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 mexican-american relations started to turn sour under the Trump administration. Argentina and Venezuela had troubled relations at the time.The 2017 Venezuelan Constituent Assembly election was considered illegal by Argentina, which does not acknowledge the legislative body established by it. <mask> also removed the Order of the Liberator General San Martín award from Maduro. Argentina signed the Declaration of Lima, which established the Lima Group, a supranational body of countries that consider Venezuela to be under a dictatorship and want to restore its democracy. Maduro was re-elected in the 2018 Venezuelan presidential election and took office for a new term on 10 January 2019. This started the 2019 Venezuelan presidential crisis, as many countries believed that Maduro had committed electoral fraud. Argentina and Brazil, under the newly elected Jair Bolsonaro, refused to acknowledge Maduro as a legitimate ruler. They instead acknowledged Juan Guaidó, who was appointed president of Venezuela by the National Assembly.Furthermore, during the Venezuelan uprising attempt of April 2019, <mask> supported anti-Maduro military forces and reitarated his position of recognizing Guaidó as legitimate President of Venezuela. <mask> also shifted Argentina's relations with the United States. During a visit in 2016, president Barack Obama praised him: "I'm impressed because he has moved rapidly on so many of the reforms that he promised, to create more sustainable and inclusive economic growth, to reconnect Argentina with the global economy and the world community". Obama announced that the US would declassify its military and intelligence records of the 1970s Dirty War. Foreign Minister Susana Malcorra supported Democrat Hillary Clinton in the 2016 US presidential election, which was won by Republican Donald Trump. <mask> tried to remain in good terms with the US after the Trump was elected president. In 2019, Trump declassified more than 5,600 US documents about the Dirty War.<mask> maintained the Argentine claim in the Falkland Islands sovereignty dispute. However, he took a less-confrontational stance towards the United Kingdom and allowed more flights between Argentina and the islands. Relations between Argentina and the UK improved greatly, but both Argentine and the United Kingdom maintain their respective claim on the islands. <mask> changed Argentina's position on conflicts in the Middle East. During <mask>'s first week in office, he voided the memorandum of understanding between Argentina and Iran, which would have established a joint investigation of the 1994 AMIA bombing, a terrorist attack on a Jewish organization for which Argentina had blamed Hezbollah and Iran. The memorandum had been ruled unconstitutional by the judiciary, a ruling which was appealed during Kirchner's presidency. <mask> withdrew the appeal, upholding the original ruling.He distanced himself from Iran and encouraged continued investigations of the AMIA bombing and the death of Alberto Nisman, a prosecutor investigating the case. Those cases and Nisman's probe into Cristina Kirchner involvement with Iran have special importance for Argentina–Israel relations, and ambassador Carlos Faustino García and Israeli diplomat Modi Efraim praised <mask> for encouraging the investigations. <mask> further improved relations with Israel and in September 2017, Prime Minister Benjamin Netanyahu became the first Israeli Prime Minister to ever visit Argentina. In July 2016, it was announced that Argentina would grant asylum to 3,000 refugees of the Syrian Civil War. In July 2019, <mask> designated Hezbollah as a terrorist organization in relation to the Israeli embassy bombing, and especially related to the AMIA bombing. Midterm elections

The 2017 Argentine legislative election renewed a third of the seats in the Senate and half in the chamber of deputies. The election was considered a referendum on the presidency of <mask> up to that point.Kirchner, leader of the opposition, ran for senator for the populous Buenos Aires province. She left the PJ to avoid the primary elections and created a new party, Citizen's Unity. Esteban Bullrich, minister of education, was the candidate of Cambiemos in the district. Kirchner and Bullrich had a close tie in the primary election, and Kirchner prevailed by just 0.21 percent of the vote. The electoral campaign, however, was largely ignored, as the media was focused on the ongoing controversy over the disappearance of Santiago Maldonado (see below). Kirchner used the case in her political campaign, stating that Maldonado was the victim of a forced disappearance, similar to those of the Dirty War. Maldonado was found dead a few days before the general elections, and the circumstances and autopsy refuted Kirchner's theory.Cambiemos won in thirteen of the twenty-three provinces of Argentina, and in the five most-populated districts. Kirchner ended in a distant second place, as a result of the higher turnout for the general elections. Personal life
<mask> was born in Tandil in the province of Buenos Aires, the son of Italian-born tycoon Francesco "Franco<mask> (owner of the Philco affiliate in Argentina) and Alicia Blanco-Villegas Cinque. The family moved to Buenos Aires a short time later, and kept their houses in Tandil as vacation properties. His father, and his uncle Jorge Blanco Villegas, influenced <mask> to become a businessman, and Franco expected his son to succeed him as leader of his firms. <mask> preferred his uncle's company to constant scrutiny by his father. He was educated at Colegio Cardenal Newman, and received a bachelor's degree in civil engineering from the Pontifical Catholic University of Argentina.At this time <mask> became interested in neoliberalism and joined the now-defunct Union of the Democratic Centre and a think tank led by former minister Álvaro Alsogaray. In 1985, he briefly attended Columbia Business School, the Wharton School of the University of Pennsylvania and the Universidad del CEMA in Buenos Aires. <mask>'s professional experience began at SIDECO Americana, a construction company which was part of his father's Socma Group (Sociedad Macri) holding company, where he worked for three years as a junior analyst and became a senior analyst. In 1984, he worked in the credit department of Citibank Argentina in Buenos Aires. <mask> joined Socma Group the same year, and became its general manager in 1985. In 1992, he became vice president of Sevel Argentina (then manufacturing Fiat and Peugeot automobiles under licence in Argentina as part of Socma), and became president two years later. In 1991, <mask> was kidnapped for 12 days by officers of the Argentine Federal Police.Kept in a small room with a chemical toilet and a hole in the roof to receive food, he was freed when his family reportedly paid a multimillion-dollar ransom. <mask> has said that the ordeal led him to enter politics. His first wife was Ivonne Bordeu, daughter of race-car driver Juan Manuel Bordeu. They had three sons: Agustina, Jimena and Francisco. After they divorced, <mask> married model Isabel Menditeguy in 1994; Franco requested a prenuptial agreement. Although the marriage reached a crisis when <mask> became chairman of Boca Juniors, they did not divorce until 2005. He began a romance with María Laura Groba which did not lead to marriage.<mask> left Groba in 2010, began a relationship with businesswoman Juliana Awada and married Awada that year. At the wedding reception, he wore a fake moustache as part of his impersonation of singer Freddie Mercury. <mask> accidentally swallowed the moustache, and Minister of Health Jorge Lemus performed first aid to save his life. Controversies

Wiretapping case
Sergio Burstein was the leader of a group of people whose relatives died in the AMIA bombing. <mask> was charged in a 2010 wiretapping case, suspected of spying on Burstein and his brother-in-law Néstor Daniel Leonardo. <mask> denied the charges. Judge Norberto Oyarbide indicted him, and Federal Chamber members Eduardo Farah, Eduardo Freiler and Jorge Ballestero confirmed the indictment.It was suspected at the time that <mask> had organized a clandestine spy network with the aid of Jorge Alberto Palacios and Ciro James. The case was transferred to judge Sebastián Casanello, who ordered further investigation. It was learned that <mask> had little knowledge about Palacios' daily activities and his minister, Mariano Narodowski, had appointed James. <mask>, the president's father, admitted to hiring private agencies to spy on Daniel Leonardo. Although Casanello dismissed the charges in 2015, Leonardo appealed the ruling; the dismissal was upheld several months later in federal court. Farah, Freiler and Ballestero voted for acquittal; others involved in the case, including Palacios, are still under investigation. Panama Papers
In 2016, the Panama Papers were leaked, comprising 11.5 million documents detailing offshore entities owned by people from many countries.<mask> was listed as a director of Fleg Trading from 1998 to 2009. He did not declare his involvement in 2007, when he became mayor, or in 2015, when he became president. Prosecutor Federico Delgado asked the judiciary to determine if <mask> "maliciously failed to complete his tax declaration". <mask> argued that he did not report his involvement because he was not a stakeholder and did not receive money from it. The company was established by his father to run a failed Brazilian business. <mask> owns other foreign accounts with properly-disclosed transactions, and said that he would file a judicial "declaration of certainty" to affirm his statements. A similar company, Kagemusha, was discovered several months later.It was established in 1981 by <mask>, with his then-22-year-old son as its vice president. On 20 September 2017, civil judge Andrés Fraga determined that, in Fleg Trading Ltd, <mask> <mask> accepted the position of director for the sole and only effect of designating a replacement and resigning, and that in Kagemusha he did not even tacitly accept the position of director for which he was appointed by <mask>. The ruling added that he was not a shareholder in either of the two companies, that he did not receive any dividends or profits, did not participate in the business decisions, nor was he the owner or co-owner of any current bank account of the companies. Detention of Milagro Sala
Gerardo Morales of the UCR was elected governor of Jujuy Province in the 2015 elections. Although the UCR was part of Cambiemos in federal politics, it was allied with Sergio Massa in the province. Morales was the first non-Peronist governor in the province since 1983. He opposed activist Milagro Sala, accusing her of leading a government parallel to that of Eduardo Fellner.According to Morales, Sala led a violent and coercive group and children were forced to join her party to attend school. When he was elected governor, Morales ordered all organizations to operate though banks instead of on a cash basis to retain their legal standing. Sala began a protest in front of the government plaza, but most of her supporters accepted Morales's edict. Prosecutor Viviana Montiel asked local judge Raúl Gutiérrez to order Sala's arrest for causing a disturbance and encouraging crime. Gutiérrez agreed, and Sala was arrested on 16 January 2016. After Sala's arrest, she was charged with embezzlement in connection with housing construction. Although her initial charges were dropped, she remained in jail on the later ones.The case generated international criticism, and the United Nations and the Organization of American States requested her release. <mask> said that the case was under provincial, not federal, jurisdiction. Amnesty International considers "that Milagro Sala is being criminalized for peacefully exercising her rights to freedom of expression and protest" and, along with other human rights groups, have called for the granting of precautionary measures to guarantee the liberty of Milagro Sala, along with the exercise of freedom of expression and the right to social protest in Argentina. The Supreme Court refused to hear the case, which continues in the province. Death of Santiago Maldonado

