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<mask> "Fran" <mask> (; born 30 November 1984) is a Spanish professional footballer who plays as a striker for Extremadura. He achieved Segunda División totals of 127 games and 34 goals for Lugo, Girona and Alcorcón, but spent most of his career abroad. He represented Dundee United, St Johnstone and Rangers in Scotland, in addition to brief spells in England, Qatar, Japan, China and India. Career

Valencia B
Sandaza joined Valencia in 2002 and played in the Primera División outfit's reserve team. Before, Sandaza played on loan in UD Puçol in the Tercera División (his coach that year in UD Puçol was Luis Milla). He considered leaving full-time football to become a police officer. Sandaza is also good friend with Valencia's teammate and now Barcelona player Jordi Alba, during his time at Valencia B.

Dundee United
On 11 July 2008, Sandaza instead signed for Scottish Premier League side Dundee United, making his league début exactly a month later.After scoring three goals in pre-season, he scored his first competitive goal for the club in the 1–1 draw against Celtic on 17 August 2008. In September, <mask> scored his second and netted four times in the first half of November, including a double against eventual champions, Rangers. Injury halted Sandaza's progress towards the end of the year and he didn't score again until late February, scoring three more times in March. In his first season in Scotland, Sandaza scored ten league goals, with five coming against the Old Firm. A groin injury prevented Sandaza from starting the 2009–10 season, with a November operation likely to see him return by the end of 2009. Hernia problems restricted his appearances during the season, and he was struggling to get into the United first team so in August 2010 was allowed to go on trial with Swansea City. Sandaza was eventually released by United on 31 August, allowing him to sign for another club as a free agent after the closure of the transfer window.During his time at Dundee United, Sandaza earned a nickname "Braveheart" by the club's supporters. Brighton & Hove Albion
Sandaza signed for Brighton & Hove Albion under their new manager Gus Poyet. <mask> made his debut for the club, coming on for Glenn Murray in the 69th minute, in a 2–0 win over Plymouth Argyle. A few weeks later, <mask> scored his first goal, a winning goal in a 2–1 win over Oldham Athletic. In the FA Cup campaign, <mask> scored two goals in two consecutive games, in separate round victories against United of Manchester and Portsmouth. Two months later, on 22 February 2011, he scored again, but this time it's against Plymouth (the team he made his debut against). However, his time at Brighton was limited after his first team was he was surplus to requirements, due to goalscoring form of Ashley Barnes and Glenn Murray.At the end of the season, the club would get promoted to the Championship. In May 2011 the club announced that he would be released at the end of the season following the ending of his current contract, along with five other players. St Johnstone
On 25 July 2011, <mask> signed a one-year deal with St Johnstone. Sandaza scored 12 goals in his first 17 appearances for St Johnstone, which prompted the club to offer him an extended contract. Due to his goalscoring form for St Johnstone, Rangers made a pre-contract offer for Sandaza as his contract was set to expire at the end of the season. <mask> eventually rejected Rangers' offers, claiming he did not want to be a 'cheap' option. Following his decision to reject the move, the Glasgow club entered administration, leading Sandaza to say he was relieved to have turned down a pre-contract deal, while acknowledging his sympathy for Rangers' plight.<mask> became a free agent after announcing he was leaving the club. Rangers
On 7 August 2012, <mask> signed a three-year deal with Rangers, who had to start life again in the Scottish Third Division after administration and then subsequent liquidation. On 18 August, <mask> scored his first Rangers goal and provided a double assist in front of a 49,118 crowd at Ibrox, as Rangers won 5–1 against East Stirlingshire. On 20 January, <mask> scored his second Rangers goal away to Peterhead to give the light blues a 1–0 victory. In September, <mask> soon suffered an injury on a cheekbone and was taken to hospital for an X-ray after clashed heads with Motherwell's Shaun Hutchinson in the Scottish League Cup, which Rangers won 2–0. His injury was estimated to rule him out for eight weeks, with possibilities of being out for the rest of the year. In December 2012, <mask> alleged to Spanish newspaper Diario AS that Rangers – a club with a strong Protestant identity – had told him to stop making the Catholic sign of the cross.The club denied these allegations, pointing out that former club icons Lorenzo Amoruso and Shota Arveladze crossed themselves regularly. In March 2013, <mask> was duped into discussing a possible transfer from Rangers to the Major League Soccer by a hoax telephone caller posing as a football agent. The caller was a supporter of Rangers’ rival Celtic FC. His comment about Rangers resulted in his being suspended by the club following a decision and an immediate investigation into the comment. However, his Rangers career ended after the club terminated his contract, subject to the right of appeal. Following his release, Mark Hateley wrote in the Daily Record and spoke negatively about Sandaza, but stated that Sandaza leaving would be like a new signing. After admitting to a telephone hoaxer, who claimed to be a football agent, that he was only at Rangers for the money and would leave if an alternative offer was made, suitable for the club as well, he was suspended by the club.He did not appear in training or play for the club again after that incident. During his suspension, <mask> feared his Rangers career might be over as he suspected that club owner Charles Green wished to sell him. That fear was proven correct as the club, after an investigation into the 'hoax agent' incident, terminated his contract subject to the right of appeal. Shortly after his release, <mask> attempted to sue the club over this breach of contract. On 18 July 2013, Sandaza dropped his lawsuit against the club and the hoaxer. Lugo
After leaving Rangers, <mask> went on trial in Romania at Liga I club Petrolul Ploiești, but was not offered a contract and returned to Spain. On 18 July 2013, <mask> signed a contract with CD Lugo, returning to Spain after five years abroad.Upon joining the club, <mask> expected to score many goals ahead of the new season. <mask> made his Lugo debut, in the opening game of the season, playing 90 minutes, in a 0-0 draw against Numancia. <mask> scored in the next game on 24 August 2013, in a 2-1 loss against Barcelona B. His second goal then came on 21 September 2013, in a 1-0 win over Tenerife. His third goal later came on 12 October 2013, in a 1-0 win over Córdoba. <mask> later scored fourth and fifth goals against Alcorcón and Alavés. However, <mask> suffered a muscle injury, sprained ankle and muscle tear during the season.Despite the injuries, Sandaza made twenty-seven appearances and scoring five times in all competitions. It was announced on 14 June 2014 that Sandaza was released by the club. Girona
On 17 July 2014, <mask> joined Girona on a one-year contract. After being on the bench in the opening game of the season against Racing de Santander, Sandaza scored two goals in two games against Alcorcón (which was his debut) and Tenerife. By the end of 2014, Sandaza scored five more goals against Ponferradina, Mirandés, Leganés and Alavés. Later in the 2014-15 season, Sandaza later scored nine more goals against Lugo, Alcorcón, Numancia, Leganés, Recreativo de Huelva, FC Barcelona B, Llagostera, Mallorca and Lugo. In his first season at Girona, Sandaza made forty-two appearances and scoring sixteen times in all competitions.Later career
On 8 July 2015, <mask> moved joined J1 League side FC Tokyo. On 8 July 2016, after being sparingly used at FC Tokyo, <mask> returned to Girona after agreeing to a two-year contract. Roughly one year later he was loaned to Al Ahli SC; after sustaining an injury which took him out of the first matches of the campaign, he was unable to play until January due to being unregistered. On 5 February 2018, <mask> terminated his contract with the Blanquivermells, and subsequently joined China's Qingdao Huanghai FC. He returned to Spain on 18 December 2018, after agreeing to a two-and-a-half-year contract with Alcorcón. On 15 September 2020, <mask> terminated his contract with Alkor. Days later, he signed a one-year deal  with Indian Super League club Hyderabad FC.Personal life
Toward the end of the 2011–12 season, <mask> was banned from driving after admitting to being more than twice the legal limit when he was caught driving the wrong way down a one-way street in Perth. After initially letting him go, police became concerned about the way he drove off and pulled him over again a short time later to perform a breathalyzer test. At Perth Sheriff Court, <mask> was given a 16-month driving ban and fined £550. Club statistics

Honours
Valencia Mestalla
Tercera División: 2004–05

Brighton & Hove Albion
Football League One: 2010–11

Rangers
Scottish Third Division: 2012–13

References

External links

1984 births
Living people
People from Toledo, Spain
Spanish footballers
Footballers from Castilla–La Mancha
Association football forwards
Segunda División players
Segunda División B players
Tercera División players
J1 League players
CD Toledo players
Valencia CF Mestalla footballers
CD Lugo players
Girona FC players
AD Alcorcón footballers
Scottish Premier League players
Scottish Football League players
Dundee United F.C. players
St Johnstone F.C. players
Rangers F.C. players
English Football League players
Brighton & Hove Albion F.C.players
FC Tokyo players
Al Ahli SC (Doha) players
Qingdao F.C. players
Spanish expatriate footballers
Expatriate footballers in Scotland
Expatriate footballers in England
Spanish expatriate sportspeople in Scotland
Expatriate footballers in Japan
Spanish expatriate sportspeople in Japan
Expatriate footballers in Qatar
Spanish expatriate sportspeople in Qatar
Qatar Stars League players
Expatriate footballers in China
Spanish expatriate sportspeople in China
China League One players
Spanish expatriate sportspeople in England
Spanish expatriate sportspeople in India
Indian Super League players
Hyderabad FC players

masks:
Francisco
José Sandaza Asensio
Sandaza
Sandaza
Sandaza
Sandaza
Sandaza
Sandaza
Sandaza
Sandaza
Sandaza
Sandaza
Sandaza
Sandaza
Sandaza
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type: original

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<mask>wok-wing (12 September 1956 – 1 April 2003) was a Hong Kong singer and actor. Throughout a 26-year career from 1977 until his death, <mask> released over 40 music albums and acted in 56 films. He was one of the most prominent pioneers that shaped the identity of Cantopop during the 1980s and became known for his flamboyant, often outrageous stage appearance. His venture into acting in the 1990s was recognised for his portrayal of queer characters in a then-conservative film industry. His career was marked with both praise and criticism, with numerous public discussions focusing on his sexual orientation  and androgynous persona. Born <mask>ung in Kowloon, British Hong Kong, <mask> studied in England from the age of 12 until returning to Hong Kong in 1976 to pursue a career in show business. He achieved wide popularity with his 1984 self-titled album and its single "Monica", whose upbeat dance production introduced a new popular trend to Cantopop in addition to the contemporary pool of sentimental ballads.<mask>'s continued success with a string of hit albums in the mid- and late-1980s, most notably 1987 best-seller Summer Romance, won him numerous awards, including Most Popular Male Artist at the 1988 and 1989 Jade Solid Gold Best Ten Music Awards. In addition to music, <mask> had breakthrough film roles as a disillusioned teenager in Nomad (1982) and as a police officer torn between justice and brotherhood in A Better Tomorrow (1986). He announced his "retirement" from music and emigrated to Canada in 1989, but remained active in his burgeoning acting career. <mask> achieved widespread recognition as an actor in the 1990s. He played a womaniser longing for the return of his estranged mother in Days of Being Wild (1990), which won him Best Actor at the 1991 Hong Kong Film Awards. His role as a homosexual Peking opera actor in Farewell My Concubine (1993) catapulted him to prominence in the western world. <mask>'s reputation as a queer celebrity consolidated with his role in the 1997 drama Happy Together, a film explicitly depicting a homosexual male relationship.His comeback as a recording artist in the late 1990s, particularly with his 1996 album Red, was noted for sonic experimentation and extravagant, graphic imagery. He was awarded the Golden Needle Award, the highest distinction of the RTHK Top 10 Gold Songs Awards, in 1999. In 2000, he was honoured as "Asia's Biggest Superstar" at the CCTV/MTV Music Honours in mainland China. <mask> committed suicide by jumping off the 24th floor of the hotel Mandarin Oriental on 1 April 2003, having been diagnosed with severe clinical depression. Early life

