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<mask> (born 1 December 1988) is an Argentine professional footballer who plays as a striker for Rosario Central on loan from Cruz Azul. Club career

Rosario Central

Caraglio started his football career at Rosario Central youth, being promoted to the first team in 2007. He made his professional on 17 March against San Lorenzo de Almagro in a 1–0 home defeat and scored his first goal against Huracán during the 2008 Apertura. In the following two seasons, the striker scored seven goals in 29 games. In July 2010, <mask> joined West Ham United on trial, making his debut on 28 July when he played for 64 minutes in a 2–0 win against MK Dons. However, he failed to pass the stringent medical that West Ham put him through and he returned to Argentina. New England Revolution

On 2 August 2011, Caraglio completed a move to Major League Soccer side New England Revolution as the team's first ever designated player.Per MLS Soccer Players Union documentation, <mask>'s 2011 base salary was $54,000, though, under Designated Player rules,
the Revolution's salary cap would be charged roughly $200,000 for their use of the spot. It is likely that the fees associated with his loan deal / transfer fee pushed his over-all compensation into qualification for Designated Player rule, which does allow for transfer fees to be built into a salary cap hit that can extend over several seasons. <mask> made his league debut on August 6, 2011, against Chivas USA in front of 11,523 fans at Gillette Stadium. The Revolution would lose 3-2, their 5th straight loss to Chivas, conceding a brace to Alejandro Moreno and an additional goal to Nick LaBrocca. The game is best remembered as the league debut of the Revolution's first homegrown player Diego Fagundez, who would additionally score his first MLS goal in the 86th

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Milton Joel Caraglio Pérez
Caraglio
Caraglio
Caraglio


type: original

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 minute. <mask>'s first goal came as part of a brace at home against the New York Red Bulls on Saturday, August 20, 2011. <mask> scored his first goal in the 15th minute, breaking past three defenders and corralling his own shot past Bouna Coundoul.His second goal would come 22 minutes later, when he headed in a Kenny Mansally set piece in the 37th minute. Despite <mask>'s heroics the Revolution would concede 2 second half goals to Dane Richards and draw 2-2. <mask>'s final goal for the Revolution came on October 22, 2011 in the season finale at BMO Field against Toronto FC in front of 21,600 fans. Caraglio slid to connect with a Benny Feilhaber cross in the 46th minute, sending the ball past Miloš Kocić. Though the option on <mask>'s contract was not picked up at the end of the season, a The Boston Globe article reported that <mask>, as well as season stand-outs Rajko Lekić and Monsef Zerka, were all considering returning to the club with renegotiated contracts. Despite this statement, coming from coach Jay Heaps, Revolution fans would learn on six days later that Caraglio had signed a contract with Rangers. Rangers

After scoring three goals in 12 games with the New England Revolution, in December of the same year, he signed for Chilean Primera División club Rangers to play the 2012 Apertura Tournament.In Rangers the Argentine forward was the team's top scorer of the season, with 16 goals in 37 games. His success brought interest from Catania and Genoa in Italy, and also Racing in Argentina. Loan to Pescara

On January 22, 2013, <mask> moved to Italian Serie A side Pescara to play for former Pescara player Cristiano Bergodi. Caraglio would play under 3 managers at Pescara in his half season of service - Bergodi was soon sacked and replaced by Cristian Bucchi in March, and <mask>

masks: Caraglio Caraglio Caraglio Caraglio Caraglio Caraglio Caraglio Caraglio


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 would only make 3 appearances for the team, who finished in 20th place and were relegated to Serie B. In June 2013 <mask>'s loan would end, and Pasquale Marino would oversee the return of Caraglio to Rangers. Loans to Arsenal de Sarand, Vélez Sarsfield

The striker played the 2013–14 Argentine Primera División season on loan for Arsenal de Sarandí, helping the team reach the quarterfinals of the 2014 Copa Libertadores. For the 2014–15 Argentine Primera División season, he was loaned from a third-party to Vélez Sarsfield for 18 months, with an option to buy of US$1,2 million.He debuted and scored his first goal for the team in the first fixture 1–0 win against Tigre. <mask> scored the first two goals of the 2015 Argentine Primera División, in Vélez' 2–0 victory over Aldosivi. Move to Dorados de Sinaloa

On January 23, 2016, after several loan spells, and a year and five months left on his contract, <mask> left Rangers de Talca for Mexican Liga MX side Dorados de Sinaloa to play for Luis Fernando Suárez in the Liga MX Clausura. In the Toreno Clausura 2016 <mask> finished 12 in scoring in the league, with six goals for his new club, making a total of 14 appearances. Move to Tijuana

In July 2016, <mask> moved to Tijuana to play for Miguel Herrera. He would wear the No. 9 jersey.Caraglio scored 6 goals in 23 appearances for Tijuana, finishing atop the Liga MX table In the Torneo Apertura 2016 Caraglio scored 3 goals for his new club and 5 goals in the Torneo Clausura 2017. Atlas

<mask> moved to Atlas prior to the 2017 Apertura. He would once again play for José Guadalupe Cruz, who briefly managed him during his tenure at Sinaloa. On July 22, 2017 he made his league debut scoring the second of three goals against Club Leon Caraglio did not find the scoresheet again until September 29,

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 when he scored both goals in a 2–0 win over Veracruz. <mask> managed to score another brace against low regarded CD Guadalajara bringing his goal tally to 7. <mask> would finish the 2017 Apertura season with 8 Goals. In his second season with Atlas <mask> scored a total of 8 goals in the season being the team's top scorer.Cruz Azul

In the summer of 2018 <mask> officially became a Cruz Azul player in Liga MX[9][10]. On July 21, 2018 <mask> made his League debut with Cruz Azul and made his first goal with the team via penalty shot in the 90th minute. He scored the 10,000 goals in stadium Azteca. Career statistics

International career
In May 2009, Caraglio was called by coach Diego Maradona for a national team formed exclusively with Argentine-based players, to play a friendly against Panama. However, a knee injury forced him to leave the squad, and Esteban Fuertes was chosen as his substitute in his stead. Honours
Cruz Azul
 Copa MX: Apertura 2018
 Supercopa MX: 2019
 Leagues Cup: 2019

References

External links
 <mask> at Vélez Sarsfield

 <mask> at ESPN Deportes

1988 births
Living people
Footballers from Rosario, Santa Fe
Argentine people of Italian descent
Argentine footballers
Argentine expatriate footballers
Association football forwards
Rosario Central footballers
Rangers de Talca footballers
New England Revolution players
Delfino Pescara 1936 players
Club Atlético Vélez Sarsfield footballers
Dorados de Sinaloa footballers
Club Tijuana footballers
Atlas F.C. footballers
Cruz Azul footballers
Argentine Primera División players
Chilean Primera División players
Major League Soccer players
Designated Players (MLS)
Serie A players
Liga MX players
Expatriate footballers in Chile
Expatriate soccer players in the United States
Expatriate footballers in Italy
Expatriate

masks:
Milton
Milton Caraglio
Milton
Milton Caraglio
Milton
Milton Caraglio
Milton Caraglio


