texts:
Jessica Cricks (born June 20, 1986) is an American professional wrestler, better known by her ring name <mask>. She is currently signed with Impact Wrestling,   under the ring name Havok where she is a former one-time Impact Knockouts Champion and one-time Impact Knockouts Tag Team Champion. She regularly performed for several independent promotions, including Shine Wrestling and Women Superstars Uncensored, where she is a former two-time WSU Champion. Professional wrestling career

Early career (2004–2009)
Cricks debuted in 2004, using the ring name <mask>. During the first years of her career, she made appearances for Mega Championship Wrestling, Cleveland All-Pro Wrestling, and Ohio Championship Wrestling. She also competed for the Main Event World League (MEWL) promotion, where she defeated Jason Blaze in a casket match on October 6, 2007, to win the MEWL Cruiserweight Championship. Women Superstars Uncensored (2009–2014)
Havok debuted in Women Superstars Uncensored (WSU) in 2009, where she formed a tag team with Hailey Hatred.Havok and Hatred won the WSU Tag Team Championship on August 22 at As the World Turns, by defeating Alicia and Brooke Carter. The pairing successfully defended the championship in a rematch against Alicia and Carter, before losing the championship to the team of Angel Orsini and Mercedes Martinez. As part of WSU, Havok was part of Rain's Army, helping Rain attack her rivals. Throughout 2010, Havok was undefeated in singles competition, including victories over ODB and Amy Lee. After leaving Rain's Army in late 2010, Havok defeated Rain in a singles match at The 4th Anniversary Show in March 2011. Havok then moved into a feud with Alicia, with the duo facing off in a series of matches throughout mid-2011. Havok defeated Alicia in an Uncensored Rules match, and a Last Woman Standing match at Havok vs. Alicia III: Last Woman Standing ended in a draw.On September 24, Havok defeated Rain to win the WSU Spirit Championship. Havok joined forces with Sassy Stephie and Allysin Kay to form The Midwest Militia and at the Breaking Barriers II internet pay-per-view, The Midwest Militia defeated Team WSU (Mercedes Martinez, Alicia, and Brittney Savage) in a War Games match. After retaining the WSU Spirit Championship against Becky Bayless in January 2012, Havok defeated Martinez to win the WSU Championship in March, holding both championships simultaneously. On April 28, Havok lost the championship back to Martinez, despite having her foot under the bottom rope. Havok regained the championship that same day, defeating Martinez and Savage in a three-way match. On June 16, Havok lost the WSU Spirit Championship to Marti Belle. That same day, at the Uncensored Rumble V pay-per-view, Havok defeated Martinez to retain the WSU Championship in the first women's casket match.As part of a talent exchange, The Midwest Militia began competing for the Canadian promotion NCW Femmes Fatales (NCWFF) in 2012. At NCWFF's ninth show in July 2012, The Midwest Militia defeated Courtney Rush, Xandra Bale, and Cat Power in a six-woman tag team match. Havok retained the WSU Championship against Athena on February 9, 2013, at An Ultraviolent Affair. On May 11, Havok defeated Sami Callihan in an intergender match. On February 7 and 8, 2014, Havok retained the WSU Championship against The Alpha Female and Shanna. On May 1, 2014, Havok was stripped of the WSU Championship and "banned for life" from competing in the company. Two months later, on July 12, <mask> defeated Mia Yim in an Uncensored Rules match to revoke her ban from the promotion.Combat Zone Wrestling (2013)
After WSU signed a talent-sharing agreement with Combat Zone Wrestling (CZW), Havok debuted for the promotion at the 14th Anniversary Show, where she and Adam Cole lost to LuFisto and Sami Callihan in a mixed tag team match. She quickly moved into a feud with Ohio is for Killers member Nevaeh, with their first match at Wanted in March ending in a double countout. Their second match took place at the Proving Grounds 2013 show in May, which Havok lost. Other promotions (2012–2014)

In 2012, Havok began competing for the newly opened Shine Wrestling, debuting for the promotion during their second event against Reby Sky. After Havok attacked Sky with a chair, the duo began feuding, and at Shine 8, Havok lost to Sky to end the feud. She qualified for the tournament to determine the inaugural Shine Champion by defeating Madison Eagles at Shine 9. At Shine 11, Havok advanced to the semi-finals of the tournament after winning her match against Saraya Knight by disqualification.Later that night, she faced Rain in the semi-final, but lost by countout after being attacked by Knight. At the following show, Havok defeated Ivelisse to earn the number one contendership, and unsuccessfully faced Rain for the Shine Championship. At Shine 13, Havok and long-time ally Allysin Kay began teasing a feud when Kay accidentally clotheslined Havok during a match. On the following show, Kay attacked Havok, leading to a singles match at Shine 15, which ended in a no contest. After their next match ended in a double countout, Kay and Havok faced off in an Ybor City street fight in April 2014, which ended in a no contest when Havok was struck by a car as part of the storyline. Havok made a surprise appearance during Shimmer Volume 53 on April 6, 2013 where she attacked Serena Deeb. This would set up a match later on in the evening where she, Sassy Stephanie and Nevaeh were defeated in a six-woman tag team match by Regeneration X (Leva Bates and Alison Danger) and Deeb.The following week, <mask> defeated Deeb in a singles match following interference from Hatred and Mademoiselle Rachelle. In a rematch at Volume 56, Havok lost to Deeb. At Full Impact Pro's Declaration of Independence internet pay-per-view in July 2013, Havok was part of a four-way match won by Maxwell Chicago and also including Amasis and Latin Dragon. Total Nonstop Action Wrestling

Knockouts Champion (2014–2015)
Cricks first appeared for Total Nonstop Action Wrestling, as part of the One Night Only: Knockouts Knockdown 2 pay per-view in May 2014. Under her <mask> Havok name and gimmick, she was defeated by Madison Rayne. In August, Impact began airing vignettes on Impact Wrestling, teasing Cricks' debut. Cricks, now known simply as <mask>, made her first appearance on the September 3 episode of Impact Wrestling, attacking both Gail Kim and Taryn Terrell after their title match.On the September 10 episode of Impact Wrestling, Havok made an appearance where she attacked Kim and Brittany and took Kim's Impact Knockouts Championship, which led to a brawl between the two later in the same night. At No Surrender, Havok won a battle royal to become the number one contender to Kim's championship. On September 16, Havok defeated Kim at the Impact Wrestling tapings to win the championship; the match aired on tape delay on October 1. During the time she held the championship, Havok defended and retained the championship against Velvet Sky at Bound for Glory on October 12, against Madison Rayne on an episode of Impact Wrestling that aired on October 15,  and against Gail Kim on an episode of Impact Wrestling that aired on November 5. On the November 19 episode of Impact Wrestling, <mask> lost the championship to Taryn Terrell in a triple threat match that also involved Gail Kim. On the January 7, 2015 episode of Impact Wrestling, Havok was lastly eliminated from a battle royal by Taryn Terrell. After the match, Havok attacked Terrell but was then stopped by the returning Awesome Kong.After weeks of tension between <mask> and Kong, the two faced off in a steel cage match on the Lockdown edition of Impact Wrestling on February 6, in which Kong defeated Havok. After months of inactivity, on July 30, Cricks confirmed on her Twitter account that she was no longer working for Impact Wrestling . Independent promotions and Japan (2016)
Havok made her first appearance on ROH televised episode that aired on December 14, 2016, in a losing effort against Mandy Leon with a distraction from Deonna Purrazzo. Havok chokeslamed Leon and Purrazzo after the match. On April 9, 2017, Havok started her first tour with Japanese promotion World Wonder Ring Stardom. On April 30, she took part in the 2017 Cinderella Tournament, where she and World of Stardom Champion Io Shirai eliminated each other in the second round, after wrestling to a draw. On May 14, Havok teamed with Tessa Blanchard to unsuccessfully challenge Hiroyo Matsumoto and Jungle Kyona for the Goddess of Stardom Championship.WOW - Women Of Wrestling (2018–present)
It was confirmed that Havok would join Women of Wrestling (WOW)'s taping in October 2018 on AXS TV. Havok had her first match on WOW which aired on February 15, 2019, where she successfully defeated Fire. Havok received a match for the WOW World Championship against the champion Tessa Blanchard, however, this match ended in no contest with the involvement of The Beast and Jungle Grrrl. Through the second seasons of WOW on AXS TV, Havok teamed with Hazard in the WOW World Tag Team Championship tournament and made it through the finales where they lost to Adrenaline and Fire. Return to Impact Wrestling

Storyline with Su Yung (2019–2020)
On the June 7 episode of Impact!, Havok made her return accompanied by James Mitchell, as she interrupted a match between Rosemary and Taya Valkyrie by attacking them both. Afterwards, it was revealed that Havok had joined forces with Mitchell and Su Yung. Havok received a Knockout Championship match on Slammiversary XVII in a four-way Monster's Ball match along with the champion Valkyrie, Rosemary and Yung.As Valkyrie retained her title, <mask>'s alliance with Yung began to see fractures. After Slammiversary, <mask> and Yung's alliance turned into a rivalry, with both facing each other for the first time on Impact Wrestling on the September 6 episode of Impact! in a match that ended in a no-contest, which continued with a brawl between the two. The feud of <mask> and Yung reached to it climax on the September 20 episode of Impact!, when the two faced each other in a no disqualification match, with <mask> being victorious. After the match, <mask> and Yung continued to brawl backstage, ending with Havok wrapping a noose around Yung's neck and hanging her over the staircase rail. Havok actions caused a character change in Yung, as Yung made an appearance on the October 29 episode of Impact! without her makeup, introducing herself as Susie.On the March 24, 2020, episode of Impact! a fight between <mask> and Yung ended in a betrayal from Mitchell, as he sent both to the Undead Wasteland. The two were able to escape thanks to Rosemary and kill him, ending their feud in the process. Storyline with Nevaeh (2020–2021)
On April 28, 2020, during the second night of Rebellion, Havok faced Rosemary in a Full Metal Mayhem match, which was won by Rosemary. During the match, Nevaeh made her appearance as she watched the match from distance. On the May 26 episode of Impact!, Nevaeh interfered a match between Havok and Kimber Lee, as Nevaeh stopped Lee from hitting Havok with a brass knuckles. Havok and Nevaeh continued to attack Lee afterwards, establishing themselves as a team.Havok and Nevaeh found themselves feuding with Fire N Flava (Kiera Hogan and Tasha Steelz), which led into a no disqualification match on the August 11 episode of Impact!, where Hogan and Steelz were victorious. At Hard to Kill on January 16, 2021, <mask> and Nevaeh lost to Fire N Flava in a match to crown the new Impact Knockouts Tag Team Champions. On the March 30 episode of Impact, Havok was attacked by Nevaeh after they lost a match to Fire N Flava, ending their alliance. Storyline with Decay (2021–present)

