texts:
 in some contracts but absent from his will. <mask> <mask> died on October 11, 1523.He left the majority of his possessions and his practice to his son, Benedetto. Career
Because the birthdate of <mask> is unknown, there is also debate as to when exactly he began his career and how old he was at the time. Throughout his career, his works are characterized by a simple, laconic nature. His figures often appear solemn and plastic in form. Early Works (1480s-1499)

His first known documented commission was for two paintings for the Scuola Grande di San Marco in Venice. The paintings were contracted to depict the Deluge (flood myth) and another scene from Genesis, however their final status is unknown as they were destroyed in a fire in 1485. The next known record of Montagna's work is for an altarpiece in the hospital of Vicenza,  of which the current whereabouts are also unknown.His first extant painting is from September 1487 (as inscribed on the back of the work) for a painting of The Virgin and Child with Saint Sebastian and Roch. A small work intended for private use, it depicts the figures in a marble enclosure with a Vicentine landscape in the background. This painting also shows Montagna's first known use of trachyte marble, a unique texture of marble, which is seen in most of his works. Around this time, he was also commissioned to do the high altarpiece of San Bartolomeo of Vicenza, of which the exact date is often debated. This shows influences from multiple works of Giovanni Bellini located Venice that are also undated. In 1490 he painted an altarpiece for the Certosa di Pavia in Padua showing the Virgin and Child Enthroned with Saint John the Baptist and Jerome. In 1491 he painted the altarpiece, the semi-dome, and other wall frescos for the oratory dedicated to St. Blaise at the church of Santi Nazaro e Celso in Verona.The semidome depicts St. Blaise with companions and the walls depict other scenes from the legends of St.

masks: Bartolomeo Montagna Montagna


type: original

texts:
 Blaise. These works are noted for their realistic gaunt figures. From 1497-1499 he was paid monthly to work on an altarpiece for the Squarzi family. His final payment was in the form of a piece of property which he kept until 1503. This was located in a chapel in the Church of San Michele and entitled Madonna and Child Enthroned with Saints. The outlines of this painting are very bold compared to his other works and it features detailed drapery. His early works are generally characterized by the use of trachyte marble architecture and a particular positioning of the Virgin's hand, showing the middle and ring-finger touching and widely separated from the index and pinky finger.They also are usually distinguished by their symmetry, organization,  equally distributed light, and plastic-like quality to the figures. Maturity (1499 - 1507)

An altarpiece in San Michele at Vicenza (Virgin and Child with Four Saints and Music-making Angels) from 1499 is considered by many art historians to be a turning point in <mask>'s style. This development in his style is characterized by change in tone and use of warmer and richer colors. This particular painting depicts an outdoor scene and is a variation of a work by Giovanni Bellini. Around this time he also completed another Bellinesque altarpiece for San Bartolomeo in Vicenza, Madonna and Child with Saint Monica and Mary. In 1500 <mask> completed a Pieta in the Church of the Madonna del Monte. The painting depicts the Virgin Mary holding Christ's dead body and Mary Magdalen kissing his feet.They are flanked by St. John and St. Joseph. This features dull color and the use continuous lines as a compositional element, a growing trend in renaissance paintings. This painting is characterized by a less rigid form than <mask>'s previous works. In the same year he also completed the Virgin and St. Joseph Adoring Christ in the Church of Orgiano. This depicts the infant Jesus sitting upright, flanked by the

masks: Montagna Montagna Montagna


texts:
 soft figures of the Virgin and St. Joseph. Around this time the Bishop of Vicenza, Cardinal Battista Zeno, also commissioned <mask> to create a painting of the Virgin and Child with Eight Saints for the Cathedral of Vicenza. This work was lost after 1779 but is documented in multiple records.In 1504 <mask> travelled to Verona to complete frescos for the choir and vaults of the Cappella di San Biagio depicting many scenes of St. Blaise. Due to the success of this work, in 1507 he was commissioned to do the altarpiece for the Church of San Sebastiano in Verona, depicting the Virgin and Child Enthroned with St. Sebastian and St. Jerome. This work is characterized by brightly colored architecture, an oddly shaped throne, and elaborate outfits. After returning to Vicenza, <mask> completed a painting of Madonna between Saint Anthony and John the Evangelists for San Lorenzo. This is often considered the height of <mask>'s paintings. <mask>'s style at this time is noted for its eccentric qualities despite the trend of a more mellow style that was adopted by his peers. His paintings frequently featured bright colors, decorative architecture, detailed drapery, and sharp angles.Despite the bright colors and sharp angles, the human figures pictured in them were often fuller and softer. Late Works (1507-1522)
The last known dated painting of <mask>'s is from 1507 although there are many paintings that have been dated by scholars after this time. Paintings from the last 15 years of his life are often considered a decline from the height of his career. His style was noticeably different in the years he spent in Padua (1509-1514), showing more landscapes, sunsets and warm colors incorporated with his signature architecture look. His style was more inconsistent, but often included fuller figures, deep shadows and less angular details. Examples of works Montagna's time in Padua featuring this style are the Exhumation of St. Anthony for the Scuola di

masks: Montagna Montagna Montagna Montagna Montagna Montagna


texts:
 San Antonio and the Virgin and Child with Four Saints in Saint Maria in Vanzo. In 1517 Montagna returned to Vicenza.In 1522 he was commissioned by the Scuola di San Giuseppe to paint an altarpiece for Cologna Veneta. This depicts the Virgin, Child, 3 shepherds, and St. Joseph and St. Sebastian. Influences
There is no written record of Montagna's training as a painter but there are many speculations and debates about his influences. In the second edition of Vasari's Lives, Vasari mentions that Montagna learned to draw from Andrea Mantegna but does not specify if he did this as an actual pupil or if he just privately studied Mantegna's works. It is generally agreed on that <mask> was influenced by Giovanni Bellini, Antonello da Messina, and Alvise Vivarni. It is generally accepted that Bellini had the most prolific influence on Montagna's works, but to whether he was actually a pupil of any of these artists and in what order is highly debated. Montagna's use of intricate and angular drapery is linked to the works of Vivarni.His works inspired by Antonello are characterized by rounded forms whereas those inspired by Bellini feature thinner and sharper figures. His transition to use of brighter and richer colorings later in life are also attributed to Bellini's influence. A drawing with a previously mistranslated note was attributed to Montagna, but has now been identified as a gift from Bellini to Montagna. This still however does not confirm Bellini as <mask>'s master as it was common among artists of the renaissance to gift each other drawings. Many of <mask>'s paintings borrow compositions from these mentioned artists, a common practice in Italian renaissance painting. The Virgin and Child (tempera/panel) - Worcester Art Museum, Worcester, MA

References

1450s births
1523 deaths
15th-century Italian painters
Italian male painters
16th-century Italian painters
Painters from Vicenza
Italian Renaissance painters
Italian Renaissance


texts:
<mask> (born February 3, 1955) is an American businessperson in the field of advertising. He was most recently the CEO of FCB Garfinkel, the New York office of FCB (Foote, Cone and Belding). Early life (1955–1978)
<mask> was born in the Bronx, New York. His father was a shoe salesman and his mother was a bookkeeper. He attended the Bronx High School of Science but graduated from Evander Childs High School. He then went  on to Queens College, graduating in 1977. While in college, he played in several rock bands and folk groups.He also tried his hand at stand up comedy performing at the Improv in New York and the Comedy Store in Los Angeles. <mask> launched his career in 1978 as a junior copywriter at a small advertising agency called James Neal Harvey. After only two months, he left to take a job at the  creative agency, Levine Huntley Schmidt Plapler and Beaver, where he stayed for eleven years. Rising from junior copywriter to executive creative director in just a few years, <mask> wrote or supervised successful campaigns for Subaru, Citizen Watches, Matchbox cars, Ferrarelle Mineral Water and Genesee Beer. In 1989, he was recruited by BBDO to head up the Pepsi account. During his time at BBDO, he wrote some of Pepsi's most famous commercials including the original Cindy Crawford commercial. After three years of working primarily on Pepsi, London Ad man Frank Lowe enticed <mask> to become the Creative Leader of IPG agency, Lowe New York.<mask> worked at Lowe & Partners for eight years, eventually becoming Chairman, CEO and Chief Creative Officer, U.S. During his tenure he was

masks:
Lee Garfinkel
Garfinkel
Career Garfinkel
Lee
Lee
Lee


texts: credited with turning Lowe into one of the most creative agencies in America. He worked on such brands as Mercedes-Benz, Diet Coke (the famous Diet Coke Construction Worker commercial), Sprite (Obey Your Thirst), Heineken (It's All About the Beer), Citibank, Sun Microsystems, KPMG, Sony, CBS and GMC trucks. In 2001, <mask> moved to D'Arcy as President and World Wide Creative Director. He was soon followed by the Heineken account which had experienced significant success under his creative leadership. During his short time at D'Arcy, <mask> also helped revitalize such brands as Crest and Cadillac. When Maurice Levy and Publicis purchased D'Arcy, <mask> was offered the role of Global Creative Director of the Publicis advertising agency. Instead <mask> chose to team up with his friend Ken Kaess, CEO of DDB.<mask> started at DDB NY in March 2003 as Chairman, Chief Creative Officer. During his tenure, he helped DDB gain new assignments on Bud Light and Michelob. He was also responsible for the biggest stretch of new business wins in DDB NY's recent history, winning such accounts as Diet Pepsi, Philips Global, Subaru, Lipton Tea, The American Cotton Council, United Technologies Corp., Electrolux Appliances, Hertz, Legg Mason, Georgia Pacific and Gibson Guitars. <mask> was also the architect behind Amplify, the digital group within DDB New York. In 2011, <mask> joined EuroRSCG (now known as Havas Worldwide) as chief creative officer, Global Brands. He created new campaigns for Atlantic City Tourism (DO AC), New York Life (Keep Good Going) as well as supervising the successful "Most

masks: Lee Lee Lee Lee Lee Lee Lee


texts:
 Interesting Man" campaign for Dos Equis. On January 1, 2014, <mask> returned to holding company, IPG and assumed the role of CEO at Draftfcb New York.On March 10, 2014, Draftfcb officially changed its name to FCB (Foote, Cone and Belding) and renamed the New York office FCB Garfinkel in recognition of <mask>'s creative standards. Today, <mask> is the Chairman of The Garfinkel Group LLC. Awards and recognition
<mask> has received every major advertising award. In addition to winning Cannes Lions for Subaru, Pepsi, Mercedes, Beneficial and Heineken, his industry honors also include One Show, ANDY and Clio awards. <mask> has served as President of the One Club (1991–1993); he chaired the ANDY Awards in 1998 and in 2002 he was the U.S. Juror at the Cannes Lions International Advertising Festival. Timeline
In 1986, Adweek chose <mask> for the magazine’s East Coast All-Star Team of Best TV Copywriters. Three years later, Adweek’s Winners Magazine selected him as the #1 Copywriter and #3 Creative Director in the United States.In 1992, <mask> was selected by Crain’s New York Business for its annual “Forty under 40” feature, which profiles executives under 40 making their mark in business. In 1994, <mask> was inducted into the Advertising Hall of Achievement. The following year, Adweek once again chose him for their U.S. All-Star Team, this time as Best Creative Director. In 1998, <mask> was featured in the Wall Street Journal’s creative leader series. And in 2005, <mask> was part of the management team responsible for DDB being named Adweek’s “Global Agency of the Year.”

