texts: portion of Manhattan burned in the Great New York Fire of 1776. The fire was later widely thought to have been started by American saboteurs in order to keep the city from falling into British hands, and though setting fire to New York during Washington's retreat had indeed been proposed, Washington and the Congress had rejected the idea and denied responsibility.The Americans accused British soldiers of starting the fires without orders from their superiors so they could sack the city. In the fire's aftermath, more than 200 American Patriots were detained by the British for questioning. An account of <mask>'s capture, later obtained by the Library of Congress, was written by Consider Tiffany, a Connecticut shopkeeper and Loyalist. In Tiffany's account, Major Robert Rogers of the Queen's Rangers saw <mask> in a tavern and recognized him. After luring <mask> into betraying his allegiance by pretending to be a Patriot himself, Rogers and his Rangers apprehended <mask> near Flushing Bay in Queens, New York. Another story is that <mask>'s cousin, a Loyalist named <mask>, was the one who revealed his true identity. British General William Howe had established his headquarters in the Beekman House in a then-rural part of Manhattan, on a rise between what are now 50th and 51st Streets between First and Second Avenues, near where Beekman Place commemorates the connection.<mask> reportedly was questioned by Howe, and physical evidence was found on him. Rogers provided information about the case. According to some accounts, <mask> spent the night in a greenhouse at the mansion, while others say he spent it in a bedroom there. He requested a Bible; his request was denied. Sometime later, he requested a clergyman. Again, the request was denied. General Howe did permit him to write letters: one to his brother Enoch and other to his commanding officer, but the next day, they were torn up in front

masks:
Hale
Hale
Hale
Hale
Hale
Samuel Hale
Hale
Hale


type: original

texts:
 of him by the provost marshal, Captain Cunningham.Death and purported last words

According to the standards of the time, spies were hanged as illegal combatants. By all accounts, <mask> comported himself well before the hanging. Frederick MacKensie, a British officer, wrote this diary entry for the day:

On the morning of September 22, 1776, <mask> was marched along Post Road to the Park of Artillery, which was next to a public house called the Dove Tavern (at modern-day 66th Street and Third Avenue), and hanged. He was 21 years old. No official records were kept of <mask>'s final speech. It has traditionally been reported that his last words, either entirely or in part, were: "I only regret that I have but one life to lose for my country." The account of the quote originated with British Captain John Montresor, who was present at the hanging.The next day, he spoke with American Captain William Hull under a flag of truce. Hull recorded in his memoirs the following quote by Montresor:

Because Hull was not an eyewitness to <mask>'s speech, some historians have questioned the reliability of this account. Over the years, there has been a great deal of speculation as to whether or not <mask> specifically uttered this line, or some variant of it. If <mask> did not originate the statement, it is possible he instead repeated a passage from Joseph Addison's play Cato, which was widely popular at the time and an ideological inspiration to many Whigs:

It is almost certain that <mask>'s last speech was longer than one sentence. Several early accounts mention different things he said. These are not necessarily contradictory, but rather, together they give an idea of what the speech might have been like. The following quotes are all taken from George Dudley Seymour's book, Documentary Life of <mask>, published in 1941 by the author.Enoch <mask>, <mask>'s brother, wrote in his diary after he

masks:
Hale
Hale
Hale
Hale
Hale
Hale
Hale
Nathan Hale
Hale
Nathan


texts:
 questioned people who had been present, October 26, 1776, "When at the Gallows he spoke & told them that he was a Capt in the Cont Army by name <mask>." The February 13, 1777, issue of the Essex Journal stated, "However, at the gallows, he made a sensible and spirited speech; among other things, told them they were shedding the blood of the innocent, and that if he had ten thousand lives, he would lay them all down, if called to it, in defence of his injured, bleeding Country." The May 17, 1781, issue of the Independent Chronicle and the Universal Advertiser gave the following version: "I am so satisfied with the cause in which I have engaged, that my only regret is, that I have not more lives than one to offer in its service." Aside from the site at 66th Street and Third Avenue, two other sites in Manhattan claim to be the hanging site:
 City Hall Park, where a statue of <mask> designed by Frederick William MacMonnies was erected in 1890
 Inside Grand Central Terminal

The Yale Club bears a plaque hung by the Daughters of the American Revolution which states the event occurred "near" the Club. Yale is <mask>'s alma mater and the Club is at 44th Street and Vanderbilt Avenue, mere feet from Grand Central Terminal. Another account places <mask>'s execution at Bergen Beach, Brooklyn, but there is no evidence to support this claim. <mask>'s body was never found.His family erected an empty grave cenotaph in Nathan Hale Cemetery in South Coventry Historic District, Connecticut. Legacy

Statues and appearance

Statues of <mask> are based on idealized archetypes; no contemporaneous portraits of him have been found. Documents and letters reveal <mask> was an informed, practical, detail-oriented man who planned ahead. Of his appearance and demeanor, fellow soldier Lieutenant Elisha Bostwick wrote that <mask> had blue eyes, flaxen blond hair, darker eyebrows, and stood slightly taller than the

masks:
Nathan Hale
Hale
Hale
Hale
Hale
Hale
Hale
Hale


texts:
 average height of the time, with mental powers of a sedate mind and piousness. Bostwick wrote:

<mask> has been honored with two standing images:
 A statue designed by Frederick William MacMonnies was dedicated on the anniversary of Evacuation Day, November 25, 1893, at City Hall Park, New York. The statue established <mask>'s modern idealized square-jawed image. A statue of <mask>, sculpted 1908–1912 by Bela Pratt, was cast in 1912 and stands in front of Connecticut Hall, where <mask> resided while at Yale.Copies of this sculpture stand at the Phillips Academy in Andover, Massachusetts; the <mask> Hale Homestead in Coventry; the Connecticut Governor's Residence in Hartford, Connecticut; Fort Nathan Hale in New Haven, Connecticut; Mitchell College in New London, Connecticut; the Department of Justice in Washington, D.C.; Tribune Tower in Chicago; and at the headquarters of the Central Intelligence Agency in Langley, Virginia. Other statues/markers include:
 A statue of <mask> with an inscription of his reported last words on the first floor of the Connecticut State Capitol in Hartford. Statues of <mask> are also located in the Tulane University Law School reading room, and at the corner of Summit and Portland Avenues in Saint Paul, Minnesota. A memorial for him located in Huntington, New York, where he landed for his fatal spying mission. A historical marker in Freese Park, Norwalk, Connecticut that is denoted as the embarkation point. A  obelisk known as the <mask> <mask> Monument was erected in his honor in 1846 in his birthplace of Coventry, Connecticut. In January 1899 a play based on <mask>'s life, <mask> by Clyde Fitch opened at New York's Knickerbocker Theatre, where it played successfully for eight weeks.It then toured for more than a year, with 41-year old Nat Goodwin playing <mask> and Goodwin's wife Maxine Elliott playing Alice Adams. Namesake items

 The hamlet of

masks:
Hale
Hale
Hale
Hale
Nathan
Hale
Hale
Captain Nathan
Hale
Hale
Nathan Hale
Hale


texts: Halesite, New York (formerly Huntington Harbor) on Long Island is named after <mask>. There is a memorial plaque set into a large boulder, which was removed from the beach nearby where <mask> is thought to have landed on his fateful mission. Nathan Hale Army Depot, a U.S. Army installation, is located in Darmstadt, Germany. Fort Nathan Hale, a Revolutionary War-era fort and historic site in New Haven, Connecticut, is named after him. The Nathan Hale Inn and <mask> Hale dormitory on the University of Connecticut campus in Storrs, Connecticut, are named after <mask>. The <mask> dormitory, traditionally a freshman girls' dorm, at Phillips Academy in Andover, Massachusetts, is named after <mask>.The Nathan Hale Center at Robert Morris University, dedicated in 1971, is a classroom building located on campus. <mask> Hale Hall is a building at Farmingdale State College in Farmingdale, New York, which is home to Biology and Art Centers. Nathan Hale Hall is a barracks building at Fort George G. Meade, Maryland. Nathan Hale Hall is the main academic building at Mitchell College in New London, Connecticut. The Nathan Hale Memorial Chapter of the Daughters of the American Revolution was organized June 6, 1900, in East Haddam, Connecticut. The ceremony took place at the one-room schoolhouse where he once taught. High schools named after <mask> include <mask>-Ray High School in East Haddam, Connecticut (where he was schoolmaster), Nathan Hale High School in Seattle, Washington, and high schools in West Allis, Wisconsin, and Tulsa, Oklahoma.Middle schools named after <mask> include <mask>-Ray Middle School in East Haddam, Connecticut; Nathan Hale Middle School in Norwalk, Connecticut (the departure point for his final mission); and Captain <mask> Middle School in Coventry, Connecticut (his birthplace); as well as middle schools in Northvale, New Jersey; Omaha, Nebraska; Cleveland, Ohio; and

masks:
Hale
Hale
Nathan
Hale
Nathan Hale
Hale
Nathan
Hale
Nathan Hale
Hale
Nathan Hale
Nathan Hale


texts:
 Crestwood, Illinois. There are elementary schools named after <mask> in Roxbury, Boston; New London, Connecticut; Enfield, Connecticut; Manchester, Connecticut; Meriden, Connecticut; New Haven, Connecticut; Whiting, Indiana; Schaumburg, Illinois; Lansing, Illinois; Crestwood, Illinois; Chicago, Illinois; Carteret, New Jersey; Northvale, New Jersey; Mesa, Arizona; and Minneapolis, Minnesota. The United States Navy submarine USS Nathan <mask> (SSBN-623) was named in his honor. The <mask> Ancient Fife and Drum Corps from Coventry, Connecticut, is named after him and includes a division called Knowlton's Connecticut Rangers. "<mask>" Battalion is the name of the Battalion for Army ROTC based at the University of Connecticut, with Knowlton Company (Company A) at the University of Connecticut and Sillman Company (Company B) at Sacred Heart University. Ballads
Two early ballads attempt to recreate <mask>'s last speech. Songs and Ballads of the Revolution (1855), collected by F. Moore, contained the "Ballad of <mask>" (anonymous), dated 1776: "Thou pale king of terrors, thou life's gloomy foe, Go frighten the slave; go frighten the slave; Tell tyrants, to you their allegiance they owe.No fears for the brave; no fears for the brave. "; and "To the Memory of Capt. <mask>" by Eneas Munson, Sr., was written soon after <mask>'s death:

