texts: firm. On May 17, 1917, shortly after the United States entered World War I, <mask> enlisted in the United States Army. He served as a captain in the Quartermaster Corps's construction division. He was initially charged with responsibility for sewers, sewage disposal and cantonments at Leon Springs, Texas (near San Antonio). He was next put in charge of the construction of Army hospitals at Leon Springs as well as U.S. Army General Hospital No.7 at Roland Park, Baltimore, Maryland and Henry Ford Hospital in Detroit, Michigan. He received his discharge from the Army in June 1919. After World War I, <mask> moved to Dearborn, Michigan where he worked as an engineer with a subsidiary of the Ford Motor Company. He later formed, and served as president of, the firm of Douglass, Corey and Fish Engineers with offices in Denver, Trinidad, and Walsenburg, Colorado. In 1933, <mask> was hired as a design engineer by the Denver office of the United States Bureau of Reclamation, he was assigned to the civil engineering office. When he joined the Bureau, construction of the Hoover Dam was underway, and he was assigned to preparation of construction drawings for the Boulder Canyon (Hoover Dam) Project. He spent more than 20 years with the Bureau of Reclamation until his retirement in 1954.<mask> was eventually placed in charge of Hoover Dam and the surrounding park land from 1950 to 1954. Among <mask>'s other works, he designed the roof for the Bureau of Reclamation's power house at the hydroelectric project near Boulder City, Nevada. The roof was "engineered to withstand the force of boulders that might fall from the rock walls near the dam." In 1939, he published a paper entitled, "Accident Occurrence and Control on Heavy Construction of the Bureau of Reclamation." In February 1944, <mask> was assigned to Washington,

masks: Douglass Douglass Douglass Douglass Douglass Douglass


type: original

texts: D.C., as Engineering Assistant to the Commissioner of the U.S. Bureau of Reclamation. A former colleague later recalled Douglass's brief stint in Washington as follows:"<mask> was the representative of the Commissioner of Reclamation at the meetings of the Tripartite Agreement, but he decided early on after just a few months that the Washington maelstrom was not his cup of tea. He liked to know what he was going to do today, tomorrow, and next week.But that hectic activity in Washington, you never knew what you were going to do in the next fifteen minutes. So he saw an opportunity to transfer as an Assistant Regional Director at Region III to Boulder City." In October 1944, he was assigned to Boulder City, Nevada as Assistant Regional Director of the Bureau's newly formed Region III. During this time, <mask> was responsible for "a major part of the administrative and engineering responsibility" for the Davis Dam project being built 67 miles downstream from Hoover Dam. He was considered "an authority on the Davis Dam and park land." At the end of 1948, <mask> was sent to Japan as a consultant to the natural resources section of the general headquarters of the Supreme Commander for the Allied Powers in Japan under Gen. Douglas MacArthur. He prepared a study and recommendations for the design and construction of dams and irrigation works in Japan.He was awarded a citation for outstanding service by the G.H.Q. for his work in Japan. In 1950, <mask> became the Director of Power at Hoover Dam. In that capacity, he supervised the installation of three new generating units (A-3, A-4, and A-9) at the Arizona wing of the power plant. The A-9 unit was noted for being the first at Hoover Dam to have a solid stainless steel turbine runner. <mask> retired from the Bureau in 1954. At the time of his retirement,

masks:
Lou Douglass
Douglass
Douglass
Douglass
Douglass


texts:
 <mask> received the United States Department of the Interior Distinguished Service Citation and Gold Medal "for outstanding contributions in the field of water conservation and control."After retiring from the Bureau, <mask> served three years as the City Engineer in Henderson, Nevada. He was also the Chairman of the Colorado River Advisory Board. Family, community service and later years
He was married to Amelia Fredericka Hindman. They had a son, Frederick, and a daughter, Florence Elizabeth. His first wife died in childbirth in 1919. <mask> was later married to <mask> in August 1922 at Trinidad, Colorado. He was a member of the Masonic Order, Rotary International, the American Legion, the American Society of Civil Engineers, Sigma Nu, the Teknik Club of Denver, and Chi Epsilon.He was a past president of the local Rotary Club and of the Boulder City Shrine Club. He was also the District Chairman of the Boulder Dam Area Council of the Boy Scouts of America, the president of the Board of Boulder City Hospital for six years, and a member of the Boulder City School Board in the 1950s. Douglass was a member of St. Christopher's Episcopal Church in Boulder City and served as a Junior Warden from 1955 to 1960. In his retirement, he built a mahogany pulpit, lectern, prayer desk, and baptismal font for the church. Douglass was also a popular speaker in the Boulder City area, known as "a raconteur" who, "[a]t the drop of a hat ... could come up with a story for just about any occasion." In his later years, Douglass and his wife resided at the Boulder City Care Center. He died in Boulder City in 1979 at age 90.He was buried at Trinidad, Colorado. References

1888 births
1979 deaths
People from Gallup, New Mexico
People from Boulder City, Nevada
University of Colorado alumni
American civil engineers
Engineers

masks:
Douglass
Douglass
Douglass
Norma Douglass


texts:
<mask> (6 May 1809 – 3 May 1853) was a Spanish counter-revolutionary author, diplomat, politician, and Catholic political theologian. Biography

Early life
<mask> was born at Valle de la Serena (Extremadura) on 6 May 1809. His father, D. <mask> was a lawyer and landowner, and a descendant of the conquistador <mask>. His mother, Maria Elena Fernandez née Canedo Cortés was a provincial heiress. During his youth, <mask> was tutored by the liberal Antonio Beltran in Latin, French, and other subjects required for entrance to a university. At 11, possibly due to issues at home, <mask> left to study at the University of Salamanca. He only remained there a year before leaving to study at the Colegio de San Pedro de Caceres.In 1823, at age 14, he entered the University of Seville to study law, and would remain there until 1828. It was here that <mask> <mask> first encountered philosophy; he fell under the influence of liberal and traditionalist thinkers such as John Locke and Louis de Bonald. <mask> returned home to work at his father's law practice for a couple of years. At this time he continued his eclectic reading habits. In October 1829, <mask> was offered at professorship in aesthetics and politics at the Colegio de San Pedro de Caceres. He was carried away by Romanticism and stressed feeling over rationality. He criticized medieval feudalism but defended the Papacy and the Crusades, which he believed engendered vitality into European civilization.Carried away by the rationalism prevalent in

masks:
Juan Donoso Cortésués de Valdegamas
Cortés
Pedro Donoso Cortés
Hernán Cortés
Juan Donoso
Juan Donoso
Donoso
Cortés
Donoso
Cortés


texts:
 Spain following upon the French invasions, he ardently embraced the principles of Liberalism and fell under the influence of Jean-Jacques Rousseau, whom he later characterized as "the most eloquent of sophists". Entry into politics and journalism
<mask> married Teresa née Carrasco in 1830, however their marriage would last only five years with the death of Teresa after the birth of their only child, Maria. It was also at this time that <mask> entered politics along with his brother-in-law. He entered politics as an ardent liberal under the influence of Manuel José Quintana. After the death of King Ferdinand VII, <mask>, along with most of Spain's liberals, backed the late king's fourth wife, Maria Christina, and her claim to the throne of Spain. They were opposed by Ferdinand's clerical and conservative brother Carlos, and his conservative supporters who were known as Carlists. In 1832, <mask> wrote a memorandum to King Ferdinand defending female succession as being in line with the king's Pragmatic Sanction of 1830.For his efforts, the new queen regent would appoint <mask> to a position in the Secretariat of State. The death of King Ferdinand in 1833 precipitated the First Carlist War. <mask> protested the massacre of friars by anti-clerical liberals in Madrid in July 1834 in a memo to Maria Christina. <mask>'s views began to shift after the 1836 rising at La Granja, where soldiers in the royal palace forced Maria Cristina to reinstitute the liberal Constitution of 1812. At this time <mask>

masks:
Cortés
Juan Donoso
Donoso
Donoso
Donoso
Donoso
Donoso
Donoso


texts: was appointed as a cabinet secretary and elected to the Cortes as a member of the liberal Moderate Party, which represented bourgeois interests and supported a constitutional monarchy. At this time he gave a series of lectures for the party, A Defense of Representative Government, where he lauded representative government and rationalism, but at the same time defended dictatorship as sometimes being a necessary evil. The period between 1837 and 1840 saw the nadir of <mask>'s journalistic career; writing for various publications such as El Correo Nacional, El Porvenir, and El Piloto.His drift into conservatism continued during this time; <mask> attacked Victor Hugo's depiction of Mary Stuart, he argued in favor of the use of rich articles in religious rites. His most extensive article during this time, "Classicism and Romanticism", written in El Correo Nacional in August or September 1838, urged a synthesis between classicist and romantic art forms. <mask>'s articles brought him a great deal of notoriety and condemnation, with 65 members of the Cortes accusing <mask> of being subversive. <mask> recognized the power of the press and sought to influence public discussion through his publications, yet he was also one of the sharpest critics of the press and the freedom of the press. He believed that journalism was an almost sacred vocation but that this vocation was often abused and was used to spread mindless chatter and gossip. He was critical of the use of the press to spread revolutionary,

masks: Donoso Donoso Donoso Donoso Donoso


texts:
 socialistic, and anti-Christian ideas. <mask> went as far as to believe that freedom of the press itself was the result of the abandonment of Christian moral principles: editors were a new priesthood devoted to furthering the revolution and the authority of Christian doctrine was replaced with endless discussion.He was also critical of the use of the press by governments to achieve centralization and bureaucratization. Shift to conservatism
By the end of the First Carlist War in 1839, <mask> had become disillusioned with liberalism, rationalism, and the bourgeoise. He became something of a recluse and rarely left the royal palace. With the fall of the regency of Maria Christina, <mask> went into exile with the former Queen-regent; from March 1841 to the autumn of 1843, <mask> spent almost all of his time in Paris. During this time he began a history of the regency of Maria Christina, however it would never be finished. During this time <mask> came more strongly under the influence of the French traditionalists Joseph de Maistre and Louis de Bonald. <mask> returned to Spain in late 1843 and played a key role in granting majority status to Queen Isabella II, ending the regency of Baldomero Espartero.For his services to the crown <mask> was made private secretary to the young Queen and he was raised to the peerage. Shortly after, in May 1844, General Narváez came to power as prime minister. <mask>'s liberalism saw a brief upsurge with the early reforms of Pope Pius IX, who appointed Pellegrino

masks: Donoso Donoso Donoso Donoso Donoso Donoso Donoso Donoso


texts:
 Rossi to be prime minister of the Papal States. The Revolutions of 1848, along with the assassination of Rossi and the death <mask>'s pious Carlist brother Pedro brought an end to any trace of liberalism in <mask>'s thinking. In January 1849, <mask> gave a speech in the Cortes, "On Dictatorship," defending the actions of General Narvaez in suppressing any traces of revolutionary activity in Spain. <mask> spoke out vociferously against the chaos he saw unfolding across Europe in the Cortes; he attacked socialism as the result of the erosion of Christian morality and atheism. <mask> would later become a sharp critic of Narvaez and his speeches denouncing him in the Cortes would lead to Narvaez's resignation.During this time <mask> briefly served as ambassador to Berlin. Later life
In 1851, <mask> was appointed as the Spanish ambassador to France, presenting his credentials to the court of President, and later Emperor, Louis Napoleon, who would reign under the title of Napoleon III. <mask> was initially a confidant of Napoleon, and may have helped finance his coup. However, as time went on it became clear that <mask> and Napoleon did not share a common intellectual purpose. Still, <mask> worked to obtain international recognition for the new regime and he represented Queen Isabella II at the Emperor's marriage to the Spanish countess Eugénie de Montijo. <mask>'s life took on a newfound piety during this time: he went on pilgrimage, wore a hair shirt, volunteered with the Society of St. Vincent

