 'Fargo', (196-), Fargo Classic Western, Number 1, Cleveland Publishing, Sydney, Australia. 'In for the Kill', (1983), The Avenger, Number 3, Cleveland Publishing, Sydney, Australia. 'Jay Ramon', (196-), Sundown Western, Number 1725, Cleveland Publishing, Sydney, Australia. 'Just Short of Hell', (1983), The Avenger, Number 2, Cleveland Publishing, Sydney, Australia. 'Tag Klein', (196-), Sundown Western, Number 1717, Cleveland Publishing, Sydney, Australia. 'The Avenger', (1983), The Avenger, Number 1, Cleveland Publishing, Sydney, Australia.'The Faraday Brand', (1979), Sundown Western, Number 1741, Cleveland Publishing, Sydney, Australia. References

Australian crime writers
Australian fiction writers
Australian male writers
1929 births
2003 deaths
People from Mackay,

masks: Dunn Dunn Dunn Dunn Dunn Dunn


texts:
<mask> (born <mask>, August 23, 1972) is a two-time Tony Award-winning theatre producer, blogger, and writer. He is best known for his production work on Broadway. Early life and career
<mask> was born in Phoenix, Arizona to Dr. <mask> and Pamela Soper (née <mask>). He grew up in Sturbridge, Massachusetts and attended the Bancroft School in Worcester, Massachusetts. He attended Johns Hopkins University for one year with the intention of practicing law, before transferring to New York University's Tisch School of the Arts. He graduated in 1994 with a Bachelor of Fine Arts in Acting. <mask> began his professional theater career by working as a production assistant on the 1993 Broadway revival of My Fair Lady starring Richard Chamberlain.Before he began his producing career, he established himself as a company and general manager, working on shows such as Grease, Show Boat, Ragtime, Thoroughly Modern Millie, and Gypsy. Davenport Theatrical Enterprises
<mask> founded Davenport Theatrical Enterprises (DTE) in 2004, and has created, produced, and managed shows under that business for the last 15 years. His first ventures as a producer were the three Off-Broadway shows The Awesome 80s Prom, Altar Boyz, and My First Time, which he also wrote. <mask>'s first Broadway credit as a producer was 13, and since then he has produced over a dozen other Broadway shows, including the first Broadway revival of Godspell, the Tony Award-winning Best Musical Kinky Boots, and Deaf West Theatre's Spring Awakening. Since its founding, Davenport Theatrical Enterprises has expanded to other areas of the theater business. It founded Broadway Genius Group Sales, a group sales agency for Broadway and Off-Broadway shows; DTE Agency, a theatrical marketing agency; and DTE Management, a general management division. In 2019, DTE Management relaunched as Architect Theatrical.Davenport Theatrical Enterprises has founded several websites, including Your Broadway Genius, Best of Off-Broadway, and both the website and smartphone app Did He Like It?, a review aggregator for New York theater based on New York Times chief theatre critic Ben Brantley. Additionally, <mask> is the creator of Be a Broadway Star, the only Broadway-themed board game. In 2019, Inc. 5000 named Davenport Theatrical Enterprises one of America’s fastest-growing private companies. He is the founder of TheaterMakersStudio.com, a one-of-a-kind "masterclass" community with the goal of educating and inspiring writers, directors, producers and more to get their shows off the ground. <mask>'s television and film credits include the documentary These Magnificent Miles: On the Road with Red Wanting Blue, and The Bunny Hole, an award-winning television pilot that has appeared in the LA Indie Film Festival, the Orlando Film Festival, the LA Comedy Festival and more. He managed and owned the Davenport Theatre, an Off-Broadway theater in Manhattan's Theater District until January 2019. The Davenport Theatre had two performance spaces, a 149-seat main stage on the ground level, and a 60-seat blackbox theater on the upper level.<mask> named the theater after his great-grandfather, Delbert <mask>, who was a theater producer, publicist, author and lyricist in the early 1900s. Innovations in Marketing and Producing