On the Countdown to Rebellion pre-show, Rosemary teamed up with Havok to defeat Kimber Lee and Susan. On May 15, at Under Siege, Havok lost to Deonna Purrazzo for the Knockouts title. On the July 15 episode of Impact!, Havok was inducted into Decay by James Mitchell. Two days later, on the Countdown to Slammiversary pre-show, <mask> and Rosemary defeated Hogan and Steelz to win the Impact Knockouts Tag Team Championship.On August 20, at Emergence, Decay defeated Fallah Bahh, No Way, Evans and Steelz in an eight-person tag match. On September 18, at Victory Road, Havok and Rosemary successfully retained their Knockouts Tag Team Championship against Evans and Steelz. At Knockouts Knockdown, Havok and Rosemary successfully retained their tag titles against The Influence (Madison Rayne and Tenille Dashwood). At Bound for Glory, they lost the titles to The IInspiration (Cassie Lee and Jessica McKay). Personal life
On June 20, 2021 (her 35th birthday), Cricks got engaged to fellow Impact wrestler Sami Callihan. Championships and accomplishments
AAW: Professional Wrestling Redefined
AAW Women's Championship (2 times)
AAW Women's Championship Tournament (2017)
Absolute Intense Wrestling
AIW Women's Championship (1 time)
Main Event World League
MEWL Cruiserweight Championship (1 time)
Pro Wrestling Illustrated
Ranked No. 4 of the best 50 female singles wrestlers in the PWI Female 50 in 2013
Ring Divas
Fight Girl Championship (1 time)
Rise Wrestling
Guardians of RISE Championship (1 time, current) – with Neveah
RISE Year End Awards (1 time)
Tag Team of the Year (2019) – with Neveah
Rockstar Pro Wrestling
Rockstar Pro Trios Championship (1 time) – with Dave Crist and Sami Callihan
Total Nonstop Action Wrestling/Impact Wrestling
Impact Knockouts Tag Team Championship (1 time) – with Rosemary
TNA Knockouts Championship (1 time)
Women Superstars Uncensored
WSU Championship (2 times)
WSU Spirit Championship (1 time)
WSU Tag Team Championship (1 time) – with Hailey Hatred

References

External links

 Online World of Wrestling profile

1986 births
American female professional wrestlers
Living people
Sportspeople from Massillon, Ohio
Professional wrestlers from Ohio
People from Defiance, Ohio
21st-century American women
21st century professional wrestlers

masks:
Jessicka Havok
Jessicka Havok
Havok
Havok
Jessicka
Havok
Havok
Havok
Havok
Havok
Havok
Havok
Havok
Havok
Havok
Havok


type: original

texts:
<mask> (born 30 March 1969 in Taree, New South Wales, Australia) is an Australian motorcycle racer. During his career Bayliss won the Superbike World Championship three times and a MotoGP race, all with Ducati. He finished his career after winning the 2008 World Superbike title. His 52 World Superbike victories ranks third all time in the history of the championship behind Jonathan Rea and Carl Fogarty. Early life

Bayliss did much of his growing up in the Northwest NSW town of Warialda. His father, Warren, was a baker, and his mother Lorraine drove a local school bus part-time. The family lived across from the local high school.By age 10, he was an accomplished motocross rider, and could often be found riding through the local bushland which surrounded the town and came right up to the back of the family house. The family moved to Taree when Bayliss was about 11 years old. Bayliss showed much promise as a youngster in the sport, however when he entered his teens his enthusiasm for racing waned. He commenced an apprenticeship as a spraypainter at Joe Berry's and commuted to work by bicycle. On this daily commute Bayliss would pass a motorcycle dealership and finally was tempted enough to obtain a loan to purchase a Kawasaki ZXR 750 on which he commenced racing. He won the first race he entered on the bike and performed well in subsequent events. As a result of this early success and despite the financial risk he was taking, Bayliss decided to compete in the Australian Supersport championship, Age 26.Career

Early career
After finishing as runner-up in the Australian supersport championship in 1995, Bayliss moved up to the Australian Superbikes series the next year, finishing third that year and second in 1997. His big break came that year – he was entered as a wildcard for the 1997 Australian 250 Grand Prix riding for the Dutch Arie Molenaar Suzuki team. On a significantly underpowered machine compared to his competitors, Bayliss finished in sixth despite exiting the final corner in third place, such was the lack of power of his machine. <mask>'s remarkable performance on a clearly underpowered machine earned him considerable attention, and he was subsequently offered a ride in the British championship with the new GSE Ducati team the next year. His first win came in race 11 at Cadwell Park, but a large number of crashes and mechanical failures prevented a serious title challenge. This changed in 1999, Bayliss beating Chris Walker to the title. Superbike World Championship
<mask> began the  season competing for Ducati in the US's AMA Superbike Championship, but was called in to replace Carl Fogarty in the Superbike World Championship when the latter was injured at Philip Island.Despite missing the first three rounds and having a poor start at his first race in Sugo, Bayliss had a creditable season, winning two races and earning sixth overall in the championship. In the  season <mask> opened with four seconds in five races, and took his first victory in race 8 at Monza. His consistent performances and six race wins paved for the way for the championship title, defeating reigning champion Colin Edwards. Bayliss clinched the title in the penultimate meeting at Assen when Edwards broke down, however he failed to earn any points in the final meeting after crashing in race 1 and suffering a broken collarbone. <mask> started  in dominant form breaking the record (at the time) for most race wins in a season, but Edwards thanks to his consistency in usually minimizing the points lost when Bayliss won by finishing second overturned the advantage, Edwards won his second title at a thrilling final round in Imola. Bayliss crossed the line first in race one, but lost on aggregate, as the first part of race one being red flagged because of an oil leak by Peter Goddard's Benelli. Incidentally, Peter Goddard vacated his seat on the Suzuki superbike in the Australian series in 1997 and recommended Bayliss for his position.In retrospect, the  season had been lost partially due to mishaps created by his own team. <mask> was injured at Brands Hatch when colliding with his teammate Ruben Xaus, whilst Xaus was swerving to bring heat into his tyres, and after the Laguna Seca round, Ducati changed the frame. This frame change would prove costly as Bayliss consistently complained that the bike didn't feel like the same machine he had been riding previously. It was only at the final round in Imola that the team reverted to the original frame. Bayliss was very competitive all weekend. MotoGP World Championship

Both <mask> and Edwards moved to MotoGP in 2003, and it was Bayliss who was initially more successful. In Ducati's first season in the class their bike was highly competitive, with Bayliss taking three third places and finishing sixth overall in the championship.He briefly led at Philip Island, Brno and Welkom, and only narrowly losing the rookie of the year race to Nicky Hayden. Teammate Loris Capirossi took their first win at the Circuit de Catalunya. 2004 was a difficult year for the team however, with Bayliss only 14th in the standings. Despite (or perhaps due to) its prodigious straight-line speed the bike didn't handle well, with Bayliss often over-riding and crashing frequently, this led to <mask>' subsequent sacking from the factory Ducati squad, a part of which Bayliss had been for five years previous. This move was considered an unpopular one by many, considering that neither <mask> nor Capirossi were able to perform as well as they had the previous year. According to some, confirmation that Bayliss' sacking was influenced by sponsorship pressure rather than any performance based reasons was seen in the appointment of Carlos Checa as <mask>' replacement. However, Bayliss is much older than Capirossi, and had not been as close to him in 2004 as he had in 2003, so some questioned whether he had any more to offer the team.However, good results near the end of the season earned him a ride with Sito Pons' Camel Honda team for 2005, but was not a frontrunner, despite promising speed shown in his first tests on the 2004 machine and Alex Barros winning in Portugal. A severely broken arm meant that Bayliss was unable to compete in the final six races, had he done so, the season ending Valencian Grand Prix would have been his 50th Grand Prix appearance. Bayliss did give an insight as to his inability to crack into the upper echelons of Grand Prix racing, describing the Honda MotoGP bike and MotoGP bikes in general as too inflexible, rigid, and like a 250 for his style. After the success of  Superbike, Ducati offered Bayliss a one-off entry in the final MotoGP race of the year in Valencia, due to Sete Gibernau being injured. Remarkably Bayliss qualified 2nd and led the whole race, which ended in a Ducati 1–2. This was the first time any rider had won a race in both the Superbike and the Grand Prix world championships in the same year, and the first by a reigning champion. His impressive victory was somewhat overshadowed by the dramatic events involving Valentino Rossi and Nicky Hayden that ultimately determined the 2006 title winner.Return to Superbike

