texts:
 the voluntary conservation movement. Eggeling helped to found the Scottish Wildlife Trust in 1964 and became vice-president. He was also a Member of Council of the Royal Society for the Protection of Birds and Chairman of its Scottish Advisory Committee, and President of the Scottish Ornithologist Club between 1966–69. He had an enduring interest in birds, was an enthusiastic bird-ringer, studying their migration. In 1967 he became Vice-Chairman of the Nature Reserves Committee of Northern Ireland, and in 1968 succeeded Dr Berry as Director (Scotland) of the Nature Conservancy. On retiring in 1970 he was elected a member of the Countryside Commission for Scotland, and was created a CBE in 1972. After 19 years in Anstruther, where his wife's parents had retired, he and his wife moved to Dunkeld in 1973.He died in Perth. Botanical referencing

The orchid genus Eggelingia commemorates his name. Family
In 1939 he married Jessie Elizabeth Tothill (d.1988), daughter of Dr John Douglas Tothill (1888-1969), CMG, Director of Agriculture in the Sudan, who had filled a similar post in Uganda. Jessie accompanied her husband on most of his trips in Africa, and thereafter in the UK, raising a family of three daughters and two sons. Publications
The Vegetation of Namanve Swamp, Uganda (1935)
Fifteen Uganda timbers (1939)
The Indigenous Trees of Uganda (1940)
An annotated list of the grasses of the Uganda Protectorate (1942)
Elementary forestry: A first textbook for forest rangers (1949)
The Indigenous Trees of the Uganda Protectorate (1951)
Forestry in Tanganyika, 1946-50 (1951)
The Isle of May (1960)
Checklist of plants on Rùm
When I was Younger: A Forest Officer's Memories of Uganda in the Thirties (1987)

External links
Obituary: Joe Eggeling - "The Independent"

References

Scottish botanists
Scottish naturalists
Scottish foresters
1909 births
1994 deaths
Colonial Forest Service officers
Uganda Protectorate people
Alumni of the University of Edinburgh
20th-century British botanists
20th-century


type: original

texts:
<mask>vić (; born 26 October 1946) a Serbian poet, was born in 1946 in Senta, northern Vojvodina. She has been a member of the Serbian Literary Society since its foundation in 2001. By the decision of the Government of Serbia, 24 December 2009, she was awarded the title of top artists in the field of literature. She lives in Zemun. Education
She finished the first grade of primary school in Senta, continued her education in Belgrade in the primary school "Vuk Karadzic" and in the Second Belgrade High School. She graduated in 1970, and earned her MA in 1973 at the Belgrade Faculty of Philology, Department of General Literature and Literary Theory. Her Master's thesis, dedicated to one of the most important Serbian poets Momčilo Nastasijević, was published in the form of an essay in the prestigious Argus edition, publishing house "Vuk Karadzic", 1976.She has been represented in numerous anthologies of contemporary Serbian poetry in the country and abroad. Literary work
Her first book of poetry was published when she was twenty by one of the oldest and the most outstanding publishing houses ("Matica Srpska", Novi Sad, in 1966) and appeared in "The First Book" collection. Since then she has published 19 collections of poetry, most recently Hleb od ruža (The Bread of Roses) whichcame out published by KOV, Vršac (2012). The first book of poems,


texts: Vratio se Volodja (Volodja has come Back), was illustrated with the photographs by Tanja's father, an art photographer and photojournalist of Politika newspaper, Stevan Kragujević, while the monograph "Kragujević, Senta koje više nema" ("Kragujević, Senta that no Longer Exists"), was published on the occasion of the trecentenary celebration of the town of Senta by the Kulturno-obrazovni centar "Torzo Lajoš iz Sente", 1997. (Cultural-educational Centre "Turzo Lajoš from Senta". The book was composed of artistic photographs by Stevan Kragujević and illustrated by the verses of his daughter Tanja and appeared in the amended version of the special poetry collection under the title Pejsaži nevidljivog ("The Landscapes of the Invisible") KOV, Vršac, 2001). The first selection from her complete poetical works was published by "Agora" (Zrenjanin, 2009).The selected and new poems, entitled Staklena trava (Glass Grass), was edited and the afterword was written by the poet and literary critic Nenad Šaponja. Within Edicija dobitnika književne nagrade Milica Stojadinović Srpkinja (Edition of the Winners of Literary Award of Milica Stojadinovic – Serb), published by Zavod za kulturu Vojvodine (the Cultural Institute of Vojvodina), 2010, a new selection of her poetry, called "Ruža, zaista" ("Rose, indeed"), appeared edited and with the afterword by the


texts:
 literary critic and essayist Dragana Beleslin. <mask> Kragujević's poetry was reviewed by poets and essayists Ivan V. Lalić, Milica Nikolić, prof.dr. Slavko Gordić, Draško Redjep, dr. Dragana Beleslijin, Dragan Jovanović Danilov and Nenad Šaponja, and literary critics Čedomir Mirković, Vasa Pavković, Bojana Stojanović Pantović, Dušica Protić, Aleksandar B. Laković and others as well. Guest appearances at festivals
Appeared at poetry festivals: Struga Poetry Festival (North Macedonia), Pushkin Poetry Days (Russia), Square of Poets, (Montenegro, Budva). Participated in the work of literary colony at Sićevo (1994), the International Literary Colony at Čortanovci (2008 ). Represented Serbia at the First Trans-Balkan Poetry Festival in Thessaloniki (24–26 May 2012 ).Guest appearance at the Fourth International Literature and Film Festival of Ordu (Turkey), 3–6. October 2013. Kragujević family legacy
On the occasion of five decades since the publication of the first  poetical book Vratio se Volodja, Istorijski arhiv Beograda (Historical Archives of Belgrade) staged the exhibition with the same name. The author of the lay out, Isidora Stojanović, presented the author's books, anthologies, rewards, artefacts and photos which constitute a part of Kragujević family legacy and mark the life, editorial and creative work of the poetess. The special


texts:
 segments of the exhibition refers to the family, friends and associates, their letters, photos, books with inscriptions, gifts, rarity books and various items which are the integral part of this Legacy. Translations
Translations of her poetry can be read in several languages in the world's largest online poetry anthology Lyrikline (www. lyrikline.org), and on her personal website (www.tanjakragujevic.com) as well.Her poems have been translated into German, English, French, Spanish, Hungarian, Dutch, Bulgarian, Macedonian, Russian, Belarusian, Italian, Slovenian, Polish, Japanese, and Greek. Especially interesting is the publication entitled Staklena trava (Glass Grass), collection of seven poems in seven languages (French, German, Greek, Hungarian, Italian, Japanese, Spanish), published by Agora, Zrenjanin, 2012. She is present in thematic and other anthologies home and abroad, representing Serbian poetry today, inter alia: Poesia Serbia hoy, Debats (institutció Alfons el Magnànim, Valencia, n.109 2010/4) and Les Poètes de la Mediterannée (preface by Yves Bonnefoy, Gallimar & Culturesfrance, 2010); Hundert grams Seele, Ten Decagrams of Soul, The Anthology of Serbian Poetry of the Second Part of the Twentieth Century (edited by Robert Hodel, Leipziger Literaturverlag, 2011), The Anthology of Serbian Poetry of XX and XXI Century (Herg Benet


texts:
 Publishers, Bucharest, 2012), El Color de la Esencia (Monográfico de Poesía Serbia Contemporánea—the Monography of Contemporary Serbian Poetry (Silvia Monrós de Stojakovic, Anfora Nova, Nova, Rute, Córdoba, Spain, 2013). Editing
 She edited a children's book written by Desanka Maksimovic Patuljak Kukuruzović (Dwarf Kukuruzović) and Bajka o putevima (The Tale of the Roads) – illustrated with the pictures by Janez Smole, Zavod za udžbenike i nastavna sredstva and Narodna knjiga, Beograd,)1979. The testamentary book of verse of modern classic Srba Mitrović (1931–2007), Magline, Sazveždja (Nebulae, constellations, Rad, Beograd, 2007), for which she wrote the afterword. Publishing work
More than fifteen years she has been engaged in publishing work. As the editor (Narodna knjiga, Beograd), she has created several collections of books of modern literature, collected and selected works by world outstanding authors (Works by Antoine de Saint-Exupéry, 1981; Works by Marina Tsvetaeva, 1990), edition Alpha Lyrae, dedicated to the most important names of the modern world poetry (H.L.Borges, Philip Larkin, Sylvia Plath, Czesław Miłosz, Janis Ricos, H.M. Enzesberger, Tadeusz Różewicz, Joseph Brodsky, Wisława Szymborska, [Adam Zagajewski, Charles Simic, and others).She is the Editor of the book collection "Ariel" in the publishing house "Agora" who


texts:
 publishes the works of the most outstanding poets in the world (Lucija Stupica, Stanisław Barańczak, Tasos Livaditis, Sarah Kirsch and others). The book Kutija za mesečinu (The Box for Moonlight), was published in 2003. KOV, Vršac. Published books

Poetry
 Vratio se Volođa. With the photographs by Stevan Kragujević. Edicija "Prva knjiga". Matica srpska, Novi Sad, 1966.Nesan. Sa grafičkim prilozima Lazara Vujaklije. Bagdala, Kruševac,1973. Stud. Prosveta, Beograd, 1978. Samica. Nolit, Beograd, 1986.Osmejak omčice. KOV, Vršac, 1993. Divlji bulevar. Rad, Beograd, 1993. Muška srma. Srpska književna zadruga, Beograd, 1993. Duša trna.Sa crtežima Mihaila Đokovića Tikala. Prosveta, Niš, 1995. Osmejak pod stražom. KOV, Vršac, 1995. Autoportret, sa krilom. Prosveta, Beograd, 1996. Slovočuvar i slovočuvarka.Prosveta, Beograd, 1998. Pejzaži nevidljivog. KOV, Vršac, 2001. Godine, pesme. Edicija "Povelja". Biblioteka Stefan Prvovenčani, Kraljevo, 2002. Pismo na koži.Rad, Beograd, 2002. Njutnov dremež. Književno društvo Sveti Sava, Beograd, 2004. Žena od pesme. KOV, Vršac, 2006. Plavi sneg. KOV, Vršac, 2008.Staklena trava. Izabrane pesme. Biblioteka "Arijel", knjiga 1. Agora, Zrenjanin, 2009. (Glass grass . Selected and New Poems. Library "Ariel", Vol.1, Edited and afterword written by Nenad Šaponja. Cover photograph: Stevan Kragujević, A Road Across the


texts:
 Plains). Ruža, odista. Zavod za kulturu Vojvodine. 2010. (Selected Poems. Selected and afterword written by Dragana Beleslijin)
 Motel za zbogom.Biblioteka "Stefan Prvovenčani", Kraljevo, 2010. Hleb od ruža. KOV, Vršac, 2012. Od svetlosti, od prašine, Književna akademija Istok, Knjaževac, 2014. Efekat leptira, Kulturni centar Novog Sada, 2016. Corona, Small Poems. Afterword: Jovica Aćin.Cover: Alan Bećiri, Tisa Flower. Illustrations: Maja Simić. Čigoja, Beograd, 2017. Efekat leptira, Ratković's poetry evenings, Bijelo Polje, 2018. Extravaganza, poems. Book cover: Stevan Kragujević, Scattered Light, shadows, Belgrade, Afterword: Slavko Gordić. Publishers: Čigoja and the author.Beograd, 2019. Selected poems
 Staklena trava. Izabrane i nove pesme. Biblioteka "Arijel", knj. 1. Priredio i pogovor napisao Nenad Šaponja. Agora, Zrenjanin, 2009.(Glass grass . Selected and New Poems. Book collection "Ariel", Vol. 1, Edited and afterword written by Nenad Šaponja). Ruža, odista. Izabrane pesme. Edicija dobitnika književne nagrade Milica Stojadinović Srpkinja.Izbor i pogovor. Dragana Belesliijn Zavod za kulturu Vojvodine, Novi Sad, 2010. (Rose, indeed . Selected Poems. Edition of the Winners of literary award Milica Stojadinovic Serb. The selection and afterword by. Dragana Beleslijin)
 Trn o svili (2016), author's choice.Edition "Desanka Maksimović


texts:
 Reward", Book 21, "Desanka Maksimović" Foundation and Narodna biblioteka Srbije, Beograd (The National Library of Serbia, Belgrade), 2016