Munson had tutored <mask> before college, and knew him and his family well, so even though the particulars of this speech may be unlikely, Munson knew first-hand what <mask>'s opinions were. See also
 Intelligence in the American Revolutionary War
 Intelligence operations in the American Revolutionary War
 <mask> Homestead
 Kusunoki Masashige— a Japanese samurai, also famous for his last words before execution
<mask>, a descendant equally tried for espionage

References

Citations

Sources

Further reading
 Baker, Mark Allen. "Spies of Revolutionary Connecticut,

masks:
Hale
Hale
Nathan Hale
Nathaniel Hale
Hale
Nathan Hale
Nathan Hale
Hale
Hale
Hale
Nathan Hale
Daniel Hale


texts:
 From Benedict Arnold to <mask>." Charleston: The History Press, 2014. Circian."The Story of <mask>." Archiving Early America. N.p., 2011. Web. October 3, 2011. <http://www.earlyamerica.com/review/2001_summer_fall/n_hale.html>. Fleming, Thomas."George Washington, Spymaster." American Heritage. American Heritage Publishing Company, 2011. Web. October 3, 2011. <http://www.americanheritage.com/content/george-washington-spymaster>. Durante, Dianne, Outdoor Monuments of Manhattan: A Historical Guide (New York University Press, 2007): description of MacMonnies's <mask> at City Hall Park, New York.Miller, Tom. "The Lost 1763 Beekman Mansion 'Mount Pleasant'—50th Street and 1st Avenue." Daytonian in Manhattan. N.p., September 21, 2011. Web. October 3, 2011. <http://daytoninmanhattan.blogspot.com/2011/09/lost-1763-beekman-mansion-mount.html>.Ortner, Mary J. "Captain <mask>." The Connecticut Society of the Sons of the American Revolution. N.p., 2010. Web. October 3, 2011. <https://web.archive.org/web/20080705134759/http://www.connecticutsar.org/patriots/hale_nathan_2.htm>.Phelps, William M. "<mask>: The Life and Death of America's First Spy" St. Martin's Press, New York, New York, 2008. Rose, Alexander. Washington's Spies:  The Story of America's First Spy Ring. Random House, New York, New York, 2006.  . External links

 A Time for Heroes: The Story of <mask>

 The Connecticut Society of the Sons of the American Revolution

1755 births
1776 deaths
American Revolutionary War executions
Continental Army officers from Connecticut
Executed spies
People executed by the British military by hanging
People of Connecticut in the American Revolution
People from Coventry, Connecticut
United States Army Rangers
Yale College alumni
Executed people from Connecticut
People executed by the Kingdom of Great Britain
Symbols of Connecticut
Military personnel from Connecticut
American spies during the

masks:
Nathan Hale
Nathan Hale
Nathan Hale
Nathan Hale
Nathan Hale
Nathan Hale


texts:
<mask><mask> (born November 28, 1948) is a Professor of Political Science at Stanford University and Director of the Bill Lane Center for the American West. Professor <mask>'s fields of interest include American politics, political regulation, democratic theory, and state and local government. He has written extensively on elections, legislative representation, California politics, redistricting, and political regulation. In addition to his academic work, <mask> frequently is quoted in national and international media, and regularly appears as a political expert for KGO-TV in the San Francisco Bay Area. He is a member of the American Political Science Association, and serves on the editorial boards of Election Law Journal and American Politics Research. Professor <mask> has been a member of the American Academy of Arts and Sciences since 2000. During AY 2012-13, <mask> will serve as a Straus Fellow at New York University's Straus Institute for the Advanced Study of Law and Justice.Education
<mask> graduated summa cum laude from Bowdoin College in 1970 and studied as a Rhodes Scholar at Trinity College, Oxford. In 1976, he received his Ph.D. in political science from Harvard University. Career
Upon completion of his PhD, <mask> began his academic career at the California Institute of Technology (Caltech) in 1976. His work as an assistant and associate professor focused on comparisons of British and American governance systems, representation and redistricting. Additionally, during his 14 years at Caltech, <mask> held numerous leadership roles on academic administration committees, ranging from admissions and academic standards to the faculty board. In 1981, while on leave from the university, <mask> served as a special consultant to the California Assembly Special Committee on Reapportionment. Working with NASA's Jet Propulsion Laboratory, <mask>'s work on California's redistricting was the first effort to employ satellite maps and computer programming in the apportionment process prior to the creation of Geographic Information Systems (GIS).His work in the early 1980s ultimately led to the creation of the statewide database. This public data enterprise is now housed under the Berkeley School of Law, and continues to be the primary warehouse for redistricting information and data in California. In 1989, <mask> joined the faculty of what is now

masks:
Bruce E
. Cain
Cain
Cain
Cain
Cain
Cain
Cain
Cain
Cain
Cain
Cain


texts:
 named The Charles and Louise Travers Department of Political Science at University of California at Berkeley. From 1995 to 2006, <mask> was appointed the Robson Professor of Political Science, and served as the Heller Professor of Political Science from 2007-2012. Under the direction of Nelson W. Polsby, <mask> served as the Associate Director of the Institute of Governmental Studies (IGS) from 1989-1999 and as its Director from 1999-2007. The IGS is an interdisciplinary organized research unit (ORU) at UC Berkeley. Founded in 1919, IGS and its affiliated centers spearhead and promote research, programs, seminars and colloquia, training, educational activities, and public service in the fields of politics and public policy, with a strong focus on national and California politics.Between September 2005 - June 2012, <mask>  served as the Executive Director of the University of California's Washington Center, “a multi-campus residential, instructional and research center that provides students and faculty from the University of California with opportunities to research, work, study and live within rich cultural, political and international heritage of our capital city.” In addition to his administrative duties as director, Professor <mask> taught undergraduate seminars on the Congress, political reform and research methodology. Contributions to Political Science

<mask> was one of early contributors to the now burgeoning field of Election Law and Political Regulation. Since Baker v Carr (1962), the courts have been drawn into deciding disputes over political reforms related to redistricting, term limits, party primaries, campaign finance, direct democracy and election administration. Many of <mask>'s empirical studies show that political reforms rarely achieve all that they promise because of adaptive behavior by those being regulated and because there is typically more consensus about the problems than the solutions. His work has demonstrated that terms limits, for instance, have not reduced partisanship or increased the quality of state legislatures,  that redistricting reform has been frustrated by the inability to define what fairness is,  and that campaign finance regulation is hindered by being necessarily ex post facto. His most recent studies have focused on devising a more realistic and coherent theory of political reform.

masks:
Cain
Cain
Cain
Cain
Bruce Cain
Cain


texts:
 Awards

Throughout his career, <mask> has been recognized for not only his distinguished research, but also for his commitment to mentoring both undergraduate and graduate students.In 1988, he was a co-winner of the Richard F. Fenno Prize for the best legislative studies book along with J. A. Ferejohn and M. Fiorina. In 1988, he received the Associated Students of the California Institute of Technology Award for Excellence in Teaching. In 2000, Stanford University awarded him the Zale Award for Outstanding Achievement in Policy Research and Public Service. In 2003, UC Berkeley recognized Professor <mask> for Distinguished Mentoring of Undergraduates. Also in 2003, the American Political Science Association and Pi Sigma Alpha, the National Political Science Honor Society, honored <mask> for outstanding teaching in political science. Media
Beginning in 1984, <mask> has been an election commentator for every race in California both on the radio and on television.He served as a consultant to the Los Angeles Times from 1986–88 and was the political analyst on Mornings on Two, KTVU from 1998-2006. He is a member of the American Federation of Television and Radio Artists and currently appears as a regular political analyst for KGO-TV. Government  and Political Consulting
He served as a polling consultant for state and senate races to Fairbank, Canapary and Maulin from 1985 to 1986. <mask>'s expertise has led him to work as a redistricting consultant to several government agencies, including: the Los Angeles City Council (1986), Los Angeles County (1991), the Oakland City Council (1993), the City of San Diego (2001), the City and County of San Francisco (2002), the Attorney General of Maryland (2011), the Attorney General of Massachusetts (1987–88), and the U.S. Justice Department (1989). He served as the Special Master to the three judge panel overseeing the Arizona State Legislative Redistricting (2002). Selected Published Works
 The Reapportionment Puzzle (1984)
 The Personal Vote (1987) (written with John Ferejohn and Morris Fiorina)
 Congressional Redistricting (1991) (with David Butler)

External links

American political scientists
Bowdoin College alumni
Harvard Graduate School of Arts and Sciences alumni
University of California, Berkeley College of Letters and Science faculty
California Institute of Technology faculty
American Rhodes

masks: Cain Cain Cain Cain Cain


texts:
<mask> (October 13, 1889 – April 2, 1974) was a Canadian actor who appeared regularly in films from the early 1930s. Life and career
The son of Richard and <mask>, <mask> was born in Hamilton, Ontario. As a young man, he was employed as a bank clerk in Hamilton while pursuing an interest in acting. He eventually left banking for the theatre, finding work with a stock company that led him to Chicago, Illinois, and another that toured the United States. In 1913, the East Coast film industry was flourishing and that year he appeared in the film What Eighty Million Women Want, but it would be another 11 years before he appeared on screen again. In 1924, he made his Broadway debut and worked off and on in the theatre for several years while supplementing his income by selling such products as car accessories, tea, insurance, real estate, and books. During the Great Depression, <mask> moved to the West Coast of the U.S., where he specialized in playing secondary character roles alongside the great stars of the day.His physical appearance and suave voice equipped him for roles as slick politician, corrupt businessman, crooked sheriff, or unscrupulous lawyer. He was highly regarded by the studios, and was sought out by Cecil B. DeMille, Frank Capra, Hal Roach and other prominent Hollywood filmmakers. He played similar roles in Capra's film Broadway Bill (1934) the remake, Riding High (1950). He also appeared in DeMille's version of The Buccaneer (1938) and twenty years later in the 1958 color remake. A friend

masks:
Douglass Rupert Dumbrille
Elizabeth Dumbrille
Douglass Rupert Dumbrille
Dumbrille