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<mask> (; 20 May 1921 – 20 November 1947) was a German author and playwright whose work was strongly influenced by his experience of dictatorship and his service in the Wehrmacht during the Second World War. His work is among the best-known examples of the Trümmerliteratur movement in post-World War II Germany. His most famous work is the drama Draußen vor der Tür (The Man Outside), which he wrote soon after the end of World War II. His works are uncompromising on the issues of humanity and humanism. He is one of the most popular authors of the German postwar period; his work continues to be studied in German schools. Life
<mask> was born in Hamburg, the only child of teacher <mask>, who also worked for the Dada magazine Die Rote Erde, and author <mask>, who worked for the Hamburg radio and was famous for her dialect poetry. <mask>'s family was liberal and progressive, and they moved in Hamburg's intellectual social circles.<mask> hated his compulsory time in the party's youth wing, the Hitler Youth, from which, after missing meetings, he was released. He rebelled against the Nazi dictatorship in his prewar-works (1938–1940). In April 1940 he was arrested by the Gestapo) and then released. The same year he reluctantly took up an apprenticeship at the Hamburg bookshop C. Boysen in the Große Bleichen. He would pass around anti-Nazi poems to his colleagues. While at the bookshop, <mask> took acting lessons, without, at first, telling his parents. He left the apprenticeship early in 1941.Upon passing his acting examination on 21 March 1941, he began working for the travelling repertory theatre company Landesbühne Ost-Hannover based in Lüneburg. His nascent theatrical career was cut short by his conscription into the Wehrmacht in June 1941. <mask> was posted to the Eastern Front, where he saw the full horror of the eastern conflict, witnessing the numerous casualties in battle and those sustained due to cold, starvation and inadequate equipment. On 23 February 1942, he returned from sentry duty on the

masks:
Wolfgang Borchert
Borchert
Fritz Borchert
Hertha Borchert
Borchert
Borchert
Borchert
Borchert


texts: Russian front missing the middle finger of his left hand. He claimed that he had surprised a Russian soldier, had engaged in hand-to-hand conflict, his rifle had gone off in the struggle and wounded him. His superior officer, accusing him of attempting to evade military service by self-mutilation, had him arrested and placed in isolation. At his trial, the military prosecutor called for the death penalty, but the court believed <mask>'s version, and he was pronounced not guilty.However, he was immediately re-arrested on charges under the Heimtückegesetz – making statements against the regime. He was convicted of making "statements endangering the country" and sentenced to serve a further six weeks of strict-regime detention, and was then sent back to the Eastern Front "to prove himself at the front". There he suffered frostbite and several further bouts of hepatitis, after which he was granted medical leave. On leave he again acted in a night club in the now bomb-ravaged city of Hamburg. He then returned to his barracks, and successfully applied to be transferred to an army theatre group. He was transferred to a transit camp in Koblenz, but in the dormitory on the evening of 30 November 1943 he retold parodies of the Nazi propaganda minister Joseph Goebbels. <mask> was denounced by one of the other soldiers in the dormitory, arrested, and on 21 August 1944 sentenced to nine months in prison.The sentence was deferred until the end of the War, so he was again returned to the army, this time mostly spending his time in his barracks in Jena, before being sent, in March 1945, to the area around Frankfurt-am-Main. His company surrendered to the French in March 1945. During their transportation to a prisoner of war camp, <mask> and others jumped off the lorry and escaped, and then he walked home to Hamburg (a distance of around 370 miles). He arrived there, totally exhausted, on 10 May, a week after Hamburg had surrendered to the British without putting up any resistance. Following the war, <mask>'s

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 condition continued to worsen. In 1946 one doctor told his mother he expected <mask> would not live longer than another year, but <mask> himself was never told of this prognosis. He resumed his work with the theatre, and continued writing.He wrote short prose and published a collection of poems Laterne, Nacht und Sterne (Lantern, Night and Stars) in December 1946. In December 1946 and/or January 1947 he wrote the play The Man Outside (Draußen vor der Tür). Even before its publication the play was performed on the radio on 13 February 1947, meeting with much acclaim. Later in 1947 <mask> entered a hepatic sanitorium in the Swiss city of Basel, where he continued with short stories and wrote his manifesto against war  (Then there is only one thing!) shortly before his death from liver failure. Poems
<mask> was keen on poetry from his mid-teens. Readers sensed in his poems the influence of famous poets, such as Shakespeare, Stefan George and Rainer Maria Rilke.Rilke was his role model, to the extent that he signed a work  "Wolff Maria Borchert" to express his respect for him. He was a follower of some poets and had seen them as his source of art fulfillment, for example, when he was to join the army, he wrote that he was hungry for art, listing Baudelaire, Rimbaud, Verlaine, Musset, Schiller and Hölderlin. Writing poetry was easier for <mask> than creating prose. His poem production rate was around five to 10 per day. His work was reviewed by his father, which fact <mask> considered as an endorsement. He was later well known for expressing himself in poems when he needed to, no matter what the outcome. <mask>'s writings indicate that he was less concerned with the quality of his work than he was fulfilled creating poems.This later came in when he joined the theater where he became an actor to better express himself. For instance, in one of his letters to Aline Bussmann he was not interested in hearing her opinion in what he wrote but rather he asked her whether the piece pleased her or not! <mask>'s

masks: Borchert Borchert Borchert Borchert Borchert Wolfgang Borchert Borchert


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 work was distributed to whoever showed interest in them; later, this helped the Gestapo arrest him along with other reasons. Even though <mask>'s work was widely spread, he was not satisfied with his work and thought it was more of a self-expression need that he needed to let out:

“Aber ich bin seit einiger Zeit darüber, meine Gedichte für etwas Wichtiges anzusehen, das nicht verloren gehen dürfte. Wenn von den paar Tausend – so viele werden es ja allmählich sein- nur zwei – drei übrig bleiben die es wert sind, dann will ich zufrieden sein. Wenn ich aber dennoch immer welche schreibe, die oft garnichts taugen, dann nur, um sie loszuwerden – sonst nichts.”

Later when <mask> grew up, he purified his creation by destroying many poems that were irrelevant to that time period. In <mask>'s eyes, what was left of his poems were not of high quality.Therefore, what survived from his poems were mostly included in his letters to Aline Bussmann, Ruth Hager, Carl Albert Lange and Hugo Seiker. Those poems were not to be published, or at least that was the intention of Borchert. However, in 1960, his mother Hertha <mask> and the American Stanley Tschopp gathered around two hundred poems to be published but that did not happen until 1996, when Allein mit meinem Schatten und dem Mond (Alone with my shadow and the moon), a compiled selection of <mask>'s poems, was published. When it comes to putting <mask>'s poems under the critic's spotlight, only his later work that he endorsed publishing should be studied. This is due to the fact that his poems were mostly written for certain events or to a particular person, or occasional literature; his earlier poems were done when he was young. From one of his longer poems:

Laterne, Nacht und Sterne:

Ich möchte Leuchtturm sein

In Nacht und Wind-

für Dorsch und Stint-

für jedes Boot-

und bin doch selbst

ein Schiff in Not! Which translates to:

Lantern, Night and Stars:

I would like to be a lighthouse

at night and wind –

for codfish and smelt –

for any boat –

and am

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Wolfgang
Wolfgang
Wolfgang
Borchert
Wolfgang Borchert
Wolfgang


