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 various awards for his commitment to his nursing profession including the Daisy Award for Extraordinary Nurses. Peter Solis Nery Foundation
The Peter Solis Nery Foundation, or The Peter Solis Nery Foundation for Hiligaynon Literature and the Arts, Inc. was established in September 2012 by <mask>, right after his induction into the Palanca Awards Hall of Fame. The foundation, which aims to promote, preserve, and propagate Hiligaynon literature, and Filipino art and culture, through research, publications, productions, education, and cultural dissemination, was incorporated by the Philippine Securities and Exchange Commission on November 5, 2012. Following immediately, the foundation created the Peter’s Prize for Excellence in Hiligaynon Writing that first gave out awards in September 2013. In May 2014, the foundation sponsored a month-long online Hiligaynon poetry workshop called Poem-a-thon with <mask> <mask>. In August 2014, the foundation published five anthology books of new Hiligaynon writings culled from the Peter’s Prize competitions and the Poem-a-thon workshop. Personal life
<mask> is gay, and was married to an American man from 2008 until the latter's death when <mask> was 46.<mask> is a Roman Catholic despite the church’s stand on homosexuality. Published works
I Flew a Kite for Maria (New Day Publishers.

masks:
Nery
Peter Solis
Nery
Nery
Nery
Nery


type: original

texts:
 Quezon City: 1993.) First Few Notes of a Green Symphony (Giraffe Books. Quezon City: 1994.) The Essential Thoughts of a Purple Cat (Giraffe Books. Quezon City: 1996.)Rated R (Giraffe Books. Quezon City: 1997.) Shorts (New Day Publishers. Quezon City: 1997.) Moon River, Butterflies, and Me (New Day Publishers. Quezon City: 1997.) Shy Evocations of Childhood (Giraffe Books.Quezon City: 1997.) My Life as a Hermit (Giraffe Books. Quezon City: 1998.) Fireflies for a Yuppie (Giraffe Books. Quezon City: 1998.) A Loneliness Greater than Love (DreamWings Publishing. Iloilo: 2000.)Fantasia (DreamWings Publishing. Iloilo: 2000.) Rain as Gentle as Tears (DreamWings Publishing. Iloilo: 2001.) The Prince of Ngoyngoy (DreamWings Publishing. Iloilo: 2001.) The Passion of Jovita Fuentes (New Day Publishers.Quezon City: 2009.) 100 Erotic Sonnets from the Hiligaynon (CreateSpace. U.S.A.: 2010.) Love in the Time of the Bakunawa (CreateSpace. U.S.A.: 2012.) If the Shoe Fits: Or, The Five Men Imelda Marcos Meets in Heaven (CreateSpace. U.S.A.: 2012.)Cory, Full of Grace (CreateSpace. U.S.A.: 2012)
Kakunyag: Erotic Sonnets in Hiligaynon (CreateSpace. U.S.A.: 2012)
Stories in a Mellifluous Language (CreateSpace. U.S.A.: 2012)
<mask>’s Prize Very, Very Short Stories in Hiligaynon (CreateSpace. U.S.A.: 2014)
<mask>’s Prize Love Poems in

masks: Peter Peter


texts:
 Hiligaynon (CreateSpace. U.S.A.: 2014)
Peter’s Prize Children’s Stories and Poems in Hiligaynon (CreateSpace. U.S.A.:2014)
<mask>’s Prize The Saddest Love Stories Ever Told in Hiligaynon (CreateSpace.U.S.A.: 2014)
The Poem-a-thon Anthology: Mga Binalaybay sang Mayo 2014 (CreateSpace. U.S.A.: 2014)
The Passion of Jovita Fuentes: International edition (CreateSpace. U.S.A.: 2015)
Welcome to Grindr (CreateSpace. U.S.A.: 2016)
Creative Writing: DIWA Senior High School Series (Diwa Learning Systems, Inc. Makati City: 2017)
At My Father's Wake: 10 Elegies in 3 Languages (CreateSpace. U.S.A.: 2019)
After: Prose Poems (KDP. U.S.A.: 2019)
Funny, Sad, and Dangerous


texts:
<mask> (born July 12, 1976) is a Canadian former professional ice hockey defenceman who played in the National Hockey League (NHL). Undrafted, <mask> played in the NHL for the Florida Panthers, the Tampa Bay Lightning, with whom he won the Stanley Cup in 2004, the San Jose Sharks and the New York Rangers. Collegiate Career
<mask> played junior hockey for the Gloucester Rangers of the Canadian Junior Hockey League and signed to play US college hockey for Miami University of the CCHA. <mask> established himself quickly, making the First-Team All-Rookie team in 1994-95, the All-CCHA First Team in 1996-97 and 1997-98, and being named a First-Team All-American in both 1997 and 1998. He was Miami's record holder for goals in a game by a defenseman (3) and points in a season by a defenseman (54). During his career, he ranked second at Miami in career assists (107), ninth in career points (147) and third in assists in a season (43 in 1997). In 1996-97, <mask> helped Miami to a 27-12-1 (.688) mark and the program's second ever appearance in the NCAA Tournament.<mask> was named to the Miami University Athletic Hall of Fame in 2007. Professional career

Florida Panthers
Undrafted in any NHL Entry Draft after four years of college hockey at Miami University, the under-sized defender was signed as a free agent by the Florida Panthers on March 30, 1998. He played his first two seasons in the Panthers' farm system in the American Hockey League (AHL), earning All-Rookie Team honours in 1999, as well as Second Team All-Star honours in 1999 and 2000. <mask> earned a full-time roster spot with the Panthers in 2000–01, recording four goals and 22 points. Tampa Bay Lightning
The next season, his

masks:
Daniel Denis Boyle
Boyle
Boyle
Boyle
Boyle
Boyle
Boyle


texts: fourth in Florida, <mask> was traded to the Tampa Bay Lightning in exchange for a 2003 fifth-round draft pick (Martin Tůma) on January 7, 2002. After completing the season with 20 points in 41 games after coming over from the Panthers, he was re-signed to a one-year contract by the Lightning on August 6, 2002. <mask> recorded 13 goals and 53 points in his first full season with the Lightning in 2002–03 before helping the team to the 2004 Stanley Cup championship.Due to the 2004–05 NHL lockout, <mask> went overseas to play for Djurgårdens IF of the Swedish Elitserien. As NHL play resumed the next season, <mask> continued to produce with a 15-goal, 53-point season in 2005–06. He recorded his first career NHL hat-trick against the New York Rangers on December 23, 2006, adding an assist for a four-point game in a 4–3 win. The following season, <mask> elevated his game to career-high numbers of 20 goals, 43 assists and 63 points, good enough for Second Team All-Star honours. <mask> suffered a major setback, however, in September 2007, injuring himself in a freak accident after a pre-season game when a skate slipped off a hook in his locker and hit him in the left wrist, severing three tendons. <mask> underwent initial wrist surgery on September 23; he attempted to return on October 29, but after playing his first four games of the 2007–08 season, <mask> underwent additional surgery on the injured wrist, missing another 36 games. He did not make a full comeback until January 24, 2008, scoring two goals in his return, and soon thereafter was re-signed to a six-year, $40 million contract extension on February 25.He completed his injury-shortened campaign with 25 points in 37 games.

masks: Boyle Boyle Boyle Boyle Boyle Boyle Boyle Boyle


texts:
 San Jose Sharks
Despite coming off a recent contract extension with the Lightning, on July 4, 2008, <mask> was traded, along with Brad Lukowich, to the San Jose Sharks in exchange for Matt Carle, Ty Wishart, a first-round draft pick in 2009 and a fourth-round draft pick in 2010. <mask> was pressured to waive his no-trade clause by Tampa Bay's new ownership, who said they would otherwise place him on waivers, where he would likely be claimed by the Atlanta Thrashers. Already knowing Joe Thornton, Patrick Marleau and Evgeni Nabokov, <mask> agreed to be traded to the Sharks. In his first season with the Sharks, <mask> tallied 16 goals and 57 points over 77 games, leading all team defencemen. The following season, on December 31, 2009, <mask> scored his 100th career NHL goal against the Phoenix Coyotes in a 3–2 shootout win. He finished the campaign with 15 goals and 58 points.In the opening series of the 2010 playoffs, <mask> ended game three against the Colorado Avalanche in overtime by inadvertently shooting the puck into his own net. Pressured by Avalanche forward Ryan O'Reilly, <mask> attempted to ring the puck around the boards behind his net, but it was deflected by O'Reilly into the Sharks' net between Evgeni Nabokov's pad and the post. Nonetheless, the Sharks won the series 4–2, winning Games 4, 5 and 6; <mask> had a point in all three games. In the first period of the October 15, 2013, against the St. Louis Blues, <mask> was checked from behind by Maxim Lapierre into the boards, injuring his jaw and knocking him unconscious; the incident led to a fight involving teammate Matt Pelech and 17 minutes worth of penalties for Andrew Desjardins. <mask> was taken off the ice

masks: Boyle Boyle Boyle Boyle Boyle Boyle Boyle Boyle Boyle Boyle


texts:
 via stretcher to a local hospital, and would miss the following game against the Dallas Stars. He returned on November 2, in a game against the Phoenix Coyotes, scoring a goal in a shootout loss. After the conclusion of the 2013–14 season, Sharks general manager Doug Wilson announced that pending free agent <mask> would not be returning to San Jose for the 2014–15 season.On June 5, the Sharks traded his rights to the New York Islanders for a conditional 2015 fifth-round pick. New York Rangers
Unable to come to terms with the Islanders, <mask> opted to head to free agency, and on July 1, 2014, he signed a two-year contract with the New York Rangers. On October 5, 2016, <mask> announced his retirement from the NHL. <mask> scored 164 goals and 605 points over 1,093 NHL games with four teams. In his retirement statement <mask> said, "I've been fortunate and blessed to have had the opportunity to do what I most love to do. All I wanted to do as a young boy was have the opportunity to play ONE game in the NHL. Over a thousand games later, this whole experience seems surreal.I want to thank all four organizations for the opportunity, my teammates and the FANS for this amazing run that I will cherish forever." <mask> stated that he will live in the San Jose area with his family. International play

<mask> made his international debut with Canada at the 2005 World Championships in Austria during the 2004–05 NHL lockout. He contributed three assists in nine games as part of a silver medal-winning effort by Canada; they were defeated 3–0 in the gold medal game by the Czech Republic. The next year, <mask> was named as a reserve in light of injuries to Scott Niedermayer and Ed


texts:
 Jovanovski for Team Canada at the 2006 Winter Olympics in Turin. He did not appear in a game, however, as Team Canada was kept off the podium. On December 30, 2009, team Canada general manager Steve Yzerman named <mask> to the 2010 Winter Olympic team as a full member.On February 28, 2010, the team defeated the United States to win Canada's eighth gold medal in Olympic men's hockey. Personal life
<mask> and his now ex wife Amber have two daughters together. The family resides in Los Gatos, California. Growing up, <mask> attended French-speaking École élémentaire Sainte-Anne and École secondaire publique De La Salle in Ottawa. During Game 1 of the 2004 Stanley Cup Finals with the Tampa Bay Lightning against the Calgary Flames, an electrical fire broke out in his Florida home, causing an estimated $300,000 worth of damage. Career statistics