Special monograph
 Stevan Kragujević i Tanja Kragujević: Senta koje više nema, KOC "Turzo Lajoš", Senta, 1997. Izdanje povodom 300. godišnjice grada Sente. Fotografije: Stevan Kragujević. Stihovi: <mask> Kragujević. (Monograph – "Kragujević, Senta that no Longer Exists", published on the occasion of the trecentenary celebration of the town of Senta. Photographs: Stevan Kragujević; verses: <mask> Kragujević. Essays
 Mitsko u Nastasijevićevom delu.Biblioteka "Argus". Vuk Karadžić, Beograd, 1976. Dodir paunovog pera. Knjiga čitanja. Rad, Beograd, 1994. Trepet i čvor. Druga knjiga čitanja.Rad, Beograd, 1997. Orfej iz teretane. Treća knjiga čitanja. Prosveta, Beograd, 2001. Božanstvo pesme. Eseji o poeziji Miodraga Pavlovića, Ivana V. Lalića, Aleksandra Ristovića, Srbe Mitrovića, Dušana Vukajlovića i Nenada Šaponje. Prosveta, Beograd, 1999.Kutija za mesečinu. Mali eseji. KOV, Vršac, 2003. Svirač na vlati trave. Eseji. AGORA, Zrenjanin, 2006. Izgovoriti zvezdu.Mali eseji. AGORA, Zrenjanin, 2010. Talog nedovršenog. Minuete. Književna opština Vršac, 2010. Telegrami i molitve, AGORA, Zrenjanin 2015. Proći ispod čarobnog luka, essays and lyrical notes, Tanesi, Beograd, 2018.Putnik ka omegi (Three poets, three

masks: Tanja Tanja


texts:
 essays: Ewa Zonenberg, Tоny Hoagland, Wislawa Szymborska, Čigoja, Beograd, Kuća poezije, Banja Luka, 2018. The book of essays about modern Serbian poets Božanstvo pesme /(Divinity of Poem)/(about the poetry of outstanding Serbian poets – Miodrag Pavlović, Ivan V. Lalić, Aleksandar Ristović, Srba Mitrović, Dušan Vukajlović and Nenad Šaponja) was published by Belgrade Publishing House "Prosveta", 1999. The book Svirač na vlati trave (A Player on a Blade of Grass), Agora, 2006, deals with the poetry of Desimir Blagojević, Miloš Crnjanski, Vasko Popa, Srba Mitrović, Miroljub Todorović and Nikola Vujčić. Her essay about native and world literature, broadcast on Radio Berlgrade (Channel 2) were collected in three Books of Reading Poetry (Knjige čitanja), published in Belgrade, 1994, 1997, 2001. A small collection of texts on modern world and native poetical works entitled Izgovoriti zvezdu (Pronouncing a Star) , was published by "Agora" (Ogledalo edition), 2010, and KOV Vršac published a new book of her lyrical lines and micro-essays entitled Talog nedovršenog (The Residuum of the Unfinished). Translated poetry
 Staklena trava (Glass Grass), collection of seven poems in seven languages (French, German, Greek, Hungarian, Italian, Japanese, Spanish), published by Agora, Zrenjanin, 2012. Cover photograph: Stevan Kragujević, A Road Across the


texts:
 Plain.Recollection of Silk. Selected poems from The Bread of Roses collection. In Serbian and the translations into English (Marija Knežević), French (Marilyne Bertoncini) and Spanish (Silvia Monrós de Stojaković. About The Bread of Roses (afterword) Vasa Pavković, Afterward translation into English : Nikola S. Krznarić. Cover photo: Katarina Alempijević. Linea Alba III, paper object. Photo of the poetess: Živko Nikolić.Književno društvo „Sveti Sava“ (Literary Society „St. Sava“), series- „Druga obala“, 2015. Rendered poetry
 Kajetan Kovič. Pesme. Izbor i pogovor Jože Snoj. Prevod Tatjana Detiček. Prepev Tanja Kragujević.Narodna knjiga, Beograd, 1974. (Kajetan Kovič, Poems. Selected and afterword written by Jože Snoj. Translated by Tatjana Detiček-Vujasinović. Rendered by <mask> <mask>, narodna Knjiga, Beograd, 1977.) Tone Pavček, Pesme. Izbor i pogovor Tode Čolak.Prevod Tatjana Detiček-Vujasinović. Prepev Tanja Kragujević. Narodna knjiga, Beograd, 1977. (Tone Pavček, Poems. Selected and afterword written by Tode Čolak. Translated by Tatjana Detiček-Vujasinović. Rendered by <mask> Kragujević, Narodna Knjiga, Beograd, 1977.)Svetlana Makarovič: Pesme. Izbor, prevod i pogovor Marija Mitrović. Prepev Tanja Kragjević. Narodna knjiga,Beograd, 1977. (Svetlana Makarovič, Poems. (Selected, translated and afterword written by Marija Mitrović.

masks: Tanja Kragujević Tanja


texts: Rendered by <mask> Kragujević, Narodna Knjiga, Beograd, 1977.)Marina Cvetajeva, Dela, Narodna knjiga 1990, priredila Milica Nikolić. Knjiga I, Pesme i poeme. (Marina Tsvetaeva, Works, Narodna Knjiga 1990. Selected Poems. Edited by Milica Nikolić. Translated by: Olga Vlatković, Mirjana Vukmirović, Jelica Drenovac, Danilo Kiš, Zlata Kocić, <mask> Kragujević, Ljudmila Lisina. Book collection "Atlas vetrova", Književna opština Vršac, 1997.Marina Cvetajeva: Pohvala vremenu. Izabrane pesme. Priredila Milica Nikolić. Preveli: Olga Vlatković, Mirjana Vukmirović, Jelica Drenovac, Danilo Kiš, Zlata Kocić, <mask> <mask>, Ljudmila Lisina. Biblioteka “Atlas vetrova”, Književna opština Vršac, 1997. (Marina Tsvetaeva, In Praise of Time. Selected poems.Edited by Milica Nikolić. Translated by: Olga Vlatković, Mirjana Vukmirović, Jelica Drenovac, Danilo Kiš, Zlata Kocić, <mask> Kragujević, Ljudmila Lisina. Book collection “Atlas vetrova”, Književna opština Vršac, 1997. She has worked in collaboration with translators on a number of rendered poems, and participated in the translation of Marina Tsvetaeva's verses, included in the Anthology of translations by Miodrag Sibinović: : Antologija ruske lirike X-XXI vek, knjiga II (Prva četvrtina – sredina XX veka; Marina Cvetajeva, "Duša", prevod Ljudmina Lisina, prepev Tanja Kragujević, str. 132). Paideia, Beograd,

masks: Tanja Tanja Tanja Kragujević Tanja


texts:
 2007 (An Anthology of Russian poetry X-XXI Century, Volume II – First Quarter – mid-twentieth century, Marina Tsvetaeva, " Soul ", translation: Ljudmina Lisina, rendered by: <mask> Kragujević, p. 132), Paidea, Belgrade, 2007. Internet Anthology
Since 10 April 2009, the verses of <mask> Kragujević can be found on the world's largest Internet poetry presentation, Lyrikline.org.About a Poetess
The poetry of <mask> Kragujević. Collection of works. Edition “Desanka's May Conversations”, Book 34. The endowment of “Desanka Maksimović” and the National Library of Serbia, Belgrade, 2017. Edited by Mirjana Stanišić. Authors: Emeritus Professor Dr. Slavko Gordić, Milica Nikolić, Vasa Pavković, Prof. Dr. Bojan Djordjević, Darija Žilić, Dr. Mila Medigović Stefanović, Tamara Krstić,
Sonja Milovanović and Prof. Dr. Vladislava Gordić. Awards
 Brankova nagrada" (1966)
 "Đura Jakšić" (1993) – poetry
 "Isidora Sekulić" (1976) – essays
 "Milan Bogdanović" (1996) – literary criticism
 Plaque of the City of Belgrade (1984), hometown plaque award for literary and cultural contribution (1968)
 "Milica Stojadinović Srpkinja" (2009) – poetry."The seal of the town of Sremski Karlovci", 2013, for the best book of poetry published in 2012 (collection "Bread of roses", KOV, Vršac, 2012). "Rade Tomić" Reward (2014) for the manuscript of the book entitled Od svetlosti

masks: Tanja Tanja Tanja


texts:
 od prašine
 "Desanka Maksimović" Reward (2015) for the whole contribution to Serbian poetry
 "Lenkin prsten" (2015) for the best love poem published in the same year  (the poem  "Voda")
 "Gračanička povelja" (2016)
 "Risto Ratković" award for the collection of poems entitled Butterfly Effect, 2017. Rade Drainac Prize 2020, for poetry collection Extravaganza

References

External links
 <mask> Kragujević / Official
 b92 / Fair in Thessaloniki
 News / Tanja Kragujević: A Moment worthy of Celebration
 Bookstore / Tanja Kragujević
 Politika / Culture interview
 News / Culture-Award on the birthday of Branko Radićević

1946 births
Living people
People from Senta
Serbian women poets
Serbian


texts:
Solomon (or <mask><mask> (2 February 1827 – 28 December 1906) was a Jewish Galician scholar and editor of Hebrew works. He is especially remembered for his editions of Midrash and other medieval Jewish manuscripts, and for the pioneering research surrounding those texts. Biographical data
<mask> was born at Lemberg (then part of the Kingdom of Galicia and Lodomeria, Austria, now Lviv, Ukraine) on February 2, 1827. His  father, <mask>, was versed in Talmudic literature and Jewish philosophy, and was Solomon's teacher in the latter subject; but for his son's Biblical and Talmudic studies he carefully selected competent professional teachers. Buber soon desired to conduct independent research and put the results in literary form—a disposition that proved valuable to Jewish literature. At twenty years of age, Buber married and entered commercial pursuits. He rose rapidly to become Handelskammerrath, and auditor of the Austro-Hungarian bank, the national bank, and the Galician savings-bank.Buber was also president of the Geschäftshalle, vice-president of the free kitchen, and honorary member of a working men's union. For more than a quarter of a century he was one of the directors of the Lemberg congregation; he was on the committee of the Bernstein foundation, and took a leading part in various philanthropic associations. He died in 1906. Midrash editions
While active in public life, Buber also

masks:
Salomon
) Buber
Solomon Buber
Isaiah Abraham Buber


texts:
 devoted himself to learned research. The midrash literature had special attractions for him; and his activity in this field has been remarkable in extent. Its first result was an edition of the so-called Pesikta de-Rav Kahana, with an elaborate commentary and introduction that exhaustively discuss all questions pertaining to the history of this old Aggadah collection. The book appeared as a publication of the society known under the name of Mekitze Nirdamim (Lyck, 1868).Buber's method of dealing with the difficult undertaking was new to scientific literature; and both introduction and commentary received the unstinted praise of the scholarly world. The introduction was translated into German by August Wünsche, and published by him with his translation of the Midrash, Leipzig, 1884. vol. 2, Berlin, 1900-02. Method as editor
As this array of publications shows, <mask> was a prolific writer; yet the scientific quality of his work does not suffer on this account, at least in the opinion of his contemporaries. (See below for current assessments.) At the outset he adopted a certain system to which he consistently adhered.For a determination of the reading of the text he availed himself of all accessible manuscripts and printed works—and everything was accessible to him, as he spared no expense in obtaining copies of manuscripts and the rarest printed editions; he conscientiously recorded the