See also

masks:
Lee
Lee
Lee
Lee Garfinkel
Garfinkel
Lee
Lee
Lee
Lee
Lee


texts:
 D'Arcy Masius Benton & Bowles
 DDB Worldwide
 Lowe and Partners

Notes

References

 THE MEDIA BUSINESS: ADVERTISING; CBS loves TV; now the network wants viewers to fancy CBS. - New York Times
 Mercedes-Benz's new campaign is injecting fun-loving spirit into precise German engineering. - New York Times
 THE MEDIA BUSINESS: Advertising; Lowe & Partners/SMS gets back on track by winning a big-name electronics account.- New York Times
 THE MEDIA BUSINESS: ADVERTISING; Beneficial Goes After Banks - New York Times
 Mediaweek.co.uk
 http://www.adweek.com/news/advertising-branding/draftfcb-unveiling-its-rebranding-156184

Further reading

 Forbes.com
 Huffingtonpost.com
 Adweek.com
  Cnbc.com
 Adweek.com
 Adweek.com
 Adweek.com
 Adweek.com
 Nytimes.com
 Adweek.com
 Findarticles.com
 Mycrains.crainsnewyork.com

External links

 https://vimeo.com/leegarfinkeluser44369243
 http://www.thegarfinkelgroup.com
 Ibbonline.com
 Wflx.com
 Diaryofacreativedirector.com
 Aef.com
 Diaryofacreativedirector.com
 Jackmyers.com
 Ihaveanidea.org
 http://www.leegarfinkel.com/LeeGarfinkel/About_Me.html
 http://www.leegarfinkel.com/LeeGarfinkel/Campaigns.html

Advertising people
1955 births
Living


texts:
<mask> (born 18 October 1974) is a Welsh former professional footballer who played as a midfielder, now a football pundit and director of football at  club Macclesfield. During his career he played predominantly as a midfielder, starting off as a youth player with Manchester United before joining Crewe Alexandra when released by the Old Trafford club. He became a regular for Leicester City in the late 1990s and early 2000s, and performed a similar role for Birmingham City and Blackburn Rovers. In 2008, he joined Derby County; after a short loan spell with Brighton & Hove Albion later that year, he returned to captain Derby, with whom he finished his playing career. He also played for the Wales national team on 39 occasions. He is now a pundit for the BBC and regularly presents 606 on BBC Radio 5 Live on Sunday evenings. He also co-presents Early Kick Off on BT Sport.Club career

Early career
<mask> started his playing career as a trainee striker at Manchester United. He played in the FA Youth Cup winning team of 1992, and was later given a professional contract, but never played a first team game for the club and signed for Crewe Alexandra in 1994. He played up front then switched into midfield and proved himself as a competent young player at Crewe, helping them reach the Division Two playoffs in his first two seasons at the club; a remarkable feat for a newly promoted club who had only played at this level twice in the previous 30 years. Crewe then made it third time lucky by sealing promotion via the playoffs in 1997. It was the first time that Crewe had reached the second tier of the

masks:
Robert William Savage
Savage


texts:
 English football league system, but shortly after helping Crewe win promotion, <mask> handed in a transfer request to manager Dario Gradi. Leicester City
 <mask> was transferred to Premier League side Leicester City managed by Martin O'Neill, for a fee of £400,000, in July 1997. <mask> spent five years at Leicester, where he made his name as a reliable, competitive and fiery midfielder.In 1999, Leicester reached the League Cup final against Tottenham Hotspur. In a controversial incident, <mask> made a poor tackle on Tottenham's Justin Edinburgh who retaliated by swinging his arm out. Contact was minimal, but <mask> fell to the ground. Edinburgh was sent off for raising his arms, and although Tottenham went on to win the final, many Spurs fans still hold a grudge against <mask> for the incident to this day. However, a year later <mask> reached the League Cup final again, this time winning 2–1 against Tranmere Rovers. Birmingham City
When Leicester were relegated from the Premiership at the end of the 2001–02 season he transferred to newly promoted Birmingham City for a fee of £1.25 million, signing a three-year contract. He won the club's Player of the Year award in 2003.At the beginning of January 2005 he submitted a written request for a transfer, allegedly wishing to be nearer his ailing parents in Wrexham. On 19 January he completed a move to Blackburn Rovers for a fee of £3 million,<mask> scored 11 goals in 82 league games for Birmingham. Blackburn Rovers
In his first five months as a Blackburn player, <mask> helped his new club to Premier League safety and reached the FA Cup

masks: Savage Savage Savage Savage Savage Savage Savage Savage Savage


texts: Semi-final, a 3–0 loss to Arsenal in his homeland's Millennium Stadium. In March, <mask> called an end to his international career after new manager John Toshack dropped him for a World Cup 2006 qualifying game against Austria. His feud with Toshack and the Welsh FA continued long into the 2005–06 season as <mask> insisted he retired from international football only because Toshack told him he was not good enough to play for Wales. In 2005–06, <mask> was a regular performer for Blackburn, making 42 appearances and scoring once, against former club Birmingham. The following season, he scored against Salzburg and Wisła Kraków in Rovers' UEFA Cup campaign, but his season was cut short by a broken leg in January, which kept him out for the rest of the season.During the 2007–08 season, <mask> endured further problems with his knee, suffering a knock in the 2–1 win at Spurs after being caught by <mask>. Surgery was required which kept him out of the starting lineup for six weeks. Following the return of Steven Reid to the Rovers starting lineup and some good form by David Dunn, he found it harder to get into the starting XI. <mask> was well liked by the Blackburn fans and was given a standing ovation by a near capacity ground by the Rovers fans when he returned with Derby. It was revealed by then Sunderland manager Roy Keane in his 2014 autobiography, that he had been given permission by Blackburn to sign <mask> during the end of his time at Blackburn; however he was put off by <mask>'s "wazzupp" voicemail, with Keane describing his thoughts after hearing this as "I can't be fucking signing

masks:
Savage
Savage
Savage
Savage
Robbie Keane
Savage
Savage
Savage


texts:
 that". Derby County

On 9 January 2008, <mask> joined Derby County for a fee of £1.5 million on a two-and-a-half-year contract, and later revealed that he had taken a pay cut to join Derby in his search for first-team football and had rejected a move to Sunderland because he felt Derby had wanted him more. As the number 8 shirt, which he had worn at previous clubs, was already allocated to then-captain Matthew Oakley, he took the number 44 shirt because the numbers add up to 8.He was appointed the new Derby captain after Oakley was sold to Leicester, and he skippered the Derby side in his first match, a 1–0 home defeat to Wigan Athletic. Rumours of <mask> leaving Derby came in July 2008 when he missed out on every pre-season match. In August, Leicester City chairman Milan Mandaric declared an interest in <mask>, which was dismissed by Derby. Paul Jewell repeatedly left <mask> out of the team, after Derby's poor start to the 2008–2009 season, and he was replaced as captain by Alan Stubbs. Stubbs was forced to retire shortly into the new season through injury, but <mask> was not considered for the role due to not being in the first team, and the armband went to Paul Connolly. After failing to break back into the first team, <mask> was sent out on loan in October to Brighton for a month to keep match fit. He would later reveal one year later, in a build-up to a match between Leicester and Derby County, that he had tried to secure a loan deal to the Walkers Stadium (Leicester had declared an interest in him months earlier).<mask> even telephoned club ambassador Alan Birchenall and former

masks: Savage Savage Savage Savage Savage Savage Savage


texts: teammate Paul Dickov to put in a good word with manager Nigel Pearson. Pearson, however, "said no", despite Derby offering to pay "90 or 95 per-cent" of <mask>'s wages. Following Jewell's resignation as Derby manager, <mask> found himself brought back into first team contention by new manager Nigel Clough, who made him first choice in central midfield. <mask> scored his first goal for the club in a 2–1 loss to Doncaster Rovers on 27 February 2009. <mask> signed a one-year extension to his Derby contract with the club on 10 August 2009 to take him through to the end of the 2010–11 season. The next day, he was named in the Championship Team of the Week for his performance in the opening day victory over Peterborough United. Later that month, <mask> was renamed as Captain of Derby County, replacing Paul Connolly, who manager Nigel Clough wanted to "concentrate on his own game".In response, <mask> said that: "I did not deserve the captaincy when I first came to the club. I was handed it from the first day and I shouldn't have been. It was too much pressure for me and I had a nightmare. I let it get to me. I think I'm ready for it now. I feel more comfortable with it now." Derby struggled once again during the season, not achieving safety until the 44th fixture, but the season was a personal success for <mask> as he appeared in all but one of Derby's 51 league and cup fixtures during the campaign, the match which he missed being due to suspension, starting 49 of them.He also scored twice; a free kick against Queens Park Rangers in a 4–2 home defeat and a volley at Sheffield United in a 1–1


texts: draw. He also won the club's own Player of the Year award but lost out on the fan's award to Shaun Barker. <mask> again started in the Derby first XI in the 2010–11 season in a new 4–2–3–1 formation around new signing James Bailey, though Derby got off to a poor start winning just one of their opening seven league games, with <mask>'s form making fans question the justification for his place in the team and his status as skipper. He made his 100th appearance for the club in a 2–2 draw against Queens Park Rangers before he was dropped to the bench for a 1–1 draw at Barnsley, the first game he had played no part in for Derby (barring unavailability for selection) since Nigel Clough's arrival as manager in January 2009. <mask> played in goal for Derby on 11 March 2010, when Stephen Bywater was taken off with a back injury against Reading. He let in two goals during his 45 minutes in the Derby goal. On 16 October 2010, <mask> played his 600th career match in a 3–0 victory on Preston North End, scoring an injury-time penalty to seal the win.In January 2011, <mask> revealed that he was considering leaving the club for a move to Vancouver Whitecaps, <mask> stating: "One thing is for sure, I will be leaving Derby County at the end of the season, if not before, even if they offer me a new contract. My time is up here. I've thoroughly enjoyed my time with Derby and I want to walk away with my head held high". One fan responded by telephoning <mask> during an interview on Radio Five Live and telling him to "leave the club now" and "take young Mr. Clough with him". <mask> eventually rejected the