texts:
 of fellow Canadian-born director Allan Dwan, <mask> played Athos in Dwan's adaptation of The Three Musketeers (1939). <mask> had roles in more than 200 motion pictures and, with the advent of television, made numerous appearances in the 1950s and 1960s. He had the ability to project a balance of menace and pomposity in roles as the "heavy" in comedy films, such as those of the Marx Brothers or Abbott and Costello.He portrayed the Egyptian priest and magician Jannes in DeMille's final film, The Ten Commandments (1956). Also working in television, <mask> was cast in six episodes of the religion anthology series, Crossroads. He portrayed Senator Bates in "Thanksgiving Prayer" (1956) with Ron Hagerthy of Sky King. <mask> then portrayed Mr. Willoughby in "Big Sombrero" (1957). He guest-starred in the 1957 episode "The Fighter" of the CBS situation comedy Mr. Adams and Eve. In 1958, he was cast as Mayor John Geary in three episodes of the NBC western series, The Californians. He subsequently guest-starred in Frank Aletter's CBS sitcom, Bringing Up Buddy.He portrayed Mr. Osborne in six episodes of the 1963–1964 situation comedy The New Phil Silvers Show. <mask> made two guest appearances as a judge on CBS's Perry Mason; in 1964 he played Judge Robert Adler in "The Case of the Latent Lover", and in 1965 he played an unnamed judge in "The Case of the Duplicate Case". In his final television role, he portrayed a doctor in episode 10 of Batman in February 1966. Personal life
After 47 years of marriage,

masks: Dumbrille Dumbrille Dumbrille Dumbrille Dumbrille


texts:
 Dumbrille's wife, Jessie Lawson, mother of their son John and daughter Douglass (Dougie), died in 1957. In 1960, at the age of seventy, Dumbrille married Patricia Mowbray, the 28-year-old daughter of his friend and fellow actor, Alan Mowbray. In response to criticism of the May–December marriage, Dumbrille rebuffed: "Age doesn’t mean a blasted thing. The important thing is whether two people can be happy together.Pat and I agreed that I had some years left and we could best share them together. We don’t give a continental damn what other people think." <mask> died of a heart attack on April 2, 1974, at the Motion Picture Country Home and Hospital in Woodland Hills, California. (1934) as Dawes
Journal of a Crime (1934) as Germaine Cartier
Harold Teen (1934) as H.H. Snatcher
Fog Over Frisco (1934) as Mayard
Operator 13 (1934) as Gen. Stuart
Treasure Island (1934) as Israel Hands
Hide-Out (1934) as DeSalle - Nightclub Owner
Broadway Bill (1934) as Eddie Morgan
The Secret Bride (1934) as Breeden
The Lives of a Bengal Lancer (1935) as Mohammed Khan
Naughty Marietta (1935) as Uncle
Cardinal Richelieu (1935) as Count Baradas
Air Hawks (1935) as Victor Arnold
 Unknown Woman (1935) as Phil Gardner
Love Me Forever (1935) as Miller
The Public Menace (1935) as Mario Tonelli
Peter Ibbetson (1935) as Col. Forsythe
Crime and Punishment (1935) as Grilov
The Calling of Dan Matthews (1935) as Jeff Hardy
The Lone Wolf Returns (1935) as Morphew
You May Be Next (1936) as Beau Gardner
The Music Goes 'Round (1936) as


texts:
 Bishop
Mr. Deeds Goes to Town (1936) as John Cedar
The Witness Chair (1936) as Stanley Whittaker
The Princess Comes Across (1936) as Detective Lorel
M'Liss (1936) as Lou Ellis
End of the Trail (1936) as Bill Mason
Counterfeit Lady (1936) as August Marino
Woman in Distress (1937) as Jerome Culver
A Day at the Races (1937) as J.D. Morgan
The Emperor's Candlesticks (1937) as Mr. Korum - a Conspirator
The Firefly (1937) as Marquis de Melito
Ali Baba Goes to Town (1937) as Prince Musah
The Buccaneer (1938) as Governor William C.C.Claiborne
Stolen Heaven (1938) as Klingman
Fast Company (1938) as Arnold Stamper
The Mysterious Rider (1938) as Pecos Bill - aka Ben Wade
Crime Takes a Holiday (1938) as J.J. Grant
Storm Over Bengal (1938) as Ramin Khan
Sharpshooters (1938) as Count Maxim
Kentucky (1938) as John Dillon - 1861
The Three Musketeers (1939) as Athos
Mr. Moto in Danger Island (1939) as La Costa
Tell No Tales (1939) as Matt Cooper
Captain Fury (1939) as Preston
Charlie Chan at Treasure Island (1939) as Thomas Gregory
Thunder Afloat (1939) as District Commander
Rovin' Tumbleweeds (1939) as Stephen Holloway
Charlie Chan in City in Darkness (1939) as Petroff
Slightly Honorable (1939) as George Taylor
Virginia City (1940) as Major Drewery
South of Pago Pago (1940) as Williams
Michael Shayne, Private Detective (1940) as Gordon
Murder Among Friends (1941) as Carter Stevenson
The Round Up (1941) as Capt. Bob Lane
Road to Zanzibar (1941) as Slave Trader
Washington Melodrama (1941) as Donnelly
The Big Store


texts:
 (1941) as Mr. Grover
Ellery Queen and the Perfect Crime (1941) as John Matthews
Castle in the Desert (1942) as Paul Manderley
Ride 'Em Cowboy (1942) as Jake Rainwater
A Gentleman After Dark (1942) as Enzo Calibra
Ten Gentlemen from West Point (1942) as Gen. William Henry Harrison
I Married an Angel (1942) as Baron Szigethy
King of the Mounties (1942) as Harper
Stand By for Action (1942) as Capt. Ludlow
DuBarry Was a Lady (1943) as Willie / Duc de Rigor
False Colors (1943) as Mark Foster
Uncertain Glory (1944) as Police Commissioner LaFarge
Lumberjack (1944) as Daniel J. Keefer
Jungle Woman (1944) as District Attorney
Forty Thieves (1944) as Tad Hammond
Gypsy Wildcat (1944) as Baron Tovar
Lost in a Harem (1944) as Nimativ
Jungle Queen (1945) as Lang
A Medal for Benny (1945) as General
The Frozen Ghost (1945) as Inspector Brant
 Flame of the West (1945) as Marshal Tom Nightlander
The Daltons Ride Again (1945) as Sheriff Hoskins
Road to Utopia (1945) as Ace Larson
Pardon My Past (1945) as Uncle Wills
The Catman of Paris (1946) as Henry Borchard
Night in Paradise (1946) as High Priest
The Cat Creeps (1946) as Tom McGalvey
Spook Busters (1946) as Dr. Coslow
Under Nevada Skies (1946) as Courtney
Monsieur Beaucaire (1946) as George Washington
It's a Joke, Son! (1947) as Big Dan Healey
Dishonored Lady (1947) as District Attorney O'Brien
Dragnet (1947) as Frank Farrington
Blonde Savage (1947) as Mark Harper
Christmas Eve (1947) as Dr. Bunyan
The Fabulous Texan (1947) as Luke Roland
Beyond Our Own (1947) as E.W.


texts:
 Osborne
Last of the Wild Horses (1948) as Charlie Cooper
Dynamite (1949) as Hank Gibbons
Riders of the Whistling Pines (1949) as Henry Mitchell
The Lone Wolf and His Lady (1949) as John J. Murdock
Addio Mimí! (1949) as Rouchard
Alimony (1949) as Burton (Burt) Crail
Joe Palooka in the Counterpunch (1949) as Capt. Lance
Tell It to the Judge (1949) as George Ellerby
Buccaneer's Girl (1950) as Capt.Martos
Riding High (1950, remake of Broadway Bill) as Eddie Howard
The Savage Horde (1950) as Col. Price
Abbott and Costello in the Foreign Legion (1950) as Sheik Hamud El Khalid
The Kangaroo Kid (1950) as Vincent Moller
Rapture (1950) as W.C. Hutton
A Millionaire for Christy (1951) as J.C. Thompson
Scaramouche (1952) as Assembly President (uncredited)
Son of Paleface (1952) as Sheriff McIntyre
Apache War Smoke (1952) as Maj. Dekker
Sky Full of Moon (1952) as Rodeo Official
Julius Caesar (1953) as Lepidus
Plunder of the Sun (1953) as Consul
Captain John Smith and Pocahontas (1953) as Chief Powhatan
World for Ransom (1954) as Insp. McCollum
The Lawless Rider (1954) as Marshal Brady
Jupiter's Darling (1955) as Scipio
A Life at Stake (1954) as Gus Hillman
Davy Crockett and the River Pirates (1956) as Saloon owner (uncredited) (archive footage)
Shake, Rattle & Rock! (1956) as Eustace Fentwick III
The Ten Commandments (1956) as Jannes
The Go-Getter (1956) as Dr. Baker
The Buccaneer (1958) as Collector of the Port
High Time (1960) as Judge Carter (uncredited)
Air Patrol (1962) as Millard Nolan
Johnny Cool (1963) as


texts:
 Corrupt City Council Member
What a Way to Go! (1964) as Minor Role (uncredited)
Shock Treatment (1964) as Judge (uncredited)

References

External links

1889 births
1974 deaths
Canadian male silent film actors
Canadian male film actors
Canadian expatriate male actors in the United States
Male actors from Hamilton, Ontario
Burials at Valhalla Memorial Park Cemetery
20th-century Canadian male


texts:
<mask>'Keefe (born 4 March 1991) is an English professional footballer who plays as a central midfielder for  club Gillingham. He began his career with Ipswich Town, spending six years in the club's youth academy system, but was released as a teenager without making an appearance for the first team. Following his release, O'Keefe joined the academy at Southend United, making his first-team debut for the club in 2008, during a League One match, at the age of 17. In 2010, he completed a move to Championship club Crystal Palace on a free transfer and went on to make over 50 appearances in all competitions for the club during a five-year spell, helping the club gain promotion to the Premier League via the 2013 Championship play-off Final, also spending a brief period on loan at Blackpool in late 2014. In January 2015, he moved to Cardiff City for an undisclosed fee. Early life
O'Keefe was born in Eye, Suffolk. He grew up in the village of Gislingham, Suffolk and attended Gislingham Primary School and later Hartismere School.He is a supporter of Arsenal. Career

Youth
Having attracted the attention of scouts from several clubs whilst playing for local youth team Scole Lads, O'Keefe was invited to train with Norwich City's under-nine team. However, he later signed a youth deal with their East Anglian rivals Ipswich Town, joining the club at the age of nine and playing alongside Jordan Rhodes and Ed Upson in the academy during his time at the club. However, he failed to make an appearance for the first team and was released at the end of the 2006–07 season after Ipswich decided against offering him a scholarship, believing that he would be unable to compete physically at under-18 level. O'Keefe later commented on his release "It was disappointing to be released by Ipswich, especially since I had been there from such a young age, but I


