texts:
 Kick It Out acknowledging his inclusion in the list. In 2015, Whelan successfully completed a professional doctorate entitled "Pastoral Care of Premier League Academy Schoolboy Footballers (with particular reference to Manchester United)". In July 2020, Whelan received the Eamonn Dolan award from the Premier League for his role in the Manchester United academy and his contribution to youth coaching.References

External links
Profile at redStat
NASL stats

1952 births
Living people
Alumni of the Open University
American Soccer League (1933–1983) players
Atlanta Chiefs players
Footballers from Salford
People from Wythenshawe
English footballers
English expatriate footballers
Black British sportspeople
Association football forwards
English Football League players
Fort Lauderdale Strikers (1977–1983) players
Los Angeles Skyhawks players
Major Indoor Soccer League (1978–1992) players
Manchester City F.C. players
Manchester City F.C. non-playing staff
Manchester United F.C. non-playing staff
North American Soccer League (1968–1984) players
North American Soccer League (1968–1984) indoor players
Philadelphia Fever (MISL) players
Rochdale A.F.C. players
Alumni of Manchester Metropolitan University
Witton Albion F.C. players
English expatriate sportspeople in the United States
Expatriate soccer players in the United


type: original

texts:
<mask> (born 12 January 1970) is an Irish philosopher, writer and newspaper columnist. A specialist in continental philosophy, theology and the philosophy of religion, he is the author of several books, including The Politics of Exodus: Kierkegaard's Ethics of Responsibility (2001), Roger Scruton: The Philosopher of Dover Beach (2009), and Why Be a Catholic? (2011). <mask> has been a guest on Irish radio and has written for several newspapers, including The Irish Times, and the Daily Mail. Early life and education
<mask> grew up in Dublin, where he attended the Synge Street CBS. He studied history and philosophy at University College Dublin (UCD), graduating with a BA in 1991 and obtaining his MA in philosophy in 1993. He earned his doctorate in philosophy in 1997, also from UCD, with a thesis on Kierkegaard; the thesis was published by Fordham University Press as The Politics of Exodus: Kierkegaard’s Ethics of Responsibility (2001).In the course of his research on Kierkegaard, he was awarded a Hong Kierkegaard Fellowship at St Olaf College, Minnesota. Career

Academic positions
Dooley taught philosophy and theology at University College Dublin (UCD) from 1993, where he was a John Henry Newman Scholar in theology. He was a visiting lecturer in philosophy at Maynooth University in 1998 and 1999, and returned as lecturer between 2006 and 2011. Writing and broadcasting
Dooley is a regular broadcaster on Ireland's national radio (RTÉ, Newstalk, Today FM). Since 2002, <mask> has contributed to The Irish Times, The Irish Independent, The Sunday Independent, The Irish Examiner, Prospect Magazine and The Dublin Magazine. Between 2003 and 2006, he wrote a column on foreign affairs for the Sunday Independent. This column covered notably the conflict in the Middle East, the war in Iraq, and the use of

masks:
Mark Dooley
Dooley
Dooley
Dooley


texts:
 Ireland as a European base for radical Islamist activities.<mask> reported on the headquartering in Ireland of several radical Islamic organisations (the Muslim Brotherhood, the European Council for Fatwa and Research and the International Union of Muslim Scholars). He became the spokesman and champion of the moderate and progressive Muslims in Ireland suffering from intimidation and seeking integration and peaceful coexistence. Since 2006 <mask> has worked as a cultural and political columnist for the Irish Daily Mail. He is the author of the paper's 'Moral Matters' Wednesday column and also writes occasional 'Saturday Essays'. <mask> lives in Co. Dublin with his wife and their three children. Works and themes

Søren Kierkegaard
In The Politics of Exodus: Kierkegaard's Ethics of Responsibility (2001), Dooley offers a new interpretation of Kierkegaard as a precursor of the ethical and political insights of Jacques Derrida. He argues that the connections between the two run much deeper than previously suggested.He shows Kierkegaard as being a proponent not of asocial individualism, but rather of the notion of an open quasi-community which has influenced Derrida's work. Postmodern ethics and Christianity
Questioning Ethics: Contemporary Debates in Philosophy (1999), co-edited with Richard Kearney, is a major overview of debates about contemporary European ethical thought bringing together the world's foremost philosophers. Including original essays by Paul Ricoeur, Alasdair MacIntyre, Jürgen Habermas, Jacques Derrida and Karl-Otto Apel, it considers the challenges posed by ethics and the transformation of philosophy by critical thinking. It discusses contemporary ethical issues related to historiography, memory, revisionism, responsibility and justice, democracy, multiculturalism and the future

masks: Dooley Dooley Dooley


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 of politics. Questioning God (2001) comprises fifteen essays based on a conference organised by the editors (<mask>, Michael J. Scanlon and John D. Caputo) at Villanova University in 1999. It explores contemporary thinking about God with special attention to the phenomenon of forgiveness. Contributors include John Milbank, Richard Kearney, Jean Greisch, Francis Schüssler Fiorenza, Kevin Hart and Jacques Derrida.A Passion for the Impossible: John D. Caputo in Focus (2002) is the first detailed study of the works of John D. Caputo. It features contributions from Jacques Derrida, W. Norris Clarke, William J. Richardson, Merold Westphal, Thomas R. Flynn, Richard Kearney & Edith Wyschogrod. In particular, it includes an interview of Derrida by <mask> which contains Derrida's definitive statement on religion: ‘The Becoming Possible of the Impossible.' Jacques Derrida
In 2007, Dooley co-authored The Philosophy of Derrida which presents the core philosophical ideas of Jacques Derrida and an appraisal of their impact. In this book, Derrida appears less as an iconoclast for whom deconstruction implies destruction than as a sensitive writer animated by a respect for institutions and a certain form of conservatism. His correspondence with Derrida was included in the extensive archive of Derrida papers kept at the Institut mémoires de l'édition contemporaine near Caen, Lower Normandy, France. Roger Scruton
Roger Scruton.The Philosopher of Dover Beach (2009) offers the first synoptic analysis of Roger Scruton’s philosophical thought. In the book, Dooley brings out the core ideas contained in 40 books written by Scruton over four decades, and provides the philosophical background to understand their genesis and their articulation. The composition of the book is pedagogic in that each chapter builds on the

masks:
Mark Dooley
Mark Dooley


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 concepts laid in the previous one. The different chapters of this book then explore the genealogy of Scruton’s thought and the various themes running through his works: personhood, sex and the sacred; aesthetics; Scruton’s conservatism and its economic, legal and environmental implications; and the defence of the nation state in the face of liberal internationalism. The Roger Scruton Reader, its companion volume, is a collection of texts by Scruton which Dooley selected, edited and introduced. They are grouped into the following categories: conservatism, the nation, sex and the sacred, culture, and one Dooley calls 'homecomings' and which contains texts on conserving nature, the philosophy of wine, and hunting. The volume also includes a previously unpublished article by Scruton about architecture entitled "Classicism Now."In Conversations with Roger Scruton, published by Bloomsbury in 2016, Dooley sheds new light on hitherto overlooked areas of Scruton's life and thought. Crisis in the Irish Catholic Church
After exposing - at the request of seminarians and of the Irish Daily Mail - the sources of the moral crisis in Ireland's national seminary, Dooley received overwhelming support from the public and from the Church, and was asked by priests from various countries to write a book in which he would articulate the way forward for the Irish Catholic Church : Why be a Catholic? (2011). On 22 November 2013, he was invited as guest of honour at the University of Caen Lower Normandy, France, where he was asked to give the keynote lecture about the current situation of the Irish Catholic Church. His lecture was entitled "Reclaiming the Irish Church." Technology, self and the world
Moral Matters. A Philosophy of Homecoming (2015) is loosely based on his weekly column in the Irish Daily Mail.It is a


texts:
 philosophical work about home and rootedness, memory and identity, loss and love. Analyzing the alienation experienced by the self when disengaging from the social sphere surrounding it, Dooley shows how the self can become re-rooted to time and place and restored to full humanity whilst moving in the virtual, hyperconnected world. Bibliography
Questioning Ethics: Contemporary Debates in Philosophy (London: Routledge, 1999), co-edited with Richard Kearney
The Politics of Exodus: Kierkegaard's Ethics of Responsibility (Fordham University Press, 2001)
Questioning God (Bloomington: Indiana University Press, 2001; ), edited with Michael J. Scanlon and John D. Caputo. A Passion for the Impossible: John D. Caputo in Focus (Albany: SUNY Press, 2003; )
Jacques Derrida, On Cosmopolitanism and Forgiveness (2001), translated with Michael Hughes
The Philosophy of Derrida (London: Acumen Press, 2006; Montreal: McGill-Queen’s University Press, 2007), co-authored with Liam Kavanagh
Roger Scruton: The Philosopher of Dover Beach (London & New York: Continuum, 2009)
The Roger Scruton Reader (London & New York: Continuum, 2009)
Why Be a Catholic? (London & New York: Continuum, 2011)
Moral Matters. A Philosophy of Homecoming (London & New York: Bloomsbury, 2015)
 Conversations with Roger Scruton (London & New York: Bloomsbury, 2016)

References

External links
 <mask>'s website

1970 births
Living people
20th-century Irish philosophers
21st-century Irish philosophers
Irish philosophers
Alumni of University College Dublin
Academics of University College Dublin
Academics of Maynooth University
Irish journalists
Irish columnists
Catholic philosophers
Sunday Independent (Ireland) people
Daily Mail journalists
Irish Daily Mail people
21st-century Irish writers
21st-century Irish male writers
20th-century Irish


texts: <mask> (born May 9, 1961) is an American musician and songwriter. He is a founder and former lead singer (tenor) of the a capella musical group Rockapella and a pioneer of the modern a cappella movement. He was a member of Rockapella from its inception in 1986 until he left the group in 1997 to launch a solo career. As a founding member of Rockapella, <mask> is best remembered for his role on the PBS children's geography game show Where in the World Is Carmen Sandiego?, as the band served as the house vocal band and comedy troupe. <mask> and his childhood friend David Yazbek co-wrote the show's theme song, which is recognized as one of the best-known television themes in history. Rockapella released seven albums in Japan and two in the United States during <mask>'s eleven-year tenure. As a subsequent solo artist, <mask> has released three solo albums on the independent Chow Fun Records: seanDEMOnium (1997), alt.mania (2002), and Losing Streak (2005).In 2008, <mask>'s solo comedy song act Jewmongous released the debut album Taller Than Jesus (Chow Fun Records), about which The Washington Post wrote "Witty and outrageously lampooning ... full of catchy melodies, clever arrangements and lyrics that yield satiric gems." His a cappella group The GrooveBarbers has released two albums: Glory (2005) and Guts (2010), and his defunct comedy song duo What I Like About Jew released Unorthodox (2005) before its breakup in 2006. Altman wrote and recorded "Save The Ocean" and "You Ought To Be Saving Water" (with ex-Rockapella members Barry Carl and Elliott Kerman) for the popular Schoolhouse Rock! series, and

masks:
Sean Altman
Altman
Altman
Altman
Altman
Altman


texts:
 has composed songs for the TV shows "Where In The World Is Carmen Sandiego? ", "Where In Time Is Carmen Sandiego? ", "Out Of The Box", "The Book Of Pooh", "The Damn Show", "Brickleberry", Science Mission 101, and the feature film "Teddy P. Brains". Early life
<mask> grew up in the Riverdale neighborhood of the Bronx, New York.His musical talent was recognized early on, as he starred in many school musicals and claims to have charmed female classmates with "hallway serenades". At age seventeen, <mask> turned pro, performing on the New York City nightclub circuit with David Yazbek as Moon Pudding, a Simon & Garfunkel-styled teen duo. At Brown University, <mask> majored in political science, but focused primarily on singing college a cappella with The High Jinks and fronting Blind Dates, his rock group that released two national college radio hits. <mask> continued with Blind Dates after graduating from Brown in 1984, moving from Providence to New York City in search of a record deal. The group dissolved in 1987, just as Rockapella's career began. Rockapella years

