texts:
<mask> (born April 2, 1958) is an American artist, writer and theorist, currently living in Melbourne, Australia. His first novel, The Buzzard, was released in October 2012. Wassmann's art work incorporates assemblage, photography, web-based new media and aspects of culture jamming. Early life

Wassmann was born in Mars, Pennsylvania, the youngest of four children. His father was an engineer and worked in the steel industry. His mother trained as a chemist and research librarian, later worked as a school librarian and was active in local politics. He grew up in a family with a strong feminist legacy; his paternal grandmother ran the office of Pennsylvania Governor Gifford Pinchot; his maternal grandmother taught at the American University of Beirut Hospital.At the age of seven Wassmann contracted rheumatic fever, was hospitalised and left with a heart murmur. Two years later, his older brother (one of three siblings) developed juvenile rheumatoid arthritis, leaving him unable to walk unassisted for the next several years. During these periods of confinement, the two acquired early mutual interests in photography, art and architecture that would define their work in later years. His brother would become a well-known acoustical architect in New England. He travelled to Timaru, New Zealand in 1975 as an exchange student, where he attended Timaru Boys' High School; he graduated from North Allegheny High School in Wexford, Pennsylvania the following year. Education

Wassmann studied postcolonial theory in the 1970s with Edward Said's mentor, friend and colleague, Ibrahim Abu-Lughod, at Northwestern University's Institute for African Studies in Chicago, where he majored in political science and international studies. As a part of his course-work at Northwestern, Wassmann studied painting with Ed Paschke and his then assistant <mask>.He later studied parliamentary politics in Wellington, New Zealand as a Richter Scholar before returning to Chicago, where he worked variously as an artist, writer and photojournalist. Photography

Several events in 1980 would influence Wassmann's decision to sideline a long-planned career in the diplomatic corps, embarking instead on photojournalism. The most seminal was a visit to the exhibition Henri Cartier-Bresson: Photographer at the Art Institute of Chicago early in the year, a show that would have a profound impact on his vision as a photographer. Soon after, while still a student at Northwestern, Wassmann answered the phone at the Daily Northwestern, where he was photo editor, to find Ted Kennedy's campaign manager on the line, asking him to join the Senator's presidential campaign in Illinois as official photographer. Kennedy lost, and in November Ronald Reagan won the general election against incumbent Jimmy Carter, discouraging Wassmann further from his State Department aspirations. As the year closed Wassmann was awarded the Grand Prix in Ilford's inaugural International Cibachrome Awards, finalizing his move into photography. In the coming years Wassmann would discover the black and white photography of Robert Frank, Diane Arbus, Garry Winogrand and Lee Friedlander, while coming under the increasing influence of the color imagery of William Eggleston, Joel Meyerowitz, Stephen Shore and Susan Meiselas.During this period Wassmann's photography appeared in publications including The New York Times, The Christian Science Monitor, The Economist, Fortune and The Times (London). In 1984 his work took the notice of Philip Jones Griffiths, the Welsh photographer and then president of Magnum Photos, who put forward Wassmann's portfolio for nomination to the esteemed French photo agency. No photographers were accepted for membership to Magnum in that year, but it was on the encouragement of Jones Griffiths that Wassmann began actively writing articles to accompany his photographs, later attending the Iowa Summer Writing Festival. For a short time he shared a weekly page of street fashion in Women's Wear Daily with the New York photographer Bill Cunningham. Cunningham took offense to the way WWD editors often portrayed the women he photographed, however, so he moved permanently to the New York Times and began his popular column. In the closing years of the decade Wassmann dedicated himself to street photography, shooting over 10,000 unpublished Kodachrome slides in a body of work the artist titles Chicago in the Reagan Era. In March 1989, he emigrated to Australia.The influence of Joseph Cornell

Wassmann first encountered the boxed assemblage and collage works of Joseph Cornell (1903-1972) at the Art Institute of Chicago in the mid-1970s, not long after the artist's death in 1972. Perhaps with the confidence of youth Wassmann once told an interviewer, "It was the only work I didn't get back then." The large Bergman collection of Cornell boxes must have been just as bewildering to the museum's curators, as it was then oddly housed alone in a small room on the ground floor between Greek antiquities and Mayan artifacts. Only many years later would the collection be moved upstairs and woven into the narrative of 20th century modern art. The strong structural and thematic similarities between the work of <mask>n and Joseph Cornell are often noted and readily apparent. This is by no means coincidental and their origins are more than cursory. Like Cornell, Wassmann came from an "old Methodist family."Cornell's parents were both from socially prominent New York families of Dutch ancestry, while Wassmann's mother, a Furber, could trace her lineage back to the Revolutionary War's General Richard Furber, and beyond that to William Furber's arrival in the New World from Devonshire on one of Sir Walter Raleigh's ships on August 14, 1635. The art critic Robert Hughes attributes much of Cornell's artistic sensibility to his East Coast moorings. In The Shock of the New he writes, "Cornell would admit nothing to his memory theatre that was not, in some degree, elegant. This may sound a recipe for preciosity, but it was not, because Cornell had a rigorous sense of form, strict and spare, like good New England cabinetwork." Wassmann grew up influenced not only by his deep family roots, but more immediately by a Pennsylvania Dutch community in nearby Butler County, which only heightened his aesthetic for the spartan design and precise, but elegant, carpentry he saw in his Amish neighbors. He would go on to spend several years studying with the German cabinetmaker Ernst Zacher and would not undertake his first boxed work until he had reached the maturity of his early forties. While Cornell fed his interest in nineteenth century books, ephemera and popular engravings by fossicking the shops and markets of Lower Manhattan in the 1920s, eighty years on, Wassmann extended his search to the shops and markets of France, Germany, Belgium, the U.S., Mexico and Australia to keep a stock of similar material.The most intriguing aspect of this artistic resonance, however, can be found at a more curious intersection of their two lives, namely, the Christian Science church. Wassmann's grandmother Furber (née Fredericks) gained an interest in Christian Science after her return to New York from Beirut in the mid-1920s. Eight years Cornell's senior, she began attending a Christian Science church on Long Island in the same years as Cornell. The young artist had been drawn to the church by a coworker in hopes of finding a cure for his brother, Robert, who suffered from cerebral palsy, but he became equally fascinated by the transcendental nature of Mary Baker Eddy's teachings. He would remain devoted to Christian Science throughout his life. While Wassmann's parents both returned to the Methodist church, Christian Science continued as an influence on his upbringing and throughout his twenties when Wassmann worked as a photographer covering the Midwest for the Christian Science Monitor. Robert Hughes makes the point that the sheer peculiarity of Cornell would not easily attract a wide school of followers for the artist."Until his death in 1972, Joseph Cornell was the most reclusive, subtle and figurative of American artists; his work was so idiosyncratic that it made nonsense of its imitators, so there could be no école de Cornell." Well aware of this paradox, Wassmann went on to contemplate not what might come after Joseph Cornell, but rather, what might have come before him. Thus was born his artistic conceit:  the early German modernist Johann Dieter Wassmann (1841-1898). Assemblage Boxes

In his art and writings, Wassmann expresses fascination with Leibniz's reductionism and his paradigm of the non-linearity of time, applied to both contemporary culture and recent antecedents in the history of Modern art. As a visual artist, Wassmann continues to work under the nom de plume of the pioneering German modernist Johann Dieter <mask> (1841–1898). He is the creator of two equally fictitious institutions, The Wassmann Foundation, Washington, D.C. and MuseumZeitraum Leipzig. Wassmann's art practice received worldwide exposure after a solo exhibition of his work, titled Bleeding Napoleon, was included in curator Juliana Engberg's visual arts program for the Melbourne International Arts Festival 2003.Through the character of Johann Dieter Wassmann, the artist explores his transcendental vision of the lost opportunity of inseparable time and space as he imagines it might have been optimistically perceived in the hours before the dawn of the catastrophic twentieth century. In creating the character of Johann Dieter Wassmann and bestowing on him all the art world accoutrements a dead artist needs – the well-endowed American foundation, the cadre of curators, the Flash-driven website and the European roots – the contemporary artist has been quietly, and with some success, 'placing' the dead artist into the Western canon. This co-existence of artist and character nearly two centuries apart, experiencing similar realities, the artist sees not as a hoax, but as illustration of his view of the non-linearity of time and more particularly a defiance of the rigidly linear perspective of art criticism. Here Wassmann draws heavily on the work of the German mathematician Hermann Minkowski (1864–1909) and his oft-quoted passage:

In doing so, Wassmann raises questions about our prescribed notion of progress, concurrent with the views of the conceptual artist Tino Sehgal. In an unusual move for a contemporary artist, Wassmann does not sell his work; some pieces are given away as gifts, while most have been retained as part of a broader private collection of 18th and 19th century antiques and ephemera that are only infrequently exhibited as the estate of the character (see #Gallery section below). Like Joseph Cornell and Vivian Maier before him, Wassmann has produced a prolific volume of work that is rarely seen. The project is the subject of a film that remains in development under the working title, The Foundation, with funding provided by Film Victoria.Producer: Richard Moore. In Australia, Wassmann's work is sometimes associated with an art movement known as superfiction. In 2004, Art in America'''s Washington, D.C. correspondent, James Mahoney, wrote,

 Further Projects

Wassmann continues to publish as a writer and photojournalist. In 2004 he was awarded a Creative Fellowship by the State Library of Victoria. In 2006 Wassmann was honoured as a Governor of the National Gallery of Victoria. He served as a board member of the Australian Art Orchestra from 2006 to 2009. He is also founding director of Bleeding Napoleon Pty Ltd, a not-for-profit arts charity funding performance and installation works.In this role, he has co-produced two works by the playwright Brian Lipson: Bergasse 19, for the Melbourne International Arts Festival 2005 and A Large Attendance In The Antechamber, which saw a three-week run at the Sydney Opera House in July 2006. In recent years he has collaborated with jazz pianist and Adelaide Festival director Paul Grabowsky in the making of several albums, including Tales of Time and Space (Warner/Chappell), recorded in New York with Branford Marsalis and Joe Lovano; the ARIA Music Awards-winning Before Time Could Change Us  (Warner/Chappell) with Katie Noonan, libretto by Dorothy Porter and Ruby (AAO), with Ruby Hunter and Archie Roach. In April 2008 Wassmann was diagnosed with chronic heart failure. On June 2, 2008 he underwent open-heart surgery at Melbourne's Epworth Hospital for repair of the mitral valve. The surgery was successful, allowing Wassmann to return to the studio later in the year, although he remains reclusive. Wassmann suffers from Fuchs' dystrophy, a genetic disorder with the degenerative loss of corneal cells, leading to corneal edema and severe loss of sight. While there is no cure for Fuchs' dystrophy, corneal transplant procedures are generally successful at restoration of sight.Wassmann is married, with three children. In June 2011 his wife, Melinda Geertz, was a co-recipient of a Golden Lion and the Grand Pris award at the Cannes Lions International Festival of Creativity for her work on disability awareness. Gallery

