texts:
 later called "a vital asset" in the team's 1935 league championship. Starting at third base ahead of Stan Hack, he was later shifted to fill a void in center field. There, Grimm said, as boss of the outfield he allowed only seven pop flies to fall safely during that 21-game streak. He also drove in the winning run, or scored it, in seven of the games including three singles and a double off Dizzy Dean of the St. Louis Cardinals in the pennant-clinching contest. "And why isn’t <mask> in the Hall of Fame?" Grimm asked in a 1968 interview.After the Cubs lost to the Detroit Tigers in the World Series, however, the following January he was released and later signed by the Brooklyn Dodgers. After only 26 games and a .264 batting average on a Casey Stengel-led team known as the Daffy Dodgers for their often inept play (Stengel was fired at season's end), the onetime Boy Wonder turned Silver Fox at the age of 30 for his prematurely graying hair abruptly retired from baseball following a collision with infielder Jimmy Jordan while going for a routine pop fly. "I have been in this league 12 years," <mask> reportedly said, "and it never happened to me until I put on a Brooklyn uniform." In 13 years in the major leagues, <mask> was in 1438 games played, compiling a .311 batting average (1747-5611), with 895 runs, 301 doubles, 81 triples, 103 home runs and 779 RBI. His on-base percentage was .351 and slugging percentage was .449. He hit .300 or better seven times. <mask> recorded six 5-hit games.He hit for the cycle on May 8, 1930. In 11 World Series games (1924 and 1935), he hit .289 (13-45) with four RBI. Later career and personal life

In later years, <mask> managed minor league teams at Fort Smith, Arkansas, and Knoxville, Tennessee. After coaching the Northwestern University baseball team for 13 seasons, he was appointed postmaster of Evanston, Illinois, a position he held until

masks: Lindstrom Lindstrom Lindstrom Lindstrom Lindstrom


type: original

texts:
 1972. He died nine years later and is buried with his wife, Irene, in Chicago's All Saints Cemetery. The youngest of their three sons, <mask>, played briefly for the 1958 Chicago White Sox, walking and tripling for a perfect 1.000 batting average and on-base percentage in two plate appearances. <mask> died at Mercy Hospital in Chicago on October 4, 1981, and was buried at All Saints Cemetery.Legacy

Although many modern-day baseball historians refer to Traynor as the era's premier fielding third baseman, the Pirate Hall of Famer led the league in errors five times including 37 in 1931 and 27 in both 1932 and 1933. <mask>'s high mark was 21 errors in both 1928 and 1930. For the seven comparable seasons that <mask> played third base, his fielding percentage tops that of Traynor each year. McGraw's list shows no bias for Giants, naming only Hornsby at No. 7 in the Top 10 and the great Christy Mathewson at No. 16. The first five, in order, were Honus Wagner, Ty Cobb, Willie Keeler, Eddie Collins and Babe Ruth.No other third baseman was cited. Donald Dewey and Nick Acocella (All Time All Star Baseball Book, Elysian Fields Press, 1992) list <mask> as the New York Giants all-time third baseman. The esteemed sportswriter, Red Smith, placed him at third base on an all-time New York all-star team that had no room for the likes of Mickey Mantle, Duke Snider or Mel Ott. John Kieran (Sports of the Times), reported the following: "Arthur Nehf was sitting in the Chicago dugout talking about the Giant hitters. He talked of Roush, Jackson, Terry and Hogan and then remarked decisively that <mask> was the cleverest of them all at the plate and the hardest man to fool in the clutch." <mask>'s four hits in Game 5 of the 1924 World Series stood as the rookie record until matched by San Francisco's Buster Posey in the 2010 series. Along with a 24-game hitting streak in 1930 and a 25-game streak

masks:
Chuck Lindstrom
Freddie Lindstrom
Lindstrom
Lindstrom
Lindstrom
Freddie Lindstrom
Lindstrom


texts:
 in 1933, <mask> also ranks among the all-time top 10 in lifetime strikeouts to batting average ratio, 276 strikeouts to .311 batting average in 6,104 plate appearances.Lloyd Waner, Pie Traynor and Arky Vaughan are also on the list. <mask> led the league in outfield assists in 1932 and putouts in 1933. He came to the Pirates as "a strong defensive player and even better right-handed line drive hitter." <mask> was included in the balloting for the National Baseball Hall of Fame starting in 1949, but never received more than 4.4% of the vote from the Baseball Writers' Association of America (BBWAA). Former Giants teammates Terry and Frankie Frisch joined the Veterans Committee in 1967, and aided the elections of several of their former teammates, including Jesse Haines in 1970, Dave Bancroft and Chick Hafey in 1971, Ross Youngs in 1972, George Kelly in 1973, Jim Bottomley in 1974, and <mask> in 1976. <mask>'s selection, along with some of the other selections made by Terry and Frisch, has been considered one of the weakest in some circles. According to the BBWAA, the Veterans' Committee was not selective enough in choosing members.Charges of cronyism were levied against the Veterans' Committee. This led to the Veterans Committee having its powers reduced in subsequent years. In 2001, baseball writer Bill James ranked <mask> as the worst third baseman in the Hall of Fame. See also
 List of Major League Baseball players to hit for the cycle

References

Further reading

External links

<mask> at SABR (Baseball BioProject)

1905 births
1981 deaths
Baseball players from Illinois
Brooklyn Dodgers players
Chicago Cubs players
Major League Baseball third basemen
Minor league baseball managers
New York Giants (NL) players
National Baseball Hall of Fame inductees
Northwestern Wildcats baseball coaches
Sportspeople from Evanston, Illinois
Pittsburgh Pirates players
Toledo Mud Hens

masks:
Lindstrom
Lindstrom
Lindstrom
Lindstrom
Lindstrom
Lindstrom
Freddie Lindstrom


texts:
<mask> (; born 25 February 1990) is a professional footballer who plays as an attacking midfielder for Adana Demirspor. Born in France, Belhanda initially represented his native country internationally at youth level, before switching to Morocco at senior level. Early life
<mask> was born in Avignon, a commune in southeastern France, and was raised in nearby Aramon. He is of Moroccan descent (from Taza) and has five other siblings. <mask> began his football career playing for hometown club Racing Club Aramon. He spent one year at the club before joining MJC Avignon, a local cultural center based in his birthplace. While at the club, Belhanda was utilized as a libero and mentored by trainer Jean-Christophe Gleyze.The player admitted that Gleyze played a huge part in determining his future, stating: "he is more than a coach. Since my father worked and I lived in the Gard, it was him who took me to training and my home for three years. Without him and MJC Avignon, I would never have been spotted by other clubs". At the age of 13, Belhanda was scouted by several professional clubs, most notably Lyon, Marseille, Montpellier, and Saint-Étienne. He ultimately decided to join Saint-Étienne, but changed his mind after discussing the move with his parents, who recommended that he join Montpellier in order to remain close to home. Club career

Montpellier
While in Montpellier's youth academy, <mask> was converted into a defensive midfielder. He spent five years in the club's academy developing alongside fellow youth teammates Benjamin Stambouli, Abdelhamid El Kaoutari, and Rémy Cabella.Towards the end of the 2007–08 season, <mask> was promoted to the club's reserve team, which was playing in the Championnat de France amateur (CFA), the fourth level of French football. In the ensuing

masks:
Younès Belhanda
Belhanda
Belhanda
Belhanda
Belhanda


texts:
 season, he simultaneously played on the reserve team and with the club's under-19 team in the Coupe Gambardella, the national youth cup competition in France. In the latter competition, Montpellier won the title, capturing its second Gambardella cup. <mask> appeared in all six matches the team contested. In the final, he played the entire match as Montpellier defeated Nantes 2–0. 2009–10 season
As a result of the under-19 team's cup success, several of the members of the squad were awarded professional contracts. <mask> was among them and, on 27 July 2009, agreed to a three-year deal.He was, subsequently, promoted to the senior team by new incoming manager René Girard and assigned the number 29 shirt. Despite being brought up under a defensive mentality, Girard preferred to utilize Belhanda as an attacker by placing him on the left side of the team's 4–2–3–1 formation. Girard gave his reasons for converting Belhanda stating "his desire to get on the ball combined with excellent technique means he can play through the middle or on the wings". He subsequently likened the player to former France international Robert Pires. <mask> made his professional debut in the team's opening league match of the 2009–10 season against Paris Saint-Germain. The match ended 1–1 with French media outlet La Provence describing the match as a "baptism of fire" for Belhanda. The midfielder admitted to having nerves declaring "I was playing against Makélélé, a player I admired when I was little.These are moments to live. I had pressure; I used to play in front of 200 or 300 people in the CFA". On 19 September 2009, <mask> scored his first professional goal in a 4–2 defeat to Marseille at the Stade Vélodrome. In his next eight matches with the team, he featured as a starter. On 11 November, he

masks: Belhanda Belhanda Belhanda Belhanda


texts:
 assisted on Montpellier's only goal, scored by Víctor Montaño, in a 1–1 draw with Valenciennes. On 13 January 2010, <mask> received his first red card after incurring a second yellow card in a 4–0 loss away to Monaco. After starting in the team's 1–0 win over Lens on 20 January,

2010–11 season

<mask> opened the 2010–11 campaign by making his European debut on 29 July 2010 in the first leg of Montpellier's UEFA Europa League third qualifying round with Hungarian club Győri ETO.He started the match, but was substituted out after 71 minutes as the match finished 1–0. In the second leg, Montpellier were defeated losing on penalties after the match finished 1–0 in favor of Győri in regular and extra time. <mask> appeared as a second-half substitute in the match and did not attempt a penalty in the shootout. On 19 August, he signed a two-year contract extension with Montpellier until 2014. In the league, <mask> appeared as a substitute in the team's first two matches of the campaign. He made his first start on 22 August in a 0–0 draw with Caen. On 16 October, <mask> scored his first goal of the season in a 2–0 victory over Sochaux.He went another two months without scoring before converting the opening goal in a 1–1 draw with Auxerre. In the Coupe de la Ligue, Montpellier surprisingly reached the final of the competition. <mask> appeared as a substitute in the team's first two matches of the competition, but was inserted as a starter in the team's 1–0 semi-final extra time win over Paris Saint-Germain. The win over Les Parisiens sent Montpellier to its first major final since the 1993–94 season when the club reached the final of the Coupe de France. In the final, Montpellier faced Marseille and were defeated 1–0 courtesy of a goal by Taye Taiwo. <mask> played the entire match.

masks: Belhanda Belhanda Belhanda Belhanda Belhanda Belhanda Belhanda


texts:
 On 20 February 2011, <mask> assisted on Olivier Giroud's first goal in Montpellier's 2–2 draw with Paris Saint-Germain.A month later, he scored the match-winning goal against the eventual league champions Lille. 2011–12 season