<mask> was born <mask>-chung in Kowloon, British Hong Kong, the youngest of 10 children in a middle-class Hakka family. His father, <mask>t-hoi, was a well-known tailor specialised in suits whose customers included Western celebrities such as film director Alfred Hitchcock and actors Marlon Brando and Cary Grant. Despite his father's reputation in the fashion industry, <mask> was uninspired by the profession.<mask> told many interviewers that he had an unhappy childhood, feeling emotionally estranged from his father and siblings, and frequently witnessing arguments and fights in the household. He felt "depressed sometimes" and longed for affection from his parents who were absent from home most of the time in his childhood. His father's abusive treatment of his mother had a lasting effect on <mask>'s perspectives on marriage. When <mask>'s father married another woman, his emotional life further deteriorated. He was brought up by his grandmother, whom he was very close with. <mask> summed up his upbringing as a "silent resentment" with "nothing worth remembering", except for the death of his grandmother when he was in primary school, which was the "one thing that I do remember about my childhood." <mask> attended Rosaryhill School for secondary education in Hong Kong and, at age 12, enrolled at Norwich School in England.During his time at Rosaryhill, <mask> was academically poor but excelled in the English language. He discovered a newfound interest in Western films and immersed himself in music, studying the original soundtrack of Romeo and Juliet. When in England, he recalled that there were "racial problems", but managed to make friends. During weekends, he worked as a bartender and would sometimes do amateur singing at his relatives' restaurant in Southend-on-Sea. He came across the film Gone with the Wind and chose <mask> as his English name inspired by the actor <mask>, feeling that "The name can be a man's or woman's, it's very unisex." <mask> attended the University of Leeds, where he studied textile management. After one year of study, in 1976, he returned to Hong Kong when his father became paralyzed on one side of the body after a stroke.As the father wanted all of his children to be at home, <mask> abandoned his study and became a salesman for Levi's for a living. <mask> recalled that during this time, "I had no plans; there I was, feeling like I was hanging in the middle of nowhere." Career

Beginnings
Upon returning to Hong Kong, <mask> went back to high school as a mature student and formed a band, where he was the lead singer, with his classmates. In May 1977, the band members signed up individually for Rediffusion Television (RTV)'s Asian Singing Contest. Only <mask> remained until the final round of the Hong Kong division, where he finished as the first runner-up with a rendition of "American Pie". He proceeded to the pan-Asian division, finishing fifth. Soon after the competition, RTV offered <mask> a three-year contract as a second-rate actor for RTV.He also signed with Polydor Records with hopes of releasing music albums. <mask>'s career in show business did not take off immediately. His first film role was in Erotic Dream of the Red Chamber (, 1978), a softcore porn production that features his bare buttocks. His first two albums were solely recorded in English, and his third album, Lover's Arrow (, 1979) was recorded in Cantonese. The albums failed commercially, and critics lambasted <mask>'s voice as "chicken-like". <mask>'s first public performance at the 1977 Hong Kong Pop Folk Music Festival was booed off the stage by the audience. He described his early days into show business as "full of uncertainty ...I remember well that my singing career at the early stage was like 'a person running into a rock', full of despair and obstacles." Seeing little potential in <mask>, Polydor allowed him to depart on his own terms. 1982–1989: Cantopop success and film crossover
<mask> signed with Capital Artists, a record label closely associated with the then-dominant television network TVB, in 1982. His first hit single, "The Wind Blows On" (; 1982), is a cover version of Momoe Yamaguchi's Japanese single "The Other Side of Goodbye" . The song was successful on charts, revitalising <mask>'s image as a Cantopop singer. The titular album was <mask>'s first to be certified gold by the International Federation of the Phonographic Industry (IFPI) Hong Kong. His second album with Capital, Craziness (, 1983), is a compilation of songs he recorded for TVB dramas.The album was also a success, receiving a gold certification from the IFPI Hong Kong. He continued his movie crossover with roles mostly in teenage films, and earned his first major recognition for starring in Nomad (1982). While <mask> had already been a well-known actor with likeable personae in TVB productions, his role as a disillusioned teenager in Nomad foresaw his future reputation as an icon of rebel. The role garnered <mask> a nomination for Best Actor at the 1983 Hong Kong Film Awards. The year 1984 was when <mask> achieved mass stardom. He released the hit single "Monica", a cover of the single by Japanese singer Kōji Kikkawa. The song topped charts in Hong Kong and was one of the 10 gold-certified songs honoured at TVB's 1984 Jade Solid Gold Best Ten Music Awards and the 1984 RTHK Top 10 Gold Songs Awards.The song's upbeat dance production introduced a new musical trend to Cantopop, in addition to the traditional sentimental ballads that had dominated the scene. <mask>'s 1984 self-titled album, which included "Monica", was his first to be certified platinum by the IFPI Hong Kong and sold over 200,000 copies. He starred in the TVB drama Once Upon an Ordinary Girl () and the film Behind the Yellow Line. In the latter, he co-starred with actress <mask> and singer-actress Anita Mui. Both productions were commercially successful and put <mask> into the limelight as a prominent entertainer. As <mask>'s fame expanded, the media began to pit him against fellow singer-actor Alan Tam, as the two were the most successful male Cantopop singers at the moment. The publicised so-called rivalry contributed to Cantopop's booming sales and lasted until the end of the 1980s.<mask>'s next albums with Capital were met with similar success. For Your Heart Only (, 1985) yielded the hit single "Wind Wind" (), which was among the 10 gold-certified songs honoured at both TVB's Jade Solid Gold and RTHK Top 10 awards. The album also included songs <mask> recorded for TVB dramas, propelling his image as a romantic male lead. His 1986 single "Who Feels the Same?" () won the Gold Song Gold Award, the distinction for the most popular song of the year, at TVB's Jade Solid Gold Awards. With this achievement, <mask> became an arguably undisputed royalty of Cantopop. After the release of "Who Feels the Same?", he left Capital and joined Cinepoly Records. A turning point in his burgeoning acting career was in the John Woo-directed 1986 crime-action A Better Tomorrow, in which he co-starred with Ti Lung and Chow Yun-fat. He played a youthful and impulsive police officer torn between justice and his criminal brother. <mask>'s career ascended to a new peak in 1987, when he released his first album under Cinepoly, Summer Romance. The album was the best-selling Cantopop release of the year, earning seven times platinum certification from the IFPI Hong Kong and sold over 350,000 copies. Its lead single, "Sleepless Night" (), won the Gold Song Gold Award at the 1987 Jade Solid Gold Awards. The next two albums, Virgin Snow and Hot Summer, both were released in 1988 and sold well, receiving gold and platinum certifications from the IFPI Hong Kong.He also had starring roles in the films A Chinese Ghost Story and Rouge. The performance of <mask> and his co-star Anita Mui in Rouge consolidated the pair's reputation as the top Hong Kong entertainers. Yiu-wai Chu, author of the book Hong Kong Cantopop: A Concise History (2017), noted that <mask> and Mui formed an "unprecedented" chemistry showcasing "mystic power of charisma", not only in films but also on stage performances together. The two were also close friends in real life. <mask> embarked on a 23-date tour at the Hong Kong Coliseum in mid-1988, sponsored by Pepsi. The tour was a sold-out and accumulated over 250,000 spectators. He also held several shows catering to the Chinese community in North America, visiting Atlantic City, Calgary, Toronto, and Vancouver.In the wake of the intense political atmosphere in mainland China in the late 1980s, which would culminate in the 1989 Tiananmen Square protests, successful Cantopop singers announced public withdrawal from the music industry and emigrated to western countries. <mask> followed suit, announcing his "retirement" from Cantopop and emigrating to Vancouver, Canada in 1989. Prior to his retirement, <mask> released three further albums under Cinepoly—Leslie '89, Salute, Final Encounter—all of which received platinum certifications from the IFPI Hong Kong. He won Most Popular Male Artist twice, at the 1988 and 1989 Jade Solid Gold Best Ten Music Awards. His "farewell concert tour", in support of the album Final Encounter, ran for 33 consecutive sold-out shows at the Hong Kong Coliseum. <mask> donated profits of his 1989 album Salute to the Hong Kong Academy for Performing Arts, which was named the <mask> Memorial Scholarship after his death. 1990–1995: Music hiatus and major film roles

In addition to music, <mask> had his breakthrough movie role in the crime-action A Better Tomorrow (1986), which would pave the way for his upcoming career in cinema.<mask> announced his "retirement" and emigrated to Canada in 1989, in the aftermath of the handover of Hong Kong, but subsequently returned to show business in 1990. He also won Best Actor at the 1994 Hong Kong Film Critics Society Awards in the comedy-drama Ashes of Time (1994). The turning point in <mask>'s acting career came in 1986 with his starring role in John Woo's () A Better Tomorrow, which broke Hong Kong's box office record. In the following years <mask> was praised for his performances in films which found popularity with audiences worldwide, including A Chinese Ghost Story (1987), Rouge (1987), Wong Kar-Wai's Days of Being Wild (1991) and Farewell My Concubine (1993). Although <mask> quit his career as a pop singer from 1989 to 1995, he continued his music career as a songwriter. He composed more than ten songs during that time. In 1993, he won Best Original Movie Song Award from Golden Horse Film Festival for the theme song Red Cheek, White Hair to the film The Bride with White Hair (as a film score composer).In 1995, he wrote all three theme songs for the film The Phantom Lover. As for songwriting, <mask> won four nominations for Best Original Movie Song Award at the Golden Horse Film Festival and Awards and two nominations for Best Original

masks:
Leslie Cheung K
Cheung
Cheung Fat ch
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung Fat
Cheung Wu
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Leslie
Leslie Howard
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Maggie Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Leslie Cheung
Cheung
Cheung
Cheung
Cheung
Cheung
Cheung


texts:
 Film Song at the Hong Kong Film Awards. In 1998, he was a member of the jury at the 48th Berlin International Film Festival. 1995–1999: Return to music

