texts:
 championships. In 2001 and 2002, <mask> appeared regularly on Jim Rome's show on Fox Sports Net, The Last Word. He also made frequent appearances during the same period of time on Fox's The Best Damn Sports Show Period. When Rome moved to ESPN in 2003, <mask> became a fixture on Rome is Burning. He was also featured in a weekly Sunday morning SportsCenter debate segment with Stephen A. Smith, "Old School/Nu Skool". ESPN hired <mask> full-time in 2004 to team up with Woody Paige of The Denver Post in daily debate segments called "1st and 10" on ESPN2's Cold Pizza, and to write columns for ESPN.com.In May 2007, the show, which had been produced in the network's New York studios, was rebranded as First Take, and production was moved to the network's headquarters in Bristol, Connecticut. Around this time, <mask> stopped writing for ESPN.com; he resumed writing columns for the website in August 2012. On April 26, 2016, it was reported that <mask> had parted ways with ESPN, and would be moving to Fox Sports after his contract expired in August. His final appearance on First Take was on June 21, 2016. <mask> debuted Skip and Shannon: Undisputed along with Shannon Sharpe in September 2016 on Fox Sports 1. <mask> is known for criticizing LeBron James and Aaron Rodgers in both First Take and Skip and Shannon: Undisputed. <mask> was criticized for remarks he made on September 10, 2020, about Cowboys quarterback Dak Prescott, such as saying that Prescott's statements about suffering from depression were a sign of "weakness".In March 2021, <mask> signed a four-year, $32 million contract with Fox Sports. Films

Along with ESPN colleagues Woody Paige and Jay Crawford, <mask> had a cameo role in the 2006 film Rocky Balboa. The three are seen on their "First and 10" segment discussing a possible fight between a retired Balboa and current heavyweight champion Mason Dixon. <mask> opines that Balboa "was completely overrated" and mocks

masks: Bayless Bayless Bayless Bayless Bayless Bayless Bayless Bayless Bayless Bayless Bayless


type: original

texts:
 his age. He appeared in the 2010 ESPN 30 for 30 film, Pony Excess, about the Southern Methodist University football scandal involving gross violations of NCAA rules and regulations. <mask> covered the Mustangs while writing for both The Dallas Morning News and the Dallas Times Herald. He also appeared in the 2011 ESPNU documentary, Herschel, about University of Georgia running back Herschel Walker.Other honors and awards

In 2008, <mask> was selected to the Oklahoma City Wall of Fame recognizing outstanding alumni of Oklahoma City public schools. In 2009, he was inducted as one of the five members of the inaugural class of the Vanderbilt Student Media Hall of Fame. In 2012, he received two honors: he was nominated for a Sports Emmy Award in the category of Outstanding Sports Personality, Studio Analyst, and was the co-recipient with DJ Steve Porter of a Webby People's Voice Award in the category of Video Remixes/Mashups for "All He Does Is Win", Porter's mashup of clips of <mask> passionately defending oft-maligned quarterback Tim Tebow. Published books as author
God's Coach: The Hymns, Hype, and Hypocrisy of Tom Landry's Cowboys, Simon & Schuster, 1990. . The Boys: The Untold Story of the Dallas Cowboys' Season on the Edge, Simon & Schuster, 1993. .
Hell-Bent: The Crazy Truth About the "Win or Else" Dallas Cowboys, HarperCollins Publishers, 1996. .

References

Further reading
  Autobiographical essay recounting <mask>'s formative years, including his abusive childhood and introduction to sports. External links
"Profile: <mask> <mask>", ESPN website
<mask> <mask> never worries about having a First Take, USA Today, March 21, 2012

1951 births
American sports radio personalities
American sportswriters
Chicago Tribune people
ESPN people
Fox Sports 1 people
Living people
Los Angeles Times people
Northwest Classen High School alumni
The Dallas Morning News people
Miami Herald people
Vanderbilt University alumni
Writers

masks: Bayless Bayless Bayless Bayless Skip Bayless Skip Bayless


texts:
<mask> (; 1955 – 11 June 2011), also known as <mask>, Commander J, and <mask>, was an Indian journalist, crime and investigations editor for Mid-Day (a tabloid newspaper published in several cities in India) and an expert on the Mumbai underworld. He was shot to death by motorcycle-borne sharpshooters on 11 June 2011. <mask> started his career with Hindustan Times. A wildlife enthusiast, he first started writing on forest encroachment and the man-animal conflict in Borivali National Park. A story about government departments taking away land in the reserved national park created a furore in the state legislature. He started his journalistic career as a freelancer with Afternoon Despatch and Courier writing about crime in the wildlife areas. He also dabbled in photojournalism.He then started free lancing for Mid-Day before joining them full-time. He joined Indian Express in 1996 and soon switched to covering crime stories, especially on Mumbai underworld. In 2005, he joined Hindustan Times. He later re-joined MiD Day as crime and investigations editor. <mask> had authored two books on underworld activities, Zero Dial: The Dangerous World of Informers and Khallas. He has done many reports on underworld dons Dawood Ibrahim and Chhota Rajan. Personal life
<mask> was born in 1955, Bombay to Mrs. Bina <mask>.He was married to a journalist named Shubha Sharma and was survived by them (wife & mother). Death
<mask> was returning to his home on his motorcycle from Ghatkopar after meeting his mother Bina on 11 June 2011. Around 3 PM of the same day, four unidentified men on motorcycles opened fire on him at Hiranandani Gardens, Powai. He was taken to Powai Hospital, but they did not have the proper facilities to attend to him. <mask> was later rushed to Hiranandani hospital. He was reported dead on arrival at the Hiranandani Hospital, with nine exit wounds on his body. Mumbai Police speculated the murder was a professional job, and may be related to his reporting on the oil mafia.The oil mafia, which pilfers oil being transported and also

masks:
Jyotirmoy Dey
Jyotendra Dey
J Dey
Career Dey
Dey
Dey
Dey
Dey
Dey


texts:
 dilutes it before sale, has been under pressure since the killing of Yashwant Sonawane in January 2011. <mask> had also recently reported that Chhota Rajan was the mastermind behind a recent shooting involving Dawood Ibrahim’s brother Iqbal Kaskar in Mumbai. The murder was widely denounced by the press and the local government. Police investigation
The investigation of <mask>'s murder was handed over to the Crime Branch department of Mumbai Police. Media persons from across different sections demanded that the investigations should be handed over to the CBI. Several media persons met the state's chief minister, Prithviraj Chavan, to put forth their demand of handing over the case to the CBI. The chief minister remained adamant that the integrity of Mumbai Police should not be underestimated and the police should be given time to crack the case.On 27 June 2011, after sixteen days of investigations, the Crime Branch declared they have cracked the case. Police officials caught seven people from different locations of India. Of which three were detained from Chembur, in Mumbai; one in Solapur; and remaining two from Rameshwaram, in Tamil Nadu. All the suspects resided in different parts of Mumbai except Satish Kalia, who settled down in Trivandrum after the birth of his daughter and cases against him were cleared. After the shootout they fled to evade arrest. All the seven suspects Rohit Thangappan Joseph alias Satish Kalia, Arun Dake, Anil Waghmode, Babloo, Sachin Gaikwad, Mangesh Agawane and Chhottu are history-sheeters. The suspects were allegedly from Chhota Rajan's gang "NANA COMPANY".Additional Commissioner of Police (crime) Himanshu Roy, who was supervising the case said in a press conference that Rajan approached Kalia who in turn organised the team to carry the shootout. Kalia was the man who shot <mask>, said the police. The commissioner also added the shootout was carried out on the behest of Rajan, and the shooters were allegedly kept in dark about the profession of Dey. On 21 February 2012, Mumbai Crime Branch chargesheeted

masks: Dey Dey Dey


texts:
 journalist Jigna Vora (Deputy Chief of Bureau of Asian Age) under stringent provisions of Maharashtra Control of Organised Crime Act (MCOCA) and various other penal offences for her alleged role in the sensational murder. Besides the stringent provisions of MCOCA and the Arms Act she has also been charged under various sections of IPC including criminal conspiracy, murder and destruction of evidence. Jigna Vora had been under the Mumbai police's radar since 4 July 2011 after the police intercepted a conversation between Manoj, brother of Vinod Asrani, who has also been arrested and the gangster Chhota Rajan. The police alleged that Vora had supplied address and licence plate number of <mask>'s motorcycle to Chhota Rajan.Police claimed Vora's professional rivalry was the reason for <mask>'s murder. On 27 July 2012, Jigna Vora was granted bail by a special court reasoning that she has a child to look after and is a single parent and that she had no previous criminal record. See also
 Maharashtra Control of Organised Crime Act, an act in Maharashtra to combat organised crime and terrorism. Mumbai underworld, a very powerful group of various Criminal organisations like D-Company operating in Mumbai. Chhota Rajan, the boss of a major Criminal organisation primarily operating in Mumbai. Notes

References
 <mask> murder case: Jigna Vora charged under MCOCA, Arms Act, Bombay Police Act
 Jigna Vora called Chhota Rajan 36 times before Dey murder
 Mid Day crime reporter <mask> shot dead in Mumbai
 who covered underworld shot dead in Mumbai
 directs police to nab Dey's killers quickly
 MiD DAY journalist shot dead by unidentified assailants in Mumbai
 Dey: The eagle who dared
 specialist on encounters, underworld
 J.Dey Murder:Kalam Chaloge To Goli Chalegi,Metro7days Hindi tabloid 12 June

1955 births
2011 deaths
Writers from Mumbai
Indian investigative journalists
Indian male journalists
People murdered by Indian organised crime
Assassinated Indian journalists
People murdered in Mumbai
20th-century Indian journalists
Journalists from

masks:
Dey
Dey
J Dey
J Dey


texts: <mask> (<mask>; born 7 November 1970) is an Indian actress and producer who is known for her work in Bengali cinema and Hindi cinema . One of the most successful actresses of Bengali cinema, she rode the crest of her box office success in the late 1990s. She received a National Award, two Filmfare Awards, four BFJA Awards and four Anandalok Awards. Initially promoted as the carbon copy of Satabdi Roy, <mask> made her screen debut opposite Kushal Chakraborty in the Bengali fantasy TV series Shwet Kapot (1989) directed by the latter and broadcast on DD Bangla. She was catapulted to stardom after she made her big screen debut with Prabhat Roy's National Award-winning Bengali film Shwet Patharer Thala (1992). She made her Bollywood debut with Partho Ghosh's Teesra Kaun (1994). She had a very successful on screen collaboration with Prosenjit, Chiranjeet and Manna.She featured opposite Prosenjit for the first time in Bhijoy Bhaskar's Nagpanchami (1994) which was a major commercial success. Her other major hits opposite Prosenjit include Abujh Mon (1996), Moner Manush (1997), Pabitra Papi (1997), Baba Keno Chakar (1998), Daay Dayitwa (1999), Sindur Khela (1999), Sudhu Ekbar Bolo (1999), Tumi Ele Tai (1999), Sasurbari Zindabad (2000) and Praktan (2016). Her first collaboration with Chiranjeet was Prashant Nanda's Lal Paan Bibi (1994) which was also a major financial success. Her other hits opposite Chiranjeet include Naginkanya (1995), Rakhal Raja (1995), Sansar Sangram (1995), Chandragrahan (1997), Bishnu Narayan (1998), Sindur Khela (1999), Bastir Meye Radha (2000) and Hatiyar (2001). She teamed up with Manna for the first time in Sharif Uddin Khan Dipu's commercially successful Bangladeshi film Desh Dorodi (1998). Her other hits with Manna include Killer (2000), Shesh Juddho (2000), Jummon Koshai, Eri Naam Bhalobasa, Ranangan (2004), Swami Chintai (2006). She received critical acclaim for her roles in films such as Dahan (1997), Utsab (2000),

masks:
Rituparna Sengupta
Rituparna Shengupta
Sengupta


texts:
 Paromitar Ek Din (2000), Chaturanga (2008) and Ahaa Re (2019).Early life
Rituparna was interested in the arts since a young age and learned painting, dancing, singing and handicrafts at a painting school, called Chitrangshu. She studied at Carmel High school, and later graduated in history from Lady Brabourne College. She began studying Modern History for an M.A. at University of Calcutta, but had to interrupt studies to concentrate on her career as an actress. Career

