texts:
 art, and poetry of submitters and members of the organization. It ran, however inconsistently, for three years. <mask>’s work appears in all eight issues of the newsletter, with a variety of genres, including essays on the movements she was participating in, reports on the Gay Liberation Front in other cities and related organizations in New York City, and some of her poetry. Many of her essays, including “More Radical Than Thou” and “Subversion in the Women’s Movement - What is to be Done?” involve critiquing the competitive and cutthroat nature of the women’s movement, gay liberation movement, and other adjacent movements. Come Out! is one of the places in which <mask> was first published, providing insight into her developing political ideology as well as the events around her.The Gay Liberation Front allied itself with other movements going on at the time, including black liberation and women's liberation. For some, this unity was not desirable, and the Gay Activists Alliance (GAA) formed as a splinter group from GLF, and sought to focus more exclusively on gay rights. In addition to GAA, members of GLF also formed subgroups—cells—with different goals and purposes. One of the groups that formed primarily out of GLF women was Lavender Menace, named after the comment made by Betty Friedan (then president of NOW) regarding lesbians as a "lavender menace" in the feminist movement. Lavender Menace was later renamed Radicalesbians. Feminism

In 1970, Lavender Menace, later Radicalesbians, organized the Lavender Menace zap of the Second Congress to Unite Women. <mask> played an instrumental role in the zap itself, and some have claimed she assisted in the

masks: Shelley Shelley Shelley


type: original

texts:
 writing of the Radicalesbians manifesto, "The Woman-Identified Woman", which introduced "women-identified" and "male-identified" terminology to the lesbian feminist discourse community.Later that same year, <mask> wrote "Subversion in the Women's Movement", which was published in both Come Out! and in off our backs, a feminist publication. Beginning in 1972, <mask> produced the radio show Lesbian Nation on New York's WBAI radio station. The Library of Congress claims Lesbian Nation to be, most likely, the first lesbian radio show. She contributed the pieces "Notes of a Radical Lesbian" and "Terror" to the 1970 anthology Sisterhood is Powerful: An Anthology of Writings From The Women's Liberation Movement, edited by Robin Morgan. After moving to Oakland, California in October 1974, she was involved with the Women's Press Collective where she worked with Judy Grahn to produce Crossing the DMZ, In Other Words, Lesbians Speak Out and other books. Her poetry has appeared in Ms. magazine, Sunbury, The Bright Medusa, We Become New and other periodicals.<mask> appeared in the 2010 documentary Stonewall Uprising, an episode of the American Experience series. Activism and political views

Despite being involved with lesbian feminism, <mask> does not describe herself as a lesbian separatist from the gay rights movement. Though she liked the idea of lesbian-only spaces, she has said that the splitting of gay liberation into splinter groups weakened the movement as a whole. She also was allied to many other left-wing causes of the 1960s and 1970s, such as the pro-choice movement, and civil rights groups such as the Black Panthers and Young Lords, and has described

masks: Shelley Shelley Shelley Shelley


texts:
 herself as a socialist. <mask> was also a strong critic of the prevailing psychiatric views of homosexuality in the 1960s and argued that the stigmatization of homosexuality as a mental illness was a major contributing factor to psychological issues within the gay and lesbian community. Works and publications

Articles

In Come Out! "Stepin' Fetchit Woman" (Vol.1, No. 1)
 “More Radical Than Thou” (Vol. 1, No. 2)
 “The Young Lords” (Vol. 1, No. 3)
 “Gay Youth Liberation” (Vol. 1, No.4)
 “Gays Riot Again! Remember Stonewall!” (Vol. 1, No. 5)
 “Let a Hundred Flowers Bloom” (Vol. 1, No. 5) - Co-authored by Bernard Lewis
 "Subversion in the Women’s Movement: What is to be Done?” (Vol. 1, Issue 7)
 “Power… and the People!” (Vol.2, No. 7b)

Other works

 "Notes of a Radical Lesbian" in
 "Gay is Good" in
 "Our Passion Shook the World" in

Books

Short stories
"Her wild barbarian heart" in

"Walking the rim" in
"The cart o'tea belove" in

Poetry in anthology

Notes

External links
 Interview with <mask> in WGBH's public television series "American Experience: Stonewall Uprising", 2011
 Ebisu Publications
 Stonewall Uprising website
 Radicalesbians in glbtq.com
 Then and now

1943 births
American feminist writers
American people of Polish-Jewish descent
American people of Russian-Jewish descent
Daughters of Bilitis members
Bisexual feminists
Bisexual writers
Gay Liberation Front members
Jewish American writers
Jewish feminists
Jewish socialists
LGBT Jews
LGBT rights activists from the United States
Living people
Radical feminists
Lavender Menace members
The Bronx High School of Science alumni
Anti–Vietnam War activists
City College of New York alumni
Barnard

masks:
Shelley
Martha Shelley


texts:
<mask> (March 31, 1946 – October 26, 2013) was an American journalist and blogger who wrote about politics, power, media, and LGBT issues. He was the U.S. correspondent for the French political-investigative weekly Bakchich, for which he also wrote a weekly column, and he was also the Contributing Editor for International Affairs of Gay City News. Scott Tucker has called him "not only a left-wing critic of sexual and political conformism among sectors of the lesbian, gay, bisexual and transgender movements, but ... also one of the notable public intellectuals of the civil libertarian left." Professional
An early member of the Dump Johnson movement, Ireland was recruited for the staff of the  presidential campaign of the man who became the anti-war candidate of the Dump Johnson movement, Senator Eugene McCarthy, for whom Ireland coordinated the Mid-Atlantic region of states. Following the 1968 Democratic National Convention (at which he coordinated McCarthy's labor support and helped organize demonstrations by Convention delegates against police brutality targeting anti-war demonstrators) Ireland went to Long Island to help run the successful campaign for Congress by Allard Lowenstein, considered the principal founder of the Dump Johnson movement. After a stint as a journalist on the New York Post, when it was still owned by Dorothy Schiff, and then on the Community News Service (a short-lived wire service providing news of the black, Latino, and other minority racial communities), he resigned to manage the successful 1970 anti-Vietnam war campaign for Congress by Bella Abzug, making her the first left radical to be elected to the U.S. House of Representatives since Vito Marcantonio. He also managed Abzug's 1976 campaign for the Democratic nomination for U.S.Senator from New York, which Abzug narrowly lost by 0.10 per cent of the vote to Daniel Patrick Moynihan. Ireland played a studio executive in Woody Allen's Stardust Memories. Journalism
Having already worked briefly at the New York Post and Community News Service, Ireland returned full-time to journalism in 1977, becoming a political


texts:
 columnist for the SoHo Weekly News. In an obituary, Micah Sifry wrote that "It was said that he could have been the 'next Jimmy Breslin,' but I think <mask> was too pure about his politics to ingratiate himself with enough people to win that label." Among his notable articles was a 1978 expose, daring for the time, of violence against gay men in the Ramble, known as a cruising area in Central Park in New York City. He lived for ten years in France, writing on European politics and culture for various publications, including English language Paris city magazine, Paris Passion magazine; and he continued to write frequently about French and European politics and foreign affairs. Ireland was an assiduous promoter in the United States of the work of the prolific young French philosopher Michel Onfray.Ireland was a columnist for The Village Voice, The New York Observer New York magazine, and the Paris daily Libération, among other publications. He was also a contributing editor of POZ, the monthly for the HIV-positive community, of the magazine In These Times, and the French satirical news website Bakchich. In the late 1990s, he was a contributor to The Nation. Sifry, a colleague of his at the time, wrote that "I think one of my most trying experiences as a young editor was being in the middle of his push to publish a damning indictment" of then-President Bill Clinton, and the editors' "discomfort with his ferocity and willingness to infer the worst from a mixed bag of solid facts and not-so-solid surmises." However, Sifry added that Ireland "was more right than not ... in the grand sense." From mid-2005, Ireland was the Contributing Editor for International Affairs of Gay City News, the largest LGBT weekly newspaper in New York City and in the U.S. Criticism
Ireland's reporting on Iran in the several years after 2005 drew harsh rebuttals from a number of Iranian activists, as well as from Scott Long, director of the LGBT Rights Program at Human Rights Watch.They charged that Ireland and Gay City News generally were uncritical in relying on sources who maintained that two young men hanged in


texts:
 Mashhad, Iran in mid-2005 –– after being convicted of raping an underage boy at a time when they themselves were underage –– had in fact been involved in consensual sex. Long and some other human rights advocates criticized activists and reporters, including Ireland and controversial British campaigner Peter Tatchell, saying they were engaging in unwarranted speculation about the motives for the case. Ireland continued to produce articles claiming a pattern of "anti-gay" executions in Iran. However, no professional human rights organization ever endorsed these claims, or identified any recent case of persons sentenced to death for consensual homosexual conduct in Iran. Long and others became increasingly critical, charging that Ireland and others were making claims without evidence, and imputing a Western gay identity to Iranians coming from a very different cultural experience. The conflict between Long on one side and Ireland and Tatchell on the other side was at times vitriolic and led to a 2010 episode in which Human Rights Watch and Long apologized in writing to Tatchell. However, Long remained a critic of Ireland to the end, faulting him for relying excessively on single sources in his reporting, for intolerance toward Islam and for failing to understand complex international situations.In particular, Long claimed that Ireland had unduly promoted the career of the flamboyant Russian activist Nikolai Alekseev while ignoring other Russian groups. Alekseev had a record of erratic behavior and supporting far right-wing causes, and later engaged in anti-Semitic outbursts. Scott Tucker writes that "In his reports on the Russian gay movement, and especially of gay activist Nikolai Alexeyev, I found [Ireland] less reliable.... When he became increasingly confined by illness, he could not pretend to be a truly investigative journalist." Personal life
He was born in Duluth, Minnesota and later lived in Port Hueneme, California, where his father worked in the information office of the Naval Battalion Construction Center. Ireland developed polio as a child as the result of his Christian


texts:
 Scientist parents refusing to allow him to receive the polio vaccine. After nights out drinking with writers like Christopher Hitchens and Gore Vidal, Ireland gave up liquor.In his final years, Ireland suffered from diabetes, kidney disease, severe sciatica, and weakened lungs and progressive muscle deterioration related to childhood polio. He also survived at least two major strokes. He often felt too ill to leave his apartment or have company. Ireland died in his East Village home on October 26, 2013. Ireland's partner was Hervé Couergou. He died of AIDS in 1996. Activism
A severe critic from the left of President Bill Clinton's presidency, Ireland for three years wrote a syndicated Clinton Watch column.He wrote extensively in opposition to President George H. W. Bush's Gulf War, as well as President George W. Bush's Iraq War and War in Afghanistan. At an early age, Ireland was part of the early 1960s American New Left. He was a member of Students for a Democratic Society (SDS), and was elected to its National Council in 1963 at the age of 17. He also spent a year on the SDS national staff, as Assistant National Secretary, in 1963-64. Ireland dropped out of SDS in 1966 to devote his time to electoral organizing against the Vietnam War. As a staff member of the New Jersey Industrial Union Council AFL-CIO and the United Auto Workers Region 9-A, in 1967 he helped to organize the National Labor Leadership Assembly for Peace to oppose the Vietnam War. He was involved in the Gay Activists Alliance (GAA) and Gay Liberation Front (GLF).References