Chicago in the Reagan Era

Assemblage boxes

Later Photography

Ephemera

 References

Further reading
 Ashton, Dore. A Joseph Cornell Album. New York: Viking Press, 1974. Blair, Lindsay. The Working Method of Joseph Cornell.Reaktion Books; Illustrated edition, April 1, 1998. Bonk, Ecke; Davidson, Susan; d'Harnoncourt, Anne; Hartigan, Lydia Roscoe; Hopps, Walter; Temkin, Ann. Joseph Cornell/Marcel Duchamp... in resonance. Ostfildern-Ruit: Hatje Cantz, 1998. Caws, Mary Ann. Joseph Cornell's Theater of the Mind: Selected Diaries, Letters, and Files. New York: Thames and Hudson, 2000.Corman, Catherine. Joseph Cornell's Dreams. Cambridge: Exact Change, 2007. Foer, Jonathan Safran (ed.). A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. New York: Distributed Art Publishers, 2001. Hartigan, Lydia Roscoe.Joseph Cornell: Navigating the Imagination. New Haven: Yale University Press, 2007. Hartigan, Lydia Roscoe; Vine, Richard; Lehrman, Robert; Hopps, Walter. Joseph Cornell: Shadowplay Eterniday. New York: Thames & Hudson, 2003. Leppanen-Guerra, Analisa; Tashjian, Dickran. Joseph Cornell's Manual of Marvels.New York: Thames and Hudson, 2012. McShine, Kynaston (ed.). Joseph Cornell. New York: Museum of Modern Art, 1980. Schaffner, Ingrid. The Essential Joseph Cornell. New York: Harry N. Abrams, 2003.Solomon, Deborah. Utopia Parkway: The Life and Work of Joseph Cornell. New York: Farrar, Straus & Giroux, 1997. Starr, Sandra Leonard. Joseph Cornell: Art and Metaphysics. New York: Castelli Corcoran Feigen, 1982. LC Catalogue Card Number 82-71787
 Tashjian, Dickran.Joseph Cornell: Gifts of Desire. Miami Beach: Grassfield Press, 1992. Waldman, Diane. Joseph Cornell: Master of Dreams''. New York: Harry N. Abrams, 2002. External links

 MuseumZeitraum blog

1958 births
Living people
American expatriates in Australia
American installation artists
American photographers
Assemblage artists
New media artists
People from Mars, Pennsylvania
Postcolonialism
Postmodern artists
Street photographers

masks:
Jeff Wassmann
Jeff Koons
Jeff Wassman
Wassmann


type: original

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<mask> (née Bowles; 6 December 1786 – 20 July 1854) was an English poet and painter. She became the second wife of the poet <mask>, a prominent writer at the time. Background
Born <mask> on 6 December 1786 at Buckland Manor, near Lymington, she was the only child of Captain Charles Bowles (1737–1801), retired from the East India Company, and <mask> (1753–1817), of a prominent local family. Her melancholic father moved the family to the much smaller Buckland Cottage when she was a child, but she spent her summers by the sea at Calshot Castle, home of a military uncle, Sir Harry Burrard. Her private education was mainly at the hands of the writer and artist William Gilpin (1724–1804), vicar of nearby Boldre, known for his introduction of the idea of the post-Enlightenment picturesque. She showed early artistic talent. Some of her surviving paintings are owned by Keswick School and held by the Wordsworth Trust.Penury and poetry
Mismanagement by a guardian left Bowles in financial straits after her mother's death in 1817. These were alleviated partly by an annuity of £150 from an adopted son of her father, Colonel Bruce. The problem spurred her to seek publication for a "metrical verse tale" she had written. She wrote for advice first to the poet laureate, <mask>, her future husband, but his publisher, John Murray was discouraging, then to the poet and editor James Montgomery. The work was published by Longman in 1820 as Ellen Fitzarthur: a Poem in Five Cantos and reached a second edition in 1822. Much of her work was published initially in Blackwood's Edinburgh Magazine, after she had struck up a lively correspondence with William Blackwood. Bowles's first meeting with <mask> in 1820 led to a proposal that they jointly write an epic poem about Robin Hood, although this only yielded Robin Hood: A Fragment after <mask>'s death.From the outset she could not work in the curious metre <mask> chose: "I have been at work trying that metre of [<mask>'s poem] 'Thalaba', a fine work I make of it! It is to me just like attempting to drive a tilbury in a tram-road," she wrote to him. Most of the fragment eventually published in 1847 was the work of <mask>, including some fine sonnets on their marriage, which took place only on 4 June 1839, after the death of his first wife. There was a second edition of her mixed volume of verse and prose, Solitary Hours (1826), in that year. The marriage caused dismay among <mask>'s grown-up children, except for his eldest daughter Edith. Within three months of the marriage, <mask> began to succumb to senile dementia. He died in March 1843.The wrangles spilled over into gossip, and lost <mask> the support of Wordsworth, for example. <mask> had to leave <mask>'s home, Greta Hall, immediately after his death, and move back to Buckland Cottage, where she ceased to write. Her marriage had lost her the Bruce annuity, but she was awarded a civil list pension of £200 in 1852. She died at home on 20 July 1854. Satire and protest
Writing about Ellen Fitzarthur, <mask> said, "You have the eye, the ear, and the heart of a poetess..." (Dowden, p. 10). Alfred H. Miles in the first decade of the last century noted that her work was neglected: it "had a greater charm for her own generation than it can ever have again. There is a natural simplicity about it which gives it a certain affinity with the so-called 'Lake school', and which was much newer in her day than it is in ours.And yet...  her work still emits a sweet mild fragrance, and recalls a tender, sympathetic personality." Her published output of five books of verse, two books of prose tales and one miscellany of mixed prose and verse has been described by the present-day scholar <mask> as the work of "an experimental and dexterous writer whose publications represent a range of forms: prose fiction (Chapters on Churchyards), verse satire (The Cat's Tail), dramatic monologue (Tales of the Factories), and blank verse autobiography (The Birth-day)." The last was the work in which she broke her anonymity in 1836. Virginia H. Blain in the Oxford Dictionary of National Biography notes that her "Tales of the Factories  were among the earliest of that kind of protest poetry, preceding both <mask>'s and Elizabeth Barrett's works in the genre." The romance of <mask> and Bowles was the subject of a BBC drama, The Fly and the Eagle. <mask>’s poem To Death was composed as a song by Grace Williams in 1953. Works
Ellen Fitzarthur : A Metrical Tale, in Five Cantos, London 1820 (Google Books)
The Widow’s Tale: and Other Poems, London 1822 (Internet Archive)
Solitary Hours, Edinburgh & London 1826 (Internet Archive)
Chapters on Churchyards, London 1829 (Vol.I and Vol II in the Internet Archive)
The Cat’s Tail: Being the History of Childe Merlin. A Tale, illustrated by George Cruikshank, Edinburgh & London 1831 (Internet Archive)
Tales of the Factories, Edinburgh & London 1833 (Google Books)
The Birth-day; a Poem, in Three Parts: to Which are Added, Occasional Verses, Edinburgh & London 1836 (Internet Archive)
The Early Called, Philadelphia  1836 (Internet Archive, see p. 5–82)
Autumn Flowers and Other Poems, Boston 1844 (Internet Archive)
Robin Hood : A Fragment. By the Late <mask> and <mask>. With Other Fragments and Poems by R. S. & C. S., Edinburgh & London 1847 (Internet Archive)
The Young Gray Head, New York 1868 (HathiTrust)

Letters
Correspondence with <mask>, to which are added Correspondence with Shelley, and <mask>’s Dreams. Edited, with an Introduction, by Edward Dowden, Dublin & London 1881 (Internet Archive)

Selected Works
Gems Selected from the Poems of <mask>, Boston 1836 (Internet Archive)
 The Select Literary Works, Prose and Verse by <mask>, 1851 (One Volume in Two Parts; Part I and Part II in the Internet Archive)
The Poetical Works of <mask> <mask>, Edinburgh & London 1867 (Internet Archive)

Further reading
Virginia Blain, <mask> <mask>, 1786-1854: the making of a woman writer (Aldershot: Ashgate, 1998). Kathleen Hickok, 'Burst are the Prison Bars: <mask> <mask> and the Vicissitudes of Poetic Reputation'. In: Romanticism and Women Poets: Opening the Doors of Reception, eds.Harriet Linking and Stephen Behrendt (Lexington, KY: University of Kentucky Press, 1999),  pp. 192–213. Dennis Low, The Literary Protégées of the Lake Poets (Aldershot: Ashgate, 2006). Patrica Sibley, Caroline and Robert: a Laureate’s Romance (Isle of Wight: Hunnyhill Publications, 1997). References

External links

An extract from The Birth-Day: Retrieved 24 June 2012. Some poems: Retrieved 24 June 2012. 1786 births
1854 deaths
People from Lymington
Robert Southey
English women poets
19th-century English writers
19th-century English women writers
19th-century British writers

masks:
Caroline Anne Southey
Robert Southey
Caroline Anne Bowles
Anne Burrard
Robert Southey
Southey
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Southey
Caroline Southey
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Southey
Caroline Southey
Caroline Southey
Southey
Southey
Anne Zanzucchi
Caroline Norton
Southey
Caroline Southey
Robert Southey
Caroline Southey
Caroline Bowles
Southey
Caroline Bowles
Caroline Southey
Caroline Bowles
Southey
Caroline Bowles
Southey
Caroline Bowles
Southey


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<mask> (; born 1 December 1992) is a Dutch professional footballer who plays as a midfielder for PSV and the Netherlands national team. <mask> began his career in the youth ranks of Vitesse, joining the Arnhem-based club as a six-year-old in 1999. After making his way through the various youth levels at the club, <mask> debuted for the senior team in 2010 before sealing a transfer around £9 million to Chelsea in 2013. He suffered a serious knee injury early into his Chelsea career which ruled him out for seven months. He then went on season-long loans to AC Milan in 2014–15, Stoke City in 2015–16 and PSV from 2016 until 2018. At international level, <mask> represented the Netherlands at the under-19 and under-21 levels before making his senior team debut against Germany in November 2012. Club career