Following the disappointing campaign, Girard sought to change the team's style of play. One of his changes was to move <mask> into the playmaker position just behind the striker. To coincide with the position switch, <mask> was given the number ten shirt. The move was ultimately a success as <mask> opened the campaign scoring two goals in his first three matches in wins over Auxerre and Rennes. On 27 August 2011, in a 2–1 defeat to Lyon, <mask> received a straight red card after kicking out at Lyon midfielder Miralem Pjanić following a challenge. He returned to the team following the September international break and, after two matches, scored his third goal of the season in a 2–2 draw with Bordeaux.Two weeks later, <mask> scored and assisted on a goal in a 3–1 away win against Caen. For his performances in the month of November, <mask> was awarded the UNFP Player of the Month award. <mask> went scoreless for the next two months, though he did assist on an Olivier Giroud goal in a 3–1 win over Sochaux. On 21 December, in his final match before departing the club to participate in the 2012 Africa Cup of Nations, <mask> scored the opening goal in a league match against Evian in the 47th minute. Minutes later, he assisted on a goal by Giroud to put Montpellier up 2–1. However, Montpellier were unable to retain the lead after conceding three second-half goals to lose 4–2. <mask> returned to the team on 4 February 2012 appearing as a substitute in a 1–0 win over Brest.Fours days later, <mask> returned to the starting lineup against Châteauroux in the Coupe

masks: Belhanda Belhanda Belhanda Belhanda Belhanda Belhanda Belhanda Belhanda Belhanda Belhanda Belhanda


texts:
 de France. In the match, he scored the final goal in a 2–0 win. On 11 February, he converted a penalty in a 3–0 win against Ajaccio. A week later, against first place Paris Saint-Germain, <mask> scored the equalizing goal just before half-time to draw the match at 1–1. The match eventually finished 2–2 after Montpellier and Paris Saint-Germain each scored a second-half goal. On 20 May 2012, for the first time in the club's history, Montpellier HSC won the Ligue 1 title. Dynamo Kyiv
On 1 July 2013, Ukrainian club Dynamo Kyiv announced the signing of Belhanda on a 5-year contract.Media reports had previously linked him with a move to Premier League sides Manchester United, Arsenal, Tottenham and Aston Villa. <mask> was assigned shirt number 90. His contract with Montpellier was due to expire in June 2014, with his transfer fee believed to be in the region of €10 million. He made his debut for Dynamo in a 1–1 draw against Volyn Lutsk coming on as a substitute on the 65th minute. On 4 August 2013, <mask> scored his first goal for Dynamo Kyiv against Shakhtar Donetsk making it 1–1. <mask> scored in his Europa League debut against FK Aktobe which would be the winning goal for Dynamo Kyiv. <mask> scored a hat-trick against Metalurh Donetsk with Dynamo Kyiv winning the match 9–1..In the 2014–15 season, Belhanda helped Dynamo reach the 1/4 final of the UEFA Europa League, getting eliminated by ACF Fiorentina 1-3 on aggregate, as well as winning the Ukrainian Premier League and the Ukrainian Cup. In the 2015/16 season, Belhanda helped Dynamo reach the last 16 of the UEFA Champions League for the first time in 16 years. Schalke 04 (loan)
On 5 January 2016, <mask> was loaned out to German club FC Schalke 04 until the end of the season. Nice (loan)
On 31 August 2016, <mask> signed for


texts:
 French club Nice on loan. Galatasaray
On 28 June 2017, <mask> signed for Turkish club Galatasaray S.K., where he will wear the number '10' shirt previously worn by former Galatasaray player Wesley Sneijder. On 10 March 2021, <mask>'s contract was unilaterally cancelled by Galatasaray. International career
In May 2018 he was named in Morocco's 23-man squad for the 2018 FIFA World Cup in Russia.Career statistics

Club

International

Scores and results list Morocco's goal tally first. Honours
Montpellier
 Ligue 1: 2011–12

Dynamo Kyiv
 Ukrainian Premier League: 2014–15, 2015–16
 Ukrainian Cup: 2013–14, 2014–15

Galatasaray
 Süper Lig: 2017–18, 2018–19
 Turkish Cup: 2018–19
 Turkish Super Cup: 2019

Individual
 UNFP Ligue 1 Team of the Year: 2011–12
 Ligue 1 Goal of the Year: 2011–12
 Ligue 1 Young Player of the Year: 2011–12
 Marc-Vivien Foé Award: 2012
 CAF Team of the Year: 2012

References

External links

1990 births
Living people
Sportspeople from Avignon
Citizens of Morocco through descent
Moroccan footballers
Morocco international footballers
French footballers
France youth international footballers
Montpellier HSC players
FC Dynamo Kyiv players
FC Schalke 04 players
OGC Nice players
Galatasaray S.K. footballers
Adana Demirspor footballers
Süper Lig players
Ligue 1 players
Ukrainian Premier League players
Bundesliga players
Moroccan expatriate footballers
Expatriate footballers in Ukraine
Expatriate footballers in Germany
Expatriate footballers in Turkey
Moroccan expatriate sportspeople in Ukraine
Moroccan expatriate sportspeople in Germany
Moroccan expatriate sportspeople in Turkey
2012 Africa Cup of Nations players
2013 Africa Cup of Nations players
2018 FIFA World Cup players
2019 Africa Cup of Nations players
French people of Moroccan descent
Association football

masks: Belhanda Belhanda


texts:
<mask> (born August 22, 1937) is an educator best known for his advocacy of progressive alternative education and as the author of more than thirty books on education. He founded the 1960s Open School movement and is credited with coining the term "open classroom." Early life
Born into a Jewish household, <mask> attended the Bronx High School of Science and studied philosophy and mathematics at Harvard University from 1954 to 1958. At Harvard he was president of the Signet Society and was elected to Phi Beta Kappa, graduating with an AB degree in 1958. During the 1958–59 academic year he attended University College, Oxford on a Henry Fellowship, and in, 1959–1960, studied philosophy at Columbia University with a Woodrow Wilson Fellowship. Deciding against an academic career, <mask> entered Teachers College, Columbia University, in 1961 and, in 1962, received an MA in teaching, while qualifying for a permanent K-8 teaching certificate in New York City public schools. In 1962 Kohl became a sixth-grade teacher in the New York City public schools, something he had dreamed of doing since childhood.Early career
<mask> has been teaching and writing for over 45 years. During that time, he has taught every grade from kindergarten through graduate school but not in that order. His career as a teacher began in 1962 in Harlem, where he continued to work for six years. From September 1964 to June 1967, under a grant from the National Institute of Education, he ran a storefront school for junior high and high school students, taught high school psychology and writing, and worked as curriculum

masks:
Herbert Ralph Kohl
Kohl
Kohl
Kohl


texts: coordinator for the Parent Board of the I.S. 201 Community School District. In 1967, he became the founding director of the Teachers & Writers Collaborative, a project intended to transform the teaching of writing in the schools. He is still a board member of the Collaborative.In 1964, <mask>'s first book, The Age of Complexity, about analytic and existential philosophy, was published at the same time that he was teaching sixth grade. His first writings on education, Teaching the Unteachable (New York Review of Books, New York, 1967) and The Language and Education of the Deaf (The Urban Review Press, New York, 1967), set the themes for much of his future work. They centered on advocating for the education of poor and disabled students and critiquing and demystifying the stigmatization of students who are perfectly capable of learning. In 1967, 36 Children (New American Library, New York, 1967) was also published, and <mask> was drawn into national debates on the education of African American and other minority student and into conversations on school reform and the nature of teaching and learning. He is still engaged in them now having lived through cycles of reform and reaction, none of which succeeded in creating excellent education for the children of the poor. The problems persist, and he still believes that by hard, imaginative effort, they can be solved. In 1968, <mask> moved to Berkeley, California, where his family lived for the next nine years.He was a Visiting Associate Professor, half time in the English Department and half in the School of Education, at the University of

masks: Kohl Kohl Kohl


texts: California, Berkeley during the spring semester of 1968. Then, he received a grant from the Carnegie Corporation of New York (September 1968 to June 1969) to work with Allan Kaprow, the "happener" who was a Professor of Art at the State University of New York, Stony Brook, on teacher education and the development of creative curriculum that crossed disciplinary and artistic boundaries. Working with Kaprow freed him to cross boundaries, work with students in theater, and experiment with interactive media. The unlikely marriage, made by Margaret Mahoney of Carnegie, had a profound influence on <mask>'s teaching and thinking about learning. An alternative high school, Other Ways emerged during that collaboration and it was supported, in 1969, by a grant from the Ford Foundation (September 1969 to June 1970). It was one of the first attempts to create a series of alternative educational options within public school systems and part of the free school movement. In 1972, <mask> became co-director of the teacher education program at the Center for Open Learning and Teaching, and he taught a combined kindergarten–first grade at a Berkeley public elementary school while he was acting as a master teacher for its teacher education students.For ten years (1970 to 1982), he wrote a monthly column for Teacher Magazine, and he contributed many reviews and articles for publications such as The New York Times,<ref>{{cite news|last=<mask>|first=<mask>|title=A review of The Lives of Children'|url=https://www.nytimes.com/1987/10/14/obituaries/george-dennison-novelist-62.html|access-date=February 9,

masks: Kohl Kohl Kohl Herbert


texts: 2014|newspaper=The New York Times Book Review|date=September 14, 1969}}</ref> The Times, The Nation, and The New York Review of Books. <mask> also wrote a number of books during that period including The Open Classroom, Golden Boy as Anthony Cool, Reading, How to, A Book of Puzzlements, Mathematical Puzzlements, On Teaching, Growing With Your Children, and Half the House.<mask>'s writing had significant influence on other education writers and theorists including John Holt, Jonathan Kozol, <mask>, Ivan Illich, Paul Goodman, George Dennison, James Herndon, Charles E. Silberman, John Taylor Gatto, Neil Postman and others. In 1976, <mask> and Judith Kohl, his wife, wrote The View from the Oak, which won the 1978 National Book Award, Children's Literature. In 1977, they moved to Point Arena, California, and established the Coastal Ridge Research and Education Center. Over the years, it has sponsored a summer camp, where he taught theater, and hosted a number of seminars on education and social justice. Such seminars have involved educators such as Myles Horton and Septum Clarke of the Highlander Center, Joseph and Helen Featherstone, William Ayers, Len Solo, Ira Glaser, Norm Fruchter, Asa Hilliard, Courtney Cazden, Phillip Lopate, Cynthia Brown, and <mask> Jones. The Center also worked with Amnesty International developing a curriculum on conscience and human rights and with the ACLU developing a Bill of Rights curriculum.<mask> also spent a year (1985–1986) teaching in a one-room schoolhouse in Point Arena, and he created, under a grant from the Agency for International Development and the

masks:
Kohl
Kohl
Richard Farson
Herbert
Ron
Kohl


texts: University of Massachusetts Amherst (June 1986 – January 1986), a month-long residential session and a semester's internship in the New York City schools for the heads of teachers' colleges from Botswana sponsored by UMass Amherst. During the 1980s, <mask> also spent time working with a number of pioneers in the computer world. He was on the Board of the Atari Education Foundation and consulted with Alan Kay's Vivarium Project of Apple Computers. His work with computers also involved being a games columnist for Recreational Computing Magazine and Publish!, spending several years (1983–1985) as Director of Software Development for Scientific American, co-authoring four books on computer programming and games for Reston Publishing Company, and editing a series of books on games and computers for them as well. Also during that period, as a member of the Executive Board of PEN, American Center, he established the PEN American Center West. <mask> continued writing over these years and teaching occasionally as a Research Fellow at the University of San Francisco. He was the Gordon Sanders Professor of Education at Hamline University in St. Paul in 1988–1989 and then later spent more time in the Twin Cities area, as Benedict Professor of Educational Studies at Carleton College in 1995.Meanwhule, he was engaged with developing pedagogical content and structure that would take advantage of the strengths and experiences of poor and minority students. Throughout the 1980s, Herb and <mask> worked with Myles Horton on his autobiography, The Long Haul (Doubleday, New York, 1990). It won the <mask> F.