External links
 <mask>'s blog DIRELAND
 <mask>'s articles for The Nation
 <mask>'s articles for the L.A. Weekly
 <mask>'s articles for In These Times

American male journalists
American bloggers
1946 births
2013 deaths
American gay writers
LGBT journalists from the United States
LGBT rights activists from the United States
LGBT people from Minnesota
American human rights activists
Anti-war activists
The Village Voice people
The Nation (U.S. magazine) people
People with polio
21st-century American non-fiction writers
American male bloggers
21st-century

masks:
Doug Ireland
Doug Ireland
Doug Ireland
Doug Ireland


texts:
<mask> (November 4, 1932 – February 10, 2021), was an African-American professor/administrator emeritus, in the Department of Pan-African Studies at Kent State University (KSU). As a pioneer in the field of Black education his most notable accomplishments include the creation of the Institute for African American Affairs, the predecessor of the Department of Pan-African Studies and The Center of Pan-African Culture at KSU. The Pan-African Studies Department (1969) and the Center of Pan-African Culture (1970) were two of the first institutions of their kind to be established at institutions of higher education. Background and education
Born and raised in Cleveland, Ohio, <mask> was the fourth child born to Frederick Douglass and Marion G<mask>. He attended Cleveland's Our Lady of the Blessed Sacrament parochial and St. Edward's Catholic high schools. Initially a straight "A" student and an aspiring priest, <mask>'s transfer from St. Edward's to Cleveland's public schools paralleled a decline in his academic performance as well as his increased truancy from school and an involvement in a number of delinquent activities. He served in the United States military and was stationed in England.Nevertheless, <mask> would go on to earn a BA in Spanish in 1957 and an MA in German in 1959, both from Kent State University; and a PhD in medieval German languages and literature and medieval history from the University of Kansas in 1965. In 1957 he began teaching at Kent State and subsequently held teaching positions at a number of other institutions, including Hiram College, Tuskegee Institute, Southern Illinois University and the University of Washington.

masks:
Edward Warren Crosby
Crosby
. Crosby
Crosby
Crosby


texts:
 <mask> founded and served as the director of the Institute for African American Affairs (IAAA) from 1969 to 1976. In 1976 the institute successfully petitioned Kent State for departmental status, which gave birth to the Department of Pan-African Studies (DPAS); thus Dr. <mask> served for 18 years as the department's first chair. The IAAA still exists as a community development and research institute at Kent State. The IAAA used a holistic curriculum model based on <mask>'s earlier work at Southern Illinois University, Edwardsville (SIUE). The curriculum he developed for the IAAA's Experiment in Higher Education program was similar to another upstart program at the time, Upward Bound.Both focused on post-secondary readiness for students from urban areas with low high school graduation rates, with the EHE tailored for specialized aptitude testing in and instruction of comparably lower-performing students. EHE teachers received training as counselors and employed an "Each One Teach One" methodology wherein students largely instructed each other. The EHE curriculum also actively sought to validate the culture of its students, utilizing examples, situations and language familiar to students to teach subject matter they would encounter at any university. Notable accomplishments

Creation of the East St. Louis Black Studies Model
His work in the realm of Black education really began in East St. Louis, Illinois, even though he had previously spent a little more than a year at Tuskegee Institute, Alabama, and a brief stint working with the Community Action Council in Akron, Ohio. As the director of education for the Experiment in Higher Education

masks:
Career Crosby
Crosby
Crosby


texts: (EHE) Dr. <mask> and his team of fellow Kent State alumni developed a unique curriculum that taught their students what they needed for college without denying the culture of their respective communities. The program developed in East St. Louis under the direction of <mask>, Hyman Frankel and Don Henderson has been cited as the first African-centered collegiate curriculum in the U.S. Black studies programs, departments and institutes were developed at the behest of Black communities across the nation. East St. Louis, with its Black community of 70,000 was no exception.EHE's influence on the development of Black studies in universities across the nation was due in part to the amount of resources, time and brain power they had at hand to forge a pedagogy that put the student at the center of their learning. This Black studies consortium did not confine their efforts to East St. Louis, they offered consulting services to universities from California to New York. One of the lessons of East St. Louis was the importance of an interdisciplinary, holistic approach to Black education. In East St. Louis EHE was partnered with Katherine Dunham’s Performing Arts Training Center (PATC). The symbiotic relationship between EHE and PATC attracted educators, as well as cultural icons from all over the U.S. and beyond to East St. Louis, which generated a lot of energy in the community and attracted community members from all walks of life. On arriving at Kent, knowing the value of this kind of symbiosis, <mask> took on the task of developing an academic program modeled after the one he had previously spearheaded in East St. Louis and also took on the task of

masks: Crosby Crosby Crosby


texts:
 creating a cultural center that could work in tandem with the newly formed Institute for African American Affairs (IAAA). For 23 years this dual institution functioned with one purpose in mind, which was to provide an environment that reaffirmed the value of African-American culture while helping their students learn to use the academic skills necessary to graduate from a four-year institution in the study and promulgation of this culture.The implementation of this kind of Black pedagogy has led to the successful graduation of hundreds, if not thousands, of students, that wouldn't have made it otherwise, many of which have devoted their careers to working in Black communities all over the U.S. The Human Relations Center, which was founded in 1968, attempted to do this kind of work, however their perspective was that the students needed to assimilate. The Institute validated the students and their culture as worthy of emulation. The difference between the two could not be more clear cut. Black History Month pioneer
Soon after arriving at Kent State he became one of the key organizers of the first celebration of Black History Month in the U.S., which occurred in February 1970. It was six years later, during the U.S. bicentennial, that the expansion of Negro History Week, as it had been called, was recognized nationally when then President Gerald R. Ford delivered to the nation regarding the observance of Black History Month. Since that time regular observances of Black History Month have become common in elementary, secondary and high schools, as well as city, state and federal buildings across the country.In fact, the practice has spread to


texts:
 many countries overseas, particularly in Europe. Significantly, the first celebration was a Pan-African affair that included the participation of cultural icons such as Babatunde Olatunji and Pulitzer Prize-winning poet Gwendolyn Brooks, as well as poets Eugene Redmond and Quincy Troupe. Dr. Donald Henderson, then director of the Experiment in Higher Education, lectured on the Black Aesthetic. That first celebration of Black History Month also included presentations by Jimmy Garrett and Chief Fela Sowande, both of whom were involved in the formation of new institutions that had a decidedly Black aesthetic and international impact. Jimmy Garrett was a key player in the formation of the first Black Student Union and subsequently the first Black studies department in the U.S., while Fela Sowande was a Nigerian philosopher and musician of note who wrote Nigeria's first national anthem. He spent the latter days of his career teaching Black Cosmology in the Department of Pan-African Studies at Kent State University. Technology in the classroom
Due to the bare bones budgetary allocations for the Institute of African American Affairs by university officials and the need to implement an innovative curricular model, there was also a need to come up with a unique method for delivering lectures that would be extremely cost effective.During his tenure in East St. Louis Dr. <mask> had begun to use some innovative methods of curricular delivery, including, but not limited to videotaped lectures, the use of various types of films and a method of communal education dubbed "Each One Teach One". All three of these methods were used at Kent facilitating the


texts:
 development of courses that could be taught by graduate assistants, who in many cases were later hired as full-time professors. This is how he developed a cadre of professors dedicated to Pan-African Studies. University officials had not foreseen this type of development of Black professors. Their original model incorporated professors from all over the campus, whose were dedicated to the philosophies and ideals of their individual departments; they would also have been hired, fired and paid by those departments. Because of this division of loyalty it would have been difficult, if not impossible to mold a conglomerate of professors from numerous departments into a staff with a cohesive set of ideals or philosophical imperatives. Other technological innovations include the first use of desktop computers in the main office of the Department of Pan-African Studies and one of the first computer labs for student use in an academic area unrelated to science or business classes.The Black Culture Center
Upon arriving at Kent there were a number of demands that students had placed on the table, including a Black Culture Center. This center was something university officials had never dreamed of, hence they have resisted the idea from the beginning and never gave any type of significant funding to the center to be able to promote Black culture on Kent's campus. The center went through a number of phases and was located in a number of buildings before finally ending up in the Old Student Union, now Oscar Ritchie Hall. Dr. <mask> visualized the center and the Institute as institutions that should work in tandem with each other. The Center of Pan-African


texts:
 Culture was established in 1970, through the combined efforts of <mask>, his staff and the leaders of the Black United Students at Kent State, providing a home for students to engage in cultural activities and a home for IAAA. Today, the Center of Pan-African Culture still exists in a newly renovated Oscar Ritchie Hall. Published books
 Your History: A Chronology of Notable Events in the History of Africans in Africa and the Diaspora, 1600 BCE-1980, a revised and enlarged edition with a comprehensive subject and name index, 482 pp., Ginn Press, January 1989.Originally published as a 127-page text by the Institute for African American Affairs, Kent State University, 1976. The African Experience in Community Development, with L. Davis and A. Adams Graves, Vol. I, Advocates Publishing Group, 1982. (Both volumes of this text have been re-printed with some minor revisions by Ginn Press), 1988, 1992, 1993. The African Experience in Community Development, with L. Davis and A. Adams Graves, Vol. II, Advocates Publishing Group, 1983. Published articles
 "Black Studies, Kent State University," in Molefi Kete Asante, Ama Mazama (ed.), Encyclopedia of Black Studies, Sage Publications, Inc. (Thousand Oaks, London, New Delhi), 2005, pp. 153–158. [incorrectly cited as <mask><mask>]
 "A Million Two Hundred Thousand African Drummers" in Eugene B. Redmond, Sherman Fowler, Marcus Atkins, Drumvoices Revue — VISIBLE GLORY: The Million Man March, Vol. 7, Nos. 1–2, Fall-Winter-Spring, 1997/98, pp. 197–198. "Empowering Alternative Schooling Initiatives in the African American Community," in The Electronic Journal of Africana Studies (EJAS1N1 CROSBY), Institute for

masks:
Crosby
Edward R
. Crosby


texts: African American Affairs, Kent State University, April 1995."Der Europäer ("The European") a fable," by Hermann Hesse in Traumfährte (Zurich, Switzerland: Fretz und Washmuth Verlag A.G., 1945). Translation appears in African American Affairs Monograph Series, Institute for African American Affairs, as an "Occasional Paper," Kent State University, Fall 1992. "African Education: An Appraisal of Afrocentric Content vs. Eurocentric Form," Proceedings of the Public Policy Forum — Afrocentrism vs. Eurocentrism: The National Debate, Institute for African American Affairs, May 4, 1991. "The 1990s, A Mirror Image of the Illusion of Progress During the '70s and '80s," The Black Collegian, March/April 1991. "Henry Dumas as Seer and Educator," Black American Literature Forum, Indiana State University, Summer 1988. "The Education of Black Folk: A Historical Perspective," The Western Journal of Black Studies, Vol. 1, No.2, 1977. "Culture, Curriculum And Politics," in African American Affairs Monograph Series, Institute for African American Affairs, Kent State University, Vol. 1, No. 1, November 1973. "On Correct Education," Impact, Vol. 7, No. 2, Winter, 1972."The nigger and the Narcissus (or Self-Awareness in Black Education)," prepared for U.S. Information Agency Forum Series (Voice of America), February 15, 1969. Also published in John Szwed (ed. ), Black America, Basic Books, Winter, 1970. "New Directions in Educating the 'Disadvantaged,'" Higher Education for the Disadvantaged, A Commentary, Southern Illinois University (Edwardsville), 1968, pp. 20–28. "The Negro and Education: An Exercise in Absurdity," in Lawrence C. Howard (ed. ),


texts:
 Interinstitutional Cooperation in Higher Education, University of Wisconsin, 1967, pp.358–384. References

