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<mask> (born December 26, 1964, in Düsseldorf, Germany) is a German artist. Until 2011 she worked as an artist under her given name Gabriele-Maria Scheda. She lives and works in Berlin and in New York City, United States

Personal life
<mask> spent her first ten years in Düsseldorf and the surrounding area before moving to the Hochsauerland region (North Rhine-Westphalia) with her parents and two sisters. There her parents opened an alternative hotel which became the vacation destination of the Düsseldorf art and theater scene in the 1970s. <mask>'s mother belonged to the scene as part of the circle of the American theatre director and theatre manager Ernest Martin from the late 1960s on. In 1982 <mask> left her home and became part of the West Berlin subculture. In 1990 she passed her A-levels in an all women's class at the School for Adult Education (Schule für Erwachsenenbildung) in Berlin and studied Psychology at the TU Berlin from 1991 until 1996.From 1985 to 1992, <mask> <mask> co-operated the legendary cult bar Café Anfall in Berlin-Kreuzberg and had extended stays abroad in France, Spain, Portugal, the US, Mexico, Guatemala, Honduras, Nicaragua, Costa Rica, Morocco, Algeria, Mali, Burkina Faso and Niger before starting to work professionally as a visual artist in 1996. From 1997 to 1999, she learned Mold making and the process of bronze casting in the prestigious Berlin based fine art foundry Bildgießerei Hermann Noack. In the years 1999 to 2005, followed numerous stays in Portugal. In addition to her artistic work, she initiated and curated international exhibitions and art projects like Showroom Berlin (1996–1998), JONNY'S (2007–2009), SWEET HOME (2011–2012) and SUPERUSCHI (since 2013). Since 1996 <mask> <mask> has exhibited internationally. Artistic work
In her artistic work, <mask> <mask> uses various materials and media which she often combines, such as bronze, photography, fabric and installation elements. <mask> usually creates series of works that develop over several years in parallel.In early bronze sculptures like the series Dear

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 Germaine (1998) or and suddenly (1998–99) she creates humanlike imaginary creatures that deal with the counterpoints of heaviness and lightness, movement and stagnation and with themes like imprisonment, exposure or suffering. In the bronzes of the series alle zusammen (2001), suchen eine reise (2003), and wachen sein tot (2009–10) the artist additionally uses found objects from nature. In some work series, such as JETZT KOMM ICH (2007) or in the soft objects, cushion-like objects for the wall like My Flowerself (2010), <mask> is Back (2011) or komm ruh' dich aus (2012), <mask> <mask> deals with her own biography embedded in a private everyday aesthetics. With the change of her name from Gabriele-Maria Scheda to <mask> <mask> in 2011, occur more frequently topics like sexuality, physicality, identity, gender roles and their social reception. In Sex Sells (2013), Toy Girls (2014), Toy Boys (2014) or Free Your Soul (2015) <mask> accesses heterosexual and homosexual Internet pornography. She transfers video stills that she photographs from the screen or photos from pornographic magazines on fabric and collages them on doilies, or on self-made fabric objects and tapestries to reveal discriminatory gender clichés or sexual taboos that exist in our society. Many of her works of art criticize the structures of the global art market that should be

Curated exhibition series
<mask> <mask> develops group exhibitions in private homes, such as her own, or in gallery and project spaces, where <mask> creates spatial interventions to imitate the intimacy of private spaces.<mask>'s main interest is to form of a participatory community of artists and visitors of the exhibition, as well as creating a greater awareness of the necessity of art in everyday life. She sees herself not necessarily as a curator, but rather as someone who brings  The exhibitions are not profit-oriented and were supported by the Berlin Senate Chancellery for Cultural Affairs among others or financed through crowdfunding campaigns. Jonny's (2007–2009)
Ostensibly, <mask> <mask>'s arts project

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 Jonny's is a Portuguese shop (later with Café) in a part of the artist's ground-floor apartment in Berlin-Kreuzberg. Most of the delicacies sold there were obtained directly from the manufacturers in Portugal and had an unusual, anachronistic packaging design. In fact, Jonny's was an expansive art installation, also hosting exhibitions of different artists. On the shelves, between the food and household goods, bronze sculptures, collages and paintings were shown. Life and art were considered equal here.Exhibition openings, performance evenings, readings and artist talks were held regularly. Sweet Home (2011–2013)
In March 2011, <mask> <mask> developed the exhibition project Sweet Home out of the preceding project <mask>'s. The shows also took place at <mask>'s apartment. International artists were invited to exhibit their work in a solo exhibition in <mask>'s staged, exuberant living room. During the openings and events, <mask> <mask> installed a Portuguese bar with food and drinks. In December 2011, Sweet Home was invited to exhibit at the art fair SCOPE Art Show Miami 2011. Superuschi (since 2013)
The exhibition series Superuschi (since March 2013) emerged from Star's projects Sweet Home (2011–2013) and Jonny's (2007–2009).International visual or performance artists participate and reflect together with <mask> <mask> a particular theme. The result is an exhibition that facilitates the interaction between space, objects, artists and guests, in terms of a Social sculpture. The artists have the opportunity to network with each other and the visitors attain a more direct participation in visual and performing arts. The Superuschi exhibition kitchen girls & toy boys in the Rush Arts Gallery in New York City in 2015 was supported by the Berlin Senate Cultural Affairs Department. Publications
 JONNY STAR NEWSPAPER 2012
 JONNY STAR NEWSPAPER 2013
 Jonny is Back, 2011, Photography / Layout by <mask> <mask>, Text by Bianca Döring
 Where's Jonny, 2011, Photography / Layout by <mask> <mask>, Text by Bianca Döring
 Jonny and the Bio-Doctor, 2011, Photography

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 / Layout by <mask> <mask>, Text by Bianca Döring
 Heuchelmund, Karen-Susan Fessel, short stories with photographs by Gabriele-Maria Scheda (Jonny <mask>), Konkursbuchverlag Claudia Gehrke, Tübingen, Germany, 1995
 <mask> <mask>. The Matter Of Duality, curated by Grigori Dor and Mascha Naumova, Paul Fleischmann Haus, Berlin, Germany
 2020 How beautiful you are! curated by Maik Schierloh, KINDL – Centre for Contemporary Art, Berlin, Germany
 2019 Künstlergeld aus der Sammlung Haupt, Verband Deutscher Bürgschaftsbanken, Berlin, Germany
 2018 Carpets, Katharina Maria Raab Gallery, Belin, Germany
 2018 Wonder Woman ART b!tch curated by Britta (Helbig) Adler, Kosmetiksalon Babett, Berlin, Germany
 2018 Geld - Wahn - Sinn, Haupt Collection at Reinbeckhallen curated by Lena Fließbach, Reinbeckhallen Berlin, Germany
 2018 NGORONGORO II, Artistweekend Berlin at Jonas Burgert, Berlin, Germany
 2018 Ein Turm von Unmöglichkeiten, (Salon Hansa), Galerie König, Berlin, Germany
 2017 Female Ejaculation, curated by Jonny Star, Kosmetiksalon Babette, Berlin, Germany
 2017 Mein lieber Freund und Kupferstecher, Haupt Collection, Verband Deutscher Bürgschaftsbanken, Berlin, Germany
 2017 BERLIN-KLONDYKE 2017, UGM Studio, Maribor, Slovenija
 2016 Der Flug der Königinnen.Le Trans Tier Salon, Crystal Ball Gallery, Berlin, Germany
 2002 Mitten ins Herz, Gallery Tammen & Busch, Berlin, Germany

Works in private collections
 Heilhausstiftung Ursa Paul, Kassel, Germany
 Sparkasse Hochsauerland, Germany
 Haupt Collection, Berlin, Germany

External links
Exhibition archive of the artist on kunstaspekte.de
Interview with the artist on sleek.com
Interview with the artist on exberliner.com
Interview with the artist on kaltblut-magazine.com
Website of the artist
Website of SUPERUSCHI
<mask> <mask> on Vimeo
<mask> <mask> on Artitious
Jonny <mask> on Artfacts

References

1964 births
Living people
German contemporary artists
Feminist artists
Artists from Düsseldorf
Artists from New York (state)
Artists from Berlin
20th-century German women artists
21st-century German women

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Jean Marcel Leroy (; 20 January 1929 – 4 November 2016), popularly known as Jean-<mask>, was a French electronic music performer, composer, producer, and promoter. He is considered a pioneer of pop electronica. <mask> partnered with composer-performer Gershon Kingsley to form the electronic music duo Perrey and Kingsley, who issued some of the first commercial recordings featuring the Moog synthesizer. <mask> was also one of the first to promote, perform, and record with the Ondioline. Biography

Early life
Jean Marcel Leroy was born in Amiens, in the north of France. He was given his first instrument, an accordion, at age 4 on Christmas Eve, 1933. He learned to play piano, and studied music at a conservatory for two months, during which he and several classmates formed a jazz band, which performed at the school and at public venues.However, the school's director warned the students that they could either "continue playing jazz or continue your studies". <mask> was expelled from the conservatory for violating a prohibition against students performing in public; he later graduated from the Lycée d'Amiens. He studied medicine in Paris for four years, and planned to pursue scientific research. He was an avid reader of science fiction, in particular the works of Isaac Asimov, Aldous Huxley, Arthur C. Clarke, and Ray Bradbury, and took occasional work as an accordionist. Start of music career
In 1950, while enrolled in medical school, <mask> heard inventor Georges Jenny playing and promoting his homemade Ondioline on a French radio show. "With the audacity of youth [<mask>] phoned the radio station and requested Georges Jenny's telephone number, which he was duly given," wrote music historian Mark Brend. "<mask> then phoned Jenny himself, saying he liked the sound of the Ondioline but couldn't afford to buy one."<mask> offered to promote

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 the instrument if Jenny would give him one for free. After a visit to the inventor's workshop, <mask> was loaned an Ondioline. For six months <mask> practiced playing the Ondioline with his right hand while simultaneously playing piano with his left. Jenny was so impressed with <mask>'s proficiency, he offered him a job as a salesman and product demonstrator. After earning substantial commissions on sales made during a trip to Sweden (during which he performed on TV), <mask> quit medical school and devoted his career to electronic music. In late 1950, singer/composer Charles Trenet heard about the Ondioline and requested a demonstration of the instrument by <mask>, who at the time was traveling to promote the new device. Trenet was so impressed that he hired <mask> for the recording session for the song "L'Âme des poètes" ("The Soul of Poets").(At a second session, <mask> played Ondioline on three  more Trenet songs; the guitarist on two of those later tracks was Django Reinhardt). "L'Âme des poètes" became an international commercial success, and <mask> was asked to accompany Trenet on stage. "My collaboration with [Trenet] lasted a year," said <mask>, "during which I was able to meet other great artists and singers such as Yves Montand and Jacques Brel. I made my debut on radio and French television, not only as an accompanist of great singing stars, but also performing my own musical act." <mask> began to travel extensively, first in France and then abroad to attend international music fairs. Eventually he developed a cabaret act, "Around the World in 80 Ways", which was a showcase for the Ondioline's versatility. <mask> explained:

