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 by Cassander (1619);
An Answer to Tilenus' Defence of the Bishops and the Five Articles (1622). This was written against Daniel Tilenus at the suggestion of Andrew Melville. He is now chiefly remembered for the poem The Packmans Pater Noster, a vigorous attack on the Roman Catholic Church. An edition was published at Edinburgh in 1669 entitled A Pick-tooth for the Pope, or the Packmans Pater Noster, translated out of Dutch by S. I. S., and newly augmented and enlarged by his son R. S. (reprinted by Paterson).Seven poems, chiefly of an amorous character, are printed in T. G. Stevenson's edition of The Sempill Ballates. Family
His wife was Egidia or Geillis Elphinstone of, daughter of George Elphinstone of Blythswood and Marion Scot. They had two sons, <mask> the younger and George (who died young), and five daughters, of whom Marion was married to Colin Campbell of Ardkinglass, and Margaret to Walter Macfarlane of Macfarlane. Notes

References
Attribution

1566 births
1620s deaths
Alumni of the University of St Andrews
Scottish diplomats
16th-century Scottish writers
16th-century male writers
17th-century Scottish writers
17th-century Scottish poets
17th-century male


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<mask> is a Canadian documentary filmmaker known for often using film to explore his own life. Early life
<mask>g was born and raised in Toronto, Ontario and has worked in the film industry as a writer, producer, director, driver, and actor. Before finding success as a filmmaker, <mask>g drove a taxicab for fifteen years. Early in his career, Zweig’s short films — Trip Sheet (1976), The Boys (1977) and Stealing Images (1989) – provide rare insight into his early inspirations, influences and themes. They run the gamut from documentary to mock doc to fiction. Trip Sheet was Zweig’s first film, an impressionistic hybrid doc made in his first year at Sheridan College. Shot on colour reversal stock, the film follows cab drivers on their daily beat, a profession that Zweig himself pursued throughout the 1980s.Unseen for more than 30 years, The Boys, an improvised film shot in semi-vérité style, stars four strangers as best friends. The award-winning fiction film Stealing Images, investigates the notion of the unreliable narrator, the protagonist as poseur. Zweig used a composite of film world acquaintances to shape his lead character, a film director who seems to have everything going for him, but in reality has nothing going on at all. Stealing Images sits where autobiography and parody meet, and is perhaps less a reflection and more a projection of Zweig’s struggle with his own perceived failure. This collection of shorts bridges the gap between Zweig’s work in fiction films and introduces themes, questions and techniques that resurface in his later documentaries. In his documentary work, <mask> never pretends not to be

masks:
Alan Zweig
Alan Zwei
Alan Zwei
Alan


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 there, placing himself inside the narrative along with the rest of his subjects. His use of first-person video diary is a courageous method of self-analysis, introspection and presence that speaks to the audience as if there were no camera in the room.This generous sharing of personal experiences, neuroses, fantasies and opinions acts as an empathetic way of drawing out the same in others. Zweig has honed a conversational interview style and easy repartee with his subjects that result in some of the most inspiring vulnerability and honesty you will ever experience while watching film. Career
<mask> first became known for his 1989 film Stealing Images, a short drama about a filmmaker exploring the city which won the award for Best Canadian Short Film at the 1989 Toronto International Film Festival. He also later directed the narrative feature film The Darling Family, before turning to documentary film. In his 2000 film Vinyl, Zweig explores what drives people to become record collectors. Zweig spends a large portion of the film exploring his own life in regard to record collecting, feeling it has prevented him from fulfilling his dreams of a family. I, Curmudgeon is a 2004 film about self-declared curmudgeons, himself included, which received a Silver Hugo at the 2005 Chicago International Film Festival.The film was shot on a camcorder, with Zweig using a mirror to record his own experiences. Lovable is a 2007 film about our preoccupation with finding romantic perfection. In 2009, Zweig moved from autobiographical subject matter to explore the struggle of ex-convicts to lead normal lives in A Hard Name, which


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 received the Genie Award for best documentary. His 2013 film When Jews Were Funny, an exploration of the role of Jewish comedians in North American comedy and humour, won the prize for Best Canadian Feature Film at the 2013 Toronto International Film Festival. Again, he uses most of the movie exploring his own position as a Jew married to a non-Jewish woman and a new father. Hurt, his documentary film about Steve Fonyo, was released in 2015. It won the Platform Prize at the 2015 Toronto International Film Festival.His film There Is a House Here, premiered at the 2017 Toronto International Film Festival, and Coppers premiered at the 2019 Toronto International Film Festival. Films

Vinyl (2000)
In Vinyl, Zweig seeks not to talk to people who collect vinyl records to discuss music, but rather to discuss what drives someone to collect records in the first place. Zweig spends a large portion of the film in stylized self-filmed "confessions", where he expounds on his life in regard to record collecting, feeling it has prevented him from fulfilling his dreams of a family. In addition to celebrities like Canadian director/actor Don McKellar and American Splendor creator Harvey Pekar, Zweig speaks to a variety of record collectors. Collectors include a car wash employee who claims to own over one million records and claims to have memorized the track listing of every K-Tel collection he owns, a government employee who refuses to organize his collection because he doesn't want people to come over and a man who threw out his large record collection rather than sell or give it away because he didn't want anyone else to own it.


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 Vinyl was ranked one of Pitchfork's 20 Essential Music Docs in 2013. A Hard Name (2009)
In this film, Zweig interviews seven ex-convicts about their times in prison and their struggle to maintain lives outside of prison walls.The men talk about insights they have gained about their lives, including how childhood abuse led to a life of crime. Film subjects include one man who stabbed fellow inmate Clifford Olson 21 times, before Olson committed his serial killings. Another of the film's subjects was abused as a child while a resident at the Mount Cashel Orphanage in St. John's, Newfoundland and Labrador. A Hard Name ends with archival television footage of him performing, playing the guitar and singing for other young residents of the home. I, Curmudgeon (2004)
<mask>g interviews notable curmudgeons like Fran Lebowitz, Harvey Pekar and Bruce LaBruce. Zweig wants to know what their problem is and, more importantly, whether it’s the same as his. Zweig analyzes the fallout of his negativity, shaving it down and focusing its meaning with the help of hilarious and honest insights from his raucous cast of misfits.The film cleverly examines the risks of being a naysayer in a society continually pitching the positive. For Zweig, the naysayers are today's heroes, the ones who are not afraid to say, 'Hey, the emperor has no clothes!' Lovable (2007)
In this final instalment of the autobiographical trilogy that includes Vinyl and I, Curmudgeon, <mask>g reflects with disarming candour on why, if he longs for a partner and children, he is still single at mid-life. The film analyzes his lack of success finding a partner while

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Alan Zwei
Alan Zwei


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 also interviewing a couple of dozen single women of various ages and backgrounds. It turns into a probing and occasionally profound examination of love in the 21st century. Zweig asks the women some tough questions, digging through their denial and getting some insightful, articulate answers. When Jews Were Funny (2013)
Surveying the history of Jewish comedy from the early days of the Borsht Belt to the present, When Jews Were Funny explores not just ethnicity in the entertainment industry, but also the question of what it means to be Jewish.The film features interviews with and/or performance clips of a wide variety of Jewish comedy performers and writers of the 20th and 21st centuries, including Howie Mandel, Gilbert Gottfried, Rodney Dangerfield, Eugene Mirman, Marc Maron, Bob Einstein, Andy Kindler, Shelley Berman, <mask>, Judy Gold, Elon Gold, David Steinberg, Jackie Mason, Jack Carter, Norm Crosby, Henny Youngman, David Brenner, Shecky Greene, Mark Breslin, Cory Kahaney, Harrison Greenbaum, Simon Rakoff, Lisa Lambert, Larry Josephson and Michael Wex. The film won the Best Canadian Feature Film prize at the 2013 Toronto International Film Festival and was listed as one of Canada's Top Ten Films that year. 15 Reasons to Live (2013)
Inspired by the non-fiction book "Why Not: Fifteen Reasons to Live" by Ray Robertson, this film is an examination on the nature of human happiness by looking at the personal stories of 15 individuals. Through their stories, Zweig compiles his reasons to live: love, solitude, critical mind, art, individuality, home, work, humour, friendship, intoxication, praise, meaning, body, duty


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 and death. This is the first of his films to include the use of animation. Hurt (2015)
Hurt follows Steve Fonyo, the celebrated Canadian runner with an artificial leg who raised millions of dollars for cancer research, only to decline into addiction and homelessness. Literally following in the footsteps of Terry Fox, Fonyo ran across Canada to raise awareness for cancer research and went on to receive the Order of Canada, before it was later stripped from him when his image as a cancer survivor and athlete changed following drug addictions and run-ins with the law.The film includes sequences where Zweig arranged (and captured) meetings between Fonyo and the esteemed Dr. Gabor Maté, an expert in addictions and childhood trauma. The film won the inaugural Platform Prize at the 2015 Toronto International Film Festival. The film was also named one as part of TIFF's annual Canada's Top Ten screening series of the ten best Canadian films of the year. At the 4th Canadian Screen Awards in 2016, Hurt won the award for Best Feature Length Documentary. Hope (2017)
This sequel to the 2015 documentary Hurt picks up as Steve Fonyo recovers from his coma and admits that he needs to make changes to his life if he is going to be able to continue on. Recovering in hospital, Steve allows Zweig to follow him through his lows, hoping he might find a way to a better life. In the 30 years since he was a nation’s hero for his cross-country run on a prosthetic leg to raise funds for cancer research, Steve’s life has been a sequence of tragic events.Now in his 50s, Steve admits he needs to remove himself from his circumstances in Surrey,


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 BC, to overcome his addiction and have a fresh start with his girlfriend. Bringing director-subject dynamics to the forefront, Zweig has created a rare and exceptional documentary sequel that attempts to look at the road forward and leave a troubled past behind. There is a House Here (2017)
Taking its name from the English translation of Igloolik, There Is A House Here, <mask> tells a “fish out of water”. The fish is himself, an urban Jew. The environment strange to him is the damaged culture of Inuit in the high Arctic. Despite a long and frank email relationship with Inuk heavy-metal rocker Lucie Idlout, <mask> finds himself unable to truly understand why Canada’s aboriginal people cannot “get over” the injuries of colonialism. With Lucie as his guide, <mask>g goes to Nunavut, a place that admittedly frightens him, in the hope of having his skepticism defeated and gaining some answers to bring back to his “equally ignorant countrymen”.The film premiered at the 2017 Toronto International Film Festival. Coppers (2019)
His latest film, Coppers, is centred on former police officers as they recount the traumas that continues to haunt them long after they turned in their gun and shield. Zweig’s insightful questioning and sympathetic tone allows a space where some pretty astonishing things are revealed, both about the nature of police work and, inadvertently, about some of the personal flaws of those that choose the profession in the first place. A sort of companion piece to A Hard Name, his 2009 documentary about former inmates, Coppers interviews a dozen or so retired police officers. Although their beats ranged from