External links
 <mask> profile, Department of Pan-African Studies, Kent State University. Four Decades of Educating African American Youth. An autobiographical sketch of Dr. <mask> (2004). The Ida B. Wells Community Academy, An interactive index of primary information about the Academy founded in Akron Ohio. Chief Fela Sowande's Philosophy and Opinions, Articles edited and published posthumously by HieroGraphics Online on Africana Studies.Your History Online, A Chronological History of Africans in America, in Africa, and in the Diaspora, 1600 BCE to AD 1980. The European: A Fable by Hermann Hesse. Translated from German by Dr. <mask>. The Robinson-Naylor-Harris Family News Quarterly, An Archive of The Family News Quarterly published by E.W. Crosby from 1987 to 2002 and beyond. , Black Institutions Created at Kent State University (2008). 1932 births
2021 deaths
African-American educators
African and Black nationalists
Military personnel from Cleveland
Writers from Cleveland
Educators from Ohio
Kent State University alumni
Kent State University faculty
University of Kansas alumni
20th-century African-American people
21st-century African-American

masks:
Edward Crosby
Crosby
Crosby


texts:
<mask> (born Sarah Frances Frost; August 17, 1865 – November 12, 1950) was an English-born American actress, known for her interpretations of William Shakespeare's plays. Life and career
Marlowe was born as Sarah Frances Frost at Caldbeck, Cumberland, England, to clogger and shoemaker John Frost and Sarah (Strong) Hodgson. When she was four her family emigrated to the United States. Her father, who was an avid fan of local sports, "fled to America in 1870 under the erroneous impression that he had destroyed a neighbour's eye by flicking a whip at him during a race." He changed his name to Brough and after first settling in Kansas he moved his family east to Portsmouth, Ohio and then Cincinnati. Early career
Marlowe obtained the nickname of "Fanny" and in her early teens began her career in the chorus of a juvenile opera company. While touring with the company for nearly a year performing Gilbert and Sullivan's H.M.S.Pinafore (1879), under the direction of Colonel Robert E.J. Miles (manager of the Cincinnati Opera House) she was given the part of Sir Joseph Porter. She later played in W. S. Gilbert's Pygmalion and Galatea. Her training and initial success was due primarily to Miles's sister-in-law Ada Dow. Still in Cincinnati, Fanny played her first Shakespearean roles as Balthazar in Romeo and Juliet and as Maria in Twelfth Night she was billed as Fanny Brough. Soon after Ada Dow took Fanny to New York where for several years she received voice training by Parsons Price. Finished with the voice training she changed her name to <mask>.As an unknown, Marlowe was, at first, unable to get a Shakesperean role, but she was determined. Colonel Miles, the new manager of the New York Bijou Opera House, gave her the opportunity to play for two weeks on tour in New England, starting in New London, Connecticut. This gave Marlowe the repertoire she needed. On 20 October 1887, her mother hired the Bijou for a

masks:
Julia Marlowe
Julia Marlowe


texts: matinee of Ingomar, the Barbarian (Maria Lovell's adaptation of Friedrich Halm's Der Sohn der Wildnis), in which Marlowe received acclaim which served as a stepping stone to Broadway.In early 1891, Marlowe came down with a severe case of typhoid fever while on tour in Philadelphia. The owner of the Philadelphia Times newspaper and his wife took <mask> in and oversaw her return to health. At one point her face became so swollen that doctors considered lancing her face to release the toxins, but the good judgment of one doctor prevailed and a different treatment was arrived at which would fight the toxins and save her face for her acting career. Had this measure not been taken, she would never have been performing on Broadway by 1895 and would never have established herself as the leading American actress of Shakespeare in her day alongside actor E. H. Sothern.She made her Broadway debut in 1895 and went on to appear in more than seventy Broadway productions. With the money from her first Broadway success, she bought the townhouse known as River Mansion at 337 Riverside Drive. Her first husband was Broadway actor Robert Taber. Their marriage lasted from 1894 to 1900 and produced no children. According to many who knew her, Marlowe sacrificed her own self-interests many times in order to promote Taber's career. Despite this, however, professional jealousy ended their marriage in 1900. In a letter dated April 2nd, 1895 from Taber he writes "I herewith return your play.Mrs. Taber is grateful for your kindness in submitting it and notwithstanding its interest - She finds it unsuited for her present use. Very truly yours, Robert Taber". Taber was touring in England at the time of their divorce. In 1904, Marlowe starred as Mary Tudor in Paul Kester's adaptation of When Knighthood Was in Flower. This was an enormous success, and made Marlowe financially independent. Other hits for Marlowe followed including


texts:
 Charlotte Oliver in the adaptation by Kester and Middleton of George Washington Cable's The Cavalier, and Ingomar, both in 1903. Of her performance in the latter, The New York Sun wrote, "There is not a woman player in America or in England that is – attractively considered – fit to unlace her shoe".Sothern and later years

In 1904, she began an extremely successful partnership with actor E. H. Sothern, beginning with their appearances in the title roles in Romeo and Juliet, Beatrice and Benedick in Much Ado About Nothing, and the leads in Hamlet. They toured all over the U.S. in these plays, adding The Taming of the Shrew, The Merchant of Venice and Twelfth Night to their repertoire in 1905. Unhappy with their compensation from their manager, Charles Frohman, they continued under the management of the Shubert Brothers, from then on receiving a percentage of the profits. In 1906, together with Sothern, she played the title character in Percy MacKaye's Jeanne d'Arc, Salome in Sudermann's John the Baptist and Rautendelein in The Sunken Bell, receiving favorable reviews. After another season in New York and then on tour, Sothern, Marlowe and their company crossed the Atlantic to play in London. They were unable to attract audiences in England, however, and returned to America after a season. Back in the U.S., they presented Shakespeare at affordable prices at the Academy of Music in New York, allowing audiences who had not previously been able to afford their productions to see them.<mask> and Sothern dissolved their company and formed separate companies for a time. She played in J. B. Fagan's Gloria, in Romeo and Juliet and in As You Like It. In 1908, she played Yvette in Mary Johnston's verse play The Goddess of Reason. At the end of 1909, Sothern and <mask> reunited in Antony and Cleopatra. In 1910, they toured in Macbeth, receiving enthusiastic notices and bringing the production to New York where

masks: Marlowe Marlowe


texts:
 it was a hit. They continued to tour their Shakespearean repertoire, playing special performances of the plays for schoolchildren.<mask> and Sothern married in 1911. The couple made eleven phonograph recordings for the Victor company in 1920–1921. These recordings are presumably the only recorded evidence of Marlowe's voice today. After more touring with Sothern in Shakespeare, the two brought their production of The Merchant of Venice to New York in 1921. Soon afterwards, <mask>'s health was failing, and she retired in 1924. After Sothern's death in 1933, Marlowe became somewhat of a recluse. She occasionally visited close friends like ailing playwright Edward Sheldon.In 1923, she received an honorary doctorate from George Washington University, and another in 1943 from Columbia University. Feminism
Marlowe was highly engaged as a feminist. She fought for women's right to vote. Death
Marlowe died in 1950 in New York City at the age of 85. She had no children. References

Bibliography
Barry, John D. <mask>e. Boston: R. G. Badger, 1899.Russell, Charles Edward. <mask>, Her Life and Art. New York: D. Appleton and company, 1926. <mask>, <mask>, and E. H. Sothern. <mask>e's Story. New York: Rinehart, 1954. External links

Sothern and Marlowe papers, 1860-1950, held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts
<mask> photographs, held by the New York Public Library
 <mask> and E.H. Sothern re-enact scenes from  and
The Heroines of The Modern Stage p. 299 by Forrest Izard c.1915
Marlowe in 1944 with lawyer Herbert Satterlee

1865 births
1950 deaths
19th-century American actresses
20th-century American actresses
American stage actresses
American voice actresses
English emigrants to the United States
English stage actresses
English voice actresses
People from Caldbeck
19th-century English women
19th-century English people
20th-century English women
20th-century English

masks:
Marlowe
Marlowe
Julia Marlow
Julia Marlowe
Marlowe
Julia
Julia Marlow
Julia Marlowe
Julia Marlowe


texts: <mask>'Connor is the Celebrity Youth Activist for the NGOCSD-NY supporting the United Nations and communities globally; a Radio Hit Recording Artist, and has been deemed an icon in antibullying by The City of Los Angeles, and recognized as such at the United Nations. She has played to packed audiences globally and her hit songs are known by millions around the world. Her music has been featured on Teen Nick and Radio Disney. Her activism for antibullying and mental health is credited with saving and changing the lives of her fans. She has been a leading force in the cause of ending bullying and promoting mental health, as well as being recognized for positively influencing the entertainment industry as a whole and recently speaking alongside Charles Schwab, Doris Kearns Goodwin, and Khan Academy's Salman Khan, being recognized as a leader in her industry. She has also been recognized for her work by members of the United States Congress and the City of Los Angeles. O'Connor is honored to serve on the Advisory Board of the NGO for Sustainable Development, NY.The singer-songwriter, actress and former Model is currently based in Los Angeles, and New York. Her latest release is a star-studded international collaboration, titled "You Are Not Alone (International)". "With some of the biggest names from K-Pop, to Bollywood, Afropop, and more, celebrities from all over the world unite to raise funds and awareness to mental health through the messaging of the song." The beneficiary of the song is NAMI (National Alliance on Mental Illness). Celebrities on the song include Minzy, RUGGERO, Reekado


texts:
 Banks, and the late legendary icon from the Supremes, Mary Wilson, along with O'Connor. Rise to fame
O'Connor began her career as a model. Her first music video for the song "Celebrity" went viral, and her music was then featured on Teen Nick, followed by sold out shows and packed houses on tour.Appearances in film