Vitesse

Van Ginkel made his debut for Vitesse on 9 April 2010, replacing Nicky Hofs in the 67th minute as the club fell to a 4–1 defeat to RKC Waalwijk in Eredivisie action.He was just seventeen at the time of his senior club debut. His first senior goal for the club came in his first appearance of the 2010–11 Eredivisie campaign, netting in the 43rd minute to bring the game to 2–2 before two second-half goals sent Ajax to a 4–2 win. <mask> scored Vitesse's second and fifth goals in a 5–2 defeat of Roda JC on 29 January 2011. In the KNVB Cup on 19 December 2012, <mask> scored Vitesse's second goal in a memorable 10–1 win over third division side ADO '20. On 23 February 2013, <mask> notched a brace and Wilfried Bony netted a hat-trick as Vitesse defeated Heracles in a 5–3 win. After a stellar campaign that saw <mask> net eight Eredivisie goals and Vitesse finish in fourth, the club's highest position since finishing in third in 1998, he was voted as the Dutch Talent of the Year awarding his play as the best footballer in the league under 21. Upon his prospected moved to Chelsea, he was regarded as being the next Frank Lampard by Vitesse manager Peter Bosz.Chelsea
On 3 July 2013, English Premier League club Chelsea announced that they had reached an agreement with Vitesse for the transfer of Van Ginkel. With the fee reported to be in the region of £8 million. On 5 July, Chelsea confirmed that they had completed the signing of Van Ginkel, with the Dutch international midfielder signing a five-year contract with the club. Speaking to the official Chelsea website upon his signing with the club, <mask> described himself as "a box-to-box player" who "covers a lot of metres and can score a goal". 2013–14 season
On the opening day of the 2013–14 Premier League season, <mask> made his competitive debut for Chelsea as a substitute against Hull City. On 18 September 2013, he played his first UEFA Champions League game in a 2–1 home defeat by Basel. On 24 September, in a League Cup match against Swindon Town, <mask> suffered an anterior cruciate ligament (ACL) injury that kept him out of play for around seven months.<mask> made his competitive return to football in Chelsea's under-21s' match away to Manchester United on 21 March 2014. Loan to AC Milan
On 1 September 2014, AC Milan announced that <mask> had joined the Serie A club on loan from Chelsea for the 2014–15 season. During his loan spell, Van Ginkel wore the number 21 jersey, formerly owned by some of the great names of the club such as Andrea Pirlo and Mauro Tassotti. <mask> made his first appearance for Milan on the bench against Parma on 14 September 2014, but he did not make his debut until 23 September. On 23 September, he made his first start, as well as his debut, for Milan against Empoli. His debut, however, was cut short as he was taken off on a stretcher in the 34th minute after suffering an ankle injury. Following his injury, <mask> made his way back on the bench on 19 October, as Milan faced Hellas Verona, but was an unused substitute.<mask> would continue to be left on the bench without a single minute of game time, leading his agent, Karl Jansen, to speak out: "We aren't happy about that is clear. It [leaving Van Ginkel out] went against all logic. <mask> didn't have to go to Italy, if he wasn't going to be used anyway. Milan agreed with that. A fit and in-form Van Ginkel plays his way into Milan's starting XI." After Jasen speaking out for Van Ginkel, rumors started around about the possibly of Van Ginkel returning to Chelsea, or going on loan for another team. On 30 November, <mask> was finally deemed fit enough to start for Milan in a match against Udinese.He played nearly the entire game, being substituted off for Riccardo Montolivo in the 89th minute in a 2–0 Milan victory. In the following game, on 7 December, <mask> was again left on the bench as an unused substitute as Milan crashed into a 1–0 defeat against Genoa. <mask> took a turn for the worst as he picked up an ankle injury during practice caused by teammate Sulley Muntari. The tackle from Muntari was described as "hard challenge, but it was not a violent challenge" by head coach Filippo Inzaghi; with the injury, <mask> was ruled out for two months. <mask> made his return to the bench on 18 January 2015, but it was not until 24 January that <mask> made his return onto the pitch, playing against Lazio; he was substituted off in the 55th minute. <mask> played every minute in the league since 4 April, and on 9 May, he scored the opener in a 2–1 home victory over Roma. Loan to Stoke City
On 10 July 2015, <mask> joined Stoke City on loan for the 2015–16 season as part of a deal that saw goalkeeper Asmir Begović move to Chelsea for £8 million.<mask> made his debut for Stoke on 9 August in a 1–0 defeat against Liverpool. After starting the first six matches of the season his place in midfield was taken by Ibrahim Afellay. Following the arrival of Giannelli Imbula on 1 February 2016, Stoke cancelled <mask>'s loan. Loans to PSV
Following Stoke's decision to cancel <mask>'s loan, he joined PSV on loan for the remainder of the season and reuniting him with former Vitesse teammate Davy Pröpper. <mask> was given the number 28 jersey upon arrival. He made his PSV debut against Utrecht in the quarter-finals of the KNVB Cup, which ended in a 3–1 loss for PSV. He made his league debut on 7 February against Utrecht, three days after PSV's loss in the KNVB Cup.In his league debut, <mask> scored his first goal for PSV as they won 2–0. In the following match, <mask> scored the third goal in a 3–0 win over NEC. On 2 April, <mask> scored a brace against AZ which ended in a 4–2 victory. On 1 May, he scored another brace in a 6–2 win over Cambuur. He won the Eredivisie title with PSV, playing a crucial part for the team by scoring eight goals during his spell. Although there was talk of a return to PSV on another loan in the summer, <mask> confirmed that he will not be leaving the London side due to a knee injury. After his recovery at Chelsea, however, <mask> signed a new three-year contract on 31 December 2016 and rejoined PSV for a second loan spell.On 16 July 2017, <mask>'s loan spell at PSV was extended for the 2017–18 campaign. Despite his age and being a loanee, <mask> replaced Luuk de Jong as captain. On 15 April 2018, he played the full 90 minutes as PSV beat rivals Ajax 3–0 to clinch the 2017–18 Eredivisie title. Three months later, <mask> underwent surgery to reconstruct his anterior cruciate ligament and treat damage in his knee, and was expected to be out for around eight months. Return to Chelsea
After his loan ended with PSV and he returned to Chelsea, <mask> remained out of action for the following two seasons. On 26 June 2020, <mask> signed a new one-year deal with Chelsea despite just four appearances for the first-team in seven years. Return to PSV
On 6 October 2020, <mask> returned to the Netherlands with PSV until the end of 2020–21 season.He will be in his third spell with the club, having previously won two Eredivisie titles in 2016 and 2018, the second one of those as captain. He made his move to PSV permanent on 18 June 2021.

International career
<mask> made his senior debut with the Netherlands national team against Germany on 14 November 2012, coming on as a late substitute in their 0–0 friendly at the Amsterdam Arena. In May 2013, <mask> was included in the Netherlands squad for the UEFA U21 Championship in Israel. After being absent from the senior team for four years, <mask> was recalled to the squad for a friendly against England on 29 March 2016, a 2–1 Dutch victory. Style of play
<mask> primarily plays as a central midfielder but has been lauded for his ability to play in a multitude of positions including defensive midfield and across the attacking midfield. From his early playing days at Vitesse, he has primarily played in an attacking role, though he has matured in his ability to play in a deeper defensive role. <mask> is recognized as a solid, well-rounded player who has all the tools of a future superstar.On the pitch he is widely known for his maturity on the ball, impressive ball control and an extensive range of passing. He is comfortable with both feet, makes intelligent runs into the box and has an exceptional long-range shot. Former Chelsea manager José Mourinho spoke of the youngster, likening him to England greats Frank Lampard and Steven Gerrard. He has described Van Ginkel as an engine with immense physical power. As with several others, Mourinho was quick to point out his overall game: "He covers a fantastic area of the field defensively and after that he has this instinct where he wants to go into finishing areas, he wants to score goals. He’s very good in the air." Career statistics

Club

International

Honours
PSV
 Eredivisie: 2015–16, 2017–18
 Johan Cruyff Shield: 2021

Individual
 Dutch Football Talent of the Year (Young player): 2012–13

References

External links

 Voetball International profile
 Netherlands stats at OnsOranje
 Netherlands stats at OnsOranje

1992 births
Living people
Sportspeople from Amersfoort
Footballers from Utrecht (province)
Dutch footballers
Netherlands youth international footballers
Netherlands under-21 international footballers
Netherlands international footballers
Association football midfielders
SBV Vitesse players
Chelsea F.C.players
A.C. Milan players
Stoke City F.C. players
PSV Eindhoven players
Eredivisie players
Premier League players
Serie A players
Dutch expatriate footballers
Expatriate footballers in England
Expatriate footballers in Italy
Dutch expatriate sportspeople in England
Dutch expatriate sportspeople in Italy

masks:
Marco Wulfert Cornelis van Ginkel
Van Ginkel
Van Ginkel
Van Ginkel
Van Ginkel
Van Ginkel
Van Ginkel
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Marco
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Van Ginkel


texts:
<mask> (born 15 August 1950) is a Finnish businessman who was chairman of Royal Dutch Shell from 1 June 2006 to May 2015, and at Nokia Corporation chairman from 1999 to 2012 and CEO from 1992 to 2006. He has been a director of Otava Books and Magazines Group Ltd. since 1996 and UPM-Kymmene since 1997, and an advisory partner at Perella Weinberg Partners, a New York-based boutique investment bank founded by Joseph R. Perella and Peter Weinberg in 2006. For Nokia, he was credited with turning the company into the then world's largest mobile phone maker. Education
After elementary school in Kirkon koulu, Kurikka, Finland, <mask> went to high school in Vaasan Lyseon Lukio, Vaasa, with the help of a scholarship at the United World College of the Atlantic, where he earned his International Baccalaureate. Thereafter, he obtained a Master of Political Science from University of Helsinki, a Master of Science (Economics)  from London School of Economics and a Master of Science (Technology) in Engineering Physics from Helsinki University of Technology. In 2003, he was elected an honorary fellow of the London School of Economics, and was awarded honorary membership of the Institute of Electrical and Electronics Engineers (IEEE). <mask> has also received honorary doctorates from the University of Helsinki, Helsinki University of Technology and the University of Vaasa.<mask> was active in student politics, for example as the chairman of the Finnish association of student unions in 1973 and 1974, and still today participates in Finnish political debate. As a conscript in the Finnish Defence Forces, he received reserve officer training. While attending the Finnish Reserve Officer School he was the chairman of his reserve officer course. Career
Prior to joining Nokia in 1985, <mask> worked for eight years in corporate banking at Citibank's London and Helsinki offices, and when he joined Nokia his tasks involved international investment deals. A year later, in 1986, <mask> was head of finance during Nokia's renewal under then CEO Kari Kairamo. He was appointed as chief of the mobile phones section in 1990, and CEO two years later in 1992. When <mask> first came to power, the company had suffered from internal disputes and had a financial crisis of a number of years.As CEO of Nokia he has led the strategy that restructured the former industrial conglomerate into one of the major companies in the mobile phone and telecommunications infrastructure markets. In 1999, <mask> considered taking part in the Finnish presidential election, following a request from Sauli Niinistö, a member of the National Coalition Party, who was at that time Finnish finance minister and who 12 years later became President of Finland himself. This despite that <mask> belongs to a different party, the Finnish Centre party, which he has been involved with since his activities in student politics at the University of Helsinki. <mask> was the CEO of Nokia from 1999 to 2006. He was succeeded as CEO by Olli-Pekka Kallasvuo. On 15 September 2010, he announced he intended to step down as Chairman in 2012 and did so on 3 May 2012. He was replaced by Risto Siilasmaa.<mask> said in a February 2011 interview with Finnish broadcaster Yle that he supported the Nokia-Microsoft partnership initiated by the CEO, Stephen Elop, and predicted the company's fortunes will strongly recover. In a book published in September 2018 by Nokia chairman Risto Siilasmaa and presented to the Helsingin Sanomat, <mask>'s leadership style was strongly criticised and Siilasmaa revealed that the two had fallen out in 2010 (Siilasmaa was a Nokia board member from 2008). Siilasmaa also claims that he believes Ollila played a part in the company's downfall. In response, <mask> claimed that this was exaggerated and not true. <mask> was chairman of the Research Institute of the Finnish Economy (ETLA), the most reputed economic and social studies think tank in Finland. Between 2005 and 2009, he was chairman of the European Round Table of Industrialists (ERT). <mask> is the first non-Dutch or non-British person to be the chairman of Shell.He is also the first chairman chosen for this multinational corporation in its new corporate form of Royal Dutch Shell. In October 2014, it was announced that he would be succeeded in May 2015 by the American Charles O. Holliday. Ollila has been a board member in a number of companies, including Ford Motor Company (2000-2008). Ollila was the chairman of the Finnish mining and metallurgy company Outokumpu from 2013 until 2018. Others
Ollila is a member of the steering committee at the Bilderberg Group. He participated in the 1994 conference and in every Bilderberg conference between 1997 and 2014. Energy
Shell ended wind power development during the Ollila period.The oil company insists it cannot make the numbers add up to justify offshore windfarms. Publications
<mask> published his memoirs in Finnish in October 2013. Ollila had recruited four security guards for his book launch event in Helsinki in October 2013. Helsinki police say the protesters or presumed activists were expelled from the book launch. The English translation of his memoirs was published in 2016. Honours and awards
 Honorary Commander of the Civil Division of the Most Excellent Order of the British Empire (CBE) (2008)
 Commander Grand Cross of the Order of the Lion of Finland (2005)
 Beijing Honorary Citizenship (2002), China
 Commander's Cross of the Order of Merit of the Republic of Poland (1999)
 Commander's Cross of the Order of Merit of the Federal Republic of Germany (1997)
 Commander, 1st Class of the Order of the White Rose of Finland (1996)
 Officer's Cross of the Order of Merit of the Republic of Hungary (1996)
 Commander of the Order of Orange-Nassau (1995)
 Order of the White Star Estonia (1995)