The Benetton Group has territories at the Chubut Province, and the Mapuche indigenous people claim that those territories belonged to them. Facundo Jones Huala, from the Resistencia Ancestral Mapuche group, was jailed because of violent protests, and a group of eight people organized a picketing protest at the National Route 40, advocating for his liberation. The road was completely blocked by stones, trees and fire.Judge Guido Otranto instructed the Argentine National Gendarmerie (GNA) to clear the blockade and disperse the protesters. The protesters reacted violently, then escaped from the GNA. Some of them swam across the nearby Chubut River and others hid in the adjacent forest. One of those protesters was Santiago Maldonado, and his whereabouts were unknown after the incident. Kirchnerist and human-rights organizations considered that Maldonado was a victim of a forced disappearance, and posited that he could be the first victim of a wider plan of political repression. Other theories were proposed during the investigation: that he escaped to Chile, that he was hiding, or that he had been murdered some days before in an unrelated crime and was never in the protest at all (the protesters wore hoods). It was also proposed that he could have drowned, but the Mapuches held control of the area and impeded access by the GNA.When the GNA did enter the area, the corpse was found in the river. An autopsy confirmed his identity, that the body had no signs of blows or injuries, and that he died by asphyxia and hypothermia. The judicial case was closed a year later, as the judge ruled that there was no forced disappearance and that there was no further evidence pointing towards anything other than an accidental drowning. ARA San Juan
On 15 November 2017, the submarine ARA San Juan (S-42) went missing. There were several irregularities both in the search process and in the communication with the families of those affected by the accident. The families started a judiciary process to establish the chain of responsibilities in the process. In a recent hearing, one of the accused stated that the government knew the location of the submarine and found it in 5 December 2017, but kept the finding secret until a year after, when on 16 November 2018, was communicated that the submarine was found.2019 Bolivian political crisis
During the last days of his tenure as President, allegations of electoral fraud and subsequent protests occurred in Bolivia, leading to the 2019 Bolivian political crisis. This caused President Evo Morales to resign and the military and police of Bolivia clashed with pro-Morales protesters, resulting in dozens of deaths from the engagement. The government of <mask> immediately recognized the legitimacy of the interim presidency of Jeanine Áñez and denied Morales asylum and also blocked Argentine air space for Morales's airplane to fly over Argentina in the bid to escape Bolivia to seek asylum in Mexico. In July 2021, Bolivian Foreign Minister Rogelio Mayta accused the <mask>'s government of providing weaponry to the Bolivian security forces which engaged in the Senkata and Secaba massacres. In the report, the current government of Bolivia also denounced Security Minister of Macri, Patricia Bullrich, and other officials for the conflict. The denounce was based on a thank you letter from aviation general Jorge Gonzalo Terceros Lara. Lara denounced that the letter was a forgery, and that he resigned on 13 November 2019, the same day the alleged letter was sent.His lawyer also pointed that anti-riot weapons would be useless for the aviation military, and would have made no sense for Lara to request them. Former chancellor Karen Longaric pointed as well that if the shipment arrived in Bolivia the same day that Añez became president, it would have had to be prepared and sent while Morales was still president. Longaric also pointed that, regardless of the wording, the letter does not mention war weapons but just police weapons, whose trade between nations in good standing is regular and

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<mask> (born 9 December 1995) is an Italian professional basketball player for Baskonia of the Spanish Liga ACB and the EuroLeague. He plays at the small forward position. Youth career
Fontecchio participated in an array of youth tournaments:
2011 Jordan Brand Classic International Tour game in London (not to be confused with the International Game of the same tournament)
2012 Albert Schweitzer Tournament
2012 Basketball Without Borders Europe
2012-13 Euroleague Basketball Next Generation Tournament Rome tournament. Besides playing for Italy (see International career), he notably won the Italian Under 17 championship in 2011-12 and the Under 19 championship the same season and in 2012-13, all for Virtus Bologna. Professional career
<mask> was promoted from the Virtus U19 to the senior side in 2012-13, alternating between the two during the season. He played a symbolic minute in LBA on 4 November 2011 before posting his first genuine first division stat sheet, missing his five shots for three rebounds and a steal, on 30 December. After an active youth career (see Youth career) and a professional debut at only 17, there was talk of him going to the United States to play high school and later on College basketball, however he stayed loyal to Virtus and signed a 5-year professional contract with the team in June 2013, his parents had to be present as he was still a minor at the time.After twice being selected to take part in the league All Star Game (2014 and 2015), he was voted Best Player Under 22 in May 2015. That season would also see his first participation in the playoffs, scoring 10.3 points and grabbing 3.3 rebounds per game as Virtus were swept by title holders Olimpia Milano. Fontecchio declared for the 2015 NBA draft on 25 April as an early entrant, two years before being automatically eligible in 2017. He attended a draft workout with the Boston Celtics in June 2015, whilst they declaredly considered picking in the second round, he withdrew his candidacy on 16 June 2015. After an unsatisfying 2018-19 season with Olimpia Milano, where Fontecchio played in average only 0:48 minutes Euroleague and 2.8 minutes in Serie A, Fontecchio was set to join his former team Virtus Bologna, coached by Aleksandar Đorđević, but the agreement was not finalized. On 18 July 2019, Fontecchio signed with Reggio Emilia in the Italian Lega Basket Serie A (LBA). On 7 July 2020, Fontecchio signed with Alba Berlin of the Basketball Bundesliga (BBL).On 9 July 2021, Fontecchio signed a three-year deal with Baskonia of the Liga ACB. National team career
Fontecchio has played for the under age teams of Italy since turning up for the U16's in the 2011 European Championship (10th place). Since then, he was involved with the U18's in the 2012 European Championship (7th place) and 2013 European Championship (10th place, best scorer for Italy) and the U20's in the 2014 European Championship (10th place). Fontecchio participated to the 2020 Summer Olympics basketball tournament with Italy, reaching the quarterfinals. He was the leading scorer in Italy's 82–92 win over Germany, scoring 20 points, also grabbing 4 rebounds, dishing out 2 assists and stealing 3 balls. He was also Italy's top performer in this game, with a 21 efficiency rate. He was again the leading scorer in Italy's 83–86 loss to eventual bronze medalist Australia, with 22 points.In the third and last game of their group stage, Italy defeated Nigeria 80–71, and Fontecchio tied with Pajola for assists leader. Italy lost 75–84 to eventual silver medalist France in quarterfinals. In this game, Fontecchio was the leading scorer with 23 points. By the end of the tournament he was ranked among the players who "should be on NBA radars". Player profile
Fontecchio is a good sized small forward that has in the past played as a Shooting guard, he has a solid though developing all-round game and is active off the ball. More of a threat from outside the paint, where he can unleash his technically sound if inconsistent jump shot, he struggles more on post play due to a lack of upper body strength. Despite this, he is quite athletic, particularly in leg strength and can run the lanes well in offense or use his length to get past his defender, however he doesn't use these assets enough in rebounding.On the defensive end he always puts in the effort, not afraid the mark the opposition's star, he can stay in front of smaller, quicker players with his length but needs to be more aggressive. All in all he is a promising player at only 19 and has the work ethic and physical attributes to succeed despite being far from a finished product as of 2015. Personal life
He comes from a sporting family, his mother Malì Pomilio played for Italy and won two European titles for AS Vicenza in basketball, he cites her as an influence in his career choice. His father Daniele  was a professional hurdler whilst  his grandfather was also a basketball player, as is his older brother Luca who has played in the lower divisions after also coming through the youth ranks of Virtus. Fontecchio moved to Bologna from his native Pescara at the age of 14, living in shared accommodation with other Virtus youth players.

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<mask> (born November 16, 1954) is an American independent film director whose films include Gas Food Lodging, Mi Vida Loca and Grace of My Heart. <mask> has collaborated with fellow UCLA School of Theater, Film and Television graduate Kurt Voss and has also worked as a television director. <mask>' films have been shown at the Cannes International Film Festival and at the Sundance Film Festival. She has been awarded a MacArthur Genius Grant as well as a Peabody Award. Early life
<mask> was born in Ashland, Kentucky, to mother Alberta "Rachel" <mask> (née Steed) and father Robert "Bob" <mask>. She has four sisters, one of whom, <mask>, starred in her first film, Border Radio. Her paternal side has ancestry that traces back to the Southern Hatfield family and, more distantly, to George Washington's spy, Caleb Brewster, while her maternal side includes another Washington spy, Abraham Woodhull.When <mask> was 4 years old, her father abandoned the family. <mask>' mother and father were divorced when she was 5. At age 12, she was gang raped by three boys at a party in Cape Canaveral, Florida, an event that influenced several of her films. After her mother moved her and her sisters to Los Angeles, <mask> suffered a mental breakdown at the age of 15 and was hospitalized. When she came out of the psychiatric ward, she was placed into foster care but ran away. She hitchhiked across the country, at one point ending up in jail. After turning 17, <mask> dropped out of her Los Angeles high school and moved back to Kentucky.She later moved to London with the man who fathered her first child. In her early 20s, <mask> moved back to Los Angeles with her daughter and attended junior college, Los Angeles Valley College, while working odd jobs. Due to constant relocation as a child, <mask> had not had a steady education. She said that growing up, most of her time was spent watching TV and going to movie theaters. Inspired by the films of Wim Wenders and other filmmakers, <mask> applied to UCLA Film School. During her time at UCLA, <mask> produced her first sound film. Wenders attended the screening.In 1986, <mask> got her B.A. in Motion Picture-Television from
University of California Los Angeles. Career