masks:
Kohl
Kohl
Judith Kohl
Robert


texts:
 Kennedy book award in 1991. From September 1994 to June 1997, <mask> had the opportunity to work, through a grant from the Aaron Diamond Foundation, with the Fund for New York City Public Education September. The goal of the project was to design structures for the development of small, theme-based and community-oriented schools of choice within the city's public school system. The Fund morphed into New Visions Schools and is engaged in implementing that work. In 1997, <mask> was appointed a Senior Fellow at the Open Society Institute, the US foundation that is part of the Soros Foundation Network.From September 1997 to June 1999, he worked towards planning a funding strategy in education for the Foundation, and in the process, he managed to support a number of projects that promise effective school reform. <mask> has found himself both teaching and writing throughout his adult life. He feels that writing is a private matter, education a public one. They play off each other, nurturing and informing each other. Both are a source of energy and give him a feeling of being of use to others. His books published from 1982 to 1999 include Basic Skills (Little Brown, Boston, 1982), Growing Minds (Harper and Row, New York, 1986), Making Theater (Teachers and Writers Collaborative, New York, 1988), I Won't Learn from You (The New Press, New York, 1994), and Should We Burn Barbar? (The New Press, New York, 1995), and The Discipline of Hope (Simon and Schuster, New York, 1998).Later life
In the spring of 2000, after his Fellowship at the Open Society Institute was completed, <mask> accepted the

masks: Kohl Kohl Kohl Kohl


texts: challenge of building a small, autonomous teacher education program centered on equity and social justice at the University of San Francisco (USF). The Center for Teaching Excellence and Social Justice opened with 25 students in the fall of 2000. The first year was supported by a special innovative grant from the President of USF (January 2000 to January 2001). The next three years were supported by a grant from the William and Flora Hewlett Foundation (September 2001 to June 2004). Under the terms of the grant, the Center also worked on reform in the Oakland and San Francisco school districts. Meanwhile, <mask> published a book of essays, Stupidity and Tears (The New Press, New York, 2003) and She Would Not be Moved (The New Press, New York, 2005). In 2005, he left the program at USF after five years and accepted a year's appointment as Eugene Lang Visiting Professor for Issues of Social Change at Swarthmore College during the academic year of 2005–06.<mask> returned to his home in Point Arena in the summer of 2006. Storms and water damage during the spring destroyed his study and many of his books and resources. It took months to rebuild, and some of the work is still going on. Nevertheless, he continued to write, and his book Painting Chinese (Bloomsbury, New York, 2007) was finished in Point Arena and published in 2007. In addition, a collection of his works, The Herb Kohl Reader (The New Press, New York, 2009) was published in 2009. He continues to work with educators across the country. In particular he's currently collaborating with Kevin Truitt, formerly principal of Mission High

masks: Kohl Kohl


texts: School and currently Associate Superintendent of the San Francisco Unified School District, on a book about the complex, demanding, and often heart breaking lives of urban high school principals.The book proposes a way of supporting principals that is a cross between psychotherapy and dramaturgy, which they tried out for three years and decided to call edutherapy. In 2012, <mask> published a collaborative book with Tom Oppenheim and the Stella Adler Acting Studio, of which he is Director, on advocating support for the arts, as necessary components of any decent public education. In conjunction with this book, "The Muses Go to School: Inspiring Stories about the Importance of Arts in Education," he interviewed artists such as Phylicia <mask>, <mask>, Philip Seymour Hoffman, Moises Kaufman, Bill T. Jones, and Whoopi Goldberg, and educators such as Maxine Greene, Frances Lucerna, Lisa Delpit, and Steve Seidel. <mask> is also currently teaching an essay writing class in Point Arena and working on a book of personal essays. At the center of all of his work is the belief that a quality education for all children is a pedagogical imperative and a social justice issue. Partial bibliographyThe Age of Complexity, New American Library, 1965 ; Greenwood, 1977 (reprint) The Language and Education of the Deaf, Center for Urban Education, 1966Teaching the "Unteachable": The Story of an Experiment in Children's Writing, A New York Review Book, 196736 Children, New American Library, 1967 ; 1988 (reissue) The Open Classroom, A New York Review Book, 1969 Math, Writing & Games in the Open Classroom, Random

masks:
Kohl
Rashad
Rosie Perez
Kohl


texts:
 House, 1973, Half the House, Dutton, 1974 Reading, How to: A People's Guide to Alternatives to Learning and Testing, Bantam Books, 1978 Basic Skills: A Plan for Your Child, A Program for All Children, Little, Brown, 1982 On Teaching, Schocken, 1987 A Book of Puzzlements: Play and Invention with Language, Schocken, 1987 Growing Minds: On Becoming a Teacher, HarperCollins, 1989, The Question Is College: On Finding and Doing Work You Love, Crown, 1989 I Won't Learn from You! The Role of Assent in Learning, Milkweed Editions: Thistle Series of Essays 1991 From Archetype to Zeitgeist: Powerful Ideas for Powerful Thinking, Little, Brown, 1992 Nurturing One's Dreams: A Review of Paulo Freire's Pedagogy of Hope, Highlander Center Working Papers Series, 1994"I Won't Learn from You:" and Other Thoughts on Creative Maladjustment The New Press, 1994 Should We Burn Babar?Essays on Children's Literature and the Power of Stories, The New Press, 1996 The Discipline of Hope: Learning from a Lifetime of Teaching, Simon & Schuster, 1998 A Grain of Poetry: How to Read Contemporary Poems and Make Them a Part of Your Life, HarperCollins, 1999
Judith and <mask>, The View from the Oak: The Private Worlds of Other Creatures, New Press, 2000


texts:
<mask> (1945 in Angers (France) – March 2, 2006 in Paris) was a French essayist and novelist. None of his works have yet been translated into English. In 2010, the French actor Fabrice Luchini read some of <mask>'s works at the Théâtre de l'Atelier in Paris, which contributed to a renewed discussion of his writings in the French press. <mask>'s literary styles and the wealth of works he published make him one of the most important writers of the 20th and 21st century. Biography
Very little is known about <mask>'s personal life. His father was a writer and translator of English-language authors (Jack London, Melville, Kipling, etc.) and his mother a devout reader.According to <mask> himself, his parents contributed significantly to his literary education and taste of literature. As soon as he could, he started to study humanities in Paris. During some months in 1983, he taught French literature at Stanford University in California. There he developed the concept of L'empire du bien (the Empire of the Good), and he collected materials to write his book Le XIXe siècle à travers les âges (The 19th Century through the Ages), published in 1984. In that book he underlines the importance of occultism in the formation of socialism. He also published a controversial essay about Céline, in which he tried to explain the fierce antisemitism of the physician and critically acclaimed author of Journey to the End of the Night. <mask> went on to argue that Céline's antisemitism was partly a consequence of his hygienist beliefs – as did the Nazis, Céline

masks:
Philippe Muray
Muray
Muray
Muray
Muray
Muray


texts:
 believed that the Jews where both an obstacle to progress and a social illness.<mask> died on 2 March 2006 of lung cancer and is buried at the Montparnasse Cemetery in Paris. Writing
An exceptional literary stylist and novelist, <mask> published many an article and essay in various French magazines such as L'Atelier du roman, criticizing what he saw as the absurdities and anomalies of the modern world. A philosopher and an artist, he described the major upheavals that have led to the modern-day way of life, trying to show how some aspects of modernity such as jihadists and neofascists wholly embraced the views of those they opposed. A satirist, he often wrote in a polemical tone, and his perspective is sometimes classified as that of a cultural antimodernist or even reactionary, though <mask> did not qualify himself as such. He also wrote various works of fiction, mostly under pseudonyms, of which most are not yet known. Some of his best-known works, Postérité, Rubens's Glory, On ferme, Square Wheels, Spiritual Exorcisims, L'empire du bien, Dear Jihadi, Minimum Respect, and Festivus Festivus, have yet to be published in English. <mask>'s writing style is often detailed, insistent, and comical.A productive intellectual who described himself as a student of Louis Ferdinand Céline, Balzac, Bloy, Bernanos, and Péguy, he coined numerous neologisms, mostly pejorative, such as "Mutin de Panurge" (any credulous person who believes himself a rebel and freethinker while following and enforcing the latest trends of the day), "Artistocrate" (an

masks:
Philippe Muray
Philippe Muray
Muray
Muray


texts: artist who is completely aligned with the political power structure of the day and whose artistic activity becomes that of a charge, as under the Ancien Régime), and "Rebellocrate" (a person who pretends to be radical but is in fact allied with the power structure). The last is in some way akin to the concept of "recuperation". Notably, he referred – tongue in cheek – to the new form of Homo Sapiens, devoted to pleasure and personal fulfillment, as "Homo Festivus." Thought first and foremost a novelist whose intent was to describe the mores of his day and their consequences, <mask> was also an intellectual interested in major political and cultural changes. In his non-fiction work The 21st Century throughout the Ages, <mask> went on to explain how the gradual fall of the Church in Europe after the French Revolution gave rise, in its place, to a wave of occultism, protosocialist, and parapsychology ideologies. These ideologies are for Muray the root and stem of the major political movements that flourished in the 20th century and still dominate modern-day life – i.e. feminism, marxisim, fascism, environmentalism, etc.For Muray, intellectuals such as Auguste Comte, Jules Michelet, Victor Hugo, Allan Kardec, Freud, Helena Blavatsky, Emile Zola, Lenin, Adolf Hitler, Foucault, and far-right thinkers such as Edouard Drumont were all proponents of some kind of occultism that manifested itself through different "brands" of "socialist" beliefs (though Muray nuanced his proposal: according to him some of these public figures also held views that

masks: Muray Muray


texts:
 also went against occultism, as in the case of Sigmund Freud). Muray went on to comment that the movement inspired French thinkers to hope for a regeneration of the human being in a form adapted to life in a Utopian society. This "New Man", stripped of his primordial defects, it was hoped, would be able to put the theories of socialists such as Karl Marx and Benito Mussolini into practice. Criticism

In 2002, Daniel Lindenberg included Muray in his list of "new reactionaries", along with Michel Houellebecq, Maurice Dantec, Alain Badiou, Alain Finkielkraut, and others. It has been demonstrated by Muray that Daniel Lindenberg had not read his works

Muray was criticised by the American historian Eugen Weber in his book France, Fin de Siècle. While agreeing with the insight that there was a significant nexus between occultism and socialism in 19th-century France, his overall assessment was that it was a ″wordy, pretentious, excruciatingly bad book [...] serious students would do better [...] to turn to Auguste Viatte's Sources occultes de Romantisme.″

