texts:
 his media appearances. He used to have his own television show, and still appears regularly on talk shows. He also has a weekly column in HUMO. Bold, straightforward statements and comments have become his trademark throughout the years and don't fail to attract attention, what cost him several lawsuits, the most memorable of which was when Ann Demeulemeester, a Belgian fashion designer, filed a complaint with the courts about a derogatory remark about her in Uitgeverij Guggenheimer. This led to a temporary recall of the book in Belgium.He played an autistic Hells Angel painting surrealist slogans on caravans in the movie Camping Cosmos (1996). In the 1980s he wrote some scripts for comics by Erik Meynen. In early 2007 a film adaptation of Brusselman's novel Ex Drummer was released, directed by Koen Mortier. Partial bibliography
1982 Het zinneloze zeilen (stories) "Senseless Sailing"
1984 Prachtige ogen (novel) "Beautiful Eyes"
1985 De man die werk vond (novel) "The man who found a job"
1986 Heden ben ik nuchter (novel) "Today I am sober"
1987 Zijn er kanalen in Aalst? (novel) "Are There Canals in Aalst?" 1988 De Geschiedenis van de Vlaamse Letterkunde. (children's poetry) "Girls Have Bigger Breasts Than Boys"
1997 Zul je mij altijd graag zien?(autobiography) "Will you love me forever?" 1997 Logica voor idioten (semi-autobiographical novel) "Logics for idiots"
1998 Bloemen op mijn graf (collection of stories, columns, poetry,


type: original

texts:
<mask> (21 January 1808 – 25 May 1878) was a French Romantic painter. Enchanted by the play of light and reflections which transformed the appearance of matter, <mask> began a new aesthetic that made him one of the precursors of impressionism. He was a passionate colourist and researched all the nuances of colour. He studied techniques from ancient Greece and the Renaissance, including Titian, Veronese and Correggio. Impressed by Rubens' research into colour, he considered him the Shakespeare of painting and was greatly inspired by him. Very early in his career <mask> studied tonal divisions, well before the physician Chevreul discovered their scientific basis. His tactile taste led him to look for the most perfect expression of matter and particularly of skin.He put poetry into his painting by the play of shadow and he passionately admired nature, life and all the beauties they produced. He researched the subject of life in the countryside and, liking to paint reality, said he wanted to express "the heat of the day, the melancholy of the evening, meadows, flowers as they are in nature". His study of the elements caused him to paint a series of skies which varied according to the light and time of day – the subjects were ahead of their time and <mask> had to fight hard against the Salon juries and the Institut. Using pure colours, he excluded the blacks and whites which had been used for shadows and light before him. His material science of colour was the opposition which gave birth to contrasts from juxtaposed pigments. He did not portray faces by contours, but by shadows and modelling. Life

Early career
<mask> was born  in Paris.He came from an artistic family – his father Henri-<mask> was also a painter, whilst his paternal grandfather Jean Henri <mask> was a

masks:
Louis Antoine Léon Riesener
Riesener
Riesener
Riesener
Riesener
François Riesener
Riesener


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 noted German-born cabinet-maker. <mask> had his first artistic training from his father while still a child and, on leaving collège, his father gained him a position in Antoine-Jean Gros's studio. Passionate about beauty and researching new techniques in colour, <mask> struggled against the prevailing taste of his time from his youth onwards. Relations with Delacroix
After his father's return from Russia in 1823 <mask> got to know Eugène Delacroix better. Ten years older than <mask>, Delacroix was his first-cousin – they shared a grandmother, Marguerite-Françoise Vandercruse, whose daughter by her first marriage was Delacroix's mother and whose second husband Jean-Henri <mask> was <mask>'s grandfather. Delacroix quickly recognised <mask>'s talent and originality and he supported his early career by recommending him to civil servants he knew. On trips to the countryside they met at Valmont, near Fécamp, the home of their cousin Bataille, owner of the abbaye from 1822 onwards.<mask> devotedly attended Pierret's salon (Pierret was a school friend of Delacroix), where he met Mérimée, Viel-Castel, Sauvageot, Feuillet de Conches, Viollet-le-Duc, Lasus and Guillemardet. Later, <mask> became friends with Fantin-Latour, Ernest Chausson and the Morisots (the Morisot family was very friendly with the <mask> family, with Rosalie <mask>'s friend Berthe Morisot researching <mask>'s opinions, listening to his advice and copying out about 135 pages of his writings). His friends were artists and he preferred a quiet life rather than the high life favoured by Delacroix. From childhood, <mask> and Delacroix were friends and confidants. So different in life and character and so independent, they were preoccupied by the same artistic problems and enjoyed exchanging ideas, both having

masks: Léon Riesener Léon Riesener Riesener Riesener Riesener Riesener Riesener Riesener Riesener Léon Riesener


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 been formed by the 18th century and its neo-classical culture. They discussed their study of the classical world and they were both colourist painters searching for new techniques in tonal division. The difference in their temperaments expressed itself in their ways of looking at nature – Delacroix thought of drama, <mask> thought of sensuality.Delacroix bought <mask>'s painting Angélique as an exemplar for all painters and put it in his studio. On his death in 1863, Delacroix left <mask> his country house at Champrosay. Later career
From 1830 to 1839 <mask> began exhibiting important works, such as The Education of the Virgin. He painted religious subjects and portraits – he was attracted by naturalist subjects, such as a child-shepherd, a child orphan, a peasant returning from Mass, a bohemian, a still life and nudes such as Venus, Flora and Erigone. In 1839 he received his first state commission, from France's Ministry of the Interior, a copy of The Scourging of Christ by Titian. On 8 October 1839 he married the young middle-class Laure Peytouraud and they had three children: Thérèse (1840–1932), Rosalie (1843–1913) and Louise (1860–1944). His absorption in his family and his art allowed him to live outside of political events.<mask>'s output was highly diverse in subject matter, while his favourite media were oils and pastels. From 1839 to 1848 he received important mural commissions – the five ceilings of the library of the Chambre des Pairs (1840–1843) and the decoration of the chapel of the hospital at Charenton (1843–1849). During the same period he received further commissions from the Ministry of the Interior – Jesus amongst the Doctors and various versions of The Birth of the Virgin and Niobe. He continued to exhibit at the Paris Salon, with Leda

masks: Riesener Riesener Riesener Riesener Riesener


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 (1841) and The Magdalene (1849). He painted a series of portraits, several of which featured in the 1850 Salon, including those of Pierret and Théophile Gautier. In Normandy
<mask> had first travelled to Normandy as a child. Later he also painted at the château de Valmont and on the Côte d'Albâtre beside Delacroix.<mask>'s main Normandy period came in 1857, however, that year, feeling a need for solitude and new impressions, he bought a mill at Beuzeval, a town later re-attached to Houlgate. There the spectacle of nature, which had always enchanted him, allowed him to forget the hubbub of Paris and the injustices of the Salon juries. <mask> was deeply involved in research into colour, which was for him "the expression of visible things by the poetic effect that light imposes on them". His stays at Beuzeval produced a series of works on solar effects, seascapes, sunken lanes and open-air landscapes. Several artists came to the mill, forming a circle around <mask>. He explored the rocky coast nearby with his friends Constant Troyon and Huet and talked about art and literature with Jouvet, Delisle and Jules Paton. After two consecutive summers, he left the mill to the Morisot family.Final years
From 1860 he exhibited A Bather, The Muses and Jupiter and Juno at the Salon. In 1871 he received a state commission in Antwerp and left for there. He also travelled around the Netherlands from Antwerp, admiring the works of  Rubens and Rembrandt. He returned to Paris on 1 July 1872 and – fired up by his trip – decided to realise one of his dearest desires, a trip to Italy. He left on 12 May 1875, aged 68, and visited Geneva, Milan, Como, Parma, Rome, Turin and Naples. However, after climbing mount Vesuvius during a storm, he fell ill and had to cut his journey short. He

masks:
Léon Riesener
Riesener
Riesener
Riesener


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 returned to Paris and died there two years later.He is buried in the cimetière du Père-Lachaise. On his death, the Impressionists paid tribute to him as the forerunner of their movement – Auguste Renoir drew a portrait of him "carried off in a whirlwind of nude bacchantes and flowers" (evoking one of the features of <mask>'s art) for the frontispiece of la Vie moderne (17 April 1879). Fantin-Latour surveyed <mask>'s paintings and drawings and organised two exhibitions of them, one of which was at the galerie Georges-Petit. At the sale of <mask>'s studio, Degas bought 75 drawings. As for Duranty, after evoking "this ardent companion of all seekers and of all innovators" and "the precursor of the family that came later", he stated his conviction that "in the history of painting of this era, his name remains inscribed with the beautiful, delicate and strong colours of his palette". Extracts from <mask>'s writings
"What is beautiful is what is allowed – our senses know their laws without them needing to be explained to them. In this regard, they never trick themselves – they perfectly know beauty, and when we are led into the currents of artificial seductions, by fashion and the appetite for their novelties : it is our mind alone which does battle..."
"Studying drawing fixes the way of truth in the mind, in despite of the diversions which throw the prejudices of a jaded and distorted civilisation against it.Studying drawing and the physical laws is the only thing in our time which gives us consistency of ideas, which without this support remain in a cloudy state or seem like soap bubbles." "The artist and the poet are not always right. They are always above or below it, even. People who see things as they are maybe superior, but they are not artists." "The beautiful

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Riesener
Riesener
Riesener
Léon Riesener


texts:
 is not synonymous with beauty – the antique, always beautiful, is often without beauty. Art must always remain young, even savage. Science, civilisation, law kill it.""Beauty, graces, all perfections are placed in nature in such a simple and usual way that most men would not be sensible of them if the artist's imagination did not awaken them to them. The artist tracking these beauties admires them with passion – this passion translates itself into his works - by a poetic exaggeration which is more understandable than nature herself." Main works
Some works he produced as a young man have disappeared. The most important public collection of his works is that at the château de Saint-Germain-de-Livet, owned by the commune of Lisieux after being left to it by his grandson Julien Pillaut. The musée du Louvre and musée national Eugène-Delacroix also own a large number of his drawings and pastels. The Virgin enthroned with the Christ Child on her knees, chapel of the hôpital Esquirol, Charenton

Bibliography
  Geneviève Viallefond, Le peintre <mask> Riesener, sa vie, son œuvre, sa pensée, Éditions Albert Morancé, 1955
  Galerie des Beaux-Arts, Les Trois Riesener, 1954
  Eugène Delacroix, Journal 1822-1863, Librairie Plon, 1996
  Raymond Escholier, Eugène Delacroix, Éditions cercle d'art, Paris, 1963
  Jacques-Sylvain Klein, La Normandie, berceau de l'impressionnisme: 1820-1900, Éditions Ouest-France, 1996
  Musée d'Art et d'Histoire de Lisieux, Delacroix-Riesener, du romantisme à l'impressionnisme, 2005