Debut and initial struggle (1989—1991)

<mask> made her screen debut opposite Kushal Chakraborty in the Bengali fantasy TV series Shwet Kapot (1989) broadcast on DD Bangla. Chakraborty's sister Anindita was her classmate. After her Secondary Examination, she was insisted by Anindita to appear for a screen test for a role opposite Chakraborty in the TV series.The work was an adaptation of the Danish fairy tale The White Dove. She had to play an imprisoned princess shapeshifting into a white dove who falls in love with an imprisoned prince played by Chakraborty. Initially her father made objection against her pursuing the role but then gave his consent since the role demanded two-day shoot. Due to Chakraborty's stardom, the sitcom grabbed the attention of media personalities. She accepted a role in Ramen Adhikari's Bengali sitcom Hortoner Golam that featured Kaushik Banerjee as the protagonist. It is based on Monilal Ganguly's Bengali story of the same name. She enacted a few more roles in several other Bengali TV series but those never took off her career.Breakthrough and success (1992—2007)

After Gargi Roychowdhury declined the role of Titli opposite Bhaskar Banerjee in Prabhat Roy's National Award winning Bengali film Shwet Pathorer Thala (1992), <mask> was offered to play the character. She featured opposite Prosenjit Chatterjee in Bhijoy Bhaskar's Nag Panchami (1994) and Chiranjeet Chakraborty in Prashanta Nanda's Laal Paan Bibi (1994). Since both the films worked at the

masks: Sengupta Sengupta


texts: box office, producers and directors approached her with meaty roles opposite Chatterjee and Chakraborty. <mask> made her Bollywood debut opposite Chunkey Pandey in Partho Ghosh's thriller Teesra Kaun (1994) which was a debacle at the box office. <mask> bagged the female lead in Swapan Saha's Sujan Sakhi (1995) alongside Abhishek Chatterjee essaying the male lead. The film was a remake of Khan Ataur Rahman's Sujon Sokhi (1975). The film was a major success at the box office.She featured opposite Chiranjeet Chakraborty in the latter's directorial venture Sansar Sangram (1995). The film retaining a highly melodramatic approach appeased the rural audience of West Bengal. She featured opposite Mithun Chakraborty in Raghuram's Bhagya Debata (1995). The film was a major financial success. She featured in Zee's home-production Mohini (1995), directed by Hema Malini. The telefilm stars Madhu and Sudesh Berry as the protagonists. <mask> hit the pinnacle of her professional rivalry with Satabdi Roy in the late 1990s since the two were offered most of the female leads opposite Prosenjit Chatterjee after Debashree Roy vowed not to work with Chatterjee any longer.Sreelekha Mitra claimed that <mask> had an extramarital affair with Chatterjee, which helped her get most of the female leads opposite Chatterjee. She featured opposite Chatterjee in a string of commercially successful Bengali films such as Abujh Mon (1996), Matir Manush (1997), Mayar Badhon (1997), Moner Manush (1997), Pabitra Papi (1997), Samadhan (1997), Tomake Chai (1997), Baba Keno Chakar (1998), Praner Cheye Priyo (1998), Daay Dayitwa (1999), Madhu Malati (1999), Sindur Khela (1999), Sudhu Ekbar Bolo (1999), Tumi Ele Tai (1999), Aasroy (2000), Madhur Milan (2000) and Sasurbari Zindabad (2000) to name a few. Some of her hits in Bangladeshi cinema include Sagarika (1998), Tomar Amar Prem (1998), Ranga Bou (1999). She featured in Aparna Sen's Paromitar Ek Din (2000). After her fallout with

masks: Sengupta Sengupta Sengupta Sengupta


texts:
 Prosenjit Chatterjee, she found herself in a very debilitating state. Swapan Saha cast <mask> alongside Abhishek Chatterjee, Tapas Paul and Satabdi Roy in his family drama Sukh Dukkher Sansar (2003). The film was a financial success.In 2004, <mask> had 12 releases in Bengali cinema, all of which became box office debacles generating the common notion among the filmmakers that the actress had lost her market value. Sengupta starred in Sushanta Saha's Sagar Kinare (2004) where she shared silver screen with Debashree Roy for the first time. She featured opposite Rajpal Yadav in Chandan Arora's critically acclaimed Main, Meri Patni Aur Woh (2005). She featured alongside Satabdi Roy and Koel Mallick in Raja Sen's Devipaksha (2004). Setback (2008—2011)
Sengupta appeared in a host of films between 2008 and 2011, but only very few of those were commercially or critically successful. She starred as Damini in Suman Mukhopadhyay's Chaturanga (2008) which was the film adaptation of the novel of the same name by Rabindranath Tagore. The Times of India wrote that it was her best performance till date.The film failed to achieve commercial success. She featured in Mon Amour: Shesher Kobita Revisited (2008). The film became a major dud at the box office. She accepted the role of a woman suffering from a turbulent conjugal relationship in Mahanagar@Kolkata (2010). She featured in Anjan Das' critically acclaimed but commercially unsuccessful film Bedeni (2011). Resurgence and further roles (2012—present)
Sengupta featured in Agnidev Chatterjee's Charulata 2011 (2012). It narrates the story of a lonely woman whose workaholic husband does not have much time to spend with her.Eventually she meets a man younger than her and falls for him. She featured in Muktodhra (2012). She featured opposite Tapas Paul in Satabdi Roy's Om Shanti (2012) that also stars Rakhi Sawant in a dance number. <mask> skipped the premier show of the film as she felt that Sawant had been

masks: Sengupta Sengupta Sengupta


texts: given more preference than her in the poster of the film while Roy said that <mask>'s grievance was illogical. <mask> later said that she regretted doing the role. The film received negative review. It was a major financial disaster.Sengupta featured in Ratul Ganguly's 10 July (2014). The film failed to achieve critical favour and became a box office debacle. She featured as Begum Jaan in Srijit Mukherji's Rajkahini (2015) and met box office success. Her character in the film is that of an aged prostitute who runs a brothel housing eleven women. The Times of India detected that Sengupta failed to land the coarseness of a rustic prostitute perfectly. News18 India appreciated her performance but deprecated her dubbing to be "a very forced husky baritone." She featured opposite Prosenjit Chatterjee in Praktan (2016).The poster for the Amitabh Bhattacharjee starrer jatra, Ekaler Karnaarjun (2017) claimed <mask> to be the director. <mask> negated that it was a misrepresentation while Indrajit Chakraborty, another actor of that jatra claimed that she was the guest director. She featured alongside Roopa Ganguly and Indrani Haldar in Aaro Ekbar (2017). Her Baranda (2017) was commercial disaster. She won critical favour for her role as Chandrima Mukherjee in Prakash Bharadwaj's Colours of Life (2018). She featured as Sohini in Agnidev Chatterjee's Gaheen Hriday (2018) alongside Kaushik Sen playing Anupam. The film is based on the novel of the same name by Suchitra Bhattacharya.Her performance in the film was appreciated by critics. In Kamaleshwar Mukherjee's Goodnight City (2018) she featured as psychiatrist Abhiri Chatterjee who implores her husband who is a deputy commissioner with the detective department, not to be hard on the protagonist, a murderer whom she believes to be a psychologically distraught person. Her performance failed to win critical favour. The Times of India wrote on her performance, "she shows the compassionate side of her


texts: character nicely, the unemotional and professional psychiatrist goes missing every now and then." The film became another box office debacle. She played Kabita, an actress in Alamgir's Ekti Cinemar Golpo (2018). Viewers disliked her romantic collaboration with Arifin Shuvoo who is almost 15 years younger than her.Her performance in the film was deprecated by critics. The film became a major financial disaster. 2019 was another milestone year for <mask> as she starred in various critically and commercially successful movies. She featured as a psychiatrist in Pritha Chakraborty's Mukherjee Dar Bou (2019). She had a fallout with the director of the film since the latter never fell into her suggestion to increase her screen time. The film turned out to be a major box office success. In Reshmi Mitra's Lime N Light (2019) she enacted double roles of Sreemoyee Sen, an actress and Archana Saha, a junior artiste.The junior artiste who is a lookalike of Sreemoyee Sen, takes her place after the latter met an accident. The Times of India wrote on her performance, "She is convincing as the naive Archana and confident as the superstar Sreemoyee." The film failed to draw viewers to the hall. She received further critical acclaim for her role in Ahaa Re (2019). The movie was screened at the New York Indian Film Festival which was held virtually due to the COVID-19 Pandemic. <mask> <mask> was nominated for Best Actress. Thirdadvantagepoint.com listed her performance as the third best performance of the entire year.It was also listed as one of the best performances of the decade. The Times of India wrote in their review, "<mask> gives Arifin and Paran Bandopadhyay a run for their money with her mature, measured performance as Basundhara — a woman whose past grief pushes her to put her heart and soul into cooking and caring for her family of three. Bhaskar Chattophadhyay from Firstpost wrote in his review: "<mask> <mask> is a treat to watch in this film. You

masks: Sengupta Rituparna Sengupta Rituparna Rituparna Sengupta


texts:
 have to see <mask> in Ahaa Re to believe how much this is true. Every single frame of her cooking a dish, or even preparing to do so, is filled with so much love. Almost as if she is in a silent worship. Love, nourishment, gentleness, fondness – she defines these words with her performance.Her Basundhara is a woman who does not wear her emotions on her sleeves, but there is a scene towards the end of the film, when she can’t take it anymore and just breaks down. Keep your handkerchiefs ready. Asianmoviepulse.com wrote in their review: "<mask> Sengupta is a splendid actor and portrays the character of Basundhara with subtle emotional traits. The character goes through different shades and the director uses many close shots to capture her facial expressions perfectly." . In 2020 Sengupta starred in the Thriller The Parcel which was well received by critics and audiences. Bhaskar Chattophadhyay from Firstpost gave the film a positive review and called Senguptas performance brilliant: "The performances are superlative, though. <mask> Sengupta is a strange mix of someone resigned to her fate in some matters, and at the same time, someone who can go to any extent to prevent any harm that might come to her family.By now, I am so used to seeing her excel in her roles, that I often commit the grave crime of overlooking the immense difficulties in playing a character as complicated as the one she does in this film. I am inclined to see that the lion's share of Parcel lies on her shoulders, and she is effortlessly brilliant in it. Rossini Sarkar from Cinestaan wrote in her review: <mask> Sengupta carries the film on her shoulders, gradually creating her state of depression through perpetual tension, unreasonable outbursts and a haggard look. Her expressions in close-up are outstanding. Personal life and image in media