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 always kept believing in myself". Following his release, O'Keefe spent one month on trial at Aston Villa and impressed the club's coaching staff, including youth coach Gordon Cowans, but was forced to leave the club, who were only willing to offer him a one-year youth contract, after struggling to travel to the Midlands-based club on a regular basis as he continued to prepare for his GCSEs. He was also offered a trial with Nottingham Forest, scoring during a friendly match for the club but O'Keefe again moved on after Forest stalled over offering him a contract as they were only willing to offer him a one-year youth deal.Southend United
O'Keefe attended a trial with Southend United in November 2007 at the age of 16, having been recommended to the club by a scout working for Manchester United, and was offered a two-year scholarship just days after arriving at the club. In his first season with the academy, O'Keefe was part of the Southend team that reached the quarter-final of the FA Youth Cup and also featured for the reserves on several occasions. O'Keefe made his first-team debut for Southend on 18 November 2008, at home to A.F.C. Telford United in a 2–0 win in the FA Cup first-round replay as a late substitute in place of Alan McCormack, having signed his first professional contract with the club the week before. He made his debut in League One two months later against Leyton Orient on 20 January 2009 in a 1–1 away draw, again coming on as a substitute in the 84th minute for Alex Revell and nearly scoring late in the match with a volley. The following week, after one further substitute appearance, O'Keefe was handed his first league start for Southend by manager Steve Tilson against Leeds United at Elland Road on 27 January 2009. However, this proved to be his last appearance for the club during the 2008–09 season.Despite


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 this, O'Keefe was nominated for the League One Apprentice of the Year award, eventually losing out to Carlisle United defender Tom Aldred. The following season, O'Keefe featured more regularly for the first team, making nine appearances in total despite missing two months of the season due to a hernia injury sustained in a match against Millwall on 26 January 2010. Following his departure from Roots Hall, the club's head of youth director Ricky Duncan praised O'Keefe's attitude, stating "<mask> was always very driven and single-minded and he was different to a lot of the other lads in that regard." Crystal Palace
On 18 August 2010, O'Keefe signed for Crystal Palace on an initial one-year contract after impressing manager George Burley in a trial match against West Ham United reserves, having been recommended to Burley by his assistant manager Dougie Freedman who had played alongside O'Keefe at Southend. On his signing, Burley described O'Keefe as "a young player with big potential". The transfer was free, although Southend would receive a percentage of any transfer fee for O'Keefe in his first 36 months at Selhurst Park. He made his debut for the club on 20 November 2010 as a substitute in place of Paddy McCarthy during a 3–2 defeat to Sheffield United, later being substituted himself in the 89th minute of the match for Pablo Couñago as Palace pushed for an equaliser.In his first season at Selhurst Park, O'Keefe was a backup player in the squad and made just four appearances during the course of the season. In the 2011–12 season, O'Keefe was given a chance to impress early on in the season in the League Cup, playing five times in the competition during the season as the team reached the semi-final, including starting in the team's 2–1 quarter final victory over Manchester United on 30 November 2011 at Old Trafford. Later in the


texts: season, O'Keefe was part of the end of season run in due to injuries and finished the season with 19 appearances for the first team, which saw him offered a new three-year contract with Palace that would last until summer 2015. During the 2012–13 season, Palace achieved promotion to the Premier League via the Championship play-offs after finishing fifth.O'Keefe featured just five times in the league during the season although he did make two appearances during the play-offs, replacing Wilfried Zaha as a late substitute during the second leg of their semi-final victory over Brighton & Hove Albion, and then playing the majority of the 2013 Championship play-off Final after replacing Kagisho Dikgacoi due to injury after just 17 minutes as Palace claimed a 1–0 victory in extra-time to earn promotion. At the start of the club's Premier League campaign the following season, on 31 August 2013, O'Keefe sealed a 3–1 victory in Palace's first three points of their Premier League return in the 92nd minute at home to Sunderland with a curling 20-yard shot after coming on as a late substitute, the first senior goal of his career and what later turned out to be his only goal for Palace. At the start of the 2014–15 season, O'Keefe featured in Palace's opening two matches of the Premier League season, defeats to Arsenal and West Ham United, but suffered an ankle injury in the latter which kept him out of the team for two months that saw him omitted from the club's 25-man squad for the Premier League season by new Palace manager Neil Warnock. Lacking match fitness on his return, Warnock made O'Keefe available for a loan move in order to gain playing time and, following a potential loan move to Championship club Charlton Athletic collapsing after they decided to sign Francis Coquelin on loan from Arsenal instead, Warnock stated that he could not


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 "understand how nobody has come in for him".On 27 November 2014, O'Keefe eventually secured a loan move away from Palace on the final day of the emergency loan window, joining struggling Championship club Blackpool on loan until 1 January 2015, along with Wolverhampton Wanderers defender Kevin Foley. He made his debut on 29 November 2014, starting in a 1–1 draw with Rotherham United, being replaced by Nathan Delfouneso after 56 minutes, and went on to make four appearances for the team before returning to Palace. On his return to Selhurst Park, O'Keefe found himself under a new manager for the fourth time since August 2014, following the appointment of Alan Pardew. Despite being handed a starting spot in Pardew's first match in charge at the club, a 4–0 win over non-League team Dover Athletic in the third round of the FA Cup on 4 January 2015, he was later informed that he was not part of the manager's new plans at the club. Cardiff City
On 28 January 2015, O'Keefe signed for Championship club Cardiff City, who beat off competition from Millwall, for an undisclosed fee on a two-and-a-half-year contract, joining former Palace teammates Danny Gabbidon and Kagisho Dikgacoi at the Cardiff City Stadium. He made his debut against Derby County, having trained with the team for just two days following the completion of his transfer, in a 2–0 loss. He featured in the following two matches but, with heavy competition from Peter Whittingham, Joe Ralls and Aron Gunnarsson, he did not appear for the first team again until 11 April and made a total of just six appearances during the second half of the season for Cardiff.The start of the following season continued the same trend for O'Keefe as he made just eight appearances during the first five months of the season before returning to the starting line up against Wolverhampton Wanderers on 16


texts: January 2016, in a match that Cardiff went on to win 3–1. O'Keefe's performances saw him establish himself in the first team and his attitude to being left out of the team for long periods drew praise from Cardiff manager Russell Slade who commented "<mask> has got a fantastic attitude, he's a real, real good professional, even when he wasn't in the side he was pushing. [...] some players when they're not in the side get disillusioned and want to move on, but not O'Keefe." He later scored his first goal for the club in a 2–0 victory during a Severnside derby match against Bristol City on 5 March 2016, adding his second one-month later with the winning goal during a 2–1 win over Derby County on 2 April. He finished the season having made 27 appearances for the club in all competitions, the most appearances he has made during a season to date and the first time in his career he made over 20 appearances in a single season. His impressive form during the second half of the 2015–16 season saw him handed a new contract during the summer, keeping him at Cardiff until summer 2019. After featuring as an unused substitute during the first match of the 2016–17 season, O'Keefe was handed his first appearance of the season in a 1–0 defeat to Bristol Rovers in the first round of the EFL Cup, where he suffered a broken arm in extra-time.He made his return to the team one month later on 25 September, helping Cardiff to their second win of the season during a 2–1 win against Rotherham United. However, with first-team opportunities limited at Cardiff, on 31 January 2017, O'Keefe joined League One club Milton Keynes Dons on loan until 1 May 2017, making his debut for the club as a substitute in place of Chuks Aneke during a 1–1 draw with Bolton Wanderers on 4 February 2017. He made a total of 18 appearances during the loan spell, scoring four


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 times. On 31 August 2017, O'Keefe joined League One club Portsmouth on loan until the end of the 2017–18 season. At the start of the following season, O'Keefe was sent out on loan for the second successive season, joining Plymouth Argyle. He returned to Cardiff in January 2019, but was released later that year. Gillingham
O'Keefe signed for League One club Gillingham on 11 June 2019.He scored his first goal for Gillingham when he scored in an EFL Trophy tie against Colchester United on 3 September 2019. In September 2020 O'Keefe suffered a broken leg and ligament damage in an EFL Cup tie against Coventry City. O'Keefe knocked months off of his return date following his broken leg, and after a few appearances off the bench, made his first start since the injury against Charlton Athletic in February 2021. Style of play
After originally beginning his career as a winger, O'Keefe switched to central midfield and was described by former Cardiff City manager Russell Slade as a "hard working, energetic, athletic midfield player." Slade also praised O'Keefe for his determination when not playing regularly in the first team, stating " <mask> will roll his sleeves up, work harder, to try and show his manager and the coaching staff that he's capable of playing in the first team." Career statistics

Honours
Crystal Palace
Football League Championship play-offs: 2013

References

External links

Profile at the Gillingham F.C. website

1991 births
Living people
People from Eye, Suffolk
Footballers from Suffolk
English footballers
Association football midfielders
Ipswich Town F.C.players
Southend United F.C. players
Crystal Palace F.C. players
Blackpool F.C. players
Cardiff City F.C. players
Milton Keynes Dons F.C. players
Portsmouth F.C. players
Plymouth Argyle F.C.players
Gillingham F.C. players
English Football League players
Premier League


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<mask> of Massilia (died c. 496), also known as <mask>us or <mask>iliensis, was a 5th-century Christian priest and historian. His best-known work is De Viris Illustribus ("Of Famous Men"), a biography of over 90 contemporary significant Christians, which continued a work of the same name by Jerome. Life

<mask> was a priest of Massilia (now Marseille) and a  contemporary of Pope Gelasius I. Nothing is known of his life, save what he tells us himself in the last of the biographies he wrote: "I, <mask>, presbyter of Massilia, wrote eight books against all heresies, five books against Nestorius, ten books against Eutyches, three books against Pelagius, a treatise on the thousand years of the Apocalypse of John, this work, and a letter about my faith sent to blessed Gelasius, bishop of the city of Rome". Gelasius reigned from 492 to 496, so Gennadius must have lived at the end of the 5th century. Writings

Gennadius knew Greek well and was well read in Eastern and Western, orthodox and heretical Christian literature. He was a diligent compiler and a competent critic.De Viris Illustribus