After a rather unsuccessful journey in MotoGP and a particularly disappointing 2005 season, Bayliss returned to the Superbike World Championship in  and was reunited with factory Ducati team. His pre-season form in testing for  showed much promise, with Bayliss topping the timesheets at both Qatar and Valencia. Even more remarkable is the fact that both he and <mask>r were lapping faster at Qatar than many MotoGP contenders from the previous season, despite MotoGP bikes being purpose built racing prototypes and Superbikes being based on road-going machines. Bayliss started  in dominant fashion, leading the points table after the first 5 rounds with seven consecutive race wins and additional podiums. His form continued to the point that he went into round 10 at Lausitzring with a chance of clinching the title with 3 rounds to go. A fall in race one prevented this, but he only required a fourth place in any of the final 4 races to seal the title. Bayliss duly won the title at Imola with a fifth place in Race 1, which was enough as James Toseland did not win.He won race 2, to cement the title. Although he scored an impressive win in the final MotoGP race of 2006 at Valencia, he continued to race in WSBK with the Ducati team in . On 1 April 2007, at Donington Park, Bayliss crashed at Coppice corner on lap six of the first Superbike race of the day. His right hand was momentarily caught under the motorcycle during the crash, and the injury required the eventual surgical removal of a testicle and of the intermediate and distal phalanges of his little finger. <mask>' injury prevented him from competing in the second Donington race. He finished the season fourth overall. saw Bayliss continue racing for the factory Ducati team, riding the new Ducati 1098.At the season opener at the Losail circuit in Qatar, <mask> won the race one to give Ducati their first win with the new 1098 model. He also won both races at Philip Island on what was his final appearance at his home round. At Misano he took his record to nine podiums in ten starts at the track. Conversely, his victory in race 1 at Donington Park was his first win at the circuit. He came within three corners of clinching the title at Vallelunga, but crashed out at a low-speed corner which meant that <mask> and Noriyuki Haga retained a mathematical hope. He clinched the title in the next round by finishing 3rd at Magny Cours, and put the seal on it by winning race 2 – his 50th World Superbike victory. He took a double victory in his final World Superbike meeting at Portimão.Bayliss tested a Ducati 1198 in a special private test at Mugello in May 2010, setting impressive times and leading to speculation that he would make a comeback to racing

In February  Bayliss made the comeback, when he was called to replace injured Ducati rider Davide Giugliano at Phillip Island opener, riding the unfamiliar 1199 Panigale R.

Touring/GT Cars
Bayliss has since embarked on a new career after signing to drive as co-driver for Triple F Racing in the domestic V8 Supercar touring car series. He teamed with their regular driver Dean Fiore at the Phillip Island 500 and Bathurst 1000 long distance events. They broke an alternator and did not start the Phillip Island race and did not finish the Bathurst 1000. He also has raced as a co-driver in the 2013 and 2014 Australian Porsche Carrera Cup Championship. Career statistics

Grand Prix motorcycle racing

By season

Races by year
(key) (Races in bold indicate pole position, races in italics indicate fastest lap)

Superbike World Championship

Races by year
(key) (Races in bold indicate pole position, races in italics indicate fastest lap)

Complete V8 Supercar results

Complete Bathurst 1000 results

References

External links

Fan Club
Driver Database (car racing) profile

1969 births
Australian amputees
Australian motorcycle racers
British Superbike Championship riders
Living people
Ducati Corse MotoGP riders
People from Taree
Racing drivers from New South Wales
Superbike World Championship riders
Supercars Championship drivers
MotoGP World Championship riders

masks:
Troy Bayliss
Bayliss
Bayliss
Bayliss
Bayliss
Bayliss
Bayliss
Bayliss
Bayliss
Bayliss
Troy Corse
Bayliss
Bayliss
Troy Corser


texts:
<mask> (April 20, 1891 – January 25, 1973) was an American brigadier general, who served most of his career in the United States Army Corps of Engineers. During the World War II, Conklin served as Chief Engineer, Third U.S. Army. Early years

<mask> was born on April 20, 1891, at Fort Leavenworth, Kansas, as a son of Army Colonel, <mask> and <mask>. He came from the family with a long military tradition, because his maternal grandfather was Union major general William H<mask> and also maternal uncle was major general <mask>. Young <mask> followed his family tradition and upon completing of the high school in May 1911, he received an appointment to the United States Military Academy at West Point, New York. During his time at the academy, he reached the rank of cadet lieutenant and also was an expert rifleman. Conklin graduated with Bachelor of Science degree on June 12, 1915, as a part of "the class the stars fell on", where many of his classmates became distinguished general officers later, including Dwight D. Eisenhower, Omar N. Bradley, Joseph T. McNarney, James Van Fleet, Stafford L. Irwin, Leland S. Hobbs, Leroy H. Watson, Roscoe B. Woodruff or many others.He was commissioned a second lieutenant in the Corps of Engineers on the date of his promotion and attached to the 2nd Battalion of Engineers, with whom he served on the Mexican Border during the Pancho Villa Expedition until April 1917. Shortly before his departure, <mask> married Marguerite Heard, a daughter of Major General <mask>. Heard, USMA Class of 1883 and Medal of Honor recipient. He was subsequently appointed an instructor and assistant adjutant of the Officers Training Camp at Fort Myer, Virginia, and remained in that capacity for the duration of World War I.

Interwar period

Following the World War I, Conklin completed the courses at Command and General Staff College at Fort Leavenworth, Kansas, and at Army War College in Washington, D.C., and served as an instructor in the Department of Civil and Military Engineering at the United States Military Academy at West Point in 1923–1924 and later as company commander with engineers units. During that period he reached the rank of major. Following his promotion, Conklin returned to West Point in 1931 and served as assistant professor in the Department of Natural and Experimental Philosophy mid-1934. In July 1934, Conklin was appointed District Engineer, U.S. Engineers Office in Huntington, West Virginia, and remained in that capacity until he was attached to the 11th Engineer Regiment in July 1937.He was promoted to lieutenant colonel on April 1, 1936, and assumed command of the regiment at the end of September 1937. <mask> was then transferred to Norfolk, Virginia, where he served as District Engineer, U.S. Engineers Office until June 1941. World War II

<mask> was subsequently appointed corps engineer, I Armored Corps and was promoted to the rank of colonel in December 1941. He served in this capacity under famous general George S. Patton during desert maneuvers in Arizona and California in order to prepare the corps for deployment to North Africa. Conklin landed near Casablanca during the Operation Torch on November 8, 1942, and participated in the combat operations against Afrika Korps with additional duty as chief engineer, Western Task Force. He distinguished himself in that capacities and was decorated with the Legion of Merit by General Patton.He was ordered back to the United States in January 1943 and assumed duty as army engineer, U.S. Third Army under Lieutenant General Courtney Hodges. <mask> sailed with Third Army to England in December of that year and when General Patton assumed command of the Army in January 1944, he remained in his previous capacity and took part in the intensive training until mid-1944. Conklin sailed for France at the end of July 1944 and participated consecutively in the Battle of Normandy, Lorraine Campaign, Battle of the Bulge and the advance to Germany and Czechoslovakia. He was promoted to brigadier general on January 7, 1945, and received several decorations for his service in European Theater from 1944 to 1945. Conklin received the Army Distinguished Service Medal and Bronze Star Medal and also was decorated with Legion of Honor, rank Chevalier by the Government of France and with Belgian and French Croix de guerres with Palm. Postwar service

Following the occupation duty in Austria, <mask> returned to the United States in December 1945 and assumed duty as commanding general, Replacement Training Center at Fort Lewis, Washington. He remained in that capacity until March 1947, when he was appointed Chief of Personnel Division, Office of the Chief of Engineers under Lieutenant General Raymond A. Wheeler.In mid-May 1949, <mask> was ordered to Japan and assumed duty as civil property custodian, Far East Command under General of the Army Douglas MacArthur. He served in that capacity until mid-1951, when he was ordered back to the United States and retired from active duty. Brigadier General <mask><mask> died on January 25, 1973, in Washington, D.C. He is buried at United States Military Academy Post Cemetery with his wife, Marguerite Heard <mask> (1893–1929). They had one adopted son, <mask> <mask>. Decorations
Here is Brigadier General <mask>'s ribbon bar:

References

External links
Generals of World War II

1891 births
1973 deaths
People from Fort Leavenworth, Kansas
United States Military Academy alumni
United States Army Command and General Staff College alumni
United States Army War College alumni
United States Army personnel of World War I
Burials at West Point Cemetery
Recipients of the Distinguished Service Medal (US Army)
Recipients of the Legion of Merit
Chevaliers of the Légion d'honneur
Recipients of the Croix de Guerre 1939–1945 (France)
Recipients of the Croix de guerre (Belgium)
Graduates of the United States Military Academy Class of 1915
United States Army generals of World War II
United States Army generals
Operation Overlord people

masks:
John French Conklin
John French Conklin
John Conklin
Rosalie French
. French
John Clem
John
Conklin
John W
Conklin
Conklin
Conklin
Conklin
Conklin
John F
. Conklin
Conklin
John Heard
Conklin
Conklin


texts:
<mask> (September 23, 1940 – September 24, 2002), was an American singer and songwriter who spent much of his life in London, England, and had more success in Europe than in his native country. Biography

Early years
<mask> was born in Washington, D.C., and raised by his mother Mary, who worked for the Army Corps of Engineers, his aunt, and his grandmother in an area known as South Fairlington Historic District, in Arlington, Virginia, where he was to meet Scott McKenzie, who lived nearby. <mask> learned to play the banjo and guitar, and won the top music award in high school. <mask> graduated from Gonzaga College Prep School, a noted Jesuit institution in DC, class of 1958. From there he joined the United States Air Force (in the Strategic Air Command), in the pre-Vietnam era, and was stationed in Kansas. He later worked as a merchant seaman on the S.S. Atlantic and in a bank, before becoming involved in the music industry. His first band was The Singing Strings, which included his friend McKenzie, who later joined with John Phillips (eventually of The Mamas & the Papas) in a local group called The Abstracts, later The Smoothies and eventually The Journeymen.Other members of the Strings were Buck Hunnicutt, Speery Romig and Alan Stubbs. In 1962, <mask> teamed up with ex-Smoothie Michael Boran as Michael and <mask>. Jake Holmes, Rich Husson and <mask> formed a group called The Feldmans, later known as <mask> and the Thorns. The Big 3