Thanks to the Ondioline, I could imitate instruments from around the world, such as bagpipes from Scotland, American banjo, Gypsy violin, soprano voice, Indian sitar, and so on.I made a world tour in

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texts: music and finished it with a gag of whistling a tune. At the end, the whistling was still going on (thanks to the Ondioline), but I was drinking a glass of water. We all laughed. <mask>'s first commercially released recording under his own name was Prelude au Sommeil (Prelude to Sleep), issued in 1958, which was described by the artist as an "auditory recipe" to induce sleep in insomniacs. "I had the good fortune of meeting scientists who were interested in the possibilities of using electronic sound for psycho-medical purposes," <mask> later recalled. "Together we had the idea of creating sound complexes to induce calm in disturbed, agitated people. We created a team of researchers: acousticians, medical doctors, physicists, psychiatrists, a total of nine in all.I was the catalyzer, the musician. We spent many hours making experiments to determine which sounds would induce a state of serenity and calm." In 1959 <mask> performed on a 10" LP entitled Cadmus, Le Robot de l'Espace, a children's record issued on the Philips label; <mask> played Ondioline and provided sound effects. That same year, composer Paul Durand hired <mask> to provide Ondioline accompaniment for the main theme of the French-Italian tragi-comedic film La Vache et le Prisonnier (The Cow and the Prisoner), which starred French actor-singer Fernandel. In 1960 <mask> released a four-song EP entitled Mr. Ondioline, on the Pacific label. (<mask> was not identified as the performer and in the cover photo he is masked in a black hood.) A second EP on Pacific, Ondiolinorama, was issued in 1961.Both EPs featured <mask>’s arrangements of standard tunes; there were no original works. At the Studio of Contemporary Music Research in France, <mask> met Pierre Schaeffer, who had pioneered the avant-garde sound art form known as musique concrète. Thereafter, <mask> began to

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 experiment with tape manipulation. Around this time he performed at the Olympia Theater in Paris accompanying France's most acclaimed chanteuse, Edith Piaf, who became an enthusiastic proponent of <mask>'s musical gifts. The association with Piaf, <mask> later wrote, proved pivotal in advancing his career. Edith herself was very impressed by the immense possibilities of the Ondioline. From her, I learned many “tricks of the trade” having to do with show business and song arrangement.She gave me money to buy studio time, which allowed me to record a few pieces on magnetic tape which were a showcase for the Ondioline. She even decided herself which pieces I should record to obtain maximum effect. She was impeccable – very demanding. When she had decided that the tape was “almost perfect,” she told me, “Now you must mail this to a person I’m going to give you the name and address for in New York. I will write him as well, to let him know of your forthcoming correspondence. You’ll see; he will answer you.” It was impossible to debate with Edith; one always had to do as she decreed! Three weeks later, I received an envelope from America.There was no note enclosed – only a round-trip plane ticket with an open return date, plus one word written in big felt-tip pen on the envelope: “COME!” Thus began the fairy tale. The man to whom <mask> had sent the tape was instrument contractor Carroll Bratman, the well-connected proprietor of Carroll Music. Relocation to New York
In March 1960, <mask> relocated to New York under the mentorship of Bratman, who sponsored <mask>'s green card, paid <mask>'s living expenses at the Bristol Hotel on West 48th Street, got him registered with the musicians' union, paid him a salary, and landed him appearances performing the Ondioline on television. Bratman built <mask> an experimental laboratory and recording

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 studio, with state-of-the-art tape recorders, and accorded him free use of any instruments in the Carroll Music collection. <mask> made his U.S. television debut on Tonight Starring Jack Paar; he also appeared on The Garry Moore Show, I've Got a Secret, and Captain Kangaroo. <mask> composed jingles for radio and television, sometimes in partnership with Harry Breuer and Angelo Badalementi (working under the name "Andy Badale"). In 1962 <mask> issued the LP Musique Electronique du Cosmos (Electronic Music from Outer Space), in collaboration with Sam Fiedel and Harry Breuer, on the MusiCues label.(The album was recorded in New York, but the location was listed as Paris on the jacket to avoid union obligations.) The 15 short tracks (most under two minutes long and all composed or co-composed by <mask>) were intended for television and radio background use. Less than 500 copies were reportedly pressed. Perrey & Kingsley and the Moog Synthesizer

Perrey was introduced to German-American composer/musician Gershon Kingsley in 1965 at Carroll Music. As a duo, <mask> and Kingsley recorded two albums for the Vanguard label: The In Sound From Way Out! (1966), for which <mask> played Ondioline and provided musique concrète "rhythmic patterns", and Kaleidoscopic Vibrations (1967), on which the duo played mostly Moog synthesizers, with added special effects. Some tracks by <mask> and Kingsley were licensed for radio and television commercials.In 1968, "The Savers", from Kaleidoscopic Vibrations, won a Clio Award when it was used as the soundtrack for a No-Cal diet soft drink commercial. After splitting from Kingsley, <mask> continued featuring the Moog (as well as Ondioline) on many of his subsequent solo records, most of which incorporated the name "Moog" in album titles: The Happy Moog! (1969, with Harry Breuer), Moog Indigo (1970), Moog

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 Sensations (1971, credited to Pat Prilly, due to a contractual conflict), Moog Generation and Moog Expressions (both 1972, also credited to Prilly), Moog Mig Mag Moog (1974, credited to Prilly), Dynamoog (1976, with Gilbert Sigrist), and Moog is Moog (1977, credited to Prilly and Harry Breuer). The Happy Moog was recorded with Harry Breuer, one of the first musicians he met when he moved to New York City. <mask> played Moog synthesizer and other keyboards, while Breuer played xylophone and other percussion. Breuer was credited on the cover for "Artistic Direction," while <mask>'s name, again due to a contractual conflict, was omitted. On the Moog Indigo track "Flight of the Bumblebee" (adapted from an interlude composed by Nikolai Rimsky-Korsakov), <mask> began with a recording of actual bees:

For this composition, I took a Nagra tape recorder to an apiary in Switzerland to record the live sounds of bees buzzing about their hive.I took these bee tapes back to New York, where my studio had a variable-speed tape recorder. Using this machine, I transposed the bee buzzes to the subdivisions of the 12-tone equal-tempered scale and rerecorded them on another tape machine. Then, using manual splicing techniques, I edited the melody for one verse. Just this part took 52 hours of splicing work. People told me that I was crazy, but I told them to listen to the result! We added an accompaniment to the melody, recreating the "Flight of the Bumblebee" played by living bees. Return to Europe (1970—2000)
After a decade in the United States, <mask> moved back to France in 1970, ostensibly for family reasons.He was named musical director of a ballet company, while continuing to explore therapeutic sounds to treat insomnia. He embarked on a project to record with dolphins in Vancouver, Canada, and recorded music for commercials and animated

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 television shows. He continued showcasing the Moog with a series of production music albums on various labels, including Montparnasse 2000 and Mondiophone. In 1995, <mask> began working occasionally with electropop musician/composer David Chazam; their collaborative album, Eclektronics, was issued on the Basetonic label in 1998. A collection of previously unreleased collaborative works, ELA, recorded over a number of years and at various locations, was independently issued by Chazam in May 2015; it was the final album of new <mask> material released during his lifetime. In 1997 <mask> collaborated with the band Air on the tracks "Remember" (on the album Moon Safari) and "Cosmic Bird" (on the various artists compilation Source Lab 3 Y). The following year he performed at the Klinkende Munt festival in Brussels, Belgium, with David Chazam.Over the following decade, <mask> appeared at festivals in Brighton (UK); Paris; Nantes (France); Den Haag (Netherlands); Boulogne; St. Petersburg (Russia), and Lausanne (Switzerland). In 1999 he composed and recorded "The Groovy Leprechauns" for a thematic compilation album At Home with the Groovebox, issued on the Beastie Boys' Grand Royal label. (In 1995 the Beastie Boys had issued an album entitled The In Sound From Way Out! that was an obvious homage to <mask> and Kingsley.) Later years (2000—2016)

In 2001 Vanguard Records released a compilation titled The Out Sound From Way In! that collected four of the early albums <mask> and Kingsley had recorded for the label (two as a duo, and two solo releases by <mask>). The package included seven remixes, including Fatboy Slim's reworking of the Perrey song "E.V.A."and five remixes by Eurotrash. In 2003, MediaDreams Productions produced a documentary titled Jean-Jacques <mask>: Extraterrestrial Musician, which was presented at MIPCOM in 2003. With


texts: Luke Vibert <mask> recorded an album titled Moog Acid, which was released in 2007. AllMusic reviewer John Bush observed that <mask> "uncannily conjures the rather eerie ghosts of musique concrète's past, while Vibert anchors them with expert productions. ... The tracks are ... the 21st century equivalent of Perrey-Kingsley's vision of lock-solid arrangements accompanied by the far-out sound of the Moog as a lead voice." <mask> and Dana Countryman released the collaborative album Destination Space in 2008; AllMusic reviewer William Ruhlmann wrote that "this is not an album to be taken seriously, but it is one to enjoy."Countryman also wrote a biography of <mask> titled Passport to the Future, which was published in 2010 through CreateSpace. In 2009 Gilles Weinzaepflen produced a film documentary, titled Prélude au Sommeil, about <mask>'s life and work. In 2013, Belgian-Australian musician Wally (Gotye) De Backer composed and recorded a song inspired by <mask>'s work, then contacted <mask> to share the track for review. At the time, <mask> was 80 and living in Lausanne, Switzerland. "To my great joy, Jean-Jacques and his daughter, Patricia, both responded really warmly and said it was really sweet that a young musician would be inspired by his work but also respond to it in that way by writing a piece like that, and they invited me to visit,” said De Backer. “To me, it was incredible as a fan and long time listener just to meet the wonderful old man who had a lot of great stories and a wink in his eye, who made time for me to come and chat about the aspects of his work that I was really interested in." Over the next few years, De Backer visited regularly and began helping the aging musician catalog and preserve his legacy.De Backer also began purchasing existing Ondiolines, undertaking their restoration (with technical help from