External links
 Le Projet Riesener - blog on <mask> and his era

1808 births
1878 deaths
19th-century French painters
French male painters
French romantic painters
Burials at Père Lachaise Cemetery
Recipients of the Legion of Honour
Painters from Paris
Pupils of

masks: Léon Riesener


texts:
Gillespie V. "<mask><mask> (August 5, 1920 – May 12, 2006) was an American politician from Mississippi who served in the U.S. House of Representatives from 1967 to 1997. He was also a retired major general of the Mississippi National Guard who served during World War II. Early life
Born in Meridian, Mississippi to Emily Jones and <mask>, <mask> graduated from McCallie School and Mississippi State University in Starkville in 1943. While in college, <mask> joined the Beta Tau chapter of Kappa Alpha Order. Military service
A 1943 Reserve Officers' Training Corps graduate, Gillespie was commissioned as a second lieutenant in the United States Army. He served with the 12th Armored Division in Europe during World War II. He served on active duty again during Korean War, this time as a member of the 31st Infantry Division.<mask> was a member of the Mississippi Army National Guard until 1980, and retired as a major general. For his military service, <mask> received the Legion of Merit, Bronze Star Medal with "V" for Valor device, Army Commendation Medal and Combat Infantryman Badge. Business career
Before running for Congress, he owned his own insurance company, the Montgomery Insurance Agency. In addition, he served as vice president of the Greater Mississippi Life Insurance Company of Meridian, Mississippi. U.S. House of Representatives

Committee assignments
Chairman, Select Committee on Military Involvement in Southeast Asia (Ninety-first Congress)
Chairman, Select Committee on Missing in Action in Southeast Asia (Ninety-fourth Congress)
Chairman, House Veterans' Affairs Committee (Ninety-seventh through One Hundred Third Congresses)

Elections
<mask> represented part of Meridian in the Mississippi State Senate between 1956 and 1966. He was elected to Congress from what was then the 4th District in 1966. Prentiss Walker, the first Republican elected to either house of Congress from Mississippi since Reconstruction, had given

masks:
Sonny
" Montgomery
Gillespie Montgomery
Montgomery
Montgomery
Montgomery
Montgomery
Montgomery


texts:
 up the seat after one term to run for the United States Senate against James O. Eastland.<mask> defeated Lewis McAllister, also of Meridian, who had been the first Republican elected to the Mississippi House of Representatives since Reconstruction. Walker ran again for the seat in 1968 but lost to <mask>, who received 70 percent of the vote. <mask> was re-elected a total of fourteen times from the majority-white district, serving for thirty years until 1997. His district was renumbered as the 3rd District after the 1970 census, when Mississippi lost a district in redistricting. <mask> was one of the more conservative Democrats in the House, and was known for being more "hawkish" than other members of his party. He was very popular in his district, usually winning reelection by some of the highest margins in the country. Although the district's voters were increasingly willing to vote Republican at the national level (it has only supported the official Democratic candidate for president once since 1956), at the local level <mask> usually faced "sacrificial lamb" opponents on the few occasions he faced any Republican opposition at all.<mask> ran unopposed from 1970 to 1974, in 1980, and from 1984 to 1990. In four elections—1972, 1980, 1984 and 1988—<mask> ran unopposed even as the Republican presidential candidate carried the district in a landslide. Observers assumed that <mask> would be succeeded by a Republican after he retired, given the crossover of conservative white voters from the Democratic Party to the GOP in the second half of the 20th century. As it turned out, when <mask> retired in 1996, the district was taken by Republican Chip Pickering in a landslide. The Democrats have only put up a candidate in the district four times since then, and have only won more than 35 percent of the vote once. Tenure

During his time in Congress, <mask> was one of only three Representatives who voted to reject the Judiciary

masks: Montgomery Montgomery Montgomery Montgomery Montgomery Montgomery Montgomery Montgomery Montgomery Montgomery


texts: Committee's report on the Watergate scandal following Nixon's resignation; <mask> joined Earl Landgrebe and Otto Passman as the three opposed compared to 412 in favor. He was the author of the G.I.Bill of Rights that gives members of the service money to pay for college and was a lead sponsor in establishing the Veterans Affairs cabinet-level position. <mask> gave a speech on the House floor in April 1975 in which he spoke against foreign aid to South Vietnam and said, "The South Vietnamese can blame only themselves for their present situation." <mask>'s greatest legislative victory was the enactment of the bill that bears his name: the Montgomery GI Bill . In 1981, he came to the forefront to lead the fight for passage of a new G.I. Bill. As a World War Il veteran, he believed that the country should provide educational benefits to its service members and that the combination of military service and a college degree would make these individuals valuable assets to the country. He also wanted to reverse the Department of Defense's declining recruitment efforts, which had dropped sharply in the 1980s, and improve the overall quality of the volunteers.Nearly half of those recruited during that time lacked high-school diplomas and the basic skills needed in a modern military. Congressman <mask> saw that educational shortfall as a direct threat to America's military readiness and national security. As Veterans' Affairs Committee chairman, <mask> led opposition to the Kerry-Daschle bill (Agent Orange Disabilities Act of 1987, S.1787) that would have required the VA to begin compensating veterans who contracted non-Hodgkin's lymphoma and lung cancer a presumed service-connected disease. <mask> asserted that "further studies were needed to prove a connection between various diseases and Agent Orange before the government should be held liable for disability benefits" despite several such JAMA published studies by the National

masks: Montgomery Montgomery Montgomery Montgomery Montgomery Montgomery


texts:
 Cancer Institute and the VA and one by the New Jersey Agent Orange Commission. Subsequent scientific studies made connections between Agent Orange and Vietnam Veterans illnesses and the increased birth defects of their children. In 1991 <mask> stood behind president George H.W. Bush at the signing of the Agent Orange Act.He had opposed a similar bill the previous year. After years of opposing Vietnam Veterans receiving disability for exposure to Agent Orange, he now appeared as their champion. In the same year he authored the Montgomery Amendment to the National Defense Authorization Act for Fiscal Year 1987, which effectively transferred control of the National Guard away from the states and to the Department of Defense by prohibiting state governors from withholding National Guard forces. On September 13, 1988, <mask> became the first congressman to lead the U.S. House in reciting the Pledge of Allegiance as a permanent part of its daily and morning business operations. The day prior to his death, Congressman Gene Taylor introduced an amendment to a House Defense Appropriations Bill to rename the bill the Sonny Montgomery National Defense Authorization Act for Fiscal Year 2007. Following his death, James F. Webb Funeral Home in Meridian, Mississippi performed the funeral services. President George W. Bush ordered U.S. flags to be flown at half staff.In addition, the U.S. House of Representatives canceled non-suspension votes on the day of his funeral. <mask> was buried in Magnolia Cemetery in Meridian, Mississippi. He was a delegate to Democratic National Convention from Mississippi in 1996. On November 10, 2005, he was awarded the Presidential Medal of Freedom, the highest American civilian honor, by President George W. Bush. <mask> had played paddleball with Bush's father, George H. W. Bush. Memorials

 A statue of <mask> on the campus of Mississippi State University where he was Student Association President for the

masks: Montgomery Montgomery Montgomery Montgomery Montgomery


texts:
 1942–43 school year. A bust of him is located in the campus library and a duplicate bust is located at the Mississippi Armed Forces Museum at Camp Shelby alongside Congressman <mask>'s personal effects from his military service in the Second World War and National Guard.A number of public projects have been named in his honor, including:
 The VA Hospital in Jackson, Mississippi
 The G. V. Montgomery Lock on the Tennessee-Tombigbee Waterway
 The G. V. "<mask>" Montgomery Naval Reserve Center at NAS Meridian in Meridian, Mississippi
 The G. V. Montgomery Airport in Forest, Mississippi
 A Mississippi Air National Guard C-17 Globemaster III was named “The Spirit of G.V. ‘<mask><mask>.<mask> became the third person in the United States to have a military fleet named in his honor. The G.V. "<mask>" Montgomery Center for America's Veterans at Mississippi State University in Starkville, Mississippi. The G.V. "Sonny" Montgomery Advisement and Career Services Center at Mississippi State University's Meridian, Mississippi College Park campus. The G. V. "Sonny" Montgomery Conference and Special Events Room at the U.S. Department of Veterans Affairs Central Office building in Washington, D.C.

References

External links
 Retrieved on 2009-5-13
Bio
The G.V.Sonny Montgomery Foundation
The Montgomery Institute
Associated Press obituary
NY Times obituary
Meridian Star Article

1920 births
2006 deaths
Members of the United States House of Representatives from Mississippi
Mississippi state senators
Presidential Medal of Freedom recipients
United States Army generals
Politicians from Meridian, Mississippi
Mississippi State University alumni
United States Army personnel of World War II
United States Army personnel of the Korean War
National Guard of the United States generals
Recipients of the Order of the Sword (United States)
Mississippi Democrats
Democratic Party members of the United States House of Representatives
20th-century American

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Montgomery
Sonny
Sonny
’ Montgomery
” Montgomery
Sonny


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<mask> AM. is a concert pianist and composer, recording artist and editor. Born in the United Kingdom of Australian parents, she is a citizen of both countries. Thwaites is best-known for her interpretations of the music of Australian composers, particularly Percy Grainger. Biography
She grew up in Melbourne, Australia, attending Tintern Grammar and taking a degree in Music from Melbourne University (B.Mus Hons, 1966), where she won the Ormond Exhibition and was placed first in her final year. Following a period of working internationally as musical director and composer of music for the theatre, she continued orchestration studies in London with William L Reed and piano studies with the Swiss pianist Albert Ferber, a pupil of Walter Gieseking and who often played for Sergei Rachmaninoff. Her debut at London’s Wigmore Hall in 1974 was followed by concerts and broadcasts in the UK and tours worldwide, both as solo recitalist and concerto soloist.In 1993, she appeared in the Australia Day Gala at the Royal Opera House in the presence of the Prince of Wales. <mask> has appeared as soloist with orchestras including the London Philharmonic, Philharmonia, BBC Concert Orchestra and leading orchestras in Australia, Europe and America. Repertoire and recordings
Her concert repertoire encompasses a wide range of classical composers, some represented on her 2008 CD Travelling Between Worlds (LIR). Her Bach recording (2014) for the same label was described in one review as "classic Bach keyboard works enlivened by some exquisite playing...Bach's music becomes here in one of Busoni's adaptations, richly expressive and soul searching, raptly played...an impressive survey of some wonderful good-to-be-alive music" (Sinfoni September 2014). Beginning in 1975, <mask> has made a point of including music by Australian composers such as Malcolm Williamson, Margaret Sutherland, Arthur Benjamin, Peggy Glanville-Hicks, Jennifer Fowler, Alison Bauld, David Worrall, and many more, whether in solo