In 1995 <mask> signed a contract with Rock Records, returning to music as a singer. At the same year, he released his first post-"retirement" album, Beloved. Beloved achieved large market success with the award of IFPI Best Selling Album. In 2001 <mask> collaborated with William Chang, the art director of Wong Kar-Wai's Days of Being Wild (1991), to make his music video Bewildered, about the intimacy between two gay men.Japanese ballet dancer Nishijima Kazuhiro played <mask>'s lover in the video. The music video was demonized for advocating homosexuality and was banned by TVB, but <mask> refused to edit the scenes and censor himself. 2000–2003: Later years
<mask>'s last concert tour was the Passion Tour, which took place in Hong Kong and overseas from 2000 to 2001. <mask> collaborated with fashion designer Jean Paul Gaultier, transforming <mask> "From Angel to Devil" in four costumes: the Angel, the Pretty Boy, the Latin Lover, and the Devil – denoting cross-cultural drag and focusing on <mask>'s androgyny and bisexuality. Although Passion Tour was acclaimed in Japan, Korea, and Canada for <mask>'s glamour and dignity in using drag performance through Gaultier's costume designs, in Hong Kong it was received with disapproval. His final concert tour, the Passion Tour (2000–01), visited Asia, the United Kingdom, and the United States. The tour broke attendance records throughout Asia, including a record for the first foreign artist to hold 16 concerts in Japan.While <mask> could sell well over 200,000 copies for an album in his 1980s heyday, his later albums struggled to match the same success, only 50,000 copies each. In 2011, CCTV commented the "Passion Tour" that from performance form, art concept, costume props and audience response, all represent the highest standard of Chinese concerts, no one has ever surpassed. Personal life
In 1977, during the filming of the RTV television series Love Story, the then 20-year-old <mask> met and fell in love with his 17-year-old co-star, Teresa Mo (毛舜筠), and they got together after they finished the series. In 1979, <mask> proposed to Mo with flowers, but his sudden proposal startled her and she began to distance herself from him. Although <mask> and Teresa Mo eventually broke up after the proposal and briefly lost contact, they remained close friends after they had reunited for the 1992 film All's Well, Ends Well. <mask> later went into a brief relationship with an actress , the younger sister of Michelle Yim, but they broke up in 1980, due to their incompatibly for each other's lifestyles. <mask> and Ngai Sze-pui (), a Hong Kong model and actress whom he met on the set of ATV television series Agency 24, were in a relationship for two years from 1981 to 1983.In 1984, at the house of Albert Yeung, <mask> met Cindy Yeung (楊諾詩), the youngest daughter of Albert Yeung who had recently returned from Boston. Cindy Yeung was also a fan of <mask> and was seven years younger than him. <mask> and Yeung went out on several dates until the latter returned to Boston. They continued their relationship through phone calls and letters, but would part ways in the following year, still remaining good friends. <mask> felt that if he had not been in the showbusiness, he could have already been married with children, like most of his friends. In an interview in 1992, <mask> stated that "My mind is bisexual. It's easy for me to love a woman.It's also easy for me to love a man, too" and "I believe that a good actor would be androgynous, and ever changing." He announced his same-sex relationship with his childhood friend Daffy Tong Hok-tak (唐鶴德) during a concert in 1997, earning him prestige in LGBT communities in China, Japan, Taiwan, and Hong Kong. His relationship with Daffy lasted until his death in 2003. <mask> responded to questions regarding his love life: "In terms of lovers, I think I can be a better friend than a lover. Because I am a workaholic. To share my romance, that person has to compromise something." This statement was out during the interview following the release of the film Okinawa Rendez-vous in 2000.In a 2001 interview with Time magazine, <mask> said: "It's more appropriate to say I'm bisexual. I've had girlfriends. When I was 22 or so, I asked my girlfriend Teresa Mo to marry me." Citizenship
<mask> moved to Vancouver in 1990 and became a Canadian citizen by naturalization. Philanthropy
<mask> was a supporter of several charities concerning children's welfare. He was a patron of the Children's Cancer Foundation, a charity that cares for young children with cancer and their families. <mask> donated HK$1 million (US$128,000) in 1996 and launched five sets of RED cards to help raise funds for the Children's Cancer Foundation.He was the first Cantopop star to launch a charity fundraising  at a concert. In 1996, although he rarely sang in public at that time, he sang three theme songs from his films to raise money for the elderly. For his 1997 concert at the HK Coliseum, <mask> set up a collection booth for the RED Card charity. Donations of HK$100 or above could obtain a set of cards. <mask> said, "I will lead the way, so I donated HK$1,000,000 to Hong Kong children's cancer fund in my own name." The concert raised more than HK$800,000, to which <mask> and his friends added more than HK$100,000, and made up a million Hong Kong dollars to donate to the cancer fund. He was also a patron of the End Child Sexual Abuse Foundation (ECSAF) (護苗基金), founded by veteran actress Josephine Siao ().In 1999, at a party to raise relief funds in the aftermath of the Taiwan earthquake, <mask> participated in a fried rice tasting event. He donated HK$250,000 for a bowl of rice; this was matched by fan donations, bringing the total to HK$500,000. In 2000, Sun Entertainment opened the "Star Second-hand Shop", where second-hand goods donated by celebrities were auctioned to raise money for the "Sun Love Fund". <mask> was known for his very good fashion sense and he was the first to donate three well-loved, carefully selected pieces to the auction. <mask> also donated his beloved badminton racket to IDclub Taiwan, to be auctioned to raise money for the children's cancer fund. In 1999 and 2000, he appeared in TVB charity shows to help raise funds for ECSAF, in which he was appointed a goodwill ambassador in 2002. In 2003, <mask> donated HK$100,000 to the Seedling protection fund, who were holding a large-scale charity night on the 12th of March.He told his party guests to give him cash instead of presents, then he donated all of the money that he received to the fund. Death and legacy

<mask> died by suicide on 1 April 2003 at 6:43 pm (HKT). He leapt from the 24th floor of the Mandarin Oriental hotel, located in the Central district of Hong Kong Island. He left a suicide note saying that he had been suffering from depression. He was 46 years old. As one of the most popular performers in Asia, <mask>'s death broke the hearts of millions of his fans across Asia and shocked the Asian entertainment industry and Chinese community worldwide. The day after <mask>'s death, his partner Daffy Tong confirmed that <mask> suffered from clinical depression and had been seeing Professor Felice Lieh Mak, a famous therapist, for treatment for almost a year.He also revealed that <mask> had previously attempted suicide in November 2002. Later at his funeral, <mask>'s niece disclosed that her uncle had severe clinical depression and suffered much over the past year. He was buried in Po Fook Hill, Shatin. Despite the risk of infection from SARS and the WHO's warning on traveling to Hong Kong, tens of thousands attended <mask>'s memorial service, which was held for the public, on 7 April 2003, including celebrities and other fans, many from other parts of the world such as mainland China, Taiwan, Korea, Japan, Southeast Asia, the United States, and Canada. <mask>'s funeral was held on 8 April 2003. For almost a month, <mask>'s death dominated newspaper headlines in Hong Kong and his songs were constantly on the air. His final album, Everything Follows the Wind (), was released three months after his death.<mask>'s suicide note (translation):

In a 2012 interview, <mask>'s eldest sister, Ophelia, stated <mask> was diagnosed with clinical depression caused by a chemical imbalance in the brain. She said that reporters were frequently found outside of her brother's home which hampered his ability to get to his doctor's facility. Thus, he would come over to her house to consult with his doctor. He would ask his sister, "Why am I depressed? I have money and so many people love me." He was reluctant to take medication for his depression. In 2013, <mask>'s former music agent Florence Chan organised two memorial concerts entitled Miss You Much Leslie on 31 March and 1 April for the 10th anniversary of <mask>'s death.Big names of the Hong Kong entertainment industry performed at the concert at Hong Kong Coliseum. In addition, in 2013, <mask>'s fans from around the world made two million orizuru cranes for the Guinness World Record as a tribute to the anniversary. On 12 September 2016, on what would have been <mask>'s 60th birthday, over one thousand fans joined Florence Chan in the morning at Po Fook Hill Ancestral Hall (寶福山) for prayers. At night, <mask>'s fans club, Red Mission organised "Leslie Cheung 60th Red Hot Birthday Party" to commemorate <mask>. It was an outdoor birthday party at Central Harbourfront Event Space with a big LED screen projecting <mask>'s past video clips, concerts, songs and pictures. Eason Chan () as a member of Red Mission joined the party singing <mask>'s song "4 season" (春夏秋冬) as a tribute to <mask>. In the same month, another fans club, United Leslie also celebrated the big day of this renowned star.United Leslie organised an exhibition and movie screening of <mask>'s two selected movies in PMQ, Central of Hong Kong. Struggling with Hong Kong media and social prejudice
<mask> is well known for his prominent roles portraying queer characters in Happy Together and Farewell My Concubine. A pair of red high heels <mask> wore during a performance of his song Red were described as "a top draw" at an exhibit on androgynous fashion in Hong Kong. Many media outlets focused primarily on arguing about his queer identity instead of on his artistic achievement in film and music. Before his death, <mask> mentioned in interviews that he had become depressed because of negative comments about gender-crossing in his Passion Tour concert. He had planned to retire from stage performance because of the strain of being a bisexual artist in Hong Kong, facing stigmatization, surveillance, and marginalization. Asteroid
In 2018, 55383 Cheungkwokwing was named in memory of <mask>.The main-belt asteroid was discovered by Bill Yeung at the Desert Eagle Observatory in 2001. Awards and nominations

RTHK Top 10 Gold Songs Awards (十大中文金曲)

Jade Solid Gold Best Ten Music Awards (十大勁歌金曲頒獎典禮)

Other music awards

Hong Kong Film Awards

Golden Horse Awards

Other film awards

Ming Pao Power Academy Awards

Discography

Filmography

See also
Cinema of Hong Kong
Music of Hong Kong

References

Notes

Citations

Bibliography

Further reading
Simon Broughton, Mark Ellingham, World Music Volume 2: Latin and North America, Caribbean, India, Asia and Pacific, BBC Radio, 2000,
Kei Mori, "夢想之欠片 (Broken pieces of dreams)", Renga Shyobo Shinshya Co Ltd, Tokyo, Japan, 2004,
Chitose Shima, "<mask> Cheung Interview", All About Leslie, p25–40, Sangyo Henshu Center Co., Ltd., Tokyo, Japan, 1999,
Chitose Shima, Time of Leslie Cheung, Sangyo Henshu Center Co., Ltd., Tokyo, Japan, 2004,

City Entertainment Editor Committee, <mask>'s Movie World 2 (1991–1995), City Entertainment, Hong Kong, 2006,
De Hui, <mask>'s Movie Life I, II, Shanghai Bookstore Publishing House, Shanghai, 2006, . Helen Hok-Sze Leung, "In Queer Memory: <mask> (1956-2003)" In  "Undercurrents Queer Culture and Postcolonial Hong Kong", UBC Press, Vancouver, 2008, p. 85 -105,

External links

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! colspan="3" style="background: #DAA520;" | Hong Kong Film Critics Society Awards
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! colspan="3" style="background: #DAA520;" | RTHK Top 10 Gold Songs Awards
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! colspan="3" style="background: #DAA520;" | Jade Solid Gold Best Ten Music Awards
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!colspan="3" style="background: #DAA520;" | Ultimate Song Chart Awards
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! colspan="3" style="background: #DAA520;" | Ming Pao Power Academy Awards
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1956 births
2003 deaths
2003 suicides
20th-century Hong Kong male actors
20th-century Hong Kong male singers
21st-century Hong Kong male actors
21st-century Hong Kong male singers
Alumni of the University of Leeds
Ballad musicians
Bisexual male actors
Bisexual men
Bisexual musicians
Canadian male actors of Hong Kong descent
Canadian musicians of Hong Kong descent
Cantopop singers
Hong Kong emigrants to Canada
Hong Kong idols
Hong Kong male film actors
Hong Kong male singers
Hong Kong male television actors
Hong Kong Mandopop singers
Hong Kong people of Hakka descent
Hong Kong songwriters
LGBT musicians from Hong Kong
LGBT-related suicides
LGBT singers
Male actors from Vancouver
Musicians from Vancouver
Naturalized citizens of Canada
People educated at Norwich School
People from Kowloon
Suicides by jumping in Hong Kong
20th-century LGBT people
21st-century LGBT