Fines
Georg Ehrnrooth and Ollila were fined for Luxembourg investments in 2014. <mask> was fined 3,000 euros by Finnish Financial Supervisory Authority (Fiva) for failing to make a timely disclosure that he owns an investment company called Kestrel SA.The company is based in Luxembourg and was worth 8.2 million euros at the end of 2012. <mask> said that he had mistakenly neglected to disclose of the investment company and had not used the company to hold shares in firms where he has held executive positions. References

External links

 From ragbag to riches, The Guardian, August 3, 2005

1950 births
Directors of Royal Dutch Shell
Finnish chairpersons of corporations
Nokia people
People educated at Atlantic College
People educated at a United World College
University of Helsinki alumni
Alumni of the London School of Economics
Aalto University alumni
Honorary Fellows of the London School of Economics
Members of the Steering Committee of the Bilderberg Group
Commanders Grand Cross of the Order of the Lion of Finland
Officer's Crosses of the Order of Merit of the Republic of Hungary (civil)
Commanders Crosses of the Order of Merit of the Federal Republic of Germany
Commanders of the Order of Merit of the Republic of Poland
Honorary Commanders of the Order of the British Empire
Commanders of the Order of Orange-Nassau
Recipients of the Order of the White Star, 3rd Class
People from Seinäjoki
Finnish businesspeople
Finnish chief executives
Living people

masks:
Jorma Jaakko Ollila
Ollila
Ollila
Ollila
Ollila
Ollila
Ollila
Ollila
Ollila
Ollila
Ollila
Ollila
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<mask> (born December 25, 1965) is an American jazz flugelhornist. Early career
Matheny was raised in Columbus, Georgia, and Tucson, Arizona. He began playing piano at age 5 and switched to trumpet at age 9 while at the Brookstone School in Columbus. At age 12, his family relocated to Tucson, where he played in his school band program. He led his first group at 16 and received funding from the Tucson Jazz Society to continue his studies. In 1983–84 Matheny attended the Interlochen Arts Academy in Michigan and from 1984–89 Berklee College of Music in Boston. Matheny performed regularly in the Boston area in 1987–88 with the True Colors Big Band led by composer Ken Schaphorst, and in 1988 with the non-profit Jazz Composers Alliance.From 1985-89 Matheny led the New Voice Jazz Sextet, a band which included at different times saxophonists Mark Gross, Antonio Hart, bassist Peter Herbert, and drummer Hans Schuman, founder of JazzReach. Matheny began his career playing trumpet, studying for a time with noted New York brass teacher Carmine Caruso, but in the late 1980s he began focusing on the flugelhorn as his primary instrument. He began studying with jazz flugelhornist Art Farmer in 1988. San Francisco
After moving to San Francisco in 1989, Matheny formed the Dmitri Matheny Group and began performing in the Bay Area. During his early years in San Francisco, Matheny also worked in administrative roles for the San Francisco Jazz Festival. Matheny's annual home season of concerts were a fixture of the Bay Area jazz scene while he lived there. The year 2000 was a typical home season, in which Matheny shared the stage with the Del Sol String Quartet, pianist Amina Figarova, and vocalist Ann Dyer and hosting a benefit performance at Yoshi's for the University of California, Berkeley-based Young Musicians Program, entitled "Diva Night: International Sirens of Song" and featuring Figarova, vocalist Kim Nalley and Claudia Villela performing with the Dmitri Matheny Orchestra.Mathey has worked with Larry Coryell, Nathan Davis, Amina Figarova, Tommy Flanagan, Wycliffe Gordon, Larry Grenadier, John Handy, Billy Higgins, Red Holloway, Denise Jannah, James Moody, Tony Reedus, Martha Reeves, Sam Rivers, Max Roach, Dennis Rowland, the Rosenberg Trio, Bobby Rydell, Bud Shank, Shea Marshall, Sonny Simmons, Mary Stallings, Billy Taylor, Bobby Watson, and Paula West. Notable Bay Area clubs in which Matheny has performed include Yoshi's, Cafe Du Nord, and the Kuumbwa Jazz Center in Santa Cruz. Among Matheny's many festival appearances are the Berkeley Jazz Festival (1999), Big Sur Jazz Festival (1997), Britt Festival (2001), Caspian Jazz & Blues Festival, Azerbaijan (2002),  Monterey Jazz Festival (1989, 1996, 1999, 2004), North Beach Jazz Festival (2000, 2001), Redlands Bowl Summer Music Festival (2002, 2010), San Francisco Jazz Festival (1997, 1998, 2004, 2005), Telluride Jazz Celebration (1996, 1997, 1998, 1999, 2000, 2001, 2010) and Thelonious Monk Institute Colony at Jazz Aspen Snowmass (1997, 1998, 1999). Matheny performed as guest jazz soloist with the Dallas Symphony Orchestra on November 21, 1998 and the San Francisco Symphony on March 17, 2001. He has also worked with the San Francisco Symphony's "Adventures in Music" program. Recordings