masks:
Penelope Mary Thwaites
Penelope
Penelope


texts:
 recitals, concertos and chamber works. Her pioneering LP Australian Piano Music (Discourses 1980) was broadcast worldwide as something of a novelty at the time. <mask> found a special affinity with the music of Melbourne-born pianist and composer Percy Grainger.She has now recorded more than 260 tracks of his music: first for Pearl records (most of the four-hand repertoire with John Lavender). Her first solo discs were for Unicorn Kanchana and Regis. Most notably, <mask> is a featured solo, chamber and orchestral artist on eight of Chandos Records' 21-CD Grainger Edition (re-issued in 2021). In 2016 Heritage Records released a box set of the complete Grainger music for two pianos four hands, featuring the three earlier recordings by Thwaites and Lavender together with a fourth CD recorded in 2016 by <mask> with Timothy Young. BBC Music Magazine (February 2017) commented "passion undimmed, along with dexterity, the playing’s flair and precision are unchanged...Listening again only makes the heart grow fonder...I can't think of another composer who so quickly and quirkily enhances life." Other activities
Her lectures and broadcasts on the composer and detailed research into his life and work led to her editing The New Percy Grainger Companion (Boydell & Brewer 2010, paperback edition 2016). She was Artistic Director for two major Grainger Festivals in London (St John's Smith Square in 1998  and a four-day celebration at King's Place in 2011 to commemorate the 50th anniversary of Grainger's death.Her interest in promoting Australian composition led to her founding and chairing the international Performing Australian Music Competition which took place in London in 2001 and 2008, attracting young musicians from 20 countries who chose and performed music of 80 Australian composers. The competition still awaits a long-term sponsor. From 2013 to 2019, she served as Chairman of the Order of Australia Association UK/Europe. Composing work
In the same year that she gave her second

masks: Penelope Penelope Penelope


texts:
 Wigmore Hall recital (1976), her musical (with Alan Thornhill) Ride! Ride! (based on an incident in the life of John Wesley) premiered at the Westminster Theatre in London's West End, following a nationwide tour. The musical has had more than 40 productions since then – both amateur and professional - and a concert version was recorded in 1999 on the SOMM label, starring the legendary actor, Keith Michell.Thwaites's compositions include songs, organ and piano works, chamber music, film and ballet music. She is published by Bardic Edition, whose catalogue is now distributed under the Schott Music imprint. In 2020, SOMM recordings released "From Five Continents", a CD of twenty-four of <mask>'s choral works and songs, with Ex Cathedra under Jeffrey Skidmore and soloists Carolyn Sampson, James Gilchrist and William Dazeley. The CD has been featured on the BBC, ABC, Classic FM, Scala Radio, and on YouTube. Recognition
<mask> received the International Grainger Society's Medallion in 1992 and was appointed a Member of the Order of Australia (AM) in 2001 "for service to music through the performance and promotion of Australian compositions in the United Kingdom and internationally". She is a Steinway Artist and a represented composer with the Australian Music Centre. Personal life
In 1981 she married Edward Jackson CBE (1922-2009), a barrister, cricketer, and coach.She has a son, Matthew and a daughter, Lucy. Further reading

References

External links
"International Percy Grainger Society"
"Chandos Records"
"Melbourne Conservatorium of Music - University of Melbourne"
"Bardic Edition"
"Somm Recordings"
"Interview with Mike Lowe for ‘For a Change’"

1944 births
Australian classical composers
Australian classical pianists
Australian women pianists
Australian women classical composers
Living people
Members of the Order of Australia
Women classical pianists
University of Melbourne alumni
21st-century classical pianists
21st-century women musicians
21st-century Australian

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texts:
<mask> of Poland (; ; 1 September 1288 – 19 October 1335), was a Polish princess member of the House of Piast and by her two marriages Queen consort of Bohemia and Poland and Duchess consort of Austria and Styria. She was the only child of Przemysł II, Duke of Greater Poland (since 1295 King of Poland) and his second wife Richeza, herself a daughter of ex-King Valdemar of Sweden and <mask> of Denmark. Life

Early years
Born in Poznań, Ryksa was the only child born from her parents' marriage. She was named after her mother, who died after her birth, although the exact date is unknown (probably between 1289-1292). During her first years of life, she was raised by her paternal aunt Anna in the Cistercian monastery in Owińska, where she was the abbess. It was probably there that Ryksa received the news of her father's failed kidnapping and murder on 8 February 1296 in Rogoźno. The death of the Polish King completely changed the geopolitical situation in this part of Europe, and also clearly influenced the fate of the now orphaned young princess, who was now placed under the care of her stepmother Margaret of Brandenburg, member of the House of Ascania (who took part in the conspiracy to kill Przemysł II).During the marriage ceremony of Przemysł II and Margaret (bef. 13 April 1293), Ryksa was betrothed to Otto of Brandenburg-Salzwedel (Margaret's brother), so her stepmother was also her future sister-in-law. Although Margaret received parts of Greater Poland as her dower, shortly after her husband's death, and for unknown reasons, she returned to Brandenburg, taking Ryksa with her. Otto's unexpected death on 11 March 1299 ended the betrothal and Ryksa returned to Greater Poland. Engagement and marriage with Wenceslaus II
The death of Otto of Brandenburg complicated again Ryksa's situation, because as

masks:
Elizabeth Richeza
Sofia


texts:
 the only child of the last male member of the Piast Greater Poland line and the first King in almost two centuries, she was the perfect match for every contender to the Polish crown. For this, when King Wenceslaus II of Bohemia (a widower since 1297) received from the lords of Greater Poland the offer of marriage with the princess, he didn't think too much, and even before his own coronation as King of Poland on 25 July 1300 in Gniezno, Ryksa was sent to Prague. Because of her youth, Wenceslaus II decided to delay the wedding until Ryksa was fifteen years old.During this time, she was placed under the care of Gryfina of Halych, widow of Leszek II the Black and aunt of the Bohemian King. The marriage between Ryksa and Wenceslaus II took place on 26 May 1303 in Prague Cathedral. During the ceremony, Ryksa was crowned Queen consort of Bohemia and Poland, and at the request of her husband, she adopted the name Elisabeth, because her name was not used in Bohemia  and seen as strange. The ceremony was performed with the consent of the Archbishops of Mainz and Gniezno and the Bishop of Wrocław, Henryk z Wierzbnej. Two years later, on 15 June 1305, Queen <mask> gave birth to her only child, a daughter named Agnes. Only six days later, on 21 June, King Wenceslaus II died in Prague, probably of tuberculosis. The seventeen-year-old <mask>, now Queen Dowager, received several lands as her dowry and 20,000 pieces of fine silver.Short government of Wenceslaus III and marriage with Rudolph of Habsburg

<mask>'s stepson Wenceslaus III (also a claimant to the throne of Hungary) succeeded to the thrones of both Bohemia and Poland but was murdered on 4 August 1306 in Olomouc, and with him the Přemyslid dynasty became extinct. The Kujavian branch of the Piast dynasty ascended to the Polish throne. With the death of

masks: Elizabeth Elizabeth Elizabeth


texts:
 her stepson, the position of <mask> again changed considerably, because as Queen Dowager, she was involved in the fight for the vacant Bohemian throne. Duke Rudolph III of Austria and Styria, son of King Albert I of Germany, finally could take the crown thanks to his father's help. In order to strengthen his position, he arranged his marriage to <mask>, both widow and stepmother of the last two Premyslid Kings. The marriage took place in Prague on 16 October 1306; however, <mask>'s second time as Queen consort was short-lived: King Rudolph died on 4 July 1307 of dysentery after becoming ill during the siege of the fortress of a nobleman in revolt. In his will, Rudolph acknowledged <mask>'s dowry towns and left her an additional 20,000 pieces of fine silver.Rule over Hradec Králové

After her second husband's death, <mask> left Prague and settled in Hradec Králové, one of her dower towns, which became the center of her domains. However, soon after, she was again involved in the civil war for the Bohemian crown, this time between Henry of Carinthia and Frederick I of Austria, Rudolph's brother. In the fight, <mask> strongly supported her brother-in-law; for this, she was forced to flee from her lands, which were occupied by Henry. It was only in August 1308 when the Dowager Queen was able to return to Hradec Králové, which she transformed into a center of culture and art. Relationship with Henry of Lipá and conflicts with John of Luxembourg

In 1310 John of Luxembourg became the new King of Bohemia, thanks to his marriage to <mask>, daughter of King Wenceslaus II and his first wife. John's rule faced substantial opposition from Bohemian nobles, who decided to support <mask>a. One of the main reasons for <mask>'s opposition was her wounded pride, for now she was degraded in status because of the new

masks:
Elizabeth
Elizabeth
Elizabeth
Elizabeth
Elizabeth
Elizabeth
Elizabeth
Elizabeth Richez
Elizabeth Richeza


texts:
 Queen consort, her own stepdaughter.The second important leader of the anti-Luxembourg faction was the powerful nobleman Jindřich of Lipá (Henry of Lipá), who was the Moravian Hetman and Governor of the Bohemian Kingdom in the absence of the King. Soon a romantic relationship developed between <mask> and Henry of Lipá, which, for political reasons, never led to marriage. (This was not only due to the difference in their status, but also because a marriage with the Dowager Queen would give Henry of Lipá claims to the throne.) In order to weaken the position of the powerful nobility, in 1315, King John deprived Henry of all his offices and imprisoned him. However, the position and popularity of the Dowager Queen was so strong in Bohemia that John, fearing a civil war, released him in April 1316. Alliance with Henry I of Jawor, peace with King John of Bohemia and sale of Hradec Králové

Despite her conciliatory gestures toward King John, <mask>a continued to dictate her own independent policies, as was evidenced in 1317, when she arranged the betrothal of her only daughter, Agnes, to the Piast Silesian Duke Henry I of Jawor, who in order to secure his future mother-in-law's patrimony and with her consent, entered Hradec Králové with his army and began expeditions in support of rebels against King John. However, one year later, and thanks to the mediation of Emperor Louis IV (Henry I's brother-in-law) a peace treaty was signed in Domažlice, which restored Henry of Lipá in King John's favor and regained for him all of his previous offices.In addition, the Dowager Queen sold her dowry towns to King John and settled with her lover in Brno. Afterward, the relations between the Bohemia King John and <mask>a were peaceful, to the point that a certain weakness could be interpreted by King John's actions,

masks:
Elizabeth Richeza
Elizabeth Richez
Elizabeth Richez


texts:
 made evident in his approval of grants to the Cistercian convent in Moravia in response to the request of the Dowager Queen. The formal marriage between Agnes and Henry I of Jawor took place in 1319; after a miscarriage some time later, the couple remained childless. Death of Henry of Lipá, becoming a nun and last years

Henry of Lipá died in Brno on 26 August 1329. After his loss, <mask>a took the veil in the local convent, which she had generously endowed, and turned her attention to culture and religion, building churches and Cistercian convents, and financing the crafting of illuminated hymn books. Four years later, and together with her daughter Agnes, she went on a long pilgrimage to the shrines of the Rhine, returning a few months later. <mask>, Dowager Queen of Poland and Bohemia (known in Bohemian literature as a "beautiful Polish girl"), died on 19 October 1335 in the local Cistercian monastery at Brno and, according to her wishes, was buried under the floor of her cloister church - Basilica of the Assumption of Our Lady, Brno, next to her beloved Henry of Lipá.In her will she made several donations to ecclesiastical institutions in both Bohemia and Poland (especially in Poznań, her birthplace). Ancestors