O'Connor had recently appeared as one of the celebrity cameos alongside Garrett Clayton, Jon Header and many others in Lionsgate's 'Los Huevos' US version. She also had cameos alongside Drake Bell in 'Bunny Bravo' of Superdope TV. Recently, Arianna Huffington's Thrive had announced the development of the autobiography feature based on the life of O'Connor telling the true story of how her music has impacted fans, directed by Ilyssa Goodman with Garrett Clayton and Addison Rickie playing O'Connor as a child. Anti-bullying and Mental Health Advocacy
O'Connor recounts that when she was in middle school, she was a victim of excessive bullying due to having an appearance and personality that didn't fit in with social expectations. In an interview with the Long Islander, she stated that "the thing that causes bullying for a lot of teens is just being different. When teens are insecure with themselves they pick on others for being different ... I stood out."Based on her experience, she became an advocate for victims of bullying and an anti-bullying spokesperson, becoming an official advisor, speaker, and writer for numerous Antibullying Organizations around the world. Reach Out. In Steppin Out magazine, O'Connor said, "I was bullied from a very young age. It got really bad in


texts:
 middle school, and when 'Celebrity' came out in high school, people began to be nicer to me. I saw how silly it was at that point, and saw it all as a game, hence the title of the song. I wrote it very honestly, hoping that fans would see it as proof that it gets better." In 2013–14, O'Connor embarked on a ten city tour, in conjunction with the release of her video for "The Game".During this nationwide tour, O'Connor and her team performed for thousands of young people in their schools, taking questions, signing autographs, and encouraging the victims of bullying to stay strong. Her appearances are extremely popular-- "The kids went wild; the atmosphere was electric! Pop star singer, songwriter <mask>’Connor appeared on stage in auditoriums filled with screaming kids" "Celebrity singer <mask>’Connor hoped to put an end to it [bullying], as she shared her songs and personal story of being bullied with the students just a few years younger than herself. The gym was filled with posters including "Gators (heart) you" and "We love <mask>," and students waved additional signs of adoration as she sang." "If you’re feeling alone, know you aren’t, and bullying is only temporary. But lessons you learn from it last a lifetime. So make sure you don’t believe what others tell you and you’ll be ahead the game".although she regularly receives hundreds of messages from her fans, O'Connor still tries to answer most of them individually, and she remains a source of strength and inspiration to youth who have been bullied. See "The Game" video here: https://www.youtube.com/watch?v=T4Qv90HjS_s
In

masks:
Meredith O
Meredith O
Meredith


texts:
 2014–2015, she toured internationally, including appearances in the United Kingdom, Greece, New York and California. She has also performed at various venues in Nashville, including the famous Orchid Lounge, and in New York, including The Sony Playstation Theater and Madison Square Garden Theater. Music

O'Connor released her debut EP in February 2013. The music video for the lead single "Celebrity" went viral on YouTube The EP has been generally well received, garnering positive reviews from music bloggers including Andrew Greenhalgh and G. W. Hill. see "Celebrity" here: https://www.youtube.com/watch?v=IPJUjvd4iic
O’Connor's single "Just the Thing" was officially released on iTunes on April 22, 2014. Meaningful lyrics, a catchy melody, and a powerful message about not fitting in with the "popular crowd" are a consistent theme throughout O'Connor’s songs.Co-written by legendary songwriter/producer Heather Holley, who has produced songs for the likes of Christina Aguilera, "Just the Thing" blends a bit of country and rock to create this edgy pop song. Ms. O'Connor released her debut album "I am" in late 2015 to very positive reviews. Both the music video and the Song "Stronger" from the album "I am" features Disney's Teen Beach Movie's Garrett Clayton. The video has its premiere on NBC's EXTRA TV. The video for 'Just the Thing' co-stars Luke Bilyk who plays Drew on Nickelodeon's DeGrassi show. It was filmed at Clarkstown High School North in New York, with the participation of actual students, teachers and even the principal, who has a featured cameo role. It can be seen on the Vevo


texts:
 channel, http://www.vevo.com/watch/meredith-oconnor/just-the-thing/QMGR31402260

O'Connor is a Celebrity Advocate for the United Nations Project 50/50.Her next film will be based on her own life, produced and directed by Ilyssa Goodman, who directed "A Cinderella Story". In describing her music, O'Connor says, "My music is definitely pop, and at first had a country feel. Since I
was a child actress in the musical theater world, it is influenced by that too, with a bit of rock. I want to keep my songs interesting and different, but still catchy. The song, 'Just the thing' is about accepting who you are, and loving what makes you, you. It is a fun upbeat track, and has a similar message to it like the game does, but the game is more of a ballad or anthem. 'Just the thing' is lighter and fun.It can be to a boyfriend or girlfriend, or to a best friend that really gets you. When I wrote it I was thinking about that, and close relationships with people who love you for your weirdness. I co wrote the song with Heather Holley, and she was really awesome. Writing the bridge of 'Just the Thing' is probably my favorite verse I have ever written, because it is so different and theatrical. Freddie Mercury from Queen inspired it, and the song really does describe me. I love being a singer. I really feel that I can influence my fans, and those who listen to my music for the better, and music is such a powerful way to do it.Acting will always be a job I love to do, but music is something that I can do to really tell people my story. It is such a rewarding platform to have, just like speaking for my


texts:
 cause." When asked about how she plans to sustain longevity in her career, O'Connor replied, "In today’s industry, that’s a hard task because people expect to be shocked, and want to see outrageous things. I have entered this industry and made a promise to not let parents and kids who look up to me down by doing anything that could hurt them. However, I do plan to continue with acting, and have plans for a feature film with Prince Lewis Productions in the near future, as well as a dance track." "I am" was produced by Grammy winner Kenny Ortiz, and features duets with Australia's Jordan Jansen, and Disney's Garrett Clayton. The video for "Stronger" also features a cameo by Madeline Stuart, an internationally known model with Down's Syndrome.She has toured the United Kingdom, Greece, New Zealand, and many cities in the US, playing to sold out crowds. This year she will add Puerto Rico and India to her schedule. On September 12, 2017, she headlined with Aaron Carter during New York Fashion Week at the Sony Playstation Theater. Ms. O'Connor's latest release is an International collaboration featuring stars from around the world to raise funds and awareness for mental illness treatment, called "You Are Not Alone (International), featured in Billboard, and co-starring K-pop's Minzy, Argentina's RUGGERO, Afro-pop's Reekado Banks, and the late legendary  Mary Wilson, of the Supremes. Modeling

Before O'Connor was signed for her first single leading to her career as a recording artist, she was signed by Model Management Group based in New York City, and then signed her first contract the next


texts:
 year. After that, she did modeling work for companies including Lord & Taylor. Discography

References

External links
Official website
Official Instagram

21st-century American actresses
American child actresses
American child singers
American women singers
American musical theatre actresses
Living people
People from Long Island
Singers from New York (state)
Anti-bullying activists
Year of birth missing (living


texts:
<mask> (born 27 November 1974 in Sandal, West Yorkshire) is a retired English cricketer. A slow-left arm spin bowler, he played one match for Yorkshire in 1994, having graduated from their cricket academy, before moving to Lancashire in 1995. He played for the club until 2012 taking over 500 first-class wickets. Although he had played youth internationals, he never played for the senior England team, although he was named in the squad a few times. In 2011 he was part of the Lancashire squad that won the County Championship for the first time since 1950. Keedy subsequently played one season for Surrey and two for Nottinghamshire before retiring as a professional cricketer in 2015. After studying physiotherapy at the University of Salford, he is currently Nottinghamshire's spin bowling coach and assistant physiotherapist.Early life
He attended Garforth Comprehensive School. Career

Youth cricket
Although Keedy never played for the England test or one-day senior team, between 1993 and 1994 he played 8 youth test matches taking 16 wickets at an average of 38.87 including the scalps of Shivnarine Chanderpaul and Thilan Samaraweera. In the same period, he also played 6 youth ODIs, claiming 8 wickets at 16.37. Keedy graduated from the Yorkshire Cricket Academy and played only one match for Yorkshire before moving to Roses rivals Lancashire in the winter of 1994/5. Lancashire
Keedy was signed by Lancashire's then-coach David Lloyd in a motorway service station. Although it took time for him to become a leading light of the Lancashire attack, he was awarded his county cap in 2000. It was in 2003 that Keedy first started to impress observers, taking sixty wickets in the County Championship as Lancashire narrowly missed out on their first Championship title since 1934 to Sussex.Since then he has remained on the periphery of England selection. He was considered unlucky not to win


texts: a place to tour Sri Lanka in 2003-4. The selectors chose Glamorgan's Robert Croft instead. In 2004, Keedy enjoyed the most successful season of his career so far, taking 72 Championship wickets, making him the leading first-class wicket-taker amongst England qualified players. Only Pakistan international Mushtaq Ahmed of Sussex took more first-class wickets. Unfortunately for him, Lancashire were relegated to Division Two of the Championship despite being favourites for the title. As a result of his bowling efforts during the 2004 season, <mask> was awarded Lancashire's Player of the Year Award.He again missed out on selection to tour with England, this time to South Africa, in favour of the more conservative pick of Gareth Batty. After taking 29 Championship wickets in 2005, Keedy suffered a finger injury on his spinning finger which ruled him out for the final month of the season. The injury likely cost Keedy a place on England's tour to Pakistan and India. Until recently, many observers believed the main reason that Keedy had never played for the national team is his lack of batting talent and poor fielding qualities. Despite this, left-arm orthodox spinner Monty Panesar, who is also not renowned for his batting or fielding skills, played all three Tests in India, and was a permanent fixture in the England squad until 2009. In All Out Cricket's October 2006 edition, <mask> was voted the best county player never to have played for England. Although Keedy only took 28 wickets in the 2008 County Championship, he felt that the statistics did not reflect how well he bowled.<mask> is studying for a four-year degree in physiotherapy at the University of Salford in preparation for life after his playing career. For the 2009 season, former England coach Peter Moores joined Lancashire as the club's coach, replacing Mike Watkinson, who became Lancashire's director of cricket.