Monarch Records
In the early 1990s, Matheny moved to San Francisco. In 1995 he signed a contract with Monarch Records.The label released <mask>'s first album as a leader, Red Reflections, that year. The album was a mixture of standards and Matheny's compositions that featured performances by saxophonists Rob Scheps and Dave Ellis, guitarist John Heller, bassists Bill Douglass and Trevor Dunn, drummers Scott Amendola and Alan Jones, and percussionist Ian Dogole. An album release concert for Red Reflections took place at Carnegie Hall's Weill Recital Hall in February 1996. The following year Matheny released his second album, Penumbra: The Moon Sessions. The album the moon as a theme and inspiration and featured saxophonist Dave Ellis, guitarist John Heller, bassist Bill Douglass, drummer Kenny Wollesen, and accordionist Rob Burger. Penumbra, produced by noted jazz producer Orrin Keepnews was named one of the Ten Best Jazz Recordings of 1996 by Jazziz magazine. The San Francisco Bay Guardian called Penumbra the Best Jazz Recording of 1996.Matheny's third album for Monarch Records, Starlight Cafe (1998), was recorded live at the JazzSchool in Berkeley, California, with a pared down lineup of pianist Darrell Grant and bassist Bill Douglass. Starlight Cafe was named one of the Top 10 Jazz Recordings of the Year by the Oakland Tribune. Matheny and Grant played a Starlight Cafe release concert at Weill Recital Hall in October 1998. Papillon Records
Matheny's follow up to Starlight Cafe was the Christmas album Santa's Got a Brand New Bag (Papillon, 2000). It featured vocalists Brenda Boykin, Clairdee, and Paula West, accordionist Rob Burger, French horn player Mark Taylor, tenor and soprano saxophonist Kenny Brooks, guitarists Brad Buethe and Benjamin Rodefer, pianists Darrell Grant and Bill Bell, bassists Ruth Davies, and drummers Jason Lewis and Eddie Marshall. Nocturne (2005) in some ways echoed the tone and settings of 1997's Penumbra. Andrew Gilbert, writing for The San Diego Union-Tribune, said of Nocturne, "Matheny draws on the European classical tradition of night-inspired musical settings, from Mozart and Schumann to Chopin and Debussy ... the pieces are mostly composed ...Starting with "Twilight," the album moves through a 12-movement cycle that concludes with the gentle "Awakening". The album featured guitarist Brad Buethe, bassist Ruth Davies, percussionist Deszon X. Claiborne, violinists Jeremy Cohen and Sarah Knutson, violist Emily Onderdonk, cellist Marika Hughes, saxophonist Charles McNeal, harpist Karon Gottlieb and Bart Platteau on shakuhachi. The SnowCat is a secular holiday offering based on the ancient Asian parable of "the Oxherder" in which a herd boy's quest to find his missing ox is compared to an individual's journey through life. Indian in origin, the parable became popular in medieval Japan and was depicted on 13th century scrolls as the "Ten Oxherding Songs" or Ten Oxherding Pictures. The scrolls traditionally divide the hero's journey into ten stages, each illustrated by a circularly framed image and a simple verse. Rendered in the graphic style of Japanese narrative illustration, the story format is as simple as a modern comic or coloring book. In Matheny's version of the tale, the hero is changed from a boy to a girl, and her companion is not an ox but a cat.<mask> serves as storyteller and flugelhornist on the recording. Also performing are vocalist Zoe Ellis, saxophonist Charles McNeal, guitarist Brad Buethe, bassist Ruth Davies, and drummer Deszon X. Claiborne. Spirito Sanctu: The New Millennium Mass is a seventeen-movement liturgical work commissioned as part of San Francisco's millennial New Year's Eve celebration. The composition received its world premiere at San Francisco's St. Dominic's Catholic Church at midnight on December 31, 1999. The premiere was recorded live and released on Papillon Records in 2007. Spirito Sanctu was scored for chorus, organ, percussion, brass quintet, jazz ensemble, and gospel soloist, with the Mass conducted by David Schofield. Among the performers featured were vocalist Clairdee, keyboardist Matthew Clark, bassist Ruth Davies, percussionist Curt Moore, the San Francisco Brass, and the St. Dominic's Choir.In 2008, Papillon Records released Best of Dmitri <mask>, a compilation of tracks that had appeared previously in his discography, save one: a brief jump style arrangement of "Take Me Out to the Ball Game." In 2010, Matheny Papillon Records released Grant & Matheny, Dmitri's duo collaboration with pianist Darrell Grant. The album was the first commercial release by the duo, who have performed together extensively since 1998. The recording features Vincent Youmans' "Without a Song", Thelonious Monk's "Think of One", and Keith Jarrett's "Country" in addition to original works. Film music
Three of Matheny's recordings of his compositions, "Penumbra," "Moon Rocks" and "Red Reflections," were used on the soundtrack to the RKO Pictures feature film Shade (2003), starring Gabriel Byrne, Jamie Foxx, Melanie Griffith, and Sylvester Stallone. Matheny's  film scoring and soundtrack credits include the documentary Mary, Paradox & Grace (PBS, 1996), the industrial short film Greenhorn Creek (1997), the San Francisco Museum of Modern Art production Voices & Images of California Art (1997). He also contributed music for the Cannes Film Festival premiere of Stanley's Girlfriend a short film from the horror anthology Trapped Ashes (2006).Producing
Matheny produced a number of recordings for Monarch Records in the 1990s. Since first studying with jazz flugelhornist Art Farmer in the late 1980s, Matheny had developed a close relationship with the noted jazz musician and fellow Arizonan. In 1997, Matheny served as Executive Producer of Farmer's recording, Live at the Stanford Jazz Workshop. He also wrote the liner notes for the critically well-received CD. Collaborations
Matheny has collaborated frequently with pianist Amina Figarova. As a member of her Amina Figarova International Band Matheny performed in Europe, Asia and North America between 1998 and 2006. Matheny's most frequent collaborator is pianist Darrell Grant.The two have performed together on numerous occasions and in a variety of settings, from classrooms to the Monterey Jazz Festival as the duo Grant & Matheny. Education
Matheny regularly presents clinics, lectures, master classes and workshops at the university level. He has also staged more than 500 free, curriculum-based concerts for children; a total audience of over 50,000. Matheny has held teaching faculty and management positions with the Jazzschool, Boston Center for the Arts, Chabot Space and Science Center, and the Stanford Jazz Workshop. He has also served as Director of Education for SFJAZZ, as Assistant Education Director for the Thelonious Monk Institute Jazz Colony at Jazz Aspen Snowmass, and as Artist-In-Residence for the Siskiyou Institute of Ashland and the Young Musicians Program of the University of California, Berkeley. Awards and honors
In 1998, Matheny was selected as Talent Deserving Wider Recognition in the 46th Annual Down Beat magazine Critics' Poll. In 1999, he was named a Best New Artist by Jazziz magazine with pianist Brad Mehldau, vibraphonist Stefon Harris, and saxophonist Ravi Coltrane.He was named one of the Bay Area Best by the San Francisco Examiner magazine in 1997, 1998, and 2000. Also in 2000, he was recognized for Outstanding Service to Jazz Education by the International Association for Jazz Education. In 2016, Matheny was named NW Jazz Instrumentalist of the Year by Earshot Jazz. Matheny has received commissions and premieres from Meet the Composer, the Manhattan New Music Project, the American Society of Composers Authors and Publishers, the Bay Area Jazz Composers Orchestra, and 20th Century Forum. 1 (Munich, 2001)
 Amina Figarova Jazz at the Pinehill: Live in Europe, Vol. 2 (Munich, 2001)
 Safari Safari (2001)
 Ian Dogole & Global Fusion Night Harvest (Global Fusion, 2000)
 Ian Dogole & Global Fusion Ionospheres (Cei, 1997)
 Birdland Express Passion Fire (2000)
 Five Voices Quint-Essential (2000)
 The Crown Project Gershwin on Monarch (Monarch, 1998)
 The Crown Project Modern Mancini (Monarch, 1999)
 Dave Ellis In the Long Run (Monarch, 1998)
 Daria Just the Beginning (Jazz'M Up, 1997)
 Yehudit Yehudit (Edgetone, 1997)
 Ken Schaphorst Big Band Making Lunch (Accurate, 1989)

References

External links
 Official site

1965 births
Living people
People from Nashville, Tennessee
American jazz flugelhornists
Jazz musicians from Tennessee

masks:
Dmitri Matheny
Matheny
Matheny
Matheny


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<mask> (born 13 October 1977) is an English former cricketer who is best known as a spin-bowler. He has represented England in all formats and was the captain of Surrey County Cricket Club between 2015 and 2017. In October 2021, <mask> retired from playing cricket and became a member of the coaching team at Surrey. He is the younger brother of former Yorkshire and Somerset off-spinner <mask>. Education
<mask> was educated at Bingley Grammar School, a Voluntary Aided state school in Bingley, West Yorkshire. Domestic career
<mask> began his county career with his native Yorkshire, after playing for England Under 19's, making his County Championship debut in 1997. Due to lack of opportunities he transferred to Surrey in 1998 where he played mainly one-day games.Worcestershire
He joined Worcestershire in 2002 where he became the main spinner and came to prominence with the national team. Return to Surrey
After eight years at Worcestershire during which he won England recognition, <mask> signed a contract to return to Surrey for the 2010 season. <mask> was involved in an unsavoury incident while deputising as captain for Surrey in a Championship match against Somerset at Taunton in 2012. Murali Kartik, a spinner who had previously played for Somerset, ran out Somerset batsman Alex Barrow who was backing-up at the non-striker's end. Batty declined several invitations by the umpires to withdraw the appeal leading to bad feeling between the teams and around the ground. In August 2013, he was suspended from the T20 finals day after a clash with Somerset batsman Peter Trego. The ECB banned him for two games after he apparently physically confronted Trego and hurled foul language after dismissing him in a quarter-final match.<mask> was made permanent captain of Surrey in 2015 and later that year took a hat trick to send Surrey back into Division One of the County Championship after two years in Division Two. An even better year with the ball in Division One in 2016, combined with poor form for Moeen Ali, led to calls for his recall to the England test team after its draw against Pakistan. Nonetheless, when <mask> was recalled later that year for the tour of Bangladesh, he described his call-up as "surreal". In May 2019 aged 41 Batty took another championship hat trick, this time in Division One against Warwickshire at Edgbaston. International career

Debut years
<mask> made his ODI debut against Australia. He took figures of 0-55 as Australia won by seven wickets. England lost the second match by 89 runs after Australia scored 318.<mask> took figures of 1-65. He made his Test debut in the first Test against Bangladesh. He took 1-43 in Bangladesh’s first innings before taking 1-65 in their second innings as England won by seven wickets. He played in the third ODI between the two sides, taking figures of 1-35 as England won by seven wickets. He played in the first Test against Sri Lanka, taking 2-98 in their first innings as they posted 331. He took 3-55 in their second innings. He made 26 in England’s second innings to help them hang on for a draw.In the second Test, he did not take a wicket in Sri Lanka’s first innings. He finished with 1-47 in their second innings and then made an unbeaten 25 as the match finished in a draw. In the third Test, he took figures of 0-137 as Sri Lanka posted 628 in their first innings. England lost the match by an innings and 215 runs. In and out of the team
He was picked for the tour of the West Indies in 2003–04. Batty was the bowler Brian Lara faced when he scored his world record 400th run in the fourth Test Match in Antigua. In the first innings, he finished with figures of 2-175, as the match ended in a high scoring draw.He was picked as second spinner for the South African tour the next season. He played in the sixth ODI between the two sides, taking figures of 2-40 although England lost by four wickets. He kept his place for the final match of the series, finishing with figures of 0-22 as England won by five wickets. He went on to play in the fourth match of the ODI series against Zimbabwe, taking figures of 0-36 as England secured a 74 run victory. The selectors continued to show faith in him, picking him for the two Tests against Bangladesh in 2005 when Giles suffered a hip injury – in the first Test, he did not bat and did not bowl, as England won by an innings and 261 runs. He took figures of 1-44 in Bangladesh’s second innings in the next Test, as England won by an innings and 27 runs. <mask> was selected in the ODI squad against India, but found his chances limited.He only played in one match, the fourth ODI of the series. <mask> made two with the bat as England posted 237, a target which was chased down by India, with <mask> taking figures of 0-36. This turned out to <mask>’s last England appearance for nearly three years. <mask> was selected for the England Lions squad to tour New Zealand in the winter of 2008, but didn’t return  to the England side until the series against the West Indies. He replaced spinning all-rounder Samit Patel, who dropped out due to fitness concerns, and Swann who returned home after the Test series to undergo an operation on his elbow. He made his T20I debut against the West Indies, taking figures of 0-17 as England lost by six wickets. In the first ODI, he took figures of 1-34 as England won by one run on the D/L Method.England lost the second match by 21 runs, with <mask> taking figures of 0-38. <mask> did not bowl in the third match, although he did make 17 with the bat. England lost the match by eight wickets. 2016 recall
On 20 October 2016, <mask> played in a Test match for England against Bangladesh, thus becoming the player who has missed the largest number of Tests between appearances, 142 games. <mask> claimed 4 wickets in the game, finishing with figures of 1-52 in the first innings and 3-65 in the second innings, as England won the game by 22 runs. <mask> played in the third Test against India, and took 0-47 in the first innings as India made 417. He took 0-18 in India’s second innings as England lost the match by eight wickets.References

External links

1977 births
Living people
England Test cricketers
England One Day International cricketers
England Twenty20 International cricketers
English cricketers
Surrey cricket captains
Surrey cricketers
Worcestershire cricketers
Yorkshire cricketers
Cricketers from Bradford
Surrey Cricket Board cricketers
Marylebone Cricket Club cricketers
English cricketers of 1969 to 2000
English cricketers of the 21st century

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Gareth Jon Batty
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Jeremy Batty
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texts:
<mask> (1890 – 18 March 1932), also known by his pen name <mask>, was an Indonesian journalist and writer. Born to a low-ranking priyayi (noble) family in Blora, Dutch East Indies, <mask>'s first employment was with the national railway. Disgusted by the racism shown there, in 1911 he moved to Bandung and found work as a journalist for Medan Prijaji. The following year he moved to Surakarta and worked with two publications, Saro Tomo and  Doenia Bergerak; he soon began to write pieces critical against the Dutch colonial government, which led to his arrest. After a period as a correspondent in the Netherlands, <mask> continued his journalism and critique of the government; he also wrote several pieces of fiction. Involved with the Communist Party of Indonesia, after a 1926 communist-led revolt <mask> was exiled to Boven-Digoel prison camp in Papua. He died in the camp of malaria in 1932.<mask>, who preferred writing in Malay, experimented with new phrasings at a time when the state-owned publisher Balai Pustaka was attempting to standardise the language. According to literary critic Bakri Siregar, he was the first Indonesian writer to openly criticise the Dutch colonial government and the traditional form of feudalism practised in the country. For this vocal criticism, the Dutch government decried him as a "crazy" man who could spark unrest among the native populations. Biography