Film
In 1986, <mask> won a Samuel Goldwyn Writing Award for a script called Lost Highway that she wrote about her father. She said that after writing the script she shared it with her father, and was able to have a relationship with him again. <mask>' first film, the punk music-heavy Border Radio, was co-written and co-directed with Kurt Voss and Dean Lent and was made while they were at UCLA. It was nominated for Best Feature of 1988 by the Independent Feature Project for Best First Feature. The film told the story of three musicians who stole money owed to them from a job and then fled to Mexico.The story is set amid the Los Angeles punk-rock scene of the 1980s. With a $2,000 contribution from actor Vic Tayback and loans from Voss's parents to fund the film, the filmmakers made up for the small budget by using local locations and casting performers they knew. For the starring role, they cast <mask>' sister, Luanna <mask>, and musician Chris D., as the leading man, as well as <mask>' daughter, <mask>, who played Luanna's daughter in the film. Violating UCLA policy, the filmmakers cut the film at night in the school's editing bays, while <mask>' two young daughters slept on the floor. In 2007, Border Radio was given a special release on DVD as part of the Criterion Collection and was lauded as groundbreaking independent cinema. <mask>' second feature, the 1992 film Gas Food Lodging, earned her a New York Film Critics Circle Award and National Society of Film Critics honors for Best New Director; and nominations from the Independent Spirit Awards for Best Screenplay and Best Director. Actress Fairuza Balk won a Spirit Award for her role in the film.The film also won the Deauville Film Festival Critics Award and was also nominated for the Golden Bear at the 42nd Berlin International Film Festival. Gas Food Lodging is a coming-of-age story about a truck stop waitress and her two daughters, three vibrant, restless women in an isolated Western town. The screenplay was loosely adapted by <mask> from the novel Don't Look and It Won't Hurt by Richard Peck. Her next film, Mi Vida Loca (My Crazy Life), was about girl gangs in the poor Hispanic Echo Park neighborhood of Los Angeles, where <mask> lived. It premiered at the Cannes Film Festival in 1993, and saw wide release in 1994. The story features a female perspective on growing up in the inner city. <mask>' 1996 film, Grace of My Heart, was a musical drama executive produced by Martin Scorsese, about a songwriter (played by Illeana Douglas) and her career over several years, including work in the early 1960s in music publishing and production offices, a setting based on the Brill Building.This marriage to a songwriting partner and her emergence as a singer-songwriter in the 1970s are among elements paralleling the career of Carole King, but the film is neither a biography nor entirely fiction. The original soundtrack features new songs written in various styles of the era. Elvis Costello and Burt Bacharach had their first collaboration composing a song for the film, "God Give Me Strength," and were nominated for a Grammy Award. In the late 1980s, <mask> had become friends with members of pop group Duran Duran, and frequently inserted small references to the band in her films (character names, posters on walls, and so on). In 1999, after bassist John Taylor had left Duran Duran and was beginning to launch an acting career, she and Voss co-wrote and co-directed Sugar Town, about the Los Angeles film and music industry. The film starred several musical friends of <mask>', including Taylor, X singer John Doe, Spandau Ballet bassist Martin Kemp, and singer/actor Michael Des Barres. Sugar Town followed the interconnected lives of a handful of power brokers, wanna-bes and has-beens.Gwen (played by Jade Gordon), a self-centered would-be rock star, is working as an assistant to production designer Liz (Ally Sheedy); when Gwen discovers Liz has a date with a music producer (Larry Klein), any loyalty she has to her boss disappears. The film received two Independent Spirit Award nominations, for Best Film and Best Newcomer (Jade Gordon). The film also won <mask> and Voss the Fantasporto award for Best Screenplay. Her 2001 autobiographical film, Things Behind the Sun, deals with the long-term aftermath of rape. It was released on the Showtime cable TV network. The film earned an Emmy nomination for actor Don Cheadle as Best Supporting Actor; and three Independent Spirit Award nominations: Cheadle for Best Supporting Actor, Kim Dickens for Best Actress, and Best Film. <mask> and co-writer Kurt Voss also received a nomination for an Edgar Award.The film was awarded the SHINE Award as well as the Peabody Award. Things Behind the Sun was inspired by an experience <mask> had in 1967 when she was raped by a group of boys. <mask> actually shot some of the film in the same location in Cocoa Beach, Florida, where the gang rape occurred. <mask>' 2012 film, Strutter, co-directed with Voss, completed a loose trilogy of films about Southern California musicians that began with Border Radio and Sugar Town. A black-and-white road picture, the film featured Luanna <mask> from Border Radio, a scene in the motel room where Gram Parsons died, and a score with music by Ariel Pink and J Mascis. The film was funded by a Kickstarter campaign. In 2013, <mask> released the Lifetime-produced TV movie Ring of Fire, a June Carter Cash biopic that featured the musician Jewel.The film was inspired by John Carter Cash's book, Anchored in Love: A Tribute to June Carter Cash. Television
<mask> began directing shows for broadcast and cable television in 1999, including several episodes in the second and third seasons of Sex and the City, as well as episodes of Grosse Pointe, Cold Case, The L Word, Men In Trees, The Mentalist, and What About Brian? In 2011, she directed an episode of the John Wells production, Southland, which involved a car chase scene. <mask> directed an episode of Turn: Washington's Spies, which was especially interesting to her because she has distant relatives on both sides of her family who were spies for George Washington. Other work
In 2013, <mask> interviewed 94-year-old actress and Hollywood legend Marge Champion, who appeared at a 2013 Hollywood film festival screening of 1968 cult film The Swimmer, which starred Burt Lancaster. The interview was featured among behind-the-scenes supplementary material on a 2014 Blu-ray/DVD release of the film by Grindhouse Releasing/Box Office Spectaculars Blu-ray/DVD restoration of the film. <mask> and her musician daughter, <mask>, started the Don't Knock the Rock Film and Music Festival in 2003 in Los Angeles.In 2006, she appeared in the road-trip documentary Wanderlust. <mask> has also contributed to the web series Trailers from Hell. In 2013, <mask> bid on and won a rock and roll record collection formerly owned by the actress Greta Garbo. She created a website called "Greta's Records" to curate and share the collection of 50 records. In development / past projects
 Quanah Parker project at AMC Networks with writer Terry Graham

Long-term associations
<mask> counts filmmaker Wim Wenders as a mentor. She started as a fan, sending him letters and music, and Wenders eventually responded. <mask> said that she created a faux grant that she "won" so that she and at least one other friend could study under Wenders on location for his film Paris, Texas.They have been friends for over 30 years. Teaching
In 2003, <mask> became a Distinguished Professor at the University of California Santa Barbara, where she teaches in the Film And Media Studies Department one quarter each year. She has taught courses on topics including autobiographic writing, rock and roll films, and music supervision. Awards
 1986: Nicholl Fellowships in Screenwriting – Lost Highway
 1986: Samuel Goldwyn Writing Awards – Lost Highway
 1988: Independent Spirit Awards for Best First Feature – Border Radio
 1992: New York Film Critics Circle for Best New Director – Gas Food Lodging
 1992: National Society of Film Critics for Best New Director – Gas Food Lodging
 1992: Independent Spirit Awards for Best Screenplay nomination – Gas Food Lodging
 1992: Independent Spirit Awards for Best Director nomination – Gas Food Lodging
 1995: MacArthur Fellows Program
 2001: Independent Spirit Award for Best Film nomination – Things Behind the Sun
 2002: Spirit of Silver Lake Award from the Silver Lake Film Festival
 2002: Peabody Award for distinguished achievement and meritorious service – Things Behind the Sun
 2013: Primetime Emmy Award for Outstanding Directing of a Drama nomination – Ring of Fire

Personal life
<mask> has three children. Her two daughters are <mask>, a musician and music supervisor, and <mask>. Her son, Ruben Goodbear <mask>, was fostered (and eventually adopted) by the <mask> Rogers, who appeared in Mi Vida Loca. Tiffany was named after the film Breakfast at Tiffany's.Filmography

Film

Television
 1999: Sex and the City – Director, 4 episodes: "The Caste System," "La Donleur Exquise," "Drama Queen," "The Big Time"
 2000: Grosse Pointe – Director, 2 episodes: "Boys on the Side," "Star Wars"
 2004: Cold Case – Director, 1 episode: "Volunteers"
 2006: The L Word – Director, 1 episode: "Last Dance"
 2006: Men in Trees – Director, 1 episode: "Power Shift"
 2006: What About Brian – Director, 2 episodes: "What About First Steps," "What About the True Confessions?" 2011: SouthLAnd – Director, 2 episodes: "Sideways," "Fallout"
 2013: The Mentalist – Director, 1 episode: "The Red Barn"
 2014: Orange Is the New Black – Director, 1 episode: "You Also Have a Pizza"
 2014: Gang Related – Director, 1 episode: "Invierno Cayó"
 2014: The Divide – Director, 1 episode: "Facts Are the Enemy"
 2014-2015: Murder in the First – Director, 4 episodes: "Pants on Fire," "Blue on Blue," "The McCormack Mulligan," "Nothing But the Truth"
 2015: TURN: Washington's Spies – Director, 1 episode: "False Flag"
 2015: Proof – Director, 1 episode: "Memento Vivere"
 2017: Time After Time –  Director, 1 episode: "Suitcases of Memories"
 2017: Riverdale – Director, 2 episodes: "Chapter Seven: In a Lonely Place", "Chapter Fifteen: Nighthawks"
 2017: Graves – Director, 1 episode "The Opposite of People"
 2018: Sorry for Your Loss – Director, 1 episode: "Visitor"
 2019: Mayans MC – Director, 1 episode: “Kukuklan”

Works and publications
 Anders, Allison. "On Claudia Weill's film 'Girlfriends.'" Sight & Sound. Vol. 25 (10). London: British Film Institute, October 2015.References

Further reading

Printed material
 <mask>, <mask>, Alexandre Rockwell, Robert Rodriguez, Quentin Tarantino. "Strange Brew." Four Rooms: Four Friends Telling Four Stories Making One Film. London: Faber and Faber, 1996. Roman, Shari. "<mask>." Digital Babylon: Hollywood, Indiewood & Dogme 95.Hollywood: Lone Eagle, 2001. pp. 142–144. White-Stanley, Debra. 2003. ""God Give Me Strength": The Melodramatic Sound Tracks of Director <mask>". Velvet Light Trap. 51, no.1: pp. 54–66. Murphy, J. J. "Shifting Goals and Plotlines in Gas Food Lodging." Me and You and Memento and Fargo How Independent Screenplays Work. New York: Continuum, 2007. Campbell, Neil."The Idioms of Living: Donna Deitch and <mask>." Post-Westerns Cinema, Region, West. Lincoln: University of Nebraska Press, 2013. pp. 272–304. Silverstein, Melissa. "On 'Gas Food Lodging.'" Sight & Sound.Vol. 25 (10). London: British Film Institute, October 2015. Audio visual material
 Mori, Mark, and Alec Baldwin. "<mask>; David O Russell." Raw Footage. Pt.6. Santa Monica, CA: Direct Cinema Ltd, 2008. Video. Original air date: 1996. Calabrese, Peter, Tamara Gould, Jack Walsh, Xandra Castleton, Alexis Lezin, Danny L. McGuire, Gregory Nava, <mask>, and Michael Fox. Independent View. San Francisco, CA: KQED, 2001.Video. DiPersio, Vince, Adam Bardach, Alan Smithee, Tony Kahn, William Hooke, Michael H. Amundson, Steve Audette, and Michael Bloecher. "The Monster That Ate Hollywood." Frontline. PBS. Season 19, Episode 18. 2015.Video. Original air date: November 22, 2001. Maslin, Janet, John Waters, <mask>, Hal Hartley, David O. Russell. Four Independents That Turned the Tide. 2006. Video. Videotaped at the BAMcafe, Brooklyn, NY, as part of the Sundance Institute at BAM season, May 21, 2006.External links

  – Blitter Baroque: workbook y public diary de <mask>
  – Gretas Records by <mask>