De Viris Illustribus, in its most commonly accepted form was probably published c. 495 and contains, in some ten folio pages, short biographies of ecclesiastics between the years 392 and 495. It is a very important source and in part the only source of our acquaintance with the over ninety authors treated therein. It is a continuation of St. Jerome's De Viris Illustribus. In that work Jerome had for the first time drawn up a series of 135 short biographies of famous Christians, with lists of

masks:
Gennadius
Gennadius Scholastic
Gennadius Mass
Gennadius
Gennadius


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 their chief writings. It was the first patrology and dictionary of Christian biography. This book of reference was so useful that it naturally became popular, and many people wrote continuations after the same method. We hear of such a continuation by one Paterius, a disciple of Jerome, and of a Greek translation by Sophronius.It was <mask>'s continuation that became most popular and was accepted everywhere as a second part of Jerome's work, and was always written (eventually printed) together with his. <mask>'s part contains about one hundred lives, modelled closely after those of Jerome. Various edits and reprints do not number them consistently; by Bernoulli, i to xcvii, with some marked as xciib, etc., originally cxxxvi-ccxxxii). The series is arranged more or less in chronological order, but there are frequent exceptions. In xc, 92, he says (in one version) that Theodore of Coelesyria (Theodulus) "died three years ago, in the reign of Zeno". From this Czapla deduces that <mask> wrote between 491 and 494. The present form of the text indicates a repeated revision of the entire work.Other people have modified it and added to it without noting the fact—as is usual among medieval writers. Some scholars including Richardson and Czapla consider that chapters xxx (Bishop John II of Jerusalem), lxxxvii (Victorinus), xciii (Caerealis of Africa. ), and all the end portion (xcv-ci), are not authentic. There is doubt about parts of the others. Other writings

Gennadius states that he composed a number of other works, most of which are not extant:

Adversus omnes hæreses libri

masks: Gennadius Gennadius Gennadius


texts:
 viii., "Against all heresies" in 8 volumes
Five books against Nestorius
Ten books against Eutyches
Three books against Pelagius
Tractatus de millennio et de apocalypsi beati Johannis, "Treatise on the thousand years and on the Apocalypse of St. John"
Epistola de fide, a "letter of faith" which he sent to Pope Gelasius. Works of Evagrius Ponticus and of Timothy Ælurus, translated and restored to their authentic form. These translations are also lost.De Ecclesiasticis Dogmatibus

There is a treatise called De Ecclesiasticis Dogmatibus ("Of Church Doctrine") which was originally attributed to Augustine of Hippo but is now universally attributed to <mask>. The work was long included among those of St. Augustine. Some scholars (Carl Paul Caspari, Otto Bardenhewer, Bruno Czapla) think that it is probably a fragment of Gennadius's eight books "against all heresies", apparently the last part, in which, having confuted the heretics, he builds up a positive system. Publication
The De Viris Illustribus was edited and published by J. Andreas (Rome, 1468), by J. A. Fabricius in Bibliotheca ecclesiastica (Hamburg, 1718), and by E. C. Richardson in Texte und Untersuchungen, xiv. (Leipsig, 1896). It also appears with many editions of the works of Jerome.An English translation by Richardson was produced in the Nicene and Post-Nicene Fathers, 2nd ser, iii. 385–402. A critical edition of the Liber de Ecclesiasticis Dogmatibus under the title Liber Ecclesiasticorum Dogmatum was published by C. H. Turner in the Journal of Theological Studies vii. (1905), pp. 78–99 at pp. 89–99. Turner's


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 introduction reviews a number of previous editions and also provides a survey of manuscript copies that were known to him, including several that he used for the edition.Attitude and views

There are many indications that the author was a Semipelagian in "De Viris Illustribus". Semipelagians are warmly praised (Fastidiosus, lvi, p. 80; Cassian, lxi, 81; Faustus of Riez, lxxxv, 89); full Pelagians (Pelagius himself, xlii, 77; Julian of Eclanum, xlv, 77) are heretics; Catholics are treated shabbily (Augustine of Hippo, xxxviii, 75; Prosper of Aquitaine, lxxxiv, 89); even popes are called heretics (Julius I, in i, 61). The same tendency is confirmed by the treatise "De eccles. dogmatibus", which is full of Semipelagianism, either open or implied (original sin carefully evaded, great insistence on free will and denial of predestination, grace as an adjutorium in the mildest form, etc.). Gennadius considers (like later writers, e.g. Thomas Aquinas) that all men, even those alive at the Second Coming, will have to die. But this conviction, though derived from a widespread patristic tradition, is, he admits, rejected by equally catholic and learned Fathers.Of the theories concerning the soul of man subsequently known as the creationist and the traducianist views, he espouses the creationist. He will not allow the existence of the spirit as a third element in man besides the body and the soul, but regards it as only another name for the soul. In De Ecclesiasticis Dogmatibus, his views include the following points. Heretical baptism is not to be repeated, unless it has been


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 administered by heretics who would have declined to employ the invocation of the Holy Trinity. He recommends weekly reception of the Eucharist by all not under the burden of mortal sin. Such as are should have recourse to public penitence. He will not deny that private penance may suffice; but even here outward manifestation, such as change of dress, is desirable.Daily reception of holy communion he will neither praise nor blame. Evil was invented by Satan. Though celibacy is rated above matrimony, to condemn marriage is Manichean. A twice-married Christian should not be ordained. Churches should be called after martyrs, and the relics of martyrs honoured. None but the baptized attain eternal life; not even catechumens, unless they suffer martyrdom. Penitence thoroughly avails to Christians even at their latest breath.The Creator alone knows our secret thoughts. Satan can learn them only by our motions and manifestations. Marvels might be wrought in the Lord's name even by bad men. Men can become holy without such marks. The freedom of man's will is strongly asserted, but the commencement of all goodness is assigned to divine grace. The language of Gennadius is here not quite Augustinian; but neither is it Pelagian. References

Attribution

External links
Opera Omnia by Migne Patrologia Latina with analytical indexes
 English translation of De Viris at the Christian Classics Ethereal Library

5th-century Christian clergy
5th-century Gallo-Roman people
History of Marseille
Writers from Marseille
5th-century Latin writers
5th-century historians
Clergy from


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<mask> (; born 25 April 1994) is a Russian former competitive ice dancer. With partner Ruslan Zhiganshin, she is the 2015 Russian national champion. With former partner Nikita Katsalapov, she is a 2014 Olympic champion in the team event, a 2014 Olympic bronze medalist in ice dancing, a three-time European medalist (silver in 2013 and 2014; bronze in 2012), and the 2010 World Junior champion. Also along with former partner Nikita Katsalapov, she is the second-youngest Olympic Ice Dance medalist in history and the junior world record holder for the Original Dance. Personal life
<mask> was born in Aktau (Shevchenko), Kazakhstan and raised in Moscow, Russia. Her parents divorced when she was two years old. From around 2006 to 2008, Ilinykh lived in Michigan with her grandmother and became fluent in English.Her mother adopted a two-year-old boy in around 2010. As of 2020, Ilinykh is engaged to ballet dancer Sergei Polunin. On 16 January 2020, their son, Mir, was born in Miami, Florida, U.S. Mir means 'peace' or 'world' in Russian. Early skating career
As a child, Ilinykh trained in single skating, under Natalia Dubinskaya, until her mother decided she should try ice dancing. She was paired with Nikita Katsalapov, who had trained in the same singles group. Irina Lobacheva and Ilia Averbukh were the team's first coaches. In 2005, <mask>/Katsalapov attended a training camp under Alexander Zhulin — who was preparing Tatiana Navka / Roman Kostomarov for their Olympic gold-medal winning season — but split soon after.In 2010, Ilinykh said that they were too young at the time to understand partnership. She left Russia and trained in Marina Zueva and Igor

masks:
Elena Ruslanovna Ilinykh
Elena Ilinykh
Ilinykh


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 Shpilband's group in Canton, Michigan for two years without a partner. At some point, she had a brief partnership with Ivan Bukin, the son of 1988 Olympic ice dancing champion Andrei Bukin. Renewed partnership with Katsalapov

Junior career
In spring 2008, Ilinykh returned to Moscow after Katsalapov expressed interest in reuniting with her. He organized tryouts with her and other skaters at around the same time before making a final decision. <mask>/Katsalapov rejoined Zhulin and began competing together in the 2008–09 season, placing fourth at the Russian Junior Championships. Their international debut came in the 2009–10 season.After winning gold medals at their Junior Grand Prix events in Budapest and Torun, they qualified to the JGP Final, where they took the silver medal behind Ksenia Monko / Kirill Khaliavin. Though second also at the Russian Junior Championships, <mask>/Katsalapov outscored Monko/Khaliavin for the gold at the 2010 World Junior Championships. They were named Discovery of the Year at the 2010 Crystal Ice Awards held in October 2010 in Moscow. 2010–11 season
For the 2010–11 season, <mask>/Katsalapov chose a ballet-themed free dance to Don Quixote: "[Zhulin] wanted us to do something classical Russian, and only very few people have done a real ballet program in dance." Ilinykh's tutu was made at the Bolshoi. They made their senior debut at the 2010 NHK Trophy where they finished fourth. At their next event, 2010 Cup of Russia, they won the bronze medal, their first medal on the senior Grand Prix series.At the 2011 Russian Nationals, they were second after the short dance behind Ekaterina Bobrova / Dmitri Soloviev but placed

masks: Ilinykh Ilinykh Ilinykh


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 fourth in the free dance to finish third overall behind Ekaterina Riazanova / Ilia Tkachenko. However, their bronze medal was enough to earn them their first berth to the European Championships. At the 2011 Europeans, <mask>/Katsalapov set new personal bests in the short dance (60.93), free dance (92.55) and combined total (153.48) to finish fourth in their debut at the event. They were in a battle with Riazanova/Tkachenko for Russia's second of only two berths to the 2011 World Championships. By finishing ahead of them, <mask>/Katsalapov won the right to make their senior Worlds debut. They finished seventh at the event. Following the end of the season, they ended their collaboration with Alexander Zhulin and Oleg Volkov to begin working with new coach Nikolai Morozov in May 2011.During the off-season, they spent some time in the U.S. preparing for the 2011–12 season. 2011–12 season
For the 2011–12 Grand Prix season, <mask>/Katsalapov were assigned to 2011 NHK Trophy and 2011 Trophée Eric Bompard. At NHK Trophy, they placed first in the short dance but in the warm-up before the free dance Ilinykh crashed into the boards and injured her knee. The couple finished the competition, winning the bronze medal, but withdrew from the exhibitions. <mask>/Katsalapov then finished fourth at the 2011 Trophee Eric Bompard. They won the silver medal at the 2012 Russian Championships. At the 2012 European Championships, <mask>/Katsalapov were seventh in the short dance but set a personal best in their free dance, resulting in an overall total of 153.12 points.They won the bronze medal at the event and then performed with Art on Ice. <mask>/Katsalapov finished