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 large and mid-level cities to very small towns, their experiences, perhaps surprisingly, are quite similar. As one ex-cop remarks, "No one calls the police when they're having a great day." Most have witnessed scenes anyone would have a hard time living with.One officer describes a murder suicide where the killer dispatched his victim with a statue of a German shepherd and a cassette recorder. Another, assigned to a particularly harsh detail, breaks down in tears, overwhelmed by the amount of horrifying evidence he had to comb through. A disarming interviewer, Zweig lets his subjects talk about what troubled them most: high stress, horrific crimes, racism, sexism, and guilt (one cop is still haunted by the day he nearly killed a young girl who wandered into a confrontation scene). But Zweig doesn't avoid probing questions, particularly about the officers' and their colleagues' transgressions, personal and otherwise. Even if he gets evasive answers, the responses remain incredibly telling. Coppers had its World Premiere at the 2019 Toronto International Film Festival and was ranked one of the Top 10 Canadian Films of 2019 by The Globe and Mail. Records (2021)
Twenty-one years after <mask>g's groundbreaking first feature documentary Vinyl, Zweig returns to the topic of compulsive record collecting with newfound introspection and a sunnier disposition.Awards, Honours and Nominations

 1989: Stealing Images won Best Canadian Short Film at the Toronto International Film Festival
 1989: Stealing Images was nominated for Gold Hugo Best Short Film award
 2004: I, Curmudgeon won the Chicago International Film Festival


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 Silver Hugo Prize
 2009: A Hard Name won the Canadian Screen Award for Best Documentary Feature
 2010: A Hard Name received the Genie Award for Best Feature Length Documentary
 2011: Hot Docs devoted its Focus On screening series to <mask>'s work
 2013: 15 Reasons to Live was nominated for Best Canadian Documentary at Hot Docs Canadian International Documentary Festival
 2013: When Jews Were Funny won Best Canadian Feature Film at the Toronto International Film Festival
 2015: Hurt won the Platform Prize at the Toronto International Film Festival
 2016: Hurt won the Ted Rogers Award for Best Feature Length Documentary at the Canadian Screen Awards
 2017: There Is a House Here was nominated for Best Canadian Feature Film at the Toronto International Film Festival
 2017: There Is a House Here received an Honourable Mention for World Documentary at the Whistler Film Festival
 2019: Coppers was nominated for Best Canadian Feature Film at the Toronto International Film Festival

References

External links

Directors of Genie and Canadian Screen Award winners for Best Documentary Film
Canadian documentary film directors
Film directors from Toronto
Year of birth missing (living people)
Living people
Jewish Canadian


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<mask> (1 April 182620 January 1881) was an English actor known for his comic roles in Britain and America, particularly Lord Dundreary in Our American Cousin. He was also known for his many practical jokes. Life and career

Early years
<mask> was born in Liverpool, the son of a merchant. He began studying medicine, and his parents hoped that he would become a minister, but he decided against pursuing those professions. He worked as a clerk in the late 1840s and married Frances Emily "Fannie" Stewart (died 1882). He began acting as an amateur in 1848 under the stage name of Douglas Stewart. In 1849 he appeared in his first professional engagement at Saint Helier in Jersey, as Claude Melnotte in Bulwer Lytton's The Lady of Lyons.In the early 1850s, he played in various English companies without particular success in Portsmouth, Wolverhampton and Birmingham. Sothern travelled to America in 1852, first playing Dr. Pangloss in The Heir at Law in Boston, Massachusetts, with John Lacy's company at the National Theatre. He then played at the Howard Athenaeum in Boston and at Barnum's American Museum in New York. In 1854, he joined the company at Wallack's Theatre. In the early part of his career, <mask>'s wife often performed with him. By 1856, he had begun using his own name, <mask>, on stage. He had become associated with Laura Keene's company in New York by 1856.He finally gained attention at Wallack's Theatre in New York starring as Armand in Camille. The critic Clement Scott noted that while Sothern was "as handsome a man as ever stood on the stage", he was not naturally suited to romantic roles. Our American Cousin

As a result of his success in Camille, Sothern was given a part in Tom Taylor's Our American Cousin at Laura Keene's Theatre. This piece would later

masks:
Edward Askew Sothern
Sothern
Sothern
Sothern


texts: become famous as the play that Abraham Lincoln was watching when he was assassinated. Sothern's role was Lord Dundreary, a caricature of a brainless English nobleman. At first, he was reluctant to accept the role; it was so small and unimportant that he felt it beneath him and feared it might damage his reputation. He mentioned his qualms to his friend, Joseph Jefferson, who had been cast in the leading role of Asa Trenchard in the play.Jefferson supposedly responded with the famous line: "There are no small parts, only small actors." On 15 October 1858, Our American Cousin premiered in New York. After a couple of unhappy weeks in the small role, Sothern began portraying the role as a lisping, skipping, eccentric, weak-minded fop prone to nonsensical references to sayings of his "bwother" Sam. His ad-libs were a sensation, earning good notices for his physical comedy and spawning much imitation and merry mockery on both sides of the Atlantic. His exaggerated, droopy side-whiskers became known as "Dundrearys". Sothern gradually expanded the role, adding gags and business until it became the central figure of the play. The most famous scene involved Dundreary reading a letter from his even sillier brother.The play ran for 150 nights, which was very successful for a New York run at the time. Sothern made his London debut in the role when the play ran for 496 performances at the Haymarket Theatre in 1861, earning rave reviews. The Athenaeum wrote, "it is certainly the funniest thing in the world... a vile caricature of a vain nobleman, intensely ignorant, and extremely indolent". Dundreary became a popular recurring character, and Sothern successfully revived the play many times, making Dundreary by far his most famous role. A number of spin-off works were also created,


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 including Charles Gayler's sequel, Our American Cousin at Home, or, Lord Dundreary Abroad (Buffalo, New York, 1860, and then New York City, 1861) and H. J. Byron's Dundreary Married and Done For. Sothern wrote his own play, Suspense, produced for Keene's 1860-61 season. He won wide popularity from his interpretation of Sam Slingsby in John Oxenford's Brother Sam (1862; revived in 1865), a play about Dundreary's brother.1860s and 1870s
In 1864, Sothern created the title role in Tom Robertson's David Garrick at the Haymarket Theatre. The play was a great success. The Times praised Sothern's acting in the Act II scene where Sothern depicted "the most extravagant form of drunkenness... perpetually brought into contact with the real agony of mind which is now on the point of casting aside the mask of debauchery". He also appeared in Robertson's Home and later claimed to have written some of the best scenes in each work (a claim that was disputed by Robertson). Other plays written for the now-famous Sothern were The Woman in Mauve, by Watts Phillips; The Favourite of Fortune and A Hero of Romance by Westland Marston; A Lesson for Life by Tom Taylor; and An English Gentleman by H. J. Byron (1871) at the Haymarket. Sothern continued to act mostly in London until 1876, but also toured extensively in the British provinces, North America and Europe. Sothern became popular with Robertson's crowd, including with the Haymarket's manager, John Baldwin Buckstone, actor J. L. Toole, and dramatists Byron and W. S. Gilbert, who later wrote three plays for him, Dan'l Druce, Blacksmith (1876), The Ne'er-do-Weel (1878), and Foggerty's Fairy (1881).Sothern left England to tour in America in early 1876 and wrote to Gilbert to be ready with a play by October that would feature him in a


texts: serious role. This play eventually became Dan'l Druce. However, Sothern produced but did not star in the play. Gilbert soon wrote another play for Sothern, this time a comedy, The Ne'er-do-Weel. Sothern was not pleased with the work, and Gilbert offered to take it back. Although it was eventually produced, Sothern did not appear in it. Sothern had already paid Gilbert for the play, and Gilbert was unable immediately to pay him back.After various arrangements between Gilbert and Sothern involving American productions of another Gilbert play, Engaged (1877), Gilbert finally promised, in 1878, to write a new play for Sothern. This was to be Foggerty's Fairy. Sothern never appeared in any of these works. His biographer T. Edgar Pemberton noted that one role he regretted not playing was Cheviot in Engaged. Instead, Sothern continued to tour and perform Dundreary and other works. In October 1877 at the Academy of Music in New York, he played the title role in Othello. Sothern's next great role was the title role, Fitzaltamont, in a hit revival of Byron's The Crushed Tragedian (1878, originally named The Prompter's Box) at the Haymarket.The Era admired "the sepulchral tones, the glaring eyeballs, the long hair, the wonderful 'stage walk', the melodramatic attitudes" of his portrayal. He next appeared in The Hornet's Nest by Byron at the Haymarket. The Crushed Tragedian was not a great success in London, but it became a hit in New York. The Philadelphia Inquirer raved, "With what elaboration of detail does the actor embody his conception! There is not a gesture, not an intonation, not a movement, but seems to illustrate the character portrayed. He strides across the stage and it is as though he were wading through a sea of gore; he mutters to himself ‘Ha! ha!’ and you know


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 that he is cursing fate with a bitterness loud and deep.always and in all things poor Altamont is exquisitely, indescribably ludicrous." In April 1879, he was still at the Haymarket, appearing in Bulwer-Lytton's play Money as Sir Frederick Blount. Last years and family
In the autumn of 1879, after a long summer fishing trip, Sothern was on another American tour. The Era wrote in October 1879 that "It is proposed, during Mr Sothern's [American] engagement, to bring out revivals of The Crushed Tragedian, Dundreary, and David Garrick, the new comedy by Mr Gilbert being reserved for the spring engagement." On 29 February 1880 The Era reported: "Mr Sothern says that, although his new comedy, by Mr Gilbert, has cost him 3,000 guineas, he would not take 6,000 guineas for it now. It is a piece of the wildest absurdity ever perpetrated, and all the parts are immense." The same issue of The Era states that definite plans had been made for Sothern to appear at the Gaiety Theatre, London in Foggerty's Fairy, as the new play was now called, in October 1880, after the end of his American tour.Sothern had been ill for much of the time since the fall, although he fulfilled his performing commitments. He returned to England for a six-week holiday in June 1880, still planning to produce Fogerty's Fairy in New York. After one illness and a short European tour, Sothern fell seriously ill in the fall, and his health declined until he died in January 1881, never having performed Gilbert's play. Sothern died at his home in Cavendish Square, London, at the age of 54 and is buried in Southampton Old Cemetery, Southampton. He was such a notorious practical joker that many of his friends missed his funeral, thinking it was a joke. His sister, Mary Cowan, was the principal beneficiary of his