1954 births
American women film directors
American women screenwriters
Screenwriters from California
American television directors
American women television directors
Living people
MacArthur Fellows
People from Boyd County, Kentucky
People from Cocoa Beach, Florida
People from Echo Park, Los Angeles
UCLA Film School alumni
University of California, Santa Barbara faculty
Film directors from Los Angeles
Film directors from Florida
Film directors from Kentucky
21st-century American women

masks:
Allison Anders
Anders
Anders
Anders
Anders
Anders
Luanna Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Devon Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Anders
Tiffany Anders
Anders
Anders
Anders
Anders
Anders
Anders
Tiffany Anders
Devon Anders
Anders
Andersca
Anders
Allison
Allison Anders
Allison Anders
Allison Anders
Allison Anders
Allison Anders
Allison Anders
Allison Anders
Allison Anders


texts:
<mask> (born 1 December 1946) is a French musicologist, emeritus professor at the University Paris Sorbonne 4. Biography
In addition to her musical studies (including piano and conducting at the  and the Schola Cantorum de Paris, <mask> graduated from the university with a degree in literature and Italian, and in 1973 she received a doctorate with a thesis on the piano in French literature. Since 1971, she has been teaching at the University of Paris-Sorbonne where she was appointed professor of history of music in 1981. A producer at TF1 and Radio France (France Culture and France Musiques, 1972–1981), she also established the series "Musique-Musicologie" at the Honoré Champion publishing house in 1975, the Revue internationale de musique française (-Champion, 1980–1997), the "Séminaire Interarts de Paris" (1998) and the  of the University Paris-Sorbonne (1989–2014), as well as the eponymous publishing house (1991–2015). She has been an adviser for artistic training and cultural projects to the Scientific and Technical Mission of the Ministry of Research and has represented Higher Education at the Interdepartmental Mission for the Development of Arts Education (1994–1998). In 2004, she was elected a correspondent at the Académie des beaux-arts. Publications

As author
1973: Le piano dans la littérature française des origines jusqu'en 1900, Lille, Atelier de reproduction des thèses, 1975 (diffusion Honoré Champion) .Thèse d'État under the direction of Jacques Chailley (Paris 4). Histoire, lecture, réduction, commentaire, Honoré Champion, 1/1977, 2/1982 (with S. Gut)
 La musique de chambre en France de 1870 à 1918, Honoré Champion (1/1978, 2/1986) (with S. Gut)
 Le chant grégorien. Historique et pratique, Honoré Champion (1/1981, 5/1993) (with A. Madrignac)
1982: Musique et musicologie dans les universités françaises, Honoré Champion (with M. Delahaye)
2001: Johann Svendsen. Karneval in Paris, F. Noetzel (with H. Herrestahl)
2003: Mémoires de Maîtrise des universités françaises, OMF, (with N. Cousin)
2003: Berlioz, hier et aujourd’hui, L’Harmattan, (with C. Rudent)

As editor or co-editor
1976: Ravel au XXe siècle, CNRS
1983: L'éducation musicale en France, PUPS
1984: Sur les traces de Frédéric Chopin, Honoré Champion
1987: Le théâtre lyrique français contemporain, Honoré Champion
1990: L'interprétation de Chopin en France, Honoré Champion
1991: La musique à l'université. Bilans et perspectives, OMF
1994: Analyse musicale et perception, OMF (with J.-P. Mialaret)
1996: Musique et style. Méthodes et concepts, OMF
1996: Grieg et Paris: romantisme, symbolisme et modernisme musical franco-norvégien, Presse de l'Université de Caen (with H. Herresthal)
1999: Musiques d’Orphée, PUF (with P. Brunel)
1999: Pianistes virtuoses à Paris autour de Frédéric Chopin, Warsow (with I. Poniatowska)
2000: Musiques et musiciens à Paris dans les années trente, Honoré Champion
2000: Musique et linguistique de spécialité, OMF
2001: Littérature et musique dans la France du XXe siècle, Presses Universitaires de Strasbourg (with J.-L. Backès et Cl. Coste)
2002: La musique et l’imaginaire, OMF
2003: Les pratiques de concert, OMF (with J.-P. Mialaret)
2004: Analyse et contextualisation, OMF (with M. Battier)
2005: Polytonalité/Polymodalité, Histoire et actualité, OMF (with M. Fischer)
2006: L'universel et l'utopique.2014: Piano français des années 1870, OMF
2015: La musique à Paris en 1880, OMF
2015: Regards sur la presse musicale française, XIXe-XXIe s, OMF
2016: Le wagnérisme dans tous ses états, 1913-2013, Presses Sorbonne Nouvelle, (with C. Leblanc)

External links
 <mask> <mask> on IREMUS
 <mask> <mask> on Thèses
 OPÉRA ET SOCIÉTÉ: BILANS ET PERSPECTIVES by <mask> <mask>
 Université de Paris-Sorbonne CV des enseignants
 Académie des beaux-arts
 <mask> <mask> on Canal Académie
 Danièle <mask> (Paris-Sorbonne/OMF) - Introduction on YouTube

1946 births
20th-century French musicologists
21st-century French musicologists
French radio producers
Living people
Paris-Sorbonne University faculty

masks:
Danièle Pistone
Pistone
Danièle
Pistone
Danièle
Pistone
Danièle
Pistone
Danièle
Pistone
Pistone


texts:
<mask> (;  — 22 October 1997) was a Soviet animator and animation director. He was named Honoured Artist of the RSFSR in 1965. Early years
<mask> was born to Anna Mikhailovna and <mask>, an employee and later an inspector at the Russia insurance company, a distinguished citizen of Moscow. His paternal great-grandfather Jean Amalric emigrated to Russia from Avignon, France during the 19th century and founded a lace manufactory, but later burned it down during his alcoholic intoxication; both Amalric and his wife were killed in fire, only their 4-year-old son also named Jean survived. He was raised by the French colony in Moscow as Ivan Ivanovich Amalrik and later joined the Albert Hübner's Calico Manufactory. He was married to the daughter of the Moscow 1st class merchant Sergei Belkin from Old Believers. Among their children was <mask>, grandfather of the Soviet writer and dissident <mask>, and <mask>, father of <mask>.<mask> grew up in a wealthy family at the Arbat District in the center of Moscow. At the age of seven he had to spend several months in bed following the appendectomy. During that time he started drawing and became addicted to it. He would later direct a part-autobiographical film A Girl and an Elephant (1969) based on Aleksandr Kuprin's story as well as his childhood memories. In 1925 he entered the State College of Cinema to study for a set decorator. From 1926 to 1928 he worked at Mezhrabpom-Rus as a scene painter assistant under Abram Room, Sergei Eisenstein and Vsevolod Pudovkin. Career

In 1928 he graduated from college and joined the Gosvoenkino studio as animator along with Yuri Merkulov and Lev Atamanov.Their biggest project was The First Cavalry (1929), a live-action animated film dedicated to the 1st Cavalry Army where <mask> animated a large military map and invented a number of original techniques in the process such as a combination of stop motion and cutout animation. The  movie remained one of the Soviet box office leaders for several years. In 1930 he returned to Mezhrabpomfilm where he co-directed his first traditionally animated short Black and White (1932) with Ivan Ivanov-Vano. It was based on the satirical poem by Vladimir Mayakovsky and addresses issues of American racism in Cuba. After that he was visited by the secret police who questioned him and searched his flat. The director himself explained it as a result of his radical formalistic "anti-Disney" vision and some featured themes that seemed suspicious to them. In 1935 he moved to Mosfilm, and in a year the animation department was transformed into Soyuzmultfilm.For the first few years <mask> along with other animators focused on Disney-styled films, despite he didn't tolerate them. Since 1938 he had been actively working in the genre of political satire that allowed for more artistic freedom. In 1939 he joined forces with Vladimir Polkovnikov, and together they directed a trilogy Limpopo (1939), Barmaley (1941) and Peacock's Tail (1946) based on the Doctor Aybolit fairy tales, all shot in full color using the three-color filming process by Pavel Mershin (the color copies of the first two shorts are considered to be lost). It was one of the first Soviet mini-series and among the first distinctive pictures of Soyuzmultfilm that defined the "Soviet style" of animation. During their work on Barmaley Polkovnikov was enrolled to the army and <mask> finished it on his own, yet after the war they continued working as a team until 1953. Their most famous work The Grey Neck (1948) based on the tale by Dmitry Mamin-Sibiryak received several awards at international film festivals, including the IV Film Festival in Mariánské Lázně. With the start of the Great Patriotic War he stayed in Moscow.On July, 1941 his house was destroyed by a bomb during the Nazi bombing of the city. His family survived by a chance, but remained homeless until Korney Chukovsky learned about it and helped them get a new flat. During the first month of war <mask> gathered a group of those few animators left in the city, including Olga and Nikolai Khodataev, and they produced several anti-Hitler sketches that were released under the Kino-Circus name in 1942. Soon after he was sent to the frontline and ended up in a hospital. He also worked at the Voenttechfilm studio. Since 1954 he had been directing films on his own. Many of them were adaptations of fairy tales written by his long-time friend Vladimir Suteev, as well as satirical tales by Sergey Mikhalkov aimed at children and adults.In 1958 he directed The Cat's House, "an animated opera parody" based on the fairy tale in verse by Samuil Marshak with the score written by Nikita Bogoslovsky. It was awarded the first prize at the X International Film Festival for Children and Youth in Venice. Among his most popular and quatable works was Thumbelina (1964), an adaptation of Hans Christian Andersen's fairy tale. His last film was Terem-Teremok (1971). After that he left the industry. <mask> <mask> died in 1997. He was buried at the Pyatnitskoye cemetery.His wife Nadezhda Mikhailovna Privalova, an artist, worked with him on many of his films. Films

 1932 — Black and White (with Ivan Ivanov-Vano)
 1936 — Kolobok (with Vladimir Suteev)
 1938 — Politsatire Journal № 1 (one of the sketches, lost)
 1939 — Limpopo (with Vladimir Polkovnikov)
 1939 — Victorious Route (with Dmitry Babchenko and Vladimir Polkovnikov)
 1941 — Barmaley (with Vladimir Polkovnikov)
 1942 — Kino-Circus (with Olga Khodataeva)
 1946 — Peacock's Tail (with Vladimir Polkovnikov)
 1948 — Grey Neck (with Vladimir Polkovnikov)
 1950 — Sturdy Fellow (with Vladimir Polkovnikov)
 1951 — High Hill (with Vladimir Polkovnikov)
 1953 — Magic Shop (with Vladimir Polkovnikov)
 1954 — An Arrow Flies into a Fairy Tale
 1955 — Postman Snowman
 1956 — Little Ship
 1958 — The Cat's House
 1959 — Three Lumberjacks
 1960 — Different Wheels
 1960 — Non-Drinking Sparrow. A Tale for Adults
 1961 — Family Chronicles
 1962 — Two Fairy Tales
 1963 — Grandmother's Goatling. A Tale for Adults
 1964 — Thumbelina
 1966 — About a Hippo Who Was Afraid of Vaccinations
 1967 — Fairy Tales for Big and Small
 1968 — I Want to Horn! 1969 — A Girl and an Elephant
 1971 — Terem-Teremok

See also
 History of Russian animation

References

External links

 <mask> <mask> at the Animator.ru (English and Russian)