masks: Ilinykh Ilinykh Ilinykh Ilinykh Ilinykh Ilinykh


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 5th—the highest of the three Russian teams—at the 2012 World Championships. Their final event of the season was the 2012 World Team Trophy. 2012–13 season
Ilinykh/Katsalapov started their season with gold at the 2012 Crystal Skate of Romania. They won silver at their first 2012–13 Grand Prix event, the 2012 Rostelecom Cup. At the 2012 NHK Trophy, <mask>/Katsalapov were third after the short dance. Ilinykh fell ill before the free dance due to food poisoning but went on to compete.They placed second in the segment and won the silver medal. They qualified for the 2012 Grand Prix Final in Sochi, Russia, and finished sixth at the event. At the 2013 Russian Championships, <mask>/Katsalapov won the silver medal behind defending national champions Ekaterina Bobrova / Dmitri Soloviev. At the 2013 European Championships, they placed second in the short dance and first in the free dance. They won the silver medal, just 0.11 of a point behind gold medalists Bobrova/Soloviev. <mask>/Katsalapov finished 9th at the 2013 World Championships. 2013–14 season

Ilinykh/Katsalapov's first assignment of the 2013–14 Grand Prix season was the 2013 NHK Trophy where they placed fourth.At their next event, the 2013 Trophee Eric Bompard, they scored personal bests in both segments, finishing with an overall score of 171.89 points and winning the silver medal ahead of French ice dancers Nathalie Pechalat / Fabian Bourzat. Ilinykh/Katsalapov won their third national silver medal at the 2014 Russian Championships behind Bobrova/Soloviev and then won silver at the 2014 European Championships with an overall score 1.1 points less than gold medalists Cappellini/Lanotte. At the


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 2014 Winter Olympics in Sochi, <mask>/Katsalapov were assigned to the free dance in the inaugural team event. They placed third in their segment and Team Russia won the gold medal. Ilinykh/Katsalapov then won the bronze medal in the individual ice dancing event behind champions Meryl Davis / Charlie White and silver medalists Tessa Virtue / Scott Moir. They scored personal bests in both segments and an overall total of 183.48 points. At 19 years of age, <mask> is second youngest Olympic ice dance medalist in history after Marina Klimova.The next month, <mask>/Katsalapov traveled to Saitama, Japan for the 2014 World Championships. On 26 March 2014, just before the short dance, ITAR-TASS reported that they would split after the competition. Katsalapov had a serious error on the twizzles and they placed fifth in the short dance. Despite winning the next segment, they finished off the podium in the closely contested event. Their total score was just 1.05 less than the gold medalists. On 4 April 2014, Katsalapov confirmed to Ilinykh that he wanted to end their partnership. Partnership with Zhiganshin
Soon after, in early April 2014, Ilinykh accepted an invitation from Ruslan Zhiganshin's coaches to try out with their student.Coached by <mask> in Moscow, Ilinykh/Zhiganshin began training together in an unofficial partnership — the Russian federation having decided to give <mask>/Katsalapov time to reconcile — and received approval at the end of May. 2014–15 season
For the 2014–15 Grand Prix season, Ilinykh/Zhiganshin were assigned to Cup of China and Rostelecom Cup. Making their international debut, they placed fourth at Cup of China and then won the

masks:
Ilinykh
Ilinykh
Ilinykh
Elena Kustarova
Ilinykh


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 silver medal behind Americans Madison Chock / Evan Bates at Rostelecom Cup. They qualified for the Grand Prix Final in their first season as a team. At the GPF in Barcelona, they placed sixth in the short dance, fourth in the free dance, and sixth overall. At the 2015 Russian Championships, Ilinykh/Zhiganshin won the national title in their first season as a team. 2015–16 season
Ilinykh/Zhiganshin began their season at the Mordovian Ornament, which they won with new personal bests in all segments.For the 2015–16 Grand Prix season, they were once again assigned to Cup of China and Rostelecom Cup. They won the bronze at Cup of China behind Italians Anna Cappellini / Luca Lanotte and Americans Madison Chock / Evan Bates. Their next competition they finished 5th at the 2015 Rostelecom Cup. On 24–27 December, Ilinykh/Zhiganshin competed at the 2016 Russian Championships, where they finished 4th behind Alexandra Stepanova / Ivan Bukin after placing fourth in the short dance and second in the free dance. Ilinykh/Zhiganshin decided to fly to Michigan on 27 February 2016 to work with Igor Shpilband. 2016–17 season
They finished fourth at the 2017 Russian Championships, losing the bronze to Sinisina/Katsalapov by 0.17. They had a one-point deduction after part of their costume fell onto the ice.Programs

With Zhiganshin

With Katsalapov

Competitive highlights
GP: Grand Prix; CS: Challenger Series; JGP: Junior Grand Prix

With Shibnev

With Zhiganshin

With Katsalapov

Detailed results
Small medals for short and free programs awarded only at ISU Championships. With Zhiganshin

With Katsalapov

References

External links

1994 births
Living


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 people
Russian female ice dancers
Figure skaters from Moscow
People from Aktau
European Figure Skating Championships medalists
World Junior Figure Skating Championships medalists
Figure skaters at the 2014 Winter Olympics
Olympic figure skaters of Russia
Medalists at the 2014 Winter Olympics
Olympic medalists in figure skating
Olympic gold medalists for Russia
Olympic bronze medalists for Russia
Kazakhstani emigrants to


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<mask> (July 27, 1908 – May 24, 1996) was an American writer best known for his works of creative nonfiction he published in The New Yorker. His work primarily consists of character studies, where he used detailed portraits of people and events to highlight the commonplace of the world, especially in and around New York City. Biography

Early life
<mask> was born on July 27, 1908 on his maternal grandfather's farm near Fairmont, North Carolina and was the son of Averette Nance and <mask>. He had five younger siblings: Jack, Elizabeth, Linda, Harry, and Laura. <mask>'s father, a fourth generation cotton and tobacco farmer, was a Southerner steeped in the values of the Baptist church, and he tried to instill these values into his children. As his eldest son, Averette hoped that <mask> would someday take over the family business and continue the family's legacy. <mask>'s adventurous personality as a child contradicted his father's staunch work ethic and traditional Southern values.From a young age, <mask> was deeply touched by nature. He loved to climb trees, and it was one of the few activities that allowed an outlet for his young imagination to develop. He also tended to escape to the swamps surrounding his father's property as often as he could, as it allowed him to feel connected to the world around him. <mask> stated, "the water mesmerized me; everything in it interested me, still or moving, dead or alive." Education
<mask> left home and attended college at the University of North Carolina at Chapel Hill in 1925. As a journalism major, he was "a solid if not superior student," and he was successful in humanities courses such as

masks:
Joseph Quincy Mitchell
Mitchell
Elizabeth Amanda Parker Mitchell
Mitchell
Mitchell
Mitchell
Mitchell
Mitchell
Mitchell


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 history, language, music, and literature and explored classes in nearly every subject. Aside from his studies, he began writing for the campus literary magazine and newspaper as a sports reporter.Because he had no aptitude for mathematics, he was unable to successfully finish his degree. He left college and moved to New York City in 1929. Family
On February 27, 1932, he married Therese Jacobsen, a reporter and photographer. They remained married until her death in 1980, and had two daughters, Nora and Elizabeth. Mental health
<mask> suffered from depression all of his life. An unsteady relationship with his father and his lack of belonging in his two homes of North Carolina and New York left <mask> isolated and listless for much of his life. He lived in an era of psychology that focused purely on anxiety, and doctors regarded depression as a severe side effect of existing anxiety.However, symptoms of this condition did not clearly manifest in his life until late in his career. Many of <mask>'s coworkers, as well as his biographer, Thomas Kunkel, tell of the toll the subjects of his works had on him, specifically his greatest subject, Joe Gould. <mask> once remarked to Washington Post writer David Streitfeld, "You pick someone so close that, in fact, you are writing about yourself. Joe Gould had to leave home because he didn't fit in, the same way I had to leave home because I didn't fit in. Talking to Joe Gould all those years he became me in a way, if you see what I mean." Even with Joe Gould as a way to explore his own reality, <mask> began to attract characters with similar attributes. In a feature within The New Yorker magazine,

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 Death
In 1995, <mask> was diagnosed with lung cancer after he began experiencing back pain. The cancer eventually spread and metastasized in his brain. On May 24, 1996, <mask> died at Columbia-Presbyterian Medical Center in Manhattan at the age of 87. He was laid to rest in Floyd Memorial Cemetery in his hometown of Fairmont, North Carolina next to his wife. His daughters inscribed a quote from Shakespeare's seventy-third sonnet, which was one of his favorite lines in literature: "Bare ruined choirs, where late the sweet birds sang."Further reading
For more information on <mask>'s biography and daily life, see Thomas Kunkel's Man in Profile: <mask> of The New Yorker (2015). Career

<mask> came to New York City in 1929, at the age of 21, with the ambition of becoming a political reporter. He worked for such newspapers as The World, the New York Herald Tribune, and the New York World-Telegram, at first covering crime and then doing interviews, profiles, and character sketches. In 1931, he took a break from journalism to work on a freighter that sailed to Leningrad and brought back pulp logs to New York City. He returned to journalism later that year and continued to write for New York newspapers until he was hired by St. Clair McKelway at The New Yorker in 1938. He remained with the magazine until his death in 1996. His book Up in the Old Hotel collects the best of his writing for The New Yorker, and his earlier book My Ears Are Bent collects the best of his early journalistic writing, which he omitted from Up in the Old Hotel.<mask>'s last book was his empathetic account of the Greenwich Village street character and self-proclaimed