<mask> is well known among the Broadway community as an innovative producer and marketer. He started The Producer's Perspective in 2008, a blog on which he shares his thoughts, experiences and opinions that is dedicated to making Broadway accessible and understandable. <mask>'s unique marketing initiatives have helped to bring attention to his Broadway and Off-Broadway productions. In 2007, his Off-Broadway show My First Time had a "Virgins get in free" promotion, during which audience members who were determined to be "virgins" by a psychic received a free ticket to the show. In 2012, <mask> instated the first ever "Tweet Seats" for a Broadway show during his production of Godspell. During a specially designated performance, 15 of the show's biggest fans received free tickets specifically so they could share their experience during the show on Twitter and promote it on social media.In 2006 on his Off-Broadway production of Altar Boyz, <mask> became the first producer to send audience members a follow-up email after they attended a show, a method now widely used across the industry. In 2010, <mask> announced that he would be crowd-funding his Broadway revival of Godspell. Godspell was the first Broadway production to use the crowd-funding model. Previously, Broadway investing was open to only accredited investors, who would ordinarily invest tens of thousands of dollars. In comparison, Godspell was largely funded by 700 investors (called "People of Godspell") who were able to invest amounts as small as $1,000. <mask> was lauded for making Broadway investing accessible to "average people," and for helping to bring a new crowd of investors into the Broadway community. In 2012, <mask> held auditions to find the "Godspell Cast of 2032," a group of children ages 6 to 16 who were given the chance to perform with the Broadway cast.Over 500 children auditioned, and 10 were chosen to join the company of Godspell for the curtain call for one night only. In Macbeth on Broadway, Alan Cummings played all the roles. Organically, the show's mission took a step further. <mask> asked Cummings to step into another role to get up close and personal with the audience. He went to the theater on a rainy, Sunday morning to sell rush tickets at the Box Office, this allowed the audience to interact with him on and off the stage. Gettin' the Band Back Together is set in Sayreville, NJ. In hopes of creating something special, <mask> asked the mayor and entire town to co-produce this musical with him.He was very specific as to who sent out press releases. He wanted to make the town feel as if it was similar to a sports team, Sayreville musical: Gettin' the Band Back Together! During the Portland Center Stage run of his musical Somewhere in Time, <mask> used dial-testing to partially gauge audience reaction. Although dial-testing is common in film and television, <mask> was the first producer to use it for the stage. While dial-testing is a controversial issue in the Broadway community, with some believing it will create formulaic theater, others see it as a useful tool, as detailed in the New York Times story covering the testing of Somewhere in Time. On November 30, 2015, <mask> announced that he would be livestreaming a performance of his Off-Broadway musical, Daddy Long Legs. The performance was broadcast online for free on December 10, 2015.Although the Metropolitan Opera and National Theatre Live, an initiative of the Royal National Theatre, have broadcast theatrical productions in the past, this was the first time a Broadway or Off-Broadway production was livestreamed. On January 15, 2016, the producers of Spring Awakening, in association with The Broadway League, presented a symposium titled "How to Make Broadway More Accessible," featuring members of the disability community and a keynote address from Timothy Shriver, chairman of Special Olympics. Other activities
<mask> was named one of Crain's "40 Under 40", and received the 2010 Leonidas A. Nickole Award of Distinction from the Musical Theatre Society of Emerson College. He won the 2008 Spirit of Theatre Award from Theatre Resources Unlimited, and his television pilot The Bunny Hole has been honored at the Orlando Film Festival, the IndieFEST Film Awards, and more. In 2008, he appeared in one of the first Apple iPhone television commercials. <mask> has been a guest lecturer at universities in the New York City metropolitan area. He has taught “Acting As A Business” for America Online, and his marketing techniques have been profiled in the New York Times and in marketing guru's Andy Sernovitz's book Word of Mouth Marketing.<mask> was a member of the BMI Librettist Workshop and is a founding member of the Independent Theater Bloggers Association. <mask> is a member of The Broadway League and the League of Off-Broadway Theaters and Producers. Productions
 2022, Harmony: A New Musical (National Yiddish Theatre Folksbiene)
2020, Americano!