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 myself

A ship in need!Style and influence
<mask>’s style was not limited to his poems, but rather it was his short stories that made his style more vivid. The experience he had been through during war was a key factor in the way he expressed himself; his work reflects the trauma he went through. The preoccupations of war and post war in <mask>’s writings are the pictures he had in mind of the front from the war, the life of a prisoner during the war, the return of a soldier to a destroyed Germany and the hope for the future after devastating war. From there his writings entail abrupt and fragmented pictures. Most of what he creates is not memorable-character based, meaning, he describes people and things without the labels placed by the society or the nation. For example, he mentions men, soldiers, or widows instead of giving up characters like himself, his parents or anyone else. People felt the pain in his writing even with this anonymity and that points out a humanitarian success he achieved; reaching the people’s hearts with simplicity.The basic language he used contributed to delivering the desired message of suffering the people, and he, experienced during the war time. His play Draußen vor der Tür, which was “a tragedy of a returning soldier”, had a hopelessly nihilistic theme. There was emphasis on how nothing was worth living for and everything was destroyed; the smell of guilt is spread everywhere, and the largest share of guilt is the God's guilt. There was no tolerance or acceptance to fate. This describes what <mask> felt inside and how he wanted to touch the audience's feelings. He aimed to bring up disjointed events and present them as a shattered mirror and let the audience enjoy feeling it instead of watching it. The normal style of narrating a story does not exist in <mask>'s writings due to the intensity of experience he had to go through.Instead, the reader finds <mask>'s stories divided into sections of despair, guilt, solitariness and a lack of faith and willingness. That was

masks:
Wolfgang Borchert
Borchert
Borchert
Borchert
Borchert


texts:
 caused by the distracted mind, the shaken soul, and the disordered emotions initiated by the war experience. <mask>'s work was not famous during his early days, although there were many people who liked his poems and prose works. The war gave <mask>'s writings an everlasting impression; it was characterized as one of the best war-literature. He employed the styles of Rainer Maria Rilke and Holderlin into his poems and short stories. Rilke tends to use metaphors, metonymy and contradictions which affected <mask> in that he utilized many metaphors in his writings such as <mask>'s short story “The Kitchen Clock”. In the story, he used the clock as a metaphor that reminds him of his mother and his lost family.It has a great resemblance to trauma-literature. Then, comes Hölderlin's role in inspiring <mask> where Hölderlin was known for using symbols in his writings instead of labeling people and places with their known tags. And, again in “The Kitchen Clock”, Borchert uses symbols in describing characters, for example, describing the returning soldier in “The Kitchen Clock” he says:

“… He looked at his clock and shook his head pensively. No, dear sir, no, you are wrong about that. It has nothing to do with the bombs. You should not keep talking about the bombs. No.At 2:30. At night I mean. Nearly always at 2:30. That is just it…”

The character is missing here but the message he wanted to send is clear and deliverable because there are many people who had their different “Clock” after World War II and can relate to his situation. <mask> was a heavy reader and he read the product of other poets from other countries. <mask> was influenced by an American civil-war poet Walt Whitman. For example, the “Laterne, Nacht und Sterne“ written by <mask> is very similar to Whitman's “youth, old age, and night”.They share the same images of insomnia with darkness that are mixed with cold, hunger and the long time outside standings Later in <mask>'s life, his work extended beyond the national borders as it was

masks: Borchert Wolfgang Borchert Borchert Borchert Borchert Borchert Borchert Borchert


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 translated to other languages, especially English. The most famous work of <mask> was The Man Outside, a play that was first performed in 1947 only one day after his death. The Man Outside has the same tone as the Kitchen Clock so that it describes the return of a man who was in war prisons to his home. This play was first translated to English in 1952 by David Porter whose translation reduced the quality of this artistic piece. Then, Thomas Fisher, an English producer, retranslated the play and produced it to be played in London in 1998 at the Gate Theater. The translation of <mask>'s work opened up the opportunity for foreigners to further study the trauma literature which is greatly presented in his poems and short stories. In 1988, a group of people who were keen on <mask> work initiated the International Wolfgang-Borchert Society.The mission of the society is to promote studying <mask>'s writings to the international level. Selected bibliography
 Die drei dunklen Könige (The three dark kings, 1946)
 An diesem Dienstag (On this Tuesday, 1946)
Die Hundeblume (The dandelion, 1946)
 Das Brot (The Bread, 1946)
 Draußen vor der Tür (The Man Outside, 1946)
  (The rats do sleep at night, 1947)
  (The cherries, 1947)
  (Then there's only one thing!, 1947)
 Die lange lange Strasse lang (Along the Long, Long Road, 1947)

See also

<mask> Theater

References

Sources
Wolf, Rudolf. 1984. <mask>. Werk und Wirkung. Bouvier Verlag. Bonn.Gumtau, Helmut. 1969. <mask>. Colloquium Verlag. Berlin. Rühmkopf, Peter. 1961.<mask>. Rowohlt. Reinbeck bei Hamburg. External links

 International Wolfgang Borchert Society
 English translations of some of <mask>'s stories

1921 births
1947 deaths
Writers from Hamburg
German Army personnel of World War II
German resistance members
Trümmerliteratur
Deaths from hepatitis
20th-century German poets
20th-century German dramatists and playwrights
German male poets
German male dramatists and playwrights
German-language poets
20th-century German male writers
Burials at the Ohlsdorf

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Wolfgang Borchert
Borchert
Wolfgang Borchert
Borchert
Wolfgang Borchert
Wolfgang Borchert
Wolfgang Borchert
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<mask> ( May 11, 1912– 3 July 3, 1998) was a noted American architect. He was most associated with the design of prefabricated homes and development of the Techcrete building system. Early life and education

<mask>, Jr. was born in Milwaukee, Wisconsin, on May 11, 1912. He was educated at Harvard College and received his Master of Architecture degree from the Harvard University Graduate School of Design (GSD), completing his studies in 1937. The time he spent at Harvard overlapped briefly with the arrival of Walter Gropius, founder of the Bauhaus in Germany, who had come to lead GSD. <mask> served in the U.S. Navy during World War II. In April 1944, he was recruited for transfer to the Monuments, Fine Arts, and Archives program of the Allied Military Government in the European Theater of Operations, where he served in Germany with other ‘Monuments Men.’