masks: Donoso Donoso Donoso Donoso Donoso Donoso Donoso Donoso Donoso Donoso Donoso


texts: de Paul, visited slums and prisons, and donated much of his wealth to the poor. He also spent much of time writing in opposition to the Liberal French Catholics and their leader Bishop Dupanloup.It was during this time <mask> <mask> issued his Ensayo Sobre el Catolicismo, el Liberalismo, y el Socialismo Considerados en sus Principios Fundamentales (1851), or Essays on Catholicism, Liberalism, and Socialism, Considered in their Fundamental Principles, the work for which he is most well-known. It was written at the insistence of Louis Veuillot, who was an intimate friend of <mask>. The work placed <mask> in the first rank of Catholic apologists and made him a defender of Ultramontanism. It is an exposition of the impotence of all human systems of philosophy to solve the problem of human destiny and of the absolute dependence of humanity upon the Catholic Church for its social and political salvation. He excoriates liberalism as the bridge that ultimately leads to atheistic socialism. During his last years he also engaged in a series of correspondences that developed his thought further; firstly with the former Queen regent Maria Christina; with Cardinal Fornari, the papal nuncio to France; and Atanazy Raczyński, a Polish nobleman and Prussian ambassador to Spain, who was a close friend of <mask>. He also briefly engaged in a correspondence with Pope Pius IX, and warned the pope about the continuing threat from Gallicanism and democracy.Many of <mask>'s ideas would be incorporated into Pius's

masks:
Donoso
Cortés
Juan Donoso
Cortés
Donoso
Donoso


texts:
 encyclical Quanta Cura and its attached Syllabus of Errors. <mask> <mask> died in the Spanish Embassy in Paris on 3 May 1853. His funeral was held in the
Church of Saint Phillipe du Roule
in Paris where he would be interred. His remains were transferred to Madrid on 11 May 1900, along with the remains of Goya, Moratin, and Melendez Valdes. His remains are currently interred in the pantheon of the royal cemetery of San Isidro el Real. <mask> <mask>'s works were collected in five volumes at Madrid (1854–1855) under the editorship of Gavino Tejado. Influence
In his work Political Theology (1922), political philosopher Carl Schmitt devotes large portions of his final chapter ("On the Counterrevolutionary Philosophy of the State") to <mask> <mask>, praising him for recognizing the importance of decision and of the concept of sovereignty.Schmitt also credited <mask>'s Discourse on Dictatorship with initiating the demise of the progressive notion of history. Quotations
"True progress consists in submitting the human element which corrupts liberty, to the divine element which purifies it. Society has followed a different path in looking upon the empire of faith as dead; and in proclaiming the empire of reason and the will of man, it has made evil, which was only relative, contingent and exceptional, absolute, universal, and necessary. This period of rapid retrogression commenced in Europe with the restoration of pagan literature, which has brought about successively the restoration of pagan

masks:
Juan Donoso
Cortés
Donoso
Cortés
Donoso
Cortés
Donoso


texts:
 philosophy, religious paganism, and political paganism. At the present time the world is on the eve of the last of these restorations, – that of pagan socialism." (Letter to Montalembert, June 4, 1849.) "It follows from this that the Church alone has the right to affirm and deny, and that there is no right outside her to affirm what she denies, or to deny what she affirms.The day when society, forgetting her doctrinal decisions, has asked the press and the tribune, news writers and assemblies, what is truth and what is error, on that day error and truth are confounded in all intellects, society enters on the regions of shadows, and falls under the empire of fictions…"

"The doctrinal intolerance of the Church has saved the world from chaos. Her doctrinal intolerance has placed beyond question political, domestic, social, and religious, truths—primitive and holy truths, which are not subject to discussion, because they are the foundation of all discussions; truths which cannot be called into doubt for a moment without the understanding on that moment oscillating, lost between truth and error, and the clear mirror of human reason becoming soiled and obscured…"

Works
 Obras de Don Juan Donoso Cortés, Marqués de Valdegamas, Ordenadas y Precedidas de una Noticia Biográfica por Gavino Tejado, Impr. de Tejado, 1854-1855:
 Vol I.
 Vol. II. Vol. III. Vol.IV. Vol. V.
 Obras Completas de <mask> <mask>, <mask>, Marqués de Valdegamas, 1809-1853, 2 Vols., Editorial Católica, 1946. Obras Completas. Edición,

masks: Donoso Cortés Juan


texts:
 Introducción y Notas de Carlos Valverde, 2 Vols., Editorial Católica, 1970. English translations of <mask> Cortés
 Essay on Catholicism, Liberalism and Socialism, Considered in their Fundamental Principles, tr. Madeleine Vinton Goddard.Philadelphia: J.B. Lippincott & Co., 1862. Essays on Catholicism, Liberalism and Socialism, Considered in their Fundamental Principles, tr. William McDonald. Dublin: M.H. Gill & Son, 1879. Essays on Catholicism, Liberalism and Socialism: Considered in Their Fundamental Principles, Cornell University Library, 2010. In Menczer, Béla, 1962.Catholic Political Thought, 1789-1848. University of Notre Dame Press. "The Church, the State, and Revolution," pp. 160–176. "Socialism," pp. 177–182. On Order: Two Addresses Newly Translated into English by <mask> Cortes.Plutarch Press, 1989. Selected Works of <mask> Cortes: Contributions in Political Science. Praeger, 2000. <mask> Cortes: Readings in Political Theory, R.A. Herrera ed., Sapientia Press of Ave Maria University, 2007. Letter to Cardinal Fornari on the Errors of Our Time, [n.d.]

Notes

Sources

References

Further reading

 Armas, Gabriel de (1953). <mask> Cortés: su Sentido Trascendente de la Vida. Madrid: Colección Cálamo.Balakrishnan, Gopal (2000) "The Enemy: An Intellectual Portrait of Carl Schmitt." London: Verso
 Brophy, Liam (1950). "<mask> Cortes: Statesman and Apologist," The Irish Monthly, Vol. 78, No. 927, pp. 416–421. Dempf, Alois (1937).Christliche Staatsphilosophie in Spanien. Salzburg: Pustet.

masks:
Donoso
Juan Donoso
Juan Donoso
Donoso
Donoso
Donoso


texts:
 Fagoaga, Miguel (1958). El Pensamiento Social de Donoso Cortés. Madrid: Editora Nacional. Galindo Herrero, Santiago (1957). <mask> Cortés y su Teoría Política.Diputación Provincial de Badajoz, Badajoz. Graham, John Thomas (1974). <mask> <mask>; Utopian Romanticist and Political Realist. University of Missouri Press. Gutiérrez Lasanta, Francisco (1949). Pensadores Políticos del Siglo XIX. Madrid: Editora Nacional.Herrera, Robert A. (1988). "The Great in the Small: <mask> Cortes' Variations on a Theme from the Civitas Dei," Augustiniana, No. 1-4, pp. 140–147. Herrera, Robert A. (1995).<mask> <mask>: Cassandra of the Age. Grand Rapids, Mich.: William B. Eerdmans Pub. Co.
 Kennedy, John J. (1952). "<mask> Cortés as Servant of the State," The Review of Politics, Vol. 14, No. 4, pp.520–550. McNamara, Vincent J. (1992). "The Hegelianism of Young <mask> Cortés." In: Saints, Sovereigns, and Scholars. New York and Geneva: Peter Lamb, pp. 337–348.McNamara, Vincent J. (1992). "<mask> Cortés: un Doctrinario Liberal," Rev. Filosofía Univ. Costa Rica, Vol. 30, No. 72, pp.209–216. Monsegú, Bernardo (1958). Clave Teológica de la Historia según Donoso Cortés. Badajoz: Impr. de la Excma. Diputación Provincial. Neill, Thomas P. (1955)."<mask> <mask>: History and 'Prophecy'," The Catholic Historical Review, Vol. 40, No. 4, pp. 385–410. Regalado García, Antonio (1967). "The Counterrevolutionary Image of The World," Yale French Studies, No. 39, pp.98–118. Sánchez Abelenda, Raúl (1969). La Teoría del Poder en el

masks:
Donoso
Donoso
Cortés
Donoso
Donoso
Cortés
Donoso
Donoso
Juan Donoso
Juan Donoso
Cortés


texts:
 Pensamiento Político de Juan Donoso Cortés. Editorial Universitaria de Buenos Aires. Schmitt, Carl (2002). "A Pan-European Interpretation of <mask> Cortes," Telos, No. 125, pp.100–115. Schramm, Edmund (1936). <mask> <mask>: Su Vida y su Pensamiento. Madrid: Espasa Calpe. Schramm, Edmund (1952). <mask> <mask>: Ejemplo del Pensamiento de la Tradición. Madrid: Ateneo.Spektorowski, Alberto. "Maistre, <mask> Cortés, and the Legacy of Catholic Authoritarianism," Journal of the History of Ideas, Vol. 63, No. 2, pp. 283–302. Suárez Verdeguer, Federico (1964). Introducción a <mask> Cortés.Madrid: Rialp. Suárez Verdeguer, Federico (1997). Vida y obra de <mask> Cortés. Pamplona: Ediciones Eunate. Tarragó, Rafael E. (1999). "Two Catholic Conservatives: The Ideas of Joseph de Maistre and <mask> Cortes," Catholic Social Science Review, Vol. 4, pp.167–177. Tejada, Francisco Elías de (1949). Para una Interpretación Extremeña de Donoso Cortés. Diputación Provincial de Cáceres. Viereck, Peter (1956). Conservatism from John Adams to Churchill. Princeton: D. Van Nostrand Company, Inc.
 Westemeyer, Dietmar (1940).<mask> Cortés: Staatsmann und Theologe. Münster: Regensberg. Wilhelmsen, Frederick (1967). "<mask> Cortes and the Meaning of Political Power," The Intercollegiate Review, Vol. 3, No. 3, pp. 109–127.Wilson, Francis G. (1960). "<mask> Cortes: The Continuing Crisis," Journal of Inter-American Studies, Vol. 2, No. 1, pp. 45–63. External links