masks:
Ken Davenport
Kenneth Anjum Hasija
Davenport
Kenny Hasija
Davenport
Davenport
Davenport
Davenport
Davenport
Davenport
Davenport
Essex Davenport
Davenport
Davenport
Davenport
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Davenport
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texts:
<mask> (1765 – 18 December 1855), born Frances Mary Ross, was an actress and later the manager of the provincial theatres of the Lincoln Circuit. Family
<mask>'s parents were the actors William Ross (died 1781) and his wife Elizabeth (née Mills), later Mrs John Brown (died 1823). Her younger sister Anna Ross married the actor-manager John Brunton. Anna and John's eldest daughter was the actress Elizabeth Yates, and John's sister Louisa Brunton, another actress, married Major-General William Craven, 1st Earl of Craven. Her half-brothers John Mills Brown, Henry Brown and half-sister Mary Clarke ( Brown) were also actors who had appeared with her on the Lincoln Circuit. She married <mask>, actor and manager, on 8 September 1793. They had at least three children, Richard Shaftoe (b.1794), Thomas Shaftoe (b. 1795) and John (b. 1796). A nephew was William Shaftoe <mask>, whose most famous children were the playwright T. W<mask> and the actress Dame Madge Kendal. Acting career
<mask> performed at the Theatre Royal, Norwich, in the 1770s, 1780s and 1790s, often with her sister and other family members. At a benefit performance on 2 May 1791 in Norwich, she appeared as Euphrasia in The Grecian Daughter. Her future husband Thomas Shaftoe <mask> and "Jemmy" Miller ran the Lincoln Circuit of theatres until 2 May 1796, when Miller sold out to Tom, who entered into partnership with Robert Henry Franklin.The theatre venues in the Circuit varied over time, but at some point included theatres in Lincoln, Boston, Grantham, Peterborough, Newark, Oundle, Spalding, Huntingdon, Wisbech, and other nearby towns. Audience behaviour could be unruly, and on occasion her husband had to take steps to protect <mask> and other actors, as recounted in this newspaper report:

<mask>'s long career as actor and manager enabled her to work with several generations of actors, including child actor William Henry West Betty, who performed in the Georgian theatre in Wisbech in 1808. Over 30 years later <mask> brought his son, Henry Betty, to perform at her Spalding theatre in October 1839. In April 1810 she appeared with John Quick at Wisbech as Julia in The Way to Married, as Roasalind in As You Like It, and as Letitia Hardy in The Belle's Stratagem, finally as the widow Belmour in The Way to Keep Him. In November 1813 she performed as Donna Violante opposite Charles Kemble as Don Felix in The Wonder! A Woman Keeps a Secret! at the Theatre, Newark.She performed opposite Edmund Kean as Portia and Shylock in The Merchant of Venice in Lincoln in 1824, where he also played the title characters in Richard III, Othello and Hamlet. He returned to appear in The Merchant of Venice in Boston and Wisbech in April 1831. She performed as Ophelia opposite William Macready in Hamlet in September 1828 in Lincoln and again in June 1836 in Wisbech and Peterborough to open a five-week season. Another West End actor brought by <mask> to perform at Wisbech and other Lincoln Circuit venues was Henry Compton. A critic wrote that his performance as Touchstone in As You Like It and as Mawwarm in Isaac Bickerstaff's The Hypocrite "was capital, he kept the audience in one tumult of laughter from beginning to end". When her husband was put in Lincoln Castle Gaol for debt in 1817, supporters aided them by putting on amateur productions and purchasing the theatrical travelling property sold by auction, and appointing him their manager. Some landlords even reduced the rents of their theatres, according to a handbill promoting Speed the Plough and Chip of the Old Block, to be performed on 7 April 1817 at the theatre in Wisbech.Theatre management and later years
<mask> inherited the Lincoln Circuit, when widowed in 1831, and announced that her nephew William Roberson would conduct the acting management and that his wife Margaretta would make her first appearance as a singer in Lincoln on 28 September. This also coincided with the installation of gas lighting in the theatre. <mask> shortened her company's seasons at the Lincoln Circuit theatres and added short stops for fairs and race weeks; she also wrote and produced the plays The Nun (1833) at Lincoln in November 1833, and Louis XIII (1836) in December 1836. The corn merchant James Hill (father of Octavia Hill and Miranda Hill) bought the Georgian theatre in Wisbech and adjoining land in 1835 and started to invest money in the theatre and in further developing the site. On 27 June 1840 James Hill and Thomas Hill went bankrupt and their estates were sold by auction, including the Wisbech theatre, which <mask> was then leasing. The changing tastes of patrons may be evident from an advert in the Stamford Mercury: "Mrs T. <mask> had just entered upon the occupancy of Stamford Theatre and announced her intention to commence a season starting on 5th October 1841 (the next race day). She also announced a series of grand MUSICAL and INSTRUMENTAL CONCERTS by artists from the Gloucester Festival, to be held in Boston on 19th September and Lincoln on 21st and for race week.Theatrical performances in Peterborough for the Fair nights and to return for 2nd, 4th and 9th due to their commitment to Stamford Race week (5th to 8th October) and a five week season." After the Guy Fawkes Night performance of King John and Mary, the Maid of the Inn at Stamford, the vocalists Elizabeth Inverarity, her husband Charles Martyn, his sister, Mr Frazer and Mr Stretton toured Peterborough, Wisbech, Boston and Lincoln with musical concerts in November 1841. At the Wisbech theatre the attendance was very bad, as was the weather. The Wisbech theatre had been "lately fitted up and decorated at great expense, for the purpose of public assemblies and concerts" when it was offered for sale by auction at the White Hart Inn on 2 May 1843. <mask> continued as a tenant  In April 1843, The Theatre wrote: "On Monday evening our theatrical friends took leave of us. Mrs. <mask> had her farewell benefit, having resigned the management to her nephew, Mr. W<mask>. She appeared in the character of Lady Eleanor Irwin, in Elizabeth Inchbald's comedy Everyone has his Fault after which she delivered a very neat and appropriate address.There was a full house, but we are sorry to say the season has been productive of very few even tolerable houses." <mask> retired to Wisbech that year, and her nephew <mask> became the manager of the family's theatres and theatre company. On 6 November 1843 the Wisbech theatre was again put up for auction "in an excellent condition". <mask> made an agreement to sell Huntingdon theatre to James Balfour in 1845. In July 1846 the Robertson theatre company performed a play Mind how you Wed! written by Dr Whitsed, a local GP and later mayor. In May 1847 Mr Davenport, manager of several Norfolk theatres, took a season at the Wisbech theatre and held a benefit night for <mask>.By 1848 the <mask> theatre company was reported to have been entirely broken up. <mask>, aged 80, was in a state of such poverty that Huntingdon and other towns on the Circuit opened subscription lists to remedy the situation. A concert at the Wisbech theatre by the Wisbech Harmonic Society and Mr. T. Macklin of King's College Chapel to raise funds for an annuity for <mask> was arranged in May 1848. This was apparently successful, as the 1851 census records that she was then "an annuitant living on her own in Norfolk Street West, Wisbech." <mask> died in 1855 in Wisbech, attended by her friend, the amateur playwright and medical doctor John Whitsted. Legacy
William Hilton, a son of the portrait painter William Hilton Snr of Lincoln, one of the company's scenery painters, was encouraged by <mask> to pursue a career as an artist; he rose to become a Royal Academician and, in gratitude for her assistance, later painted <mask> in the role of Beatrice. In 1866 the painting was in the Wisbech Working Men's Institute.William Hilton Snr was credited on theatre handbills for creating scenery for the <mask>s until the 1820s. The Wisbech & Fenland Museum has a collection of over two hundred theatre posters, handbills and other items from the Georgian theatre in Wisbech. A small collection is also held by the Angles Theatre. The Wisbech theatre reopened in the 1970s as the Angles Theatre. Its bar was named Macready's but was later changed to "The Lincoln Circuit", to commemorate the theatre circuit run by <mask> and her family. Sources