Career

After completing his education, <mask> moved to Sweden where he briefly worked for Modernist architect Sven Markelius.After his return to the United States he began teaching at Harvard University and also began work on Snake Hill in 1940, a set of modernist houses including one for himself in Belmont, Massachusetts. Focusing on how to address family needs economically, he eliminated all complicated details and expensive millwork. Land costs were low because of a very steep slope and ledge which made construction less attractive for conventional building. <mask>'s own house was arranged on three levels, the lowest of which was built into the granite ledge, which was left exposed inside the house. The development was hailed as "one of the best known and most significant groups of contemporary houses in the world" in a 1946 article in Progressive Architecture, with photographs by Ezra Stoller.The cost of the house in 1940 was $6,160. Evidence of the design's livibility is the fact that the house is largely unmodified 80 years later. In one of the earliest examples of prefabrication, in 1947 <mask> and two associates created the "Acorn House", which

masks:
Carl Koch
Albert Carl Koch
Koch
Koch
Koch
Koch


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 was designed to be assembled from parts in one day and then be "demountable" so it could be easily transported to a new location.Although prototypes were built, the design never caught on, possibly due to resistance from local building officials and financers. <mask> considered the Acorn House his "one best idea: one that in any reasonable world would have brought comfort to millions." The cost in 1949 was intended to be $4,500 of which all labor costs were supposed to be $350. After a number of false starts in the design of housing that could be fabricated from parts, he finally met with success with the 1953 "Techbuilt" house. With 90 franchised "builder-dealers" using parts from 4 factories, it is estimated that there were eventually more than 3000 Techbuilt houses in 32 US states. In the Techbuilt house, the post and beam system (which makes interior walls non-loadbearing) combined with a variety of modular exterior wall panels (in 4' and 8' widths) allowing the buyer to easily customize the design. In his 1958 book "At Home with Tomorrow", <mask> laid out a philosophy of an "industrial house" that could use prefabrication of parts to design homes that better suited people's needs and could be built quickly and affordably.He questioned the prevailing view that people primarily cared about having their house look like their neighbors'. Although to modern readers some of the gender assumptions about how people live are jarring, the basic ideas about the usefulness of prefabrication and flexible plans still ring true in the 21st century. Larger Housing Developments

<mask> was also a pioneer in cluster housing, initiating, in 1951, the 104-home Conantum in Concord, Massachusetts one of the first of its kind in New England. In later years, he became involved in large-scale housing projects in Boston and New York associated with the urban renewal movement. Urban renewal attempted to address what was thought of as urban decay and blight through large scale razing of existing buildings and neighborhoods,

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 replacing them with new highrises. Early on, the implications of this approach came under fire, most persuasively by Jane Jacobs in The Death and Life of Great American Cities

While <mask>'s innovations were largely technical in nature, one of his projects, Academy Homes in Roxbury, Massachusetts, was the subject of neighborhood demostrations with residents asking for more community control. <mask> believed the goals of technological advancement and citizen involvement could be reconciled.He recommended that neighborhood residents be given a larger role in the Techrete construction process and in planning of the neighborhood itself. An Early Example of "Adaptive Reuse"

In his project to transform Lewis Wharf into luxury housing, <mask> embarked on a dual role of architect and developer. Completed in 1973, his reuse of the beautiful but obsolete 19th century structure predated the better-known redevelopment of historic Faneuil Hall Marketplace by architect Ben Thompson and developer James Rouse in 1976. Projects
Snake Hill, Massachusetts group of eight houses (1941)
The Acorn House (1946)
Conantum, group of 102 houses, Concord, MA (1951)
Staff housing for the US Embassy, Belgrade (1956)
Turning Mill/Middle Ridge, Lexington, Massachusetts (1956–1967)
Academy Homes Boston, Massachusetts (1962)
Eliot House, Mount Holyoke College (1962)
Spruce Hill Road, Weston, Massachusetts (1956)
Ocean Village/Arverne, for the Urban Development Corporation, New York City (1972)
Lewis Wharf Boston, Massachusetts (1973)

Publications

Legacy
<mask> is known for his successful early designs for prefabricated housing. Progressive Architecture magazine gave him the unofficial title "The Grandfather of Prefab" in 1994. In total, over 3,000 Techbuilt homes were sold. Awards
 First Award American Institute of Architects (1954)
 Frank P. Brown Pioneer Award of the Benjamin Franklin Institute of Technology (1967)

References

American architects
Modernist architects
1998 deaths
1912 births
Harvard Graduate School of Design

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Koch
Koch
Koch
Carl Koch


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<mask> (16 February 1903 – 21 August 1980) was a British actor, best known for his work in radio, in particular for the BBC's Children's Hour. He also had a recurring role as Colonel Danby in the long-running radio soap opera The Archers. Perhaps <mask>'s single best-known role was as Winnie-the-Pooh in Children's Hour adaptations of A.A. Milne's stories; for many British people of the mid-20th century, his is the definitive voice of Pooh. Other roles for Children's Hour included Dr. Watson (opposite Carleton Hobbs as Holmes) in the 1952–1969 Sherlock Holmes radio series; Toad in Kenneth Grahame's The Wind in the Willows; and the roles of The Magician and Captain Higgins in the specially written Toytown series. <mask> also played the parts of Gandalf and Tom Bombadil in the 1955-6 radio adaptation of J. R. R. Tolkien's The Lord of the Rings. In the 1973 BBC television series Jack the Ripper <mask> played Detective Constable Walter Dew. Life and career
<mask> was born in Chelsea, London, the son of <mask>, a painter, and his wife, Alice Campbell, née Glover.He originally intended to make a career as an aircraft designer, but took up stage acting on the advice of the actress and teacher Rosina Fillipi. His public debut was at the Old Vic in 1919, and in the early 1920s he toured with the Charles Doran Shakespeare Company, performing such roles as Trebonius in Julius Caesar and Sebastian in Twelfth Night. During the 1920s and early '30s he worked principally in London, and was particularly associated with Peter Godfrey's experimental productions at the Gate Theatre Studio. <mask>'s first BBC broadcast was in 1926, having earlier made a reputation in radio in Australia and New Zealand. By the late '30s he established a reputation as a respected

masks:
Norman Shelley
Shelley
Shelley
Shelley
Shelley
Frank Shelley
Shelley


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 and versatile British radio actor. In 1937 he married Monica Daphne, née Brett. During the Second World War he was a member of the BBC's wartime repertory company, but left to serve as a ferry pilot in the Air Transport Auxiliary.In the 1930s and '40s he was a Children's Hour regular, famous as Dennis the Dachshund in Toytown, and as Winnie-the-Pooh, whom he first played in 1939. He played Dr Watson to Carleton Hobbs's Sherlock Holmes from October 1952 to July 1969. In the late 1950s he took part in recorded dramatised versions by Argo Records of Alice in Wonderland (1958) and Through the Looking-Glass, both directed by Douglas Cleverdon and both starring Jane Asher in the title role. For the same company he also recorded his impersonation of Toad in Wind in the Willows (1960) with Richard Goolden as Mole. Late in life he found new fame as Colonel Freddy Danby in the BBC radio serial The Archers. He was still recording episodes of The Archers at the time of his death. He collapsed suddenly at Finchley Road tube station, London, on 21 August 1980, and was declared dead in the Royal Free Hospital, Hampstead.His wife had predeceased him; he was buried near her at Long Hanborough, Oxfordshire, on 28 August. Churchill impersonation
A recurring rumour holds that, because the House of Commons was not set up for location recording at that time, some of Winston Churchill's most famous speeches to Parliament during the Second World War were subsequently recorded for radio broadcast by <mask>, impersonating Churchill. The rumour has been promoted by David Irving, to support his unflattering view of Churchill. It is difficult to prove or disprove Irving's claims. Analysis of the voice patterns in 20 of Churchill's recorded speeches show that three


texts:
 made in May and June 1940 do not match those provably by him, although Churchill might have recorded them after his voice had changed. According to one source, it is unproven whether <mask> is the speaker and, if so, whether the speeches were broadcast as having been spoken by Churchill. One report states <mask> did record a performance of Churchill's "We shall fight on the beaches" speech, which is claimed to be one of the three non-matching speeches,.However, <mask>'s 78rpm record is dated 7 September 1942, whereas Churchill's speech was broadcast on 4 June 1940, key parts being read out by a BBC announcer. <mask> claimed that, with Churchill's permission, he did once voice Churchill for an introduction to a wartime propaganda film for distribution overseas, because the Prime Minister could not find time for the necessary visit to the studio. According to <mask>'s great friend, former BBC radio and TV producer and presenter, Trevor Hill, <mask> did stand in for Churchill on at least three occasions, specifically when Churchill was ill or out of the country. That would never have been divulged at the time. <mask>'s party piece, apparently often requested, was for everyone to close their eyes while he impersonated Churchill, and on those occasions, according to Hill, it was impossible to tell the difference. In 1949, Churchill re-recorded most of his speeches at his home at Chartwell. The EMI engineer responsible for the recordings has told the BECTU History Project that he used one of the then new British Tape Recorders, and that Churchill usually did the recording in bed, so the speeches have a more relaxed air than the original broadcast.They are often the versions that are played today. Selected filmography