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 Stephen Masucci), and learning how to play the instrument. Eventually, after a number of Ondiolines had been reconstructed, De Backer formed the Ondioline Orchestra, consisting of two Ondiolines (played by De Backer and Rob Schwimmer), Moog, Theremin, clarinet, guitar, bass, drums, and sampling devices. The ensemble's debut was scheduled for November 22, 2016, at National Sawdust, in Williamsburg, Brooklyn, with <mask> invited to attend. However, his health declined, and he could not travel. Two and a half weeks before the performance, <mask> died of lung cancer at the age of 87. The concert was attended by <mask>'s daughter, Patricia Leroy, and the daughter of Georges Jenny, Marie-Lorette Jenny. De Backer and the Ondioline Orchestra have staged several performances of Gotye Presents a Tribute to Jean-Jacques <mask>'s Mixology Festival (February 3, 2018), in Brooklyn.The Sydney concert won a Helpmann Award in the Contemporary Music category. De Backer launched a record label, Forgotten Futures, whose first release was Jean-Jacques Perrey et son Ondioline, a compilation album featuring rare and unreleased tracks with <mask> on the Ondioline. The album was released on vinyl and digitally in May 2017. Discography

Studio albums
 1958: Prelude au Sommeil (Institut Dormiphone)
 1959: Cadmus, Le Robot de l'Espace (with Henri Gruel) (Philips)
 1962: Musique Electronique Du Cosmos (Electronic Music From Outer Space) (MusiCues)
 1966: The In Sound From Way Out! Banks) (Koka Media)
 2006: The Happy Electropop Music Machine (with Dana Countryman) (Olgio)
 2007: Moog Acid (with Luke Vibert) (Lo Recordings)
 2008: Destination Space (with Dana Countryman) (Oglio)
 2010: Froots (with Cosmic Pocket) (In-Vitro Records)
 2015: ELA (with David Chazam) (Freaksville)

Compilations
 1973: The Best Of The Moog (Vanguard)
 1975: Incredible Synthesizer

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 (Vanguard)
 1975: The Essential Perrey & Kingsley (Vanguard)
 2000: Good Moog: Astral Animations and Komputer Kartoons (Kosinus)
 2001: The Out Sound From Way In! The Complete Vanguard Recordings (Vanguard)
 2007: Vanguard Visionaries: Perrey & Kingsley (Vanguard)
 2012: The Electronic Pop Songs (Welk Music Group)
 2012: Space Age Computer Music (Welk Music Group)
 2017: Jean-Jacques <mask> et son Ondioline (Forgotten Futures)
 2019: Past Future Sound Tracks

Soundtracks
 1959: Les Folles Aventures d'omer et de Jacques Courtois: Omer en Synovie (Polydor)
 1971:  (Riviera)
 2006: Moog (one track, with Luke Vibert) (Hollywood Records)

In popular culture
 "Chicken on the Rocks" (from Musique Electronique du Cosmos) was used in a 1960s commercial for the Ideal Toy Company. "The Minuet of the Robots" (from The Amazing New Electronic Pop Sound of Jean Jacques Perrey) served as the soundtrack for the Muppet feature "Big Bird's Dance" on The Ed Sullivan Show, December 14, 1969."March of the Martians" (from The Happy Moog!) was used as the opening theme for the program The Hilarious House of Frightenstein. "The Elephant Never Forgets" (from Moog Indigo) was used as main theme of the Canadian TV program The Buck Shot Show. An orchestral adaptation of "Baroque Hoedown" (from Perrey & Kingsley's Kaleidoscopic Vibrations: Electronic Pop Music From Way Out!) was used as the Main Street Electrical Parade theme at Disney parks. Two pieces by <mask> were used as principal themes for television comedy shows created by and starring Mexican comedian Chespirito (Roberto Gómez Bolaños): "The Elephant Never Forgets" was used as the main theme for El Chavo, and "Baroque Hoedown" (co-composed by <mask> and Kingsley) was the closing theme for El Chapulín Colorado. In 2009 the composers filed a lawsuit against the Televisa Network for improper use of their

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 music; the case was settled and they now receive prominent credit in promotional materials for El Chavo del Ocho.In 1973, a cover of "Passport to the Future" (originally from Moog Indigo) by instrumental rock band The Ventures peaked at #38 on the Billboard Adult Contemporary chart. The track "E.V.A." (composed by <mask>, Badalamenti, and Marie Perreault, from the album Moog Indigo) has been sampled numerous times by hip-hop and Rap artists, including A Tribe Called Quest, Gang Starr and Pusha T. In 1997 remix artist Fatboy Slim reconfigured the track, and in 2002 electronic artist Glyn Bush (under the name Lightning Head) recorded a version for his album Studio Don. In 2010, a new recording by <mask> and Dana Countryman of "Chicken on the Rocks" (from The Happy Electropop Music Machine) was used in season 14, episode 3 ("Medicinal Fried Chicken") of the U.S. TV Series South Park. That same year, <mask>'s "Brazilian Flower" was used in a soccer commercial, and <mask>'s music was used in the TV series The Simpsons. In 2017, <mask>'s music was used in three short films by David Lewandowsky: Going to the Store (used the Perrey work "The Little Ships"); Late for Meeting (used "The Mexican Cactus"); and Time for Sushi (used the song "Dynamoog"). In 2018, Luke Vibert's Turn EP included a tribute song to <mask> titled "JJP".See also
 Gershon Kingsley
 <mask> and Kingsley
 Georges Jenny
 Ondioline
 Electronic music
 Moog synthesizer
 Gotye
 Dana Countryman

References

External links

 November 2006 interview with Perrey

 Jstor.org - Jean-Jacques <mask> y la ondiolina
 Ondioline.com, curated by Wally De Backer

1929 births
2016 deaths
Deaths from cancer in Switzerland
Deaths from lung cancer
Electroacoustic music composers
French composers
French male composers
French electronic musicians
Electronic musicians
French


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<mask>  (Orlovski Alexey Borisovich, 1963, Moscow) – Russian painter, graphic artist, photographer, illustrator. Fellow of the Union of Artists of the USSR (1990–1991). Member of the Moscow Union of Artists (1993–present) . Biography
<mask> was born on 24 March in 1963 in Moscow. Between 1982-1988 he attended the Dmitry Spiridonovich Bisti’s courses at the Moscow Polygraphic Institute. From 1981 to 1988 he worked as typographer (etching, engraving, lithography) at the «Cheliuskinskaya’s» House of Creativity. «At a certain moment of my career at «Cheliuskinskaya» I felt that the stage of formation turns into an independent creation.The acquaintanceship with such great painters as Iulyi Perevezentsev and Valeryi Orlov contributed to this. I learned from Perevezentsev the freedom of thinking and from Orlov the freedom of work in the matter». <mask> Orlovski. From 1988 to 1991 he worked in the teams of teenagers from House of Creativity «Senej» of the Union of Artists of the USSR where was engaged in lithography and silk-screening (in 1988 he made the first silk-screening) From 1989 he participated in the exhibitions in Germany as a member of the «5+1» group.«Due to the acquaintance with the creation of the «5+1» I got f very strong impression. Strong, because in the works of each painter is seen an attractive, convincible and individual face and at the same time it creates the impression of connectivity with each other» K. Haberl. In 1993 he came back to «Cheliuskinskaya» House of Creativity, already as a painter, and worked there 6 months in the

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Alexey Orlovski
Alexey


texts: lithography workroom. From 1990 to  2001 <mask> <mask> worked in Germany, in Heidenheim an der Brenz in the printing workroom Schnitzer Design, where he made a series of silk-screening.In 1994 in Denmark, in Odense city the joint graphic exhibition «Seasons»  took place with Valery Orlov, Pavel Makov,  Leonid Tishkov. In 2002 he participate at the «International Young Art» in Sotheby’s . From 2002 to 2003 in the printing workroom «U&M Gelman» he finished the work of a series of printed pages by using 2 techniques – engraving on plywood and silk-screening. Starting with 2001 was engaged in teaching activity at the School of Modern Art at the National Institute of Design. In 2007, in M-Gallery in Kharkiv a retrospective exhibition of <mask> Orlovski was held – «20 years of work. Printed graphics» (1987-2006). From 2001 to 2008 <mask> Orlovski collaborated with a children’s publishing house «August», created illustrations for books: «Travkin’s adventures» by S. Rozanov, «Russian poets for children and grown-ups» by A.I.Konyashov, «Turk’s plaints» by Rozenshtorm. In 2008 the exhibition-presentation of «Turk’s plaints» took place in the Zverev Center for Contemporary Art, where <mask> Orlovski demonstrated an array of manufacturer works from 1987 to 2007, which were partially demonstrated in the book. Between 2009 and 2001 he was engaged in lithography in the workroom on Nizhnyaya Maslovka. In 2014 he worked on a monumental painting of the frontages of a private house in the Crimea in the city of Alupka. The works of <mask> Orlovski are parts of the

masks: Alexey Orlovski Alexey Alexey Alexey Alexey


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 State Tretyakov Gallery, The Pushkin Museum of Fine Arts, State Galleries of Ekaterinburg, Kurgan, Tyumen, The Nizhny Tagil Museum of Fine Arts, NCCA of Vladikavkaz as well as of private collections. Publications
«<mask> Orlovski works with various techniques. Makes gravures on plywood and with dry needle, silk-screenings, lithography; he is engaged in photography, writes picturesque paints.And with this set of plastic languages he tells in essence, one story, remaining surrounded by the same repetitive from the leaf to the list of landmark reference point». Galina Elshevskaya

«… he got his voice, his own theme in the polyphonic choir of modern art and started to speak as a Master, who can point and solve overarching objectives in creation and in life». A.Rider

«The artist makes courageous collages, combining the blurriness of old photos and stamped crispness of packages from tea and wine labels «South Nights». All these represent the lessons of Favorski, of the expressionist, of Jasper Johns, Rotko, Raushenberg and his own, Of <mask> Orlovski’s picturesque achievements...”

«The creative ingenuity of the current artist Alexei Orlovsky has no limits. He managed to work in all techniques known to art (including xylography, lithography and silkscreen printing), in addition he inventing several new ones. The master’s creativity is truly popular»

«Alexei Orlovsky is extremely realistic: everything that he creates is familiar, self-experienced, felt by that to which his memory relentlessly returns, using different levels of fixation – from the

masks: Alexey Alexey


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 documentary series to the colored image. In the cacophony of color and the large format of Orlovsky's works, the artist's picturesque temperament finds its expression, signifying the attitude toward life…».«The typical Orlovsky is «summer», generously sprinkled with the brightest colors, sketched from the pieces of cotton blanket. This observation of crawling slowly during the day and changes in lighting. His lyrical hero is an idle eyewitness of his own tracks on the sand, an amateur of beautiful things – a teashop on Myasnitskaya, tea-striped tin boxes, round letters which the word "tea” is written with...». Ludmila Lunina

Personal exhibitions
 1991 «Krussparcasse» Gallery. Heidenheim an der Brenz, Germany. 1993 1994 1996 2002 «Velta» Gallery. Moscow.1993 «Im griesbad» Gallery. Ulm, Germany. 1994 1996 «Gangway» Gallery. Heidenheim an der Brenz, Germany. 2000 2003 Zverev Center for Contemporary Art. Moscow. 2001 «MARS» Gallery.Moscow. 2002 Art Museum. Nizhny Tagil. 2004 «Manej» Gallery. Moscow. 2007 M-Gallery. Kharkiv]], Ukraine.2007 Russian gallery. Together with Ekaterina Rojkova. Tallinn. 2014 «Cultproject» Gallery. Together with Oleg Kudryashov and Yurii Shtapakov. Moscow. 2015 Tyumen State Picture Gallery.Together with <mask> Bachiurin and Konstantin Shohov. Tyumen. 2015 «Subsidiary of the State Khanty-Mansiysk Art Museum» «Workroom gallery of the artist GS Rayshov». Together with <mask> Bachurin and Konstantin Shohov. Selected exhibitions
 1986 XVII th youth exhibition. 1987 All-Union Youth Exhibition. Moscow.1987 1st Moscow auction.


