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 and later to pioneer new aesthetic treatment surgeries to help people with AIDS and HIV. In his later novel, ‘The Needle and The Damage Done’ Dr <mask> explains how this terrifying moment could have cost him his life. After that incident he moved to New Zealand in 1988 to work as a respiratory and cardiology registrar with Dunedin Public Hospital. Career
In 1990, he became a staff health doctor at Ibn 'al Bitar Hospital in Baghdad during Saddam Hussein's reign and that he was arrested near Erbil by the Iraqi Army while traveling through Kurdistan, and jailed for five days while sourcing material for an article for the Fermanagh Herald about the gassing of the Kurds in Halabja. He was ship's surgeon with Carnival Cruise Line in California from 1993 through 1994, and later in Florida. In the late 1990s, <mask> worked in skin cancer in Toowomba Australia, and as a flying doctor in Broken Hill N.S.W. with Royal Flying Doctor Service of Australia.In 2000, <mask> founded the Ailesbury Clinic in Dublin and another Ailesbury Clinic in Cork in 2005. The clinic was very successful and expanded internationally. In his memoir, <mask> details how the Irish recession affected some of his business, and how many wealthy people, including five of his clients were driven to suicide. In April 2016, at the height of the Irish recession, the High Court in Dublin granted a possession order over some clinic buildings, and <mask> made a €137,897 settlement with the Irish Revenue as a result of unpaid taxes, interest and penalties. In December 2019, he pleaded guilty to charges of engaging in insulting behaviour and being drunk and a source of danger to himself or others at an Irish hotel. In April, 2021 he released a book called The Needle and the Damage Done, an autobiographical memoir covering 2012–2021. The book also gives background on innovations that contributed to his being lauded as Top Aesthetic Practitioner in the World (USA) in 2019, and Top Aesthetic Medical Aesthetic Practitioner in the UK in 2019.It also describes

masks: Treacy Treacy Treacy Treacy Treacy


type: original

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 <mask>’s research on the influence of botulinum toxin on the brain, including chronic migraines, and how he developed new protocols to reverse the damage being done to patient’s faces because of complications with dermal fillers. In 2021, Dr <mask> founded the International Medical Aesthetics Complications Conference (IMACC), which will take place at both the Royal College of Surgeons in Ireland, and University College Dublin (UCD), on July 14–16, 2022. Affiliation with Michael Jackson
Michael Jackson sought him for cosmetic treatment after reading about his experience with HLA fillers and his charitable work working with HIV patients in Africa. He was Jackson's personal dermatologist and developed a friendship with the singer. <mask> and Jackson worked on humanitarian projects together. In 2011, <mask> became an ambassador for the Michael Jackson Legacy foundation, and in 2012 opened Everland Children's Orphanage in Liberia and orphanages in Haiti in 2013. In 2009, <mask> was on the special witness list for the trial of Conrad Murray, however, he was not called to testify.He released a memoir entitled Behind the Mask: The Extraordinary Story of the Irishman who became Michael Jackson's Doctor in 2015. The Sunday Times in 2021, recalled a funny incident that occurred when <mask> mistook Nelson Mandela for a South Africa concert promoter arranging a humanitarian concert in Cape Town, when he rang Michael Jackson's mobile  during a vitiligo treatment. Humanitarian work
The 1987 needlestick incident eventually led to <mask>'s humanitarian work in Africa and his developing an empathy to people who suffered from HIV/AIDS and were marginalised or discriminated against as a consequence. <mask> pioneered new aesthetic and surgical treatments to help people with LD-HIV, a condition characterized by loss of subcutaneous fat associated with infection with HIV. In 1993, he visited HIV orphanages in Zimbabwe and South Africa, and some of his later medical articles about these experiences won him Irish professional media

masks: Treacy Treacy Treacy Treacy Treacy Treacy Treacy Treacy


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 awards. In 2001, Treacy challenged 'traditional' views on treating AIDS at a medical conference in South Africa, where he had done a placement as a young doctor. <mask> openly challenged Thabo Mbeki for his stance on AIDS when he advocated that the correlation between poverty and the AIDS rate in Africa was a challenge to the viral theory of AIDS.In 2002, he wrote an article for the Irish Medical Times entitled "A Tragedy That Has Resulted in Countless Needless Deaths in Africa". Mbeki's ban of antiretroviral drugs in public hospitals is estimated to be responsible for the premature deaths of between 330,000 and 365,000 people. In 2011, <mask> became an ambassador for the Michael Jackson Legacy foundation (a charitable organisation dedicated to continuing Jackson's humanitarian legacy), which helped HIV children and built orphanages for abandoned orphans. In 2012, he opened the Everland Children's Orphanage in Monrovia Liberia, which was funded by Jackson's fans through MJL. In 2013, he opened a second Everland Children's orphanage high in the mountains and fifty miles away from the earthquake epicentre in Mireblais, Haiti. This was on the same site where Digicel also built a new school to replace the devastated Miracle Restoration Centre in Tabare. Accolades
In 2003, Treacy won the "Professional Medical Media" category at the GlaxoSmithKline Medical Media Awards for articles that appeared in Irish Medical Times.He was awarded best non-surgical treatment at the inaugural "My Face My Body Awards" in London in 2012. <mask> received an AMEC Aesthetic Award for novel techniques in facial rejuvenation in Paris in 2014 and the 20th World Congress in Aesthetic Medicine Lecture Award in Miami in 2015. In 2016 he was Highly Commended in the 'Doctor of the Year' Award at the Safety in Beauty Awards in London. <mask> also won lecturing awards regarding reversal of dermal necrosis post filler vascular occlusion in Tbilisi, Georgia and Cairo, Egypt in this period  He was also awarded a special medal for contributions to the

masks: Treacy Treacy Treacy Treacy


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 field of Aesthetic Medicine at CCME in Cuernavaca, Mexico 2016 as well as being presented with an award for medical excellence at the same conference. He also won the MyFaceMyBody Award (London 2016) and the Irish Healthcare Award (Dublin 2017) for further medical research related to the use of hyalase in dermal filler vascular occlusion and establishing re-epithelialisation of skin by use of hyperbaric oxygen, platelet growth factors and phototherapy accelerating wound healing. He won the 'Quality & Research Award' British College of Aesthetic Medicine (London) in September 2017. The first ever Abu Dhabi International Conference in Dermatology & Aesthetics (AIDA 2017) AIDA Award was presented to <mask> in October 2017 for his contributions to wound healing and for the “HELPIR Technique: Treating Vascular Complications of Dermal Fillers”.He was made also the first laureate of the 2017 'Art of Beauty Trophy' by the members of AAAMC Organizing Committee in Baku, Azerbaijan for his contributions to the development of the field of aesthetic medicine, especially writing the protocols for the use of hyalase. He was also awarded a specialist Azerbaijani Laureate Diploma in Aesthetic Medicine in 2017. Ailesbury Dublin won the John Bannon Award "Best Clinic in Ireland" 2017 at the Aesthetic Awards in London. <mask> was given another specialist MyFaceMyBody award in 2018 for his scientific research contribution to the aesthetic industry. International medical awards 2019-

  Winner – MyFaceMyBody 'Top Global Medical Practitioner' 2019 (Las Vegas) November 2019
  Winner – MyFaceMyBody 'Top UK & Ire Medical Practitioner' 2019 (Las Vegas) November 2019
  Winner – AMEC Anti-aging & Beauty Trophy ‘Best Global Clinical Case’ (Monaco), October 2019
  Winner – Irish Healthcare Award ‘Best Medical Aesthetic Clinic (Dublin), Sept 2019

International medical awards 2018

  Winner – MyFaceMyBody Specialist Award 'Scientific Contributions to the Aesthetic Industry' (London), March 2018
  Winner – Irish Healthcare Award ‘Best Medical

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 Research Award’ (Dublin), March 2017
  Winner – MyFaceMyBody Award 'Ultimate 100 Global Aesthetic Leaders' (Los Angeles), August 2017
  Second – AMEC Anti-aging & Beauty Trophy ‘Best Global Clinical Case in Laser Medicine’ (Monaco), September 2017
  Second – AMEC Anti-aging & Beauty Trophy ‘Best Global Clinical Case in Thread lifting’ (Monaco), September 2017
  Winner –  British College of Aesthetic Medicine 'Quality & Research Award'(London) September 2017
  Winner – AIDA Trophy 'Best Clinical Case in Aesthetic Medicine in Dermatology & Aesthetics' (Abu Dhabi) Oct 2017
  Winner – AAAMC Trophy 'Contribution to Development of Aesthetic Medicine’ Azerbaijan Nat. Organizing Committee (Baku) Oct 2017
  Winner – John Bannon Award for the "Best Clinic in Ireland" at the Aesthetic Awards (London), December 2017

International medical awards 2016-2017

  Winner – Irish Health & Beauty Award 'Best Cosmetic Surgery Clinic in Ireland 2016' (Dublin), June 2016
  Winner – Safety in Beauty Award Aesthetic Doctor of 2016’ (Highly Commended) (London), June 2016
  Winner – AMEC Anti-aging & Beauty Trophy ‘Best Clinical Research Case in Aesthetic Medicine’ (Paris), September 2016
  Winner – CCME Mexican Congress Medal for' Excellence in Medical Aesthetics' (Mexico), November 2016
  Winner – MyFaceMyBody Award ‘Best medical research for wound healing' (London), November 2016

Published works
Treacy has published many scientific papers, including sentinel papers about the rising incidence of cutaneous malignant melanoma in the Rochester, Minnesota population from 1950-1985 and protocols for the reversal of dermal filler complications. Treacy Patrick J.; Popescu NA; Kurland LT; Cutaneous malignant melanoma in Rochester, Minnesota: trends in incidence and survivorship, 1950 through 1985, Mayo Clin Proc.1990 Oct, 65(10):1293-302. <mask> <mask>.; Goldberg D; Use of a BioPolymer Filler for Facial Lipodystrophy in HIV-Positive patients undergoing treatment with Anti Retro Viral Drugs, Journal of Dermatologic Surgery, Volume 32, Number

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Patrick J


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<mask> (December 7, 1878 in Murfreesboro, Tennessee – April 20, 1968 in Nashville, Tennessee) was an African American preacher of the church of Christ, whose successful career notably bridged a racial divide in an important American religious movement prior to the Civil Rights Movement. Over the course of his 50-year career as a gospel preacher, he was credited with starting almost every African-American church of Christ in the state of Tennessee. Keeble enjoyed an almost unrivaled position as an African-American subject of hagiographical biography by white contemporaries within the church of which Keeble was a member. A notable example of this is Roll Jordan Roll by fellow minister and longtime Keeble associate, J. E. Choate. Early life
<mask> was the son of Robert and <mask>, both of whom had been slaves. <mask> and his family moved to Nashville about 1883. He attended school in Nashville, but did not progress beyond the seventh grade.Despite this, he went on to become an entrepreneur and an accomplished debater. Early career
<mask> began preaching in 1897 with the support and encouragement of his father-in-law, S. W. Womack and other preachers. Though he and his wife, Minnie, ran several businesses, he put secular work behind him in 1914 in order to become a dedicated preacher. In 1918, he helped, for the first of what would be many times, start a congregation of African-American members of the Church of Christ. When he tried to secure a meeting place to preach in Oak Grove, Tennessee, near Henderson, he was unable to get cooperation from Baptist and Methodist congregations in the area. N.B. Hardeman, the president and namesake of Freed-Hardeman College (now Freed-Hardemen University), helped him find space at a nearby

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Marshall Keeble
Mittie Keeble
Marshall
Marshall Keeble