She married her childhood friend Sanjay Chakrabarti, founder and CEO of MobiApps on 13 December 1999 in Munshigonj and the couple has

masks: Sengupta Rituparna Rituparna Rituparna


texts:
 a son named Ankan and a daughter named Rishona Niya. <mask> has a deferential attitude to Debashree Roy whereas her attitude towards Satabdi Roy is oscillating. The relationship between the two got sour during the shooting of Prashanta Nanda's Laal Paan Bibi (1994) when <mask> literally broke drown into tears after she was denounced for coming late to the set of the film, by Roy who was the bigger star by then.Roy cast <mask> as the female lead in her directorial venture Om Shanti (2012). Both the actresses were interrogated whether their professional rivalry would affect the making of the film. Both of them denied such rivalry. <mask> later claimed that she had been given lesser importance in the poster of the film while Roy said that the former's grievance is meaningless. <mask> was absent at the premier show of the film, which generated the speculation in the media that the duo were no longer in talking terms. In April, 2014, the duo were spotted talking again at a quiz contest conducted by Anandabazar Patrika. Time and again, she has been an object of mockery among netizens for her unimpressive sense of fashion.Controversy
On 19 July 2019, <mask> was interrogated by ED officers about an amount of near about 7 crore that she had received from the Rose Valley Group led by Gautam Kundu. In the 2020 controversial vlog Let's Expose Face It, Sreelekha Mitra said that <mask> wanted to play the lead in Tolly Lights that features Mitra as the protagonist. Mitra said that Sengupta made a phone call to Arjun Chakraborty, the director of the film and requested him to cast herself replacing Mitra. Awards and honors

References

External links

Actresses from Kolkata
Indian film actresses
Actresses in Bengali cinema
Actresses in Hindi cinema
Living people
1970 births
Bengal Film Journalists' Association Award winners
Best Actress National Film Award winners
Lady Brabourne College alumni
University of Calcutta alumni
Kalakar Awards

masks: Sengupta Sengupta Sengupta Sengupta Sengupta Sengupta Sengupta


texts:
<mask> (趙光逢) (died January 20, 928? ), courtesy name Yanji (延吉), formally the Duke of Qi (齊公), was an official in the late Chinese dynasty Tang Dynasty and the succeeding Later Liang of the Five Dynasties and Ten Kingdoms period, serving as a chancellor during Later Liang. During Tang Dynasty
It is not known when <mask> was born. His father <mask> served as a chancellor during the reigns of Emperor Yizong of Tang and Emperor Yizong's son Emperor Xizong. Both <mask> and his younger brother <mask> were known in their youth for their literary abilities and virtues, and <mask> was particularly praised for the propriety of his actions, becoming nicknamed "Jade Ruler" (玉界尺). <mask> passed the imperial examinations in the Jinshi class in 878 and was made a secretary of the Fengxiang Municipality (鳳翔, in modern Baoji, Shaanxi) government, before he was recalled to the imperial government to serve as an imperial censor with the title Jiancha Yushi (監察御史). After his father <mask> died in 881, he left governmental service for some time to observe a mourning period for his father.After Emperor Xizong, who had fled the imperial capital Chang'an due to the major agrarian rebellion led by Huang Chao, was able to return to Chang'an in 885, Emperor Xizong made him a Taichang Boshi (太常博士), a scholar at the ministry of worship (太常寺, Taichang Si). He subsequently successively served as Lǐbu Yuanwailang (禮部員外郎), a low-level official at the ministry of rites (禮部, Lǐbu); Sixun Yuanwailang

masks:
Zhao Guangfeng
Zhao Guangfeng
Zhao Yin
Zhao Guangfeng
Zhao Guangyi
Zhao Guangfeng
Zhao Guangfeng
Zhao Yin


texts: (司勛員外郎), a low-level official at the ministry of civil service affairs (吏部, Lìbu, note different tone); and Lìbu Yuanwailang (吏部員外郎), also a low-level official at the ministry of civil service affairs, as well as a scholar at Jixian Hall (集賢殿). He was later promoted to be Lǐbu Langzhong (禮部郎中), a supervisory official at the ministry of rites. In the middle of Jinfu era (892-893) of Emperor Xizong's brother and successor <mask>zong, <mask> was made Cibu Langzhong (祠部郎中), still a supervisory official at the ministry of rites, but also given the responsibility of drafting imperial edicts. He was soon made an imperial scholar (翰林學士, Hanlin Xueshi) and Zhongshu Sheren (中書舍人), a mid-level official at the legislative bureau of government (中書省, Zhongshu Sheng). He was later made deputy minister of census (戶部侍郎) and chief imperial scholar (翰林學士承旨, Hanlin Xueshi Chengzhi). He was later promoted to be Shangshu Zuocheng (尚書左丞), one of the secretaries general of the executive bureau (尚書省, Shangshu Sheng), while remaining chief imperial scholar as well.When <mask> fled Chang'an in fear of attacks by the warlords Wang Xingyu the military governor of Jingnan Circuit (靜難, headquartered in modern Xianyang, Shaanxi) and Li Maozhen the military governor of Fengxiang Circuit (headquartered at Fengxiang Municipality) in 895, <mask> did not follow the emperor, despite the emperor sending the eunuch Dai Zhiquan (戴知權) to summon him, and he subsequently claimed to be ill and retired. Later, after

masks:
Emperor Zhao
Zhao
Emperor Zhaozong
Zhao


texts: <mask> fled to Hua Prefecture (華州, in modern Weinan, Shaanxi) in 896, <mask> accompanied the emperor there and was made the deputy chief imperial censor (御史中丞). At that time, two of the emperor's favorites were the Taoist monk Xu Yanshi (許巖士) and the astronomer Ma Daoyin (馬道殷); as a result, many people were trying to use sorcery to gain audience at the court. <mask> carried out the law and put many of them to death, and it was said that his actions stopped the trend. He was subsequently made the deputy minister of rites (禮部侍郎) and put in charge of the imperial examinations. After <mask> returned to Chang'an in 898, there was an incident in 900 when the powerful eunuch Liu Jishu deposed the emperor and briefly replaced him with his son Li Yu, Prince of De the Crown Prince, before a countercoup restored <mask> to the throne. Still, the episode portended further struggles between eunuchs and imperial officials, led by the chancellor Cui Yin.<mask> did not want to be involved, so he claimed to be ill and retired to the eastern capital Luoyang, refusing to meet any guests for several years. After <mask> was forcibly moved by the powerful warlord Zhu Quanzhong the military governor of Xuanwu Circuit (宣武, headquartered in modern Kaifeng, Henan) in 904, one of the chancellors installed by Zhu was Liu Can, whose passage of the imperial examinations had been under <mask>'s auspices and who therefore felt indebted to <mask>. He subsequently brought <mask> back to the imperial

masks:
Emperor Zhaozong
Zhao
Zhao
Emperor Zhaozong
Emperor Zhaozong
Zhao
Emperor Zhaozong
Zhao
Zhao
Zhao


texts:
 government as deputy minister of civil service affairs, Shangshu Zuocheng, and minister of worship (太常卿, Taichang Qing). In 907, when Zhu forced <mask>'s son and successor Emperor Ai to yield the throne to him (ending Tang and starting a new Later Liang with Zhu as its Emperor Taizu), <mask> participated in the transition ceremony, assisting the chief imperial censor Xue Yiju in bearing the main imperial seal and presenting it to Zhu. During Later Liang
In 908, Emperor Taizu sent <mask>feng's brother <mask> and another official, Li Yinheng, to formally commission his vassal Liu Yin, who then controlled Qinghai Circuit (清海, headquartered in modern Guangzhou, Guangdong) as the military governor of Qinghai and Jinghai (靜海, headquartered in modern Hanoi, Vietnam) Circuits. Liu kept <mask> and Li and refused to let them return. (When Liu's brother and successor Liu Yan would eventually declare himself emperor of a new state of Southern Han in 917, he would make both <mask> and Li chancellors.)In 909, Emperor Taizu removed the chancellors Han Jian and Yang She from their chancellor posts; <mask>, who was then serving still as the minister of worship, and Du Xiao, were made chancellors in their stead with the designation Tong Zhongshu Menxia Pingzhangshi (同中書門下平章事). In 915, by which time Emperor Taizu's son Zhu Zhen was emperor, <mask>, who was then carrying the titles of You Pushe (右僕射, one of the heads of the executive bureau) and Menxia Shilang (門下侍郎, deputy head of the

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Zhao
Zhao Guang
Zhao Guangyi
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 examination bureau (門下省, Menxia Sheng)), retired, and was given the honorary title of Taizi Taibao (太子太保). In 916, he was again made chancellor and Menxia Shilang, and was additionally given the title of Sikong (司空, one of the Three Excellencies). He retired again in 918 and was given the title of Situ (司徒, also one of the Three Excellencies). It was said that after this retirement, he did not receive guests at his mansion. During Later Tang
In 923, Later Liang was conquered by its northern rival Later Tang. Later Tang's Emperor Zhuangzong subsequently made another brother of <mask>'s, <mask>yin, chancellor.It was said that when <mask>n visited <mask>, he would often try to discuss the political matters of the day with <mask>. One day, <mask> posted a sign on his door, "Please do not speak of the matters of the Office of the Chancellors." Subsequently, early during the Tiancheng era (926-929) of Emperor Zhuangzong's adoptive brother and successor Emperor Mingzong, <mask> was given the honorary title of Taibao (太保) and created the Duke of Qi. He later died at Luoyang and was given posthumous honors. Notes and references

 Old Book of Tang, vol. 178. History of the Five Dynasties, vol.58. New History of the Five Dynasties, vol. 35. Zizhi Tongjian, vols. 266, 267, 269, 270, 272. 9th-century births
928 deaths
Year of birth unknown
Year of death uncertain
Tang dynasty politicians
Later Tang politicians
Later Liang (Five Dynasties) chancellors
Later Liang (Five Dynasties)

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Zhao Guangfeng
Zhao Guang
Zhao Guangyi
Zhao Guangfeng
Zhao Guangfeng
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Meyer Myron "<mask>" <mask> (June 15, 1909 – April 30, 1985) was an American musician and comedian who specialized in Jewish humor. He was the father of actor Joel Grey and grandfather of actress Jennifer Grey. Early life
<mask> was born <mask> on Sawtell Court in Cleveland, Ohio, to a Jewish family. He is the son of Johanna (née Herzberg) and <mask>. Originally one of five children, <mask> lost an older sister to diphtheria when he was about four years old. Menachem supported the family as a tailor, but money was always tight in the <mask> family. As children, <mask> and his siblings contributed to the family finances by entering amateur musical contests in the neighborhood theaters and bringing the prize money home to their parents.Even after graduating from high school, <mask> continued to support his family with the money he earned from his music. Out of high school, <mask> was hired by Phil Spitalny to go on a road tour. While waiting at the train station to leave, <mask> met Grace Epstein, his future wife. He was seventeen and she was fourteen. He married her three years later, in 1930. They had two sons, Joel Grey and Ronald. Each of <mask>'s sons had two children.Joel fathered Jennifer Grey and Jim Grey, and Ronald fathered <mask> and <mask>. In 1977, <mask> told the story of his life in a biography called Papa, Play for Me. Career