texts: various readings in footnotes, and he bestowed special care, chiefly in the older midrashim, on the correction and explanation of words in the text borrowed from the Greek and the Latin. In the introductions, which almost assume the proportions of independent works (the introduction to the Tanchuma embraces 212 pages octavo), everything that bears upon the history of the work under consideration is discussed, and a compilation is given of the authors or works cited by the Midrash or serving as sources for it, and those that in turn have drawn upon the Midrash. His work is distinguished by thoroughness, and reveals his synthetic ability as well as the vast extent of his reading. The only serious opposition to the views encountered by Buber has been in regard to his theory concerning the Tanchuma. Buber distinguished himself in other departments of literature. His first work was a biography of the grammarian Elias Levita, published at Leipzig in 1856. After this he edited the following: De Lates' Gelehrtengeschichte Sha'are Zion, Jarosław, 1885; Zedekiah ben Abraham's liturgic work, Shibbole ha-Leket, Wilna, 1886; Pesher Dabar, Saadia Gaon's treatise on the Hapax Legomena of the Bible, Przemyśl, 1888; Samuel ben Jacob Jam'a's Agur, introduction and additions to the Arukh, Breslau, 1888 (in Grätz Jubelschrift); Samuel ben Nissim's commentary on the Book of Job, Ma'yan Gannim, Berlin, 1889;


texts: Biurim: Jedaiah Penini's explanations of Midrash Tehillim, Cracow, 1891, and a commentary on Lamentations by Joseph Caro, Breslau, 1901 (in the Kaufmann Gedenkbuch); Anshe Shem, biographies and epitaphs of the rabbis and heads of academies who lived and worked at Lemberg, covering a period of nearly four hundred years (1500-1890), Cracow, 1895.In these works <mask> appears as a philologist and as a careful writer of biographies of scholars, especially of the Jewish scholars of Poland. Buber's extensive knowledge of Jewish history and literature is also displayed in additions to the works of others and in numerous contributions to Hebrew magazines, such as: Meged Yerachin, Kobak's Jeschurun, Ha-Lebanon, Ha-Maggid, Maggid Mishneh, Ha-'Ibri, Ha-Melitz, Ha Chabatzelet, Ha-Karmel, Joseph Kohn's Otzar Chokmah, Bet Talmud, Ha-Shachar, Ha-Asif, Keneset Yisrael, Zion, Oẓar ha-Sifrut, Ha-Eshkol. Among the works of his later years the following may be mentioned: Yeri'ot Shelomoh, a supplement to Abraham ben Elijah of Wilna's Rab Po'alim, Warsaw, 1894; a criticism of Yalḳuṭ Makhiri, on Isaiah, ed. Schapira, Cracow, 1895; a criticism of the Pesiḳta, with an introduction by David Luria (ed. Warsaw, 1893), Cracow, 1895; Ḳiryah Nisgabah, on the rabbis in Zółkiew up to the letter ך, published in Ha-Eshkol, i-iii, 1898–1900; and his contribution to the Steinschneider Festschrift, wherein he propounds a new


texts:
 theory concerning the Petichtot (Introductions) in Midrash Ekah Rabbati. Buber corresponded on learned subjects with many well-known Jewish scholars. He proved himself a veritable Maecenas of learning.The cost involved in the publication of his works was usually borne by him, and he presented free copies to libraries and indigent scholars. Current assessment of Buber's scholarship
While there is no denying the positive and profound impact of <mask> on the publication and study of the midrashic literature, there has been some reassessment of the quality of his work in light of more modern methodologies. states that Buber's texts "are now largely considered defective on two counts." The first count is that Buber's methods are not consistent and rigorous by modern standards of scholarship, and the second count is that Buber's hired copyists often introduced their own copying errors into the works, thus partly negating Buber's efforts to establish a correct text. Many of the midrashic works that Buber first published now exist in (relatively) newer critical editions, which will generally be listed in modern reviews such as . Trivia
<mask> was the grandfather and teacher of <mask>. References

 M. Reines, Dor wa-Chakamaw, i.28-40; Sefer Zikkaron, p. 7, Warsaw, 1889.
.
 . External links
Literature by and about <mask> <mask>

Buber, <mask>, <mask>, <mask>, <mask>, Solomom
Jewish Ukrainian

masks:
Solomon Buber
Solomon Buber
Martin Buber
Salomon
Buberca
Solomon Buber
Solomon Buber
Solomon Buber
Solomon Buber


texts:
<mask> (born February 7, 1987) is an American professional mixed martial artist and former collegiate wrestler. He currently competes in the featherweight division of Professional Fighters League, where he is the 2019's tournament champion. As a folkstyle wrestler, he was a four-time NCAA Division I All-American and four-time OHSAA state champion. Wrestling career

High School
<mask> started wrestling at the age of nine and won every OHSAA (state) tournament since his freshman year of high school, making him a four-time Ohio champion out of St. Edward High School. He graduated with a record of 150-6 and also won a  NHSCA Senior National championship while coached by Greg Urbas. College
After graduating, he attended Division I powerhouse Ohio State University, where he competed at 149 pounds in all of his 4 seasons. 2006-07
True Freshman: Earned All-American status after placing fourth at the NCAA tournament, becoming the second Buckeye to do so in their first year of competition.He also placed third at the Big Ten Championships, and defeated 3 ranked opponents at the tournament.

masks:
Lance Palmer
Palmer


texts:
 2007-08
Sophomore: Became a two-time All-American placing eight at the NCAA championship. At the Big Ten's, he placed sixth and was the fifth seed. 2008-09
Junior: Placed fourth at the NCAA's, making him a three-time All-American. He also placed third at the Big Ten Conference championship. 2009-10
Senior: <mask> had the most success in his college career as he became the NCAA's tournament runner-up and champion of the Big Ten Conference before graduating. Over his career, <mask> compiled a 121–33 record and became a four-time NCAA Division I All-American, one-time NCAA finalist and one-time Big Ten Champion.He defeated notable opponents such as future Olympic Gold Medalist and 2x NCAA Champion Jordan Burroughs, NCAA Champion and future Olympian Frank Molinaro, future NCAA Champion and MMA Fighter Bubba Jenkins, former NCAA Champion (later two-time) Brent Metcalf and University Freestyle National Champion Jason Chamberlain

On June 16, 2020, <mask> was inducted into the Ohio State University's Hall of Fame by his legendary collegiate wrestling career. Mixed martial arts career

Early

masks: Palmer Palmer Palmer


texts:
 career
<mask> made his professional mixed martial arts debut on May 20, 2011. He began his career at 7-0 and won the Resurrection Fighting Alliance Featherweight Championship a little over two years after his debut. World Series of Fighting
On December 7, 2013, <mask> made his World Series of Fighting debut at WSOF 7 against Bellator veteran Georgi Karakhanyan for the inaugural WSOF Featherweight Championship. He lost via guillotine choke in the third round. On June 21, 2014, <mask> faced Nick LoBasco at WSOF 10. He won via rear naked choke submission in the first round.On December 13, 2014, <mask> challenged Rick Glenn for the WSOF Featherweight Championship at WSOF 16. He won via rear naked choke submission in the third round to become the WSOF Featherweight Champion. On June 5, 2015, <mask> made his first defense of the WSOF Featherweight Championship at WSOF 21 against IFL and WEC veteran Chris Horodecki. He won via neck crank submission in the first round to retain the WSOF Featherweight Championship. On December 18, 2015, <mask> made the second defense of the WSOF Featherweight

masks: Palmer Palmer Palmer Palmer Palmer Palmer


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 Championship at WSOF 26 against Alexandre Almeida. He lost via unanimous decision. On May 10, 2016, it was announced that <mask> will have a rematch against Alexandre Almeida for the WSOF Featherweight Championship at WSOF 32 on July 30, 2016 in the co-main event.He won via unanimous decision to become a two time WSOF Featherweight Champion. On June 30, 2016, <mask> fought Andre Harrison in for the first title defense of his second reign as champion at WSOF 35 in the co-main event. He lost the fight via unanimous decision. Professional Fighters League

After World Series of Fighting became the Professional Fighters League, <mask> next fought on November 2, 2017. He fought Steven Siler at Professional Fighters League: Fight Night where <mask> won the fight via unanimous decision. <mask> then competed in the inaugural season of the Professional Fighters League. He fought on at the first event of the new format at PFL 1 in the Featherweight division.On June 7, 2018, he faced Bekbulat Magomedov and won the fight by second round submission. On July 19, 2018, <mask> fought Jumabieke Tuerxun


texts:
 at PFL 4. He won the fight by third round submission. In the fall of 2018, <mask> entered the PFL Featherweight tournament as the second seed. At PFL 8 on October 5, 2018, he defeated Max Coga by unanimous decision in the quarterfinal round and then rematched Andre Harrison and earned unanimous decision win in the semifinal round. <mask> fought another rematch against Steven Siler in the finals at PFL 11 on December 31, 2018. He won the fight via unanimous decision, winning the PFL Featherweight tournament and earning the $1 million cash prize.Season 2
In the opening round of the second season of PFL, <mask> faced Alex Gilpin at PFL 2 on May 23, 2019. He won the fight via unanimous decision, collecting three regular season points. In the second round <mask> faced Luis Rafael Laurentino at PFL 5 on July 25, 2019. He won the fight via third-round TKO and advanced to the playoffs. <mask> next faced Alexandre de Almeida and Alex Gilpin at PFL 8 on October 17, 2019. He won both fights by unanimous decision. He was expected to face Daniel Pineda in the Featherweight tournament finals, but

masks: Palmer Palmer Palmer Palmer Palmer


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 after Pineda failed a drug test after PFL 8, <mask> was set to face Alex Gilpin in the finals again.<mask> and Gilpin faced each other for the third time during the season at PFL 10 on December 31, 2019. <mask> implemented his grappling-heavy fight style, winning the bout via unanimous decision and claiming his second PFL Featherweight tournament victory. Season 3
<mask> was scheduled to face Jason Soares in the opening round of the third season on May 21, 2020. However, the event was cancelled due to the COVID-19 pandemic. <mask> faced 2011 NCAA Division I champion Bubba Jenkins on April 23, 2021 at PFL 1. He lost for the first time during his PFL run via unanimous decision. <mask> was scheduled to face Lazar Stojadinovic at PFL 4 on June 10, 2021.However, on May 24, it was announced that Stojadinovic had to pull out of the bout and was replaced by Jesse Stirn. A day before the event, <mask> was pulled and rescheduled to face Movlid Khaibulaev on June 25, 2021 at PFL 6. He lost the bout via unanimous decision, eliminating <mask> from the playoffs for the first time in his PFL career.

masks: Palmer Palmer Palmer Palmer Palmer Palmer Palmer Palmer


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 Personal life
<mask> was an assistant wrestling coach at the Virginia Tech program. <mask>’s high school career was documented in the movie "Pinned." <mask> and his fiancée Jessie have a daughter, Maya (born 2021). colspan="8"| NCAA Championships Matches
|-
!Res.
! Record
! Opponent
! Score
! Date
! Event
|-
! style=background:white colspan=6 |2010 NCAA Championships  at 149 lbs
|-
|Loss
|15-7
|align=left|Brent Metcalf
|style="font-size:88%"|2-3
|style="font-size:88%" rowspan=5|March 20, 2010
|style="font-size:88%" rowspan=5|2010 NCAA Division I Wrestling Championships
|-
|Win
|15-6
|align=left|Frank Molinaro
|style="font-size:88%"|2-0
|-
|Win
|14-6
|align=left|Jason Chamberlain
|style="font-size:88%"|Fall
|-
|Win
|13-6
|align=left|Nick Bertucci
|style="font-size:88%"|Fall
|-
|Win
|12-6
|align=left|Seth Morton
|style="font-size:88%"|8-1
|-
!style=background:white colspan=6 |2009 NCAA Championships 4th at 149 lbs
|-
|Win
|11-6
|align=left|Jake Patacsil
|style="font-size:88%"|8-7
|style="font-size:88%" rowspan=5|March 21, 2009
|style="font-size:88%" rowspan=5|2009 NCAA Division I