After graduating from Brown together, <mask> and fellow High Jinks member Elliott Kerman joined classmates Steve Keyes and David Stix to form a new a cappella group called Rockapella. Rockapella began its career humbly, performing on street corners in New York City while Altman still focused primarily on his Blind Dates work.The group's repertoire consisted of a mix of barbershop arrangements and a cappella renditions of classic doo-wop pieces. As the group grew in experience and <mask> honed his vocal arranging skills, they began to

masks: Altman Altman Altman Altman Altman Altman


texts: focus less on oldies and barbershop, and more on contemporary rock music. A dinner party performance for television personality Kathie Lee Gifford led to the group's 1988 appearance on the ABC TV show Live with Regis and Kathie Lee. Rockapella's performance of <mask>'s signature arrangement of the calypso novelty standard "Zombie Jamboree" caught the eye of producer Gerard Brown, who invited Rockapella to perform on the PBS Great Performances TV special Spike Lee & Company – Do it A Capella, which featured established a cappella acts Take 6, Ladysmith Black Mambazo and Rockapella's idols The Persuasions. Elektra Records released Rockapella's live recording of "Zombie Jamboree" as a single, and the group's recording career was launched. Producers of the future PBS Kids game show Where in the World Is Carmen Sandiego? took note of Rockapella's talents and signed the group to appear as the show's comic troupe and vocal house band.The half-hour game show aired daily for five years, catapulting Rockapella into mid-level television celebrity and making the Rockapella-performed theme song (penned by <mask> and his childhood friend David Yazbek) into one of the best known television themes in history. <mask> is particularly remembered for his trademark blond braids, which were ceremoniously sheared in the last episode of the fifth and final season by the show's host Greg Lee. The soundtrack to the show features five of <mask>'s original songs, including the aforementioned theme song and a duet with The Persuasions on "My Home". A sequel album co-produced by <mask>, with collaborators Billy Straus and

masks: Altman Sean Altman Altman Altman


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 David Yazbek, was entitled Carmen Sandiego: Out Of This World and contained four <mask> compositions as well as contributions from the rock bands XTC and They Might Be Giants. While Carmen Sandiego ran in the United States and Canada, Rockapella released seven albums in Japan, on which appeared a total of 14 original songs written by Altman both solo and in collaboration with others. The group also toured Japan briefly during this time. Solo career
After Carmen Sandiego finished after five seasons and Rockapella had put out two independent albums in the United States, <mask> left the group in April 1997 to better focus on his solo career.He promptly released his debut CD, seanDEMOnium, about which the Philadelphia Daily News wrote: "Imagine Dion meeting Marshall Crenshaw at the Beatles' house, with the Kinks, Beach Boys, Four Seasons and Persuasions all dropping by for a song swap. The words have a cynical edge, but what really grabs you is the old-fashioned sweetness and punch of his neo-doowop vocals playing off incredibly hook-happy tunes." After releasing seanDEMOnium, <mask> assembled a backup band, played New York City rock clubs for two years, garnering accolades for his live shows. The Village Voice called him "an absurdly talented performer... a power-pop mensch and an aspiring teen cult leader." He released alt.mania, his second CD of original music in 2002, about which Hits magazine wrote: "This record rocks....Rockapella mastermind, internet entrepreneur and divorcé Altman tells barbed, musically diverse tales of romantic misadventures....A dark, funny, resilient, postmodern concept

masks: Altman Altman Altman


texts:
 album about love and loss." <mask> is the only three-time winner of the Contemporary A Cappella Society's "Original Song of the Year" award, and has also been a "Best Male Vocalist" award recipient. He currently records and performs a cappella with some other ex-Rockapella members in The GrooveBarbers (featured as The Astelins in TV commercials for Astelin nasal spray), bittersweet pop songs as a solo artist, and comedy songs in Jewmongous.He has vocal-arranged and produced a cappella albums for the groups Minimum Wage and Kol Zimra. <mask> was named "Best Male Artist" in the 2005 International Acoustic Music Awards and was a 2005 Kerrville New Folk finalist. He is a member of The Loser's Lounge tribute series in New York and serenades hospital patients as a volunteer with Musicians On Call. In June 2011, <mask> released the song "MOT: Members of The Tribe" with Jordan B. Gorfinkel. The song highlights the contrasts in different observance levels within Judaism. It promotes tolerance and respect. Personal life

In 2003, <mask> married operatic soprano Inna Dukach.They live in Harlem, New York City. They have a daughter named Ruby, who was born in November 2008. Altman is Jewish. Solo discography

CDs

Guest appearances/various releases

References

External links

JEWMONGOUS
The GrooveBarbers
Rockapella
Inna Dukach

1961 births
Living people
American tenors
American male pop singers
American rock singers
Brown University alumni
Jewish American musicians
A cappella musical groups
Entertainers from the Bronx
Musicians from New York City
Rockapella members
People from Harlem
21st-century American

masks: Altman Altman Altman Altman


texts:
<mask><mask> (August 26, 1905 – December 25, 2014) was a communication professor and an author. In addition to shorter terms of service with other universities, he had a 31-year career at the University of Missouri, including two terms as chair of the Department of Communication. He served in a number of professional organizations related to speech and communicating, including standing as the 43rd president of the National Communication Association. He lived to 109 years of age, making him a centenarian. Personal life and education
Born in 1905 in Gilman City, Missouri, <mask> was the son of Gilman City Guide editor <mask> and his wife Josephine. As a youth, <mask> worked at his father's paper, both operating the linotype machine and writing up his interviews with travelers. After his parents took over the Osceola, Iowa paper Tribune in 1921, they relocated.<mask> graduated from Osceola High School in 1922 and entered Grinell College, receiving degrees in history and English in 1927. While there, he met Augusta "Gus" Towner who would later become his wife and herself a professor, of English. Towne and <mask> wed in 1930, during their studies at the University of Iowa. In 1932, <mask> graduated from UoI with one of the first doctoral degrees awarded in the field of speech in the United States. Augusta "Gus" <mask> (June 23, 1907 – August 1, 2009), was herself a centenarian at 102 years old. <mask> died at age 109 on Christmas Day, 2014. The couple were survived by their four children, 15 grandchildren, 25 great-grandchildren and 3 great-great-grandchildren.Teaching career
<mask> began teaching English after receiving his undergraduate degree in a response to an invitation from a high school in Vermillion, South Dakota. Following his PhD pursuit in Iowa, he relocated to Kansas City, serving at Westport High School for two years as the head of its department of speech. In 1935, he started a four-year term in the English Department of the University of Missouri, where he would spend the bulk of his career. After breaking for five years to serve as an assistant and then

masks:
Loren D
. Reid
Loren Reid
Dudley Reid
Reid
Reid
Reid
Reid
Reid
Reid
Reid


texts:
 associate professor of speech at Syracuse University, <mask> returned to serve on the faculty of the new Department of Speech and Dramatic Art (now Department of Communication) at the University of Missouri. From 1946 to 1951, <mask> served as department chair, a service he repeated from 1965 to 1966. During his time at the University of Missouri, <mask> took occasional visiting professorships at other schools. He served at the University of California in the summer of 1947, at the University of Maryland, Overseas Division in 1952-53, at Louisiana State University and San Diego State College in 1954, at the University of Hawaii in 1957 and the University of Iowa in 1958.Service
Within the University of Missouri, <mask> served in a number of areas. On the committee of and one time acting director of the University of Missouri Press, he was also on the committee of Student Publications. A proponent of campus-based instructional television, which he helping bring to UoM, he moderated both the Showcase series and the Missouri Forum. He was also active among faculty, serving the University Faculty Club for a year in 1945 as president. He was an active member of the Sigma Delta Chi fraternity and an honorary member of Kappa Tau Alpha and Delta Sigma Rho. Beyond the confines of the college, <mask> was active in many professional organizations. He was executive secretary of the Central States Communication Association in 1937.He founded the New York State Speech Communication Association in 1942 and the Missouri Association of Teachers of Speech in 1943. He served the National Association of Teachers of Speech as its executive secretary from 1945 to 1951. He served as president of the National Communication Association in 1957. Research and writing
<mask>'s particular focuses in his research were British rhetoric and public speaking. He collaborated with writers Bower Aly and Wilbur Gilman in writing Fundamentals of Public Speaking, and he also had several works of his own varying from speech textbooks Speaking Well and Teaching Speech, to the autobiographical Professor on the

masks: Reid Reid Reid Reid Reid Reid


texts:
 Loose, to the partially autobiographical reflections on small-town life and work Hurry Home Wednesday, and Finally It's Friday. Other notable works include his biography Charles James Fox: A Man of the People and American Public Address: Studies in Honor of Albert Craig Baird, which he edited. Honors and legacy
<mask> was honored many times throughout his career and after.Among them, he received the University of Missouri's Alumni Achievement Award in 1970 and received the Distinguished Teaching Award in 1971. He was selected Sesquicentennial President of the University of Missouri near the date of the University's Columbia Day Tribune. The National Communication Association recognized him in 1981 with its Distinguished Service Award and in 2002 with its Mentor Award. The Central States Communication Associated inducted him into its Hall of Fame in 2005. <mask> was made a fellow of the Royal Historical Society for the research he completed for his book on Charles James Fox. That book received the Elizabeth G. Andersch Award from Ohio University, the distinguished alumnus award from Grinnell College and the National Communication Association's Golden Anniversary Book Award and Winans-Wichelns Award for Distinguished Scholarship in Rhetoric and Public Address. Hurry Home Wednesday and Professor on the Loose received awards from the Missouri Writers' Guild, with the former also being awarded by the Missouri Library Association.The University of Missouri dedicated the <mask> <mask> Library in Switizler Hall in 1995 and created the <mask> <mask> Distinguished Scholar Lecture Series in 2005 in his honor. The UoM also remembers <mask> in a number of academic awards named for him, including the <mask> <mask> Outstanding Senior Award for Department Service and Leadership and the <mask> <mask> Outstanding Graduate Student Teaching Award. References