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 school so that the group could assemble.The meeting resulted in 84 baptisms, and Hardeman would go on to be a supporter of Keeble’s work for decades, using his influence to encourage people to attend Keeble’s meetings and worship services. About 1920, Keeble met and became a lifelong friend of A. M. Burton, founder of the Life and Casualty Insurance Company of Tennessee, who provided funding for his preaching and travels. This consistent help certainly furthered Keeble's gospel efforts. Yet despite many of his white brethren donating money, time, and resources to see Keeble succeed, they also did not challenge the segregation of congregations. For his part, Keeble maintained an air of humility and gratitude that covered any bitterness he may have felt about preaching in the Jim Crow South. He refrained almost entirely from speaking publicly on matters of racial inequality and thus ensured he didn’t lose the support he needed from white brethren to get the message out to the African-American population. Even so, he faced racially charged threats and assaults throughout his career.<mask> was known both for his great wit and for his willingness to preach the gospel with unapologetic fervor. An avid and skilled debater, he reasoned out his positions on such issues as foot-washing, baptism, the Holy Spirit, and miracles at debates that took him to Alabama, Oklahoma, Colorado, and Florida. Eventually, his evangelistic efforts took him to nearly every state in the country. Later life and career
In 1942, he helped found and became the first president of Nashville Christian Institute. It has been estimated that during his life, he baptized over 40,000 people around the world. Keeble was also primarily responsible for the


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 establishment of several Christian schools, of which the primary surviving example is Southwestern Christian College. He also helped establish the Silver Point Christian Institute (now the West End Church of Christ Silver Point) in 1909.At the age of 83, Keeble became a world traveler. On his first journey (October 1960), he and Lucien Palmer toured Israel, then proceeded on to Nigeria, where Keeble preached day and night to large audiences. While in Nigeria, he was made an honorary chief of one tribe. The second journey began in October 1962, which took Keeble, Palmer, and Nashville dairyman Houston Ezell all the way around the world. Their first stop was Nigeria, where Keeble engaged in training preachers and preparing for the construction of the Nigerian Christian Secondary School in Ukpom. The main administrative building at NCSS is named Keeble Hall in his honor. The Christians in Nigeria also pleaded with Keeble to start a hospital there, and he relayed the plea from pulpits back in America.Partly as a result, the Nigerian Christian Hospital was founded in 1965. From Nigeria, the three travelers went on to Ethiopia, India, Singapore, and Korea, among other places. Finally, they returned home via Hawaii and Los Angeles. In 1965, Keeble was honored by Harding University with an honorary Doctor of Law degree. Tennessee Governor Frank G. Clement appointed him a Colonel Aide-de-Camp. He was the first African-American so honored in Tennessee history. He preached his last sermon on April 17, 1968.Personal life and death
Keeble's first marriage to Minnie Womack, a graduate of Fisk University High School, began in 1896. Their marriage lasted until her death on December 11, 1932. The couple had five children, all of whom


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 died in infancy, childhood, or early adulthood; all preceded Keeble in death. Keeble married his second wife, Laura Catherine Johnson, on April 3, 1934. A long-time friend and fellow preacher, B. C. Goodpasture, officiated at the ceremony. Keeble's second wife was born on August 6, 1898. She was baptized into Christ in 1913.She died at age 108 on March 5, 2007. <mask> died on April 20, 1968. He was buried in the historic African-American Greenwood Cemetery in Nashville. Notes and references

Another semi-biographical account is His Hand and Heart: The Wit and Wisdom of <mask>le by Willie Cato. External links
<mask> at therestorationmovement.com. Articles Appearing In The Gospel Advocate After The April 20, 1968 Death Of <mask> at therestorationmovement.com. Audio sermons by <mask> at oldpaths.net.<mask> texts & recording at the Restoration Movement pages at the Memorial University of Newfoundland. <mask> (Restoration Movement Picture Gallery) at the Restoration Movement pages of the Memorial University of Newfoundland. Pioneer Preachers pioneerpreachers.com
<mask> spoke at the College Church of Christ during Lectureship in the late 1960s. (Photo page at Abilene Christian University.) <mask> in the Tennessee Encyclopedia of History and Culture
<mask> And The Implementation Of A Grand Strategy: Erasing The Color Line In The Church Of Christ by Darrell Broking. December 2003. (PDF)
<mask> the Evangelist Extraordinaire at GraceCentered.com

1878 births
1968 deaths
African-American Christian clergy
American Christian clergy
American educational theorists
American members of the Churches of Christ
Ministers of the Churches of Christ
People from Murfreesboro, Tennessee
People from Nashville, Tennessee
20th-century

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Marshall Keeb
Marshall Keeble
Marshall Keeble
Marshall Keeble
Marshall Keeble
Marshall Keeble
Marshall Keeble
Marshall Keeble
Marshall Keeble
Marshall Keeble


texts: <mask> (born Cardiff 1949) is a Welsh entomologist. At the age of 14 an article entitled "My Hobby has Wings" about <mask> appeared in his local newspaper, the Pontypridd Observer; this 1963 article highlighted <mask>' interest in entomology at an early age. In 1967 he began studying for a degree in zoology and applied entomology at Imperial College, London where he completed his doctoral thesis on the biology of the leek moth (Acrolepiopsis assectella). In 1974 he was appointed as a researcher in the Chalcidoidea at the British Museum (Natural History). He was seconded to the Department of Scientific and Industrial Research in New Zealand where he conducted a survey of the Chalcidoidea of New Zealand in 1980 and 1981. He travelled widely in the course of his research into the Chalcidoidea and has published over 80 papers, with some major monographs, and described one new family, 88 new genera and 644 new species of Chalcidoidea. When he retired he was reviewing the Costa Rican fauna of the Encyrtidae.In 1991 he conceived of and implemented the

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John Stuart Noyes
Noyes
Noyes


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 Universal Chalcidoidea Database, an innovative and important online resource. He continued to maintain the database until his retirement, He was recognised by his peers in that at the time he retired one genus and 38 species, mainly of Hymenoptera, but including a beetle and a bug, were named after him. He sits on the review board of a number of journals and is a fellow of the Royal Entomological Society of London and a member of International Society of Hymenopterists. He retired from service at the Natural History Museum at the age of 60 in 2009. In his personal life he is married to Mary and the couple have two daughters. John S. Noyes  American Entomological Institute   355 pp. Journal of Natural History 40(29-31) pages 1793–1800
2008 (& S Manickavasagam; M R Mehrnejad) Cheiloneurus pistaciae sp.A new genus and species of fairyfly, Tinkerbella nana (Hymenoptera, Mymaridae), with comments on its sister genus Kikiki, and discussion on small size limits in arthropods Journal of Hymenoptera Research, 32, 17-44

References

Hymenopterists
Welsh


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<mask>igen (; September 2, 1927 – July 30, 2005) was a founder of predispositioning theory, a subject in decision theory and systems theory that models development in the context of uncertainty. Career

Katsenelinboigen was born in Izyaslavl in the Ukrainian SSR. At fourteen, he enrolled at the Uzbekistan Institute of Economics, transferring four years later, in 1945, to the Moscow State Institute of Economics. There he graduated the following year and spent a further three years pursuing post-graduate work. He received a PhD in Economics in 1957 and became a Doctor of Economic Science in 1966. In 1973, Katsenelinboigen emigrated to the United States, where he continued to research indeterministic economics and develop predispositioning theory. He became a United States citizen in 1979.He also began to explore the application of predispositioning theory in fields other than economics, such as biology, psychology and theology. From 1990, when Vera Zubarev became one of his pupils, he and she began researching its application in literature and art. In 1974, after a brief sojourn at the University of California, Berkeley, Katsenelinboigen joined the Department of Economics at the University of Pennsylvania. During this time, he was also a visiting professor at Princeton University, where he presented a course on the Soviet economy. In 1977, he joined the


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 Wharton School's Department of Social Systems Sciences and became a full professor before moving to the Department of Decision Sciences in 1987. He retired in 2004. Katsenelinboigen's use of positional and combinational styles of chess as metaphors for the mental processes underlying decision-making continue to be taught by Zubarev at the University of Pennsylvania.Positions

 Professor, Decision Sciences Department, University of Pennsylvania, 1987-2005. Chairman, Social Systems Sciences Department, University Pennsylvania, 1985-1986. Professor, Social Systems Sciences Department, University of Pennsylvania, 1981-1987. Research Professor, Social System Sciences, University of Pennsylvania, April 1978 – 1980. Visiting Lecturer, Department of Economics, University of Pennsylvania, 1974-1978. Visiting Lecturer, Department of Economics, Princeton University, 1977. Visiting Research Economist, University of California, Berkeley, January–August, 1974.Professor, Economic School, Moscow State University, 1970-1973. Head of the Department of Complex Systems, Central Economic-Mathematical Institute, U.S.S.R.Academy of Sciences, 1966-1973. Senior Research Fellow, Central Economic-Mathematical Institute, U.S.S.R. Academy of Sciences, 1963-1965. Senior Research Fellow, Institute of Economics, U.S.S.R. Academy of Sciences, 1960-1963. Research Fellow, Institute of


texts:
 Economics, U.S.S.R. Academy of Sciences, 1956-1959. Research Fellow, Institute of Aviation Technology, Moscow, 1956. Research Fellow, Institute of Ceramics, Moscow, 1953-1955.Teacher at Booksale Vocational School, Moscow, 1951-1952. Consultant at the Collector of Public Libraries, Moscow, 1951. Planner, "Freser" factory, Moscow, 1950-1951. Planner, "Kaliber" factory, Moscow, 1949. Grants
 Ford Foundation, Research Competition in Soviet/Russian and East European Studies 1975. For two years (1975–1977). The topic of investigations "The Price-Command Mechanism in the Soviet Economic System."A.C.L.S., For the Fall Semester of 1977/1978 academic year. The topic of investigations "Vertical and Horizontal Mechanisms in the Soviet Economic System." National Council for Soviet and Eastern European Studies. For the 1980-1982 academic years. The topic of investigations "Towards the Concept of Measuring An Economic Potential: The Soviet-American Case." University of Pennsylvania 1987. For the purpose of developing a research agenda on a new topic area: indeterminism.University of Pennsylvania 1992. For organization of the International symposium "Calculus of Predisposition". University of Pennsylvania 1993. For the development of a new concept concerning mechanisms of evolutionary change (normal and pathological)
 SEI Center at the Wharton School, University of


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 Pennsylvania 1994. For the development of a new concept concerning the political system of a corporation

Honored positions
 Senior Fellow, Foreign Policy Research Institute, Philadelphia. Member of the ACTR/ACCELS National Board of Senior Advisers

Books

 Automation of Production Processes and Problems of the Organization of Labor, Moscow,"Mashgis," 1956, pp. 1–143.(in Russian)
 The Economic Effectiveness of Complex Mechanization and Automation in Machine Building, Moscow,"Ekonomica,"1959, pp. 1-233. (in Russian)
 The Calculation of Cost of Production in Automated Processes. Moscow, "Finizdat," 1958, pp. 1–87. (in Russian)
 Optimality and the Mechanism of Prices, (together with I. Lakhman and Iu. Ovsienko).Moscow: "Nauka," 1969, pp. 1–124. (in Russian)
 Methodological Problems of the Optimal Planning of a Socialist Economy, (together with Iu.Ovsienko and E.Faerman). Moscow, TSEMI, Academy of Sciences of the U.S.S.R., 1966, pp. 1–246. (in Russian)
 Studies in Soviet Economic Planning, White Plains: M.E. Sharpe Publisher, 1978, pp.1–229. Soviet Economic Thought and Political Power in the U.S.S.R., NY: Pergammon Press, 1980, pp. 1–229. Some New Trends in Systems Theory, Seaside, CA. : Intersystems Publications, 1984, pp. 1–269. Basic Economics and Optimality (together with S. Movshovich, Iu.Ovsienko), Seaside, CA: Intersystems Publications, 1987,


texts:
 pp.1–225. The Russian version of the book Growth and Economic Optimum, Moscow: "Nauka," 1972, pp. 1–152. Vertical and Horizontal Mechanisms as a System Phenomenon, Seaside, CA: Intersystems Publications,1988, pp. 1–350. Soviet Political and Economic System, vol.1, pp. 7–237; vol.2, pp.5–276; vol.3, pp. 5–311, Benson: Chalidze Publ., 1988. (In Russian). Selected Topics in Indeterministic Systems, Seaside, CA: Intersystems Publications, 1989, pp. 1–336. The Soviet Union: Empire, Nation, and System. New Brunswick:Transactions, 1990, pp.1–471. The Aesthetic Method in Economics. Benson: Chalidze Publ., 1990, pp. 1–392. (In Russian). Indeterministic Economics. New York: Praeger Publ., 1992,
 Russia: Problems and Conflicts.Philadelphia: The Coast Publ., 1993, pp. 1–87. (In Russian). Evolutionary Change; Toward a Systemic Theory of Development and Maldevelopment. Newark: Gordon & Breach Publishing Group, 1997, pp. 1–217. The Concept of Indeterminism & Its Applications; Economics,Social Systems, Ethics, Artificial Intelligence & Aesthetics.Westport: Greenwood Publishing Group, 1997
 A Conceptual Understanding of Beauty. Lewiston, NY: The Edwin Mellen Press, 2003
 18 Questions And Answers Concerning The Torah, 2007
 "ВОСПОМИНАНИЯ: "О Времени, О Людях, О Себе"