References

External links
 http://www.philippe-muray.com/ (In French only) - (website does not exist anymore)
 "<mask> Muray's laugh" : interview of Fabrice Luchini by Alain Finkielkraut (France Culture)
 Philosophy of <mask> Muray : Maxence Caron guest of Raphaël Enthoven (France Culture)
 Ortiz, P. "El maldito pensamiento de <mask> Muray". Reseña del ensayo El Imperio del Bien publicado en Hombre en camino [en línea] 2015.1945 births
2006 deaths
French male writers
20th-century French

masks: Philippe Philippe Philippe


texts:
<mask>, born on March 8, 1951 in Colombia, is a Colombian and French painter, sculptor and writer. He became known for his large paintings and the treatment of his male and female subjects using a technique between realism and hyperrealism. Influenced by the Italian mannerists and their distorted figures, as well as anamorphosis and trompe-l'œil, his techniques borrow from the Renaissance. creating his own and unique style that he calls "suprarealism". The artist describes suprarealism as, "in surrealism the absurd elements are evident, but in suprarealism the absurd go into the logic of seeing, being in fact unnoticed". Zamor has lived in Europe since 1974, spending long periods in Rome, Florence, Paris, Amsterdam, Zürich, Stockholm and Madrid to develop and finish his humanistic studies before creating his own artistic style. Education
Once he had decided to be an artist, Guillermo Zamor didn't want to study in the Academy of Arts, because he considered it a priority to have a humanistic and literary education in order to be better prepared for an artistic career.Initially he followed an architecture course at the Pontifical Xavierian University in Bogotá, Colombia, where he learned the fundamentals of art, perspective, drawing, etc. Then he decided to direct his studies towards philosophy and literature. He began with a licentiate degree in Philosophy and Letters and then a master's degree in History at the Xavierian University in Bogotá. After that he left his country to go to Paris in 1974 where he continued his humanistic studies for a master's degree in Literature at the Sorbonne, and a Ph.D in History, also at the Sorbonne, and finally, a licentiate degree in History of Art at the University of Grenoble in France. In 1976, after traveling and studying the Europe's museums, he decided to dedicate his life to painting and sculpting in Paris. Exhibitions

In France, 1970s

Zamor's first exhibition was in 1978 in Grenoble. From the beginning


texts:
 he attracted some press attention.His personal style was inspired from men and women nudes, Critics also recognized his practice of a very classical technique in oil paintings.<ref>[http://www.zamor.com/ind/presse/phd/Images/Presse/1979/Galerie_Madeleine1.htm Newspaper Dauphiné Liberé, Grenoble 19 Mars 1979]</ref>
A series of individual exhibitions in the Galerie Madeleine, Grenoble, 1979, was followed by exhibitions at the Galerie d'Art Moderne, Orange, and the Galerie du Musée, Nernier, France. In 1980 journalists from the Rhône-Alpes region chose Zamor to represent the region in the 91st Independents Salon in the Grand Palais in Paris. In Venezuela and Colombia

After this initial success as an artist in France, Zamor returned to Colombia in 1979. Soon after he arrived he opened a studio and started painting "Saint Sebastian", inspired by a model he met. Initially planning to stay for three months, he remained a year and a half, taking the opportunity to exhibit in different places. The first was in Cúcuta, in the "Culture house", and then in Venezuela, in San Cristobal, at the Galerie J.M. Oliveros.In 1980 he met Gustavo Humberto Rodríguez, Colombian presidential council, who invited him to hold an individual exhibition in San Carlos House, previously the Presidential house, in January 1981. The same exhibition was immediately claimed by the Contemporary Art Museum. The national press from Colombia discovered a new artist. At the end of 1981, Zamor returned to Paris leaving all his works from the previous two years in the Contemporary Art Museum's depository. Press releases in 1980s

Back from Colombia, Zamor stayed in Paris. For one year and a half he studied systematically the art works in the Louvre Museum using his historical background. He then moved to Grenoble, where the Mayor of Grenoble gives him a place to set up his art Studio.Here he developed his style introducing new elements in his drawings and paintings, especially the


texts:
 anamorphosis and the trompe-l'œil. In 1985 Zamor held another exhibition in the Theatre of Grenoble centered on one canvas with all the related drawings and studies around it. The Art critic and History of Art teacher in Florence (Italy) and in Grenoble (France), Philippe Renard, invite Zamor to La Pieve an Elici, in Lucca, Italy, to get know him better and later on published an interview for the magazine Connaissances des Hommes in Paris in 1985. The Greek translation were published in the literary magazine ΠΟΔΙΟΡΚ'ΙΑ, appeared in Athens in 1985. In 1986 The Eolia's Gallery, 10 rue de Seine in Paris, discovered Zamor's work and takes him under exclusivity. It organize different exhibitions of Zamor's drawings which generated a lively interest in the French press: the arts magazine L'Œil the newspaper Le Figaro, the weekly Le Point and in the Art's Anthology book written by the Art critics Gérard Xuriguera. On April 24, 1988 some of his works were sold at the Salle Drouot auction house "Cabinet Catherine Charbonneaux" in Paris.Travels in 1990s

Zamor travel and works a lot, founding inspiration in new places. From Ardèche to Paris, then to Grenoble, then changing continents and living on the shores of the tropical sea. After this he moved to the countryside and the great hills of the Cordillera of the Andes and to Porto Rico. Wherever he ended up there were new possibilities for exhibitions. At Bogotá, in Colombia, he exhibited at the "Galerie d'Art" in the World Trade Center in 1991 and 1992(Newspaper "El Nuevo Siglo", Bogotá, Colombie, 24 sept. 1992) another exhibition followed in Barranquilla, Colombia, in December 1992. In 1993 he stayed the whole year in Cartagena, Colombia, and from the end of 1993 to May 1996 on the high plateau of the Cordillera. After his return to France he was invited to exhibit his art works in San Juan de Puerto Rico, in 1997 and again in 2000 with Carolina Herrera.Style

The best way to describe the Zamor Style may


texts:
 be through excerpts of press reviews. Right from the start it has been said that Zamor  "... show us a world erotic as well as fantastic and terribly smooth, through meanders where human bodies express the most eclectics emotions "... and across the Atlantic it was said that Zamor's approach: "... is absolutely contemporary... his artistic vision is inspired by classicals lines, and his picture are deeply anchored in the Greek culture and philosophy..."

Back in France one could read "... The beautiful drawing of Zamor ... of such quality that it is to be hoped that the talent of the artist will be more widely recognized". and going back to the source of his inspiration it was said : "…his researches related his art to the great era of Mannerism. He give us the certainty that modern plastic Art – to quote Rodin -: 'An Art worthy of that name does not follow the past, he extends it'". About his artwork's poetry,  "… Zamor surprises us with drawings of an aerial musicality, singing under his pencil and leaving them vibrating…" and about his quality "...Sofia Vari and Zamor who are experienced designers ..."
In Paris well-known journalists confirmed his talent:"... <mask>, the Colombian who became a citizen of Grenoble, also excites us with imagery using draped bodies and pediments which are drawn so carefully and so monumentally that it makes you feel dizzy..." and "... Zamor is sure of his ways: he fashions, with an imaginary futurism, more likelihood than similarity ..." ..." mentioned in the book of artistic anthology by Xuriguera. Later Zamor integrated a new element in his pictures: trompe-l'œil which was quickly rewarded by the critics:   "… his works in acrylics possess an illusionist magic, achieved by the trompe-l'œil technique combined with expertly drawn nudes… ".This was almost immediately confirmed in France by Sylvie Perrard : "… His work expresses the constant interplay between dream and reality …"

The following review referred to


texts:
 his portraits : "Through his paintings, the artist Zamor interprets the soul, the inside of each person… No one knows where the picture ends and the frame begins…"

Public collections
When Zamor was working with the Eolia Galery in Paris it put his artworks in auction sales in Drouot, Paris in April 1988. At the same time in Colombia, the corporation "El Minuto de Dios2 from Eudists community commissioned from him a picture of "Saint Jean Eudes" for the Contemporary Arts Museum in Bogotá; the Colombian President, Belisario Betancur, asked Zamor for "The Black Christ" to be part of the Betancur Collection, in the Presidential "Nariño's House" from Colombia, along with Botero and other Colombian painters. Other artworks are in public collections, such as "Eve" in the "Museo de la Memoria", in Cucuta, Colombia, some drawings bought for the Avianca Collection, open to the public. Writings and publications

 Historical writings
Historical essays by Zamor were published at the Universitas Humanísticas Revue from the Xavierian University, in Bogotá, Colombia, different studies between 1971 and 1974 :Elementos decorativos del arte Muisca en los volantes de huso (50 pages). Others, based on original paleographic documents from the 16th century, conserved in the Colombian National Archives: Catálogo de documentos existentes en el Archivo Histórico Nacional para el período 1564 – 1580 (80 pages) ; Ordenanças del Señor Doctor Antonio Gonzalez y del Señor Miguel de Ybarra (20 pages) ; Catálogo de documentos existentes en el Archivo Histórico Nacional para el período 1580- 1597 (110 pages) ; Encomiendas en el Nuevo Reino de Granada durante el período presidencial del Doctor Antonio Gonzalez (1590–1597) (100 pages) ; Catálogo de documentos existentes en el Archivo Histórico Nacional para el período 1597 – 1605 (90 pages);

In addition he wrote a chapter about the history of the city of his birth, El sitio de Cucuta 1900–1903, published by the Institute of


texts:
 Culture and Arts from Cúcuta (50 pages). Zamor stopped historical writings in 1976 in order to devote himself exclusively to his artistic projects. Philosophical writings
With the arrival of the Internet, Zamor taught himself information technology, in order to put on line the whole collection of his works.From 1998 to 2004 he developed his website www.zamor.com. In 2011 he created www.zamor.fr, in order to publish his books, written simultaneously with his career as a painter.Le Quêteur d'âmes ("The Seeker of Souls"), a philosophical and biographical essay in French (640 pages, 1999–2004 ) was the first published, followed by another philosophical essay
in French entitled, L'être Sensible ou Lettres sans cible aux êtres sensibles ("The Sensitive being", "Letters without target for sensitive beings") (285 pages, 2010–2011). Next in 2013 he published a novel which continues the subject of "The Seeker of Souls", but in a different literary style entitled À l'ombre des manguiers ("In the shadow of the mango trees") (285 pages, 2002–2005)). In 2015, another philosophical essay was published in French (200 pages, 2014) entitled À la recherche de ma complétude ''("In search of my completeness"). Zamor’s museum & foundation
Created in 2014 in order to work with sensitive beings and to work towards the realization of the Zamor Museum, with more than one thousand artworks from his own collection. Since 2000 Zamor no longer sells his artworks, and from 1976 onwards has kept as many as he could. References

External links
 Official Zamor's website
 Zamor's Museum & Foundation
 Zamor's Yoga performing
 The art in Colombia
 Art in France)
 Scandal about "The Black Christ" from Zamor

1951 births
Colombian painters
20th-century French painters
French male painters
21st-century French painters
Trompe-l'œil artists
Colombian sculptors
Colombian historians
Colombian male writers
Living people
20th-century French sculptors
French male sculptors
French male


texts:
<mask> (born 16 January 1983) is a Scottish professional footballer who plays as a striker. He has been capped three times by the Scotland national team. Riordan started his career with Hibernian in 2001 and had a brief spell on loan with Cowdenbeath in 2003. He became one of the top young players in the Scottish Premier League, winning the young player of the year awards in 2005. Riordan signed for Celtic in 2006, but failed to hold down a regular first-team place and returned to Hibernian in 2008. He totalled 104 goals in 260 appearances across all competitions in his two spells at Easter Road. Riordan left Hibs as a free agent in 2011 and signed for Chinese Super League club Shaanxi Baorong Chanba, but the two-year contract was mutually terminated after just four months.He then signed for St Johnstone on a short term contract in March 2012. Riordan then signed for Bristol Rovers, but he was released after a three-month deal. He has since had short spells with Alloa Athletic, Brechin City, East Fife, York City, Edinburgh City and amateurs St Bernard's. Club career