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 last will, signed shortly before his death. A previous will had given most of the estate to his widow and children.Sothern's widow contested the will but lost, and it took Cowan until 31 May 1881 to obtain probate. Gilbert suggested that she "underlet" Foggerty's Fairy to him, and he eventually had it produced. Sothern and his wife had four children, all of whom became actors: Lytton <mask> (1851–1887), <mask> (E. H.), George Evelyn Augustus T. (born 1870; who used the stage name <mask>) and Eva Mary. E. H. Sothern became prominent on the American stage. Sothern's house in Kensington, London was a resort for people of fashion, and he was as much a favourite in America as in the United Kingdom. Practical jokes
Sothern was known as a sportsman and bon vivant and became famous for his magic tricks, conversation and, especially, his practical jokes (he was born on April fool's day), his passion for which amounted almost to a mania. He would often falsely announce the death of a friend or send people on fool's errands.Sothern and his friends would demand that clerks sell them goods not carried by the store in question, stage mock arguments on public omnibuses, run fake advertisements in newspapers, pay street urchins to annoy passers-by and so forth. At one restaurant, Toole and Sothern removed the silver and hid under the table. When the unfortunate waiter found the dining room empty and the silver gone, he ran to report the theft. By the time he returned, Toole and Sothern had re-set the table as if nothing had happened. Among his most elaborate practical jokes was the following. When the husband of actress Adelaide Neilson, Philip Henry Lee, visited New York in the mid-19th century, he had been warned about the wild, bohemian behaviour of American authors, but

masks:
Edward
Edward Hugh
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 expressed his doubt as to the veracity of the stories. Sothern assured him it was true and arranged a private dinner for Lee with twelve "writers and critics", who were really actors.During the dinner, a quarrel arose over literary matters, culminating in a fight breaking out. The men, apparently drunk, brandished an axe, knives and revolvers. The room was filled with shouts, shots and struggle. Someone thrust a knife into Lee's hand, saying, "Defend yourself! This is butchery, sheer butchery!" Sothern advised him to "Keep cool, and don't get shot", before the joke was exposed. Notes

References

 Brown, T. A.History of the American stage (1870)
 Marston, J. W.  Our recent actors, 2 vols. (1888)
 Michael Diamond (2003). Victorian Sensation, pp. 265–68, Anthem Press  . Odell, George Clinton. Annals of the New York Stage: Volume VI (1850–1857). New York: Columbia University Press (1931)
 Odell, George Clinton.Annals of the New York Stage: Volume VII (1857–1865). New York: Columbia University Press (1931)
 Pascoe, C. E. ed. The dramatic list, 2nd edn (1880)
 Pemberton, T. Edgar (1890). A Memoir of <mask> Sothern, London: Richard Bentley and Son
 Reignolds-Winslow, C. Yesterdays with actors (1887)
 Scott, Clement. The drama of yesterday and today, 2 vols. (1899)
 <mask>, E. A., Birds of a feather flock together, or, Talk with Sothern, ed. F. G. De Fontaine (1878)
 Sothern, E. A."Mr. Sothern on Spiritualism", New York Saturday Press, 30 December 1865

 Towse, J. R. Sixty years of theatre (1916)
 New York Tribune, 22 January 1881
 The Times 25 January 1881

External links

 Profile and images of Sothern

1826 births
1881 deaths
Male actors from Liverpool
19th-century English male actors
American male stage actors
People associated with Gilbert and Sullivan
English

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Edward Askew
Sothern


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<mask><mask> (1915–2009) was a career fireman, rising to the rank of fire captain, and politician in Los Angeles, California. He was best known for serving on the LA City Council from the San Fernando Valley from 1963 to 1977. He was appointed as a member of the South Coast Regional Coastal Commission. A self-described political conservative, Nowell favored high-density growth in residential areas and related development. He opposed school busing to achieve racial integration, believing that families should be able to choose where their children went to school. Investigated for some financial irregularities related to his public office, <mask> pleaded no contest and was fined for a violation of a campaign-reporting law. He was the grandfather of <mask>, the singer and the guitarist of the band Sublime.Biography
<mask> was born February 8, 1915, in Salt Lake City, Utah, one of twelve children in the family of Oliver and Minnie <mask>, both of Salt Lake City. His father, a blacksmith, died when <mask> was ten years old, and his mother brought him and two siblings to Los Angeles in 1931. He went to Franklin High School (Los Angeles) and to Los Angeles City College, where he majored in mechanical engineering. At one point <mask> learned the building trade and was superintendent for construction of "several hundred" homes in Hawaii. At age 25, <mask> joined the Los Angeles Fire Department in 1940. He served there for 23 years, rising to the rank of captain and being elected president of the 8,500-member Fire and Police Protective League. He was married on April 20, 1941, to Maxine Barlow of Mason City, Iowa.They had three children, Julie, Jim and John, and

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Louis R
. Nowell
Nowell
Bradley Nowell
Nowell
Gordon Nowell
Louis
Nowell
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 since 1945 lived at 10205 Scoville Avenue in the Sunland district of the northeast San Fernando Valley. <mask> was said to wear a "conservative label proudly." A Los Angeles Times reporter wrote of him:

Without the university degrees that open doors to executive positions, winning his way from a 65 cents a day job thinning sugar beets in Utah to election to City Council . . . is a plus in any man's memoirs. <mask> died on July 2, 2009, in Camarillo, California. but his death was not announced by his family in Los Angeles until July 23. No cause of death was given.Memorial donations were suggested to the Widows, Orphans and Disabled Firemen's Fund of Los Angeles. City Council

Elections

See also List of Los Angeles municipal election returns, 1963 and after. <mask> was a candidate for Los Angeles City Council District 1 in 1963 to succeed Everett G. Burkhalter; he placed second in the April primary to attorney Phill Silver. He won in the June final. He was easily reelected in 1965, but in 1969 he polled just 54% of the vote in the primary. He had a strong opponent that year in Jim Keysor, who polled 18% of the vote and went on to be elected to the State Assembly. During his time in office, <mask> supported more residential development, as Southern California was continuing to attract new residents.In 1977 he led an effort to formally opposed forced school busing in Los Angeles to achieve racial integration, believing that parents wanted the choice of where their children went to school, with most preferring their own neighborhoods. In 1973 <mask> was subject to a forceful opposition campaign led by Gerald and Betty Decter (below), who sent out

masks: Nowell Nowell Nowell Nowell Nowell


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 thousands of anti-Nowell brochures and fliers to District 1 voters. The councilman complained that "hundreds of young people" had come from outside the district to work against him. Nevertheless, <mask> won in the primary by a 54% vote. In an emotional speech to the City Council (below, Quotations), he announced in 1976 that he would not run for reelection the next year. "His voice broke, and he appeared to be near tears." Instead, he was a candidate for city controller, coming in third.Highlights

 Adobe. <mask> was named California Legislator of the Year in June 1968 by the Conference of California Societies for his "inspired leadership" in saving the historic Andres Pico Adobe in Mission Hills from destruction. He had persuaded the City Council to allocate $175,000 to buy the structure. Busing. <mask> led a successful drive for the City Council to go on record in opposition to mandatory busing to achieve desegregation in city schools. The council passed the resolution by an 8-4 vote but not until <mask> and black City Councilman Dave Cunningham stood "nose-to-nose" and "appeared to verge on fisticuffs." "You are the greatest racist in this world," Cunningham shouted at <mask> during a recess in the meeting.<mask> told reporters later: "The majority of citizens—black, brown and white—don't want their children in forced busing. . . . Voluntarily, yes. Forcefully, hell no!" Mayor Tom Bradley later proposed a "peace conference" between the two; Cunningham accepted but Nowell did not. The next day, Nowell proposed a motion of censure against Cunningham. It was referred to a committee when it got only three favorable votes to suspend the rules and

masks: Nowell Nowell Nowell Nowell Nowell Nowell


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 consider it—from <mask>, Don Lorenzen and <mask>. Wilkinson. Coastal Commission.The appointment by Council President John S. Gibson, Jr. of Nowell as the city's representative on the newly formed South Coast Regional Coastal Commission drew fire from conservationists. Both Gibson and <mask> had opposed the commission's formation. "Wrong Man for the Coastal Job," Los Angeles Times, November 15, 1972, page B-6 The City Council voted to assume authority over Nowell in casting votes on the commission, but the action was ruled invalid and unenforceable by the assistant city attorney. In one of his early votes, he came down against "the environmental side, voting against trying to stop drilling by the Occidental Petroleum Corp. in Pacific Palisades." Development. <mask> had a reputation as "probably the most developer-oriented member of the City Council" in that he "persistently supported higher density development and the zoning changes necessary to achieve it both in his own district and in the city as a whole." Decters

It was said that <mask> was led to resign from the council by the decade-long work of one husband-wife couple, Jerry and Betty Decter, who lived at 2054 North Beverly Drive in the Beverly Crest district and who first fought the councilman over his support of a 1968 plan to realign Beverly Drive between the San Fernando Valley and Beverly Hills.Columnist Al Martinez of the Los Angeles Times wrote of the Decters in 1977:

With little help and with a dedication rare among private citizens, they pursued <mask> for a decade, and in the end brought him down with a series of revelations that reduced the once powerful legislator to tears. The

masks:
Nowell
Robert M
Nowell
Nowell
Nowell
Nowell


texts:
 Decters spent thousands of dollars of their own money and thousands of hours of their time to end the 14-year career of a man who had towered over civic affairs. Colleagues said the couple "hounded <mask> into becoming a tense, distrustful and people-hating man." Council President John S. Gibson, Jr. said: "He got to dislike people. He began thinking everyone was against him and that he couldn't trust anyone." Councilman Zev Yaroslavsky said: "Louie was driving himself out of office. Not a week went by that he didn't refer to the Decters."As for <mask>, he said: "I'm getting sick and tired of them picking on me." Jerry Decter died on June 24, 2009, eight days before <mask>. Schooner

<mask> and his family purchased a 51-foot or 57-foot schooner named Sharolyn or Sharon in Hawaii and, with eight relatives, sailed it in 1972 from the islands to San Pedro. The 33-day crossing was rough, and most of the people aboard were seasick. The boat was out of contact for 24 days until it was sighted by a Japanese freighter, and it arrived in Santa Barbara with just five gallons of fuel left.Irv Burleigh, "Wife Is Heroine of Councilman Nowell's 33-Day Ocean Voyage," Los Angeles Times, August 8, 1972, page 7

In 1974 Jerry and Betty Decter had been wondering how a city councilman could afford the cost of maintaining the schooner. They and a colleague, Warren Kessler, found through public records that Nowell had been receiving a 50% discount in a Marina del Rey boat slip owned by a real estate developer who had received approval by <mask> on the City Council on a controversial condominium project in Long Beach. The Decters charged that Nowell had failed to comply


texts:
 with financial laws by declaring the discount as a gift.<mask> and the developer, Jona Goldrich, denied any impropriety. The Decters learned that <mask> had docked his schooner at a city pier in the Port of Los Angeles, but not paid a cent for doing so. A Los Angeles Times investigation found that Nowell had also been receiving services by Harbor Department employees aboard his yacht. He was subsequently billed $7,920 by the city, offered to settle for $480 and eventually paid $2,000.Doug Shuit, "Nowell Receives 50% Discount on Boat Slip Fee," Los Angeles Times, October 25, 1974, page C-1

After his retirement, <mask> and his wife moved first to Kernville in Kern County and then to Marina Del Rey, where they lived aboard their schooner. <mask> announced in 1980 that he was putting the vessel on the market for $170,000. Misdemeanor

<mask> was fined $500 and placed on a year's probation in 1974 for failing to properly report $19,700 received in a 1972 fund-raising dinner aboard the Queen Mary in Long Beach. He had listed the money in a campaign-contribution report as funds contributed by himself rather than as contributions from supporters.Gerald and Betty Decter filed the original report on this issue to law-enforcement agencies. Puerto Vallarta