Books edited
 Popovsky, M., On the Other Side of the Planet, vol.1,Philadelphia:Coast, 1994, pp. 1–388


texts:
 (In Russian). Popovsky, M., On the Other Side of the Planet, vol.2, Philadelphia: Coast, 1995, pp. 1–468 (In Russian). Popovsky, M., On the Other Side of the Planet, vol.3,Philadelphia: Coast, 1996, pp. 1–426 (In Russian).An Aesthetic Approach to Live, History, Society, Business, Science, Art & Literature (together with Matthew Mandelbaum). Philadelphia: Friends of Art, 1997, pp. 1–254

Translations

 “How Keynes Came to America” by John Kenneth Galbraith. Stamford, CT: The Overbrook Press, 1965, pp. 3–18. Translated from English into Russian and published in Ekonomika I Matematicheskie Metody, vol.33, no 4, 1997, pp. 66–73.Selected articles
 "Calculations of Norms of Inventories on the Mass Production Lines," Card Catalog TESKO, No. 434/4, Moscow, 1950, pp. 1–6. "Concerning Higher Qualifications for Workers on the Production Line," Vestnik Mashinostroeniia, no. 9,1950, pp. 62–65. The Problems of Tariff Scales for Jobs and Workers when Introducing the New Methods of Labor Organization," Vestnik Mashinostroeniia, no.11, 1954, pp. 78-79. "The Possibilities for Increasing the Labor Productivity on the Ceramic Factories," Steklo i Keramica, no. 11, 1954, pp. 23–23. “Discovered Reserves,” Stroitel’naya Gasetta, March 13, 1955. “Automation of Production Processes in Machinbuilding Industry and Organization of Labor?” Cotsialistichesky Trud, no.1 1957,


texts: pp.9–17. "Technological Progress and Its Influence on the Cultural Level of Workers," Filosfskie Nauki, no. 4, 1959, pp. 14–22. "Application Mathematical Methods in Economic Investigations" Vestnik Akademii Nauk U.S.S.R., no. 4, 1959, pp. 14–22.“Automation and Economics,” Newspaper Sovetskaya Rossiya, August 18, 1959. “Technological Progress and the Reduction of Expenditures in Manufacturing Industries,” Cotsialistichesky Trud, no.11 1959, pp. 42–49. “The Economic Effectiveness of Complex Mechanization and Automation in Machine Building,” Problems of Economics, no.11 1959, pp. 85–99. “Problems of Labor under Automation,” Cotsialistichesky Trud, No11 1960, pp. 76–80.“The Economic Effectiveness of Complex Mechanization and Automation in Machine Building,” in Socio-Economic Problems of Technological Progress (Materials ofScientific Session of the Economic, Philosophical, and Judicial departments of the Academy of Sciences of USSR,) Moscow: Nauka, 1961, pp. 81–104. “Some  Methodological Problems Concerning Analysis of Labor Organization Under Complex Automation of Production Processes,” in Economic Problems of Automation of Industrial Production,” Moscow: Mashgiz, 1961, pp.206-214. "Main Problems of Raising Workers Skills Under Conditions of Intensive Technological Progress." In Industry and Labor in the U.S.S.R, G.V. Osipov (ed. ), London, Travistock


texts: Publications, 1966, pp.207–222; in Industria y Trabajo en la URSS. La Habana: 1975 (in Spanish). "Certain Theoretical Aspects of Optimal Planning of National Economy." Matekon, Vol. II, no. 4, 1966, pp. 3–18."The Problem of Application Mathematics in Economic Theory," Voprosy Ekonomiki, no. 4, 1967, pp. 98–107. "Centralism and Economic Autonomy in a Socialist Economy" Matekon, Vol. IV, no. 4, 1968, pp. 3–29.“Toward Coordination and Self-acting.” In  Informatsionnyj Bulleten’ no.9, 1968. Moskva: Nauchny Sovet Academii Nauk USSR  po Problemam    Concretnykh  Sociologicheskikh Issledovanij, pp. 99–109. "Methodological Problems of Control of Complex Systems," Problemy Metodologii Systemnykh Issledovanij. Moscow: "MYSL," 1970, pp. 87– 124. "Optimal Control and the Price Mechanism," Matekon, Vol.VI, no. 3, 1970, pp. 260–285. "Capital Charges in Optimal Economic Models," Matekon, Vol. VII, no. 4, 1971, pp. 370–390.An Introduction to the Russian Translation of the book E. Fels, G. Intner, Methodik Der Wirtschaftwissenschaft, "Progress," Moscow, 1971, pp. 5–21. "Concerning Some General and Particular Aspects of Different Levels of Management in the Socialistic Economy," Modeling of Economic Processes, Moscow State University Publisher, 1972, pp. 61–101 (in Russian). "Systems Analysis and the Problem of Values," Sistemnye Issledovaniia, Moscow, "Nauka," 1972,


texts: pp. 3–25. "On the Various Methods of Describing the Socialist Economy," Matekon, Vol.X, no. 2, 1973, pp. 3–25. "Systemanalyse and Wertlehre," Ideen des Exakten Wissens, West Germany, No. 5, 1973, pp. 283–290. "General Systems Theory and Axiology," General Systems, Vol.XIX, 1974, pp. 19–26. "Constructing the Potential of a System," General System, Vol. XIX, 1974, pp. 27–36. "Variations in Means of Description of Economic Systems," Collective Phenomena and the Applications of Physics to Other Fields of Science, Prepared for delivery at a Seminar "Moscow," U.S.S.R., 1-15, July, 1974, Brain Rese arch Publications, 1975, pp. 38–44."Disguised Inflation in the Soviet Union: The Relationship between Soviet Income Growth and Price Increased in the Postwar Period," The Socialist Price Mechanism, ed. by A. Abouchar. Durham, N.C.: Duke University Press, 19 77, pp. 171–183; the short version of this article may be seen in Economic Aspects of Life in the U.S.S.R. Main Findings of Colloquium held 29–31 January 1975 in Brussels. NATO-Directorate of Economic Affairs, 1975, pp. 101–111. "The Potential of a System," Systems Thinking and the Quality of Life, Proceedings of the 1975 Annual North American Meeting of the Society for General Systems Research, New York City, January 27–30, pp.50–54. Comments on Professor Vsevolod Holubnychy, "The Present State of Cybernetics


texts: and Republic - Level economic Planning." Ukraine in the Seventies (ed. Peter J. Potichny's), Mosaic Press, Oakville, Ontario, 1975, pp. 97–101. "Conflicting Trends in Soviet Economics in the Post Stalin Era," The Russian Review, Vol. 35, no.4, 1976, pp. 373–399. "Market and Plan, Plan and Market: The Soviet Case," Papers and Proceedings of the Eighty-ninth Annual Meeting of the American Economic Association, September 16–18, 1976, Atlantic City, NJ, pp. 61–66, The Soviet Econom y, Continuity and Change, ed. by M. Bornstein, Westview Press, CO, 1981, pp. 61–70. "Colored Markets in the Soviet Union," Soviet Studies, Vol.XXIX, no. 1, 1977, pp. 62–85. The enlarged version of this article is published in Internal Contradiction in the USSR, no. 2, 1982, Chalidze Publications, pp. 54–132, (in Russian). "Soviet Science and the Economists/Planners," Soviet Science and Technology: Domestic and Foreign Perspectives.Published for the National Science Foundation by the George Washington University, Washington, D.C., 1977, pp. 230–242. The revised version of this article was published in Survey, Vol. 1, No.1 (102), Winter 1977-1978, pp. 42–52. USSR: Internal Contradictions, no. 11, 1984, pp.243–268 (In Russian). "Some Observations on the Plan-Market Relationship in Centrally Planned Economies," The Annals of the American Academy of Political and Social Science,


texts: Vol. 434, November 1977, pp. 186–198. "Economics and the Problem of Values," The Annals of the Ukrainian Academy of Arts and Sciences in the United States, Vol. XIII, 1973–1977, no. 35-36, pp.209–216. "Vertical and Horizontal Mechanisms in Complex Systems." Proceedings of the Twenty-Second Annual North Meeting of the Society of General Systems Research, Washington, D.C., February 13–15, 1978, pp. 276–280. "Quelques Commentaires sur les Mecanismes Verticaux et Horizontaux dans L'Economie Sovetique," Reveue D'Etudes Comparatives Est - Quest, Vol. 9, no. 4, 1978, pp.7–20. "Domestic Factors Shaping Soviet Foreign Policy: Economic Conditions and Cultural Forces," Perceptions: Relations between the United States and the Soviet Union, United States Senate Committee on Foreign Relations, 1978, pp. 59–64. "L.V. Kantorovich, The Political Dilemma in the Scientific Creativity," Journal of Post Keynesian Economics, 1978–1979, Vol. 1, no. 2, pp.129–147. The enlarged version of this article is published in Internal Contradic tions in the USSR, no. 2, 1982, Chalidze Publications, pp. 284–334 (In Russian) and in revised form in Ekonomika I Matematicheskie Metody, vol.33, no 3, 1997, pp. 31–42. "Interaction of Foreign and Economic Policy in the Soviet Union," The Papers of the Peace Science Society (International), Vol. 28, 1978, pp.26–36. The enlarged version of this


texts: article is published in Internal Contradictions in the USSR, no. 4, 1982, Chalidze Publications, pp. 13–50, (in Russian). "Labile and Invariable Valuations," Paper was presented at the Fourth International Congress of Cybernatic & Systems, 21–25 August 1978, Amsterdam, The Netherlands (in press). (The Summary of the paper is published in the boo k Current Topics in Cybernetics and Systems, ed. by J.Rose, Springer-Verlag, 1978, pp. 253–254). "The Mechanisms of Distribution Consumer Goods and Services in the Soviet Economy." Paper was presented at the International Conference on the Service Sector of the Economy, University of Puerto Rico, June 26, July 1, 1978 (in press). My Meeting with a Prominent Turkish Poet: Nazim Hikmet, Edebiyat, Vol. IV, No. 2, 1979, pp.191–192. "Creation as a General Systems Phenomenon," Proceedings of the Silver Anniversary International Meeting, Society for General Systems Research, London, England, August 20–24, 1979, pp. 76–80. "On Variety of Ideologies," Quarterly Journal of Ideology, Vol. iii, Spring 1980, no. 1, pp. 9–22."Jews in Soviet Economic Science," Soviet Jewish Affairs, Vol. 11, no. 1, 1981, pp. 29–51. "Exchange and Values," Value Judgement and Income Distribution, ed. by R. Solo and C. Anderson, Praeger Publishers, 1981, pp. 165–184."Divergence and Convergence as General Systems Categories," Proceedings of the


texts: Twenty-fifth Annual North American Meeting of the Society for General Systems Research, Toronto, Canada, January 6–9, 1981, pp. 215–224. "Belief, Art and Science as General Systems Phenomena," Proceedings of the Tenth Annual Conference of the Southeastern Region of the Society for General Systems Research, April 21–23, 1981, Louisville, KY, pp. 239–246. "Some Regional Problems in the USSR," Planning under Regional Stagnation, eds. W. Buhz and P. Friedrich, Nomos Verlags-gellshaft, Baden-Baden, 1982, pp. 115–133; International Contradictions in the USSR, no.5, 1982, pp. 10–43 (in Russian). Book review "Political Change and Social Development: The Case of the Soviet Union" by Alexander Shtromas. The Russian Review, vol.41,no.3,1982, p. 340. "A Little Bit on Russia's Awful Past, Hectic Present, and Shadowed "Future." The USSR: International Contradictions, No. 7, 1983, pp.37–74 (in Russian). "Corruption in the USSR: Some methodological notes," Corruption, Causes, Consequences and Control, ed. by M. Clarke. Frances Pinter Publishers London, 1983, pp. 220–238. USSR: International Contradictions, no. 8, 19 83 (in Russian)."Openness of The Soviet Union." Paper delivered at the Fourth Annual Sewanee Economic Symposium, Market Economics, Planned Communism and the Third World: Economic Strength and Dependence, March 3–5, 1983, Sawanee, TN, USA (in press).