masks: Savage Savage Savage Savage Savage Savage Savage Savage


texts:
 move, stating it was too big a move for his family. On 31 January 2011, <mask> announced that he would be retiring at the end of the season to concentrate on his growing media career. In his last two games, a home loss against Bristol City and an away defeat at Reading, he was met with a round of applause and a standing ovation from both sets of supporters.Stockport Town
On 24 November 2019, <mask> came out of retirement to join Stockport Town of the North West Counties League. He made his league debut for the club the following evening, as an 80th-minute substitute in a 3–2 victory over FC Oswestry Town. That was his only appearance. International career
<mask> played at under-18 and under-21 level for Wales before making his senior international debut in 1995 against Albania while at Crewe. <mask> attained 39 caps, scoring two goals, both in World Cup qualifying against Turkey and Norway, before retiring from international football in September 2005, saying he wished to concentrate on his club career. However, many people believe the reason he quit was due to a spat with Wales manager John Toshack. <mask> did give the explanation that "John Toshack said it was my way or the highway – well I'm on the M56."On 6 March 2006, he appeared on Welsh radio, partaking in a debate with pundit Leighton James over his exclusion from the Welsh squad. Early in his international career he clashed with former Wales manager Bobby Gould when he jokingly threw a replica of Paolo Maldini's shirt into a disposal bin before a match against Italy. <mask> was initially dropped by Gould from the squad only to be

masks: Savage Savage Savage Savage Savage Savage


texts:
 reinstated the next day. Style of play and controversies

<mask>'s style as a midfield player was all-action and energetic, and he regularly collected yellow cards, and for a while held the dubious distinction of being awarded the most yellow cards of any Premiership player in the league's history – 89, although he has now been overtaken by Lee Bowyer, Kevin Davies and Paul Scholes. Fans of Aston Villa, Tottenham, West Ham and Arsenal have accused him of simulation, whether to win a set piece or to get an opponent red carded. During a match against Newcastle United in August 2003, the referee Matt Messias swung his arm out and accidentally hit <mask> in the face as <mask> was running behind him. On 17 January 2010, whilst commentating for BBC Radio 5 Live's coverage of a Premier League match between Aston Villa and West Ham United at Villa Park, a clearance by Villa midfielder Stiliyan Petrov hit <mask> in the face causing some minor bleeding to the nose.<mask> has, however, only been sent off twice in his career: once during an international game for the Welsh national team, and once during a Premier League game for Blackburn. He received his first-ever red card when he was sent off in Wales' World Cup qualification match against Northern Ireland in September 2004 for reacting to a foul on him by midfielder Michael Hughes. Both Hughes and <mask> were sent off, but, on later review, the punishment of <mask> seemed harsh to some. <mask> was ridiculed for threatening to appeal to the European Court of Human Rights over the decision. His once-impressive statistic of never being sent off in a


texts: Premiership match ended on 18 March 2006 when he was dismissed against Middlesbrough for two bookable offences. Both were controversial – the first for a challenge on George Boateng where he appeared to take the ball, and the second for handball when it seemed unintentional. <mask> later admitted that he was probably due a controversial sending off because he had escaped punishment for illegal challenges in the past.One famous example of his eccentric behaviour was while he played for Leicester City. In an incident to become known as "Poogate" he used the referee's toilet before a game, claiming he had an upset stomach due to antibiotics he was on at the time. The Football Association charged him and he was fined £10,000, a decision that he appealed against, but lost. Leicester fined him two weeks' wages for the incident. Whilst playing for Leicester, in the final minute of a league game between rivals Leicester and Derby at Pride Park in 2001, <mask> dived in the penalty area. Leicester were awarded the penalty, which was converted, and meant they won the game 3–2. <mask>'s blatant dive, his hopeful look at the referee and his aggressive fist-pumping celebration in front of the home fans resulted in a torrent of abuse from the fans and in <mask> being chased across the pitch by incensed Derby players, two of whom were booked.Derby fans regularly booed, jeered and abused <mask> whenever he played against them, and when he became a Derby player in January 2008, he was treated with a mixture of hostility and indifference, partly over the incident, and partly over his average form. <mask> is


texts:
 also famous for an incident at Villa Park, while playing for Birmingham City, in a bad-tempered Second City derby in March 2003. After a slide tackle on him by Dion Dublin, a confrontation between the two and several other players occurred before Dublin headbutted <mask>. Dublin was then sent off by referee Mark Halsey as result. Birmingham would go on to win the derby 0–2. When being interviewed by BBC Radio Derby's Colin Gibson in January 2010, <mask> reacted furiously to rumours he heard that the Derby players think the club's backroom staff are not up to the job. These rumours were brought up during a phone-in on Gibson's show on the station the preceding weekend, following the Rams' 4–1 defeat at home to Scunthorpe United on 9 January.Broadcasting career
<mask> occasionally acted as a pundit during his club career, and started working in the media more regularly in the 2009–10 season. He worked in a number of different punditry roles during the 2010 FIFA World Cup before joining the presenting team for BBC Radio 5 Live's 6-0-6 show. In September 2010, <mask> signed up as official sporting ambassador for bookmakers William Hill. In May 2011 he was awarded the Sony Radio Academy Rising Star Award, as well as winning an award from the Plain English Campaign. Between 2009–2013, <mask> was a pundit on ESPN, and has since moved to BT Sport. Since retiring from football in May 2011, <mask> has attempted to become a more prominent broadcasting figure beyond punditry. From September 2011 <mask> took part in the 2011 series of Strictly Come Dancing, partnering Ola Jordan.The show broadcast on


texts:
 22 October saw <mask> perform a dramatic knee-slide towards the camera, which resulted in a broken nose. <mask> and Jordan were eliminated from the competition in the quarterfinal on 4 December 2011, placing sixth. In October 2012, along with 463 other players, <mask> took part in BBC Radio 5 Live's attempt to set a new Guinness World Record for the 'most players in a continuous 5 a side exhibition match'. This was for BBC Children in Need along with comedian Lloyd Langford and BBC Radio 5 Live travel reporter Lindsey Chapman. Along with Ex-England cricketer Andrew Flintoff, <mask> is part of a BBC Radio 5 Live podcast called Flintoff, <mask> & The Ping Pong Guy, hosted by former table tennis player Matthew Syed, which discussed current sporting topics. Club management
<mask>'s involvement with Stockport Town led to him becoming involved with the creation of phoenix club Macclesfield F.C. in October 2020.Stockport owner Robert Smethurst appointed <mask> as a member of the board (later director of football) with Danny Whitaker as manager. On 30 August Macclesfield defeated local rivals Congleton Town 1-0 in the  NWCFL Premier Division; the match was suspended for several minutes late in the second half due to crowd trouble, during which <mask> intervened to break up fighting. Career statistics

Club

These statistics do not include 9 games and 1 goal scored in other competitions with Crewe (8 games, 1 goal) and Brighton and Hove Albion (1 game). International

International goals
Scores and results list Wales's goal tally first. |-
| 1. || 20 August 1997 || Ali Sami Yen Stadium, Istanbul,


texts:
 Turkey ||  || 2–2 || 4–6 ||  1998 FIFA World Cup qualification ||
|-
| 2. || 5 September 2001 || Ullevaal Stadion, Oslo, Norway ||  || 1–0 || 2–3 || 2002 FIFA World Cup qualification ||
|-
|}

Football honours
Manchester United
FA Youth Cup: 1991–92

Leicester City
League Cup: 1999–2000
League Cup runner-up: 1998–99

Honours

Scholastic

 Chancellor, visitor, governor, rector and fellowships

Personal life
<mask> was born in Wrexham on 18 October 1974, to Colin and <mask>.He attended Ysgol Bryn Alyn in Gwersyllt, until he completed his GCSE studies in July 1991. On leaving school, <mask> joined Manchester United as an apprentice. <mask> and his wife Sarah have two sons. In 2012 one of his sons, Charlie, was attached to Manchester United's youth academy and in April 2021 he signed his first professional contract with the club. On 8 December 2021, <mask> provided commentary for BT Sport in the match where his son Charlie made his senior Manchester United debut in the UEFA Champions League, coming on as a late substitute in a 1-1 draw against Young Boys. <mask>'s father was diagnosed with Pick's disease, a dementia-type illness, when he was in his mid-50s, and died in 2012. <mask> is an ambassador for the dementia care and research charity, the Alzheimer's Society.<mask> had said in the future he would have liked to finish his career at home town club Wrexham before going on to manage them. He also said that the greatest regret of his football career was not signing for Everton when he had the chance in 2005. <mask> published an autobiography in 2011, Savage!, written with Janine Self, and

masks:
Savage
Valerie Savage
Savage
Savage
Savage
Robbie Savage
Savage
Savage
Savage


texts:
 in 2015 published I'll Tell You What..., a book of memoir and punditry. In October 2014, <mask> was awarded an honorary fellowship at Wrexham's Glyndŵr University for services to sport. References

External links

606

1974 births
Living people
Footballers from Wrexham
Welsh footballers
Association football midfielders
Manchester United F.C. players
Crewe Alexandra F.C. players
Leicester City F.C.players
Birmingham City F.C. players
Blackburn Rovers F.C. players
Derby County F.C. players
Brighton & Hove Albion F.C. players
Stockport Town F.C. players
Premier League players
English Football League players
Outfield association footballers who played in goal
Wales under-21 international footballers
Wales international footballers
British association football commentators
Welsh autobiographers
Welsh


texts:
<mask>'Halloran (born 17 May 1991) is an Irish hurler and Gaelic footballer who plays for Waterford Championship club Clashmore-Kinsalebeg. He played for the Waterford senior hurling team for 10 seasons, during which time he usually lined out as a right corner-forward. O'Halloran began his career at club level with Clashmore-Kinsalebeg. He had already broken onto the club's top adult team when he captained Clashmore to the Waterford Minor Championship title in 2009. O'Halloran enjoyed his greatest success the following year when the club won the Waterford Intermediate Championship and promotion to the top flight of Waterford football. He also lined out with Mary Immaculate College in the Fitzgibbon Cup. At inter-county level, O'Halloran was part of the successful Waterford minor team that won the Munster Championship in 2009 before later lining out with the under-21 team in 2012.He joined the Waterford senior team in 2010. A series of hamstring and ankle ligament injuries stunted his progression, however, he made a combined total of 47 National League and Championship appearances in a career that ended with his last game in 2019. During that time O'Halloran was part of Waterford's Munster Championship-winning team in 2010. He also secured a National Hurling League medal in 2015 and was an All-Ireland Championship runner-up in 2017. O'Halloran announced his retirement from inter-county hurling on 10 June 2019. Playing career

Mary Immaculate College

On 2 March 2013, O'Halloran was at right wing-forward when Mary Immaculate College qualified for their first ever Fitzgibbon Cup final. University College


texts:
 Cork ended the game as champions following a 2-17 to 2-12 victory.Clashmore-Kinsalebeg

O'Halloran joined the Clashmore-Kinsalebeg club at a young age and played in all grades at juvenile and underage levels. On 20 May 2009, he captained the team and scored 1-04 from centre-forward when Clashmore defeated Ballinacourty by 1-07 to 1-06 to win the Waterford Minor Football Championship. On 31 October 2010, O'Halloran lined out in the forwards when the Clashmore intermediate football team faced John Mitchels in the final of the Waterford Intermediate Championship. He ended the game with a winners' medal following a 1-13 to 1-07 victory. On 30 September 2018, O'Halloran captained Clashmore when they qualified for the Western Intermediate Hurling Championship final. A 4-15 to 3-15 defeat of Ballysaggart secured a first ever title for the club. Waterford