Regular season and playoffs

International

Awards and honours

See also
List of NHL players with 1,000 games played

References

External links

1976 births
Living people
Canadian ice hockey defencemen
Djurgårdens IF Hockey players
Florida Panthers players
Ice hockey people from Ontario
Ice hockey players at the 2010 Winter Olympics
Louisville Panthers players
Medalists at the 2010 Winter Olympics
Miami RedHawks men's ice hockey players
Miami University alumni
National Hockey League All-Stars
New York Rangers players
Olympic gold medalists for Canada
Olympic ice hockey players of Canada
Olympic medalists in ice hockey
San Jose Sharks players
Sportspeople from Ottawa
Stanley Cup champions
Tampa Bay Lightning players
Undrafted National Hockey League players
Canadian expatriate ice hockey players in Sweden
AHCA Division I men's ice hockey

masks: Boyle Boyle Boyle


texts:
<mask> (; born April 2, 1947) is an American feminist academic and social critic. <mask> has been a professor at the University of the Arts in Philadelphia, Pennsylvania, since 1984. She is critical of many aspects of modern culture and is the author of Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990) and other books. She is also a critic of contemporary American feminism and of post-structuralism, as well as a commentator on multiple aspects of American culture such as its visual art, music, and film history. Personal life
<mask> was born in Endicott, New York, the eldest child of Pasquale and Lydia Anne (née Colapietro) <mask>. All four of her grandparents were born in Italy. Her mother emigrated to the United States at five years old from Ceccano, in the province of Frosinone, Lazio, Italy.Paglia has stated that her father's side of the family was from the Campanian towns of Avellino, Benevento, and Caserta. <mask> was raised Roman Catholic, and attended primary school in rural Oxford, New York, where her family lived in a working farmhouse. Her father, a veteran of World War II, taught at the Oxford Academy high school and exposed his young daughter to art through books he brought home about French art history. In 1957, her family moved to Syracuse, New York, so that her father could begin graduate school; he eventually became a professor of Romance languages at Le Moyne College. She attended the Edward Smith Elementary School, T. Aaron Levy Junior High, and William Nottingham High School. In 1992, Carmelia Metosh, her Latin teacher for three years, said, "She always has been controversial. Whatever statements were being made (in class), she had to challenge them.She made good points then, as she does now." <mask> thanked Metosh in the acknowledgements to Sexual Personae, later describing her as "the dragon lady of Latin studies, who breathed fire at principals and school boards". During her stays at a summer Girl Scout camp in Thendara, New York, she took

masks:
Camille Anna Paglia
Paglia
Paglia
Paglia
Paglia
Paglia


texts:
 on a variety of new names, including Anastasia (her confirmation name, inspired by the film Anastasia), Stacy, and Stanley. A crucially significant event for her was when an outhouse exploded after she poured too much quicklime into the latrine. "That symbolized everything I would do with my life and work. Excess and extravagance and explosiveness. I would be someone who would look into the latrine of culture, into pornography and crime and psychopathology ... and I would drop the bomb into it".For more than a decade, <mask> was the partner of artist Alison Maddex. <mask> legally adopted Maddex's son (who was born in 2002). In 2007, the couple separated but remained "harmonious co-parents," in the words of <mask>, who lived two miles apart. <mask> describes herself as transgender. Education
<mask> entered Harpur College at Binghamton University in 1964. The same year, <mask>'s poem "Atrophy" was published in the local newspaper. She later said that she was trained to read literature by poet Milton Kessler, who "believed in the responsiveness of the body, and of the activation of the senses to literature ... And oh did I believe in that".She graduated from Harpur as class valedictorian in 1968. According to <mask>, while in college she punched a "marauding drunk," and takes pride in having been put on probation for committing 39 pranks. <mask> attended Yale as a graduate student, and she claims to have been the only open lesbian at Yale Graduate School from 1968 to 1972. At Yale, Paglia quarreled with Rita Mae Brown, whom she later characterized as "then darkly nihilist," and argued with the New Haven, Connecticut, Women's Liberation Rock Band when they dismissed the Rolling Stones as sexist. <mask> was mentored by Harold Bloom. Sexual Personae was then titled "The Androgynous Dream: the image of the androgyne as it appears in literature and is embodied in the psyche of the artist, with reference to the visual arts and the cinema." Paglia read Susan Sontag and aspired to emulate what she

masks: Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia


texts:
 called her "celebrity, her positioning in the media world at the border of the high arts and popular culture."<mask> first saw Sontag in person on October 15, 1969 (Vietnam Moratorium Day), when <mask>, then a Yale graduate student, was visiting a friend at Princeton. In 1973, <mask>, a militant feminist and open lesbian, was working at her first academic job at Bennington College. She considered Sontag a radical who had challenged male dominance. The same year, <mask> drove to an appearance by Sontag at Dartmouth, hoping to arrange for her to speak at Bennington, but found it difficult to find the money for Sontag's speaking fee; <mask> relied on help from Richard Tristman, a friend of Sontag's, to persuade her to come. Bennington College agreed to pay Sontag $700 (twice what they usually offered speakers but only half Sontag's usual fee) to give a talk about contemporary issues. <mask> staged a poster campaign urging students to attend Sontag's appearance. Sontag arrived at Bennington Carriage Barn, where she was to speak, more than an hour late, and then began reading what <mask> recalled as a "boring and bleak" short story about "nothing" in the style of a French New Novel.As a result of Sontag's Bennington College appearance, <mask> began to become disenchanted with her, believing that she had withdrawn from confrontation with the academic world, and that her "mandarin disdain" for popular culture showed an elitism that betrayed her early work, which had suggested that high and low culture both reflected a new sensibility. Career
In the autumn of 1972, <mask> began teaching at Bennington College, which hired her in part thanks to a recommendation from Harold Bloom. At Bennington, she befriended the philosopher James Fessenden, who first taught there in the same semester. Through her study of the classics and the scholarly work of Jane Ellen Harrison, James George Frazer, Erich Neumann and others, Paglia developed a theory of sexual history that contradicted a number of ideas


texts: fashionable at the time, hence her criticism of Marija Gimbutas, Carolyn Heilbrun, Kate Millett and others. She laid out her ideas on matriarchy, androgyny, homosexuality, sadomasochism and other topics in her Yale PhD thesis Sexual Personae: The Androgyne in Literature and Art, which she defended in December 1974. In September 1976, she gave a public lecture drawing on that dissertation, in which she discussed Edmund Spenser's The Faerie Queene, followed by remarks on Diana Ross, Gracie Allen, Yul Brynner, and Stéphane Audran. <mask> wrote that she "nearly came to blows with the founding members of the women's studies program at the State University of New York at Albany, when they categorically denied that hormones influence human experience or behavior".Similar fights with feminists and academics culminated in a 1978 incident which led her to resign from Bennington; after a lengthy standoff with the administration, <mask> accepted a settlement from the college and resigned in 1979. <mask> finished Sexual Personae in the early 1980s, but could not get it published. She supported herself with visiting and part-time teaching jobs at Yale, Wesleyan, and other Connecticut colleges. Her paper, "The Apollonian Androgyne and the Faerie Queene", was published in English Literary Renaissance, Winter 1979, and her dissertation was cited by J. Hillis Miller in his April 1980 article "Wuthering Heights and the Ellipses of Interpretation", in Journal of Religion in Literature, but her academic career was otherwise stalled. In a 1995 letter to Boyd Holmes, she recalled: "I earned a little extra money by doing some local features reporting for a New Haven alternative newspaper (The Advocate) in the early 1980s". She wrote articles on New Haven's historic pizzerias and on an old house that was a stop on the Underground Railroad. In 1984, she joined the faculty of the Philadelphia College of Performing Arts, which merged in 1987 with the Philadelphia College of Art to become the University of the

masks: Paglia Paglia Paglia


texts:
 Arts.<mask> is on the editorial board of the classics and humanities journal Arion. She wrote a regular column for Salon.com from 1995 to 2001, and again from 2007 to 2009. <mask> resumed writing a Salon.com column in 2016. <mask> cooperated with Carl Rollyson and Lisa Paddock in their writing of Susan Sontag: The Making of an Icon, sending them detailed letters from which they quoted with her permission. Rollyson and Paddock note that Sontag "had her lawyer put our publisher on notice" when she realized that they were investigating her life and career. <mask> participates in the decennial poll of film professionals conducted by Sight & Sound which asks participants to submit a list of what they believe to be the ten greatest films of all time. According to her responses to the poll in 2002 and 2012, the films <mask> holds in highest regard include Ben-Hur, Citizen Kane, La Dolce Vita, The Godfather, The Godfather: Part II, Gone with the Wind, Lawrence of Arabia, North by Northwest, Orphée, Persona, 2001: A Space Odyssey, The Ten Commandments, and Vertigo.In 2005, <mask> was named as one of the top 100 public intellectuals by the journals Foreign Policy and Prospect. In 2012, an article in The New York Times remarked that  who has been following the body count of the culture wars over the past decades knows <mask>". <mask> has said that she is willing to have her entire career judged on the basis of her composition of what she considers to be "probably the most important sentence that she has ever written": "God is man's greatest idea." Views

Feminism
Though <mask> admires Simone de Beauvoir and The Second Sex ("the supreme work of modern feminism ... its deep learning and massive argument are unsurpassed") as well as Germaine Greer, Time critic Martha Duffy writes that <mask> "does not hesitate to hurl brazen insults" at several feminists. In an interview, <mask> stated that to be effective, one has to "name names"; criticism should be concrete. <mask> stated that many critics "escape

masks: Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia


texts: into abstractions", rendering their criticism "intellectualized and tame". <mask> accused Greer of becoming "a drone in three years" as a result of her early success; Paglia has also criticized the work of activist Diana Fuss.Elaine Showalter calls <mask> "unique in the hyperbole and virulence of her hostility to virtually all the prominent feminist activists, public figures, writers and scholars of her generation", mentioning Carolyn Heilbrun, Judith Butler, Carol Gilligan, Marilyn French, Zoe Baird, Kimba Wood, Susan Thomases, and Hillary Clinton as targets of her criticism. <mask> has accused Kate Millett of starting "the repressive, Stalinist style in feminist criticism." <mask> has repeatedly criticized Patricia Ireland, former president of the National Organization for Women (NOW), calling her a "sanctimonious", unappealing role model for women whose "smug, arrogant" attitude is accompanied by "painfully limited processes of thought". <mask> contends that under Ireland's leadership, NOW "damaged and marginalized the women's movement". In 1999, Martha Nussbaum wrote an essay called "The Professor of Parody", in which she criticized Judith Butler for retreating to abstract theory disconnected from real world problems. <mask> reacted to the essay by stating that the criticism was "long overdue", but characterized the criticism as "one PC diva turning against another". She criticized Nussbaum for failing to make her criticisms earlier while accusing her of borrowing Paglia's ideas without acknowledgement.She called Nussbaum's "preparation or instinct for sex analysis ... dubious at best", but nevertheless stated that "Nussbaum is a genuine scholar who operates on a vastly higher intellectual level than Butler". Many feminists have criticized <mask>; Christina Hoff Sommers calls her "Perhaps the most conspicuous target of feminist opprobrium," noting that the Women's Review of Books described Sexual Personae as patriarchy's "counter-assault on feminism". Sommers relates that when