texts: "Indetermining the Future: A Systems Approach to Some Old Problems." 6th International Congress of Cybernetics and Systems of the WOGSC September 10–14, 1984, AFCET, Paris, Vol. 1., pp. 301–306. "Planning, Market and Measurement," Acta Slavica Iaponica, The Slavic Research Center, Hokkaido University, Sapporo, Japan, tomus II, 1984, pp.1–13. "Some Notes on Vertical and Horizontal Economic Mechanism," Regional and Industrial Development Theories, Models and Empirical Evidence, ed. by A. Anderson, W. Isard, T. Puu, New York: North Holland 1984, pp. 383–405. "The Story of a Jewish Favorite: <mask> Katsenelinboigen sounds great," Time and We, no. 81, 1984, pp. 172–202 (in Russian)."Some Comments on R. Ackoff's Concept of Interactive Planning." Planning for Human Systems: Essays in Honor of Russell L. Ackoff. Philadelphia: University of Pennsylvania Press, 1992, pp. 179–193. The Paradigm of the Manifold (Homogeneity) and the Singular Variety (Heterogeneity) as Applied to Social and Biological Systems. Proceedings of the International Conference Systems Inquiring: Theory, Philosophy, Methodology, Los Angeles, May 27–31, 1985, Vol. I, pp.275–283. As an article was published in Terapia Familiar Epistemologia Sisteactica, no. 16, 1987 (in Spanish). "Mathematical Economics in the Soviet Union: A Reflection On the 25th Anniversary of L.V. Kantorovich's book: The


texts: Best Use of Economic Resources", Acta Slavica Iaponica,Vol. 4 (1986), pp. 88–103.Internal Contradictions in USSR, no. 15, 1986, pp. 46–79 (in Russian). "Toward a Model of Indeterministic Systems Development" (together with M. Kavesh). Proceedings of the International Conference of Mental Images, Values and Reality, May 26–30, 1986, Vol. 1, pp. 79–84."Toward a Unified Theory of the Physiological Field" (together with D.Giacomo&M.Weissmark). Seventh International Congress of Cybernetics and Systems, London, September 3, 1986, pp. 376–378. "What to Undertake?" Country and World, no. 1(37), 1987, pp. 46–47 (in Russian)."Is the Soviet Union Changing?" Nation, June 13, 1987, p. 812. "Gorbachev's Paradox," Internal Contradictions in USSR, no. 19, 1987, pp. 97–181 (in Russian). "Respite or Change of the Tradition," Vremia i My, no. 96, 1987, pp.104–128 (in Russian). "Will Glashost Bring the Reactionaries to Power?," Orbis, Spring 1988, pp. 217–230. Respond to the letter by prof. G.Gibian concerning my article [61], Orbis, Summer 1988, pp. 442–444. "Gorbachev's Paradox or How to Help Him to Enter in History" Vremia i My, no. 99, 1988, pp.105–125 (in Russian). "Yanov vs. Solzhenitsyn", Vremia i My, no.100,1988, pp. 204–214 (in Russian). "Towards Constructing a Typology of Corporate Leadership". Systems Research, vol.6,no2, 1989, pp. 103–116. "Anti-Semitism and


texts:
 the Jews State", 22, no.64, 1989, pp.165–188 (in Russian). "Some Notes on Anti-Semitism", Word, no.7-8 1990, pp. 121–142; no.12 1992, pp. 121–130. Answers on questions concerning the future of the Soviet Union, Vremia i My, No.108, 1990, pp. 149–151 (in Russian). "Beauty as a Measurement of Performance: An Introduction to the Calculus of Predispositions", Proceedingd 5th IEEE International Symposium on Intelligent Control, September 5–7, 1990, Philadelphia, pp.98–103. Interview concerning the future of the Soviet Union, Vestnik, no.23,1991,pp. 8–11 (in Russian). "Change and Evolution". Systems Research, Vol.8,No4, 1991, pp. 77–93. "To Whom the Future Belongs?Thoughts Concerning Present State of the Past Soviet Union." Vremia i My,no.115,1992,pp. 148–164 (in Russian). "Russian Imperial Concept", Interview to the newspaper Novoe Russkoe Slovo, March 2,3,4,5,8, 9,10 1993 (in Russian). "A Szovjet gazdasag Militarizalasarol", 2000. December Mcmxciii, pp. 6–9 (in Hungarian)
 Dialog with Vera Zubareva concerning "angels".In the book "About Angels: A Treatise" by Vera Zubareva. Publisher: Odessa (Ukraine),1995, pp. 122–131. "Socio-Economic Mechanisms of Change and Biological Evolution". World Futures, Vol.46, 1996, pp. 171–193
 'Can One Measure Beauty?". The Coast, no, 5, 1996, pp.285-293 (in Russian)."Internal Mechanisms of Change." In Sustainable Peace in


texts: the World System, and the Next Evolution of Human Consciousness, Proceedings of the Fortieth Annual Meeting of the ISSS, July 14–19, 1996, pp. 365–376. "Is Capitalism a Danger for Modern Society?" Interview to the journal Vremia i My,no.135,1997, pp. 182–201 (in Russian). "Some Features of a Crossing Mechanism of Change."Proceedings of the Forty First Annual Meeting of the ISSS, Seoul, Korea, July 22–25, 1997, pp. 755–765. "Behind the Iron Curtain." Interview to the journal The Red and Blue, vol. LV, no. 3, 1997, pp. 6–8, 26-27."Systemic Oneness. Systemic Vision of the Devil in Dostoevsky's The Brothers Karamazov." Transactions of the Association of Russian-American Scholars in the U.S.A., vol.XXVIII, New York, 1996–1997, pp. 303–311 (in Russian). A letter to the publisher of The New Review, book 210, 1998,pp. 323–325 (in Russian). "The Theory of Predispositioning and Literary Analysis."Slavic and East European Journal, volume 42, no.4, Winter, 1998, pp. 736–739. "In memory of Andrey Malishevski." (In Russian.) In the book A.V. Malishevski, Qualitative Models In the Theory of Complex Systems. Moscow: Nauka, 1998, pp.519–521. "To the Strategy of Russian "perestrojka." Kontinent, Appendix to no. 1, 1999, pp. 56–67 (in Russian). “God and Indeterministic God.” Creative Transformation. Vol.9. No.4, 2000:14-18. “A Dialogue That Takes Place Somewhere and


texts:
 Still Continues.” In the book About Angels, About God, About Poetry by V. Ulea. University of West Alabama: Livingston Press, 2003, pp. 95–115. “The Language of Predispositioning.” Iconicity in Language. Internet Journal, 2003."License for Subjectivity"

External links
 Site dedicated to <mask> Katsenelinboigen
 Essay in Honor of Dr. <mask> Katsenelinboigen
 In Memory of Dr. <mask> Katsenelinboigen
 Vladimir Shlapentokh, <mask> Katsenelinboigen «Word» 2006, №50 In Russian. 1927 births
2005 deaths
20th-century American philosophers
Systems scientists
Plekhanov Russian University of Economics alumni
Soviet emigrants to the United States
University of California, Berkeley staff
University of Pennsylvania

masks: Aron Aron Aron Aron


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<mask> (born 1955) is an American artist and illustrator whose work has been exhibited in museums and galleries nationally and abroad. She has produced permanent public artworks in the form of fresco murals for the cities of Santa Fe and Albuquerque, New Mexico. She has been commissioned to create religious frescoes in churches in New Mexico, and has been called a "master of the art of buon fresco" in the Santos Tradition. She has authored a book on Toltec spirituality, Mastery of Awareness: Living the Agreements. In 2002 it was published in Spanish as El Dominio de la Conciencia, and in 2005 it was published in German as Das Geheimnis der vier Versprechen. Education
Vigil attended the College of Santa Fe, New Mexico where she studied buon fresco and received her BA in 1980. Collections
 City of Albuquerque Public Art Program, Sueño Entre Sueño, (Fresco), 1994.Albuquerque Public Art/South Broadway Cultural Center, Oneness of Dance, 1995. Millicent Rogers Museum, Taos, NM, Los Musicos #6, 1989
 Museum of New Mexico, Santa Fe, NM. La Transcion, oil on canvas, 1992
 An archive of her papers is held in the Smithsonian Museum and the Archives of American Art. Artwork

Oneness of Dance
Vigil's mural Oneness of Dance (1994) is a permanent public artwork commissioned by the City of Albuquerque 1% for Art Program. The cultural references of the work include representing women, history, spirituality, mythology, and dream symbolism. Oneness of Dance is considered a fresco mural depicting dance as a form of universal language understandable by all nations. Sueño Entre Sueño
Sueño Entre Sueño commissioned by the City of Albuquerque Public Art Program, depicts farmworkers in the field of corn below the phases of the moon.In


texts:
 the center of the mural is a figure painted in negative space that appears to be an elder man holding a cane with a dove and a flaming red heart within the figure. The farming symbolism also includes a female and male farmer, the latter is holding a stalk of corn, an essential food crop of the American Southwest. Spiritual Warrior Within
Spiritual Warrior Within (1995) was a mural, commissioned by the city of Santa Fe Arts Commission for the exterior of City Hall. According to a publication of the City of Santa Fe, the fresco depicts "symbols of friendship, the struggle for good and evil...and the healing power of humans." Although this mural was painted as a permanent artwork for the city of Santa Fe, it no longer exists, having been destroyed by a contractor who was overseeing renovations of City Hall. The destruction occurred without the approval or knowledge of the artist, the Santa Fe Arts Commission, nor of the Historic Districts Review Board. The latter agency has authoritative oversight of all exterior alterations of buildings earmarked within the Santa Fe downtown historic district.There is debate whether or not the destruction of the mural was a political action against the mayor who had commissioned it, Debbie Jaramillo, Santa Fe's first female mayor, whose administration was marked by controversy. Funeral with Shadow of Clouds
In Funeral with Shadow of Clouds, Vigil depicts a religious event occurring, more specifically, a funeral. In the painting, three figures in mourning standing over a burial pit; their shadows cast over the person who has died. Nacimiento del Ángel (Birth of the Angel)
In the painting Birth of the Angel (1993), Vigil drew circular, planetary shapes that appear to recede in