Minor and under-21

O'Halloran first lined out for Waterford as a member of the minor team during the 2008 Munster Championship.He made his first appearance on 25 June when he scored 0-02 from left wing-forward in a 4-13 to 1-06 defeat by Cork. O'Halloran was also eligible for the minor grade in 2009. He was at centre-forward when Waterford qualified for a Munster final-meeting with Tipperary on 12 July. O'Halloran scored a point from play and collected a Munster Championship medal following the 0-18 to 1-13 victory. On 19 July 2012, O'Halloran made his only appearance for the Waterford under-21 team. He scored a point from right wing-forward in a 2-22 to 0-09 defeat by Clare in the Munster Championship. Senior

O'Halloran joined the Waterford senior team


texts: for the 2010 Munster Championship having just completed his Leaving Certificate.On 11 July, he was an unused substitute when Waterford drew 2-15 apiece with Cork in the Munster final. O'Halloran also started the replay on the bench but was introduced as a 49th-minute substitute for Séamus Prendergast. He scored a point from play and collected a Munster Championship medal following the 1-16 to 1-13 victory. On 5 February 2011, O'Halloran lined out at centre-forward when Waterford defeated Cork by 0-21 to 0-16 to win the pre-season Waterford Crystal Cup. In March 2011, he tore his hamstring tendon and was ruled out for the rest of the season. After returning to the panel in 2012, O'Halloran tore ligaments in his ankle and missed the entire season for a second successive year. O'Halloran said: "I suppose I would have had the name of being injury prone but it was actually only two major injuries and they took it out of the body.It was hard to get back on the wagon after them." On 3 May 2015, O'Halloran was named at right corner-forward but started the game on the bench when Waterford faced Cork in the National League final. He scored a point from play after being introduced as a 58th-minute substitute for Colin Dunford and collected a winners' medal following the 1-24 to 0-17 victory. On 12 July 2015, O'Halloran was an unused substitute when Waterford were beaten for the fourth time in six seasons by Tipperary in the 2015 Munster final. On 1 May 2016, O'Halloran was introduced as a 63rd-minute substitute for Austin Gleeson when Waterford drew 0-22 apiece with Clare in the National League final. He also


texts:
 started the replay on the bench but once again scored a point after being introduced as a substitute in the replay, which Waterford lost by 1-23 to 2-19. On 10 July, O'Halloran came on as a substitute for Pauric Mahony in the 60th minute of the Munster final, with Waterford eventually losing by 5-19 to 0-13.On 3 September 2017, O'Halloran was named on the bench when Waterford faced Galway in the All-Ireland final. He came on as a 48th-minute substitute for Jake Dillon at left wing-forward and scored a point from play in the 0-26 to 2-17 defeat. O'Halloran played his last game for Waterford on 8 June 2019 in a 2-30 to 2-17 defeat by Cork in the Munster Championship. He announced his retirement from inter-county hurling two days later. Career statistics

Honours

Clasjmore-Kinsalebeg
Waterford Intermediate Football Championship (1): 2010
Waterford Minor Football Championship (1): 2009 (c)

Waterford
Munster Senior Hurling Championship (1): 2010
National Hurling League (1): 2015
Waterford Crystal Cup (1): 2011
Munster Minor Hurling Championship (1): 2009

References

1991 births
Living people
Waterford inter-county hurlers
Clashmore-Kinsalebeg hurlers
Clashmore-Kinsalebeg Gaelic footballers
Dual


texts:
<mask>  (May 4, 1890 – October 24, 1945) was a Canadian artist and member of the Group of Seven. Though he was primarily famous for his use of watercolours, he also used oil paints, charcoal and other media to capture the Ontario landscapes of which he was fond. Besides his work as a painter, he worked as a designer and illustrator, creating promotional brochures, advertisements in newspapers and magazines, and designing books. Near the end of his life, <mask> taught in the Graphic Design and Commercial Art Department at the Ontario College of Art (today the Ontario College of Art & Design University). The youngest original member of the Group of Seven, <mask> often found himself socially on the outside of the group. Despite this, the art he produced was of equal measure in terms of style and approach to the other members' contributions, vividly expressing his spiritual views through his art. The next youngest member was A. J. Casson with whom he was friendly.Biography

Early years
<mask> was born in 1890 in Orillia, Ontario, the son of David Graham and Susannah Eleanor (Smith) <mask>. Because his artistic talents were already apparent at a very young age, his mother enrolled him in both music and art lessons. As a teenager, <mask> worked in his father's carriage making shop as a striper. In decorating the carriages he practiced his design, drawing, and colouring skills. Emerging artist (1910–1920)
In 1910, at the age of twenty, <mask> arrived in Toronto and entered the Ontario College of Art, where he studied under William Cruickshank and George Reid. Among his fellow students was Gustav Hahn. By 1911, he began working as an apprentice at Grip Ltd. making $2.50 a week.Late in the year, Lawren Harris and J. E. H. MacDonald began sketching together, soon to be joined by <mask> and his coworkers at Grip, including Arthur Lismer, Tom Thomson and Frank Johnston. By 1913, the excursions also included Frederick Varley and A.Y. Jackson. <mask> moved to Antwerp, Belgium in 1913 to study

masks:
Franklin Carmichael
Carmichael
Carmichael
Franklin Carmichael
Carmichael
Carmichael
Carmichael
Carmichael
Carmichael


texts:
 painting at Académie Royale des Beaux-Arts. Due to the outbreak of World War I, he cut his studies short and returned to his native Ontario in September 1914, rejoining Thomson, Macdonald, Lismer, Varley and Johnston. Staying in Toronto during the war, they struggled in the depressed wartime economy. During the fall of 1914, he moved into the Studio Building and shared a space with Thomson over the winter.<mask> and the members of the group were frustrated by their initial attempts to capture the untouched "savage" land of Canada, with the particular characteristics of the land difficult to represent in the European tradition. Jackson would write that, "after painting in Europe where everything was mellowed by time and human associations, I found it a problem to paint a country in outward appearance pretty much as it had been when Champlain passed through its thousands of rock islands three hundred years before." It would be only after the group discovered the paintings of Scandinavian landscapes that they would begin to move in a coherent direction. According to MacDonald, the Scandinavian painters  "seemed to be a lot of men not trying to express themselves so much as trying to express something that took hold of themselves. The painters began with nature rather than with art." Thomson invited <mask> on a sketching trip to Algonquin Park in the fall of 1915. <mask> could not go because of his September 15 marriage to Ada Lillian Went.Group of Seven (1920–1932)

In April 1920, the Group of Seven was established by Jackson, Harris, MacDonald, Lismer, Varley, Johnston and <mask>. The group held its first exhibition at the Art Gallery of Ontario in Toronto from May 7 to 27, 1920. In 1922, <mask> joined the Sampson-Matthews firm, a printmaking business. He likely worked as head designer under the art directorship of J.E. Sampson. In 1925, <mask>, Harris and Jackson ventured to the northern shore of Lake Superior. On the trip, <mask> opted to use watercolour rather than his usual oil

masks: Carmichael Carmichael Carmichael Carmichael Carmichael Carmichael Carmichael


texts:
 paints.He used watercolour consistently from this point onward, painting some of his most famous works with the medium. After this initial experience, he would return several more times to the lake, including in 1926 and 1928. This area on Lake Superior as well as the Northern shore of Lake Huron in the La Cloche mountains would be consistent themes in his work. According to writer Peter Mellen, the considerably young <mask> and A. J. Casson "always remained slightly on the fringes of the Group" due to the age gap between them and the other members. <mask>, Casson and F. H. Brigden would eventually go on to found the Canadian Society of Painters in Water Colour (in French: La Société Canadienne de Peintres en Aquarelle), founded in 1925

Theosophy and spiritual influences
The entire group–but <mask> in particular–strove to give visual form to spiritual value, with some members drawing on theosophy (an offshoot of transcendentalism) and the spiritualist founder of the Theosophical Society, Helena Blavatsky. Theosophy was "predicated on the centrality of intuition as an inclusive but not exclusive tool, and on an individual, emotive approach to divinity. This divinity was immanent, indwelling, permanently pervading the universe."According to the doctrine of theosophy, a northern "spiritual, cultural, and aesthetic renaissance" was to take place in North America, with Canada playing a particularly special role because of its location. The northern emphasis provided by Theosophy appealed to the "land-based nationalism" of the Group of Seven, expressed particularly by <mask>, Lismer and MacDonald. In 1926, Harris published an article, "Revelation of Art in Canada," that appeared in the Canadian Theosophist. In it, Harris wrote,

Harris further elaborated in another article:

The Group's views were not restricted to theosophy, however, but were also influenced by the European Symbolists, Irish nationalist George Russell (Æ) and transcendentalists like Henry David Thoreau and Ralph Waldo

masks: Carmichael Carmichael Carmichael Carmichael


texts:
 Emerson. Move from commercial art to teaching (1932–1945)
By 1932, he left commercial art and taught as the head of the Graphic Design and Commercial Art Department the Ontario College of Art until his death in 1945. Following the Group of Seven's disbandment in 1933, <mask> helped to found the Canadian Group of Painters, which several members of the Group of Seven would later join. After the split, the artistic strength of the other Group of Seven members seemed to diminish, though <mask> has been noted (along with Harris) as persisting in his strength.His fondness for the La Cloche Mountains of Ontario led him to build a log cabin on Grace Lake in 1934–35. <mask> died suddenly of a heart attack while returning home from the Ontario College of Art on October 24, 1945. He is buried at St. Andrew's and St. James Cemetery in Orillia, Ontario. Style and works