External links
Interview with <mask>, 109, Columbia Missourian. University of Missouri faculty
1905 births
2014 deaths
American centenarians
Men centenarians
People from Daviess County, Missouri
University of Iowa alumni
Grinnell

masks: Reid Reid Loren Reid Loren Reid Reid Loren Reid Loren Reid Reid


texts:
Baron <mask> () (February 24, 1847 – December 31, 1921) was a diplomat in the service of the Russian Empire. Biography
<mask> was from a Baltic German nobility (with a Swedish title, obtained when Livonia and Pomerania were Swedish territories) that included musicians and military leaders. One of his ancestors, another Baron <mask>, won distinction in command of the Astrakhanskii Cuirassier Regiment at the Battle of Borodino on September 7, 1812 for which he was noted in the official battlefield report to General Barclay de Tolly. A Washington Post article dated July 5, 1905 claimed that "Baron <mask> is of Swedish ancestry, his forebears having followed Swedish King Gustavus Adolphus in his invasion of Russia and settled there. He was chargé d'affaires at Tokyo and later at Washington, and was acting in a judicial capacity as the mouthpiece of an international tribunal that was regarded as discourteous to Japan. ... As judicial minister, he reformed the judicial system of Siberia." Actually, the family was originally from Bohemia (Habsburg territory) and included one Marshal of France and one Austrian Field-Marshal.<mask>’s mother was a Georgian, Elizabeth Sulkhanishvili. Early career
<mask> graduated from the University of Dorpat and the Imperial School of Jurisprudence, and joined the Russian Foreign Ministry’s Asiatic Department, rising to head the Japan Bureau in 1875. He helped draft the Treaty of Saint Petersburg (1875), in which Japan exchanged its claims over Sakhalin for undisputed sovereignty over the entire Kurile islands chain. He served as First Secretary of the Russian legation at Yokohama from 1875-1883. <mask> was then appointed to the Consulate-General of Russia in New York City in 1884, and then as temporary charge d’affaires to Washington DC from 1886-1889. In 1891, he opened the Russian legation in Mexico City, remaining in Mexico until 1893. He then returned to Europe, and was appointed ambassador to Serbia, staying in Belgrade until 1897.Career

masks:
Roman Romanovich Rosen
Rosen
Rosen
Rosen
Rosen
Rosen
Rosen


texts:
 in the Far East
During a short term as Russian minister to Tokyo in 1897–1898, <mask> concluded the Nishi-Rosen Agreement between Russia and Japan, whose articles recognized Japanese supremacy in Korea in exchange for an implicit recognition of Russia's exclusive rights to the Kwantung Leased Territory. However, after he was publicly critical over increasing Russian military activity on the Korean coast and the Yalu River, he was suddenly transferred to the rather symbolic post as Ambassador of Russia to the Kingdom of Bavaria in 1899. In 1900 his diplomatic career revived when he exchanged Munich for Greece, and in April 1903 his most important period commenced when he was reinstalled as Minister in Tokyo. <mask> was in Tokyo at the start of the Russo-Japanese War, which he had made every effort to prevent. When United States President Theodore Roosevelt attempted to mediate the hostilities, <mask> was chosen as new Russian ambassador to the United States in May 1905 and as Sergei Witte's deputy within the Russian peace delegation. <mask> traveled to New Hampshire for negotiations in a cessation of hostilities and a peace treaty. The resulting Treaty of Portsmouth was a diplomatic triumph, which ended the war on very favorable terms for Russia.Later career
<mask> stayed in the United States until autumn 1911, when he was recalled to St. Petersburg to retire from the diplomatic service. He was subsequently appointed by Tsar Nicholas II to the State Council of Imperial Russia. He held this membership in the Russian parliamentary Upper House under the Constitution of 1905 until the overthrow of the monarchy by the February Revolution in 1917. After the Bolshevik takeover in November 1917 October Revolution and the subsequent persecution of the old political and social elites, <mask> and his family managed to escape from Russia with the help of Western diplomatic friends in the end of the year 1918. He spent his last years in poverty, working as a translator and

masks: Rosen Rosen Rosen Rosen Rosen Rosen


texts:
 business consultant. He got hit by a taxi while walking down the street on the night of December 14, 1921, in Manhattan, New York City. This accident resulted in the fracture of his shin bone, and despite the fact that he was initially "cheerful[ly] unconcern[ed]" about this accident, Baron <mask> died due to lobar pneumonia resulting from this accident on December 31, 1921, a little more than two weeks after this accident occurred.<mask> wrote a series of articles about European diplomacy and politics for The Saturday Evening Post covering the period from his first exile in Sweden to his life in the United States. The series was published in 41 parts from 1919–1921 and was posthumously issued as a 2-volume-book "Forty Years of a Diplomat's Life" in 1922. Awards
 Order of St. Stanislaus,  1st degree, (1894)
 Order of St. Anne, 1st degree (1898)
 Order of St Vladimir, 2nd degree (1900)
 Order of the White Eagle, (1897)
, Order of St. Alexander Nevsky, (1911)

Notes

References
 Davis, Richard Harding, and Alfred Thayer Mahan. (1905). The Russo-Japanese war; a photographic and descriptive review of the great conflict in the Far East, gathered from the reports, records, cable despatches, photographs, etc., etc., of Collier's war correspondents  New York: P. F. Collier & Son. OCLC: 21581015

 Korostovetz, J.J. (1920). Pre-War Diplomacy The Russo-Japanese Problem.London: British Periodicals Limited. External links
 The Museum Meiji Mura
online A bibliography of <mask>'s articles in The Saturday Evening Post

1849 births
1921 deaths
People from Tallinn
People from the Governorate of Estonia
Baltic-German people
Russian people of Georgian descent
Members of the State Council (Russian Empire)
Ambassadors of the Russian Empire to the United States
University of Tartu alumni
Imperial School of Jurisprudence alumni
Russian people of the Russo-Japanese War
Emigrants from the Russian Empire to the United States
Pedestrian road incident deaths
Ambassadors of the Russian Empire

masks:
Rosen
Legacy Rosen
Rosen


texts:
<mask> better known as <mask> (born May 21, 1989) is a Brazilian mixed martial artist who competes in the Lightweight division of the Ultimate Fighting Championship. A professional MMA competitor since 2010, <mask> made a name for himself fighting all over his home country of Brazil, and is the former interim Jungle Fight Featherweight Champion. Background
Coming from a well-off family, Carneiro started training judo at the age of eight. He attended university in order to become a lawyer, but dropped out after two years to pursue a career in mixed martial arts. Mixed martial arts career
After an undefeated professional record in eight fights, <mask> faced Ismael Bonfim for the interim Jungle Fight Featherweight Championship. He won the fight via submission in the first round. Ultimate Fighting Championship
On December 12, 2014 it was announced that <mask> signed with the UFC, and was scheduled to replace Rony Jason against Tom Niinimäki on 10 days notice at UFC Fight Night: Machida vs. Dollaway.He won the fight via submission in the second round. <mask> later was scheduled to fight Mirsad Bektic on May 30, 2015 at UFC Fight Night: Condit vs. Alves, but he pulled off the bout due to an injury and was replaced by Lucas Martins. On March 14, 2016 it was announced that <mask> would face Zubaira Tukhugov at UFC 198. for his second UFC appearance. He was the underdog to the fight but won via split decision. <mask> was expected to face Mike De La Torre on September 24, 2016 at UFC Fight Night 95, but was forced to pull out with injury and was replaced on short notice by Godofredo Pepey. For his third fight, <mask> faced Jeremy Stephens on April 15, 2017 at UFC on Fox 24 He won the fight by split decision. Moicano faced Brian Ortega on July 29, 2017 at UFC 214.He lost the fight via submission in the third round. This fight earned Fight of the Night bonus. After the fight with Ortega, <mask> moved from

masks:
Renato Alves Carneiro
Renato Moicano
Moicano
Moicano
Moicano
Moicano
Moicano
Moicano
Moicano
Moicano


texts:
 Brazil to United States in order to train at the American Top Team. <mask> faced Calvin Kattar on April 7, 2018 at UFC 223. He won the fight by unanimous decision. <mask> faced Cub Swanson on August 4, 2018 at UFC 227. He won the fight via a rear-naked choke.This win earned him the Performance of the Night award. <mask> was scheduled to face Mirsad Bektic on December 8, 2018 at UFC 231; however, it was reported on 15 November 2018 that Bektic was forced to pull out of the bout due to an undisclosed injury and the bout was cancelled. <mask> faced José Aldo on February 2, 2019 in the co-main event at UFC Fight Night 144. He lost the fight via TKO in the second round. <mask> faced Chan Sung Jung on June 22, 2019 at UFC on ESPN+ 12. He lost the fight via TKO in the first round. <mask> faced Damir Hadžović in a lightweight bout on March 14, 2020 at UFC Fight Night 170.He won the fight via a submission in round one. <mask> was scheduled to face Magomed Mustafaev on October 18, 2020 at UFC Fight Night 180. However, <mask> pulled out of the fight in mid-September for undisclosed reasons. Two weeks later, it was reported that <mask> is scheduled to face Rafael Fiziev on November 28, 2020 at UFC on ESPN: Blaydes vs. Lewis. In turn, <mask> pulled out on November 28 after testing positive for COVID-19 and the bout was rescheduled for UFC 256. He lost the fight via TKO in the first round. <mask> faced Jai Herbert on June 26, 2021 at UFC Fight Night 190.He won the fight via a rear-naked choke in round two. <mask> faced Alexander Hernandez on Feb 12, 2022 at UFC 271. He won the bout via rear-naked choke in the second round. After Rafael Fiziev was forced to pull out of a fight with Rafael dos Anjos scheduled for UFC 272, <mask> said he would be willing to replace Fiziev. He was sought out, and the fight was officially booked for UFC 272 on Mar 5, 2022. Personal life
<mask> and his wife have a son (born

masks: Moicano Moicano Moicano Moicano Moicano Moicano Moicano Moicano Moicano Moicano Moicano Moicano Moicano Moicano


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Captain <mask> or <mask> (1530–1603) of Jordanhill (an estate in the West End of Glasgow, part of which is now a college and hospital near Victoria Park) was a trusted confidant of Henry Stuart, Lord Darnley, husband of Mary, Queen of Scots and a retainer of the Matthew Stewart, 4th Earl of Lennox (Darnley's father). He famously planned the assault and led a small force of 150 men in 1571 that scaled the cliffs and embattlements to expel the castle garrison loyal to Catholic Queen Mary from Dumbarton Castle. Six years later, he became Provost of Glasgow, establishing a bursary for a student at the university and saving the cathedral from destruction. Family
<mask> married first, Marion, daughter of Sir John Colquhoun of Luss, widow of Robert, Master of Boyd. They had a daughter:
 Marion, m. Sir Robert Fairlie of Fairlie

He married second, Janet, eldest daughter of Robert Ker of Kersland (the elder). They had issue:
 Daniel, who assumed the name of his mother's family to becom Ker of Kersland. Hew
 Susanna

Early career
<mask> was born about 1530, a son of <mask> of Kilbirnie Place near Kilbirnie in what is now North Ayrshire.As youngest of six sons, his career options were open, and he became a professional soldier. In 1547, he was at the Battle of Pinkie Cleugh, but had the misfortune of being taken prisoner, and was detained till ransomed. In 1550, he went to France and entered the service of King Henry II as one of the Gens d’Armes, under the command of the Earl of Arran. <mask> acquired the land and title of Jordanhill from Bartholemew Montgomerie (the chaplain of Drumry) following his return to Scotland from France with Mary, Queen of Scots in either 1560 or 1562. To secure this position, <mask>

masks:
Thomas Crawford
Thomas Craufurd
Thomas
Thomas Crawford
Lawrence Crawford
Thomas Crawford
Crawford


texts:
 became a retainer of the 4th Earl of Lennox, grandfather of the future James VI. Ultimately, he became the Earl's deputy, second only to the Earl's Chamberlain, John Cunningham of Drumquhassle. He notability increased in 1569 following the murder of Queen Mary's husband, Lord Darnley, by suspected agents of the Queen.William Maitland of Lethington (and Sir James Balfour) were publicly accused of Darnley's murder by <mask>; Balfour escaped, but Lethington was imprisoned and was released by William Kirkcaldy of Grange, commander in Edinburgh Castle, which subsequently became the fortress of Mary's cause during the Lang Siege in the ensuing civil war. Assault on Dumbarton Castle