masks: Paglia Paglia Paglia Paglia Paglia Paglia Paglia


texts: <mask> appeared at a Brown University forum, feminists signed a petition censuring her and demanding an investigation into procedures for inviting speakers to the campus. Some feminist critics have characterized <mask> as an "anti-feminist feminist", critical of central features of much contemporary feminism but holding out "her own special variety of feminist affirmation". Naomi Wolf traded a series of sometimes personal attacks with <mask> throughout the early 1990s. In The New Republic, Wolf wrote that <mask> "poses as a sexual renegade but is in fact the most dutiful of patriarchal daughters" and characterized <mask> as intellectually dishonest. In a 1991 speech, <mask> criticized Wolf for blaming anorexia on the media.Gloria Steinem said of <mask> that, "Her calling herself a feminist is sort of like a Nazi saying they're not anti-Semitic." <mask> called Steinem "the Stalin of feminism". Katha Pollitt calls <mask> one of a "seemingly endless parade of social critics [who] have achieved celebrity by portraying not sexism but feminism as the problem". Pollitt writes that <mask> has glorified "male dominance", and has been able to get away with things "that might make even Rush Limbaugh blanch," because she is a woman. <mask>'s view that rape is sexually motivated has been endorsed by evolutionary psychologists Randy Thornhill and Craig T. Palmer; they comment that "<mask> ... urges women to be skeptical toward the feminist 'party line' on the subject, to become better informed about risk factors, and to use the information to lower their risk of rape". In an essay critiquing the Hollywood/celebrity fad of "Girl Squads", made popular in 2015 by pop-icons like Taylor Swift, <mask> argued that rather than empowering women the cliquish practice actually harms the self-esteem of those who are not rich, famous, or attractive enough to belong to the group, while further defining women only by a very narrow, often sexualized stereotype. She challenged that to be truly empowering, these

masks: Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia


texts:
 groups need to mentor, advise, and be more inclusive, for more women to realize their true, individual potential.Transgender people
<mask> identifies as transgender. She reports having gender dysphoria since childhood, and says that "never once in my life have I felt female". She says that she was "donning flamboyant male costumes from early childhood on". Nevertheless, <mask> says that she is "highly skeptical about the current transgender wave" which she thinks has been produced by "far more complicated psychological and sociological factors than current gender discourse allows". She writes that "In a democracy, everyone, no matter how nonconformist or eccentric, should be free from harassment and abuse. But at the same time, no one deserves special rights, protections, or privileges on the basis of their eccentricity." <mask>'s views led to a petition demanding University of the Arts to remove her from their faculty, but the university rejected it.<mask> considered it "a publicity stunt" and praised the university's "eloquent statement affirming academic freedom [as] a landmark in contemporary education." Climate change

<mask> has long rejected global warming, which she describes as "the political agenda that has slowly accrued" around the issue of climate change. In a 2017 interview with The Weekly Standard, <mask> stated, "It is certainly ironic how liberals who posture as defenders of science when it comes to global warming (a sentimental myth unsupported by evidence) flee all reference to biology when it comes to gender." French academia
<mask> is critical of the influence modern French writers have had on the humanities, claiming that universities are in the "thrall" of French post-structuralists; that in the works of Jean Baudrillard, Jacques Derrida, Jacques Lacan and Michel Foucault, she never once found a sentence that interested her. François Cusset writes that <mask>, like other major American public intellectuals after World War II, owes her broader recognition mainly

masks: Paglia Paglia Paglia Paglia Paglia Paglia Paglia Paglia


texts:
 to the political repercussions of polemics that first erupted on college campuses, in her case to a polemic against foreign intellectualism. He says she achieved phenomenal success when she called Foucault a "bastard", thereby providing (together with Alan Sokal's Social Text parody) the best evidence for Paul de Man's view that theory should be defined negatively, based on the opposition it arouses. However, <mask>'s assessment of French writers is not purely negative.She has called Simone de Beauvoir's The Second Sex (1949) "brilliant" and identified Jean-Paul Sartre's work as part of a high period in literature. <mask> has praised Roland Barthes's Mythologies (1957) and Gilles Deleuze's Masochism: Coldness and Cruelty (1967), while finding both men's later work flawed. Of Gaston Bachelard, who influenced <mask>, she wrote "[his] dignified yet fluid phenomenological descriptive method seemed to me ideal for art", adding that he was "the last modern French writer I took seriously". Politics
<mask> characterizes herself as a libertarian. She opposes laws against prostitution, pornography, drugs, and abortion. She is also opposed to affirmative action laws. Some of her views have been characterized as conservative, although when asked in 2017 if she considers herself a cultural Conservative she replied: "No, not at all.... Conservative would mean I was cleaving to something past which was great, and no longer is.... and usually I'm not saying we should return to anything.I do believe we're moving inexorably into the future." <mask> criticized Bill Clinton for not resigning after the Monica Lewinsky scandal, which she says "paralyzed the government for two years, leading directly to our blindsiding by 9/11". In the 2000 U.S. presidential campaign, she voted for the Green Party candidate Ralph Nader "[because] I detest the arrogant, corrupt superstructure of the Democratic Party, with which I remain stubbornly registered." In the 2004 U.S. presidential election, Paglia supported John

masks: Paglia Paglia Paglia Paglia Paglia


texts:
 Kerry, and in 2008 she supported Barack Obama. In 2012, she supported Green Party candidate Jill Stein. <mask> was highly critical of 2016 presidential candidate Hillary Clinton, calling her a "fraud" and a "liar". Paglia refused to support either Hillary Clinton or Donald Trump in the 2016 U.S. presidential election, indicating in a March Salon column that if Hillary Clinton won the Democratic Party's nomination, she would either cast a write-in vote for Bernie Sanders or else vote for Green Party candidate Stein, as she did in 2012.<mask> later clarified in a statement that she would vote for Stein. In 2017, she stated that she is a registered Democrat who voted for Bernie Sanders in the 2016 Democratic primary and for Jill Stein in the 2016 general election. For the 2020 U.S. presidential election, <mask> criticized the Democratic Party for lacking a coherent message and a strong candidate. She disavowed Sanders as being "way too old and creaky" and retracted her initial support for Kamala Harris for missing "a huge opportunity to play a moderating, statesmanlike role." Citing the "need to project steadiness, substance, and warmth," <mask> expressed interest in Cheri Bustos and Steve Bullock as potential candidates. Child sexuality
In 1993, <mask> signed a manifesto supporting NAMBLA, a pederasty and pedophilia advocacy organization. In 1994, <mask> supported lowering the legal age of consent to 14.She noted in a 1995 interview with pro-pedophile activist Bill Andriette, "I fail to see what is wrong with erotic fondling with any age." In a 1997 Salon column, <mask> expressed the view that male pedophilia correlates with the heights of a civilization, stating "I have repeatedly protested the lynch-mob hysteria that dogs the issue of man-boy love. In Sexual Personae, I argued that male pedophilia is intricately intertwined with the cardinal moments of Western civilization." <mask> noted in several interviews, as well as Sexual Personae, that she supports the legalization of certain


texts:
 forms of child pornography. She later had a change of heart on the matter. In an interview for Radio New Zealand's Saturday Morning show, conducted on April 28, 2018 by Kim Hill, <mask> was asked, "Are you a libertarian on the issue of pedophilia? ", to which she replied, "In terms of the present day, I think it's absolutely impossible to think we could reproduce the Athenian code of pedophilia, of boy-love, that was central to culture at that time.... We must protect children, and I feel that very very strongly. The age of consent for sexual interactions between a boy and an older man is obviously disputed, at what point that should be. I used to think that fourteen (the way it is in some places in the world) was adequate. I no longer think that. I think young people need greater protection than that. ... This is one of those areas that we must confine to the realm of imagination and the history of the arts."Books

Sexual Personae

<mask>'s Sexual Personae was rejected by at least seven different publishers before it was published by Yale University Press, whereupon it became a best seller, reaching seventh place on the paperback best-seller list, a rare accomplishment for a scholarly book. '<mask> called it her "prison book", commenting, "I felt like Cervantes, Genet. It took all the resources of being Catholic to cut myself off and sit in my cell." Sexual Personae has been called an "energetic, Freud-friendly reading of Western art", one that seemed "heretical and perverse", at the height of political correctness; according to Daniel Nester, its characterization of "William Blake as the British Marquis de Sade or Walt Whitman and Emily Dickinson as 'self-ruling hermaphrodites who cannot mate' still pricks up many an English major's ears". In the book, <mask> argues that human nature has an inherently dangerous Dionysian or chthonic aspect, especially in regard to sexuality. Culture and civilization are created by men and represent an attempt to contain that force. Women are powerful,

masks: Paglia Paglia Paglia Paglia


texts:
 too, but as natural forces, and both marriage and religion are means to contain chaotic forces.A best seller, it was described by Terry Teachout in a New York Times book review as being both "intellectually stimulating" and "exasperating". Sexual Personae received critical reviews from numerous feminist scholars. Anthony Burgess described Sexual Personae as "a fine disturbing book" that "seeks to attack the reader's emotions as well as his or her prejudices". Sex, Art and American Culture

Sex, Art and American Culture: Essays (1992) is a collection of short pieces, many published previously as editorials or reviews, and some transcripts of interviews. The essays cover such subjects as Madonna, Elizabeth Taylor, rock music, Robert Mapplethorpe, the Clarence Thomas Supreme Court nomination, rape, Marlon Brando, drag, Milton Kessler, and academia. It made The New York Times bestseller list for paperbacks. Vamps and Tramps
Vamps and Tramps: New Essays (1994) is a collection of 42 short articles and a long essay, "No Law in the Arena: a Pagan Theory of Sexuality".It also contains a collection of cartoons from newspapers about <mask>. Writing for The New York Times, Wendy Steiner wrote "Comic, camp, outspoken, Ms. <mask> throws an absurdist shoe into the ponderous wheels of academia". Michiko Kakutani, also writing for The New York Times, wrote: "Her writings on education ... are highly persuasive, just as some of her essays on the perils of regulating pornography and the puritanical excesses of the women's movement radiate a fierce common sense ... Unfortunately, Ms. <mask> has a way of undermining her more interesting arguments with flip, hyperbolic declarations". The Birds
In 1998, in commemoration of the 35th anniversary of the release of Alfred Hitchcock's film The Birds, the British Film Institute commissioned <mask> to write a book about the film. The book interprets the film as "in the main line of British Romanticism descending from the raw nature-tableaux and sinister


texts:
 femme-fatales of Coleridge". <mask> uses a psychoanalytic framework to interpret the film as portraying "a release of primitive forces of sex and appetite that have been subdued but never fully tamed".Break, Blow, Burn
Break, Blow, Burn: <mask> Reads Forty-three of the World's Best Poems (2005) is a collection of 43 short selections of verse with an accompanying essay by <mask>. The collection is oriented primarily to those unfamiliar with the works. Clive James wrote that <mask> tends to focus on American works as it moves from Shakespeare forward through time, with Yeats, following Coleridge, as the last European discussed, but emphasized her range of sympathy and her ability to juxtapose and unite distinct art forms in her analysis. Glittering Images