<mask>'s artistic breakthrough came after his return to Canada in 1914, once he took up residence with Thomson in the Studio Building. In the winter of that year, he recorded outdoor sketches and produced one of his first major works, A Muskoka Road. The scene depicted in the painting is that of a snowy road, illustrating his broad handling and bold brushwork. Art historian Joan Murray wrote that "Thomson's way of painting strongly influenced <mask>."The influence of Thomson can be seen in <mask>'s initial attempts at capturing clouds and snow; his early efforts show he did not yet understand structure and colour on the same level as Thomson. <mask> eventually came to favour landscape art, and many of his pieces display an effort to achieve rich colour and design. Besides a few studies in his notes, he produced only a single portrait in oil on canvas in his entire career: Woman in Black Hat, a rendering of an unidentified subject from 1939. Art historian David Silcox praised the painting, writing that it "makes one wish that [<mask>] had tackled more." <mask>'s final painting, Gambit No. 1, was painted in 1945 and was his only

masks: Carmichael Carmichael Carmichael Carmichael Carmichael Carmichael Carmichael Carmichael Carmichael


texts:
 abstract piece. It was his first major canvas since 1942.Art historian Joyce Zemans thought the painting indicated <mask> was moving in a new direction, though given the timing of the work at the end of his life it is difficult to know whether he would have continued. Montreal artist Kristine Moran wrote favourably of the painting, understanding "<mask>'s desire to push out from under the constraints of the Post-Impressionist landscape style for which the Group of Seven was so well known." Joan Murray was less enthused with the work, writing, "Abstraction was not <mask>'s game and this painting, so influenced by [Lawren] Harris, is not good." Landscape
Famous for his watercolours, <mask> was a passionate landscape painter. Many of his paintings depict the trees, rocks, hills, and mountains of Ontario. His earlier works had flat juxtapositions of colour, but as he matured through the 1920s he emphasized depth and three dimensional space. Early works like the 1920 painting Autumn Hillside display pictorial motifs that became common to his later work.For example, he utilizes effects of distant weather and a partially shadowed foreground. <mask>'s developing maturity is seen in perhaps his most famous work, The Upper Ottawa, Near Mattawa. The painting shows an understanding of the distinct, massive geometric surfaces of rocks, and is also presented from a viewpoint that would come to characterize much of his later work, utilizing height to emphasize time and weather. Beyond simple representation of picturesque views, <mask> attempted to capture contrast. This is seen in his early work Autumn Foliage Against Grey Rock which compares the rocky landscape to a bright autumnal tree along with a pink and green sky. After <mask>'s ventures to Lake Superior in the mid-to-late 1920s, Bertram Brooker and other friends recognized the spiritual dimensions of his work. Besides his interest theosophy, he also studied transcendentalism, owning a copy of Ralph Waldo Emerson's Essays and Other Writings,


texts:
 amongst many other books.During this time, he made significant changes in style through bolder use of colour and an overall simplification in approach. This is evident in his 1930 watercolour, Snow Flurries: North Shore of Lake Superior, a painting Joan Murray describes as "an almost breathtaking achievement." The work which contrasts the dark blue-green simplified hills against the clouds above. Further comparison has been drawn between this painting and Harris' work from Lake Superior. Similarly, in the 1931 oil painting Bay of Islands From Mt. Burke, he illuminates the foreground with a burst of light. From this light, patches of green, brown, gold and orange indicate the areas of the hill where vegetation lay.From 1924 on, <mask> painted the La Cloche Mountains, located in northern Ontario, above Lake Huron, and he expressed his admiration for the "humped contours," white quartzite rock and long stretches of water. This is seen in Lake Wabagishik, the first area he painted in the mountains in which there is no evidence of previous human presence. The painting itself depicts a storm, with rain falling on the distant hills and the wind blowing both the water and trees. In 1934, he built a log cabin on Grace Lake and then could paint the area at all times of day but storms and other weather phenomena remained a favorite subject of his work. One such example is Snow Clouds from 1938, which communicates a tension between the land and the snow storm approaching from the distance. Industry and the environment

By the 1930s, <mask>'s work explored themes of industry in northern Ontario, particularly the mining regions. His first depiction of an industrial building is Old Lime Kilns, Rockwood, a sketch made on a 1927 trip with Casson to Rockwood, Ontario.The 1928 canvas, The Nickel Belt, depicts smoke billowing away into the clouds and a barren rocky foreground. The work juxtaposes bare nature with the ugly environmental effects caused by industry, depicting the wilderness present in his

masks: Carmichael Carmichael


texts:
 earlier canvases, but also "the billowing extrusion of smoke waste." Art historian Rosemary Donegan writes of the work, "The dramatic beauty of the burnt blue-green rolling hills, seen from a bird's-eye perspective, is subverted by the distant smoke plumes and smelter stacks, which raise questions about the effect of ore smelting on the local landscape." Donegan further compares the work to A.Y. Jackson's 1932 depiction of the Falconbridge smelter near Sudbury, Smoke Fantasy, though she found <mask> better imbued his painting with power and meaning than Jackson did his. Jackson took his government lobbying efforts further however, pleading in a letter to the minister of Lands and Forests William Finlayson to preserve what became Killarney Provincial Park and Trout Lake. The latter was renamed O.S.A.Lake in honour of the Ontario Society of Artists. The 1930 canvas A Northern Silver Mine is a composite of several sketches and watercolours following an August 1930 trip to the mining town of Cobalt, Ontario. This painting depicts the relationship of industrial town and nature, where "[t]he houses and mines seem scattered and fragile against the agitated convolutions of the hills." The mine in the foreground and polluted river "[illustrate] the bleakness of the land around the smelters and mines during the 1930s." Design, printmaking and illustration

Like the other members of the Group, <mask> drew constantly in pencil and ink. He also produced many etchings, linocuts and wood engravings over his lifetime, and was an expert at woodblock and linoleum prints, having become familiar with printing methods from his work in commercial art. In commercial art, the other members of the Group of Seven typically restricted themselves to illustration work; <mask>, however, took an active role in book design.In one case, he produced the wood engravings, selected the paper, directed the typography and did the complete design for Grace Campbell's 1942 book, Thorn-Apple Tree. He worked on book

masks: Carmichael Carmichael Carmichael


texts:
 illustrations for Canadian publishers from 1942 until the end of his life. While working at Sampson-Matthews in the 1920s, his other illustration work saw him designing promotional brochures as well as advertisements for newspapers and magazines. As was typical for the time, his design style was flat and simplified. He also produced illustrations for magazines, including the cover of a 1928 issue of Maclean's magazine. In <mask>'s early design career, he found the need to avoid meaningless ornamentation, writing

Legacy
Contemporary Emily Carr wrote that <mask>'s work was, "A little pretty and too soft, but pleasant." <mask> was a member of the Royal Canadian Academy of Arts.In 1952, Dr. Ann Curtin and <mask>'s widow founded the Franklin Carmichael Art Group, now located at 34 Riverdale Drive in Toronto. In 1990, <mask>'s granddaughter, Catharine Mastin, and curator Megan Bice held an exhibition of <mask>'s work at the McMichael Canadian Art Collection. In a review of the exhibition, Joan Murray was disappointed in the organizers focus on <mask>'s oil works, which she saw as "overworked and overfinished", rather than his "sublime" watercolours. Catharine Mastin has since curated the Glenbow Art Gallery in Calgary and directed the Art Gallery of Windsor and written about her grandfather's art. The 1929 watercolour Lone Lake was considered to be the highlight of a major sale of Canadian art in May 2012 at Joyner Waddington's spring art auction in Toronto, ON, selling for CAD$330,400. The subject of the painting is a small lake called Carmichael Lake in the La Cloche Mountains of Killarney Provincial Park near Sudbury, Ontario. Selected paintings

References

Footnotes

Citations

Sources

Further reading

20th-century Canadian painters
Canadian male painters
Canadian landscape painters
Artists from Ontario
People from Orillia
1890 births
1945 deaths
OCAD University alumni
Members of the Royal Canadian Academy of Arts
OCAD University faculty
Royal Academy of Fine


texts:
<mask>, also known as <mask>, and <mask>re, is a Canadian film score composer, singer-songwriter, guitarist, and record producer. He is the founder and creative director of Big Planet Music, Inc., a Los Angeles-based music house that scores music for television, film and advertising. He is best known for his versatility as a composer and his use of open tunings and percussive guitar playing. Biography

<mask> was a choirboy in his hometown of Toronto. He spent his preteen years at St Michael's College in Worcestershire, England on a singing scholarship, training in classical music, performing two services a day as head chorister, and learning the rudiments of piano and cello. Tired of singing Anglican Church music, <mask> faked his voice change at 14 and returned to Toronto. He picked up the guitar in his late teens under the metal influences of Black Sabbath and Led Zeppelin and the Tele-kinetics of Roy Buchanan.The early records of Canadian singer-songwriter Bruce Cockburn turned him on to open-tuned solo guitar music, leading him to Michael Hedges, Leo Kottke, and eventually the '80s soundscapes of Johnny Marr, Adrian Belew, and Andy Summers. After high school, <mask> moved to Boulder, Colorado to study music at Naropa University. His studies included composition with Ralph Towner, African rhythm with Kobla Ladzekpo, world music and bebop with Bill Douglas, music concrete and the electronic studio with Steve Tibbetts, and blues and jazz improvisation with Robben Ford. <mask> stayed in Colorado long enough to be voted Denver's "Best Solo Performer" in 1987  and to share the stage with Bobby McFerrin, Suzanne Vega, Al Di Meola, Big Head Todd

masks:
Billy White Acre
Bill White Acre
Bill Whiteac
Billy White Acre
Billy
White Acre
White Acre


texts: & The Monsters, The Washington Squares, and one of his first guitar heroes, Roy Buchanan. He also made friends with Naropa teacher and howling poet, Allen Ginsberg and accompanied the Beat poet in a mixed media performance at Naropa in 1983. The experience led <mask> to write and record Automatic Forest on the occasion of Ginsberg's death in 1997. After cutting two albums, the Windham Hill styled "Atlantis Ripples" and the folk-funk "9 Songs," in the recording studio he built, <mask> left the Rocky Mountains and landed in Los Angeles in the late summer of 1988.Not long afterwards he won the '89 Southern California Guitarist of the Year contest sponsored by BAM, KLSX Radio and West LA Music. In 1990, the earliest incarnation of <mask>cre's acoustic pop vision, Big Planet, won the Don Kirshner Tanqueray Rocks Talent Contest, a national competition culminating in a battle of the bands at the Ritz Carlton in New York City in October 1990. A personnel change in Big Planet in '91 brought <mask> together with Holly Montgomery (bass, vocals), and Suzanne Morrisette (drums, vocals) — an energetic acoustic act rich with vocal harmonies that <mask> dubbed "heavy wood." The trio won the National Academy of Songwriters Best Acoustic Band of 1991. Their first and only release, "Big Planet," was produced by Rod Stewart helmsman Jim Cregan, and engineered and mixed by Gustavo Borner. In 1993, Big Planet's rock song, "Push the Boundaries," was featured in the heavily played national radio commercial for the Chevy Camaro which gave <mask>cre the resources to finance his first ADAT digital studio. He immersed himself in learning recording techniques and began

masks:
White Acre
White Acre
White A
Billy
Billy
White A


texts: producing a dozen or more local artists along with his own projects.One of these side projects was a collaboration with rock poet Dan Bern—a grungy blend of rock, folk and rap that was anything but commercial and which they irrevently called SPEW! In June 1994, Billboard and a blue ribbon panel of judges that included Quincy Jones, Dweezil Zappa, David Benoit, and David Foster awarded <mask>'s song, 13th Generation first prize in the rock category. The same month, <mask> was featured in Guitar Player'''s cover story, "Youth Quake! 10 Trailblazers Who Can Change the Way You Play." James Rotondi wrote, "<mask> is distinguished as much by his top-notch songwriting and singing as his outrageous six-string technique." In 1996, <mask> signed with New York-based Touchwood Records and recorded Billy's Not Bitter with the assistance of producer/engineer Joe Chiccarelli and engineers Robert Carranza and Christopher J. Roberts. Bassist Justin Meldal-Johnsen and drummer/vocalist Tom Diekmeier formed the core of the band.<mask>'s Not Bitter garnered yet another prize for <mask> at the Los Angeles Music Awards for Best Independent Album of 1997. The album received high marks and praise from critics who compared the effort to Sonic Youth and Weezer, but it failed to catch on with a large audience. In the late 1990s, after scoring a few more TV commercials, <mask> segued from performing to composing for film & TV earning a BMI fellowship in the 2002 Sundance Institute Composers Lab. In 2005, he founded Big Planet Music, Inc., a custom music house and library for television, film, and advertising. Some of <mask>'s Acre film credits include "Zombie Strippers"

masks:
White Acre
White Acre
White Acre
White Acre
Billy
White Acre
White Acre
White


texts:
 (Sony Pictures), "Love & Sex" (Lions Gate), and "Cookers," (Pacesetter Productions), for which he earned the Best Film Score award at the Milan Int'l Film Festival in 2001. His television credits include shows scored for Discovery, National Geographic, and The History Channel. After a long absence, <mask> has begun performing and record producing again.He produced Adios, his second album for Josh Canova, in 2009. In March 2011, <mask> produced the debut pop song, Legendary for Mr. Downstairs, a band composed of Dani Artaud and <mask>'s daughter, Asia. Discography