masks:
Keedy
Gary Keedy
Keedy


texts: Keedy admitted to being "nervous" and wanted to make a good impression. Despite initial nerves, Keedy finished 2009 as the club's leading wicket-taker in first-class cricket, with 45 scalps from 17 matches. 2009 was also Keedy's benefit season. Events to raise money included a golf day with Ian Botham and a Strictly Come Dancing-style ball. In a warm-up match against Durham before the 2010 season started, Keedy broke his collar bone.The injury left him unable to play for several months. In <mask>'s absence, Lancashire's young spinners, Stephen Parry and Simon Kerrigan, were given opportunities in the first team. Kerrigan was chosen ahead of Parry in the four-day team and cemented his place in the side. When <mask> returned from injury he and Kerrigan sometimes bowled together in the County Championship. Their partnership began with them competing to out perform each other. After a discussion the pair decided they would be more effective if they worked together to build pressure while bowling. Keedy finished the season with 31 first-class wickets at an average of 22.19.During the 2011 season <mask> was preferred to Kerrigan when Lancashire chose to play with one spinner in the County Championship. In August 2011 rumours emerged that Keedy had been approached by Warwickshire. In September, in the last match of the season Lancashire won the County Championship for the first time since they shared the title in 1950. Keedy finished as the team's leading wicket-taker in the competition, taking 61 wickets to help them to the title. The same month he agreed to sign a new contract with the club. Speaking on the matter later, Keedy remarked that he felt the offer adversely affected his form as it distracted from playing for Lancashire; to deal with this, he deferred acting on the offer until the end of the season. Although Warwickshire offered a pay rise, Keedy chose to remain

masks: Keedy Keedy Keedy


texts:
 with Lancashire, saying "Ultimately the decision was based on what I've done here for the last 17 years.It boiled down to the support network around me, including my family." The Bangladesh Cricket Board in 2012 founded the six-team Bangladesh Premier League, a twenty20 tournament to be held in February that year. An auction was held for teams to buy players, and Keedy was bought by the Sylhet Royals for $25,000. He played a single match in the competition, and bowled just two overs against the Dhaka Gladiators without taking a wicket. In June 2012, Keedy took the second five-wicket haul of his one-day career, taking 5/55 in Lancashire's 167-run loss to Middlesex; during the match he also claimed his 100th wicket in the format, that of batsman Joe Denly, caught by Ashwell Prince. Surrey and Nottinghamshire
After playing just four Championship games in the 2012 season, Keedy signed a two-year deal with Surrey with Lancashire's best wishes, for him to "fulfil my ambitions" and play as much cricket as possible. On 19 December 2013, it was announced that for the 2014 season, Keedy would be joining Nottinghamshire.Although registered as a member of the playing staff, his primary role will be as assistant physio. He will continue in a physiotherapy role, as well as acting as spin bowling coach, after his retirement at the end of the 2015 season, in which he only played one first-class game. First-class bowling stats by year

References

External links
 <mask>y SpinScience – Spin Bowling Cricket Coaching

1974 births
Living people
English cricketers
Lancashire cricketers
Marylebone Cricket Club cricketers
Nottinghamshire cricketers
Surrey cricketers
Sylhet Sixers cricketers
Yorkshire cricketers
Alumni of the University of Salford
People from Sandal Magna
Articles containing video clips
Sportspeople from Yorkshire
English cricket coaches
People educated at Garforth


texts:
Emanuel J<mask> (born November 27, 1985) is an American mixed martial artist currently competing in the Middleweight division. A professional since 2010, he has fought in Bellator MMA. <mask> competed in wrestling at Cahokia High School, and later at the University of Missouri. Mixed martial arts career

Bellator MMA
<mask> made his Bellator debut on October 8, 2011 at Bellator 53. He faced Greg Scott and won via second-round TKO. He then quickly returned against Willian de Souza at Bellator 56 on October 29, 2011. He won the fight via unanimous decision.<mask> faced Mikhail Malyutin at Bellator 65 on April 13, 2012. He won via unanimous decision. <mask> faced Kalvin Hackney at Bellator 69 on May 18, 2012. He won the fight via unanimous decision. <mask> was expected to face Joey Holt on June 22, 2012 at Bellator 71. However, the bout was cancelled for unknown reasons. <mask> faced Darrell Horcher on October 19, 2012 at Bellator 77.<mask> lost the fight via KO in the first round. Post-Bellator
<mask> was scheduled to face Billy

masks:
. Brooks
Background Brooks
Brooks
Brooks
Brooks
Brooks
Brooks
Brooks
Brooks


texts: Evangelista at MMA Xtreme on August 24, 2013. The bout was cancelled for unknown reasons. <mask> was expected to face Yosdenis Cedeno at CFA 12 on October 12, 2013. However, this bout was also cancelled for unknown reasons. Over a year away from competition, <mask> returned and faced Johnny Case at RFA 10: Rhodes vs. Jouban on October 25, 2013. He lost the fight via split decision.<mask> was expected to face Zach Juusola on March 7, 2014 at RFA 13. The bout was cancelled for unknown reasons. <mask> faced Alex Ricci on May 30, 2014 at Substance Cage Combat 2.0. He lost the fight via unanimous decision. <mask> was expected to face Efrain Escudero at Titan FC 29 on August 22, 2014. The bout was cancelled when Escudero re-signed with the UFC. <mask> faced Todd Moore on September 26, 2014 at Titan FC 30.He won the fight via unanimous decision. In June 2015, <mask> lost to Brazilian fighter Ricardo Tirloni in the main event of Arena Tour 6. <mask> faced Jason Novelli at Titan FC 35: Healy vs. Hawn on September 19, 2015. He lost the

masks: Brooks Brooks Brooks Brooks Brooks Brooks Brooks Brooks


texts:
 fight via unanimous decision. <mask> faced Ben Egli at Titan FC 37: Simon vs. Dos Santos on March 4, 2016. He won the fight via unanimous decision. <mask> faced Dakota Cochrane at VFC 56 on April 14, 2017.He won the fight via unanimous decision. Return to Bellator and other promotions
<mask> returned to Bellator and faced Guilherme Vasconcelos at Bellator 181 on July 14, 2017. He won the fight via unanimous decision. <mask> won by decision against Husein Kushagov at Absolute Championship Akhmat on April 21, 2018, in Rimini, Italy. <mask> won against Steve Kennedy at Absolute Championship Akhmat on June 16, 2018, in Brisbane, Australia. <mask> lost due to an arm injury against Logan Storley at Bellator 233 on Nov. 9, 2019. The fight was stopped after the first round.<mask> defeated Derek Holly at Fighting Alliance Championship 5, in Kansas City by submission due to Brabo choke at 4:58 in the 3rd round. Mixed martial arts record

|-
|Win
|align=center|14–6
|Derek Holly
|Submission (brabo choke)
|FAC

masks: Brooks Brooks Brooks Brooks Brooks Brooks Brooks


texts:
 5
|
|align=center|3
|align=center|4:58
|Independence, Missouri, United States
|
|-
|Loss
|align=center|13–6
|Logan Storley
|TKO (doctor stoppage)
|Bellator 233
|
|align=center|1
|align=center|5:00
|Thackerville, Oklahoma, United States
|Catchweight (175 lb) bout. |-
|Win
|align=center|13–5
|Steve Kennedy
|Decision (unanimous)
|ACB 88: Barnatt vs. Celiński
|
|align=center|3
|align=center|5:00
|Brisbane, Australia
|Middleweight debut. |-
|Win
|align=center|12–5
|Husein Kushagov
|Decision (split)
|ACB 85: Leone vs Ginazov
|
|align=center|3
|align=center|5:00
|Rimini, Italy
|
|-
|Win
|align=center|11–5
|Guilherme Vasconcelos
|Decision (unanimous)
|Bellator 181
|
|align=center|3
|align=center|5:00
|Thackerville, Oklahoma, United States
|
|-
|Win
|align=center|10–5
|Dakota Cochrane
|Decision (unanimous)
|VFC 56
|
|align=center|3
|align=center|5:00
|Omaha, Nebraska, United States
|
|-
|Win
|align=center|9–5
|Ben Egli
|Decision (unanimous)
|Titan FC 37: Simon vs. Dos Santos
|
|align=center|3
|align=center|5:00
|Ridgefield, Washington,


texts:
 United States
|Welterweight debut. |-
|Loss
|align=center|8–5
|Jason Novelli
|Decision (unanimous)
|Titan FC 35: Healy vs. Hawn
|
|align=center|3
|align=center|5:00
|Ridgefield, Washington, United States
|
|-
|Loss
|align=center|8–4
|Ricardo Tirloni
|Decision (unanimous)
|Arena Tour 6: Tirloni vs. Brooks
|
|align=center| 3
|align=center| 5:00
|Cordoba, Argentina
|
|-
|Win
|align=center|8–3
|Todd Moore
|Decision (unanimous)
|Titan FC 30: Brilz vs. Magalhaes
|
|align=center|3
|align=center|5:00
|Cedar Park, Texas, United States
|Catchweight (165 lb) bout. Charles, Missouri, United States
|
|-
|Win
|align=center|2–0
|Evian Rodriguez
|Submission (arm-triangle choke)
|WC: Wright Fights 2
|
|align=center|1
|align=center|3:36
|St. Charles, Missouri, United States
|
|-
|Win
|align=center|1–0
|Eric Kriegermeier
|Decision (split)
|SportFight X 3: Undefeated
|
|align=center|3
|align=center|5:00
|Atlanta, Georgia, United States
|

References

Living people
1985 births
American male mixed martial artists
Lightweight mixed martial


texts:
<mask> (, born 20 May 1951) is the Executive Director of Human Rights in China, Adjunct Professor of Law at the New York University School of Law, and Professor of Law Emerita at the City University of New York School of Law. Hom taught law for 18 years, including training judges, lawyers, and law teachers at eight law schools in China. Her non-law book publications include Chinese Women Traversing Diaspora: Memoirs, Essays, and Poetry (ed.,1999). In 2007, she was named by the Wall Street Journal as one of the "50 Women to Watch" for their impact on business. Born in Hong Kong, she lives in New York with her family and 13 rescued cats and one dog. Biography
<mask> was born in Hong Kong. She received her B.A.from Sarah Lawrence College and her J.D. from the New York University School of Law, where she was a Root-Tilden Scholar. Hom has over 16 years of experience in U.S.-Chinese law training and legal exchange initiatives. She was a Fulbright Scholar in China (1986–88), served on the U.S.-China Committee on Legal Education Exchange with China (CLEEC) (1990–2000), and was a faculty member and program director for the U.S. Clinical Legal Education Workshop convened at Tsinghua University School of Law (2000). She was also a scholar-in-residence at the Rockefeller Foundation's Bellagio Center in Italy (2000). She has participated in numerous NGO, corporate, multilateral and bilateral consultations and workshops. She has testified on behalf of HRIC before a number of international policy makers, including the US House Committee on Foreign Affairs and the European Parliament, and has given numerous presentations at major conferences on human rights and China organized by non-governmental groups such as the Carnegie

masks:
Sharon Kang Hom
Sharon Hom


texts:
 Endowment for International Peace and World Press Freedom Committee.She served on the Committee on Legal Education Exchange with China (CLEEC) (1990–2000), the Committee on Asian Affairs (1998–2002) of the Bar Association of the City of New York, and sits on the advisory board of Human Rights Watch/Asia (1995–present). Select Publications
Hom's research and publications focus on Chinese legal reforms, women's rights and international human rights. BOOKS AND BOOK CHAPTERS
Contracting Law (1996, 2000)
English-Chinese Lexicon of Women and Law (Yinghan funu yu falu cihuishiyi) (UNESCO, 1995)
Chinese Women Traversing Diaspora: Memoirs, Essays, and Poetry (1999)
Challenging China: Struggle and Home in an Era of Change (2007)
“The Promise of a People's Olympics,” China's Great Leap: The Beijing Games and Olympian Human Rights Challenges (2008), (Minky Worden, ed.) "Advancing women's international human rights in China," Gender Equality, Citizenship and Human Rights: Controversies and challenges in China and the Nordic countries (2010),(Pauline Stoltz, Marina Svensson, Sun Zhongxin, Qi Wang eds.) “Claiming Women’s Rights in China,” The Unfinished Revolution: Voices from the Global Fight for Women’s Rights (2012), (Minky Worden, ed.) ARTICLES
 The “Occupy Central 9” Cases: Rule of Law or Rule by Law in Hong Kong? THE JURIST (April 30, 2019).“China and the WTO: Year One”, China Rights Forum, 2003, No. 1. Commentary: Re-positioning Human Rights Discourse on “Asian” Perspectives. BUFFALO JOURNAL OF INTERNATIONAL LAW 3:1 (1996): 251-276; Reprinted in NEGOTIATING CULTURE AND HUMAN RIGHTS, edited by Lynda S. Bell, Andrew J. Nathan, and Ilan Peleg (New York: Columbia University Press, 2001). Cross-Discipline Trafficking: What's