In 1962 <mask> met singer Cass Elliot (also eventually of The Mamas & the Papas) at a party in Georgetown and formed a folk trio with her and singer John Brown called The Triumvirate. Later, after Brown was replaced by James (Jim) Hendricks, they changed the name to The Big 3. They soon landed a job at The Bitter End, a folk club in New York City's Greenwich Village. Their success grew, with appearances on national television programs, and they recorded two albums: The Big 3 (1963) and The Big 3 Live at the Recording Studio (1964).Songs included "Grandfather's Clock", and an anti-war dirge written by Fred Hellerman and Fran Minkoff, "Come Away Melinda", a re-recorded version of which was one of <mask>'s most successful solo singles several years later, and <mask>'s composition "The Banjo Song," which sets the lyrics of "Oh! Susanna" to a completely new melody. <mask>'s melody was then used for Shocking Blue's 1969 hit "Venus". Neil Young and Crazy Horse covered <mask>'s version on their 2012 album Americana. <mask> and Elliot had musical differences – both were inclined to want things done their way – and the band fell apart after Elliot and Hendricks secretly married. They had appeared on a number of national television programs, including Hootenanny (1963), The Danny Kaye Show (1963), and The Tonight Show Starring Johnny Carson (1962). Solo career
After The Big 3, <mask> went solo, and by 1966, his prospects had improved.In November of that year, he played two gigs at the Fillmore Auditorium in San Francisco; headlining were the Grateful Dead and Jefferson Airplane. CBS Records signed <mask> to a multi-album record deal; the first album, <mask>, came out in 1967. It featured a new version of "Come Away Melinda" and "Long Time Man" (a version of the traditional "It Makes a Long Time Man Feel Bad", which was also previously recorded with The Big 3) as well as his versions of two songs that would become standards: Billy Roberts' "Hey Joe" and Bonnie Dobson's "Morning Dew". Both were released as singles, and would be further covered by many artists, from the Grateful Dead to Clannad. Backed up by a trio that included William Lewis Wexler on keyboards and flute, he played at such clubs as Basin Street West in San Francisco and Le Hibou in Ottawa, Ontario. He also played on numerous recording sessions, including backing up Eric Weissberg. "Hey Joe"

In 1966, he was getting a lot of airplay with his version of "Hey Joe".It was written and had been copyrighted in 1962 by singer Billy Roberts, but <mask> claimed he heard it sung as a child in Florida, and as of 2009, <mask>'s official website still claims the song is "traditional". As of 2009 no documentary evidence from US archives or elsewhere has been provided to support the claim that the song is "traditional" (though Country singer Carl Smith did have a hit in 1953 with a song of the same title written by Boudleaux Bryant). Prior to <mask>'s recording, The Leaves, The Surfaris, Love and The Byrds had all recorded fast-paced versions of the song. <mask>'s version (crediting himself as author), unlike the others, was a slow, angry ballad, which received US radio airplay and became a regional hit in the San Francisco area in 1966, as well as upstate New York cities like Buffalo and Albany. Jimi Hendrix had seen <mask> performing at Cafe Wha? in New York City, and released a similarly slow version in 1966 which became a huge hit, first in the UK, then worldwide. It was Linda Keith, Keith Richards' girlfriend at the time that played <mask>'s recording of "Hey Joe" to Chas Chandler (Hendrix's manager and former bass player for The Animals).<mask> re-recorded "Hey Joe" in the 1990s, re-titling it "Blue Steel .44", again claiming songwriting credit. "Morning Dew"

"Morning Dew" was to go on to become a rock standard. <mask> heard Fred Neil's recording of the song penned by Canadian folk singer Bonnie Dobson, arranged it with a harder, rock feel and added his name to the songwriting credit, although Dobson consistently questioned his right to a credit. Fred Neil, signed to Elektra, was the first person to record the song after her. Jac Holzman of Elektra contacted her for permission, knowing she had written it, and that was how it came to be published by the Nina Music Co., the music publishing company set up by Holzman's wife Nina. Subsequently, the Nina Music Co. was bought by Warner/Chappell Music. Follow-up works
Another CBS album, Through Rose Colored Glasses, followed in 1969.It met with critical disappointment and did not sell well. Love: A Kind of Hate Story was recorded at Island Studios in London and released in 1970. In addition to his musical career, by now <mask> had moved to London and would spend much of his life there. Other albums followed in the decade: Another, different album titled <mask> (1972), The Musician (1975), and the bootleg Unfinished Song (1976). In 1968, while his song "Roanoke" was getting some airplay in the UK, <mask> was considered while replacements were being selected for Brian Jones's place in The Rolling Stones. <mask> worked in the late 1960s and 1970s with sidemen Bob Bowers, Felix Pappalardi, Alan Seidler, Tina Charles, Pierre Tubbs, B. J. Cole, Colin Winston-Fletcher, Micky Wynne, John Bonham, Les Podraza, Aynsley Dunbar, Alex Damovsky, John McVie, Andy Summers, Eric Weissberg, Russ Kunkel, Randall Elliot, Pete Sears. In the late 1960s, Shel Talmy worked with <mask>, producing his album Love – A Kind of Hate Story.In 1972, he put together his short-lived LA band featuring: Michael 'Papabax' Baxter on keyboards, Shelly Scott on drums, Bob Zinner on guitar and Larry "Fuzzy" Knight on bass, to play the 'California concert halls and 'nite' spots'. He appeared on bills with Traffic, The Staple Singers, Stevie Wonder, Simon and Garfunkel, The Doors, Uriah Heep, Johnny Mathis, Frank Zappa, Jimi Hendrix, Jeff Beck, Rod Stewart, Procol Harum, the Grateful Dead, Jimmy Page, Robert Plant, The Band of Joy, and <mask>. The lost years
By the mid 1970s, his career had stalled. In an attempted comeback Los Angeles music publisher/songwriter Richard D. Kaye, acting as <mask>'s manager in 1976, arranged studio time for <mask> to record the album Unfinished Song featuring seven new <mask> compositions and the title track "Unfinished Song" written by Kaye. He recorded The Gambler in 1977, with a group that included guitarist Andy Summers, only to find that the record company refused to release it. He returned to New York for a number of years, living in Hell's Kitchen on Restaurant Row, and then much later Lincoln Square near Central Park. Having lost his contacts in the music industry, he was forced to work as a construction laborer until an opportunity arose to sing jingles for TV commercials in early 1980.<mask> sang on many jingles, including Big Red gum and Wrangler Jeans, and voiced ads for the Big Apple Circus. This work funded his much-delayed college education, which he began at the age of 40. <mask> graduated in 1984 from Fordham University at Lincoln Center in Manhattan, with a degree in history. He became a Wall Street stockbroker and a teacher, got married, and eventually divorced. While working on Wall Street, he met Dennis Lepri, former lead guitarist for the folk rock group, Gunhill Road. They became friends and together collaborated on new material, performing in clubs throughout New York. After the 1987 stock market crash, the two parted ways and <mask> got out of the business.He continued writing and performing at select venues, such as The Bitter End. He also battled with alcoholism. Return
By the late 1980s, <mask> had reached the lowest point in his career. After his marriage broke up, he gave up drinking. In 1986, Nick Cave included "Long Time Man", a version very close to <mask>'s, on the album Your Funeral, My Trial. Cave went on to assist <mask> in recovering his career, and encouraged him to play live shows again. In 1991, The Gambler was finally released.In 1996, encouraged by Cave and by Dutch film makers Suzan IJzermans and Jacques Laureys, he returned to Europe. <mask> performed at the Guildford, and Glastonbury Festivals. He went on to perform at the Royal Albert Hall opening for Cave, and at the Shepherds Bush Empire and Queen Elizabeth Hall in London with co-writer and guitarist Mickey Wynne. A new album, Haunted, was released with recordings from these performances as well new studio material produced by Cave. He also appeared on the BBC Television show Later with Jools Holland, and performed with Robert Plant's folk-rock band, Priory of Brion. By the late 1990s to early 2000s, most of his back catalog had been re-released (some as double albums), and were available both in record stores and from <mask>'s own web site, Tim-Rose.co.uk. In April 2001, the <mask> Band was the opening act at the Bergen Blues and Jazz Festival in Norway.Jacques Laurey's biographical film about <mask>, Where Was I?, was premiered at the Rotterdam Film Festival in the same year. His final solo album, American Son, was released in February 2002. Not Goin' Anywhere by Norwegian band Headwaiter, featuring four songs with lyrics by <mask> and a duet with the lead singer Per Jorgenson, was released in Norway in September 2002. Death

In 2002, <mask> had completed a successful tour of Ireland with co-writer and guitarist Mickey Wynne and had a number of gigs planned around the UK. He died at Middlesex Hospital, London of a heart attack during a second operation for a lower bowel problem on September 24, 2002, at the age of 62. He is buried in Brompton Cemetery, London. He had no children.A number of posthumous recordings featuring <mask> have since been released. He was the subject of BBC programme Heir Hunters in November 2011, where investigators look for descendants of deceased people who did not leave a will. Discography

Albums
 The Big 3, 1963 – with The Big 3
 The Big 3 Live at the Recording Studio, 1964 – with The Big 3
 <mask>, 1967
 Through Rose Colored Glasses, 1969
 Love – A Kind of Hate Story, 1970 (Produced by Shel Talmy)
 <mask>, 1972
 The Musician, 1975
 Unfinished Song, 1976
 The Gambler, 1991
 I've Got to Get a Message to You, 1987
 Haunted, 1997
 American Son, 2002
 Not Goin' Anywhere, 2002 – with Headwaiter
 Snowed In (The Last Recordings), 2003
 The London Sessions 1978 – 1998, 2004
 Mirage, 2004

Singles
 1966 – "I'm Bringing It Home" / "Mother, Father, Where are You?" 1966 – "Hey Joe" / "King Lonely the Blue"
 1966 – "I Gotta Do Things My Way" / "Where Was I?"

masks:
Timothy Alan Patrick Rose
Rose
Rose
Rose
Rose
Timothy
Rose
Tim Rose
Rose
Rose
Rose
Rose
Rose
Rose
Rose
Rose
Tim Rose
Rose
Rose
Rose
Rose
Rose
Rose
Rose
Rose
Rose
Tim Rose
Rose
Rose
Rose
Tim Hardin
Tim
Tim
Rose
Rose
Rose
Tim
Rose
Rose
Rose
Rose
Rose
Tim Rose
Rose
Rose
Rose
Rose
Tim Rose
Tim Rose


texts:
<mask> (1910–1988) was an American street photographer best known for his work documenting everyday street life in New York City from the 1950s through the 1980s. In 1975 <mask> was awarded a Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation. Early life and education