References

1768 births
1855 deaths
18th-century English actresses
English stage actresses
19th-century English actresses
English theatre managers and producers
English women dramatists and playwrights
19th-century English dramatists and playwrights

masks:
Fanny Robertson
Robertson
Thomas Shaftoe Robertson
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texts:
<mask> (born May 4, 1955) is an American screenwriter and teacher, best known for writing Lasse Hallstrom's Once Around and Steven Spielberg's Hook. <mask>mo also collaborated with novelist Soman Chainani in adapting the upcoming The School for Good and Evil, a Netflix production to be directed by Paul Feig. <mask>mo also teaches screenwriting and, through the Sundance Institute and other organizations, mentors aspiring filmmakers. In 2012, <mask> received the Andrew Sarris award, which honors outstanding service and artistic achievement by distinguished Columbia Film Program alumni. Early life
<mask> was born and raised in Wakefield, Massachusetts. After receiving an associate degree from Bunker Hill Community College, she went on to earn a bachelor of arts degree as a double major in English Literature and Spanish Language and Literature at Boston University,  and her Master of Fine Arts from the Columbia University School of the Arts in 1988. While at Columbia's film school, <mask> Marmo's professors included Frantisek Daniel, Miloš Forman, Martin Scorcese, Annette Insdorf, and Vojtěch Jasný.Career

The 1990s
While <mask>mo was still enrolled in Columbia University's graduate film program, her thesis screenplay was acquired by producers Amy Robinson and Griffin Dunne. Robinson and Dunne brought the script to Swedish director Lasse Hallström and, in 1991, Once Around became his first American film, starring Richard Dreyfus and Holly Hunter. Also while at Columbia, <mask>mo directed an award-winning short film entitled A Secret Thing. During pre-production for Once Around, <mask> Marmo came to the attention of acclaimed film director Steven Spielberg, who hired her to write Hook, also released in 1991. Hook starred Robin Williams as an adult Peter Pan, Dustin Hoffman as Captain Hook, and Julia Roberts as Tinkerbell. <mask> Marmo shared writing credit with James V. Hart and also served as associate producer on the film. While Hook was being shot, <mask>mo began working on her next Spielberg project, Jurassic Park, released in 1993.Jurassic Park, which has had four sequels to date, starred Sam Neill, Laura Dern, Jeff Goldblum, and Richard Attenborough. Scotch Marmo wrote the second draft of Jurassic Park, between the drafts of novelist Michael Crichton and David Koepp. Scotch Marmo was next recruited to rewrite Norman Jewison's Only You while on location in Pittsburgh and Rome. Released in 1994, Only You starred Robert Downey, Jr. and Marisa Tomei as star-crossed lovers. From 1994 to 1997, Scotch Marmo focused on developing two projects that never made it to the screen. For director Alfonso Arau, Scotch Marmo adapted Michael Golding's Simple Prayers, a novel set on a small Venetian island in the fourteenth century, and for director Alfonso Cuaron, Scotch Marmo re-wrote Donald Westlake's Love in the Attic, based on the true story of a 1920s housewife who fell in love with a sewing machine repairman and hid him in the attic while her husband was at home. Scotch Marmo next adapted Ludwig Bemelmans' Madeline book series into Madeline.Scotch Marmo received story credit for the film, which was released in 1998, and was directed by Daisy von Scherler Mayer and starred Frances MacDormand. In 1998, Garry Marshall brought in Scotch Marmo to do a production rewrite on The Other Sister. Released in 1999, the film starred Juliette Lewis and Diane Keaton. The 2000s
From 1998 to 2002, Scotch Marmo attempted to get an original screenwriting project off the ground as her first feature-length directorial project. When Fritz Left Kate was developed by various producers, including James L. Brooks, who saw it as a vehicle for Woody Harrelson and Tea Leoni, but the film was not realized. In 2000, Castle Rock Entertainment and Playtone Company hired Scotch-Marmo to adapt Chris Van Allsburg's children's classic Polar Express, to be directed by Rob Reiner and to star Tom Hanks. Polar Express, released in 2004, was ultimately directed by Robert Zemeckis.<mask> Marmo was engaged in 2005 to rewrite Bill Kelly's Enchanted. The film, which was released in 2007, was directed by Kevin Lima, and starred Amy Adams and Patrick Dempsey. In 2005-2008, Scotch Marmo worked on another unproduced project, Winged Boy, which was to have been directed by Luis Mandoki. In 2009-2010, Scotch Marmo collaborated with leading Pakistani director Sabiha Sumar (Khamosh Pani/Silent Waters) to write a screenplay originally entitled Rafina. Set against the backdrop of the Benazir Bhutto assassination, Rafina is a young woman from the Karachi slums who dreams of becoming a model. The film was shot on location in Pakistan in 2010 with real-life model Amna Ilyas in the lead role, and released internationally in 2013 as Good Morning Karachi. <mask> Marmo also served as producer on the film.The 2010s
In 2013, <mask> returned to Hollywood and was enrolled by the Joe Roth Company and Universal Pictures, as part of a team with her former student Soman Chainani, to adapt Chainani's debut novel, The School for Good and Evil. The book is the first part of a six-book series. The School for Good and Evil is a Netflix production, to be directed by Paul Feig, and starring Charlize Theron and Kerry Washington. Recently, <mask>mo completed The Murderous Life of Bruno Enzo a film loosely based on her grandfather. She is also executive producer of a compilation film of four short films written and directed by young Rwandan filmmakers. Academia
<mask> frequently teaches screenwriting at the Columbia University Graduate School of the Arts, where she has been an adjunct faculty member off and on since 2002. <mask> has also taught screenwriting at Sarah Lawrence College and La Femis in Paris.In addition to Chainani, Scotch Marmo's former students include Phil Johnston (screenwriter, Wreck-It Ralph), Jennifer Lee (screenwriter and co-director, Frozen), and Lakshmi Sundaram (television writer, Brooklyn Nine-Nine). Scotch Marmo has frequently served as a Creative Advisor for the Sundance Institute, mentoring developing filmmakers in labs held in Provo, Utah and Mumbai, India. She has also served as a Mentor for the Maisha Film Lab, founded by Indian filmmaker Mira Nair, and worked with developing filmmakers in Kigali, Rwanda. Screenplays