Finding the clarinet
One evening when <mask> was eleven, his father took him to a concert at the Talmud Torah. A clarinet solo was on the program. On the way home, <mask> told him he wanted to play the clarinet. However, for his father to pay for an instrument and lessons was out of the question. The next day, <mask> asked the bandmaster of the local high school for a school clarinet, and within a few days he received an old and dusty clarinet.The next step

masks:
Mickey
Katz
Katz
Meyer Myron Katz
Menachem Katz
Mickey
Katz
Mickey
Mickey
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Randy Katz
Todd Katz
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 was to find a way to pay for clarinet lessons. <mask> went to his Uncle Sam and offered to clean his tailor shop if he would pay for the lessons. His uncle agreed, and soon <mask> was studying under Joseph Narovec. He made excellent progress on the instrument, and quickly learned the saxophone as well, which is played basically the same way as a clarinet. Starting his career
Fresh out of high school, <mask> landed a gig playing clarinet and sax for Phil Spitalny and went on a road tour with his band. After the tour, <mask> played in Doc Whipple's big band at the Golden Pheasant Chinese Restaurant for about a year, at which point he left and joined Angelo Vitale's band at the Park Theater. Deciding to try his luck in New York City, <mask> left Cleveland in 1929.He had a hard time finding work at first, and bopped around from one small, unsuccessful job to the next. He finally ran into Ed Fishman, whom he knew from Cleveland and who helped him find a job playing in Howard Phillips' orchestra at the Manger Hotel. However, the job ended in 1930, after his marriage, and the couple had no choice but to go to live in Grace's uncle's home. <mask> was soon saved from this situation when he received a phone call from Jack Spector, a friend back in Cleveland. A spot for a clarinet and sax player had recently opened up in Maurice Spitalny's band at the Loew's State Theater, and Spector had recommended <mask>. <mask> moved back to Cleveland with Grace and played with Spitalny until the leader left Loew's Theater in 1932. <mask> continued to play there for another year, then rejoined Spitalny at the RKO Palace Theater and played there until the Cleveland musicians' local in Cleveland went on strike in 1935.Unfortunately for <mask>, the union lost the strike, since movie theaters were becoming more common

masks: Katz Katz Katz Katz Katz Katz Katz Katz Katz Katz


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 and theaters no longer needed live musicians, and he was out of a job once again. Nevertheless, he soon found work playing for vacationers as they sailed around Lake Erie on the excursion boat Goodtime. This gig lasted every summer from 1935 to 1939. During the off-season, <mask> found what work he could playing various one-night gigs. When the Goodtime went out of business in 1939, he moved on to a position as bandleader and MC at the Ohio Villa gambling palace. Going to war
In 1942, <mask> was hired as bandleader at the Alpine Village theater-restaurant in Cleveland. He was subsequently drafted, but was classified 4-F classification by the Selective Service System and released from his military obligation after failing his preinduction physical.He found other ways to help the war effort, though. Back at the Alpine Village he began to sell war bonds after the shows, bringing in US$25,000 to $30,000 a week for the U.S. government. He also played for servicemen at the USO canteen at Cleveland's St. John's Cathedral. Then, in 1945, he took his six-man comedy and band group (<mask> and His Krazy Kittens) on a USO tour of Europe with movie star Betty Hutton. For this trip <mask> was made a temporary officer, it was the closest he ever came to serving in the military. Hitting his stride
In 1946, the national jukebox convention was to be held in Cleveland, and <mask> was asked to conduct for it. While there he met Spike Jones, and a week later Jones asked <mask> to join him in Hollywood.<mask> played with Jones for more than a year, but never felt he was paid enough, so he left Jones in 1947. <mask> soon decided to make an English-Yiddish comedy record. Having written the lyrics to "Haim afen Range" (based on "Home on the Range") some years previously, he had it approved by RCA. He quickly wrote

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Katz
Katz
Mickey Katz
Katz
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 another song for the flip side, "Yiddish Square Dance", and had his friend Al Sack sketch out the melody for it and set "Haim afen Range" to music as well. The original run of 10,000 copies released in New York City sold out in three days, and RCA received orders for 25,000 more. <mask> then went on to parody "Tico, Tico" as "Tickle, Tickle" and backed this new record with "Chloya", a parody of "Chloe". He then hired a manager in Los Angeles, and in 1947 performed in Boyle Heights, a largely Jewish and Mexican-American neighborhood.In <mask>'s words, he was a "double-ethnic smash." Receiving some opposition
Despite <mask>'s appeal with particular groups, there were many who did not like his music. Most of these people were affronted by the way he emphasized Jewish differences, convinced that his antics would help perpetuate Jewish stereotypes. In "The Yiddish are coming", writer Josh Kun sums up the atmosphere of the time with the following: "As historian Howard Sachar has noted, the prevailing attitude after World War II was a fear that anything that promoted a 'separate identity as Jews ... would somehow lend credence to Hitler's racial theories. Although <mask> had his fans, not everybody loved him. There were many radio stations that refused to play his records, and several venues feared hiring him. In his biography, <mask> recalls asking a radio station manager why he wouldn't play any of <mask>'s records:

 I asked him why he wouldn't play my records.He said, "Because some of our listeners are offended." I asked, "Who, besides you?" He said, "I don't think that's any of your business." I answered, "I think it is my business because this is how I make a living. You play Italian records, you play Polish records--"
 He cut me off. "I will not play any record with Yiddish in it. Yiddish is

masks: Katz Katz Katz Katz Katz Katz


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 the language of the ghetto.""My friend," I said, "Yiddish is the language of our forefathers." "I do not care to hear it." "Then why don't you play some of my instrumental records? They're some of the greatest music in the world, played by some of the greatest musicians in the world—Ziggy Elman, Mannie Klein, Nat Farber--"
 Again he cut me off mid-sentence. "There will be no Yiddish spoken, or Jewish music played, on this station." Continuing on
Not one to let others get him down, though, <mask> continued to create parodies until 1957 and continued to perform off and on until his death. In 1948, <mask> produced the English-Yiddish stage revue Borscht Capades, co-starring with his son Joel Grey.The show did well until it went to Broadway. Right before Borscht Capades opened, an almost identical show, called Bagels and Yocks opened up down the street. In competition with each other for such a small, particular audience, both shows ending up failing. From 1951 to 1956, <mask> operated as a disc jockey for the Los Angeles radio station KABC while going on occasional road tours and playing engagements at the Bandbox nightclub. In 1952 <mask> also did some shows for the United Jewish Appeal. In the same year, he joined the California Friars Club, and proceeded to conduct at their major functions for the next 25 years. In 1953, <mask> decided to play Las Vegas, and after a successful start at the Frontier, he returned to Las Vegas for four more years.In 1955, <mask> played a brief engagement at Harrah's, located at Lake Tahoe. The following year, he played in Europe and Australia. In 1958, <mask> finally played the Catskills, an area where most of his peers made their start. Unfortunately for <mask>, the booking office that hired him was determined to make as much money out of him as possible, and he

masks: Katz Katz Katz Katz Katz Katz Katz Katz


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 ended up with a packed schedule, playing "anything north of Atlantic City." In 1961, <mask> went on a tour of South Africa, playing in cities including Cape Town, Johannesburg, Benoni, Durban, Port Elizabeth, Pretoria, and Muizenberg. Finally, at the end of his career, <mask> began playing the Florida condominium circuit, often playing two shows a night. Musical style
<mask> was largely a jazz musician.All of his parodies have a distinct klezmer flavor, either throughout the entire piece or as a brief "break" in the middle of the song. His songs often lampooned both Jewish and American culture. Various <mask> appearances
<mask> and his group can be seen in the movie Thoroughly Modern Millie accompanying Julie Andrews as she sings a Yiddish song at a Jewish wedding. A number of famous Jewish musicians, including those with their own bands, recorded with him, including Mannie Klein, Ziggy Elman and Si Zentner. Jazz musician Don Byron recorded a tribute to <mask> in 1993, Don Byron Plays The Music of <mask>. The 2003 British movie Wondrous Oblivion featured <mask>' "The Barber of Schlemiel" (a parody of The Barber of Seville) in a scene where the Jewish main character plays the record for his Jamaican neighbor. <mask> supplied the voice of the character Hop-a-Long Catskill on the Beany and Cecil cartoon series on ABC-TV in 1962.Catskill was a frog, and the role was a parody of the role of Chester on the television series Gunsmoke. His primary function, in the few episodes in which he appeared, was to serve bad coffee and provide even worse Yiddish/English puns. <mask> is most well known for his parodies, but he created more traditional klezmer music as well. His songs have been compiled onto CDs, including Mish Mosh, The Most Mishige, <mask> Greatest Shticks, and Simcha Time: Music for Weddings,

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Katz
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Katz
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Mickey Katz
Mickey Katz
Katz
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Music Katz
Mickey Katz


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 Bar Mitzvahs, and Brisses. <mask> played with many musicians throughout the years, but he initially performed his parodies with Mannie Klein on trumpet, Sammy Weiss on drums, Benny Gill on violin, Si Zentner on trombone, and Wally Wechsler on piano. Al Sack, the man who created the music for <mask>'s first two parodies, assembled these players for <mask> and then helped him get Nat Farber to arrange the music. <mask> died of kidney failure in Los Angeles, California in 1985, at the age of 75.Further reading
 <mask>, <mask>. Nonzense on Who's Whoo end Wat's Wat, Illustrations Bernard Schmittke (74 pages). Spear & Gilpin 1929. <mask>, <mask>. Papa, Play For Me, Simon & Schuster, 1977. Larkin, Colin. The encyclopedia of popular music, third edition.Macmillan 1998. Perry, Jeb H. Variety obits. An index to obituaries in Variety, 1905-1978, Scarecrow Press, 1980. Whitburn, Joel. Joel Whitburn's Pop memories 1890-1954. The history of American popular music compiled form America's popular music charts 1890-1954, Record Research Inc. 1986. Chabon, Michael.Manhood for Amateurs, Ch. X (Cue the Mickey Katz), HarperCollins 2009. Young, Jordan R. (2005). Spike Jones Off the Record: The Man Who Murdered Music. (3rd edition) Albany: BearManor Media . Kun, Josh. 'Audiotopia: Music, Race, and America,' University of California Press, 2005, Ch.2 ("The Yiddish Are Coming"). References

External links

MickeyKatz.com

1909 births
1985 deaths
American jazz musicians
Jewish American male actors
Jewish male comedians
RCA Victor artists
Yiddish comedians
20th-century American male actors
Deaths from kidney failure
Male actors from Cleveland
20th-century American musicians
Burials at Hillside Memorial Park Cemetery
20th-century American comedians
Jazz musicians from Ohio
Yiddish-language satirists
20th-century American

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<mask> (October 2, 1843 – October 23, 1887) was a politician, diplomat and newspaper editor who served many political roles in the Kingdom of Hawaii. He served as Governor of Maui from 1874 to 1876, Minister of Finance from 1876 to 1878 and again from 1883 to 1886, Minister of Foreign Affairs from 1878 to 1880, Postmaster General from 1881 to 1883 and Collector General of Customs from 1886 to 1887. From 1874 to 1875, he accompanied King Kalākaua on his state visit to the United States to negotiate the Reciprocity Treaty of 1875. In 1882, he traveled to Tokyo as Envoy Extraordinary and Minister Plenipotentiary to the Court of Japan to negotiate Japanese immigration to Hawaii. Early life and family
Born on October 2, 1843, at Lāhainā, on the island of Maui, Kapena was the son of Mākini and High Chiefess Nāʻawa, a relative of the Kalākaua family. He was adopted under the Hawaiian custom of hānai by his uncle Jonah Kapena, an influential statesman, judge and royal advisor since the reign of King Kamehameha III (r. 1825–1854). Kapena was educated at the Royal School and later at the Oahu College (now Punahou School).In 1863 he married Emma Aʻalailoa Malo (1846–1886), the only daughter of early Native Hawaiian historian and Christian minister David Malo and his third wife Rebecca Lepeka. Emma was an accomplished musician and composer and served as an attendant of Princess Liliʻuokalani. Emma died unexpectedly from heart disease on April 18, 1886, at the age of 39. They had one daughter, Alexandrina Leihulu <mask> (1868–1914). On November 5, 1887, Leihulu

masks:
John Mākini Kapena
Kapena


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 married Morris Kahai Keohokālole of Maui. She later divorced Keohokālole and married Henry N. Clark after he divorced his wife Emma Dreier. Leihulu owned property on Hawaii and the mainland United States.She died on March 23, 1914, while living in San Francisco, California. She was the last lineal descendant of David Malo. Leihulu died intestate and her estate was disputed between her widower and her two next of kin: Samuel I. Maikai and David U. K. Maikai (grandsons of <mask> Elliott Maikai). The Hawaii Supreme Court ruled in favor of her widower as her sole heir. Editor
In 1870, Kapena became the editor of the newspaper Ke Au Okoa, which ran from 1865 until it merged with Ka Nupepa Kuokoa to become Ka Nupepa Kuokoa Me Ke Au Okoa I Huiia in 1873. Political career