References

|-

1286 births
1335 deaths
13th-century Polish people
14th-century Polish people
13th-century Polish women
14th-century Polish women
14th-century Bohemian women
14th-century Bohemian people
14th-century Austrian women
14th-century House of Habsburg
14th-century women rulers
Polish queens consort
Polish princesses
Piast dynasty
Bohemian queens consort
Austrian royal consorts
Remarried royal consorts
Czech people of Polish descent
Austrian people of Polish descent
Polish people of Swedish descent
Czech people of Swedish descent
Austrian people of Swedish descent
People from

masks:
Elizabeth Richez
Elizabeth Richeza


texts:
<mask> (豆盧革) (died August 24, 927?) was an official of the Chinese Five Dynasties and Ten Kingdoms state Later Tang (and, briefly, Later Tang's predecessor state Jin), serving as a chancellor during the reigns of Later Tang's first two emperors Li Cunxu and Li Siyuan. As a chancellor commissioned by Li Cunxu, he did not fit in with the officials trusted by Li Siyuan, and was eventually exiled and forced to commit suicide. Background and service under Wang Chuzhi
It is not known where or when <mask>e was born. His family was from a prominent aristocratic line, but all that was recorded in historical accounts about his immediate ancestors were that both his grandfather <mask> () and father <mask> () served as prefectural prefects — although the biography of the Tang chancellor <mask>an indicated that <mask>an was a younger brother of <mask>an's and thus <mask>e was a nephew to <mask>an. In <mask>e's youth, due to the late-Tang Dynasty disturbances, he took refuge, successively, at Fu Prefecture (鄜州, in modern Yan'an, Shaanxi) and Yan Prefecture (延州, also in modern Yan'an), before ending up in Zhongshan (中山, in modern Baoding, Hebei). Wang Chuzhi, who was then the military governor of Yiwu Circuit (義武, headquartered at Zhongshan), treated him with respect and invited him to serve on staff, and it was said that he was good at writing and bookkeeping.Once, when at Wang's request, Doulu wrote an elegant poem about mulberry trees, and thereafter became more respected and promoted to be an assistant to Wang. However, it was said that he did not have upright

masks:
Doulu Ge
Doulu G
Doulu Ji
Doulu Zan
Doulu Zhu
Doulu Z
Doulu Zhu
Doulu G
Doulu Zhu
Doulu G


texts:
 behavior; for example, on one occasion, when he requested meeting Wang alone, Wang thought that Doulu had important suggestions to correct his governance, and came out of the mansion to personally welcome Doulu in. Instead, Doulu only had requests for military commissions for people he favored. Service under Li Cunxu
The historical records do not clearly indicate whether <mask> Ge continued to serve on staff of Wang's adoptive son Wang Du after Wang Du seized the circuit from Wang Chuzhi in 921. However, he was still described as assistant to the military governor of Yiwu as of 923, suggesting that he did. That year, Li Cunxu the Prince of Jin, to whom Wang Du was a vassal, was preparing to declare himself emperor of a new Later Tang, and was trying to find officials from Tang aristocratic families that he could make chancellors. He initially wanted to make an assistant to himself, Lu Zhi (), chancellor, but Lu declined, recommending Doulu and Lu Cheng instead.Li thus summoned <mask> and Lu Cheng to his provisional imperial government and made them chancellors of the provisional government. In summer 923, Li formally declared himself emperor of Later Tang at Xingtang (興唐, in modern Handan, Hebei). He gave both <mask> and Lu Cheng designations as Tong Zhongshu Menxia Pingzhangshi (), making them chancellors, and Doulu was also given the post of Menxia Shilang (門下侍郎, deputy head of the examination bureau of government (門下省, Menxia Sheng). It was said that both he and Lu Cheng were frivolous and lacked talent to serve as chancellors, but Li commissioned them

masks: Doulu Doulu Doulu


texts: on account of their aristocratic backgrounds and (in Lu's case) having long served on his staff. (Lu was removed later that year, leaving Doulu as the sole chancellor at that time.) Subsequently, as Li was about to launch a surprise attack on archrival Later Liang's capital Daliang, he left Doulu, Li Shaohong, Zhang Xian (), and Wang Zhengyan () in charge of defending Xingtang. After the attack was successful (causing Later Liang's emperor Zhu Zhen to commit suicide as the Later Tang forces approached, ending Later Liang), Li, after he entered Daliang and took over the Later Liang governmental structure, summoned Doulu to him to continue to serve as chancellor.It was said, though, that the actual governmental authorities were in the hands of Li's chief of staff Guo Chongtao (who was also given a chancellor designation), leaving <mask> with little to do. Further, it was said that in drafting regulations on governmental structure, Doulu, due to his lack of talent, was making many mistakes, requiring corrections by his subordinate Xiao Xifu (). Later, Guo recommended Zhao Guangyin to also be chancellor, and Doulu recommended Wei Shuo to also be chancellor, so Li made both Zhao and Wei chancellors as well. Doulu himself was also given the post of director of salt and iron monopolies, as well as acting director of material pricing. He resigned the director of material pricing responsibilities in 924, after he was discovered by his deputy Kong Qian, who coveted the post, of an improper expenditure, as Kong then revealed it to Guo, who in turn informed him of the


texts:
 discovery. (Kong's design on the position was, for the time being, fruitless, however, as Guo recommended Zhang for the post instead, although, then, as Kong's urging, Doulu recommended Wang instead.) Meanwhile, both Doulu and Wei developed poor reputations as chancellors, as Wei was said to be frivolous, and the people blamed Doulu for recommending him.Further, both Doulu and Wei commissioned their sons <mask> Sheng () and Wei Tao () respectively, as governmental advisors serving below them, which was considered improper — and after this was exposed, they removed their sons from those posts but each other's sons to serve as imperial scholars in the imperial institutes that they oversaw — Doulu Ge was overseeing Hongwen Pavilion () and Wei was overseeing Jianxian Institute (), respectively, further hurting their reputation, as this was considered an improper exchange of favors. Further, Doulu was said to be not interested in finding talented people to serve in the imperial administration, but spending his time on alchemy, seeking to extend his life. On one occasion, after he took some allegedly life-extending medications, he vomited blood for several days and nearly died before recovering. Trying to ingratiate Guo, he intimated to Guo that Guo might be a descendant of the great Tang general Guo Ziyi, leading Guo to arrogantly assert so from that point on. Service under Li Siyuan
In 926, Li Cunxu was killed in a mutiny at then-capital Luoyang. His adoptive brother Li Siyuan, who had previously rebelled against him, quickly arrived at Luoyang and took


texts: control of the city. <mask> Ge led the imperial officials in offering the throne to him, which Li Siyuan initially declined, but eventually accepted.<mask> and Wei Shuo were initially retained as chancellors, although Li Siyuan also commissioned Zheng Jue and Ren Huan as chancellors, and the leading figure at court was Li Siyuan's chief of staff An Chonghui. <mask> was subsequently put in charge of the building of Li Cunxu's imperial tomb. <mask>'s and Wei's downfall, however, would come shortly after that. <mask>, after completing Li Cunxu's tomb, returned to his mansion and waited for the next assignment, as was traditional at the time for a director of an imperial tomb, and he expected to be removed from his chancellor position but made a circuit military governor. After several days, however, the next imperial commission did not come, and at the urging of his family members and friends, he went to the imperial court, implicitly pressing the issue. This offended An, who publicly humiliated <mask> by stating, "Your title of director of the imperial tomb is still present, but you do not wait for the new assignment before coming to the imperial court. Is it that you believe that we, as people from a border region, can easily be deceived?"(Both Li Siyuan and An were non-Han Chinese.) Doulu and Wei were also being perceived poorly publicly for several different reasons — they were considered to be disrespectful to the emperor while reporting to him; while other imperial officials at that time were taking a reduced amount of their salaries, Doulu and his sons

masks: Doulu Doulu Doulu Doulu Doulu Doulu


texts:
 were receiving full pay; and while the other imperial officials backpay were being calculated from the day of Li Siyuan's ascension, Doulu and Wei were still calculating their own from during the time of Li Cunxu's reign. Meanwhile, Xiao Xifu had long resented Doulu and Wei for having rejected his earlier proposed promotion to Jianyi Daifu (), and therefore decided to take vengeance. He submitted a petition in which he not only accused Doulu and Wei of flattery and faithlessness to Li Cunxu, but further falsely accused Doulu of seizing people's farms and allowing his farmer tenants to kill others, and Wei of seizing a neighbor's well in order to steal the treasures that the neighbor's ancestors had hidden in the well. Upon receiving Xiao's petition, Li Siyuan exiled Doulu and Wei — in Doulu's case, to be the prefect of Chen Prefecture (辰州, in modern Huaihua, Hunan), then as census officer of Fei Prefecture (費州, in modern Tongren, Guizhou), and then completely stripped of official positions and exiled to Ling Prefecture (陵州, in modern Meishan, Sichuan). In 927, during the Later Tang imperial government's campaign against the rebel warlord Gao Jixing (whose domain would become the de facto independent state of Jingnan), Li Siyuan issued an edict blaming Wei (who was friendly with Gao) and Doulu of, at the time that Li Cunxu conquered Former Shu in 925, allowing Gao to absorb three prefectures previously belonging to Former Shu into his territory, and he ordered them to commit suicide. Their family members were exiled.References

 Old History of the Five


texts:
 Dynasties, vol. 67. New History of the Five Dynasties, vol. 28. Zizhi Tongjian, vols. 272, 273, 274, 275, 276. 9th-century births
927 deaths
Year of birth unknown
Jin (Later Tang precursor) politicians
Later Tang chancellors
Jin (Later Tang precursor) people born during Tang
Political office-holders in Hunan
Executed Later Tang people
People executed by Later Tang
Forced suicides of Chinese people
Suicides in


texts: <mask> (born September 10, 1988) is a Canadian professional ice hockey centre and captain of the Carolina Hurricanes of the National Hockey League (NHL). He is regarded as a premier penalty-killer, both for his strong defensive skills and ability to score and set up shorthanded goals. In 2007, he became the youngest player (18 years and 153 days) to score a hat trick in league history. <mask> grew up playing minor hockey for the Thunder Bay Kings AAA organization. After his minor midget year, <mask> was selected in the first round (2nd overall) by the Peterborough Petes. He was the second <mask> in the NHL, after older brother Eric was drafted second overall in the 2003 NHL Entry Draft. After a two-year Ontario Hockey League (OHL) career, in which he won a J. Ross Robertson Cup and appeared in the 2006 Memorial Cup with the Peterborough Petes, <mask> was drafted second overall by the Pittsburgh Penguins in the 2006 NHL Entry Draft.He made the immediate jump from junior to the NHL after being drafted and set several NHL records in his rookie season, including youngest player to score on a penalty shot, to score two shorthanded goals in one game, to score a hat trick and the most shorthanded goals by a rookie in one season. <mask> was also a Calder Memorial Trophy nominee and was named to the NHL All-Rookie Team. Among his former Penguins teammates, <mask> was known as "Gronk." The nickname, a reference to a Marvel comic book supervillain, was given to him by former Penguins teammate Colby Armstrong, because of his strong on-ice presence. <mask> won the Stanley Cup as a member of the Penguins in 2009, scoring two goals and an assist in the seven-game series against the Detroit Red Wings. One year prior, he lost the 2008 finals against the same Red Wings. <mask> is one of three brothers currently playing professional hockey in the NHL.The eldest, Eric, who is currently an unrestricted free agent, also played for (and captained) the

masks:
Jordan Staal
Staal
Staal
Staal
Staal
Staal
Staal
Staal
Jordan Staal


texts:
 Hurricanes until February 28, 2016. The youngest and fourth brother, Jared, made his NHL debut on April 25, 2013, on a line together with <mask> and Eric before retiring in 2017. The second-eldest, Marc, plays defence for the Detroit Red Wings. Playing career