Glittering Images: A Journey Through Art from Egypt to Star Wars (2012) is a series of essays about notable works of art from ancient to modern times, published in October 2012. Writer John Adams of The New York Times Book Review was skeptical of the book, accusing it of being "so agenda driven and so riddled with polemic asides that its potential to persuade is forever being compromised". Gary Rosen of The Wall Street Journal, however, praised the book's "impressive range" and accessibility to readers. Free Women, Free Men

<mask>'s Free Women, Free Men: Sex, Gender, and Feminism was published by Pantheon in 2017.It is a series of essays from 1990 onward. Dwight Garner in The New York Times wrote <mask>'s essays address two main targets: modern feminism, which, <mask> writes, "has become a catchall vegetable drawer where bunches of clingy sob sisters can store their moldy neuroses," and modern American universities, of which she asks, "How is it possible that today’s academic left has supported rather than protested campus speech codes as well as the grotesque surveillance and overregulation of student life?" Provocations
<mask>'s fourth essay collection, Provocations: Collected Essays on Art, Feminism, Politics, Sex, and Education,

masks:
Paglia
Camille Paglia
Paglia
Paglia
Paglia
Paglia
Paglia
Paglia


texts:
Sir <mask> ( 1190/1195 – 1265), Provost of Beverley Minster, was a king's clerk and a judge. He served as chancellor to King Henry III and was England's first secretary of state. Life
His grandfather, Robert Mansel, was a Templar under Baron Gilbert de Lacy in Palestine. Robert led a small force of Welsh and Aquitanians by night to put to rout a much larger force of Turks under Sultan Nur ad-Din Zangi, at his camp outside Damascus during the reign of King Henry II. His father, Walter, a deacon, was Napkin Bearer to the King. <mask> is first heard of when he was sent from Scotland as orator from Alexander, King of Scotland in 1215 to the court of <mask>. As the son of a deacon under orders, his birth status periodically came into question eventually resulting in a letter from Pope Innocent IV ratified by Pope Alexander IV in 1259 stating "Approbation, addressed to <mask>, Chancellor of London, the King's Clerk, of the dispensation given to him, at the King's request, by Pope Innocent, to be ordained and promoted, notwithstanding that his mother married his father, a man of noble birth, not knowing that he was a deacon, and was accounted for the time being his lawful wife; his father, after some time, repenting, resumed his orders, a divorce having been declared by their diocesan.The dispensation is approved, even if his mother's plea of ignorance and the

masks:
John Maunsell
John Maunsell
John
John Mansel


texts: reputation of a lawful marriage cannot be sustained." <mask> became a favorite of the young King Henry III and was appointed to the vacant prebend of Thame by Henry, but Robert Grosseteste, a reforming bishop with strong feelings about ecclesiastical rights and privileges, refused to admit him. Reportedly, <mask> took the Thame church by force before giving up his claim to the prebend (a specific type of benefice). Grosseteste, having thus vindicated his right, bestowed upon Maunsell the more lucrative benefice of Maidstone. Despite the loss of the Thame benefice, Maunsell probably obtained more benefices than any other contemporary clergyman as he amassed his plurality. Maunsell's benefices included the livings of Haughley, Howden and Bawburgh and prebends of Tottenhall, South Malling and Chichester. He was also Provost of Beverley (1247), Chancellor of St. Paul's, London, Dean of Wimborn, Rector of Wigan, Papal chaplain, and King's chaplain.He fought with a contingent of English under Henry de Turbeville in the aid of Frederick II, King of Germany in the north of Italy in 1238. Frederick II was married to Henry's sister Isabella in 1235. He fought alongside Henry III in the Battle of Taillebourg during the Saintonge War (20–24 July 1242) and took Peter Orige, seneschal of the Count of Boulogne, prisoner. He was reckoned not least among brave men in

masks: Maunsell Maunsell


texts: this unsuccessful venture against Louis IX of France. He was seriously wounded while leading an assault in siege of the Verines monastery. During 1246 and 1247 he served as Lord Chancellor of England. <mask> established the Augustinian priory at Bilsington, near Romney in 1253 prudently reflecting that "the king's favour is not hereditary or worldly prosperity of lasting duration."He is however spoken of disparagingly by the chronicling monk Matthew Paris, of St Albans Abbey, for unfairly denying legal judgment in the Abbey's favour after a monk had been attacked and robbed by his protégé Geoffrey of Childwick. He enjoyed great secular power; the 1258 Provisions of Oxford gave four men the power to elect a council of fifteen to govern the treasury and the chancery. These four men were the Earl Marshal (the Earl of Norfolk), Hugh Bigod, <mask>, and the Earl of Warwick (<mask> Plessis). Not only did he arrange the marriage of Henry III daughter, Margaret of England to Alexander III of Scotland in 1249, but he entertained the courts of England and Scotland on King Alexander's visit to London in 1256. Such a feat would not have been possible but for the income from his pluralities. He was named Seneschal of Gascony in 1243 a post later held by Simon de Montfort, 6th Earl of Leicester and subsequently by Prince Edward. Alfonso of Castile had his eyes on

masks:
John Maunsell
John Maunsell
John du


texts:
 Gascony and <mask> helped to defuse the situation by arranging the marriage of Edward to Alfonso's half-sister, Eleanor in 1254.Sedgwick castle came into his hands in 1249. In 1261 he was named Constable of the Tower of London. He was mediator along with Simon de Montfort in arranging the marriage of Henry's daughter Beatrice with <mask> of Brittany in 1259. <mask> was in France with Queen Eleanor and Edmund when Simon de Montfort vanquished Henry III at the Battle of Lewes, 14 May 1264. Shortly thereafter, Simon de Montfort took possession of <mask>'s estates in August 1264. <mask> died 20 January 1265 in Florence and was buried in York Minster. Among his contemporaries were the better known Simon de Montfort, 6th Earl of Leicester and Roger Bacon.Family and issue
Burke held that <mask> married Joan, daughter of Simon de Beauchamp of Bedford, and had the following issue:
Thomas Maunsell
William Maunsell
Henry Maunsell

However, <mask> was in major orders, making marriage unlikely. Furthermore, he left property not to these supposed male heirs, but to his sister and niece, the rest of his estate reverting to the Crown. Notes

References

Bibliography

Books

Calendar Patent Rolls, Henry III
Papal Letters Vol i., pp. 218, 262–3, 269, 362. (Pope Innocent IV & Pope Alexander IV)
Foedera, Rymer, Vol i., pp. 48, 67, 135, 408, 415. History of the

masks:
John Maunsell
John
John Maunsell
Maunsell
John Maunsell
Maunsell
Maunsell


texts:
 Exchequer, Thomas Madox; Vol.ii. p. 51
Henry II and the Church, F. A. Gasquet; p. 196 et seq. England Under the Normans and Angevins, H. W. C. Davis
Chronica Majora, Matthew Paris; Vol i. pp. 440,422. Chronica Majora, Matthew Paris; Vol iii. p. 153. Chronica Majora, Matthew Paris; Vol iv.pp. 294, 375, 601, 623–4. Chronica Majora, Matthew Paris; Vol v. pp. 101, 129, 179, 223, 238–9, 268–9, 355, 450, 505, 507, 690, 719. Royal and Other Historical Letters, Shirley, Vol i., pp. 145–6. Royal and Other Historical Letters, Shirley, Vol ii., pp.175, 206. Chronicles of the Reigns of Edward I and Edward II, Vol i., pp. 60, 64, 66

External links

Electronic articles and journals
 http://www.sacred-texts.com/sro/hkt/hkt05.htm The History of the Knights Templars
 https://web.archive.org/web/20050222094527/http://home.earthlink.net/~plantagenet60/plantagenet06.htm
 http://www.biodatabase.de/Secretary%20of%20State
 http://www.british-history.ac.uk/
 https://web.archive.org/web/20050222094527/http://home.earthlink.net/~plantagenet60/plantagenet06.htm
British History Online http://www.british-history.ac.uk/
Houses of the Austin Canons http://www.british-history.ac.uk/report.asp?compid=38204

1190s births
1265 deaths
13th-century English people
Anglo-Normans
Medieval English knights
Lord Chancellors of England
Seneschals of Gascony
Secretaries of State of the Kingdom of


texts:
<mask> (June 6, 1883 – March 19, 1932) was a graphic artist and illustrator. His artwork appeared on over two dozen covers of Collier's and Parents during the 1920s. <mask> designed the then world's largest ever electrical display in 1917. It towered above Times Square until 1924. He reshaped the then famed Fisk Tire Boy in 1930. His poster for the Girl Scouts was widely on display, at their troop meetings from 1931–37. He played in tennis tournaments around Greater New York from 1909–31, including the U.S. National Championship of 1920–21, 24 (all after age 35).The Paul Martin Singles Tournament was held for eighty-four years. Background
The golden age of illustration began in the 1880s. Major advancements in printing techniques were then taking place. This included breakthroughs in the halftone process. It made the printing of images for commercial usage, more economical, feasible, and realistic. The reproduction of art from wood engravings (time consuming and strenuous), was largely replaced with photo-mechanical engravings (higher accuracy level). These and other methods were utilized by artist, writer, teacher, innovator—Howard Pyle—who is generally regarded as "The Father of American Illustration."Others who gained fame in this field included Howard Chandler Christy, Harrison Fisher, James Montgomery Flagg, Charles Dana Gibson, John Held Jr., J. C. Leyendecker, Maxfield Parrish, Coles Phillips, Frederic Remington, Norman Rockwell, Jessie Willcox Smith and N. C. Wyeth. However, the vast majority

masks:
Paul Martin
Martin


texts:
 of book and magazine illustrators received little recognition, compared to the fine artists. This was due to their artwork being viewed as commercially (not creativity) inspired. Nonetheless, these unheralded illustrators played an important role, in communicating (and documenting) the people's aspirations, concerns, customs, humor, labor, morals and social interests. One of them was <mask>, whose work appeared on the covers of Collier's, Everybody's, Farm & Fireside, The Farmer's Wife, Liberty, Parents and People's Home Journal from 1923–31. These seven magazines were once ranked among the most widely circulated. They all went out of business long ago, except for Parents.Their eventual downfall was caused by the changing times (or taste), emergence of radio and television (more attractive mediums for advertisers), and economics (increased cost / decreased revenue). The more specialized ones that targeted specific audiences, tended to fare better. Another point is that major advancements in photographic equipment and technology took place during the 1930s. This brought about the gradual changeover (25 year plus process) from illustrated to photographic covers. The former lingered on because of its innovative and enchanting qualities, until finally succumbing to Photoshop and other graphic software programs. Collier's
General-interest magazines (mixture of entertainment, pictures, politics, serials, short stories and sports) were once very popular and appealed to diverse audiences. One of them was the