texts:
 space, representing stages of birth for an angel. In the foreground stands an angel in white clothing that transforms into wings. Her fingers are spread to appear as if preparing to ascend to Heaven through the dark background filled with stars. Did I Ever Tell You I Love You?The angelic theme recurs in Did I Ever Tell You I Love You?, oil on canvas (1992). Below the moon and stars in the sky, two figures are depicted: an older man and a woman, both of which are rendered as angels. The older man is on his knees, mourning over the death of his wife. An angel hovers over him in the air, its hands reaching towards the man. The background is painted with a scene of a cemetery with six tombstones in a field. Angélico Sonido
Inspired and similar to Renaissance painter Fra Angelico, Vigil's Angélico Sonido use of color differs from her other angelic themes in her artwork. Two men are depicted in this painting.They both wear black boater hats with their heads down, covering their eyes. The man on the left has his mouth open, revealing his top teeth. The man in the middle has his head lowered, covering his eyes even more than the man on the left, holding what appears to be a guitar. On the far right is a woman with wings (angel), who also holds and plays what appears to be a mandolin. The angel, as in most of her work, acts as a protecting force that motivates the two men. Nunca
In Nunca, the piece is simple compared to her other works. All the audience sees is a person, a fire, and an angel.<mask> <mask>'s depiction of angels emphasizes the role an heavenly being plays, to protect, guide, and look over people even though they are not with them physically. The angel in Nunca hovers over the human from above and acts as

masks: Bernadette Vigil


texts:
 a guide and protective force. Both the angel and the human are in the same position, knees bent with their hands up. El Jardin
This wet-fresco mural of a Northern New Mexico scene, framed by two ears of blue corn depicts the local landscape, sun, moon, seeds blowing in the sky, and freshly picked vegetables laid before the viewer. According to the City of Santa Fe Arts Commission the mural took three months to complete. Publications
Vigil created the cover art for Bless Me, Ultima, a coming-of-age novel written by Rudolfo Anaya, originally published in 1972. Vigil authored the book, Mastery of Awareness: Living the Agreements, published in 2001 by Simon & Schuster/Bear & Company.The Roswell Museum published an exhibition catalog, Bernadette Vigil: The Spirit's Inner Journey, in conjunction with her one-person show in 1997. Exhibitions

Solo
All one-person shows cited in the chapter on the artist in Latin American Women Artists of the United States: The Works of 33 Twentieth-Century Women unless otherwise noted. 1982 – Mayor's Gallery, Santa Fe, New Mexico
 1986 – Southwest Spanish Craftsman Gallery, Santa Fe, New Mexico
 1987 – The New Hacienda Museum, Cieneguilla, New Mexico
 1989 – Owings-Dewey Fine Art, Santa Fe, New Mexico
 1990 – Millicent Rogers Museum, Taos, New Mexico
 1990 – Jan Cicero Gallery, Chicago, Illinois
 1993 – Milagros Contemporary Art Gallery, San Antonio, Texas
 1997 – Roswell Museum and Art Center, Roswell, NM

Two-person shows
 1992 – Albuquerque Museum, Albuquerque, NM. Bernadette <mask> & Luis Tapia: Paintings & Woodcarvings

Group
All selected group shows cited in the chapter on the artist in Latin American Women Artists of the United States: The Works of 33 Twentieth-Century Women


texts:
 unless otherwise noted. Latin American Women Artists of the United States The Works of 33 Twentieth-Century Women, 1999. "Mastery of Awareness". Book by Doña Bernadette <mask>, Arlene Broska | Official Publisher Page | Simon & Schuster, Bear & Company."One of My Lives and Loves: Retablos". Rudyjmiera. "Sueño Entre Sueño: Bernadette Vigil and City of Albuquerque Public Art Program". CultureNOW. http://www.askart.com/artist_pubs/Bernadette_Vigil/102464/Bernadette_Vigil.aspx
 Dunbier, Lonnie Pierson (Editor), The Artists Bluebook: 34,000 North American Artists, page 479. AskART.com Inc. (2005)
 Watkins, T.H. and Joan P. Watkins, Western Art Masterpieces, page 119 (color image), (1996)
 Ellis, Simone, Santa Fe Art, page 112 (color image), (1993)
 Eiteljorg Museum, New Art of the West (Exhibition Catalog), page 58 (color image), (1992)
 Santa Fe New Mexican, Muralist Bernadette Vigil, August 1, 1994, Pg.21
 Santa Fe New Mexican, Interview in Pasatiempo Arts and Culture magazine, July 26, 1990, Pg. 70
 Santa Fe New Mexican, An eye-in-th-sky perspective wins praise for Bernadette Vigil, April 5, 1991
 Taos News, January 30, 1997
 Santa Fe New Mexican, Stalking Your Own Reflection: The Path of the Spiritual Warrior, August 1, 1994
 The Santa Fe New Mexican, Muralist Seeks Project for Gang Members, August 1, 1994

References

External links
 http://www.rudyjmiera.com/index.php/project/one-of-my-lives-and-loves-retablos/
 http://www.waymarking.com/waymarks/WMTH6V_Spiritual_Warrior_Within_Santa_Fe_NM

Living people
1955 births
Artists from New Mexico
20th-century American artists
American muralists
Fresco painters
21st-century American artists
20th-century American women artists
21st-century American women artists
Women


texts:
<mask> "Deb<mask> is the state director for The Nature Conservancy in Massachusetts. Prior to this, she served from 2011-2017 as the Secretary of the Vermont Agency of Natural Resources. She was appointed by Vermont Governor Peter Shumlin. She has also been a Visiting Professor of Environmental Policy and Leadership at the University of Vermont Rubenstein School of Environment and Natural Resources. <mask> was elected six times to serve as the Secretary of State of Vermont. Although she is a member of the Democratic Party, she won the nomination of both the Republican and Democratic Parties in two of her races. Early life, education and career
<mask> was born in Tarrytown, New York, on September 14, 1961.She attended Edgemont High School in Scarsdale, New York and graduated with honors from the University of Vermont, with a degree in philosophy and political science in 1983, and earned her Juris Doctor degree from Georgetown University Law Center in 1987, magna cum laude. As a law student at Georgetown, Markowitz did an oral history of then DC Circuit Court Judge, Ruth Bader Ginsburg. Based on this work, she published In Pursuit of Equality, One Women's Work to Change the Law, which is considered a seminal work by legal scholars analyzing the development of women's rights in America and the important role of Justice Ginsburg. After law school <mask> returned to Vermont to clerk with Justice Louis Peck of the Vermont Supreme Court. Following this clerkship she joined the law firm Langrock, Sperry & Wool. In 1990, the Vermont League of Cities and Towns (VLCT) established its Municipal Law Center, for which <mask> was hired as its first director. She has been a member of the adjunct faculty at the Vermont Law School and Woodbury College.Vermont Secretary of State
<mask> was first elected Vermont's Secretary of State in 1998, defeating a two-term incumbent and becoming the first woman elected Secretary of State in the Vermont. As Secretary of State, Markowitz advocated for, and implemented, election reforms that increased early voting opportunities and made it easier to register to vote. She built a statewide voter registration

masks:
Deborah
" Markowitz
Markowitz
Markowitz
Markowitz
Markowitz
Markowitz


texts:
 database, and  upgraded Vermont's voting equipment. Markowitz also established the Safe at Home program; an address confidentiality program to protect victims of rape, abuse and stalking from being tracked down through the state's public records. She consolidated the state Archives with the state records department, and oversaw the construction of a new State Archive and Record Center facility. <mask> was perhaps best known for her efforts to advance civic engagement of Vermonters. She developed civic educational materials and programs for Vermont's school children, and she published a monthly Newsletter and a dozen handbooks for Vermont's local officials, answering their questions about municipal law and practice.Markowitz also established the Vermont Public Service Award program to recognize local officials who served for 20 years or more. Markowitz served as president of the National Association of Secretaries of State. She served on the Board of Advisors of the Federal Election Assistance Commission and she served on the boards of the Central Vermont Community Action Agency, the Vermont Girl Scout Council, the Vermont Housing and Conservation Board and the Vermont Council on Rural Development. Vermont gubernatorial election

<mask> was a candidate in the 2010 Democratic primary for Vermont Governor. She placed third with 17,503 votes, behind the winner, Peter Shumlin, with 18,276 votes, and second-place Doug Racine, with 18,079 votes. <mask> was appointed by Governor Shumlin to serve as his Secretary of the Agency of Natural Resources. Agency of Natural Resources
Markowitz served as  Secretary of the Vermont Agency of Natural Resources, from 2011 - 2017.As Secretary, <mask> was responsible for protecting Vermont's environment, natural resources and wildlife and for maintaining Vermont's forests and state parks. In this role she  shaped the environmental agenda of the state, focusing on the challenges of climate change, habitat fragmentation and the need to make Vermont more resilient to flooding. Secretary <mask> served as the Chair of Vermont's Climate Cabinet and represented Vermont on the White House Task Force on

masks: Markowitz Markowitz Markowitz Markowitz Markowitz


texts:
 Climate Preparedness and Resilience. She represented Vermont in State and Regional Leadership events at the Paris Climate Summit and in Marrakech. She served on the Board of the Regional Greenhouse Gas Initiative and on the Executive Board of the Environmental Council of the States. <mask> received a 2017 Lifetime Achievement Award from EPA Region 1, where they noted "Deb became secretary of the Agency for Natural Resources in 2011, introducing one of the most productive and innovative eras in the agency's history. She focused on challenges from climate change and water quality to forest health and recycling rates.When Deb arrived, the organization was shell-shocked from years of budget cutting and rotating secretaries. Within a year, it had entered a sustained period of innovative environmental policy improvement. Over the next six years, Deb and her commissioners and staff secured protection for shorelines; universal recycling requirements; a Lake Champlain cleanup plan, and greater attention to forest fragmentation." Markowitz serves on the Boards of Advisors for the Georgetown Climate Center, Antioch's Center for Climate Preparedness and Community Resilience, for the University of Vermont's Rubenstein School of Environment and Natural Resources, and as a Trustee of the Vermont Chapter of the Nature Conservancy. <mask> is the founder of the Vermont Women's Leadership Initiative and Vermont Parks Forever – the Foundation for Vermont's State Parks. She has been recognized nationally for her leadership by being awarded an Aspen Institute Rodel fellowship and the Kennedy School of Governments’ Cahn Fellowship. Personal life
<mask> resides in Montpelier, Vermont, with her husband and three children.References

External links
Vermont Secretary of State official state government site

Secretaries of State of Vermont
Living people
1961 births
Georgetown University Law Center alumni
Jewish American people in Vermont politics
Jewish women politicians
University of Vermont alumni
Vermont Democrats
Women in Vermont politics
American women lawyers
Edgemont Junior – Senior High School alumni
21st-century American Jews
21st-century

masks: Markowitz Markowitz Markowitz


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<mask> (14 January 1932 – 22 August 2001) was a German conductor and Hochschullehrer. In 1964, he was appointed General Music Director at the Meiningen Court Theatre. At the end of the 1960s, he turned to concert conducting, and for over twenty years he was the principal conductor of the Staatliches Sinfonieorchester and the Philharmonisches Staatsorchester Halle, which he led to national recognition. <mask> championed Neue Musik works by East German (<mask> among others) and Soviet composers. In 1979 he received the National Prize of the GDR. Initially appointed Conducting Professor at Hochschule für Musik Franz Liszt, Weimar, he served as Rector of the Hochschule für Musik "Hanns Eisler" from 1982 to 1986. Life