<mask> planned the assault and led a force of 150 men in the early hours of 2 April 1571 that scaled the cliffs and embattlements to expel the castle garrison loyal to Catholic Queen Mary from Dumbarton Castle. In this task he was assisted by John Cunningham of Drumquhassle, Matthew Douglas of Mains (both also retainers of the Earl of Lennox) and a traitor from the castle garrison called Robertson. He was once warden of the castle, knew the topography of the rock well and in particular, knew how it could be scaled. It seems that while in the service of the Governor, his wife was accused of theft and publicly flogged. This episode appears to have provoked Robertson to leave Queen's supporters in the castle and offer his services to the King's supporters, initially to Robert Douglas, who introduced him to Drumquassle. A truce between supporters of the King and supporters of the Queen expired on 1 April 1571.That evening, <mask> set out from Glasgow with Robertson and a company of men. He had sent a small advance group of horsemen

masks: Crawford Crawford Crawford


texts: ahead of him to stop all wayfarers (who might betray the mission), and he made his way to an agreed meeting place within a mile of the castle, (Dumbuck) where he was joined by Drumquhassle and Captain Hume. Here he equipped the soldiers with ropes and scaling ladders. The night was foggy and the escalade relied upon stealth, because the number of ladders that could be employed was limited. On the first attempt, the ladders slipped while the soldiers were on them; if the watch of the garrison had been more aware of the danger, the noise could have given warning of the attack and the castle might have been successfully defended. However, no alarm was raised. On the second attempt, the ladders were fixed more securely, and, their 'craws' or steel hooks being lodged firmly into the crevices of the rock.The leaders of the party then took hold of a small intermediate ledge where an ash tree was growing. They attached their ropes to the tree and pulled up the remainder of their company. However, they were still only halfway to the base of the curtain wall. They positioned their ladders again and began scaling the next stage. At this point, one of the soldiers climbing a ladder was seized with a fit. In his convulsion, he gripped the ladder so firmly and in such a way that no others could pass by him or remove him. <mask>'s solution to this problem was to tie the unfortunate soldier to the ladder and turn it round (with the man suspended beneath it), so the passage was clear again.All-but-one of the party thus reached the bottom of the garrison wall, a precarious and narrow ledge. <mask>'s ensign and two other soldiers scaled the wall and then came under attack by three guards until they were joined by the rest

masks: Crawford Crawford


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 of the party. The wall (which was in poor repair) collapsed, opening a breach through which <mask>'s men were able to rush in, shouting, "A Darnley, a Darnley!" (<mask>'s watchword). The wall was breached on the north east side of the castle where it is highest and therefore presumed to be the least well guarded. The eastern peak of the rock (The Beak) was quickly gained, and the cannon there was captured and turned on the garrison, who attempted very little resistance, preferring to escape rather than fight back. The castle governor (Fleming) managed to escape through the postern gate which opened onto the River Clyde and reached Argyllshire.Key supporters of Queen Mary found within the castle included de Verac, the French ambassador, who was allowed to go free, but was subsequently caught aiding the Queen's supporters in Edinburgh Castle. John Hamilton, Archbishop of St Andrews was also found in the castle wearing items of armour (a mail shirt and helmet). The wife of the governor (Lady Fleming) was also detained, but was permitted to go free with her possessions. Hamilton was hanged within a matter of days at Stirling Castle. As important as the arrest of key people was the capture of documents, including some implicating Queen Mary with <mask>, 4th Duke of Norfolk and the Ridolfi plot. An Act of Parliament was passed on 28 August 1571 in favour of "Johnne Cuningham of Drumquhassel, Matho Dowglas of Manys, Captain <mask> of Jordanhill, and others takeris of the Castell of Dumbartane," discharging them of any criminal or civil liabilities incurred in the recapture of the castle. Subsequent life

Two years later, he advised on operations to end the siege of Edinburgh Castle.This eliminated the final

masks:
Crawford
Crawford
Thomas Howard
Thomas Crawford


texts:
 barrier to a reunification of Scotland under Queen Mary's son, Protestant King James, in 1573. His lineage became known as <mask> of Jordanhill, his estate in the present-day suburbs of Glasgow, of which he was made provost in 1577. He was also the first person to provide a bursary out of his own wealth at Glasgow University, (16 bolls of oatmeal from the mill at Partick) - an amount large enough to completely support one student. It was while <mask> held the office of Provost that Glasgow Cathedral was threatened with destruction (as part of the religious unrest during the Reformation). According to one story, it was <mask> who saved the medieval building. He is reported to have said to those who were eager for its demolition, and pressing him to give permission for their action:-
     "I am for pu'ing doon the auld kirk, but no till we ha'e first built a new ane"
     (I am in favour of pulling down the old church, but not until we have first built a new one). <mask> retired to his childhood home of Kilbirnie Place, where he died on 3 January 1603 and is entombed with his wife Janet Ker of Kerlsand at Kilbirnie Auld Kirk.The family sold the estate in 1750. External links
  <mask>'s tomb and effigy at Kilbirnie Auld Kirk. Video and commentary on <mask> and Janet Craufurd's tomb in Kilbirnie. Clan Crawford Association
 The Crawfords of Donegal, Robert Crawford MA. Published by Ponsonby and Weldrick, 1897

References

1530 births
1603 deaths
16th-century Scottish people
Scottish soldiers
People from Jordanhill
16th-century soldiers
Lord Provosts of Glasgow
People associated with the University of Glasgow
People of the Scottish Marian Civil War
Scottish philanthropists
Scottish expatriates in

masks:
Crawford
Crawford
Crawford
Crawford
Thomas Crawford
Thomas


texts:
<mask> (March 22, 1895 – May 5, 1968) was an American pediatric surgeon and one of the earliest physicians to focus on the surgical treatment of heart problems in children. <mask> set up one of the country's first pediatric surgery programs at Children's Memorial Hospital (later renamed Lurie Children's Hospital) in Chicago. A graduate of the University of Chicago and Rush Medical College, <mask> was known for introducing a surgery to address the heart defects that resulted in blue baby syndrome; the procedure became known as the Potts shunt. In addition, <mask> performed the first successful repair of a cardiovascular abnormality known as a pulmonary artery sling. He also invented several surgical instruments, with a particular emphasis on devices used in surgery on major blood vessels. <mask> remained a surgeon at Children's Memorial Hospital and a faculty member at the Northwestern University Medical School well into the 1960s. He retired to Sarasota, Florida, where he died of a heart attack at the age of 73.Early life
Born in 1895 in Sheboygan, Wisconsin, <mask> moved with his family to a farm in nearby Cedar Grove when he was four years old. After his father died, <mask> and an older brother ran the farm. Once he earned enough money, he enrolled in a private school in Cedar Grove and then studied at Hope College in Michigan. <mask>, who had learned Dutch from his grandparents, studied Latin, Greek and German at Hope. During his senior year there, he joined the U.S. Chemical Warfare Service and fought overseas in World War I. After the war, <mask> resumed his studies in Chicago in 1919. He graduated from the University of Chicago with a Bachelor of Science.(Upon his graduation, Hope College awarded him a Bachelor of Arts.) <mask> applied to medical school at the University of Chicago, which at that time involved two years at the University of Chicago and two years at Rush Medical College. He

masks:
Willis John Potts
Potts
Potts
Potts
Potts
Potts
Potts
Potts
Potts
Potts


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 was one chemistry credit short of the requirements for admission to medical school, but chemistry department head <mask> allowed him to complete the credit if he could submit the required work in the 18 days that were left the university's academic term. Medical career

Beginnings
Having completed the chemistry course, <mask> was able to enroll in medical school. He held a job at a restaurant so that he could afford school. After graduating from medical school, he undertook general surgery training at Presbyterian Hospital in Chicago and at Rush Medical College. In 1925, <mask> opened a general practice as a physician and surgeon in Oak Park, Illinois.He did not make much money at first, but by 1930 he had sufficient funds to go to Frankfurt for further surgical training. After spending 1930 and 1931 in Frankfurt, <mask> returned to Chicago and practiced general surgery there for several years. In 1942, he went to the Pacific to serve in World War II, setting up the 25th Evacuation Hospital. When he was discharged three years later as a colonel. Return to Chicago
Returning to Chicago after World War II, <mask> decided to focus on problems in pediatric surgery. He worked briefly as Chief of Surgery at West Suburban Hospital. In late 1946, he was appointed Surgeon-in-Chief at Children's Memorial Hospital (CMH).His position came with a faculty appointment at the Northwestern University Medical School. At the time of <mask>' appointment at CMH, only a few childhood illnesses could be addressed surgically; appendicitis and pyloric stenosis were two of the most common pediatric surgical problems. <mask> recruited experts in several surgical specialties and asked them to commit themselves to developing surgical solutions for pediatric problems. As he was setting up the pediatric surgery program, <mask> went to Boston Children's Hospital for three months to observe the workings of that pediatric surgery

masks:
Julius Stieglitz
Potts
Potts
Potts
Potts
Potts
Potts
Potts


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 program. The Potts shunt
Potts spent considerable time thinking about the surgical correction of heart defects. Working with CMH pediatric cardiologist Stanley Gibson and with pathologist <mask>, <mask> helped create a collection of more than 200 anatomic specimens of various heart defects. The collection was later used extensively by cardiovascular pathologist Maurice Lev.<mask>, Gibson, and research fellow Sidney Smith became interested in treating blue baby syndrome, the group of heart defects that result in insufficient blood flow to the lungs. They became intrigued by the idea of somehow connecting the aorta (the body's largest artery, which sends blood to all of the body's tissues) to the nearby pulmonary artery (which sends blood to the lungs). In 1946, <mask> and Smith devised an operation for blue baby syndrome. The surgery involved making a tiny incision in the aorta and a tiny incision in the pulmonary artery and then sewing the two openings together. They performed the procedure successfully on 30 dogs before Gibson sent them a 19-month-old patient named Diane Schnell. Schnell was turning blue and fainting frequently. The team felt that she would not live much longer without surgery, so they decided to make her the first patient to receive a Potts shunt.She did well after the surgery and was known to be alive and well in the late 1960s. Potts, Smith and Gibson published an article in JAMA: The Journal of the American Medical Association in November 1946 in which they described saving three children's lives. They wrote that the new Potts shunt was safer than the standard treatment at the time, the Blalock-Taussig shunt, which sometimes resulted in paralysis or death. Other contributions, awards and recognition
In 1953, <mask> was the first surgeon to successfully repair a pulmonary artery sling, an abnormality in which the lung blood vessels wrap around and compress the patient's