texts: historically significant Collier's, which had a revival under new editor William L. Chenery in 1925.<mask> drew many of its covers during the mid-Roaring Twenties, including seven in 1925 (twenty 1923–27). Two of them were for Christmas issues (1924 & 26). Some artists created a niche and then stuck with it, such as in drawing comical situations, domestic follies, political satire, pretty women or simple pleasures. His recurring theme was of a youthful boy engaged in various lighthearted activities or situations. This included the following: catching a baseball, loading up on desserts (pictured below), playing the flute, decked out in a straw hat, shooting marbles, shoveling snow, carrying books on head, riding a sled, winding up a spinning top, eating turkey, bobbing for apples, playing football (pictured), happily swimming, getting a shaved haircut, saying grace, working as a messenger, daydreaming about fishing and going down a water slide. He seldom veered from this subject matter. The most striking departure was for a self-portrait cover.He portrayed himself as a well-dressed, vocal spectator at the horse races. His drawing style was simple yet bold. It captured the brightness, carefreeness, and innocence of youth. There was a nostalgic element to them. They resonated with the populace, who had just lived through a catastrophic world war and influenza pandemic. <mask> excluded the non-essential details (extra people, scenery, structures, trees, etc. ), which allowed viewers to make an instant

masks: Martin Martin


texts: connection.His paintings were often easy to recognize, since their theme and style remained fairly consistent. They sometimes gave the illusion of three-dimensional depth. This was through the use of various techniques, such as color intensity variation, linear perspective and overlapping. His cover art practically always had a holiday/seasonal theme or portrayed the magazine's overall image. This was common practice back then. It only once corresponded to an inside article. <mask>'s first step was coming up with ideas and turning them into conceptual sketches.These rough drafts were submitted to art editors, for their review and consideration for publication. He continued working on the ones approved, which came back with or without a modification request. (The rejects were sometimes submitted elsewhere.) He then hired boys for photo sessions, most of whom lived locally. His drawings were made from the produced photos, and not real life (which required long sittings). This gave him more options and flexibility. The preliminaries and final version were based on multiple images captured during the shoot (along with some improvising).This was also a more practical process, due to active/impatient children being involved. He would interact with them from behind the camera, until getting the desired natural or candid expression. His wife assisted by preparing the models for their scene. Collier's couldn't keep up with the rapidly changing times following World War II, and ceased publication in December


texts:
 1956. The main culprit was television, which dramatically affected its advertising and circulation revenue. Collier's top competitors (Life, Look and Post) adapted somewhat better to the changing times, which helped them hold out longer. Graphic artist

<mask> designed "Wrigley Gum's" light bulb spectacular, which showcased six acrobatic "spearmen" on a Broadway billboard in 1917.It was then the world's largest ever electrical display at 200 by 50 feet. It covered an entire city block in Times Square, between 43rd and 44th Sts. This panoramic light show was a major tourist attraction for seven years. The Wrigley name was synonymous with bigtime advertising. He drew a poster titled "Serve Your Country," for the War Camp Community Service in 1918. It showed a fashionable young woman serving in tennis (play on words). Women were encouraged to entertain off-duty soldiers, by participating in various social events (dancing, dining, etc.).A silkscreen version of this poster (pictured below), has been periodically on display at the International Tennis Hall of Fame Museum in Newport, Rhode Island. He sketched five different scenes of snow activities, for the passenger/freight carrier New York, Ontario and Western Railway in 1921–22. They described Sullivan County (Catskill section), as a lively and refreshing vacation spot. He designed greeting cards for the printing house, William Edwin Rudge, Inc. in 1921. <mask> drew a cheerful boy eating baked beans for Heinz 57 in 1927. Also, two posters for the


texts: American Junior Red Cross. The first was titled "The Flag of Service the World Around," 1929.It showed children in international costumes behind a globe, with one holding up a large Red Cross flag. The second was titled "Juniors Helping Everywhere," 1930. It showed twenty miniature scenes of children worldwide, in their various supportive roles. <mask> designed three billboards for the Hecker H-O (Hornby's Oatmeal) Company of Buffalo, New York in 1931. One showed a confident young football player being patched up, who had oats for breakfast (pictured). The other two emphasized its healthiness and goodness. These large advertisements (25 by 12 feet) appeared on poster panels, to attract passing motorists and pedestrians.They also had short runs in food markets; on their walls, store windows or hanging from overhead wires. <mask> painted three color advertisements for General Electric's all-steel "Monitor Top" refrigerator in 1930. The first and most elaborate featured two boys running a lemonade stand. Their mother looks on with approval, through the open kitchen window. It appeared as a full-page ad in many different magazines around the same time. An excerpt from Printers' Ink in 1930: " 'Electric Lemonaide, 5 cents per glass,' reads the sign of the youthful shopkeepers. ... [They] are soliciting trade in a strenuous manner, as a friendly dog enters into the spirit of the event with challenging barks.... [I]t is a picture filled with action and story-telling strength. But because the advertised


texts: product has been worked in so adroitly, the illustration seems doubly effective and relevant." His other "Monitor Top" credits were of a girl (with doll) playing with building blocks, and two dressed-up girls listening to an enthusiastic sales boy. It was proclaimed as the first reliable and affordable model for residential use (though at a hefty price). He painted a contest-winning poster for the Girl Scouts in 1931. It was titled "Usefulness • Beauty • Health • Truth • Knowledge." This contest was conducted by the Art Alliance of America, an organization that brought together craft workers and manufacturers.There were two hundred plus submissions. The six-judge panel consisted of W. T. Benda (who replaced Charles Dana Gibson), Ray Greenleaf, Rockwell Kent, John La Gatta, Neysa McMein and Edward A. Wilson. <mask>'s model for the poster was Barbara Smith, a 14-year-old from Darien, Connecticut (who previously lived in Yonkers, N.Y.). Her parents and <mask> were lifelong friends. He even served as best man at their wedding back in 1904. His winning entry earned him a $300 first place check, from the Girl Scouts' National Director Josephine Schain (pictured far below). This exchange took place at their then national headquarters on Lexington Avenue in Manhattan.It also occurred right after Schain presented the second and third place winners, with their respective prize. The top three finishers then posed together, next to their entries (pictured far below). National President Birdsall Otis Edey was one


texts: of three consultants, along with executives Anne Hyde Choate and Genevieve Garvan Brady. This poster faithfully and strikingly captured the spirit of their character-building movement. It was commonly displayed on bulletin boards, stands or windows in the meeting rooms of troops, and on the bedroom walls of their members from 1931–37. It later appeared with three raised fingers instead of a salute, on the catalog cover of Girl Scout Equipment for Fall 1932 and Spring 1933. <mask> said at the award ceremony: "Barbara seems [to be] the personification of all that Girl Scouting means.She is the very spirit of radiant, happy and wholesome young girlhood, and my mind naturally turned to her immediately when I learned of the competition." His drawings also ended up on Gerlach Barklow calendars, ink blotter cards and prints for business advertising, such as one titled "Singin' in the Rain" from 1931. It showed a boy sheltering several pups from the rain with an umbrella, while squatting down (pictured). Another showed a boy reading about scientific theories with some difficulty. <mask>'s paintings often included a cute and friendly pup (or more!). He drew covers for such trade publications as Advertising & Selling, Good Hardware, Progressive Grocer (voice of the industry for food retailers) and Silent Hostess (recipes and tips for homemakers) between 1920 & 1931. Coincidentally, the helmet-wearing kid for H-O Oats (pictured), later served as Progressive Grocer associate editor from 1956–62.<mask>'s third

masks: Martin Martin Martin


texts:
 and fourth covers were for this food-oriented magazine. His work appeared in many different types of print media. Another credit is mentioned in a publication by the Veterans of Foreign Wars in 1932. As follows: "The cover design on this issue of Foreign Service (pictured) is a two-color reproduction of the official 1932 Buddy Poppy poster. (It was so named because former soldiers would use that word, in describing their comrades who perished in WWI.) The original was painted in oil by the late <mask>, noted New York poster artist, who died suddenly on March 19th following a serious operation. The poster has been pronounced as one of the most striking and appropriate designs ever used, to depict the symbolism of the Buddy Poppy.(A bright red artificial flower, which was worn in honor of the fallen Allied soldiers.) It was completed shortly before the artist's death and is believed to have been his last important assignment [vague]. Those familiar with <mask>'s career as an artist, declare the 1932 Buddy Poppy poster to be one of his best creations." Fisk Tire Boy

The Fisk Rubber Company was producing automobile, bicycle and carriage tires by 1901. Its factory was located along the riverfront in Chicopee Falls, Mass. The plant pumped out 230,000 tires in August 1921. Fisk struggled financially during most of the 1930s.They were bought out by U.S. Rubber—a.k.a. U.S. Royal (1940). Its worldwide divisions (variously named) were given a unifying name in Uniroyal (1966). They merged with Goodrich and

masks:
Paul Martin
Paul Martin


texts:
 became Uniroyal Goodrich (1986). Its tire division was sold to Michelin (1990). Fisk Tires were sold exclusively by Kmart (1965–78) and Discount Tire (1996–2014). <mask> completely reshaped a then famous character in American advertising.It was the Fisk Rubber Company's "bedtime boy," who shouldered an oversized tire while dangling a lighted candle. It came with the motoring message, "Time to Re-tire" (debut 1910). This catchphrase had a simple double meaning. The boy's yawn became a smile in early 1929 (initial change). <mask> was then commissioned to come up with a slightly more aged, modern-day figure in late 1929. The objective was to update the heavily publicized trademark, while still maintaining its charm and familiarity. The little lad's one-piece sleeper became a two-piece pajama set, in the transition process.Also added for style were the slippers. His four-year-old nephew was used as the model (neck down only). Still, the pose and all-important props remained basically intact (though with the latest tire design and a more fashionable—less tilted—candle holder). Many newspapers ran a story, which highly praised the new look, May–June 1930. It described the youngster as more boyish, energetic, fit, and modern ("in keeping with the times"). The initial review was made by the publicity manager at Fisk, March 1930. As follows:

"a happy, smiling, 100-percent American boy in his little two-piece pajama, radiating good cheer, ruddy-cheeked and tousle-headed, snappy and wide awake, standing in the


texts: old-time pose."The now updated version was first used by Fisk Tires, to showcase its newly introduced "Air-Flights" in advertisements. This included twelve times in The Saturday Evening Post, between Feb 8 and Aug 23, 1930 (latter pictured). It was offered to the public as a "suitable for framing,"  colorful art print. The cheerful mascot then appeared on many different products. These were either with or without a facial touch-up (three variants pictured). For instance, on the front cover and endpapers of children's books in 1931. Subjects (8): Candy Land, Jack and the Bean Stalk, Little Black Sambo, Peter Rabbit, Pied Piper, Three Bears, Three Little Kittens and Three Little Pigs.They were all subtitled, Time to Re-tire / A Bedtime Story. It also appeared on ashtrays, bridge score pads, cigarette cases, electrical clocks, jigsaw puzzles (No. 1 pictured), matchbooks, posters and rubber heel replacements for shoes. These were complimentary items for customers or potential customers. <mask>'s figure was used by Fisk retailers on their data books, display windows, letterheads, and mailing envelopes (pictured). A scaled-down form showed up in Boys' Life and other magazines, (along with hundreds of newspapers) from 1930–34. Fisk Tires then went back to the original sleepy boy in 1935.The all-important public preferred that one, even though other companies had successfully modernized their own mascot (some multiple times). Incidentally, Norman Rockwell drew many paintings featuring the trade character,


texts:
 which were published in 1917–20, 23–25. Timetable. Three stages of the pajama-clad boy (based on its appearance in print or on advertising material): a. 1910–28, 35–onward (created by Burr Giffin, an agency art director). b. 1929–30 (yawn changed into a smile—anonymous).c. 1930–34 (modern makeover by <mask>). His credits include all of (and only) the version with the two-piece pajamas. Its debut was in The Saturday Evening Post issue of February 8, 1930. Note: There were also minor touch ups made in various years. He received the important commission (paragraph 2), due to having built up a repertoire for drawing boys. It was then common practice among artists, to create their own niche. The subjects of boys, dogs and pretty women were popular themes in that era.Life and tennis
He was born to Hannah A. (née Morrow) and Robert C<mask> (a brick merchant) in New York City on June 6, 1883. He was the second youngest of nine children. Three of them did not reach adulthood. The family home was between 8th and 9th Aves., on 31st St. in Manhattan throughout the 1880s. The <mask> clan moved way up to Central Harlem on Edgecombe Ave. in 1890. Young <mask> lost two sisters between 1891 & 1893.The family relocated within Central Harlem, to 129th and 5th in 1898. They belonged to the Twenty-fourth Street M. E. Church (till 1890) and Calvary  Church (till 1908). His father was the superintendent of their Sunday schools. <mask> immensely enjoyed drawing as a boy (future vocation). His first regular job was as a

masks:
Paul Martin
. Martin
Martin
Paul
Martin


texts: brokerage clerk at age 16. He studied commercial art at the National Academy of Design from 1902–06. His first career job was with the New-York Tribune, as their art manager from 1905–12.He succeeded the innovative Stephen H. Horgan. <mask> continued to live at home during those years. The family moved from Upper Manhattan to Maplewood, New Jersey, 1908. Their new church was located just two blocks away. They lived near a train station, which allowed them to commute into Manhattan. He joined a local tennis club and started competing in sanctioned tournaments, 1909. His first two tourneys were on the courts of Nyack, and shortly thereafter Morristown.He broke in with Ralph, an older brother by 12-years. <mask> married Lauretta Willey in Hoboken, New Jersey, 1912. They originally met many years earlier at Calvary Methodist. Lauretta's sister Emma was a schoolteacher, and brother Walter an accountant (who later owned the Willey Book ). Their first home together was in the University Heights section of the Bronx, 1912. They relocated one block east to another rental, 1915. He worked for the O. J. Gude Company from 1912–19.It was the innovative industry leader in outdoor advertising. His Gude office was first located at 935 Broadway, 1912–13 ... and then secondly at 220 West 42nd (Candler Bldg. in Times Square), 1913–19. He worked for another advertising firm, Gotham Studios from 1919–20. Its headquarters moved from 1133 Broadway (St. James Bldg.) to East 24th St., near 4th (now Park) Ave. on January 1,


texts: 1920. <mask> joined the Artists' Guild and went freelance in January 1921.This allowed him to work independently; with flexible hours, creative control, and opposingly, income uncertainties. <mask> and Lauretta moved from the Bronx to a rural forest area of Millwood, New York, August 1925. Their first owned home doubled as a working studio (upper floor) from 1925–32. Its centerpiece was a long flat-top table that held the canvases, drawing pads, paint brushes and tubes. Also nearby were art books, easels, photo shoot props, and an adjacent darkroom. Natural northern light came in through the large window. He was artistically inspired by the secluded and wooded surroundings.He occasionally used family members as models. Uncle <mask>'s niece Edna is shown, writing down the license number of a boy's wagon (for knocking over her doll carriage), on the Liberty cover of September 12, 1925. She's also highlighted on an American Junior Red Cross poster. His mother-in-law is shown basting a turkey for Thanksgiving, on the People's Home Journal cover of November 1928. He was ranked among the top thirty tennis players, in the New York metropolitan area from 1920–25 (top twenty 1923–24). His strength was in making accurate shots. <mask> won numerous trophies (or awards) in singles, doubles and mixed doubles (with Lauretta) between 1919 & 1931.This included one for capturing the inaugural singles championship, at the Sunningdale Country Club in 1920. Others were for the Lake George and Lake Mohonk championships

masks: Martin Paul Paul Martin


texts: of 1924. <mask>'s opponents included future Hall of Famers Fred Alexander, Jean Borotra, Francis Hunter, Gerald Patterson, Vincent Richards, Bill Tilden, John Van Ryn, Marie Wagner & Watson Washburn. Other standouts were Craig Biddle, Herbert Bowman, Wylie Grant, Walter Merrill Hall, Robert Kinsey, Percy Kynaston, Nathaniel Niles, Dr. William Rosenbaum, Howard Voshell & Charles Wood. A doubles partner and longtime clubmate was newspaper columnist Franklin P. Adams, who wrote "Baseball's Sad Lexicon." A teammate was the reigning national boy champion, 14-year-old Vincent Richards. <mask> competed with Bill Tilden in over a dozen tournaments, along with the U.S. National Championship of 1920, 21 & 24.The latter was played at newly built Forest Hills Stadium and on its outlying courts, Aug 25–Sep 2, 1924. His opening round opponent was Gerald Patterson of Australia, who captured two Wimbledon titles. 41-year-old <mask> won a set, though lost the match 4-6, 4-6, 9-7, 0-6. (There was a two-day rain delay after the third set.) He also competed in four straight National Veterans' Championships (ages 45+), at Forest Hills from 1928–31. <mask> was a standout singles and doubles player, for both the University Heights (Bronx, N.Y.) and County (Scarsdale, N.Y.) Tennis Clubs. He was caught up in the fallout of a  ruling, 1924.It prohibited players from writing for profit after a certain date. The distinction between amateurism and professionalism was hotly contested/debated from Feb–Dec 1924 (compacted summary).

masks: Martin Martin Martin Martin


texts: He often acted as the women's referee. He organized tournaments for youngsters, as a committee member of the Briarcliff Lodge Sports Club. The Westchester County Tennis League is the oldest continuously running of its kind, in the United States ( 1924). They held the annual Paul Martin Singles Tournament, for over eighty years. It was started up by veteran player Fenimore Cady of Mount Pleasant, N.Y.The winners' names were engraved along the base, of one of <mask>'s prized cups (pictured). His memory was also honored by a short-lived club tourney. He died of ulcers at age 48. This was one week after an operation at Ossining Hospital in March 1932. The funeral service was held at Highland (now Ossining United) Methodist Church. Survivors included three brothers and one sister. His wife Lauretta "Lolly" (1880–1972), outlived him by forty years.They both played in the singles draw of the US Open, and were mixed doubles regulars. She donated the tournament trophy named after her husband. His wartime painting ("Serve Your Country") was once prominently displayed, in the main room of the International Tennis Hall of Fame Museum. Its gift shop periodically offered a coffee mug and postcard version (pictured). He was known for his athletic ability, active participation, friendliness and sportsmanship. An excerpt from the Bronxville Press in August 1932: "His presence was always felt by topnotchers, as well as by those who could play only an average game. <mask> was a synonym for all that was clean and

masks:
Martin
Paul Martin


texts:
 wholesome in the game."Total finals and more

This list only includes open or invitational tournaments, which were sanctioned by the United States Lawn Tennis Association. Their results largely determined the player rankings, and who qualified for the Nationals. These semi-majors are categorized by the event's host. Total finals (30). Documented breakdown follows. Wins (11). SINGLES: 1920–Sunningdale  (Scarsdale, N.Y.).1924–Lake George & Lake Mohonk Tennis Clubs (Warren & Ulster Counties). CONSOLATION SINGLES: 1915–Merriewold TC (Sullivan Co.). DOUBLES: 1922–New York Athletic Club. 1924–Lake George & Lake Mohonk. 1925–Lake George TC & West Side  (for veterans). 1931–Lake George. MIXED DOUBLES: 1920–New York TC (for married couples).Runners-up (19). SINGLES: 1919–Woodmere Club (, N.Y.). 1922–Essex County (N.J.) CC & Powelton Club (Newburgh, N.Y.). 1923–Amackassin Club (Yonkers) & Harlem (Manhattan) TC. 1924–Oritani Field Club (Hackensack, N.J.) & Stamford (Conn.) Yacht Club. 1925–Lake George & Lake Mohonk. 1930–Lake George.DOUBLES: 1921–Greenwich (Conn.)  & Milford (Pa.) Field Club. 1925–Lake Mohonk. 1926–South Yonkers  (finalists pictured below). 1930–Lake George. 1931–Lake Mohonk. MIXED DOUBLES: 1921–Milford (Pa.). 1925–Lake George (with Lauretta).1930–Lake George (with Lauretta). Note. These are the ones known. For instance, results in mixed doubles were not always recorded. Hence, the one stated at Milford, could easily have been lost to history. He also won many tournaments, which were open only


texts: to members of the County Tennis Club in Hartsdale. The Martins sometimes played the circuit while on vacation.Grand Slams (majors). This list is based solely on appearances. He lasted until the stated rounds. National singles (3): 1920-. 1921-2R. 1924-2R. [Lauretta: 1921-1R.]National veterans' singles—for ages 45+ (4): 1928-4R. 1929-4R. 1930-3R. 1931-3R. It was renamed the US Open in 1968. University Heights . A longtime committee and playing member, who lived in the immediate area.He competed in their annual North Side tournaments from 1913–29 (except 1914, 26). These open events typically drew a large entry. <mask> reached the semifinals (SF) in 1913, 24 & 28. Singles (13): 1915-5R. 1916-3R. 1917-2R. 1918-4R.1919-5R. 1920-3R. 1922-3R. 1923-4R. 1924-SF. 1925-3R. 1927-3R.1928-SF. 1929-2R. Doubles (6): 1913-SF. 1915-3R. 1916-3R. 1919-1R. 1920-3R.1921-1R. 1922-discontinued. Mixed Doubles: 1923-1R. Memberships. These spans were compiled from newspaper and periodical accounts. Maplewood (N.J.)  1909–12. University Heights (Bronx) TC 1913–26.County (Hartsdale)  1926–32. He played on the circuit for 23 straight years 1909–31. His twelve-year-older brother, Ralph of Mid-Lower Manhattan & then East Orange (N.J.), joined him on the circuit, 1909, 11, 21 & 22. Featured Match. Eastern New York State Championship of 1925. A firsthand account by New York Times sportswriter, Allison Danzig. Excerpts: "This afternoon  Tilden and Strachan advanced from the semi-finals of the doubles, by putting out Alfred D. Hammett