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 Wrestling Championships
|-
|Loss
|10-5
|align=left|Brent Metcalf
|style="font-size:88%"|2-6
|-
|Win
|10-4
|align=left|Kyle Ruschell
|style="font-size:88%"|4-0
|-
|Win
|9-4
|align=left|Mitch Mueller
|style="font-size:88%"|3-0
|-
|Win
|8-4
|align=left|Matt Cathell
|style="font-size:88%"|4-3
|-
! style=background:white colspan=6 |2008 NCAA Championships 8th at 149 lbs
|-
|Loss
|7-4
|align=left|Dustin Schlatter
|style="font-size:88%"|2-3
|style="font-size:88%" rowspan=6|March 22, 2008
|style="font-size:88%" rowspan=6|2008 NCAA Division I Wrestling Championships
|-
|Loss
|7-3
|align=left|Josh Churella
|style="font-size:88%"|2-6
|-
|Win
|7-2
|align=left|Brandon Carter
|style="font-size:88%"|MD 11-3
|-
|Loss
|6-2
|align=left|Brent Metcalf
|style="font-size:88%"|2-3
|-
|Win
|6-1
|align=left|Jake Patacsil
|style="font-size:88%"|MD 14-6
|-
|Win
|5-1
|align=left|Kyle Larson
|style="font-size:88%"|MD


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<mask> (born 1974) is an Australian historian with research interests in military and defence history. Since 2016, <mask> has been Official Historian and general editor of the Official History of Australian Operations in Iraq and Afghanistan, and Australian Peacekeeping Operations in East Timor, based at the Australian War Memorial in Canberra. Prior to this appointment, <mask> was an officer in the Australian Army and professor of history at the University of New South Wales, Canberra, working out of the Australian Defence Force Academy. Early life and military career
<mask> was born in Sydney, New South Wales, in 1974. At 18 he entered the Australian Defence Force Academy (ADFA) as an Australian Army officer cadet. Graduating in 1995 with a Bachelor of Arts in History and Politics, he completed his final year of study as an officer cadet at the Royal Military College, Duntroon and was commissioned into the Royal Australian Infantry Corps in 1996. <mask> returned to ADFA the following year to undertake an Honours degree in History, following which he was posted to the 3rd Battalion, Royal Australian Regiment (3RAR) in 1998.With 3RAR he deployed as part of the International Force East Timor in 1999–2000. On his return from East Timor, <mask> completed a Graduate Diploma of Education at Monash University and read for a Master of Arts in International Relations at Deakin University, graduating with both in 2001. His next posting was to Headquarters Training Command as a staff officer in 2001–02. Appointed aide-de-camp to the Governor-General of Australia in 2003, <mask> graduated from Deakin with a Master of Education the same year and in 2004 was reposted to ADFA as a staff officer. At this time <mask> embarked on a Doctor of Philosophy degree in History through the University of New South Wales, Canberra. His doctoral thesis, supervised by

masks:
Craig Anthony John Stockings
Stockings
Stockings
Stockings
Stockings
Stockings
Stockings
Stockings


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 Jeffrey Grey, was a history of the Army Cadet movement in Australia from 1866 to 2004. He graduated with the doctorate in 2006, and his thesis was later revised and published as The Torch and the Sword with UNSW Press in 2007.<mask>' thesis was also awarded the C.E.W. Bean Prize for Military History by the Australian Army History Unit. Academic career
While nearing the end of his doctorate, <mask> left the army and, in 2006, was appointed a Lecturer in History and Strategic Studies at the University of New South Wales, Canberra. In 2007, he received a research grant, the Margaret George Award, from the National Archives of Australia to begin work on his next project—an operational history of the Battle of Bardia, the first battle in which the Australian Army fought in the Second World War. The result was a book, Bardia: Myth, Reality and the Heirs of Anzac, published by UNSW Press in 2009. The volume was followed in 2011 by a shorter work, titled The Battle of Bardia, for the Australian Army History Unit's Army Campaigns Series. He was promoted Senior Lecturer in History in 2008.Following a series of edited volumes—Zombie Myths of Australian Military History (2010), Anzac's Dirty Dozen (2012) and, with John Connor, Before the Anzac Dawn (2013)—that sought to challenge or dispel dominant misconceptions in Australian military history, <mask>' next major research project delved into the Nazi German invasion of Greece during the Second World War with colleague Eleanor Hancock. The project was funded as part of a Discovery Grant of A$107,000 from the Australian Research Council in 2012, with the findings published as a book, Swastika over the Acropolis, with Brill in 2013. More recent projects include Britannia's Shield (Cambridge University Press, 2015), an analysis of British imperial defence in the late nineteenth and early twentieth centuries,

masks: Stockings Stockings Stockings


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 and work on the International Force East Timor (INTERFET). Early research into the latter was funded by a 2015 Discovery Grant from the Australian Research Council worth A$140,344. By 2016 <mask> was an Associate Professor of History and Deputy Head of the School of Humanities and Social Science at the University of New South Wales, Canberra. Official Historian
In 2015 the Abbott Government authorised the Official History of Australian Operations in Iraq and Afghanistan, and Australian Peacekeeping Operations in East Timor, allocating A$12.6 million to the project which was to be based out of the Australian War Memorial in Canberra. The series was created to document Australian involvement in the peacekeeping initiatives in East Timor from 1999 to 2012, along with the operations in the Middle East as part of the War in Afghanistan (2001–present) and the Iraq War (2003–11).The position of Official Historian and general editor of the series, to be ongoing for six years, was advertised in June 2015. <mask>, by now already researching Australian operations in East Timor as part of INTERFET, applied for the position; his appointment was announced in February 2016. After negotiating a six-year unpaid leave of absence from the University of New South Wales, <mask> commenced as Official Historian in March. <mask>' first task was to define the scope and structure of the series, and employ a team of authors and researchers. The structure  is a six-volume history, with two volumes dedicated to the operations in East Timor, three on Afghanistan, and one on Iraq. <mask> is to author the first of the East Timor volumes, covering the INTERFET operations, while five other historians—each assisted by a full-time researcher—have been employed to write the other books in the series. Writing in 2017, <mask> remarked that there were "significant differences"

masks: Stockings Stockings Stockings Stockings Stockings Stockings


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 between his project and previous Australian official history series.The budget for the East Timor, Afghanistan and Iraq project is much larger than that afforded to previous histories, though as <mask> notes the timeline is also "extremely tight" and the series subject to "firm governance frameworks". The remit <mask> received from Prime Minister Malcolm Turnbull on accepting the appointment of Official Historian was clear that the history be delivered "by July 2022". The authors have five years to complete their respective volumes, with <mask> granted an additional twelve months to edit the series prior to publication. In November 2019 it was reported that <mask> had threatened to resign as official historian due to his frustration over the large number of changes requested to the first volume on East Timor by the Department of Foreign Affairs and Trade. The dispute over the book's content had delayed its publication. Bibliography

Author

Editor

References
Specific

General

1974 births
21st-century Australian historians
Australian Army officers
Australian military historians
Australian military personnel of the International Force for East Timor
Deakin University alumni
Graduates of the Australian Defence Force Academy
Living people
Monash University alumni
People from Sydney
Royal Military College, Duntroon graduates
University of New South Wales alumni
University of New South Wales

masks: Stockings Stockings Stockings Stockings


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<mask> "<mask>" <mask> (, 13 May 1851 – 10 January 1891) was a Serbian physician writer, psychiatrist, and neurologist. The primary interest of <mask> throughout his short life was the science of medicine. In that field, he was one of the greatest figures of his time, preeminently distinguished and useful as a doctor, teacher, and writer on both medical issues as well as literary themes. To him, literature was an avocation; yet he was talented at it and thought of himself as a man of letters. He translated the works of Nikolay Chernyshevsky and Ivan Turgenev into Serbian. Few writers have achieved fame with such a small opus as <mask>, for it rests on nine stories; yet he is considered one of the best Serbian writers of the nineteenth century. He was often referred to as the Serbian Turgenev.During his brief life, "the less than prolific opus" enshrined him in Serbian literature as a writer who introduced the psychological story genre. Biography
Born in Šabac in 1851, to Kuzman <mask>, a small trader, and his wife Jelka, <mask> <mask> was brought up in the close atmosphere of a typical Serbian provincial, patriarchal family. When he was eleven years old his father (Kuzman) died and Jelka immediately took over the care of the family, which consisted of <mask> and three sisters. His mother fostered a deep feeling of family unity and affection, which influenced <mask> all his life. <mask>'s sister Milka married the Serbian writer and poet, Milorad Popović Šapčanin, and settled in Belgrade, where <mask> stayed as a student from 1866 until 1871, before going abroad to study. In Belgrade, he attended high school and in 1867 he entered the law faculty of Belgrade's Grandes écoles, but soon decided that medicine was his true calling. The period of <mask>'s life as a

masks: Lazar Laza Lazarević Lazarević Lazarević Lazarević Lazar Lazarević Lazarević Lazarević Lazarević Lazarević Lazarević


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 student in Belgrade (1866–1871) was one of considerable intellectual activity.In 1867 the second annual meeting of the Ujedinjena Omladina Srpska (United Serb Youth) was held there. This organization, which spun out the Serbian romantic movement, sought to unite all Serbs, whether of the Serbian principality, the Vojvodina or the European Turkish-controlled territories, in order to raise national consciousness and culture as a means of achieving the liberation of all Serbian-speaking peoples into a greater, cosmopolitan Serbia (after all Serbian territories in the hands of the Habsburg and Ottomans are redeemable to their rightful inhabitants and landowners according to law). The general development of Serbian intellectual life in the 1860s led to an increased interest in European culture, especially literature, and the literary periodicals Danica (1860) and Matica srpska (1866) in Novi Sad and Stojan Novaković's Vila (1863) in Belgrade contained many translations from French, German, Russian, and English literatures. <mask>, absorbed by the prospective literary and political challenges that came out of these activities, undertook the task to translate Gogol's "Diary of a Madman", Nikolay Chernyshevsky's What Is To Be Done? (1863), a work that eventually had profound influence on Svetozar Marković and other members of Omladina, the United Serb Youth. <mask> died at Belgrade on 28 December 1890 (Julian calendar) or 10 January 1891 (Gregorian calendar). He was 39, another author to fall victim to tuberculosis, which previously killed two of his sons as children.Medical career