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 Moscow. 1988 Triennial graphics. Nuremberg, Germany. 1988 XVIII youth exhibition. Moscow. 1989 Graphic exhibition «66 graphs».Central House of Artists, Moscow. 1989 «5 + 1». Munich, Cologne, Bonn]], Aachen, Kassel. Germany. 1989 «MARS” Gallery, Moscow. 1989 Graphics of Moscow artists. Central House of Artists, Moscow.1990 Triennial graphics. Frechen, Germany. 1992 «Letter to Bulgakov.» Central House of Artists, Moscow. 1992 «4 Russian artists». «Alten Kloster» Cologne, Germany. 1993 Graphic exhibition. Central House of Artists, Moscow.1993 «An irrelevant tradition in Russian art.» Ankara, Turkey. 1994 1996 1998 2000 2002 Biennale of graphics. Kaliningrad, Russia. 1994 «Seasons». Odense, Denmark. 1998 Biennale of Graphics, Prague. 1999 «Living nature.» Ekaterinburg, Russia.1999 «Ural, Tibet ...». Moscow. 2001 Triennial graphics. Tallinn. 2002 Artlink International Young Art. Artlink, Sotheby's. 2004 The Eurographics.Moscow. Bridge integration of European culture, triennial of graphics. Krakow. 2007 «Nefertiti. Practice yourself », Project Factory. Moscow. 2008 «Translation of paper», 2009 «Bathers», Zverev Center for Contemporary Art.Moscow. 2015 Gallery «A3» «Manifestation of artists». Moscow. 2016 KIM BO SUNG / ART CENTER. Dialogue: Contemporary Art from Russia. Seoul. Honors and awards
 II prize in the section «Graphics» XVIII youth exhibition.Moscow. 1988. II Prize of the Biennale of Graphics. Kaliningrad, Russia. 1994. Winner of the V International biennial of easel graphics. Kaliningrad, Russia.1996. References

Living people
1963


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<mask> (born 6 February 1949) is a former professional soccer player. Born in England, he began his career as a youth player with Preston North End before moving to Australia without making a first-team appearance. In Australia, he played for South Coast United, St George and Safeway United and was called up to the Australia national soccer team after two years in the country. Nicknamed "Noddy" for his heading ability, he made his international debut in 1969 and was instrumental in helping the side qualify for the 1974 FIFA World Cup, the first time the nation had ever reached the finals tournament, where he featured in all three group matches. His performances attracted attention from around Europe and he eventually signed for English First Division side Luton Town after turning down several offers from clubs in Germany. After one season, he joined Cardiff City where he spent two seasons and helped the club win the Welsh Cup in 1976. He later received a lucrative offer to play in the North American Soccer League (NASL) to join the newly formed Tampa Bay Rowdies, where he spent two seasons before retiring after suffering a serious knee ligament injury.He returned to Australia to work as a manager, taking charge of the Wollongong Wolves in 1983 but left the club after a single season. He spent five years with Corrimal Rangers before being appointed manager of Port Kembla where he enjoyed considerable success, leading the club to 26 trophies between 1991 and 2004. He later returned to Wollongong for a second spell before managing Bulli between 2006 and 2007. His brother Alex was also a professional footballer. Career

Early career
Born in Preston, <mask> was playing as an apprentice at his hometown club Preston North End where his older brother <mask> had made over 100 appearances before leaving in 1962. He was spotted playing a youth team match by Jimmy Kelly, who was working as a coach for Fleetwood Town. Kelly had previously spent four seasons playing in Australia and planned to return in 1968.Despite not yet turning professional, Kelly offered <mask> a deal which quadrupled the wages

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 he was receiving at Preston to move to Australia and join South Coast United on an initial six-month loan deal. He had been playing with Preston for one year and was convinced to move after being told that the "heavy grounds" in England did not suit his playing style. <mask> was due to be married at the time but convinced his fiancée Doreen to make the move with him. He settled quickly in the country, scoring the goal that won the New South Wales Soccer Federation Division One title in 1969 in a 1–1 draw with APIA Leichhardt and was chosen to play for a New South Wales representative side soon after. He later moved to St George where he won a league title and was offered a contract in Japan, along with teammate Attila Abonyi, after impressing in an Asian tournament that St George won but turned down the deal. It was during this time that Abonyi who started using <mask>'s nickname "Noddy" in regards to his heading ability. He returned to his former club South Coast United, then known as Safeway United following a takeover by a motor company, in 1973 for a fee of $5,000.Return to Europe
His performances in the 1974 World Cup saw <mask> receive offers from a number of clubs in Germany, including Hertha Berlin, Hamburg and Eintracht Frankfurt. <mask> agreed a deal with Hertha that included a $40,000 signing-on fee and a temporary apartment until he was able to secure his own living accommodation and a fee was agreed between Hertha and Safeway United. However, <mask> received a late offer from Luton Town in the Football League who had tracked <mask> following his performance against the side during a tour of England by the Australian national side in 1970, <mask> having scored the winning goal during a 2–1 victory. The club had achieved promotion to the First Division, the highest tier in English football, the previous season and <mask> decided to join the Hatters in order to help his wife settle and the lack of a language barrier. He also held talks with his former club Preston. In his debut season, <mask> finished as the club's joint top goalscorer, along with Ron Futcher, in the league

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 as the club suffered relegation. However, <mask> spent just one season at Kenilworth Road as the club began to experience financial difficulties resulting in <mask> not being paid at times.<mask> later described his decision to reject offers from Germany and return to England with Luton as "the biggest mistake I ever made". Cardiff City manager Jimmy Andrews paid £20,000 to take him to Ninian Park with the club also agreeing to pay <mask> the wages owed to him by Luton. He scored twice on his debut in a 4–3 win over Chesterfield and later went on to become the first post-war Cardiff player to score a hat-trick in the FA Cup in a 6–2 win over Exeter City. In his first season, the club won the Welsh Cup, qualifying for the European Cup Winners' Cup the following season. In the first round of the competition, <mask> became the first Australian player to score in a European competition when he scored in a 1–0 victory over Georgian side Dinamo Tbilisi on 15 September 1976. After helping the club win promotion to Division Two, scoring the goal that confirmed promotion in a 1–0 victory over Bury, he struggled to reproduce his form the following year and left Cardiff to play in the NASL for Tampa Bay Rowdies. <mask> later stated that he enjoyed playing for Cardiff more than any club in his career and had only chosen to accept Tampa's offer due to the money offered to him.Later career
<mask> joined the Rowdies after being spotted by the team's manager Eddie Firmani. On his debut for the Rowdies in the NASL, <mask> was unveiled to the club's fans by arriving in a helicopter. He helped the club to a third-placed finish in his debut season, eventually being eliminated in the post season play-offs by the New York Cosmos. After his first season with Tampa, <mask> returned to Australia to play for struggling Canberra City, who were managed by his former international teammate Johnny Warren as a guest player. Earning a fraction of his Rowdies wages, he scored on his debut, during a 4–0 victory over Sydney Olympic, and made a total of ten appearances and scored three times as he helped the side escape


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 relegation before returning to Tampa. During his second season in the US, <mask> suffered a knee injury that would eventually force him to retire from professional football after his studs were caught in the pitch while his knee was hit by an opposing player. He was initially told that he had suffered strained knee ligaments but after fourteen weeks with little progress he became concerned and hired a doctor in Harley Street in London.The doctor immediately informed <mask> that the injury was considerably more serious as he had actually torn the ligament away from the bone. He remained out for the remainder of the season his contract was eventually paid off after his green card expired. International career
<mask> was handed his debut for the Australian national team by head coach Joe Vlasits on 19 July 1969 in a 1–0 friendly victory over Greece, who were undertaking a tour of Australia, at the Sydney Cricket Ground. <mask> later commented that as soon as he began playing for Australia, he was "no longer English". He won two further caps in 1969, playing in two out of three matches of a tour of Rhodesia against the national side in November, before scoring his first international goal the following year in a friendly match against Greece. <mask> was instrumental in Australia's progress during the qualifying rounds for the 1974 FIFA World Cup, scoring three goals in the group stage and once during the final play-off match against Iran as Australia qualified for the World Cup for the first time in their history. During the qualification stages, the team embarked on a gruelling world tour that included playing matches in Vietnam during the Vietnam war where they were forced to travel to U.S. army bases to eat.He was named to the squad for the tournament in West Germany by manager Rale Rasic. In the opening match against East Germany, <mask> performed a move to beat defender Konrad Weise that was used later in the tournament by Dutch international Johan Cruyff and became known as the "Cruyff Turn". He later commented on Cruyff's use of the move "I used to do this trick but not very often,

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 [...] He must have practiced it for five days because five days later he did the same thing against Sweden". Prior to the Australia side meeting West Germany in the group stage, during a press conference, German manager Helmut Schoen stated:

<mask> started all three of Australia's matches at the tournament as they suffered defeats to East Germany and West Germany and drew 0–0 with Chile. He lost his place in the side soon after to John Kosmina but did return to play in the qualifying stages of the  1978 World Cup as Australia failed to qualify after a series of disappointing results and he was never called up for the side again. In total, he represented Australia between 1969 and 1977 in 37 official matches, scoring 6 goals. <mask> represented New South Wales in 1974 as a player and led the selection of the Illawarra region as coach in 2004.