Earlier career

During the reign of Kamehameha V (r. 1864–1872), he was commissioned on January 16, 1864, as first lieutenant of the 1st Company of the Yeomanry, a volunteer army regiment in the military of Hawaii. When King Lunalilo ascended to the throne in 1873, Kapena was appointed to a number of political positions.He was appointed to the Board of Education on January 23. He was made a colonel on the king's personal military staff on January 27, and judge of the first circuit court on the island of Oahu, serving in the latter position from April 1, 1873, to July 13, 1874. In July 1873, King Lunalilo and his foreign minister Charles Reed Bishop considered a proposal to cede Pearl Harbor to the United States in exchange for a reciprocity treaty. Although he was in favor of the


texts:
 reciprocity treaty, Kapena gave a speech in front of 1500 Hawaiians at Kaumakapili Church opposing the cessation of Hawaiian territory. Patronage by Kalākaua
Lunalilo died without an heir in 1874. In the election that followed, Kapena supported his relative David Kalākaua's candidacy for the vacant throne against Queen Emma, the dowager queen of Kamehameha IV (r. 1855–1864). The choice of Kalākaua by the legislature, and the subsequent announcement, caused a riot at the courthouse.US and British troops were landed, and some of Emma's supporters were arrested. As part of his first round of political appointments, Kalākaua appointed Kapena as a member of the Privy Council of State and the Governor of Maui, succeeding Paul Nahaolelua, who had resigned the governorship to become Minister of Finance. <mask> served as Governor of Maui from February 23, 1874 until December 15, 1876, when he too resigned the governorship to become Minister of Finance. He was succeeded by William Luther Moehonua as governor. On January 10, 1876, <mask> was appointed by the king to be an official member of the House of Nobles, the upper chamber of the legislature. As a member of the House of Nobles, Kapena served in every legislative session between 1876 and 1886. From November 17, 1874, to February 15, 1875, Kapena was a member of the Reciprocity Commission and traveled with Kalākaua on his state visit the United States to negotiate the Reciprocity Treaty of 1875.Kapena held various important cabinet positions during Kalākaua's reign. In 1876, <mask> was appointed to the

masks: Kapena Kapena Kapena


texts: king's cabinet as Minister of Finance serving alongside three Americans: Henry A. P. Carter, Minister of Foreign Affairs; <mask>-Smith, Minister of the Interior; and Alfred S. Hartwell, Attorney General. He served as the finance minister from December 5, 1876, until Kalākaua demanded the resignation of his entire cabinet in the middle of the night on July 1, 1878. It was widely suspected that Kalākaua's sudden replacement of his cabinet was influenced by American businessman Claus Spreckels, who had refinanced the King's debts the night before in order to secure water rights for his sugarcane plantation on Maui. On July 3, <mask> was appointed as the Minister of Foreign Affairs in a new cabinet with Samuel Gardner Wilder, Minister of the Interior; Simon Kaloa Kaʻai, Minister of Finance; and Edward Preston, Attorney General. Kapena became the first Native Hawaiian to hold the post of foreign minister and the only minister to survive the political shakeup. He held this post from July 3, 1878, to August 14, 1880.During his tenure, the elders (na elemakule) of Tabiteuea in the Gilbert Islands requested annexation to Hawaii. However, Kapena and the king wrote back declining the request due to its political impractically. When the king chose a new cabinet in 1880, <mask> was replaced in the position by the Italian adventurer Celso Caesar Moreno to the vehement opposition of the diplomatic corps and political leaders in Honolulu. Kapena later returned to another cabinet headed by Walter Murray Gibson when he was appointed Minister of Finance for a second

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John Mott
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texts: term in February 1883 after Kaʻai was removed for "dereliction of ministerial duty." He served as finance minister until June 30, 1886, although Minister of the Interior Charles T. Gulick served as acting finance minister while he was attending the Louisville Exposition in 1885 as Special Commissioner. He was succeeded by Paul P. Kanoa. He also served as the Postmaster General from 1881 to 1883 and the Collector General of Customs from 1886 to 1887.Other political posts and appointments he held during his political career included Marshal of the Household, member of the Board of Education, Commissioner of Boundaries for Maui, Commissioner of Crown Lands, Commissioner to Codify and Revise Laws and Registrar of Conveyances for Oahu. In 1872, he was appointed as the Envoy Extraordinary and Minister Plenipotentiary to the Court of Japan. Along with his secretary <mask> Kaulukoʻu, he traveled to Japan to negotiate the prospect of Japanese immigration to the Hawaiian Islands. As part of the Education of Hawaiian Youths Abroad governmental program, Kapena also escorted three Hawaiian students to study in Asia. James Kapaa was placed in a school in Canton, China, and James Hakuole and Isaac Harbottle were placed in schools in Japan. Kapena was decorated with a number of Hawaiian and foreign orders and honors. He was made a Knight Companion of the Royal Order of Kamehameha I, a Grand Officer of the Royal Order of the Crown of Hawaii and a Grand Officer of the Royal Order of Kalākaua.He was also accorded the foreign honors of the Grand Cross of the Order of the


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 Rising Sun of Japan, Grand Officer of the Order of the Cross of Takovo of Serbia, Grand Officer of the Order of the Crown of Prussia, Grand Cross of the Order of the Crown of Japan and the Belgian Red Cross. Death
In 1887, <mask> resigned his last political post as Collector General of Customs. <mask> died at his residence at Peleula, Honolulu, on October 23, 1887, at the age of 44. Kapena's funeral at St. Andrew's Cathedral the following day was attended by the King, members of the royal family, ranking members of the government and Honolulu society, Viscount Torii and T. Fujita of the Japanese legation, the Lodge Le Progres de L'Oceanie and the Hawaiian Lodge No. 21, F. & A. M., where he was a member. His service was conducted entirely in Hawaiian by Anglican Reverend Alexander Mackintosh with Reverend H. H. Gowen also in the chancel. His daughter Leihulu served as the chief mourner.After the service, a funeral procession brought the hearse carrying his casket to Kawaiahaʻo Church where he was buried with Masonic rites. Kapena was buried next to his wife Emma Malo and his hānai father Jonah Kapena in the Kapena family plot. His grave marker reads, "J. M. Kapena Died Oct 23 1887." Other relatives interred there include Umiuimi, David Kalu and Kahoihoi Pahu. References

Bibliography

External links

1843 births
1887 deaths
People from Lahaina, Hawaii
Hawaiian nobility
Royal School (Hawaii) alumni
Punahou School alumni
Editors of Hawaii newspapers
Hawaiian Kingdom military officers
Native Hawaiian politicians
Hawaiian Kingdom politicians
Hawaiian

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 Kingdom judges
Governors of Maui
Members of the Hawaiian Kingdom House of Nobles
Members of the Hawaiian Kingdom Privy Council
Hawaiian Kingdom Postmasters General
Hawaiian Kingdom Finance Ministers
Hawaiian Kingdom Foreign Ministers
Burials at Kawaiahaʻo Church
Ambassadors of the Hawaiian Kingdom
Recipients of the Royal Order of Kalākaua
Hawaiian Kingdom Anglicans
Recipients of the Order of the Cross of


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<mask> (born February 18, 1949) is an American voice actor and voice-over teacher, known as the voice of Krang, Casey Jones, Baxter Stockman and numerous other characters in the 1987 Teenage Mutant Ninja Turtles animated television series and voiced Falcon in the 2003 Stuart Little animated television series. <mask> is also a member of Voice and Speech Trainers of America. Career

His first role was in 1979, in Hanna-Barbera's Scooby-Doo Goes Hollywood where he supplied additional voices. In 1985, he voiced Ace on G.I. Joe: A Real American Hero and Hillbilly Jim on Hulk Hogan's Rock 'n' Wrestling. He played Slick the Turtle on ABC's The Littles. He later did the voices of Coach Frogface and Sludge on Galaxy High.A versatile voice artist in 1987, <mask> voiced 65 characters on the animated TV series Teenage Mutant Ninja Turtles: Al, Aleister, Army Colonel, Antrax, Billy Jim Bob McJames, Bubba Badd, Bully, Chakahachi, Clown, Dr. Davens, Electrozapper, Erik/Erk  Krang, Casey Jones, Cheese shop owner, Dippy, Dirtbag, Baxter Stockman, Barney Stockman, Fourth Goon, Gas station worker, The Great Boldini, Jewelry store salesman, Joey, Hans, Zak the Nutrino, Granitor, Burne Thompson, Kazuo Saki, Library security guard, Maitre'd, Malathor, Man with cotton candy, Mr. Reilly, Napoleon Bonafrog, Nasty Krangazoid, Obento, Rich man, Police chief, Policeman, Professor

masks:
Patrick Fraley
Fraley
Fraley


texts: Mindbender, Raptor, Ray, Rich Man Rodney's butler, Rudy, Sailor, Scaredy Krangazoid, Scumbug, Seymour/Security guard, Second Viking, Short criminal, Sergeant O'Flaherty, Shogun, Slash, Smarty Krangazoid, Subway policeman, Third Goon, Titanus, Turtle cab driver, Wally cleaver, and Vernon Fenwick. In the 1980s and 1990s he appeared in guest roles on animated series such as Denver, the Last Dinosaur, Garfield and Friends, The Twisted Tales of Felix the Cat, Little Clowns of Happytown, The New Yogi Bear Show, Filmation's Ghostbusters, Goof Troop, Bonkers, Gargoyles, Yo Yogi!, Batman: The Animated Series, Bobby's World, The Tick,  James Bond Jr., The Mask: The Animated Series, The Little Mermaid, and The Angry Beavers. Pat voiced the title character in BraveStarr,  Fireball in Saber Rider and the Star Sheriffs, Cousin Itt in The Addams Family, Max Ray in Ruby Spears' The Centurions, Lurky, Buddy Blue, On-X and Evil Force in Rainbow Brite, young Scrooge McDuck and Sir Guy Standforth in DuckTales, Gwumpki in Quack Pack, Sniff in Space Cats and as Wildcat in TaleSpin. He also voiced Kyle the Cat on The Tom and Jerry Kids Show and lead character, Marshal Moo Montana in Wild West C.O.W.-Boys of Moo Mesa as well as Tuffy Smurf in The Smurfs. In 2004, Fraley appeared on Nickelodeon's My Life as a Teenage Robot and ChalkZone. The following year, he had a minor role


texts:
 in Disney's animated film The Wild and also voiced Fred's uncle Karl on an episode of What's New, Scooby-Doo?. He also had a role on camera as Mr. Harris in 'Til Death and did voices in the two live-action films The High Crusade and The Fisher King.In 2007, <mask> made his live-action voice role debut in the post-apocalyptic science fiction horror film I Am Legend where he voiced the President of the United States. <mask> substituted for Tim Allen in the early years as the voice of Buzz Lightyear in various video and computer games, merchandise, attractions, and the Disney On Ice Disneyland Adventure. He has voiced roles in Toy Story 2, Monsters, Inc., Chicken Little, Tangled, and Happy Feet Two and performed ADR work for films such as The Muppets and Lincoln. Personal life
<mask> has been married to his wife Renee Zimmerman since 1979; together they have four children. He grew up in the Mormon faith but became a born-again Christian later in life. He lives in Hollywood, California. He is good friends with fellow actors Ed Asner and Brad Garrett.He holds an MFA degree in Acting from Cornell University. Fear, Clortho, Sock Boy
The Incredible Hulk – Major Ned Talbot, Additional voices
The Jetsons – Skyhawk Mike, additional voices
The Legend of Korra – Gombo
The Legend of Prince Valiant – Additional voices
The Little Mermaid – Villain #2
The Littles –