Betty and Jerry Decter, with Warren Kessler, asked District Attorney John Van de Kamp to charge <mask> and the Pacific Outdoor Advertising Company with corrupt practices for Nowell's accepting room, food and beverages for him and his wife "at the fashionable Hotel Playa de Bucerias" in Puerto Vallarta, Mexico. After he took the trips, <mask> voted against a city measure to control billboards. <mask>

masks: Nowell Nowell Nowell Nowell Nowell Nowell Nowell Nowell


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 confirmed the fact and said that Foster and Kleiser, another billboard agency, had paid the couple's air fare. He said he did not regard the payments as a bribe and that he would take such a trip again, "Only next time I'd insist that they send me to South America and make a big trip out of it instead of a little hop to Puerto Vallarta." Quotations

• "Human beings are not going to change human beings. Only God who made us in the first place is going to be the one to change us."• Responding to bitter personal attacks by leaders of the black community in Pacoima: "Either we are going to take care of them from the cradle to the grave or you are going to let them do their own [thing] and let a little free enterprise in. . . . Are they going to do it for themselves or leave it up to big daddy and big mommy?" • "This so-called 'free' Washington money is nothing more than a drug which is hooking people onto federal dependency. It has made home rule by local elected officials voted into office by the people an endangered species." • "You can call me the developer's friend any time you want to, and I don't object to that—and you can have your friends sue me. That doesn't trouble me." • Before his 1972 sailing trip from Hawaii to Los Angeles: "All I've got to do is keep the North Star on my left and, barring the fear of passing through the Panama Canal on a foggy night, we'll hit the mainland somewhere between Anchorage [Alaska] and Santiago [Chile]." • On being seasick: "I was over against the rail doing what I was  to do.She [his wife] was afraid I was going to die, and I was afraid I wasn't." • Announcing his retirement to the City Council and referring to


texts:
 himself in the third person: "In January 1963, a fireman retired from the Los Angeles Fire Department. . . . He entered a political kitchen that gets hot. Yesterday he determined that he can stand the heat, but it is his concern for his wife, his children, his marriage and his friends. Therefore he is getting out of the political kitchen, it is his political demise. . . . I ask the City Council to adjourn and memorialize these demands and ask the clerk to send a suitable tribute of this adjournment to his wife." See also
 The Stentorians Arnett Hartsfield Jr. Firefighter LAFD 1940-1961

 References

Access to some Los Angeles Times'' links may require the use of a library card.Los Angeles City Council members
American firefighters
Politicians from Salt Lake City
Los Angeles City College alumni
1915 births
2009 deaths
20th-century American


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<mask> (born March 12, 1962) is an American filmmaker, illustrator, and voice actor. His credits include Lilo & Stitch (2002) and How to Train Your Dragon (2010), both of which he co-wrote and co-directed with Dean DeBlois, The Croods (2013) with Kirk DeMicco, and The Call of the Wild (2020). He is also known for creating the story behind Lilo & Stitch and for creating and voicing its latter title character in the film and its franchise. Early life
<mask> was born in Colorado Springs, Colorado. He went to Arvada High School in Arvada, Colorado. He is a 1984 graduate of the California Institute of the Arts. Career

Walt Disney Feature Animation

<mask> began his career as a character designer for Muppet Babies.He soon became the head storyboard artist for Walt Disney Feature Animation. He also served as a storyboard artist, artistic director, production designer, and character designer on Beauty and the Beast, Aladdin, The Lion King, and Mulan. In the late 1970s, <mask> created an allegorical picture book entitled The Big Bear Aircraft Company, with the subheading "A book for the big retreat" clarifying that it was created for a Disney offsite event. The Big Bear Aircraft Company is a thinly disguised version of Disney itself, and the book is critical of the creative process at the company, which prioritized "big ideas, figuring they will be big successes" and noted that if proposed aircraft (i.e., movie ideas) "don't look the same as the ones [that were] built before, [the boss, Big Bear] gets uncomfortable." After handing each idea pitched by the "visual engineer" to a writer who "likes airplanes" but "has actually never worked on one before, and couldn't tell you for sure what makes one fly", the story states the assigned writer "is guaranteed of making the same mistakes every time. He will make his airplane look like every one he's seen before ..." In the end, the head of the company, Big Bear, gets an airplane that is "a lot like last year's; not very inspiring and not very

masks:
Christopher Michael Sanders
Sanders
Sanders
Sanders


texts: memorable. But people bought it before, and they'll probably buy it again.By playing it safe, he's insured his company's survival." However, since it is not the only aircraft company, these policies are destined to leave the company vulnerable to more imaginative competitors "with its wings of good reputation all shot off." The story concludes that Big Bear should instead give the visual engineers "the two things they need to do their job: Bear's trust and time" to allow smaller, more innovative ideas to flourish. Years later, to explain his motivation regarding the piece, <mask> wrote about his concern over "the ever-growing complexity of our films, and what I saw as an emerging pattern they were all cut from", citing the example that during the story development for Mulan, one of the major concerns was the manner of the villain's death rather than the idea that the villain had to die at all. This in turn motivated him to develop Lilo & Stitch, which he summarized as "a story about a villain who becomes a hero." In 1985, <mask> created a character named "Stitch" for an unsuccessful children's book pitch. When <mask> was the head storyboard artist for Disney Feature Animation, then-Disney CEO Michael Eisner decided that, in the wake of a number of high-profile and large-budget Disney animated features during the mid-1990s, the studio might try its hand at a smaller and less expensive film.<mask> was approached by Thomas Schumacher to pitch that idea, and <mask> reused the "Stitch" character he came up with. The story line required a remote, non-urban location, so <mask> chose Kauaʻi as the location. Stitch became the central character of the 2002 film Lilo & Stitch, which <mask> co-directed and co-wrote with Dean DeBlois. <mask> would also end up voicing the character he created for the film. The film's commercial and critical success spawned a franchise with three sequel films and three television series, with <mask> reprising his role of Stitch throughout the original 2002–06 run

masks:
Sanders
Sanders
Sanders
Chris Sanders
Sanders
Sanders
Sanders
Sanders
Sanders


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 of the franchise (<mask> did not reprise his role for the English dub of the anime Stitch! or the English-language-produced Chinese animated series Stitch & Ai, with Ben Diskin taking over the role for both series), as well in several later Disney crossover works such as Kingdom Hearts Birth by Sleep, Kinect: Disneyland Adventures, and the Disney Infinity series. By December 2006, <mask> had been removed as the director of the upcoming Disney animated film American Dog by John Lasseter.By March 2007, <mask> had been negotiating his exit from Disney. After the departure of <mask> from Disney, directing duties were handed to <mask> and Byron Howard, and the film was retitled Bolt. Despite his departure from Disney, <mask> continues to voice Stitch in most official Disney media (except for the aforementioned Eastern-produced shows). DreamWorks Animation
By March 2007, <mask> had moved to DreamWorks Animation and had then taken over as director on Crood Awakening (later renamed to The Croods), a project previously in co-production with Aardman Animations before their departure from DreamWorks. At the time, <mask> had this to say about the move: "I've been so anxious to start working on things, and so I talked to a lot of people... I like the way DreamWorks looks at animation. Animation still has a lot of different places to go, and I don't want to miss out on a chance to try some new things with it."On September 24, 2008, it was reported that <mask> and DeBlois would be screenwriting and directing How to Train Your Dragon for DreamWorks Animation. The film was released on March 26, 2010 and was well received by critics. It grossed nearly $500 million worldwide. It was nominated for the Academy Award for Best Animated Feature and Best Original Score at the 83rd Academy Awards. The movie also won ten Annie Awards, including Best Animated Feature. After completing How to Train Your Dragon, <mask> returned to The Croods, which was released on March 22, 2013. <mask> shared directing and

masks:
Sanders
Sanders
Sanders
Sanders
Chris Williams
Sanders
Sanders
Chris
Sanders
Chris
Sanders


texts:
 writing credits with Kirk DeMicco, who had joined in the middle of production.The film proved to be a success, grossing over $500 million. <mask> and DeMicco then worked on The Croods sequel for three and a half years, before its cancellation in late 2016. However, the sequel was revived in September 2017, although with Joel Crawford replacing both <mask> and DeMicco as director. After the sequel was out, now titled The Croods: A New Age, <mask> and DeMicco were both credited for the story while <mask> reprised his role as Belt. 20th Century and return to Disney
In October 2017, it was announced that <mask> would be directing a new film adaptation of the 1903 Jack London novel The Call of the Wild for 20th Century Fox. The film, his live-action and solo directorial debut, was released in February 2020. The film received mixed critical reception, with a 62% approval rating on Rotten Tomatoes, making it the lowest-received film in <mask>'s directorial career thus far, and grossed $107.6 million on a budget of $125–$150 million, becoming <mask>'s first directorial box-office bomb.In February 2020, it was reported that <mask> would reprise his voice role of Stitch for a live-action remake of Lilo & Stitch. Personal life
<mask> is married to Jessica Steele-<mask>. Together, they wrote an illustrated novel, titled Rescue Sirens: The Search for the Atavist (2015). <mask> also draws the popular webcomic Kiskaloo. Filmography

Films

Filmmaking credits

Voice acting credits

Television series

Video games

References

External links

<mask> at DeviantArt

American animators
1962 births
Living people
Animators from Colorado
American male screenwriters
American male voice actors
American male video game actors
American storyboard artists
American animated film directors
Animation screenwriters
California Institute of the Arts alumni
Artists from Colorado Springs, Colorado
Film directors from Colorado
Walt Disney Animation Studios people
DreamWorks Animation people
Annie Award winners
Lilo &

masks:
Sanders
Sanders
Sanders
Sanders
Sanders
Sanders
Sanders
Sanders
Sanders
Sanders
Sanders
Chris Sanders


texts:
Nene Encarnacion, also known as <mask>, is a Puerto Rican rapper based out of the Bronx in New York City. He was the first solo act signed with Psychopathic Records, and released his debut EP titled Para La Isla on the label in 1998. Following his departure from Psychopathic Records, <mask> continued to release albums independently, via his own label PME. After releasing a catalog of full length projects, to include the fan favorite LP's "Bad Influence", "The Red Eye", and a tandem of albums under his Twin Gatz persona, <mask> began to re-embrace his original Psychopathic Records partnership. In 2012 <mask> returned to touring, recording, and hosting events for Psychopathic Records. This re-established partnership culminated in the 2018 release of his long awaited homecoming project, the "Para La Isla/Demon Angel" double LP. Career
Born in the Bronx, Myzery started rapping while growing up through hard times.He expressed his street life and overall mentality through his music. He was involved in the rap group Boriqua Bee-Hive under the name Rhyme Recker. Eventually, his sister Nancy married rapper Jumpsteady, and the two had a daughter together named Sammy. Jumpsteady introduced <mask> to the Psychopathic Records family, and his brother Violent J of Insane Clown Posse took an interest in the Puerto Rican rapper, and offered him an outlet for his music in 1997. <mask>'s first widespread appearance with the label was a cameo in the music video for Insane Clown Posse's song "Hokus Pokus" off their 1997 album The Great Milenko. He then went on tour with Insane Clown Posse, House of Krazees, and Psycho Realm. In January 1998, the