Junior

Peterborough Petes
Staal played major junior in the Ontario Hockey League (OHL) with the Peterborough Petes for two seasons, beginning in 2004–05 after having been selected third overall in the 2004 OHL Priority Draft. In his second year with the club, he produced at a point-per-game pace with 28 goals and 68 points in 68 games before adding 16 points in the playoffs to help lead Peterborough to the J. Ross Robertson Cup as OHL champions. Earning a berth in the 2006 Memorial Cup, the Petes did not, however, make it past the round-robin. During the course of the 2005–06 season, <mask> was also selected to play in the 2006 CHL Top Prospects Game.Going into the 2006 NHL Entry Draft, <mask> was ranked second among North American skaters by the NHL Central Scouting Bureau, behind Erik Johnson of the University of Minnesota Golden Gophers. He went on to be drafted second overall by the Pittsburgh Penguins, behind Johnson, who was selected by the St. Louis Blues. <mask> became the third among the four <mask> brothers to be drafted into the NHL after his older brothers Marc and Eric, who was also selected second overall. Professional

Pittsburgh Penguins (2006–2012)
<mask> was signed to a three-year, entry-level contract by the Penguins on October 2, 2006, and made the immediate jump from junior to the NHL in 2006–07 at the age of 18. He scored his first NHL goal on October 12, a shorthanded breakaway marker against New York Rangers goaltender Henrik Lundqvist in a 6–5 win. Later that month, on October 21, <mask> set a pair of NHL records with a two-goal effort against the Columbus Blue Jackets. In addition to becoming the youngest player to record a two-goal game since Bep

masks: Jordan Staal Staal Jordan Staal Staal Staal


texts: Guidolin of the Boston Bruins did so at the age of 18 years and 12 days on December 21, 1943, <mask> also scored both his goals on the penalty kill, becoming the youngest player to record two shorthanded goals in one game (surpassing Radek Dvořák of the Florida Panthers, who did so at 20 years and 278 days on December 12, 1997).Having scored his second shorthanded marker on a penalty shot, <mask> additionally became the youngest player to score on a penalty shot, surpassing Nathan Horton, who scored with Florida at 18 years and 224 days on January 8, 2004. Early in <mask>'s rookie season, however, there was still speculation that he would be returned to his junior team before playing his 10th game to avoid allowing him to accrue a full season under the NHL's collective bargaining agreement. Due to his strong play, however, particularly on the penalty-kill, the Penguins chose to keep him for the remainder of the season. <mask>, along with fellow rookie Evgeni Malkin joined superstar Sidney Crosby, who had himself only entered his second NHL season, and goaltender Marc-André Fleury to form an effective young nucleus that revived the Penguins franchise. In January 2007, <mask> participated in the NHL YoungStars Game during the All-Star festivities, along with teammates Ryan Whitney and Malkin. Shortly thereafter, on February 10, 2007, <mask> scored his first NHL career hat trick against the Toronto Maple Leafs and set yet another NHL record by becoming the youngest player in league history to score a hat trick at 18 years and 153 days. His first goal came at 19:22 in the first period, the second came at 3:32 in the second, and his third was the game winner, as he beat Toronto goalie Andrew Raycroft stick-side at 3:54 in overtime.The previous mark had been held for over sixty years by Jack Hamilton, who achieved a four-goal game at 18 years and 185 days old with the Maple Leafs against the New York Rangers on December 4, 1943. Then, late in

masks: Staal Staal Staal Staal Staal Staal


texts: the season, on March 6, <mask> scored his league-leading seventh shorthanded goal of the season to break the previous league record for shorthanded tallies by a rookie, set by Gerry Minor of the Vancouver Canucks in 1980–81 and matched by John Madden in 1999–2000. The goal cued a late third period comeback for the Penguins to win 5–4 in a shootout against the Ottawa Senators. <mask> completed his rookie season with 29 goals, second in rookie goal-scoring to teammate Malkin, and 42 points for a Calder Memorial Trophy nomination. The award was given to Malkin, while <mask> finished third in voting, behind first runner-up Paul Stastny of the Colorado Avalanche. <mask> also joined Malkin and Stastny on the NHL All-Rookie Team. The next season, in 2007–08, however, Staal's production suffered a setback, managing just 12 goals and 28 points.Regardless, he was an integral part of the Penguins' 2008 playoff run to the Stanley Cup Finals against the Detroit Red Wings. Playing in the semi-finals against the Philadelphia Flyers, <mask> briefly left the Penguins to attend his grandfather's funeral during the series, but returned for a two-goal game four effort, in which he cued a near-comeback in the third period to cut the Flyers lead to 3–2. The Penguins were eventually defeated 4–2, but managed to eliminate the Flyers the following game. As the Penguins made their first Stanley Cup Final appearance since 1992, the last time they won the Stanley Cup, they were defeated in six games by the Red Wings. <mask> contributed 6 goals and 1 assist during the playoff run. Early in the 2008–09 season, the Penguins and Red Wings met for the first time since the Stanley Cup series on November 11, 2008. With the Penguins down by three goals in the third period, <mask> notched his second career NHL hat trick to tie the game, then set up Ruslan Fedotenko's overtime winner to defeat the Red Wings 7–6.On December 2, 2008, he was named to the rotating position of

masks: Staal Staal Staal Staal Staal Staal Staal


texts: alternate captain for the Penguins for the month of December. The following month, on January 8, 2009, the Penguins announced that they had extended <mask>'s contract through the 2012–13 season. Terms of the contract were for $16 million, payable as $3.5 million for the first two seasons, and then $4.5 million for the last two years, resulting in a $4 million salary cap hit. He completed the season bouncing back from the decreased production of his sophomore year with a career-high 27 assists and 49 points. On June 12, 2009, <mask> and the Penguins won the Stanley Cup when they defeated the Detroit Red Wings 2–1 at the Joe Louis Arena. <mask> had two goals and an assist in the seven-game series, and scored a shorthanded goal that was a pivotal point in Game 4 of the series. At the end of the regular season, <mask> was named as one of the three finalists for the Selke Trophy along with Pavel Datsyuk and Ryan Kesler, awarded annually to the best defensive forward in the league.On April 30, 2010, <mask> injured his right leg after his foot was sliced by Montreal Canadiens defenceman P. K. Subban's skate. He had to undergo surgery to repair a torn tendon on top of his big toe. During this injury, <mask> ended up missing Game 2 of the Eastern Conference Semi-finals against the Canadiens, the first game <mask> had missed in a Penguins uniform since his rookie season – a streak of 358 consecutive games played including the playoffs. <mask> missed the entire first month of October, still recovering from foot surgery. Then, on November 1, just two days before he was to make his season debut, he was struck by a puck in practice, fracturing his hand and sidelining him again for surgery. <mask> finally made his season debut at the NHL Winter Classic on January 1, 2011. On April 18, 2012, <mask> registered his first playoff hat trick against the Philadelphia Flyers in a 10–3 victory at the Wells Fargo Center.He would finish the series with six goals

masks: Staal Staal Staal Staal Staal Staal Staal Staal Staal Staal


texts:
 as the Penguins lost to the Flyers in six games, their second consecutive first-round playoff exit. Carolina Hurricanes (2012–present)

On June 22, 2012, <mask> was traded to the Carolina Hurricanes in exchange for Brandon Sutter, Brian Dumoulin and the Hurricanes' eighth overall pick at the 2012 NHL Entry Draft (which the Penguins used to select Derrick Pouliot). On July 1, 2012, <mask> signed a ten-year, $60 million extension with the Hurricanes. He had received exactly the same offer from the Pittsburgh Penguins, but declined it. On September 23, 2014, <mask> broke his right leg in a pre-season game against the Buffalo Sabres. In November 2016, <mask> was diagnosed with a concussion. At the time of his injury, he had recorded five goals and nine points in 21 games.<mask>, along with Justin Faulk, was named co-captain of the Hurricanes, on October 5, 2017. At the conclusion of the 2017–18 season, <mask> was named a finalist for the Bill Masterton Memorial Trophy. In December 2018, <mask> was diagnosed with a concussion and was placed on long-term injury reserve (LTIR). At the time of his injury, he had recorded five goals and six assists in 27 games. He was activated from LTIR on February 23, 2019. During that season, the Hurricanes qualified for the 2019 Stanley Cup playoffs but lost in the Eastern Conference Final. On September 29, 2019, <mask> was named captain of the Hurricanes, replacing Justin Williams.On April 12, 2021, <mask> played in his 1,000th NHL game. International play
<mask> made his international debut with Team Canada at the 2007 World Championships in Moscow. Named to the team following the Penguins' first-round playoff defeat, he joined brother Eric to help Canada capture the gold medal by defeating Finland 4–2 in the final. In nine games, <mask> contributed two assists. Personal life

Born the third of four boys in Thunder Bay, Ontario, <mask> grew up playing ice hockey with his three brothers on an outdoor rink

masks: Staal Staal Staal Staal Staal Staal Staal Staal Staal Staal Staal Staal


texts: built by their father Henry. All of the <mask> brothers have played in the NHL. Older brothers Eric, drafted by the Carolina Hurricanes in 2003, and Marc, drafted by the New York Rangers in 2005, both play with <mask> in the NHL, while younger brother Jared was drafted in 2008 by the Phoenix Coyotes, has played 2 NHL games and is currently an assistant coach with OHA Edmonton of the Canadian Sport School Hockey League.His cousin Jeff Heerema was drafted by the Hurricanes in the first round of the 1998 NHL Entry Draft. Before becoming teammates in Carolina, <mask> and Eric have played together on one occasion prior, as part of Team Canada's 2007 World Championship gold medal-winning team, while also competing against each other in the NHL, including their high-profile matchup in the 2009 Eastern Conference Finals. He has also met Marc's New York Rangers in the 2008 playoffs. <mask> has eliminated his brothers with the Penguins in both instances. <mask> has become the second brother to win a Stanley Cup (Pittsburgh 2009) behind older brother Eric (Carolina 2006). In the summer of 2007, <mask> was arrested at Eric's bachelor party. Both were charged with misdemeanor disorderly conduct and obstructing the legal process, while spending the night in jail.<mask> was also cited with underage drinking. On June 22, 2012, <mask> married longtime girlfriend Heather Dysievick. The couple has three daughters and a son. Their youngest daughter was delivered stillborn on February 22, 2018, a tragedy that made him miss three games. <mask> is a Christian. <mask> has said, “Hockey was my identity. Sure, it pushed me to be the player I was, but it still left me empty.I made the NHL and won that Stanley Cup with Pittsburgh, fulfilling all the dreams I could ever think of, but I remember waking up a week later and realizing, ‘that’s it?’... Hockey is an unbelievable sport and something that has obviously been a big part of my life, but it's not all me; it's