masks:
Joseph Boggs
Potts
Potts
Potts
Potts


texts: windpipe. The patient who underwent this first repair was a five-month-old girl. She was still alive at nearly 25 years of age; like many of the patients who underwent <mask>' version of this repair, she had decreased blood flow to the left lung, but she was doing well. <mask> and his team also advanced the treatment of a heart defect known as transposition of the great arteries.<mask>' work with heart surgery included the invention of at least three surgical devices. His neighbor, Bruno Richter, worked for a medical instrument manufacturer and assisted him with these innovations. The Potts-Smith aortic exclusion clamp closed off only a portion of the aorta so that the Potts shunt could be completed while maintaining blood flow to the spinal cord. He also developed the Potts vascular clamp, which allowed vessels to be clamped without being crushed; this moved vascular surgery forward significantly. A third device, the pulmonary valvulotome, helped surgeons to minimize bleeding when they entered the right ventricle to repair a child's pulmonary valve. Non-cardiac surgical problems in children also interested <mask>. Imperforate anus was one of his special clinical interests.<mask> made technical improvements to the surgery that was used for infant girls who had imperforate anus with a low rectovaginal fistula. In 1959, he attempted the separation of a set of conjoined twins who shared a heart. Both twins were weakening, but <mask> hoped to save the stronger of the two; the child died within four hours of the procedure. He consulted on another case of conjoined twins the next year, but he declined to operate because he felt that the surgery had no chance of success. In 1955, <mask> wrote an editorial in JAMA in which he criticized the overall quality of pediatric surgical care in the United States. <mask> pointed out that despite the proliferation of U.S. children's hospitals, only eight hospitals

masks: Potts Potts Potts Potts Potts Potts Potts Potts


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 had pediatric surgery programs run by full-time pediatric surgeons. He noted that there were only 33 members of the surgical section of the American Academy of Pediatrics and that 12 of those members had practices that were not fully focused on children.While he acknowledged that increasing levels of specialization created new challenges in medical education, he said that parents would soon demand the same quality of care for their children as they did for themselves. <mask> served as the president of several medical organizations, including the Institute of Medicine of Chicago, the Chicago Surgical Society and the Chicago Heart Association. He won several awards, including an American Medical Association Gold Medal and the William E. Ladd Medal from the American Academy of Pediatrics. In 1964, Hope College awarded an honorary Doctor of Science to <mask>. Personal life
A Unitarian, <mask> was deeply religious. Colleague Thomas Baffes wrote that <mask> was "comfortable enough in his relationship with his God and secure enough in his technical excellence and genius not to feel threatened by the ambitious young people he attracted about him." A 1965 newspaper article called him "probably the world's only hymn-singing surgeon", noting that he might sing "Nobody Knows the Trouble I've Seen" during a difficult surgery versus "Jesus Loves Me" during an easy case.<mask> married Henrietta Neeken in 1922, and they had three children. In 1948, <mask>' son, a married 21-year-old father of two, disappeared from the University of Rochester for about two months before he was located in Texas. Later life
<mask> wrote two books, The Surgeon and the Child (1959) and Your Wonderful Baby (1966). In 1960, he gave up his administrative duties at CMH to devote his time to patient care, but he said that he looked to his younger colleagues to complete the difficult surgeries. Open heart surgery had become common by this

masks: Potts Potts Potts Potts Potts Potts Potts


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 time, and <mask> said that it should be performed "by young men whose fingers are nimble, whose minds are agile, and whose coronaries are pliable." In June 1965, a retirement celebration was held for <mask> at the Sheraton Blackstone Hotel; some of <mask>' former "blue babies" were among the 300 people who honored Potts that night. When <mask> retired, he moved to Sarasota, Florida.<mask>' congenital heart surgery research center was renamed in his honor. In a 1966 interview with the Associated Press, <mask> warned about the risks of antibiotic misuse in treating colds and similar illnesses. He died of a heart attack in 1968; influenza had also contributed to his death. He was predeceased by two brothers and a sister, and he was survived by a sister, his wife, three children and 14 grandchildren. Legacy
<mask> made early and important advances in pediatric surgery, though the surgical shunt bearing his name has been mostly replaced by other surgical techniques. Over time, surgeons found it difficult to judge the appropriate size for a <mask> shunt; they were often made either too small (resulting in insufficient blood flow to the lungs and continued hypoxia) or too large (resulting in too much blood flow to the lungs and congestive heart failure). Some babies with a <mask> shunt experienced aneurysm formation in the left pulmonary artery and others had severe bleeding when surgeons attempted to "take down" the shunt.Since the early 21st century, the Potts shunt has occasionally been brought back into use as a palliative treatment for children with pulmonary arterial hypertension. References

1895 births
1968 deaths
American pediatric surgeons
American cardiac surgeons
People from Sheboygan, Wisconsin
University of Chicago alumni
Hope College alumni
Rush Medical College alumni
Northwestern University faculty
People from Cedar Grove, Wisconsin
20th-century surgeons
United States Army personnel of

masks: Potts Potts Potts Potts Potts Potts Potts Potts Potts


texts: <mask> (30 August 1850 – 4 February 1921) was a prolific Swiss painter and illustrator from Moudon, Switzerland. Born of prosperous parents who taught him to appreciate art and the countryside, he first trained as an architect but quickly realised his vocation was painting. He studied art in Geneva and Paris then settled in Versailles. In the course of his life he travelled widely and lived at various times in Florence, Montpellier, Seppey (Moudon) and Neuchâtel. His later years were spent in Paris where he died a celebrated and well respected artist both in Switzerland and France. He was primarily a realist painter of nature. Most of his works were of rural scenes, often with animals, the depiction of which he was a master.He increasingly painted human figures and by the end of his career could be called a portraitist whose skill revealing character was profound. A deeply religious man, his Protestant beliefs led him to include more religious works that he put his stamp of realism on, and he became best known in Europe for his illustrations of "The Parables", that was published in French, German and English versions over four decades. His works are now widely distributed in museums and private collections throughout the world and in his own dedicated museum in Moudon. His final project was a series of 104 pastel portraits of allied WW1 participants of all nationalities that was incomplete when he died; a unique body of work that was subsequently published as a book in 1922 and recently republished in 2010. <mask> was a good living family man who kept detailed

masks:
Eugène Burnand
Eugene Burnand


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 records of his life and work that facilitate a thorough understanding of his methods and motives. He, his wife Julia and family of eight children, including two sets of twins, moved with him as his work took him around France and Switzerland. His traditional style ensured a conventional appreciation that he and his family enjoyed, but brought some criticism and conflict with contemporaries who were embracing modern art.Burnand was greatly influenced by artists such as Jean-François Millet and Gustave Courbet. This is reflected in perhaps his best known work, The Disciples Peter and John Running to the Sepulchre on the Morning of the Resurrection 1898, which hangs in the Musée d'Orsay in Paris. Biography

Early life
He was born on 30 August 1850 in Chateau Billens, the property of his grandfather <mask>, in Moudon, Vaud, Switzerland, a French speaking region north of Lausanne. His parents, (Colonel) <mask> and Henriette (née Foltz) were part of the Protestant bourgeois establishment of the town. His father was a forestry inspector who travelled considerably, invented the Prélaz-Burnand rifle in 1859 and had "the gifts and temperament of an artist, and drew and painted all his life as an amateur". <mask> was the youngest of three surviving children. His older brothers had already left home when he was born and were working in France.The family soon moved to Chateau Carouge in the Moudon Ville Haute. Both his parents were well educated and cultured and he had a mature relationship with them. He travelled often with his father throughout the Canton of Vaud in the

masks:
Charles Burnand
Ėdouard Burnand
Eugène


texts:
 course of his work and this instilled in him a love of, and familiarity with the region. Up to the age of ten his formal education was in Moudon. The family moved to Florence in late 1860 where his father was charged with introducing the Prélaz-Burnand rifle to the Tuscan army. Seven months later they returned to Switzerland and set up residence in Schaffhouse, but meantime <mask> had done well at school in Florence and its artistic heritage had made a lasting impression on him. His secondary education continued in Schaffhouse in German and in 1867 he somewhat reluctantly took his father's advice to study architecture at Zurich so he might have a reliable means of earning a living.His artistic talents shone however, and he changed over to study painting, and after four years in Zurich he gained his architecture diploma and went to Geneva to study for a short time under the celebrated Barthélemy Menn whose style he greatly admired. Artistic career 1872 to 1895
In 1872 he entered the Fine Arts School in Paris under Jean-Léon Gérôme and he later became a pupil. He spent time with his brother Ernest in Provence in 1873 and loved this region in which he painted many scenes over the years. One of his first works from that time 'Donkeys in the Midi' is shown here. In 1877 he spent time in Florence and Rome but returned to France the following year when he married and settled in Versailles, acquiring new skills from the workshop of his wife's family, who were the well known painters and engravers Girardet. He produced many successful paintings of animals in Provence,


texts:
 particularly in the Camargue region. 'Troupeau de boeufs au bord de la mer" was another typical study at this time.In 1879 he produced one of his impressive large works, 'La Pompe à Feu' measuring 200 x 310 cm, an action picture with men and horses. The beautiful and sunny 'Gleaners' followed in 1880. He became publicly noticed in 1884 with the publication of 'Mireille', an epic poem by Frédéric Mistral illustrated by <mask>. The same year he produced 'Bull in the Alps', another large striking picture which further demonstrated his skill painting animals. He moved to Paris in 1885 and stayed four years, during which time he, with other Swiss artists organised the Swiss fine arts section for the Paris International Exhibition of 1889, a task that caused some difficult relationships with other artists later on. Moving from Paris to Montpellier he completed 'La Descente des troupaux' 200 x 120 cm OOC in 1890. He moved back to Switzerland to be near his sick father in 1892 and completed several canvases of Swiss scenes including Lake Geneva.Following the death of his father and soon after his mother in 1894 he remained in the family home at Seppey near Moudon and produced 'The Peasant farmer' and his only major historical painting 'La Fuite de Charles le Téméraire (après la bataille de Morat)', 'The flight of Charles the Bold after the battle of Morat'. By this time he had produced over one hundred catalogued works. Artistic career 1886 to 1921
His move in late 1895 to a new rural residence at Fontfroide-le-Haut, a few miles from Montpellier, seemed to provide him


texts: with the environment and inspiration for a concentration on religious themes for his pictures, notably, 'Retour de l'enfant Prodigue (Return of the prodigal son) 1896-7', 'L'Invitation au festin (Invitation to the feast) 1899, and the picture by which he is now best known, 'Les Disciples Pierre et Jean courant au sépulchre le matin de la Résurrection', 'The Disciples Peter and John running to the sepulchre on the morning of the Resurrection' 1898, which is in the Musée d'Orsay, Paris. At the start of the 20th century he was at the height of his fame and he and other artists contributed to the ceiling of the now famous "Train Bleu" buffet in the Gare de Lyon, Paris, that at the time was major part of the new building work to mark the Paris International Exhibition of 1900. <mask> painted "Le Mont-Blanc vu de Clergère". Another large major picture with a religious theme was started in this period, "La Prière sacerdotale", done during a temporary move to Florence for the winter of 1900-1. He changed the head of Christ several times and the final version was done in 1918.As with most of his paintings of this type, he used models from his large circle of friends and neighbours, many of whom were local tradesmen. The individuals in this painting are carefully described in <mask>'s biography of his father. The image shown here is the final version. Before he moved back to Switzerland in 1903 so his family could re-establish their Swiss roots, many other religious works were completed such as "Jésus à Béthanie (Jesus at Bethany)", "L'Invitation au festin (Invitation