Hibernian
Born in Edinburgh and raised in the city's Pilton area, Riordan signed for Hibernian on 14 May 1999 and made his first-team debut in 2001 in an Edinburgh derby. In January 2003, Riordan went on loan to Cowdenbeath, along with teammate Paul Hilland. He scored four goals in three appearances for the Fife club, including a hat-trick in a 7–5 win away to Brechin City. Cowdenbeath wanted to extend the loan to the end of the 2002–03 season, but he returned to Hibernian at the end of January.Riordan was given an extended opportunity in the Hibs first team towards the end of the 2002–03 season. He became a first team regular the following season. Riordan was the club's top goalscorer for each of the next three seasons, with 18, 23 and 20 goals respectively. This earned him recognition in the form of the PFA Scotland Young Player of the Year and SFWA Young Player of the Year awards


texts:
 in 2005, and selections for the Scotland national team later that year. At the end of the 2004–05 season, Riordan rejected an offer of an extension to his contract, and Hibs made him available for transfer. A £500,000 fee was agreed with Cardiff City in August 2005, but Riordan rejected the move. During the January 2006 transfer window, Rangers made a £400,000 bid for Riordan that was rejected by Hibs.Bids from Lokomotiv Moscow and Kaiserslautern were accepted by Hibs, but Riordan rejected these moves because he did not want to move overseas. Riordan caused controversy in 2005 when he appeared in a video that showed him singing that Hearts player Rudi Skácel was a "fuckin' refugee", to the tune of The Beatles's "Yellow Submarine". Riordan later apologised for his actions. Celtic
Riordan signed for Celtic in a £170,000 deal in June 2006. The fee was reduced from the previous offers because Riordan's contract with Hibs was due to expire in October 2006, and Riordan had already made a pre-contract agreement to sign for Celtic on a free transfer in January 2007. Riordan made his full debut for Celtic in a Scottish League Cup tie against St Mirren, as Gordon Strachan fielded a team containing many players who were not first team regulars. He had difficulty obtaining a regular place in the Celtic team; he made only 24 league appearances in two seasons with the club.Riordan publicly aired his disappointment at not being given more opportunities in the Celtic first team in April 2008, and he subsequently trained with the reserve team. Burnley made a £400,000 offer for Riordan in January 2008, but this was rejected by Celtic. Five other clubs, including his former club Hibernian, made loan offers for Riordan, but Celtic rejected these and informed Riordan that he would have to leave on a "permanent" deal. Hibernian made another loan offer to Celtic for Riordan in August 2008, but this was also rejected by Celtic. Return to Hibernian
Riordan returned to


texts: Hibernian on the final day of the 2008 summer transfer window for an "undisclosed" fee believed to be around £400,000. Hibs initially gave Riordan the unusual squad number 01, as number 10 had already been allocated to Colin Nish. Riordan was given the number 10 shirt for the 2009–10 season; he was able to do this as Nish had taken number 9 after Steven Fletcher left the club to join Burnley in the summer of 2009.Riordan made his second debut for Hibernian on 13 September 2008, when he came on as a 61st-minute substitute for Joe Keenan against Dundee United. In his second appearance, he scored the only goal of the match against Hamilton Academical. Riordan ended the 2008–09 season as Hibs' top goalscorer with 12 goals. A good run of form at the start of the following season led to a recall to the Scotland squad and a player of the month award from the SPL. Riordan scored his 100th goal in senior football later that season; he brought up the milestone with a trademark free kick against Kilmarnock that gave Hibs a 1–0 win. Riordan had been omitted from Craig Levein's first Scotland squad, but Hibs manager John Hughes commented that Riordan had "worked very hard" in trying to win an international recall. His consistent goalscoring in the 2008–09 and 2009–10 seasons came about despite often playing in a wide midfield role.Hughes again praised Riordan during the 2010 pre-season. Soon afterwards, Riordan declared that he wanted to agree a new contract with the club. He was however also linked with a £500,000 move to Azerbaijan Premier League club Gabala, who at the time where managed by Tony Adams. After the sale of Anthony Stokes to Celtic, Hughes started using Riordan as a central striker. Despite scoring three goals in the early part of the season, Riordan was omitted from the Scotland squad in October 2010. After Hughes was replaced by Colin Calderwood as Hibs manager in October 2010, the new manager gave Riordan the team captaincy. In his second


texts:
 match as captain, the first Edinburgh derby of the season, Riordan was sent off for a reckless lunge on Rudi Skácel in the dying minutes of a 2–0 loss.Riordan bounced back by scoring both goals in a 2–1 win against Motherwell the following weekend. He registered his 100th goal for Hibs in all competitions during a 2–1 defeat at Kilmarnock in December. Riordan was the first player to achieve this milestone since Arthur Duncan thirty years ago. A goal against Hamilton in March 2011 meant that Riordan became the third highest goalscorer in the Scottish Premier League era, behind only the prolific Old Firm goalscorers Kris Boyd and Henrik Larsson. In April 2011, the Daily Express reported that Riordan would leave Hibernian when his contract expired at the end of the 2010–11 season. The newspaper claimed that Riordan had turned down an offer of a new deal on reduced terms. Shaanxi Baorong Chanba
Riordan signed a two-year contract with Chinese Super League club Shaanxi Baorong Chanba in July 2011.On 10 July 2011, Riordan made his debut for Shaanxi Baorong Chanba as a substitute coming on for Fabio Firmani in the 76th minute as they lost 1–0 to Liaoning Whowin, and made his start in a 1–1 draw against Shenzhen Ruby on 14 July. His first goal came when he scored against Chengdu Blades in a 3–1 win on 21 August. He became a favourite player of the fans, but the team performed poorly in the 2011 season. The team manager, Gao Hongbo, criticised Riordan after a defeat by Dalian Shide. Riordan decided to leave the club and his contract was terminated by mutual consent in November 2011. St Johnstone
Sky Sports reported that clubs in Italy and Turkey were interested in signing Riordan in January. Riordan trained with Kilmarnock and Blackpool in January, and St Johnstone in March.On 30 March, Riordan signed for St Johnstone until the end of the 2011–12 season. On 21 April 2012, Riordan made his first start in a 2–0 defeat against Dundee United and played 90


texts:
 minutes in a 5–1 loss against Motherwell on 28 April 2012. The Courier newspaper reported on 15 May that his contract with St Johnstone would not be extended. Riordan agreed in July 2012 to go on trial with an unnamed club in La Liga. Later in July, Riordan trained with League One club Milton Keynes Dons. In August, Ross County made contact with his agent. Bristol Rovers
On 27 September 2012, Riordan signed for League Two club Bristol Rovers on a three-month deal.He made his debut on 29 September, in a 2–1 victory against local rivals Exeter City. He made his home debut on 3 October in a 1–0 defeat to Cheltenham Town. Riordan was released at the end of his contract, having made 12 appearances without scoring a goal. Later career

Riordan trained with Scottish Championship club Alloa Athletic in November 2013. On 14 February 2014, Alloa signed Riordan on a deal until the end of the season. He made only two substitute appearances in a spell that was affected by an ankle injury. Riordan was released by Alloa at the end of the 2013–14 season.Riordan played as a trialist for Brechin City in October 2014. He was involved in three matches for Brechin, the maximum permitted for a trialist, after which Riordan turned down a contract offer. He then played as a trialist for East Fife in February 2015, scoring the winning goal in a match against Annan Athletic. East Fife manager Gary Naysmith then offered Riordan a contract to the end of the season, which was signed in early March. Riordan left East Fife at the end of the 2014–15 season. He trained with Hibernian in September 2015, with manager Alan Stubbs commenting that Riordan had been provided with their facilities due to his previous service for the club. On 29 January 2016, Riordan signed for League Two club York City on a contract until the end of the 2015–16 season.He was released by York when his contract expired. Riordan signed a short-term contract with Scottish League Two club Edinburgh City on


texts:
 27 February 2017. He scored on his debut on 11 March 2017, with a 75th-minute goal in a 2–1 away win over Forfar Athletic. Riordan left the club at the end the 2016–17 season following the end of his contract, having scored three goals in seven appearances. He signed for Edinburgh amateur club St Bernard's in April 2018.

International career
Riordan was capped five times by the Scotland national under-19 team (2001), five times by the under-21 team (2004 to 2005) and three times by the senior team (2005 to 2009). Post-football career
In January 2020, Riordan took over popular Easter Road bar The Four in Hand, renaming it 'R10rdan's Sports Bar' (styled after the Number 10 shirt number that he had worn at Hibernian). Career statistics

Club

International

Honours
Celtic
Scottish Premier League: 2006–07, 2007–08
Scottish Cup: 2006–07

Individual
SFWA Young Player of the Year: 2004–05
PFA Scotland Young Player of the Year: 2004–05
Scottish Premier League Player of the Month: September 2009
Scottish Premier League Young Player of the Month: April 2004, September 2004, November 2004, December 2004, January 2005, May 2005

References

External links

<mask>n profile at the Scottish Football Association website

1983 births
Living people
Footballers from Edinburgh
Scottish footballers
Scotland youth international footballers
Scotland under-21 international footballers
Scotland international footballers
Association football forwards
Hibernian F.C.players
Cowdenbeath F.C. players
Celtic F.C. players
Beijing Renhe F.C. players
St Johnstone F.C. players
Bristol Rovers F.C. players
Alloa Athletic F.C. players
Brechin City F.C.players
East Fife F.C. players
York City F.C. players
Edinburgh City F.C. players
Scottish Premier League players
Scottish Football League players
Chinese Super League players
English Football League players
Scottish Professional Football League players
Scottish expatriate footballers
Expatriate footballers in China
British


texts:
<mask> (né Julius Israel; April 13, 1925 – July 28, 1979) was an American actor, director, educator, and producer, who in the 1950s co-founded the San Francisco Actor's Workshop. When the Actor's Workshop closed in 1966, <mask> moved to New York City and became the first Producing Director of the Repertory Company of the Vivian Beaumont Theater of Lincoln Center. In 1955, the Actor's Workshop was the first West Coast theater to sign an Equity "Off-Broadway" contract. <mask> had started the Workshop with fellow New Yorker Herbert Blau, whom he knew from undergraduate days at New York University and then during graduate study at Stanford University. Both men were both professors at San Francisco State, <mask>, in the Drama department and Blau in English. <mask> was from childhood deeply involved in theater, supported in this by his family along with his older brother Richard, despite a degree of religious reservation inculcated by bizarre bearded Russian/Yiddish-speaking rabbinical teachers that dis-inspired what <mask> called a "lost generation" of the children of Jewish immigrants. He was active in school shows and made his Broadway debut at the age of thirteen in George S. Kaufman's The American Way.He joined the army in 1943, serving in the infantry during the Battle of the Bulge and as a Russian translator when his unit met Soviet forces. After V-E Day, he transferred to Special Services and had the opportunity to hone his theater managerial skills as he organized camp shows under Joshua Logan. San Francisco Actor's Workshop, 1952–1966
From its inception on January 16, 1952 in a loft above a judo academy on Divisadero Street in San Francisco to its formal demise in 1966, the Actor's Workshop set new standards as a pioneer of resident professional art theater in the United States. Among those present in 1952 for a "study group" or "workshop" were <mask>, Blau, their wives, Priscilla Pointer and Beatrice