Early life and career
<mask> was born in Blora, Central Java, Dutch East Indies, in 1890 to a low-ranking priyayi (noble) family. At the age of fifteen, he took up a job at the Nederlandsch-Indische Spoorweg, the national railway company of the Indies, in Semarang. In 1911 he chose to leave the company as he was disgusted by its racist policies, including the use of race as a basis for the amount paid in wages. <mask> made his way to Bandung, West Java, where he found employment at Medan Prijaji, a newspaper run by Tirto Adhi Soerjo.When the paper was closed by the Dutch, in 1912 <mask> went to Surakarta. There, he joined Sarekat Islam, an organisation of Muslim merchants, and found employment at the Sarekat Islam-backed weekly Saro Tomo. In 1914 he took lead of the magazine Doenia Bergerak. The paper was the mouthpiece of the Native Indonesian Journalists' Group (), which Kartodikromo led and had helped establish with Tjipto Mangoenkoesoemo and Darnakoesoemo. That same year, he published the three-volume work Mata Gelap (Dark Eyes); this led to a long polemic between Doenia Bergerak and the Chinese-owned Tjoen Tjioe in Surabaya due to perceived racism. While with Doenia Bergerak, <mask> wrote an attack on the Dutch Advisor on Native Affairs R.A. Rinkes; in his editorial, he wrote that the Dutch loved themselves far more than the natives they were subjugating. On 26 January 1915, Kartodikromo came under investigation by the Justice Office of the Dutch East Indies for publishing several further anti-Dutch editorials.The journalist unsuccessfully attempted to raise money to protest this at the Dutch parliament in The Hague. He was convicted of revolutionary activity and sentenced to nine months at Mlaten Prison; however, due to public outcry he was released after 100 days. When Doenia Bergerak went bankrupt, Kartodipuro then headed the Saro Tomo. Further career, exile, and death

<mask> was soon chosen by Goenawan, chief editor of the daily Pantjaran Warta, to go to the Netherlands as a correspondent. In his five months there at the end of 1916 and beginning of 1917, the journalist published Boekoe Sebaran Jang Pertama (The First Publication Book). After his return to Indonesia, he became an editor for Pantjaran Warta and based himself in Batavia (now Jakarta). Within a month he was imprisoned again for his writing.On 21 February 1918 <mask> was released from prison. He moved to Semarang and became a commissioner of the Sarekat Islam with Semaun; he also joined the newspaper Sinar Djawa (later Sinar Hindia). In a conference that year, Kartodikromo stated that there were two kinds of press in Indonesia: the "black press" (), which struggled against the imperialistic Dutch; and the "white press" (), which worked to subjugate the Indonesian people. In 1918 he published Student Hidjo (Student Green), which told of a young Indonesian student who falls in love while studying in the Netherlands despite already having a fiancée in Indonesia. The work, originally published as a serial, was novelised in 1919. Also in 1918 he published a collection of poems, Sair-sair Rempah (Poems on Spices). Kartodikromo published another novel, Matahariah, in 1919.It was based on the life of the Dutch spy Mata Hari. On 15 December 1919, <mask> left Sinar Hindia and took a position as head of Soero Tamtomo, published by the Forestry Union Staff Union Wono Tamtomo. He was imprisoned for six months for one of his writings, Sjairnja Sentot (Sentot's Poem), with the paper. In 1921 <mask> moved to Salatiga and became involved with the press there. He was sentenced to two years in a Batavian prison for another of his writings. In 1924, Kartodikromo published Rasa Merdika (A Sense of Independence), which dealt with a young man who goes against his priyayi father, a tool of the Dutch colonial government, and tries to find personal independence. Another novel, Cermin Buah Keroyalan (Mirror of the Fruit of Royalty), and stage play, Kromo Bergerak (Kromo is Moving), were published not long after.<mask> was exiled to Boven-Digoel, Papua, in 1926 for his writings and involvement in the 1926 revolt led by the Communist Party of Indonesia. He died there of malaria on 18 March 1932. Themes and styles
Most of <mask>'s fictional works took place in Bandung or Surabaya. He was an early Indonesian example of the social realist movement. Like most nationalist writers at the time, <mask> preferred writing in Malay (the predecessor of modern Indonesian) rather than his native Javanese; however, he did write several pieces in Javanese. While the state-owned publisher Balai Pustaka was attempting to standardise Malay, Kartodikromo experimented with the language, using words, phrases, and scenes which had never before been used. Socialist literary critic Bakri Siregar writes that <mask> drew on his experiences while visiting the Netherlands in writing Studen Hidjo.He also writes that, unlike writers published by Balai Pustaka, Kartodikromo was heavily against the "white superiority" which the Dutch impressed upon native Indonesians; this was achieved through showcasing the "depravity of bourgeois morals and the Dutch colonials." Reception
Due to his vocal criticism of the Dutch, the East Indies government banned <mask>'s books several times. In response to his critiques in Doenia Bergerak, they described him as a "crazy" man who could spark unrest among the native populations. Kartodikromo himself enjoyed baiting the colonial government, reportedly inviting his readers to work together and criticise the Dutch for their "mismanagement and caprice". Siregar described Kartodikromo as the first Indonesian writer to openly criticise the Dutch colonial government and the traditional form of feudalism practised in the country; he also notes that the writer was the first Indonesian to consciously depict class struggles in his works. As Siregar considered Indonesian literature to have been born from a nationalist understanding, he considered <mask> one of the first truly Indonesian writers. Hendrik Maier, a lecturer at Leiden University, writes that Kartodikromo was "primarily inspired by dreams and ideals", noting that the writer intended to create a community of politically aware Indonesians to work against the colonial government in solidarity and equality.Kartodikromo described his ideal political state as having "" ("the same standards, the same feelings"). Works
Mata Gelap (Dark Eyes; 1914; novel in three volumes)
Sair-sair Rempah (Poems on Spices; 1918; poetry anthology)
Student Hidjo (Student Green; 1918; novel)
Rasa Merdika (A Sense of Independence; 1924; novel)
Cermin Buah Keroyalan (Mirror of the Fruit of Royalty; 1924; novel)
Kromo Bergerak (Kromo is Moving; 1924; stage play)

Notes

References
Footnotes

Bibliography

1890 births
1932 deaths
Indonesian journalists
Indonesian revolutionaries
Javanese people
People from Central Java
Deaths from malaria
Indonesian writers
Indonesian people who died in prison custody
Indonesian communists
Prisoners who died in Dutch detention
Indonesian exiles
20th-century journalists
Dutch political prisoners
Boven-Digoel concentration camp detainees
Sarekat Islam politicians

masks:
Marco Kartodikromo
Mas Marco
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Kartodikromo
Marco


texts:
Emily Sharp (born May 11, 1983) is an American former professional wrestler known under the ring name <mask>. She is best known for her time on the independent circuit, where she performed for numerous promotions such as Chikara, Ring of Honor and Shimmer Women Athletes, where she was a one-time Tag Team Champion. Professional wrestling career

Debut and Gateway Championship Wrestling (2002)
Haze was trained by Kid Kash and Delirious. Haze honors her mentors, especially Delirious, in the ring by imitating some of their mannerisms, particularly Delirious' incoherent speech and performing some of their trademark wrestling moves. In March 2002 she made her professional debut for Gateway Championship Wrestling based out of Missouri using a hippie stoner gimmick. The gimmick is a tribute to her father, who was a hippie, and died when she was fifteen, and the ring name is the product of her sister's imagination, after she wanted to change her name legally to Daisy Hayes after Savage Garden singer Darren Hayes. Around the same time MsChif began working for the same promotion and the two began to work together inside the ring.Haze also began working for IWA Mid-South as the valet of Matt Sydal, and then went on to compete in the women's division. Independent Wrestling Association Mid-South (2003–2008)
<mask> made her IWA Mid-South debut in 2003, as the manager of Matt Sydal, but was soon wrestling in the newly created women's division. Her first match was against Mickie Knuckles at the Revenge Served Cold event on October 23. In May 2004 the NWA Midwest Women's Championship was introduced, and a tournament was set up at the Volcano Girls show to determine the inaugural champion. Haze defeated Sumie Sakai in the first round and Rain in the second, but lost in a three-way final, when Lacey beat her and Mercedes Martinez. The NWA Midwest Women's Championship and IWA Mid-South Women's Championship were merged early in 2005, and Haze won the Championship from Ariel in a six-pack challenge at the Givin Em Da Bizness event on February 12, 2005. After three months, however, Haze dropped the championship to MsChif on May 7.<mask> continued making sporadic appearances in IWA Mid-South, at one point donning Delirious style attire and dubbing herself Shelirious in a match against Mickie Knuckles on July 9, 2005. On May 2, 2008, <mask> captured the Championship for a second time after defeating the defending champion Knuckles and Sara Del Rey in a three-way match. <mask> competed in the Volcano Girls 2 tournament but was eliminated in the semi-finals by Knuckles. The winner of the tournament, Rachel Summerlyn, earned a title shot against <mask> at King of the Deathmatches. Summerlyn did not get her championship match, however, and at the end of 2008 the championship was deactivated. Ring of Honor (2004–2011)
Around the same time as her debut in IWA Mid-South, <mask> and Sydal debuted in Ring of Honor (ROH) in early 2004. At the time women's wrestling was not common practice for the promotion, but Haze engaged in an in-ring program with Allison Danger, who was spending time away from The Prophecy.Soon after <mask> became a member of Generation Next when Sydal joined the faction. In November 2005 at ROH's Vendetta show she managed Generation Next and A.J. Styles (who replaced Roderick Strong) in an eight-man war against The Embassy. Haze was joined by Jade Chung who had broken free of the mental abuse at the hands of The Embassy since becoming the kayfabe girlfriend of Strong. During the eight-man war Prince Nana, of The Embassy, dragged <mask> into the ring by her hair. Austin Aries and Sydal made the save only to have Haze turn on them as she low-blowed both men and proceeded to deliver a Mind Trip to Jade Chung before siding with Prince Nana. She remained with the stable until it was disbanded in September 2006, after which she turned into a fan favorite and aligned herself with B.J.Whitmer and Colt Cabana in their war with Lacey, Jimmy Jacobs and Brent Albright. Outside of the promotion Haze had an ongoing rivalry with Lacey which was carried over into Ring of Honor. At the Dedicated show in January 2007, Haze teamed with Whitmer and Cabana in six-person tag match against Lacey, Jacobs and Albright. Jacobs, Lacey and Albright won the match after Jacobs put Haze through a table. The feud continued on over the course of Ring of Honor's Fifth Year Festival. In a re-match from the Dedicated show, except with Adam Pearce replacing Albright, Haze and her team won a street fight. Six days later, however, Haze was beaten in a singles match by Lacey, after Jacobs interfered.In the summer of 2007 <mask> began feuding with Sara Del Rey who was the reigning Shimmer Champion. The two fought on many occasions, typically with the Championship not on the line. <mask>'s first Championship match came in 2008 at the Ring of Honor's 6th Anniversary Show, where Del Rey retained the championship. The feud with Del Rey expanded to include Sweet and Sour, Inc, the faction of which Del Rey was a member, and as a result, Delirious came to aid <mask>. <mask>'s rivalry with Lacey, who had become part of The Age of the Fall, reignited. Delirious began revealing romantic intentions towards <mask>, but she rejected him, prompting Rhett Titus to claim that he had slept with <mask>, who denied it. After seeing footage of <mask> and Tius together, however, Delirious joined The Age of the Fall, although he left shortly afterwards when Jacobs attempted to spike Haze, but Delirious turned on his stablemates and saved <mask>.In 2009, ROH signed a television deal with HDNet for a weekly episodic wrestling show Ring of Honor Wrestling, beginning on March 21, 2009. Haze wrestled on the second show, which aired on March 28, where she lost to Del Rey after a Royal Butterfly. On the fourth show, which aired on April 11, she teamed up with Nevaeh to defeat Del Rey and Sassy Stephie. On the 8th episode of ROH on HDNet, which aired on May 9, <mask> Haze teamed with Delirious to take on the Shimmer Champion MsChif and her tag team partner Jimmy Jacobs in a match where Haze pinned the Shimmer Champion with a Mind Trip. As part of the 11th episode, which aired on May 30, she took part in a 3-way match against the former SHIMMER Champion Sara Del Rey and the current Shimmer Champion MsChif. This match was eventually won by MsChif who pinned Haze with the Desecrator. She came back in the 17th episode, which aired on July 11, in which she teamed once again with Nevaeh losing to the team of MsChif and Sara Del Rey.Since 2009, she is one of the two head trainers of the ROH Wrestling Academy, the other head trainer being Delirious. She has not made an appearance for ROH since April 2, 2011. Chikara (2005–2011)