<mask> <mask>'s road to the title of doctor of medicine was thorny and complicated. He chose medicine as his profession only after completing his law studies in Belgrade, and made his way to

masks: Lazarević Lazarević Laza Lazarević


texts: Berlin in 1872. There he had as his instructors, famous people such as Emil du Bois-Reymond (1818–1896), Rudolf Virchow (1821–1902), Carl Friedrich Otto Westphal (1833–1890), and Hermann von Helmholtz (1821–1894). In 1879 he received his doctorate, based partially on his thesis, Experimentelle Beiträge zur Wirkung Qecksibers, and partially on his excellent research work in the laboratory and his work on the battlefield as an assistant-surgeon with the Dinara and Timok divisions during the Serbo-Turkish War of 1876. After graduating, the post of "specialist doctor" at the General State Hospital in Belgrade awaited him. From then on until his premature death, <mask> worked on reforming Serbian medicine as a primarius. He was a member of several Serbian Learned Societies, including SANU; and participated as a field doctor in the Serbo-Turkish War of 1876 and 1878.Also, he was a major organizer of the Great Reserve Hospital in Niš during the Serbo-Bulgarian War of 1885; vice-colonel, writer and translator and medicine scientist (published 72 works in local and foreign magazines). He founded the first modern geriatric hospital in Belgrade in 1881. His works were translated in numerous languages. Later he became doctor appointed to the Royal Court by King Milan Obrenović IV himself. Early in his practice <mask> became especially interested in the relations between body and mind, and in treatment of diseases. He was a pioneer in psychiatry and what would be called today psychosomatic medicine. He came to hold, as a major conviction of his professional life, the view that the mind plays a far greater role in health and illness than his contemporaries realized.He had seventy-two professional and scientific medical papers published, a great number of which referred to

masks: Lazarević Lazarević


texts:
 nervous diseases, such as paralysis agitans, sclerosis of Medulla spinalis, aphasia and others. It can be rightly argued that Dr. <mask> <mask> was the first Serbian neurologist. The very first cataract operation in Serbia was performed by <mask> in aseptic conditions, when cocaine was applied to anesthesia. He was also the first doctor to be sent by Serbia to Vienna in 1884 to learn how to prepare animal lymph. In 1880, he described, in the Serbian Archives, a sign that is now called after him and Dr. Lasèque in neurology, The Lazarević/Lasèque sign or Straight leg raise. Short stories

To Laza <mask>ević literature was an avocation for which he had more flair for than most writers of his day. Though he spoke and thought of himself as an amateur in letters, others thought otherwise, especially the literary critics who immediately recognized his genius.More directly in the main current of Serbian national literary development were the writers who undertook to apply the methods of critical realism, as these had been practiced by Russian and French masters, to the Serbian scene. Foremost among these were the Serbian Gogol (Milovan Glisić), the Serbian Turgenev (<mask> <mask>) and the Russian pupil (Svetolik Ranković), the youngest of the three. Foremost among these was <mask> <mask>. He came very slowly to his full stature as a short story writer, however through a relatively short period of preparation as though it was instinctive with him. Reading Turgenev, Gogol and other great writers, helped <mask> formulate his own aims as a short story writer. When finally in "Sve će to narod pozlatiti" ("People Will Reward All This"), "Verter", and other stories he deals directly with contemporary social and economic problems, though his realism was always tempered and

masks: Laza Lazarević Lazarević Lazar Laza Lazarević Laza Lazarević Lazarević


texts:
 restrained by the literary conventions of his generation, he wrote with broad sympathy and with deep insight. He saw the greatest danger for Serbian society in the attacks on its patriarchal way of life, as manifested in "Prvi put s ocem na jutrenje" ("The First Matins with My Father").His main stories include "Školska ikona" (The School Icon), "Švabica" ("The German Girl"), "Na bunaru" ("At the Well"), and regarded by some his best, "Prvi put s ocem na jutrenje". In his short stories <mask> became a spokesman of the Serbian struggle with the economic inequities of the times and the ever-present threats and dangers on his nation's culture. The fiction of psychological analysis was cultivated by <mask> <mask> Jovanović Zmaj
 Julije Bajamonti
 Vladan Đorđević
 Miodrag Pavlović
 Milan Savić
 Vladan Radoman

Works
 Prvi put s ocem na jutrenje, 1879
 Školska ikona, 1880
 Na bunaru, 1880
 U dobri čas hajduci, 1880
 Verter, 1881
 Švabica, 1881
 Sve će to narod pozlatiti, 1882
 Šest pripovedaka, 1886
 Vetar, 1888
 On zna sve, 1890
 Pripovetke L. K. Lazarevića I,  1898
 Pripovetke L. K. Lazarevića II, 1899

References

 Jovan Skerlić, Istorija Nove Srpske Književnosti / History of New Serbian Literature (Belgrade, 1921), pp. 378–384. External links

 "New bibliography of scientific papers by Dr. <mask> K. <mask>", Kanjuh Vladimir, Pavlović Budimir, Glas SANU – Medicinske nauke, 2002, issue 46, pages 37–51

 Autobiografsko u prozi Laze K.Lazarevica, Ivana Zecevic, Cigoja, Beograd,2010

1851 births
1891 deaths
Writers from Šabac
Serbian psychiatrists
Serbian translators
Translators from Russian
Belgrade Higher School alumni
University of Belgrade Faculty of Law alumni
19th-century deaths from tuberculosis
Burials at Belgrade New Cemetery
Tuberculosis deaths in

masks: Lazarević Laza Lazarevićvan Laza Lazarević


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<mask>v (; 18 February 1938 – 20 September 2019) was a Russian and Italian mathematician. He made important contributions to the areas of differential calculus over commutative algebras, the algebraic theory of differential operators, homological algebra, differential geometry and algebraic topology, mechanics and mathematical physics, the geometrical theory of nonlinear partial differential equations and secondary calculus. Biography

A.M. Vinogradov was born on 18 February 1938 in Novorossiysk. His father, Mikhail Ivanovich Vinogradov, was a hydraulics scientist; his mother, Ilza Alexandrovna Firer, was a medical doctor. Among his more distant ancestors, his great-grandfather, Anton Smagin, was a self-taught peasant and a deputy of the State Duma of the second convocation. Between 1955 and 1960 Vinogradov studied at the Mechanics and Mathematics Department of Moscow State University (Mech-mat). He pursued a PhD at the same institution, defending his thesis in 1964, under the supervision of V.G.Boltyansky. After teaching for one year at the Moscow Mining Institute, in 1965 he received a position at the Department of Higher Geometry and Topology of Moscow State University. He obtained his habilitation degree (doktorskaya dissertatsiya) in 1984 at the Institute of Mathematics of the Siberian Branch of the USSR Academy of Science in Novosibirsk in Russia. In 1990 he left the Soviet Union for Italy, and from 1993 to 2010 was professor in geometry at the University of Salerno. Research

Vinogradov published his first works in number theory, together with B.N. Delaunay and D.B. Fuchs, when he was a second year undergraduate student.By the end of his undergraduate years he changed research interests and started working on algebraic


texts: topology. His PhD thesis was devoted to homotopic properties of the embedding spaces of circles into the 2-sphere or the 3-disk. He continued working in algebraic and differential topology – in particular, on the Adams spectral sequence – until the early seventies. Between the sixties and the seventies, inspired by the ideas of Sophus Lie, Vinogradov changed once more research interests and began to investigate the foundations of the geometric theory of partial differential equations. Having become familiar with the work of Spencer, Goldschmidt and Quillen on formal integrability, he turned his attention to the algebraic (in particular, cohomological) component of that theory. In 1972, he published a short note containing what he called the main functors of the differential calculus over commutative algebras. Vinogradov’s approach to nonlinear differential equations as geometric objects, with their general theory and applications, is developed in details in some monographs as well as in some articles.He recast infinitely prolonged differential equations into a category whose objects, called diffieties, are studied in the framework of what he called secondary calculus (by analogy with secondary quantization). One of the central parts of this theory is based on the -spectral sequence (now known as the Vinogradov spectral sequence). The first term of this spectral sequence gives a unified cohomological approach to various notions and statements, including the Lagrangian formalism with constraints, conservation laws, cosymmetries, the Noether theorem, and the Helmholtz criterion in the inverse problem of the calculus of variations (for arbitrary nonlinear differential operators). A particular case of the -spectral sequence (for an


texts:
 “empty” equation, i.e., for the space of infinite jets) is the so-called variational bicomplex. Furthermore, Vinogradov introduced a new bracket on the graded algebra of linear transformations of a cochain complex. The Vinogradov bracket is skew-symmetric and satisfies the Jacobi identity modulo a coboundary. Vinogradov’s construction is a precursor of the general concept of a derived bracket on a differential Leibniz algebra introduced by Kosmann-Schwarzbach in 1996.These results were also applied to Poisson geometry. Together with , Vinogradov was concerned with the analysis and comparison of various generalizations of Lie (super) algebras, including  algebras and Filippov algebras. He also developed a theory of compatibility of Lie algebra structures and proved that any finite-dimensional Lie algebra over an algebraically closed field or over  can be assembled in a few steps from two elementary constituents, that he called dyons and triadons. Furthermore, he speculated that this particle-like structures could be related to the ultimate structure of elementary particles. Vinogradov's research interests were also motivated by problems of contemporary physics – for example the structure of Hamiltonian mechanics, the dynamics of acoustic beams, the equations of magnetohydrodynamics (the so-called Kadomtsev-Pogutse equations appearing in the stability theory of high-temperature plasma in tokamaks) and mathematical questions in general relativity. Considerable attention to the mathematical understanding of the fundamental physical notion of observable is given in a book written by Vinogradov jointly with several participants of his seminar, under the pen name of Jet Nestruev. Contribution to the mathematical community

 From 1967


texts:
 until 1990, Vinogradov headed a research seminar at Mekhmat, which became a prominent feature in the mathematical life of Moscow.In 1978, he was one of the organisers and first lecturers in the so-called People's University for students who were not accepted to Mekhmat because they were ethnically Jewish (he ironically called this school the “People’s Friendship University”). In 1985, he created a laboratory that studied various aspects of the geometry of differential equations at the Institute of Programming Systems in Pereslavl-Zalessky and was its scientific supervisor until his departure for Italy. Vinogradov was one of the initial founder of the mathematical journal Differential Geometry and its Applications, remaining one of the editors from 1991 to his last days. A special issue of the journal, devoted to the geometry of PDEs, was published in his memory. In 1993 he was one of the promoters of the Schrödinger International Institute in Mathematical Physics in Vienna. In 1997 he organised the large conference Secondary Calculus and Cohomological Physics in Moscow, which was followed by a series of small conferences called Current Geometry that took place in Italy from 2000 to 2010. From 1998 to 2019, Vinogradov organised and directed the so-called Diffiety Schools in Italy, Russia, and Poland, in which a wide range of courses were taught, in order to prepare students and young researchers to work on the theory of diffieties and secondary calculus.He supervised 19 PhD students. References

1938 births
2019 deaths
Russian expatriates in Italy
20th-century Russian mathematicians
21st-century Russian mathematicians
20th-century Italian mathematicians
21st-century Italian mathematicians
Mathematical


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<mask> (b. April 14, 1960 from Norwalk, California United States) was an American professional "Old School" Bicycle Motocross (BMX) racer whose prime competitive years were from 1976 to 1981. He had the nickname of "Battling". Racing career milestones

Note: In the early days of professional racing, 1977 and prior, many tracks offered small purse prize money to the older racers of an event, even before the official sanctioning bodies offered prize money in formal divisions themselves. Hence some early "professionals" like Stu Thomsen turning "pro" in 1975 at 16 years old where racing for small amounts of money at track events when offered even before the NBA, regarded as the first true national BMX sanctioning body, had a professional division. For the sake of consistency and standardization noted professional first are for the first pro races for prize money offered by official BMX sanctioning bodies and not independent track events. Professional first are also on the national level unless otherwise indicated. Started bacing: Mid 1974 at 14 years old.His father brought him a monoshock BMX bicycle and he tried out racing. Sanctioning body:

First race result:

First win (local):

Sanctioning body district(s): National Bicycle Association (NBA) District "X" (Southern California/Los Angeles) 1973–1981. First sponsor: Two Wheeler's BMX 1974. First national win: In 14-17 Novice Class at the National Pedal Sport Association (NPSA) Eastern Nationals in Atlanta on September 7, 1975. Turned Professional:

First Professional


texts:
 race* result:

First Professional* win:

Retired: At the end of the 1983 season. During the last two years of his career he mostly raced 24" Cruiser Class. Height & weight at height of his career: (1983) Ht:5'11 Wt:165 lbs.*At the time there was no separate pro class for pros due to the relatively small number of pros. They raced with the 16 Experts, making it a Pro/Am class essentially. This is why during the early years of the pro division the national number one racer of a sanctioning body could be either an amateur or professional. This practice continued until the NBA's 1979 season in which the pros earned separate pro points and a separate pro plate from the amateurs. The ABA and the NBL followed suit a year later. Career factory and major bike shop sponsors

Note: This listing only denotes the racer's primary sponsors. At any given time a racer could have numerous ever-changing co-sponsors.Primary sponsorships can be verified by BMX press coverage and sponsor company advertisements at the time in question. When possible exact dates are given. Amateur
Two Wheeler's BMX: 1974-May 1975
Webco Inc.: May 1975-March 1976. Webco disbanded its team in March 1976. D.G. Performance Specialist (The initials stood for Dan Hangsleben, Gary Harlow): Late April 1976-July 1979. In April 1977 Bottema supposedly briefly "retired" to race motorcycle motocross (MX) for D.G., much like how David Clinton briefly "retired" from BMX to race MX in early 1976 for his then sponsor Kawasaki Motors.However, <mask> totally retiring from BMX


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 was an incorrect announcement. He concentrated on MX while racing some BMX. <mask> started racing BMX full-time again in early 1978. Professional
D.G. Performance Specialist: Late April 1976-July 1979. Raleigh Cycle Company of America: July 1979-Mid January 1981. Raleigh dropped its racing team in January 1981.According to teammate Toby Henderson Raleigh allegedly strung himself and <mask>ma along with false promises of a new contract for the 1982 season only to abruptly dropped by Raleigh:

Toby Henderson: "...I was getting a couple of good contracts coming up, and I turned them all down, because I kept calling Raleigh, and saying, "Well, are we going to do something next year?" "Oh yeah, oh yeah, we're really going to be full force next year." [Raleigh's alleged response-ed.] So I turned some good contracts down, and I let it all slide, until the middle of January, when I called them up and said, "Well, where's the contracts? Let's get some contracts going", and they said, Well, we decided we're going to go TV advertisement", and that's all they said, like "Click." [imitating a phone hang up-ed.] And we [Henderson and Bottema-ed.]said, "Huh?" Here we turned down like three or four good contracts in October, when all the other teams were setting their budgets up and looking for their riders for the next year." ---BMX Plus! October 1982
Ironically, Raleigh would restart its BMX sponsoring program a year later. Mountain Dew: Late 1980-Mid 1981. During the early spring and summer of 1981 he was part of the Mountain Dew

masks:
Bottema
Jeff Botte


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 exhibition team that toured the US demonstrating BMX racing, freestyle and BMX safety. His teammates included Perry Kramer, Harry Leary, Stu Thomsen, Brent Patterson, Bob Haro and R. L. Osborn (this was concurrent and in addition to their primary sponsor at the time).Murray of Ohio Corporation: August 1981-December 1983*  <mask> became road team manager as well as a racer in May 1982. Scott Clark succeeded him in that position after <mask> retired from racing. *As an active racer. After his retirement at the end of the 1983 season he took an office position with Murray. He later became the Murray Road Racing Team Manager. Career bicycle motocross titles

Note: Listed are District, State/Provincial/Department, Regional, National, and International titles in italics. "Defunct" refers to the fact of that sanctioning body in question no longer existing at the start of the racer's career or at that stage of his/her career.Depending on point totals of individual racers, winners of Grand Nationals do not necessarily win National titles. Series and one off Championships are also listed in block. Amateur
National Bicycle Association (NBA)
1975 14 & Over Intermediate Grandnational Champion #1 (Tinker Juarez was the winner of the second Main). 1977 16 Expert NBA/Mongoose Exhibition winner (First race; David Clinton won the second group of 16 Experts). In 1977 the NBA held an exhibition race during the halftime period between the Philadelphia Eagles and the Los Angeles Rams NFL football game at the Los Angeles Coliseum in Los

masks:
Jeff Bottema
Bottema


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 Angeles in August 1977 (the Rams moved from Los Angeles, California to St. Louis, Missouri in 1994). The racers in the mains during halftime were invited after an NBA race at Rancho San Diego on September 19, 1976 in San Diego, California

National Bicycle League (NBL)

1976 Class F (15 Expert) NML/Schwinn Gold Cup winner††

††In 1976 the National Motocross League (NML) (the motorcycle motorcross racing parent organization of the NBL) with the sponsorship of the Schwinn Bicycle Company held the final Gold Cup mains races (after having two qualifying events several days before) as an exhibition during the halftime period in a pre-season NFL football game between the Miami Dolphins and the Minnesota Vikings in the Orange Bowl in Miami, Florida on July 31, 1976 in front of and estimated 50,000 spectators. American Bicycle Association (ABA)
None
Fédération Internationale Amateur de Cyclisme (FIAC)
None
International Bicycle Motocross Federation (IBMXF)
None
Independent race series and invitationals:

1975 Heavyweight* Intermediate Nevada State Champion

*Classifications of the racers were based largely on the physical size of the racers at the Independent i.e.non sanctioned track the Championship race was held at. 1976 16 Expert California Cup winner. The California Cup was a non sanctioned series of three qualifying races held at three tracks (for a total of nine separate races) in three different regions of Northern California. Then the finals were held. The series was sponsored and promoted by BX-Weekly Magazine, a BMX


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 newspaper and Rick Varner (R&R) Racing Products. The finals were held at the famous Corona Raceway on September 5, 1976. Professional

National Bicycle Association (NBA)
None
National Bicycle League (NBL)
None
American Bicycle Association (ABA)
None
United States Bicycle Motocross Association (USBA)
None
International Bicycle Motocross Federation (IBMXF)
None
Pro Series Championships

Notable accolades
He was one of the founding members of the Professional Racing Organization (PRO) racers guild in 1977.In 1980 with then fellow Raleigh teammate Toby Henderson, <mask> became one of the first Americans to be invited to Europe to promote and demonstrate BMX racing. Created and manufactured one of BMX's most popular and famous bicycle components: the Bottema Bullet Fork. It was a tubular unicrown fork manufactured by his company that was the most popular and respected component of its type since Redline Engineering came out with the very first unicrown tube fork for BMX bicycles in 1974. The original M-1 Bullet Fork had extra thick chromoly tubing at .065" and extra long fork legs than other tubular forks of that period to reduce flex while the weight was still competitive with the lighter forks on the market. They are also of the "straight design, .i.e the fork legs are parallel with the head tube as opposed to the legs being angled forward slightly giving the bicycle a longer wheelbase. To compensate the Bottema M-1 fork had a one inch axle lead. These first models were particularly popular with BMX freestyle skatepark


texts: bowl riders like <mask> and Eddie Fiola for their extra durability.<mask> had also came out in 1979 with C-1 cruiser models for 26" cruiser racing bicycles. In early 1981 he came out with the M-2 racing model with thinner tubing with the axle line further down the tube legs. In 1987 he won what was called the 1st Annual Masters Series, an exhibition Veteran's Pro class of old time racers of the early 1970s that was held at the ABA Supernationals in San Bernardino, California on January 18, 1987. It was staged and promoted by Scot Breithaupt a pioneer in BMX racing. It was the equivalent of Major League Baseball's Old-Timers' Day exhibition baseball games in which retired stars of the past play a nostalgic friendly game to remember the greats of baseball. This BMX "Old-Timers game" not only featured past stars but their past equipment. The era of 1974–1976 was preferred.No bicycle frame made after 1978 was allowed in the race, although more modern components like Hutch Pedals and GT hubs were allowed for the comfort of the racers. However, for the most part the equipment and uniforms were vintage early to late 1970s. Some looked like they were in storage for years. Past stars like Dennis Dain wore his old Ralph's Bike Shop/Cook Bros. jersey along with his old helmet and number plate. Bottema raced his old DG frame, numberplate and his complete vintage DG uniform complete with helmet from the mid-1970s. Even a Yamaha mono-shock Moto-bike with front and rear suspension ridden by Mark Parerria made an appearance. The

masks:
Jeff Watson
Bottema


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 order of finish for this proto Veterans Pro Class were:

<mask>ma
Dennis Dain
Scot Breithaupt
Bryan Webb
Jumpin' John Wells
Pete Harrigan
Friendly Fred Thomas
Mark Parerria

This race was the forerunner of the Veterans and Masters classes which started in the early 1990s by the ABA and NBL (respectively).He is a 1990 Inductee to the ABA BMX Hall of Fame. BMX product lines
1979: The Bottema Bullet Fork a unicrown tublar Fork manufactured by his own company. Product Evaluations:
Bicycle Motocross Action February 1982 Vol.7 No.2 pg.80
1980 DG #1 <mask>ttema Team Issue Signature series frame. Product Evaluations:
1980 Raleigh Team Issue Bottema Signature series frame. Product Evaluations:

Significant injuries
His most significant-and life-threatening-injury happened off the track and a couple of months after his retirement from racing. On March 16, 1984 <mask> was abducted and stabbed multiple times in a robbery in Dallas, Texas while traveling with the Murray Bicycle Road Racing team. Police rushed him to Parkland Memorial Hospital (the same hospital that treated a fatally injured President John F. Kennedy on November 22, 1963) where he was placed on the critical condition list after undergoing two operations and given many blood transfusions.By September 1984 he was virtually fully recovered and in good health. Racing habits and traits
He was known for his uneven teeth, much like Anthony Sewell would later be known for his Coke bottle bottom glasses. Bicycle Motocross News once commented with in-joke irony when it

masks:
Jeff Botte
Jeff Bo
Jeff Bottema


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 announced his position on a new team:

Colgate was a well known tooth paste manufacture. He would later correct his teeth with braces beginning around 1982. Miscellaneous and trivia
 <mask> was the very first advanced subscription holders of Bicycle Motocross Action when he purchased one on September 5, 1976, at Corona Raceway at a coast of US$3.00
 In July 1982 <mask> purchased the industry-respected Pedal Power Bike Shop. Post BMX career
His immediate path after his retirement from completive racing after the 1983 racing season, he moved to Nashville, Tennessee and took a position with Murray Ohio as the Murray Race Team coordinator and its in-house BMX specialist. His $35,000 a year position was responsible for both the Road and BMX racing teams.He was also the Race Coordinator of the then-annual Murray World Cup races. In 1985 he quit Murray and went to work for Lee World. He then joined Mor Distributing which manufactured the then-popular Scootster scooter. He also still had his famous fork manufacturing company. BMX press magazine interviews and articles
"Win, win is motto" Bicycle Motocross News January/February 1975 Vol.2 No.1 pg.14. Brief profile within article about the Two Wheeler's Racing Team. "<mask>" Bicycle Motocross Action June 1977 Vol.2 No.2 pg.11
"Interview: <mask>" BMX Weekly October 1, 1976 Vol.2 No.4 pg.13
"<mask>-Superstar" The California BMX Rider September 1976 Vol.1 No.2 pg.2
"<mask>" BMX Plus!October 1982 Vol.5 No.10 pg.82 Short mini article. BMX magazine covers
Bicycle Motocross

masks:
Bottema
Bottema
Jeff Bottema
Jeff Bottema
Jeff Bottema
Jeff Bottema


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 News:
None
Minicycle/BMX Action & Super BMX:
October 1982 Vol.9 No.10 (SBMX)
Bicycle Motocross Action & Go:
August 1977 Vol.1 No.4 (60x) behind Neil Bonds (2) (BMXA)
May 1979 Vol.4 No.3 (2072) ahead of Harry Leary (35x), tied with Kevin Jackson (7x) and behind Brian "Kronnuts" Curnell (12x) and Denis Dain (173x). (BMXA)
November 1979 Vol.4 No.9 with teammate Toby Henderson (BMXA)
December 1981 Vol.6 No.12 (BMXA)
BMX Plus! :
December 1979 Vol.2 No.11* far left in fourth place behind Clint Miller (103X) leading (front and near center) and behind Stu Thomsen in second place (far right) and an obscured <mask> (behind Miller) in third place. *The publisher skipped an issue during 1979. Total BMX:
September 1982 Vol.3 No.3. This is the issue with <mask> on the cover wearing an American Broadcasting Company (ABC) television camera equipped helmet at the 1982 Murray World Cup I race.Bicycles and Dirt:
None
NBA World & NBmxA World (The official NBA/NBmxA membership publication):