masks:
Jules Irving
Irving
Irving
Irving
Irving
Irving
Irving


texts: Manley; Hal J. Todd, who had been at Stanford with <mask> and Blau; Richard Glyer, an instructor at San Francisco State University; Paul Cox, an aspiring playwright; and S.F. State student Dan Whiteside. <mask> was "managing director"; he shared artistic leadership with Blau. <mask> guided the theater's finances and led primary day-by-day operations of the company's growth to its Elgin Street playhouse and then to offices on Folsom Street and two year-round theaters, the Encore and the Marines' Memorial.A major transition occurred in 1956 when the Workshop was evicted from Elgin Street to make room for a new freeway. The company had an option to renew its lease on the Marines' Memorial Theater but no money. A young Canadian, Alan Mandell, who as volunteer Business Manager (and de facto chief executive with <mask>) helped inaugurate  the first subscription season for the Actor's Workshop. <mask> and Blau were insistent idealists who developed the Workshop in the tradition of the Group Theatre of the 1930s; they and key company members were dedicated to principles of social responsibility and ensemble artistry. The troupe's repertoire focused initially on Miller and other modern American writers, such as Odets, O'Neill, and Tennessee Williams, but soon expanded to the contemporary world dramas of Samuel Beckett, Brecht, Genet, John Osborne, Yukio Mishima, and Harold Pinter. Respected as an actor as well as director, <mask> played major roles, including Proctor in The Crucible  and Happy in Death of a Salesman  (which he also directed) in the Workshop's productions of Arthur Miller plays. When the Workshop produced the west coast premiere of Beckett's Waiting for Godot, <mask> was the loquacious servant, Lucky.The production played to the Workshop's regular audiences, then performed for inmates at San Quentin prison  and on to the 1958 Brussels World's Fair where it represented American theater under the aegis

masks: Irving Irving Irving Irving Irving Irving Irving


texts: of the US State Department. The travel to Brussels was not without incident. <mask> was informed that the Workshop would need to fund its own travel to get to Belgium. After weeks of fund-raising and while the company was still in New York, he received word that it would be "inadvisable" for a particular stage manager  to travel on to Brussels. The opaque State Department communications left <mask> and Blau to speculate while officials would not go on record that perhaps some liberal activity had brought negative attention down on the respected company member. The Workshop protested but in the end, feeling a responsibility to San Franciscans who had provided travel funds, proceeded to Brussels with Pointer replacing the stage manager for the occasion. In addition to his acclaimed abilities as the director of such Workshop productions as The Entertainer, Misalliance, The Glass Menagerie, and The Caretaker, <mask> proved his skills as a financial manager over many years, shrewdly learning "by necessity," according to San Francisco writer Mark Harris, "a hundred-and-one uses for the pennies of a dollar."<mask> always had to struggle to keep the Workshop solvent. In doing so, he protected the company's artistic independence. He was thus extremely cautious in the late 1950s when the Ford Foundation offered its hand. Some scholars note that <mask>'s life offers a study in artistic morality although the "message" of any particular ethical exchange (Workshop v. State Department, Workshop v. Ford, v. Lincoln Center, v. ACT?) may remain unclear. A secular Jew, <mask> was honored with the Methodist-oriented Danforth Fellowship early in his professorial career for interests and achievements in "religion and higher education".In 1957, <mask> began interacting with the Ford Foundation. At that time, the Foundation's Humanities and Arts Program offered grants-in-aid to "creative and performing artists", et al and the


texts:
 Workshop stood to benefit. Over time <mask> developed a relationship with the Foundation as a consultant who advised fledgling theaters on survival and growth throughout the nation. Of particular note is his travel to Mississippi in the early '60s to work as an advisor to the Free Southern Theater, a racially integrated troupe presenting Waiting for Godot amid a "beligerant, racist" atmosphere. <mask>'s relationship with the Ford Foundation offered important lessons in the ethics and effects of philanthropic intervention in non-profit enterprises within a free market system. Lincoln Center, 1965–1972
The Workshop and its directors rose in national prominence for thirteen years until, in 1965, <mask> and Blau were appointed to the artistic leadership at the Repertory Company in the Vivian Beaumont Theater of Lincoln Center. Several key actors were invited to accompany them to New York to form the nucleus of a repertory troupe.The direction of the Actor's Workshop was assumed by Kenneth Kitch and John Hancock, who managed to keep the company going, despite dwindling audiences, through the summer of 1966 when the San Francisco Chamber of Commerce rejected an appeal for aid from the company. The Chamber instead offered a financial incentive to William Ball's American Conservatory Theater to become the city's resident company. <mask> and Blau were back in their home city. After a rocky reception to their initial efforts, particularly to Blau's production of Danton's Death,  Blau resigned, but <mask> was retained by the Lincoln Center board. He steadily built the repertory company for the next seven years, concentrating mainly on his responsibilities and leadership as producer after personally directing some of the strongest early productions, including the powerful 1966 Caucasian Chalk Circle. While nurturing the acting and directing corps, he embraced at times certain "star" productions of quality, such as Mike

masks: Irving Irving Irving Irving Irving


texts:
 Nichols' celebrated revival of Lillian Hellman's The Little Foxes and Gordon Davidson's staging of In the Matter of J. Robert Oppenheimer. <mask> understood that in New York no cultural institution may function well in isolation, so he reached out even to commercial productions of poetic and idealistic themes, e.g., Brian Friel's Lovers.He ended his regime at Lincoln Center in 1972 with Ellis Rabb's widely celebrated direction of Maxim Gorky's Enemies with a cast that included several actors who had come with <mask> years earlier from San Francisco. Retirement, 1972–1979

<mask> concluded a little over three decades in live theater when he left Lincoln Center. He and his family moved to Southern California, where Ms. Pointer, long a major actress with the Actor's Workshop and Lincoln Center, found opportunity in film roles, and where their daughter <mask>, who began her acting career at age nine on the Workshop stage, would carry on the family name. <mask> produced television revivals of classic films, including Dark Victory, and directed Loose Change and the series, Rich Man, Poor Man. As producer of the Lincoln Center original, he is credited for Masterpiece Theater's televised version of Enemies. He died of a heart attack in 1979 on a vacation trip to Reno, Nevada, aged 54. Personal life
In 1947, <mask> married actress Priscilla Pointer, to whom he remained married until his death in 1979.The couple had three children, including director <mask> and actress <mask>. Pointer remarried a year later in 1980 to Robert Symonds, who had been <mask>'s producing partner at Lincoln Center. References

External links

 Actor's Workshop official site

1925 births
1979 deaths
American male child actors
American male stage actors
United States Army personnel of World War II
Male actors from New York City
Jewish American male actors
20th-century American male actors
San Francisco State University faculty
20th-century

masks:
Irving
Irving
Irving
Amy Irving
Irving
Irving
David Irving
Amy Irving
Irving


texts:
<mask> (born May 5, 1967) is an American former Major League Baseball All-Star right-handed pitcher who played for 14 seasons in the major leagues from  to . He played for the Cleveland Indians and San Diego Padres. He served as the pitching coach for the Arizona Diamondbacks from 2011 to 2013 and the Los Angeles Angels from 2016 to 2018. Early life and amateur career
<mask> was born on May 5, 1967, in Bridgeport, Connecticut. He is of Hungarian ancestry. As a young boy, he lived for a few years in St. Petersburg, Florida, where he played Little League and was coached by his uncle, Sanford Harrison. Nagy attended Roger Ludlowe High School in Fairfield, Connecticut, where he starred in baseball and football.Nagy attended the University of Connecticut. Playing for the Huskies, he ranked second and eighth all-time for strikeouts in a single season (113, 81) and fifth for his career (194). His single-season marks for the Huskies (entering the 2011 season) include tied for third in complete games (8), tied for sixth in saves (4), and 17th in innings pitched (86.1). He was the first Huskies player drafted in the first round and the first to be named the BIG EAST Pitcher of the Year, which he won twice (for the 1987 and 1988 seasons). In 1987, he played collegiate summer baseball with the Harwich Mariners of the Cape Cod Baseball League, and was playoff MVP of Harwich's league championship squad. Nagy was a member of the Team USA Baseball that competed in the 1988 Summer Olympics in Seoul, South Korea as a demonstration sport. Nagy made 19 appearances for Team USA, going 3-1 with a 1.05 ERA and a team-leading six saves.He appeared in two games in the Olympics, pitching 2.0 innings and earning a save. Team USA defeated defending champion Japan to win the tournament and win individual gold medals,

masks:
Charles Harrison Nagy
Nagy


texts:
 however, since baseball was a demonstration sport, the medals did not count in the respective nations' medal totals. Professional career
<mask> was taken in the first round as the 17th overall pick by the Cleveland Indians during the 1988 Major League Baseball draft amateur draft. He was selected as a compensation pick from the San Francisco Giants for the signing of Brett Butler. Nagy was the second of three first round picks selected by the Indians, sandwiched between SS Mark Lewis and pitcher Jeff Mutis. Being a successful college pitcher, Nagy skipped several levels and was assigned to the Kinston Indians, the Cleveland "High A" affiliate in the Carolina League. He posted an 8-4 record and 1.51  earned run average (ERA) with 99 strikeouts in 95.1 innings over 13 starts.He was quickly promoted to Canton–Akron Indians, the Double-A affiliate in the Eastern League. Nagy finish with a 4-5 record and a 3.35 ERA in 15 starts. After the season, Baseball America rated him as the #27 prospect. Nagy returned to the so-called "little Indians" for the start of the 1990 season, where he went 13-8 with a 2.52 ERA in 23 starts. He was soon called up to Cleveland, a hapless club that would finish 4th in AL East (77-85) and was in desperate need of starting pitching. He made his big league debut on June 29, 1990, a 7-2 loss to the California Angels. He would end with a 2-4 record and a 5.91 ERA in 9 starts.In 1991, he finished 10-15 with a 4.13 ERA, and tied for eighth in the American League Rookie of the Year Award for 1991. On August 8, 1992, he threw a complete game one-hitter against the Baltimore Orioles, with just two walks and giving up a single in the seventh. 1992 was possibly Nagy's best year statistically as he finished the season with an impressive 2.96 ERA with a career high 252 innings pitched,


texts: he also amassed a .630 win percent with a 17–10 record despite the 1992 Indians low win percent of .469. He also pitched 10 complete games and pitched three of out of his six career shutouts that year while making his first All-Star appearance. In the 1992 All-Star Game, Nagy batted in the 8th inning because there were no players remaining to pinch-hit. Nagy hit an infield single off Doug Jones while wearing a Texas Rangers batting helmet. He scored on a single by Travis Fryman.<mask> was the 19th pitcher to get a hit in the All-Star Game, and is the only pitcher to record a hit in the All-Star Game in the designated hitter era. Since 2011, the pitcher's spot has been replaced by the designated hitter in each league for the All-Star Game, making it unlikely to see a pitcher record a hit in the game (in the 2021 Major League Baseball All-Star Game, Shohei Ohtani was allowed to start the game as pitcher and as the DH, although he did not record a hit). On May 15, 1993, <mask> left a game against the Milwaukee Brewers with a shoulder injury after pitching to just two batters. He was a miserable 2-6 at that point and undergo surgery for a torn labrum on June 29, shutting him down for the 1993 season. He rebounded in 1994 with a respectable 10-8 record with a 3.45 ERA during the strike-shortened season. During the 1995 season, <mask> led the staff with a 16–6 and a 4.55 ERA, as the Indians returned to the World Series for the first time since . He pitched well in the division and league championship series, giving up two earned runs in 15 innings, but surrendered five earned runs in seven innings in Game 3 of the 1995 World Series.The next year, 1996, was arguably his best season; he recorded a 17–5 record and a 3.41 ERA, and he finished fourth in AL Cy Young Award voting. In the 1997 World Series,