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 historian Joe Gould's extravagantly disguised case of writer's block, published as Joe Gould's Secret (1964). <mask> served on the board of directors of the Gypsy Lore Society, was one of the founders of the South Street Seaport Museum, was involved with the Friends of Cast-Iron Architecture, and served five years on the New York City Landmarks Preservation Commission. In August 1937, he placed third in a clam-eating tournament on Block Island by eating 84 cherrystone clams. In 2008, The Library of America selected <mask>'s story "Execution" for inclusion in its two-century retrospective of American True Crime. The February 11, 2013 edition of The New Yorker includes a previously unpublished portion of <mask>'s unfinished autobiography entitled "Street Life: Becoming Part of the City." Central themes

Character study
Seen throughout <mask>'s oeuvre is his distinct focus on the underdog characters, or the laymen of NYC, and the focus on unexpected characters. For example, Mazie is a central focus for a New Yorker article bearing her name.“Mazie” first appears in the print edition of the December 21, 1940 issue of The New Yorker.The piece, later published in <mask>'s collection of essays in Up in the Old Hotel, creates and canonizes Mazie, a woman who worked in the ticket booth of The Venice theatre. <mask>'s meticulous reporting skills result in an account of Mazie complete with factual details, close observation, and direct quotations. Critics believe Mazie resembles <mask> himself: they share an affinity for remembering small facts and giving attention to the overlooked members of society. Mazie P. Gordon is tough and blunt. Detective

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 The Rivermen, for instance, would be irrelevant people to most of NYC citizens until <mask> brings them into focus for the readers. In yet another way, Rats on the Waterfront (Thirty-Two Rats From Casablanca) tells a compelling story where the central character is not even human. <mask>'s focus on these unlikely characters gives his nonfiction a very distinct character.Time and passing
The term "<mask> time" was coined by novelist Thomas Beller to describe the gauzy effect in <mask>'s writings. He goes on to further describe <mask>'s temporal dimension as a "strange and twilight place where a density of historical fact and the feeling of whole eras fading from view are sharply juxtaposed with the senses of cinematic immediacy related in the present tense." <mask>'s distinctive voice can be seen in many, if not all, of his works. The most notable example of "<mask> time" is seen in the story Mr. Hunter's Grave where the narrative tells of the overlapping of many eras occurring in one small location. Landscape study
<mask> was born in North Carolina, yet throughout the majority of his writing career he centred his writing around New York City and its subjects. He brought a distinct and unique style of reporting to NYC that stemmed from his Southern upbringing. <mask> was said to have brought the ultimate Southern courtesy of accepting “people on their own terms”.Although he was a Brooklyn police reporter at first, by the time he moved to work in Harlem he began to connect with the “raffish side” of the NYC borough and it was here that his deep affection for NYC and its people started to blossom. Scholars claim that <mask>'s 1959

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 collection entitled The Bottom of the Harbor is his best and most “elegiac account of New York”. It is here that <mask> references not only the underdog characters of NYC, but also the underdog places - such as the Fulton Fish Market; a reoccurring place of study in this water based collection. For example, Dragger Captain is “the story of an old salt in the fleet out of Stonington, Connecticut, that supplies the Fulton Fish Market with flounder”. But it is once again <mask>'s character selection in The Bottom of the Harbor that allows him to portray NYC in his signature matte style. The subjects "are mainly old men, they are custodians of memory, their stories a link with the history of a city that has always been mercantile at heart." Additionally, <mask> liked to visit the Edgewater Cemetery, which was the inspiration for one of his most famous articles - Mr Hunter’s Grave.From North Carolina he “brought an interest in wildflowers” and these flowers “could be found most easily in overgrown cemeteries around New York City.”  <mask> managed to discover these quaint everyday places as he would often set off to work in his New Yorker office, but instead, he would carry on walking, taking in NYC and its landscape. Indeed, much of <mask>'s work was conceived due to his enchanted meandering of NYC where he “walked the city incessantly . . . little escaped his notice”

Selected works

"Up in the Old Hotel"
In <mask>'s feature "Up in the Old Hotel'," <mask> explores the Fulton Fish Market of New York, specifically Sloppy Louie's Restaurant. He features the owner of the space, and explores the character in full before adventuring up the old

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texts: elevator shaft with Louie and exploring the abandoned and sectioned-off old hotel space. In his opening, <mask> surveys the personality of the man he has this experience with, setting the mood for the entire piece. Louie is an Italian immigrant that worked for years in restaurants around the city until The Crash of 1929, when the property that is now his restaurant finally came into his price range. It was never the flashiest or nicest building, but it was near the market and was plenty successful in housing a small restaurant.Louie is constantly experimenting with his dishes, making his shop the place to stop and try a new kind of fish, or other seafood. Growing up in a small Italian fishing village himself, he does not shy away from different flavors and possibilities with his fish. He's a humble and gentlemanly man that adds an air of propriety and humility to everything he does; he works the same as any of his employees to keep his restaurant running, doing the same jobs, and always keeps a white cloth folded over his arm for the sake of class, even when he's only running the register. He maintains relationships with his regular customers, like <mask>, and fosters business relationships with the fishermen that bring their catches to the dock for sale at the Fulton Market. "Up in the Old Hotel" isn't just the story of Louie, or Sloppy Louie's, but about the closed-off elevator shaft that not even Louie has ever traveled up into. This comes about over breakfast, when Louie tells <mask> he may need to add extra tables to the second floor of his place to make up for the growing lunch crowds coming in. When <mask> points out he has four


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"Mr. Hunter's Grave" was published by The New Yorker on September 22, 1956. To this day, the piece remains one of <mask>'s biggest journalistic successes—with an array of positive reviews."Mr. Hunter's Grave" was republished in one of <mask>'s collections, Up In The Old Hotel, which was  released in 1992. The article is based on an encounter <mask> had with an African-American man named George Hunter, who lived in Sandy Ground, a black community in Staten Island, one that is credited with being the oldest, established, free black community in the United States. This article in

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texts: particular begins with what one could consider a “typical <mask> day” and allows for the reader to get closer to <mask> in a sense. One day, <mask> wakes up, admittedly feeling stressed form his surroundings, packs a couple sandwiches, and decides to go down to Staten Island to explore the cemeteries. <mask> walks the reader through a number of cemeteries he enjoys walking through on days like that day, which include places such as “Woodrow Methodist Church on Woodrow Road in the Woodrow community, or to the cemetery of St. Luke’s Episcopal Church on the Arthur Kill Road in the Rossville community, or to one on the Arthur Kill Road on the outskirts of Rossville” before leading the reader to The South Shore, a more rural part of Staten Island, where trees tend to dominate, and a place where some of the oldest graveyards can be found, (<mask>). <mask> continues his exploration of several graveyards, stopping at gravestones, studying them, reading the names off of them, and moving vines and dirt off of certain ones he ponders upon. <mask> begins to grow weary, preparing to leave the graveyard off of Rossville until he notices a wildflower that catches his attention, drawn to the grave of a Rachel Dissoway, which is when <mask> is noticed by the rector of the graveyard, Mr. Brock.The two men discuss <mask>'s interest in wild flowers, particularly Peppergrass, which leads to Mr. Brock telling <mask> about a cemetery in a black community off of Bloomingdale Road. Mr. Brock gives <mask> the contact of a Mr. G. Hunter, who is the chairman of trustees of the Methodist Church in the community, Sandy Ground, where <mask> would like to go look for

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texts: Peppergrass. <mask>, using the information given to him by Mr. Brock, contacts Mr. Hunter, and sets up a time to meet the man at his house that coming Saturday morning, for him to explore Sandy Ground. On Saturday morning, <mask> arrives at Mr. Hunter's home, where he is greeted by Mr. Hunter, who at the time of his arrival is icing a cake. In the time while <mask> is at Mr. Hunter's home, <mask> learns a great deal about the history of Sandy Ground. While in the kitchen, the two men discuss multiple concepts—such as the wildflower pokeweed that the older women of Sandy Ground, including Mr. Hunter's mother, believed that they root had healing properties, even though others just generally regard them as poisonous. Following this, there's commentary about what kind of wood Mr. Hunter's house is built of, and talk about how much he despises flies while the two men are sitting on the porch, (as well as a discussion about the history of Sandy Ground, which started due to the wanting of oysters).Following the incident with the flies, Mr. Hunter and <mask> begin their trip to the graveyard. On the way to the graveyard, <mask> discusses more discussion  regarding Mr. Hunter's family and himself—such as the fact that Mr. Hunter wasn't born in the South, but his mother was; more so, his mother was a slave from Virginia, and her mother before her. After Mr. Hunter's mother's slavery days, she moved to Brooklyn, where she met and married his father, although, after his father served a sentence, the family moved to Sandy Ground, hoping to get work by harvesting oysters. After his father's death, Mr. Hunter's mother married a man from Sandy Ground,

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texts: who Mr. Hunter did not much care for, but goes into the history of his step family nonetheless. Mr. Hunter then goes into discuss how he too became a drunk, and the several jobs he had such as a bricklayer and a business owner, before marrying his first wife. Mr. Hunter reveals that he was married twice, and lost both his wives, he also reveals that he had a son who died. After this revelation, the two men enter the cemetery.The men discuss different roots, some of which <mask> is familiar with, and one of which he is not, until they come across a grave that Mr. Hunter says is his Uncle's. Mr. Hunter, while <mask> explores a little more, works on getting the vines off the gravestone, so the two men can better observe it. Following this, the two men stop at a number of different graves, with Mr. Hunter narrating short life stories of each individual they tend to stop at. The routine of stopping, narrating, and continuing comes to a cease upon the two men reaching Mr. Hunter's plot, where he will actually not be buried due to a mishap—of which Mr. Hunter explains clearly, and emotionally, admitting it outraged him. Taking two steps further, Mr. Hunter shows <mask> were he will be buried in all actuality, stating, “'Ah, well, (…), it won’t make any difference'” ending the article, (<mask>). The article, like many others did acquire a level of scrutiny following the publication of a <mask> biography written by Thomas Kunkel in 2015. Kunkel's biography brought to light several fascinating facts about <mask>'s life, however, some of the information provided from it opened up a wormhole, specifically the revelation that certain pieces of


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In January 1947 "Dragger Captain" appeared in The New Yorker in two parts. In this profile <mask> talks to and follows 47-year-old Ellery Thompson who is captain of a dragger boat, named Eleanor.The Eleanor works out of Stonington port in Connecticut. <mask> chooses Ellery Thompson as he is “the most skillful and the most respected of the captain in the Stonington fleet”. <mask> and Captain Thompson soon find that they have compatible personalities, thus,