International goals
Australia score listed first, score column indicates score after each <mask> goal.Coaching career
After suffering the knee injury that ended his career, <mask>'s son <mask> was diagnosed with Legg–Calvé–Perthes disease, a hip disorder. He soon spent the majority of his earnings made during his football career and moved back to England to set up a hotel with his brother Alex in Blackpool. However, after just four months, <mask> grew unsettled and decided to return to Australia, eventually moving to Illawarra. <mask> signed a three-year contract with the Wollongong City in 1983. Prior to the season seven of his players were sold to rival league clubs due to Wollongong's financial troubles. Wollongong finished second last in National Soccer League and <mask> left the club. In 1984, he was appointed coach of Corrimal Rangers in the second division in Illawarra regional competition after being recommended by his former Wollongong assistant Terry Hurley.After one season the side was promoted to the Illawarra Premier League, where they signed <mask>'s former Australian international teammate Attila Abonyi who would score 21 goals for the club in the 1985 season. <mask> left the Rangers at the end of the 1989 season after six seasons

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 in charge. After a year long break from football, <mask> was approached by Port Kembla and he became head coach for the 1991 season. <mask> spent 13 seasons with Port Kembla; during that period the club won 26 trophies including five league titles, seven Grand Finals, and two Bert Bampton Cups. <mask> left Port Kembla at the end of 2004 after securing his fourth League and Cup double. In 2005, he rejoined Wollongong Wolves who were playing in the NSW Premier League and he was once again handed a three-year contract. The side finished mid-table but, frustrated by financial and off the field issues, <mask> walked out of the club after just one season.In 2006, <mask> joined Illawarra Premier League club Bulli; during his six seasons with the club, they finished 2nd on three occasions and featured in three Grand Finals. After leaving Bulli, <mask> turned down several offers to return to coaching before working as a carer for adults with learning difficulties. Honours
South Coast United
 National Premier Leagues NSW Division One: 1969

Cardiff City
 Welsh Cup: 1976

See also
 Foreign-born footballers who played for Australia

References

External links
 André Krüger: Australia – National Team Player Data, Rec.Sport.Soccer Statistics Foundation, 5 May 2002 (World Cup matches)
 Australian Player Database – AL, OzFootball

1949 births
Living people
Footballers from Preston, Lancashire
English emigrants to Australia
Association football forwards
English footballers
Australian soccer players
Australia international soccer players
Australian expatriate soccer players
1974 FIFA World Cup players
English Football League players
National Soccer League (Australia) players
Luton Town F.C. players
Cardiff City F.C. players
North American Soccer League (1968–1984) players
North American Soccer League (1968–1984) indoor players
Tampa Bay Rowdies (1975–1993) players
Wollongong Wolves FC players
South Coast United players
Expatriate soccer players in the United States
Australian expatriate sportspeople in the United States
English expatriate sportspeople in the United States
English expatriate


texts: <mask> (; born 1 May 1970) is a Peruvian actor, director and politician. He served as Prime Minister of Peru from March to September 2019, in President Martín Vizcarra's administration. Born in Lima, from a very young age he showed passion for acting. At first, he pursued a career in law, graduating from the Pontifical Catholic University of Peru in 1994. After working one-year as a lawyer, he decided to pursue a career in acting. Enrolled in Alberto Ísola's workshop, he starred in a variety of national classical theatre productions. Subsequently, he starred in three television series' directed by Luis Llosa.He gained international fame in 2000 for his portrayal of "Captain Pantaleón Pantoja" in Captain Pantoja and the Special Services film adaptation of Mario Vargas Llosa's classical novel, directed by Francisco J. Lombardi. The film was selected as Peru's 72nd Academy Awards Best Foreign Language Film Award submission, but was not nominated. <mask> took a brief hiatus of acting as he travelled to New York to pursue a master's degree in international relations at Syracuse University. Upon finishing his graduate studies, he acted in a variety of television productions, and ultimately relocated to Colombia and Mexico. Among other works, he starred in The Missing Elephant in 2013, and debuted as film director with Magallanes in 2014. After years dedicated to cultural promotion in his country, President Pedro Pablo Kuczynski appointed him Minister of Culture in a cabinet reshuffle on 5 December 2016, switching the previous Minister of Culture to Defense. In his one-year tenure as minister, he took a prominent role in promoting Peruvian cinema, and relaunching renowned museums throughout the country.He tendered his resignation on 27 December 2017, alongside other cabinet ministers in protest of president Kuczynski's pardon of former President Alberto Fujimori, imprisoned for murder and aggravated kidnapping. Upon César Villanueva's resignation as Prime Minister of Peru, <mask> was appointed by

masks: Salvador Alejandro Jorge del Solar Labarthe


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 president Martín Vizcarra as Villanueva's successor, on 11 March 2019. As tension arose between the executive branch and the Fujimorist dominated Peruvian Congress in the months of his premiership, <mask> and Vizcarra worked towards finding a solution to the ongoing political crisis. The situation escalated when Congress convened a new election of the Constitutional Court magistrates, prompting <mask> to appear before Congress asking for a vote of confidence to modify the magistrate's election rules for institutional preservation. The majority of Congress ignored his presentation, and proceeded to elect the new magistrates. President Vizcarra interpreted the election as factual denial of confidence, ultimately dissolving Congress by constitutional decree on 30 September 2019. Due to the denial of confidence against the cabinet, <mask> tendered his resignation on the same day.He was succeeded by Vicente Zeballos. <mask> is the first Peruvian politician to be heavily involved in the film industry and acting as a career. He is also the youngest prime minister of Peru, and the first one to be born after the multiple coups in Peru in the mid-20th century. He is viewed by pundits as potential presidential hopeful for the next general election cycles due to his positive experience as Prime Minister during the escalation of the 2017–2021 Peruvian political crisis but on 31 July 2020, he announced that he will not run for President. Early life and education
<mask> <mask> was born on 1 May 1970, in Lima. He is the son of <mask> <mask> and Elvira Labarthe Flores. His great-great-grandfather, Pedro Alejandrino <mask> was President of the Council of Ministers and Vice President of Peru.He attended the Santa María Marianistas School of Lima. After the completion of his high school studies, he was admitted to the Pontifical Catholic University of Peru, where he graduated as a lawyer with honors. During his undergraduate studies in law, he founded and directed the law magazine Lus et Veritas, and served as

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 head of internships at several chairs. Subsequently, he completed a master's degree in International Relations at the Maxwell School of Citizenship and Public Affairs at Syracuse University with a specialization in Communication and Intercultural Negotiation (2002). He was selected national of the water polo team. Acting career

Upon graduating from the Pontifical Catholic University of Peru as a lawyer, he worked at many law firms in Lima. After a year in his last law firm, he quit to pursue a career in acting.Subsequently, he enrolled in Alberto Isola's professional actors workshop, later starting a career in the theater, which has included works such as Presas de Salón, Ojos Bonitos, Ugly Paintings, Hamlet, El Gran Teatro del Mundo and King Lear, after which he traveled to Colombia to continue his career. In 1999, with Angie Cepeda, he starred in the film Captain Pantoja and the Special Services, directed by Francisco J. Lombardi, based on the homonymous novel by Mario Vargas Llosa; the film was a success between the public and the critics. The same year, he starred in the telenovela Pobre Diabla, again together with Angie Cepeda. The telenovela was a true success of the Peruvian productions, which led to its export to American and European countries. In 2009, he returned to Peru to participate in the series The Dwarf. Salvador returned to Peru in 2012 to be a jury member of the 16th Lima Film Festival. He also recorded for the series El Capo 2, playing the lawyer Rubén Castro.In 2013, <mask> participated in the movie The Missing Elephant by Javier Fuentes León, where he shared credits with Colombian actors Angie Cepeda and Andrés Parra. The film was released the following year. In 2014, <mask> debuted as a film director with the film Magallanes. Political career

Minister of Culture (2016–2017)

<mask> was appointed Minister of Culture by president Pedro Pablo Kuczynski in a cabinet reshuffle, as the previous holder was switched to the Ministry of Defense, on 5 December 2016. <mask>'s

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 appointment was viewed by pundits as a populist move by Kuczynski, amid the starting confrontation between the executive branch and the opposition-dominated Peruvian Congress led by Popular Force. During his tenure as minister, <mask> promoted the ministerial initiative for the new Cinema Law, which sought to increase the subsidy to Peruvian cinematographic works, including up to 30% of the project's investment. <mask> also participated in a project for the relaunching of the Museum of the Nation, and the construction of the National Museum of Lurín.Amidst the political turmoil regarding Alberto Fujimori's pardon granted by president Kuczynski's on 24 December 2017, <mask> tendered his resignation as Minister of Culture on 27 December, alongside other cabinet ministers. His resignation was accepted on 9 January 2018, as Kuczynski appointed the former director of the National Library of Peru, Alejandro Neyra, as <mask>'s successor. Premiership (2019)

On 11 March 2019, <mask> was appointed President of the Council of Ministers of Peru by president Martín Vizcarra, succeeding César Villanueva, who resigned three days before. Two weeks later, <mask> met with President of Congress Daniel Salaverry, to announce his prompt visit to Congress and request the vote of confidence (known as investiture vote). On 4 April, he appeared before Congress to expose, according to law, the general policy of the government and the measures that his management as head of the Cabinet would take. <mask> began his exposition analyzing the national situation and the discontent of the population with political parties and institutions. Likewise, he presented on the main axes of the government: integrity and the fight against corruption, institutional strengthening, economic growth, social development and decentralization.With 46 votes in favor, 27 against and 21 abstentions, the vote of confidence was confirmed, this being in two decades the smallest share of votes obtained in favor of a new cabinet granted by

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 Congress. On 4 June, <mask> raised a second vote of confidence in Congress for it to discuss six bills regarding the Political Reform proposed by Martín Vizcarra's administration. Congress approved the vote of confidence with 77 votes in favor, 44 against and 3 abstentions after a heated debate between the fujimorist opposition and pro-government caucuses. Resignation and dissolution of Congress
On 30 September 2019, <mask> appeared before Congress asking for a third vote of confidence to modify the process of selecting candidates for the Constitutional court, which had been criticized for its speed and lack of transparency. However, the opposition-dominated Congress chaired by Pedro Olaechea decided to continue with the selection process for magistrates, alleging that the selection was a constitutional prerogative exclusive to Congress, and not of the executive branch. The request for a vote of confidence was postponed until the afternoon of the same day. After 2 hours of debate, Gonzalo Ortiz de Zevallos (a cousin of Olaechea) was appointed to the Court, with 87 votes in favor.President Martín Vizcarra interpreted that the vote of confidence was factually denied, so he proceeded with the acceptance of <mask>'s resignation and the subsequent dissolution of Congress, in accordance with the provisions granted in the Constitution. Simultaneously, Congress approved with 57 votes in favor, 31 against and 13 abstentions. This decision was considered unconstitutional, as Congress had been dissolved minutes before by constitutional decree. Within a few hours, Vizcarra appointed then-minister of Justice and Human Rights, Vicente Zeballos, as the new President of the Council of Ministers, succeeding <mask>, who finally signed the dissolution decree. <mask> has since retired from politics. Post-Premiership
<mask> remains active in public opinion after his seven-month tenure as Prime Minister of Peru. At national level, he is perceived as potential presidential candidate for future general elections,