masks:
Burnand
René Burnand


texts: to the Feast)" and "L'Homme de douleur (Man of sorrow)". The location in which he chose to live back in his native Switzerland was the village of Hauterive, close to Neuchatêl, in a large old house with a terrace with old trees, a setting that provided all the backdrops he needed for his "Les Paraboles" project, that took him most of the four years he spent there. It became a book of thirty-two parables illustrated by 76 paintings, drawings and sketches. It was first published in 1908 in French, later in German, and an English edition in 1948.This book and the pictures from it made him well known, and were very widely used by religious organisations in Europe and throughout the world and can still be found today. The pictures are characterised by uniquely individual people showing the emotion and gravitas of the stories, which he achieved by once again using models from the people in his locality and often his wife Julia for the females required. He believed that religious messages in art should depict everyday people showing their humanity. A web facsimile of his "Parables" in English is available. He also completed the large canvas, "La Voie Douloureuse (Via Dolorosa)" while at Hauterive. He moved back to Paris with his family in 1907 and it remained his main base until his death. The war years 1914-18 were spent back at Seppey, and there were many trips in the furtherance of painting projects to locations such as Monpellier, Marseille and Assisi where worked on the pictures for the book "The Little Flowers of Saint Francis".He painted "Le samedi saint (Holy


texts: Saturday)" 1907-8, and prepared the cartoons for one of his most important works, the stained glass windows of the "Sermon on the Mount" 1910 in the Reformed church at Herzogenbuchsee, near Berne. His series "Types vaudois" at this time, portraits of regional characters of Vaud, probably set the style for his later military types. His last large canvas "Labour dans le Jorat" was done at Seppey in 1915 but was destroyed in a fire at Lausanne in early 1916. He had repainted the canvas within a year. <mask>'s last enterprise was possibly his greatest and most ambitious, but is little known today. In 1917, with the experience of his limited series of "Types Vaudois" behind him, he set out to make a series of pencil and pastel portraits of "types" that were engaged with the military in the war that had started in 1914. <mask> was fascinated by the wide range of people from varied races from all over the world who had been drawn into the conflict on the side of the Allies.He was more interested in the lowly than the leaders and travelled about France to find his subjects in ports and barracks. He got to know them first, often to meet his family and give hospitality. That way he got to know their true feelings and attitudes, which he depicted with great skill. He had completed 40 by 1918 at the end of the war, but the military remained active for a long time afterwards, and he completed 104 in all. Eighty were exhibited at the Luxembourg Museum, Paris, in 1919 to great public acclaim, and 100 were exhibited a year later as a prelude to their publication as a book in

masks:
Eugène Burnand
Burnand


texts:
 1922. Most (101) of the originals were purchased by American philanthropist William Nelson Cromwell for the French Nation and they are now held by the French Legion of Honour where 72 of the 101 are displayed at their museum in Paris. One hundred and two have recently been published again in a book to mark the Great War centenary and the battle of Verdun.They can also be viewed online. By 1900 <mask> was one of western Europe's foremost artists and his subsequent focus on religious themes, particularly 'The Parables', elevated him to popularity among the general public. His work has been considered too 'photographic' by critics to gain the same merit by academics and consequently he has not remained well known even in Switzerland and France. He was never very well known in the English speaking world but has recently been reviewed well, and is being re-evaluated as an artist who was able to represent the soul of his country through cool, honest, and deeply insightful draughtsmanship. His picture of the "Disciples running to the Sepulchre" is finding a new appreciative audience and the centenary of the First World War has generated interest in its art, to which <mask> made a large contribution and is getting new attention. People interested in Burnand may find a new publication of help as it is the first book about him in English focusing on the war portraits but also covering other works. 18 X 35 cm
 1909 - " Tête de femme " in a medal on the left of the 1000 Swiss franc banknote issued in 1911.1884 - " Mireille " Paris Hachette; 25 etchings outside the text,

masks: Burnand Burnand


texts:
 engravings of <mask>and and 55 drawing in the text re-edited in 1891
 1888 - " François le Champi " de George Sand, Illustrations by  E. Burnand Edt Calmann Lévy et Cie 1888
 1890 - illustration of; " L'Orphelin " by Urbain Olivier
 1896 - illustration of a report of the " Bohémiens aux Saintes-Maries de la Mer " by Marie-Anne de Bovet for the revue : L'Illustration  16 May
 1908 - " Les Paraboles " <mask>, Berger-Levrault, Paris 1908, volume in 175 pages, 61 drawing, 11 plates, foreword by <mask> de Vogüé, Member of the Académie française. 1909 - " Le Samedi Saint "
 1919 - " The Little Flowers of Saint Francis  " Translation by Thomas Okey with 30 drawings by <mask>. JM Dent & Sons Ltd, London 1919
 1920 - " Les petites fleurs  " Saint Francis of Assisi, Berger-Levrault 271 pages with illustrations by <mask>. Camargue " " OOC 40 x 80 cm
 1879 - "  La Pompe à feu  " OOC 200 x 310 cm
 1880 - "  Les Glaneuses  " OOC 200 cm x 150 cm
 1880 - " " La Dent du Midi " " OOC 40 x 30 cm
 1881 - " " Le Braconnier " " OOC 31 x 23 cm
 1881 - "  Bäuerin beim Füttern der Schweine  " OOC 29 x 28 cm
 1882 - "  La Ferme Suisse "  OOC 201.5 x 286 cm
 1883 - "  Pâturage d'Anzeindaz  " OOC 50 x 73 cm
 1884 - "  Taureau dans les Alpes  " OOC, 201 x 271 cm
 1886 - "  Le Faucheur  " OOC;S; Dim: H:149.5 cm X L:120 cm (Museum Eugène Burnand, Moudon)
 1887 - "  L'Abreuvoir  " OOC;   (San Francisco Museum, USA)
 1890 - "  La Descente des Troupeaux (Provence) "OOC 124 x 200 cm. Bâle, Öffentliche Kunstsammlung
 1890 - "  Dans les Hauts pâturages  " OOC;     For the Nestlé Company
 1892 -

masks:
Eugène Burn
Eugène Burnand
Eugène Melchior
Eugène Burnand
Eugène Burnand


texts:
 "  Panorama des Alpes Suisses  " Dim; H: 17 meters x 11.5 meters, with Auguste Baud-Bovy Toured but accidentally destroyed
 1893 - "  Un Mousse  " OOC;    (San Francisco Museum, USA)
 1893 - "  Méditation " OOC;   (San Francisco Museum, USA )
 1893 - "  Le Lac Léman (Premier Printemps) " OOC 111 x 201 cm (Glion, Hôtel Victoria Collection)
 1894 - "  La fuite de Charles le Téméraire  " OOC. 226–232
 1898 - " Quelques réflexions sur la beauté " Extrait de l'Annuaire des Universités chrétiennes de la Suisse romande Lausanne Imp Viret-Genton 1898
 1898 - " Lettre sur le Pont Eloi  " Gazette de Lausanne 27/12/1897 et 10/02/1898
 1903 - préface du livre de Fatio Guillaume: " Ouvrons les yeux, voyage esthétique à travers la Switzerland " Édt Atar 1903 illustration de J.J. Redmond, A Pellegrini, C. Robina
 1903 -1904 - " Notes sur l'Art religieux italien " Lausanne Association Chrétienne suisse d'étudiant P.1-30
 1904 - "  L'Art religieux italien " Conférence prononcée par Eugène Burnand à Montpellier, Lausanne et Paris en 1902 et 1903
 1914 - "  Le Sermon sur la Montagne  " Illustration of E. Burnand for Sermon on the Mount from the pictures for the church at Herzogenbuchsee (Switzerland) stained glass windows. Berger-Levrault 1914,XLVIII,57p
 1922 - " Les Alliés dans la Guerre des Nations " 100 portraits of military types in pencil and pastel, photogravure reproductions, 10 monochrome, 90 colour in the De Luxe version.Commentaries by Robert Bernand. Preface by Marchal Foch. Crété, Paris. 2010 - "  Portraits de la Grande Guerre. Sermon on the Mount)

Exhibitions,


texts:
 galleries
 1874 - First participation in the national Swiss Fine Arts Society exhibition
 1875 - First hanging in the Salon Paris
 1883 - Exhibition at Zurich
 1886 - Exhibition in New-York
 1889 - Paris Universal Exhibition
 1890 - Exhibition Genève, Lausanne, Neuchâtel, Montpellier, Toulouse
 1896 - Geneva
 1897 - Dowdeswell Gallery, London
 1897 - Royal Academy London
 1897 - Autumn exhibition of Walker Art Gallery  Liverpool
 1897 - Carnegie Art Galleries, Pittsburg
 1900 - Universal Exhibition, Paris. Painters of mountains
 1901 - London
 1903 - Swiss Nationals exhibition, Fine Arts Museum, Lausanne
 1911 - Exhibition of stained glass cartoons at the International Exhibition of Art Chrétien organised by the Société de Saint-Jean
 1913 - Kinsthalle, Basel
 1914 - Berne
 1916 - La Grenette, Lausanne (Le Labour dans le Jorat ) Destroyed by fire in this location
 1985 - La peinture religieuse suisse au XIXe siècle  Lucerne Kunstmuseum
 2005 - Lausanne; Exhibition dedicated to the painter <mask>. Museums
 Cantonal Museum of Fine Art, Lausanne, Switzerland
 Eugène Burnand Museum, Moudon, Vaud, Switzerland
 San Francisco Fine Art Museum USA ( Au couvent - Lessiveuse)
 Institute of Arts Minneapolis USA (Buried Treasure)
 Metropolitan Museum of Art USA (Le village de la Celle-sous-Moret)
 Luxembourg Museum, Paris
 Legion of Honour Museum, Paris ( 101  pastels of military 'types' on the Allied side).Donated 1924, 72 are on display
 Musée d'Orsay Paris (" Les Disciples running to the tomb on the morning of the resurrection ")
 Musée du Louvre Graphic art


texts:
 department ( Les Chevaux)
 Berne Museum, Switzerland
 Basel Museum, Switzerland
 Vevey Museum, Switzerland
 Geneva Museum, Switzerland
 National Museum of Fine Arts in Santiago, Chile
 Adelaide Museum, Australia
 Philadelphia Museum, USA
 Fine Art Museum of La Chaux-de-Fonds ( Le Samedi-Saint ) Acquired by the museum as a consequence of a public subscription
 Grenoble Museum, France (La Gardeuse de moutons)
 Museum of Compiègne, Oise, France, (  Portrait d'Alphonse Daudet )
 Museo Provincial de Bellas Artes Rosa Galisteo de Rodríguez, Santa Fe, Argentina. Bibliography