Thuringian origin and socialisation
Born in Bebra near Sondershausen, <mask> came from a working-class family.He was born in 1932 as the son of a -Kumpel and grew up in Halle. He was also influenced by an antifascist milieu. <mask>, who was himself a member of the Antifa youth, lost his brother <mask> during the Nazi era, who was executed in  in 1941 for high and national treason. After attending elementary school, he studied violoncello, piano, composition and conducting at the Max Reger Conservatory in Sondershausen from 1945 to 1950. His livelihood He earned his living during this time as a forestry worker and dance musician. "Out of deep conviction", as Wolfgang Herbrand put it, he turned to the state party in the GDR. Although he had already applied for membership at the age of twenty-one, he did not become a member of the Socialist Unity Party of Germany until 1955.In terms of cultural policy, he

masks:
Olaf Koch
Koch
Günter Kochan
Koch
Koch
Heinz Koch


texts:
 identified with the idea that art no longer belonged only to the elite, but to ordinary people. Changing Kapellmeister posts

In 1950 <mask> became Repetitor for ballet, opera and operetta and 2nd Kapellmeister in Meiningen, where he was from then on promoted by the theatre director Fritz Diez. The main focus of his activity was that of an operetta conductor. From 1955 to 1958 he was 1st Kapellmeister at the Opernhaus Halle. There, in 1958, he produced the ballet "Kreuzbauer Ulrike" by Carl-Heinz Dieckmann, choreographed by Henn Haas and set during the German Campaign of 1813 to the first performance. In 1958, he went to the Stralsund Theatre as musical director. From Halle, he brought his assistant director Harry Kupfer, who was now the only music theatre director to stage the following operas for him in Stralsund: Der Freischütz by Carl Maria von Weber, Enoch Arden by Ottmar Gerster and The Merry Wives of Windsor by Otto Nicolai.In 1960/61, he moved as music director to the  in Stendal. In 1961, he realised with the Hungarian refugee Béla Hollai in the West German Göttingen, a joint project between the Göttinger Symphonie Orchester and Stendal with works by Josef Suk, Aram Khachaturian, Carl Maria von Weber and Robert Schumann. General Music Director at the Meiningen Theatre
At the instigation of the GDR authorities and also at his own request, he returned to the Meiningen Theatre from November 1961 to 1967. This time he was engaged as musical director, in 1964 he was appointed General Music Director. For Alfred Erck, <mask> was "endowed with absolute ear, loving the great tone, savouring dramatic moments very well,

masks: Koch Koch


texts: he duly declared war on inaccuracies, even sloppiness, and was feared by orchestra musicians and singers alike." The soloist ensemble at the time included, among others Günther Hofmann, Ines Kurz-Markgraf and Volker Schunke. A novelty was that he brought Eastern European bel canto soloists like Sandor Arizs and Virginia Keranowa to Meiningen from 1964.Accordingly, he initially had mainly Italian operas by Giuseppe Verdi and Giacomo Puccini performed. In 1962, <mask> also took over the direction of the Rüdiger Flohr production of Handel's Ezio in the musical version by Max Schneider. His authoritarian style of leadership and dominance with regard to the soloists clashed in Meiningen with the innovations of director Hans Günter Nebel, who was influenced by Walter Felsenstein's musical theatre. The two came together in Russian musical drama, for example in Mussorgsky's Boris Godunov. In addition, Wagner and Strauss productions were also created. <mask>'s preference, however, was for symphonies, whereby he particularly appreciated Ludwig van Beethoven. Later, he also included the concert music of Slavic composers such as Modest Mussorgsky and Dmitri Shostakovich in his repertoire.In 1967, he realised the German premiere of the 1st Symphony by Nina Makarova, the wife of Aram Khachaturyan. Furthermore, on the occasion of the 1966 Thuringian Music Days, he premiered the Symphonic Poem for Two Pianos and Orchestra by Wolfgang Hohensee with the Berlin pianists Eberhard Rebling and Siegfried Stöckigt. According to Gert Richter, he led the Meiningen Court Orchestra "to a higher musical level". <mask> himself regarded the time in

masks: Koch Koch Koch


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 Meiningen as the most formative of his career. Chief Conductor of the Halle Philharmonic Orchestra
<mask> turned increasingly to concert conducting from 1967 and was succeeded by Karl-Ernst Sasse Head and chief conductor of the Philharmonisches Staatsorchester Halle. <mask> "wanted to form an orchestra that should correspond to his high ideas", as journalist Gisela Heine put it. In Halle, he arranges the Handel Festival Halle and the Musiktage with.Thus, on the occasion of the 1970 Handel Festival, he conducted Beethoven's Tripelkonzert, which was interpreted by the Soviet guest musicians, violin virtuoso Oleg Kagan, pianist Elisabeth Leonskaja and cellist Natalia Gutman. At the Wittenberg "Weeks of Contemporary Music" in 1971, he participated with a performance of Leoš Janáček'sSinfonietta. Moreover, he premiered several contemporary musical works by GDR composers, among others in 1969 Heinz Röttgers Violin Concerto (with Gustav Schmahl) and in 1970 Hans Jürgen Wenzel's "Trassensinfonie". Wenzel's work, however, which had not been awarded by the  (VKM), led to conflict with <mask>, whereupon from the 1970s onwards he initially deferred contemporary music and thus in effect sound creations from the region in the programme planning and from 1979 also in Wenzel's progressive Series "Confrontation" of the Halle Philharmonic. In 1972 <mask> took over the direction of the Hallesche Philharmonie, which emerged from the former State Symphony Orchestra, the Robert Franz Singing Academy and the ; furthermore, a separate chamber orchestra, which he conducted from 1973 to 1984, and two wind groups were pronounced. According to the

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texts: musicologist Konstanze Musketa, this resulted in "a versatile and powerful ensemble", from which "essential impulses for the musical life of the region" took their starting point. In 1976, he conducted the festive concert on the occasion of the inauguration of the , which was to replace the  as the main venue.<mask> advocated a "democratisation of concert life", which was expressed in introductions to works and talks as well as concert planning. Thus, according to Richter, his Werkhalle and student concerts were an effort to "introduce those circles to classical music." The concerts were considered to be largely sold out. The ensemble's repertoire included symphonic music from the classical period to the modern. The choral-orchestral connection allowed repeated performances of oratorios by George Frideric Handel. For the 450th anniversary of the German Peasants' War, it premiered the oratorio "Die Antwort" by Wolfgang Hohensee with a text by Paul Wiens in the St. Mary's Church, Mühlhausen under <mask>'s direction. The merit of the symphony orchestra, the chamber orchestra and the chamber music ensembles for contemporary music should also be expressed in further premieres.However, composers from the Halle-Magdeburg area were hardly considered by the Philharmonic. Due to his inactivity, <mask> was also not re-elected as chairman of the performers' section (1972-1976) in the corresponding district association of the VKM. On the other hand, <mask> "never chose according to affiliation to trends and fashions, but always with regard to their musical quality", as Richter elaborated. Moreover, the "effect of the sonic result"


texts: was important to <mask>. Among the works presented were Alan Bushs 1972 symphonic movement for piano and orchestra "Africa" (with Alan Bush), 1974 Fritz Geißler's Symphony No. 8, 1975 Günter <mask>ans Viola Concerto (with Alfred Lipka), 1981 Wolfgang Stendel's Cello Concerto (with Hans-Joachim Scheitzbach) and in 1989 Kurt Schwaens 2nd Piano Concerto (with Ton Nu Nguyet Minh) and Dietrich Boekles new version of the Concerto for large orchestra. Regularly the orchestra was invited to the major alternating In 1989, he performed at the .Clearly visible under <mask>'s conducting was also an international recognition, as Musketa pointed out. Numerous guest performances took the orchestra to the so-called Eastern Bloc. <mask>'s "authority and negotiating skills", as stated in an obituary in the Mitteldeutsche Zeitung from Halle, also enabled the Philharmonie to make concert tours to the Non-Socialist Economic Area from 1975. According to the musicologist Achim Heidenreich, in addition to these regular events in the Federal Republic of Germany, which were quite positively noted, German Communist Party organised workers' concerts were also served, which, on the other hand, were not very well received. The dramaturge Gerd Richter perceived <mask> in Halle "as an imaginative, outstanding artist and clever manager". He found impressive "his high musicality and his elegant, yet also precise, percussion technique, his ability to accurately assess the effect of a piece of music when reading the score, but also to be able to convey this to the performers as well as ultimately to the audience". <mask> had a "tendency towards a certain

masks: Koch Koch Koch Koch Koch Koch


texts: theatricality", according to Richter, and possessed a "strong, at times egocentric, personality".Despite not having studied at a conservatoire, he was "open to all artistic and intellectual stimuli, indeed he had a pronounced thirst for knowledge" and was also concerned, for example, with the maxims of historical performance practice. During his time in Halle, <mask> helped GDR compositions to receive Soviet first performances in Moscow, such as the 1965 "Little Music for Orchestra" and the Violin Concerto (with  by Ruth Zechlin and in 1971 the 2nd Symphony by Günter <mask>an. In addition, he premiered Dumitru Bughici's symphonic Suite Pictures from the History of Romania with the Romanian Radio Symphony Orchestra in Bucharest in 1973. In 1984 he became a member of the "Kuratorium Schauspielhaus", chaired by Peter Schreier, and in 1985 of the GDR Committee on the . According to Hans-Martin Uhle, the choirmaster from Halle, <mask> "led the orchestra into the Oberliega". He was "an excellent conductor and good orchestra educator". His obsession with power was to be regarded as not unproblematic, under which the then choirmaster of the Robert Franz Singing Academy "Hartmut Haenchen had to suffer increasingly".<mask> had used his party membership to thwart Haenchen's artistic activities with the orchestra. As a consequence, Haenchen left Halle in 1972. Similarly, he did not maintain a good relationship with Haenchen's successor Wolfgang Unger. <mask>'s tendential closeness to the state, which had been assessed as a "political vicious circle", led to his resignation in Halle at the end of 1989 after an uncomfortable voting

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 result. In accordance with the request of the orchestra's board, he nevertheless continued his work until the end of the 1989/90 season, so that he could give his last concert in the Saale city with the final concert of the 39th Handel Festival. According to Gilbert Stöck, <mask> "outwardly affirmed the cultural-political line of the state party with often pithy words". For the musicologist and Masur biographer Johannes Forner, he was considered a "political hardliner and problematic in human dealings".Nevertheless, Richter emphasised: His socio-political ideas did not exclude criticism of political realities Shortly before his death, he reported to Richter that he also saw himself cheated of his ideals by the rulers of the GDR. End of career in Suhl
In 1990, <mask> returned to his native Thuringia and became chief conductor and director of the Thüringen Philharmonie Gotha-Eisenach. With the new orchestra he gave guest performances at home and abroad. In 1993, he tried unsuccessfully to return to the Meiningen Theatre. In 1994/95, together with Jean-Paul Penin Principal Conductor and in 1995/96 Guest Conductor in Suhl. <mask> was also involved in orchestra building in Thessaloniki and Tokyo. Thus he received guest conductorships in Greece (1996) and China/Taiwan (1997).Teaching commitments