<mask> was born on 20 September 1910 in Buckhannon, West Virginia. He began high school in September 1923 at Baltimore City College, which was a public college-preparatory school. During his senior year in high school, he attended evening classes at the Maryland Institute of Arts in Baltimore. In the autumn of 1927, after graduating from high school, he enrolled as a part-time student at the Institute, taking courses in drawing, calligraphy, and design. In his application for a Guggenheim Fellowship he mentioned taking courses at the Art Institute of Pittsburgh.Career

<mask>'s first job in advertising was with the Hecht Furniture Company in downtown Baltimore. From 1934 to 1937 he worked there as an assistant art director, doing layouts for newspaper advertisements. He then set out on his own as a freelance graphic artist and designer. Layouts were to be his forte throughout his career in advertising. In the autumn of 1948 he took an advanced workshop with the school's director and one of its most influential teachers, Sid Grossman. As a walker and a loner, it was only natural that <mask> would prowl the streets of New York and the beaches of Coney Island, like numerous photographers before him. <mask> was studying with Grossman in 1950 when Lisette and Evsa Model attended the class, and from 1954 until 1960 <mask> was a student in Evsa Model's painting workshop.One of his photographs was included in U.S. Camera Annual 1951, and two were chosen the following year. In 1956 he was among six featured photographers of the annual, together with Richard Avedon, Wynn Bullock, G.E. Kidder Smith (an architectural photographer), Eugene Smith, and Brett Weston. Over the course of the decade, his work would also be in five Popular Photography annuals. In 1952 he was the winner of Popular Photography's international photography contest, with a prize of $2,000. .In 1955 <mask>'s work was included in a summer group exhibition there, and in the same year Edward Steichen selected two of his photographs for the world-touring Museum of Modern Art exhibition The Family of Man, seen by 9 million visitors and for the accompanying catalogue, which is still in print.The two candid photographs were shot at close quarters, his habitual approach, for which he would shoot from the hip, and one is a ground-level view of a well-to-do couple waiting for a cab, she in her voluminous fur and he in his double-breasted suit and hat. The other is more sympathetic to the less privileged people <mask> enjoyed photographing on the Lower East Side; an African-American woman adoringly caressing her baby as they sprawl on a rug in the dappled shade. Another supporter was Helen Gee, the founder of the Limelight Gallery, the first New York gallery devoted solely to the exhibition and sale of photographs. In her autobiography, Gee devotes the first part of chapter 13 to <mask> and his was the first exhibition of 1956, his only solo show at Limelight , with sixty-five prints covering seven years of work by "a photographer I considered one of the best of the non-professionals. Perhaps, even the best." Like Gee, <mask> had studied photography with Sid Grossman, first at the Photo League and then in Grossman’s private workshops; “he was the only one…who lived up to Sid’s frequent exhortation: ‘Live for photography!’”. There were favourable reviews, one by Wright from The Village Voice.In 1980, Gee included his work in the exhibition Photography of the Fifties. The following year she was instrumental in arranging the sale of a substantial number of prints to the art dealer Harry Lunn. In the late 1970s and 1980s Levinstein travelled abroad to photograph, only to return to the United States and stay in his Baltimore apartment. Lunn purchased a large group of <mask>'s photographs, and his work was being included in important exhibitions of postwar documentary photography, beginning in 1978 with New Standpoints at the Museum of Modern Art. Still not widely known, Levinstein has gradually come to be acknowledged as a key figure in photography from the latter half of the twentieth century. Publications
Black Through Time: Photographs of Black Urban Life 1937-1973. Charlottesville: Bayly Art Museum, University of Virginia, 1992.Text by Stephen Marguilies. <mask>: The Moment of Exposure. University of Chicago Press, 1995. Bob Shamis and Max Kozloff. . Catalogue for an exhibition at the National Gallery of Canada, Ottawa, and at the Museum of Modern Art, New York, 1995. <mask>. Obsession. Léo Scheer, 2000.By Helen Gee. . French. <mask>: That's Where The Life Is. Stephen Daiter Gallery, 2001. By Helen Gee. <mask>. Göttingen: Steidl, 2014. . Edited by Howard Greenberg and Bob Shamis. With an introduction by Jeff L. Rosenheim and an essay by Carrie Springer.Award
1975: Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation. <mask>'s work is held in the following permanent collection:
Metropolitan Museum of Art, New York

References

"Kudos From the Art World He Shunned" John Lelan, The New York Times, 1 December 2012
"Hipsters, Hustlers, and Handball Players: <mask>'s New York Photographs, 1950–1980"
"<mask>, The Lonely Photographer" by Claire O'Neill

Further reading
Benton-Harris, John "<mask>, 1913-1988” Creative Camera, July 1989, pp. 18–19. "Coney Island." Photographs selected by Grace M. Mayer. Camera, March 1971, pp. 6–45.Deschin, Jacob. "'Family of Man': Museum of Modern Art Prepares Global Collection for January Opening." The New York Times, 12 December 1954. External links
"<mask>’s street photography" – Interview with Jeff L. Rosenheim the curator of a Levinstein exhibition at the Metropolitan Museum of Art (video)

Street photographers
1910 births
1988 deaths
Photographers from New York (state)
20th-century American photographers

masks:
Leon Levinstein
Levinstein
Levinstein
Levinstein
Levinstein
Levinstein
Levinstein
Levinstein
Levinstein
Levinstein
Levinstein
Levinstein
Leon Levinstein
Leon Levinstein
Leon Levinstein
Leon Levinstein
Collection Levinstein
Leon Levinstein
Leon Levinstein
Leon Levinstein
Leon Levinstein


texts:
Hinde Ester Singer Kreytman (31 March 1891 – 13 June 1954), known in English as <mask>, was a Yiddish-language novelist and short story writer. She was born in Biłgoraj, Vistula Land to a rabbinic Jewish family. Her younger brothers Israel Joshua Singer and Isaac Bashevis Singer subsequently became writers. Biography
Kreitman was the daughter of Pinchas Menachem Singer (Pinkhas Mendl Zinger) and his wife Basheve (Bathsheba), née Zylberman. Her father was a rabbi and an avid Hasid with a passion for mysticism. Kreitman's mother also came from a rabbinic, albeit non-Hasidic, family. The daughter of the rabbi of Biłgoraj, who was renowned in his day for his intellectual and spiritual character, she had benefited from an education comparable to that of her brothers.Kreitman had an unhappy childhood. According to her son, her mother gave her to an uncaring wet nurse for the first three years, who left her
in a cot under a dusty table where she was visited once a week by her mother, who did not touch her. Later, as a highly gifted child, she had to watch her younger brothers being taught, while she was relegated to menial household duties. Kreitman's first novel includes numerous scenes depicting the main female character's desires for education: scenes in which she waits with great anticipation for the bookseller to arrive in their town, dreams of becoming a scholar, and hides a Russian text-book from the male members of her family so that they won't find out she is studying in secret. It is likely that these incidents reflect Kreitman's own story. In 1912 she agreed to an arranged marriage, and went to live with her husband, Avraham Kreitman, a diamond cutter, to Antwerp, Belgium. The events surrounding this marriage are both described by her in Deborah and by Isaac Bashevis Singer in his autobiographical collection In my Father's Court.In Antwerp her son, Morris Kreitman, was born. (He later was known by his journalistic pen name, Maurice Carr, and his novelistic pen name, Martin Lea.) The outbreak of World War I forced the family to flee to London, where Kreitman lived for the rest of her life, except for two long return visits to Poland. Her marriage was not happy. She and her husband both worked in menial jobs, and she translated classic English works into Yiddish to earn extra
money. Although she had been the first in the family to write, she published relatively late in life, her first novel Der Sheydims Tants (Dance of the Demons) appearing in Poland in 1936. It was translated by her son in 1946 as Deborah.Her second novel, Brilyantn (Diamonds) was published in 1944. Yikhes (Lineage), her book of short stories, was published in 1949. Many of her works deal with the status of women, particularly intellectual women, among Ashkenazi Jews. Other works explore class relationships, and her short stories include several set in London during The Blitz, which she experienced. After World War II Kreitman attempted to contact her mother and a third brother, Moyshe, who had become a village-rabbi in Poland and had fled to the Soviet Union with their mother and his wife; their father had died before the war. Although she received two postcards from southern Kazakhstan, in the town of Dzhambul, (today Taraz), no further communication was forthcoming. Forced evacuation of Jewish refugees to Central Asia under extremely harsh conditions was relatively common in the Soviet Union during World War II, and both are reported to have perished in 1946.Her other brother Israel Joshua Singer had died in New York in 1944, but her remaining sibling, Isaac Bashevis Singer, came to visit her in London in 1947. Her relationship with her brothers had always been complex. Her son tells about how she constantly told him stories about her brothers – until mother and son went to visit them Poland in 1936 when she felt rejected by both and never talked about them again. This feeling of rejection must have been aggravated when Isaac Bashevis Singer refused to help her immigrate to the United States after 1947. He also did not answer letters and failed to send money, although – then far from being the famous and well-to-do writer he would become in his old age – he was comparably secure and Kreitman and her family were in great need. Kreitman's two brothers are not known to have encouraged or helped her as an author. Her books were never reviewed in Yiddish daily The Forward, for which they both worked.But the deep impression her personality made on both of them is reflected in their work. In Israel Joshua Singer's Yoshe Kalb an unhappy and unstable seductress appears to be modelled on Kreitman, and Isaac Bashevis Singer's Satan in Goraj includes an innocent girl who is crushed by circumstance, who carries Kreitman's features and particularities. (<mask> suffered either from epilepsy or another physical or mental condition with similar symptoms, and was later in life diagnosed as paranoid.) I.B. himself stated that his sister was the model for his fictional Yentl, a woman from a traditional background who wishes to study Jewish texts. He considered <mask> the "best female Yiddish writer" he knew, but difficult to get along with. "Who can live with a volcano?"(Hadda, p. 137). And he dedicated the volume of his collected short stories The Seance (New York, 1968) "To the memory of my beloved sister". Kreitman died in 1954 in London. Since her death, her works, which she wrote "in support of the Haskalah (Jewish enlightenment) from a female perspective," have been translated into French, German, Dutch and Spanish. Almost her entire small output is now available in English translation. There is only a few works of Kreitman translated into Polish, Kreitman's stories were published in Poland in 2016 (translated by Natalia Moskal). Her biography and works were inspiration of play "Hindełe, the Sister of the Magician" performed from 2017 in Lublin.Works by <mask> in Yiddish and English
Der Sheydim-Tants (Warsaw: Brzoza, 1936); translated by Maurice Carr as Deborah (London: W. and G. Foyle, 1946; republished London: Virago, 1983, New York: St. Martins Press, 1983, London: David Paul, 13 August 2004, , and New York: Feminist Press, 1 May 2009 ). Reviewed in The New Yorker (14 January 1985) : 117–118. Brilyantn (London: W. and G. Foyle, 1944); translated by Heather Valencia as Diamonds (London: David Paul, 15 October 2009, ). Yikhes (London: Narod Press, 1949); translated by Dorothee van Tendeloo as Blitz and Other Stories (London: David Paul, 1 March 2004 ). Notes