Film scores
 Zombie Strippers Cookers Love & Sex Backyard Dogs Beyond The City LimitsTV scores
 Treasure Quest Pawn Stars Access Hollywood NOVA (TV Series)Albums
 Atlantis Ripples (1986)
 Nine Songs (1987)
 Big Planet (1991)
 Raw Things (1993)
 <mask>'s Not Bitter (1996)
 Olympic Swimmer (1998)
 Polywog (1998)
 Love & Destruction (1999)
 Zombie Strippers (2008)
 The Shot Felt 'Round The World (2010)
 The Apple'' (2011)

References

External links
 <mask> Acre's site includes music samples and videos
 Big Planet Music

Year of birth missing (living people)
Living people
Canadian film score composers
Male film score composers
Canadian record producers
Musicians from

masks:
White Acre
White Acre
White Acre
Billy
Billy White


texts:
<mask> (c. 1544 – 1617) was an Italian thinker, priest, poet, and diplomat, author of  Della ragion di Stato (The Reason of State), in ten chapters, printed in Venice in 1589, and of Universal Relations, (Rome, 1591), addressing the world geography and ethnography. With his emphasis that the wealth of cities was caused by adding value to raw materials, <mask> may be considered the ancestor of both Mercantilism and Cameralism. Early life
Born around 1544 in Bene Vagienna, in the northern Italian principality of Piedmont, <mask> was sent to the Jesuit college in Palermo at the age of 15. A year later, he moved to the Roman College, he was introduced to the teaching of some of the most influential Catholic thinkers of the sixteenth century, including Juan Mariana, who, in his On the King and the Education of the King, would argue for the popular overthrow of tyrannical rulers

In 1565, <mask> was sent to teach philosophy and rhetoric at the Jesuit colleges in France, first in Billom, and then in Paris. The second half of the sixteenth century saw the kingdom dramatically, and often violently divided by the French Wars of Religion. Paris especially was heating up during <mask>'s stay there from 1567 to 1569, and he was recalled to Italy after getting too caught up in the excitement, apparently for his involvement in an anti-Spanish protest. <mask> spent the 1570s drifting from one Jesuit college to another, Milan, Padua, Genoa, and then back in Milan.After a doctrinally incorrect sermon he gave questioning the Pope's

masks:
Giovanni Botero
Botero
Botero
Botero
Botero
Botero


texts:
 temporal power, he was discharged from the Jesuit order in 1580. Secretary and diplomat
<mask>'s life took a major turn at this time, when he was commissioned by Bishop Carlo Borromeo of Milan as a personal assistant. Borromeo introduced <mask> to the practical side of Church administration, often socializing with the nobility of northern Italy, most notably Charles Emmanuel I, Duke of Savoy. When the Bishop died in 1584, <mask> continued his service to the family as assistant to Carlo Borromeo's nephew, Federico. Before his work with Federico began, however, <mask> took part in a diplomatic mission to France on behalf of Charles Emmanuel. For most of 1585, <mask> was in Paris, discussing affairs of the day, and perhaps overhearing the conspiratorial debate on whether the pope would grant license for the French Duke of Guise, assisted by the Duke of Savoy and Philip II of Spain, to kill the French King, so they could then launch a massive offensive against the French and Swiss Calvinists. The license was never granted, and the offensive was postponed and made more modest, but this conspiracy tells of what kind of political debate was being had, and just what kind of trouble there was in 1580s France.Works and thought

By the late 1580s, <mask> had already published a few works, most notably an epic-style poem dedicated to Henry III of France in 1573 and a Latin commentary on Hebrew Scriptures titled On Kingly Wisdom in 1583, but his most important works were yet to come. In 1588, <mask> first published his Delle cause

masks: Botero Botero Botero Botero Botero Botero Botero


texts: della grandezza delle città (On the Causes of the Greatness of Cities). Foreshadowing the work of Thomas Malthus, here <mask> outlines the generative and nutritive virtues of a city, the former being the rate of human reproduction, and the latter being the ability of the products of the city and its countryside to maintain the people. Cities grow when their nutritive virtue is greater than the generative, but at the inevitable point when these virtues are inverted, the city begins to die. In 1589, <mask> completed his most famous work, Della ragion di Stato (The Reason of State). In this work, <mask> argues that a prince's power must be based on some form of consent of his subjects, and princes must make every effort to win the people's affection and admiration. This differed from Machiavelli's philosophy in that it is not sufficient to seem like a just prince, for one's true nature will always shine through; one must actually be a just prince by the advice <mask> lays out.<mask>'s idea of justness came from his exposure to Thomist thought and natural law circulating the Jesuit college system, which had been greatly influenced by the work of Dominican theologians Francisco de Vitoria and Domingo de Soto of the School of Salamanca. Thomas Aquinas had argued that God infused each individual with certain natural rights, and by the use of reason, human beings could come together to create just societies. Politically, Aquinas imagined that the people would decide on a suitable king, and invest him with certain powers to

masks: Botero Botero Botero Botero Botero


texts: protect them and allow their prosperity. If the king turned tyrant, Aquinas argued, the people were within their natural rights to depose him. This was in direct opposition to the ideas on the God-given absolute sovereignty of kings that were being proffered by Protestant theologians in the early sixteenth century, and by political thinkers like the French jurist Jean Bodin at the end of the century. Indeed, Jean Bodin's influential Six Books of the Republic was an important influence on <mask>'s writing of the Reason of State, even if, as with Machiavelli's Prince, much of that influence was negative. While <mask> disagrees with Bodin's thought on sovereignty, preferring something more popularly based, he does agree with some of Bodin's economic ideas.Nonetheless, <mask>'s overall conception of political economy is again more 'liberal' than that of Bodin, who argued for active participation by kings in the economy of the country, including mercantilist policies that would be enacted wholeheartedly in early modern France by Louis XIV and Colbert. Bodin cautioned kings only against trading with their own subjects; all other economic activity was allowed. <mask>, on the other hand, argued that there were only three cases where the prince could take part in trade: 1) if no private citizen could afford it, 2) if a single private citizen would grow too powerful by the profits of it, or 3) there were some shortfall in supply whereby the prince would have to aid in the distribution of goods. Ultimately, <mask> argued that


texts:
 economic activity was unbecoming a prince, and that the people were to be the prime economic mover in the state. Later works, life, and influence
Through the 1590s, <mask> continued in the employ of Federico Borromeo, who would become Archbishop of Milan in 1595. <mask> mixed in the high society of Rome and Milan in these years, and published another work for which he was to become quite well known, the Relazioni Universali. Released in four volumes between 1591 and 1598 (a fifth volume was finally published in the late nineteenth century), the 'relations' of the title referred to those of the 'universal' (Catholic) church in various parts of the world, a treatise on "The Strength of all the Powers of Europe and Asia", and even includes the Americas.The work marks the beginning of demographic studies. Finishing his employment with Federico Borromeo in 1599, <mask> returned to the House of Savoy, to be tutor to three sons of Charles Emmanuel. He would tour Spain with his three charges from 1603 to 1607, no doubt associating with the closest of Philip III's advisors, from whom his ideas would be passed on to Philip IV's most trusted policy-maker, the Count-Duke of Olivares. Here is where <mask>'s work began to have an influence. Olivares seems to have used <mask>'s Reason of State to outline the strategy for preserving the Spanish Empire in his famous Memorial on the Union of Arms. There is also evidence that Duke Maximilian of Bavaria, one of the staunchest political supporters of Catholic reform and a leading figure of


texts:
 the Thirty Years' War, had discussed the Reason of State with his advisors. Thus, <mask>'s thought was able to shape at least some of the policy among the European states of the very troubled seventeenth century.<mask>'s work would also influence the next generation of political and economic thinkers. Thomas Mun's liberal mercantilist treatise England's Treasure by Foreign Trade, written in 1624, but not published until 1664, owes something to the Reason of State, and there is evidence that the great Belgian thinker Justus Lipsius read the Reason of State. <mask> died in Turin in 1617. See also
 <mask> (surname). Italian surname. Citations

References
 Aquinas, St. Thomas, On Law, Morality, and Ethics. Edited, with an introduction by William J. Baumgarth and Richard S. Regan.Indianapolis, 1988. Bireley, Robert, The Counter-Reformation Prince: Anti-Machiavellianism or Catholic Statecraft in Early Modern Europe. Chapel Hill, 1990. <mask>, <mask>, The Reason of State, translated by P.J. Waley and D.P. Waley, with notes by D.P. Waley.New Haven, 1956. Brodrick, James, The Economic Morals of the Jesuits. New York, 1972. Grice-Hutchinson, Marjorie, The School of Salamanca: Readings in Spanish Monetary Theory, 1544 - 1605. Oxford, 1952. Hamilton, Bernice, Political Thought in Sixteenth Century Spain. Oxford, 1963.O'Malley, John W., The First Jesuits. Cambridge, 1993. Skinner, Quentin, The Foundations of Modern Political Thought, Vol. I: The Renaissance; Vol. II: The Age of Reformation. Cambridge, 1978. External links

 The

masks: Botero Botero Botero Botero Botero Giovanni


texts:
 Greatness of Cities - Full English Text
  Relationi vniuersali di Giouanni Botero Benese diuise in quattro parti'', Vicenza, 1595.The Earthly Structures of Divine Ideas, master's thesis on the influences on <mask>'s political and economic theory

