texts: carrying out the first trials of the Hawker P. 1127 which subsequently developed into the Hawker Siddeley Harrier. He became Assistant Chief of Naval Staff in March 1964, with promotion to rear admiral on 7 July 1964, in the lead up to a defence review by the Labour government which resulted in the 1966 Defence White Paper. He was appointed Companion of the Order of the Bath in the 1966 Birthday Honours. <mask> became second-in-command of the Home Fleet in May 1966 with his flag in the cruiser HMS Tiger.HMS Tiger became the location for the "Tiger talks" between Prime Minister Harold Wilson and the UDI inclined premier Ian Smith about the future of Rhodesia. He led the Royal Navy delegations to the Royal Canadian Navy's centennial celebration of Canadian Confederation at Halifax, Nova Scotia in 1967, and to Expo 67 in Montreal, Quebec. He was promoted vice-admiral on 26 December 1967 on appointment as Flag Officer Submarines and NATO Commander Submarines in the Eastern Atlantic. He was in this post when the first Polaris missile was tested and the Faslane submarine base was developed. Advanced to Knight Commander of the Order of the Bath in the 1969 Birthday Honours, he became Third Sea Lord and Controller of the Navy in January 1970 and received promotion to full admiral on 21 April 1970. Admiral Sir <mask> Fanu, the Chief of the Defence Staff-designate, retired suddenly due to ill health in late 1970. The new First Sea Lord, Admiral Sir Peter Hill-Norton, was promoted in Le Fanu's place, and <mask>, having been advanced to Knight Grand Cross of the Order of the Bath in the 1971 New Year Honours, was suddenly invited to replace Hill-Norton as First Sea Lord and Chief of the Naval Staff in March 1971.During <mask>'s term as First

masks:
Pollock
Michael Le
Pollock
Pollock


type: original

texts:
 Sea Lord, the Navy was involved in the "Cod War" with Iceland in 1972, the 1973 oil crisis and deep cuts in defence expenditure. He was also involved in the decisions that led to the creation of the "through deck cruiser", which became the small s. <mask> was First and Principal Naval Aide de camp to the Queen from August 1972 to March 1974. Promoted to Admiral of the Fleet on 1 March 1974, he retired that month. Later life
In retirement <mask> was Chairman of the Naval Insurance Trust from 1975 to 1985. He was also King of Arms of the Order of the Bath and Gloucester King of Arms, with responsibility for heraldry in Wales from 1976 to 1985. After he left the Navy, he lived in Churchstoke in Powys. His interests included walking, shooting, fishing and local affairs in Powys.He died in Martock in Somerset on 27 September 2006. <mask> married Margaret (Peg) Steacy in 1940, and they had two sons and a daughter. His first wife died in 1951. He remarried in 1954, to Marjory (Midge) Reece (née Bisset), acquiring a stepdaughter. His second wife died in 2001. One of his sons became a lieutenant-commander in the Navy and his grandson, <mask>, who also joined the Navy, passed out at Dartmouth in December 2004 with the Commandant Talbot prize for leadership and the Queen's Sword. References

Sources

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1916 births
2006 deaths
British military personnel of the Malayan Emergency
First Sea Lords and Chiefs of the Naval Staff
Knights Grand Cross of the Order of the Bath
Lieutenants of the Royal Victorian Order
People from Altrincham
Recipients of the Distinguished Service Cross (United Kingdom)
Royal Navy admirals of the fleet
Royal Navy personnel of the Korean War
Royal Navy officers of World War II
Military personnel from

masks:
Pollock
Pollock
Family Pollock
Barney Pollock


texts:
<mask> (1734–1805), also called <mask> was an Italian sculptor known for a well publicized dispute with George Walpole, 3rd Earl of Orford and the Royal Academy. Biography
<mask> was born in Verona on 17 November 1734. After working in Verona and Padua during his early career he was working in London from at least 1775 until 1796 when he returned to Italy. There is some evidence to suggest he may have worked for a time in the late 1790s in Paris before ending his career in Milan under the patronage of Napoleon Bonaparte. English contemporaries often referred to him as <mask> – an Anglicization of his common Italian forenames. Career

Early career
He began his career in his native Italy and was a member of the Venetian Academy. Early examples of his work include several sculptures for the Villa Bettoni near his hometown of Verona.When he first arrived in London he was living at the Haymarket with fellow Italian immigrant Ananso Rossi, father of sculptor Charles Rossi who became a pupil of <mask> <mask> was occasionally employed in the workshop of Joseph Nollekens where he was supposedly mistaken for the master himself due to his 'superior manners' and his 'dashing mode of dressing in a fashionable coat and red morocco slippers'. During his time in England he received commissions from famous architect Robert Adam including a chimneypiece for Harewood House. He also supplied a chimneypiece for the art critic William Locke at Norbury Park. One of his most notable works is the reclining plaster sculpture of Giovanna Baccelli, the Italian dancer and mistress to the Duke of Dorset. Despite his later conflicts with the Royal Academy, <mask> was initially on good terms with that institution. He was gifted £50 when in financial trouble in 1780

masks:
Giovanni Battista Locatelli
John Baptist Locatelli
Locatelli
John Baptist Locatelli
Locatelli
Locatelli
Locatelli


texts:
 and was then paid £64 in 1781 for another ornamented fireplace in Somerset House, headquarters of the Academy at the time. Dispute with Lord Orford
He came to public notice in his own time due to a high profile dispute with George Walpole, 3rd Earl of Orford and the artistic establishment of the Royal Academy.As was common for many talented sculptors of the time, <mask> mainly worked in the studios of a small group of established masters. Works sold under the names of some of these sculptors such as Nollekens were in fact often modeled by uncredited and now often forgotten artists. This allowed famous sculptors to produce a significantly larger volume of work under their name than would otherwise be possible. It was no coincidence that these names were also members of the Royal Academy, a body which became responsible for commissioning of many of the new public sculptures springing up in the late 18th century. Matthew Craske describes the revelation to the public of unfair practices as being influenced by the upsurge of public monumental art following the Seven Years' War and the subsequent national pride. <mask> became disenchanted with the system which he viewed as enriching the established sculptors and exploiting those without the capital to set up their own studios. He published pamphlets and articles in newspapers such as The World shedding light on these practices.Craske describes three factors that fueled growing discontent between those at the top and those at the bottom of the sculpture world; "the foundation of the Royal Academy, shifts in the ways designs were evaluated, and a growing number of very lucrative contracts for public sculpture." Since the foundation of the Royal Academy in 1768 and the increase in

masks: Locatelli Locatelli


texts: memorialisation of public figures with public money, the power to distribute these commissions became concentrated in very few hands. <mask> believed that he was not being recognized as befitted an artist of his stature and was very vocal in the British press. The instigating incident for his public complaints was the argument with George Walpole, 3rd Earl of Orford, who refused to pay for a commission in 1788. It is described as a ‘colossal’ group depicting Hercules and Theseus dragging Cerberus from Tartarus. The pedestal depicted several other labours of Hercules in basso rilievo. <mask> entered into the commission, which took him two years to complete, without establishing a price.When he presented a bill for £2400, Orford refused to pay it and the case was referred to a committee of artists from the Royal Academy. This consisted of sculptors John Bacon, Thomas Banks, Agostino Carlini, Nollekens, William Tyler and Joseph Wilton. William Locke, whom Locatelli had worked for previously, was chosen as arbiter. On Orford's side the sum was considered exorbitant and <mask> was subsequently attacked as having cast the piece from plaster rather than carving it from marble. <mask> countered this in the press by stating that he had in fact used scagliola, an experimental material of gypsum and glue usually confined to architectural features. <mask>'s use of this material harmed his case as the committee viewed it as inferior to carved marble. Considering the workshop practices of the time, Locatelli considered this hypocritical and continued to demand the full price.His dispute spilled over into personal attacks on the appointed judges, calling Bacon an "emperor of the arts" and a "monopoly trader". In the end, <mask> was paid £1400 for the

masks: Locatelli Locatelli Locatelli Locatelli Locatelli Locatelli


texts:
 work. The final piece was lost in a fire at Houghton Hall in December 1789 which, due to the notoriety of the case, was reported by several newspapers of the day. William Godwin went with  James Barry to see the sculpture on 1 July 1788 at the height of the public furor. John Thomas Smith, in his biography of Nollekens goes some way to defend Orford. He claims that Orford had been very kind to <mask> and that Nollekens and the other judges had reviewed the work very poorly. Smith claims that it was the poor quality of the work that Orford objected to.The principal source for Smith's account however, was <mask>'s student Rossi. Rossi may be coloured by his relationship with <mask>, giving Smith the impression that Rossi's own skill as a sculptor was nothing to do with his former master's tutelage. Return to Italy
The exact date of <mask>'s return to Italy is unknown. He may have travelled by way of Paris, working on some restorations at the Louvre in the 1799. He is known to have worked on the Foro Buonaparte in Milan and supposedly gained a pension for life from Napoleon. He died on 18 May 1805. External links
 1778 plaster sculpture of Giovanna Baccelli is on display at Knole.References

18th-century Italian sculptors
Italian male sculptors
1734 births
1805 deaths
Artists from Verona
Italian expatriates in

masks: Locatelli Locatelli Locatelli Locatelli


texts:
<mask> (July 1, 1883 – November 27, 1958) was an artist, critic, lecturer, art adviser, and art historian who wrote extensively about modern art and championed its cause. Through his numerous books, articles, and translations of European art texts Pach brought the emerging modernist viewpoint to the American public. He organized exhibitions of contemporary art for New York City galleries of the period. He was also extremely helpful to Arthur B. Davies, president of the landmark exhibition of 1913, the "International Exhibition of Modern Art," known as the Armory Show, as well as to one of its founders Walt Kuhn, by bringing together leading contemporary European and American artists. Another original founder Jerome Myers spent over a year supervising the American portion of the show. <mask> helped John Quinn and <mask> gather their collections. He also secured individual works for museums, such as a portrait by Thomas Eakins for the Louvre, and Jacques-Louis David's The Death of Socrates for the Metropolitan Museum of Art.<mask>'s fluency in French, German, and Spanish made it possible for him to understand and interpret the avant-garde ideas developing in Europe and translate them for the English-speaking audience. He was able to communicate personally with many noted artists in Europe and Mexico and mediate between gallery dealers and museum curators on their behalf. His correspondence with major figures in 20th-century art are an important source of information, not only about the artists but about the art world during the first half of the 20th century. Biography
<mask> was born in New York City on July 11, 1883. His father, Gotthelf <mask>, was a prominent commercial photographer