References
Carr, Maurice. "My Uncle Itzhak: A Memoir of I. B.Singer." Commentary, December 1992: 25–32. Carr, Maurice. "Kadish Mayn Muter Ester Kreytman." Loshn un Lebn 173 (June 1954): 8–10. (In Yiddish)
Carr, Maurice. "My Mother, Hindele", Introduction by David Mazower, Pakn-Treger 45 (Summer 2004): 44–49."Ester Kreytman, o'h." [London] Yidishe Shtime 18 June 1954: 1. (In Yiddish)
Fogel, Joshua. "<mask>itman and Her Sketch, 'A New World,'" The Yale Review 73 (Summer 1984): 525–32. Hadda, Janet. Isaac Bashevis Singer: A Life. (New York: Oxford University Press, 1997).Kreitman, <mask>. "Ester Kreytman's Notitsn Vegn Zikh Aleyn." [London] Yidishe Shtime. 9 July 1954: 3. (In Yiddish)
Norich, Anita. "The Family Singer and the Autobiographical Imagination." Prooftexts, 10 n. 1 (Jan. 1990): 97–107.Ravitch, Melech. "Ester Kreytman." Mayn leksikon vol. 4 pt. 2 (Montreal: Komitet, 1982): 254–6. (In Yiddish)
Sinclair, Clive. "<mask>, the silenced Singer", Los Angeles Times, Sunday, 14 April 1991: BR1, 11.Singer, I.J. Fun A Velt Vos Iz Nishto Mer. (New York: Farlag Matones, 1946). In English as Of a World That is No More. Trans. Joseph Singer. (New York: Vanguard Press, 1971).Tree, Stephen. Isaac Bashevis Singer. (Munich: Deutscher Taschenbuch Verlag, 2004). (In German)

External links
Guide to the Papers of <mask> (RG 341). YIVO Institute for Jewish Research
A Bibliography of Works by and About Esther Kreitman
Books by <mask> in All Languages
Article on the "Jewish Women's Archive"
The Life and Works of <mask>itman

1891 births
1954 deaths
British Jewish writers
British writers
British people of Polish-Jewish descent
20th-century Polish women writers
Translators from English
Translators to Yiddish
Yiddish-language writers
20th-century translators
20th-century British women writers
Jewish women writers
People from Biłgoraj

masks:
Esther Kreman
Esther Kreman
Esther Kreman
Esther Kreitman
Esther Kre
Esther
Esther
Esther Kreman
Esther Kreman
Esther Kre


texts:
<mask> (December 9, 1879 – October 25, 1960) was an Italian baritone and voice teacher who is best known for having been the teacher of dramatic tenor Mario Del Monaco and his older brother Marcello Del Monaco. Also whose method influenced the voice and technical development of tenor Franco Corelli. Biography

Education
<mask> was born in Milan. He studied at the Regio Conservatorio di Milano under Giuseppe Gallignani, who was also the director of the Conservatory. On November 13, 1907 <mask> graduated, receiving his license to be a singer, as well as to become a teacher of singing at any public school in Italy. His exams—with diploma requirements nearly identical to those of the old conservatorio system—consisted of the following:

 two arias for baritone voice—"Sei vendicata assai" from Dinorah by Meyerbeer and "S'il faut s'enfler de gloire," sung by Boniface, the monastery cook in Le jongleur de Notre-Dame (meeting the requirement for an aria by contemporary a composer). the sixth vocalise from Gaetano Nava's Method for Baritone
 the aria "È ver ch'io t'ingannai" from Fra Diavolo by Meyerbeer
 sight reading a piece taken from Pier Luigi Farnese by Constantino Palumbo
 questions about the physiology of singing, about teaching, and on the best old school and modern authors

<mask>'s scorecard showed that he had already proven himself expertly prepared and capable in the complementary studies of piano, theory, harmony, scenic arts, and physiology of the vocal organs, as well as the standard cultural studies in Italian history, poetry, and literature.Liceo Musicale Rossini & Mario Del Monaco
<mask> became a teacher of singing at the Conservatory, appointed by Gallignani. In January 1912 he was called to take the title the Chair of Singing at the Liceo Musicale Rossini in Pesaro. He held this position uninterruptedly until 1941. Around 1932 a young Mario Del Monaco—whose voice had been dangerously lightened in his studies with Luisa Melai-Palazzini, destroying its natural emission and timbre—began to consult and take lessons from <mask>, who reeducated his voice with the appropriate exercises, gradually returning it its power, its breadth and natural ease, and giving it its full homogeneity along the entire range from low B♭ to  high D♭. However, not yet satisfied with the progress he had achieved, Del Monaco began to make up and add to his technique, in order to get more from his vocal organs. In 1936, Del Monaco won a prize that gave him the opportunity to study his craft at the Teatro dell'Opera di Roma. This experience, in which he was again assigned inappropriate light repertoire, caused him to lose his voice nearly completely.In 1938, he returned to Pesaro, where he attempted to resume his studies with <mask>. At first <mask> did not take Del Monaco back, but at the insistence of Rina Filippini (later Del Monaco's wife), <mask> accepted the tenor into his studio, and within six months, Del Monaco's voice was rebuilt to the state that quickly carried him forward to becoming the greatest dramatic tenor of the mid-20th century. On May 18, 1941 <mask> was suspended without pre-warning, for supposed "poor performance." He later said that it was well known that he was actually suspended for his anti-fascist views. Similar anti-fascist sentiments were held by his maestro Gallignani, who after his being fired from his directorship in 1923, became distraught and committed suicide by throwing himself out a window. During the entire period of fascism in Italy, <mask> was one of only two teachers at the Liceo Rossini who never joined the Fascist Party and refused the Fascist card. Between the time of <mask>'s suspension and the end of the fascist Italian Social Republic in 1945, he spent three years abroad, teaching singing at a school of music in Hong Kong and at the Shanghai Conservatory of Music (then under another name), which had on its staff teachers from as far as Russia and France.During these three years, he learned to speak correct and practical English, French, and Russian. In August 1945, <mask> himself submitted a lengthy petition to the Ministry of Public Instruction (Arts Division) to allow him to take up his post again at the Liceo Rossini. According to the annals of the school, pleas from students and colleagues—as well as the recent death of tenor and teacher Umberto Macnez—did finally result in his reassignment there from 1947 to 1949. Carlo Scaravelli & Franco Corelli

At the insistence of his friend, baritone Carlo Scaravelli, a 25-year-old Franco Corelli sent a letter (dated September 28, 1946) formally requesting admission to the Conservatory in Pesaro. Although Corelli had submitted his voice type as baritone, the conservatory's Maestro Fradelloni immediately pointed out that he was a tenor. Corelli's request for admission was granted, and both Corelli and Scaravelli entered the classes of the aforementioned Umberto Macnez, in his first and only year as teacher at the school. Unfortunately Corelli, still living and working in Ancona, was unable to attend classes regularly, and he was expelled from the conservatory.After a few months of lessons in Ancona with Rita Pavoni, whose "masque placement" method caused Corelli to lose his upper range, he stopped formal studies and sang on his own. By 1949, Mario Del Monaco had become a star, and meanwhile Carlo Scaravelli had begun studying with <mask>. Corelli was so impressed both by Del Monaco and by Scaravelli's improvement, that he went to meet <mask>. According to Corelli, he met and took lessons from <mask> only a few times. Corelli still could not abandon his work in Ancona, so he devised a plan: when Scaravelli would return to Ancona by train from his lessons in Pesaro, Corelli would meet him at the station; Scaravelli would relay the contents and concepts from the lesson, and then the two would go to the old Corelli family house in Via Mamiani, which was in ruins from the war and was still uninhabited, and there they would practice together. They continued in this fashion for all of 1949, Corelli's own voice improving enormously. This provided Corelli with enough knowledge and technique to begin to pursue what would become his first successes at Spoleto and in Rome.Students