Internet Encyclopedia of Philosophy Entry on Cortés

1809

masks:
Donoso
Donoso
Cortés
Donoso
Cortés
Donoso
Donoso
Juan Donoso
Juan Donoso
Donoso
Donoso
Donoso


texts:
 births
1853 deaths
People from La Serena, Spain
Spanish Roman Catholics
Spanish philosophers
Spanish politicians
Spanish male writers
Spanish monarchists
Roman Catholic writers
Members of the Royal Spanish Academy
Writers from Extremadura
Ambassadors of Spain to France
19th-century Spanish writers
19th-century Spanish philosophers
University of Salamanca alumni
19th-century male writers
Spanish political


texts:
<mask> (May 9, 1874 – March 28, 1958) was an American carcinologist. She was known as the first lady of isopods and was one of the first female carcinologists, with only Mary Jane Rathbun before her. Biography
<mask> was born on May 9, 1874 in Washington DC to Charles and <mask>. She attended the Friends School and  Mount Vernon Seminary in Washington before attending Vassar College - where she became interested in biology - from which she graduated in 1896 with a BA, and again with a master's degree in zoology in 1901. In 1901 <mask> was appointed Collaborator in the Division of Marine Invertebrates at the National Museum of Natural History. She earned her PhD in the same field from Columbian University (now George Washington University) in 1903. <mask> began working with the Smithsonian in 1896.She worked at the museum unpaid by the Smithsonian for about twenty years. During this time she produced more output than many that were paid for a lifetime of research. <mask> married William Searle, a lawyer, on December 10, 1913 with whom she had one child, named William, on September 5, 1914. Her son had a mental or physical handicap, resulting in a large amount of her time being spent looking after him. <mask> died at Hahnemann University Hospital on March 28, 1958. Her husband died shortly after. In 1972 , their son, <mask> Searle, was buried with them at Arlington National Cemetery.Outside of her work on isopods, <mask> was the President of the Vassar College Club of Washington, D.C. from 1911–1912 and she was a charter member of the Captain Molly Pitcher Chapter, Daughters of the American Revolution, going

masks:
Harriet Richardson Searle
Richardson
Charlotte Ann Richardson
Richardson
Richardson
Richardson
Richardson
William Richardson
Richardson


texts:
 on to be a Historian, Treasurer, Vice-Regent, and then Regent from 1914–1915. She was a member of the Biological Society of Washington, the Washington Academy of Sciences, and the Washington Society of Fine Arts. Research
<mask> focused on research on isopod (and tanaid) systematics, and began publishing papers on isopoda in 1897; her first study was on the Socorro Isopod and she went on to publish a total of 80 papers. Her best known work was A Monograph on the Isopods of North America, published in the Bulletin of the U.S. National Museum in 1905. This work covered all terrestrial, freshwater, and marine isopods in North America with keys, references, and descriptions. This work was reprinted in 1972, meaning it has had a lasting impact on the field. She wrote reports in foreign publications, including materials from the National Museum of Natural History, Paris and the Rothschild collections from East Africa.<mask> wrote some of her papers in French. Over the course of her career <mask> described over 70 new genera and nearly 300 new species of isopods and tanaids, many of which she named after colleagues or those who gifted collections to her. In turn the isopod species Caecidotea richardsonae and harpacticoida copepod genus <mask>ella, among many others, are named after her. After the birth of her son <mask> had to spend a large amount of time caring for him and thus spent less time on her research, publishing papers only occasionally, with her last in 1922. Before December 1952, 6 years before her death, the museum changed her title to Research Associate instead of Collaborator. Honors
<mask> has

masks: Richardson Richardson Richardson Harriet Richardson Richardson


texts:
 the isopod genus <mask>a Kensley, 1987 and the harpacticoid gunus <mask>ella T. Scott, 1906 named for her, as well as many species of marine isopods. List of species named after <mask>:

 Dactylokepon richardsonae Stebbing, 1910
 Parabopyrella richardsonae (Nierstrasz & Brender á Brandis, 1929)
 Parapenaeon richardsonae (Nierstrasz & Brender á Brandis, 1931)
 Parionella richardsonae Nierstrasz & Brender á Brandis, 1923
 Rocinela richardsonae Nierstrasz, 1931
 Renocila richardsonae Williams & Bunkley-Williams, 1992
 Amesopous richardsonae Stebbing, 1905
 Neastacilla richardsonae Kussakin, 1982
 Munneurycope harrietae Wolff, 1962
 Carpias harrietae Pires, 1981
 Cymodoce richardsoniae Nobili, 1906
 Littorophiloscia richardsonae (Holmes and Gay, 1909)
 Caecidotea richardsonae Hay, 1901
 Lirceus richardsonae Hubricht & Mackin, 1949
 Possibly: Pseudidothea richardsoni Hurley, 1957

Select publications

 H Richardson.1905. A monograph on the isopods of North America.- Bulletin of the U.S. National Museum 54: i-liii, 1-727. [December.] [Reprinted (1972) Antiquariaat Junk, Lochem, Netherlands.] <mask>. 1904. Contributions to the natural history of the Isopoda.-Proceedings of the U.S. National Museum 27(1350): 1-89.[19 January.] <mask>. 1910. Marine isopods collected in the Philippines by the U.S. Fisheries Steamer “Albatross” in 1907–08.— Bureau of Fisheries Document 736: 1–44. <mask>. 1901.Key to the isopods of the Atlantic coast of North America with descriptions of new and little known species.-Proceedings of the U.S. National Museum 23(1222): 493-579. [28 February.] <mask>. 1909. Isopods collected in the

masks:
Harriet
Harriet
Harriet Richardson
H Richardson
H Richardson
H Richardson
H Richardson


texts:
 northwest Pacific by the U.S. Bureau of Fisheries Steamer “Albatross” in 1906.—Proceedings of the U.S. National Museum 37(1701): 75–129. [22 October.] <mask>.1902. The marine and terrestrial isopods of the Bermudas, with descriptions of new genera and species.—Transactions of the Connecticut Academy of Sciences 11(1): 277–310, pls. 37–40. <mask>. 1899. Key to the isopods of the Pacific coast of North America, with descriptions of twenty-two new species.—Proceedings of the U.S. National Museum 21(1175): 815–869. [5 June.][Reprinted (1899) in Annals and Magazine of Natural History (7) 4(21): 157–187, (22): 260–277, (23): 321–338.] <mask>. 1900. Synopses of North-American invertebrates. VIII. The Isopoda. Part I.-American Naturalist 34(399): 207-230.[March.] <mask>. 1908. Some new Isopoda of the superfamily Aselloidea from the Atlantic coast of North America.— Proceedings of the U.S. National Museum 35(1633): 71–86. [30 October.] <mask>. 1912.Descriptions of a new genus of isopod crustaceans, and of two new species from South America.— Proceedings of the U.S. National Museum 43(1929): 201–204. [27 September.] References

External links
 Public profile for <mask> on Bionomia, showing specimens collected or identified by her, and science enabled

1874 births
1958 deaths
American carcinologists
Women zoologists
Smithsonian Institution people
Vassar College alumni
Mount Vernon Seminary and College alumni
People from Washington, D.C.
Burials at Arlington National Cemetery
20th-century American zoologists
20th-century American women scientists
20th-century American women writers
20th-century American non-fiction

masks:
H Richardson
H Richardson
H Richardson
H Richardson
H Richardson
Harriet Richardson


texts:
<mask> (; June 16, 1927 – July 23, 2014) was a Brazilian playwright and author. He was the driving force behind the creation of the Movimento Armorial. He founded the Student Theater at Federal University of Pernambuco. Four of his plays have been filmed, and he was considered one of Brazil's greatest living playwrights of his time. He was also an important regional writer, doing various novels set in the Northeast of Brazil. He received an honorary doctorate at a ceremony performed at a circus. He was the author of, among other works, the Auto da Compadecida and A Pedra do Reino.He was a staunch defender of the culture of the Northeast, and his works dealt with the popular culture of the Northeast. Biography
<mask> Vilar <mask> was born in the northeastern city of Nossa Senhora das Neves (now João Pessoa capital of the state of Paraíba), on June 16, 1927, son of <mask> and Cassia Villar <mask>. The following year, his father left the government of Paraíba and the family went to live in the wilderness, in Acauhan Farm ("Fazenda Acauã"). During the Revolution of 30, his father was murdered for political reasons in Rio de Janeiro and the family moved to Taperoá, Paraíba, where he lived from 1933 to 1937. In this city, <mask> began his first studies and also watched for the first time mamulengos (kind of theatric plays played by hand puppets that were typical to the region) and a Viola Challenge, whose character of "improvisation" was one of the hallmarks of his theatrical production. From 1942 he lived in Recife, where he finished in 1945, his secondary education at the Gymnasium in Pernambuco and Osvaldo Cruz High School. The following year he began Law School, where he met Hermilo Borba Filho.And along with him, he

masks:
Ariano Vilar Suassuna
Ariano
Suassuna
João Suassuna
Suassuna
Ariano


texts: founded the Student Theater of Pernambuco. In 1947 he wrote his first play, Uma Mulher Vestida de Sol. In 1948, his play, Cantam as Harpas de Sião (ou O Desertor de Princesa) was performed by the Student Theater of Pernambuco. Os Homens de Barro was presented the following year. In 1950, he graduated from the Faculty of Law and was awarded the Martin Pena Award by Auto de João da Cruz. He was forced to move back to Taperoá, to be cured of lung disease. There he wrote the play and set up Torturas de um Coração in 1951.In 1952 he returned to live in Recife. Until 1956, he devoted himself to law, however, without abandoning the theater industry. During this time O Castigo da Soberba (1953), O Rico Avarento (1954) and O Auto da Compadecida  (1955), were performed around the country and would be considered in 1962 by Sabato Magaldi "the text of the most popular modern Brazilian theater. " In 1956, he abandoned law to become professor of Aesthetics at the Federal University of Pernambuco (UFPE). The following year he staged his play O Casamento Suspeitoso in São Paulo, Cia Sérgio Cardoso, and O Santo e a Porca, in 1958, was staged his play O Homem da Vaca e o Poder da Fortuna, in 1959, A Pena e a Lei, awarded ten years after the Festival Latinoamericano de Teatro. In 1959, along with Hermilo Borba Filho, he founded the Teatro Popular do Nordeste, which then set up A Farsa da Boa Preguiça (1960) and A Caseira e a Catarina (1962). In the early '60s, he interrupted his successful career as a playwright to devote to the classes in Aesthetics at UFPE.There, in 1976, defends the thesis Habilitation A Onça Castanha e a Ilha Brasil: Uma Reflexão sobre a Cultura Brasileira, Retires as professor in 1994. Founding member of the Federal


texts: Council of Culture (1967), appointed by the Rector Murilo Guimarães, director of the Department of Cultural Extension of UFPE (1969). Directly linked to culture, began in 1970 in Recife, the "Armorial Movement", interested in the development and understanding of traditional forms of popular expression. Called names expressive music classical music to seek a northeast to come join the movement, launched in Recife, October 18, 1970, with the concert "Three Centuries of  Northeastern Music – the Armorial of the Baroque" and an exhibition of printmaking, painting and sculpture. Secretary of Culture of the State of Pernambuco, Miguel Arraes Government (1994–1998). Between 1958–79, also dedicated himself to prose fiction, publishing the Romance d'A Pedra do Reino e o Príncipe do Sangue do Vai-e-Volta(1971) and História d'O Rei Degolado nas Caatingas do Sertão / Ao Sol da Onça Caetana (1976), classified by him as "armorial-popular Brazilian novel." <mask> <mask> built in São José do Belmonte (PE), where the ride is inspired by the Romance d'A Pedra do Reino, an outdoor sanctuary, consisting of 16 sculptures of stone, with height 3.50 m each, arranged in circle, representing the sacred and the profane.The first three are images of Jesus Christ, Our Lady and St. Joseph, the patron saint of the city. Paraíba State Academy of Arts and Doctor Honoris Causa from the Federal University of Rio Grande do Norte (2000). In 2002, <mask> <mask> story was the subject of the carnival, in 2008, was again the subject of plot, this time the samba school Carnival Mancha Verde in São Paulo. In 2004, with the support of the ABL, the Kind Films produced a documentary entitled The Hinterland: World of <mask> <mask>, directed by Douglas Machado and

masks: Ariano Suassuna Ariano Suassuna Ariano Suassuna


texts:
 was exhibited at the Sala José de Alencar. In 2006, he was awarded the title of Doctor Honoris Causa from the Federal University of Ceara, but only received it on June 10, 2010 on the eve of his 83rd birthday. "It might even seem like I didn't want to receive the honor, but there were scheduling problems," <mask> said, referring to the time between the award and his receipt of the title. On July 21, 2014, he suffered from a hemorrhagic stroke; he was hospitalized in coma and died from cardiac arrest on July 23.Conversion to Roman Catholicism
<mask> <mask> was born in a Calvinist Protestant family, became agnostic and converted to Roman Catholicism in 1958. Plays
O Auto da Compadecida  (1955)
O Castigo da Soberba  (1960)
O Casamento Suspeitoso (1961)
A Caseira e a Catarina (1962)
Uma Mulher Vestida de Sol (1964)
O Rico Avarento  (1964)
O Santo e a Porca  (1964)
Pena e a Lei (1974)
A Farsa da Boa Preguiça (1982)