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 due to his positive management in the government and popular appeal as a openly progressive politician.Pundits view his experience in fighting the opposition in order to appear before Congress to request the final vote of confidence as "his greatest asset" for a political future. Although <mask>'s initially expressed interest in a possible presidential run, he has not commented on the matter regarding a full-scale campaign for 2021. Recent polls suggested he remained a strong contender among the new incoming political figures, alongside former footballer and mayor of La Victoria District, George Forsyth. Even former president Martín Vizcarra publicly declared <mask>'s possible candidacy as good alternative for the future of the country. Although, he ultimately declined to run in a televised interview on 31 July 2020, stating "I don't believe in individual efforts, but rather collective ones; I believe in institutional efforts, and I ratify my response not to be a candidate for the Presidency, and to invite those who can be or want to be to leave their individual thoughts, including supporters". Best Telenovela Actor for his participation in the telenovela Pobre Diabla / América Televisión / Perú / 2001. Best Actor Award for his participation in the film Pantaleón and the Visitatrix, at the International Film Festivals of Cartagena de Indias, Colombia / 2000; of Troia, Portugal / 2000; de Gramado, Brazil / 2000; and of Santo Domingo, Dominican Republic / 2001.Bulgarian TeleNovelas magazine award for Best Antagonist Actor for his participation in the telenovela Amores de Mercado / Bulgaria, 2007. References

External links

1970 births
Living people
Male actors from Lima
Politicians from Lima
Prime Ministers of Peru
Government ministers of Peru
Peruvian television presenters
Peruvian male film actors
Peruvian male stage actors
Peruvian male telenovela actors
Peruvian male television actors
Pedro Pablo Kuczynski
Pontifical Catholic University of Peru alumni
Maxwell School of Citizenship and

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<mask> (born <mask>, November 18, 1967 in Haverhill, Massachusetts, United States) is an American folk musician, guitarist, singer-songwriter, producer, teacher, and recording artist based in Durham, North Carolina. Shain is the 2019 International Blues Challenge winner in the solo/duo category. Shain has released ten solo albums, and has also recorded with the bands WAKE and Flyin' Mice. Since 1988, he has performed live with Jorma Kaukonen, David Grisman, Jackson Browne, John Hiatt, and others. Shain played electric guitar as part of Big Boy Henry's backing band in the 1980s. Early life
Shain is Jewish, the eldest of three children to Steven and Carol Shain, who are also Haverhill, Massachusetts natives. His father and grandfather operated a small but successful textile dyehouse.<mask> got his first acoustic guitar after being influenced by watching childhood friend Fran Cleary play a cheap Univox electric model. Things went poorly, as within a short time, he accidentally broke the rented instrument in half. At age 12 he started up again with another borrowed model, this time showing more serious interest and taking lessons. For high school, Shain attended The Governor's Academy in Byfield, Massachusetts, where he met up with other aspiring musicians among its small student body. Almost immediately, Shain joined a student rock band called Positive Feedback, where he played electric rhythm guitar and first performed live on stage. At age 14, he was the youngest member of the band. The following year, Shain and childhood friend Jim Barr, along with fellow students FJ Ventre and John Miller, formed another rock cover band

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Jon Shain
Jonathan Bruce Shain
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 called The Partisans (the band's name unknowingly matched an already established punk band from the UK).This experience further sharpened his skills and confidence as a live performer, as he was responsible for most of the arrangements performed by the band. The Partisans achieved minor notoriety throughout the region, playing dances and private parties during Shain's remaining years in high school. Eventually mixing in originals by Shain and Barr, The Partisans live set mainly consisted of classic rock staples from Chuck Berry, The Beatles, The Rolling Stones, The Clash, R.E.M., and U2. Shain graduated from the academy in 1985. College years
Shain attended Duke University in Durham, North Carolina, where he majored in history. It was during this time that Shain was introduced to the folk music of the region. In addition to playing in a frat-rock cover band, The Blind Mice, Shain began to research and play Piedmont blues.Shain joined The Slewfoot Blues Band, led by Mickey "Slewfoot" McLaughlin and "Sleepy" Tom Forsythe. Through Slewfoot, Shain met North Carolina blues artists such as Big Boy Henry, John Dee Holeman, Lightnin' Wells, and jazz pianist Brother Yusef Salim. Shain has described his style of blues as being based on Piedmont blues and has said, "I'm interested in the kinds of songs that aren't necessarily in standard blues progressions." Shain also took opportunity of Duke's jazz program, studying one semester with saxophonist Paul Jeffrey, a veteran of Thelonious Monk's group. Shain graduated from Duke in the summer of 1989, and immediately began pursuing a career in music. Professional career
In 1989, Shain and


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 bassist John Whitehead formed a blues-rock duo, Flyin' Mice. They began to play shows at local clubs and festivals in The Carolinas and Virginia.Catching the ear of soundman and recording engineer <mask>, Flyin' Mice was signed to <mask>' fledgling independent label Dr. Lime Records. The Mice expanded to a trio with the addition of drummer Mark Simonsen. In 1992, John Whitehead left the band and was replaced by bassist Aaron Oliva and Ben Saffer on guitar and banjo. Flyin' Mice earned the tag "psychedelic bluegrass" due to its incorporation of vintage bluegrass influences into its jam-rock performance style. This incarnation of the band gigged steadily up and down the East Coast until the band's breakup in 1996. In 1996, <mask> and Simonsen started a new group called WAKE, with Kirsten O'Rourke Simonsen on vocals and Stu Cole on bass. In 1997, Cole left to join Squirrel Nut Zippers and he was replaced by Darrell Dixon on bass and John Currie on guitar.WAKE leaned more towards an alt-country sound. WAKE broke up in early 1998. In 1998, <mask> and Simonsen began work on what would become <mask>'s first solo album, Brand New Lifetime, which ranged from the alt-country of WAKE to a more stripped down re-discovery of Shain's acoustic blues background. Shain began to play shows solo and with his new group, The <mask> Trio – composed of FJ Ventre on bass, John Currie on dobro and guitar, and Bill Newton on harmonica. This group stayed together the longest of any of shain's musical associations. Shain has recorded several albums on his own Flyin' Records and continues to tour and record regularly with FJ Ventre. Recognition
Shain

masks:
Charles Jones
Jones
Shain
Shain
Jon Shain
Jon Shain


texts:
 was the winner of the North Carolina's Indy Award for Best Folk Act in 2006.In 2008 and 2018 he won the Triangle Blues Society's Blues Challenge. He was the 2019 International Blues Challenge winner in the solo/duo category. Discography

Solo albums

Other albums

Other recording appearances

Family life
In 1997, Shain married graphic designer Maria Bilinski. The couple have one daughter, Johanna, born in 2002. Shain has written a song for each of them, both of which can be found on Army Jacket Winter. References

External links
<mask>'s website
<mask>n at eFolkMusic.com

1967 births
20th-century American guitarists
20th-century American male musicians
American acoustic guitarists
American male guitarists
American folk guitarists
American folk musicians
American folk singers
Duke University Trinity College of Arts and Sciences alumni
Guitarists from Massachusetts
Guitarists from North Carolina
Jewish American musicians
Jewish American songwriters
Jewish folk singers
Living people
Musicians from Durham, North Carolina
Musicians from Haverhill, Massachusetts
Singer-songwriters from North Carolina
The Governor's Academy alumni
21st-century American Jews
American male singer-songwriters
Singer-songwriters from

masks:
Jon Shain
Jon Shai


texts:
<mask> (born 1973) is a Canadian criminal, outlaw biker and police informer who played a key role in the Ontario Provincial Police's (OPP) Project Tandem operation against the Hells Angels in 2005–2006. Informer
<mask> was born in North Bay and dropped out of high school in grade 10. In 2008, <mask> testified that he started working as a police informer in 1990 at the age of 17 as he became involved in various criminal activities while at the same time informing on his associates. <mask> stated: "I was just providing information to them [the police] for money about drug dealing operations in the area". When asked by the Crown Attorney Mitchell Flagg  "Other than the money, was there any other reason that you provided information to the police when you were a teenager? ", <mask> flatly replied "No". <mask> was first convicted of a criminal offense at the age of 17.<mask> became a member together several of his relatives of a nomadic band known variously as "the Travelers" or "the Wanderers" that operated in the rural areas of eastern Ontario that targeted elderly farmers by engaging in home renovation scams. <mask> testified in 2008 that he felt justified in targeting elderly farmers "because they have a lot of money". At the same time, <mask> informed on his associates in his band, sometimes being paid $1,000 dollars by the police for his information, but he testified that he informed on his brothers-in-law who were members of his band for free. <mask> testified that knew what barns and homes he and his associates had worked on because the work done "was horrible". Besides for specializing in cheating senior citizens out of their life savings, <mask>

masks:
Steven Gault
Gault
Gault
Gault
Gault
Gault
Gault
Gault
Gault
Gault
Gault


texts:
 bit off the ear of a man in a bar fight in Campbellford. About the ear-biting incident, <mask> stated: "It was a consensual bar fight". Over the years, <mask> has been convicted of multiple counts of fraud, assault and uttering death threats.In 1996, <mask> became involved with a 18-year-old woman named Linda Sebastiao, whom he started living with a month after they met and in 1997 he fathered a daughter by her. Sebastiao described <mask> as: "He was very charming and swept me off my feet." Sebastiao claims that he once cheated one elderly farmer by billing him for some $260,000 dollars for home renovation work that was never done. Sebastiao stated she was well aware that <mask> did not make his living honestly, but that: "He gave us everything we wanted. Everything that we needed. We bought a nice, cute little place." However, as the years went on, Sebastiao alleges that her relationship with <mask> moved into a darker direction as she stated that he became jealous, dominating, possessive, and brutal.Sebastiao alleges that <mask> did not allow her to have a driver's license and that he frequently beat her, once because the toilet paper did not roll in a manner pleasing to him. Biker
In 1999, <mask> was living in Northumberland County. <mask>  was working on a house in Warsaw, Ontario when he met a member of the Satan's Choice Motorcycle Club, William "Mr. Bill" Lavoie, by chance and ending up befriending him. In the fall of 1999, <mask> joined the Satan's Choice's Oshawa chapter. The club's rules required that a new member be sponsored by a member who had known him for at least five years; <mask>'s sponsor Lavoie had only known him for five months