 Once Around (1991)
 Hook (1991)
 Only You (uncredited) (1992)
 Jurassic Park (uncredited) (1993)
 Madeline (1998)
 The Other Sister (uncredited) (1999)
 Polar Express (uncredited) (2004)
 Enchanted (uncredited) (2007)
 Good Morning Karachi (2013)
 The School for Good and Evil (2022)

References

External links

1935 births
Living people
20th-century American screenwriters
20th-century American women writers
21st-century American screenwriters
21st-century American women writers
American women screenwriters
Boston University College of Arts and Sciences alumni
Bunker Hill Community College alumni
Columbia University School of the Arts alumni
People from Wakefield, Massachusetts
Screenwriters from Massachusetts
Screenwriting instructors

masks:
Malia Scotch Marmo
Scotch Mar
Scotch Mar
Scotch Marmo
Scotch Marmo
Scotch
Scotch Mar
Scotch Mar
Scotch
Scotch
Scotch Mar
Scotch
Scotch
Scotch Marmo
Scotch Mar
Scotch Marmo
Scotch Marmo


texts:
<mask> (May 28, 1882 – July 1, 1928) was an American playwright of the Jazz Age. He had four plays running simultaneously on Broadway in 1920. Early life
<mask> was born to James and <mask> on May 28, 1882, in Cleveland, Ohio. He graduated from Cleveland's West High School in 1900. In 1901, he began attending the University of Michigan in Ann Arbor. However, his family experienced financial difficulties, so for his second year he transferred to Adelbert College. He returned to the University of Michigan in the fall of 1903, and graduated Phi Beta Kappa in 1905.Career
<mask> started out as a journalist for the Cleveland Leader as its New York correspondent, but within a year had his first play, Clothes (1906), produced on Broadway, with the aid of playwright Channing Pollock. <mask> eventually became known as "The Playboy Playwright" and specialized in comedies and farces, some of them with material considered risqué  at the time. One play, The Demi-Virgin in 1921, prompted a court case because of its suggestive subject matter, including a risque game of cards, "Stripping Cupid", where a bevy of showgirls teased the audience in their lingerie. The case was dismissed. His many plays included Nobody's Widow (1910), starring Blanche Bates; Fair and Warmer (1915), starring Madge Kennedy (filmed in 1919); The Gold Diggers (1919), starring Ina Claire in New York and Tallulah Bankhead in London; (filmed in 1923 as The Gold Diggers, in 1928 as Gold Diggers of Broadway and also as Gold Diggers of 1933); Ladies' Night, 1920, starring Charlie Ruggles (filmed in 1928); the famous mystery play The Bat (with Mary Roberts Rinehart), 1920 (filmed in 1926 as The Bat, in 1930 as The Bat Whispers, and in 1959 as The Bat); Getting Gertie's Garter (with Wilson Collison), 1921, starring Hazel Dawn (filmed in 1927 and 1945); The Demi-Virgin, 1921, also starring Dawn; The Alarm Clock, 1923; The Best People (with David Gray), 1924 (filmed in 1925 and as Fast and Loose in 1930 with Clara Bow); the song-farce Naughty Cinderella, 1925, starring Irene Bordoni and The Garden of Eden in 1927, with Tallulah Bankhead in London and Miriam Hopkins in New York; (filmed in 1928 as The Garden of Eden). Hopwood was asked to write the third act of Mary Roberts Rinehart's mystery play The Bat. He then collaborated with Rinehart on reworking the entire play at her home in Sewickley and sometimes in New York.The Bat scored 897 performances at the Morosco theater, NYC. The early sound film The Bat Whispers played an influence on Bob Kane's Batman because the inspiration for Batman's costume came from the "mysterious Bat" character portrayed in the movie from 1930. Personal life