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<mask> is a New York-based independent curator, art critic, art historian and educator. Background
<mask> was born in Tijuana, Mexico. A Mexican of Spanish and native Mexican ancestry, he was raised in San Diego, California and moved to New York City where he currently lives and works. He received  undergraduate and graduate degrees in art history from the City University of New York, and also studied at the following institutions: Vassar College, Université Laval, Columbia University, and the Institute of Fine Arts, New York University. He is an alumnus of the Whitney Museum Independent Study Program in Critical Studies. Curatorial work
He was Curator-at-Large, Pristine Galerie, Monterrey, Mexico; International Art Director, Other Gallery, Beijing, Shanghai; Director of Exhibitions, White Box, New York, NY; and  Curator-at-Large, the:artist:network, New York, NY. He has curated or co-curated over 100 exhibitions in the Americas, Asia and Europe including solo shows of Dennis Oppenheim, Javier Téllez, Miguel Angel Rios, Bik Van der Pol, Gordon Cheung, Riiko Sakkinen, Wojtek Ulrich, Shahram Entekhabi, Sun Yao, and Lui Lei, as well as group exhibitions including The Twilight of the Idols (Madrid),   The Metamorphosis (Shanghai), Body Double (Wrocław), The Picture of Dorian Gray (Mexico City), Under Your Skin (New York City), The Phantom Limb (Chicago), The Crystal Land Revisited (Newark), That Obscure Object of Desire (Monterrey, Mexico), The Bermuda Triangle (Miami), Under the Volcano (San Jose, Costa Rica) and Theater of Cruelty (New York City).<mask> <mask>'s curatorial work is distinguished by an expansive approach underscored, for example, in the following exhibitions: Rayuela, which used  the structuralist configuration of the similarly titled novel by the writer Julio Cortázar as curatorial framework; The Passenger, based on the film by the director Michelangelo Antonioni; The Crystal Land Revisited, which was conceptually organized around an essay by the artist Robert Smithson; In the Future the Curator Will Point and Say, "Those Objects Over There is an Exhibition", based on an aphorism by Marcel Duchamp; The Pavilion of Realism , based on Gustave Courbet's rejection from the 1855 Exposition Universelle, which Zamudio presented in Shanghai during the 2010 World's Fair; another exhibition that incorporated a medical condition as thematic; and Art After Dark And After, a talk show in which he served as host that was both an interview program with artists and an art exhibition masked as dialogue and discussion. Apart from organizing exhibitions in galleries, art fairs, art festivals, alternative art spaces, academic and museum institutions, <mask> was co-curator, "Here Is Where We Jump!," La Bienal 2013, El Museo del Barrio, New York, NY; co-curator, "City Without Walls," 2010 Liverpool Biennial; co-curator, Constellations: 2009 Beijing 798 Biennial; artistic director/curator, Garden of Delights: 2008 Yeosu International Art Festival; co-curator, Turn and Widen: 2008 Media_City Seoul International Media Art Biennial; and  co-curator of an official collateral  exhibition titled Poles, Apart, Poles Together presented at the 2005 Venice Biennial. His exhibitions have been reviewed in numerous periodicals including Art in America, Art Nexus Art Notes, Diario ABC, L Magazine, New York Art World, New York Times, Randian, and the Village Voice. Criticism and writing
As an art critic, Raúl Zamudio has written over 200 published texts of which many have been translated into Chinese, Finnish, German, Italian, Japanese, Korean, Polish, Portuguese, and Spanish. He is author, co-author, or contributor to more than 70 art-related books and exhibition catalogs, and some of the artists he has written essays on include Francis Alys, Waltercio Caldas, Lygia Clark, Gordon Cheung, Lucio Fontana, Julio Galán, Damien Hirst, Rebecca Horn, Teresa Margolles, Cildo Meireles, Ana Mendieta, Gabriel Orozco, Helio Oiticica, Santiago Sierra, Jesús Rafael Soto, Javier Téllez, and Teresa Serrano. He is corresponding editor for Art Nexus, and his texts have appeared in numerous periodicals including Contemporary, TRANS> Arts Culture Media, Estilo, Art in Culture, Art Map, Zingmagazine, Art Notes, Laboratory, Framework: The Finnish Journal of Contemporary Art, Journal of the West, Tema Celeste, La Tempestad, Public Art, and Flash Art. Raúl Zamudio's writing has been cited by Reed Johnson of the Los Angeles Times in Johnson's article on war and beauty.Teaching and lecturing
He currently teaches at John Jay College, and Parsons School of Design. He has been a visiting critic/curator at Ehwa Women's University, Seoul; Sogang University, Seoul; Cheonam University, Cheonam; Royal College of Art, London; Tampere Polytechnic, Tampere; FRAME, Helsinki; Centrum Cultura Zamek, Wrocław; Oaxaca Museum of Contemporary Art; Escuela de Artes Plasticas,  San Juan, Puerto Rico; Museum of Contemporary Canadian Art, Toronto; Szamzie Space, Seoul; Art Omi, Ghent, New York; Newark Museum; and Location One, New York City. He has lectured, presented papers, delivered talks and participated on panels at universities, museums, galleries and art fairs including Harvard Divinity School, U.C. Berkeley, Stanford University, University of Southern California, University of Washington, CAM/New York University, Universidad de las Americas, Puebla, Mexico, Academy of Art, Wroclaw, Poland, Royal College of Art, Museum of Fine Arts, Boston, Cleveland Museum of Art, Whitney Museum of American Art, Guggenheim Museum, Drawing Center, PS 1 Museum/Clock Tower Gallery, National Museum of American History, Mexican Cultural Institute, Washington, D.C., the Americas Society, NY, The Cervantes Institute, NY, Seoul Museum of History, Other Gallery, Shanghai, Yan Yan Club, Beijing, Yeosu City Hall, MACO/Mexico City, Espacio Trapezio, Madrid, Spain, Carriage House, New York, NY, White Box, New York, NY, and Elizabeth Foundation for the Arts, New York, NY. Select bibliography
2014
Zamudio, <mask> and Anne Strauss. Claudia Baez: Paintings After Proust. Brooklyn and Hong Kong: Art 3 Gallery, and DK Art Books.<mask>, <mask> et al. Contempo: 2014 International Contemporary Art Festival. Varna: Contempo International Art Festival. <mask>, <mask> et al. Daniel Silvo: Casa, Bunker, Ruina. Madrid: Arte y Desarollo. <mask>, <mask>.Koh Sang Woo: Join Me There. Amsterdam: Wanrooij Gallery. <mask>, <mask> et al. Last Exit Project. Moving Trienniale: Made in Busan. Busan: Moving Triennale. <mask>, <mask>.Lucero Gonzalez Jameson: Angelus Novus. Hong Kong: DK Art Books. <mask>, <mask>. “The 2014 Whitney Biennial,” Art Nexus no. 93 vol. 13 (June-August): pp.60-64. 2013
<mask>, <mask>.A Bomb, With Ribbon Around It. New York: SAWCC. <mask>, <mask> et al. Geometric Abstraction in Latin America, An Anthology of Texts. Edited by Ivonne Pini. Miami and Bogota: Art and Art; Art Nexus. <mask>, <mask>, Riiko Sakkinen, and Katja Tukiainen.Katja Tukiainen: Works, Part Two. Helsinki: Parves. <mask>, <mask> et al. Stefano Cagol: The Ice Monolith Platform. Venezia: Gerzani Foundation. <mask>, <mask>. “The Colossus of East Harlem,” Here Is Where We Jump!: La Bienal 2013. New York: El Museo del Barrio. 2012
<mask>, <mask> et al., Mookie Tenembaum: Paranoia. Buenos Aires: Panta Rhei. <mask>, <mask> et al., Generaciones 2012. Madrid: Caja Madrid. <mask>, <mask>.“The 2012 Whitney Biennial,” Art Nexus no. 85 vol. 11 (June August): 40-44. 2011
<mask>, <mask>, and Adolfo Doring. Adolfo Doring: Nomenclature. Hong Kong: DK Art Books. <mask>, <mask>.“Cinema de la Crueldad.” La Tempestad (July–August): 126-129. <mask>, <mask>. Fernando Martin Godoy: Capitulo. Madrid: Caja Madrid. <mask>, <mask>, and Joe Pollitt. Lui Lei: Floating Ice Biography. Beijing: Other Gallery.<mask>, <mask>, Sophia Schultz, and Ilka Tödt. Shahram Entekhabi: Nothing Gold Can Stay. Beijing: Other Gallery. <mask>, <mask>, and Ricardo Cisneros. Ricardo Cisneros: Between Two Worlds. New York: Two Leaves Editions. http://twoleaveseditions.com/BETWEEN-TWO-WORLDS-RICARDO-CISNEROS-2011
<mask>, <mask> et al., Stefano Cagol: Public Opinion.Eds. Iara Boubnova, Gregor Jansen, Michele Robecchi and Andrea Viliani. Milan and New York: Charta. <mask>, <mask>. The Third Eye/I. Shanghai: Other Gallery. <mask>, <mask>, Martha Gehman, and Howard Mean.Winslow McCagg: Recent Paintings.Winchester, VA: Two Streams Press. <mask>, <mask>, and Wojtek Ulrich. Wojtek Ulrich. Wroclaw: GREG. <mask>, <mask>, and Wojtek Ulrich. Wojtek Ulrich. Beijing: Other Gallery.2010
<mask>, <mask>, and Laura Rutkute. City Without Walls. 2010 Liverpool Biennial. Vilnius: Galerija Vartai. <mask>, <mask>. Damian Ontiveros: Towards a Relational Turn in Art. Nuevo León: Autonomous University of Nuevo León. .
<mask>, <mask>.“Gabriel Orozco.” Art Nexus no. 76, vol. 9 (March–May): 56-58. <mask>, <mask>. Gordon Cheung: The Sleeper Awakes. Shanghai: Other Gallery. <mask>, <mask>.Gorka Mohamed: Tautologies. Seoul: Bright Treasure Art Projects. <mask>, <mask>, Carol Becker, Edwin Ramoran, and Sarah Reisman. Imageless: Jaye Rhee. Seoul: Specter Press. <mask>, <mask>. The Metamorphosis.Shanghai: Other Gallery. <mask>, <mask>, and Maarten Betheaux.The Pavilion of Realism. Shanghai: Other Gallery. <mask>, <mask>. “Public Art in South Korea.” Public Art (March–April): 86-90. <mask>, <mask>. “Rune Olsen.” MAG (August): np.<mask>, <mask>, and Yao Sun. Sun Yao: Topographies of the Self. Shanghai: Other Gallery. <mask>, <mask>. Suspensions of Disbelief. Shanghai: Other Gallery. 2009
<mask>, <mask>.Abdul Vas: Anything Goes. Madrid: La Fresh Gallery. <mask>, <mask>, “All The World is a Screen: Soon Choi’s APT.” In Soon Choi: APT, Seoul: Brain Factory. Zamudio, Raúl. “APT.” EYEBALL (September): np. <mask>, <mask>. "As Above So Below: From Plato’s Cave to Hitler’s Bunker.” Art Map no.27 (October): 46–49. <mask>, <mask>. “Cildo Meireles.” Art Nexus no. 73, vol. 8 (June–August): 76-78. <mask>, <mask>. “David Maljkovic.” Flash Art vol.XLII, no. 265 (March–April): 83. <mask>, <mask>. Eternal Recurrence: The Art of Claudia Doring Baez. New York: Chelsea Art Museum. <mask>, <mask>. Eternal Recurrence: The Art of Lucero.New York: Chelsea Art Museum. <mask>, <mask> et al., Constellations: 2009 Beijing 798 Biennale. Beijing: Art Map. <mask>, <mask> et al., For You. Zurich: Daros Collection. <mask>, <mask>. “The Genie of History in Three Acts.”