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texts: allowing <mask> to accompany Ellery during his drags. Throughout the article we gradually learn more about Ellery as a person and not just a dragger captain. Ellery's brother, Morris, died at sea trying to combat poor sailing conditions to try and make a living. Ellery has to then drag for his own brother's body, giving us an insight as to the reason why Ellery looks upon life “with a droll world-weariness”. But Ellery is also a kind and thoughtful man.For example, unlike other draggers, he keeps the best lobster he catches for himself and his crew. Additionally, when the oceanographers from Yale University sail with him on the Eleanor one day a month he flies an “old Yale pennant”. The article closes with Frank, one of Ellery's two crew mates, telling an interesting folk tale. The story is about Old Chrissy, “an old rascal of a woman that was the head of a gang of Block Island wreckers”. The gig was that Chrissy and her crew would lure ships in “with false lights, & they killed the sailors & the passengers, so there wouldn't be any tales told”. On one occasion she unknowingly lures in her own son's ship. But, she chooses to “clout him on the head.‘A son’s a son,’ she said, ‘but a wreck’s a wreck”. “Dragger Captain” was met with much critical acclaim. So much so, that the rights were acquired by Warner Brothers and it was rumoured that they were going to “develop it for Gary Cooper”. Thompson was promised 10% of any proceeds by <mask>. Ultimately though, nothing came of the rumours with Michell calling it “studio commissary gossip” and stating that “the only truth in it is that a writer has been assigned to try and work out a script on

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 dragger finishing, using the Profile as background”. Joe Gould's Secret
In Joe Gould's Secret (1965), <mask> expanded upon two earlier New Yorker profiles, “Professor Sea Gull” (1942) and “Joe Gould’s Secret” (1964), concerning Joe Gould, an eccentric bohemian living in New York City. Following Gould's death, <mask> embarks on a search for the massive book Gould had long claimed to be writing, An Oral History of Our Time.<mask> soon learns that the purportedly nine-million-word work of oral history does not exist. However, he finds that Gould is a popular and central figure within a number of New York circles. Extending <mask>'s abiding concerns with the anti-hero and the New York landscape,Joe Gould’s Secret also captures the essence of Gould's non-existent oral history by preserving the life and voice of Joe Gould. Gould's writing is digressive and self-referential; however, <mask>'s writing in Joe Gould’s Secret diverges from his previous works. <mask> often speaks in first person while offering personal accounts and memories revolving around the plot. Furthermore, Gould's nonexistent “Oral History” is an attempt to capture the voices of the plebeian class, or the anti-heroes. <mask>'s entire work, especially Joe Gould’s Secret, captures the selfsame essence.His work often revolves around character study, in which he captures Joe Gould's profile. Gould struggles with writing and rewriting the first few chapters of his “Oral History” because of writer's block. Ironically, <mask>, himself, is struggling with a degree of writer's block in which he was unable, later in life, to continue his previous writing output. Critical reception

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texts: Critical reviews of <mask>'s works are, almost overwhelmingly, positive. Many critics have labeled <mask> "the best reporter in the country" and marked him as the writer with whom "any writer with aspirations in literary journalism...has to reckon with," and the writer that "transform[ed] the craft of reporting into art". William Zinsser states that <mask> serves as the "primary textbook" for "nonfiction writers of any generation". Critics credit <mask>'s strength as a writer to his "skills as an interviewer, photographic representation of his characters and their speech, deadpan humor, and graceful, unadorned prose style".Critics also note that it is <mask>'s "respect and compassion for his subjects" that allows him to explore uncomfortable themes like "mortality, change, and the past". Throughout <mask>'s career, he has been praised for his "ear for dialogue and eye for detail, genuine interest in the lives of his subjects, rhythmic, simple prose". For many critics, <mask> serves as the model writer for "generations of nonfiction writers" In the latter part of <mask>'s career, critics began to note that the tone of his writing had become "increasingly nostalgic" but that he retained his "earthly sense of humor and obvious delight in making new discoveries about New York". One notable literary critic, Noel Perrin, notes that "<mask> described the life and even the very soul of New York as perhaps no one else ever has". There are critics who question <mask>'s legacy as a journalist because of his tendency to "cross a line" between fiction and nonfiction, often "shaping the facts" of his stories to offer "the core 'truth' of the story"


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 rather than "its interior factuality". One critic asks, "knowing [<mask>] fabricated and embellished, how should we view his legacy?" In popular culture
In 2000, Joe Gould's Secret, a feature film directed by Stanley Tucci and written by Howard A. Rodman, was released.It focuses on the relationship between <mask> (played by Tucci) and Joe Gould (Ian Holm) during the 1940s. <mask> is portrayed in The Blackwell Series, an indie computer game series revolving around paranormal themes. In the second game of the series, the player encounters <mask> during the prolonged writer's block of his later years. In the third game of the series, the player encounters ghosts of both <mask> and Joe Gould. <mask> is referenced by the editor of the Baltimore Sun, Gus Haynes, in the last episode of the HBO drama The Wire. Steve Earle's song "Down Here Below", from Washington Square Serenade, mentions <mask> directly saying, “I saw <mask>'s ghost on a downtown 'A' train. He just rides on forever now that the Fulton Fish Market's shut down."Bibliography

Collections from prior newspaper works

Collections of work from The New Yorker

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All works from The New Yorker

1931–1939

 Comment With E.B. White Comment (January 16, 1931)
 Comment With E.B. White Comment (August 12, 1932)
 High Hats' Harold D. Winney & <mask> The Talk of the Town (June 9, 1933)
Reporter at Large They Got Married in Elkton A Reporter at Large (November 3, 1933)
Home Girl Profiles (February 23, 1934)
Reporter at Large. Bar and Grill. A Reporter at Large (November 13, 1936)
Mr. Grover A. Whalen and the Midway A Reporter at Large (June 25, 1937)
 The Kind Old Blonde Fiction (May 27,

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Reporter at Large A Reporter at Large (August 19, 1938)
Mrs. Bright and Shining Star Chibby Fiction (October 28, 1938)
I Couldn't Dope it Out Fiction (December 2, 1938)
Christmas Story A Reporter at Large (December 16, 1938)
Obituary of a Gin Mill A Reporter at Large (December 30, 1938)
 Downfall of Fascism in Black Ankle County Fiction (January 6, 1939)
The Little Brutes! A Reporter at Large (February 3, 1939)
Dignity.The Talk of the Town (February 10, 1939)
All You Can Hold For Five Bucks. With Eugene Kinkead & Harold Ross The Talk of the Town (January 24, 1941)
Mr. Colborne's Profanity-Exterminators Profiles (April 25, 1941)
But There is No Sound A Reporter at Large (September 12, 1941)
The Tooth Profiles (October 24, 1941)
King of the Gypsies Profiles (August 7, 1942)
Professor Sea Gull Profiles (December 4, 1942)
Comment Comment (April 23, 1943)
A Spism and a Spasm Profiles (July 16, 1943)
The Mayor of the Fish Market Profiles (December 24, 1943)
Rebate. With F. Whitz The Talk of the Town (February 25, 1944)
Thirty-Two Rats from Casablanca A Reporter at Large (April 21, 1944)
Coffins! Undertakers! Hearses! Funeral Parlors! A Reporter at Large (November 17, 1944)
Solution.(March 2, 1945)
Mr. Flood's Party A Reporter at Large (July 27, 1945)
Dragger


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<mask> (, ; April 2, 1908, Ekaterinodar, Russian Empire – 1986, Leningrad, USSR) was a Soviet, Russian–Latvian painter, watercolorist, graphic artist, and art teacher, lived and worked in Leningrad, a member of the Leningrad Union of Artists, regarded as one of representatives of the Leningrad school of painting, most famous for her still life painting. Biography
<mask> was born April 2, 1908 in Ekaterinodar, Kuban Oblast, Russian Empire, in the teacher's family, who arrived in the Kuban from Riga. After graduation nine-years high school she studied in 1926-1930 at the Kuban Teachers College, where she gained first professional skills of the painter. After graduating from college in 1930-1931 she taught drawing in high school in Krasnodar. Ability to draw, a bright character and a desire to improve in their chosen profession identified further choice of the path. In 1931 <mask> comes to Leningrad, worked as an artist at the Stalin Metalworks, then studied at the Institute for Advanced education of Art workers. In 1936 <mask> entered at the third course of the Painting department of the Leningrad Institute of Painting, Sculpture and Architecture.She studied of Semion Abugov, Genrikh Pavlovsky, Dmitry Mitrokhin, Rudolf Frentz. In 1939 <mask> graduated from Leningrad Institute of Painting, Sculpture and Architecture in Alexander Osmerkin personal Art Studio. Her graduate work was genre painting named "Lesson of the circle, studying the Naval Science" (Museum of Academy of Arts, Saint Petersburg). In October 1939 <mask> was admitted to the Leningrad Union of Soviet Artists, receiving a membership card number 285. In 1940-1941, by the invitation of Professor

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texts: Rudolf Frentz she works as an assistant in his studio of battle painting of the Leningrad Institute of Painting, Sculpture and Architecture. After the beginning of Great Patriotic War <mask> and her daughter were evacuated to Kazakhstan in city Leninsk-Kuznetsk. There she worked as an artist of Drama Theater named after S. Ordzhonikidze, participated in the design of the city, as well as exhibitions of artists of Kuzbass.In 1944 <mask> returned to Leningrad. She began her teaching job, first in the Secondary Art School at the Leningrad Institute of Painting, Sculpture and Architecture named after Ilya Repin, then at the Department of General Painting in Vera Mukhina Institute. At the same time she works a lot creatively and participated in most exhibitions of Leningrad artists. She painted genre paintings, portraits, still lifes, and landscapes. She worked in oil painting, watercolors, charcoal drawings. The greatest success and recognition achieved in the genre of still life paintings and watercolors. In 1951 <mask> leave teaching and move to work under contracts with LenIzo (Commercial Association of Leningrad Artists) as an artist of painting.It was during this period of still life is establishing itself as the leading genre in her work. This is evidenced by the work shown at the Spring exhibitions of Leningrad artists in 1954 and 1955 years, and the Autumn exhibitions in 1956 and 1958 years. Still lifes with flowers and fruits that are painted by her in this period were frankly fictional, masterfully orchestrated, elegant and solemn talking about the fullness and joy of life. In 1960s <mask> made some creative journeys in search of material for

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