Bicycles Today & BMX Today (The official NBL membership publication under two names):

ABA Action, American BMXer, BMXer (The official ABA membership publication under three names):

USBA Racer (The official USBA membership publication):

Notes

External links
Short April 12, 2006 Ride BMX.com article on <mask> today with his (near) current photo holding his old racing uniform jersey, helmet and frame. The American Bicycle Association (ABA) Website. The National Bicycle League (NBL) Website. Living people
American male cyclists
BMX riders
1960

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Jeff Kosmala
Bottema
Jeff Bottema


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<mask> (born Colin Fulcher; 30 July 1942 – 14 November 1983) was an English graphic artist whose work encompassed graphic design and music video direction. <mask>, who also sketched and painted privately, is best known for his distinctive contribution to the design practices associated with the British independent music scene of the 1970s and 1980s. His record sleeves, laden with symbols and riddles, were his most recognisable output. Early life
Fulcher was born in Tranmere Road, Whitton, Middlesex (now Greater London), in July 1942. He attended Isleworth Grammar School. In 1958 he embarked on a retail display course for a National Diploma in Design (NDD) at the art school of Twickenham College of Technology. During his five years at the college Fulcher received a multi-disciplinary education that included training in cardboard design, display and packaging, skills that would be utilised later in his record sleeve work.Career

Michael Tucker + Associates
After leaving college in 1963 Fulcher worked as an assistant at the design company Michael Tucker + Associates in London. Its clients included Pirelli. In a rare interview in November 1981 in The Face, <mask> described Tucker's discipline as "very Swiss; very hard; unjustified, very grey; and he taught me everything about typography." Tucker's studio produced the posters for Hugh Hudson's Pirelli-sponsored film The Tortoise & The Hare (1967), for which Fulcher designed the poster lettering on a freelance basis. The Conran Group
In May 1965, Fulcher was recruited by The Conran Group as senior graphic designer

masks:
Barney Bubbles
Bubbles
Bubbles


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 alongside Stafford Cliff, Virginia Clive-Smith and John Muggeridge. He produced a variety of commercial commissions for Conran, including the Norman-style archer logo for Strongbow cider and items for Conran's new homewares chain Habitat. Fulcher also established an association with Justin de Blank, a director at Conran, which blossomed when de Blank left to launch his own upmarket provisions company and restaurant business in 1968.A1 Good Guyz and other early activities
Between 1965 and 1966 Fulcher organised happenings, parties and other events under the name A1 Good Guyz with two graduates of Twickenham Art College, David Wills and Roy Burge. In 1967 Fulcher became known as <mask>, though he did not change his name by deed poll for several more years. The name came about when Fulcher was operating a light show that created a bubble effect by mixing oils and water on projection slides. These lightshows were for groups including the Gun and Quintessence at underground venues including the Roundhouse, Jim Haynes's Drury Lane Arts Lab, the Electric Cinema and Middle Earth. With Wills, Bubbles undertook freelance design commissions, including a redesign of Motor Racing magazine and a recipe book for the English Egg Marketing Board. With a team of contributors Bubbles and Wills art-directed Oz magazine issue 12, dubbed The Tax Dodge Special and published in May 1968. Teenburger Designs

Early in 1969, Bubbles took the lease on a three-storey building at 307 Portobello Road in Notting Hill Gate, West London.He converted the ground-floor space into a graphic art


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 studio, which he named Teenburger Designs. With a business association established with two entrepreneurs, Edward Molton and Stephen Warwick, and with John Muggeridge from Conran serving briefly as an assistant, he set about working primarily for the music industry. His first record sleeve design was for Quintessence's LP In Blissful Company (1969). The gatefold sleeve design uses illustrations by Gopala on the front and back, and contains a monochrome glued-in booklet inside. Teenburger also provided record sleeve designs for the bands Brinsley Schwarz and Red Dirt, as well as Vertigo artists such as Cressida, Gracious! and Dr Z, whose LP Three Parts to My Soul is particularly noted for its complex and colourful fold-out sleeve. Following the closure of Teenburger in 1970 as a result of the disappearance of Molton and Warwick, <mask> worked as the designer of the underground newspaper Friends (later renamed Frendz).Hawkwind (and other 1970s rock)

While he was working at Friends, <mask> Fasol Latido and Space Ritual. <mask> engaged in many aspects of the group's visual identity, titling releases and designing posters, adverts, stage decoration and performance plans, some of which were adorned with mystical and mock-Teutonic insignia. In 1972 <mask> produced the triple LP package Glastonbury Fayre. This comprised a six-panel fold-out card sleeve, two poster inserts, a booklet and a cut-out and build miniature pyramid, housed in a clear vinyl bag (with two sleeve variations and three label variations). From 1973 onwards, <mask> increasingly avoided credits for

masks: Bubbles Bubblesi Bubbles Bubbles Bubbles


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 his artwork, typically working anonymously or occasionally adopting alternative pseudonyms. During this period he designed album sleeves and additional material for such acts as the Sutherland Brothers, Kevin Coyne, Edgar Broughton Band, Chilli Willi and the Red Hot Peppers, Quiver, the Kursaal Flyers and Michael Moorcock and the Deep Fix. In 1976 his design relationship with Hawkwind came to an end.It was rekindled once, in 1978, for the Hawklords spin-off, but otherwise continued only with design commissions for projects involving the band's saxophonist Nik Turner. Stiff, Radar and F Beat (and other punk and new wave)

<mask> joined Stiff Records as designer and art director early in 1977. With the label's co-founder Jake Riviera he generated a body of creative work that helped to secure Stiff's reputation as an exciting new independent label. <mask> created sleeves for bands including the Damned, Elvis Costello, Ian Dury and Wreckless Eric. Often these were accompanied by quirky logos such as the face logo for Blockhead, advertisements and promotional items. The marketing of Elvis Costello's My Aim Is True included advertisements in three UK music papers from which a poster of Costello could be constructed, and the first 1,000 pressings contained an insert headed Help Us Hype Elvis, which, if completed and returned to Stiff, ensured that a friend would receive a free copy. When Riviera left Stiff in late 1977, <mask> joined him at his new label Radar Records and later at Riviera's F-Beat Records.At these labels, <mask> created more designs for Elvis

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Barney Bubbles
Bubbles
Bubbles
Bubbles


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 Costello, as well as other artists such as Nick Lowe, Carlene Carter and Clive Langer & The Boxes. <mask> also maintained his freelance output, producing designs for Peter Jenner (Ian Dury and Billy Bragg's manager), and others. He created a prodigious output by working for such bands, musicians and performers as Peter Hammill, Vivian Stanshall, Generation X, Big Star, Johnny Moped, Whirlwind, Billy Bragg, Clover, the Sinceros, Roger Chapman, Phillip Goodhand-Tait, Dr. Feelgood, Inner City Unit and the Psychedelic Furs. As a result, his work appeared on releases by labels such as Aura, Chiswick, Utility, Go! Discs, Epic, Charisma, CBS, Line Records, United Artists and Riddle Records. His signature style emerged as one that was colourful, playful, loaded with geometry, art-history and music-history references, jokes, cryptograms and symbols. The overriding appetite was for going against the grain of accepted design standards.His work is simultaneously complex in meaning and simple in its delivery. Examples include:

 Elvis Costello: This Year's Model, which was designed to have a deliberate miscropping so that the entire design was off-register and a sticker that read 'Free Album With This Single';
 The Damned: Damned Damned Damned, a limited number of which were deliberately printed with a photo of Eddie and the Hot Rods on the back of the cover, rather than the Damned playing at the Roxy Club, and with an erratum sticker apologising for this "mistake", and on the front of the LP, on top of the original shrinkwrap, a red food-fight sticker saying 'Damned


texts:
 Damned', thus completing the LP's title when read underneath the band's name;
 Elvis Costello: Armed Forces, with an extended back panel consisting of folding flaps, postcards carrying the instruction DON'T JOIN (advice against joining the armed forces), and a message that these postcards had been die-cut from the rest of the sleeve;
 Ian Dury and the Blockheads: Do It Yourself, which was released in at least 30 known sleeve variations, all of which were old designs supplied by Crown Wallpaper. Music promo videos
<mask> directed several videos, including the Specials' "Ghost Town", Squeeze's "Is That Love" and "Tempted", Elvis Costello's "Clubland" and "New Lace Sleeves", and Fun Boy Three's "The Lunatics (Have Taken Over the Asylum)". Two promos for the punk act Johnny Moped, "Incendiary Device" and "Darling Let's Have Another Baby", were never commercially released to broadcasters. "A good video can sell a record which might not do so well," Bubbles told Smash Hits magazine in 1982. "The record companies know that. I think Chrysalis would agree that The Specials' 'Ghost Town' video helped sales a good deal.This year I intend to make videos which are really inexpensive but really inventive. It can be done, you know." NME

In 1979, riding on the reputation of his work for Stiff, <mask> was engaged by the UK music newspaper New Musical Express to spearhead an overhaul of its decades-old brand. <mask>' redesign incorporated elements of Pop art and 1920s Soviet poster art into a "sleek, forward-looking" graphic format. His restyling included a fresh logo with


texts:
 "clean, stencilled, military-style lettering", which heralded the title's change from New Musical Express to NME. Other work
In 1979 Derek Boshier curated an exhibition entitled Lives at the Hayward Gallery, London, and he commissioned <mask> to design the catalogue and poster. Together with the photographer Chris Gabrin, <mask> also exhibited a video and mixed-media installation in the exhibition.In the early 1980s Bubbles created furniture designs, some of which were featured in The Face, November 1981. In 1982 <mask> conceived the album Ersatz, working primarily with Nik Turner and other musicians from Inner City Unit. The LP was released under the name of The Imperial Pompadours. <mask> painted privately, increasingly in the early 1980s. Death
<mask>, who suffered from manic depression, committed suicide in London on 14 November 1983 by gassing himself, trapping the fumes in a plastic bag he placed over his head, at the age of 41. He had considerable personal and financial worries, and had fallen out of fashion in the early 1980s. His designs for record sleeves were being rejected by musicians and record companies, and he was being investigated by the Inland Revenue for unpaid taxes dating back several years.He was also displaying increasingly erratic behaviour, alarming close friends by lacerating his face with razor blades and making threats to kill himself. He died on his late parents' wedding anniversary. Influence and legacy
<mask> is recognized as a "founding father" of album cover art, who created "hundreds of record sleeves that have sold in their

masks:
Bubbles
Bubbles
Bubbles
Bubbles
Barney Bubbles
Barney Bubbles


texts:
 millions across the world". The first exhibition dedicated to <mask>' work was held at London gallery Artomatic in 2001, and was curated by the art-design team Rebecca And Mike. A biography, Reasons to be Cheerful: The Life & Work of <mask> by Paul Gorman, was published in 2008. The book was welcomed as a long-overdue recognition of <mask>' achievements and selected by British music magazine Mojo as its "Book of the Year". A revised second edition of "Reasons to Be Cheerful" was published in October 2010 to coincide with Gorman's curation of the exhibition Process: The Working Practices of <mask> at London gallery Chelsea Space.In January 2012, BBC Radio 4 broadcast a documentary, In Search of <mask>, written and produced by Mark Hodkinson. In summer 2012 Gorman curated "The Past The Present & The Possible", which presented 250 examples of <mask>' finished artworks as part of the exhibition White Noise at the 23rd International Poster & Graphic Design Festival in Chaumont, France. Under the heading "Génération Bubbles! ", the cover and a 10-page feature in the July 2012 issue of French design magazine Étapes were dedicated to the exhibition and <mask>' influence over contemporary design practice. General and group exhibitions
The work of <mask> has been featured in general and group exhibitions, including Destroy: Punk Graphic Design in Britain, held at London's Southbank Centre in 1998 and Communicate: British Independent Graphic Design since the Sixties, staged at the Barbican Centre in 2004. The Victoria and Albert Museum included <mask>' works in the 2011

masks:
Bubbles
Barney Bbles
Bubbles
Barney Bbles
Barney Bbles
Bubbles
Bubbles
Barney Bbles
Bubbles


texts:
 show Postmodernism: Style & Subversion 1970–1990, and the following year's British Design 1948–2012. References