texts:
 and <mask> at 6-4, 5-7, 6-1, 6-3.... It required some of the best tennis that Tilden has played here all week, before the Philadelphians were able to overcome the New York pair. Hammett and <mask> were always contenders, except in the third set when they slumped badly; and in order to hold them off, Tilden constantly found it necessary to invade his partner's territory and play the opposing pair single-handed. ... There was nothing to choose between the two teams in the first and second sets. In the third set, Hammett and <mask> went to pieces as Tilden became rampant and raked their court with placement drives and volleys. After the Philadelphians had gained a commanding lead [in that one], the New York pair allowed the set to go without making much effort, preferring to save their strength for the next chapter.But after the rest period, Tilden returned to the courts to play perhaps his best tennis of the match. Both <mask> and Hammett fought with everything they had and their team work was splendidly coordinated, but all counted for nought against the individual brilliance of Tilden [then ranked World No. 1]." Magazine cover illustrator
Most of them are artist signed. The rest are imprinted with the words "Cover by <mask>." His signature remained fairly consistent; with a curvature P & M, upward slanted t-bar, and underline mark. Also with the placement of given name above surname.His artwork featured on Foreign Service was initially sold to Parents in 1930. It went unused and so was dealt to

masks:
Paul Martin
Martin
Martin
Martin
Paul Martin


texts: American Lithographic. They then sold it to the Veterans of Foreign Wars for their publication, in early 1932. <mask>'s artwork featured on Die Hausfrau (published in Wisconsin) of a boy with five pups, was initially used by the Gerlach Barklow Calendar Company (pictured above). Farm & Fireside name changed to Country Home, with the issue of Feb 1930. Parents 25th anniversary issue came out in October 1951. Its unique cover featured twenty-five of their former covers, reproduced in miniature form (one for each year from 1926–50).Three of <mask>'s made it onto this silver jubilee edition. Their issued dates were Oct 1928, Aug 1929 and Oct 1930. He therefore, in a way, won their coveted "Cover of the Year" award for 1928, 29 & 30. The following list contains thirty-seven known credits, including three from September 1925. They are all from consumer (not trade) magazines. The latter are recorded under "Graphic artist" (paragraph 5). ● The American Girl (1917–1979): Oct 1931.● Collier's (1888–Jan 1957): 1923-05-26, 1924-02-02 (pictured right), 1924-06-28, 1924-10-25 (pictured above), 1924-11-22, 1924-12-27, 1925-05-02, 1925-05-30, 1925-06-27, 1925-07-04, 1925-07-25, 1925-09-19, 1925-10-31, 1926-01-16, 1926-02-13, 1926-05-22, 1926-12-25, 1927-02-26, 1927-08-13, 1927-08-27. ● Everybody's (1899–1929): Sep 1925. ● Farm & Fireside / Country Home (1878–1939): Nov 1923, Aug 1930. ● The Farmer's Wife (1897–1970): Jan 1931. ● Foreign Service (1914–To Date): May 1932. ● Die Hausfrau (1904–To Date): Apr 1936. ●


texts:
 Liberty (1924–1950): Sep 12, 1925.● Parents (Oct 1926–To Date): Oct 1928, Feb 1929, May 1929, Aug 1929, Oct 1929, Feb 1930, Oct 1930. ● People's Home Journal (1885–1929): May 1928 (pictured), Nov 1928. Book illustrator

The artistic aim here was to clarify, complement, and accurately interpret the written text. His contributions to short stories include the following: ● Saturday Evening Post. "Short Turns and Encores" by Dorothy Parker and others, July 29, 1922 p. 16. ● Collier's. "The Blanket" by Floyd Dell, October 16, 1926 p. 18.● Collier's. "The Unfairway" by Burford Lorimer (son of George Horace Lorimer), December 25, 1926 pp. 22–23. ● Scribner's Magazine. "Tragedy" by Eve Bernstein, April 1928 p. 479. ● Scribner's Magazine. "On the Dark Trail" by Franklin Holt (pen name), July 1928 p. 71.The first six listed below, are fictional or semi-fictional books for children. It includes a collaboration with Howard R. Garis. This genre often required a more animated, imaginative and whimsical drawing style (yet still in sync with the story). ● Philus, the Stable Boy of Bethlehem; and Other Children's Story-Sermons for Christmas .... Edmund J. Cleveland, with foreword by the Rt. Rev. Charles L. Slattery, Sep 1927. (Credits: dust jacket, frontispiece and facing pp.52, 66, 124.) It contains eleven short stories covering the church year. The opener is about a stable boy, who was present at the Nativity. These are pseudo-narratives with a moral message. ● Puck Chasers, Incorporated. Charles G. Muller, Sep


texts: 1927. (Credits: dust jacket, frontispiece and inside pages.)Students establish and popularize a new team sport by overcoming obstacles. This is one of the earliest books with an ice hockey theme. Its predecessors tended to be on a combination of winter sports, instead of solely on ice hockey. ● Araminta. Helen Cady Forbes, Nov 1927. (Credits: dust jacket, frontispiece and facing pp. 134, 212.)Araminta turns eleven years old and finds a baby, who turns out to be kidnapped. ● The Prince and the Pig's Gate, and Other Sermons in Story. Robert Hugh Morris, May 1928. (Credits: dust jacket, frontispiece and facing pp. 48, 134, 166.) Intro: "Unsophisticated tales for children of all ages–up to 99." ● The Baseball Detective.Charles G. Muller, Aug 1928. (Credits: dust jacket, frontispiece and facing pp. 22, 132, 250-pictured.) A story of baseball, competition, friendship and mystery at Fisk School for Boys. ● Chad of Knob Hill: The Tale of a Lone Scout. Howard R. Garis, Sep 1929. Republished in 2013.(Credits: dust jacket, frontispiece and pp. 14, 60, 85, 97, 163, 187, 213, 281.) This book has a Boy Scouting theme. A marching troop crosses the path of an overworked farmhand, who promptly decides to take their oath. Garis created stories about Uncle Wiggily; a rheumatism afflicted, gentlemanly rabbit. ● Stories of To-day and Yesterday .... Frederick Houk Law, editor, Feb 1930. (Frontispiece only.)An instructional guide for older students; on how to read, write and appreciate short stories. It includes questions


texts:
 and topics for classroom discussion. ● The Bookshelf for Boys and Girls. Clara Whitehill Hunt, lead editor, 1930-31 and 1931-32 editions. (Dust jackets only.) The best books for children are carefully selected. An authoritative guide for parents, in catalog format with descriptive notes.Photos of <mask>

References and notes
Continuity Guidelines: Notes follow the sources. They are directly related or give additional details. This pattern can be confusing when the same source is cited more than once. Keywords are sometimes placed in parentheses, right after the corresponding page . External links

1883 births
1932 deaths
American illustrators
American male tennis players
Artists from New York City
National Academy of Design alumni
New-York Tribune personnel
Tennis people from New York


texts:
<mask> ( ; born March 18, 1975) is a former American football quarterback and current color commentator for Monday Night Football on ESPN. He was drafted by the Broncos in the third round of the 1998 NFL Draft. He played high school football at Christopher Columbus High School and later college football at Michigan. Griese played three seasons at Michigan, leading the Wolverines to the 1997 National Championship (as recognized by the Associated Press). After being selected in the third round by the Denver Broncos in the 1998 NFL Draft, he earned a Super Bowl ring with the Broncos in his rookie season, as a backup to John Elway in Super Bowl XXXIII. Elway retired after the Super Bowl and Griese became the starting quarterback for the Broncos during the 1999 season. Griese was a Pro Bowl selection with the Broncos in 2000.After leaving the Broncos he started at quarterback for the Miami Dolphins (5 games in 2003), Chicago Bears (13 games in 2006 and 2007) and Tampa Bay Buccaneers (21 games in 2004, 2005, 2008). He is the son of Hall of Fame quarterback <mask>. Early years
Griese was born in Miami, Florida and attended Christopher Columbus High School in Miami, playing football, basketball and golf. <mask> is the son of former NFL Quarterback <mask>. College career
Griese played college football at the University of Michigan from 1993 to 1997. Michigan did not offer him a scholarship, so he walked on to the football team. He turned down scholarship offers from Purdue (his father's alma mater) and Kentucky.After he was redshirted in 1993 and limited to placeholding duties in 1994, Griese took over as the starting quarterback after Scott Dreisbach was injured five games into the 1995 season. Griese started for the remainder of the 1995 season, capped by an upset of #2 ranked Ohio State, 31–23.

masks:
Brian David Griese
Bob Griese
Brian
Bob Griese


texts:
 At the beginning of the 1996 season, Dreisbach regained his starting job and Griese returned to the bench, serving as the team's pooch punter. However, after Dreisbach struggled, Griese replaced him at halftime against Ohio State, where he led the Wolverines to another upset victory over the Buckeyes, 13–9. Griese finished the season starting in a 17–14 loss to Alabama in the Outback Bowl. In 1997, <mask> remained the starter. Along with Heisman Trophy winner Charles Woodson, he led the Wolverines to an undefeated season and a share of the national championship.Griese was selected as the MVP of the 1998 Rose Bowl, passing for 251 yards and three touchdowns in Michigan's win over Washington State. In his Michigan career, Griese had a 17–5 record as a starter. The Wolverines won all three games against Ohio State in which he quarterbacked. He was inducted into the Rose Bowl Hall of Fame on December 30, 2012. College passing statistics

Professional career

Denver Broncos
The Denver Broncos selected Griese in the third round of the 1998 NFL Draft. He began his career as a third-string back up to Bubby Brister and John Elway. He became a Super Bowl champion in 1998, though he spent most of the season on the sidelines.Following Elway's retirement in 1999, <mask> became the Broncos' starting quarterback. Griese earned a 75.6 passer rating during his first season as starter, but improved the next year, raising it to 102.9. His efforts merited him an invite to the 2000 Pro Bowl. Griese consistently completed a high percentage of his passes. He has had four seasons with a better than 64% completion rate, including one year (2004) when he completed 69.3% of his passes. Nevertheless, he was unable to establish himself as one of the elite quarterbacks of the league, due to injuries and a penchant for

masks: Griese Griese


texts:
 interceptions. He was released by the Broncos, following the 2002 season, and was replaced by former Cardinals starter Jake Plummer.Miami Dolphins
In June 2003 he signed with the Miami Dolphins. His stint with the Dolphins, where his father Bob Griese played his entire 14-year career, was brief, being released in February 2004. Griese was given the starting job when the Dolphins starting quarterback Jay Fiedler got injured. Griese had an excellent start as a Dolphin, passing for 3 touchdowns and 0 interceptions in a blowout victory against San Diego. First stint with the Buccaneers
Griese signed with and performed well for the Tampa Bay Buccaneers, and provided a catalyst for the jumpstart of the Tampa offense. Griese helped them to their only victories in 2004 with a 97.5 QB rating and to a 5–1 record in 2005 before succumbing to a torn ACL. Griese was cut by the Buccaneers in 2006 after the injury to his knee in order to free up money for the salary cap.Chicago Bears
On March 21, 2006, he signed a five-year contract with the Chicago Bears. After signing with the Bears, Griese saw limited action. Though he fared better than Rex Grossman during the 2006 preseason, coach Lovie Smith decided to keep Griese as the Bears’ second-string quarterback. He took late fourth quarter snaps at the end of major victories. Though Grossman started every Bears game in the 2006 season, Smith allowed Griese some extended gametime during week fifteen, after the Bears had clinched home-field advantage throughout the playoffs. In a game against the Detroit Lions, Griese completed six of nine passes for 51 yards, which set up several game-winning Robbie Gould field goals. Smith called on Griese to relieve a struggling Grossman for the second half of the final regular season game against the Green Bay