1905 births
1997 deaths
Russian animated film directors
Artists from Moscow
Russian animators
Russian people of French descent
Russian screenwriters
Soviet animators
Soviet animation directors
Soviet military personnel of World War II
Soviet screenwriters
20th-century screenwriters

masks:
Leonid Alekseyevich Amalrik
Leonid
Aleksey Ivanovich Amalrik
Sergei Amalrik
Andrei Amalrik
Aleksey Amalrik
Leonid
Amalrik
Amalrik
Amalrik
Amalrik
Amalrik
Leonid
Amalrik
Leonid
Amalrik


texts:
<mask> (born 1940) is a San Francisco–based photographer best known for the color street photography that he has pursued for four decades. <mask> is the author of several photography books, and has taught courses on photography at City College of San Francisco and College of Marin. Life and career
<mask> was born on August 6, 1940 in Washington, D.C. and grew up in Granite City, Illinois. He worked at Granite City Steel, studied at Southern Illinois University, took up photography after seeing the film Blow-up, and studied at the San Francisco Art Institute under Jack Fulton and Henry Wessel, obtaining an MFA in 1976. <mask> has worked on commercial and editorial assignments (for Fortune and elsewhere), and has taught in the College of Marin and the Photography Department of the City College of San Francisco. Separately from the work he was assigned to do, <mask> long photographed for his own interest. From 1975 to 1976, he made black and white portraits of adult brothers and sisters in the US.Thanks in part to an NEA grant, the series was published in 1982 in the photobooks Geschwister and Siblings; in 2016, he published a supplement, also titled Siblings. <mask> started to work in color in 1977. Writing in 2011, Stacen Berg described him as having photographed on the street "[n]early every day for over 30 years" (and still using color 35 mm film in a Leica camera). In 1989, Susan Kismaric could write that street photography, "so prominent in the history of [photography], is practically nonexistent in California": as its exponents there, she could only name <mask>, Wessel and Bill Dane in San Francisco, and Anthony Hernandez on Rodeo Drive. <mask>'s street photography of the 1980s was sampled in the 1987 book American Independents. Its editor, Sally Eauclaire, wrote that <mask>'s photographs had the objective of "[deriving] poetic fancy from prosaic fact", that "Their kaleidoscopically shifting shapes and colors reveal much about the jostle of humanity as well as trends in fashion and social and sexual mores." Eauclaire praised <mask>'s achievement of "[pushing] realism into the realm of surrealism", attained via devices of isolation within crowds, of reflections, "helterskelter highlighting, and hedonistic jostlings of color".Yet <mask> managed to declare "solidity, permanence, and the possibility of definition". A larger collection did not appear in print until the 2011 publication (in Japan) of <mask>'s photobook Analog Days, which had photographs taken from 1979 to 2009, and about which Stan Banos writes:

One sees much street photography that relies on a single formula, <mask>'s work mixes it up, with content, composition and yes, color, all vying and battling it out for domination, or the creation of some tenuous, dynamic coexistence. It draws you in, excites you and keeps you interested. In a foreword to Analog Days, Sandra S. Phillips writes that its photographs "are so direct, and so marvelously natural, that for a moment we forget that they were framed and 'taken' by someone." She concludes that "Street photography has the potential to reveal our social selves to us, and as <mask>'s viewfinder shows, it can also provide a particular gracefulness and wonder." <mask>'s next full-scale book was Streets of Discontent, published in a small edition in 2018. Again collecting color views of the streets of San Francisco, but this time consisting of very recent work, its subtlety is praised by Corey Keller, who also points out that:

[This work] coincides with a moment in which [San Francisco] seems to teeter on the brink as the gap between the haves and the have-nots widens daily into a chasm.The splendor of the city's soaring new buildings is matched only by the wretchedness of those who live on its streets. <mask>'s pictures neither elevate nor condemn. They just ask us to notice. Awards

National Endowment for the Arts individual photographer's fellowship, 1977. John Simon Guggenheim Memorial Foundation photographer's fellowship, 1983. Exhibitions

Solo and two-person exhibitions
The Siblings. (With Laura Gilpin.)Focus Gallery, San Francisco, 1976. Fifty-two Sittings. Canessa Gallery, San Francisco, 1977. Greece/Photographs. IVC Gallery, Novato, California, 1982. Pictures Seen/Fortunes Found: Color Photographs from San Francisco's Chinatown. Canessa Gallery, San Francisco, 1977.Two Views of Mallorca. (With Elena Sheehan.) Focus Gallery, San Francisco, 1985. Group exhibitions
Color in the Street. California Museum of Photography (UCR), March–April 1983. With Mark Cohen, Helen Levitt, Joel Meyerowitz, Leo Rubinfien, Stephen Scheer, Joel Sternfeld, Charles Traub, Robert Walker, Alex Webb. Exposed and Developed.National Museum of American Art, Smithsonian Institution (traveling exhibition), 1984. Color Photographs: Recent Acquisitions. Museum of Modern Art, August–October 1984. Cross Currents/Cross Country. Photographic Resource Center, Boston University, August–October 1988. Real Fictions: Recent Color Photographs by Bill Dane, <mask> and Larry Sultan. San Francisco Museum of Modern Art, 1989.With Bill Dane and Larry Sultan, curated by Sandra S. Phillips. 10 x 10 x 10: An Invitational Exhibition. San Francisco City Hall, July–September 2009. Ten photographers <mask>, and Chris McCaw, Jesse Schlesinger, Daniel Grant, Alexander Martinez, Mark McKnight, Ken Botto, Mary Parisi, Lucy Goodhart, Eric Percher – each exhibited ten works. "Stacen Berg chose <mask> for his careful compositions of people who are 'entirely distanced from their public environment'." The Anniversary Show. San Francisco Museum of Modern Art, 2009–2011.Hamburger Eyes presents: Casual Abyss. Mission Cultural Center for Latino Arts, San Francisco, May–July 2010. San Francisco Days: Documentary Photographs Spanning 30 Years. Rayko Photo Center, January–February 2013. With Janet Delaney, Lou Dematteis, Gabriela Hasbun, André Hermann, Michael Jang, Mimi Plumb, and Andrei Riskin. 3@6×6 face/people/action. Photo, Oakland, CA, March 2015.With Michael Jang and Hiroyo Kaneko. Publications

Books and booklets by <mask>

Geschwister. Frankfurt am Main: Dieter Fricke, 1982. . With text by Gabriele Wohmann. Siblings. Frankfurt am Main: Dieter Fricke, 1982. . Captions (one sentence or a little more per photograph, uttered by a sibling at the time) in both German and English; other text in English only. Analog Days = . Tokyo: , 2011. . Edited by Henry Wessel; foreword by Sandra S. Phillips; introduction by Stacen Berg.In both English and Japanese. Edition of 500. Trees Places and People. [San Francisco]: [<mask>], 2015. Photographs taken in San Francisco, 2013–2015. Edition of 50. The Attraction of Strangers.[San Francisco]: [<mask>], Hannah Louise Schuster, Mūnbeibī Design Studio [2016]. . With text by Katya Kallsen. Edition of 10. On the first page: "On New Year's Day 1992, I divided a map of San Francisco into thirty three squares and put the pieces into a small green bag. I resolved once a week to draw a square from the bag and drive to that part of the city to look for a stranger who I might want to photograph. I asked Katya to join me to write about these encounters. These words and photographs tell and show where we went and who we found"
San Francisco Four × Five. [San Francisco]: [<mask>], Hannah Louise Schuster, Mūnbeibī Design Studio [2016]. .Edition of 10. On the first page: "The 4x5 photographs of San Francisco in this book were taken between 2002 and 2004." Siblings. [San Francisco]: [<mask>], 2016. . On the very first (but unnumbered) page: "These thirty-three photographs were taken in the late 1970s on an NEA Grant for a Siblings project, which resulted in a book published in Germany in 1982. In retrospect these photographs seem just as interesting as those in the first book, and this was done to catalogue the remainder of the work." Seeing Things. [San Francisco]: [<mask>], 2016. . On the first page: "The photographs in this book were made between 1977 and 1982.Most of them were taken in 1981 along the coast of California." Streets of Discontent. [San Francisco]: [<mask>], 2018. . Edited by Henry Wessel; introduction by Corey Keller; afterword by Jack von Euw. Edition of 50. On the title page: "The photographs in this book were made primarily in San Francisco and some in Los Angeles in 2017 and 2018." Books with contributions by <mask> Eauclaire, ed. American Independents: Eighteen Color Photographers.New York: Abbeville, 1987. . Includes "Perfect Strangers" by <mask> (eight plates, each "Untitled 1983–84"); and also work by Larry Babis, Jim Dow, William Eggleston, Mitch Epstein, David T. Hanson, Len Jenshel, Nancy Lloyd, Kenneth McGowan, Roger Mertin, Joel Meyerowitz, Richard Misrach, Joanne Mulberg, Stephen Scheer, Stephen Shore, Joel Sternfeld, Jack D. Teemer, Jr., and Daniel S. Williams. Chuck Mobley, ed. An Autobiography of the San Francisco Bay Area, Part 1: San Francisco Plays Itself. San Francisco: SF Camerawork, 2010. . Permanent collections
California Museum of Photography, University of California, Riverside. San Francisco Museum of Modern Art. Eighty inkjet prints from Analog Days; prints from the series Siblings and Aspects of an Aviary, and others.Arizona State University Art Museum, Tempe. New Orleans Museum of Art. Princeton University Art Museum, Princeton, New Jersey. Four untitled color prints, 1980–1983. International Center of Photography, New York. Museum of Fine Arts, Houston. Six chromogenic prints.Museum of Modern Art, New York. Six photographs. Metropolitan Museum of Art, New York. Nine photographs. First National Bank of Chicago Photography Collection. Smithsonian American Art Museum. Prints from the series Siblings.(The Smithsonian holds the records of the Focus Gallery.) Bibliothèque nationale de France, Paris. Archive
The Bancroft Library (University of California, Berkeley) acquired a large photographic archive () from Harding in 2010; it has been supplemented several times since then. Notes