masks: Gault Gault Gault Gault Gault Gault Gault Gault Gault Gault Gault


texts: and had been bribed in the form of $12,000 dollars by <mask> to say otherwise. <mask> joined Satan's Choice solely with the aim of selling information about the club to the police. <mask> cultivated a bloodthirsty image, boasting about he how had bitten off a man's ear, and adopted as his biker name "Hannibal".The nickname Hannibal was not a reference to the Carthaginian general, but rather to the fictional serial killer Hannibal "the Cannibal" Lecter. <mask> cultivated a bloodthirsty image, claiming that the ear-biting incident had left him with a taste for human blood. <mask>'s ex-wife recalled: "When we would make him steak for supper, his was just with spices, raw, not even on the grill for a little". The national president of Satan's Choice, Bernie Guindon, who lived and still does live in Oshawa, recalled about <mask>: "He had a cocky attitude. That's what I got from him. I always had a gut feeling about him. The questions he'd be asking me.You always had to be careful how you answered him". Guindon was also suspicious of Lavoie, whom he suspected was a police informer, stating: "He hadn't worked, but he always had money. I always wondered where he got the money". <mask> entered Satan's Choice as a "hang-around", the lowest level in an outlaw biker club and was promoted up to a "prospect", the second level in an outlaw biker club in late 2000. One Satan's Choice member, Lorne Edgar Campbell, stated that <mask> would never nod his head until he had nodded his head first, which he found disconcerting. Campbell said of <mask>: "He looked sneaky. He just didn't look right".On 29 December 2000, Satan's Choice "patched over" en masse to join the

masks: Gault Gault Gault Gault Gault Gault Gault Gault Gault


texts: Hells Angels and in this way, <mask> became a Hells Angel. On that day, in a much publicized ceremony, most of the Ontario outlaw biker gangs such as Satan's Choice, the Vagabonds, the Lobos, the Last Chance, the Para-Dice Riders and some of the Loners travelled to Hells Angels' "mother chapter" clubhouse in Sorel-Tracy, just south of Montreal to join the Hells Angels, making them at one stroke the dominant outlaw biker club in Ontario. One police officer told the journalist Jerry Langton about the mass "patch over" in Sorel: "They [the Angels] were truly scraping the bottom of the barrel. They were trading patch for patch the legendary Hells Angel patch for some of the lowest of the low". <mask> testified that after joining the Hells Angels: "I contacted one of the officers I was providing information to...I told (the police) if I could make my way into the Hells Angels and make my way up to full patch, I would take down any drug dealers I could". In early 2002, <mask> became a "full patch" Hells Angel, the highest level in an outlaw biker club, making him a member of the Hells Angel elite. Sebastiao stated: "After he got his full patch he thought he was king of the world."As a Hell Angel, <mask> promoted the image of himself being a "wild man", waving about his handgun, showing off the newspaper reports about his assault conviction for the ear-biting incident, and hinting very strongly that he had committed a murder. The journalist Jeff Mitchell wrote: "His way of settling a beef was to throw the first punch and keep on throwing until he'd made his point: the new Angel once squared off against the Oshawa club's Sergeant At Arms, who serves as the

masks: Gault Gault Gault Gault


texts: charter enforcer." In outlaw biker clubs, the office of sergeant-at-arms who is in charge of enforcing discipline within the chapter is generally held by the toughest member of the chapter. <mask> later testified that about his fight with Oshawa chapter's sergeant-at-arms: "I pretty much mopped the floor with him." Shortly there afterwards, <mask> became the treasurer of the Hells Angels' Oshawa chapter, making him in charge of the finances. Sebastiao states he became paranoid and had the windows of their house bricked in to reduce the chances of him being killed in a drive-by shooting. In 2002, <mask> was given a speeding ticket by the Durham Region police constable Todd Dennis.In response, <mask> began a campaign of harassment against Dennis and his family, stalking them and making threats. In October 2002, <mask> was convicted of uttering death threats while Dennis secured a restraining order forbidding <mask> from having contact with him and his family. In 2003, Sebastiao ended her relationship with <mask> and she publicly accused him of being a police informer. Sebastiao alleges that <mask> neglected his family in favor of partying and cocaine use, became more abusive and wanted to have an ex-girlfriend move in. Another member of the Hells Angels' Oshawa chapter, Remond Akleh, believed Sebastiao's allegations that <mask> was an informer and pressed for <mask> to be expelled. <mask> made aggressive use of the Angels' "arbitrations" (the internal tribunals to settle disputes between the club's members), denying the allegations and pressing for Akleh to be expelled instead. <mask> convinced the other Angels in the "arbitrations" that he was not an

masks: Gault Gault Gault Gault Gault Gault Gault Gault Gault Gault Gault Gault


texts:
 informer and that Akleh was lying.In 2003, Sebastiao's family was awarded a restraining order against <mask> after he was alleged to have threatened to kill them by blowing up their house with them in it. Sebastiao stated: "I was scared, scared of what he might do to me and my family; like what he had threatened." She alleges that <mask> once threatened to kill her by stripping her naked, tying her to a tree in the forest, covering her with honey and letting the animals and insects eat her alive. Project Tandem
In April 2005, the OPP's Anti-Biker Enforcement Unit recruited <mask> as a full time agent source informer, signing a contract with <mask> giving him immunity while paying him $1,900 dollars per week and another $15,000 dollars per month in a trust fund while also paying his income taxes. An informer is someone who provides information to the police, usually in exchange for money, but does not have to testify in court and does not enjoy immunity; by contrast, an agent source informer has a contract giving him or her immunity from past and future crimes and is guaranteed to be paid a certain sum of money as specified in the contract, in exchange for which the agent source informer must agree to testify in court. <mask> was the key informer behind what the police called Project Tandem under which <mask> was to wear a wire while conducting drug deals with various Hells Angels. Project Tandem was supposed to last only six months, but instead went on for 18 months until September 2006 as <mask> collected more information than the police had expected about the Hells Angels.In 2005, <mask> bonded with Gerald "Skinny" Ward, the president of the

masks: Gault Gault Gault Gault Gault Gault Gault Gault


texts: Angels' Niagara chapter, during a motorcycle ride to Prince Edward Island, and having gained his trust, suggested he do business with him. Ward was close to having a monopoly of the cocaine trade in the Niagara peninsula and was well known in underworld circles for the high quality of his cocaine. The police estimated that Ward was responsible for about 75% of all the cocaine sales in the Niagara peninsula. On 18 August 2005, <mask> visited Welland to meet Ward while wearing a wire and was recorded buying 1.1 kilograms of cocaine from Ward for $42,000 dollars in cash. As Ward's cocaine was about 85-91% pure, <mask> joked while buying the cocaine "I never even tried it, I'm like, I'm trying not to touch it". On 5 October 2005, <mask> visited Ward at his Wellland home, where he was recorded buying one kilogram of cocaine for $38,000 dollars in cash. During his visits, Ward talked frankly with <mask> about his business, saying his chapter was supposed to have at least six members as required by the Angel rules, but in fact had only three members as it was difficult to recruit "good guys".Ward told <mask> that he that despite the high price that he charged for his cocaine, he was not stocking up as he believed that the price would come down eventually, leading <mask> to say that it was "playing the stock market". Ward replied:  "Pretty well the same thing. You're up, you're down.". Between August 2005-February 2006, Ward sold <mask> altogether some $156,000 dollars worth of cocaine. One evening in April 2006, <mask> unexpectedly arrived at Guindon's house talking about a vague offer to pay him 5,000 dollars in exchange for some unspecified project that


texts: <mask> had planned. Guindon recalled: "He promised me five thousands dollars a month and I said no. I didn't know what he meant by 'work with him'.I just knew it would mean trouble." Distrusting <mask>, whom he believed was setting up him for something, Guindon decided to retire from the Hells Angels the next day. Guindon turned in his Hells Angel patch, which <mask> as the Oshawa chapter treasurer burned. As a result of Project Tandem, <mask> ended up being paid about $1 million by the Ontario government. <mask> is believed to have been the first full patch Hells Angel in Canada to wear a wire for the police. <mask> later testified: "The whole idea of a patch and being a full patch member is that you can be 100-percent trusted. And you can do business with anybody and they're to trust you 100 percent and that's meaning business as in illegal business-drugs, stolen property, robberies-anything".Shortly before his death in a motorcycle accident on 7 September 2006, Lavoie had been expressing regret at having sponsored <mask> in 1999, accusing him of being an informer. One Hells Angel, Lorne Edgar Campbell, has maintained that there was something suspicious about Lavoie's death, claiming that Lavoie was a careful rider and he maintains that it was odd that that police neither charged nor released the name of the driver of the car that killed Lavoie (the police have stated the identity of the driver was kept secret out of the fear that he might be killed by Hells Angels). <mask> attended Lavoie's funeral on 13 September 2006 and has repeatedly denied in court allegations that he said at the funeral: "He's never smelled better". When the Project Tandem


texts:
 raids were launched on 28 September 2006 the police arrested 27 people including 15 full patch Hells Angels. As a result of Project Tandem, the police seized $417,100 Canadian dollars and another $6,914 American dollars from various Angel clubhouses in Ontario together with drugs worth 2.9 million Canadian dollars including 13 kilograms of cocaine, 50 pounds of marijuana, 50,000 tablets of ecstasy, and two kilograms of methamphetamine. Perhaps more damaging, the fact that a "full patch" Hell Angel had worked as a police enforcer led to an atmosphere of paranoia within the Hells Angels as to who else might be an informer. On September 28, 2006, two Hells Angels, Remond "Ray" Akleh of Ottawa and Mark Stephenson of Oshawa were charged with ordering <mask> to kill Frank Lenti, the national president of the Bandidos.Akleh had moved to Ottawa to get away from <mask>, a man he greatly disliked and with whom he had feuding with ever since he accused him of being an informer in 2003. Stephenson was the president of the Hells Angels Oshawa chapter. Witness for the Crown
<mask> served as the star witness for the Crown in the various trials that resulted from Project Tandem in 2008–2009. On 11 May 2008, <mask> served as a witness for the Crown at the double murder trial of James Boudreau in Coburg. On 26 May 2008, Boudreau was convicted of one count of first degree murder and another count of second degree murder. At the trial of Akleh and Stephenson  in 2008 in Whitby, Akleh testified it was <mask>, stating he wanted nothing to do with the alleged murder plot or <mask>. On November 7, 2008, the Crown's case against Akleh and Stephenson collapsed when Akleh

masks: Gault Gault Gault Gault Gaultti Gault


texts: revealed to the court he had been a police informer since 2003 and there never was a murder plot against Lenti.<mask> appeared to be very surprised to learn that Akleh was also an informer, saying in the courtroom: "You've got to be kidding me". Akleh testified he had become an informer out of fear of <mask>, saying that <mask> was harassing him and his family and making death threats. Akleh stated that despite being a Hells Angel that he befriended Constable Denis as both men and their families were being harassed by <mask>, which led him to became an informer. Unlike <mask>, Akleh did not receive any monetary compensation from the police for his information. Akleh's lawyer, Glenn Orr, argued very forcefully that only "an imbecile or a moron" would try to recruit a man whom he already accused of being an informer to serve as a hitman. Orr called <mask> "the Wayne Gretzky of lying", saying in his closing comments to the jury that <mask> was a deeply dishonest man whose word could not be trusted. Akleh further testified that his long-standing feud with <mask> made it very unlikely that he would try to recruit him as a hitman while Stephenson testified he had been feuding with <mask> ever since he suggested he was not intelligent enough to serve as the treasurer of the Oshawa chapter.The fact that <mask> despite wearing a wire did not record either Akleh or Stephenson saying anything about wanting to kill Lenti was a further blow to his credibility; <mask> maintained that Akleh and Stephenson had indicated via hand gestures that they wanted him to kill Lenti. On January 18, 2009, Akleh and Stephenson were acquitted of conspiring to murder Lenti with