masks:
Walter Pach
Pach
Walter Arensberg
Pach
Pach
Pach


texts: who, with his family, ran the New York studio of Pach Bros. They did most of the photographic work for the Metropolitan Museum of Art. The young Pach often accompanied his father on museum assignments.In 1903, <mask> graduated from the City College of New York with a degree in art. He studied with Robert Henri at the New York School of Art and went abroad to paint with William Merritt Chase in the summers of 1903 and 1904. In 1907, <mask> moved to France and became part of the Gertrude and Leo Stein circle, and moved among the Parisian avant-garde, exhibiting with them and writing about their work and new artistic vision. In 1908 he wrote the first article on Cézanne to be published in the U.S., which appeared in Scribner's Magazine. He also interviewed Claude Monet that year and published an article about him in the same periodical. He helped manage and teach in several of William Merritt Chase's summer art schools in various European locales. <mask> was the only American artist to be closely affiliated with the Section d'Or group of artists, including Albert Gleizes, Jean Metzinger, Duchamp brothers Marcel Duchamp, Raymond Duchamp-Villon, Jacques Villon and others.<mask> was responsible for securing loans from these painters for the 1913 Armory Show. Most of the artists in Paris who sent works to the Armory Show knew Pach personally and entrusted their works to him. <mask> married artist Magdalene Frohberg in 1914, and their son Raymond was born at the end of that year. He began advising <mask> and Louise Arensberg on their art collecting and introduced them to Marcel Duchamp in 1915. The following year, with Duchamp and the Arensbergs, he was a major force in the creation of the

masks: Pach Pach Pach Pach Pach Walter


texts: Society of Independent Artists. In the summer of 1918 <mask> taught two classes, including one on modern art, at the University of California at Berkeley. In the summer of 1922 he taught at the National Autonomous University of Mexico, where he lectured and wrote about Native American art.He helped organize exhibitions and raised money for a museum to be dedicated to the indigenous arts of the Americas. He was also a friend of José Clemente Orozco and Diego Rivera and helped organize the Mexican chapter of the Society of Independent Artists. In 1923 he began an affiliation with New York University, where he taught periodically. While he is not remembered today as a painter, <mask> devoted much of his creative efforts to painting. He thought of himself both an artist and a writer, despite advice from friends like art historian Bernard Berenson who urged him to devote his time to writing. His writings include monographs on a wide range of subjects, social commentary on the art world, and a book on museum structures. His first publications included brochures for the 1913 Armory Show, including Odilon Redon, and a book about the work of his close friend Raymond Duchamp-Villon titled A Sculptor's Architecture.In 1923, <mask> wrote Georges Seurat, a book art historian John Rewald later cited by  as an important text on the artist. Masters of Modern Art and a monograph on Duchamp-Villon in French were published the following year. The first solo exhibition of his own art took place in 1925 at Joseph Brummer Galleries, New York. He created a stir in 1928 in the art world with Ananias, or The False Artist, a well-known indictment of opportunistic artists and corruption in the art world. <mask>

masks: Pach Pach Pach Pach


texts:
 considered Vincent van Gogh a seminal figure in the development of modern art and was the first historian to lecture on him in America. He published his well-received monograph, Vincent Van Gogh, in 1936, and translated the journals of Eugène Delacroix in 1937. His recollections of a life spent in art, Queer Thing, Painting, appeared in 1938.Ingres was published in 1939, as well as Masterpieces of Art, written for the 1939 New York World's Fair, for which he was the exhibition director. His 1948 The Art Museum in America called into question the relevance, responsibility, and future of the American art museum. He long championed the artists of Mexico and published an essay on Diego Rivera in 1951 for the National Museum of Fine Arts, Mexico, for its 50-year retrospective exhibition on the artist. His last book, The Classical Tradition in Modern Art, was published posthumously in 1959. He died on November 27, 1958 in Manhattan, New York City. References

Sources
Malloy, Nancy and Stover, Catherine. A Finding Aid to the <mask> Papers, 1883-1980, in the Archives of American Art.The <mask> Papers Online, Smithsonian Archives of American Art. McCarthy, Laurette E.  <mask> (1883-1958): The Armory Show and the Untold Story of Modern Art in America. College Park, PA: Pennsylvania State University Press, 2011. Tomkins, Calvin. Duchamp: A Biography. New York: Henry Holt and Company, 1996. External links

 AskArt artist page
 <mask> Papers Online at the Smithsonian Archives of American Art
 Self-Portrait, 1955

1883 births
1958 deaths
1939 New York World's Fair artists
American art collectors
American art curators
American art historians
Artists from New York City
Historians from New York

masks:
Walter Pach
Walter Pach
Walter Pach
Walter Pach


texts:
<mask>  (27 August 1877 – 12 July 1910) was a Welsh motoring and aviation pioneer. With Henry Royce, he co-founded the Rolls-Royce car manufacturing firm. He was the first Briton to be killed in an aeronautical accident with a powered aircraft, when the tail of his Wright Flyer broke off during a flying display in Bournemouth. He was aged 32. Early life

<mask> was born in Berkeley Square, London, third son of the 1st Baron Llangattock and Lady Llangattock. Despite his London birth, he retained a strong family connection with his ancestral home of The Hendre, near Monmouth, Wales. After attending Mortimer Vicarage Preparatory School in Berkshire, he was educated at Eton College where his developing interest in engines earned him the nickname "dirty <mask>".In 1894 he attended a private crammer in Cambridge which helped him gain entry to Trinity College, Cambridge in 1895, where he studied mechanical and applied science. In 1896, at the age of 18, he travelled to Paris to buy his first car, a Peugeot Phaeton, and joined the Automobile Club of France. His Peugeot is believed to have been the first car based in Cambridge, and one of the first three cars owned in Wales. An early motoring enthusiast, he joined the Self-Propelled Traffic Association, which campaigned against the restrictions imposed on motor vehicles by the Locomotive Act, and became a founder member of the Automobile Club of Great Britain, with which the Association merged in 1897. <mask> was a keen cyclist and spent time at Cambridge bicycle racing. In 1896, he won a Half Blue and the following year became captain of the Cambridge University Bicycle Club. <mask> graduated from Cambridge in 1898 and began working on the steam yacht Santa Maria followed by a position at the London and

masks:
Charles Stewart Rolls
Rolls
Rolls
Rolls
Rolls


texts:
 North Western Railway in Crewe.However, his talents lay more in salesmanship and motoring pioneering than practical engineering; in January 1903, with the help of £6,600 provided by his father, he started one of Britain's first car dealerships, C. S. Rolls & Co. based in Lillie Hall, Fulham, to import and sell French Peugeot and Belgian Minerva vehicles. Partnership with Royce

<mask> was introduced to Henry Royce by a friend at the Royal Automobile Club, Henry Edmunds, who was also a director of Royce Ltd. Edmunds showed him Royce's car and arranged the historic meeting between Rolls and Royce at the Midland Hotel, Manchester, on 4 May 1904. In spite of his preference for three or four cylinder cars, Rolls was impressed with the two-cylinder Royce 10 and in a subsequent agreement of 23 December 1904 agreed to take all the cars Royce could make. These would be of two, three, four and six cylinders and would be badged as Rolls-Royces. The first Rolls-Royce car, the Rolls-Royce 10 hp, was unveiled at the Paris Salon in December 1904, although in the early advertising it was the name of Rolls that was emphasised over that of Royce. In 1906 Rolls and Royce formalised their partnership by creating Rolls-Royce Limited, with Rolls appointed Technical managing director on a salary of £750 per annum plus 4% of the profits in excess of £10,000. Rolls provided the financial backing and business acumen to complement Royce's technical expertise.In 1907 Rolls-Royce Limited bought out C. S. Rolls & Co.

Rolls put much effort into publicising the quietness and smoothness of the Rolls-Royce, and at the end of 1906 travelled to the US to promote the new cars. The company was winning awards for the quality and reliability of its cars by 1907. But by 1909 Rolls'


texts:
 interest in the business was waning, and at the end of the year he resigned as Technical managing director and became a non-executive director. Pioneer aviator

<mask> was a pioneer aviator and initially, balloonist, making over 170 balloon ascents. In 1903 he won the Gordon Bennett Gold Medal for the longest single flight time. By 1907 <mask>' interest turned increasingly to flying and he tried to persuade Royce to design an aero engine. He became the second Briton to go up in an aeroplane.Piloted by Wilbur Wright their flight on 8 October 1908 from Camp d'Auvours, eleven kilometres east of Le Mans, lasted four minutes and twenty seconds. He bought one of six Wright Flyer aircraft built by Short Brothers under licence from the Wright Brothers and from early October 1909 made more than 200 flights. Founder in 1901 with Frank Hedges Butler of the ballooning club that became the Royal Aero Club in March 1910 he was the second person they licensed to fly an aeroplane. He became the first man to make a non-stop double crossing of the English Channel by plane taking 95 minutes on 2 June 1910. For this feat, which included the first eastbound aerial crossing of the English Channel, he was awarded the Gold Medal of the Royal Aero Club. There is a statue in Monmouth to commemorate the flight and another, by Kathleen Scott, in Dover. Death

On 12 July 1910, at the age of 32, <mask> was killed in an air crash at Hengistbury Airfield, Southbourne, Bournemouth when the tail of his Wright Flyer broke off during a flying display.He was the first Briton to be killed in an aeronautical accident with a powered aircraft, and the eleventh person internationally. His was also the first powered aviation fatality in the United Kingdom. His grave lies at the

masks: Rolls Rolls Rolls


texts:
 churchyard of St Cadoc's Church, Llangattock-Vibon-Avel, where many of the <mask> family lie buried in various family tombs. His grave is just below Llangattock Manor and bears the inscription:

"Blessed are the pure in heart for they shall see God." A statue in his memory, in which he is seen holding a biplane model, was erected in Agincourt Square, Monmouth. A further memorial to him was unveiled in 1981 in the bottom playing field of St Peter's Catholic School, Bournemouth, which was developed on the site of Hengistbury Airfield. There is a stained-glass window in All Saints' Church, Eastchurch on the Isle of Sheppey, dedicated jointly to <mask> and to fellow pioneer aviator Cecil Grace.Cultural Depictions
Actor Robert Powell portrays <mask> in the 1972-1973 miniseries The Edwardians. Note

References

External links

  – More about <mask>
  – Transcription of the report of his death in a contemporary newspaper
  – Old Photo of Rolls and the Royal Family
  – <mask> goes on his first aeroplane flight with Wilbur Wright on 8 October 1908 at Camp D'Auvours, France
 <mask> <mask> Statue, Dover Seafront – Post-renovation photograph and description