Another focus of his work was orchestral education. In 1972 he began teaching at the University of Music and Theatre Leipzig, where he became chairman of the orchestra council in 1979. He was available to the University Symphony Orchestra as a guest conductor. In September In 1975, he received a professorship with a lectureship in


texts:
 conducting at the Hochschule für Musik Franz Liszt, Weimar, which he held again from 1987 to 1993. From 1982 to September In 1986, he succeeded Dieter Zechlin Rector of the Hochschule für Musik "Hanns Eisler" Berlin. During this period in Halle, the personal union between the artistic and the state management of the orchestra had been abolished; Wolfgang Pfeiffer held the office of director of the Philharmonie. <mask> was often represented by his deputy Karl-Heinz Zettel.He was also a visiting professor in Tokyo, Havana and Pyongyang. In Halle, <mask> led a conducting seminar from the 1970s onwards that fell under the jurisdiction of the Ministry of Culture, which turned the orchestra into a kind of "practice orchestra", as well as seminars with composition students to study works. <mask> was also a member of the Permanent Jury Conducting of the GDR, which was headed by Kurt Masur. In 1992, he led the course of the resulting  of the Deutscher Musikrat in Suhl. Among his students were Peter Aderhold, Christfried Göckeritz, Christian Rudolf Riedel and István Ella, but also female conductors like Dobrin Panajotow, Helga Sippel, Dorothea Köhler and Johanna Martens as well as Johanna Weitkamp. In Thessaloniki war Cosima Sophia Osthoff Assistantin <mask>s. Personal life
<mask> was married five times.From his marriage in 1954 to the actress and director Sieglinde Wiegand (1929-2018), he married director <mask> (born 1955). His third marriage was to the actress Monika Reh. For a time he was married to the violinist Kathinka Rebling (born 1941). <mask> had a firearms licence and was considered a passionate hunter. <mask> died in

masks:
Koch
Koch
Koch
Koch
Koch
Stephanie Koch
Koch
Koch


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 2001 in Halle at the age of 69. In 2006, a commemorative plaque was unveiled at his birthplace in Sondershausen-Bebra on the initiative of the Bebra Male Choir. Anlässlich des 100-jährigen Bestehens des Chores widmete man <mask> das Lied Geboren aus der Kraft zum Leben.Awards
 1964: Max Reger Prize des Bezirks Suhl
 1973: Handel Prize
 1974: Vaterländischer Verdienstorden in Gold
 1975:  in Gold
 1976: Handel Prize des Bezirks Halle (für die Hallesche Philharmonie)
 1976: Kunstpreis der DDR
 1979: Nationalpreis der DDR III. Klasse für Kunst und Literatur ("für seine Verdienste als Dirigent und Orchestererzieher")

<mask> also won the Bela Bartok Medal, and an honorary award of the Soviet Union of Composers for the interpretation of commissioned works. Recordings
 Günter <mask>an: Violakonzert (NOVA, 1976) – Hallesche Philharmonie, Alfred Lipka (Viola)
 Bert Poulheim: Fagottkonzert (NOVA, 1982) – Hallesche Philharmonie, Bert Poulheim (Fagott)
 Kurt Schwaen: Requiem für Orchester (NOVA, 1988) – Orchester der Hochschule für Musik „Hanns Eisler“ Berlin
 Peter Jona Korn: Beckmesser-Variationen / Symphonie Nr. 3 / Exorzismus eines Liszt-Fragments (Thorofon, 1992) – Thüringen Philharmonie Gotha
 Dietrich Erdmann: Musica multicolore / Concertino für Klavier und kleines Orchester (Thorofon, 1992) – Thüringen-Philharmonie Suhl, Roswitha Lohmer (piano)
 Ulrich Sommerlatte: Sinfonische Unterhaltung etc. (<mask>nn, 1993) – Thüringen-Philharmonie Suhl
 Joseph Suder: II. Symphonische Musik (CALIG, 1993) – Thüringen-Philharmonie Suhl
 Wolfgang Stendel: Inventionen für Orchester (Thorofon, 1994) – Thüringen-Philharmonie Suhl
 Nina

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Koch
Olaf Koch
Koch
Koch Schwa


texts:
 Makarova: Symphony in D Minor (Russian Disc, 1994) – State Academic Symphony Orchestra of the Russian Federation
 Gerhard Rosenfeld: Flötenkonzert (Hastedt, 1997) – Kammerorchester der Halleschen Philharmonie, Otto Rühlemann (flute)
 Alexandre Guilmant, Léon Boëllmann, François-Joseph Fétis: Masterworks for Organ & Orchestra (Guild, 2001) – Ingolstadt Philharmonie, Franz Hauk (organ)

Further reading
 Günther Buch: Namen und Daten wichtiger Personen der DDR. 4th, revised and expanded edition.Dietz, Berlin among others 1987, , . Herbert A. Frenzel, Hans Joachim Moser (ed. ): Kürschners biographisches Theater-Handbuch. Schauspiel, Oper, Film, Rundfunk. Deutschland, Österreich, Schweiz. de Gruyter, Berlin 1956, . Gisela Heine: Das Philharmonische Staatsorchester Halle.G. Heine, Halle (Saale) 1997, pp. 37 ff. Wolfgang Herbrand: Was macht eigentlich <mask>. In Monika Zimmermann (ed. ): Was macht eigentlich…? 100 DDR-Prominente heute. Links, Berlin 1994, ,  (zuvor erschienen als: Was macht eigentlich?<mask>. In Neue Zeit, 26 September 1992, Jg. 48, Ausgabe 226, ). Andreas Herbst, Winfried Ranke, Jürgen Winkler: So funktionierte die DDR. Vol. 3: Lexikon der Funktionäre (rororo Handbuch, 6350). Rowohlt, Reinbek bei Hamburg 1994, , .Rosemarie Preuß: <mask>, <mask>. In Gabriele Baumgartner, Dieter Hebig (ed. ): Biographisches Handbuch der SBZ/DDR. 1945–1990. Volume 1: Abendroth – Lyr. Saur, Munich 1996, , . Gert Richter: Meine Gedanken zum Tod von <mask>.In Händel-Hausmitteilungen 3/2001, . Gilbert Stöck: Neue Musik in den Bezirken Halle und Magdeburg zur Zeit der DDR. Kompositionen, Politik, Institutionen. Schröder, Leipzig

masks:
Olaf Koch
Olaf Koch
Koch
Olaf
Olaf Koch


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 2008, , pp. 247 ff. References

External links

 <mask>, <mask> on Kalliope. <mask> on Allmusic.20th-century German conductors (music)
University of Music and Theatre Leipzig faculty
Hochschule für Musik Franz Liszt, Weimar faculty
Recipients of the National Prize of East Germany
Recipients of the Patriotic Order of Merit in gold
People from Suhl
Socialist Unity Party of Germany members
1932 births
2001 deaths
People from

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Olaf
Olaf Koch


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<mask>f (born Maria Konstantinovna Bashkirtseva, ; 1858–1884) was a Russian artist. She lived and worked in Paris, and died aged 25. Life and painting career

Bashkirtseff was born Maria Konstantinovna Bashkirtseva in Gavrontsi near Poltava (now Ukraine) to a wealthy noble family, but her parents separated when she was 12. As a result, she grew up mostly abroad, traveling with her mother throughout most of Europe, with longer spells in Germany and on the Riviera, until the family settled in Paris. Educated privately and with early musical talent, she lost her chance at a career as a singer when illness destroyed her voice. She then determined to become an artist, and she studied painting in France at the Robert-Fleury studio and at the Académie Julian. The Académie, as one of the few establishments that accepted female students, attracted young women from all over Europe and the United States.Fellow students at the Académie included Anna Bilińska-Bohdanowiczowa and especially Louise Breslau, whom Bashkirtseff viewed as her only real rival. Bashkirtseff would go on to produce a remarkable, if fairly conventional, body of work in her short lifetime, exhibiting at the Paris Salon as early as 1880 and every year thereafter until her death (except 1883). In 1884, she exhibited a portrait of Paris slum children entitled The Meeting and a pastel portrait of her cousin, for which she received an honorable mention. Bashkirtseff's best-known works are The Meeting (now in the Musée d'Orsay, Paris) and her 1881


texts: In the Studio, a portrait of her fellow artists at work. Although a large number of Bashkirtseff's works were destroyed by the Nazis during World War II, at least 60 survive. In 2000, a U.S. touring exhibition entitled "Overcoming All the Obstacles: The Women of Academy Julian" featured works by Bashkirtseff and her schoolmates. As a painter, Bashkirtseff took her cue from her friend Jules Bastien-Lepage's admiration for realism and naturalism.Where Bastien-Lepage had found his inspiration in nature, Bashkirtseff turned to the urban scene, writing, "I say nothing of the fields because Bastien-Lepage reigns over them as a sovereign; but the streets, however, have not yet had their... Bastien." By unlucky chance, both artists succumbed prematurely to chronic illness in the same year, and the later pages of Bashkirtseff's journal record her visits to the dying painter. Dying of tuberculosis at the age of 25, Bashkirtseff lived just long enough to emerge as an intellectual in Paris in the 1880s. She wrote several articles for Hubertine Auclert's feminist newspaper La Citoyenne in 1881 under the nom de plume "Pauline Orrel." One of her most-quoted sayings is "Let us love dogs, let us love only dogs! Men and cats are unworthy creatures."Bashkirtseff died in Paris in 1884, and she is buried in Cimetière de Passy, Paris. Her great friend Prince Bojidar Karageorgevitch was present at her deathbed. Her monument is a full-sized artist's studio that has been declared a historic monument by the government of


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 France. <mask>f was included in the 2018 exhibit Women in Paris 1850-1900

The diary
From approximately the age of 13, Bashkirtseff kept a journal, and it is probably for this that she is most famous today. It has been called "a strikingly modern psychological self-portrait of a young, gifted mind," and her urgent prose, which occasionally breaks out into dialogue, remains extremely readable. She was multilingual and despite her self-involvement, was a keen observer with an acute ear for hypocrisy, so that her journal also offers a near-novelistic account of the late nineteenth century European bourgeoisie. A consistent theme throughout her journal is her deep desire to achieve fame, inflected by her increasing fear that her intermittent illnesses might turn out to be tuberculosis.In a prefatory section written toward the end of her life, in which she recounts her family history, she writes, "If I do not die young I hope to live as great artist; but if I die young, I intend to have my journal, which cannot fail to be interesting, published." Similarly: "When I am dead, my life, which appears to me a remarkable one, will be read. (The only thing wanting is that it should have been different)." In effect, the first half of Bashkirtseff's journal is a coming-of-age story while the second is an account of heroic suffering. Bashkirtseff's journal was first published in 1887, and was only the second diary by a woman published in France to that date. It was an immediate success, not least because its


texts: cosmopolitan confessional style was a marked departure from the contemplative, mystical diaries of the writer Eugénie de Guérin that had been published in 1862. An English translation appeared two years later under the title <mask>eff: The Journal of a Young Artist 1860–1884.Translated by Mary J. Serrano, it was heavily abridged and bowdlerized, her relatives seeing to it that a good deal of material they considered unflattering to the family was removed. British Prime Minister William Gladstone referred to her journal as "a book without a parallel", and another early admirer was George Bernard Shaw. The late nineteenth century English novelist George Gissing read the original French version over eight days in June 1890. It remained popular, eventually spinning off both plays and movies based on her life story, including The Affairs of Maupassant, directed by Henry Koster and released in the United States in 1938. Her diary was cited as an inspiration by the American writer Mary MacLane, whose own shockingly confessional diary was written a bare generation later, and it was mentioned as a model by later writers who became known for their diaries, including Pierre Louÿs, Katherine Mansfield, and Anais Nin. Her letters, consisting of her correspondence with the writer Guy de Maupassant (which she had begun under an assumed name) were first published in 1891. Until recently the accepted date of Bashkirtseff's birth was 11 November [23 November New Style], 1860.After the discovery of the original


texts:
 manuscript of Bashkirtseff's journal in the Bibliothèque nationale de France, however, it was found that her journal had been abridged and censored by her family in its first editions. Her date of birth (1858 not 1860) was falsified by her mother to make Bashkirtseff appear even more precocious. An unabridged edition of the complete journal, based on the original manuscript, has been published in French in 16 volumes, and excerpts from the years 1873–1876 have been translated into English under the title I Am the Most Interesting Book of All (see editions listed below). Editions of the diary
 The Journal of Marie Bashkirtseff: I Am the Most Interesting Book of All (Volume I) and Lust for Glory (Volume II). English Translation by Katherine Kernberger. E-book version: , Publisher: Fonthill Press, 2013. Mon journal.Texte intégral. Volumes I-XVI (complete text of the journal, transcribed by Ginette Apostolescu). Paris: Montesson (5 rue Jean-Claude-Bézanier, 78360 ). Cercle des amis de Marie Bashkirtseff, 2005. . I Am the Most Interesting Book of All: The Diary of <mask>eff Vol 1. English translation by Phyllis Howard Kernberger and Katherine Kernberger. , , Publisher: Chronicle Books, 1997.Journal of Marie Bashkirtseff. Translated by A.D. Hall and G.B. Heckel. New York: Rand, McNally, 1890. (Title page state: "The only complete English edition"). The Journal of Marie Bashkirtseff. Translated, with an introduction, by Mathilde Blind.2 volumes. London, 1890. <mask>f: The Journal of a Young Artist