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texts:
 Slick the Turtle
The Moo Family – Chuck Steaker, Robin Hoof
The New Adventures of Zorro – Don Alejandro
The New Scooby and Scrappy-Doo Show – Additional voices
The New Yogi Bear Show – Additional voices
The Richie Rich/Scooby-Doo Show – Additional voices
The Scooby & Scrappy-Doo/Puppy Hour – Additional voices
The Secret Files of the Spy Dogs – Witchdoctor Clad
The Smurfs – Additional voices
The Super Hero Squad Show – Beta Ray Bill
The Mask: The Animated Series – Additional voices
The Tick – Additional voices
The Twisted Tales of Felix the Cat – Additional voices
The Tom and Jerry Kids Show – Kyle the Cat
The What-A-Cartoon! Show – Mad Bomber
The Wizard of Oz – Truckle
The Woody Woodpecker Show (1999) – Kid, Nash
The World's Greatest Super Friends – Additional voices
Time Squad – Kublai Khan
Timon and Pumbaa – Wolverine, Jumbo Jumbo
Tiny Toon Adventures – Travel Agent, Pen Pal, French Spoon
Toy Story Treats – Buzz Lightyear
Turbo Teen – Dr. Chase, Eddie
Twinkle, the Dream Being – Urg, Wishball
Vytor: The Starfire Champion – Windchaser, Air Mutoid Warrior, Land Mutoid Warrior
What-a-Mess – Arnold
Where's Waldo? – Additional voices
Widget the World Watcher – Additional voices
Wild West C.O.W.-Boys of Moo Mesa – Marshall Moo Montana
Wing Commander Academy – Additional voices
WWE Slam City – The Finisher (uncredited)
X-Men: Pryde of the X-Men – Pyro
Yo


texts:
<mask> (born June 29, 1943 in Tlaquepaque, Mexico) is a Mexican-American writer and professor at Santa Clara University in Santa Clara, California. Personal life
<mask> was born in 1943 in Tlaquepaque, Mexico, as the second oldest of eight children. Up until he was four years old, he lived in a town in the state of Jalisco, Mexico called El Rancho Blanco. His family then immigrated illegally to California to work as migrant farm workers. When he was six years old, he already started working in the fields with his family. Growing up, his family would move with the seasons of crops, causing him to miss months of school every year. When <mask> was in eighth grade, his family was deported back to Mexico.A few months later, they returned legally and settled down in a migrant labor camp in Santa Maria, California called Bonetti Ranch. His father could not work anymore because of severe back problems, so they would no longer move from place to place. Throughout high school, Jiménez and his older brother, Roberto, worked as janitors to support their family. After high school, <mask> went on to attend Santa Clara University, getting his B.A. in Spanish in 1966. He became a US Citizen during his junior year at Santa Clara. Then, he went to Columbia University to get his Master's and Ph.D. in Latin American Literature.At Santa Clara University, Jiménez met his to-be wife, Laura Facchini, and they got married while he was attending Columbia University. They have three children: <mask>, Miguel, and Tomás. Tomás <mask> is (in 2019) full professor in sociology at Stanford University. Career
Jiménez started his career as a professor teaching at Columbia University. He later accepted a position teaching in the Department of Modern Languages and Literature at Santa Clara University, where he worked full-time until 2015. He has received numerous awards for his teaching, including the Dia del Maestro Teacher of the Year Award from Santa Clara

masks:
Francisco Jiménez
Francisco Jiménez
Jiménez
Jiménez
Francisco Andrés
Jiménez


texts:
 County, the David Logathetti Award for Teaching in Excellence from Santa Clara University, and the US Professor of the Year from CASE and the Carnegie Foundation. <mask> has held several administrative positions at Santa Clara University, including, Director of the Division of Arts and Humanities in the College of Arts and Sciences (1981-1990); Associate Vice President for Academic Affairs (1990-1994); Chair, Department of Modern Languages and Literatures (1997-2000) Director, Ethnic Studies (2001-2005)

He is the Co-founder of The Bilingual Review, a scholarly journal dedicated to the study of the linguistics and literature of English Spanish bilingualism in the United States.He has served on various professional boards and commissions, including the California Commission on Teacher Credentialing (10 years, two as chair), California Council for the Humanities (5 years, one as vice chair), Accrediting Commission for Senior Colleges and Universities (WASC, 6 years), Santa Clara University Board of Trustees (6 years), the Far West Lab for Educational Research and Development (5 years), ALearn, and the Leadership Board of the College of Arts and Sciences at SCU. In 1997, <mask> published his first autobiographical short novel, The Circuit: Stories from the Life of a Migrant Child (Cajas de Carton, Spanish edition). This book documents his early life, from crossing the border as a child to attending elementary school and working in the fields. There are three sequels to this book, which continue documenting his life through its next few stages. Breaking Through (Senderos Fronterizos, Spanish edition) is about his time in high school, Reaching Out (Más Allá de Mí, Spanish edition) is about his time attending Santa Clara University, and Taking Hold: From Migrant Childhood to Columbia University (Pasos firmes: Desde niñez migrante a la Universidad de Columbia, Spanish edition) documents his years in graduate school. His

masks: Jiménez Jiménez


texts:
 four-book series—The Circuit, Breaking Through, Reaching Out, Taking Hold--has been included in the American Library Association Booklist's 50 Best Young Adult Books of All Time. <mask> has also written some autobiographical picture books, including La Mariposa (1998) and The Christmas Gift/El regalo de Navidad (2000).In La Mariposa, Jiménez writes about the challenges of not speaking English during his year in first grade. Some awards he has received for his writing include the Americas Award for Children's and Young Adult Literature, the Boston Global Award for Fiction, the Tomás Rivera Mexican American Book Award, the Parents' Choice Award,the Luis Leal Award for Distinction in Chicano/Latino Literature, and the John Steinbeck Award. In 2015 a new school in Santa Maria, California was named in honor of his late brother and him: The Roberto and Dr. <mask>ez Elementary School. He has been featured in Univision's “Aquí y Ahora" and Telemundo, and has received commendations for his work from the U.S. Congress, the California State Senate, and the governor of the State of Jalisco, Mexico. He is currently Professor Emeritus in the Department of Modern Languages and Literatures at Santa Clara University. Selected works
The Circuit: Stories from the Life of a Migrant Child (1997)
La Mariposa (Houghton Mifflin, 1998)
The Christmas Gift/El regalo de navidad (Houghton Mifflin, 2000)
Breaking Through (Houghton Mifflin, 2002) (sequel to Circuit)
Reaching Out (Houghton Mifflin, 2008) (second sequel)
Taking Hold: From Migrant Childhood to Columbia University (Houghton Mifflin, 2015)
Stories Never to be Forgotten, English translation of Historias para tener presente. Arizona State University: The Bilingual Press, 2015.Cajas de Cartón y Senderos Fronterizos. Secretaria de Cultura, Gobierno del Estado de Jalisco, 2008. Cajas de Cartón: relatos de la vida peregina de un niño campesino. Boston: School Division, Houghton Mifflin Co., 2003.

masks:
Jiménez
Francisco Jimén


texts:
 Más allá de mí. Houghton Mifflin Co., 2009. Senderos fronterizos, Trade Division, Houghton Mifflin, Co., 2002.Ethnic Community Builders: Mexican Americans in Search of Justice and Power (The Struggle for Citizenship Rights in San Jose, California. AltaMira Pres (co-authored with Alma Garcia & Richard Garcia), 2007
Casse di cartone: Racconti dalla vita di un piccolo contadino emigrante. Italian Translation of The Circuit, published by Achille, 2007. Translation by Victor B. Vari and Nello Proia
Under that Sky, Japanese translation of Breaking Through published by Tokyo: Komine Shoten Ldt, 2005. Cajas de Cartón. Comunicación y Lenguaje III. Guatemala: Editorial Kamar, S.A., 2005.The other side of the Road. Japanese Translation of The Circuit, published by Tokyo: Komine Shoten Ldt, 2004. Little Immigrant's Sky. Chinese Translation of The Circuit: Stories from the life of a migrant child, The Eastern Publishing Company Co., Ltd. 1999. Poverty and Social Justice: Critical Perspectives, Arizona State University: Bilingual Press, 1987. Hispanics in the United States: An Anthology of Creative Literature, Vol. II.Eastern Michigan University: The Bilingual Press, 1982. Mosaico de la vida: prosa chicana, cubana y puertorriqueña. New York: Harcourt Brace Jovanovich, 1981. Hispanics in the United States: An Anthology of Creative Literature, Vol I.Eastern Michigan University: The Bilingual Press, 1980. The Identification and Analysis of Chicano Literature. New York: The Bilingual Press, 1979. Los episodios nacionales de Victoriano Salado Alvarez.Prologue, Andrés Iduarte. Mexico: Editorial Diana, 1974. References

External links
https://www.scu.edu/fjimenez/
<mask>z recorded at the Library of Congress for the Hispanic Division’s audio literary archive on June 28, 2002

Living people
American children's writers
American writers of Mexican descent
Santa Clara University faculty
Writers from Jalisco
Writers from the San Francisco Bay


texts:
<mask><mask>" <mask> (born 11 March 1966), is an Australian composer, musician and academic. She started her music and academic careers in Perth and relocated to Melbourne in 2017. Her opera, Speechless, was first performed in 2019 at the Perth Festival. At the Art Music Awards of 2020 she won Work of the Year: Dramatic for Speechless. Steve Dow of The Age described the opera, "fuelled by outrage over the imprisonment of asylum seeker children, which features growling and screaming to an unconventional score without musical notation." <mask> has also won the Art Music Award for Excellence in Experimental Music in 2011 for Decibel's 2009–2010 Annual Programs and in 2014 for her Drawn from Sound exhibition. Biography

<mask> was born in 1966.Her father was an RAAF officer and her mother was a nurse; from 9 to 12 years-old she had guitar lessons while her father was based in Penang, Malaysia; upon her reaching secondary school age the family relocated to Perth. She continued with guitar in secondary school and added flute and bass guitar in her final years at Rossmoyne Senior High School. She started at the University of Western Australia in 1984 to complete a Bachelor of Music (Honours) at its Conservatorium of Music in 1989. While a university student she also had to teach herself to play piano to keep up with her studies. One of her teachers, in composition, was English-born Perth-resident Roger Smalley. She was a member of the ALEA Ensemble (named for their aleatoric composition style), in 1989. In 1988 in Italy, <mask> founded the folk-rock indie trio, Micevice, with <mask> on bass guitar, Marta Collica on lead vocals and Giovanni Ferrario on guitar.They recorded an album, Experiments on the Duration of Love

masks:
Catherine Anne "
Cat
Hope
Hope
Catherine Anne Hope
Hope
Hope


texts: (1999), in Melbourne and Catania with Hugo Race co-producing with Ferrario. It was re-release nearly ten years later (November 2008) via My Honey Records. Luigi Gaudio of OndaRock rated it at 7.5 and explained, "The eleven tracks are rare pearls, a cloud of warm smoke that envelops anyone who abandons themselves." After <mask> left, Micevice had released two further albums, Bipolars of the World Unite (2000) and Stop Here: Love Store (2002). Gata Negra (Spanish: Black Cat) was formed early in 1999 in Perth by <mask> on bass guitar, vocals, samples and toys, Myles Durham on drums and Ant Gray on guitar. Their debut album, Cage of Stars, appeared later that year. It was recorded at North Perth Town Hall, where they were joined by Ferarrio on guitars, Guy Fleming on sounds, Jazmine on piano, Boogie Man Krak on turntables, Viv Langham on cello, Sophie Moleta on vocals and glockenspiel, Lindsay Vickery on vocals and Kim Williams on vocals.The group issued two more albums, Saint Dymphanae (2002) and Ruby (2007). Later members included Kristian Brenchley on guitar, Tim Evans on drums (both c. 2000), Bill Darby on guitar, Pete Guazzelli on drums (both c. 2006). In 2009, <mask> formed Decibel New Music Ensemble (also known as Decibel), with <mask> as music director and flautist. Other members have included Vickery on reeds and electronics, Louise Devenish on percussion, Stuart James on piano, percussion, electronics and spatialisation, Tristen Parr on cello, Adam Pinto on piano, Chris Tonkin on electronics and Aaron Wyatt on violin and viola. At the APRA Music Awards' Art Music Awards of 2011 she won the Award for Excellence in Experimental Music for Decibel's 2009–2010 Annual Programs. To celebrate their 10th