masks: Myzery Myzery Myzery Myzery Myzery Myzery


texts: entire touring lineup was arrested at a Waffle House during a quarrel with a heckling customer, which had garnered the three acts media attention.<mask> released his debut EP Para La Isla in early 1998, and it was Psychopathic Records' first solo album not released by an Insane Clown Posse member. <mask> also made an appearance on Twiztid's (formerly House of Krazees) debut album Mostasteless, but the track ("Meat Cleaver") was cut on the reissue of the album. The track later appeared on Twiztid's rarities compilation Cryptic Collection and the label's compilation Psychopathics From Outer Space. Also during this time, <mask> appeared in the movie Big Money Hustlas as Green Willie and also was a member of the group Psychopathic Rydas as Twin Gatz. He appeared on their debut album Dumpin' in 1999 on numerous tracks. In addition, the tracks from his debut EP appeared on multiple Psychopathic Records compilations and samplers. He also appeared at the Gathering of the Juggalos and even in some matches for Juggalo Championship Wrestling (then known as Hellfire Wrestling).He was also a founding member of Dark Lotus alongside Twiztid and Insane Clown Posse, but no tracks were entirely recorded with him as a member. The initial follow-up to Para La Isla was planned to be titled simply Misery, but the album was indefinitely shelved. From 1999 to 2001, Myzery focused on a project titled The Four Faces of Nay Nay. The gimmick was conceived by Violent J, and Myzery had portrayed four different personalities for the album (Myzery, Diabloa, Dr. Giggles, and The Spanish Thug). Guest appearances by Insane Clown Posse and Ice-T was planned as

masks: Myzery Myzery Myzery


texts: well. The project was eventually cancelled, but a few tracks were released on the limited edition EPs 4 Faces and DP, inc., and the limited edition compilation 4 Faces of Myzery. At the 2001 Gathering of the Juggalos, he had an altercation with labelmates Twiztid and Blaze Ya Dead Homie at a hotel.Violent J insisted that fighting within the family wasn't healthy, and Myzery distanced himself from Psychopathic Records. The beef was later squashed years later. During a time when he was mostly absent from his former scene, <mask> made a surprising guest appearance on Jumpsteady's second album Master of the Flying Guillotine in 2005. From 2007 to 2009, rumors circulated on the internet that <mask> had died. Apparently, a friend of Myzery had created the rumor. But the intent wasn't to fake Myzery's death; rather, it was to signify that <mask> has shed his binds as a rapper. The rumor was unvalidated and unappreciated by Myzery, causing severed ties within the crew.After the rumor was squashed, <mask> reappeared with the intent to continue rapping. He announced that his newest album was to be titled The Demon Angel, and he had made his return to the Gathering of the Juggalos in 2012. In addition, his rare underground album Love/Hate became a free download on his website, along with a recording he did for the 2004 Puerto Rican Day Parade. Also, Myzery compiled tracks that he considered most worthy throughout his career, and released it as His.Story. <mask> also started to collaborate with Psychopathic Records again. He appeared on DJ Clay's 2013 mixtape A World Upside Down: The Mixxtape, Insane Clown Posse's 2017 reissue of The

masks: Myzery Myzery Myzery Myzery Myzery


texts:
 Great Milenko, and a 2017 Psychopathic Records EP with various artists titled Bloody Screams of 17 (which was given away during Myzery's appearance at Hallowicked 2017 and later sold online). <mask>'s comeback album The Demon Angel was originally announced in October 2010; however, 8 years later, it finally saw its most definitive iteration released at the 2018 Gathering of the Juggalos, packaged together with the 20th anniversary edition of Para La Isla.The first CD consisted of <mask>'s debut EP Para La Isla, along with five unreleased tracks that were recorded during the same era. The second CD consisted of The Demon Angel in its official and final capacity. The double disc bundle was released on Psychopathic Records, as it marked <mask>'s return to his former label. Although Myzery was classified as a rapper, he described his music as "read(ing) my diary over a beat with bars." 2) (Compilation 2007, with Long Range Distribution)
 Twin Gatz: The Lost Sessions (Compilation 2008, with T.O.N.E-z)
 The Lime Light (LP 2011, with T.O.N.E-z)
 420 After Party (EP 2012, with Delusional)
 A World Upside Down: The Mixxtape (Mixtape 2013, with DJ Clay)
 Hell n Back (Mixtape 2013, with Fuego Flamez)
 Farewell for Now (Mixtape 2016, with Fuego Flamez)
 Assimilation (EP 2016, with Bukshot)
 The Great Milenko (LP Reissue 2017, with Insane Clown Posse)
 Bloody Screams of 17 (EP 2017, with Psychopathic Records)
 The Mothership (Boxset 2018, with Bukshot)

References

External links
 Myzery Official Site

Psychopathic Records artists
Horrorcore artists
Underground rappers
Rappers from the Bronx
East Coast hip hop musicians
Psychopathic Rydas


texts:
<mask>   (18 September 175522 December 1854) was an English classical scholar and President of Magdalen College, Oxford (1791–1854). Birthplace and Oxford career
<mask> was born at South Elmham, Suffolk, son of the Rev. <mask>, rector there and his wife, Mary Reynolds. He matriculated at The Queen's College, Oxford, on 31 May 1770 and on 24 July 1771, was elected to a demyship at Magdalen College. He graduated B.A. on 5 February 1774 and was elected on 25 July 1775 to a fellowship of his college. On 23 October 1776 he took an MA, proceeding B.D.in 1786, and D.D. on 6 July 1790. On 21 December 1777, he received deacon's orders from Philip Yonge, Bishop of Norwich; but did not take priest's orders until 1810. He became a college tutor, a librarian in 1781, a Junior Dean of Arts in 1784–5, and in 1785 served as Junior Proctor of the university. On 28 April 1791 <mask> became the President of Magdalen College, a post he held for the next 63 years until his death in 1854. Literary works
<mask> did not excel in modern languages but was an excellent classical scholar. In 1784 was published his edition of the Euthydemus and Gorgias of Plato but as time went on his interests turned towards patristics, which he would devote the rest of his life to studying.He was especially interested in the minor ecclesiastics of the second and third centuries, the ante-Nicene fathers. In 1814 he published two volumes of Sacrae reliquiae; in 1818 the third and fourth volumes appeared; in 1848 appeared the fifth volume. Samuel Parr said on 26 March 1814:

I have most carefully perused the two volumes of the Sacrae reliquiae. No such work has appeared in English for a century. I wish Joe Scaliger, Bishop Pearson, Richard Bentley, Bishop Bull, Bishop Stillingfleet, and Doctors Grabe and Whitby were

masks:
Martin Joseph Routh
Routh
Peter Routh
Routh
Routh


texts:
 living to read what I have been reading...<mask> is of the right stamp, orthodox but not intolerant, profound, not obscure, wary, not sceptical, very, very, very learned, not pedantic at all. In 1823 appeared <mask>'s edition of Bishop Burnet's History of My Own Time. This included the notes made by Lord Dartmouth, Lord Hardwicke and Jonathan Swift in their personal copies, along with <mask>'s own notes.The second edition with corrections appeared in 1833. Samuel Parr wrote to Lord Holland on 16 March 1823: "The new edition of Burnet is honourable to the University...As to the Preface, it is worthy of the learned, wise, upright, candid writer. <mask> is a Jacobite, but a Constitutionalist; he is not a Ministerialist; he is really a lover of civil liberty...The perspicuity and ease of the composition was to me delightful". In 1852, aged 97, <mask> published the portion of Burnet's History that covered the reign of James II (1685–1689), adding material not included in the previous edition. He presented a copy to the Chancellor of Oxford, the Duke of Wellington. <mask>'s nephew, who helped him with the book, enquired of him: "Why is it, uncle, that you are always working at Burnet, whom you are always attacking?" <mask> replied: "A good question, sir.Because I know the man to be a liar; and am determined to prove him so". Later life

When the American Anglicans visited England in 1783 on to help them set up their own episcopate, Thurlow recommended they consult <mask>. <mask> advised them against approaching the Lutheran bishops of Denmark and instead recommended they approach the Episcopal Church of Scotland as this church had a high church tradition. On 14 November 1784 Robert Kilgour, Bishop of Aberdeen and Primus of Scotland, Arthur Petrie, Bishop of Ross and Moray,

masks:
Martin Routh
Routh
Routh
Routh
Routh
Routh
Routh
Routh
Routh


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 and the coadjutor-bishop of Aberdeen, John Skinner, consecrated Samuel Seabury of Connecticut as bishop. This act was crucial in the survival of the American Episcopal church. In 1810, he was presented with the valuable living of Tilehurst in Berkshire, where, it is recorded, he liked to spend his holidays when not in Oxford. He married Eliza Agnes Blagrave, daughter of John Blagrave of Calcot Park in Tilehurst, a lady some thirty-five years his junior.Last years

<mask> sympathised with the Tractarians of the High Church Oxford Movement in the 1830s and 1840s. R. W. Church in his history of the Oxford Movement said <mask> "had gone below the surface, and was acquainted with the questions debated by those [Anglican] divines, there was nothing startling in what so alarmed his brethren, whether he agreed with it or not; and to him the indiscriminate charge of Popery meant nothing. But Dr. <mask> stood alone among his brother Heads in his knowledge of what English theology was". John Henry Newman dedicated his Lectures on the Prophetical Office of the Church (1837) to <mask> as one "who has been reserved to report to a forgetful generation what was the theology of their fathers". Shrunken in size and deaf, <mask> retained his eyesight, his good memory, and his other intellectual powers to the last, dying at Magdalen College. Legacy
Many affectionate stories were told of him, but he is best known today for his response to John Burgon, who asked him what he would say to a young don seeking advice: "You will find it a very good practice always to verify your references, sir!" This is also to be found in the short form, "Always verify your references", with and without the "sir".His last words when he collapsed taking a heavy volume from a high shelf in his library allegedly

masks: Routh Routh Routh Routh Routh


texts:
 were: "A worthless volume, sir! A worthless volume!". According to Jan Morris, <mask>'s last words, spoken to his housekeeper, were "Don't trouble yourself". Works
His edition of the Euthydemus and Gorgias of Plato, 8vo, Oxford, 1784. Reliquiæ sacræ sive auctorum fere jam perditorum secundi tertiique seculi post Christum natum quæ supersunt, 4 vols. 8vo, Oxford, 1814–1818; the first two in 1814, the third in 1815, the fourth in 1818. <mask> added a fifth volume in 1848, and brought out a second edition of the first four, the whole in 5 vols.8vo, 1846–8. An edition of Burnet's History of his own Time, with notes by the Earls of Dartmouth and Hardwicke and Swift, and observations, 6 vols. 8vo, Oxford, 1823; a second edition, 1833. Scriptorum ecclesiasticorum opuscula præcipua quædam, 2 vols. 8vo, Oxford, 1832; a second edition, 1840, re-edited (anonymously) by Dr. William Jacobson, Bishop of Chester, 1858. An edition of Burnet's History of the Reign of James II, with additional notes, 8vo, Oxford, 1852. Tres breves Tractatus, containing De primis episcopis, S. Petri Alexandrini episcopi fragmenta quædam, and S. Irenæi illustrata rhēsis, in qua ecclesia Romana commemoratur, 8vo, Oxford, 1853.He wrote a large number of Latin inscriptions, four of which are given in the pages of Burgon's Life and twenty-five in an appendix. Notes