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texts:
 FRAMEWORK: The Finnish Journal of Contemporary Art no.10 (June): 74-75. <mask>, <mask>. “Guthrie Lonergon: Text. Image. Sound. (Singular in Focus, not a Faggy Short Film)." EYEBALL (July): np.<mask>, <mask> et al., Janet Belloto: Wave. New York: The Lab. <mask>, <mask>. “Latin American Art, an Art that is neither Latin nor American.” Art Map no. 26 (September): 43-47. <mask>, <mask>, Henri-François Debailleux,  Phillipe Piguet, and Kwang Sui Oh. Lee Bae.Beijing: Today Art Museum. <mask>, <mask>. “Marina Zurkow: The Poster Children and Other Heroes of the Revolution.” EYEBALL (September): np. <mask>, <mask>. “Marco Maggi: Between Drawing and Withdrawing.” Art Nexus no. 75, vol. 8 (December 2009-February 2010): 60-64.<mask>, <mask>. My Mother's Garden. Seoul: Kim Hung Sun and Gallery 101 Space. <mask>, <mask>. “Toralth Knobloch.” Flash Art vol. XLII, no. 266 (May–June): 109.<mask>, <mask>. “Total Asshole Compression: Cory Arcangel’s Digital Detournement.” EYEBALL (January): np. 2008
<mask>, <mask>. “5th Seoul International Media Biennial.” Flash Art vol. XLI, no. 259 (March–April): 145. <mask>, <mask>.“Adrian Piper.” Flash Art vol. XLI, no. 260 (May–June): 152. <mask>, <mask>. An Woong Chul:Sky Pictures. Seoul: Art and Dream. <mask>, <mask>.“Andro Wekua.” Flash Art vol. XLI, no. 260 (May–June): 151. <mask>, <mask>. “Edgar Orlaineta.” Flash Art vol. XLI, no. 259 (March–April): 81.<mask>, <mask>. Garden of Delights. Yeosu: Jinnam Cultural Center, and Chonnam University. <mask>, <mask>, and Donald Kuspit. Jorge Talca, Pinturas/Paintings. Santiago, Chile: Quebecor. .
<mask>, <mask>. “Michael-Bell Smith.” Flash Art vol.XLI, no. 259 (March–April): 79. <mask>, <mask>. “Paul McCarthy.” Flash Art vol. XLI, no. 262 (October–November): 134. <mask>, <mask>.“Playing Dead: Joe Delappe’s Virtual Wars.” EYEBALL (May): np. <mask>, <mask>, Boggi Kim, Phoebe Hoban, and Richard Vine. Oh Chi Gyun: Defining Landscapes. Manchester, VT: Hudson Hills. .
<mask>, <mask>. “Remembrance of a Bitmapped Past: Michael Bell-Smith's Media Art.” EYEBALL (April): np. <mask>, <mask>. “Sang Nam Lee.” Flash Art vol.XLI, no. 261 (Summer issue): 259. <mask>, <mask>. “Shadow Boxing: Notes on Rafael Lozano-Hemmer’s Shadow Box Series.” EYEBALL (October): np. <mask>, <mask>, Maarten Bertheux, Andreas Broeckman, and Ilho Park. Turn and Widen: 5th Seoul International Media Art Biennale. Seoul: Seoul Museum of Art. .
<mask>, <mask>.“The 2008 Whitney Biennial.” Art Nexus no. 69, vol. 7 (June–August): 70-74. 2007
Zamudio, <mask>. “Aaron Hank.” Art Nexus no. 63, vol. 6 (January–March): 166.<mask>, <mask>. “Art Basel/Miami Beach.” Art Nexus no. 64, vol. 6 (April–June): 98-101. <mask>, <mask>. “Benjamin Torres.” Art Nexus no. 64, vol.6 (April–June): 14-15. <mask>, <mask>. “Christopher Jankowski.” Flash Art vol. XL, no. 254 (June–July): 133. <mask>, <mask>. “Dan Topor.” Flash Art vol.XL, no. 256 (October–November): 124. <mask>, <mask>. “Jonas Mekas.” [Art Notes] (January): 89. <mask>, <mask>. “Pedro Reyes.” Art Nexus no. 66, vol.6 (October—November):  154. <mask>, <mask>. “Stefan Brüggerman.” Flash Art vol. XL, no. 252 (January–February): 115-116. <mask>, <mask>, and Marc Hungerbuhler. SURGE.Beijing: Artist Network, and OCT Contemporary Art Terminal. <mask>, <mask>. “Terence Koh.” Flash Art vol. XL, no. 253 (March–April): 123. <mask>, <mask>. The Sweet Hereafter.Chicago and New York: Gosia Koscielak Gallery. <mask>, <mask> et al., Turn and Widen: Media Art Now and Future. Seoul: Seoul Museum of Art. <mask>, <mask>. Wojtek Ulrich: SCUM. New York: White Box. 2006
<mask>, <mask>.“(212)-911.” In (212)-911, New York: White Box. <mask>, <mask>. “Art Basel/Miami Beach.” Art Nexus no. 60, vol. 5 (March–May): 110-113. <mask>, <mask>. “Cesar Cervantes: Collecting Art and the Art of Collecting.” Contemporary (special issue on contemporary art collections) no.80 : 40-44. <mask>, <mask>. “Darkness Ascends.” Flash Art vol. XXXIX, no. 250 (September–October): 57. <mask>, <mask>, and Elżbieta Kościelak. Dubler/Body Double.Wroclaw: Polish Ministry of Culture, and Centrum Kultury Zamek Wroclaw-Lesnica. .
<mask>, <mask>. “Oreet Ashery: Venus/Penis Envy?” Akrylic (February): np. Zamudio, <mask> et al., Presente Perfecto/Present Perfect. Austin: Volitant Gallery. <mask>, <mask>. “Seth Price.” Flash Art vol. XXXIX, no.251 (November–December): 116. <mask>, <mask>. “Sex and Death: The Art of Svai & Paul Stanikas.” NYARTS vol. 11, no.1/2 (January/February): 18. <mask>, <mask>. “Stephen Shore.” Flash Art vol. XXXIX, no.247 (March–April): 109-110.<mask>, <mask>. “Tamy Ben-Tor.” Flash Art vol. XXXIX, no.247(March–April): 111
Zamudio, <mask>. “The 2006 Whitney Biennial.” Art Nexus no. 62, vol. 5 (October–December): 72-75. <mask>, <mask>.“Tomas Saraceno.” Flash Art vol. XXXIX, no. 250 (September–October): 115. 2005
<mask>, <mask>. “Ana Patricia Palacios.” Art Nexus no. 57, vol. 3 (July–August):148-149.<mask>, <mask>. “Cristian Silva.” Art Nexus no. 59, vol. 4 (December 2004-February 2005): 173-174. <mask>, <mask>. “Eel Kwon Kim: A Day in the Life of a Painting.” Arts in Culture no. 9: 116-117.<mask>, <mask> et al., The Encyclopedia of Twentieth-Century Photography. 3 vols., ed. Lynne Warren. London and New York: Routledge. .
<mask>, <mask>. “Gabriel Orozco.” Art Nexus no. 59, vol. 4 (December 2004-February 2005):170-171.<mask>, <mask>. “Kazumi’s Transmigration and other Adventures.” In Transmigration, Tokyo: T & S Gallery. <mask>, <mask>. “The New MOMA.” Art Nexus no. 58 vol. 4, (September/November): 76. <mask>, <mask>.“The Pleasure Dome.” In The Pleasure Dome, New York: Bureau of Curatorial Affairs. <mask>, <mask>. “Retratos: 2000 years of Latin American Portraiture.” Art Nexus no. 58, vol. 4 (September–November): 162-164. <mask>, <mask>. “Sarah Lucas.” Flash Art vol.XXXVIII, no. 242 (May–June): 145. <mask>, <mask>, “Tania Bruguera.” Contemporary (special issue on Venice Biennial) vol. 74: 42-45. <mask>, <mask> et al., Transcultural New Jersey: Diverse Artists Shaping Culture and Communities. Vol. II, eds.Marianne Ficarra, Isabel Nazario, and Jeffrey Wechsler. Rutgers: The State University of New Jersey. <mask>, <mask>. “Video Fair or Video Fare?” Contemporary vol. 73: 49. <mask>, <mask> et al., Women in Love. New York: Tenri Cultural Institute.2004
<mask>, <mask>. “AAF Contemporary Art Fair,” Art Nexus no. 58, vol. 5 (December–January): 136-138
<mask>, <mask>. “Alejandro Mazon.” Art Nexus no. 55, vol. 3 (December 2003-January 2004): 158-159.<mask>, <mask>. “America as Myth and Realty.” Framework: The Finnish Art Review, Double Issue (no. 1): 123-124. <mask>, <mask>, and Shin-Eui Park. Airan Kang, Digital Book Project. Seoul: A & A. .
<mask>, <mask>. “Carlos Amorales.” Art Nexus no.53, vol. 3  (July–September): 89-90. <mask>, <mask>, and Rocio Aranda Alvarado. Chakaia Booker: Jersey Ride. Jersey City: Jersey City Museum. <mask>, <mask>. “Damien Hirst.” In The Encyclopedia of Sculpture, 3 vols., ed.Antonia Boström, 753-755. London and New York: Routledge . <mask>, <mask> et al., Eel Kwon Kim. New York: John Jay Gallery, John Jay College, C.U.N.Y. <mask>, <mask>. “Eugenio Dittborn.” Art Nexus no. 54, vol.3 (October–November): 118-119.<mask>, <mask>. “Flash Mobsters.” Framework: The Finnish Journal of Contemporary Art (No. 3): 115-116. <mask>, <mask>. “Gregor Schneider.” Flash Art vol. XXXVII, no. 234 (January–February): 88.<mask>, <mask>, Marek Bartelik, Yongwoo Lee, and Thalia Vrachopoulos. Haesook Kim: Weltanschauung. Seoul and New York: Tenri Cultural Institute. <mask>, <mask>. “Jainana Tschape.” Art Nexus no. 53, vol. 3 (July–September): 90-91.<mask>, <mask>. “Jesus Rafael Soto.” In The Encyclopedia of Sculpture, 3 vols., ed. Antonia Boström, 1590-1592. London and New York: Routledge . <mask>, <mask>. “Lucio Fontana.” In The Encyclopedia of Sculpture, 3 vols., ed. Antonia Boström, 575-577.London and New York: Routledge . <mask>, <mask>. “Melik Ohanian.” Flash Art vol. XXXVII, no. 236 (May–June): 83. <mask>, <mask>, and Donald Kuspit. Norma Bessout: The Journey.Boston: Arden Gallery. <mask>, <mask> et al. POOL: Art Addict Underground Art Fair. New York: FRERE. <mask>, <mask>. “Rebecca Horn.” In The Encyclopedia of Sculpture, 3 vols., ed. Antonia Boström, 759-761.London and New York: Routledge . <mask>, <mask>. “Skin Deep and Bad to the Bone.” NYARTS vol. 9, no. 9/10 (September/October): 54. <mask>, <mask>. “Some Notes on Censorship and Art After 9/11.” Laboratory (March): np.<mask>, <mask> et al., Sylvia Wald. New York: Tenri Cultural Institute. <mask>, <mask>. “To Be Political It Doesn’t Have To Be Stereotypical.” Latinart, np. 2003
<mask>, <mask>. “Adriana Varejao.” Flash Art vol. XXXVI, no.230 (May–June): 90-91. <mask>, <mask>. “Architectonics of Painting.” NYARTS vol. 8, no. 6-8 (June/August): 51-52. <mask>, <mask>. “Energy and Entropy.” NYARTS vol.8, no.9/11 (September/October): 55-56. <mask>, <mask>. "The Ear-Eye Problem." Berlinerkunst vol. 2, no. 3 (March): 46. <mask>, <mask>."The Flaneur as Botanist." Berlinerkunst vol 2, no. 4 (April): 44. <mask>, <mask> et al., Going Public: Politics, Subjects, Place. Modena and Sassulo: MAST, 2003. <mask>, <mask>. Javier Telléz: Naming the Unnamble."Latinart (July): 1-3. <mask>, <mask>. “Jorge Tacla: Expanding the Field of Painting.” Art Nexus no. 49 (July/September): 48-52. <mask>, <mask>. “Latin American Geometry.” Art Nexus no. 50, vol.1 (October–December): 88-89. <mask>, <mask>. “Maria Elena Gonzalez.” Art Nexus no. 48, vol. 1 (April–June): 134-135. <mask>, <mask>. “Miami's Vice.” NYARTS vol.8, no. 11/12 (November/December): 67-68. <mask>, <mask>. “The Missing: The Photography of Andrea Frank and Cleverson.” In Absences: Urban Alienation in Contemporary Photography, New York: Tenri Cultural Institute. <mask>, <mask>. “Rubens Gerchman.” Art Nexus no. 47, vol.1 (January–March): 131-132. <mask>, <mask>. “Sylvia Wald.” NYARTS vol. 8, no. 6-8 (June–August): 14- 15. 2002
<mask>, <mask>. “A New Touch of Evil.” Berlinerkunst vol 1, no.12 (December): 6-7. <mask>, <mask>. “Apocalypse Forever: Dominic McGill’s Chaos Aesthetics.” NYARTS vol. 7, no. 4 (April): 8-9. <mask>, <mask>. "Art & Violence: Poetry after Auschwitz, Art after 9/11" NYARTS vol.7, no. 2 (February): 38-39. <mask>, <mask>. “Architecture of Confinement.” In Javier Telléz: Blind Data, New York: Art in General. <mask>, <mask>. “Atelier Morales.” Flash Art vol. XXXV, no.232 (October–November): 111.