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Marie Bashkirts
Marie Bashkirtsef


texts:
 1860–1884. English translation by Mary J. Serrano. New York: Cassell, 1889. Journal de Marie Bashkirtseff, avec un portrait. 2 volumes, 1887.References

Further reading

 Schiff, Joel. Portrait of Young Genius – The Mind and Art of <mask>f. Wilmington: Vernon Press, 2016. Creston, Dormer, and Dorothy Julia Baynes. Fountains of Youth: The Life of <mask>f. Taylor & Francis, 1936. Cronin, Vincent.Four Women in Pursuit of an Ideal. London: Collins, 1965; also published as The Romantic Way. Boston: Houghton Mifflin, 1966. Maupassant, Guy de, and <mask>f. 'I Kiss Your Hands': The Letters of Guy de Maupassant and <mask>eff. Rodale Press, 1954. Fisher, T.  A Study of <mask>f.Unwin, 1892. Garb, Tamar. "'Unpicking the Seams of Her Disguise': Self-Representation in the Case of <mask>f." George Robertson et al. The Block Reader in Visual Culture. New York: Routledge (1996). Hartman, Kabi."Ideology, Identification and the Construction of the Feminine: Le Journal de Marie Bashkirtseff." The Translator 5.1 (1999): 61–82. Hubbard, Tom, <mask>.: A Biographical Novel, Kirkcaldy: Ravenscraig Press, 2008. "S". "The Journal of Marie Bashkirtseff: an Exposure and a Defence." Black and White, 6 Feb and 11 April 1891, pp. 17 and 304.Wilson, Sonia. Personal Effects: Reading the Journal of <mask>eff. London: LEGENDA (Modern Humanities Research Association)/Maney|, 2010. Aldiss, Brian, Friendships: <mask>eff

External links

 Unpublished diary leaves, held at the Getty Research Institute

1858 births
1884

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Marie Bashkirtsef
Marie Bashkirtsef
Marie Bashkirtsef
Marie Bashkirts
Marie Bashkirtsef
Marie Bashkirtsef
Marie B
Marie Bashkirts
Marie Bashkirts


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 deaths
19th-century deaths from tuberculosis
19th-century Russian painters
19th-century Russian women artists
19th-century Russian women writers
Alumni of the Académie Julian
Burials at Passy Cemetery
Feminist artists
Tuberculosis deaths in France
Monuments historiques of Paris
Russian nobility
Emigrants from the Russian Empire to France
Russian women painters
Russian feminists
Women diarists
19th-century


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<mask> is an Indian actress, artist, and product designer who has predominantly appeared in Tamil and Telugu language films. She was first recognised for her work as a sculptor in 2002 and then as a theatre actress in Chennai based stage plays. After appearing as a video jockey with SS Music, <mask>'s breakthrough film role was as an independent estranged sister in Jayamkondaan (2008), whilst she has gone on to portray roles in the multi-starrer Vedam and the comedy Va. Early life
<mask> was born in Chennai, Tamil Nadu, India to a father of mixed Burmese, Italian and Punjabi ancestry, and a Maharashtrian mother. Despite the mixed heritage, <mask> has stated that she prefers herself as Tamilian due to her upbringing in Chennai and speaks English, Tamil and Marathi at home. She is a huge fan & supporter of Chennai Super Kings in IPL. <mask> did her schooling in Good Shepherd Convent, Chennai and later pursued a degree in Fine Arts at Stella Maris College, Chennai and went on to attend the National Institute of Design taking courses, first in Lifestyle Product Design, and then re-applying to enrol in the Film and Video Communication course.During her time studying film-making, she opted for a career in "front of the camera, rather than from behind". During her time on the course, she made three short films called Spoonerism, Catch 22 and Sunn with locations ranging from Myanmar to Mauritius. Career
While pursuing her education, she decided to appear in Chetan Shah's experimental English film, Framed, and subsequently received offers to be a music video jockey from SS Music. In early 2007, <mask> was signed on to play the lead role of an orthodox Tamil Brahmin girl alongside Silambarasan in his project Kettavan, after the actor and the film's director Nanthu had spotted her at a cinema hall. She replaced the team's original choice Sana Khan in the lead role, but despite completing a schedule, the film was shelved and later cancelled after the lead actor and director had creative differences. She had earlier made an uncredited appearance in a song from the 1999 romance film Kadhalar Dhinam and

masks:
Lekha Washington
Washington
Lekha Washington
Washington
Washington
Washington


texts: also made a guest appearance in director Jeeva's 2007 film Unnale Unnale as a bride at a wedding. In November 2007, <mask> signed on to play a supporting role in R. Kannan's directorial debut Jayamkondaan alongside Vinay Rai and Bhavana (actress).Appearing as Vinay Rai's estranged stepsister, Brindha, in the film, <mask> won critical acclaim for her role with a reviewer citing that she "sparkles as the half sister in a well etched role" and is "the surprise packet and has the credentials to make it big". Another critics cited that <mask> "pulls off with élan" and "her costume spells class and character as does her performance", and subsequently the film went on to become a critical and commercial success. In 2010, <mask> appeared in three films in three regional languages. Her first release was in the multi-starrer Vedam, where she played a role as a part of the troupe of a lead character, Manoj Manchu. The film won positive reviews, and <mask>'s small role was labelled as "adequate support" by critics, as the film enjoyed a successful run commercially. She then appeared in Pushkar-Gayathri's comedy film, Va, playing a suicidal schoolgirl who meets the characters of Shiva and Charan on an election night in Chennai. The film received average reviews, whilst <mask>'s portrayal also received mixed acclaim with a reviewer citing that she "carries off her role of a dimwit quite well", whilst another cites that she "does not impress and needs to brush up her acting skills and lip sync".Her final release of the year was the romantic Kannada film, Huduga Hudugi opposite Sameer Dattani, which became a commercial and critical failure, with <mask> receiving mixed reviews for her role. <mask> was signed on to appear in her debut Hindi film, John Owen's Peter Gaya Kaam Se beating hundred other actresses in an audition, after the producers felt that "she looked like a super model, could play football and was an Anglo-Indian". The film opposite Rajeev Khandelwal features <mask> as Mira, an undercover agent, but is yet to release, after disputes between the producers and the director. She has also shot

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 for another Hindi project, Power by Rajkumar Santoshi, featuring her as Sneha alongside Amitabh Bachchan, Anil Kapoor, Sanjay Dutt and Ajay Devgan, though the film has been delayed. In 2013, <mask> was seen in Matru Ki Bijlee Ka Mandola as Imran Khan's friend. She won acclaim for her portrayal of a Tamil Brahmin bride in the romantic comedy Kalyana Samayal Saadham (2013), before portraying a guest role in the action thriller Arima Nambi (2014). Other work
<mask> currently owns and runs a product design company called Ajji and has recently launched her first range of products in the Pallate store in Mumbai.She currently holds two patents to her name with respect to the products she has created. <mask> has also enjoyed success as a sculptor, being featured by The Hindu newspaper in January 2002 for her maiden exhibition, Exhibition A, for which she won critical appraisal. In January 2011, she showcased her work in an exhibition in New Delhi. <mask> has also been involved in English stage plays held in Chennai, featuring in Madras Player's production of Twelfth Night in 2002 as Viola. She has also been active in directing the theatre troupe, Khel. During the maiden season of the Indian Premier League, <mask> was signed on to anchor an analysis and interview show which provided coverage of the cricket played. To prepare for the role, <mask> did research through cricketing journals and enlisted help from Ajay Jadeja, hoping for her reporting to reach a widespread audience.Notably during her time as a reporter, she was briefly criticised for asking umpire Asad Rauf which franchise he had rooted for, as a part of a joke. However, her stint was considered successful and helped her gain more offers from film producers. Filmography

As lyricist
 Rangoon (2017)

Notes

References

External links

 Official website

1986 births
Indian film actresses
Living people
Actresses from Chennai
Punjabi women
Indian people of Italian descent
Indian people of Burmese descent
National Institute of Design alumni
Actresses in Tamil cinema
Actresses in Hindi cinema
Actresses in Telugu cinema
Actresses in Kannada

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<mask> (; ,  or ; 30 September 1972 – 25 December 2019) was a Norwegian author, playwright, and visual artist. Known as Mikael Bjørshol until 1996, <mask> achieved early literary success with his 1999 short story collection Trist som faen ("Sad as hell"), which sold about 100,000 copies. Following his marriage, he wrote four novels, two short story collections, one play and a book about his wedding, and took part in other creative and artistic endeavours such as the design of a china set named "Peacock". In the 2000s and 2010s his public activity and art were met with mixed reactions in Norway, and <mask> acknowledged that many people regarded him as a "fool". From 2013 until his death he was active as a visual artist, painting in a neo-expressionist tradition inspired by Jean-Michel Basquiat. <mask>'s artwork, described as "highly narrative", was widely exhibited internationally in 2017–18. From 2002 to 2017 he was married to Princess Märtha Louise, the elder child of King Harald V. <mask> held no title or special status during the marriage, and remained a private citizen.Background and early life
<mask> was born as <mask> Bjørshol in 1972 in Aarhus, Denmark, to Olav Bjørshol (b. 1952) and Marianne Rafaela Solberg (b. 1953), Norwegians who were both Waldorf teachers and who married in 1973. The family lived in Aarhus, then in Plymouth, England, where his father trained as a photographer, and then in Tennevoll in Northern Norway where his mother worked as a teacher at the local school from 1977 to 1978. In 1978 the family settled in Moss in South Norway. Bjørshol was baptized and confirmed in The Christian Community and attended the Waldorf School in Moss from 1979. In 1983, his

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texts: parents divorced and married a couple who had been among their friends, Jan Pahle and Tone Bjerke, who had previously been married to each other.Tone Bjerke had family connections to several prominent cultural figures; she was the daughter of the well-known poet André Bjerke, and her extended family included people like writer Jens Bjørneboe (father's cousin), actress Henny Moan (stepmother) and singer Ole Paus (stepmother's new partner). In the 2000s his parents divorced Pahle and Bjerke, and they married each other for the second time in 2007. In the 1990s, he studied history and religion at the University of Oslo, from which he received a bachelor's degree. <mask>'s original surname was Bjørshol and he was known by family and during his childhood and youth under the given name Mikael. In 1996, he changed his name to <mask> when he took his maternal grandmother's maiden name. The name <mask> has German origin. He had two younger siblings, Anja Sabrina and Espen, neither of whom use the name <mask>.In 2009, it was made public that <mask>'s de jure paternal grandfather, the Tromsø lawyer Bjarne Nikolai Bjørshol, was not his biological grandfather. <mask>'s father met his biological father, Terje Erling Ingebrigtsen (1933–2009), a retired car mechanic from Tromsø, for the first time, but Ingebrigtsen died before Behn had a chance to meet him. <mask> was a founding member of Den Nye Vinen ("The New Wine"), an anarchist artist collective announced in Oslo in 1993 that included Bertrand Bisigye, Henning Braathen, and Per Heimly. <mask> achieved literary success in Norway with his first collection of short stories, titled Trist som faen ("Sad as hell"), in 1999. His work received several

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