In 1906, <mask> was introduced to writer and photographer Carl Van Vechten. The two became close friends and were sometimes sexual partners. In the 1920s <mask> had a tumultuous and abusive romantic relationship with fellow Cleveland-born playwright John Floyd. Although <mask> announced to the press in 1924 that he was engaged to vaudeville dancer and choreographer Rosa Rolanda, Van Vechten confirmed in later years that it was a publicity stunt. Rolanda would later marry caricaturist Miguel Covarrubias.On the evening of July 1, 1928, at Juan-les-Pins on the French Riviera, <mask> suffered a fatal heart attack while swimming. He was buried in Riverside Cemetery, Cleveland. His mother, Jule <mask>, inherited a large trust from him, but he had not made arrangements for the disposition of other items, including literary rights. While she was working through the legal issues with his estate, Jule <mask> fell ill and died on March 1, 1929. She was buried next to her son. Legacy
<mask>'s plays were very successful commercially, but they did not have the lasting literary significance he hoped to achieve. Hopwood Award
The terms of <mask>'s will left a substantial portion of his estate to his alma mater, the University of Michigan, for the establishment of the Avery Hopwood and Jule Hopwood Creative Writing Awards.The bequest stipulated: "It is especially desired that students competing for prizes shall be allowed the widest possible latitude, and that the new, the unusual, and the radical shall be especially encouraged." Famous Hopwood award winners include Robert Hayden, Marge Piercy, Arthur Miller, Betty Smith, Lawrence Kasdan, John Ciardi, Mary Gaitskill, Edmund White, Nancy Willard, Frank O'Hara, and Steve Hamilton. The Great Bordello
Throughout his life, <mask> worked on a novel that he hoped would "expose" the strictures the commercial theater machine imposed on playwrights, but the manuscript was never published. Jack Sharrar recovered the manuscript for this novel in 1982 during his research for <mask>, His Life and Plays. The novel was published in July 2011 by Mondial Books (New York) as The Great Bordello, a Story of the Theatre. NY: Macmillan Publishing Co., 1974. Matinee Tomorrow, by Ward Morehouse.NY: McGraw-Hill Book Company, 1948. Posing a Threat: Flappers, Chorus Girls, and Other Brazen Performers of the American 1920s, by Angela Latham. Hanover and London: Wesleyan University Press, 2000. The Splendid Drunken Twenties: Carl Van Vechten Selections from the Daybooks, 1922–1930. Edited by Bruce Kellner. Urbana and Chicago: University of Illinois Press, 2003. External links

 Mary Roberts Rinehart at University of Pittsburgh digital library – includes material on her collaboration with Hopwood

1882 births
1928 deaths
American gay writers
LGBT dramatists and playwrights
LGBT people from Ohio
University of Michigan alumni
American male dramatists and playwrights
20th-century American dramatists and playwrights
Writers from Cleveland
20th-century American male writers

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