 <mask> : " Liber Veritatis  " Journal of the artist. Archived in the University of Lausanne
 De Flandrezy, Bouzanquet: "  Le Taureau Camargue  " Edt du Cadran 1925
 Michel de Rivaz: " Le billet de banque Suisse, 1907-1997  " Collection: la Mémoire de l'œil
 <mask>: " <mask>and, l'homme, l'artiste et son œuvre " 1926 biography by his son René; Berger et Levrault 1926
 <mask>:  "  <mask>and au pays de Mireille " SPES, 1941
 Junod Louis: " Moudon " Edt du Griffon, Neuchâtel 1956
 Philippe Kaenel: " <mask> (1850-1921) Peintre naturaliste " Edt 5 Continents , 255p. 2004
 Philippe Kaenel: " <mask>and la peinture d'après nature " Cabédita Coll: Archives vivantes 297p 2006
 Collectif: " Le Train Bleu Edt; Édition Presse Lois Unis Service Paris 1990, Imp par U.F.I France,
 Etienne Burnand: " Une vie, un peintre  " 1994
 Fontanaaz Monique: " La ville de Moudon et ses musées  " 2002
 Marc Grelet: " Eugène Burnand, sa vie, son œuvre " Edt SPES paru(sd)
 Henri Niggeler: " Eugène Burnand illustrateur

masks:
Eugène Burnand
René Burnand
Eugène Burn
René Burnand
Eugène Burn
Eugène Burnand
Eugène Burn


texts:
 " Bibliothèque cantonale et universitaire, Palais de Rumine, Lausanne, 1991
 Henri Niggeler: " L'illustration de Mireille par Eugène Burnand " , in Arlésienne: le mythe? Museon Arlaten, Arles, 1999
 Henri Niggeler, Philippe Kaenel: " Eugène Burnand. Une vie en faces. " Bibliothèque cantonale & universitaire, Lausanne, 2001
 Shirley Darlington: "Eugene Burnand.In Search of the Swiss Artist (1850-1921)" Uniform 2016,

External links
Musée Eugène-Burnand, Moudon. English

English language site about <mask>, many examples of his work, and all the WW1 pastels
Peter and John running to the tomb. Bible Gallery English

References

1850 births
1921 deaths
19th-century Swiss painters
19th-century male artists
Swiss male painters
20th-century Swiss painters
20th-century male artists
Currency


texts:
<mask><mask> is an Indian-American engineer, researcher and educator known for contributions to transportation systems analysis, transportation infrastructure economics and management, transportation safety, and the use of emerging technologies in transportation. He has served as Edgar B. and Hedwig M. Olson Distinguished Professor of Civil Engineering at Purdue University. since 1998. <mask>
<mask> received his bachelor's degree from Jadavpur University in India in 1961, and his master's and doctoral degrees from the University of Connecticut in 1966 and 1968, respectively. He was a faculty member at Marquette University for six years before joining the School of Civil Engineering at Purdue in 1974. <mask> served as Head of the Transportation and Infrastructure Systems Area in the School of Civil Engineering at Purdue from 1981 to 2001 and Director of the Joint Transportation Research Program of Purdue University and the Indiana Department of Transportation from 1995 to 2010. He was a visiting professor of Civil Engineering at the Massachusetts Institute of Technology in fall 1980 and at the Indian Institute of Technology-Roorkee, India, in spring 1981.He was also Lockheed Martin Guest Professor of Engineering and Computer Science at the University of Central Florida during 2015–2016 and Hagler Fellow and Eminent- Scholar-in-Residence at Texas A&M University during 2016–2017. He has been an Honorary or a Guest Professor at five universities in China. <mask> conducts research in the areas of highway infrastructure planning, engineering and management. One of his chief contributions is the development of an integrated approach

masks:
Kumares C
. Sinha
Career
Sinha
Sinha
Sinha


texts: to highway-asset-management based on facility condition modeling, treatment effectiveness and life-cycle costing. <mask>'s studies on system performance, costing, and network optimization have informed pavement, bridge and safety management systems developed by the American Association of State Highway and Transportation Officials (AASHTO) and the U.S. Army Corps of Engineers. He has also served as a consultant for the World Bank and the United Nations Environmental Program, conducting transportation systems analysis and planning in countries such as Bangladesh, China, Georgia, India, Iran, Nepal, Palestine and Yemen, among others. He was one of the early advocates for the use of advanced technologies in transportation.He and his colleagues at Purdue were early researchers conducting experiments for shared mobility service. <mask>'s most recent work examines the impacts of  autonomous transportation and connected vehicles. He is the co-author (with Samuel Labi) of Transportation Decision Making: Principles of Project Development and Programming (Wiley & Sons, 2007). <mask> is the Editor-in-Chief Emeritus of the Journal of Transportation Engineering (ASCE), and he serves on the editorial boards of Transportation and Statistics (Bureau of Transportation Statistics, US DOT), the Journal of Transportation in Developing Economies (Springer), the Journal of Transportation (Institute of Transportation Engineers), and the Archives of Transport Quarterly (Polish Academy of Sciences). He has served as President of the Transportation & Development Institute of the American Society of Civil Engineers (ASCE), President of the Research and

masks: Sinha Sinha Sinha


texts:
 Education Division of the American Road and Transportation Builders Association (ARTBA), and President of the Council of University Transportation Centers (CUTC). He also served as a member of the Executive Committee of the Transportation Research Board (2011–2017), Strategic Highway Research Program Oversight Committee (2009–2015), Blue Ribbon Panel of Experts, US National Surface Transportation Policy and Revenue Study Commission (2006–2007), and Federal Advisory Council on Transportation  Statistics (2001–2005). Honors and awards
<mask> was elected member of the National Academy of Engineering in 2008 “for contributions to the advancement of highway infrastructure engineering and management and to the education of transportation professionals worldwide.” He was recognized as a Distinguished University Alumnus of Jadavpur University, India in 2017,  an Honorary Member of the American Society of Civil Engineers in 2005 and a member of the University of Connecticut School of Engineering's Academy of Distinguished Engineers (2004).<mask> has received many awards including the inaugural Lifetime Achievement Award presented at the 8th International Conference on Maintenance and Rehabilitation of Pavements (2016), the ASCE James Laurie Prize (2011), the Transportation Research Board's Roy W. Crum Award (2009), the Council of University Transportation Centers Lifetime Achievement Award for University Transportation Education and Research (2004), the Wilbur S. Smith Distinguished Transportation Educator Award (2002) given jointly by the Institute of Transportation Engineers and several other professional organizations, the ASCE

masks: Sinha Sinha


texts:
 Francis C. Turner Lecture Award (2001), the American Road and Transportation Builders Association Steinberg Award (1999), the ASCE Harland Bartholomew Award (1996), the Distinguished Engineering Alumni Award of the University of Connecticut (1995), the ASCE Arthur Wellington Prize (1992), the ASCE Frank M. Masters Transportation Engineering Award (1986), and the Fred Burggraf Award of the Transportation Research Board (1972). <mask> was also recognized as a National Associate of the National Academies in 2005 for his involvement in numerous committees and panels of the National Research Council. Publications
Fwa, T.F. and <mask>, K.C. (1986), A Unified Approach for Allocation of Highway Pavement Costs , Transportation Research –A, Vol. 20A, No.3, 211–221. Doherty, M.J., Sparrow, F.T.and <mask>, K.C. (1987), Public (Shared) Use of Autos: Mobility Enterprise Projec t, ASCE Journal of Transportation Engineering, Vol. 113, No.1, 84-100. Feighan, K.J., Shahin, M.Y., Sinha, K.C. and White, T.D. (1989), Application of Dynamic Programming and Other Mathematical Techniques to Pavement Management Systems, Transportation Research Record 1200, 90–98. Sharaf, E.A., Shahin, M.Y.and <mask> (1989), Analysis of the Effect of Deferring Pavement Maintenance, Transportation Research Record 1205, 29–35. Saito, M., <mask>, K.C. and Anderson, V. (1991), Statistical Models for the Estimation of Bridge Replacement Models, Transportation Research-A, Vol. 25A, No.6, 339–350. Karlaftis, M.G., Latoski, S., Richards, N. and <mask>, K.C. (1999), ITS Impacts on Safety and Traffic Management: An Investigation of Secondary Crash Causes, ITS Journal, Vol.5,

masks: Sinha Sinha Sinha Sinha Sinha Sinha


texts:
 39–52. <mask>, K.C., Sustainability and Urban Public Transportation (2003), ASCE Journal of Transportation Engineering, Vol.129, No. 4, 331–341. Li, Z. and <mask>, K.C. (2004), Methodology for Multi-Criteria Decision-Making in Highway Asset Management, Transportation Research Record 1885, 79–87. Bai, Q., Labi, S., <mask>, K.C. (2012). Tradeoff Analysis for Multiobjective Optimization in Transportation Asset Management by Generating Pareto Frontiers Using Extreme Points Non-dominated Sorting Genetic Algorithm II, ASCE Journal of Transportation Engineering, Vol.138, No.6, 798-806

Everett, S., Xiong, Y., Sinha, K.C. and  Fricker (2013). Ex Post Facto Evaluation of Indiana’s Highway Investment Program, Transportation Research Record 2345, 24–30. Kumar, I., Tyner, W.E. and <mask>, K.C. (2016). Input–output Life Cycle Environmental Assessment of Greenhouse Gas Emissions from Utility Scale Wind Energy in the United States, Energy Policy.89: 294-301

<mask>, K.C., Labi, S. Agbelie, B., (2017). Transportation Infrastructure Asset Management in the New Millennium: Continuing Issues, and Emerging Challenges and Opportunities, Transportmetrica Part A: Transport Science 13(7), 591–606

References

External links
Purdue University Profile

Year of birth missing (living people)
Living people
Members of the United States National Academy of Engineering
20th-century Indian engineers
21st-century Indian engineers
Indian civil engineers
American civil engineers
20th-century American engineers
21st-century American engineers
University of Connecticut alumni
Marquette University faculty
Purdue University faculty
Indian emigrants to the United

masks: Sinha Sinha Sinha Sinha Sinha


texts:
<mask> (May 28, 1943 – June 9, 1984) (Tewa name: Tsa-sah-wee-eh, which means "Little Standing Spruce") was a Native American painter. She started making and selling paintings, participated in University of Arizona's Southwest Indian Art Project and was featured in Seventeen magazine, all before she was 18 years of age. Creating art was a means of spiritual expression that developed from her Roman Catholic upbringing and Native American heritage. She created contemporary works of art with geometric patterns based upon Native American symbols and motifs, like corn, katsinas, and chiefs. In 1976 she was featured in the PBS American Indian artists series. Early life and education
<mask> was born on May 28, 1943 in Albuquerque, New Mexico, the daughter of Pablita Velarde, Santa Clara Pueblo artist, and <mask>, a European-American former police officer and Chief of Public Safety. Hardin's first language was Tewa.She was named Tsa-Sah-Wee-Eh at a naming ceremony at the Santa Clara Pueblo about a month after she was born. Hardin was raised by her artistic mother and her family at the Santa Clara Pueblo and she went to school and lived among the Anglo world for much of her life. She saw herself as "Anglo socially and Indian in [her] art." At six years of age Hardin won first prize for a drawing. Her works were sold when she was nine with her mother's at Gallup ceremonial events. Although she was influenced by her mother's techniques and works, Hardin wanted to create her own style. Her relationship with her mother became increasingly difficult as Hardin became more artistic and as a consequence of her parents' divorce in 1957 or 1959.She studied drafting at Albuquerque's St. Pius X High School, a parochial Catholic school. In the summer of 1960 Hardin attended the University of

masks:
Helen Hardin
Helen Hardin
Herbert Hardin


texts:
 Arizona's Southwest Indian Art Project, funded by the Rockefeller Foundation. Also while in high school she was featured in Seventeen magazine. In 1961 and 1962 she attended the University of New Mexico, where she studied architecture and art, although her mother wanted her to study business. Her mother also said she didn't like her paintings. Hardin considered her own work to be non-traditional, yet she was influenced by native pictographs, petroglyphs and pottery designs and the works of her teacher Joe Herrera, who was a Cubist from the Cochiti Pueblo. Hardin's relationship with her high school boyfriend, Pat Terrazas, continued after graduation and they had a daughter, Margarete Bagshaw, in 1964.Hardin had to sneak opportunities to paint because both her boyfriend and her mother disapproved She went to Bogotá, Colombia in 1968 as a respite from the abusive relationship with Terrazas and an unhealthy relationship with her mother. She said of that time, "I awoke to the fact that I was twenty-four years old, I was locked into an unhappy [relationship], and I was not painting. I didn't know who I was or what I was. In search of personal freedom, I took Margarete... and left the country." Art