1540s births
1617 deaths
16th-century Italian Jesuits
People from Bene Vagienna
Catholic philosophers
Italian political scientists
Mercantilists
Jesuit


texts: <mask> is a Canadian historian, specializing in the study of modern European history, the Holocaust, and research on antisemitism, and is the founding director of the Canadian Institute for the Study of Antisemitism (CISA). <mask> is Editor-in-Chief of Antisemitism Studies, a journal devoted to the study of antisemitism published by Indiana University Press. She is also President and Chair of FAST Fighting Antisemitism Together. Chatterley appeared in the documentary called "Unmasked: Judeophobia" (2011), where she was one of the scholars interviewed. That same year, she was invited as an expert scholar to participate in the Canadian All-Party Parliamentary Inquiry into Antisemitism, which produced the Ottawa Protocol. Her undergraduate studies included European history and Near Eastern and Judaic Studies at the University of Manitoba, European Intellectual History at Concordia University (Montreal), followed by a doctorate in Modern European and Jewish History, and German-Jewish Literature, which she completed at The University of Chicago under the direction of Moishe Postone and Michael Geyer. Syracuse University Press published her first book, Disenchantment: George Steiner and the Meaning of Western Civilization After Auschwitz, in their series on Religion, Theology, and the Holocaust, edited by Steven T. Katz.Disenchantment was named a 2011 National Jewish Book Award Finalist in the category of Modern Jewish Thought and Experience. Alongside Juan Asensio in France and Ricardo Gil Soeiro in Portugal, <mask> is recognized as a leading scholar of George Steiner, an internationally renowned cultural critic, and has published two chapters in international collections about his work, both edited by Ricardo Gil Soeiro. Steiner died on

masks:
Catherine Chatterley
Chatterley
Chatterley


texts:
 February 3, 2020, and Chatterley wrote an obituary for the Times of Israel. As the founding director of CISA, <mask> was invited to be a member of the official government delegation to Israel in January 2014. From 2002 to 2008 Chatterley taught history at the University of Winnipeg and from 2007 to 2018 at the University of Manitoba. Founding of CISA
Chatterley created the Canadian Institute for the Study of Antisemitism (CISA) in the summer of 2010 to "help facilitate the scholarly study of antisemitism and to educate Canadians about the phenomenon in its classical and contemporary forms." CISA is the first national academic institution in Canada dedicated to the scholarly study of a subject that is usually addressed by political advocacy organizations.It is the only such institution in the world founded by a non-Jewish scholar. The Institute sponsors the leading academic periodical on the subject. Antisemitism Studies is published by Indiana University Press and <mask> is Editor-in-Chief. Involvement in public debates
<mask> was involved in the public debate over the place of a permanent Holocaust gallery proposed for the Canadian Museum for Human Rights (CMHR), scheduled to open in Winnipeg in September 2014. In an editorial criticizing the attempt to remove the proposed Holocaust gallery from the museum, she stated, "the problem with the CMHR is it is mired in the politics of Canadian ethnic identity rather than rooted in the scholarly study of genocide, Holocaust, and human rights. Subjective feelings are influencing content and design choices rather than objective historical and legal reality and this does not bode well for the international reputation of this institution." This article also described the offensive UCCLA


texts: postcard campaign using Orwellian imagery to target supporters of the Holocaust gallery, depicting them as pigs.Chatterley stated unequivocally, "the fact that this kind of postcard was distributed in Canada in 2011, without shame or conscience, by an organization that claims to protect civil liberties, is astonishing. This alone demonstrates the clear need for this museum, its permanent Holocaust gallery, and for the Canadian Institute for the Study of Antisemitism." In 2013, Chatterley interviewed the former curator of the Holocaust gallery and provided the first concrete published information about the content of the CMHR for the public. Holocaust and Genocide Studies published her study of the conflicts and controversies at the CMHR, entitled "Canada's Struggle with Holocaust Memorialization: The War Museum Controversy, Ethnic Identity Politics, and the Canadian Museum for Human Rights." Israel Apartheid Week (IAW) was another cultural controversy she addressed in the media. In Canada's National Post, she said that IAW is a Canadian invention, established at the University of Toronto in 2005, and "while the event is new, the ideology at the heart of IAW is not. The accusation that Zionism is racist and imperialist by nature is as old as Israel.The Soviet Union was a leading proponent of this conception of Zionism; and it drew on the long history of leftist antisemitism, identifying Jewish nationalism and capitalist imperialism with Judaism and the Jewish bourgeoisie." After Chatterley expressed her concerns about IAW in the national daily, the president of the University of Winnipeg addressed the issue and said both sides of the Palestinian-Israeli conflict and of wider Middle East issues should be presented and debated.


texts:
 Chatterley expressed her hope that an "intelligent and responsible scholarly approach" would be followed by all university administrations in Canada and worldwide. Lloyd Axworthy, the president of the University of Winnipeg, invited <mask> to lecture on the subject of antisemitism during Middle East Week in March 2013. As a scholar of German history and the Holocaust, Chatterley was consulted in 2014 about the problem of stolen art in Canadian museum collections. Heritage Canada has sponsored the Holocaust-era Provenance Research and Best-Practice Guidelines Project, through which they investigated six art galleries in Canada including the Winnipeg Art Gallery. Chatterley has also critiqued comments made by religion writer Karen Armstrong in the wake of the Charlie Hebdo and Kosher Grocery murders in Paris.In a Dutch interview, Armstrong claimed that the murders of French Jews by the Hebdo terrorists had nothing to do with antisemitism: "The supermarket attack in Paris was about Palestine, about ISIS. It had nothing to do with antisemitism; many of them are Semites themselves. But they attempt to conquer Palestine and we're not talking about that. We're too implicated and we don't know what to do with it." In response, <mask> wrote a critical op-ed for The Huffington Post correcting her historical and conceptual errors and arguing that the murders of Jews in Paris had everything to do with antisemitism. Publications
"Canada's Struggle with Holocaust Memorialization: The War Museum Controversy, Ethnic Identity Politics, and the Canadian Museum for Human Rights," Holocaust and Genocide Studies (2015) 29 (2): 189-211. Disenchantment: The Meaning of Western Civilization After Auschwitz (Syracuse: Syracuse University Press, 2011)
"The

masks:
Catherine Chatterley
Chatterley


texts:
 Antisemitic Imagination," in Global Antisemitism: A Crisis of Modernity, edited by Charles Asher Small (Leiden: Brill, 2013)
"Language, Humanity, and the Holocaust: The Steinerian Triad," in The Wounds of Possibility: Essays on George Steiner, edited by Ricardo Gil Soeiro (UK: Cambridge Scholars Publishing, 2012)
"We Come After: The Holocaust in Steinerian Thought, 1952-1971," in O Pensamento Tornado Danca.Estudos em Torno do Pensamento de George Steiner, edited by Ricardo Gil Soeiro (Lisbon: Roma Editora, 2009): 96-113.
Review of Derek Penslar, "Jews and the Military: A History," American Historical Review (2014) 119 (4): 1207-1209.
Review of Alvin Rosenfeld, editor, "Resurgent Antisemitism: Global Perspectives," Jewish Political Studies Review (Spring 5773/2013), Volume 25, Numbers 1 & 2.
Review of Ruth Klein, editor, "Nazi Germany, Canadian Responses: Confronting Antisemitism in the Shadow of War," Journal for the Study of Antisemitism (December 2012): 747-751.
Review of Alon Confino, "Germany as a Culture of Remembrance: Promises and Limits of Writing History," The Hedgehog Review (Summer 2007): 75-78. Her book, Disenchantment: George Steiner and the Meaning of Western Civilization After Auschwitz, is an intellectual biography of the literary critic. It focuses on his neglected writings on the Holocaust and antisemitism, and explains how and when the Holocaust enters Western consciousness in the decades after World War II. References

External links
<mask>'s website
Canadian Institute for the Study of Antisemitism (CISA)

Living people
Writers from Winnipeg
University of Manitoba alumni
University of Chicago alumni
Historians of the Holocaust
Historians of Nazism
Canadian women historians
Scholars of antisemitism
Year of birth


texts:
<mask> (born October 6, 1960) is an American architect, inventor and educator. He is known for his work in sustainable architecture and as an early innovator in the development of recycled building materials. Biography
<mask> was born on October 6, 1960 in Daly City, CA to parents Joanne and <mask>. The family moved to Los Angeles when Hertz was 6 months old and he grew up Venice and Malibu. Hertz got his start in architecture at a young age. In high school Hertz often sneaked into construction sites because of his interest in buildings. After being caught by a property owner, he was introduced to the building's designer, famed Los Angeles architect John Lautner.<mask> apprenticed under Lautner for four years. After receiving a degree from the Southern California Institute of Architecture in 1980, <mask> went on to work in the office of Frank Gehry before founding his firm, Syndesis, in 1983. That year, <mask> developed Syndecrete, a form of concrete that incorporates post-consumer and industrial waste, such as polypropylene carpet fibers and fly ash. It is lighter than traditional concrete and may have other waste products such as wood, crushed glass, or plastic chips added for decoration. In 1995 MoMA included Syndecrete in the "Mutant Materials in Contemporary Design" exhibit. In 2004, <mask> became Leadership in Energy and Environmental Design (LEED) certified. In 2007 he founded Studio of Environmental Architecture SEA, based in Venice Beach, California.SEA focuses on environmentally sustainable buildings, including high-efficiency lighting and water systems, solar panels, and solar water heating. In 2008 the prestigious American Institute of Architects recognized <mask> as FAIA Fellow. The fellowship is the highest membership honor for architects for their exceptional work and contributions to architecture and society. <mask> was the youngest member selected in AIA's 152-year history. <mask> is involved in constructing environmentally beneficial residences and commercial

masks:
David Randall Hertz
David Randall Hertz
Robert Hertz
Hertz
Hertz
Hertz
Hertz
Hertz
Hertz
Hertz


texts:
 buildings, primarily in and around Venice, California. His architectural and material work has been exhibited internationally. <mask>'s recent speaking engagements include a presentation at TEDx in 2013 and 2015 promoting sustainability and green building.In 2014, American Institute of Architects (AIA) featured residences designed and built by <mask> in the Los Angeles Monograph Tour. In 2015, KCRW featured <mask> in their Art Talk episode "Daring and Inspirational Architecture Around the World". In 2016, he spoke at the Greenbuild Expo in Los Angeles on historical and cutting-edge technology of extracting drinking water from the air. In 2015 ORO Editions published a monograph titled "The Restorative Home: Ecological Houses by <mask>," which focuses on residential homes Hertz designed throughout his career. In 2016 a team led by <mask> won the Grand Prize of the Water Abundance XPRIZE. The competition's goal was to make more than 2,000 liters of water in 24 hours using 100% renewable energy at the cost of less than 2 cents/ liter. In April 2017, <mask> sold his home residence known as "Californication House" for US$14.6 million  and purchased Tony Duquette's former property in Malibu.<mask> and his wife Laura Doss-<mask>  have partnered with the GO Campaign to fund sustainable water projects worldwide. <mask> is a board member of Heal The Bay, an environmental advocacy group based in Santa Monica, California. <mask> was featured on AppleTV+'s Home (2020 TV series) Episode 8. Home guides the audience inside the world’s most extraordinary homes and unveils the boundary-pushing imagination of the visionaries who dared to dream and build them. Notable projects
<mask>'s home residence in Venice was built in two phases and completed in 2003. It consists of four structures connected by enclosed bridges, inspired by Balinese architecture. Hertz designed the building as a testbed for many environmentally conscious building ideas.The house has rooftop solar heating panels for water, radiant