masks: Hope Hope Hope Hope


texts: anniversary, in May 2019, the ensemble performed 10 from 10, which was broadcast nationally on ABC Classic radio's programme, Evenings. It had been recorded live in concert at the Primrose Potter Salon with Duncan Yardley as producer.<mask> performs and records solo noise music using bass guitar. She was also a co-founder of the Perth noise duo Lux Mammoth (1999-2005) with Alien Smith (both on bass guitar and electronics); and founder and bassist in Abe Sada (2004-2014). She is the founder of the Low Tone Orchestra (2020-), The Australian Bass Orchestra (2014-) and is a performer in noise duos Super Luminum (with guitarist Lisa MacKinney, 2015-), HzHzHz (with cellist Tristen Parr, 2016-) and Candied Limbs (with clarinettist Vickery, 2012-). As a flute player, she has worked with French composers Eliane Radigue and . Her solo bass noise piece for dance artist Rakini Devi appeared on the various artists' compilation album, Extreme Music from Women, issued by the Susan Lawly label in 2000. Since then she has released a wide range of music compositions and performances on music labels around the world, most recently on the Swiss label Hat Hut. Rosalind Appleby, a music journalist, in her book, Women of Note: the Rise of Australian Women Composers (2012), addressed the work of <mask> in the chapter, "Third wave 1980-2010: <mask>hie Travers and <mask>".In honour of Roger Smalley, who died in August 2015, <mask> directed Decibel, to reinvigorate his works, which had been "performed in the pioneering electro-acoustic ensemble Intermodulation", for a concert in June 2016. The West Australians Appleby observed, "[they] brought the little-known repertoire back to life. Their concert... paid fascinating homage to Smalley."

masks:
Hope
Hope
Cat
Cat Hope
Hope


texts:
 <mask> delivered the Peggy Glanville-Hicks Address in November 2018, "All Music for Everyone: Working Towards Gender Equality and Empowerment in Australian Music Culture", in Adelaide, Melbourne and Perth. It was followed by the premiere of her work, Silenced, co-composed with Dobromila Jaskot. Her opera, Speechless, was first performed in February 2019 at the Perth Festival. <mask> wrote it as a response to The Forgotten Children: National Inquiry into Children in Immigration Detention presented by the 2014 Human Rights Commission.Australian Arts Review writer described it as, "a compelling, courageous and visceral sonic world paying homage to people whose voices are rendered silent through political means." It was performed by the soloists Judith Dodsworth (soprano), Karina Utomo (metal singer of Young and Restless, High Tension), Caitlin Cassidy (improvising mezzo-soprano), Sage Pbbbt (non-binary throat singer) with backing by Australian Bass Orchestra, Decibel New Music Ensemble, and Aaron Wyatt as conductor. In March of the following year it was broadcast, in two parts, on ABC Classic's New Wave. At the Art Music Awards of 2020 <mask>, and the performers, won Work of the Year: Dramatic for Speechless. Academic career

<mask> is a music academic, with research areas in animated notation, gender and music, digital archives, Australian music and artistic research in composition and performance. She lectured in classical music and music technology at the Western Australian Academy of Performing Arts at Edith Cowan University between 2004 and 2010, and was the Inaugural Associate Dean (Research) there in 2016 after Postdoctoral Fellowship. <mask> holds a PhD in Art from RMIT University, her thesis, "The

masks: Hope Hope Hope Hope Hope


texts:
 Possibility of Infrasonic Music", was delivered in 2010.She was the Professor of Music at Sir Zelman Cowen School of Music at Monash University, where she was head of school from 2017 to 2020. Awards and fellowship

Her first portrait CD, Ephemeral Rivers, was released in 2017 on the Hat [Art] Hut label, and won the Deutscher Kritikerpreis that same year. <mask> Ranieri Fellowship, an AsiaLink residency (Singapore, Theatreworks) and the Peggy Glanville-Hicks House Residency in Paddington (2014). APRA Music Awards

APRA AMCOS (Australasian Performing Right Association, Australasian Mechanical Copyright Owners Society) and Australian Music Centre (AMC) have co-sponsored the annual APRA Music Awards: Art Music Awards (originally Classical Music Awards) since 2002. Previously AMC had provided their own annual classical music awards from 1988. <mask> has been awarded three Art Music Awards, the Award for Excellence in Experimental Music in 2011 and in 2014 and Work of the Year: Dramatic for her first opera, Speechless in 2020.

! University of WA (AUS).CD. (2013)
 Ephemeral Rivers. hat[now]ART 200: Switzerland. CD (2017)
 The Sinister Glamour of Modernity, on Australia: East and West, CD,  Wirripang, (2020)

with Abe Sada
 Subzilla, Bloodstar, CD (2007)
 Tatare Steppe, VLZ Produkt, CD (2008)
 Redux, Heartless Robot LP (2009)
 The Low Chord, Kabutsuri Tape International, CD (2009)

with Gata Negra
 Ruby, Bloodstar (Aus), LP (2007)

with Lux Mammoth
 New Gauge Sinner, Pre Feed label (Italy), CD (2007)

with Decibel
 In the Cut, Kuklinski's Dream on Disintegration: Mutation. HellosQare Records, CD (2010)
 Longing on Stasis Ecstatic. Heartless Robot Productions, LP (2014)
 The Lowest Drawer on Tuned Darker, LP,

masks: Hopella Hope


texts:
 Listen|Hear: Perth LP (2015)
 The Earth Defeats Me and Last Days of Reality on Last Days of Reality, CD Room 40, RM4102 (2018)

with Candied Limbs
 Sub Project 54 Tura Records, CD (2013)

with Louise Devenish
 Tone Being on Music for Percussion and Electronics, CD, Tall Poppies TP428 (2017)

with Monash Art Ensemble
 Dark Hip Falls on Hear, Now, Here CD FMR (2019)

Gabriella Smart
 Kaps Freed on Works for Travelling Pianos, CD, ezz-thetics 1012 (2020)

Collaborations
Decibel new music ensemble 2009 -
Low Tone Orchestra (2020-)
The Australian Bass Orchestra (2014-)
Super Luminum (2015 -)
HzHzHz (2016-)
Candied Limbs (2012-)
Abe Sada (2006 - 2014)
Lux Mammoth (2000 - 2005)
cAVity (2001-2004)
Gata Negra (1999 - 2006)
Micevice (1995 -1997)
Quartered Shadows (1990-1992)
Alea Ensemble (1989, 1992)

Bibliography

As a primary author

 Hope, Cat; Ryan, John Charles (2014-06-19). Digital Arts: An Introduction to New Media.Bloomsbury Publishing USA. .

As a contributor
 Burke, Robert; Onsman, Andrys (2017-01-23). Perspectives on Artistic Research in Music. Lexington Books. .
 Sant, Toni (2017-03-23). Documenting Performance: The Context and Processes of Digital Curation and Archiving. Bloomsbury Publishing. .
Fabian, Dorottya; Napier, John (2018-10-30). Diversity in Australia's Music: Themes Past, Present, and for the Future. Cambridge Scholars Publishing. .Academic papers
<mask> has also authored over 70 academic papers according to Google Scholar. References

External links

<mask> profile on Australia Adlib
<mask> noise reviews
<mask> AMC represented composer

1966 births
Living people
Australian composers
Australian flautists
Noise musicians
Western Australian Academy of Performing Arts faculty
Monash University

masks:
Hope
Cat Hope
Cat Hope
Cat Hope


texts:
<mask> (birthname <mask> e Silva Filho), was born in Rio de Janeiro, Brazil, where he graduated in electrical engineering at the Catholic University of Rio de Janeiro (PUC). Later, he received a master and doctorate degrees in physics from Purdue University in the United States. In 1991, <mask> was awarded with the Honorary Doctor of Science Degree (called in some universities "Doctor Honoris Causa"), by Purdue University. At the University of São Paulo (USP) he developed a long and successful academic career as a researcher, full-time professor and manager, holding several command position, reaching its vice - presidency and presidency. President of University of São Paulo
Having assumed the presidency of USP in a deep financial crisis due to the hyperinflation that Brazil suffered at that time, he had to combine the need for constant improvement of an institution the size of USP with financial restrictions and a need of a deep reorganization. He cleaned up the university's finances, and improved every major academic (education, research and extension) and institutional indicators. Under his leadership, the university gave priority to the quality of undergraduate teaching, a difficult task in a research university of this level.New majors were created, many of them with classes taught at night, to serve qualified students who had to work. It also began the most innovative and revolutionary major in Brazil at the time, "molecular sciences", which still exists to this day. Graduates of this program frequently go directly to the best PhDs programs in the world, most of them with prestigious grants from the Government of Brazil and abroad. This major was evaluated by a high level commission from the Academy of Sciences of Brazil and was considered an example of teaching excellence and research in the area. During his term as president there was big opening of the University for the population, using the campus as a locus of culture and leisure, putting together more than 120,000

masks:
Roberto Lobo
Roberto Leal Lobo
Lobo


texts:
 people per weekend and, likewise, amplifying the interaction with the community and businesses, increasing significantly the fund raising to support these programs. President of University of Mogi das Cruzes
Later, he became president of a large private university in Brazil, the University of Mogi das Cruzes. In his three years as president, UMC changed.As a university dedicated to teaching, (outside the capital of São Paulo and without good quality indicators) and no experience in raising research funds and graduate studies, in only 18 months of work the University of Mogi das Cruzes became the second private institution in the ranking of funding of FAPESP (see below), participated as the only private university in the Genome Project (DNA sequencing in Brazil), created and reorganized several research centers and had two master's degree programs approved by the federal agency graduate of accreditation (CAPES) with the best possible assessment given to new programs. Those programs soon after became doctorate programs. In addition, UMC image improved significantly, based on an extensive academic advancement program that modernized the curricula of its more than 30 undergraduate majors, a better qualification of the Faculty, with an increase from 9% to 39% the number of masters and doctors among its professors and increased the number of new applicants from 16,000 to 35,000 candidates, all supported additionally by a solid and aggressive marketing plan. UMC financially not only reached equilibrium during that period but it was also able to capture 11% of its budget derived from other programs besides tuitions. National Synchrotron Light Laboratory
It was as CNPq's Director that he actively participated in the most audacious and significant scientific project in the country at that time – the Brazilian Synchrotron Accelerator. The National Synchrotron Light Laboratory has the largest particle accelerator in Latin America and the first in the southern hemisphere. He was responsible


texts:
 for its conceptual project, creation and coordination of deployment for three years, before returning to USP as its vice-president, in 1986.