Novels
A Pedra do Reino e o Príncipe do Sangue do Vai-e-Volta, (1971). História d'O Rei Degolado nas caatingas do sertão: ao sol da Onça Caetana, (1977). Critical study
<mask> <mask> : um perfil biográfico, Adriana Victor, Juliana Lins. Rio de Janeiro: Zahar, c2007. References

External links

Icaro Brazil
Academia's site
"ARIANO SUASSUNA – ENTREVISTA"

1927 births
2014 deaths
Brazilian Christian socialists
Brazilian male dramatists and playwrights
Brazilian monarchists
Brazilian Roman Catholics
Commanders of the National Order of Scientific Merit (Brazil)
Converts to Roman Catholicism from atheism or agnosticism
Members of the Brazilian Academy of Letters
People from Paraíba
20th-century Brazilian dramatists and playwrights
20th-century Brazilian male writers
20th-century Brazilian novelists
Brazilian male

masks: Ariano Ariano Suassuna Ariano Suassuna


texts: <mask> (born February 22, 1957) is an American filmmaker, writer, producer and actor. In 1979, as part <mask>'s earliest involvements in filmmaking he spent six months in Japan as a dialogue director for the miniseries, Shogun (1980), working primarily with the leading actress, Yôko Shimada, who was subsequently awarded the Golden Globe for her performance. <mask>'s acting career began in television with roles in Chicago Story and the made-for-TV movie Death of a Centerfold: The Dorothy Stratten Story with Jamie Lee Curtis and went on to starring in several more feature films of various genres in the 80's and 90's. <mask> has also written for Aaron Spelling Productions [US], Trimark, Warner Bros, Tapestry Films and many other production companies throughout his career. In 1984, he made his directorial debut with the comedy horror film Ghoulies (1984), which he also co-wrote. Until recently, Bercovici had been based in Hungary, Budapest for over a decade. Between 2009 and 2011, he was head of production for Raleigh Film Budapest and later co-founded, with Hungarian filmmaker, Gábor Váradi, BlueDanube Films, a full-service motion picture production company that provided production services as well as generating and creating original content in both English and Hungarian.Bercovici and Váradis' company produced the second season of the Hungarian version of in-treatment, Terápia, for HBO Europe, and provided production services for the American sci-fi TV series, 12 Monkeys (2015), as well as serving as co-producers on the Scott Hicks film, Fallen (2016). In 2016, Bercovici signed on as executive producer on the sci-fi TV series Medinah – the first genre show from the Middle East to showcase at Comic-Con, and developed a close working relationship with Qatari director and producer Ahmed Al-Baker. Bercovici has since been based in Doha, Qatar as Director of Film Production, alongside Qatari filmmaker and executive producer, Ahmed Al-Baker, at

masks:
Luca Bercovici
Bercovici
Bercovici
Bercovici


texts:
 Katara Studios - a full-service production company, post-production facility and music recording studio. <mask> is the son of television and Film producer Eric Bercovici and has worked on a number of projects written and or produced by his father, including 1979's Flesh & Blood, 1980's Shōgun, where <mask>lain's Law, which served as the pilot for the 1981–82 series McClain's Law - <mask> was involved as an actor in both productions. In 1988's Noble House, he worked as a production assistant. His grandfather was Leonardo Bercovici, director, writer, and producer known for The Bishop's Wife, Portrait of Jennie, and The Lost Moment. He is also grand-nephew of writer Konrad Bercovici.Education
Bercovici attended College of the Redwoods where he studied with Carlo Mazzone-Clementi, Santa Monica City College, and Loyola Marymount University. Bercovici studied acting professionally with Jeff Corey and Lee Strasberg He is a graduate of the Joanne Baron / D.W. Brown Acting Studio. Career

Acting

Bercovici had a starring role in the Charles Band movie, Parasite (1982), with lead actress, Demi Moore, ultimately introducing him to the world of independent filmmaking. He also starred in early slasher film Frightmare (1983) directed by Norman Thaddeus Vane. In 1985, Bercovici starred in beloved American sports drama, American Flyers (1985), directed by John Badham, where he played Barry 'The Cannibal' Muzzin and starred alongside Kevin Costner as Marcus Sommers. The film emphasizes the importance of family against a backdrop of bicycle racing, as well as championing the importance of setting high personal standards. In the 1988 drama, Clean and Sober, directed by Glenn Gordon Caron, Bercovici was part of a great ensemble cast; in the role of Lenny, he performed alongside Morgan Freeman, and lead actor Michael Keaton.The movie received positive reviews, which praised the strong storyline addressing substance abuse, as well as the powerful performances

masks:
Family Bercovici
Luca BercovC
Luca Bercovici


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 of the cast. <mask> starred alongside Michael Keaton once again, as well as, Melanie Grifith, in her first role since Working Girl (1988), with the psychological thriller, Pacific Heights (1990), directed by John Schlesinger - the film has since been considered the first ever "eviction thriller" and was praised for its originality and realism. In 1994, Bercovici reunited with director John Badham, taking part in his skydiving action thriller, Drop Zone (1994), with the role of Don Jagger, where he performed alongside Wesley Snipes and Gary Busey. Writing and directing

In 1979, Bercovici worked as a dialogue director for the shot-in-Japan miniseries, Shogun (1980). The series was based on the best-selling James Clavell novel of the same name - Shōgun, that told of the adventures of English navigator William Adams. The production was a key constituent of what is now considered the golden age of the mini-series. In 1984, <mask> co-wrote a feature film script, New Deal, which was purchased by 20th Century Fox, and in the same year, he made his successful directorial debut with Ghoulies (1984), a comedy horror he had also co-written.The film is now recognized as a certified cult classic and upon its release, it was the top grossing independent film in 1985, spawning three sequels in total, all of which, Bercovici had co-written. A few years later, he co-wrote and directed his second feature, cult classic and musical comedy titled Rockula (1990), where he also appeared in the film, in the role of Pirate Chieftain. The Vampire comedy was beloved by audiences for its distinctive and nostalgic 80's feel. In 1994 Bercovici went on to direct the thriller Dark Tide, starring Brigitte Bako and Richard Tyson. Through this production, Bercovici worked with costume designer and 3-time primetime Emmy nominee Shawn Holly Cookson, most known for her work on genre films, such as; The grudge (2004) and Tekken (2010). A few years later, Bercovici wrote and

masks: Bercovici Bercovici


texts:
 directed yet another comedy horror entitled The Granny (1995), where he also featured as the character Namon Ami. The film starred Stella Stevens and Shannon Whirry and was made for Tapestry Films and Warner Vision Films.The Chain (1996), an action drama starring Gary Busey, is Bercovici's fifth feature film, which he had directed and co-written; it sold exceptionally well at AFM, and was picked up by Home Box Office (HBO) for its World Premiere. Bercovici directed another feature the following year for EGM International - a sci-fi mystery entitled, Convict 762 (1997). Bercovici then went on to directing a romance thriller, BitterSweet (1999) starring James Russo and Eric Roberts, quickly followed by his eighth and most recently directed thriller, Luck of the Draw (2000) starring William Forsythe, Dennis Hopper, Eric Roberts, Ice-T & Michael Madsen. Years later, Bercovici worked with Romanian filmmaker, Bobby Barbacioru on a Horror thriller feature titled, "Hotel of the Damned" (2016); Bercovici had co-written the script with writer Paul Petcu. The film sparked a collaborative relationship between the two (Bercovici and Barbacioru), and would later result in the production of several more projects, among which were short films. Producing

In 2011, Bercovici and Gábor Váradi, formed the production company BlueDanube Films, which entered into development on its first film, Lord of the Block, starring Eric Roberts, then went on to produce the second season of the HBO Europe series, Terápia. <mask> and Váradi were part of the production team to bring the filming of A Good Day to Die Hard (2013), starring Bruce Willis to Budapest, Hungary with Bercovici and Váradi serving as production supervisors on the film.In 2013, Bercovici, produced and starred in the Romanian short film, entitled, Lela, written and directed by Bobby Barbacioru. In the same year, he produced yet another short film by Barbacioru, titled, The Wind of Change. In 2014


texts:
 BlueDanube Films, provided production services for three episodes of the time-traveling themed sci-fi TV series, 12 Monkeys (2015), created by Travis Fickett and Terry Matalas. They also served as co-producers on the feature film, Fallen (2016) by director Scott Hicks. Two years later, Bercovici Line Produced SAS: Red Notice, an upcoming 2020 action thriller, directed by Magnus Martens, starring Ruby Rose, Sam Heughan, Andy Serkis and Tom Wilkinson. In 2016, Bercovici signed on as executive producer on the television series, Medinah, working with Qatari Director/Producer, Ahmed Al Baker. The show starred Eric Roberts, Natasha Henstridge, Tahmoh Penikett, and Rick Ravanello.The pioneering Middle-Eastern show, was shot in Doha, Qatar, and had made Rolling Stone magazine’s “25 Best Things We Saw at 2017 Comic-Con.”