1877 births
1910 deaths
People from Westminster
People from Fulham
Alumni of Trinity College, Cambridge
People educated at Eton College
Welsh aviators
People from Monmouthshire
Aviators killed in aviation accidents or incidents in England
Rolls-Royce people
British automobile designers
British founders of automobile manufacturers
Younger sons of barons
Members of the Early Birds of Aviation
English people of Welsh descent
British automotive pioneers
Burials in Wales
Monmouth, Wales
British balloonists
Victims of aviation accidents or incidents in 1910
Charles
Welsh racing drivers
19th-century Welsh

masks:
Rolls
Rolls
Rolls
Charles Rolls
Charles Rolls
Charles Stewart
Rolls


texts:
Thomas J<mask> (October 14, 1896 – February 29, 1972) was an American football player and coach. He played as a halfback at the University of Pittsburgh and was a consensus All-American in 1918 and 1920. After retiring as a player, <mask> worked as a football coach for the next 26 years, including stints at the University of Pennsylvania, Geneva College, Allegheny College, the University of Rochester, the Carnegie Institute of Technology, the University of Scranton, and Western Reserve University. He was inducted into the College Football Hall of Fame as a player in 1970. Playing career
<mask> was a native of Gas City, Indiana. He moved to Washington, Pennsylvania when he was 11 years old. <mask> played high school football at Aliquippa High School in Aliquippa, Pennsylvania, and at The Kiski School in Saltsburg, Pennsylvania.<mask> was working in a Washington factory when he got the chance to play football at Kiski. A friend refused to accept a football scholarship there unless <mask> went along. <mask> enrolled at the University of Pittsburgh where he played four seasons (1918–1921) of football under coach Glenn Scobey "Pop" Warner. <mask> played in 31 games for the Pittsburgh Panthers and averaged 150 yards per game over his four-year career. He was selected as a first-team All-American in his freshman season of 1918 and again as a junior in 1920. As a freshman in 1918, <mask> weighed only 142 pounds. In his first carry for Pitt, he ran for 13 yards against Washington & Jefferson—then a national power.Three plays later, he ran for 38 yards, "setting the pace for a stellar playing career." <mask> helped Pitt to an undefeated season and a national championship in 1918, as he led the team in rushing, passing and

masks:
. Davies
Davies
Davies
Davies
Davies
Davies
Davies
Davies
Davies
Davies


texts: receiving. He led Pitt in all-purpose yards all four years that he played. In a 1918 game against Georgia Tech, the freshman <mask> accounted for five touchdowns—running 50 yards for a touchdown, returning two punts for touchdowns (a 60-yard and a 50-yard return), and passing for two more touchdowns. After watching <mask> run back a kickoff 90 yards for a touchdown in 1918, one writer noted:"When Brother <mask> caught the kickoff on the ten-yard line at Franklin Field in Philadelphia one Saturday in November, we saw the prettiest piece of open field work not off at an angle, <mask>mie ran the length since the days of Jim Thorpe. On a bee line of the gridiron, and in so doing he personally took care of seven men! Then just for fun he added two more.The papers said, '<mask> Beats Penn.' It has been the same against Syracuse, Lafayette and Georgia Tech. And now Pitt is counting on another All-American." As a junior in 1920, <mask> led Pitt to another big win over the University of Pennsylvania. In what some called <mask>' finest game, he threw a touchdown pass, ran 80 yards for a touchdown, returned a kickoff 90 yards for a touchdown and returned an interception 60 yards for a touchdown. Also in 1920, he led Pitt to a 35–0 win over Syracuse, as he rushed for 255 yards and scored 16 points in only three quarters of play. In December 1920, <mask> was elected by his teammates to be captain of Pitt's 1921 football team.<mask> was selected as team captain at a team banquet at which the entire team gave <mask> "a thunderous cheer." The Cleveland Plain Dealer reported that <mask> was so affected by the demonstration that he stammered only a few words of appreciation and left the hall saying, "I'm going to phone my mother

masks:
Davies
Davies
Tom Davies
Tom
Tom Davies
Davies
Davies
Davies
Davies
Davies
Davies


texts:
 and tell her all about it." <mask> continues to rank among Pitt's all-time leaders in scoring with 181 points and all-purpose yards with 3,931 yards. He was survived by his wife and two daughters. Coaching career
After graduating from Pitt, <mask> began a long career as a college football coach. His first coaching position was as an assistant to the legendary John Heisman at the University of Pennsylvania in 1922. At the time of his hiring at Penn, The New York Times noted: "<mask>, former Pitt captain and all-American halfback, makes his debut as a Penn coach.The versatile <mask>, who raised havoc with a number of Penn elevens in recent years, will instruct in forward passing, punting and straight arming, and will also help <mask>ra with the scrubs." <mask> received his first head coaching job in 1923 when he was hired as the head football coach for the Geneva College Golden Tornadoes located in Beaver Falls, Pennsylvania. He spent only one season at Geneva, compiling a record of 6–2–1. In 1924, he was hired by Allegheny College where he remained for two seasons. In 1926, <mask> was hired as the head football coach at the University of Rochester, where he spent nine years, coaching until 1934. After leaving Rochester, he spent one season as a coach at Carnegie Tech and another at Kiski Prep School. In 1937, <mask> took over as head football coach at St. Thomas College.In his first season, he led the Tomcats to a 6–1–1 record. Prior to the start of the 1938 season, St. Thomas College changed its name to the University of Scranton. <mask>'s 1938 team finished with a record of 7–2. The team improved in 1939 and completed an undefeated 7–0–2 season. <mask> resigned as Scranton's coach in March 1940 with a

masks:
Davies
Davies
Tom Davies
Davies
Tom McNama
Davies
Davies
Davies
Davies
Davies


texts:
 three-year record of 20–3–3. After leaving Scranton, <mask> went into the insurance business in the Cleveland area. Although <mask> insisted at the time of his resignation at Scranton that he was done with coaching, he was hired in March 1941 to take over as the head football coach for the Western Reserve University Red Cats.<mask> served seven years as head coach at Western Reserve, although there was no team from 1943 to 1945 due to World War II, but was discharged in October 1947 by the University Board of Athletics. The dismissal came 24 hours after members of the team demanded that they finish the year under another coach. Later years
After permanently retiring from football in 1947, <mask> returned to the insurance business in the Pittsburgh area. <mask> was inducted into the Pennsylvania Sports Hall of Fame in 1966 and the College Football Hall of Fame in 1970. He died of a heart attack in February 1972 at age 75. He died at his home in Pittsburgh's Highland Park district. Head coaching record

College

Notes

References

External links

1896 births
1972 deaths
American football halfbacks
Allegheny Gators football coaches
Carnegie Mellon Tartans football coaches
Case Western Spartans football coaches
Geneva Golden Tornadoes football coaches
Penn Quakers football coaches
Pittsburgh Panthers football players
Rochester Yellowjackets football coaches
Scranton Royals football coaches
High school football coaches in Pennsylvania
All-American college football players
College Football Hall of Fame inductees
People from Beaver County, Pennsylvania
People from Grant County, Indiana
People from Washington County, Pennsylvania
Coaches of American football from Pennsylvania
Players of American football from

masks: Davies Davies Davies Davies Davies


texts: <mask> (c.  1572 – 8 November 1605) is the supposed leader of a group of English Catholics who was accused of a conspiracy to destroy Parliament in 1605, known as the Gunpowder Plot. Born in Warwickshire, <mask> was educated in Oxford. His family were prominent recusant Catholics, and presumably to avoid swearing the Oath of Supremacy he left college before taking his degree. He married a Protestant in 1593 and fathered two children, one of whom survived birth and was baptised in a Protestant church. In 1601 he took part in the Essex Rebellion but was captured and fined, after which he sold his estate at Chastleton. The Protestant James I, who became King of England in 1603, was even more anti-Catholic than expected. Allegedly, Catesby planned to kill him by blowing up the House of Lords with gunpowder during the State Opening of Parliament, the prelude to a popular revolt during which a Catholic monarch would be restored to the English throne.Early in 1604 he spoke with other Catholics, including Thomas Wintour, John Wright, Thomas Percy, and the charismatic and influential Guy Fawkes. It is alleged that Fawkes helped to bring eight conspirators into the plot, which was planned to be carried out on 5 November 1605. A letter sent anonymously to William Parker, 4th Baron Monteagle, alerted the authorities, and on the eve of the planned explosion, during a search of Parliament, Fawkes was found guarding firewood near some barrels of gunpowder. News of his arrest caused many historically persecuted minorities to flee London, warning Catesby along their way. With a much-diminished group of

masks:
Robert Catesby
Catesby


texts:
 followers, Catesby made a stand at Holbeche House in Staffordshire (the modern-day Kingswinford suburb of Wall Heath), against a 200-strong company of armed men. He was shot and later found dead, clutching a picture of the Virgin Mary. As a public act of desecration, his body was exhumed and subsequently decapitated, his head exhibited outside Parliament.Early life

Origins

He was born after  1572, the third and only surviving son and heir of Sir <mask> of Lapworth in Warwickshire, by his wife Anne Throckmorton, a daughter of Sir <mask> (c.1513–1581), KG, of Coughton Court in Warwickshire (by his second wife, Elizabeth Hussey). He was a lineal descendant of <mask> (1450–1485), the influential councillor of King Richard III who was captured at the Battle of Bosworth and executed. His parents were prominent recusant Catholics; his father had suffered years of imprisonment for his faith, and in 1581 had been tried in Star Chamber alongside William Vaux, 3rd Baron Vaux of Harrowden, and his brother-in-law Sir Thomas Tresham, for harbouring the Jesuit Edmund Campion. The head of the Throckmortons, Sir Thomas Throckmorton, was also fined for his recusancy, and spent many years in prison. Another relation, Sir Francis Throckmorton, had been executed in 1584 for his involvement in a plot to free Mary, Queen of Scots. Education
In 1586 <mask> was educated at Gloucester Hall in Oxford, a college noted for its Catholic intake. Those either studying at university or wishing to take public office could not do so without first swearing the anti-Catholic Oath of Supremacy, an act which would have

masks:
William Catesby
Robert Throckton
William Catesby
Robert


texts:
 compromised one's Catholic faith.Presumably to avoid this consequence, he left without taking his degree, and may then have attended the seminary college of Douai. In 1588, at time of the Spanish Armada, <mask> was allegedly imprisoned at Wisbech Castle along with Francis Tresham. Adulthood
In 1593 he married Catherine Leigh, granddaughter of Sir Thomas Leigh of Stoneleigh Abbey in Warwickshire. Catherine came from a wealthy Protestant family and brought with her a dowry of £2,000, but also a religious association that offered <mask> some respite from the recusancy laws then in effect. From the death of his grandmother the following year he inherited a property at Chastleton, in Oxfordshire. The couple's first son William died in infancy, but their second son <mask> survived, and was baptised at Chastleton's Anglican parish church on 11 November 1595. When Catesby's father died in 1598, his estates at Ashby St Ledgers were left to his wife, while Catesby and his family remained at Chastleton.<mask> had seemed happy to remain a Church Papist but after his wife's death later that year he further embraced Catholicism. In 1601 Catesby was involved in the Essex Rebellion. The Earl of Essex's purpose might have lain in furthering his own interests rather than those of the Catholic Church, but Catesby hoped that if Essex succeeded, there might once more be a Catholic monarch. The rebellion was a failure however, and the wounded Catesby was captured, imprisoned at the Wood Street Counter, and fined 4,000 marks (equivalent to over £6 million as of 2008) by Elizabeth I. Sir Thomas Tresham helped pay

masks: Robert Robert Robert Catesby


texts:
 some of Catesby's fine, following which Catesby sold his estate at Chastleton. Several authors speculate about Catesby's movements as Elizabeth's health grew worse; he was probably among those "principal papists" imprisoned by a government fearing open rebellion, and in March 1603 he possibly sent Christopher Wright to Spain to see if Philip III would continue to support English Catholics after Elizabeth's death. Catesby funded the activities of some Jesuit priests, and while visiting them made occasional use of the alias Mr <mask>.Gunpowder Plot