References

External links

ジョンハーディング氏、印刷立合いに来られました！ (SunM Color, October 22, 2011): The company that printed Analog Days reports on <mask> and Michitaka Ōta's visit to supervise printing. Photographers from San Francisco
Photographers from Illinois
Photographers from Washington, D.C.
Street photographers
American portrait photographers
People from Granite City, Illinois
San Francisco Art Institute alumni
Southern Illinois University Carbondale alumni
City College of San Francisco faculty
College of Marin faculty
National Endowment for the Arts Fellows
Living people
1940 births

masks:
John Forrest Harding
Harding
John Harding
Harding
Harding
Harding
Harding
Harding
Harding
Harding
Harding
Harding
Harding
Harding
Harding
Harding
John Harding
– Harding
John Harding
Harding
John Harding
John Harding
John Harding
John Harding
John Harding
John Harding
Harding Sally
Harding
Harding


texts:
<mask> (; born 16 April 1984) is an Algerian former professional footballer who played as an attacking midfielder or winger. He was known for his excellent technique. As a young footballer in France, his ability and Algerian heritage earned him the nickname "petit Zidane". Aged thirteen, Meghni joined the famous academy Le Centre Technique National Fernand Sastre, commonly referred to as Clairefontaine. He decided to leave the academy at the age of 16 and signed for Cannes, where he only remained for one season and opted to move on to Bologna, for whom he made his professional debut on 20 July 2002, against FC BATE in the Intertoto Cup, coming on as a substitute. With Bologna, he came runner-up in the 2002 Intertoto Cup losing out to Fulham on aggregate 5–3. In the summer of 2007, Meghni signed with Lazio on a co-ownership deal for €1.75 million, with the club further paying Bologna an additional €1.75 million for full ownership, in the summer of 2008.He won the 2008–09 Coppa Italia, as well as the 2009 Supercoppa Italiana whilst playing for Lazio. <mask> is a former French youth international and was a part of the team that won the 2001 FIFA U-17 World Championship, held in Trinidad and Tobago. He opted to play for Algeria at senior level in August 2009, taking advantage of FIFA's new ruling, allowing him to change his national allegiance despite being older than 21 years of age. He made his debut for Algeria in a 1–0 win on 12 August 2009, against Uruguay. He went on to play for Algeria at the 2010 Africa Cup of Nations in Angola. Early life
<mask> was born on 16 April 1984 in Paris to Ali and Anna, an Algerian father and a Portuguese mother. His father during an interview spoke about how Mourad had been attracted by football at a very early age and that he used to take him to football stadiums very often notably to encourage his older brother Saïd who preceded him on the football pitches.His father also spoke on how Mourad joined several football training schools at an early age including that of Tursi and FC Nantes in France where he made impressive and swift progress as a budding player. His mother stated during the interview that she had always made it her duty together with her husband to visit Algeria every year to get together with all the family members and friends in the family home of Ouled Hadadj. At the age of 13 Meghni joined the national football school at Clairefontaine there he vastly improved his technique, prior to joining the academy Meghni always played on small pitches hence he learnt quickly the necessary skills and technique that would be needed when beating a man, whilst at Clairefontaine he had a Brazilian coach who helped him improve his technique which he is now known for. Meghni remained at the national football school at Clairefontaine for three years before moving to Cannes at the age of 16. When he was 16, Meghni decided to leave the Clairefontaine academy and sign for Cannes, but due to financial problems Cannes were immediately relegated to amateur football. Meghni had an unsuccessful time at Cannes as he was usually on the substitute bench for the reserve team, but in the summer of 2000 he was snapped up by Bologna at the age of 16 on a free transfer. Meghni views his time at Cannes as a learning experience as he was very young when he signed for the club.Club career

Bologna
As a youth player, Meghni moved from the renowned Clairefontaine academy to Bologna, where he played from the 2000–01 season to the 2004–05 season. He made his Serie A debut on 12 January 2003 in a 2–0 loss at home to Milan. Meghni then spent the 2005–06 season on loan to French Ligue 1 side Sochaux, before returning to Bologna. While at Bologna, Meghni was never able to turn his talent into success and consistency, and as such was never a favourite among the fans. He made a statement following Bologna's relegation to Serie B, in which he declared he would never play in what he considered to be a sub-standard competition. He did spend a year in Serie B, his last at the club, where he was a regular for the entire season, yet only found the net twice. Lazio
In the 2007–08 season, Meghni joined Lazio on a co-ownership deal for €1.75 million fee.His early performances for the Biancocelesti were not impressive, and he failed to nail down a regular place in the line-up, only starting seven matches for the season. He did make his debut in the UEFA Champions League, setting up a crucial goal for Tommaso Rocchi, which gave the club their only win in the competition, at home to Werder Bremen. In June 2008 the co-ownership was renewed, but in July, Meghni was fully bought by Lazio from Bologna for another €1.75 million. (as part of the deal of Gaby Mudingayi) After the arrival of Matuzalém, and due to many injury's, Meghni became a backup player, and in December 2009 injured. His contract with Lazio was mutually terminated on 10 June 2011. Umm Salal
After a four-year stint playing for the Rome-based club, Meghni joined the Qatar Stars League outfit Umm-Salal on 11 June 2011. Al Khor
On 29 March 2012, it was announced Meghni would join Al Khor on a temporary loan.Lekhwiya
On 6 July 2012, <mask> moved from Umm Salal to league rival Lekhwiya SC on a free transfer. International career
On 12 August 2009, <mask> was selected for the first time to join the ranks of the Algeria national team, in a game facing Uruguay (Algeria won on a score of 1–0). Meghni was not be in Algeria's final World Cup squad after being informed that his knee injury had not sufficiently healed and would require surgery despite the great lengths that both the player and the Fennecs medical team had gone to give him a chance of recovering in time. Personal life
<mask>'s father, Ammi Ali, is Algerian while his mother, Anna, is a Portuguese national. He is married. His older brother, Saïd <mask>, was also a footballer and played briefly in Portugal for Tirsense and Moreirense, in the 1999–2000 season, and then in Italy for Bologna's primavera team. Career statistics

Honours

Club
Bologna
 UEFA Intertoto Cup: runner-up 2002

Lazio
Coppa Italia: 2008–09
Supercoppa Italiana: 2009

International
France U-17
FIFA U-17 World Cup: 2001

References

External links

 UEFA profile

1984 births
Living people
Footballers from Paris
Association football midfielders
Algerian footballers
French footballers
Algeria international footballers
France youth international footballers
France under-21 international footballers
2010 Africa Cup of Nations players
INF Clairefontaine players
Bologna F.C.1909 players
FC Sochaux-Montbéliard players
S.S. Lazio players
Umm Salal SC players
Al-Khor SC players
Lekhwiya SC players
CS Constantine players
Ligue 1 players
Serie A players
Serie B players
Qatar Stars League players
French people of Algerian descent
French people of Portuguese descent
Algerian people of Portuguese descent
Algerian expatriate footballers
Algerian expatriate sportspeople in Italy
Expatriate footballers in Italy
Algerian expatriate sportspeople in Qatar
Expatriate footballers in Qatar

masks:
Mourad Meghni
Meghni
Meghni
Meghni
Meghni
Meghni
Meghni


texts:
<mask> (born <mask>) is a German former journalist and author. Her journalistic work consists primarily of features and reviews, covering the arts and fringe political issues. She is also the author of short stories, essays, poetry and autobiographical works. Life
<mask>, the second of her parents' three recorded children, was born in Breslau (as Wrocław was known before) 1945). Ernst Heinrich von Loesch (1885-1943), her father was a land owner; and she grew up in Schloss Lorzendorf, the crenelated manor house at the heart of the family estates surrounding Lorzendorf, in the flatlands of Lower Silesia. Her mother, born Martha von Boyneburgk (1894-1943), was a member of the aristocratic Zedlitz und Trützschler. Field Marshall Erich von Manstein was married to her father's first cousin, born Jutta-Sibylle von Loesch.Prussian military values ran in the blood, and while her parents had no time either for the post-1918 republican government or for the National Socialists who took power in 1933, she did grow up steeped in the "nationalist patriotism" associated with late nineteenth century imperialism. She passed her "Reifeprüfung" (school final exams) when she was 18, in 1944, by which time there was a growing conviction that Germany would soon end up on the losing side in another World War. She married her cousin, Hans-Conrad Stahlberg (1914-1987), on 18 January 1945. After the civil ceremony at the town hall, one of the guests, <mask>'s uncle, the recently dismissed former Field Marshall Erich von Manstein, drove in his car to the nearby town to buy some fabric, returning with the grim report received from an army officer he had come across that the rest of German army had evacuated the area and a Soviet "tank spearhead" approximately ten kilometers to the east was likely to "thrust towards the Oder" before the day ended. The celebrants went ahead with the church ceremony, but there was no time for lengthy speeches at the banquet that had been laid out for the evening. After a quick toast as the rattling of moving tanks could be heard echoing in the distance to the east, the message came through on the telephone that there was still time to catch the last train to Breslau. Everything, including the wedding spread was left to be enjoyed by the Soviet soldiers and the wedding party squeezed into and onto the available cars, trucks and sleds, before heading for the local train station.Somehow space was found between the wounded war casualties who filled the carriages. The order for civilians to evacuate Breslau came through four days later, on 22 January 1945, and the westward flight continued. As they started the journey, Stahlberg was an army officer, but they soon became just two among hundreds of anonymous homeless refugees trying to get away from the fighting. They stopped off briefly at Lüneburg Heath and briefly took refuge with "Uncle" Erich von Manstein. They now detoured north, ending up in Hamburg and Schleswig-Holstein where the couple made their home for the next twelve years. It was a time for new beginnings. By 1952 <mask> had given birth to the couple's three sons, whom she looked after while her husband built a successful business career.News came through that her father had died of Diphtheria back in 1945 in a refugee camp at Hoyerswerda, in what had become the Soviet occupation zone. After her mother had died <mask> had also taken on guardianship responsibilities for her much younger sister Christine . The marriage lasted for twelve years, although from what <mask> later wrote of it, it was a somewhat joyless union. In 1957 she married as her second husband the western author-journalist <mask> (1910-2003), who helped her break in to the world of culture. Leaving her first husband meant leaving her sons:  she later told an interviewer that she had written to them "almost every day". She now began to contribute pieces of journalism to newspaper publishers and radio broadcasters. In 1968 <mask> joined the staff of the Frankfurter Allgemeine Zeitung as a contributing editor, working on the "Feuilleton" (arts and review) section.She was operating in a milieu in which women were still rare. There were 152 contributing editors of whom 142 were men. (By 2019 "only" 302 of the paper's 402 contributing editors were men.) The office was nevertheless already familiar to her, since she had been visiting - at times two or three times in a week - to deliver and discuss contributions while working "as a freelancer" since the later 1950s. The staff were housed in a cramped building incongruously located in a commercial district of Frankfurt where used-car show rooms and tyre-fitting stations seem to have predominated. The first day she arrived for work there was, initially, nowhere to sit; since the sick colleague, whose desk had temporarily been assigned in the "Feuilleton" department for the new staffer, had unexpectedly returned to work. Nor was the initial salary of 1,000 marks per months generous:  she had often earned three times as much as a free-lance journalist.She seems at the time more or less to have accepted that the salary disparity arose because she had no university degree, rather than having to do with her gender. Nevertheless, there was much about the security of the permanent post that suited her, and she remained on the FAZ staff till 1991. Awards (selection)
  1991 Hedwig Dohm award from the Association of women journalists. The prize was inaugurated in 1991, so <mask>_<mask> was the first of its - till 2020 - 29 recipients. (The prize was not awarded in 1992.) 1994 Andreas Gryphius Prize ("Ehrengabe" prize) for authors ... whose work reflects German culture and history in Central, Eastern and Southern Europe, and ... contributes to understanding between Germany and its Eastern neighbors. 1996 Supplementary special Silesia Arts prize from the State of Lower Saxonuy