Haze began wrestling for the Philadelphia–based Chikara in 2005. In November 2009 she was placed in her first major storyline in the company, when she aligned herself with Claudio Castagnoli, Ares, Pinkie Sanchez, Sara Del Rey, Tim Donst and Tursas to form the heel stable Bruderschaft des Kreuzes (BDK). The stable has since been joined by Lince Dorado and Delirious. While in BDK Haze began regularly teaming with Del Rey and together the two of them picked up victories over tag teams such as The Osirian Portal (Amasis and Ophidian), Los Ice Creams (El Hijo del Ice Cream and Ice Cream, Jr.), The Throwbacks (Dasher Hatfield and Sugar Dunkerton), Amazing Kong and Raisha Saeed, and Mike Quackenbush and Jigsaw. On September 18, 2010, Haze wrestled Japanese joshi legend Manami Toyota in her first match on American soil, in a losing effort.On October 23 Haze represented BDK in the torneo cibernetico match, where they faced a team composed of Chikara originals. She was eliminated from the match by Eddie Kingston. The following day <mask> and Del Rey defeated the Super Smash Bros. (Player Uno and Player Dos) in a tag team match to pick up their third straight victory and, as the first all–female tag team, earn the right to challenge for the Chikara Campeonatos de Parejas (tag team championship), at the time held by their stablemates Ares and Claudio Castagnoli. However, Haze and Del Rey never got to cash in their points as Ares and Castagnoli ordered them to defend them in a four–way elimination match on November 21, where they ended up being eliminated by Mike Quackenbush and Jigsaw and losing all of their points. On July 31, 2011, Castagnoli turned first on Del Rey, after losing to her in a singles match, and then Haze, as she was standing up for her regular tag team partner. The following week, Del Rey quit BDK, while Chikara announced that Haze would be taking a leave of absence from the promotion after suffering a storyline injury at the hands of Castagnoli. Shimmer Women Athletes (2005–2011)

<mask> also wrestles regularly in ROH's sister promotion, Shimmer Women Athletes, an all female wrestling promotion based out of Chicago.Haze was in the main event of their first four shows, which are released on DVD as "volumes". At the Volume 1 taping on November 5, 2005, Haze defeated Lacey with the Mind Trip in a twenty-five-minute match. On Volume 2, Del Rey pinned <mask> with the Royal Butterfly to win a four-way elimination main event which also involved Lacey and Mercedes Martinez. Haze lost to Del Rey again on Volume 3, and on Volume 4 <mask> defeated Rebecca Knox. Haze's first real feud in Shimmer was against Knox, who was angry after her loss on Volume 4, leading to a two out of three falls match being booked for Volume 5, which Haze ended up losing, two falls to one. On Volume 6, however, Haze gained a victory over Nikita. <mask> and Knox were set to end their feud in a 60-minute Ironwoman match on Volume 7 on October 22, 2006, but the idea was scrapped after Knox suffered an injury while wrestling in Europe.Instead Haze faced Cheerleader Melissa in the main event where Melissa came out victorious. On Volume 8 Haze regained some momentum when she defeated Tiana Ringer, and on Volume 9 she continued her winning streak by pinning Amber O'Neal, although she lost to Awesome Kong at the Volume 10 tapings. A two-day tournament, taped June 1 and 2, 2007, was held to crown the first Shimmer Champion over the course of Volumes 11 and 12. Haze made it to semi-finals, defeating Portia Perez and Malia Hosaka en route, but lost to Lacey. Volume 13 was also taped which allowed Haze to have her first match against Sarah Stock, which Haze ultimately lost. On Volume 14, Haze and MsChif had their first match against each other for Shimmer (though the two had wrestled in a "bonus Shimmer attraction match" before in AAW) which Haze was able to win. Haze wrestled Stock in a number one contender's match on Volume 15, but lost after she was pinned with a Victory roll.On the last Volume of 2007, Volume 16, taped on October 15, Haze joined forces with MsChif and Eden Black to face The International Home Wrecking Crew, consisting of Jetta, Lacey and Rain. Haze pinned Jetta to pick up the win for her team. Haze defeated Cindy Rogers on Volume 17 and Jetta on Volume 18 respectively, both taped on April 26, 2008. Due to a back injury, Haze did not compete on Volumes 19 or 20, although she was interviewed by Rebecca Bayless on Volume 19. On September 8, 2008, Haze was named as the trainer of Shimmer wrestling school's first training course which started on October 27, 2008. Haze made her return to in-ring action at the October 19, 2008 tapings of Volume 21 where she was defeated by the Shimmer champion MsChif in a title match. On Volume 22, taped that same night, she defeated Miss Natural.On May 2, 2009, at the tapings of Volume 23 she fought Nicole Matthews to a 20-minute time limit draw, the second ever after the one between Mercedes Martinez and Sara Del Rey as part of Volume 1. On Volume 24, taped that same night, Haze defeated Matthews in a "no time limit" rematch with the Mind Trip. The following night on Volume 25 Haze teamed with Allison Danger to defeat Matthews and Portia Perez in a tag team match and on Volume 26 she defeated her student and the first graduate of the Shimmer Wrestling School Rayna Von Tash in a singles match. On November 8, 2009, at the tapings of Volumes 27 and 28 <mask>, due to an injury, assumed the role of a referee for matches between Cat Power and Ariel, Amazing Kong and LuFisto and Nicole Matthews and Allison Danger. Haze returned to a wrestling role on April 10 at the tapings of Volumes 29 and 30. On Volume 29 she was defeated by Misaki Ohata and afterwards turned heel and attacked her. On Volume 30 <mask> and Tomoka Nakagawa defeated Ohata and Jamilia Craft, another one of Haze's students from the Shimmer Wrestling School, in a tag team match.The following day at the tapings of Volumes 31 and 32, Haze lost to Ayako Hamada and defeated Ayumi Kurihara via countout in singles matches. On September 11, 2010, at the tapings of Volume 33 Haze was defeated by Kurihara in a rematch. Later that day in a match taped for Volume 34, Haze suffered an upset loss against Tenille. The following day Haze re–formed her team with Tomoka Nakagawa, when the two of them defeated Pretty Bitchin' (Nikki Roxx and Ariel) in a match taped for Volume 35. On Volume 36 Haze took part in an eight-woman elimination tag team match, where she, Nakagawa, Sara Del Rey and Madison Eagles were defeated by Ayako Hamada, Ayumi Kurihara, Cheerleader Melissa and Serena Deeb. On March 26, 2011, Haze was defeated by Serena Deeb on Volume 37 and defeated Courtney Rush as part of the tapings of Volume 38, before reaffirming her partnership with Tomoka Nakagawa by pointing out that they were undefeated in tag team matches. The following day, at the tapings of Volume 40, Haze and Nakagawa defeated the Seven Star Sisters (Hiroyo Matsumoto and Misaki Ohata) to win the Shimmer Tag Team Championship.<mask> and Nakagawa lost the title to Ayako Hamada and Ayumi Kurihara on October 1 at Volume 41. After the loss, <mask> announced that she was quitting the promotion. On October 11, 2015, Haze made a one-night return to wrestling during Shimmer's tenth anniversary weekend, when she took part in Portia Perez's retirement match, where she, Kellie Skater, Lexie Fyfe and Madison Eagles defeated Perez, Kimber Lee, Lacey and Nicole Matthews. Other promotions (2003–2011)

When Total Nonstop Action Wrestling (TNA) appeared on weekly pay-per-view <mask> was booked to make several appearances. Her first came on February 22, 2003, for syndicated television show Xplosion where she wrestled MsChif. Haze continued making appearances as the valet and occasional tag team partner of Matt Sydal. On the July 2, 2003 episode of Xplosion, <mask> and Sydal were defeated in a mixed tag team match by Julio Dinero and Alexis Laree, and on the February 4, 2004, episode Haze was defeated by Trinity in a singles match.She also lost a match to Nurse Veronica, which saw Veronica humiliate Haze by diapering her after securing the victory. Haze participated in two ChickFight tournaments. Her first came in September 2006 at ChickFight VI in 2006 in which Haze faced the defending champion Cheerleader Melissa in the first round. The two wrestled to a thirty-five-minute draw, which mean that they both advanced to the second round, where they had a three-way match, also involving Allison Danger. Haze won the match, and then defeated KAORU in the finals to win the ChickFight VI tournament. The following year, Haze was in the tournament again, and defeated Skye in the first round, before losing to Eden Black in the semi-finals. On the May 1, 2008, episode of TNA Impact!Haze made her return to TNA, using the alternate spelling of "Daisy Haze", in a losing effort to Cheerleader Melissa. Haze was also interviewed by Jeremy Borash on the May 1, 2008 edition of TNA Today. In early 2009 <mask>, under the ring name Marley Sebastian, took part in the tapings of the new all women wrestling show Wrestlicious, which premiered on MavTV and BiteTV on March 1, 2010. Her ring name was shortened to just Marley upon her debut on the fourth episode on March 24, in which she was defeated by Sierra Sheraton. On June 21, 2009, Haze defeated Portia Perez, Jessica James and Sara Del Rey to win Anarchy Championship Wrestling's first annual American Joshi Queen of Queens tournament. Haze appeared on Dragon Gate USA's first pay-per-view Enter the Dragon, which was taped on July 25, 2009, and aired on September 4, accompanying BxB Hulk to the ring. Retirement
Following her loss of the Shimmer Tag Team Championship on October 1, 2011, Haze retired from professional wrestling.On November 29, 2012, Haze made a one-night return as she accompanied MsChif for her match against Sean Vincent at a Dynamo Pro Wrestling event. Personal life
Haze studied Exercise Science at university. She also designs and sews wrestling apparel. Championships and accomplishments
 All Pro Wrestling
 APW Future Legend Championship (1 time)
 Anarchy Championship Wrestling
 American Joshi Queen of Queens (2009)
 ChickFight
 ChickFight VI
 Independent Wrestling Association Mid-South
 IWA Mid-South Women's Championship (2 times)
 NWA Midwest
 NWA Midwest Women's Championship (2 times)
 Pro Wrestling Illustrated
 Ranked No. 15 of the best 50 female singles wrestlers in the PWI Female 50 in 2008
 Shimmer Women Athletes
 Shimmer Tag Team Championship (1 time) – with Tomoka Nakagawa