Background
Catholics had hoped that the persecution they suffered during Elizabeth's reign would end when she was succeeded in 1603 by James I. His mother, Mary, Queen of Scots (executed in 1587), had been a devout Catholic, and James's attitude appeared moderate, even tolerant towards Catholics. Protestant rulers across Europe had, however, been the target of several assassination attempts during the late 16th century, and until the 1620s some English Catholics believed that regicide was justifiable to remove 'tyrants' from power. Much of James's political writing was concerned with such matters, and the "refutation of the [Catholic] argument that 'faith did not need to be kept with heretics. Shortly after he discovered that his wife Anne – who had been raised Lutheran and had abstained from the Anglican communion at her English coronation – had been sent a rosary from Pope Clement VIII, James exiled all Jesuits and other Catholic priests, and reimposed the collection of anti-Catholic fines. Catesby soon began to lose patience with the new dynasty.


texts:
 British author and historian Antonia Fraser describes Catesby's mentality as "that of the crusader who does not hesitate to employ the sword in the cause of values which he considers are spiritual".Writing after the events of 1604–1606, the Jesuit priest Father Tesimond's description of his friend was favourable: "his countenance was exceedingly noble and expressive ... his conversation and manners were peculiarly attractive and imposing, and that by the dignity of his character he exercised an irresistible influence over the minds of those who associated with him." Fellow conspirator Ambrose Rookwood, shortly before his own death, said that he "loved and respected him [Catesby] as his own life", while <mask>'s friend, Father John Gerard, claimed he was "respected in all companies of such as are counted there swordsmen or men of action", and that "few were in the opinions of most men preferred before him and he increased much his acquaintance and friends." Author Mark Nicholls suggests that "bitterness at the failure of Essex's design nevertheless seems to have sharpened an already well-honed neurosis." Early stages

It is alleged that Catesby inspired his fellow Catholics, not Fawkes (today most often associated with 5 November), to destroy Parliament via "the Gunpowder Plot." The precise date on which he set events in motion is unknown, but he first likely had the idea early in 1604. Sometime around June of the previous year he was visited by his friend Thomas Percy. A great-grandson of the 4th Earl of Northumberland, Percy was reported to have had a "wild youth" before he became a


texts: Catholic, and during Elizabeth's final years had been entrusted by the 9th Earl with a secret mission to James's court in Scotland, to plead with the king on behalf of England's Catholics.He now complained bitterly about what he considered to be James's treachery. <mask> replied, "No, no, Tom, thou shalt not venture to small purpose, but if thou wilt is a traitor thou shalt be to some great advantage." Percy listened while Catesby added, "I am thinking of the surest way and I will soon let thee know what it is." During Allhallowtide on 31 October he sent for his cousin Thomas Wintour, who was at Huddington Court in Worcestershire with his brother <mask>. Thomas was educated as a lawyer and had fought for England in the Low Countries, but in 1600 had converted to Catholicism. Following the Earl of Essex's failed rebellion, he had travelled to Spain to raise support for English Catholics, a mission which the authorities would later describe as comprising part of a 'Spanish Treason'. Although Thomas declined his invitation, Catesby again invited him in February the next year.When Wintour responded to the summons he found his cousin with the swordsman John Wright. <mask> supposedly told him of his plan to kill the king and his government by blowing up "the Parliament House with Gunpowder ... in that place have they done us all the mischief, and perchance God hath designed that place for their punishment". Wintour at first objected to his cousin's scheme, but <mask>, who said that "the nature of the disease required so sharp a remedy", won him over. Despite Catholic Spain's moves toward diplomacy

masks: Catesby Robert Catesby Catesby


texts: with England, <mask> still harboured hopes of foreign support and a peaceful solution. Wintour, therefore, returned to the continent, where he tried unsuccessfully to persuade the affable Constable of Castile to press for good terms for English Catholics in forthcoming peace negotiations. He then turned to Sir William Stanley, an English Catholic and veteran commander who had switched sides from England to Spain, and the exiled Welsh spy Hugh Owen; both cast doubt on the plotters' chances of receiving Spanish support. Owen did, however, introduce Wintour to Guy Fawkes, whose name Catesby had already supplied as "a confidant gentleman" who might enter their ranks.Fawkes was a devout English Catholic who had travelled to the continent to fight for Spain in the Dutch War of Independence. Wintour told him of their plan to "doe somewhat in England if the pece with Spaine helped us nott", and thus in April 1604 the two men returned home. Wintour told Catesby that despite positive noises from the Spanish, he feared that "the deeds would not answer". This was a response that in Nicholls's opinion came as no surprise to Catesby, who wanted and expected nothing less. On Sunday 20 May in the well-to-do Strand district of London, Catesby met Thomas Wintour, John Wright, Thomas Percy and Guy Fawkes, at an inn called the Duck and Drake. Percy had been introduced to the plot several weeks after Wintour and Fawkes's return to England. Alone in a private room, all swore an oath of secrecy on a prayer book, and then in another room celebrated Mass with the Jesuit priest (and friend to Catesby) John


texts:
 Gerard.<mask> was admitted to the group in October 1604, and was charged with looking after Catesby's Lambeth house, where the gunpowder and other supplies were to be stored. Two months later Catesby recruited his servant, Thomas Bates, into the plot, after the latter accidentally became aware of it, and by March 1605 three more were admitted: Thomas Wintour's brother <mask>, John Grant and John Wright's brother Christopher. Further recruitment
Although the State Opening of Parliament was planned for February 1605, concern over the plague delayed it until 3 October. Another contemporaneous government account alleges the plotters engaged in digging a tunnel beneath Parliament by December 1604, but again, there is no other evidence to prove this, and no trace of a tunnel has since been found. If the story is true, the plotters ceased their efforts when the tenancy to the undercroft beneath the House of Lords became available. Several months later, early in June 1605, Catesby met the principal Jesuit in England, Father Henry Garnet, on Thames Street in London. While discussing the war in Flanders, Catesby asked about the morality of "killing innocents".Garnet said that such actions could often be excused, but according to his own account during a second meeting in July he showed Catesby a letter from the pope which forbade rebellion. <mask> replied, "Whatever I mean to do, if the Pope knew, he would not hinder for the general good of our country." Father Garnet's protestations prompted Catesby's next reply, "I am not bound to take knowledge by you of the Pope's will." Soon after, Father Tesimond

masks:
Robert Keyes
Robert
Catesby


texts: told Father Garnet that while taking <mask>'s confession he had learned of the plot. Father Garnet met with Catesby a third time on 24 July at White Webbs in Enfield Chase, the home of Catesby's wealthy relative Anne Vaux, and a house long suspected by the government of harbouring Jesuit priests. Without acknowledging that he was aware of the precise nature of the plot, the priest tried in vain to dissuade Catesby from his course. By 20 July 1605, 36 barrels of gunpowder had been stored in the undercroft, but the ever-present threat of the plague yet again prorogued the opening of Parliament, this time until 5 November 1605.Catesby had borne much of the scheme's financial cost thus far, and was running out of money. As their plans moved closer to fruition, during a secret meeting at Bath in August at which he, Percy and Thomas Wintour were present, the plotters decided that "the company being yet but few" he was to be allowed to "call in whom he thought best". Catesby soon added Ambrose Rookwood, a staunch Catholic who was both young and wealthy, but who most importantly owned a stable of fine horses at Coldham. For the plan to work Rookwood and his horses needed to be close to the other conspirators, and so Catesby persuaded him to rent Clopton House at Stratford-upon-Avon. Francis Tresham was brought into the plot on 14 October. Also descended from <mask>, Tresham was <mask>'s cousin, and as young children the two had often visited White Webbs. Although his account of the meeting is weighted with hindsight (when captured he sought to distance himself from the affair), he asked Catesby what

masks:
Catesby
William Catesby
Robert


texts: support for the Catholics would be forthcoming once the king had been killed.<mask>'s answer, "The necessity of the Catholics [was such that] it must needs be done", in Fraser's opinion demonstrates his unwavering view on the matter, held at least since his first meeting with Thomas Wintour early in 1604. The final conspirator to be brought in was Everard Digby, on 21 October, at Harrowden. <mask> confided in Digby during a delayed Feast of Saint Luke. Like Rookwood, Digby was young and wealthy, and possessed a stable of horses. <mask> told him to rent Coughton Court near Alcester, so that he would "the better to be able to do good to the cause [kidnap Princess Elizabeth]". The day after Tresham's recruitment, Catesby exchanged greetings in London with Fawkes's former employer, Lord Montagu, and asked him "The Parliament, I think, brings your lordship up now?" Montagu told him that he was visiting a relative, and that he would be at Parliament in a few weeks' time.Catesby replied "I think your Lordship takes no pleasure to be there". Montague, who had already been imprisoned for speaking out in the House of Lords against anti-Catholic legislation, and who had no inclination to be present while more laws were introduced, agreed. Following the plot's failure he became a suspect and was arrested, but after intense lobbying he was released some months later. The recruitment of Rookwood, Tresham, and Digby coincided with a series of meetings in various taverns across London, during which the last remaining details were worked out. Fawkes would light the fuse, and escape by boat across the Thames.

masks: Catesby Catesby Catesby


texts:
 An uprising would start in the Midlands, during which Princess Elizabeth was to be captured. Fawkes would escape to the continent and explain to the Catholic powers what had happened in England.Monteagle letter