masks: Nagy Nagy Nagy


texts:
 <mask> was the Game 3 starter. He gave up 5 earned runs in six innings. In Game 7, after a blown save by closer José Mesa, manager Mike Hargrove was forced to bring in <mask>, the starter with the team's most wins during the regular season (15), in the 10th inning to try to mop up. In the bottom of the 11th inning, Nagy gave up a bases-loaded single to Édgar Rentería that appeared to graze off his outstretched glove to end the game and the series, pinning Nagy with the loss. In 1999, Nagy batted twice in a game against Toronto, after confusion over the initial lineup card. As of 2021, he is one of only eight different pitchers to have batted more than once in a nine-inning game that used the designated hitter rule.During this period from 1995 through 1999, <mask> was the workhorse of the Tribe pitching staff, amassing 15 or more wins each season, a feat only matched by Greg Maddux. However, <mask> was placed on the disabled list (DL) on May 16, 2000, snapping a streak of 192 consecutive starts dating back to October 3, 1993. On May 19, 2000, he underwent arthroscopic surgery to remove bone chips from his elbow. He returned to make three starts in September, but was shut down after three losses and persistent pain. He would get just 6 more wins from 2001 through 2003. Despite a solid spring training and not missing a turn in the spring rotation, <mask> started the 2001 season on the disabled list, as the Indians felt he needed to build strength in his surgically repaired elbow. He did not come off of the DL on June 1.<mask>'s last season, 2003, was with the San Diego Padres. He finished 6th on the Tribe's all-time strikeout leader list (1,235), 10th in wins (129), and 11th in innings pitched (1,942.1). Post-playing career

He was inducted in the Kinston Professional Baseball Hall of Fame in , and

masks: Nagy Nagy Nagy Nagy Nagy Nagy


texts:
 the Cleveland Indians Team Hall of Fame on August 11, 2007. In 2009, Nagy was named the pitching coach of the Cleveland Indians' AAA team, the Columbus Clippers. On October 26, 2010, <mask> was named pitching coach of the Arizona Diamondbacks. He was fired by general manager Kevin Towers on October 7, 2013 partly for refusing to instruct pitchers to hit players on opposing teams. It was duly noted by journalists that the Diamondbacks pitchers actually hit 60 batters last season, while their batters were only hit 43 times.In February 2015, <mask> was hired again by the Cleveland Indians as Special Assistant to Player Development along with Travis Hafner and John McDonald. On November 2, 2015, <mask> was named the pitching coach of the Los Angeles Angels. Later he retired from pitching coach in 2018. Personal life
<mask> and his wife, Jacquelyn "Jackie", have two daughters, Makaela and Lily. They live outside of San Diego in Rancho Santa Fe, California. Nagy established an endowed baseball scholarship at UConn with a gift of $100,000. References

External links

Retrosheet

1967 births
Living people
Sportspeople from Bridgeport, Connecticut
Akron Aeros players
American League All-Stars
American people of Hungarian descent
American people of Irish descent
Arizona Diamondbacks coaches
Baseball players at the 1988 Summer Olympics
Baseball players from Connecticut
Buffalo Bisons (minor league) players
Canton-Akron Indians players
Cleveland Indians players
UConn Huskies baseball players
Harwich Mariners players
Kinston Indians players
Los Angeles Angels coaches
Los Angeles Angels of Anaheim coaches
Major League Baseball pitchers
Major League Baseball pitching coaches
Portland Beavers players
San Diego Padres players
Medalists at the 1988 Summer Olympics
Olympic gold medalists for the United States

masks: Nagy Nagy Nagy Nagy


texts:
<mask>-Rahman bin <mask>-<mask>, better known as <mask>-<mask>, is a Saudi Arabian polymath. He has, at various times, been referred to as a theologian, jurist, historian, ethnographer, geographer, poet, critic and author. As a member of Saudi Arabia's "Golden Generation," he knew of life both during the poverty of the pre-oil boom era and the prosperity of the 1950s onward. Personal life
<mask> was born in the city of Shaqraa in Saudi Arabia's central Najd region in 1942. His has been married three times, during which he sired twenty-six children. His current wife is from Egypt. <mask> also owns a bookstore, "Dar Ibn Hazm," in the Al-Suwaidi district where he currently lives, and is the prayer leader of a nearby mosque.<mask>l had a complicated friendship and, later, rivalry with fellow Arab philosopher <mask>-Qasemi. Having known al-Qasemi before he converted from Islam to atheism, <mask>l met al-Qasemi for a debate in the Garden City district of Downtown Cairo. After a long discussion regarding the existence of God and Theodicy, <mask>l authored the book A Night in Garden City as an account of the debate. Career
After receiving his primary and secondary education in Shaqraa, <mask>l relocated to Riyadh and

masks:
Muhammad bin Umar bin Abd al
Abd Allah al
Aqil
Abu Abd al
Rahman Ibn Aqil al Zahiri
Ibn Aqil
Ibn Aqil
Ibn Aqi
Abdullah al
Ibn Aqi
Ibn Aqi
Ibn Aqi


texts: enrolled in Imam Muhammad ibn Saud Islamic University, which at the time was a brand new institution. He earned a Bachelor of Science in Law from the college of Islamic law, and a Master of Theology degree in exegesis of the Qur'an. During this time, <mask>l was a student of former Saudi Grand Mufti <mask>-Aziz ibn Baz and <mask>, another high-ranking cleric. <mask>l spent most of his tutelage under <mask> al-Zahiri.In his twenties and early thirties, <mask>l worked as a lawyer within Saudi Arabia's theocratic justice system. He was eventually placed in administrative positions for public education in the country's eastern province in Dammam, and then later moved to the legal department in the Ministry of Municipal and Rural Affairs. Upon returning to Riyadh, he founded and served as president of the Riyadh Literary Society, and began writing a regular column for the Arabic daily Al Jazirah; while he continues the latter endeavor, he relinquished his presidency of the Society and joined the general membership. From the 1960s to the 1980s, <mask>l served in several posts including that of a legal adviser to the Riyadh Municipal Agency, auditor of the General Employees Bureau and Director of Services for the

masks:
Ibn Aqi
Abd al
Ibn Humaid
Ibn Aqi
Abu Turab
Ibn Aqi
Ibn Aqi


texts:
 General Administration of Girls' Education. In the past, he was the host of "Tafsir al-Tafasir" or "exegesis of the exegeses," a religious program which was broadcast daily on the radio and weekly on television. Building on his graduate background, <mask>l would systematically collect all major explanations of the Qur'an within Sunni Islam and attempt to integrate all of them, weighing the views of various theologians. Although the program was discontinued in the late 1980s, <mask>l restarted his broadcasts in 2010 from where he had left off.The King Faisal Center for Research and Islamic Studies had invited <mask>l to grant a symposium on the topic of comparative exegesis five years prior, likely reigniting public interest. Currently, <mask> has mostly retired from public life. In addition to his renewed Qur'an study broadcasts, he is a member of the Academy of the Arabic Language in Cairo, the Arabic Language Academy at Mecca, and still serves as the editor-in-chief of an academic journal named after the UNESCO World Heritage Site Diriyah, which he founded and which holds its headquarters on his family estate. Views
<mask>l has defined the problems of Saudi society as coming both from secularists on one end

masks:
Ibn Aqi
Ibn Aqi
Ibn Aqi
Ibn Aqil
Ibn Aqi


texts:
 of the spectrum and Muslim clerics delivering hasty and erroneous proclamations on the other. Being a part of Saudi Arabia's "Golden Generation," <mask> has generally been supportive of the House of Saud and the Saudi government, and an opponent of its critics among both liberal modernists and radical extremists. Recently, <mask>l called for the Saudi government to strip a dissident journalist of his citizenship due to his sharp criticisms of the Consultative Assembly of Saudi Arabia. On the other end of the spectrum, <mask>l engaged in a public series of exchanges with fellow cleric <mask>-Rahman al-Barrak in 2011 due to the former's refusal to adopt a formal position on theological issues debated during the Mihna, a rare Medieval-era inquisition within Islam perpetrated by rationalists against their orthodox counterparts.<mask> has also fallen into conflict with Egyptian cleric Yusuf al-Qardawi in a series of back-and-forth columns, though Qardawi did not mention <mask>l by name. <mask>, who has expressed skepticism about the goals and results of the Arab Spring, considered Qardawi's various positions during the movement hypocritical and contradictory, charges which Qardawi denied. Works
Being a jurist and

masks:
Ibn Aqil
Ibn Aqi
Ibn Aqi
Abdul
Ibn Aqil
Ibn Aqi
Ibn Aqil


texts:
 scholar of the Zahirite school of law within Sunni Islam, <mask>l is also the current era's primary biography of Zahirite theologian <mask>, having written detailed accounts even of <mask>'s individual conflicts with rival jurist <mask>-Walid al-Baji. His bookstore is named after the Andalusian author, and <mask> has authored a number of books on the life and career of <mask>. The largest of these books is Nawadir al-Imam <mask> Hazm, a collection of <mask>'s smaller, harder-to-find works, such as his poem on the fundamental principles of Zahirite law. He has also delivered a lecture explaining <mask>'s attempts to reconcile philosophy and religion at the International Averroes Symposium, co-sponsored by UNESCO in Carthage between February 16 and 22 in 1998. In addition to A Night in Garden City, other titles of some note are Descartes Between Scepticism and Certainty and The History of Najd During the Colloquial Epoch.Perhaps stemming from his philosophical debates with al-Qasemi, reconciliation between reason and revelation has been a recurring theme in <mask>'s work. Bibliography

Biographical works
 Sidu, Amin Sulayman. Shaykh al-katabah <mask> al-Rahman ibn 'Aqil al-Zahiri. Riyadh Literary Club, 2004.