texts: the jury ruling that Crown's case rested entirely on the unreliable word of <mask>. In February 2009, Terry Pink, the president of the Angels' Simcoe County chapter, was convicted of selling 8,340 ecstasy tablets to <mask>. On 25 March 2009, Ward was convicted of drug dealing and living off the proceeds of crime, becoming the most high-profile Hells Angel to be convicted as a result of Project Tandem. Another Hells Angel turned informer, David Atwell, later testified that pictures of <mask> were to be found in every Angel clubhouse with the words "liar" and "rat" written across them. Ultimately, 21 Hells Angels were convicted of various drug, weapons, and membership of a criminal organization charges brought about in connection with Project Tandem. On 12 April 2009, a television documentary about his life entitled Project Gault aired as part of the television series Outlaw Bikers.<mask> is living in witness protection under a pseudonym in an unknown location. In June 2010, the Ontario Criminal Injuries Compensation Board ordered <mask> to pay Sebastiao some $35,000 dollars in compensation, ruling that she had suffered years of physical and sexual abuse at the hands of <mask>. Sebastiao has stated that <mask> has refused to pay child support for their daughter and compensation and alleges he only offered her a one time payment of $200 dollars to support their daughter despite being paid $1 million by the Ontario government. She stated about her ex-husband: "He would rather spend $5,000 on a (motor)bike part than $50 for a good pair of shoes for his daughter." Legal experts state that Sebastiao has a strong case against <mask>, but because he is living


texts:
 in witness protection that it is very unlikely that she can force him to pay child support. Books

References

External links
 Opportunity arrived on a Harley for biker How a snitch infiltrated the Hells Angels
Ex-Wife Chases Hells Angel Biker for Child Support

1973 births
Living people
Canadian male criminals
Canadian gangsters
Gang members
Hells Angels
Police informants
20th-century Canadian criminals
21st-century Canadian


texts:
<mask> (1928-2019) was an architect responsible for the design of significant buildings in Queensland, Australia. <mask> practiced from 1951 to 1986. Personal life
<mask> was born in Melbourne on the 24 October 1928, the eldest child of Harry and Elizabeth Birrell. Growing up in North Essendon, Birrell attended North Essendon Primary School from 1934–40 and Essendon State High School from 1940–44. In 1945 at the age of 17 <mask> was accepted into the Melbourne Technical College as an architecture student. To help finance his studies Birrell worked part-time as a builder's labourer. In 1947 <mask> began work as a draughtsman for the Victorian State Works Department and continued his studies Part-time.The same year he also became involved in the Contemporary Arts Society, through the Society he gained many new friends, notably Peter Burns. In 1950 Birrell was accepted into Fourth Year Architecture at The University of Melbourne. In 1951 he graduated and designed his first houses, in Frankston and Warrandyte, Birrell also worked briefly as the resident Architect at the Commonwealth Serum Laboratories. In 1952 Birrell co-founded the magazine Architecture and Arts with his contemporaries, Peter Burns, Helen O'Donnell and Norman Lehey. In 1954 Birrell contributed to the Contemporary Arts Society's exhibition 'Space Modulators' along with artists including Sidney Nolan, Ian Fairweather, Charles Blackman, Arthur Boyd and John Perceval. Working for the Commonwealth Works Department, Birrell was transferred to Canberra, before going on to Darwin and finally Brisbane. In Brisbane <mask> went on to become Brisbane City Council Architect and University of Queensland Staff Architect.It was during this period that <mask> designed his most significant buildings. Throughout his life <mask> admired the works of Walter Burley Griffin and in 1964 he wrote a biography on Griffin. In March 1985 <mask> was elected as a councillor for the Shire of Maroochy in Queensland. <mask>'s archive is held at the Fryer Library at the University of

masks:
James Birrell
James Brell
James Peter Brell
James Birrell
Birrell
James Brell
Birrell
Birrell
James Brell
Birrell


texts:
 Queensland and the State Library of Queensland. <mask> died 20 September 2019.

Notable projects

Brisbane City Council ArchitectIn 1956 as Brisbane City Council Architect Birrell designed the Chermside and Annerley Libraries, Centenary Pool Complex at Spring Hill as well as numerous public amenities. In 1957 his design proposal for the Centenary Pool complex was successful with construction finishing in 1959. Architecture and Arts magazine named the building as one of the top ten buildings within Australia.Birrell also designed the former Toowong Municipal Library Building, which was completed in 1961. Located on Coronation Drive, it was directly opposite to Birrell's Toowong Pool (which has since been demolished). The library is heritage listed although is now used for commercial purposes (medical imaging-MRI). University of Queensland Staff Architect

From 1961–66 <mask> practiced as The University of Queensland Staff Architect. In this position he designed and documented Union College, which was constructed in five stages from 1964 and 1972. Union College was highly commended after its construction. It was visually pleasing while also being innovative in terms of the structure and its response to pre-existing site conditions.Union College received a High Commendation award from Arts and Architecture journal as one of the best ten new buildings in Australia at the time. During his tenure as staff architect <mask> was also responsible for the JD Story Administration Building (1965) the Agriculture and Entomology Building, now known as the Hartley Teakle Building (1966). <mask> was also responsible for the design of the campus plan at James Cook University in Townsville, and several of its early buildings 1964–1970. In 1965 <mask> became President of the Australian Planning Institute. Private Practice

In 1966 he moved into private practice. Much of <mask>'s work in this period came from overseas. He worked for the University of Papua New Guinea, where he designed the Halls of Residence, Arts/Law and Arts II

masks:
Birrell
James Birrell
James Birrell
Birrell
Birrell
Birrell


texts:
 Buildings and Indonesia as a government planning consultant.Works
 Toowong Municipal Library and Pool designed while City Council Architect. Union College Building designed while University of Queensland Staff. Wickham Terrace Car Park
 Private residence - 4 Carol Court, Buderim, Qld
 Brisbane Centenary Pool Centre
Annerley Library, Brisbane
 University Hall of Residence, James Cook University
 Eddie Koiki Mabo Library, James Cook University
 Ken Back Chancellory Building, James Cook University
 JD Story Administration Building – University of Queensland
 Agriculture and Entomology Building (Hartley Teakle Building) – University of Queensland
 Papua New Guinea Banking Corporation (PNGBC) (now Bank South Pacific), headquarters – Port Moresby, Papua New Guinea
 Agriculture Bank – Port Moresby, Papua New Guinea
University of Queensland Staff and Graduates Club

Awards
 Union College, University of Queensland, RAIA High Commendation (1966)
 JD Story Administration Building, University of Queensland, RAIA Commendation
 Agriculture and Entomology Building (Hartley Teakle Building), University of Queensland, RAIA Citation (1970)

In 2005 Birrell was awarded the RAIA Gold Medal. Royal Australian Institute of Architects national president Warren Kerr said the Melbourne-born Brisbane-based architect had made a "spirited and distinguished contribution to the discipline of architecture". Tributes
 The University of Queensland Staff and Graduates Club have a room named the "<mask> Birrell Room". Architecture students in the University of Queensland's Faculty of Engineering, Architecture and Information Technology's Scholars program are known as Birrell Scholars. The program provides the Faculty's top students with enhanced academic, industry and cultural experiences.References

External links
 Collection UQFL117 - <mask> Papers, Fryer Library, University of Queensland
 <mask> Birrell Papers, State Library of Queensland

1928 births
Architects from Queensland
2019 deaths
Recipients of the Royal Australian Institute of Architects’

masks:
James
James Birrell
James Peter


texts:
<mask>divia or Valdiva (; April 17, 1497 – December 25, 1553) was a Spanish conquistador and the first royal governor of Chile. After serving with the Spanish army in Italy and Flanders, he was sent to South America in 1534, where he served as lieutenant under Francisco Pizarro in Peru, acting as his second in command. In 1540 he led an expedition of 150 Spaniards into Chile, where he defeated a large force of indigenous warriors and founded Santiago in 1541. He extended Spanish rule south to the Biobío River in 1546, fought again in Peru (1546 – 48), and returned to Chile as governor in 1549. He began to conquer Chile south of the Biobío and founded Concepción in 1550. He was captured and killed in a campaign against the Mapuche. The city of Valdivia in Chile is named after him.Early life as soldier in Europe and arrival in the Americas
<mask> <mask> is believed to have been born in Villanueva de la Serena
(some say Castuera) in Extremadura, Spain around 1500 (some sources put his date of birth as early as 1497 or as late as 1505) to an impoverished hidalgo family. In 1520 a civil war broke out in Castile, the Revolt of the Comuneros, and <mask> joined the army of Spanish king Charles I. He later fought in Flanders in 1521 and Italy between 1522 and 1527, participating in the battle of Pavia as part of the troops of the Marquis of Pescara. In May 1527, Valdivia was involved in the sack of Rome as a member of Charles I's mutinous mercenary army. He traveled with Spanish forces to South America in 1535. He was assigned for a year to present-day

masks:
Pedro Gutiérrez de Val
Pedro de
Valdivia
Valdivia


texts:
 Venezuela. He was moved to Peru in 1537.There he took part on the side of Hernando Pizarro in his struggle against <mask> Almagro and fought in the battle of Las Salinas in 1538; Almagro was defeated and captured. Afterwards <mask> accompanied Hernando and Gonzalo Pizarro to conquer both the province of Collao and las Charcas in High Peru (currently Bolivia). As compensation for his help in conquering these lands, he was awarded a silver mine and became a wealthy man. <mask> had married Marina Ortíz <mask>te in Spain. In Peru he became attached to Inés <mask>, a widow who accompanied him to Chile as his mistress. Expedition to Chile

After the failure of the expedition of <mask> Almagro in 1536, the lands to the south of Peru (then known as Nueva Toledo, extending from the 14° — close to modern day Pisco, Peru — to the 25° latitude — close to Taltal, Chile) had remained unexplored. Valdivia asked governor Francisco Pizarro for permission to complete the conquest of that territory.He got his permission but was appointed as Lieutenant Governor, rather than Governor as he had wanted. The expedition was fraught with problems from the beginning. Valdivia had to sell the lands and the mine that had been assigned to him in order to finance the expedition. A shortage of soldiers and adventurers was also problematic; the men were not interested in conquering what they believed were extremely poor lands. While Valdivia was preparing the expedition, <mask> <mask> Hoz arrived from Spain with a royal grant for the same territory. To avoid difficulties,

masks:
Diego de
Valdivia
Valdivia
de Gae
de Suárez
Diego de
Pedro Sánchez
de la