masks: Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl


texts:
 <mask>, <mask>. Blue on the Track. New York: Generous Miracles Gallery. <mask>, <mask>. “Breaking Alberti’s Window.” Berlinerkunst vol. 1, no.11 (November): 21-22. <mask>, <mask>. “Daniel Senise.” In The St. James Guide to Hispanic Artists, ed. Thomas Riggs, 560-562. Detroit, MI: St. James Press. .
<mask>, <mask>. "Enoc Perez." Art Nexus no.45 (July–September): 117-118. <mask>, <mask>. “Francis Alÿs.” In The St. James Guide to Hispanic Artists, ed. Thomas Riggs, 19-20. Detroit, MI: St. James Press. .
<mask>, <mask>. “Hélio Oiticica.” In The St. James Guide to Hispanic Artists, ed. Thomas Riggs, 423-424.Detroit, MI: St. James Press. .
<mask>, <mask>. “Javier Telléz.” In Art Basel/Miami Art Fair, Basel and Miami: Art Basel/Miami Art Fair. <mask>, <mask>. “Javier Telléz: Institutionalized Aesthetics.” Flash Art vol. XXXV, no. 231 (July/September): 85-86. <mask>, <mask>.“Julio Galan.” In The St. James Guide to Hispanic Artists, ed. Thomas Riggs, 219-221. Detroit, MI: St. James Press. .
<mask>, <mask> et al., Kim Dae Won: Mountain Vistas and Guardian Spirits. New York: Tenri Cultural Institute. <mask>, <mask>. “Lucio Fontana.” In The St. James Guide to Hispanic Artists, ed. Thomas Riggs, 210-212.Detroit, MI: St. James Press. .
<mask>, <mask>. “Lygia Clarke.” In The St. James Guide to Hispanic Artists, ed. Thomas Riggs, 134-135. Detroit, MI: St. James Press. .
<mask>, <mask>. “Marco Arce.” Art Nexus no. 44 (April–June): 122-123. <mask>, <mask>.“Miguel Angel Rios.” In The St. James Guide to Hispanic Artists, ed. Thomas Riggs, 501-503. Detroit, MI: St. James Press. .
<mask>, <mask>. “Monika Bravo.” Art Nexus no. 46 (October–December): 145. <mask>, <mask>, Jacob Fabricus, and Annie Fletcher. Op-Ed: Gerard Byrne.Dublin: Limerick City Gallery of Art, and The Douglas Hyde Gallery. .
<mask>, <mask> “Stuart Croft: Mobius Trip.” NYARTS vol. 7, no. 1 (January): 6-7. <mask>, <mask>. "Sugar and Spice and Everything Nice.” NYARTS vol. 7, no. 6 (June): 88.<mask>, <mask>. “Waltercio Caldas.” In The St. James Guide to Hispanic Artists, ed. Thomas Riggs, 83-85. Detroit, MI: St. James Press..
<mask>, <mask> et al., (The World May Be) FANTASTIC. Sydney: 2002 Sydney Biennial. 2001
<mask>, <mask>. “Bik Van der Pol: Sculpture and its Double.” NYARTS vol 6, no.2 (February): 12-13. <mask>, <mask>. “The Critic as Ethnographer.” NYARTS vol. 6, no.1 (January): 22-23. <mask>, <mask>. “Figures of Speech.” NYARTS vol. 6, no.6 (June): 44-46. <mask>, <mask>. Guillermo Creus. New York: Cynthia Broan Gallery. <mask>, <mask>. “Javier Téllez.” Art Nexus no. 41 (August–October): 75-76.<mask>, <mask>. “Lygia Pape and Gerardo de Barros.” Art Nexus no. 42 (November–January): 87-88. <mask>, <mask>. “Rayuela.” In Hopscotch, Union, NJ: Kean University. <mask>, <mask>. “Miguel Angel Rios: Los ninos brotan de noche.” In Special Projects, Long Island City: PS1/MOMA.<mask>, <mask>. “Nature Denatured: Gabriel Orozco’s Recuperated Nature” NYARTS vol. 6, no. 7 (July/August): 46-48. <mask>, <mask>. “Rainer Ganahl.” Zingmagazine no. 15 (Summer): 105-106.<mask>, <mask>. “Randomly Shooting a Gun into a Crowd and Other Acts of Beauty.” In Bik van der Pol: Loompanics, New York: White Box. <mask>, <mask>. “Santiago Sierra’s Drifts and Detours.” NYARTS vol 6, no. 4 (April): 32-33. <mask>, <mask>. “Superimposition.” Tema Celeste (September–October): 84.<mask>, <mask>. Viva Cuba. New London, CT: Alva Gallery. 2000
<mask>, <mask>. “Adriana Arenas.” Art Nexus no. 38 (November–January): 64-65. <mask>, <mask>.“Bodies Without Organs.” NYARTS vol.5, no.9 (September): 15. <mask>, <mask>. “Cildo Meireles.” Art Nexus no. 36 (May–July): 147-148. <mask>, <mask>. "Cildo Meireles: Knowing Can Be Destroying.” TRANS>Art Cultures Media no.7 (Spring): 144-152. <mask>, <mask>."Criminal Ornamentation." In Roberto Juarez: Taste in Home Decorating, Walla Walla: Whitman College of Art and Design. <mask>, <mask> et al., FRERE: Independent Art Fair. New York: FRERE. <mask>, <mask> et al., The Grey Painting XII, New York: Nikolai Fine Art. <mask>, <mask>. “Painting as Remodeling.” NYARTS vol.5, no.7 (July/August): 16-17.<mask>, <mask>. “The Parallax Hotel.” In The Parallax Hotel, New York: Bureau of Curatorial Affairs. <mask>, <mask>. "Platos’ Cave, Alberti’s Window, Bentham’s Panopticon.” NYARTS vol. 5, no. 5. (May): 44.<mask>, <mask>. “Vik Muniz: Operations with/in Photography.” NYARTS vol.5, no.6 (June): 23-24. See also
Contemporary art
Latin American art
New Media art
Postmodern art

References

External links
2010 Liverpool Biennial, City Without Walls
Constellations: 2009 Beijing 798 Biennial
Garden of Delights: 2008 Yeosu Art Festival
La Bienal, 2013: Here is Where We Jump! Poles Apart, Poles Together, 2005 Venice Biennial
Turn and Widen: 2008 Media_City Seoul International Media Art Biennial
weblog
Wikipedia entry in Spanish

Living people
Year of birth missing (living people)
American art critics
American art curators
American art historians
People from Tijuana
People from San Diego
People from New York City
City University of New York alumni
John Jay College of Criminal Justice faculty
Parsons School of Design faculty
Mexican emigrants to the United States
American people of Indigenous Mexican