masks:
Ibn Aqi
Ibn Hazm
Ibn Hazm
Abu al
Ibn Aqil
Ibn Hazm
Ibn
Ibn Hazm
Ibn Rushd
Ibn Aqil
Abu Abd


texts:
 Edited works
 al-Baji. Tahqiq al-madhhab. Ed.<mask> al-<mask> <mask> al-Zahiri. Riyadh: 1983. Al-Humaydī. al-Dhahab al-masbuk fi wa'z al-muluk. Eds. <mask> al-<mask> <mask> al-Zahiri and Dr. <mask>-Halim Uways. Riyadh: Dar Alam al-Kutub, 1982.235 pages. Kings and rulers. <mask>. Risalah al-Talkhis li-wujuh al-takhlis. Riyadh: Dar Ibn Hazm, 2005. With <mask> Allah Sa'id ibn Khalaf al-Shammari al-Zahiri. <mask>, Rashid ibn 'Ali al-Hanbali, d. 1880 or 81.Muthir al-wajd fi ansab muluk Najd. Eds. <mask> al-<mask> <mask> al-Zahiri, <mask>-Wahid Muhammad Raghib and <mask>-Rahman ibn '<mask>-Latif Al al-Shaykh. 1st Ed. Darat al-Malik 'Abd al-'Aziz, 1999. 136 pages; 25 cm. Original works
 al-Aql al-lughawi.Mecca: Meccan Literary Club, 1994. 327 pages; 24 cm. Arabic language. Al-naghm alladhi ahbabtuhu. Dar al-Watan, 1979. 110 pages. Arabic poetry.Dunya al-watha'iq. al-Dir'iyya i/2, 1998. Pgs. 264–326. Hayy Miri. Riyadh: Dar Ibn Hazm, 1996. 126 pages; 25 cm.Humum siyasiyah. 1998. <mask> Khilal Alf Aam. Lebanon: Dar al-Gharab al-Islami, 1982. 303 pages. <mask>‘b¯un : hay¯atuhu wa-shi‘ruh. Kuwait: Mu'assasat J¯a'izat ‘<mask>-‘Az¯iz Sa‘¯ud al-B¯abat¯in lil-Ibd¯a‘ al-Shi‘r¯i, 1997.624 pages; 24 cm. Kutub al-faharis

masks:
Abu Abd
Rahman Ibn
Aqil
Abu Abd
Rahman Ibn
Aqil
Abd al
Ibn Hazm
Abu Abd
Ibn Jurays
Abu Abd
Rahman Ibn
Aqil
Abd al
Abd al
Abd al
Ibn Hazam
Ibn La
Abd al


texts:
 wa-al-baramij: waqiuha wa-ahammiyatuha. Riyadh: Dar Ibn Hazm, 1996. 121 pages; 24 cm. Mabadi' fi nazariyat al-shi'r wa-al-jamal. 1st Ed. Ha'il: Ha'il Literary Club, 1998.1 volume; 24 cm. Arabic poetry; history and criticism. Mas¯a'il min t¯ar¯ikh al-Jaz¯irah al-‘Arab¯iyah. Riyadh: Mu'assasat D¯ar al-As¯alah, 1994. 4th ed. 295 pages; 24 cm. Min ahkam al-diyanah :  ta'sil masa'il min al-ma'rifah al-shar'iyah, wa-tahrir masa'il tatbiqiyah.Riyadh: Dar Ibn Hazm lil-Nashr wa-al-Tawzi', 1998. 1 volume; 25 cm. Islamic law. Muadalat fi kharait al-atlas: duwaywin shir. 1997. Najd f¯i ‘us¯ur al-‘¯amm¯iyah. Cairo: Matba‘at al-Taqaddum, 1974.18 cm. al-Qasidah al-hadithah wa-a°ba al-tajawuz: dirasah tatbiqiyah li-usul al-iltizam wa-al-shart al-jamali. 1987. 286 pages. ASIN B0000D7274
 Shay min al-tabarih: sirah dhatiyah-- wa-humum thaqafiyah. Riyadh: Dar Ibn Hazm, 1995. Tahrir ba'd al-masa'il 'ala madh'hab al ashab.1st Ed. Riyadh: Maktabat Dar al-Ulum, 1981. Y¯a s¯ahir al-barq li-Ab¯i al-‘Al¯a' al-Ma‘arr¯i. Jizan: Jizan Literary Club, 1995. 127 pages; 21 cm. References

External links
 Abridged biography from al-Arabiyya magazine. Archive of all <mask>'s articles published by Al-Jazirah.20th-century historians
20th-century


texts:
 imams
20th-century Muslim scholars of Islam
20th-century philosophers
21st-century Muslim scholars of Islam
21st-century historians
21st-century philosophers
1942 births
Critics of atheism
Islamic philosophers
Jurisprudence academics
Literary critics of Arabic
Living people
People who memorized the Quran
Philosophers of religion
Quranic exegesis scholars
Saudi Arabian geographers
Saudi Arabian historians
Saudi Arabian journalists
Saudi Arabian anti-communists
Saudi Arabian imams
Saudi Arabian poets
Saudi Arabian Sunni Muslim scholars of Islam
Arabic-language writers from Saudi Arabia
Sunni fiqh scholars
Sunni


texts:
<mask> (6 April 1815 – 8 May 1895), often referred to as <mask>n, was an English architect of the Victorian era, known for his church architecture and confident restorations. Early life
<mask>n was born at Powick Vicarage, Worcestershire, in the English Midlands, the home of his maternal grandfather, on 6 April 1815. He was the second son of the Rev <mask> and his wife, <mask>, and a cousin of <mask>, 1st Baron St Levan, of St Michael's Mount, Cornwall. He was known to his family and friends by his second Christian name of <mask> (sometimes spelt Pearse). He was educated at Penzance Grammar School before beginning his studies in architecture. He married Eliza Phillpott in 1852 at Stoke Damerel, Devon. Eliza was born in Ceylon in 1816 and died on 13 September 1881 at their home, 108 Cambridge Street, Hanover Square, London.Career
He was articled to Thomas Fulljames (1808–1874) in Gloucester and acted as clerk of works for the latter's Edwards College, South Cerney (Glos) in 1838–39. He was elected to the Royal Institute of British Architects in 1837, on the nomination of George Basevi, Edward Blore and William Railton, and became a Fellow of the Institute in 1856, proposed by Benjamin Ferrey, Giles Gilbert Scott, and Francis Penrose. He twice served on the Council of the Institute (in 1858–60 and 1870–72). He was Surveyor to the Middle Temple in London from 1851 until 1885, and practised from Lambe Buildings in the Temple for much of his

masks:
James Piers St Aubyn
J P St Auby
St Auby
Robert Thomas St Aubyn
Frances Fleming St John
John St Aubyn
Piers


texts: career. From about 1885 onwards, when he seems to have semi-retired, St. Aubyn worked in partnership with Henry John Wadling (d 1918), who entered his office as a pupil in 1858 and remained as his assistant and managing clerk. St Aubyn died on 7 May 1895 at Chy-an-Eglos, Marazion (Cornwall), and is buried on St Michael's Mount. H J Wadling succeeded to his practice, and continued to trade as "St Aubyn & Wadling".<mask> was undoubtedly assisted in developing his career by his family's prominence in Devon and Cornwall, and particularly in Devonport, where they were the major landowners. He practised chiefly in London and developed a practice which extended all over southern England, but he also kept an office in Devonport for part of his career, and he was employed particularly extensively in Devon and Cornwall. Apart from this local connection, there are clusters of his work in Gloucestershire (no doubt deriving from his years in Fulljames' office), Kent, Reading, Cambridgeshire and Leicestershire. He was primarily a church architect, building a considerable number of new churches and undertaking even more restorations. His church work was firmly in the Gothic revival mainstream of his time, rarely departing from the forms and decoration of the Decorated period, and lacks much originality or flair. His churches at All Saints, Reading and St Mary, Tyndalls Park, Bristol, are notably similar. His restorations often amounted to wholesale or


texts:
 partial rebuilding, and were seen by later generations as unnecessarily brutal; Sir John Betjeman was among <mask> Aubyn's 20th-century detractors.<mask>byn also designed a number of country houses, mostly in a rather cheerless early Gothic style. The one whimsical building he is known to have designed is the clock tower in the grounds of Abberley Hall, c 1883. His greatest professional disappointment was his failure to secure the commission to build Truro Cathedral, which he lost by one vote to John Loughborough Pearson; his designs for the Cathedral were published in Building News, 20 December 1878. His most notable achievement was the restoration of St Michael's Mount, described by Nigel Nicolson as: "among the greatest achievements of 19th-century architecture". ; service wing survives
St Bartholomew's Church, Cross-in-Hand, Sussex: 1863–64; enlarged 1901
Midelney Place, Somerset: for E B Cely-Trevilian, 1863–66
Trevince House, Cornwall: rebuilt for Henry Beauchamp Tucker, 1863–66
Haddington Road Bible Christian Chapel, Devonport, Devon: 1864
St Mark's Church, Gillingham, Kent: 1864–6
Berkley Rectory, Berkley Nr Frome, Somerset. Extension to Rectory. 2, pp.653–4 (1895)

1815 births
1895 deaths
19th-century English architects
Architects from Cornwall
Architects from Worcestershire
Architects of cathedrals
Burials in Cornwall
English ecclesiastical architects
Gothic Revival architects
People from Malvern Hills District
People from

masks:
St
St Au


texts:
<mask> (born April 23, 1960) is a Canadian professional ice hockey coach and former player. He most recently served as the head coach of the Montreal Canadiens of the National Hockey League (NHL). Prior to his firing by the Boston Bruins in 2017, he was the longest tenured head coach in the NHL. He had previously served as head coach of the New Jersey Devils in the NHL, as well as in the American Hockey League (AHL) with the Hamilton Bulldogs. In 2011 he coached the Bruins to the Stanley Cup Finals, against the Vancouver Canucks, winning in 7 games, guiding Boston to their sixth franchise Stanley Cup title. In 2013, he brought Boston to another Stanley Cup Finals, however they lost the series to the Chicago Blackhawks in six games. <mask> has also served as assistant and head coach of the Canadian National Team.Playing career
As a youth, <mask> played in the 1972 and 1973 Quebec International Pee-Wee Hockey Tournaments with a minor ice hockey team from Gloucester, Ontario. <mask> was an NHL defenceman for the Quebec Nordiques in the 1984–85 and 1985–86 seasons. Prior to playing in the NHL, <mask> spent six years in the Ontario Hockey League (OHL) with the Oshawa Generals and Windsor Spitfires. Additionally, he has also played in the Central Hockey League (CHL) for the Salt Lake Golden Eagles; in the International Hockey League (IHL) for the Kansas City Blades and the Milwaukee Admirals; and in the AHL for the Fredericton Express, Baltimore Skipjacks, Halifax Citadels and Moncton Hawks. Career statistics

Coaching career

QMJHL coaching career
<mask> began his professional coaching career in the Quebec Major Junior Hockey League (QMJHL) for the Hull Olympiques, with

masks:
Claude Julien
Julien
Julien
Julien
Julien
Julien


texts:
 whom he won the Memorial Cup in 1997. From 2000 to 2003, he served as head coach for the AHL's Hamilton Bulldogs, the top minor league affiliate of the NHL's Montreal Canadiens. In 2000, <mask> won a bronze medal as the head coach of Canadian junior team.He also served as an assistant coach to Marc Habscheid at the 2006 Men's World Ice Hockey Championships. NHL coaching career

Montreal Canadiens and New Jersey Devils
On January 17, 2003, <mask> became head coach of the Montreal Canadiens. In 2003–04, his first full season as an NHL head coach, he led Montreal to a 93-point performance (41–30–7–4 record) and the second round of the 2004 Stanley Cup playoffs. He was eventually fired and replaced by General Manager Bob Gainey on January 14, 2006. <mask> accumulated a record of 72–62–10–15 during his three seasons with the Canadiens. <mask> was then announced as the head coach of the New Jersey Devils on June 13, 2006, becoming the 15th head coach in Devils history. On October 6, 2006, he won his first game as Devils head coach with a 4–0 win against the defending Stanley Cup champions, the Carolina Hurricanes.On November 4, <mask> won in his first return to Montreal as the Devils defeated the Canadiens, 2–1. On April 2, 2007, Devils general manager Lou Lamoriello abruptly fired <mask> with three games to go in the season. This was despite the Devils having a 47–24–8 record, which at the time was leading the Atlantic Division and tied for the second-best record in the Eastern Conference. They were also on their way to setting a franchise record for wins in a season. Lamoriello said that despite the team's stellar record, he did not feel <mask> had it ready for the

masks: Julien Julien Julien Julien Julien Julien Julien