texts:
 Justice Got to Do with It? In Orientations: Mapping Studies in the Asian Diaspora, edited by Kandice Chuh and Karen Shimakawa. Durham and London: Duke University Press, 2001
 With Eric Yamamoto, Re-forming Civil Rights in Uncivil Times: The Struggle over Collective Memory and Internationalizing Domestic Rights.UCLA LAW REVIEW 47:6 (August 2000): 1747–1802. Lexicon Dreams and Chinese Rock and Roll: Thoughts on Culture, Language, and Translation as Strategies of Resistance and Reconstruction. UNIVERSITY OF MIAMI LAW REVIEW 53:4 (July 1999): 1003–1018. Return(ing) Hong Kong: Journal Notes and Reflections. AMERASIA JOURNAL 23:2 (1997): 55-68. Law, Ideology & Patriarchy in the People's Republic of China: Feminist Observations of an Ethnic Spectator. THE INTERNATIONAL REVIEW OF COMPARATIVE PUBLIC POLICY 4 (1992): 173–191.Female Infanticide in China: The Specter of Human Rights and Thoughts Towards (An)other Vision. COLUMBIA HUMAN RIGHTS LAW REVIEW 23:2 (1992): 249–314. Anthologized in CRITICAL RACE FEMINISMS: A LEGAL READER, edited by Adrien Wing (New York: New York University Press, 1997); and Reprinted in CHINESE LAW: SOCIAL, POLITICAL, HISTORICAL, AND ECONOMIC PERSPECTIVES, edited by Tahirih V. Lee (New York: Garland Publishing Inc., 1997). Testimonies and Presentations

 U.S. Congressional-Executive Commission on China: 15 Years after Tiananmen: Is Democracy in China's Future?, June 2004
 U.S. House of Representatives Committee on International Relations: The Internet in China: A Tool for Freedom or Suppression?, February 2006
 U.S. House of Representatives Committee on International Relations: Monitoring Respect for Human Rights around the World: A Review of the Country Reports on Human Rights Practices for 2005,


texts:
 March 2006
 U.S. Commission on International Religious Freedom: The Many Faces of China's Repression: Human Rights, Religious Freedom, and U.S. Diplomacy in China, January 2007
 World Press Freedom Committee, After the 2008 Olympics in China, What Next for Press Freedom?, from "Challenges and Opportunities of New Media for Press Freedom", February 2007
 European Parliament Subcommittee on Human Rights: Hearing on Human Rights in China in the Run-up to the Olympics, November 2007
 Intervention before the Sub Committee on Human Rights, European Parliament Exchange of Views in preparation for the EU-China human rights dialogue, May 3, 2007. U.S. Congressional-Executive Commission on China: The Impact of the 2008 Olympic Games on Human Rights and the Rule of Law in China, February 2008
 Panelist, “Google and Internet Control in China: A Nexus Between Human Rights and Trade?”, U.S. Congressional-Executive Commission on China, March 24, 2010
 Intervention before the Sub Committee on Human Rights, European Parliament Exchange of Views on Human Rights in China and the Role of the European Union following the last meeting of the EU China Human Rights Dialogue, December 5, 2011. Panelist, “Examination into the Abuse and Extralegal Detention of Legal Advocate Chen Guangcheng and His Family”, U.S. Congressional-Executive Commission on China, Washington, D.C., November 1, 2011."Values and Strategic Narratives in International Human Rights," Panel on Value of Values: reconsidering the Role of Human Rights in US-China Relations," Wilson Center, Kissinger Institute on China, April 20, 2016. References

1951 births
Living people
Sarah Lawrence College alumni
New York University School of Law alumni
City University of New York


texts: <mask> (January 7, 1917 – March 12, 2004) was an American artist noted for abstract paintings that coupled scale with density of incident. It was not uncommon for some of the largest paintings to weigh in excess three hundred pounds, almost all of it pigment. He had a long and varied career, lasting about sixty-five years. He produced at least eight hundred canvases and eight thousand works on paper and board. He also wrote poetry on a nearly daily basis for the last thirty years of his life. He was an inveterate reader, riveting speaker and gifted teller of tales, capable of conversing with college audiences in sessions that might last three hours. Paintings held in public collections include: New Bride, 1963 Smithsonian American Art Museum, Washington, D.C., Mound, 1961 National Gallery of Art, Washington, D.C., Saturn, 1976 National Gallery of Canada, Ottawa, Ontario, Elephant, 1977 Milton Resnick and Pat Passlof Foundation, New York, Earth, 1976 Museum of Modern Art, NYC, Wedding, 1962 The Metropolitan Museum of Art, New York, Pink Fire, 1971 National Gallery of Australia, Canberra, and Untitled, 1982 Whitney Museum of American Art, New York, along with many pictures of comparable quality in smaller collections — public and private — make for some, an effective case for Resnick as an exponent of the sublime.His remaining estate is held in trust by the Milton Resnick and Pat Passlof Foundation. Beginning in 2017, the centenary of his birth, the Foundation plans to open his former residence and studio, at 87 Eldridge Street in Manhattan as a public exhibition space


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 to showcase his work, that of his wife Pat Passlof, and other Abstract Expressionist painters. Childhood

<mask> was born of Jewish parentage in the village of Bratslav, now in the Ukraine. His given name was Rachmiel. Both his parents came from wealthy families: the Resnicks builders and the Mutchniks flour merchants. In the immediate aftermath of the Russian Revolution, Bratslav was repeatedly terrorized by Cossack gangs and the town—like so many others—decimated. Under duress, <mask>'s father abandoned his business and property, and emigrated along with his wife's family to America in 1922.They settled in Brooklyn where <mask> lived for the next ten years. Disobeying his father, the boy left home at seventeen to become an artist. In order to survive he sold his blood, modeled, and worked at the American Artists School, 131 West 14th Street, as the elevator boy, in exchange for tuition. In 1938 <mask> met Willem de Kooning, likely introduced to him by his sweetheart, Elaine Fried. She married de Kooning in 1943. <mask> was enrolled in the Federal Art Project of the WPA in 1939. He became immersed in the art world after meeting many of the artists at Stewart's cafeteria, where they would congregate after collecting their WPA checks.Drafted into the army in 1940, he served in Iceland, Normandy, Northern Europe and the Rhineland. In 1945 at the age of twenty-eight, <mask> was finally discharged from the armed forces. Willem De Kooning, a faithful friend, had stored some of his art for that period. The rest was lost. Early Years: Abstract Expressionism

<mask> spent

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texts: two years painting in Paris (August 1946 – 1948). His studio, at 21 Rue de Seine, was fortuitously located for engaging post-war French art. There he befriended the artist Wols, who lived next door.He also met Giacometti, Gruber, as well as dealers Katia Granoff and Pierre Loeb. He observed Artaud, Matisse, Picasso, and Derain at close range, and spent an afternoon with Brancusi in his studio. John Graham visited him there several times. <mask> was one of the founding members of the artist's club, known simply as 'The Club,' in 1949. It became known as the den of what was later to be called the Abstract Expressionists. Other founding members included Franz Kline, Willem de Kooning, Ad Reinhardt, and Jack Tworkov. The Club became famous, a venue for intellectuals and luminaries like Dylan Thomas, Hannah Arendt, John Cage, Joseph Campbell, Buckminster Fuller, Paul Goodman, William Barrett, Edgar Varese and the young Pierre Boulez.In 1951 he participated in the 9th Street Art Exhibition, the first of many organized group exhibitions of Abstract Expressionism in New York City. After a 1949 debut exhibit at Charles Egan Gallery was cancelled, due to a dispute over missing paintings, <mask> did not have a solo show until 1955. As a consequence, his reputation was compromised for several decades. Labeled a second generation Abstract Expressionist, his immersion in the Abstract Expressionist idiom directly after the war remained unacknowledged. <mask>'s public reputation increased through the late 1950s and early 1960s. With the new decade, his work, previously characterized

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 by muscular, sometimes chunky interlocking forms that seemed to function as a byproduct of a generalized aggressive attack, began to be replaced with a less fraught, loose and dispersive handling of paint. His paintings simultaneously began to assume a massive size, the largest of which, 'Swan' (1961) reached 25 feet in length.In 1961 he married Pat Passlof, an accomplished painter and former private pupil of de Kooning. For the greater part of their forty-four year long marriage, they lived apart but nearby each other. Maturity

With the rise of Pop Art and optical painting, not to mention Neo-Dada and Conceptualism, <mask> withdrew somewhat from the art world. Increasingly tending his own garden, he turned inward and began to produce—in complete disregard and perhaps defiance—the dense and rigorous all-over abstractions that would make his reputation. An indefatigable worker, these paintings often took months to accomplish before they were realized to his satisfaction. In 1971 he was awarded a large scale exhibition featuring paintings from 1958 to 1970 at the Fort Worth Art Center Museum in Texas. It traveled to the Milwaukee Art Center later that year.In 1985 the Contemporary Arts Museum Houston mounted a retrospective exhibition. He also taught during these years, serving in a visiting capacity at several universities, but never joined any faculty. In 1976 he bought a synagogue on the lower East Side of Manhattan—an earlier one being turned over to his wife—and lived and worked in it until his death in 2004. Later life

In the 1980s along with many canvases,


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 he painted more than one hundred and forty small abstractions on stiff planks of cardboard. In 1986 he started to introduce into his pictures proto-human figures often in a cruciform or slingshot gestalt, and nearly interchangeable with his sign for a tree. They remained largely abstract in feeling and tone. No inviting space beckons the viewer nor compromises the quite distinctive agitation of the surface that, along with a preference for mineralized color, characterizes much of Resnick's work for the last forty years of his life.He also painted numerous strange hermetic insignia's. The X, a sign of negation, frequently decomposed into two elbows that often didn't align properly. The attitude towards symmetry and order remained light-heartedly derisive. He always maintained that ideas and narratives were just grist for his mill; nothing more. Content had no significance to him other than to provide an occasion to paint. He didn't generate ideas but made use of them as a subject if it pleased him to. Much of the late work was painted on rag or mold made paper, often with acrylic or gouache.His written poetry became increasingly important to him in the last ten years of his life. <mask> took his life in March 2004. References