masks: Staal Jordan Jordan Jordan Jordan Jordan Jordan Staal Staal Staal


texts:
<mask> (6 September 1855 – 23 August 1914) was a French general. <mask> entered the army in 1873 and spent much of his early career superintending the training of army personnel. He saw extended service in Tunisia with the Army of Africa and also in the Far East. <mask> was praised for his work in Morocco in 1908 and was subsequently appointed to brigade command. In the opening stages of the First World War he led his brigade in an attack on German positions and was mortally wounded. Early life and career
<mask> was born on 6 September 1855 at Saint-Julien-lès-Metz in Moselle where a plaque marks his birthplace. His parents were <mask>, a lecturer in rhetoric who was later principal of Mirecourt College, and <mask>.Following the Franco-Prussian War of 1870–1 his home town was annexed by Germany. Following the terms set out by the Treaty of Frankfurt, <mask> was one of the Alsatians and Lotharingians who chose to retain their French citizenship. <mask> volunteered for a five year period of service with the French Army on 22 October 1873 and entered the Ecole Spéciale Militaire de Saint-Cyr two days later. He was commissioned as a sous lieutenant on 1 October 1875 with the 69th Infantry Regiment (<mask>'s graduating class was named for Archduke Albrecht, Duke of Teschen who had fought against France's enemy Prussia in the Austro-Prussian War). As a subaltern he was reportedly a "shy and timid character, but an energetic worker" and was commended by the Minister of War (Jean Auguste Berthaut) on 31 January 1877 for survey work undertaken in the vicinity of Toul. Later that year he won the army's regional shooting championship at the camp at Châlons-en-Champagne. Colonial Service
<mask> was promoted to lieutenant in the 110th Infantry Regiment on 17 September 1880 and

masks:
Paul Emile Diou
Diou
Diou
Diou
Joseph Diou
Marie Francoise Feultier Diou
Diou
Diou
Diou
Diou


texts: served in Tunisia from 11 September 1881 until 9 April 1883.There was a break in his service in that country between May and September 1882 and he may have returned to France to recover from Typhoid fever that he contracted in Tunisia. <mask> was promoted to captain in the 45th Infantry Regiment on 29 December 1885 and held responsibility for preparing enlisted candidates for the non-commissioned officer examinations at the Ecole Militaire in Saint-Maixent. He wrote a dissertation on the development of defensive positions at Farbus in 1888 and returned to the Ecole Spéciale Militaire as a lecturer in musketry on 18 October 1890. <mask> left St-Cyr on 11 October 1894 when he rejoined the 69th Infantry Regiment, assuming responsibility for their musketry and training. In early 1895 he received command of a company before, on 29 December 1895, he was promoted to chef de bataillon in the 4th Regiment of the Algerian Tirailleurs with the Army of Africa. He served with them in Tunisia from 6 February 1896 and was appointed a chevalier of the Legion of Honour on 29 December. Transferred to command the 4th Battalion of the Light Infantry of Africa on 29 December 1897, <mask> received praise for his service at Gabès which was acknowledged as a difficult posting.He remained in Tunisia until November 1900 and received the Colonial Medal for his service there. <mask> served in the French possession of Tonkin, Indo-China in 1900–1 and also apparently saw action in the Boxer Rebellion, receiving the 1901 China expedition commemorative medal. He returned to Tunisia on 21 October 1901, was appointed an officer of the Tunisian Order of Glory on 14 June 1903 and was promoted to lieutenant-colonel of the 121st Infantry Regiment on 31 December. <mask> was appointed a commander of the

masks: Diou Diou Diou Diou Diou


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 Order of Glory on 3 May 1904. He transferred to the 2nd Regiment of Algerian Tirailleurs on 21 May 1906 and served in Algeria and the wider Sahara region until 29 August 1907. <mask> was posted to Morocco on 30 August 1907, transferred to the 56th Infantry Regiment on 21 January 1908 and was promoted to colonel of the 81st Infantry Regiment on 23 February 1908. He was engaged in the action at Taddert on 11 July 1907 and at the affair at Sidi Bahin on 25 July 1907.<mask> saw action in the landings at Casablanca in 1908 that led to the establishment of the French protectorate of Morocco and commanded the French column operating upon the Moroccan coast thereafter. He fought eight battles in Morocco in early 1908 and was mentioned in dispatches at the army level for actions against the enemy at Oued Aceila on 8 March 1908. The French commander in Morocco, General Albert d'Amade, praised <mask>'s actions there stating that he "took part in almost all the engagements of the historic campaign in Casablanca and the outlying regions" and that he was sure to set an "example of calm and constancy of duty" in his new post. He left for France on 3 May 1908 and was appointed an officer of the Legion of Honour on 12 July 1910. <mask> was appointed acting commander of the 63rd Infantry Brigade at Narbonne on 22 June 1912, receiving command of the 62nd Infantry Regiment two days later and of the 86th Infantry Regiment on 24 September. <mask>'s command of the brigade was confirmed on 21 December when he was appointed général de brigade. <mask> was also appointed military commander of the Narbonne and Perpignan military subdivisions.First World War
<mask>'s brigade was mobilised as part of General Louis Émile Taverna's 16th Army Corps and saw action in the Battle of Lorraine in

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 August 1914. The 143rd Infantry Regiment, part of <mask>'s brigade, were holding a defensive position in the Mulhewald Woods where they fought off German probing attacks on 19 August. <mask> and Colonel Berguin, commander of the regiment, were commended for their coolness and courage under shellfire in this action. <mask>'s brigade was ordered to attack German positions at Bénestroff the next morning at 4 am in heavy fog. Before the attack could begin a German offensive launched from Cutting, Loudrefing and Mittersheim hit the regiment, supported by heavy artillery fire. The 143rd's 2nd battalion was able to hold off the attack long enough for the 1st and 3rd battalions to gain defensive positions before withdrawing to join them. <mask> led a counterattack at 6 am that fared well initially, pushing the German troops back to a wooded area where, favoured by the terrain and the poor light, they were able to mount a strong defence.Several charges were made by the French troops but they were eventually forced to withdraw under heavy defensive fire. During this attack <mask>, who led from the head of his troops with gun in hand, fell wounded in action. His brigade's second in command, Commandant Jacques, was later killed in action in the same engagement and the 143rd also lost Colonel Berguin and most of their medical staff. <mask> died of his wounds on 23 August 1914 at Dieuze. <mask> is buried alongside 812 French soldiers in the centre of the L'Esperence War Cemetery at Cutting, Moselle. His grave lies next to the cemetery's memorial obelisk. His name is inscribed on the French generals' war memorial at the L'Hôtel des Invalides in Paris.References

1855 births
1914 deaths
Officiers of the Légion d'honneur
French generals
French military personnel killed in World


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<mask> (March 29, 1947 – June 25, 2013) was an American conceptual artist and photographer. She is considered part of The Pictures Generation, a loose-knit group of artists working in New York in the late 1970s and early 1980s, all of whom were concerned with how images shape our everyday lives and society as a whole. Early life and education
<mask> was born in East Orange, New Jersey. She received a Bachelor of Arts degree from Barnard College in 1969. Her undergraduate thesis project, a work of conceptual art devoid of text, was a 50-print study of the Solomon R. Guggenheim Museum. Prior to that she studied under Douglas Huebler at Bradford College. After completing her degree, she studied briefly under the photographer Lisette Model at The New School.After college, she worked as a freelance photographer and became active in downtown Manhattan art circles. Personal life
<mask> had two children with her former husband, filmmaker Amos Poe; Nicholas T.  Poe (b. 1985) and <mask> C. Poe (b. 1988). Work
<mask> worked in photographic series, but stated in a 1990 interview that she had not really thought of herself as a photographer. She stated, rather, that she viewed her work as investigating questions about the world and her role in it, but realized as of that point that she had been investigating those questions through the medium of photography for the past twelve years. In 1975, <mask> and fellow conceptual artists Michael Corris, Preston Heller, Joseph Kosuth, Andrew Menard, and Mel Ramsden founded The Fox, a magazine dedicated to art theory, but the magazine only remained in publication until 1976.Along with Glenn O'Brien, Betsy Sussler, Liza Bear, and Michael McClard, she co-founded BOMB magazine in 1981. <mask> also created the cover art for the very first edition of BOMB

masks:
Sarah Edwards Charlesworth
Charlesworth
Charlesworth
Sarah Lucy
Charlesworth
Charlesworth
Charlesworth


texts: magazine. <mask> worked in series, exploring one idea to its conclusion. For a series called Modern History (1977–79), she photographed, at actual size, the front pages of 29 American and Canadian newspapers and blanked out everything except for their photographs and mastheads. For Movie-Television-News-History (1979), a part of the series, <mask> selected a specific event – the shooting of American journalist Bill Stewart by the Nicaraguan National Guard – and presented it as it was reported on June 21, 1979, in 27 American newspapers. All images in the final work were printed at the same size as the original newspapers. In February 1980, <mask> created Stills, a series of harrowing, six-and-a-half-foot-tall photographs depicting bodies falling from buildings.When Stills was first shown in 1980 in Tony Shafrazi's East Village apartment, it consisted of seven images. To create the series, <mask> scoured news wires and the archives of the New York Public Library for images of people plunging through the air, having jumped out of a windows to commit suicide or because of a catastrophe like fire. After appropriating the photograph, she would crop or tear it, often leaving the edges ragged so that it appeared to be haphazardly torn like a homemade clipping. She would then rephotograph the image and enlarge it. <mask> later expanded the series, printing an eighth work from her original source material in 2009 and – as a commission of the Art Institute of Chicago – creating a set of six new ones from the original transparencies that were never printed. Each gelatin silver print was made and mounted to the exact specifications of those she created in 1980. In her "Objects of Desire" series (1983–1988), Cibachrome prints of appropriated images – typically a cutout picture of a single

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 object, including a gold bowl and a statue of a Buddha – are photographed against bright, laminated monochrome backgrounds that match their lacquered frames.In the series Renaissance Paintings and Renaissance Drawings (both 1991), <mask> combined imagery from disparate Italian Renaissance paintings and drawings to make new, often ironic paintings and drawings. <mask> began to photograph actual objects only in the early 1990s. Her series The Academy of Secrets is <mask>'s attempt to convey her emotions through using abstracted images of objects that have symbolic associations. She illustrated how the way light falls on objects affects our perceptions of them as the subject of her own 2012 solo exhibition Available Light. <mask> held various teaching positions at New York University, the School of Visual Arts, and Hartford University. Before her death she taught Master Critique in the MFA Photography, Video and Related Media Program and The School of Visual Arts. A major influence on a new generation of artists, including Sara VanDerBeek and Liz Deschenes, she was appointed to the faculty of Princeton University in 2012.Death
She lived and worked both in New York City and in Falls Village, Connecticut, at the time of her death. <mask> died of a brain aneurysm on June 25, 2013, at the age of 66. Exhibitions
<mask>'s work was the subject of more than 40 solo exhibitions at venues including the Centre d'art contemporain, Geneva (1977), the Queens Museum of Art, New York (1992), and the Art Institute of Chicago (2014). A 1998 survey organized by SITE Santa Fe in Santa Fe, New Mexico, toured to four additional museums. Her work was included in the Whitney Biennial (1985) and the Venice Biennale (1986). In 1995, she cocurated Somatogenies at New York's Artists Space with fellow artists

masks: Charlesworth Charlesworth Charlesworth Charlesworth Charlesworth Charlesworth