In 2019, Bercovici worked as an executive producer on the shot-in-Qatar, documentary series/ docufiction, Bekasr taa (Breaking the Chains). the show was scripted by Katara Studios but co-produced by both Al-Jazeera Arabic and Katara studios, and distributed by Al-Jazeera. The docu-series is a first of its kind to be broadcast in Qatar, as it delves into sensitive, otherwise taboo societal issues, mostly pertaining to women, such as; domestic violence, postpartum depression, child marriage etc. The series utilizes first-hand stories of women in the Arab world of various nationalities, cross-cutting the interviews with unique cinematic dramatizations, to bring light to the victims' stories and emphasize the common voices and experiences of women that resonates across the globe. From 2019 to present day, Bercovici rejoined Ahmed Al Baker at Katara Studios, in Doha, Qatar as Director of Film Production. Personal life
<mask> is a third-generation screenwriter and director following the path of both his grandfather Leonardo Bercovici (1908-1995) and his father <mask> (1933–2014). Both of his brothers, <mask> and <mask>, have composed

masks:
Luca Bercovici
Eric Bercovici
Hilary Bercovici
Jacob Bercovici


texts:
<mask> (; , born 9 December 1948) is an Iranian film director, screenwriter and producer. <mask> received an M.A. in cinema from the San Francisco State University (1977). He began his cinematic career as a scriptwriter and director of short films and received an honorary diploma for the best short film at the Fajr International Film Festival. In the Wind's Eye is one of <mask>'s most notable works, which he directed and wrote. This TV series was the first Iranian film to be shot in the United States since the Iranian Revolution (1979) and one of the most expensive films in the history of Iran, with a budget of $12 million. <mask>, Iranian cinema's enduring face, is a post-revolutionary cinema pioneer who introduced Iranian post-revolutionary cinema to international festivals with his debut film, Frosty Roads.He was recognized as a bridge between East and West cinema in 1987 and 1988, when he attended many international film festivals, including the Berlin International Film Festival, the Montreal World Film Festival, the Hawaii International Film Festival, and the Hong Kong International Film Festival. Jozani teaching cinema and graphics in the United States (with a lifetime teaching license), teaching at Iranian universities, and managing the Jozan Film Institute. Education
 M.A. in filmmaking from the San Francisco State University
 Lifetime teaching permit in Cinema and Graphic arts in the United States

Career

1980–1984: Entering television and animation

Towards Freedom (1980)
Towards Freedom by Jozani is considered the first political documentary in Iran, played on 10 February 1980 by the Islamic Republic of Iran Broadcasting. <mask> <mask> <mask> founded the IRIB's animation section and

masks:
Masoud Jafari Jozani
Jafari Jozani
Jafari Jozani
Jozani
Masoud
Jafari
Jozani


texts:
 produced some animated films. 1984: Beginning a cinematic career

Speak to Me (1984)
In 1984, Jozani, by making the short film Speak to Me, produced by the Institute for the Intellectual Development of Children and Young Adults, managed to get the honorary diploma for best short film from the third Fajr International Film Festival. Frosty Roads (1984)

In 1984, <mask> Jozani was made his debut feature film in his birthplace.Frosty Roads was one of the best-selling films of the first decade of the revolution, and it is valued for its visual structure as much as its substance. The only professional and well-known member of this film was Ali Nassirian. This film opened the path for Hamid Jebeli, Turaj Mansuri, Mahmoud Clari, Alireza Raisian, and Shapur Pouramin to break into the professional film industry. The Stone Lion (1987)
The Script of The Stone Lion, a confrontation between tradition and modernity, won the Crystal Simorgh for Best Screenplay in the fifth Fajr International Film Festival. The killing of one British creates a deadly confrontation between two Bakhtiari leaders, starring Ezzatolah Entezami and Ali Nassirian, making it the most important and most important durable of <mask>'s works. Also participated in many international festivals, such as the 11th Montreal World Film Festival (Canada) in 1988, and was appreciated. Eye of the Hurricane (1989)

His next movie was Eye of the Hurricane, which had a larger production than The Stone Lion.It was again a compelling story about the presence of foreigners in Iran during World War II. Maturity (1999)
After the cultural developments of 1992–2002, he attended to the youth's problems by making the film Maturity and received awards in the 18th

masks: Jafari Jozani


texts:
 Fajr International Film Festival. 2002–2012: Filmmaking the expensive TV series in the history of Iran

In the Wind's Eye (2008)

He spent most of the 2002–2012 writing and directing the TV series In the Wind's Eye (a 44 piece TV series of 50 minutes each) shown on IRIB TV1, which was a must-see program on TV and told the story of Iran from the Mirza Kuchik Khan's uprising to the Iran–Iraq War. The script was written in two years by <mask> <mask> Jozani. This historical TV series In the Wind's Eye was telling three historical periods: the first was the end of the Qajar Iran and beginning of the Pahlavi dynasty, the second was World War II and a special time after the revolution which was after the Battle of Khorramshahr. Making this series with 480 locations in over 10 other cities and provinces was one of the biggest television productions. 2015: Return to Cinema

Iran Burger (2015)
The feature film Iran Burger, Jozani's only comedy made, with the help of a local and folkloric atmosphere, and a script is written in situation comedy, was made into a high selling, fun, and respectable film.Behind the Wall of Silence (2017)

His other film was Behind the Wall of Silence which is focused on Aids and was made with the help of the people's organizations, was invited by the 61st conference of women (CSW), and was supposed to be shown on 20 March 2017 with the presence of the main characters in the gathering at non-governmental organizations (NGO) and people-centered institutions in support of the mothers and children suffering from HIV/AIDS in the Headquarters of the United Nations in New York in the US was due to the United States president, Donald Trump's discrimination and racist decision of not giving

masks: Masoud Jafari


texts:
 visas to the people of this movie to go to the United Nations and attend the main UN conference and was canceled. Paradise of criminals (2020)
In 2020, he began making the film Paradise of Criminals, which also deals with the events of the nationalization of the oil industry. Unfinished projects
<mask> <mask> Jozani still has a head filled with ideas and great Iranian characters. Although his three scripts: Ya'qub ibn al-Layth, Pourya-ye Vali, and Cyrus the Great have passed the first stages of production, for various reasons, they have not been completed. Films

Baskerville
The script is based on the life of Howard Baskerville, who was an American teacher in the American Memorial School in Tabriz who was killed during the Persian constitutional revolution and in an attempt to break the siege Tabriz. <mask> <mask> <mask> wrote this script in 1995, and the Hozeh Honari purchased it the same year. Then, in 1998, <mask> <mask> <mask> and Shahriar Rohani were bought it from the Hozeh Honari, and Ebtekar publishing published it.In the years afterward, <mask> <mask> <mask> has signed contracts with American and Canadian film studios to produce the Baskerville film in Iran. Still, each failed for some reason, except for the most recent agreement signed with the association searching for a common ground, which even obtained official permission from the Ministry of Culture and Islamic Guidance to produce the film. According to the American newspaper Le Figaro, an American producer decided to use Brad Pitt as Howard Baskerville; However, for whatever reason, the film was never made. Finally, the American and Iranian Screenwriters Association in the United States and Canada registered the Baskerville scripts

masks: Masoud Jafari Masoud Jafari Jozani Masoud Jafari Jozani Masoud Jafari Jozani


texts:
 titled after <mask> <mask> <mask> and Mohammad Mehdi Dadgoo. In 2005 <mask> <mask> <mask> was informed that an Iranian filmmaker based in the United States announced that he was planning to travel to Turkey to make Baskerville. Jozani reacted to the media and announced that he was filing a lawsuit for stealing works of art in Iran and the United States. In 2010 Massoud <mask> <mask>, after obtaining a filming license in the United States, decided to make the TV series Baskerville.He tries to make this TV series with the financial assistance of the Iranian and American companies, But it did not work out. Cyrus the Great
<mask> <mask> Jozani wrote the screenplay of Cyrus the Great in the style of an adapted screenplay based on the life story of Cyrus the Great with the researcher Fathullah <mask> Jozani and Abdul Karim Younesi. The character of Cyrus is highly significant in terms of historical and national standing. Still, big powers without history and culture are attempting to deny Iran's position in the world, so the construction of this project was on the agenda. Ali Moallem, one of the producers, introduced <mask> <mask> Jozani as the director. After the death of Ali Moallem, <mask> <mask> Jozani handed over the script to the investors. Before that, he covered the project costs with his capital.The project started after concluding a contract with foreign investors but stopped for some reason. TV series

Khawaja Nasir al-Din al-Tusi
<mask> <mask> Jozani was going to make a TV series about Nasir al-Din al-Tusi after the TV series In the Wind's Eye for Simafilm. Still, unfortunately Khawaja Nasir al-Din al-Tusi did not get made. Pourya-ye Vali
<mask> <mask> Jozani wrote the script for Pourya-ye Vali

masks: Masoud Jafari Jozani Masoud Jafari Jozani Jafari Jozani Masoud Jafari Jafari Masoud Jafari Masoud Jafari Masoud Jafari Masoud Jafari


texts:
 for a TV series in five seasons (52 episodes of 50 min). Although the contract for this series was signed in 2013 by the Islamic Republic of Iran Broadcasting, it was not produced due to a change in management of IRIB, and Finally, Anapana Publishing published it. Fathollah <mask> <mask> and Doctor Abdulkarim Yunesi, the researchers of this script, used over 30 books, including Jami' al-tawarikh, Tarikh-i Jahangushay, and The Cambridge History of Iran. The life story of Pahlavān Mahmoud, more commonly known as Pouryā-ye Vali, begins in 1219 when the Mongolians assaulted Iran.Between 1270 and 1283, Iranian manufacturers were treated as slaves by the Mongol rulers and compelled to build weapons for them. Rural subjects who couldn't pay their taxes for themselves and their families were sold. During this time, Pouria-ye Vali was able to bring together liberals and fighters by organizing and building traditional sporting halls known as Zurkhaneh. The other historical characters of this script we may mention are Saadi Shirazi, Ubayd Zakani, Nasir al-Din al-Tusi, Rashid al-Din Hamadani, and the wrestling champion File Hamedani. Ya'qub ibn al-Layth
<mask> <mask> Jozani and the Farabi Cinema Foundation concluded the contract for Ya'qub ibn al-Layth. Ya'qub ibn al-Layth's screenplay about the founder of the Saffarid dynasty in Sistan and his chivalry, simple life, and his role in history in uniting the Iranian people. Ya'qub ibn al-Layth al-Saffar was a young Ayyār who was under the influence of Rostam's stories, decided to help the poor and oppressed people with the help of the small group of young Ayyars that had gathered around him and in the opinion of the people of Sistan became a legendary champion.The

masks: Jafari Jozani Masoud Jafari


texts:
 script will be aired on the Home Video. <mask> <mask> has mentioned this point in one of his interviews that:"Unfortunately, our children know more about Robin Hood than Ya'gub Al-Layth while he is one of the historical figures who has founded Ayyār-i and Futuwwa in Iran and teaches the youth how a better life is possible." Lists of films

Short films

 1976 – Remember the Flight (5 min.) 1977 – Caged (6 min. Claymation)
 1978 – Conception (20 min., Claymation, won the 1978 Student Academy Award, played on the KQED (P.B.S) in the United States and the Iranian National television)
 1979 – Towards Freedom (100 min. Documentary, Plaid on the Iranian television)
 1984 – Escape, based on the Masnavi-ye-Man'avi (the book by Rumi the Persian poet, 16 min., Claymation, for the Iranian television IRIB)
 1984 – Broken Image, based on the Masnavi-ye-Man'avi (the book by Rumi the Persian poet, 25 min. Claymation, for the Iranian television IRIB)
 1985 – Speak to Me (30 min.If he is not equal to them yet, but he is a filmmaker who should be watched." Globe and Mail, Canadian newspaper

Leading film critic Jay Scott also wrote in the Canadian newspaper Globe and Mail about the movie Frosty Roads:"The sale of Frosty Roads, which was released in Iranian cinemas in 1986, was unexpected. "In another part of his review of the movie Stony Lion, Scott wrote:"Stony Lion is a completely different job; The film is closer to John Ford, Akira Kurosawa and the late Turkish director Yılmaz Güney than to Parajanov. "This well-known film critic writes in the end:"<mask>'s political and cultural relativism has been shaped by his many years in the United States." Los Angeles Times, American newspaper