texts:
 Packers.However, Griese did not fare a lot better, completing 5 of 15 passes for 124 yards, one touchdown and two interceptions. While some Chicagoans questioned Grossman's ability to lead the Bears to the Super Bowl, Smith stood by Grossman, and declared him the team's starter throughout the playoffs. The Bears went on to win the 2006 NFC Championship, but lost Super Bowl XLI to the Indianapolis Colts. After Grossman struggled during the first three outings of the 2007 Chicago Bears season, Smith turned to Griese to lead the team. In his first outing as a Bears starter, Griese threw two touchdowns and three interceptions in a losing effort against the Detroit Lions. The next week, he led the Bears on a game-winning drive against the Philadelphia Eagles, in which he called the plays due to a headset failure. Griese lost the starting job to Grossman after sustaining an injury against the Oakland Raiders during week ten.<mask> again replaced Grossman later in the season, after Grossman sustained a knee injury against the Washington Redskins. However, with the Bears out of the playoffs, Kyle Orton started the remaining 3 games of the season. Second stint with Buccaneers
On March 3, 2008, <mask> was traded to the Tampa Bay Buccaneers in exchange for a sixth round pick in the 2009 draft. He started the second game of the season, a home game against the Atlanta Falcons, which the Buccaneers won 24–9. Griese completed 18 of 31 passes, throwing for 160 yards with one touchdown. The next week, Griese played his old team, the Chicago Bears, and despite throwing 3 interceptions, he threw for 407 yards and 2 touchdowns to help the Buccaneers beat the Chicago Bears 27–24 in overtime. He also started the following week, and again despite throwing 3 interceptions, he completed 15 of 30 passes for 149


texts:
 yards, 1 touchdown, and lead the Bucs to a victory over the Green Bay Packers 30–21.Griese started against the Atlanta Falcons again on December 14, 2008, subbing for Jeff Garcia who was sidelined with a calf injury. He completed 26 of 37 passes for 269 yards and threw 1 touchdown. But Griese also threw an interception and was sacked four times. The Bucs ended up losing the game in overtime 13–10. His career starting for Tampa Bay was 8–2. He was released on July 13, 2009. After his release, Griese decided to retire from football.NFL career statistics

Broadcasting career
Since 2009, Griese has been employed by ESPN, working until 2020 as an analyst on the network's college football coverage. Griese also served as radio color commentator for 850 KOA (AM)'s coverage of Denver Broncos' football from 2010 to 2011. In 2020, Griese joined the booth for Monday Night Football, working alongside Steve Levy and Louis Riddick. Personal life
Griese was a member of the Phi Gamma Delta fraternity and received his bachelor's degree in an individualized concentration from Michigan in 1997. Griese is founder and board president of Judi's House, a children's grief support center in Denver, Colorado. <mask>'s mother, Judi <mask>, succumbed to breast cancer when <mask> was 12. The grieving process was hard for <mask>, and so he established Judi's House to serve grieving children in the Denver area.He also helped establish what would become the Griese, Hutchinson and Woodson Champions for Children's Hearts golf weekend in May 2007. The event benefited the capital campaign for construction of the C.S. Mott Children's Hospital as well as the Michigan Congenital Heart Center (MCHC) which resides within Mott. He also remains involved with the From the Heart Organization, a relationship that dates back to his

masks: Brian Griese Brian Brian


texts:
 playing days in Ann Arbor when he would visit Mott every week. For his work with Judi's House, <mask> was awarded the 2011 Patterson Award for Excellence in Sports Philanthropy, presented each year by the Robert Wood Johnson Foundation, which celebrates and promotes the selfless service of people within the world of sports. He was named the recipient of the Big Ten's Dungy-Thompson Humanitarian Award in 2014, and the Big Ten's Ford-Kinnick Leadership Award in 2015, becoming the first individual to be recognized with both of the conference's annual awards. These awards recognize Big Ten football players that have achieved success in the areas of leadership and humanitarianism after their college careers have ended.<mask> and his father, <mask>, became the first father-and-son duo in NFL history to both win a Super Bowl. <mask> and his father wrote a book together, Undefeated (), published in 2000 about their lives through their undefeated seasons and living through the breast cancer illness and death of <mask>'s mother and Bob's first wife, Judi. Griese married Brook McClintic, a clinical psychologist, in the Spring of 2004 on the island of St. John in the U.S. Virgin Islands. The couple met while Griese was playing for the Denver Broncos. On April 6, 2006, <mask> and Brook had their first child, a baby girl they named Annalia Rose. References

External links
 NFL profile

1975 births
Living people
American Conference Pro Bowl players
American football quarterbacks
Chicago Bears players
College football announcers
Denver Broncos players
ESPN people
Miami Dolphins players
Michigan Wolverines football players
Christopher Columbus High School (Miami-Dade County, Florida) alumni
Players of American football from Miami
Tampa Bay Buccaneers players
National Football League announcers
Denver

masks:
Griese
Brian
Bob Griese
Brian
Brian
Brian


texts:
<mask>. (born September 27, 1969) is an American football coach. He is currently the head football coach at Liberty University. A successful high school football coach at Briarcrest Christian School in Memphis, Tennessee, Freeze coached Michael Oher and Greg Hardy. He subsequently served as the head football coach at Lambuth University from 2008 to 2009, Arkansas State University in 2011, and the University of Mississippi (Ole Miss) from 2012 to 2016. Under <mask>, the Ole Miss football program committed various recruiting and academic violations that figured in the NCAA's decision to expunge 27 of <mask>'s wins and ban it from post-season play for two years. He resigned from Ole Miss after officials discovered that he had used a university cellphone to call escort services multiple times over the course of five years. Early life
<mask> graduated Senatobia High School in 1988, and then attended Northwest Mississippi Community College, where he lettered two years in junior college baseball.He became an NJCAA Academic All-American for the Rangers in the spring of 1990. <mask> then attended the University of Southern Mississippi, where he tried out for the baseball team in the fall of 1990, hoping to make the roster for the spring of 1991. He was cut from the team. He graduated from Southern Miss in 1992 with a Bachelor of Science degree in mathematics and a minor in coaching and sports administration. Coaching career

Briarcrest Christian School
In 1992, <mask> joined the staff at Briarcrest Christian School in Memphis, Tennessee, as the football team's offensive coordinator and defensive backs coach. Freeze

masks:
Danny Hugh Freeze Jr
Freeze
Freeze
Freeze
Freeze
Freeze


texts:
 also served as dean of students. In 1995, he was promoted to head coach.<mask> ran the no-huddle spread offense and led his team to the state championship twice, in 2002 and 2004, and the regional championship each year from 1995 to 1998 and in 2001 and 2002. He received Region 8-AA Coach of the Year honors five times and Associated Press Coach of the Year honors six times. In ten years at Briarcrest, <mask> was 94–30 as head coach (.785 winning percentage) and 126–37 overall. <mask> was depicted in the book and motion picture The Blind Side, about one of his former players, offensive tackle Michael Oher. While at Briarcrest Christian School, <mask> also coached the girls basketball team from 1992 to 2004, and actually had more success in this role, with an overall record of 305–63 (.829 winning percentage), seven straight championship appearances, and four championships. Following his dismissal from Ole Miss in 2017, some former students alleged that Freeze had engaged in inappropriate conduct with female students while at Briarcrest. <mask> has denied the allegations.Briarcrest officials said they were unaware of any sexual improprieties committed by <mask> during his tenure. Ole Miss assistant coach
In 2005, the University of Mississippi hired <mask> as an assistant athletic director for football external affairs. The following season, he became the tight ends coach and recruiting coordinator, positions he held through 2007. After that season, he replaced head coach Ed Orgeron on an interim basis before the hiring of Houston Nutt. Freeze interviewed for the offensive coordinator position with Nutt, a

masks: Freeze Freeze Freeze Freeze Freeze Freeze Freeze


texts:
 position that eventually went to Kent Austin. Lambuth
In January 2008, Lambuth University, a member of the National Association of Intercollegiate Athletics (NAIA), named <mask> its head coach. In 2008, he led Lambuth to an 8–4 record and a first round loss in the NAIA playoffs, marking their first appearance in the playoffs since 2004 under then head coach Vic Wallace.He was considered for the University of Tennessee at Chattanooga's head coaching position following the 2008 season, but remained at Lambuth University for another season and compiled a 20–5 overall record, and defeating opponents 41–17 on average. In 2009, he led the Eagles to their best regular season record in school history with an unblemished 11–0 mark. Lambuth advanced to the second round of the NAIA playoffs for first time in 11 years—having won one game before suffering elimination to finish 12–1 as the sixth-ranked team in the NAIA. Arkansas State
In 2010, he joined the staff of head coach Steve Roberts at Arkansas State as offensive coordinator, joining the program after spending less than two months, during the 2009-2010 offseason, as offensive coordinator at San Jose State University. The Red Wolves finished 2010 with a 4–8 record, but their offensive rankings jumped from 95th in total offense and 90th in scoring offense in the NCAA Division I FBS to 43rd and 46th, respectively. The Red Wolves' offense broke nine school records including total plays (856), first downs (262), pass attempts (438), pass completions (266), completion percentage (.607), passing yards (3,057), passing yards per game (254.8), and passing touchdowns (23).


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 The Red Wolves' offense averaged 403.4 yards per game, eclipsing over 300 yards all 12 times it took the field for the first time in the history of the program.A-State posted at least 400 yards of total offense in seven games during the 2010 campaign, the most ever as an NCAA FBS member, all in his first year as offensive coordinator. After the season, Roberts was fired and <mask> was promoted to head coach. In 2011, his only season as head coach at Arkansas State, he led the Red Wolves to a 10–2 record and their first Sun Belt Conference title since 2005. The Red Wolves' offense averaged 447.8 ypg (28th nationally, 1st in Sun Belt Conference) including 293.6 ypg passing and 154.2 ypg rushing. <mask> left Arkansas State before Arkansas State's post-season appearance in the GoDaddy.com Bowl. Ole Miss head coach
On December 5, 2011, <mask> was announced as the 37th head coach of the University of Mississippi. During the press conference to introduce <mask> as the head coach, he stated that he wanted to "retire at Ole Miss."He was signed to a four-year contract with an annual salary of $1.5 million plus incentives up to $2.5 million. In his first season at Ole Miss, <mask> led the Rebels to a 6–6 record in the regular season, making Ole Miss bowl eligible for the first time since 2009 with a 41–24 victory over Mississippi State in the Egg Bowl. His Rebels accepted a bid to play in the BBVA Compass Bowl in Birmingham, Alabama, on January 5, 2013. They beat the University of Pittsburgh 38–17 to finish 7–6. <mask> received national attention on National Signing Day 2013 as Ole Miss brought in the fifth ranked

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