References

R. D. Middleton, Dr<mask> (Oxford University Press, 1938). Further reading

Rev. Canon Arthur Middleton, Eminent English Churchmen: <mask> <mask> 1755–1854, Project Canterbury. 1755 births
1854 deaths
People from Waveney District
People from Tilehurst
Alumni of The Queen's College, Oxford
Alumni of Magdalen College, Oxford
Fellows of Magdalen College, Oxford
Presidents of Magdalen College, Oxford
English classical scholars
English

masks:
Routh
Routh
. Routh
Martin Joseph
Routh


texts:
<mask> (born 1945) is an Indian actress who works in Malayalam films. She has acted in about 200 films. Currently she is active in Malayalam television serials. Early life
<mask> was born in 1945 to <mask> and Devakiyamma in Thrissur District. She has three elder brothers. Since early childhood she has learned classical dancing and has performed on various stages in the august audience of leaders and rulers of the time. She came into industry as a child artist <mask> in Malayalam movie Thiramala in 1953.She got married at the age of 16 and settled at Mumbai. She became Miss Thrissur in 1970 after giving birth to three children. She had taken dance, Malayalam classes in Mumbai. She was active in Ladies Club also, there. Although there was innumerable offers for her to act in films post her marriage, she made a comeback to films in Kiratham released in 1985 once her children had finished their schooling and was on their own. She became noted through Parinayam 1994. Since then she is acting in movies in supporting characters .as well as in a number of tele serials in character roles. She has also appeared in advertisements. Personal life
She was married to Late Kalappurakal Haridas in 1961. Haridas was working as an engineer at Mumbai. The couple have three sons Prakash, Prem and Priyan. <mask>

masks:
Valsala Menon
Valsala Menon
Raman Menon
Baby Valsala
Prakash Menon


texts:
 is working in Australia, Prem <mask> in Singapore and Priyan <mask> in Kochi. Her husband died in 1991.Mother Superior
 Onnum Mindathe 2014 .... Sachithanandan's mother
 Salaam Kashmier 2014 as Valyammachi
 1983 2014 as Sunny's mother
 Ottamandhaaram 2014
 Oru Indian Pranayakatha 2013 as Sidharth's grandmother
 For Sale 2013 as Nayarambalam Vasantha
 Oru Yathrayil 2013 - {Segment:Amma} .... Nabeesa
 Kalimannu 2013 .... Paatti
 My Boss 	2012 .... Manu Varma's grandmother
 Thiruvambadi Thamban 2012 ....  Grandmother of Thampan (voice for Sreelatha Namboothiri)
 Arike 2012 .... Balu's mother
 Outsider 2012 .... Santha
 Matinee 2012 .... Savithri's grandmother
 Oru Kudumba Chithram 2012.... Paatti
Ee Ammapooovu Oronappoovu 2012 .... (Short film) .... Amma
 Kudumbasree Travels 2011 .... Subhadramma
 Veeraputhran	2011 ... Middle Aged Woman. Kalabha Mazha 2011 .... Muthassi
 The Train	2011 .... Akku's grandmother
 The Filmstaar	2011 .... Pankajakshi
 Manushyamrugham 2011 .... Old lady
 Sandwich 2011 .... Sai's grandmother
 Sankaranum Mohanannum 2011 .... Sankaran's grandmother
 City Of God 2011 .... Dasan's grandmother
Collector 2011 ....  Anish's grandmother
 Kunjettan (2011)
 Thaskaralahala 2010 .... Annie Vincent
 Karayilekku Oru Kadal Dooram	2010 .... Anoop's grandmother
 T. D. Dasan

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<mask> CBE, RA (born 1965) is a British visual artist who works primarily in film. She was a nominee for the Turner Prize in 1998, won the Hugo Boss Prize in 2006, and was elected to the Royal Academy of Arts in 2008. She lives and works in Berlin, Germany, and Los Angeles, California. Early life and education
<mask> was born in Canterbury, Kent. Her mother is named Jenefer and her father was <mask>, a lawyer who studied classics at Merton College, Oxford. She has a sister named Antigone and a brother, an architect, named <mask>. Her grandfather was <mask>, the founder of Ealing Studios.<mask> was educated at Kent College, Canterbury. After a foundation year in Canterbury, she studied at Falmouth University, graduating in 1988. From 1990 to 1992, <mask> studied for a master's degree at the Slade School of Fine Art. Career
In 1995, <mask> was included in General Release: Young British Artists held at the XLVI Venice Biennale. She is one of the "key names", along with Jake and Dinos Chapman, Gary Hume, Sam Taylor-Wood, Fiona Banner and Douglas Gordon, of the Young British Artists (YBAs). Her work actually had little in common with the prominent YBAs, Damien Hirst and Tracey Emin. In 1997, <mask> moved to London.That same year she began to exhibit splices of magnetic tape cut the length required to document the duration of the sound indicated, such as a raven's cry. In 2001 she was given a solo show entitled Tacita <mask>: Recent films and Other Works at Tate Britain. For the season 2004/2005 in the Vienna State Opera <mask> designed the large scale picture (176 sqm) "Play as Cast" as part of the exhibition series Safety Curtain, conceived by museum in progress. In 2014 <mask> became an artist in residence at the Getty Research Institute. She is a founding member of savefilm.org and vigorously campaigns to save the

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 medium of film. Work

Film
<mask> is best known for her work in 16 mm film, although she utilises a variety of media including drawing, photography and sound. Her films often employ long takes and steady camera angles to create a contemplative atmosphere.Her anamorphic films are shot by cinematographers John Adderley and Jamie Cairney. Her sound recordist is Steve Felton. She has also published several pieces of her own writing, which she refers to as 'asides,' which complement her visual work. Since the mid-1990s her films have not included commentary, but are instead accompanied by often understated optical sound tracks. Especially during the 1990s, the sea was a persistent theme in <mask>'s work. Perhaps most famously, she explored the tragic maritime misadventures of Donald Crowhurst, an amateur English sailor whose ambition to enter a race to solo circumnavigate the globe ended in deception, existential crisis and, eventually, tragedy. <mask> has made a number of films and blackboard drawings relating to the Crowhurst story, exploiting the metaphorical richness of such motifs as the ocean, lighthouses and shipwrecks.Re-turning to her attraction with the sea, Amadeus (swell consopio) was made for the Folkestone Triennial (three-year art show) in 2008. In 1997, <mask> made an audio work based on her futile effort to find the submerged artwork Spiral Jetty by Robert Smithson in the Great Salt Lake of Utah. Sound Mirrors (1999) takes its name from the tracking devices built during the 1920s and 1930s and planted in the Kent countryside to detect incoming German aircraft. In 2000, <mask> was awarded a one-year German Academic Exchange Service (DAAD) scholarship to Berlin, where she moved that year with her partner, artist Mathew Hale. She devoted attention to the architecture and cultural history of Germany, making

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 films of such iconic structure as the Palast der Republik. Fernsehturm, is a 44-minute film set in the revolving cafe of the East Berlin television tower, completed in 1969 on Alexanderplatz. Other projects have concerned important figures in post-war German cultural history, such as W. G. Sebald and Joseph Beuys.Recent films capture important artists and thinkers of the last fifty years and feature Mario Merz, Merce Cunningham, Leo Steinberg, Julie Mehretu, Claes Oldenburg, and Cy Twombly. For example, Craneway Event (2008) is a film about Cunningham working on something with his dancers over three afternoons on site. In 2006, <mask> shot Kodak, a movie in a Kodak factory in eastern France — the last one in Europe to produce 16-mm film stock. A few weeks after she visited, it closed for good. In 2013, <mask> exhibited JG, a 26-minute 35 mm film in colour and black and white at the Frith Street Gallery in London. The film returns to <mask>'s fascination with the famous land artwork Spiral Jetty by Robert Smithson and her friendship with the science-fiction writer J.G. Ballard.During the film, the viewer also hears excerpts from the writings and correspondence of Ballard as well as of Smithson, all read by actor Jim Broadbent. Photography and painting
In 2001 <mask> published Floh, a book in two parts that used found photographs from the flea markets of Europe and America. <mask> said of Floh: "I do not want to give these images explanations: descriptions by the finder about how and where they were found, or guesses as to what stories they might or might not tell. I want them to keep the silence of the fleamarket; the silence they had when I found them; the silence of the lost object." Similarly, in 2002 <mask> created Czech Photos (1991-2002), a series of over 326 unedited photographs presented in a box for intimate

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 engagement. The black and white photographs show a city in the moments before radical change, already somehow out of date the second they were taken. Washington Cathedral (2002) is a series of more than 130 found postcards from the first half of the last century showing various imagined versions of the cathedral in Washington, DC before it was completed.Palindrome is a newspaper project celebrating the palindromic date 20.02 2002, which was inspired by numbers painted by Marcel Broodthaers on a beam in his studio. In 2005, <mask> began work on a series of found postcards of trees, which she transformed by painting out all the background detail with white gouache. Commissions
<mask> has undertaken commissions for London's former Millennium Dome, the Sadler's Wells Theatre, and for Cork, Ireland, as part of that city's European City of Culture celebrations. She has also completed residencies at the Sundance Institute, the Wexner Center for the Arts, Columbus, U.S., and the Deutscher Akademischer Austauschdienst, Berlin

In 2011, <mask> was the 12th artist commissioned by the Unilever Series to create a unique artwork for the Turbine Hall of the Tate Modern. The result, FILM, was an 11 minute silent film shot on 35 mm film that was projected onto a 13-meter screen and sought "not only to invigorate debate about the threat film is under but also to stand as a testament to the distinctive qualities of this unique medium." Exhibitions

Selected solo exhibitions
Tacita <mask> and Gerco de Ruijter, Witte de With Center for Contemporary Art, Rotterdam (1997)
Tacita <mask>, Institute of Contemporary Art, Philadelphia, (1998)
Tacita <mask>, Museum De Pont, Tilburg, (1998)
Tacita <mask>, Madison Museum of Contemporary Art, Madison, WI, (1999)
Museum für Gegenwartskunst, Basel (2000)
Tacita <mask>, MACBA, Barcelona (2001)