 Down River (1931) as Blind

masks: Shelley Shelley Shelley Shelley Shelley Shelley Shelley


texts:
 Rudley
 East Lynne on the Western Front (1931)
 The River Wolves (1934) as Jim Spiller
 The Iron Duke (1934) as Pozzo di Borgo
 Went the Day Well? (1942) as Bob Owen (uncredited)
 They Came to a City (1944) as Mr Cudworth
 Strawberry Roan (1944) as Dr. Lambert
 I Know Where I'm Going! (1945) as Sir Robert Bellinger (voice)
 We of the West Riding (1945) as narrator
 I See a Dark Stranger (1946) as Man in Straw Hat
 Dancing with Crime (1947) as Stage Door Keeper (uncredited)
 The Silver Darlings (1947) as Hendry
 Daughter of Darkness (1948) as Smithers
 The Monkey's Paw (1948) as Monoghan
 Vote for Huggett (1949) as Mr. Wilson
 The Blue Lamp (1950) as F. P. Jordan (uncredited)
 Her Favourite Husband (1950) as Mr. Dobson
 I'll Get You for This (1951) as Mr. Langley (uncredited)
 Blind Man's Bluff (1952) as Superintendent Morley
 Private Information (1952) as Freemantle
 Strange Stories (1953) as Mr. Gilkie
 The Man Without a Body (1957) as Dr. Alexander
 The Price of Silence (1959) as Councilor Forbes
 Sink the Bismarck! (1960) as Winston Churchill (voice, uncredited)
 The Angry Silence (1960) as Seagrave
 Very Important Person (1961) as Fred Whittaker
 A Place to Go (1963) as Magistrate
 Otley (1968) as Businessman
 Oh! What a Lovely War (1969) as Staff Officer in Ballroom
 Frankenstein Must Be Destroyed (1969) as Guest – Smoking pipe
 Gulliver's Travels (1977) as Father / animation voices

References

External links
 A detailed debunking of the impersonation of Winston Churchill rumour
 Shelley, Norman at BFI

1903 births
1980 deaths
Royal Air Force personnel of World War II
English male radio actors
English male film actors
English male television actors
English male voice actors
20th-century English male actors
Children's Hour


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<mask>, also known as Jagaddeva or Jagdev Parmar, was an 11th-12th century prince from the Paramara dynasty of central India. He is known from an inscription discovered at Jainad and some folk legends. His political status is uncertain, although according to one theory, he may have been a vassal of the Western Chalukyas. Ancestry and political status
The coins and inscriptions from <mask>'s period have been found in the northern parts of Berar and Marathwada regions of Maharashtra, not the traditional Paramara territory of Malwa. These regions were dominated by the Chalukyas of Kalyani. An inscription discovered at Jainad names Jagaddeva as the son of the Paramara king Udayaditya (reigned c. 1060–1086). Four gold coins bearing the name "Shri-Jagadeva" have also been discovered.Several scholars, including P. C. Roy, identify the issuer of these coins as the Paramara prince. M. H. Krishna surmised that the Chalukya king Someshvara was known by the title "Jagaddeva" ("Lord of the world") in the northern part of his kingdom, and it was he who issued these coins. However, all the known Chalukya coins feature Kannada script, while coins of Jagaddeva feature the Nagari script used by the Paramaras. Therefore, Krishna's theory is purely conjectural. V. P. Rode theorizes that Jagadeva accepted the suzerainty of Vikramaditya VI of Kalyani. Vikramaditya made him governor of Berar and a part of Deccan. P. C. Roy disagrees with this theory, arguing that a vassal could not have issued gold coins in his own name, and the coins do not mention the Chalukyas.A legendary account in the Ras-Mala states that <mask> succeeded Udayaditya as the king. Therefore, D. C. Ganguly suggested that Jagadeva was another name for Lakshmadeva (r. c. 1086-1094 CE), who according to Paramara inscriptions, was the successor of

masks: Jagadeva Jagadeva Jagadeva


texts:
 Udayaditya. According to Ganguly's theory, he abdicated the throne in favour of his brother Naravarman (r. c. 1094-1133 CE). He then governed the southern part of the Paramara kingdom (northern parts of Berar and Deccan) until at least 1112 CE. Later, he lived at the Chalukya court at Vikramaditya's invitation. K. C. Jain disagrees with this theory, arguing that Jagaddeva and Lakshmadeva were two distinct princes. Jainad inscription

The undated Jainad inscription was found on the floor of a temple mandapa.It was composed by the poet Ashvatthama in Sanskrit language, and has been dated to the 11th century on a palaeographical  basis. It records the construction of a temple dedicated to Surya (the sun deity) by one Padmavati. The inscription states that it was issued during Jagaddeva's rule. The inscription begins with verses praising Surya and Shiva. It then mentions the Agnivansha myth, which states that the founder of the Paramara dynasty was created by Vashistha from a sacrificial fire pit. Jagaddeva was born in this dynasty: his father and paternal uncle are named as Udayaditya and Bhoja respectively. Next, the record describes the military achievements of Jagaddeva:
 He defeated the king of Andhra.Historian H. V. Trivedi believes that this refers to the Chola king Rajaraja II, and Jagaddeva may have led a Chalukya invasion against the Chola occupation of Andhra territory. He "uprooted in sport" the king of Chakradurga. Chakradurga can be identified with the present-day Bastar district; its ruler at that time was Someshvara of an obscure dynasty named Naga. He successfully invaded Dorasamudra, causing "acute pain in the heart of the chief of Malahara". Trivedi theorizes that this refers to the Chalukya invasion of the Hoysala kingdom, which was ruled by Ballala. According to him, "Malahara" is