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 Cindy Sherman and Laurie Simmons. Collections
<mask>'s work is included in the collections of many museums around the world, including the Metropolitan Museum of Art; the Whitney Museum of American Art: the Museum of Modern Art; the Museum of Fine Arts, Boston; Museum of Contemporary Art, Los Angeles; the Walker Art Center, Minneapolis; Brooklyn Museum; Victoria and Albert Museum, London; Israel Museum; and the National Museum of Women in the Arts, among others.In 2012, the Art Institute of Chicago acquired the complete series (14 photographs) of her over-lifesize series Stills (1980), and in that year as well, the Museum of Modern Art acquired her 27-photo piece Movie-Television-News-History (1979). Her work is also included in many university collections including the Princeton University Art Museum, Yale University Art Gallery and Berkeley Art Museum. Recognition
<mask> received several grants from the National Endowment for the Arts (1976, 1980, 1983) as well as from the New York State Creative Artists Public Service (1977) and the John Simon Guggenheim Fellowship Award for Visual Art (1995). References

External links
 Anglo-American Name Authority File, s.v. "<mask>, <mask>", LC Control Number nr 98019654, cited February 10, 2006. Union List of Artists Names, s.v. "<mask>, <mask>", cited February 10, 2006.<mask> profile, Artfacts.Net; accessed October 2, 2014. 1947 births
2013 deaths
American conceptual artists
American women artists
American women photographers
Artists from New Jersey
Barnard College alumni
Deaths from intracranial aneurysm
Feminist artists
New York University faculty
People from East Orange, New Jersey
School of Visual Arts faculty
University of Hartford faculty
Photographers from New Jersey
Women conceptual artists
American women academics
21st-century

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Charlesworth
Charlesworth
Charlesworth
Sarah
Charlesworth
Sarah
Sarah Charlesworth


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is a Japanese actress, voice actress, singer, and pianist. She is best known for her work in the anime Tsubasa: Reservoir Chronicle where she voices Sakura and some of the theme songs for the Aria anime series. She is associated with Amuse, Inc. One of her earliest voice acting performances was the character "Sister" in a short-anime movie Bavel no Hon when she was 10. She married singer Yutaro Miura in 2020. Musical history
Makino took up piano at the age of four. The film director Shunji Iwai discovered her talent for playing the piano when she was seven years old and from the age of 8 to 17. She played piano solos for three of his films: Love Letter, All About Lily Chou-Chou and Hana and Alice.She graduated from Tokyo College of Music as a piano major with the top score in her senior year. She made her debut as a singer in 2005 with "Omna Magni," produced by Yoko Kanno. It was used as the ending theme song for the anime Sousei no Aquarion. In the April of the same year, she also debuted as a voice actress, starring as heroine Sakura in Tsubasa Chronicle and recording several songs for its soundtrack. She released "Amrita", the ending song for the Tsubasa Chronicle film, as well as "Undine", the opening theme for the TV Tokyo anime Aria the Animation, coupled with its inserted song "Symphony". It achieved No. 25 on the Oricon chart.In 2006, Makino released two songs from another TV Tokyo anime, Aria the Natural, the theme song "Euphoria" and an insert song,


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 "Amefuribana." They were released on one product and achieved No. 18 on the Oricon chart. In addition, she released her debut album, Tenkyū no Ongaku on 6 December 2006. In 2007, she was invited to represent Japan at the Japan-China cultural exchange event. She also released two singles for the programmes Sketchbook ~full color's~ and Tsubasa: Reservoir Chronicle. On 23 January 2008, Makino released her seventh single, "Spirale," as the opening theme of Aria the Origination.Coupled with the anime's insert song, "Yokogao," the single reached No. 20 on the Oricon chart. She also performed her first solo concert at the Fuchuno Mori Geijutsu Gekijo Wien Hall in Tokyo, where she sang and played the piano accompaniment for each song. She released her eponymous second album, Makino Yui in March 2008. It reached No. 22 on the Oricon chart. She graduated from Tokyo College of Music as a piano major in the same month.She held her Holography concert at SHIBUYA-AX in 2011. In March 2013, Makino was hired to sing and be the "Hungry Zombie Francesca" voice in a national campaign to promote the Hokkaido region throughout Japan. Overseas guest appearances
 2007: Japan Ambassador, Beijing (Japan-China Cultural Exchange)
 July 2009: Performance at Japan Expo, France
 September 2009: Guest of Honor, New York Anime Festival, USA
 26 December 2009: Guest Artiste, Musical Concert in EOY at Drama Centre @ National Library, Singapore
 16 January 2010: Guest Artiste, at Korea
 19 June 2010:


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 Concert, in Rome, Italy
 21 June 2010: Ongaku no Hi in France, as guest
 September 2011: Concert in Hong Kong
 October 2011: Concert in Guangzhou
 November 2011: Anime Festival at Shanghai
 December 2012: Performance at J-FEST 2012, Russia
 December 2013: ACT Expo in Macau
 March 2015: TOUCH Spring Festival in Vietnam
 May 2015: Otafest in Canada
 July 2016: CharaExpo in Singapore
 August 2016: Otakon 2016, in USA

Filmography

Anime television series

 Tsubasa Chronicle (2005) as Sakura
 Aria The Natural (2006) as Akane in episode 26
 Welcome to the NHK! (2006) as Misaki Nakahara
 Spider Riders: Oracle of Heroes (2006) as Girl in episode 7
 Coron-chan (2006) as Byobā
 Demashita! Powerpuff Girls Z (2006) as Miko Shirogane
 Zegapain (2006) as Jen May-Yu
 Tsubasa Chronicle (2006) (second season) as Sakura
 Kaze no Stigma (2007) as Lapis Suirei/Cui Ling
 Bokurano (2007) as Aiko Tokosumi
 Sketchbook (2007) as Hazuki Torikai
 Asu no Yoichi! (2009) as Tsubasa Tsubame
 Sora Kake Girl (2009) as Honoka Kawai
 Taishō Yakyū Musume (2009) as Kyouko Sakurami
 Needless (2009) as Mio
 Nodame Cantabile: Finale (2010) as Namuri Rima (Episode 4)
 Angel Beats! (2010) as Yusa
 C (2011) as Hanabi Ikuta
 Ano Hi Mita Hana no Namae o Boku-tachi wa Mada Shiranai.(2011) as Aki
 Un-Go (2011) as Umezawa Yumeno
 Tokurei Sochi Dantai Stella Jo-Gakuin Kōtō-ka C3-Bu (2013) as Yura Yamato
 Chaika - The Coffin Princess (2014) as Layla
 Francesca: Girls Be Ambitious (2014) as Francesca
 Space Dandy


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 (2014) as Freckles (ep.17)
 Gundam Build Fighters Try (2014) as Fumina Hoshino
 The Idolmaster Cinderella Girls (2015) as Mayu Sakuma
 Yamada-kun and the Seven Witches (2015) as Meiko Ōtsuka
 Wish Upon the Pleiades (2015) as Hikaru
 Ushio and Tora (2015) as Reiko Hanyuu
 The Idolmaster Cinderella Girls 2nd Season (2015) as Mayu Sakuma
 PriPara (2015) as Aroma Kurosu (eps.39–140)
 Hundred (2016) as Erica Candle
 Sekkō Boys (2016) as Mira Hanayashiki
 Shōnen Maid (2016) as Miyako Ōtori
 Sagrada Reset (2017) as Yōka Murase
 Love & Lies (2017) as Ririna Sanada
 King's Game The Animation (2017) as Kana Ueda
 Aikatsu on Parade! (2019) as Saya Kiseki
 Farewell, My Dear Cramer (2021) as Chika Kirishima
 Tokyo 24th Ward (2022) as Mari Sakuragi
 Life with an Ordinary Guy who Reincarnated into a Total Fantasy Knockout (2022) as Ugraine

OVA and ONA

 Tsubasa Tokyo Revelations as Sakura
 Hōkago no Pleiades as Hikaru
 Hoshi no Umi no Amuri as Amuri
 Tsubasa Shunraiki as Sakura
 xxxHOLiC Shunmuki as Sakura
 Yamada-kun and the Seven Witches OVA as Meiko Ōtsuka

Anime films
 The Princess in the Birdcage Kingdom as Sakura
 Top wo Nerae 2! & Top wo Nerae! Gattai Gekijō-ban!! as Akaitakami
 PriPara Mi~nna no Akogare Let's Go PriPari (2016) as Aroma Kurosu

Video games
 Arc Rise Fantasia as Ryfia
 Which Witch? as Yuugi Saki
 Tsubasa Chronicle as Sakura
 Pachinko Sora wo Kakeru Shōjo!! as Honoka Kawai
 The Idolmaster Cinderella Girls as Mayu Sakuma
 Azur Lane as MNF La Galissonnière


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 Alchemy Stars as Siobhan Drama CDs
 Welcome to the NHK!as Misaki Nakahara Wagamama Sentai Bloom Heart as Tougaiji Yuri a.k.a. White Lily Zegapain as Jen May-Yu Tsubasa Chronicle as SakuraLive stage
 High Color (2009) as Seiki TomoyoRadio
 Yui to Mika no Puri Suite!-Tsubasa Chronicle radio, hosted by <mask> Makino and Mika Kikuchi as host
 Sketchbook Radio-Sketchbook radio, hosted by Kana Hanazawa, Asuka Nakase and <mask> Makino as host
 Puri Suite RETURNS!-Tsubasa Chronicle (second season) radio, hosted by Miyu Irino, <mask> <mask>, Mika Kikuchi, Tetsu Inada and Daisuke Namikawa as host
 Sore Kake Radio & TV-Sora Kake Girl radio, hosted by MAKO as a guest in several episodes
 ArcRise LADY RADIO HOUR-Arc Rise Fantasia radio, hosted by <mask> <mask> and Emiri Katō as host. Which Witch? Sora no Gakko Host Club?-Which Witch? radio, hosted by Asumi Kana and Aki Toyosaki as guest and host, replacing Aki in two episodes. Makino Yui no Daimondorobicchi-Makino's own radio. Makino Yui no Fuwa Fuwa Radio-Makino's own radio, for Fuwa Fuwa single promo.Discography

Singles

Albums

Awards
She was nominated for "best young voice actress" for her outstanding portrayal of Misaki Nakahara from Welcome to the N.H.K. Other
Anime soundtracks
 Omna MagniNotes: This song was used as an ending theme song in Genesis of Aquarion. Sousei no AquarionNotes: This song was used as the intro theme song in Genesis of Aquarion. Notes: She sang this song with a fellow voice actor, Miyu Irino, who

masks: Yui Yui Yui Makino Yui Makino


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 voices Syaoran. The song was used as an ending theme song in the 3rd Drama CD of Tsubasa Chronicle. Notes: This song was used as an insert song in episode 50 in Tsubasa Chronicle. Dark Side ni TsuitekiteNotes: This song was used as an insert song in Welcome to the N.H.K.SynchronicityNotes: This song is the opening theme song for Tsubasa Tokyo Revelations
 Tenshi no Hashigo ~crepuscular rays~Notes: This song is the ending theme for Arc Rise Fantasia
 Imaginal SongNotes: This song is one of Ryphia's songs with her vocalizing in Arc Rise Fantasia. Jouka no Hikari (Light of Purification)Notes: This song is one of Ryphia's songs with her vocalizing in Arc Rise Fantasia
 Ryfia no Negai (Ryfia's Wish)Notes: This song is one of Ryphia's songs with her vocalizing in Arc Rise Fantasia
 Ten no Namida (Heaven's Tears)Notes: This song is one of Ryphia's songs with her vocalizing in Arc Rise Fantasia