masks:
Hertz
Hertz
Hertz
David Hertz
Hertz
Hertz
Hertz
Hertz
Hertz
Hertz
Hertz


texts: heating, sustainable woods used throughout, and extensive use of his custom concrete, Syndecrete. Additionally, <mask> designed the large Syndecrete walls to work as a solar sink, absorbing the sun's heat during the day and slowly releasing it at night. The house has been featured in multiple commercials and TV shows, most prominently in the Californication (TV series). In 2010 Hertz completed the renovation of an existing 45,000 square foot concrete warehouse for Mullin Automotive Museum in Oxnard, California. The museum holds a personal car collection of philanthropist Peter W. Mullin. Hertz added daylight and natural ventilation monitors, a solar photovoltaic roof, a green roof with a new elevator penthouse, and wind turbines to make the building more sustainable. Other additions included new and vintage Art Deco elements to keep in tune with the collection of 1920's and '30s automobiles.2021 The Mullin Automotive Museum was selected as the Museum of the Year by Octane Magazine at the Historic Motoring Awards. In 2013, <mask> completed his most ambitious and widely recognized project, the 747 Wing House in the Santa Monica Mountains. The house is built from a mothballed Boeing 747-100 airplane. The project was highly complex and required permits from 17 different government agencies and required CH-47 Chinook cargo helicopter to transport plane sections to the remote building site. Using large sections of prefabricated material, Hertz reduced the greenhouse emissions that bringing raw materials and removing waste material would have caused. The 747 Wing House has been featured in multiple magazine articles since its building process, and many fashion and editorial shoots have taken place there. The Netflix show The World's Most Extraordinary Homes featured the 747 Wing House on its pilot episode.The 747 Wing House was named as one of the world's most beautiful buildings. Another example of <mask>'s creative use of unusual building materials is the "Panel House," in Venice Beach,

masks: Hertz Hertz Hertz


texts:
 California. The building's skin is made of prefabricated refrigeration panels, with a 6-inch thick foam core skinned with thin aluminum. Each panel is 30 inches wide x 30 feet tall and light enough for two people to install each one. The dull aluminum finish subtly changes with the colors of the sky. The house was constructed like a miniature skyscraper, utilizing a heavy metal frame in a poured-concrete base, making weight-bearing walls unnecessary. Large, automated windows provide ocean views from almost anywhere in the house.In 2009, the Panel House earned the Chicago Athenaeum Museum of Architecture and Design's American Architecture Award. In 2018, a team led by <mask> won the Water Abundance XPRIZE competition  with WEDEW, by achieving the X PRIZE foundation's goal of producing at least 2,000 liters of water in a single day for no more than two cents per liter. In 2020, Time (Magazine) selected WEDEW as one of The 100 Best Inventions of 2020. In 2021 Hertz completed The Sail House in Bequia, a small island in Saint Vincent and the Grenadines. The Sail House is a dappled array of structures, consisting of a primary residence and several guesthouses. The house has multiple sustainable features, including stormwater collection, reclaimed wood, passive ventilation, and photovoltaic panels. The prefabricated house pays homage to local maritime traditions and employs sustainability as its core concept.The Sail House was selected as the 2021 Jury Winner in Architizer A+Award, in Private House (XL >6000 sq ft category. PMCA Pasadena Museum of Contemporary Art Action / Reaction

2008
 Elected to the College of Fellows of the American Institute of Architects

2007
 SCI ARC distinguished Alumni Award

1996
 Museum of Modern Art in New York: Syndecrete included in Permanent Collection

Notes

1960 births
Living people
Architects from Los Angeles
People from Venice, Los Angeles
Sustainability advocates
Sustainable building in the United States
20th-century American architects
21st-century


texts:
Vojtěch Matyáš Jírovec (<mask>) (20 February 1763 – 19 March 1850) was a Bohemian composer. He mainly wrote instrumental works, with a great production of string quartets and symphonies; his operas and singspiele numbered more than 30, including Semiramide (1791), Der Augenarzt (1811), and Robert, oder Die Prüfung (1815). Biography
<mask> was born 20 February 1763 in České Budějovice (Budweis). His father was the choirmaster in the cathedral there, and <mask> first studied with him. He then travelled to Prague, where he studied law but continued to learn music. At around this time Gyrowetz was in the employ of Count Franz von Fünfkirchen in Brno, whose employees were all musicians. Here he started composing (among other things) symphonies, of which he was eventually to write more than 60.In 1785 he moved to Vienna and met Wolfgang Amadeus Mozart, who performed one of <mask>'s symphonies in the same year. From 1786 to around 1793, he travelled throughout Europe. He spent some time in Paris, where he established that some symphonies that had been published as the work of Joseph Haydn were in fact his work. He spent three years in Italy, meeting Johann Wolfgang von Goethe in Rome and studying with Nicola Sala in Naples. In 1791 he met Haydn, whom he idolized, in London. While in London, he was

masks:
Adalbert Gyrowetz
Gyrowetz
Adalbert
Gyrowetz


texts:
 commissioned by Johann Peter Salomon to compose symphonies to be performed at Salomon's Hanover Square Rooms concerts. <mask> moved back to Vienna and in 1804 was appointed Vice-kapellmeister of the Court Theatre.Gyrowetz was an important part of Viennese musical society well into the 1820s and even arranged the piano reduction of Rossini's Zelmira in 1822. He was one of the pallbearers at Beethoven's funeral in 1827. Gyrowetz died 19 March 1850 in Vienna. 0, No. 1
 Symphony in B-flat major, Op. 0, No. 2
 Symphony in D major, Op.0, No. 3
 Symphony in E-flat major, Op. 6, No. 2, 'Jupiter'
 Symphony in F major, Op. 6, No. 3
 Symphony in E-flat major, Op. 8, 'Great'
 Symphony in D major, Op.9, No. 1
 Symphony in F major, Op. 9, No. 3
 Symphony in D major, Op. 13, No. 1
 Symphony in C major, Op. 13, No.3
 Symphony in C major, Op. 23, No. 3
 Symphony in D major, Op. 24, No. 1

About 60 string quartets, including:

Three String Quartets, Op. 1a: C major, G major, B-flat major
Six String Quartets, Op. 2
Three String Quartets, Op.3: D major, G major, E-flat major
Six String Quartets, Op. 4
Three String Quartets, Op. 13: D major, C major, E-flat major
Three String Quartets, Op. 16
Six String Quartets, Op. 17: F major, G minor, G major
Three String Quartets, Op. 19: (No. 2 also for Flute


texts:
 Quartet)
Three String Quartets, Op.25: D major,
Three String Quartets, Op. 29: E-flat major, G major,
Three String Quartets, Op. 30
Three String Quartets, Op. 42: D major, F major, C minor
Three String Quartets, Op. 44: G major, B-flat major, A-flat major

40 Piano Sonatas with Violin and Violoncello accompaniment, including:

Three Piano Trios, op. 10: A major, B-flat major, E-flat major
Three Piano Trios, op. 14: C major, F major, D major
Three Piano Trios, op.15
Three Piano Trios, op. 18: G major, B-flat major, E-flat major
Three Piano Trios, op. 20: A major, F major, C minor
Three Piano Trios, op. 22: G major, B-flat major, E-flat major
Three Piano Trios, op. 23: D major, C major, E-flat major
Three Piano Trios, op. 34: F major
Three Piano Trios, op. 41: B-flat major, G major, D major (1800)
Two Piano Trios, op.45: B-flat major, D minor (1800)
Divertimento for Piano Trio, op. 50
Three Piano Trios, op. 51: F major, C major, A major
Three Piano Trios, op. 55: D major, G major, F major
Divertimento for Piano Trio, op. 57

12 Nocturnes for Piano with violin and violoncello accompaniment
Nocturne for Piano, op. 21 in D major (1797)
Nocturne in B-flat major (no. 4), E-flat major (no.5), C major (no. 7), G major (no. 9), F major (no. 10)

Other miscellaneous chamber music, including:

Six


texts:
 Flute Trios, Op. 4 or 6 or 11 (?) Adagio for Oboe and Orchestra, Op. 9
Three Flute Quartets, Op.11 (1795): D major, G major, C major
Piano Concerto in F, Op. 26 (1796)
Dritte Nachtmusik/Nocturne No. 3 for Flute Quartet, Op. 26
Flute Quintet in E minor, Op. 39 (1800)
Grand Trio Concertante in E-flat major for Clarinet, Cello and Piano, Op. 43
String Quintet in C major (2 violins, 2 violas, and cello), Op. 45
Piano Concerto in B flat, Op.49 (1800)
Variations faciles sur la marche de l'opéra Raoul Barbe-Bleue pour piano

Recordings

 Symphony In E-flat Major and F Major, Op. 6 Nº. 2 and 3
 Three Flute Quartets. Op. 11. Nº 1, 2 and 3
 Symphony In D Major, Op. 12 Nº.1
 Three String Quartets. Op. 29 Nº. 2; Op. 13 Nº. 1; Op. 29 Nº.1  (2013)
 Grand Trio Concertante. Op. 43
 Three String Quartets. Op. 44

References
Notes

Sources

<mask>, <mask>, "Autobiography", 1848, published by Alfred Einstein in 1915; Czech translation, Vlastní životopis Vojtěcha Jírovce, by František Bartoš published in 1940 by František Topič; English translation by Renee Anna Illa, Ph. D. dissertation, Kent State University, 2000. Hettrick, William E., "The Autobiography of <mask> <mask> (1763 - 1850)."Studien zur Musikwissenschaft 40 (1991), pp. 41–74. Kennedy, Michael and Bourne, Joyce, Eds. Oxford Concise Dictionary of

masks: Gyrowetz Adalbert Adalbert Gyrowetz


texts:
 Music, Fourth Edition, 1996 (2004 reprint with new information in some entries). Oxford, New York: Oxford University Press. . p. 311. Smith, Gary, <mask> <mask> (1763-1850), Mozart Forum, 2004. <mask> <mask>: Divertissement for Piano, Violin/Flute, Cello, Op.50, Lippstadt: Kistner & Siegel, 1950. Eisen, Cliff, ed., <mask> Gyrowetz: String Quintet in C, A-R Editions, 1998. Mullerova, Vera, ed., <mask> Gyrowetz: 12 Walzer, Prague: Edition Praga, 1969/1998. November, Nancy, ed., <mask> Gyrowetz: Three Quartets, Op. 29, Steglein, 2016. Rice, John A., ed., <mask> Gyrowetz: Four Symphonies (in C, F, Eb, D), New York: Garland, 1983. Sutcliffe, W. Dean, ed., <mask> Gyrowetz: Three Quartets, Op.44, Steglein, 2004. Sutcliffe, W. Dean, ed., <mask> Gyrowetz: Three Quartets, Op. 42, Steglein, 2016. External links
 The Michael Haydn Project Information on the lesser-known composers of the Classical Era

1763 births
1850 deaths
Austrian classical composers
Austrian people of Czech descent
Ballet composers
Classical-period composers
Czech classical composers
Austrian male classical composers
Austrian opera composers
Male opera composers
Musicians from České Budějovice
Czech opera composers
Czech male classical composers
String quartet composers
19th-century Czech male musicians
19th-century Austrian

masks: Adalbert Gyrowetz Adalbert Gyrowetz Adalbert Adalbert Adalbert Adalbert Adalbert Adalbert