International associations
He has also several experiences in international associations.Probably the most important one was ALFA, an international program to enhance the scientific collaboration between Europe and Latin America through the financing of joint research projects and mobility programs for student and researches from 895 Higher Education Institutions (373 from Latin America and 522 from Europe) and also 155 associated institutions composing 596 research networks. He was elected by his peers in the Committee vice-president of the committee for three years. Later, he became the committee's president and hold that place from 1997 to 1999. Other important international experiences as a member of the Columbus Program, a program funded by the European Community with technical support from the Board of Presidents European Community – CRE where he became an international consultant and part of the staff of the training programs for new university presidents in Latin America organized by Columbus. He has also participated in several other international and national committees and boards of prestigious institutions and universities networks in Brazil, United States and Latin America. References

 Purdue University - Honorary Doctor of Science Degree
 USP - Presidents
 USP - Number of Students
 USP - Worldwide University Rank

 Ordinance written by Dr. <mask> to better control USP's finances
 Dr. <mask> talks about USP's focus on undergraduate teaching quality
 USP's Molecular Sciences course
 National Synchrotron Laboratory
 National Synchrotron Laboratory Official Website
 Dr. <mask>'s Participation on the creation of the Synchrotron Laboratory

1938 births
Living people
Brazilian scientists
University of São Paulo faculty
Pontifical Catholic University of Rio de Janeiro alumni
Purdue University alumni
People from Rio de Janeiro

masks: Lobo Lobo Lobo


texts:
<mask> is an American audio engineer, A&R executive, and record producer. He has worked with Tonic, Hole, Jellyfish, The Black Crowes, John Mayer, Weezer, Fiona Apple, Roger Hodgson, Taxiride, Green Day, Counting Crows, No Doubt, Klaxons, Rancid, Panic! at the Disco, Stone Temple Pilots, U2, and many others. Puig has shared Grammy Awards with The Goo Goo Dolls, Sheryl Crow, Vanessa Carlton, John Mayer, Fergie (The Black Eyed Peas), U2, and No Doubt. In 2006, <mask> became an executive vice president at Interscope-Geffen-A&M Records. He has signed Klaxons and Charlotte Sometimes. As an A&R man he works with Shirley Manson, Ashlee Simpson, Klaxons, Charlotte Sometimes, Counting Crows, Puddle of Mudd, and The Like.Prior to his mainstream music production successes, Puig rose to prominence as an engineer in the Contemporary Christian music scene of the mid-eighties. He worked mainly on Myrrh Records releases. He engineered for Christian acts such as Amy Grant, Kathy Troccoli, Leslie Phillips, and Russ Taff. Some of the records he engineered were Grammy-award winning works such as Grant's landmark 1985 LP Unguarded. Discography
Maranatha! 1 (1992)
Jellyfish – Spilt Milk (1993) e/p/m
Michael Crawford – A Touch of Music in the Night (1993) e
Russ Taff – We Will Stand Yesterday and Today (1994) p
The Grays – Ro Sham Bo (1994) p
Michael Crawford – Favorite Love Songs (1994) e
The Black Crowes – Amorica (1994) e/p/m
The Manhattan Transfer – Tonin' (1995) e
Belly – King (1995) e/m
Bette Midler – Bette of Roses (1995) e
The Badloves – Holy Roadside (1995) m
Aimee Mann – I'm with Stupid (1995) m
Tonic – Lemon Parade (1996) e/p/m
Weezer – Pinkerton (1996) e/m
The Black Crowes –

masks:
Jack Joseph Puig
Jack Joseph Puig


texts:
 Three Snakes & One Charm (1996) e/p/m
Jason Falkner – Presents Author Unknown (1996) m
Steven Curtis Chapman – Signs of Life (1996) m
Susanna Hoffs – Susanna Hoffs (1996) e/p/m
Dimestore Hoods – "Blood in My Eyes" (1996) p
L7 – The Beauty Process: Triple Platinum (1997) m
Talk Show – Talk Show (1997) m
Abra Moore – Strangest Places (1997) m
Lincoln – "Blow" (1997) p/m
Birdbrain – Let's Be Nice (1997) m
Big Wreck – In Loving Memory Of... (1997) m
Third Day – Conspiracy No. 5 (1997) m
Son Volt – Wide Swing Tremolo (1998) m
Nada Surf – The Proximity Effect (1998) m
Clutch – The Elephant Riders (1998) m
The Black Crowes – Sho' Nuff (1998) e/p/m
Athenaeum – Radiance (1998) m
Seven Mary Three – Orange Ave. (1998) m
Better than Ezra – "Like It Like That" (1998) m
Fretblanket – Home Truths from Abroad (1998) m
Semisonic – Feeling Strangely Fine (1998) m
Dada – Dada (1998) p/m
Robbie Williams – I've Been Expecting You (1998) p/m
Hole – Celebrity Skin (1998) m
Ugly Americans – Boom Boom Baby (1998) m
Jeff Black – Birmingham Road (1998) m
Leah Andreone – Alchemy (1998) m
Goo Goo Dolls – Dizzy Up the Girl (1998) p/m
Dovetail Joint – 001 (1999) m
Gus – Word of Mouth Parade (1999) m
Delirious?at the Disco – "Nine in the Afternoon" (2007) m
Charlotte Sometimes – Waves and the Both of Us (2008) p/m
<mask> – Harder Than Easy (2009) m
Kylie Morgan (2010)
Owl City – All Things Bright and Beautiful (2011)
MENEW – Wide Awake Hello (2012)
Eros – Rockstar (2012)
3 Doors Down – The Greatest Hits (2012)

References

External links
<mask> <mask>'s audio plugins collection

Living people
Grammy Award winners
American record producers
American audio engineers
Year of birth missing (living

masks:
Jack Savoretti
Jack Joseph
Puig


texts:
<mask> (17 October 1949 – 2 September 2020) was an Italian art historian, gallerist, teacher, writer, author, politician, and television personality. Biography
<mask> was born in Mulhouse, Alsace in 1949 from an Italian father, builder <mask>, and an Alsatian mother, Aurelia Hauss. He was the fourth of six children. <mask> attended the European School in Varese, and then studied economics and commerce at the Bocconi University in Milan. Despite completing his cycle of studies, <mask> refrained from writing his final dissertation. As he said, "I was enrolled at Bocconi in 1968–1969, but I don't hold a degree. In those years you would go to university to learn, not to graduate".In 1975 he opened Galleria Philippe Daverio in Via Monte Napoleone in Milan, where he mostly focused on the avant-garde movements of the first half of the 20th century. In 1986, he opened the <mask>rio Gallery in New York City. In 1989 he opened a second gallery of contemporary art in Milan, Italy. The gallery eventually went bankrupt and closed in 1997. As a gallerist and publisher, <mask> organized many exhibitions, including Andy Warhol's Last Supper at Galleria del Credito Valtellinese in Milan; he also edited a book on Giorgio de Chirico's work between 1924 and 1929 and a catalogue raisonné on Gino Severini's work. Since 2011 <mask> authored many books with Rizzoli, including The Imaginary Museum (2011); The Long Century of Modernity (2012); Look far to See near You (2013); The Broken Century of avant-garde (2014); The Good Road (2015); Table Art (2015), and Painting Game (2015). In 1999, he was a

masks:
Philippe Daverio
Daverio
Napoleone Daverio
Daverio
Daverio
Philippe Dave
Daverio
Daverio


texts: special correspondent for the television program Art'è on RAI, and he is one of the authors of Art.tù.From 2002 to 2012 he hosted Passepartout, a series on art and culture on Rai 3. Other TV programs he was involved with include Il Capitale and Emporio Daverio. In 2008 he was called by Pier Luigi Pizzi to interpret the narrator Njegus in the operetta The Merry Widow by Franz Lehár at the Teatro alla Scala in Milan. In 2009 he presented the Shock, a ballet on the catharsis of capital defences directed by Andrea Forte Calatti at the Teatro degli Arcimboldi in Milan. Until 2016 he held the post of professor of art at the University of Palermo.<mask> collaborated with magazines and newspapers such as Panorama, Vogue, Corriere della Sera, Liberal, Avvenire, Il Sole 24 Ore, National Geographic, Touring Club, and Architect and National Daily Quotes. He was the editor of Art and Dossier magazine and a consultant for Skira Books. Beginning in 2004 he held a summer conference every year at the Colonos farmhouse in Villacaccia di Lestizza in the province of Udine.In 2010 he was appointed by the Mayor of Palermo as a consultant to the Santa Rosalia Feast. However, during the celebration he had a verbal altercation with some of the contestants and resigned as a result. In September 2010 he was appointed Director of the Landscape Museum of Verbania, on Lake Maggiore, but resigned amid controversy after only two months in the position. From 2011 he was an artistic consultant for the Genus Bononiae project of the Carisbo Foundation in Bologna, which launched the "Bologna shows"


texts:
 exhibitions. <mask> also curated the opening show of the new Palazzo Fava Museum. In 2016 he began working on a new television program called Modern Culture. <mask> died of cancer on 2 September 2020, at the age of 70.Public service
From 1993 to 1997 <mask> was councilor with delegations to Culture, Leisure, Education, and International Relations in the municipality of Milan. He was subsequently involved in an advisory role in the town council of Salemi in Sicily when Vittorio Sgarbi was mayor. In 2009, he was appointed a provincial councilor of Milan in the civic list of Filippo Penati. In 2011, in conjunction with the celebrations for the 150th anniversary of the Unification of Italy, he founded the movement of opinion Save Italy. The movement, with no organizational structure, aims to raise awareness of intellectuals and citizens of all geographic origin to safeguard the immense cultural heritage of Italy; "The English denomination serves to testify that the cultural heritage of Italy belongs not only to Italians but to the whole world, also because Latin is studied today much more in Oxford than in Pavia", said <mask> in one of his lectures. Work

Selected books
 Graphic and glass works. With a work by Gio Ponti and a testimony by Aldo Salvadori, edited by and with Paolo Baldacci, Milan, Galleria Philippe Daverio, 1977.Rome between baroque expressionism and tonal painting. 1929–1943, edited by and with Maurizio Fagiolo dell'Arco and Netta Vespignani , Milan, Mondadori-<mask>, 1984. Amazing art. From Dada to Cracking art, Milan, Mazzotta, 2004.  . The design was born

masks:
Daverio
Daverio
Daverio
Daverio
Philippe Daverio


texts:
 in Milan. History of Kids of Good Family, Milan, Poli.Design, 2005.  .
 Another Story of Design and a Modest Interpretation, Milan, Poli.Design, 2005.  .
 13x17. 1000 artists for an eccentric investigation into art in Italy, edited by and with Jean Blanchaert , Milan, Rizzoli, 2007.  .
 Art is the ship, Milan, Skira-Costa, 2008.  .
 Constellations.Cannavacciuolo. Jori. Massini, Bononia University Press, 2009. The Millennium Adventure. Garibaldi's expedition through the redesigned designs by Giuseppe Nodari, edited by, Milan, Rizzoli, 2010.  .
 Giorgio Milani. The Book of Letters, Milan, Skira, 2010.  .
 Giuseppe Antonello Leone, Milan, Skira, 2010.  . The imaginary museum, Milan, Rizzoli, 2012.  .The art of art, Florence-Milan, Giunti artedossier, 2012.  . The long century of modernity. The imagined museum, Milan, Rizzoli, 2012.  .
 Watch Far To See Near , Rizzoli, Necklace: Illustrated, 2013.  . Calm and quiet. Subliminal Projects by Alessandro Mendini, Michele De Lucchi and Angelo Micheli, Bononia University Press, 2013. Thinking of Art, AlboVersorio, 2013.  . The Long Century of Modernity.The museum imagined, Milan, Rizzoli, 2013. Lois Anvidalfarei, Milan, Skira, 2013. . The broken century of avant-garde. The imagined museum, Milan, Rizzoli, 2014. . In good spirits. Products, Producers, Territories, Communities, Photos of Luca and Pepi Merisio, Cantù, Ecra, 2015. The good road.127 walks in Milan, Lombardy and the surrounding area, Rizzoli, 2015. .
 Painting game. Stories, Ties, Inventions, Rizzoli, 2015. . The good road. 150 walks in Milan, Lombardy and the surrounding