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Tacita <mask>: Recent Films and Other Works, Tate Britain (2001)
Tacita <mask>, Tate St Ives (2005)
Tacita <mask>. Analogue: Films, Photographs, Drawings 1991–2006, Schaulager, Basel (2006).The most comprehensive retrospective of her work to date, Analogue, held at Schaulager Basel. Hugo Boss Prize 2006: <mask> <mask>, Guggenheim Museum, (2006)
Still Life, Palazzo Dugnani, Nicola Trussardi Foundation, Milan (2009). <mask>'s first major solo exhibition in Italy, on the first floor (piano nobile) of Palazzo Dugnani, a historic building in the centre of Milan. A selection of fourteen works, including the world premiere of two films commissioned and produced by the Foundation: Still Life and Day for Night, filmed in the Bolognese studio of painter Giorgio Morandi. ... my English breath in foreign clouds. <mask> <mask>, Marian Goodman Gallery, New York City (2016). <mask> <mask>: Woman with a Red Hat, The Fruitmarket Gallery, Edinburgh (2018).<mask> <mask>: Still Life, The National Gallery, London (2018). <mask> <mask>: Portrait, National Portrait Gallery, London (2018). <mask> <mask>: Landscape, Royal Academy of Arts, London (2018). Group exhibitions and exhibitions during festivals
São Paulo Art Biennial (2006; 2010)
Venice Biennale (2003; 2005; 2013)
dOCUMENTA (13)

Recognition
Following her 1996 film Disappearance at Sea, <mask> was nominated for the Turner Prize in 1998. She has since been awarded the Aachen Art Prize (2002), Hugo Boss Prize (2006), and the Kurt Schwitters Prize (2009), among others. In 2011, Blake Gopnik listed <mask> among "The 10 Most Important Artists of Today". She was appointed Officer of the Order of the British Empire (OBE) in the 2013 New Year Honours for services to British art overseas.<mask> was the recipient of the 2019 TenTen artist commission, and the 2019 Cherry Kearton Medal and

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 Award. Filmography

See also
<mask>

References

Further reading
 Barcelona 2001: <mask> <mask>. Barcelona: Museu d'Art Contemporani de Barcelona and Actar. Godfrey, Mark: Photography Found and Lost: On Tacita <mask>'s Floh, October vol. 114, Fall 2005, 90–119. Royoux, Jean-Christophe, Marina Warner and Germaine Greer: Tacita <mask>. London: Phaidon Press, 2006.Trodd, T.: Film at the End of the Twentieth Century: Obsolescence and Medium in the Work of <mask> <mask>, Object 6, 2003/4. Vischer, Theodora. and Friedli, I.: Tacita <mask>. Analogue: Drawings 1991–2006. Basel: Schaulager, 2006. De Cecco, Emanuela: <mask> <mask>. Milano: postmedia books, 2004.Obrist, Hans Ulrich: The Conversation Series: Tacita <mask>. Köln: Walther König, 2013. External links
Stillness. Una Danza para la Quietud: Cage, Cunningham, <mask> <mask> in the Tate Collection – artist biography and works
Tacita <mask>: Film – exhibition at Tate Modern 2011–2012
<mask> <mask> – Aerial View of Teignmouth Electron, Cayman Brac. 16 September 1998
Waterlog exhibition featuring Michael Hamburger (2007) (requires Flash Player)
Tacita <mask> at Fondazione Nicola Trussardi
Works by Tacita <mask> in Cal Cego. Contemporary Art Collection
Tacita <mask> works at the Menil Collection

1965 births
Living people
People from Canterbury
Alumni of Falmouth University
Alumni of the Slade School of Fine Art
British conceptual artists
Women conceptual artists
English experimental filmmakers
English women artists
Commanders of the Order of the British Empire
Members of the Academy of Arts, Berlin
People educated at Kent College
English contemporary artists
20th-century British women artists
Royal Academicians
21st-century British women artists
Women experimental filmmakers
20th-century English women
20th-century English people
21st-century English women
21st-century

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<mask><mask> (1868, Slovakia – 1938, New Orleans, Louisiana) founded the historic Adler's Jewelry in New Orleans, Louisiana. Arriving in New Orleans in 1896, <mask> was active in the local Progressive movement there. He belonged to the Progressive Union, Association of Commerce, Tourist and Conventions Bureau, and the Canal Street Association. He founded Coleman E. Adler Jewelry in 1898, a business that still operates on Canal Street. Early life

<mask><mask> arrived in New York as boy with his older brother Isaac in 1874. The pair settled in Alabama, where <mask> worked as an apprentice in the jewelry trade as a young man. His early career involved work as a travelling salesman for jewelry firms in New York.His travels brought him to New Orleans, where he met and married Rosa Pokorny. Rosa was the youngest daughter of Michael and Fannie Pokorny. Originally from Moravia, the Pokornys arrived in New Orleans at the beginning of the Civil War. Michael Pokorny was a master shoemaker and eventually owned three successful shoe stores in downtown New Orleans. Over time, Michael Pokorny became one of the largest real estate owners in the city. By the 1890s, the Pokorny family was much-respected in New Orleans business, philanthropic, and social circles. <mask> and Rosa Pokorny <mask> lived at the Pokorny estate at 2113 St. Charles Avenue.Civic work

A resident of New Orleans for 40 years, <mask> worked to improve and promote his adopted hometown. The city's early growth had been stunted by the Civil War, and national economic depression in the 1870s had ravaged the

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texts: New Orleans economy. The late 1800s, however, was the era of the Progressive movement, which sought to improve society by applying modern ingenuity and methods. In New Orleans, the movement energized local leaders and businessmen to tackle the city's overall decline. <mask> belonged to many of the groups that actively sought to bring New Orleans into the modern era. For many years, <mask> was an active member of the Canal Street Association. In the early decades of the 20th century, this body provided reliable sanitation and modern illumination on Canal Street, New Orleans.It also repaired older buildings and helped negotiate work agreements between the city transportation system and its workers. <mask> was vice chairman of the Canal Street Association when that body installed electric lighting along Canal in 1930. Thomas Edison flipped the inaugural switch on the new lights, and the New York Times ran a full-page story on the project and lighting ceremony. In 1908, the city's Progressive Union appointed <mask> to their Committee of 100. The Committee was created to increase tourism in New Orleans by “bringing tourists from the north, east, and west so that wealthy investors may see for themselves the [city’s] wonderful industrial advantages.”  <mask> also served on the Association of Commerce's convention committee, which was charged with increasing the number of large conventions held in the city. In 1910, <mask> travelled to Washington, D.C., with a cadre of city leaders to promote New Orleans as the locale for the World Panama Canal Exhibition of 1915.

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 When Theodore Roosevelt visited New Orleans in 1911, <mask> was on the reception committee for his visit.Over the years, <mask> helped coordinate a number of important events in the city, including “Made in New Orleans Week,” a reception for the Ambassador of Italy, and the Commercial Men's Alliance convention. In 1930, Mayor Walmsley appointed <mask> head of the city's Retail Stores Committee. During this period, <mask> also served on the board of directors of the Young Men's Business League and the New Orleans Zoological Society. Adler's of New Orleans

<mask> opened his own jewelry firm in 1898. The store was originally located on Royal Street in the French Quarter. In 1902, Adler's moved to 810 Canal Street, in the heart of the city's bustling retail district. In 1908, Adler's obtained its own building at 722-24 Canal Street and is still there today.Adler's quickly became a local favorite. From its earliest years, the firm has designed original pieces for the city's many Mardi Gras krewes each carnival season. Adler's has been commissioned to create pieces for many of the area's historic occasions as well. The firm created the 1904 Times-Picayune Loving Cup awarded to education pioneer Sophie B. Wright. In 1906, Adler's created a solid silver tea service that local dignitaries presented to naval crew of the U.S.S. Louisiana. The firm was commissioned to create the official Louisiana Centennial coin in 1912.Adler's designed the silver football perpetual trophy awarded in the annual Thanksgiving Day contest between Tulane University and Centenary College

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 in the 1920s. In 2012, Adler's created the Louisiana Bicentennial coin from the original 1912 press for the Centennial coin. After decades of hosting fine art and housewares exhibits, Adler's was chosen as the regional dealer for Tiffany and Co. The firm is also the exclusive local dealer of Patek Philippe, Royal Copenhagen, and Gien. <mask><mask> died in February, 1938. His sons Milton and <mask> continued their father's civic and commercial work, as do their own children and grandchildren today. Sources

National Archives Records Administration (NARA).United States Passport Applications, 1795-1925. 1922, roll 1901, certificate 144347. Hamburger Passagierlisten, 1850 to 1934. [database – online]

United States Federal Census, 1880 to 1900. Chattanooga, Tennessee, City Directory. 1882. Birmingham, Alabama, City Directory.1888 to 1890. NARA, Southeast Region. Orders Admitting Aliens to Citizenship. ARC ID4499449, Record Group 21.

International Find-A-Grave, Memorial #114628266. Louisiana Marriages, 1718-1925. New Orleans, Louisiana Birth Records Index, 1790-1899. Vol.113, p. 381. Times-Picayune, November 6, 1898. The Jeweler's Review. Volume XXXIII, December 6, 1899. New Orleans, Louisiana, City Directory. 1900 to 1938. United States Federal Census.1900. New Orleans Item, January 17, April 19, and June 5, 1902. New Orleans Item, October 4, 1902. Times-Picayune, February 2, 1903. New Orleans Item, April 24, 1904. Times-Picayune, May 1, 1904. New Orleans Item, July 5, 22, and 31; September 16; November 25; and December 6, 7, 15, and 30, 1906.Times-Picayune,

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 July 4, and October 31, 1908. Times-Picayune, February 13; March 15, 18, and 26; June 12; and September 10, 1909. New Orleans Item, March 18, May 12, June 4, and August 30, 1909. National Archives Records Administration (NARA), Southeast Region. Orders Admitting Aliens to Citizenship. ARC ID 4499444, Record Group 21. Branley, Edward.“When Canal Street was ‘The Mall’,”  GoNOLA.com. December 2, 2013. United States, Passport Applications, 1795-1925. 1922, roll 1901, certificate 144347. Times-Picayune, March 11, April 8, May 9, June 28, 1910. New Orleans Item, July 6 and 21, 1910. Times-Picayune, January 18; March 25, 10, 12; and October 19, 1911.New Orleans Item, February 14 and 18, March 12, and November 11, 1911. Times-Picayune, May 6, 9, and 11; July 12; August 1 and 21; October 28; and November 17, 1913. New Orleans Item, May 7, 1913. Times-Picayune, September 21, 1919. Times-Picayune, November 24, 1925. Times-Picayune, May 23, 1926. Times-Picayune, February 23, 24, and 25; April 3; June 1 and 21; November 19 and 26, 1930.Times-Picayune, January 11, April 2, June 1, October 28, and November 7, 1931. Times-Picayune, November 8, 1931. Times-Picayune, January 12, 1932. Times-Picayune, March 3, 20, and 30; and April 1, 1935. Times-Picayune, March 7, August 16, and November 23, 1936. Times-Picayune, January 25 and November 15, 1937. Obituary for <mask><mask>, Times-Picayune, February 28, 1938.Times-Picayune, March 1 and 2, 1938. References

1868 births
1938 deaths
American jewellers
American Jews
American people of Slovak-Jewish descent
Businesspeople from New

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<mask> (born 25 January 1969) is a former Australian politician for the Labor Party who was a Member of the Legislative Council of Victoria from 1999 to 2020. She served as the Minister for Health, Minister for Ambulance Services and Minister for the Coordination of Health and Human Services COVID-19 as well as Deputy Leader of the Government, but resigned these positions and from parliament on 26 September 2020 in the wake of criticism of her role in hotel quarantine during the COVID-19 pandemic. Political career