Kevin Thomas, a journalist of

masks: Jafari Jozani Jozani


texts:
 the Los Angeles Times newspaper, in an article entitled "Iran's 'Man, a Bear' Finds Humor, Heart" wrote about the movie A Man and a Bear directed by <mask> <mask> Jozani, published on 12 July 1996, issue of Los Angeles Times:"Once past an awkward start, <mask> <mask> <mask>'s "A Man, a Bear" emerges as a courageous satirical allegory on authoritarianism and hardship in contemporary Iran." "Yet, along with its outspokenness, "A Man, a Bear" is also a warm, endearing and often very funny film." Le Figaro, French newspaper
Serge Michel, a journalist of the Le Figaro newspaper, one of the oldest and most famous French newspapers and one of the most famous publications in the world; A report entitled "Brad Pitt in a film by <mask> <mask> Jozani wrote about the production of Baskerville", published on the sixth page of the 5 November 2001 issue of Le Figaro:"The film tells the story of the voluntary participation of a young American named Baskerville in the battles of the Iranian Constitutional Revolution, who is eventually killed by authoritarian forces."This newspaper wrote in the continuation of its report:"The cost of inviting American actor Brad Pitt to star in the film was the largest budget for a post-revolutionary film." The Guardian, British newspaper
Ben Walters published a report entitled "First Iranian film shot in US since 1979 gets under way" in The Guardian on 1 September 2009:Production is to begin on the first Iranian film shot in the US since the Islamic Revolution. In the Wind's Eye, directed by veteran filmmaker <mask> <mask> Jozani, is also reported to have the highest-ever budget for an Iranian film at $12m (£7.3m). Variety, American newspaper
Variety, the oldest and most prestigious

masks: Masoud Jafari Masoud Jafari Jozani Masoud Jafari Masoud Jafari


texts:
 magazine in world cinema, in a report on 8 September 2009 entitled "Open door policy: L.A. lures Iran crew" examined the production of the series In the Wind's Eye and stated at the beginning of its report:As the American public was riveted by the spectacle of riot police suppressing the massive demonstrations disputing the results of Iran's June 12 election, one crack appeared in the wall between the two countries. Surprisingly, Iranian helmer <mask> <mask> Jozani managed to secure visas for members of his cast and crew to travel to and film in the U.S. — the first Iranian production to do so since the 1979 Islamic Revolution. Indiewire
Indiewire, a film industry and review website, wrote in a report on the production of the series In the Wind's Eye entitled "Jafari project the first Iranian production filming in the U.S. since the Islamic Revolution in 1979":
Based on a 52-hour epic television series that took four years to produce and recently began airing on Iranian television, "Dar Chashme Bad", production has begun in Los Angeles on a companion feature film, "In The Wind's Eye". Following three generations of Iranians from 1920 through 1981, with an overall budget of $12 million, the project will be the longest running and most expensive production in that country's film industry's history.It is also the first Iranian production filmed in the US since the revolution in 1979. Veteran filmmaker, <mask> <mask> <mask>, has written and directed each episode of the series, as well as the screenplay for the feature film, which will be released in theatres in Iran. Cision PRWeb, American media
Cision PRWeb wrote in a report entitled "Cinema Libre Studio Wraps Production on Masoud Jafari Jozani Film, the

masks: Masoud Jafari Masoud Jafari Jozani


texts:
 First Iranian Crew Permitted in U.S. Since the Islamic Revolution" about the production In the Wind's Eye:Cinema Libre Studio, an independent production/distribution company in Los Angeles, known for championing socio-political films, has partnered with Jozani's production company, Jozan Film Production for In the Wind's Eye. "It is a great honor to work with a director as talented as Mr. Jozani", says Cinema Libre founder, Philippe Diaz. "We are also proud to be part of this historic thawing-out between Iran and the US and hope that Mr. Jozani's experience here will serve as a model and that we will be able to co-produce his next project, Baskerville." The National, UAE newspaper
James Reinl, A reporter from the United States, wrote in a report entitled "Iranian movie cameras roll in US" about the permission to shoot In the Wind's Eye in the National newspaper on 14 September 2009:
As Washington and Tehran perform a diplomatic dance over Iran's suspected nuclear weapons programme, one group of Iranian filmmakers has benefited from the apparent thaw in relations between the long-standing enemies.<mask> <mask> <mask>, an Iranian director, secured a dozen visas to enter the United States and film a movie. "This would have been unheard of a year ago," said <mask>, who is filming In the Wind's Eye in California. He described his Iranian crew as the first such group of film-makers granted entry to the United States since the Islamic Revolution in 1979. References

External links

Iranian film directors
Iranian film producers
San Francisco State University alumni
People from Malayer
1948 births
Living people
Crystal Simorgh for Best Screenplay winners
Iranian Science and Culture Hall of Fame recipients

masks: Masoud Jafari Jozani Jozani


texts:
<mask> (née von Stein; born March 16, 1976) is an American  United States Air Force veteran and former political candidate. In 2012, she sued the U.S. Air Force to remove the Combat Exclusion Policy. In 2017, she published the memoir Shoot Like a Girl, which describes her service in Afghanistan. In July 2017, <mask> announced her candidacy for the Democratic nomination for United States House of Representatives to Texas's 31st congressional district. After winning the nomination, she lost to incumbent Republican John Carter by about 3%. She was the Democratic nominee in the 2020 United States Senate election in Texas, losing to incumbent Republican John Cornyn by ten percentage points. Early life and education
When <mask> was 7 years old, her mother, Grace, moved her and her sister from Fairfield, Connecticut, to Cedar Park, Texas.Hegar grew up in Cedar Park, where her mother remarried a Vietnam veteran, David Jennings, when she was 10 years old. <mask> was her high school class president, on the cheer squad, and played various sports, including soccer. In 1999, <mask> received a BA from the University of Texas at Austin, where she studied criminology, sociology, philosophy, and world religions. While an undergraduate, she was Vice Wing Commander of Detachment 825 AFROTC and Deputy Commander of the Arnold Air Society. In 2015, she graduated from Leadership Austin Essential Class. In 2016 she received an Executive MBA, also from the University of Texas at Austin. Career

Military
In December 1999, <mask> was commissioned into the U.S. Air Force through ROTC at the University of Texas.From April 2000 to March 2004, she served on active duty as an aircraft maintenance officer. Initially stationed at Misawa Air Base in Misawa, Aomori, Japan, she was later stationed at Whiteman Air Force Base near

masks:
Mary Jennings Hegar
Hegar
Hegar
Hegar
Hegar
Hegar


texts: Knob Noster, Missouri. At Whiteman, <mask> worked on the F-16 Fighting Falcon and the B-2 Stealth Bomber. Her maintenance career culminated in responsibility for 75% of all B-2 maintenance as a Captain and selection as the Company Grade Officer of the Year for 2003. In 2004, the Air National Guard selected <mask> for pilot training. Upon completion of her training at the top of her class, she served two deployments to Afghanistan, flying Combat Search and Rescue on over 100 missions as well as Medevac missions as a helicopter pilot. As a member of the California Air National Guard, she worked as a pilot and trainer at the San Jose-based Counterdrug Task Force from 2007 to 2011.In addition to the deployments to Afghanistan during the Operation Enduring Freedom – Afghanistan, Hegar flew marijuana eradication missions, suppressed wildfires with buckets of water on cargo slings, performed pilot duties in evacuating survivors from hurricane-devastated cities, and rescued civilians on civil search and rescue missions in California and at sea. On July 29, 2009, on her third tour to Afghanistan, <mask> was shot down near Kandahar with a co-pilot on a combat search-and-rescue mission. She received shrapnel wounds in her arm and leg from Taliban ground fire, but her helicopter was able to rescue the soldiers it had been sent to help. Under further heavy fire, her helicopter was forced to make an emergency landing. Other U.S. Army helicopters rescued her, her team, and the other soldiers, but because the rescue helicopters were small and full, she and others had to fly out standing on the skids. <mask> was awarded the Purple Heart in December 2009. Her actions on this mission earned her the Distinguished Flying Cross with Valor Device, awarded in 2011.She was one of the few women to receive this medal

masks: Hegar Hegar Hegar Hegar


texts:
 after Amelia Earhart. In 2016, she described a 2007 mission to medevac a child in great detail in a TEDx Talks presentation. Due to the restriction of the Combat Exclusion Policy on women applying for ground combat positions, and because she was medically disqualified from flying due to a serious back injury sustained during the 2009 mission, <mask> transitioned out of the Air National Guard and became a Reservist Liaison. Other work
In 2010, <mask> relocated to Austin and worked as a program manager at Seton Healthcare Family until 2015. From 2015 to 2017, she worked as a consultant at Dell Computers. <mask> has taught at the University of Texas at Austin's McCombs School of Business and in the ROTC and women's studies departments. She has mentored cadets at UT and has served on the AFROTC Advisory Committee.Writing
In March 2017, the Berkley Books imprint of Penguin Books published <mask>'s memoir, Shoot Like a Girl, in a new military division called Caliber. In 2016, it was announced that the movie rights to the book had been optioned by TriStar Pictures, with Angelina Jolie reportedly in negotiations for the lead role. Politics
On July 6, 2017, <mask> announced that she would run for the Democratic nomination for U.S. Representative in Texas's 31st congressional district. In May 2018, she won the nomination. In June, <mask> released a short-form political ad, "Doors", that described her military career, including being shot down in Afghanistan. The video went viral and drew the attention of celebrities like Lin-Manuel Miranda. In the November election she lost to Republican incumbent John Carter, who received 50.6% of the vote to her 47.6%; it was Carter's narrowest win in his nine elections to Congress.On April 23, 2019, <mask> announced that she was running for the Democratic

masks: Hegar Hegar Hegar Hegar Hegar Hegar Hegar


texts:
 nomination in the 2020 United States Senate election in Texas for the seat held by John Cornyn. She came in first in the March 3, 2020, primary with 22.37% of the vote, and won the July 14 runoff against Texas state Senator Royce West, who had received 14.7% of the primary vote. <mask>'s campaign received the endorsement of former president Barack Obama on September 25, 2020. Her campaign focused on her support for the Affordable Care Act (Obamacare), protecting individuals with preexisting conditions, and creating a public health insurance option. Cornyn won the election, 54% to 44%. Occurring during 2020's historical high turnout, <mask> received  4,888,764 votes. Combat Exclusion Policy
Shortly after the 2009 mission in which <mask> was wounded in Afghanistan, she was medically disqualified from flying.The military's Combat Exclusion Policy automatically excluded her from applying for ground combat positions that would have moved her military career forward. She was barred from cross-training for a ground combat position (such as a special tactics officer) despite her expertise as a pilot, which had it not been for her gender would have been a next step. In 2012, <mask> was the lead plaintiff alongside former U.S. Marine Corps Captain Zoe Bedell, U.S. Marine Corps First Lieutenant Colleen Farrell, U.S. Army Reserves Staff Sergeant Jennifer Hunt, and the Service Women's Action Network (SWAN) in a lawsuit against U.S. Secretary of Defense Leon Panetta asserting that the Combat Exclusion Policy was unconstitutional. <mask> said the suit was about military effectiveness and would give military commanders a larger pool of applicants. The lawsuit failed, but the policy, implemented in 1994, was repealed in January 2013. Personal life
In 2011, <mask> married <mask>, whom she knew from high

masks:
Hegar
Hegar
Hegar
Hegar
Hegar
Hegar
Brandon Hegar


texts:
 school. She and her family live in Round Rock, Texas, a suburb of Austin.She has two sons as well as stepchildren from her husband's previous marriage. <mask> has many tattoos, which were prominently featured in her 2018 viral campaign ad, "Doors." She has said that the cherry blossom tattoo on her shoulder was a way to cover up shrapnel scar tissue, to take control and make the wounds beautiful. In her book, she mentions being sexually assaulted by an Air Force medic during a physical exam. The ad also discussed the domestic violence perpetrated by her father against her, her mother, and her sister during her adolescent years. Honors and awards
 2008: California Aviator of the Year
 2009: Air Force Association, Outstanding Airmen of the Year
 2013: Foreign Policy, The Leading Global Thinkers of 2013 – with Zoe Bedell, Colleen Farrell, and Jennifer Hunt
 2015: Army Women's Foundation Hall of Fame, inductee
 2017: Merrimack College, Honorary PhD of public affairs
 2018: American Red Cross Metro New York North, Exceptional Service Award