Anime character songs
 Towa no OmoiNotes: Found on the first Tsubasa Chronicle Drama & Character Album. Yacchaouyo!Notes: This song was released on the first character song album for the OVA Amuri in Star Ocean. Umidorika -Amuri Ver.-Notes: This song was released on the first character song album for the OVA Amuri in Star Ocean. Moroi Mirai Kirai (I Hate Fragile Future)'
Notes: This song was released on the third character song album of Sora wo Kakeru Shōjo. Wakakusa iro no Kleiner Vogel (Light Green-colored Little Bird)Notes: This song was released on the second character song


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 album of Which Witch?'' References

External links

 <mask> Makino at GamePlaza Haruka Voice Acting Database
 <mask> Makino at Oricon

1986 births
Living people
Amuse Inc. talents
Anime singers
Japanese child actresses
Japanese video game actresses
Japanese voice actresses
Voice actresses from Mie Prefecture
21st-century Japanese actresses
21st-century Japanese women

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<mask> (born January 25, 1943) is an American artist, writer, and activist. Her artwork is based on re-interpreting family, social, and natural history through the form of artist's books, sewn and constructed sculptures and paintings, and installations. She was a member of the Heresies Collective, the Women's Caucus for Art, and was a collaborator of the art collective RepoHistory. <mask> is known for her large-scale, collaborative exhibitions of women's artwork including Views by Women Artists (1982), and the collaborative shows Reconstruction Project (1984) and Connections Project/Conexus (1987). She has exhibited her artwork widely since 1969 including 18 solo exhibitions and over 130 group exhibitions. She has authored two books, Petroglyphs: Ancient Language/Sacred Art (Clear Light Publishers 1997) and Openings: A Memoir from the Women’s Art Movement, New York City 1970-1992 (New Village Press 2016). <mask> also worked for thirty years as a freelance photo editor for New York-based publishers.Her artist's books can be found in several museum collections including those of the Brooklyn Museum and the Museum of Modern Art in NYC. The feature-length documentary film The Heretics (2011) includes her artistic and political work. She currently lives in Abiquiú, New Mexico. Early life
<mask> <mask> grew up in Commerce, Texas. Her father was a railroad engineer for the Cotton Belt, and her mother was a first-grade school teacher. Her father was also an organizer for the Brotherhood of Locomotive Engineers and Trainmen. The labor meetings she witnessed as a child, where workers came together to stand up for their rights, influenced her own

masks:
Sabra Moore
Moore
Moore
Sabra
Moore


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 activism.Her first trips outside of Texas were to attend strikes. <mask> grew up around the tradition of quilt making and believes her grandmother's textile crafts have influenced her own creativity. Education
<mask> studied at the University of Texas in Austin in their liberal arts honors program called Plan II and graduated with a BA cum laude in 1964. <mask> was a finalist for a Woodrow Wilson scholarship. Peace Corps in Guinea, Africa, 1964-1966
<mask> joined the Peace Corps in 1964 and lived in Guinea, West Africa for two years. She taught English at École Technique in N’Zérékoré, Guinea. A year after returning from Guinea, <mask> was awarded a Fulbright fellowship to study African art at the Centre for West African Studies at the University of Birmingham in England.A few months into the fellowship, she returned to the United States. Life in New York City
<mask> moved to New York City in 1966 and began studying at the Brooklyn Museum Art School. Her work was first exhibited as part of the group show Fifteen Artists curated by Henry Ghent at the Brooklyn Museum's Community Gallery in 1969. She taught English as a second language at Columbia University and taught an after-school children's arts class at the Brooklyn Museum while painting and attending anti-war demonstrations in her free time. She joined the Committee of Returned Volunteers (CRV) and continued protesting the war in Vietnam and Gulf Oil in Angola. <mask> joined the Women Artists in Revolution (WAR). She also worked as a counselor for Women's Services, an abortion clinic sponsored by Judson Memorial Church and the Clergy Consultation Service.After she left the clinic,

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 <mask> worked with fellow artist Georgia Matsumoto as a freelance house painter for seven years. She continued creating artwork independently and attended meetings for the NYC/ Women's Caucus for Art. She also contributed to the publication Heresies, a New York-based feminist journal on art and politics produced by the Heresies Collective. Counselor for Women's Services
From 1970-1972, <mask> worked as a counselor for the Clergy Consultation Service on Abortion in Manhattan's Upper East Side, a service founded in 1967 to help women find medical practitioners who would perform the procedure. <mask> had experienced an abortion herself when she was 21 years old. Heresies Collective
From 1979-1991, <mask> was a member of the Heresies Collective, which published Heresies: A Feminist Publication on Art and Politics from 1977 to 1992. <mask>'s involvement began when she started meeting regularly as part of the editorial collective of the Heresies Magazine Issue #13: Earthkeeping / Earthshaking: Feminism & Ecology 1979.She later became a member of the Mother Collective. NYC/ Women's Caucus for Art
<mask> was President of the Women's Caucus for Art from 1980-1982. She coordinated Views By Women Artists, sixteen independently curated shows in sixteen different venues showing the artworks of over 450 women artists. <mask> curated a show called Pieced Work. Women Artists Visibility Event, 1984
<mask> helped fellow artist Betsy Damon and President of the WCA Annie Shaver-Crandell organize a June 14, 1984 protest against the unequal representation of women and minorities in the New York Museum of Modern Art's exhibition An International Survey of Recent

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 Painting and Sculpture. For the event, <mask> built and painted a small wooden replica of the museum entitled Model MoMA. Marchers wrote their names on slips of paper and placed them inside the model in order to show their symbolic inclusion in the museum.Though there was no official name of the protest, it is known as the Women Artists Visibility Event (W.A.V.E.). <mask>, Damon, and Shaver-Crandell were coordinators of the event, and the Heresies Collective, the Women's Interart Center, and the New York Feminist Art Institute became cosponsors. Slogans used in the protest included “The Museum Opens, But Not To Women Artists,” “Let MoMA Know,” and “Women’s Visibility Event.”

Other organizational involvement
Other organizations <mask> was involved with during her time in New York included the Women's Action Coalition (WAC), a feminist direct-action organization founded in 1992 to fight discrimination against women, and Repo History, an artists collective that produced collaborative art projects highlighting the histories of working class men and women, minorities and children. Professional photo editing
<mask> worked as a freelance photo editor for thirty years in NYC for publishers, including Doubleday, Harper Collins, American Heritage, and Random House. She was the sole picture editor for over 35 books including Francoise Gilot's Matisse and Picasso, Benita Eisler's O’Keeffe and Stieglitz: An American Romance, Robert Stern's Pride of Place, and Norma Mailer's Portrait of Picasso as a Young Man. <mask> was the principal photo editor for Through Indian Eyes (Readers Digest) and Bill Moyers and Joseph Campbell's The Power of Myth. She was

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 the photo editor for five years of a magazine published by American Heritage Publishers, I&T: The American Heritage of Invention and Technology.The Heretics (2011)
<mask>'s artistic and political work is included in the feature film The Heretics. The Heretics focuses on the Heresies Collective as a microcosm of the larger movement at the time in which thousands of small, private groups of women were meeting together and devising strategies to fight for women's rights. Artistic themes

In her artwork, <mask> explores the relationship between the personal and the political. Her work is based on re-interpreting family, social, and natural history through the form of artist's books, sewn and constructed sculptures and paintings, and installations. She has referred to her work as a “kind of personal archeology” explaining that she sees herself as a literate granddaughter who has synthesized the quilt making and storytelling traditions of her rural grandmothers into new forms. She is committed to the idea of placing artwork within a social context and has consistently worked with feminist and political art groups to do that. Her role as a long-time activist in the women's art movement demonstrates her dedication to both art and activism.She has organized several large-scale women's exhibitions in New York City, Brazil, Canada, and New Mexico on themes of social concern. <mask>'s current work is in the form of boats, cages, leaves or poles, and relates to issues of water and trees. Exhibitions
1982: Views by Women Artists (coordinated): Views by Women Artists was a series of 16 shows curated independently by sixteen different curators under the

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texts: sponsorship of the NYC/ Women's Caucus for Art. <mask> curated Pieced Work. 1984: The Reconstruction Project (organized and exhibited): The Reconstruction Project was a large-scale women's collaborative exhibition that was shown at Artists Space in New York City. It was part of Artists Call Against US Intervention in Central America (1984). The exhibition also traveled to Canada in 1987 where it was shown at the Powerhouse Gallery in Montreal and the Eye Level Gallery in Hailfax.It was produced in response to the 1562 burning of the Mayan codices by Fray Diego de Landa and the ongoing massacres of Mayans during 1984. For the exhibition, <mask> invited 20 women artists from diverse backgrounds including herself to re-create a codex in the format of the Dresden Codex, called Reconstructed Codex. Each artist made two pages and also made a 3-foot x 7 foot wall work in one of four directional colors. 1987: Connections Project/Conexus (co-organized and exhibited): Connections Project/Conexus, which <mask> curated with Josely Carvalho, was a collaborative exhibition between 16 pairs of women artists in Brazil and the United States. It was exhibited in 1987 at the Museum of Contemporary Hispanic Art in SoHo New York and traveled to the Museum de Arte Contemporanea in São Paulo, Brazil. 1988: Committed to Print (exhibited): Committed to Print was open from January 31 to April 19, 1988 at the Museum of Modern Art (MoMA). The exhibition featured printed works related to Governments and Leaders, Race and Culture, Gender, Nuclear Power and Ecology, War and Revolution; and Economics, Class Struggle, and the American Dream.Both Reconstructed Codex


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 (photocopier edition) and 150 Artists Book (Connections Project/Conexus) were included. 1997: Place/Displace (exhibited): Place/Displace was exhibited at the Sanctuario de Guadalupe, Santa Fe, New Mexico. 2007: Out of the Woods (exhibited): Out of the Woods was an exhibition presented by the Harwood Museum of Art of the University of New Mexico organized by Margaret Bullock. It was open from January 12 to March 4, 2007. <mask>'s work explored ecological, political, and personal concerns through constructed and painted artworks. 2003, 2014: The Farm Show (organized): The Farm Show and The Second Farm Show were exhibits hosted at the Bond House Museum in Española, NM. They were collaborations between artists and farmers that featured the family stories of twenty area growers.The Second Farm Show featured ten artists, 18+ Farm story banners, and 2003 Farm story banners. Archive
The Sabra Moore NYC Women's Art Movement Collection, Barnard College (2016) In 2016, Barnard College acquired <mask>'s artistic and political collection. The collection showcases works regarding WAR (Women Artists in Revolution), Women's Services (the first legal abortion clinic in New York), the Heresies Collective, the 1984 MoMA demonstration, the NYC/Women's Caucus for Art, the exhibition Views By Women Artists (1982), and the collaborative show Reconstruction Project (1984). It includes letters, photographs, leaflets, artists books, catalogues, artifacts and other documents. Work from the exhibition <mask> co-organized with Josely Carvalho entitled Connection Project/Conexus (1987) is present in a separate archive. On November 1, 2016, <mask> read from her memoir

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