<mask> was first elected as the Member for Jika Jika Province in the State of Victoria in September 1999. From 1999 until 2006, she represented the Legislative Council province of Jika Jika. <mask>' electorate was abolished at the 2006 election as part of major reforms of the Legislative Council introduced after the 2002 election, but she won the second position on the Labor ticket for the replacement electorate, the larger, five-member Northern Metropolitan Region. She was first on the Labor ticket at the 2010, 2014 and 2018 elections. In Parliament, <mask> held the roles of Parliamentary Secretary for Justice, Parliamentary Secretary for Planning, Shadow Minister for Community Services, Children, Youth Affairs, Youth Justice and Seniors and Ageing, Minister for Families and Children, Early Childhood Education and Youth Affairs, and Minister for Health and Ambulance Services.In March 2020, she was appointed Deputy Leader of the Government in the Legislative Council. In April 2020, <mask> was appointed as the Minister for the Coordination of Health and Human Services COVID-19 as part of the Victorian Government's response to the coronavirus global pandemic. This appointment followed media coverage of comments which <mask> made regarding a GP

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 who tested positive for COVID-19 (see Controversies below). In Parliament, <mask> voted against the human cloning  bill but for stem cell research, for abortion decriminalisation, for assisted reproductive technology reforms and for dying with dignity laws. These bills were subject to conscience votes in the Labor Party. <mask> is a member of Labor's left faction. <mask> resigned as Minister for Health and from the Legislative Council on 26 September 2020.Controversies

Misuse of taxpayer funds
In 2003, <mask> was criticised for nepotism after employing her sister Nikki in her taxpayer-funded electoral office. In 2005, <mask> was forced to pay back taxpayer funds spent mailing Labor Party members on Parliamentary stationery for reelection support, which led to Premier Steve Bracks warning Labor MPs regarding the conduct. In 2014, <mask> was again involved in applying taxpayer funds for political purposes, and the Victorian Ombudsman found that <mask> was among a number of Labor MPs who had misused $388,000 in taxpayer funds for election campaigning. <mask> declined to be interviewed by police in connection with the affair, which became known as the "red shirts rort". The Labor party later repaid the amount. Youth justice
In 2016, a number of criminals under the age of 18 in custody at Parkville prison engaged in a violent riot and caused significant property damage, forcing staff to flee. <mask>, then the Minister for Youth Affairs, was criticised for losing control of youth justice.Later, <mask> illegally moved the relevant inmates to an adult prison, and was forced to reverse that decision by the Supreme Court of Victoria. Remarks in Parliament
In 2018, <mask> was suspended from Parliament for a day after accusing Liberal MPs of racism. Suspension

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 involves forfeiture of the member's salary for the day. Handling of the COVID-19 pandemic

Early in the COVID-19 pandemic, <mask> was criticised for attacking a Melbourne GP who attended work after travelling to the United States. The Minister stated that she was 'flabbergasted' a doctor with 'flu-like symptoms' had presented to work, despite the GP not meeting her own departmental guidelines for testing. The Minister was criticised for inaccuracies, violating patient privacy and maligning frontline health workers, but refused to apologise. Later, in April 2020, <mask> was involved in controversy when she defended a comparison between COVID-19 and Captain Cook.In June 2020, a breakdown in hotel quarantine procedures created a second wave of COVID-19 cases in Victoria, leading to the first total lockdown of residents in homes in Australia, panic buying, and military personnel called in. The resurgence occurred despite a report from experts a month earlier warning of an opportunity to prevent a further outbreak; <mask> claimed she was unsure whether her government had received a copy of the report and attempted to distance herself from the scandal. In August 2020, <mask> was stripped of responsibility for hotel quarantine. In August 2020, <mask> was criticised for providing inadequate and insufficient PPE to hospital staff. <mask> claimed that only 10-15% of healthcare workers with COVID-19 became infected through their workplace, and the government was later forced to correct that figure to 70-80%. Beginning in March 2020, <mask> resisted calls to resign for her handling of the pandemic, including from the medical profession, the opposition, and the disgraced Health Workers Union. In August 2020, <mask> was criticised for declining to answer questions in

masks: Mikakos Mikakos Mikakos Mikakos Mikakos Mikakos Mikakos Mikakos


texts: Parliament and for failing to meet Parliamentary deadlines to provide promised written responses to questions.She stated that she was declining to answer questions relating to the breakdown of hotel quarantine until a result came out of the independent inquiry led by former Justice Jennifer Coate. Justice Coate announced that the inquiry did not prevent any person from commenting publicly or answering questions on the matters covered by the inquiry. Under the convention of individual ministerial responsibility in the Westminster system, Ministers are expected to be accountable to Parliament, including by answering questions, and to resign for major failures in their department regardless of whether they were aware of them. On 24 September 2020, <mask> appeared before the board of inquiry into the hotel quarantine program, where she stated that she had not made the decision to use private security contractors to manage the quarantine program, and had not been aware of the arrangement until an outbreak at a Melbourne hotel became apparent in mid-May. Footage emerged of <mask> at a media briefing on 29 March with jobs minister Martin Pakula as he announced that security guards would be used to patrol hotels, and media also reported that the premier's office had sent a briefing note to caucus outlining this arrangement. <mask> tendered a supplementary statement on 25 September, denying that she had misled the inquiry and reiterating that she had no recollection of the matters raised. Premier Daniel Andrews faced the inquiry on 25 September, at which he stated that he regarded <mask> as "accountable" for the program.The following day, <mask> resigned from cabinet. <mask> made a statement suggesting that the reason for her resignation was that she disagreed

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 with "elements" of the Premier's statement, and was no longer able to serve in his cabinet. Personal life
<mask> attended the private Ivanhoe Girls' Grammar School and the University of Melbourne, where she obtained arts and law degrees. Before her election to Parliament, <mask> worked as a commercial and tax lawyer at top-tier accounting firm Coopers & Lybrand and law firm King & Wood Mallesons, as well as Jerrard & Stuk. She was briefly a Councillor with the City of Northcote in the early 1990s. References

Further reading
 Healy, Ernest (1995), 'Ethnic ALP Branches - The Balkanisation of Labor Revisited,' in People and Place, Vol.3, No.3, Pages 48–53. Lovell, D.W.; McAllister, I.; Maley, W.; Kukathas, C.; (1998), The Australian Political System, Longman, South Melbourne.External links
  Austin, P., ALP heavies tackle faction fracas before poll, The Age, 27 February 2006
  With Crikey's Delia Delegate, all the ALP dirty laundry is on the table, 16 June 2002
  Carney, S., Labor supremos back new alliance, The Age, 18 June 2002
  Parliamentary handbook
  <mask> MP Member for Jika Jika Province
  Women’s Correctional Services Advisory Committee
 Boyle, P., The Australian Political Situation and the Coming Federal Election,
 Hannan, E., Pre-election Labor split looming, The Age, 8 June 2002
 Parliamentary voting record of <mask> at Victorian Parliament Tracker

Australian Labor Party members of the Parliament of Victoria
1969 births
Living people
Politicians from Melbourne
Members of the Victorian Legislative Council
Australian lawyers
University of Melbourne alumni
University of Melbourne women
Australian people of Greek descent
21st-century Australian politicians
21st-century Australian women politicians
Women members of the Victorian Legislative

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<mask> (died February 2004) was a former army officer who served in both the Nigerian Army and Biafran Army. <mask> was also commander of the Nigerian Military Training College (NMTC) in Kaduna following the 1966 Nigerian coup d'état. Nigerian Army career
Prior to <mask>'s celebrated career as an officer in the Biafran Army, he had been serving in the Nigerian Army since 1958. After being given formal military training in both Ghana and the United Kingdom, <mask> was short service commissioned a Second Lieutenant in November 1959. He was later promoted to the rank of Major sometime during the first half of the 1960s. On the night of January 15, 1966, a coup d'état was set in motion by 9 Igbo and 1 Yoruba army officers, but was short-lived and quelled within 48 hours by the Igbo Gen. Johnson Aguiyi-Ironsi who then assumed total leadership over Nigeria. Gen. Ironsi appointed Maj. <mask> commandant of the Nigerian Military Training College in Kaduna due to the fact that its incumbent commander, Col. Ralph Shodeinde, was assassinated by a detachment of mutinous soldiers led by Maj. Timothy Onwuatuegwu on the night of the coup.He was appointed Lieutenant Colonel in May 1966. On July 29, 1966, a second coup d'état took place after a majority of the Nigerian Army led by 32 army officers rose up against Ironsi's dictatorship and assassinated him along with several other Igbo officers and politicians. <mask> hosted an early afternoon meeting at his house in Kaduna where he informed several south-eastern officers about the coup and that their lives were in danger, these officers included Lt. Col. Alexander Madiebo, Maj. Christopher Emelifonwu, Maj. Ayodele Ogunro, and Maj. Samuel Ogbemudia. After hearing that both Maj. Emelifonwu and Maj. Ogunro were murdered by Hausa-Fulani soldiers in Kaduna, Lt. Col. <mask> made his way to a railroad depot where he managed to stow away inside the water-tank of

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 a train destined for south-eastern Nigeria. Biafra
In February 1967 the Eastern Region government under Odumegwu Ojukwu was becoming concerned about the constant confrontations Igbo civilians were having with rival ethnic groups, mainly the Hausa-Fulani population, and decided to form two infantry battalions that wouldn't be under the control of the Nigerian government, these would later become the Biafran 7th and 8th Battalions. Lt. Col. <mask> was asked to command the 8th Battalion, based in Port Harcourt, while Lt. Col. Alexander Madiebo was asked to command the 7th Battalion, based in Nsukka. When Nigeria declared war on Biafra on July 6, 1967, the 8th Battalion became responsible for defending Ahoada, Calabar, Oron, and Bonny.The Biafran 52nd Brigade, consisting of <mask>'s 8th Battalion and the 9th Battalion under Maj. Ogbo Oji, was created shortly after the outbreak of the war and placed under the command of Col. Anthony Eze. <mask> was given command of the 52nd Brigade by President Ojukwu after the Nigerian 3rd Marine Division under Gen. Benjamin Adekunle seized Bonny with little resistance in July 1967. <mask> led a campaign against the Nigerian 15th Brigade under Lt. Col. Ipoola Alani Akinrinade, stationed in Bonny, in December 1967-January 1968. The 52nd Brigade nearly re-captured Bonny from the Nigerians, but, reinforcements arrived from Lagos in time to save the 15th Brigade. Again, in late March and early April, after a series of reversals, <mask> blocked the first major attempt by Adekunle to take Port Harcourt through Onne. Lt. Col. Akinrinade's Nigerian 15th Brigade was practically wiped out after the Biafran 52nd Brigade launched an offensive against the Nigerian positions surrounding Port Harcourt. The only survivors were "Ijaw swimmers" who knew how to disappear into the creeks.<mask> ordered his men to halt the offensive once the Nigerians had been pushed out of

masks: Kalu Kalu Kalu Kalu Kalu Kalu