Several of the conspirators expressed worries about fellow Catholics who would be caught up in the planned explosion; Percy was concerned for his patron, Northumberland, and when the young Earl of Arundel's name was mentioned <mask> suggested that a minor wound might keep him from the chamber on that day. Keyes's suggestion to warn the Earl of Peterborough was, however, derided. On 26 October William Parker, 4th Baron Monteagle (Tresham's brother-in-law) received an anonymous letter while at his house in Hoxton, warning him not to attend Parliament, and forecasting that "they shall receive a terrible blow this Parliament; and yet they shall not see who hurts them". Uncertain of its meaning he delivered it to Secretary of State <mask>, 1st Earl of Salisbury. In an extraordinary act of bravado Catesby had planned to go hunting with James, but was warned of the betrayal by Monteagle's servant. He immediately suspected that Tresham was responsible for the letter, a view which was shared by Thomas Wintour. Together the two confronted the recently recruited conspirator, and threatened to "hang him", but Tresham managed to convince the pair that he had not written the letter, and the next day urged them to abandon the plot.<mask> waited for Percy's return from the north, before making his decision. He thought the letter too vague to constitute any meaningful threat to the plan, and decided

masks:
Catesby
Robert Cecil
Catesby


texts:
 to forge ahead. As Fawkes made a final check on the gunpowder, other conspirators took up their positions in the Midlands. Salisbury, already aware of certain stirrings before he received the letter, did not yet know the exact nature of the plot or who exactly was involved. He elected to wait, to see how events unfolded. On 3 November, <mask> met with Wintour and Percy in London. Although the nature of their discussion is unknown, Fraser theorises that some adjustment of their plan to abduct Princess Elizabeth may have occurred, as later accounts told how Percy had been seen at the Duke of York's lodgings, enquiring as to the movements of the king's daughter.Nicholls mentions that a week earlier—on the same day that Monteagle received his letter—<mask> was at White Webbs with Fawkes, to discuss kidnapping Prince Henry rather than Princess Elizabeth. Death
Late on Monday 4 November, Catesby, John Wright and Bates left for the Midlands, ready for the planned uprising. That night Fawkes was discovered guarding firewood near some barrels of gunpowder in the undercroft by the House of Lords. As news of his arrest spread, the next day many historically persecuted minorities still in London fled. <mask>'s party, ignorant of what was happening in London, paused at Dunstable when his horse lost a shoe. When Rookwood caught them up and broke to them the news of Fawkes's arrest, the group, which now included Rookwood, Catesby, Bates, the Wright brothers and Percy, rode toward Dunchurch. At about 6:00 pm that evening they reached <mask>'s family home at Ashby St Ledgers, where his mother and <mask> were

masks:
Catesby
Catesby
Catesby
Catesby
Robert Wintour


texts: staying.To keep his mother ignorant of their situation, <mask> sent a message asking Wintour to meet him at the edge of the town. The group continued to Dunchurch, where they met Digby and his hunting party and informed them that the king and Salisbury were dead, thus persuading them to continue with the plan. On 6 November they raided Warwick Castle for supplies, taking cavalry horses from the stables to aid their escape, before continuing to Norbrook to collect stored weapons. From there they continued their journey to Huddington. <mask> gave Bates a letter to deliver to Father Garnet and the other priests at Coughton Court, informing them of what had transpired, and asking for their help in raising an army in Wales, where Catholic support was believed to be strong. The priest begged Catesby and his followers to stop their "wicked actions", and to listen to the pope's preachings. Father Garnet fled, and managed to evade capture for several weeks.<mask> and the others arrived at Huddington at about 2:00 pm, and were met by Thomas Wintour. Terrified of being associated with the fugitives, family members and former friends showed them no sympathy. Back in London, under pain of torture Fawkes had started to reveal what he knew, and on 7 November the government named <mask> as a wanted man. Early that morning at Huddington, the remaining outlaws went to confession, before taking the sacrament — in Fraser's opinion, a sign that none of them thought they had long to live. The party of fugitives, which included those at the centre of the plot, their supporters and Digby's hunting party, by now had

masks: Catesby Catesby Catesby Catesby


texts: dwindled to only thirty-six in number. They continued through pouring rain to Hewell Grange, home of the young Lord Windsor. He was absent however, so they helped themselves to further arms, ammunition, and money.The locals were unsupportive; on hearing that <mask>'s party stood for "God and Country", they replied that they were for "King James as well as God and Country". The party reached Holbeche House, on the Staffordshire boundary, at about 10:00 pm. Tired and desperate, they spread in front of the fire some of the now-soaked gunpowder taken from Hewell Grange, to dry out. Although gunpowder does not explode (unless physically contained), a spark from the fire landed on the powder and the resultant flames engulfed <mask>, Rookwood, Grant, and another man. <mask> survived, albeit scorched. Digby left, ostensibly to give himself up, as did John Wintour. Thomas Bates fled, along with <mask>.Remaining were <mask> (described as "reasonably well"), Rookwood, the Wright brothers, Percy and John Grant, who had been so badly injured that his eyes were "burnt out". They resolved to stay in the house and wait for the arrival of the king's men. <mask>, believing his death to be near, kissed the gold crucifix he wore around his neck and said he had given everything for "the honour of the Cross". He refused to be taken prisoner, "against that only he would defend himself with his sword". Richard Walsh, Sheriff of Worcester, and his company of 200 men besieged Holbeche House at about 11:00 am on 8 November. While crossing the courtyard Thomas Wintour was hit in the shoulder. John Wright was shot,

masks:
Catesby
Catesby
Catesby
Robert Wintour
Catesby
Catesby


texts:
 followed by his brother, and then Rookwood.<mask> and Percy were reportedly both dropped by a single lucky shot, while standing near the door. <mask> managed to crawl inside the house, where his body was later found, clutching a picture of the Virgin Mary. This and his gold crucifix were sent to London, to demonstrate what "superstitious and Popish idols" had inspired the plotters. The survivors were taken into custody and the dead buried near Holbeche. On the orders of the Earl of Northampton however, the bodies of <mask> and Percy were exhumed and decapitated. John Harington made an opportune study of the heads while en route to London, and later reflected: "more terrible countenances were never looked upon". Placed on "the side of the Parliament House", Catesby's head became one of the "sightless spectators of their own failure".Notable relatives
Modern actor and producer Kit Harington is a collateral descendant of <mask>. He, along with co-creators Ronan Bennett and Daniel West, produced a three-part dramatization called  Gunpowder with the BBC delving into his ancestor's role as the mastermind of the Gunpowder Plot, with Harrington himself starring as Catesby. References
Notes

Footnotes

Bibliography

External links

Parliamentary Archives, Papers, photographs, maps and drawings relating to <mask> and the Gunpowder Plot

1570s births
1605 deaths
People associated with the Gunpowder Plot
English rebels
English Roman Catholics
Roman Catholic activists
16th-century English people
17th-century English people
Alumni of Gloucester Hall, Oxford
People from Warwickshire
Deaths by firearm in

masks:
Catesby
Catesby
Catesby
Robert Catesby
Robert Catesby


texts:
<mask> (12 April 1960 – 27 December 2007), also known as <mask>, was a Zambian football defender and coach. <mask> played for the Nkana Red Devils in the 1980s and later coached the same team, as well as the Zambia national football team from 1998 to 2000, holding the distinction of qualifying Zambia to the 2000 African Cup of Nations with best record amongst all the teams of 5 wins and a draw in the 6 qualifying games. <mask> also coached Namibia and therefore coached and led two different teams to the African Cup of Nations; the Zambia national football team in the 2000 African Cup of Nations, and the Namibia national football team in 2008. He managed Namibia from 2006 until his death. Playing career
<mask> started out by playing for youth teams Chamboli and Luanshiba in Kitwe before joining Nkana Red Devils then known as Rhokana United in 1977. He made his debut for Nkana that same year at right-back in a match against Green Buffaloes in Lusaka which Nkana lost 2–1. According to Bamfuchile, he found it hard to cope with the pace and faked an injury in the 2nd minute but was quickly forced back on by the coaching bench.For some unclear reason, <mask> was known as <mask> when he was a defender at Nkana alongside players like Jericho Shinde, Fighton Simukonda, Kapambwe Mulenga and Michael Chabala. He scored a career three goals for Nkana and was part of the great Devils team that dominated Zambian league soccer in the 80s and early 90s winning a record 11 titles including 1983 when they finished the season without losing a single league game. <mask> also made a handful of appearances for the national team and was part of the victorious squad that won the 1984 Confederation of East & Central

masks:
Ben Bamfuchile
Ben Pabili
Bamfuchile
Bamfuchile
Bamfuchile
Bamfuchile
Ben Pabili
Bamfuchile


texts:
 Africa Football Association (CECAFA) Cup in Uganda though he was not a regular as he fell behind other defenders such as Jones Chilengi, John 'Butcher' Mwanza and Fighton Simukonda. Pabili made another appearance at the CECAFA the following year in Zimbabwe where Zambia failed to defend their title and he scored a goal in Zambia's 2–2 draw with Malawi. While in his prime, <mask> was at the age of 29 asked by the Nkana management team to stop playing football and embark on a coaching career as the then Nkana head coach Moses Simwala was experiencing poor health. He got the nod ahead of players who had had more illustrious careers such as former Zambia stars Emmanuel Mwape and Jericho Shinde. Coaching career
<mask> began his coaching career in 1990 as an assistant under Simwala, the man he described as his mentor.When Simwala died in 1992, <mask> took over as head coach and went about purging the older players who were living on past glory. The Red Devils changed their name to Nkana Football Club and swept almost all the silverware that year. He later left Nkana and coached in Swaziland and South Africa but later returned to coach Power Dynamos. After Zambia's disastrous CAN 1998 outing in Burkina Faso where coach Bukhard Ziese was 'suspended' and George Mungwa was installed as caretaker coach for Zambia's final group game but he expressed no interest in having the job on a permanent basis. Obby Kapita took charge for 3 games and then Fighton Simukonda also coached the team on a temporary basis for 5 games, winning that year's COSAFA cup with a 1–0 victory in Zimbabwe. Simukonda was however brought down to earth when Zambia drew their opening CAN 2000 qualification game with a 1–1 draw with

masks: Bamfuchile Bamfuchile Bamfuchile


texts: Congo DR in Lusaka. FAZ then appointed <mask> as coach and Zambia won all the remaining games, including a 1–0 victory away to Congo DR where Zambia had never won before, finishing the qualifiers with the best record in Africa.Bamfuchile also took charge of the U-23 team during the All Africa Games in Johannesburg in 1999, losing the first game 4–1 to Cameroun but recovering to reach the final where they lost to Cameroun again but this time on penalties after a goalless draw and Zambia went away with the silver medal. However, it was not all plain-sailing and the cracks started appearing when Zambia lost a COSAFA Cup game 1–0 to Angola earning <mask> the dubious distinction of being the coach who lost Zambia's record of not losing a home game for 14 years. In the run-up to the CAN 2000, Bamfuchile worked in difficult circumstances as the Zambian Football Association (FAZ) was at loggerheads with the government over misappropriation of funds for the previous CAN tournament. As a result, funding to the national team was cut off and Bamfuchile worked under very trying conditions, going without being paid for months on end. As a result, Zambia's preparations for the CAN 2000 were shambolic, including a 7–1 humiliation to lowly Honduras after which it was revealed that the team had had to survive on junk food before the game. The tour to the Americas was cut short and the team returned home. Zambia started their CAN 2000 campaign with a 2–0 capitulation to Egypt and two lacklustre draws against Burkina Faso and Senegal promptly ending their interest in the tournament.Fans bayed for <mask>'s blood citing among other reasons and rather unfairly, <mask>'s laid back approach against Egypt where he