texts: a variation of "Malaha" or "Malapa" (hill chiefs), and referred to a hill tribe to which the Hoysalas belonged. He fought against the Gurjaras, causing a flood of tears among the wives of the Gurjara warriors.The inscription mentions the word "Jayasimha" in this sentence. D. C. Ganguly interpreted the sentence to mean that Jagaddeva's bravery was an "announcement of the valour of Jayasimha". He concluded that Jagaddeva may have fought against the Chaulukya (Solanki) king of Gujarat, as part of the Paramara army under Jayasimha I. However, a later translation appearing in Epigraphia Indica interprets the verse to mean that Jayasimha was an enemy of Jagaddeva. On basis of this, Trivedi identifies Jayasimha as the Chaulukya king Jayasimha Siddharaja. He subdued the king Karna. Ganguly identified Karna as the Chaulukya king Karna, but V. V. Mirashi disagreed with this theory, pointing out that Jagadeva's father Udayaditya is said to have destroyed the king of Dahala.The Dahala region was ruled by the Kalachuris, so Mirashi identifies Karna as the Kalachuri king Karna. According to H. V. Trivedi, the Kalachuri king may be identified as either Karna or his son Yashah-Karna. Jaggadeva's brother Lakshmadeva is known to have invaded the Kalachuri capital Tripuri during Yashah-Karna's reign, and might have been aided by Jagaddeva in this campaign. The rest of the inscription describes Padmavati, who resembled Lakshmi and constructed the "Nimbaditya" temple "in this city". The inscription does not name the city, but it is possible that it refers to Jainad, where the inscription was found in a temple. Padmavati is described as the queen of Arjuna, who was a member of the Dahima family. Arjuna is described as a subordinate and a favourite of the king Udayaditya.The inscription also mentions Udayaditya's


texts:
 minister Lolarka as another member of the Dahima family. He is described a Shaivite who was loyal to Jagaddeva. Lolarka's father Gunaraja was also a favourite of Udayaditya. Legends

Legend of Virmati and Jagadeva
One legend about Jagadeva is mentioned in the Ras-Mala, a collection of Gujarati legends. It names Jagdev Parmar (Jagadeva) as the son of king Udayadit of Dhar (Udayaditya) and his Solanki (Chaulukya) wife. The king's favourite son and the heir apparent was Rindhaval, his son by another wife from Vagheli family. The Chavda ruler of Tuktoda was impressed with Jagdev's merits, and married his daughter Virmati to the Paramara prince.Jagdev left his father's kingdom because of harassment from the Vagheli queen and reached Tuktoda. From there, he and Virmati marched to Anhilvara (Patan), the capital of the Solanki king Sidh Raj Jesangh (Jayasimha Siddharaja). Virmati's mother was the sister of the Solanki king, and Jagdev hoped to find employment with him. Virmati went to the royal palace to seek the king's help, but she was trapped in a room by a woman named Jamoti, who had been paid by the governor's son Dungarsi to find a paramour for him. When Dungarsi came to the room, Virmati got him drunk and killed him. When the king learned about this incident, he praised Virmati as an honourable woman and enlisted Jagdev in his service. One day, the Solanki king asked Jagdev to investigate some strange sounds he had been hearing.Jagdev found four wailing women, who introduced themselves as the Fates of Patan. They told him that the Solanki king was about to die. Near them were four other women, who were laughing. They introduced themselves as the Fates of Delhi. Jagdev asked them if there was any way to save the king's life. They told him that if a highly ranked man offered his life instead, the


texts:
 king would survive. Jagdev then decided to offer his life, but his wife insisted that their entire family offer their lives.First, they offered their first-born son to the Fates. The Fates beheaded the boy, but impressed with the family's loyalty to the king, they let the rest of the family go. The Solanki king had secretly seen the entire episode. He was pleased with Jagdev's loyalty, and married one of his daughters to Jagdev. Virmati was satisfied with this arrangement, because multiple wives indicated the high status of a Rajput lord. According to this legend, Jagdev went back to Dhar after Udayadit's death and became the new Paramara king. Navalram's play Veermati (1869) is based on this legend.Shree Nath Patankar made Sati Veermata, an Indian silent film based on the legend, in 1923. Other legends
According to another bardic tradition, some tribes in the northern part of the Indian subcontinent are descended from "Jagdev Parmar", that is, Jagadeva. During the reign of <mask>'s nephew Yashovarman (r. c. 1133-1142 CE), the Delhi Sultanate invaded Malwa. The bardic works state that <mask>'s descendant Rai Shankar and some other Paramaras migrated to Punjab via Rajputana as a result of this invasion. Rai Shankar had three sons: Gheo (the ancestor of Ghebas), Teo or Tenu (the ancestor of Tiwanas) and Seo (the ancestor of Sials). Teo's descendants established the Mataur village in present-day Haryana, from where the Tiwanas migrated to other places. Some of them converted from Hinduism to Sikhism and Islam in the later centuries.The rulers of the Muli princely state in present-day Gujarat also claimed descent from Jagdev Parmar. The Ambaraian rulers of the Akhnoor principality in present-day Jammu and Kashmir traced their ancestry to "Jagdev Singh" (<mask>), who had migrated from Dhar. References


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<mask> FRS (20 August 1799 – 22 April 1840) was an English scholar, orientalist and antiquary. He was the founding editor of the Journal of the Asiatic Society of Bengal and is best remembered for deciphering the Kharosthi and Brahmi scripts of ancient India. He studied, documented and illustrated many aspects of numismatics, metallurgy, meteorology apart from pursuing his career in India as an assay master at the mint in Benares. Early life

<mask> was the seventh son and the tenth child of <mask> (1746–1830) and his wife, Sophia Elizabeth Auriol (1760–1850). <mask> went to India in 1771 with almost no money and became a successful indigo planter. He returned to England in 1787 with a fortune of £40,000 and established himself as an East India merchant. He moved to Clifton in 1809 after incurring losses.His connections helped him find work for all his sons and several members of the Prinsep family rose to high positions in India. <mask> later became a Member of Parliament. <mask> initially went to study in a school in Clifton run by a Mr. Bullock but learnt more at home from his older siblings. He showed a talent for detailed drawing and mechanical invention and this made him study architecture under the gifted but eccentric Augustus Pugin. His eyesight however declined due to an infection and he was unable to take up architecture as a profession. His father knew of an opening in the assay department at the mint in India and sent him to train in chemistry at Guy's Hospital and later as an apprentice to Robert Bingley, assay master at the Royal Mint in London (1818–19). Career in India

Prinsep found a position as an assay master at the Calcutta mint and

masks:
James Prinsep
James Prinsep
John Prinsep
John Prinsep
John Prinsep
James


texts:
 reached Calcutta along with his brother Henry Thoby on 15 September 1819.Within a year at Calcutta, he was sent by his superior, the eminent orientalist Horace Hayman Wilson, to work as assay master at the Benares mint. He stayed at Benares until the closure of that mint in 1830. He then moved back to Calcutta as deputy assay master, and when Wilson resigned in 1832, he was made assay master (overruling Wilson's nominee for that position, <mask>) at the new silver mint designed in Greek revival style by Major W. N. Forbes. His work as assay master led him to conduct many scientific studies. He worked on means for measuring high temperatures in furnaces accurately. The publication of his technique in the Philosophical Transactions of the Royal Society of London in 1828 led to his election as a Fellow of the Royal Society. He suggested the possibility of visual pyrometric measurement using a calibrated series of mica plates as well as using the thermal expansion of platinum but considered that a practical approach was to use calibrated combinations of platinum, gold and silver alloys placed in a cupel or crucible and observe their melting.He also described a pyrometer that measured the expansion of a small amount of air held within a gold bulb. In 1833 he called for reforms to Indian weights and measures and advocated a uniform coinage based on the new silver rupee of the East India Company. He also devised a balance so sensitive as to measure three-thousandth of a grain (≈0.19 mg). Architecture