She was a studio artist, who from the 1960s to mid 1970s lectured and exhibited paintings at Albuquerque's Enchanted Mesa Gallery. Hardin's early artistic works were characterized as traditionally realistic and she signed them with her Tewa name, Tsa-Sah-Wee-Eh. She was influenced by her spirituality and the protective, supportive "angels" in her life.Up to 26 layers of paint - including ink washes, acrylics, airbrush and varnish - were applied to create her works; Hardin painted tiny dots called stipples; spattered paint with a toothbrush, like Anasazi pottery; and applied transparent


texts: washes. In 1964 Hardin made the painting Medicine Talk for her first major solo exhibition at Enchanted Mesa. While with her father in 1968 in Bogotá, Colombia, she began painting in earnest and had a successful show at the American Embassy, where she sold 27 paintings. Since her reputation in the United States was tied with her mother's success, she had not been sure the degree to which she had success based upon her own merit. In Colombia her success was based on her talent alone. When she returned to United States, her art became more geometric and abstract, and she used deep colored paints. Hardin was said to have brought a "new look" to Native American art by New Mexico Magazine.The publicity was a turning point in her career, its publicity led to greater success and recognition. In 1971 she had a show in Guatemala City. As her career matured and she gained confidence, Hardin became known for painting complex works that combined colorful images and symbols from her Native American heritage with modern abstract art techniques. Her work frequently incorporated images of women, chiefs, kachinas and designs from pueblo pottery, and integrated modern elements as her career advanced. For instance, the paintings of kachinas and blanketed chiefs integrated geometric patterns made with drafting templates, rulers and protractors. Kachinas, or heavenly messengers, had special spiritual meaning, similar to the saints from her Catholic tradition, connecting between people on earth and heaven. She was filmed in 1976 for a series on American Indian artists for Public Broadcasting System (PBS).Other filmed artists included R. C. Gorman, Charles Loloma, Allan Houser, Joseph Lonewolf, and Fritz Scholder. Bountiful Mother made in 1980 represents two aspects of motherhood from the Pueblo


texts:
 and Hopi culture: Corn Mother and Mother Earth. The cultivation and consumption of corn was so central to the pueblo culture that it was "... a living entity with a body similar to man's in many respects ...the people built its flesh into their own." In the work, the woman's fertility is symbolized by the kernels of blue corn of her body. In 1981 she made the self-portrait Metamorphosis: "The features were contained within a perfect circle, a Jungian archetype of psychic wholeness and the symbol for Hardin of life itself, but everything else about the painting was fragmented, jagged and asymmetrical," said Jay Scott, her biographer, of the "tormented pieces of her life." From 1980 through 1984, she completed 23 copper plate etchings, including a series that included Changing Woman, Medicine Woman, and Listening Woman. Creative Woman was intended to be part of the series but the she died before it was created.These etchings portrayed the "intellectual, emotional, and sensitive" aspects of womanhood. Hardin was commissioned to create children's book illustrations for Clarke Industries and design coins for Franklin Mint's History of the American Indian series. Hardin's work was part of Stretching the Canvas: Eight Decades of Native Painting (2019–21), a survey at the National Museum of the American Indian George Gustav Heye Center. Personal life
In 1973 Hardin married Cradoc Bagshaw, a professional photographer. Her relationship with her mother improved in the 1980s, and Velarde began to be supportive of her work. Hardin was diagnosed with breast cancer in 1981 and died in New Mexico in 1984. Awards
She received honors for her work at the Heard Museum, Scottsdale National Indian Arts Exhibition, Philbrook Art Center, the Inter-Tribal Ceremonial at Gallup, New Mexico, and the


texts:
 Santa Fe Indian Market.At these shows she won "Best of Show", first prize and grand awards. Collections
Her works are in the collections of:

 Heard Museum, Phoenix, Arizona
 Indian Arts & Crafts Board, U.S. Department of the Interior, Washington, D.C.
 Loyola Law School, Los Angeles, CA
 Millicent Rogers Museum, El Prado, New Mexico
 Museum of New Mexico, Santa Fe
 Southwest Museum, Los Angeles, CA
 University of Oklahoma Museum of Art, Norman
 Wheelwright Museum of the American Indian, Santa Fe, New Mexico. Works
A select number of her works include:

 Bountiful Mother, 1980, 45.7 × 40.64 cm, etching and intaglio
 Changing Woman
 Listening Woman
 Looking at Myself I Am Many Parts
 Medicine Talk, 1964, approximately 71.12 × 35.56 cm, casein
 Medicine Woman, 1981, approx. 61 × 45.7 cm, four-color copper plate etching. Notes

Further reading
 LouAnn Faris Culley. "<mask>in: A Retrospective." American Indian Art 4, Summer 1979, 68-75.Jane B. Katz, editor. This Song Remembers: Self-Portraits of Native Americans in the Arts. Boston: Houghton Mifflin, 1980. Betty LaDuke. Women Artists: Multi-Cultural Visions. Trenton, NJ: Red Sea Press, Inc., 1992. Kate Nelson.<mask>: A Straight Line Curved. Santa Fe, Little Standing Spruce Publishing, 2012. 978-0-9857636-1-9. Jay Scott, Changing Woman: The Life and Art of <mask>'', Northland Publishing, 1989,  (hardcover),  (softcover)

External links
 A transcendent journey through the motherline:a voyage with <mask>, southwest artist, by Kate Donohue, 2001
 The Collector's Guide: <mask>in

Santa Clara Pueblo people
Native American painters
Painters from New Mexico
1943 births
1984 deaths
American women painters
Pueblo artists
20th-century American women artists
Native American women artists
20th-century Native Americans
20th-century Native

masks:
Helen Hard
Helen Hardin
Helen Hardin
Helen Hardin
Helen Hard


texts:
<mask> (), also spelled Syncellus (c. 760 – 4 January 846), was a Greek Orthodox Arab Christian priest, monk and saint. He held the administrative office of synkellos of the patriarchate of Jerusalem (c. 811–815) and the patriarchate of Constantinople (843–846). He was involved in disputes over the filioque clause and over Byzantine iconoclasm, which landed him in prison for the period 815–843. He nevertheless wrote extensively, producing grammar, theology, hagiographies, hymns and poetry. He wrote in Greek and made at least one translation from Arabic. Life
<mask> was born in Jerusalem in or about 761. He was of Arab origin.He was the only son of his parents and had several older sisters. His mother dedicated him at the age of three to the Church of the Holy Sepulchre, where he was given the rank of anagnostes (reader). Around 786, when he was twenty-five, his father died, his mother and sisters entered a convent and he entered the lavra of Mar Saba as a monk. In 797 or 798, he was ordained a priest by the patriarch of Jerusalem. After two years in Jerusalem, he returned to Mar Saba. In 800, he accepted the brothers Theodore and Theophanes as his monastic disciples. The period following the death of Hārūn al-Rashīd (809) until the accession of al-Maʾmūn (813) was one of unrest that greatly affected the churches of Palestine.Between 808 and 812, probably about 811, <mask> was named synkellos of the patriarch of Jerusalem. With his two disciples, he moved into the monastery of the Spudaioi near the Holy Sepulchre. Between about 811 and 813, he visited Edessa, where he wrote his treatise on

masks:
Michael Synkellos
Michael
Michael


texts: syntax. In 812 or 813, Patriarch Thomas I of Jerusalem sent <mask> on a mission to Constantinople and Rome, accompanied by his disciples Theodore, Theophanes and Job. The purpose of <mask>'s mission was to bring letters from Thomas to Pope Leo III referring to him the controversy over the filioque that had erupted in Jerusalem in 809 and to request financial assistance in the West for the churches in Palestine following the imposition of fines by the Islamic authorities. <mask> and his disciples arrived in Constantinople during the reign of <mask> I, that is, before July 813. For reasons unknown, they remained in Constantinople for some time and never got to Rome.They stayed at the Chora monastery and became involved in disputes over the re-introduction of iconoclasm by the Emperor Leo V in 815. The four were arrested, beaten, imprisoned in Phiale and offered money to recant their iconodulism. While Theodore and Theophanes were sent away, <mask> and Job remained in Phiale. Following the accession of <mask> in 820, the two were exiled to the monastery of Prousias (or Prousa) near Mount Olympus. In 834, the Emperor Theophilos had them placed in solitary confinement in the Praitorion in Constantinople. In 836, <mask> was moved to a new cell, where he was attended by the nun Euphrosyne. In 843, <mask> was released by the Emperor <mask>, who repudiated iconoclasm.He was elected patriarch of Constantinople, but refused the honour. He was instead appointed synkellos of the patriarchate and hegoumenos (abbot) of the Chora. He set about restoring the monastery with patriarchal and imperial

masks:
Michael
Michael
Michael
Michael
Michael
Michael II
Michael
Michael
Michael III


texts:
 assistance, dying there on 4 January 846. He was immediately regarded as a saint and an anonymous contemporary wrote a hagiography of him. Nikephoros Gregoras later also wrote a biography. Writings
The identification of the writings of <mask> is complicated by the existence of three or four 9th-century writers named <mask> who were identified by their office of synkellos. <mask> is sometimes, but not always, identified as "of Jerusalem" or "of Constantinople".There was even another <mask> who was synkellos of Constantinople. Those extant works which are surely attributed to him include:

Methodos peri tēs tou logou syntaxeos, the earliest surviving medieval treatise on Greek syntax, written between 811 and 813. It contains eight chapters on the parts of speech. It became very popular in the 13th century and exists in around 100 manuscripts. An encomium on Dionysius the Areopagite, written during his confinement in Prousias (820–834). A translation into Greek of an Arabic profession of the Chalcedonian faith by the Sabaite monk Theodore Abu Qurrah addressed to the Armenians around 813. Libellos peri tes orthodoxou pisteos, a short book on orthodoxy.An anacreontic poem on the restoration of icons. Four canons (hymns). Extant works the attribution of which to him is disputed include:

A letter addressed to Theodore and Theophanes. It is incorporated into his anonymous biography, but its authenticity is disputed. It was written in 836 after the two were brought back to Constantinople from their exile for questioning and tattooing. An account of the 42 martyrs of Amorion. According to a

masks:
Michael Synkellos
Michael
Michael Synkellos
Michael