References

Voice teachers
1879 births
1960 deaths
Italian music educators
Italian opera singers

masks:
Arturo di Giuseppe Melocchi
Arturo Melocchi
Melocchi
Melocchi
Melocchi
Melocchi
Melocchi
Melocchi
Melocchi
Melocchi
Melocchi
Melocchi
Melocchi
Melocchi
Melocchi
Melocchi


texts:
The shooting of <mask> by the New York Police Department occurred on October 29, 1984. The police were present to enforce a city-ordered eviction of Bumpurs, an elderly, disabled African American woman, from her public housing apartment in the Bronx. In requesting NYPD assistance, housing authority workers told police that Bumpurs was emotionally disturbed, had threatened to throw boiling lye, and was using a knife to resist eviction. When Bumpurs refused to open the door, police broke in. In the struggle to subdue her, one officer fatally shot Bumpurs twice with a 12-gauge shotgun. Bumpurs' shooting, one of several black deaths that inflamed racial tensions in 1980s New York, led to changes within the police department regarding responses to disabled and emotionally volatile persons. Officer Stephen Sullivan, who shot Bumpurs, was indicted on second-degree manslaughter, but was ultimately acquitted.Bumpurs' family sued the city for $10 million in damages, and settled for $200,000. Incident
Prior to the eviction attempt, <mask>, who had arthritis and other health problems, had told her daughter Mary that someone in the building was harassing her. Mary advised her to keep the door locked. <mask> told a housing authority official she would not pay the rent because she was having maintenance problems, but refused to admit maintenance workers to her apartment when they were sent. In one phone conversation, she told a housing-authority manager she would not pay the rent because "people had come through the windows, the walls and the floors and had ripped her off". When maintenance workers were admitted to the apartment on October 12, they checked a hallway light and stove as requested, finding no problems with them, but found several cans of human feces in the bathtub. Bumpurs blamed these on "Reagan and his people".Four days before the eviction attempt, the city sent a psychiatrist to visit Bumpurs. He concluded that Bumpurs was "psychotic" and "unable to manage her affairs properly" and should be hospitalized. A Social Services supervisor decided that the best way to help Bumpurs was to evict her first, then hospitalize her. On the morning of October 29, Bumpurs told housing authority workers who had come to evict her that she would throw boiling lye at the next face to appear. The NYPD Emergency Service Unit, specially trained in subduing emotionally disturbed people was summoned, but was unable to get Bumpurs to come to the door. They drilled out the lock, and through the hole they could see the naked 66-year-old in her living room, holding a 10-inch kitchen knife. The officers then knocked down the door and entered.They attempted to restrain Bumpurs with plastic shields and a special Y-shaped bar, but she fought free, waving the knife and trying to slash an officer. His partner, Officer Stephen Sullivan, fired two shots from his 12-gauge pump action shotgun. One pellet from the first shot struck Bumpurs' hand; all nine pellets from the second shot struck her in the chest, killing her. Reactions
The case brought much notice: the victim was black, a senior citizen, and mentally ill. Some observers claimed that the fact that two shots had been fired also raised questions. To meet the criticism of the public, the PBA aired radio and print advertisements asserting that Bumpurs was a severe threat to the officers in the apartment: "This 300-pound woman suddenly charged one of the officers with a 12-inch butcher knife, striking his shield with such force that it bent the tip of the steel blade." There followed the development of a new, special program to train police officers in New York State to work safely and effectively with "Emotionally Disturbed People (EDPs)".Employees of the NY State Department of Mental Health, along with those of the NYPD and NY State Police were trained as trainers. The new, mandatory course was delivered at the NYPD and State Police Training Academies, and to officers already in service. The program was delivered by training teams composed of police and mental health employees. It was an attempt to address the problem of safely controlling potentially dangerous situations. Legal proceedings
A grand jury was convened to investigate Sullivan's actions. On January 30, 1985, the grand jury indicted Sullivan on charges of second-degree manslaughter, to which Sullivan pleaded not guilty. However, on April 12, Judge Vincent A. Vitale of State Supreme Court dismissed the indictment, ruling that under the New York State Penal Code "the evidence before the grand jury was legally insufficient to support the offense charged or any lesser included offense", and that Sullivan's "acts were in conformity with the guidelines and procedures outlined" in the NYPD's Emergency Service Unit manual.The case took another turn on appeal when, on November 25, 1986, the New York Court of Appeals reinstated Sullivan's second-degree manslaughter indictment by a 6-1 vote. Chief Justice Sol Wachtler was the lone dissenter, saying that the evidence warranted more serious charges. Trial of Officer Sullivan
Sullivan waived his right to a jury trial, choosing a bench trial before a judge only. The trial opened on January 12, 1987, over two years after <mask>' death. The trial hinged on whether Sullivan had used excessive force, especially in firing twice at Bumpurs. His fellow officers testified that Bumpurs was still not immobilized after the first blast hit her hand, and therefore still posed a threat to the police. In addition, two plastic surgeons testifying as expert witnesses for the prosecution said that Bumpurs could have continued to slash at the officers trying to subdue her even after her hand had been injured by the first shotgun blast.By contrast, the emergency room physician who treated Bumpurs immediately after the shooting stood by his grand jury testimony that her hand was left "a bloody stump" by the first shot. On February 26, 1987 Judge Fred W. Eggert acquitted Sullivan on the charges of manslaughter. On August 4, 1987 federal prosecutors declined to investigate the Bumpurs case. Rudy Giuliani, who was the U.S. Attorney in Manhattan at the time, stated that he had found "nothing indicating that the case was not tried fully, fairly and competently", and that there was no "proof of a specific intent to inflict excessive and unjustified force." Civil suit and settlement
The Bumpurs family filed a civil suit against the city for $10 million in damages. In March 1990, the city agreed to pay $200,000 to the Bumpurs estate, marking a close to the legal proceedings stemming from the shooting. Social Services demotions
Two supervisors in the city's Social Services administration were later demoted for failing to seek an emergency rent grant for Bumpurs and for not getting her proper psychiatric aid.Legacy
The Bumpurs case was one of several racially charged cases in New York during the 1980s that exacerbated racial tensions. Others were the fatal assault on Willie Turks in 1982, the 1983 arrest and death of Michael Stewart while in police custody, the subway shooting of four men by Bernhard Goetz in 1984, the fatal assault on Michael Griffith in 1986, the shooting of six NYPD officers by Larry Davis also in 1986, and the murder of Yusef Hawkins in 1989. Since shortly after Bumpurs' death, members of the NYPD Emergency Service Unit have carried Tasers, weapons that can deliver thousands of volts of incapacitating electrical current, as an alternative to the use of firearms when dealing with the mentally ill.

Spike Lee dedicated the film Do the Right Thing to the families of <mask>urs among other victims. See also
 Gidone Busch

External links
<mask>urs on Find A Grave

References

20th century in the Bronx
African Americans shot dead by law enforcement officers in the United States
Crimes in the Bronx
Deaths by firearm in the Bronx
Deaths by person in New York City
History of the Bronx
October 1984 crimes
October 1984 events in the United States
1984 deaths

masks:
Eleanor Bumpurs
Bumpurs
Bumpurs
Bumpurs
Eleanor Bump
Eleanor Bump


texts:
<mask> (née Wilder; born April 3, 1972) is an American politician serving as the Mayor of New Orleans, Louisiana since May 7, 2018. A Democrat, Cantrell is the first woman to hold the office. Before becoming mayor, Cantrell represented District B on the New Orleans City Council from 2012–2018. Early life and education
<mask> was born as <mask> in Los Angeles. She moved to New Orleans in 1990  to attend Xavier University of Louisiana, where she earned a BA in sociology. She attended an executive training program at the Harvard Kennedy School. Broadmoor neighborhood work
Cantrell returned to New Orleans in 1999, settling in the Broadmoor neighborhood.In 2003, she joined the board of the Broadmoor Improvement Association and became president of the association in 2004. After the 2005 levee failures in Greater New Orleans following Hurricane Katrina, the Broadmoor neighborhood flooded severely and remained mostly deserted for months afterward. In early 2006, the Bring New Orleans Back Commission, a blue-ribbon panel convened by then-mayor Ray Nagin, released a recovery plan that called for Broadmoor and five other New Orleans neighborhoods to be converted into greenspace. In her role as president of the association, <mask> worked with residents and local religious leaders to organize opposition to the panel's recommendation. She also helped enlist returning Broadmoor residents in a six-month effort to write a recovery plan for the neighborhood. <mask> worked full time to implement Broadmoor's recovery plan from 2006 through 2012. She and fellow residents formed the Broadmoor School Board, overseeing the reopening and renovation of the Andrew H. Wilson school.She served as a founding board member of the Broadmoor Development Corporation, a community development corporation that provided case management and other social services for returning residents. She was involved with residents' efforts to reopen Broadmoor's Rosa F. Keller Library, which won a $2 million grant from the Carnegie Endowment. She created a partnership between the Broadmoor Improvement Association and Church of the Annunciation, which provided the neighborhood association with office space and hosted volunteer groups. She also formed a partnership between the Broadmoor Improvement Association and her home parish, Blessed Trinity Catholic Church, to open the Broadmoor Art and Wellness Center. Political career

New Orleans City Council
In 2012, <mask> declared her candidacy for the New Orleans City Council seat vacated when former District B representative Stacy Head won an election to an at-large position. After the November election, candidate Dana Kaplan and Cantrell advanced to a December runoff, which Cantrell won with 54 percent of the vote. Cantrell served out the balance of Head's term, and was unopposed for a full four-year term in 2014.As a council member, <mask> focused on health, housing, and criminal-justice issues. She introduced a bill banning smoking at restaurants and bars within New Orleans, citing the health effects of secondhand smoke on service industry workers. The council unanimously passed the bill in 2015. Also in 2015, Cantrell began work to open a low-barrier homeless shelter, a move that was objected to by residents because of its proposed placement in Central City, New Orleans. Instead, the shelter was moved to the downtown site of the former VA Hospital. In 2017, Cantrell introduced legislation with at-large council member Jason Williams to register and inspect rental units in the city. As a member of the Criminal Justice Committee, <mask> has participated in efforts to install crime cameras in her district, assess the effectiveness of citywide anti-gun-violence campaigns, and address understaffing at the New Orleans Police Department.2017 mayoral election