Bibliography
 Works of the 1960s and 1970s: Frieze Masters, 2012,  (New York: Cheim & Read, 2012.) Philip Larratt-Smith, The Elephant in the Room: Paintings from the 1960s to 1980s,  (New York: Cheim & Read, 2011.) . Nathan Kernan, <mask>, A Question of Seeing, Paintings 1959–1963, (New York: Cheim & Read, 2008.) . Geoffrey Dorfman, Out of the

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Milton Resnick
Milton Resnick


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 Picture, <mask> and the New York School, (New York: Midmarch Arts Press, 2003.) . Marika Herskovic, American Abstract Expressionism of the 1950s An Illustrated Survey, (New York: New York School Press, 2003.) .p. 282-285. Marika Herskovic, New York School Abstract Expressionists Artists Choice by Artists, (New York: New York School Press, 2000.) . p. 12; p. 16; p. 38; p. 302-305. External links
 The Milton Resnick and Pat Passlof Foundation
 Milton Resnick, Cheim & Read Gallery, New York City
 Ken Johnson, "An Abstract World That Looks Like Silence: <mask>snick Exhibition at Mana Contemporary," The New York Times, July 24, 2014. Geoffrey Dorfman, "<mask>snick: Painting to Live," Painters' Table, April 30, 2014. Penelope Green, "His and Hers Synagogues on the Lower East Side," The New York Times, October 5, 2011. David Reed, "The Unsettling Mark," Art in America, August 27, 2011.Sharon Butler, "Resnick's Resonance," Two Coats of Paint, June 10, 2008. Thomas Micchelli, "<mask>: A Question of Seeing," The Brooklyn Rail, June 7, 2008. David Cohen, "<mask>nick Was an AbEx Pioneer," The New York Sun, May 29, 2008. Diana Manister, "<mask>, Understanding Eden," Artezine.com, May 1, 2004. Phong Bui, "<mask>snick Remembered," The Brooklyn Rail, April 1, 2004. Roberta Smith, "<mask>, Abstract Expressionist Painter, Dies at 87, The New York Times, March 19, 2004. Rachel Youens, "<mask>snick at Robert Miller Gallery," The Brooklyn Rail, May 1, 2001.1917 births
2004 suicides
20th-century American painters
20th-century male artists
21st-century American painters
21st-century male

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 artists
American male painters
American people of Ukrainian-Jewish descent
Abstract expressionist artists
Jews of the Russian Empire
Ukrainian Jews
White Russian emigrants to the United States
Jewish American artists
People from Bratslav, Vinnytsia Oblast
People from Bratslavsky Uyezd
Suicides in New York City
Works Progress Administration workers
20th-century American Jews
21st-century American


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<mask>'Leary (January 27, 1940 – July 28, 2011) was an American scientist, author, and NASA astronaut. He was part of NASA Astronaut Group 6, a group of scientist-astronauts chosen with the intention of training for the Apollo Applications Program. Personal
O'Leary was born and raised in Boston, Massachusetts on January 27, 1940. He decided to become an astronaut after visiting Washington, D.C. as a teenager. On December 1, 1983, O'Leary was married to Delores Marie Lefkowitz, also known as Dee Davenport, in Yarmouth, Massachusetts. Education
O'Leary graduated from Belmont High School in 1957. He received a B.A.in physics from Williams College in 1961, an M.A. in astronomy from Georgetown University in 1964, and a Ph.D. in astronomy from the University of California, Berkeley in 1967. Organizations
O'Leary became a Fellow of the American Association for the Advancement of Science in 1975. From 1970–1976, he was the secretary of the American Geophysical Union's Planetology Section. In 1977, he worked on Asteroidal Resources Group, NASA Ames Summer Study on Space Settlements as team leader. Astronaut program

During his graduate studies at the University of California, Berkeley, O'Leary published several scientific papers on the atmosphere of Mars. O'Leary's Ph.D. thesis in 1967 was on the Martian surface.Because of his professional specialty and youth, O'Leary was selected as an astronaut in conjunction with a possible NASA human mission to Mars then envisaged for the 1980s contingent on post-Apollo funding. O'Leary was the only planetary scientist in the NASA Astronaut Corps during the Apollo program. In April 1968, O'Leary resigned from the Astronaut Corps prior to completing the training program. Academic career
After O'Leary's resignation from NASA, Carl Sagan invited him to lecture at Cornell University in 1968, where he stayed until 1971 as a research associate (1968–1969) and assistant professor (1969–1971) of astronomy. While at Cornell, he studied lunar mascons. During the 1970–1971 academic year, O'Leary


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 was deputy team leader of the Mariner 10 Venus-Mercury TV Science Team as a visiting researcher at the California Institute of Technology. The team received NASA's group achievement award for its participation.He later taught at San Francisco State University (associate professor of astronomy and interdisciplinary sciences; 1971–1972), the UC Berkeley School of Law (visiting associate professor; 1971–1972), Hampshire College (assistant professor of astronomy and science policy assessment; 1972–1975), Princeton University (research staff and lecturer in physics; 1976–1981) and California State University, Long Beach (visiting lecturer in physics; 1986–1987). At Princeton, he was involved with Gerard K. O'Neill and the L5 Society's orbiting city plans. He suggested that passing asteroids and the moons of Mars would be the easiest to access resources for space colonies. O'Leary wrote and edited books on astronomy and astronautics. Political activities
O'Leary became politically active early in his career and participated in a demonstration in Washington, D.C. in 1970, to protest the Cambodian Campaign. Richard Nixon administration officials invited O'Leary and his fellow Cornell professors to present their views. In 1975 and 1976, he worked on Morris Udall's presidential campaign as an energy advisor, as well as for the U.S. House Interior Committee subcommittee on energy and the environment as Udall's special staff consultant on energy.O'Leary worked for U.S. presidential candidates Jesse Jackson, Dennis Kucinich, George McGovern, and Walter Mondale. During those years, he wrote about the Space Shuttle, NASA's lunar landings, and the weaponization of space. O'Leary traveled to the Soviet Union twice in the late 1980s with the aim of promoting peaceful space exploration, including a peace cruise along the Dnieper River. Frontiers of science
A remote viewing experience in 1979 and a near-death experience in 1982 initiated O'Leary's departure from orthodox science. After Princeton, O'Leary worked at Science


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 Applications International Corporation. He refused to work on military space applications, for which reason he lost his position there in 1987. Beginning in 1987, O'Leary increasingly explored unorthodox ideas, particularly the relationship between consciousness and science, and became widely known for his writings on "the frontiers of science, space, energy and culture".Since the 1980s, he lectured at the Findhorn Foundation, Esalen Institute, Omega Institute for Holistic Studies, Unity Churches, Religious Science churches and Sivananda Yoga Vedanta Centres. With artist Meredith Miller, his wife, he co-founded the Montesueños Eco-Retreat in Vilcabamba, Ecuador in 2008, which is devoted to "peace, sustainability, the arts and new science". Death
O'Leary contracted skin cancer in his 60s, which he treated with an alternative methodology involving a substance called Cansema. After surviving his second heart attack (precipitated by an ayahuasca ceremony) in 2010, he died of intestinal cancer on July 28, 2011, soon after diagnosis, at his home in Vilcabamba. Publications
The Making of an Ex-Astronaut 1970. . The Fertile Stars 1981. .
Project Space Station 1983. .
Mars 1999 1987. . Exploring Inner & Outer Space 1989. .The Second Coming of Science 1993. . Miracle in the Void: Free Energy, UFOs and Other Scientific Revelations 1996. .
Reinheriting the Earth 2003. . The Energy Solution Revolution 2009. .

References

External links

 Official website; accessed March 19, 2014. O'Leary's entry in Scouting and Space Exploration; accessed March 19, 2014. O'Leary lecture at Youtube
 "The Life of Dr. <mask>'Leary, glntv.tv; accessed March 19, 2014. The Life and Career of Dr. <mask>'Leary (presentation by David William Gibbons; accessed March 19, 2014. 1940 births
2011 deaths
American astronauts
American astronomers
American bloggers
21st-century American memoirists
People from Belmont, Massachusetts
Space advocates
Free energy conspiracy theorists
Deaths in Ecuador
Belmont High School (Massachusetts) alumni
American conspiracy

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<mask>. (10 July 1936 – 27 June 2000) was a Guyanese long distance runner who represented Guyana in the Marathon at the 1968 Summer Olympics in Mexico City, Mexico. He is known to be one of the greatest long distance runners Guyana and the Caribbean has ever produced, setting the national record in 1968. To date, he is the only Guyanese ever to compete in the Marathon at the Summer Olympic Games and one of the most prominent Indo-Caribbean long distance runners of his time. At the British West Indies Championships he won the gold medal in the Men's 5000m in 1965 and 1960 as well as the Gold in the 10,000m in 1960. He was a silver medalist in the Half-Marathon at the 1965 games and won Silver at both the 1959 and 1958 games in the Men's 5,000m and 10,000m events. <mask> ran the Men's 6 miles in the 1966 British Empire and Commonwealth Games in Kingston, Jamaica. He also participated in the Men's 5000m 10,000m and the marathon at the 1967 Pan American Games in Winnipeg, Manitoba, Canada and represented Guyana at the 1970 British Commonwealth Games in Edinburgh, Scotland competing in the Men's 5,000m, 10,000m and the marathon.<mask> holds the Guyana National Track and Field Record in the Marathon with a personal best time of 2:39:11 set on 4 February 1968 in St. Georges, Grenada. He was awarded Guyana's National Sportsman of the Year in 1969 and received the Order of Service of Guyana (Grade II) known as the Golden Arrow of Achievement in 1970. <mask> died on 27 June 2000 at age 63 in Success, East Coast Demerara, Guyana. Early life and career
<mask> was born in La Bonne Intention (LBI) Estate, East Coast Demerara, Guyana to Indo-Guyanese parents. LBI is a village 10 miles east of the capital Georgetown, Guyana. He would often be seen running from LBI to Georgetown and back again. Known to the locals for his notorious barefoot running style, he rose to prominence at St. Mary-Ye-Virgin Anglican School in Beterverwagting,

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 Guyana.At the annual Inter Estate Athletics Championships, which was well organized and held at various Sugar Estate grounds across British Guiana, he became a household name for his success in long distance running. At these early events he would race against his future nemesis, Moses Dwarika, who would later compete alongside him for British Guiana at the British West Indies Championships. International career