masks: Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl Zamudio Raúl


texts:
<mask>  (born 23 December 1948) is a British politician who served as Shadow Home Secretary from 2003 to 2008 and Secretary of State for Exiting the European Union from 2016 to 2018. A member of the Conservative Party, he has served as the Member of Parliament (MP) for Haltemprice and Howden, formerly Boothferry, since 1987. <mask> was sworn of the Privy Council in the 1997 New Year Honours, having previously been Minister of State for Europe from 1994 to 1997. He was brought up on the Aboyne Estate, a council estate in Tooting, South West London. After attending Bec Grammar School in Tooting he gained a master's degree in business at the age of 25 and went into a career with Tate & Lyle. Having entered Parliament in 1987 at the age of 38 he was appointed Europe Minister by Prime Minister John Major in July 1994. He held that position until the 1997 general election.He was subsequently Conservative Party Chairman and Shadow Secretary of State for the Office of Deputy Prime Minister. Between 2003 and 2008 he was the Shadow Home Secretary in the Shadow Cabinets of both Michael Howard and <mask>. <mask> had previously been a candidate for the leadership of the Conservative Party in 2001 and 2005, coming fourth and second respectively. On 12 June 2008 <mask> unexpectedly announced his intention to resign as an MP and was immediately replaced as Shadow Home Secretary; this was in order to force a by-election in his seat, for which he intended to seek reelection by mounting a specific campaign designed to provoke wider public debate about the erosion of civil liberties in the United Kingdom. Following his formal resignation as an MP he became the Conservative candidate in the resulting by-election, which he won a month later. In July 2016, following a referendum in which a small majority of those voting supported leaving the European Union, <mask> was appointed by the new Prime Minister, Theresa May, to the new Department for Exiting the European Union (DExEU) as Secretary of State, with responsibility for negotiating the UK's prospective exit from the EU. He was sidelined mid-way through the talks, with the Prime Minister's Europe Adviser Olly Robbins taking charge of negotiations.<mask> resigned from his government position on 8 July 2018 over May's Brexit strategy and the Chequers plan. Following his resignation the DExEU junior minister, Steve Baker, and the Foreign Secretary, Boris Johnson, also resigned. Early life
Born to a single mother, Betty Brown, in York on 23 December 1948, <mask> was initially raised by his grandparents there. His maternal grandfather, Walter Harrison, was the son of a wealthy trawlerman but was disinherited after joining the Communist Party; he led a 'hunger march' to London shortly after the more famous Jarrow March, which did not allow Communists to participate. His father, whom he met once after his mother's death, is Welsh. After his mother married <mask> the family moved to London, where they lived initially in a flat in Wandsworth, which <mask> has described as "a terrible little slum". Later, after his half-sister was born, the family moved to a council estate in Tooting, his stepfather being a shop steward at Battersea Power Station.When he left Bec Grammar School in Tooting, his A Level results were not good enough to secure a university place so <mask> worked as an insurance clerk and became an infantry soldier in the Territorial Army's 21 SAS (Artists) Regiment in order to earn the money to retake his examinations. After doing so he won a place at the University of Warwick (BSc Joint Hons Molecular Science/Computer Science 1968–1971). While at Warwick he was one of the founding members of the student radio station, University Radio Warwick. He went straight from there to London Business School, where he earned a master's degree in business (1971–1973), and later attended Harvard Business School's Advanced Management Program (1984–85). <mask> worked for Tate & Lyle for 17 years, rising to become a senior executive, including restructuring its troubled Canadian subsidiary, Redpath Sugar. He wrote about his business experiences in the 1988 book How to Turn Round a Company. Political career
While a student <mask> was active in the Federation of Conservative Students, becoming national chairman in 1973.<mask> was first elected to Parliament in the 1987 general election as the MP for Boothferry, which in 1997 became the constituency of Haltemprice and Howden. He was a government whip when parliament voted on the Maastricht Treaty in 1992, angering many of the Maastricht Rebels on his own right wing of the party. <mask>'s progression through the Conservative ranks eventually led to his becoming a Minister of State at the Foreign and Commonwealth Office (1994–1997). He rejected a shadow ministerial position under William Hague, opting instead to chair the Public Accounts Committee. In 1999 <mask> presented the Parliamentary Control of the Executive Bill to the House of Commons, in which he proposed to transfer ministerial exercise of the Royal Prerogative to the Commons in the following areas: the signing of treaties; the diplomatic recognition of foreign governments; European Union legislation; the appointment of ministers, peers and ambassadors; the establishment of Royal Commissions; the proclamation of Orders in Council unless subject to resolutions of the Commons; the exercise of the powers of the executive not made by statute; the declarations of states of emergency; the dissolution of Parliament. <mask> used his first interview as Shadow Home Secretary in November 2003 to state his personal support for a reintroduction of the death penalty for people convicted of multiple murder "where there is clear evidence and no doubt" surrounding the offender's guilt, citing the Yorkshire Ripper Peter Sutcliffe and Moors Murderer Ian Brady as examples of offenders who would fall into that category. This interview came almost 40 years after the abolition of the death penalty for murder.As Shadow Home Secretary <mask> turned the Conservatives away from the Labour Party's plan to reintroduce identity cards, citing spiralling costs and libertarian issues. He turned initial Conservative support into one of concern and abstention, making the final change to one of opposition much easier. <mask> believed that once the true cost and unreliability of the ID card scheme was explained to the general public they would turn against it. He was also credited by some commentators with "claiming the scalps" of two Labour ministers, <mask> and Beverley Hughes, after both were forced to resign. 2005 leadership contest
At the time of the 2005 Conservative leadership contest, <mask> was Shadow Secretary of State for the Home Department. His campaign manager in the contest was Conservative MP and <mask>' deputy as Shadow Home Secretary, Andrew Mitchell (who in 2010 became Secretary of State for International Development in Prime Minister <mask>'s cabinet). <mask> was initially the front runner in the contest, but after a poorly received speech at that year's Conservative Party Conference his campaign was seen to lose momentum.However, referring to a Conference speech by the party's former leader, campaign manager Andrew Mitchell said: "William Hague made a great speech which many people will judge to be better than all the other leadership candidates put together. What that tells you is that being absolutely brilliant at being able to make a speech at conference is not the be-all-and-end-all of leadership. There are other things as well." He was photographed at the conference alongside two women wearing T-shirts emblazoned with "It's DD for me" which was viewed as being patronising to women. In the first ballot of Conservative MPs on 18 October 2005, <mask> came top with 62 votes. As this was less than the number of his declared supporters, it became clear that the <mask> bid was losing momentum. The elimination of former Chancellor Kenneth Clarke left the bookmakers' favourite, <mask>, without a rival in the centre of the party.In the second ballot, held two days later on 20 October 2005, Cameron polled 90 votes, <mask> 57 votes and Liam Fox was eliminated with 51 votes, so <mask> went through to the next stage with <mask>. In spite of a strong performance in a BBC Question Time head-to-head debate in the final stage of the leadership contest, <mask> could not match his rival's general popularity. Conservative Party members voted to elect Cameron the new Conservative leader, <mask> losing with 64,398 votes against Cameron's 134,446 votes. Cameron chose to re-appoint his rival as Shadow Home Secretary following his victory. Alleged leaking of government documents

<mask> is alleged to have played a role in the leaking of sensitive government documents when he was Shadow Home Secretary in 2007. According to a police statement, under interview after arrest, civil servant Chris Galley said <mask> was his first contact and that he (<mask>) introduced him to Damien Green, the Shadow Immigration spokesman. Chris Galley initially approached <mask> stating he had access to government immigration details which he was willing to leak to help the Conservative Party.Under questioning by police Galley said that Green told him "do not mention <mask>". In April 2009, following a disciplinary hearing, Galley was dismissed from his job as a junior Home Office official for leaking information to Green. Civil liberties

On 12 June 2008, <mask> resigned from the Shadow Cabinet and announced his resignation as an MP, in order to force a by-election, and cause a wider debate on the single issue of what he believed to be the erosion of civil liberties. On 18 June 2008, he resigned from the House of Commons. He stood as the Conservative Party candidate for his current seat in the subsequent by-election. The announcement came a day after the narrow passing of a parliamentary vote on the Counter-Terrorism Bill, which would extend the limit on the period of detention of terror suspects without charge in England and Wales, from 28 to 42 days. He won re-election with 72% of the vote, breaking several voting records in the UK, but neither the Labour Party nor the Liberal Democrats put up a candidate.As is common at by-elections, voter turnout declined significantly from the previous general election to 34%. At the time of <mask>'s resignation, the Labour MP Andy Burnham made a speech which was widely interpreted as falsely implying an inappropriate relationship between <mask> and the then Director of Liberty, Shami Chakrabarti. Burnham was forced to issue a public apology under threat of legal action. As a backbench MP, <mask> continued campaigning for civil liberties. He participated in the Convention on Modern Liberty, where he gave the keynote speech on the convention's final day. He also spoke at the 2009 Guardian Hay Festival, where he criticised Labour's "illusory pursuit of an unobtainable security", and was well received by an overwhelmingly non-Conservative audience. On 15 June 2009, <mask> gave the 2009 Magna Carta Lecture at Royal Holloway, University of London, in association with the Magna Carta Trust.<mask> has also supported civil liberties campaign group Big Brother Watch and in January 2010 he spoke with Tony Benn at the official launch. In 2012 he helped lead the opposition to Coalition plans to allow police and security services to extend their monitoring of the public's email and social media communications. He expressed concern with the findings of a VICE News investigation into the deployment of IMSI-catchers in London. In 2014, along with Labour MP Tom Watson he challenged the government's introduction of the Data Retention and Investigatory Powers Act 2014 in the courts. Although <mask> is a staunch Eurosceptic and has criticised the record of the European Court of Human Rights, he has also argued against withdrawal from the court's jurisdiction, on the basis it might encourage countries with far worse civil liberties to do likewise. <mask> has taken more conservative stances on some other civil liberties issues, having repeatedly voted to restrict abortion, fertility treatment and embryo research. He also repeatedly voted against the furthering of LGBT rights, including supporting the controversial Section 28, which banned teachers from "promoting homosexuality" or "teaching ... the acceptability of homosexuality as a pretended family relationship", and opposing the legalisation of same-sex marriage saying it was "not an issue of rights but a clash of beliefs".Torture
During a House of Commons debate on 7 July 2009, <mask> accused the UK government of outsourcing torture, by allowing Rangzieb Ahmed to leave the country (even though the government had evidence against Ahmed, upon which Ahmed was later convicted for terrorism) to Pakistan, where it is said the Inter-Services Intelligence was given the go-ahead by the British intelligence agencies to torture Ahmed. <mask> further accused the government of trying to gag Ahmed, stopping him coming forward with his accusations after he had been imprisoned back in the UK. He said, there was "an alleged request to drop his allegations of torture: if he did that, they could get his sentence cut and possibly give him some money. If this request to drop the torture case is true, it is frankly monstrous. It would at the very least be a criminal misuse of the powers and funds under the Government's Contest strategy, and at worst a conspiracy to pervert the course of justice." <mask> was amongst the signatories of a letter to The Guardian condemning the Coalition's efforts to hide the UK's involvement in rendition and torture behind secret trials. Coalition government (2010–2015)
In May 2010, after the 2010 general election which resulted in a hung parliament, it was reported that <mask> wanted to invite <mask> and other right-wingers such as Michael Howard and Iain Duncan Smith into his Conservative–Liberal Democrat coalition cabinet.However, <mask> declined and remained a critic of the government on its stance on tuition fees. In January 2011, along with Jack Straw, he secured a vote in the Commons to challenge a ruling by the European Court of Human Rights that prisoners should be allowed to vote and MPs subsequently chose to ignore the ruling. He offered critical commentary on the coalition in a BBC interview in March 2012. In 2012, together with Liam Fox, <mask> founded Conservative pressure group Conservative Voice to amplify the voice of grassroots members, which <mask> thought was getting lost in the party. In a November 2012 speech, he urged <mask> to hold a referendum on the UK's membership of the EU by 2014. He suggested to hold two votes, the first where voters would be asked whether they wanted to renegotiate current EU arrangements, and a second where they would be asked to either accept a renegotiated deal or leave the EU altogether. In 2015, he was one of seven Conservative MPs to defy the whip and vote against bombing Syria.Secretary of State for Exiting the European Union (2016–2018)
Following Theresa May's appointment as Prime Minister, <mask> was appointed Secretary of State for Exiting the European Union (Brexit Secretary) on 13 July 2016. He published in ConservativeHome his initial thoughts on the way Brexit might proceed. In his role as Brexit Secretary, <mask> announced that Parliament will take action on translating EU laws into British laws as part of the process of Withdrawal from the European Union. <mask> stated that the Brexit timetable discussion would be the "row of the summer" during an TV interview with Robert Peston on Peston on Sunday. The timetable was set on the first day of negotiations and it was dictated by the EU. On 7 September 2017, the European commission published the minutes of a meeting in July at which Michel Barnier, the EU's chief Brexit negotiator, briefed the commission on the outcome of his first round of talks with <mask>. Barnier expressed concern about <mask>'s commitment to the talks (he had been going to Brussels for the start and end of each round of talks, but had not been staying there for the duration).In November 2017, <mask> acknowledged that the negotiations with the EU were difficult, but appealed to European countries not to "put politics above prosperity", implying that by doing so, countries like Germany would harm their own economies. He blamed Germany and France for blocking trade negotiations. <mask> also argued that the UK and the EU should agree a free trade deal more comprehensive in scope than "any the EU has agreed before". Some politicians were angry because reports about the potential effect of Brexit on 58 economic sectors were severely edited before <mask> gave them to the Exiting the European Union Select Committee. They maintained <mask> – and by implication Theresa May's government – chose to disregard a binding and unanimous vote from MPs requiring the information to be provided in full. <mask> later appeared to contradict his earlier assurances that impact analyses had been carried out when he said the government had not produced any economic forecasts of what would happen after the UK leaves the EU. <mask> was sidelined in December 2017, mid-way through the negotiations, with the Prime Minister's Europe Adviser Olly Robbins taking charge of negotiations.In January 2018, former Irish Prime Minister Bertie Ahern said <mask> did not understand the implications of Brexit for Ireland's border with Northern Ireland. On 8 July 2018, <mask> resigned as Brexit Secretary as he did not "believe" in the Prime Minister's Chequers plan for Brexit. Following <mask>' resignation, Steve Baker and Boris Johnson also resigned. Since 2018
On 20 November 2018, <mask> was criticised by the Liberal Democrat MP Layla Moran, of the pro-EU group Best for Britain, for suggesting that the UK could negotiate a free trade agreement during a post-Brexit "transition period" without first having successfully negotiated a withdrawal agreement with the European Union. Following Theresa May's resignation in May 2019, <mask> supported Dominic Raab as the next leader of the Conservative Party. <mask> was re-elected in Haltemprice and Howden at the 2019 general election, increasing his majority by 5,000 votes. He has opposed the United States' proposed extradition of Julian Assange to the United States.<mask> has also been prominent in opposing the plans of the Johnson administration to privatise NHS data, advocating more transparency in the management of patient data. During Prime Minister's Questions on 19 January 2022, <mask> asked Prime Minister Boris Johnson to resign, after expressing dissatisfaction with his response to Partygate. He quoted what Leo Amery (alluding to Oliver Cromwell) had said to Prime Minister Neville Chamberlain in 1940: "You have sat there too long for all the good you have done. In the name of God, go." Personal life
<mask> met his wife, Doreen Cook, at Warwick. They married on 28 July 1973 and have three children. References