<mask> declared her candidacy for mayor of New Orleans in March 2017 in a race to replace term-limited mayor Mitch Landrieu. An open primary was held on October 14 and included 18 candidates. <mask> garnered the most votes, winning 39% of the total. In the November 18 runoff election, <mask> defeated fellow Democratic opponent Desiree Charbonnet, a former municipal judge, with 60% of the vote. She is the first woman to lead New Orleans in its 300-year history, as well as the first mayor not born in the city since Vic Schiro. Mayor of New Orleans
<mask> was inaugurated as mayor on May 7, 2018, the first woman to hold the position in the city's history. Once in office, she established a new Office of Youth and Families, with the goal of creating a strategic plan to address families in crisis in the city.<mask> also founded a Gun Violence Reduction Council, tasked with finding solutions to violent crime. Starting with a push to rededicate hotel taxes collected within the city for city use, <mask> has focused on her #fairshare initiative to improve city infrastructure, public transportation, public parks, and green spaces. As part of that initiative, in October 2018 the City of New Orleans  filed a lawsuit against four opioid manufacturers and distributors. During the 2019 session of the Louisiana Legislature, <mask> negotiated the Fair Share Agreement with Governor John Bel Edwards and city, state, and tourism officials. The agreement secured $50 million in upfront funding for the city's infrastructure needs as well as $26 million in annual recurring revenue for the city. Following the approval of the Fair Share Agreement, New Orleans voters approved 3 of the 4 proposals <mask> and the City Council put on the ballot in the 2019 general election. Voters approved a $500 million bond sale and a tax on short-term rental properties, as well the establishment of a Human Right Commission under the New Orleans Home Rule Charter.Awards
In 2016, <mask> was given a lifetime achievement award by the presidents of Tulane, Loyola and Xavier universities and the University of New Orleans for her service to the community. 2021 mayoral election

<mask> was re-elected to office by a wide margin in November 2021. Personal life
Cantrell lives with her husband Jason and daughter RayAnn in New Orleans. See also
 List of mayors of the 50 largest cities in the United States

References

External links

 New Orleans City Council member profile

1972 births
21st-century American politicians
21st-century American women politicians
African-American mayors in Louisiana
African-American women in politics
Henry Crown Fellows
Living people
Louisiana Democrats
Mayors of New Orleans
New Orleans City Council members
Politicians from Los Angeles
Women city councillors in Louisiana
African-American city council members in Louisiana
Women mayors of places in Louisiana
Xavier University of Louisiana alumni
21st-century African-American women
21st-century African-American politicians
20th-century African-American people
20th-century African-American women

masks:
LaToya Cantrell
Cantrell
LaToya Wilder
Cantrell
Cantrell
Cantrell
Cantrell
Cantrell
Cantrell
Cantrell
Cantrell
Cantrell
Cantrell
Cantrell
Cantrell
Mayor Cantrell
Cantrell
Cantrell


texts:
<mask> (August 15, 1922 – July 5, 2002) was a writer and Professor of Library Science at the University of Arizona. He was a leader in the movement to increase library collections of Latino literature and Spanish-language materials in the United States. He was also instrumental in efforts to train more Latino and Spanish-speaking people as professional librarians. Biography
<mask> was born in Villa Vicente Guerrero, Durango, Mexico. He moved to the United States at the age of three, gaining American citizenship in 1944 during his service with the U.S. Army during World War II with the 143 Infantry Division in the South Pacific. He was awarded the Purple Heart and the Bronze Star. He earned a B.A.in Education, University of Arizona, 1949; M.A. in Spanish Language and Literature, University of the Americas, 1951; M.A. in Library Science, Kent State University, 1953; Litt.D. (with honors), National University of Mexico, 1959. When he started his position as a Professor of Library Science at the University of Arizona in 1965, Trejo was one of only five Hispanic librarians in the nation. In 1971 he founded REFORMA, the National Association to Promote Library and Information Services to Latinos and the Spanish-speaking, which is today a prominent organization for Latino librarians as well as for librarians serving Latino communities. Trejo was inspired to start REFORMA after a screening of the film I Am Joaquin, based on the epic poem of the same title, by Corky Gonzalez and exploring the struggles and exploitation of Mexican Americans.He served as president of the organization from 1971 to 1974. In recognition of his importance to  the organization, REFORMA's Librarian of the Year Award is named after Trejo. In 1975 he founded the Graduate Library Institute for Spanish-speaking Americans (GLISA), an American Library Association-accredited master's degree program for training librarians. During the institute's four-year existence <mask> was directly involved in recruiting Latino students into the program and contributed to their education. In 1980 <mask> cofounded Hispanic Books Distributors, a Spanish language book seller aimed at increasing the availability of Spanish-language materials to libraries in the United States. Trejo Foster Foundation for Hispanic Library Education

In 1992, Trejo, his sister Luisa Duenes Trejo, and his second wife, Annette M. Foster Trejo, created the Trejo Foster Foundation for Hispanic Library Education (TFF) which has sponsored national institutes for library education to serve the information needs of Latinos. The TFF was formed as a “think-tank” to address issues concerning library and information science education.I. Status of Hispanic Library and Information Science; A National Institute for Educational Change. University of Arizona, School of Information Resources and Library Science.Tucson, Arizona. Director, Charlie D. Hurt. July 29–31, 1993. II. Latino Populations and the Public Library.University of Texas-Austin. Graduate School of Library and Information Science. Austin, Texas. Director Brooke E. Sheldon. November 12–15, 1995. III. Hispanic Leadership in Libraries.Rutgers University, School of Communications, Information, and Library Studies. Co-Directors: Betty J. Turock and Martín Gómez. New Jersey. August 8–10, 1997. IV. Library Services to Youth of Hispanic Heritage. University of South Florida, School of Library and Information Science.Director, Kathleen de la Peña McCook.Tampa, Florida. March 12–14, 1999. Dr. <mask> <mask> participated introducing Dr. Isabel Schon for the Alice G. Smith Lecture which was held during the Institute. V.   Bridging Borders: Building Hispanic Library Education and Services in a Global Perspective. University of Wisconsin-Madison, School of Library and Information Studies and University of Wisconsin-Milwaukee, School of Information Studies. Madison, Wisconsin. Co-Directors: Louise S. Robbins and Mohammed M. Aman.July 20–22, 2001. His third wife Ninfa Trejo (married in 1995), continues the work of the Trejo Foster Foundation as President of the Foundation. VI Institute August 15-17. 2003. “Memoria Voz y Patrimonio: The first conference on Latino-Hispanic Film, Print and Sound Archives”
Director: Clara Chu, Graduate School of Education and Information Science, University of California Los Angeles, Los Angeles (UCLA), California. VII. The University of Arizona School of Information Resources and Library Science and the Arizona Health Sciences Library seventh biannual Trejo Foster Foundation Institute focusing on issues of health information services for Hispanic constituencies.July 12–14, 2007. The University of Arizona, Tucson, Arizona. Director:Jana Bradley. VIII. Institute November 5-6, 2010. “Engaging and Serving Hispanic/Latino and Spanish-speaking Communities: Best Practices, Challenges, and Strategies” Graduate School of Library and Information Science, Simmons College, Boston, Massachusetts. Co-Directors: Howard Rodriguez-Mori and Michèle Cloonan.Co-sponsored by the Simmons College, University of Rhode Island, Southern Connecticut State University, Massachusetts Board of Library Commissioners, New England Library Association and REFORMA National and Northeast Chapter. IX "Education & Library Services: Connecting Borders" October 5, 2012 - October 6, 2012. Director: Javier Tarango, Department of Philosophy and Letters of the Chihuahua Autonomous University, Chihuahua, Chih. México. Chihuahua City, Mexico. Legacy, Honors and Death

Trejo won the Simón Bolivar Award, Colegio de Bibliotecónomos of Venezuela, 1970; El Tiradito Awards, El Tiradito Foundation, 1973 and 1975; annual award from League of Mexican-American Women, 1973; Rosenzweig Award, Arizona State Library Association, 1976; Distinguished Alumni Award, Kent State University School of Library Science. In 2001, the American Library Association (ALA) granted Trejo Honorary Membership, an honor conferred on a living citizen of any country whose contribution to librarianship or a closely related field is so outstanding that it is of lasting importance to the advancement of the whole field of library service.It is intended to reflect honor upon the ALA as well as upon the individual. <mask> <mask> died in his home in Tucson, Arizona in 2002, at the age of 79. He was survived by his wife, Ninfa, and daughters, Rachel, Rebecca and Ruth. Publications

 Bibliografía Comentada Sobre Administración de Negocios (title means Annotated Bibliography on Business Administration), Addison-Wesley, 1967, 2nd edition published as Bibliografía Comentada Sobre Adminsitración de Negocios y Disciplinas Conexas, 1967. Dicionario Etimólogico del Léxico de la Delincuencia (title means Etymological Dictionary of the Language of Delinquency), UTEHA, 1969. (Editor) Directory of Spanish-Speaking/Spanish Surnamed Librarians in the United States, Bureau of School Services, College of Education, University of Arizona, 1973, revised edition published as Quién es Quién: A Who's Who of Hispanic-Heritage Librarians in the United States, Bureau of School Services, College of Education, University of Arizona, 1986. Bibliografía Chicana: A Guide to Information Services, Gale, 1975.(Editor and contributor) Proceedings of the April 28–29, 1978, Seminario on Library and Information Services for the Spanish-Speaking: A Contribution to the Arizona Pre-White House Conference, Graduate Library Institute for Spanish-Speaking Americans (Tucson, Arizona), 1978. (Editor and contributor) The Chicanos: As We See Ourselves (essays by fourteen Chicano scholars), University of Arizona Press, 1979. Contributor to American Libraries, Arizona Highways, Folklore Americas, Wilson Library Bulletin, and other magazines. References

Contemporary Authors Online, Gale, 2006. Reproduced in Biography Resource Center. Farmington Hills, Michigan: Thomson Gale. 2006.A Tribute to <mask> D. Trejo by Sal Güereña
"Arnulfo D. Trejo Papers, 1955-2001 Trejo, <mask> D. Papers". www.azarchivesonline.org. Retrieved 2020-07-13. External links
Arnulfo D. Trejo Papers, 1955-2001. University of Arizona. Arizona Archives Online. REFORMA: the National Association to Promote Library and Information Services to Latinos and the Spanish-speaking

American librarians
Mexican emigrants to the United States
American academics of Mexican descent
American writers of Mexican descent
1922 births
2002 deaths
University of Arizona alumni
Kent State University alumni
University of Arizona faculty
National Autonomous University of Mexico alumni
Hispanic and Latino American librarians
Library-related organizations

masks:
Arnulfo Duenes Trejo
Trejo
Trejo
Trejo
Arnulfo
Trejo
Arnulfo
Trejo
Arnulfo
Arnulfo