masks: Bamfuchile Bamfuchile Bamfuchile Bamfuchile


texts: appeared to be seated throughout the game and not making any changes when Zambia were chasing the game. <mask>'s explanation that he did not want to disturb the rhythm of the team was treated with scorn. FAZ soon bowed to the fans pressure, revealing that Bamfuchile would be sent on leave to enable him attend a coaching course in Europe and an expatriate coach would take his place. George Mungwa took charge of the team for a while until Dutchman Jan Brouwer was appointed although <mask> remarked that the course he was embarking on the European B coaching licence was something he already had and it was like his employers only wanted him to go and pass time in Europe. Bamfuchile was also engaged in a legal battle with his former employers over unpaid wages until FAZ settled what they owed him. Bamfuchile attained this qualification after 6 months and returned to coaching Power Dynamos. When Zambia under Patrick Phiri failed to make it to the 2004 Cup of Nations in Tunisia, Kalusha Bwalya was appointed coach of Zambia in 2003, he picked <mask> as his assistant and though the team missed out on World Cup qualification, they made it to the 2006 Cup of Nations where Zambia only managed a lone victory over South Africa and lost to Tunisia and Guinea and bowed out of the tournament early.When Kalusha Bwalya was forced to resign soon after – in part due to the poor performance at the Nations' Cup but also due to his holding of two positions in the FAZ, that of national coach and Vice-President of the association which was against the FAZ constitution – the FAZ took their time in announcing who would be the new coach. When it became apparent that he was not going to be offered the job, <mask>


texts:
 accepted an offer from the Namibian FA to take over as coach of the Brave Warriors. He quickly went about improving the team's fortunes, instilling some much needed discipline in the ranks. By the end of the 2008 African Nations Cup qualification campaign, Namibia had won their group and <mask> became a hero after he led the Namibians to a 3–2 victory over Ethiopia. However, he threatened to resign from his position and return to his native Zambia in early December 2007 after claiming the Namibian FA had not treated him with respect by not honouring the terms and conditions of his contract, such as providing him with a vehicle and paying him his salary on time. Death
Bamfuchile first fell ill During the COSAFA mini-tournament in Namibia in August 2007 and his assistant Ronnie Kanelelo took over the reins as Namibia crashed out. Although he recovered to guide the team through the Nations' Cup qualifiers, he still had health problems and the Namibian FA went about finding a coach to take the team to the Nations Cup in case his ill-health persisted.Bamfuchile died at a clinic in Kitwe on 27 December 2007 just 3 weeks before the start of the 2008 African Cup of Nations leaving behind a wife Tina and 6 children. At his burial FAZ President Teddy Mulonga described him as a hero who achieved his goals. References

External links
BBC News: Bamfuchile dies in Zambia
Ex-Namibia coach passes away
Namibia out to honor fallen coach Bamfuchile

1960 births
2007 deaths
Association football defenders
Zambian footballers
Zambia international footballers
Nkana F.C. players
Zambian football managers
Namibia national football team managers
Zambia national football team managers
2000 African Cup of Nations


texts:
<mask> (March 19, 1864 – October 24, 1926), also known as C. M<mask>, <mask>, and "Kid<mask>, was an American artist of the American Old West. He created more than 2,000 paintings of cowboys, Native Americans, and landscapes set in the western United States and in Alberta, Canada, in addition to bronze sculptures. He is known as "the cowboy artist" and was also a storyteller and author. He became an advocate for Native Americans in the west, supporting the bid by landless Chippewa to have a reservation established for them in Montana. In 1916, Congress passed legislation to create the Rocky Boy Reservation. The C. M. Russell Museum Complex in Great Falls, Montana houses more than 2,000 <mask> artworks, personal objects, and artifacts. Other major collections are held at the Montana Historical Society in Helena, Montana, the Buffalo Bill Center of the West in Cody, Wyoming, the Amon Carter Museum of American Art in Fort Worth, Texas, and the Sid Richardson Museum in Fort Worth.His mural Lewis and Clark Meeting the Flathead Indians hangs in the state capitol building in Helena, and his 1918 painting Piegans sold for $5.6 million at a 2005 auction. In 1955, he was inducted into the Hall of Great Westerners of the National Cowboy & Western Heritage Museum. Childhood
Art was always a part of <mask>'s life. Growing up in Missouri, he drew sketches and made clay figures of animals. <mask> had an intense interest in the "wild west" and would spend hours reading about it. <mask> would watch explorers and fur traders who frequently came through Missouri. He learned to ride horses at Hazel Dell Farm near Jerseyville, Illinois, on a famous Civil War horse named Great Britain.<mask>'s instructor was Col. William H. Fulkerson, who had married into the <mask> family. At the age of sixteen, <mask> left school and went to Montana to work on

masks:
Charles Marion Russell
. Russell
Charlie Russell
" Russell
Russell
Russell
Russell
Russell
Russell
Russell
Russell


texts:
 a sheep ranch. Montana and the West
[[File:<mask> <mask> – Smoke of a .45 – Google Art Project.jpg|thumb|Smoke of a .45, oil on canvas, 1908]]
<mask> left the sheep ranch and found work with Jake Hoover, a hunter and trapper who had become a rancher. He owned land in the Judith Basin. <mask> learned much about the ways of the West from him, and the two men remained lifelong friends. After a brief visit in 1882 to his family in Missouri, <mask> returned to Montana, and lived and worked there for the remainder of his life. He worked as a cowboy for a number of outfits, and documented the harsh winter of 1886–1887 in a number of watercolors.<mask> was working on the O-H Ranch in the Judith Basin of Central Montana at the time. The ranch foreman received a letter from the owner, asking how the cattle herd had weathered the winter. In reply, the foreman sent a postcard-sized watercolor that <mask> had painted of a gaunt steer being watched by wolves under a gray winter sky. The ranch owner showed the postcard to friends and business acquaintances, and eventually displayed it in a shop window in Helena, Montana. After this, the artist began to receive commissions for new work. <mask>'s caption on the sketch, Waiting for a Chinook, became the title of the watercolor. <mask> later painted a more detailed version of the scene which became one of his best-known works.Beginning in 1888, <mask> spent a period living with the Blood Indians, a branch of the Blackfeet nation. Scholars believe that he gained much of his intimate knowledge of Native American culture during this period. When he returned to the Judith Basin in 1889, he found it filling with settlers. He worked in more open places for a couple of years before settling in the area of Great Falls, Montana, in 1892. There he worked to make a living as a full-time artist. In

masks:
Charles Marion
Russell
Russell
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texts: 1896, <mask> married his wife Nancy. He was 32 and she was 18.In 1897, they moved from the small community of Cascade, Montana to the bustling county seat of Great Falls. <mask> spent the majority of the remainder of his life there. He continued with his art, becoming a local celebrity and gaining the acclaim of critics worldwide. As <mask> was not skilled in marketing his work, Nancy is generally given credit for making him an internationally known artist. She set up many shows for <mask> throughout the United States and in London, creating many followers of <mask>. In 1912 he joined cowboy artist Frank Tenney Johnson on a sketching expedition to the Blackfoot Reservation east of Glacier National Park in Montana. In 1913, <mask> painted Wild Horse Hunters, which depicts riders capturing wild horses, each band of which is dominated by a stallion.He used as much color as an artist could on his mountain landscapes. As an artist, <mask> emerged at a time when the Wild West was of intense interest to people who lived in cities, and cattle drives were still being conducted over long distances. He painted images of the Old West that were later adopted by Westerns, which became a movie staple. <mask> was fond of these popular art forms and made many friends among the well-off collectors of his works, including actors and film makers such as William S. Hart, Harry Carey, Will Rogers, and Douglas Fairbanks. <mask> also kept up with fellow artists of the West, including painter Edgar Samuel Paxson, painter Edward "Ed" Borein and Will Crawford the illustrator. On the day of <mask>'s funeral in 1926, the children in Great Falls were released from school so they could watch the funeral procession. <mask>'s coffin was displayed in a glass-sided coach, pulled by four black horses.<mask> produced about 4000 works of art, including oil and

masks: Russell Russell Russell Russell Russell Russell Russell Russell Russell Russell Russell Russell


texts:
 watercolor paintings, drawings and sculptures in wax, clay, plaster and other materials, some of which were also cast in bronze. Depictions of <mask> <mask>

 Tributes

A collection of short stories called Trails Plowed Under was published a year after his death. In 1929 <mask> published a collection of Charlie's letters titled Good Medicine. Many <mask> paintings and bronze works are displayed in the Amon Carter Museum and the Sid Richardson Museum, both in Fort Worth, Texas, as well as the R.W. Norton Art Gallery in Shreveport, Louisiana along with the other most prominent western artist Frederic Remington. Additional major collections of <mask> art can be found at the Montana Historical Society museum in Helena, Montana, the C.M. Russell Museum in Great Falls, Montana and the Rockwell Museum in Corning, New York.Along with Jeannette Rankin, the first female member of the United States Congress, <mask> represents Montana in the National Statuary Hall Collection in the United States Capitol. In 1960, <mask> M. <mask> Elementary School was built in Missoula, Montana. In 1965, a high school was built on the north side of the Missouri River in Great Falls, Montana and named <mask> M. <mask> High School, in honor of <mask>. Ian Tyson's 1987 album, Cowboyography, includes a song titled "The Gift" telling the story of <mask>. Michael Nesmith, of Monkees fame, recorded a song titled "Laugh Kills Lonesome" which was inspired by, and describes the contents of, a well-known <mask> painting of the same name. Native Blackfeet folk singer Jack Gladstone wrote a song dedicated to <mask> titled "When the Land Belonged to God." The song describes <mask>'s painting of the same name.In 1985, <mask> was inducted into the Society of Illustrators Hall of Fame in New York. In 1991, <mask> was inducted into the St. Louis Walk of Fame. Some of

masks:
Charles Marion
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Nancy Russell
Russell
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texts:
 <mask>'s paintings were shown during the credits of the ABC television series How the West Was Won, starring James Arness. James McDowell Sr. of Tulsa, Oklahoma donated 24 volumes of his illustrations to the Western History Collections at the University of Oklahoma in 1997. <mask> was inducted into the inaugural class of the Montana Outdoor Hall of Fame in 2014. He is honored at the Stockmen's Memorial in Cochrane, Alberta, Canada. The <mask> M. <mask> National Wildlife Refuge is named for <mask>, a World War II Liberty Ship, SS Charles M. Russell, was named in his honor and launched in 1943 in Portland, Oregon.The Bull Head Lodge and Studio, located off Going-to-the-Sun Road in Glacier National Park, was <mask>'s summer home, and is listed on the National Register of Historic Places. Auction