External links

 <mask>: Artist and Designer.Career overview by graphic designer John Coulthart. Barney Bubbles Blog Blog of the book Reasons To Be Cheerful: The Life & Work of <mask> Bubbles by Paul Gorman
 Brian Griffin on Barney Bubbles. Tribute by friend and photographer Brian Griffin. David Wills Tells Tales. Anecdotal Barney Bubbles blog by friend and fellow student, designer David Wills. In Search of <mask>ubbles, BBC Radio 4 Intimate documentary by Mark Hodkinson. Philm Freax: <mask> Bubbles: In Memoriam.A memorial page by friend and photographer Phil Franks. Philm Freax: Friends: <mask> Includes Phil Franks' photos and text extracts from "Days in the Life: Voices from the English Underground 1961-'71" by Jonathon Green. Philm Freax: Hawkwind X-In Search of Space. 1942 births
1983 deaths
People from Whitton, London
English designers
English music video directors
Psychedelic artists
Hawkwind
Artists who committed suicide
Album-cover and concert-poster artists
20th-century English male musicians
People with bipolar disorder
1983 suicides
Suicides by gas
Suicides in

masks:
Barney Bbles
Barney
Barney B
Barney
Barney Bubbles


texts:
Dr. <mask> is a volleyball educator and retired coach of the Florida State Lady Seminoles volleyball team. After her retirement from coaching she was an associate professor with the sport management program at Florida State University until August, 2015. She also served as an interim assistant athletic director and senior women's administrator at Florida State University from 1994-95. She has served as a television color analyst for collegiate volleyball matches on ACC Extra, Fox Sports Net South, Sunshine Network and ESPN. She retired from coaching with over 650 wins. She is a past president of the American Volleyball Coaches Association. A 1975 graduate of Missouri State University, <mask> enjoyed an outstanding athletic career on the volleyball team and was twice named among the Outstanding College Athletes in America.In 1983, she was inducted into the school's Women's Athletics Hall of Fame. <mask> added "Dr." to her name in the spring of 1998 after completing her doctorate degree in athletic administration at Florida State. Coaching

Florida State University

As a coach, <mask> has surpassed many milestones in her 26-year tenure at Florida State. Coach <mask> notched her 500th career victory in the first match of the 1994 season against Southern Illinois University, placing her among an elite list of coaches in the 500 win club. She reached win number 550 in a three-set win at Florida Atlantic University in 1997 as she led the Lady Seminoles to the program's best ever start at 12-0, and her 600th win over Clemson. Post season play was familiar to the Lady Seminoles over 26 seasons of volleyball. Florida State (FSU) made 10 NCAA post-season appearances.At the conference level, FSU made three appearances in the Atlantic Coast Conference Championship game in eight years of ACC competition, earning FSU its first ACC crown in 1998. Prior to joining the Atlantic Coast Conference (ACC) in 1992, <mask> and the Lady Seminoles claimed six regular-season titles and five tournament titles in Metro Conference play from 1976 to 1991. <mask>'s teams have

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Cecile Reynaud
Reynaud
Reynaud
Reynaud
Reynaud
Reynaud
Reynaud


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 competed in 10 NCAA Tournaments, including eight post-season trips during her last 14 years in the position. During her 26 years at Florida State, the volleyball program has also boasted one of the highest graduation rates within the athletic department. Among four-year letter winners, all but two student-athletes earned their college degrees while playing for Reynaud. This accounts for nearly 98 percent of all volleyball student-athletes over those 26 years. <mask>’s Seminoles also earned the prestigious Director’s Cup for Service, given annually to the athletic team that performs the most community service hours.The Lady Seminoles donated 636 hours of service to the community in 2000-01. USA Volleyball

In 1983, <mask> went to the international level and served as the assistant coach at the World University Games in Canada and in 1985 was head coach for the USAV Junior National Team which toured Japan and China. In 2012, she served as the team leader for the USA Women's National Sitting Volleyball Team at the Paralympic Games. In 2013, she was the team leader/assistant coach for the USA Women's National Team for the FIVB World Grand Prix with competition in Brazil, Serbia, and Japan. In 2014 she served as the team leader for the Men's USA Volleyball Team at the U21 World Championship in Mexico. She served as a coordinator at the Olympic Festival for several years and participated in the Goodwill Games as the Technical Secretary. Highly respected among her peers, <mask>’s involvement in international competition was taken to an even higher level when she was chosen to serve at the Deputy Competition Manager for the 1996 Centennial Olympic Games in Atlanta, Georgia.As an expert of the game, <mask> was co-editor of The Volleyball Coaching Bible, which has been heralded as one of the best volleyball coaching books to ever be written. She is the editor of The Volleyball Coaching Bible, Vol. 2 published in June, 2015. She has produced numerous DVDs and other educational material pertaining to volleyball. <mask> is also a certified USA Volleyball

masks: Reynaud Reynaud Reynaud Reynaud Reynaud


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 Coaching Accreditation Program (CAP) instructor and conducts coaching clinics all over the United States. She also served as an FIVB Coach Clinician. She is currently a member of the USA Volleyball Board of Directors and serves on the NORCECA Coaches Commission.Memberships

She has been on the American Volleyball Coaches Association (AVCA) All-America Committee and was the Zone Coordinator for 1986 and 1987 Olympic Festivals. She continued to serve as the commissioner for the Olympic Festival for several years. <mask> is spent 12 years on the USVBA Board of Directors and Executive Committee previously and is now serving a second time on the USA Volleyball Board of Directors. Dr. <mask> served as president of the AVCA in 1989 and 1990 after serving a two-year term as the awards chair in 1986 and 1987. She was again been appointed to the AVCA Board of Directors overseeing Education and Publications for the association and served from 2005-2016. She has remained an active member of the AVCA, even after retirement from coaching. She presents annually at the convention as well as serving as emcee of the Tachikara/AVCA Coach of the Year and Victory Club Award Banquet and AVCA All-America/Players of the Year Banquet.She is currently President of the Alliance of Women Coaches and is a member of the FSU Varsity Club Board of Directors as well as the Side-out Foundation Board of Directors. Locally she served as a Commissioner on the Tallahassee/Leon County Commission on the Status of Women and Girls Dr. Reynaud also served as president of the Refuge House Board of Directors, a local domestic and sexual abuse shelter for 4 years and on the board for 10 years. Personal life
Reynaud married oceanographer and Graduate School Dean Nancy Marcus circa 1992. Awards and accolades

As a player

 Outstanding College Athletes in America - 1973, 1975
 Southwest Missouri State University Women's Athletic Hall of Fame Inductee - 1983

As a coach

 Nominated as an Outstanding Woman in America - 1982
 Volleyball Coach of the Year by the Florida Association of

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 Intercollegiate Athletics for Women - 1981
 Metro Conference Coach of the Year 1988, 1989
 American Volleyball Coaches Association South Region Coach of the Year - 1989
 ACC Coach of the Year - 1992, 2000
 George J. Fisher Leader in Volleyball by USA Volleyball - 1996
 St. Leo University Women in Sports Achievement Award - 2005
 Webster Groves High School Athletic Hall of Fame - 2006
 Florida State University Athletic Hall of Fame - 2009
 USA Volleyball Florida Region Hall of Fame - 2011
 USA Volleyball Harold T. Friermood "Frier" Award Winner - 2016
 Missouri State University "Bear of Excellence" Award Winner - 2017

Bibliography

Books
 Coaching Volleyball: Technical and Tactical Skills Publisher:  Human Kinetics, Inc. (2011)
 101 Winning Volleyball Drills Publisher:  Coaches Choice (2008)
 She Can Coach!''' (Editor)  Publisher: Human Kinetics, Inc. (2005)
 The Volleyball Coaching Bible (Co-Editor)  Publisher: Human Kinetics, Inc. (2002)
 The Volleyball Coaching Bible, Vol. 2 (Editor)  Publisher: Human Kinetics, Inc. (2015)

DVDs

 Coaches Choice Volleyball DVD Series
 101 Winning Volleyball Drills  Publisher:  Coaches Choice
 20 Keys to Great Defense  Publisher: Coaches Choice
 Coaching Volleyball:  Team Offense  Publisher:  Coaches Choice
 Coaching Volleyball:  Team Defense  Publisher:  Coaches Choice
 Coaching Volleyball:  Organizing and Conducting Practice  Publisher:  Coaches Choice
 Coaching Volleyball:  Individual Defense  Publisher:  Coaches Choice
 Coaching Volleyball:  Effective Practice Drills  Publisher:  Coaches Choice
 Coaching Individual Volleyball Skills and Techniques  Publisher:  Coaches Choice
 Reading and Decision Making in Volleyball''  Publisher: Championship Productions

References

Florida State University alumni
American women's volleyball players
American volleyball coaches
Florida State University faculty
Living people
1953 births
LGBT sportspeople from the United States
LGBT people from Iowa
LGBT academics
Lesbian sportswomen
LGBT volleyball players
American women academics
21st-century LGBT


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<mask> (born June 21, 1977) is a Canadian singer-songwriter, composer and musician. She has released eleven albums to date (including EPs and live albums). She is also a poet, visual artist, and occasional actress. Career

Major recordings
Slean recorded her first EP Universe (1997) at the age of nineteen. It was followed by Blue Parade in 1998. Night Bugs was her first major label album, co-produced by <mask> and Hawksley Workman, and released by WEA in Canada and Atlantic Records in the United States. It was heavily inspired by cabaret music.Slean composed all the string and horn arrangements for these albums - by hand in traditional notation. On 28 September 2004, Slean released her fourth album, Day One. Here <mask>'s piano takes a less important spot for the first time in her career. The focus is more on beats, rhythms and guitar, which is evident in the album's first single, "Lucky Me". The up-tempo title track "Day One", and "Mary", a song about Slean's grandmother, were released as the second and third singles. Slean was first introduced to VS orchestral libraries and MIDI sequencing on this album, and composed all the orchestral accompaniments. In October 2006, <mask> released a mostly-live album, Orphan Music, which consists of songs recorded live at Toronto's Harbourfront Theatre and the Vancouver East Cultural Centre.Other new tracks featuring <mask> and the piano were recorded at DNA Recording Facility in Toronto and Kensaltown Studios in the UK. On 13 December 2007, <mask>'s website underwent a massive overhaul in preparation for her newest studio album, entitled The Baroness. Visitors to the new site were invited to sign up for <mask>'s new mailing list, and in doing so would be able to download a demo version of her newest single, "Get

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Sarah Hope Slean
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