Output (selection)

Notes

References

20th-century German women writers
German women journalists
German literary critics
Women literary critics
German art critics
People from Wrocław
People from Hamburg
20th-century German journalists

masks:
Maria Frisé
Maria von Loesch
Maria von Loesch
Maria
Maria Stahlberg
Maria
Maria
Adolf Frisé
Maria Frisé
Maria
Frisé


texts:
<mask>  (born 15 December 1954) is a former Australian politician who served as a National Party member of the Australian House of Representatives representing the Divisions of Gilmore, 1984 to 1993 and Hume, 1993 to 1998 in New South Wales. Political career
In 1985 he was appointed Chairman of the Coalition Task Force on Drugs. From 1987 he held the following Shadow Portfolios: Sport, Tourism and Youth Affairs, Transport, and Transport and Waterfront Reform. He was Deputy Leader of the House from 1991 to 1993. In 1996 he became Minister for Transport and Regional Development when the Coalition government under <mask> took office after the 1996 federal election. In the first ten days of office <mask> re-opened the East West Runway at Sydney's Kingsford Smith Airport (KSA), which had been closed by the previous Keating Government. He then reformed the flight paths for KSA under a noise-sharing policy that resolved the issue of aircraft noise complaints that had led to the creation of the No Aircraft Noise Party, who had run candidates in Sydney electorates in the 1996 Federal election.<mask> was responsible for the privatisation of Australia's capital city airports (with the exception of Sydney Airport, which was sold after the 2000 Olympic Games), raising more than $12 billion. He privatised the Commonwealth-owned Australian National Rail in 1997. In 1996 he started the privatisation of the National Rail Corporation (NRC), a Commonwealth, Victorian and NSW government owned rail operator. In 1997 he created the Australian Rail Track Corporation, to overcome the historic and different rail regulatory and access regimes imposed by state governments. <mask> reformed the Australian National Shipping Line (ANL) which was then privatised. In 1996 he initiated a complete rewrite of the Civil Aviation Safety Authority's regulations. During 1996 and 1997, in conjunction with Peter Reith, Minister for Industrial Relations, he was tasked to develop a plan to reform Australia's waterfront.This resulted in significant reforms that modernised stevedoring and improved the efficiency and reliability of Australia's waterfront. <mask> initiated a National Drivers License Scheme, linking all Australian drivers licenses in each state. In 1996 <mask> created the Roads of National Importance program (RONI) enabling the Commonwealth to fund the upgrade of roads that were not part of the National Highway System, such as the Kidman Way and the Pacific Highway. Controversy
<mask> resigned from the ministry on 24 September 1997 after becoming involved in the parliamentary travel allowances affair. The "Travel Rorts Affair" – which also claimed the ministerial careers of Peter McGauran and David Jull – unfolded when an audit of parliamentary expense claims revealed that a number of MPs had inadvertently submitted incorrect travel claims. He retired from Parliament on 31 August 1998, prior to the 1998 election. Later career
After retiring from politics, <mask> worked for the Linfox Group (1999 to 2001).He also founded a transport consultancy company, Thenford Consulting. In 2000 he helped establish European Aeronautic Defence and Space (EADS) in Australia. This company later became known as the Airbus Group. He became a director of Eurocopter International Pacific, a director of Australian Aerospace and then a director of Airbus Group Australia Pacific, from which he retired in 2015. In 2005 <mask> became deputy chairman of Regional Express Airlines. Later he became Chairman of Pel-Air. <mask> was Chairman of Parsons Brinkerhoff Advisory Board for a period of six years, retiring in 2010.He was also Chairman of the Aviation Safety Foundation of Australasia, later renamed Flight Safety International, for seven years from 2003 to 2010. He was the first Australian awarded a Presidential Citation for Aviation Safety. in 2005 he became a director of Skytraders, a specialist aviation company, retiring as a director in 2013. From 2004 to 2015 he was Chairman of Power and Data Corporation. In 2000 <mask> became the Honorary Federal Treasurer of the National Party of Australia and still continues in that role. In 2009 at the Federal Nationals Annual Conference he was presented with the Earle Page Award, the Party's highest honour. From 2002 to 2009 <mask> was a director and then Chairman of the Winifred West Schools Foundation.He was appointed as director of the Tudor House Foundation in 2009. <mask> was Co-Convenor of the Southern Highlands Cancer Council from 2005 to 2009. He established, with Michele Scamps, the Relay for Life in the Southern Highlands of NSW and was Co-Convenor for two of the relays. He is Patron of the JB Sharp Cup Regatta Series, which was founded by his great-grandfather in 1924. The Series conducts rowing regattas during the winter months in Sydney. It is open to all rowers and has been the breeding ground of many famous Australian oarsmen. <mask> was elected a director of the France-Australia Chamber of Commerce and Industry, from 2004 to 2009.In 2015 <mask> was appointed to the Climate Change Authority. In 2016 he was appointed to the Northern Australia Transport Study. <mask> is a fixed-wing and rotary-wing pilot. In 2014 it was revealed in the ABC programme A Country Road: The Nationals that sometime before the 1998 Federal election, <mask> had met with then National Party leader Tim Fischer and his deputy <mask> for a luncheon and they were surprised to learn from each other that they all intended to retire at the forthcoming election. They did not think it was a good idea for all of them to retire at the same time as it did not give a positive image to the party, which is battling against perceptions that it does not have a certain future. In the end, only <mask> retired, with Fischer and Anderson delaying their own retirements by successfully recontesting the election. References

1954 births
Living people
National Party of Australia members of the Parliament of Australia
Members of the Australian House of Representatives
Members of the Australian House of Representatives for Gilmore
Members of the Australian House of Representatives for Hume
Members of the Order of Australia
20th-century Australian politicians
Government ministers of Australia

masks:
John Randall Sharp
John Howard
Sharp
Sharp
Sharp
Sharp
Sharp
Sharp
Sharp
Sharp
Sharp
Sharp
Sharp
Sharp
Sharp
Sharp
Sharp
Sharp
John Anderson
Sharp


texts:
<mask> (8 July 1934 – 2 December 1982) was a British actor, comedian and writer. He was known for his prominent, misaligned eyes. He initially gained prominence as a writer with Barry Took on the ITV sitcom Bootsie and Snudge and the BBC Radio comedy programme Round the Horne. He became known as a performer on At Last the 1948 Show (co-writing the "Four Yorkshiremen sketch" which Monty Python would perform) and <mask>, the latter of which won Feldman two British Academy Television Awards including Best Entertainment Performance in 1969. Feldman went on to appear in films such as The Bed Sitting Room and Every Home Should Have One, the latter of which was one of the most popular comedies at the British box office in 1970. In 1971, he starred in the comedy-variety sketch series The Marty Feldman Comedy Machine. In 1974, he appeared as Igor in Mel Brooks' Young Frankenstein for which he received the first Saturn Award for Best Supporting Actor.He died in 1982 of a heart attack while filming Yellowbeard in Mexico City. Early life
<mask> was born on 8 July 1934 in East London, the son of Cecilia (née Crook) and Myer <mask>, a gown manufacturer, who was a Jewish immigrant from Kiev, Ukraine. He recalled his childhood as "solitary" especially during his years of evacuation to the countryside during the Second World War. Feldman suffered from thyroid disease and developed Graves' ophthalmopathy, causing his eyes to protrude and become misaligned. A childhood injury, a car crash, a boating accident, and reconstructive eye surgery may also have contributed to his appearance. He later described his appearance as a factor in his career success: "If I aspired to be Robert Redford, I'd have my eyes straightened and my nose fixed and end up like every other lousy actor, with two lines on Kojak. But this way I'm a novelty."Career

Early career
Leaving school at 15, Feldman worked at the Dreamland funfair in Margate, but had dreams of a career as a jazz trumpeter, and performed in the first group in which tenor saxophonist Tubby Hayes was a member. Feldman joked that he was "the world's worst trumpet player." By the age of 20, he had decided to pursue a career as a comedian. Although his early performing career was undistinguished, Feldman became part of a comedy act — Morris, <mask> and Mitch — who made their first television appearance on the BBC series Showcase in April 1955. Later in the decade, Feldman worked on the scripts for Educating Archie in both its radio and television incarnations, with Ronald Chesney and later, Ronald Wolfe. In 1954, Feldman met Barry Took while both were working as performers, and with Took, he eventually formed an enduring writing partnership which lasted until 1974. They wrote a few episodes of The Army Game (1960) and the bulk of Bootsie and Snudge (1960–62), both situation comedies made by Granada Television for the ITV network.For BBC Radio they wrote Round the Horne (1964–67), their best-remembered comedy series, which starred Kenneth Horne and Kenneth Williams. (The last season of Round the Horne, in 1968, was written by others.) This work placed Feldman and Took 'in the front rank of comedy writers', according to Denis Norden. <mask> then became the chief writer and script editor on The Frost Report (1966–67). With John Law, he co-wrote the much-shown "Class" sketch, in which John Cleese, Ronnie Barker and Ronnie Corbett faced the audience, with their descending order of height, suggesting their relative social status as upper class (Cleese), middle class (Barker) and working class (Corbett). Ascent
The television sketch comedy series At Last the 1948 Show raised Feldman's profile as a performer. The other three participants (future Monty Python members Graham Chapman and John Cleese; and future star of The Goodies Tim Brooke-Taylor) needed a fourth cast member, and had Feldman in mind.In a sketch broadcast on 1 March 1967, <mask>'s character harassed a patient shop assistant (played by Cleese) regarding a series of fictitious books, achieving success with Ethel the Aardvark Goes Quantity Surveying. His character in At Last the 1948 Show was often called Mr. Pest, according to Cleese. <mask> was co-author - along with Chapman, Cleese and Brooke-Taylor - of the sketch "Four Yorkshiremen", which was written for At Last the 1948 Show, later adapted by Monty Python for their stage performances. Feldman was given his own series on the BBC, Marty, in 1968; it featured Brooke-Taylor, John Junkin and Roland MacLeod, with Cleese as one of the writers. Feldman won two BAFTA awards. The second series in 1969 was retitled It's Marty (this title being retained for the DVD release of the series). <mask> proved popular enough with an international audience (the first series winning the Golden Rose Award at Montreux) to launch a film career.Feldman's first feature film role was in Every Home Should Have One (1970). After 1970