Military ribbons

Works and publications

  – in response to retired Army Major General Robert H. Scales opinion piece of 6 Dec 2012 in The Washington Post

References

Further reading

  – starts at 1:15

External links

 <mask> et al. v. Hagel at ACLU

1976 births
21st-century American politicians
21st-century American women politicians
United States Air Force personnel of the War in Afghanistan (2001–2021)
Candidates in the 2018 United States elections
Helicopter pilots
Living people
People from Austin, Texas
Texas Democrats
United States Air Force officers
University of Texas alumni
Female officers of the United States Air Force
Women military aviators
People from Cedar Park, Texas
Candidates in the 2020 United States Senate elections
Military

masks: Hegar Hegar


texts:
<mask> is currently the Head Men's Basketball Coach and Sports Information Director at Northern Vermont University-Lyndon. He was named to those positions in September, 2017. Previously he was the Head Men's Basketball Coach at Onondaga Community College from August, 2000 through December, 2015. He had a career record of 264-198 in 15+ seasons at OCC and 283-236 overall in 17+ seasons at the NJCAA level. <mask> is actively involved in Coaches vs. Cancer. In his seventh season as head coach at OCC, he earned his 150th victory at the NJCAA level and in the process became Onondaga's all-time winningest coach (OCC Athletics). He also served as Onondaga's Interim Athletic Director from November 2009 to August 2011, and served as Associate Athletic Director until leaving the college in 2015.He was named Mid-State Athletic Conference Coach of the Year in 2002, 2003 & 2008. He was the NJCAA Region III Division III Coach of the Year in 2003. <mask> guided his 2006-2007 team to the school's first Mid-State Athletic Conference Championship in 15 years. Coaching career

High School
<mask> enrolled in Clarkson University in 1980, and was a member of the University's basketball team. He graduated in 1984 (OCC Athletics) and began his coaching career at his alma mater, Waterville High School, where he was the head coach of the boys junior varsity team. Soon thereafter he was hired as the varsity boys basketball coach at Sauquoit Valley High School. College
After one season he had the opportunity to coach at the collegiate level and joined newly hired Jack Bruen's Colgate staff as an assistant.To this day Pasiak calls Bruen his favorite mentor. "I always said if I could be half the coach and a quarter of the man that he was then I'd be okay," said <mask> in a 2007 interview. Following a two-year stint at Colgate, <mask> took his first head coaching job at the collegiate level in 1991. He was the head coach at Herkimer County Community College for two seasons. Herkimer had won the NJCAA

masks:
David Pasiak
Pasiak
Pasiak
Pasiak
Pasiak
Pasiak


texts:
 Men's Division III Basketball Championship, the year prior to <mask>'s arrival, led by longtime Coach Jack Alofs who retired with a coaching record of over 500 wins. Pasiak took over and returned only two players from the championship team, neither of whom would finish the season. In <mask>'s first season the Generals finished 6-21.The next year they improved to 13-17. However, another off-court incident, this one involving a player being severely beaten, led to <mask>'s departure from Herkimer. <mask> stated in a 2007 interview that the president of the college did not like the fact that Pasiak had gone to the hospital to visit said player and had accompanied the player to his court testimony. "The reason I didn't stay at Herkimer was a direct result of that aftermath. We could have won the national title and I wouldn't have been back at Herkimer. But if that happened again I'd do the same thing," said Pasiak. Return to High School
After Herkimer, <mask> returned to the high school level as varsity head coach of Brookfield High School in Upstate New York.He stayed for one season then took the varsity coaching position at Westmoreland High School. He stayed on as coach of the Bulldogs for four seasons, his longest tenure until he reached OCC. <mask> left coaching in the late 1990s to become athletic director at Frankfort-Schuyler High School. His absence from coaching would be short-lived. After one year he stepped in as acting varsity head coach when head coach Jim Babcock took a personal leave of absence. Onondaga Community College
While serving as AD of Frankfort-Schuyler, <mask> was approached by new Onondaga Community College athletic director Bob McKenney about the head coaching job at the college. <mask> accepted the job just a few weeks prior to the start of the 2000-2001 school year.With no time to recruit, he inherited a team with only two returning players and minimal experience among the newcomers. After getting off to an 0-11 start, <mask> guided the team

masks: Pasiak Pasiak Pasiak Pasiak Pasiak Pasiak Pasiak Pasiak Pasiak


texts: to a remarkable turnaround, as they won 12 of their last 17 regular season games, finished third in the Mid-State Athletic Conference, and qualified for the conference playoffs for the first time in several seasons. In 2001-02, after starting 1-8 against one of Region III's most demanding schedules, <mask> guided the team to 16 wins in their final 19 regular season games. The Lazers finished the season 18-13, 11-3 in Mid-State Athletic Conference play, and qualified for post-season play, reaching the Mid-State Championship game, and the Region III Division III quarter-finals. The Lazers also achieved notoriety for their offensive outbursts, as they ended the season as the top scoring team in NJCAA Division III play. As a result, Coach <mask> was recognized as the Mid-State Athletic Conference Coach of the Year. In 2002-03, <mask> guided the Lazers to a final record of 23-7, the second best in school history.Onondaga's regular season mark of 23-5 was the best ever at the school. The Lazers spent five weeks as an honorable mention selection in the NJCAA Division III national poll. They finished 12-2 in Mid-State play and qualified for the conference playoffs. Onondaga reached the Region III Division III quarterfinals and finished 8th nationally in scoring offense. For these accomplishments, <mask> was named the Region III Coach of the Year, and was also named the Mid-State Athletic Conference Coach of the Year for the second consecutive year. In 2003-04, under <mask>'s direction the Lazers finished with an overall record of 21-11, and a Mid-State record of 9-5. The Lazers qualified for the conference playoffs and for the Region III tournament.They reached the Mid-State Championship game, and won two post-season contests for the first time since 1994. Onondaga also received honorable mention in the NJCAA Division III national poll and finished 10th nationally in scoring offense. In 2004-05, <mask> directed Onondaga to an overall record of 17-13, and a Mid-State record of

masks: Pasiak Pasiak Pasiak Pasiak Pasiak Pasiak


texts: 7-7. The Lazers rebounded from an 0-4 start in conference play to qualify for the conference playoffs and for the Region III tournament. Onondaga also finished 9th nationally in scoring offense. In 2005-06, <mask> directed Onondaga to an overall record of 17-12, and a Mid-State record of 7-7. The Lazers finished the regular season by winning 7 of their last 8 games to qualify for the Region III tournament for the fifth straight year.Onondaga also finished 2nd nationally in scoring offense, the sixth consecutive year that they had finished in the top ten in that category. In 2006-07, Onondaga won the Mid-State Athletic Conference Tournament for the first time since 1992, the year prior to the program's sole national championship. They were the host team for the tourney as they had won the regular season title with a record of 12-2. The Lazers also qualified for the Region III tournament for the sixth straight season, losing in the quarterfinals to Clinton Community College. OCC finished with a 23-8 record, earning Pasiak his third 20-win season in five years. In 2007-08, Onondaga shared the Mid-State Athletic Conference Regular Season Championship with Broome Community College. Broome received the top seed in the MSAC Tournament and defeated Onondaga in the championship game, denying Onondaga's bid for back to back championships.Onondaga finished the season with a 22-9 record, falling to SUNY Cobleskill in the Region III quarter-finals. <mask> was named the Mid-State Athletic Conference Coach of the Year for the 3rd time. Onondaga qualified for post-season in both 2008-09 and 2009-2010. In 2009, the Lazers finished 14-16, reaching the MSAC semi-finals and the Region III quarterfinals. In 2010, Onondaga won 5 of its last 6 conference games to earn the #3 seed in the MSAC Tournament, where they fell to Broome Community College. Onondaga closed the 2009-2010 season with a 10-19 overall record. In 2010-2011, Onondaga finished the season with an overall record of 20-10.The

masks: Pasiak Pasiak


texts:
 Lazers posted a 9-3 record in MSAC play, finishing second in the regular season standings and earning the #2 seed in the MSAC Tournament. Onondaga reached the MSAC semi-finals, where they fell to Broome Community College, and the NJCAA Region III quarter-finals, where they were defeated by Finger Lakes Community College. Onondaga completed the 2011-2012 season with an overall record of 17-14, and a Mid-State Athletic Conference of 7-5. The Lazers reached the MSAC championship game, falling to Cayuga Community College. Onondaga was the #7 seed in the NJCAA Region III tournament, where their season was ended in the quarter-finals by SUNY Delhi, the eventual regional champion. The 2011-2012 team was the top scoring team in Region III, and ranked 7th nationally in scoring offense. Onondaga continued its run of post-season appearances under Pasiak with appearances in both the MSAC quarterfinals and NJCAA Region III tournament in 2012-2013, the regional tournament in 2013-2014, and the MSAC semi-finals in 2014-2015.In each of those seasons Onondaga was the only MSAC team to defeat the eventual conference champion during that season. In 15 full seasons as head coach at Onondaga, <mask> guided the Lazers to postseason berths, either in the MSAC or NJCAA Region III tournaments, in each season (OCC Athletics). During his tenure, the Lazers have appeared in five MSAC championship games (2002, 2004, 2007, 2008, & 2012). <mask> has also been named Mid-State Athletic Conference Coach of the Year three times, and was recognized as Region III Coach of the Year in 2003. <mask> was removed as OCC men's basketball coach as of December 22, 2015 amid "unspecified allegations of misconduct." A notice of claim filed by <mask> against OCC in February, 2016, indicated that he was terminated for refusing to recruit based on race. <mask> and OCC reached a settlement in the case in October 2017.Morrisville State College
<mask> accepted a position as the Assistant Director of the Collegiate


texts:
 Science and Technology Entry Program at Morrisville State College in August 2016. He also served as an Assistant Men's Basketball Coach for the Mustangs. Morrisville completed the 2016-2017 season with a 22-7 record, winning the North Eastern Athletic Conference championship and advancing to the NCAA Division III Tournament. Northern Vermont University-Lyndon (formerly Lyndon State College)
<mask> was named the Head Men's Basketball Coach and Sports Information Director at Lyndon State College in September 2017. (Lyndon State became Northern Vermont University-Lyndon in July of 2018.) He succeeded Chris Dorsey, who left Lyndon in the summer of 2017 to become the Head Men's Basketball Coach at Centenary College of Louisiana. <mask> won his 300th game as a college head coach in March of 2021.Collegiate Record

Personal
<mask> is an advocate of “Coaches vs. Cancer” and participates in the annual "white sneaker day". He is also a past President of the Basketball Coaches Association of New York, and is a member of the National Association of Basketball Coaches. He is a 1984 graduate of Clarkson University and resides in Lyndonville, Vermont. Accomplishments
Some of Pasiak's notable accomplishments:

 Led Onondaga to the 2007 MSAC championship
 Led Onondaga to 13 MSAC tournament appearances, 5 MSAC championship appearances, and 12 NJCAA Region III tournament berths
 Three-time MSAC Coach of the Year (2002, 2003, 2008)
 2003 NJCAA Region III Coach of the Year
 In 15 seasons at Onondaga, has compiled five 20-win seasons

References
(OCC Athletics) “<mask>k: Men’s Basketball Head Coach”. Retrieved from the World Wide Web on March 27, 2010: http://www.sunyocc.edu/uploadedFiles/OCC/Athletics/Onondaga_Team_Athletics/Mens_Basketball/OnlineGuide0910.pdf

1962 births
Living people
American men's basketball coaches
American men's basketball players
High school basketball coaches in the United States
Junior college men's basketball coaches in the United States
People from Oneida

masks:
Pasiak
Pasiak
Pasiak
Dave Pasia


texts:
<mask> (1842–1926) was a Spanish Roman Catholic priest. For some 35 years he served on apostolic mission in Colombia, where he was heading a parish in rural interior of the Pasto province; for some 15 years he held also various minor posts in Jamaica. He is best known, however, for his activity in 1872-1873, when he commanded a Carlist guerilla unit during the civil war in Spain. As "cura <mask>" (priest <mask>) or simply as "El Cura" (The Priest) he gained notoriety for cruelty and in the Spanish public discourse of the late 19th century he became a symbol of savage brutality. In this role – though also with a grade of ambiguity - he featured as a protagonist in a few great works of Spanish Modernist literature of the early 20th century and became a mythical figure long before his own death. Family and youth

<mask> was descendant to Basque rural working-class families; generations of his ancestors were farmers living in the Oria river valley, in the Gipuzkoan county of Tolosa. His paternal grandfather <mask> was a native of Andoain yet he settled in Elduain, probably on the economy of his wife María Bautista Sarove.Their son and the father of <mask>, Francisco Antonio <mask> Sarove (1784-1842), in 1824 married Juana Josefa <mask> Urrestarazu (1803–1871); she was the daughter of Miguel Ignacio <mask>, a native of Amezketa, and María Ignacia Urrestarazu, who originated from Orendain. The couple lived in Elduain; their caserio, known as Zamonea, was among the poorer ones in the village. It is not clear how many children they had, though according to some sources <mask> was not their only child and he had at least one sister. Following the death of

masks:
Manuel Ignacio Santa Cruz Loidi
Santa Cruz
Santa Cruz
Manuel Santa Cruz Loidi
Pascual de Santa Cruz
Manuel Ignacio
Santa Cruz
Loidi
Loidi
Manuel Ignacio


texts: her husband María Ignacia remarried with a widower Juan Ignacio Betelu Muñagorri (1795–1861); it is not clear whether they had any offspring. <mask> was raised by his mother and step-father and initially did not differ from other village boys. It is not clear where he was first educated; at some stage he was taken care of by his much older paternal cousin, a local priest Francisco Antonio Sasiain <mask> (1812–1898); he taught the teenager Latin and apparently directed him towards the religious career. Indeed, in 1861 <mask> entered the seminary in Vitoria; during the first 3 years he was obtaining high grades and was rewarded with the meritissimus title; later his performance worsened, reportedly due to health problems.He was ordained as a priest in 1866 and posted to Hernialde, a village a few miles from his native one. According to some sources he was first nominated a coadjutor; other authors claim he initially acted as a vicar. Following the death of the parish priest it was Santa Cruz who became his successor at an unspecified time in the late 1860s; he allegedly assumed his duties with frenetic energy and as a spiritual shepherd he tended to rigidity, himself adhering to an austere living pattern. Since his father had served as a Carlist volunteer during the last civil war and since legitimist sympathies prevailed among the rural Gipuzkoan folk, it is likely that <mask> from his youth was growing in an ambience strongly flavored with Carlism. His position was probably strengthened during the seminary years, as Carlism was popular also among the lower and regular clergy of the province. In line with the Traditionalist outlook Santa Cruz

masks:
Manuel
Santa Cruz
Manuel
Manuel


texts:
 assumed a decisively hostile stand towards the 1868 revolution, from behind the pulpit lambasting the new regime as an ungodly, depraved system. His inflammatory sermons gained him attention of the authorities; in October 1870 a Guardia Civil patrol showed up in Hernialde to detain him after a Sunday Mass.<mask> took advantage of a somewhat loose approach of his captors and fled, in a few days crossing to France. Guerilla leader

Following some 18 months of exile in Bayonne, in 1872–73 <mask> was taking part in the guerilla warfare prior and during the Third Carlist War. His record falls into 4 separate strings: from April till May 1872, from June till August 1872, from December 1872 till July 1873, and in December 1873, all separated by periods of taking refuge in France. Initially, he joined a unit led by a Carlist veteran Pedro Recondo; serving as a chaplain, <mask> was gaining experience in rural irregular tactics. Since the summer of 1872 he was leading his own troops; initially the group consisted of some 15–25 men, but later it grew and in literature is estimated at 200, 500, or even 1,000, with an informal, in-between command structure built up. The detachment was rather loosely incorporated into the Carlist war effort; at early stages it was assigned a vague task of "guarding the Northern borderline" by the legitimist general staff, yet it seems that the unit retained great autonomy and operated independently. In military terms the activity of Santa Cruz’ unit consisted of harassing the enemy logistics network and raiding minor garrisons.The former included disrupting postal service, arms transports, or railway connections; the latter

masks:
Santa Cruz
Santa Cruz
Santa Cruz


texts: included descending upon smaller locations and destroying archives, pillaging Guardia Civil or Carabineros posts, abducting local officials, and staging shows of prowess. The Liberal high command was forced to diminish their frontline strength and to assign more troops to vigilance and patrol duties. However, in line with his guerilla strategy <mask> avoided open confrontation against enemy forces; cases of accepting a battle usually resulted in defeat, e.g. in Aia. When facing enemy roundup <mask> used to disband his group and to set re-assembly terms; taking advantage of perfect familiarity with the mountainous Gipuzkoan countryside and support of the local population, he kept evading the governmental chase. Santa Cruz operated across all the province of Gipuzkoa, though he was noted also in neighboring areas of Biscay, Álava, and particularly Navarre. Since early 1873 <mask> gained notoriety for cruelty and was charged with committing acts of barbarity.They consisted of executions of prisoners, including women or members of his own unit when suspected of treason, burning down settlements, or administering corporal punishment. The episode which caused particular outrage occurred in June 1873, when santacrucistas assaulted a fortified provincial border control post in Endarlaza. Claiming that during the shootout the defenders had mischievously displayed a white flag to fire at the approaching Carlists later on, <mask> had his men execute 35 carabineros who had ultimately surrendered. The Carlist high command was continuously uneasy about <mask> Cruz; the Endarlaza episode proved to be the last straw. The local legitimist commander general

masks:
Santa Cruz
Santa Cruz
Santa Cruz
Santa Cruz
Santa


texts:
 Antonio Lizarraga, who was trying to bring Santa Cruz in line for some time, demanded that the insubordinate priest back down. Eventually, <mask> Cruz found himself hunted down by the Liberals and the Carlists alike; he disbanded his unit and withdrew into France. France, Britain and Jamaica

In France <mask> seemed disoriented and with no direction; he spent more than a year mostly in small villages in the French Basque country.Some of his former men suggested resumption of warfare, though Lizarraga confirmed that in such case he would be persecuted. The Madrid government filed a request for extradition, turned down by the French. Gendarmarie kept a close watch on him and at one point <mask> was detained in Bayonne; he was pressed to leave the country. In late 1874 or early 1875 he found himself in the Jesuit college in Lille; thanks to support of the Cambrai archbishop René-François Régnier, <mask>'s plea for clemency was accepted in the Vatican and he was reinstated to regular religious duty, abandoned during the wartime years. He intended to commence missionary service; as part of his preparation the Jesuits directed him to their establishment in Britain, where <mask> was to learn English. In early 1876 he met his king Carlos VII in London but accounts differ; according to some <mask> defended his wartime record, according to others he regretted his conduct and begged for mercy. Shortly afterwards he sailed to Jamaica.The Catholic administration of the island since the 1840s had been dominated by the English Jesuit province and since the 1860s their activity was on the rise; <mask> Cruz was dispatched in a group of 3 priests. Upon crossing

masks:
Santa
Santa Cruz
Santa Cruz
Santa Cruz
Santa Cruz
Santa Cruz
Santa


texts:
 the Atlantic <mask> Cruz abandoned the first surname and started using only his maternal one; hence, in America he became known as <mask>. In December 1876 he was first recorded as performing religious service in Jamaica; he was later to serve in the parishes of St. Andrews, Portland and St. Mary, all located in the Eastern part of the island. His exact position in the religious structure is not clear; in documentation available he is listed as "clergyman"; until the early 1880s he is recorded usually as administering baptisms, marriages and especially funerals, mostly though not exclusively in the location of King's Weston. At one point or another he served in 5 different mission stations and himself founded another nine. Today he is particularly noted for his work in the small Preston Hill village, one of the first Catholic congregations outside Kingston and inhabited mostly by descendants of the Castle Mine slaves. <mask> is credited with construction of a wooden St. Francis Xavier church, which served the faithful for decades.It seems that <mask> and the Jamaica Jesuits lived in extreme poverty, as the destitute and barren local Catholic community was hardly in a position to support them. It is not clear why <mask> abandoned Jamaica in 1891 or 1892; it is likely that his leaving the island was related to change in missionary administration, as in the early 1890s the Jamaica mission was allotted to the Maryland-New York Jesuit province and soon the US Jesuits took over. Colombia

It is not clear in what circumstances <mask> moved to Colombia; one version is that the option was suggested and facilitated by an anonymous, influential Spanish

masks:
Santa
Manuel Loidi
Santa Cruz
Santa Cruz
Santa Cruz
Santa Cruz


texts: Jesuit and a friend of his. <mask> agreed to join Colegio Javieriano, which served as a Jesuit college and a seminary in Pasto, capital of Nariño department. He arrived in the city in 1892, possibly having spent some time in Panama earlier. In the college he was teaching English, French, Latin, geography and math; his worn-out cassock and a long beard made him look like a beggar. He was not a member of the Jesuit order; his request for admission was turned down, reportedly because his wartime deeds required a long penitence period.<mask> was allowed to enter the monastery and to follow the rules, but his formal admission was adjourned until an unspecified later date. <mask> taught in Pasto at least until 1898. The following year Colombia was torn by a Thousand Days’ War, with Pasto turned into a Conservative stronghold dominated by the personalities of Ezequiel Moreno Díaz and Pedro Schumacher, two hardline bishops. According to a Colombian historian both hierarchs approached <mask>, who was known for uncompromising anti-liberal sermons. <mask> was reportedly asked to lead operations against the Liberal insurgents, yet he declined. However, he apparently agreed to assist in some kind of staff work, offering his advice in terms of planning and strategy; in this role he proved very successful. Following the ultimate Conservative victory in 1902 <mask> founded the village of San Ignacio, located in the Andes some 20 km north of Pasto in the county of Buesaco; for the second time since the Hernialde spell he assumed the role of a parson.The hamlet was inhabited by an extremely poor indigenous population; it seems that apart from providing spiritual

masks:
Santa Cruz
Santa Cruz
Santa Cruz
Santa Cruz
Santa Cruz
Santa Cruz