<mask>'s Piegans sold in 2005 for $5.6 million, more than double the highest price his work had sold for a few years earlier. At auction in 2008, <mask>'s oil painting The Hold Up (20 Miles to Deadwood) sold for $5.2 million, and his bronze sculpture Buffalo Hunt (which depicted two Native Americans attacking a running bison) sold for $4.1 million. In July 2009, <mask>'s 1907 watercolor and gouache The Truce went for $2.03 million to an anonymous phone bidder. <mask>'s 1911  by  bronze sculpture, Bronc Twister, auctioned in 2008 for $805,000—far above the $300,000 pre-auction estimate. In July 2011, the price of <mask>'s work soared again. His 1892 oil painting Water for Camp (depicting Native American women dipping pots into a stream) and his 1924 watercolor A Dangerous Sport (in which two cowboys lasso a mountain lion) sold for nearly $1.5 million each.A collection of 30 pieces of <mask>'s art were sold for several million dollars at the Coeur d'Alene Art Auction (held in Reno, Nevada) in July 2014, setting new records for many

masks: Russell Russell Charles Russell Russell Russell Russell Russell Russell Russell Russell Russell


texts:
 pieces. <mask>'s Trail of the Iron Horse watercolor (depicting a group of horseback Native Americans contemplating railroad track) sold for $1.9 million, while Dakota Chief (which depicts a young Lakota chieftain on horseback) was auctioned for $1.1 million (almost double the last price it commanded). Even small pencil sketches sold for $25,000. In popular culture
Robert Taylor hosted and portrayed <mask> in a 1967 episode, "A Wrangler's Last Ride" on the syndicated anthology series, Death Valley Days. In this episode, <mask> gives up being a cowboy to become a full-time painter. Susan Brown was cast as Nancy Cooper, whom <mask> married. There is a reference to a painting by <mask> in the Season 3 episode "Explosion!Part 2" of The Big Valley when Jarrod Barkley uncovers a painting titled Jerked Down. The painting wasn't painted until 1907 while the television series supposedly takes place in the late 1800s Stockton, California region. The episode originally aired November 27, 1967. In the 1985 movie Remo Williams, Wilford Brimley's character Harold Smith quotes <mask>: "Guard, protect, and cherish your land, for there is no afterlife for a place that started out as Heaven. <mask><mask>, Montana, 1926"

Fess Parker portrayed <mask> in an unaired Pilot TV show titled “Russell”. It can be seen on Bob Terry’s anthology of The Forsaken Westerns. <mask>’s “Innocent Allies” is featured.In the pilot Charlie is working as a ranch hand and wrangler when he witnesses a stage coach holdup. He befriends a woman passenger, played by Beverly Garland, who has just purchased a local saloon. It is not clear when this pilot was made but it was likely before Parker’s Daniel Boone and after his Davey Crocket series. At the end of the show we are shown several of <mask>’s greatest works. Notable works

<mask>'s works comprised a wide variety of

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. Russell
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texts:
 topics, including major historical events and everyday life in the west. His work was noted for the frequency with which he portrayed well-known events from the point of view of Native American people instead of the non-Native viewpoint. He was noted for a keen eye on the social undercurrents of society and the meticulous authenticity with which he portrayed the clothing and equipment of both cowboys and Native people.Historians studying women's roles in the West have critiqued <mask>'s portrayal of women. They note the contrasting levels of sensuality in his depictions of white and native women, as he seemed to transfer sexuality from white to Native women, so as to conform to the moral standards and perceptions of women in his time. Most of <mask>'s portrayals of white women are shown as "pure" and non-sexual, other than those paintings specifically depicting prostitutes. In contrast, his series of five Keeoma paintings and related images show a sensual native woman. They are documented by the statement that Keeoma was a real woman whom <mask> had loved. Photographs exist that show the body model for these images was  <mask>'s wife, Nancy. Critics say that by serving as a model, she could express her sexuality in a way generally not allowed "decent" white women of the time.Timothy Egan, in his 1998 book Lasso the Wind, quotes <mask> as saying, "In my book a pioneer is a man who turned all the grass upside down, strung bob-wire over the dust that was left, poisoned the water, cut down the trees, killed the Indian who owned the land and called it progress." Cowboy life

Native Americans

Women

Other

Historical events

See also

 Earl W. Bascom, cowboy artist/sculptor influenced by and related to <mask>
 <mask>, cowboy sculptor and protégé of <mask>
 Harold Dow Bugbee, Western artist influenced by <mask>
 Dan Muller,

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Russell
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Charlie Russell
Charles Beil
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texts:
 cowboy artist influenced by C M <mask>
 List of Orientalist artists
 Orientalism
 J. K. Ralston, western artist
 Frederic Remington, western artist

 Notes

 Further reading
 Adams, Ramon F. and Homer E. Britzman, <mask><mask>: The Cowboy Artist – A Biography, Trail's End Publishing, Pasadena, California. 1948. Barclay, Donald A. "<mask><mask>." American Book and Magazine Illustrators to 1920.Ed. Steven E. Smith, Catherine A. Hastedt, and Donald H. Dyal. Dictionary of Literary Biography Vol. 188. Detroit: Gale, 1998.  .
 Gale, Robert L., "Charles <mask> Russell" Western Writers Series, Boise State University. Boise, Idaho. 1979.– available via the Western Writers Series Digital Editions

 <mask>, <mask>. Good Medicine: Memories of the Real West Garden City Publishing Company, Garden City, NY, 1930. Includes introduction by Will Rogers and biographical note and dedication by Nancy C<mask>. Stauffer, Joan, Behind Every Man : The Story of Nancy Cooper <mask>, University of Oklahoma Press, Norman, Oklahoma. 2008. External links

Official Museum site
Sid Richardson Museum; includes biography
charlesmarionrussell.org 164 works by Charles Marion Russell
Gallery at MuseumSyndicate
Larger images
St. Louis Walk of Fame

<mask><mask>, Cowboy Artist, by Wallace D. Coburn, National Magazine'', June, 1905 (with photos)
Col. William H. Fulkerson Mansion and festival site around <mask>'s extended family mansion. Charles M. Russell Statues
Montana Historical Society Mackay Gallery of Russell Art

1864 births
1926 deaths
19th-century American painters
20th-century American painters
Artists of the American West
Artists from St. Louis
American frontier painters
American male painters
Cowboys
Montana articles lacking sources
Orientalist painters
People from Great Falls, Montana
People from Cascade, Montana
19th-century male

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<mask> (18 August 1946 – 21 January 2012), was a Polish singer. Career

Education
Jarocka was born in Srebrna Góra, Poland. She graduated from the V Liceum Ogólnokształcące im. Stefana Żeromskiego, and the faculty of music studies at Średnia Szkoła Muzyczna in Gdańsk, studying under professor Halina Mickiewiczówna. She later graduated from a Faculty of Biology at a teachers' college. Between 1969 and 1973 she lived in Paris on a scholarship, studying at Le Petit Conservatoire de la Chanson. Music
Jarocka participated in amateur singing competitions, and worked with Zespół Estradowy Marynarki Wojennej Flotylla.In 1966, at 20 years old, she debuted at Klub Rudy Kot in Gdańsk, and first participated in the Krajowy Festiwal Piosenki Polskiej in Opole. She also performed at the Sopot Festival. She recorded albums for the Philips label and performed in concerts with Michel Sardou, Enrico Macias, Charles Aznavour, and Mireille Mathieu. She sang outside Poland, in such countries as Germany, Bulgaria, Switzerland, Italy, Portugal, Luxembourg, Australia and France, and for Polish communities in the US and Canada. She worked with Polanie, Czerwone Gitary, Budka Suflera, and Exodus.) Film and television
Jarocka acted with Andrzej Kopiczyński in the film adaptation of Motylem jestem, czyli romans 40-latka (I am a butterfly, or a 40-year-old's romance), scripted and directed by Jerzy Gruza and Krzysztof Teodor Toeplitz. In the film Jarocka sang her own songs, including "Motylem jestem" ("I am a butterfly") and "Po prostu człowiek" ("Simply a human").Her performances and programs were recorded for Telewizja Polska stations in Gdańsk, Łódź, Poznań, Wrocław, Katowice, and Warsaw, including <mask> Jarocka zaprasza (<mask> Jarocka Invites You), <mask> Jarocka i jej goście

masks:
Irena Wanda Jarocka
Irena
Irena
Irena


texts:
 (<mask> Jarocka and Guests), Spotkanie z gwiazdą (A Meeting with a Star), Mężczyzna na niepogodę (Man for Bad Weather), Największe przeboje Ireny Jarockiej (Biggest Hits of <mask> Jarocka), Zwariowany dzień (A Crazy Day), and Bo wszystko jest piosenką francuską (Because Everything is a French Song). She also took part in Muzyka łączy pokolenia (Music Connects Generations) on TVP3. In 2006, in the US, she took part in the Amerykańskie Rozmowy w toku (American Conversations) with Ewa Drzyzga. The show dealt with famous Poles trying to make a living abroad. Later life
From 1990 she lived in the United States with her second husband Michał Sobolewski , whom she married in 1989 while being in relationship from 1976 for 35 years till her last day. Her daughter with Sobolewski, Monika Sobolewska was born in Poland in 1982 and graduated from Texas Tech University in art-communication design. Jarocka was performing continuously in the States and European countries.Her first marriage, to Marian Zacharewicz, was dissolved. She maintained continuous ties with her public in Poland while living periodically in Warsaw during her frequent concert tours there. In 2007, she published an autobiographical novel, Motylem jestem, czyli piosenka o mnie samej. She died, aged 65, in Warsaw, from brain cancer. 78–79, Agencja Wydawnicza MOREX;

External links

 <mask> Jarocka profile Filmpolski.pl; accessed 2 October 2014 (in Polish)
 <mask> Jarocka entry, Katalog Polskich Płyt Gramofonowych; accessed 2 October 2014 (in Polish)
 Official website; accessed 2 October 2014 (in Polish)

1946 births
2012 deaths
Polish expatriates in the United States
People from Wągrowiec County
Polish women singers
Deaths from brain tumor
Deaths from cancer in Poland
Neurological disease deaths in

masks: Irena Irena Irena Irena


texts:
<mask> (born 25 March 1969) is a British singer, songwriter, record producer and actress. She was the vocalist for D Mob, which had the successful hit single "C'mon and Get My Love". After a successful international solo career, <mask>lo Awards. Notably, she co-wrote "Can't Get You Out of My Head" (recorded by Kylie Minogue), the Britney Spears song "Toxic", and Katy Perry's hit "I Kissed a Girl". In 2004, <mask> was listed 66th in the Q Magazine list of the top 100 most influential people in music and in 2006, she won the UK music industry's Woman of the Year Award. Early life