<mask> continued to take an interest in architecture at Benares. Regaining his eyesight, he studied and illustrated temple architecture, designed the new mint

masks:
James Atkinson
James Prinsep


texts:
 building at Benares as well as a church. In 1822 he conducted a survey of Benares and produced an accurate map at the scale of 8 inches to a mile. This map was lithographed in England.He also painted a series of watercolours of monuments and festivities in Benares which were sent to London in 1829 and published between 1830 and 1834 as Benares Illustrated, in a Series of Drawings. He helped design an arched tunnel to drain stagnant lakes and improve the sanitation of the densely populated areas of Benares and built a stone bridge over the Karamansa river. He helped restore the minarets of Aurangzeb which were in a state of collapse. When he moved to Calcutta, he offered to help complete a canal that had been planned by his brother Thomas but left incomplete by the latter's death in 1830. Thomas's canal linked the River Hooghly with branches of the Ganges further to the east. Asiatic Society of Bengal

In 1829, Captain <mask>. Herbert started a serial called Gleanings in Science. Captain Herbert, however, was posted as Astronomer to the King of Oudh in 1830, leaving the journal to the editorship of <mask>, who was himself the primary contributor to it.In 1832 he succeeded H. H. Wilson as secretary of the Asiatic Society of Bengal and suggested that the Society should take over Gleanings in Science and produce the Journal of the Asiatic Society. <mask> became the founding editor of this journal and contributed articles on chemistry, mineralogy, numismatics and on the study of Indian antiquities. He was also very interested in meteorology and the tabulation of observations and the analysis of weather data from across the country. He worked on the

masks:
James D
James Prinsep
Prinsep


texts:
 calibration of instruments to measure humidity and atmospheric pressure. He continued to edit the journal until his illness in 1838 which led to his leaving India and subsequently his death. Many of the plates in the journal were illustrated by him. Numismatist

Coins were Prinsep's first interest.He interpreted coins from Bactria and Kushan as well as Indian series coins, including "punch-marked" ones from the Gupta series. Prinsep suggested that there were three stages; the punch-marked, the die-struck, and the cast coins. Prinsep also reported upon the native punch-marked coinage, noting that they were better known in eastern India. Brahmi script philologist

As a result of <mask>'s work as an editor of the Asiatic Society's journal, coins and copies of inscriptions were transmitted to him from all over India, to be deciphered, translated, and published. The first successful attempts at deciphering Brahmi were made in 1836 by Norwegian scholar Christian Lassen, who used the bilingual Greek-Brahmi coins of Indo-Greek kings Agathocles and Pantaleon to correctly identify several Brahmi letters. The task was then completed by <mask>, who was able to identify the rest of the Brahmi characters, with the help of Alexander Cunningham. In a series of results that he published between 1836–38 Prinsep was able to decipher the inscriptions on rock edicts found around India.The edicts in Brahmi script mentioned a King Devanampriya Piyadasi which Prinsep initially assumed was a Sri Lankan king. He was then able to associate this title with Ashoka on the basis of Pali script from Sri Lanka communicated to him by George Turnour. These scripts were found on the

masks: Prinsep Prinsep


texts:
 pillars at Delhi and Allahabad and on rock inscriptions from both sides of India, and also the Kharosthi script in the coins and inscriptions of the north-west. The idea of Corpus Inscriptionum Indicarum, a collection of Indian epigraphy, was first suggested by Prinsep and the work was formally begun by Sir Alexander Cunningham in 1877. His studies on inscriptions helped in the establishment of date of Indian dynasties based on references to Antiochus and other Greeks. Prinsep's research and writing were not confined to India. Prinsep also delved into the early history of Afghanistan, producing several works that touched on archaeological finds in that country.Many of the collections were sent by Alexander Burnes. After <mask>'s death, his brother Henry Thoby <mask> published in 1844 a volume exploring the numismatist's work on collections made from Afghanistan. Other pursuits
A talented artist and draftsman, Prinsep made meticulous sketches of ancient monuments, astronomy, instruments, fossils and other subjects. He was also very interested in understanding weather. He designed a modified barometer that automatically compensated for temperature. He maintained meteorological registers, apart from supplying barometers to volunteers and graphically summarising the records of others. He conducted experiments on practical methods to prevent rusting of iron surfaces.Personal life
Prinsep married Harriet Sophia Aubert, elder daughter of Lieutenant-Colonel Jeremiah Aubert (grandson of Alexander Aubert) of the Bengal army and his wife Hannah, at the cathedral in Calcutta on 25 April 1835. They had a daughter Eliza in 1837 who was to be the only child to

masks:
James Prinsep
Prinsep


texts:
 survive. He was elected a member to the American Philosophical Society in 1839. Death and legacy

Prinsep literally worked himself to death. From 1838 he began to suffer from recurrent headaches and sickness. It was initially thought to be related to a liver (bilious) condition and he was forced to get away from his studies and left for England in November 1838 aboard the Herefordshire. He arrived in England in poor condition and did not recover.He died on 22 April 1840 in his sister Sophia Haldimand's home at 31 Belgrave Square of a "softening of the brain". A genus of plant Prinsepia was named after him by the botanist John Forbes Royle in 1839 in appreciation of his work. News of his death reached India and several memorials were commissioned. A bust at the Asiatic Society was to be made by Francis Chantrey but was finished by Henry Weekes. Prinsep Ghat, a Palladian porch on the bank of the Hooghly River designed by W. Fitzgerald in 1843, was erected in his memory by the citizens of Calcutta. Part of his original collection of ancient coins and artefacts from the Indian subcontinent is now in the British Museum, London. See also
 William Jones
 Allahabad Pillar

References

Other sources

 Kejariwal, O. P. (1993), The Prinseps of India: A Personal Quest.The Indian Archives, 42 (1-2)
 Allbrook, Malcolm (2008), 'Imperial Family': The Prinseps, Empire and Colonial Government in India and Australia, Ph.D. thesis, Griffith University, Australia. <mask> and O. P. Kejariwal (2009),  "Benares Illustrated" and "<mask> Prinsep and Benares" , Pilgrims Publishing, . External links

 "<mask>p" entry in Encyclopædia Britannica
 Thomas, Edward, editor (1858)

masks:
James Prinsep
James
James Pse


texts:
 Essays On Indian Antiquities, Historic, Numismatic, And Palæographic, Of The Late <mask>, F.R.S., Secretary To The Asiatic Society Of Bengal; To Which Are Added His Useful Tables, Illustrative Of Indian History, Chronology, Modern Coinages, Weights, Measures, Etc. Volume 1 Volume 2

1799 births
English antiquarians
19th-century philologists
English philologists

1840 deaths
Anglo-Indian people
Fellows of the Royal Society
English


texts:
<mask> (born 21 July 1992) is an Australian cricketer who plays as an opening batsman for Victoria in domestic cricket. He made his Test cricket debut for the Australia national cricket team in December 2018. Cricket career