External links

 <mask> MP official Conservative Party profile

 Open Rights Group – <mask> MP
 BBC News – Profile: <mask> 17 October 2002
 BBC News – Profile: <mask> 23 July 2002
 Full text of 2005 conference speech
 <mask> | Politics | The Guardian

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1948 births
Alumni of London Business School
Alumni of the University of Warwick
Artists' Rifles soldiers
Brexit
Chairmen of the Conservative Party (UK)
Conservative Party (UK) MPs for English constituencies
English people of Welsh descent
Living people
Members of the Privy Council of the United Kingdom
People from Tooting
People from Wandsworth
Politicians from York
Secretaries of State for Exiting the European Union
Special Air Service soldiers
UK MPs 1987–1992
UK MPs 1992–1997
UK MPs 1997–2001
UK MPs 2001–2005
UK MPs 2005–2010
UK MPs 2010–2015
UK MPs 2015–2017
UK MPs 2017–2019
UK MPs 2019–present

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David Michael Davis
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texts:
<mask> is an American author, songwriter, and game developer. She is also a consultant specializing in business and work relationships, conflict resolution, creativity, social issues, and criminal justice. <mask> received a Ph.D. in Sociology from the University of California in Berkeley in 1976, a J.D. from the University of San Francisco Law School in 1990, AA degrees from Merritt College in Anthropology, Social Sciences and Police Sciences in May 2001, and M.A.s in Anthropology and Mass Communications at California State University, East Bay. She has published over 40 books on diverse subjects. She has received national media exposure for her books (including appearances on Good Morning America, Oprah, Montel Williams, CNN, and the O'Reilly Factor). She is founder and director of Changemakers Publishing, Screenworks, Songworks, and Creative Communications & Research.She hosted a weekly radio talk show series, Changemakers, featuring interviews on various topics, which aired from 1991 to 1993 to 1 million listeners in over 70 countries. She has taught classes at several colleges, including Woodbury University, Notre Dame de Namur University, and the Investigative Career Program in San Francisco. Songwriting
<mask> is a songwriter member of BMI and a member of several songwriter organizations, including the Country Music Association, Nashville Songwriting Association, and West Coast Songwriters Association. She has written over 100 songs in various genres, including country, gospel, pop, folk, and novelty songs. At least 50 have been published, and a dozen have been recorded on independent labels. She has written several songs with dog themes associated with her Do You Look Like Your Dog book, web site, and TV game/reality show. Game and toy design
<mask> has developed over two dozen games with major game companies, including Hasbro, Pressman, and Mag-Nif.She licensed Glasnost: The Game of Soviet-American Peace and Diplomacy to John N. Hansen (1988), which received a 1989 International Clio for packaging. She was a spokesperson for Nintendo's Tetris II game in 1994, and licensed two games to Briarpatch for introduction at the American Toy Fair show in October 2006. Bibliography

 American Murder (Praeger Pub Text October 2007) ,
 Brain Boosters : Foods & Drugs That Make You Smarter with Beverly A. Potter & Sebastian Orfali (Ronin Pub July 1993) ,
 Building a Winning Sales Team : How to Recruit, Train and Motivate the Best (Probus, McGraw-Hill August 1991) ,
 Can We Talk? : The Power and Influence of Talk Shows (Plenum 1996)
 Collect Your Court Judgement (Nolo 1999)
 Collection Techniques for Small Business (Oasis Press 1994, with John J. Harrison)
 A Complete Idiot's Guide to Party Plan Selling (Alpha Books 2005)
 The Complete Idiot's Guide to Shamanism (Alpha Books, 2002)
 The Creative Traveler: A Guidebook for All Places and All Seasons (Tudor 1989, iUniverse January 2000) ,
 Debt Collection (Oasis Press 1987)
 Disagreements, Disputes, and All-Out War : 3 Simple Steps for Dealing With Any Kind of Conflict (Amacom Books October 2007) ,
 Do You Look Like Your Dog? (Broadway Books/Random House 2004)
 Effective Selling and Sales Management (Brick House Pub Co. February 1988) ,
 The Empowered Mind: How to Harness the Creative Force Within You (Prentice Hall 1993, IUniverse 2006)
 Erotic Power : An Exploration of Dominance and Submission (Kensington Pub Corp April 1997) ,
 The Fantasy Seekers: Exploring Fantasy in Everyday Life (toExcel January 2000) ,
 Get Rich Through Multi-Level Selling (Self-Counsel Press 1989)
 Homicide by the Rich and Famous (Greenwood 2004, Berkley Books 2006)
 In the Land of Difficult People : 21 Timeless Tales Reveal How to Tame Beasts at Work (Amacom Books April 2008) ,
 Lying in Everyday Life (Harbinger House April 1991) ,
 The Magicians : A Study of the Use of Power in a Black Magic Group (Irvington Pub. April 1983) ,
 Making Ethical Choices, Resolving Ethical Dilemmas (Continuum Intl Pub Group April 1998) ,
 Mind Power (Prentice Hall 1987, IUniverse 2006)
 Mind Your Own Business: The Battle for Personal Privacy (Plenum 1995)
 The Open Door: Traveling in the U.S.S.R. (New World Library 1990). Positive Cash Flow : Complete Credit and Collections for the Small Business (Adams Media Corp December 1989) ,
 Private Eyes: What Private Investigators Really Do (Paladin Press September 1994) ,
 Resolving Conflict: With Others and Within Yourself (New Harbinger 1990, IUniverse 2006)
 Secrets of the Shaman: Further Explorations with the Leader of a Group Practicing Shamanism (New Falcon 1993, 2007)
 Shaman Warrior (New Falcon 1988)
 Shamanism and Personal Mastery: Using Symbols, Rituals, and Talismans to Activate the Powers Within You (Paragon House Publishers August 1991) ,
 Shamanism for Everyone (Whitford Press March 1997) ,
 The Small Business Credit and Collection Guide : Collect Overdue Bills, Establish Effective Credit Policies, and Maximize Your Cash Flow (Carol Pub Group March 1995) ,
 Success in Multi-Level Marketing (Prentice Hall 1991)
 A Survival Guide for Managing the Employee From Hell (AMACOM 2006)
 The Survival Guide for Working With Bad Bosses (AMACOM 2005)
 The Survival Guide for Working With Humans (AMACOM 2004)
 30 Days to a More Powerful Memory (AMACOM 2007)
 The Truth About Lying (Smart Publications 1994, IUniverse 2006)
 When I Grow Up I'd Like to Be a Sturgeon (Sasquatch 2007)
 Work it Right!(AMACOM 2003)
 Work With Me! Resolving Everyday Conflict in Your Organization (Davies-Black 2000)
 You the Jury : Deciding Guilt or Innocence in a Recovered Memory Case (iUniverse Inc. March 2008) ,

Notes

References

 Industry Buzz: Entering the Land of Difficult People (6/3/2008) in Lawn & Landscape
 Writer-Entrepreneur Sells 12 Books to Major Publishers with Equery Service; Latest Book on Enjoying Work More  NewsReleaseWire.com  July 12, 2008
 Experts Debating "Tetris Syndrome"  Knight-Ridder Tribune News Service - Austin American-Statesman Pg. D-7 April 16, 1994
 Keep Your Cool at Work: A Little Perspective Goes a Long Way With Difficult Co-Workers by Patricia Sabatini - Pittsburgh Post-Gazette Sun. May 9, 2004
 Workers Vent on Web About Bad Bosses July 12, 2006, NPR Morning Edition
 Working it Out: Fixing a Strained Relationship With Your Boss Sunday, March 2, 2007 San Francisco Chronicle
 Surviving a Bad Boss: Certain Management Styles Can Create Real Trauma by Richard Berman Sunday, April 15, 2007 San Francisco Chronicle
 Advice for Dealing With a Devilish Boss by Elizabeth Pezzullo July 28, 2006 The Free Lance-Star
 Billings Woman, Pet Spotlighted in Book for Similar Looks by Cathy Ulrich February 15, 2004 Billings Gazette
 Book Offers Workers Advise in Dealing With Bad Bosses Dec 12, 2005 The Post and Courier
 It's True: Lying's on Rise, Author Says'' March 6, 1996 The Salt Lake City Deseret News

External links

 Changemakers Publishing and Writing

Year of birth missing (living people)
Living people
University of California, Berkeley alumni
University of San Francisco alumni
Woodbury University faculty
Notre Dame de Namur University faculty
20th-century American writers
21st-century American writers
American women songwriters
21st-century American women writers
20th-century American women writers
American women academics

masks:
Gini Graham Scott
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