Educated at Taverham High School, as a teenager she was spotted recording Stevie Wonder-influenced demos at The Kitchen in Norwich with her father (himself an experienced musician and local restaurateur) on piano. At the time she was working for Norwich Union.In 1986, Simon Fuller signed <mask> when she was only 17 to his 19 Management company and to label Polydor, and this began a career-long association with the impresario, that has seen <mask> provide songs for many Fuller-related artists and projects. Performing career
<mask> achieved her first success as a vocalist with D Mob, when their single "C'mon and Get My Love" (which was credited as "introducing" <mask>) reached No. 15 in the UK Singles Chart and No. 10 in the Billboard Hot 100 in 1989. It is regarded as an underground classic in the dance music field, and a second collaboration with D Mob, "That's the Way of the World", was also a hit. It was followed by <mask>'s debut album, Move to This. She subsequently scored three solo hits, all of which reached the UK Top 20 and the US Top 10.She enjoyed considerable success in Japan in the early 1990s. The three solo hits were: "Just Another Dream"

masks:
Catherine Roseanne Dennis
Dennisvor Novel
Dennis
Dennis
Dennis
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texts: (UK No. 13, US No. 9, Australia No. 14), which featured D Mob on backing vocals; a cover of the Wish and Fonda Rae 1984 club hit "Touch Me (All Night Long)" (UK No. 5, US No. 2, Australia No.16), which is probably her most remembered hit to date; and "Too Many Walls" (UK No. 17, US No. 8, Australia No. 57). "Touch Me (All Night Long)" stayed at No. 2 on the Billboard Hot 100 for two weeks, and was kept out of the No. 1 spot by Hi-Five's "I Like The Way (The Kissing Game)" in the first week, and Mariah Carey's "I Don't Wanna Cry" in the second week.The song was a cover and lyrical reworking of a 1984 single by Wish featuring Fonda Rae, which had peaked at No. 70 on the US R&B chart that year. "Touch Me (All Night Long)" reached No. 1 on the US Hot Dance Club Play chart, and its follow-up, "Too Many Walls", which <mask> co-wrote with Anne Dudley of Art of Noise (who also co-wrote the ABC track "All of My Heart"), was a No. 1 Adult Contemporary hit in the United States. It was around this time <mask> agreed to join Club MTV's first tour, booked for six weeks. She dropped out on the third date, later publicly accusing one of Milli Vanilli's members (the tour's headline act) of sexual harassment.During this period, she recorded a song called "Find the Key to Your Life" with David Morales, for the soundtrack to the movie Teenage Mutant Ninja Turtles II: The Secret of the Ooze. Subsequent releases were only minor hits. <mask> released her second album, Into the Skyline, in September 1992, written with a focus toward the US market. The album featured the singles "You Lied to Me", "Irresistible", "Moments of Love", "Falling", and "Why" – the latter was credited to D Mob with <mask>. The album got to No. 8 in the UK Albums Chart, whilst

masks: Dennis Dennis Dennis Dennis


texts: in the US Billboard Hot 100, "You Lied to Me" was a Top 40 hit - her final American Top 40 single as a performer - and "Irresistible" made the Adult Contemporary Top 10; however, the album descended the chart rapidly. <mask> experienced a brief peak of fame, making a cameo in Beverly Hills, 90210 singing the songs "Moments of Love" (a minor US Adult Contemporary chart hit), "Why" (in the episode, not to feature D Mob) and "Touch Me (All Night Long)".In Japan, the album was called Into the Skyline +1, and featured three extra tracks: "Nothing Moves Me", a previous B-side, and two tracks that were both released as singles, "It's My Style", and "Love's a Cradle". She also provided background vocals on PM Dawn's US Top 10 and UK Top 20 hit "Looking through Patient Eyes", released in 1993. <mask> began to record a third album, Inspiration. The title track was recorded with Todd Terry, along with another song "Is There Life After You". Only one song from the recording sessions was ever released, "S.O.S. ", which can be found on the Beverly Hills 90210: The College Years soundtrack. She wrote her first song for another artist by writing a song for Dannii Minogue called "Love's on Every Corner".In 1996, <mask> changed her musical style: away from the dance-pop sound of previous releases, to a more traditional singer-songwriter approach. The resulting album, Am I the Kinda Girl?, was more in keeping with the Britpop sound of bands such as Blur and performers such as Stephen Duffy, and featured collaborations with Guy Chambers of The Lemon Trees and Andy Partridge of XTC. Three singles from the album were released: "West End Pad" (UK No. 25), "Waterloo Sunset" - a cover of The Kinks' song (UK No. 11), and her last solo single, "When

masks: Dennis Dennis Dennis


texts: Your Dreams Turn to Dust" (UK No. 43). In 2001, Kylie Minogue had a worldwide hit with the <mask> and Rob Davis penned song "Can't Get You Out of My Head".The following year <mask> won the Best Dance Recording Grammy for writing "Come into My World". She followed that up with Britney Spears's hit song "Toxic" which also won the Grammy for Best Dance Recording. <mask> had a string of hits with S Club 7; she wrote almost all their hit singles such as "Never Had a Dream Come True", and also worked on the singles for the spin-off group S Club Juniors which was a younger version of S Club 7. <mask> wrote hit songs for Céline Dion, Delta Goodrem, and for Hear’Say and Bardot. She also wrote the fastest selling debut single in UK history for recording artist Will Young, the winner of the British music competition reality show Pop Idol, and his runner-up Gareth Gates. <mask> wrote the theme song to the television series American Idol. She wrote several songs for former S Club 7 member Rachel Stevens including "Sweet Dreams My LA Ex", and also two songs for Phil Roy, one of which was on the soundtrack for the film As Good as It Gets starring Jack Nicholson and Helen Hunt.According to news reports, <mask> was working on a new album under the name Sexcassettes, which she planned to release in 2008. She has collaborated with Mark Ronson on his album, The Business. As of 2015, <mask> became a vocal affiliate with Galantis by first performing, uncredited, on their debut album Pharmacy on the tracks "Runaway (U & I)" and "Louder, Harder, Better". She later co-wrote their song "Love on Me" from their second album The Aviary and sang on five songs from their 2019 album Church. In 2019, <mask> returned to performing. She celebrated her 30th

masks: Dennis Dennis Dennis Dennis Dennis Dennis Dennis Dennis


texts:
 anniversary in the music business with a performance at London's Mighty Hoopla Festival. In 2020 and 2021, <mask> wrote hits for Now United and collaborated with composer Will Gregory on the soundtrack for the BBC/Discovery Channel docuseries, Serengeti.Songwriting career

<mask> has written a number of award-winning songs and international hit singles. Her first success was with "Bumper to Bumper", the B-side to the Spice Girls' hit "Wannabe". <mask> continued this success by co-writing the Pop Idol theme (re-used for numerous international remakes of the show, including American Idol), and writing for Idol contestants, including Kelly Clarkson, Will Young, Gareth Gates, and Clay Aiken. Clarkson's single "Before Your Love" (a double a-side with "A Moment Like This") was <mask>'s first US No. 1. <mask>'s "Can't Get You Out of My Head" (recorded by Kylie Minogue) spent four weeks at number one in Britain, while also rekindling interest in Minogue in America, where it hit no. 7 on the Billboard Hot 100.With over three million copies sold worldwide, "Can't Get You Out of My Head" became the second highest selling single in 2001. <mask> also wrote the international hit "Toxic" by Britney Spears, which went to number one in the UK and worldwide. <mask>'s biggest success came in 2008 with Katy Perry's smash hit "I Kissed a Girl" co-written alongside Dr Luke, which ranks among the best-selling digital singles in history. <mask> co-wrote three tracks on the Galantis album Pharmacy, one of which, "Runaway (U & I)", reached No. 1 in the UK Dance Chart, No. 9 in the US Dance Chart, and was nominated for a Grammy Award. Personal life
<mask> dated Noel Fitzpatrick, and the relationship ended during the year that the Britney Spears song

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texts:
 "Toxic", co-written by <mask>, was recorded.A 2019 article published in The Irish Times speculated that Fitzpatrick may be the subject of the song. Awards and nominations

World Music Awards Music Awards

|-
| 1991
| Herself
| No. 1 New Pop Female Artist
|
|}

Awards and nominations

Billboard Music Awards

|-
| 1991
| Herself
| No. 1 New Pop Female Artist
|
|}

Grammy Awards

|-
| 2004
| "Come into My World"
| Best Dance Recording
|
|-
| 2005
| "Toxic"
| Best Dance Recording
|
|}

Ivor Novello Awards

|-
| 2001
| "Never Had a Dream Come True"
| Best Song Musically & Lyrically
|
|-
| rowspan=4|2002
| rowspan=4|"Can't Get You Out of My Head"
| International Hit of the Year
|
|-
| Most Performed Work
|
|-
| The Ivors Dance Award
|
|-
| rowspan=2|Best Selling UK Single
|
|-
| 2003
| "Anything is Possible"
|
|-
| 2005
| "Toxic"
| Most Performed Work
|
|-
| 2018
| Herself
| Outstanding Song Collection
|

Discography

 Move to This (1990)
 Into the Skyline (1992)
 Am I the Kinda Girl? (1996)

See also
List of number-one dance hits (United States)
List of artists who reached number one on the US dance chart

References

External links
 Official web site
 Cathy <mask> Artist Profile on EMI Music Publishing

 2010 interview in The Gentlewoman

1969 births
Living people
English dance musicians
English house musicians
English women singer-songwriters
English record producers
English actresses
Grammy Award winners
Ivor Novello Award winners
Actors from Norwich
Musicians from Norwich
20th-century British musicians
21st-century British musicians
English women pop singers
20th-century English women singers
20th-century English singers
21st-century women musicians
British women record producers
Polydor Records artists
EMI Records

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<mask> (May 17, 1812 – April 20, 1880) was a career United States Navy and Army officer. Also serving in the Mexican Army, the grandson of <mask> is best known for being a Union Brigadier General during the American Civil War who was court-martialed after the Battle of Chancellorsville. Early life and career
<mask> was born 17 May 1812 and was a grandson of <mask>. His parents were Dr. <mask> and Lydia LeBaron Goodwin. He was named after General <mask>, the famous doctor and general in the American Revolution who was a close friend of his grandfather. In 1828 at age sixteen Revere joined the United States Navy. His tours of duty took him to Europe, the Pacific, and the Baltic States.<mask> traveled the globe and eventually reached the rank of lieutenant. <mask> served in the Second Seminole War but saw little action. He fought in the Mexican–American War and was commended for his bravery in battle. He was the one who pulled down the Bear Flag and raised the American Flag over Sonoma for the first time. He then resigned from the navy in 1850 after almost twenty years of service, and settled down first in California and later in Morristown, New Jersey. <mask> then joined the Mexican Army with the rank of colonel. He was ordered to reorganize the Mexican Artillery Corps and was honored by the Spanish and Mexican Governments.For his rescuing of 13 Spanish citizens Queen Isabella II knighted <mask> in the Order of Isabella the Catholic in 1851. In 1852 <mask> retired to Morristown, New Jersey. The home that he built there, The Willows at Fosterfields, contains several examples of <mask>'s paintings and is now part of the Morris County Park System. The years 1857 and 58 found <mask> touring Europe with his friend, Phil Kearny. He also went to India. He was awarded a British medal for Service in the Indian Mutiny Campaign of 1857–58. He was also present at the Battle of Sulferino during the Italian Campaigns of 1858–59.Civil War service
When the Civil War started in

masks:
Joseph Warren Revere
Paul Revere
Joseph Warren Revere
Paul Revere
John Revere
Joseph Warren
Revere
Revere
Revere
Revere
Revere
Revere
Revere