References

External links

Glory Wrestling profile
Online World of Wrestling profile

1983 births
American female professional wrestlers
Living people
People from Cape Girardeau, Missouri
Professional wrestlers from Missouri
Professional wrestling managers and valets
Professional wrestling trainers
21st-century American women

masks:
Daizee Haze
Haze
Haze
Haze
Haze
Haze
Haze
Haze
Haze
Haze
Haze
Haze
Haze
Haze
Haze
Haze
Haze
Daizee
Haze
Daizee
Haze
Haze
Haze
Haze
Haze
Haze
Haze
Haze
Haze
Haze


texts:
Captain <mask> (1803–?) was a British explorer and the chief surveyor for Lyttelton, Sumner and Christchurch in New Zealand. He took up surveying after service in the British army, gaining the rank of lieutenant. In the 1840s, he explored many parts of New Zealand and worked for the New Zealand Company. This gained him employment with the Canterbury Association, which sent him to New Zealand in 1848. <mask>' role was to find a suitable site for their proposed settlement, and what became the Canterbury region with Christchurch as its capital was the result of his efforts. He was dismissed in early 1851 over quarrels with John Robert Godley, the agent of the Canterbury Association, just after the first settlers had arrived in the colony.<mask>' life after 1853 is unknown. Having allowed for Hagley Park as a generous central city green space is regarded as his major achievement, and it is his lasting legacy. Early life
<mask> was born in Worcester, England, in 1803. At age 13, he was an ensign in the 101st Regiment. In 1819, he was admitted to the Royal Military College, Sandhurst and in November 1822, he joined the 87th Regiment of Foot. He served in India and in November 1827 transferred to the 19th (1st Yorkshire, North Riding) Regiment of Foot for service in the West Indies. <mask> left the army in 1833 with the rank of lieutenant, and worked in North and South America as a surveyor and mining engineer.He returned to England in 1839. New Zealand
<mask> purchased land in Wellington from the New Zealand Company and arrived there on the Adelaide on 7 March 1840. As the land proved to be unavailable, he ventured into fishing and whaling, but in 1841 accepted a survey position under William Mein Smith. <mask> undertook work in Wanganui and Porirua, but together with most of his colleagues, he was sacked by chief surveyor Samuel Brees in March 1843. In the following year, he was engaged to undertake survey work in the Otago region under Frederick Tuckett, but the work was postponed and he explored parts of the North Island instead. Canterbury surveys

He returned to England and soon after in 1848 was appointed by the Canterbury Association as their chief surveyor for their planned settlement in Canterbury. His formal employer was the New Zealand Company, as the Canterbury Association had not received its charter.He left England on 6 July 1848 together with the surveyors <mask> and Charles Torlesse, and arrived in Nelson on 5 November. <mask>' remit included to find the site of the settlement anywhere in New Zealand, and it appears that the Canterbury Association expected that land in the Wairarapa be taken up, but he was instructed to obtain the consent of both the Governor (George Grey) and of Bishop Selwyn. Other instructions to <mask> included that the settlement should have a land area of at least , with at least  of that available for agriculture. The settlement could be at the coast or inland, but any coastal settlement required a good harbour, and the port should preferably be the capital. The capital was to be called Christchurch. <mask> may have had preconceived ideas about the location of the desired settlement, as he mentioned to a Nelson settler that the question is about "Port Cooper or nothing", with the name referring to what is now known as Lyttelton. In Nelson, he organised a copy of the report written by George Duppa of his 1841 exploration of Port Cooper and the adjacent plains.He reported to the Canterbury Organisation that the land question between Kaikōura and Otago had been resolved (through Kemp's Deed, where the New Zealand Company had bought the land of the Māori), whereas the government was still trying to purchase the land in the Wairarapa from the Māori, hence lessening delays "should we decide on Port Cooper". <mask> went to Wellington next, where he arrived on 21 November 1848. He met with the governor, who advised him that Captain John Lort Stokes of HMS Acheron had just finished a survey of the coast of Hawke's Bay, and that he had instructed him to survey the coast near Port Cooper. William Fox as the New Zealand Company's agent accompanied the three surveyors on the journey, and they reached Port Cooper on 15 December 1848. They undertook a very thorough exploration of the various parts of what is now Canterbury, from near the Waipara River in the north to the Ashburton River / Hakatere in the south, from the coast to the foothills of the Southern Alps. <mask> himself explored Banks Peninsula on foot and went to Port Levy, Pigeon Bay, Akaroa, Little River and back via the inland shore of Lake Ellesmere / Te Waihora. Their own report was supplemented by a report from the Deans brothers, who at that time were the only white settlers on the Canterbury Plains, with their farm located at Riccarton.<mask> and Fox jointly approved land holdings for two parties of settlers already in the area, who had paid for land in the Wellington area which had not been available. The Deans brothers were granted , and the Rhodes brothers (William Barnard and George) were granted  in Purau. Fox reported the following to T. C. Harrington, the secretary of the New Zealand Company:

Mr <mask> not only concurred in these arrangements, but was anxious to have them entered into, believing, as I do, that the presence of Messrs Deans and Mr George Rhodes with their stock and farms and their knowledge of climate, seasons, etc., will prove most valuable to the Canterbury immigrants in the early days of the settlement. They are all experienced settlers, hardy pioneers, and intelligent, respectable gentlemen. Everything proved very satisfactory for a new settlement, and the only possible obstacle was whether the harbour itself was going to be part of the land claim that the French initiative that resulted in the settlement of Akaroa had made. Fox applied to the governor for a ruling. During May 1849, both the Bishop and the Governor gave their approvals of the settlement for the Canterbury Association, and Grey thus confirmed that Port Cooper was not going to be part of the French land claim any longer.To conform with his instructions, <mask> initially placed the settlement's capital at the head of Lyttelton Harbour / Whakaraupō at the present-day Teddington. To meet the required  for Christchurch, partial reclamation would have been necessary. The Botanic Gardens were to be placed at what is now Charteris Bay, and the Government Domain was to be near present-day Governors Bay. But all of this was subject to the cost estimate for the land reclamation being affordable, which it was not. <mask>' first sketch map from 1849 commemorated about 30 members of the Canterbury Association. A reproduction of his sketch map is shown above, and the table identifies the localities named by him, together with their present name. Notable names that have changed were two major rivers, the Courtenay (now Waimakariri) and Cholmondley (now Rakaia).The Avon River had already been named by the Deans Brothers; Godley was instructed in 1850 by the Canterbury Association to rename it as the Shakespeare River, but the original use prevailed. <mask>' intention was to initially build four towns: Lyttelton was to be the port town, placed at present-day Rāpaki, Christchurch was to go at the head of the harbour, Stratford was to be built at that point on the Avon River that could just be reached by boat, and Mandeville would be placed on a large island within the Courtenay (Waimakari) River. It was quickly realised that land reclamation at the head of the harbour was too expensive, and the capital Christchurch was instead placed at the location that had been earmarked for Stratford. Mandeville was never built, and the land at Rāpaki was not available, as it had been promised to Maori as a reserve. Sites for other town, to be built later, were identified for Lincoln (near where the Selwyn River / Waikirikiri flows into Lake Ellesmere; it was later built in a different location), Oxford (where the college was supposed to be located; the college was built in Christchurch instead), and Buccleugh (which was never built, but which exists as an uninhabited locality named Buccleuch at ). The three towns that were surveyed were first Lyttelton, then Sumner, and lastly Christchurch. Except for early survey work in Lyttelton, which was done by <mask> and Torlesse, the work was done by Edward Jollie, who explains in his diary how the streets got their names:

The names of the streets of the three towns I surveyed were taken from Bishoprics and the way it was done was this; as soon as I completed the map I took it to <mask> who putting on his gold spectacles and opening his would read out a Bishop's name to hear if it sounded well.If I agreed with him that it did, I put the name to one of the streets requiring baptism. Lyttelton being the first born town got the best names for its streets, Sumner being next had the next best and Christchurch being the youngest had to be content with chiefly Irish and Colonial bishoprics as names for its streets. This accounts for, what to anyone not knowing the circumstances, appears strange, viz: that many of the best English Bishoprics are not represented while Irish and Colonial ones are. Sumner in fact died too late for the names there used to be again employed in Christchurch. What Jollie referred to with 'Sumner dying' refers to the fact that the survey was not used, as Godley put the proposal on hold. Instead, the land in Sumner was sold as a rural block. When it was subdivided in the 1860s, the original survey was not used.<mask> was also tasked with organising and supervising the work that was necessary to prepare the settlement for the settlers. Work was under way on the road from Lyttelton to Sumner when John Robert Godley arrived in April 1850. Godley was the agent for the Canterbury Association, and he put an immediate stop to the works, as available funds had been used up; instead, a walking track was built over the Port Hills that became known as the Bridle Path. When the first settlers arrived from December 1850 on the First Four Ships, <mask> was blamed for the unfinished work. There was constant tension between <mask> and Godley, and <mask> was dismissed by the agent of the Canterbury Association in January 1851. Some of the most severe criticism was that there was no church for the settlers, but after the first church was completed in May 1852, an editorial in the Lyttelton Times defended his decision to focus on the necessary infrastructure first. Later years
<mask> moved to Wellington and applied for land in the North Island.Instead, he left for England on 6 April 1852 on the Midlothian to plead his case to the management committee of the Canterbury Association but nothing came of this. During the year in England, he married. He returned to New Zealand and in 1853, he sold his assets to take employment with a mining company in New South Wales, Australia. It is not known exactly what he did after this; according to some reports, he died while in Wellington sometime during the 1880s, whilst others say that he died in Victoria, Australia at an unknown date. Notes

References

1803 births
Ashburton, New Zealand
Canterbury Association
Graduates of the Royal Military College, Sandhurst
Green Howards officers
New Zealand surveyors
People from Worcester, England
Year of death unknown

masks:
Joseph Thomas
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas Cass
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas
Thomas