British Guiana

1958 British West Indies Championships
At the age of 22, <mask> qualified and represented British Guiana at the 1958 British West Indies Championships held in Port of Spain, Trinidad and Tobago. This would be his first international competition. He would go on to win the silver medal in the 5000m and 10,000m, setting personal best times of 15:15:00 and 31:57:03 respectively. This event showcased some of Guyana's greatest long distance runners. <mask>, Moses Dwarika, George de Peana and Ralph Gomes would go on to dominate Caribbean long distance athletics for the next decade.1959 British West Indies Championships
<mask> won the silver medal in both the 5000m and 10,000m race in the 1959 British West Indies Championships held in Georgetown, British Guiana. 1960 British West Indies Championships
He finally succeeded his fellow British Guianan, George de Peana, as the dominant long-distance runner by winning Gold in both the 5000m and 10,000m races at the 1960 British West Indies Championships held in Kingston, Jamaica. The British West Indies Championships took a four-year hiatus. With the West Indies Federation being dissolved, the 5th edition of the track and field competition for the 1964 British West Indies Championships took place in Kingston, Jamaica. <mask>'s 10,000 m race had been dropped and he did not compete in the games. 1965 British West Indies Championships
The 1965 British West Indies Championships was the sixth and final edition of the track and field competition between British

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 colony nations in the Caribbean. It was held in Bridgetown, Barbados.<mask> won Gold again in the 5,000m which he had won when he last competed in the 1960 event with a time of 15:30.5. He won the Silver in the 10,000m with a time of 1:14.06 behind fellow countryman Moses Dwarika who also hails from LBI. He won his 3rd Gold in the event with a time of 1:12:38. Guyana
With British Guiana achieving independence from the United Kingdom in May 1966, <mask> would now represent the independent nation of Guyana. 1966 British Empire and Commonwealth Games
<mask> participated in the 1966 British Empire and Commonwealth Games held in Kingston, Jamaica from 4 to 13 August. This was the first time that the Games had been held outside the so-called White Dominions. He placed 11th out of 14 runners in the Men's 6 mile event with a time of 31:24 on 6 August 1966 at the Independent Park in Kingston, Jamaica.It was the last time that the imperial distance was contested at the Games later being replaced by the 10,000 metres. 1967 Pan American Games
In 1967, <mask> qualified for the 1967 Pan American Games in Winnipeg, Manitoba, Canada and participated in the Men's 10,000 metres on July 29, 1967, placing 8th out of 13 runners in the Final. He ran in the Men's 5000 metres and finished 10th with a time of 14.57.2 on August 2, 1967. He also ran the Men's marathon on August 5, 1967. 1968 Summer Olympic Games
At the age of 32, the highlight of <mask>'s career came with representing Guyana at the 1968 Summer Olympics in Mexico City, Mexico. The race was held on Sunday 20 October 1968 and started at 15.00h (3PM EST). There were a total number of 75 competitors from 41 countries.Eighteen of them did not finish due to the high altitude of Mexico City. To date he is the only Guyanese ever to compete for Guyana in the Marathon at the Summer Olympic Games. As <mask> was training for the 1968 Summer Olympics, he set his personal best record of

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 2:39:11 in a Marathon on 4 February 1968 at a track event in St. George's, Grenada. Leading up to the Olympics he also won a gold medal in the Marathon at the 1968 Texaco Southern Games in San Fernando, Trinidad, followed by a gold medal in the 3000 m race at the annual Inter Estate Athletics Championships in Guyana Notable runners Boyo Changur placed second and Gladstone Hopkinson placing third. Guyana sent five men to the 1968 Summer Olympics. The West Indies Champion, 32-year-old <mask> was a favorable contender in the Men's Marathon. It was an accomplishment just to finish this race and it was referred to as one of the slowest marathons in Olympic history.With the unfavorable conditions, <mask> placed a respectable 50th place with a time of 2:57:01.4. 1970 British Commonwealth Games
The Edinburgh race stands out as one of his most memorable. After successfully running in the 3-mile, 6-mile and half-marathon with a time of 1 hour and 3 minutes in Trinidad, <mask> was flowing directly to Edinburgh, Scotland the very day to compete in the 1970 British Commonwealth Games in the Men's Marathon event. He also qualified for both the 5,000 and 10,000 metres event at Meadowbank Stadium in Edinburgh, Scotland. Guyana National Awards
<mask> was awarded Guyana's National Sportsman of the Year in 1969 and received the Order of Service of Guyana (Grade II) known as the Golden Arrow of Achievement in 1970. References

External links

1936 births
2000 deaths
People from Demerara-Mahaica
Athletes (track and field) at the 1968 Summer Olympics
Guyanese male long-distance runners
Guyanese male marathon runners
Olympic athletes of Guyana
Athletes (track and field) at the 1967 Pan American Games
Pan American Games competitors for Guyana
Athletes (track and field) at the 1966 British Empire and Commonwealth Games
Athletes (track and field) at the 1970 British Commonwealth Games
Commonwealth Games competitors for Guyana
Guyanese male

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<mask> (born 1983), professionally known as <mask> and formerly <mask>, is a Canadian-born American singer and songwriter who was raised in Rapid City, South Dakota. She has lived in Duluth and currently St. Paul, Minnesota. In 2009, she moved to Portland, Oregon, where she spent a year writing songs for her album Golder, which was released April 19, 2011. She plays acoustic guitar, baritone electric guitar, electric guitar, and Rhodes or Wurlitzer electric piano, either solo or with her Twin Cities-based band, including Jeremy Ylvisaker, Robert Skoro, and Jacob Hanson. Life and work

In 2003 <mask>'s album . . . The Size of Planets (Chairkicker's Union) received favorable reviews in the Twin Cities press.The album spawned the single "Am I Allowed," which was played on college radio stations. <mask> was 20 years old when the album was released, and did a number of tours with Duluth band Low upon its release. She also toured with Mason Jennings, Richard Buckner, Rivulets, and Mary Lou Lord, who was also <mask>'s manager for a time. In 2006 she released the album Lure the Fox, originally on Mary Ellen Recordings, whose owner, Mary Lewis, decided to help her pay to record the album at Pachyderm Studio after reading a Star Tribune article about her in 2005. Dave King of Happy Apple and The Bad Plus plays drums, Chris Morrissey plays bass, and the album features Low's Alan Sparhawk on the track "Give it Up." Also on that track is David Frankenfeld, <mask>'s former drummer, who played on The Size of Planets. One year after Lure the Fox was recorded, <mask> signed with local label Afternoon Records,

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texts: who then released the album nationally in October 2006.Lure the Fox earned <mask> two Minnesota Music Awards, one for Best American Roots recording, and another for Best American Roots artist. The album also topped many Twin Cities year-end favorite lists, including those of the Star Tribune, City Pages, The Onion, and Pulse magazine. <mask> was also featured on the cover of Metro magazine. Big Star, released in June 2008 on Afternoon Records, gained <mask> a broader audience with songs like "Big Star," "Green Eyed Boy," and "Arms of Harm," which was featured on the credits for an episode of Showtime's The United States of Tara. <mask> is featured on the 2007 Andrew Bird record Armchair Apocrypha and has frequently shared the stage with Bird over the past five  years. She sang on the feature song "Quiet Breathing" from the independent film Sweet Land, directed by fellow Minnesotan Ali Selim. In recent years, she has also collaborated with Actual Wolf and Gary Louris.In 2009, <mask>'s move from St. Paul to Portland, Oregon was noted by City Pages. She returned to the St. Paul in July 2010 and again became very active in the Twin Cities music scene. Upon completion of her album Golder, released in 2011, she also started a side project band called Gramma's Boyfriend, a "no-wave, new wave, punkish kind of thing that sounds like the Twin Peaks High School prom band." Jeremy Ylvisaker (Andrew Bird, Alpha Consumer, Guitar Party), Jacob Hanson (Halloween, Alaska, Guitar Party, Minneapolis Dub Ensemble), <mask>, Luke Anderson (Rogue Valley, Alpha Centauri), and Mike Lewis (Happy Apple, Fat Kid

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 Wednesdays, Andrew Bird, Gayngs) are all members of Gramma's Boyfriend, though the band's website states that "sometimes they all play together, sometimes its whoever shows up." They have released two albums on Graveface Records, 2013's Human Eye and 2015's Perm. After two and a half years of writing and recording, <mask> released the album Last War in May 2014. The album earned widespread critical acclaim, with Stephen Thompson of NPR calling <mask> "a bright, subtle storyteller, [who] displays a mastery of pop-rock craftsmanship that keeps these songs as relentlessly catchy on the surface as they are alluringly complex underneath."SPIN lauded the track "No Sensitive Man" as  "dynamic, demanding," while Consequence of Sound stated that "Bonar creates a whimsical masterclass of indie-pop songwriting." The album earned spots on best-of-2014 lists from Rough Trade, NPR's All Songs Considered, Village Voice and Wondering Sound, the latter of which said of the album, "It’s a bold, confident statement, and it’s an early pick for one of the year’s best." Her album Impossible Dream was released in August 2016. Her latest album Pleasureland is recorded under the name HALEY and was released in 2018. Discography

Albums
<mask> Bonar (Slicktunes Recording, 2001)
9 Song Demo (Self released, 2002)
...The Size of Planets (Chairkicker's Union, 2003)
Lure the Fox (Afternoon Records, 2006)
Big Star (Afternoon Records, 2008)
Golder (Graveface Records, 2011)
Last War (Graveface Records, 2014)
Impossible Dream (Gndwire Records, 2016)
Pleasureland (Memphis Industries, 2018) - Artist credited as ‘<mask>’ not

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<mask> (April 17, 1984 – October 23, 2010) was an American long-distance swimmer. After being a pool swimmer for most of his career, <mask> made the transition to open water swimming in 2006. In international competitions, Crippen won seven medals, five of which were in the open water and two in the pool. <mask> died during an open water swimming race in the United Arab Emirates in 2010 at the age of 26. Biography
<mask> was born in Bryn Mawr, Pennsylvania, in 1984 to Pete and <mask>. He graduated from Germantown Academy in Fort Washington, Pennsylvania in 2002. <mask> graduated from the University of Virginia in 2006 where he majored in sociology.<mask> started swimming at the age of six because of his sister Maddy. His three sisters are all also competitive swimmers. Maddy was a 2000 Olympian in the 400 individual medley and swam for Villanova University. His sister Claire is an NCAA All-American and Olympic Trials qualifier who swam for the University of Virginia. <mask> is a Pan-American Games Champion in the 200 meter backstroke and U.S. national team member. Career
<mask> swam for the University of Virginia, where he was an 11-time All-American and two-time Atlantic Coast Conference (ACC) swimmer of the year. He earned a bronze medal as a member of USA Swimming at the 2001 Goodwill Games in Brisbane, Australia.At the 2003 Pan American Games, in Santo Domingo, Dominican Republic, he won two individual silver medals in the 400 and 1500 m freestyle. <mask> represented the United States at the Pan Pacific Championships in 2006, where he earned a silver medal in the 10 km open water swim. From 2006 to 2008 <mask> represented the Mission Viejo Nadadores in California and swam for coach Bill Rose. In 2007, he earned a gold medal in the 10 km distance event at the Pan American Games in Rio de Janeiro, Brazil. Two years later, <mask> won a bronze medal in the 10 km open water race at the 2009 World Aquatics Championships. A year later, <mask> again won silver in the 10 km at the

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Francis Crippen
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