The Marty Feldman Comedy Machine (1971–72) was a television series co-produced by Associated Television (ATV) in the UK and the American Broadcasting Company, produced at ATV's Elstree Studios, near London. This vehicle lasted for just one series. In 1974, Dennis Main Wilson produced a short BBC sketch series for Feldman titled Marty Back Together Again — a reference to reports about the star's health — but it never captured the impact of the earlier series. On film, in Mel Brooks' Young Frankenstein (1974), Feldman played Igor (pronounced "EYE-gore", a comic response to Gene Wilder's claim that 'it's pronounced FRONK-EN-SCHTEEN'). Many lines in Young Frankenstein were improvised. Wilder says he had Feldman in mind when he wrote the part.Feldman's performances on American television included The Dean Martin Show. In 1976, Feldman ventured into Italian cinema, starring with Barbara Bouchet in the sex comedy 40 Gradi All'Ombra del Lenzuolo (Sex with a Smile). He later appeared in The Adventure of Sherlock Holmes' Smarter Brother and Brooks' Silent Movie, as well as directing and starring in The Last Remake of Beau Geste. He also guest-starred in "Arabian Nights", an episode of The Muppet Show in which he was teamed up with several Sesame Street characters, especially Cookie Monster, with whom he shared a playful cameo comparing their eyes side by side. Recording career
During the course of his career, Feldman recorded two albums, Marty (1968) and I Feel a Song Going Off (1969), re-released in 1971 as The Crazy World of <mask>. The songs on his second album were written by Denis King, John Junkin and Bill Solly (a writer for Max Bygraves and The Two Ronnies). It was later released as a CD in 2007.Personal life
Feldman was married to Lauretta Sullivan from January 1959 until his death in 1982. She died, aged 74, in 2010 in Studio City, Los Angeles. Feldman's peers have reported, in a number of biographies, that he was highly attractive to women in spite of his unconventional facial appearance. He spent time in jazz clubs, as he found a parallel between 'riffing' in a comedy partnership and the improvisation of jazz. Politically, Feldman was described as an "avowed socialist" telling one interviewer, "I'm a socialist by conviction, if not by lifestyle" and another, "I'm a socialist from way back, but in order to pay my back taxes I have to live in America to earn enough money to pay the back tax I owe to the socialist government that I voted in." He later joked that when a Labour cabinet minister said to him "Of course you vote Labour," Feldman replied, "No, I don't, because I'm a socialist!" Nevertheless, he generally did not seriously discuss politics in public.An exception was when during a promotional tour for The Last Remake of Beau Geste, he denounced the campaign led by Anita Bryant against homosexuality. In 1971, Feldman gave evidence in favour of the defendants in the obscenity trial for Oz magazine. He would not swear on the Bible, choosing instead to affirm. Throughout his testimony, he mocked the judge after it was implied that Feldman had no religion because he was not Christian. Feldman was an lacto-ovo vegetarian. In a 1979 interview, when asked how long he had practised this, he stated: "I was about five and a half or six when I converted; I'm forty-three now, so it's been approximately thirty-eight years." Feldman wrote an  autobiography, Eye Marty: the newly discovered autobiography of a comic genius, which was brought to light following Lauretta's death.It was published in 2012 with a foreword by Eric Idle. Death
Feldman died of a heart attack, in a hotel room in Mexico City on 2 December 1982 at age 48, during the making of the film Yellowbeard; the film was subsequently dedicated to him. According to an editor's note in Feldman's posthumously published autobiography, Graham Chapman was with him at the time of his death. On the DVD commentary of Young Frankenstein, Mel Brooks cites factors that may have contributed to Feldman's death: "He sometimes smoked half a carton (five packs) of cigarettes daily, drank copious amounts of black coffee, and ate a diet rich in eggs and dairy products." Feldman is buried in the Garden of Heritage at Forest Lawn – Hollywood Hills Cemetery, California, near his idol, Buster Keaton. Filmography

Film

Television

Radio series
 Round the Horne (co-writer with Barry Took)

References

Further reading

External links

 The Official <mask>man.com link to official site

1934 births
1982 deaths
20th-century British screenwriters
20th-century English comedians
20th-century English male actors
BAFTA winners (people)
British male comedy actors
British male television writers
Burials at Forest Lawn Memorial Park (Hollywood Hills)
Comedy film directors
English comedy writers
English male comedians
English male film actors
English male television actors
English people of Ukrainian-Jewish descent
English radio writers
English socialists
Jewish English comedians
Jewish English male actors
Jewish male comedians
Jewish socialists
Male actors from London
People from Canning Town
20th-century British Jews

masks:
Martin Alan Feldman
Marty
Feldman
Feldman
Marty
Feldman
Feldman
Feldman
Marty
Marty Feldman
Marty Feld


texts:
<mask> (born <mask>, June 2, 1938) is an Afro-Puerto Rican folksinger, songwriter, and actor. <mask>

Born <mask> on June 2, 1938, in Puerto Rico, he grew up in the Boston, Massachusetts neighborhood of Roxbury. He studied at Emerson College as a Theater Arts major. As part of the Cambridge/Boston folk music scene in the early and mid-1960s, he released four albums on Vanguard—<mask> (1962), <mask>/2 (1963), <mask> at Club 47 (1965), and Morning Song (1967); this last LP consisted entirely of original compositions and was his first with a band. [None of his albums has been released on CD but individual songs have appeared on anthologies. His sole single, for instance, "Why Won't They Let Me Be?" (1966), is included in Northern Soul's Classiest Rarities 2 (Kent, 2005).]The live album, <mask> at Club 47, featuring a cover collage by Eric Von Schmidt, is most representative of his act as he had a lot to say between numbers—not only setting up the contexts of the songs but also relating personal anecdotes; indeed, he could easily have worked as a stand-up comedian, and he fully appreciated the early records of Bill Cosby (nowadays, his main man comedically is Chris Rock). Vanguard, however, tried to groom him as a male counterpart to Joan Baez. He now characterizes himself as primarily a storyteller. While coming home in the early hours of December 3, 1962, Washington was arrested by the Boston Police:  what happened was the subject of dispute, with the police saying that when they questioned him, Washington assaulted one of the officers  and Washington asserting that he was stopped, and subsequently beaten by two officers, for no reason other than his race. The case resulted in a cause célèbre which Washington's supporters believed had exposed racism in the Boston police force. Washington was ultimately acquitted of all charges, in a verdict that took the jury only five hours to reach. In the summer of 1964 Washington y <mask> participated in Freedom Schools conducted in the South, and three of his performances from his live album are included in the double-CD anthology Freedom Is A Constant Struggle (Songs of the Mississippi Civil Rights Movement) (1994).At one point he was Dr. Martin Luther King's personal assistant in Mississippi. In 1964, he also teamed for a time with Tony Saletan and Irene Kossoy (formerly and subsequently of the Kossoy Sisters) to form the Boston Folk Trio, which presented school concerts through the non-profit Young Audiences Arts for Learning. "Esta Navidad" from his first album is included in the 1995 Vanguard compilation A Folksinger's Christmas. Washington's version of the traditional English nonsense song "Nottamun Town" was the tune and arrangement used by Bob Dylan as the basis for "Masters of War", . [Clinton Heylin in Revolution In the Air (2009) rejects this idea as "patently absurd" (p. 116), but <mask>, including "Nottamun Town", was released in December 1962, and The Freewheelin' Bob Dylan, with "Masters of War", was released 27 May 1963; Dylan loved Washington's rendition, repeatedly requested he perform it, and asked Vanguard Records to give him a copy of Washington's debut album; Jean Ritchie, whose version Heylin and others give as Dylan's source, sings the song in a minor key but plays the accompaniment in major chords. Washington reset the melody to minor chords, and in the process changed it somewhat—Dylan liked this version and used it as the model for "Masters of War."] Washington's role in the song's transmission is acknowledged in Bob Dylan by Greil Marcus: Writings 1968–2010 (Public Affairs, 2010, p. 410).Washington taught Joan Baez "There But For Fortune" by Phil Ochs, which provided Baez with her first appearance on the singles chart. (You can tell she learned it from him because he had made a lyric change; where Ochs had written "whose face is growing pale",  <mask>, being black, had substituted "whose life has grown stale"—which is how Baez sings it.) Originally managed by Manny Greenhill, Joan Baez's manager, Washington later did his own bookings. He is currently managed by Mitch Greenhill, (Manny's son), through Folklore Productions. On 25 July 1968 <mask> was master of ceremonies for a political rally supporting anti-Vietnam War presidential candidate Eugene McCarthy held at the Red Sox' Fenway Park. As the first performer to headline the Caffè Lena in Saratoga Springs, New York,  in 1960, <mask> was invited back 22 January 2010 to perform as part of an ongoing celebration of the club's 50th anniversary, with Bill Staines as the opening act. On 1 Feb 2013 he returned to Club Passim (formerly Club 47) in Cambridge, Mass.His first album in 45 years, Curbside Cotillion, was released in 2012, his first recording as <mask>. He is featured in the documentary For the Love of the Music: the Club 47 Folk Revival (2013). On 19 Dec 2014 <mask> spoke at the Cambridge Forum in Harvard Square, Massachusetts, about his experiences during Freedom Summer's voter registration drive in Mississippi in 1964. This appearance can be viewed on YouTube. Actor

Washington y <mask> relocated to Manhattan to pursue acting under the name of <mask>. One of his earliest performances was in the 1966 National Educational Television production of Tennessee Williams' one-act play Ten Blocks on the Camino Real (1948), starring Lotte Lenya and Martin Sheen; this has been available on DVD. He has done extensive work in commercials and continues to compose.<mask> is a member of the board of the New York Screen Actors' Guild. In the fall of 2007 Landrón appeared in Maxwell Anderson’s Night Over Taos, directed by Estelle Parsons.. In 2009 he relocated to West Hollywood, Los Angeles to pursue work in television and film. He currently lives in Los Angeles' Chinatown. Landrón has two daughters. Further reading
 Baby, Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years by Eric Von Schmidt and Jim Rooney, 1979 (out of print)
 Josh White: Society Blues by Elijah Wald (2000); dedicated to Landrón. References

External links
  <mask>'s current music website
Illustrated Jackie Washington discography  begins with <mask> Landrón and then goes on to the Canadian <mask>
An article about <mask>'s return to Club Passim (formerly Club 47) in 1997
fuller acting credits than most sites

TV work
Cuban/Latino Theater Archive
 Answers.com gets his birthyear (1938) wrong
thumbnail bio, also wrong on birthyear

American folk singers
Living people
1938 births

masks:
Jack Landrón
Juán Cándido Washington y Landrón
Jackie Washington
Juán Cándido Washington y Landrón
Jackie Washington
Jackie Washington
Jackie Washington
Jackie Washington
Landrón
Jackie Washington
Jackie
Jackie
Jackie
Jack Landrón
Landrón
Landrón
Jack Landrón
Landrón
Jackie
Jackie Washington
Jackie Washington
Jackie Washington