Western Australia
<mask> began playing first-class cricket for Western Australia in the 2010–11 summer. His maiden first-class century came in just his third match, when he made 157 against Queensland. This made him the youngest Australian to score a first class 150, breaking a 115-year-old record set by Clem Hill. <mask> played semi-regularly for Western Australia over the next six years, and was even named man of the match in the 2014–15 Sheffield Shield final for scoring 81 and 158 in his two innings. <mask> played more than 40 Sheffield Shield matches for Western Australia and scored more than 2,000 runs for the team, but he'd only kept a batting average of 28.43 and scored just four centuries in that time.<mask> also played for the Twenty20 team the Perth Scorchers, playing 14 Big Bash League (BBL) matches to score 192 runs at an average of 19.41. <mask> had a particularly poor 2015–16 season. In the Sheffield Shield he had mixed results, scoring a century but only totaling 274 runs at an average of 27.40, and his BBL form was woeful with just 69 runs from 6 innings. His performances for the Western Australian teams frustrated coach Justin Langer, who said he was "mediocre with flashes of brilliance". In Australia's national List A competition, the Matador BBQs One-Day Cup, <mask> wasn't even chosen to be in Western Australia's team at all. He was instead picked up by the young Cricket Australia XI. At the end of the season <mask> left Western Australia to play for Victoria.Victoria
The move to Victoria proved to be very successful for <mask>. In December 2016 he was the leading run-scorer in the 2016–17 Sheffield Shield season with 409 runs at an average of 68.16. Victoria made the Sheffield Shield final, in which <mask> scored a century and was part of a Shield final record-breaking opening partnership of 224 runs with Travis Dean on

masks:
Marcus Sinclair Harris
Harris
Harris
Harris
Harris
Harris
Harris
Harris
Harris
Harris


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 the first day. <mask> credited his newfound form with the move to Victoria, saying that the Victorian system suited him better and it was useful to have more experienced players around him than he had had in Western Australia. In the absence of Steve Smith, David Warner and Cameron Bancroft from the Australian Test team following the 2018 ball-tampering scandal, <mask> gained his first opportunity to play Test cricket for Australia. In a Sheffield Shield match against New South Wales in October 2018, <mask> helped Victoria to recover from a poor start of 2/6 with an unbeaten 250, the best score of his first-class career. This innings put him into contention for one of the vacant spots at the top of Australia's batting order.In the first four matches of the Sheffield Shield season, he scored a further two half-centuries and averaged 87.40. After 25 first-class matches for Victoria, <mask> had scored five centuries and averaged 47.58, and as a result of his improved consistency he was selected in Australia's Test squad for the first time. Test career

<mask> was first selected to join the Australian team ahead of the 2018–19 Border-Gavaskar Trophy. According to <mask>, he received a text message from now Australian coach Justin Langer saying, "Welcome to the brotherhood, you little bastard". <mask> and Langer both publicly denied media speculation that there was bad blood between them after Langer's comments when <mask> had left Western Australia. <mask> made his Test debut on 6 December 2018, opening the batting alongside his Victorian teammate Aaron Finch, the least experienced pair to open the batting for Australia at Test level since the 1950s. He had his baggy green cap presented by Michael Hussey.<mask> played in all four matches of the series against India, but was unable to cement his spot. He scored 256 runs, including two half-centuries, at an average of 36.57, and he was Australia's most consistent batsman in the 2–1 series loss, but he wasn't able to score a century in any of the matches. <mask> then under-performed in the subsequent series against Sri

masks: Harris Harris Harris Harris Harris Harris Harris Harris Harris Harris Harris


texts:
 Lanka, potentially putting his place in the Test team at risk for the upcoming 2019 Ashes series. <mask> finished off the season playing for Victoria in the remaining matches of the 2018–19 Sheffield Shield season. In a match against Queensland he had innings of 95 and 174 to push his case, and then on the final day of the regular season he scored 65 runs against South Australia to take his season total up to 1,024 runs. In doing so, he became the first person to score 1,000 runs in a season for Victoria since Chris Rogers a decade earlier. Victoria made it to the Sheffield Shield final again, and <mask> scored another century in the final to finish off the summer.<mask> was given his first contract with Cricket Australia for the 2019–20 season. He was named in Australia's squad for the 2019 Ashes series in England. He was omitted from the first two Tests, but recalled in place of Cameron Bancroft in the third Test. <mask> again was selected in Australia's squad in the 2021-22 Ashes series, as an opening batsmen (alongside David Warner) in the first four test matches. His best result was in the third test in Melbourne, where he top-scored with 76 runs. Playing style
<mask>' batting style is typical of Perth-raised opening batsmen, similar to Justin Langer and Chris Rogers. He has a variety of shots he can play well, particularly the cover drive and the pull and hook shots.He leaves the ball judiciously if he thinks it's outside the line of his off stump. <mask> is comfortable at facing fast bowling. <mask>' similarities with Langer were noted by former Australian coach Darren Lehmann following <mask>' maiden first-class century. <mask> has said that this is because the two of them came from the same club team in Perth and had the same batting coach. References

External links

1992 births
Living people
Australian cricketers
Australia Test cricketers
Cricketers from Perth, Western Australia
Perth Scorchers cricketers
Melbourne Renegades cricketers
Sportsmen from Western Australia
Western Australia cricketers
Cricket Australia XI cricketers
Leicestershire

masks: Harris Harris Harris Marcus Harris Harris Harris Harris Harris


texts:
<mask> (6 June 191229 October 1996) was a Norwegian classical pianist and composer. Although he was an accomplished solo pianist and composer, <mask> received international acclaim for his work as an accompanist with several of the world's most celebrated vocal and instrumental performers. <mask> was born in Kristiania (now Oslo), Norway. He  grew up in the immigrant neighborhood in Grünerløkka, the child of <mask> (1882–1936) and Marie Scheer (1885–1954). Both were Jewish refugees from Lithuania who had immigrated in 1905. <mask>'s father supported his family through various means, including peddling sewing notions and carting coal. <mask> caught interest in the piano when he was four and a half years old, at his grandmother's home.By the time he was five, he had taught himself well enough for his first public performance. He did not receive formal lessons until he was ten, and when he was twelve he was accepted by the pre-eminent music teacher of the time, Nils Larsen. <mask> did his part to support the family by performing at restaurants, bars, and movie theaters during the silent film era. He only finished the first six years of public schooling. He learned at the synagogue for his bar mitzvah, but was mostly occupied with his music. He was also an avid reader of diverse literature. Early professional career
Like many of the classical musicians of pre-World War II era, <mask> played at restaurants to support himself.He rose through the unofficial ranks as a teenager, overcoming strong antisemitic barriers. He took private lessons with concertmaster Gustav Fredrik Lange (1861–1939) and notably composer Fartein Valen (1887–1952), being exposed to a wide range of musical traditions and innovations.

masks:
Robert Levin
Levin
Background Levin
David Levin
Levin
Levin
Levin
Levin


texts:
 <mask> was the last living silent movie veteran when he died in 1996. He also became an accomplished accordion player during this time. <mask> had his performance debut on 26 January 1932 to widespread acclaim. <mask> was introduced to several strains of modern music when he was engaged in the orchestra at Theatercafeen, where the Norwegian exponent of neo-Classical music Carl Gustav Sparre Olsen (1903–1984) performed. The orchestra also introduced <mask> to jazz music.War years
After Norway was occupied by Nazi Germany in 1940, <mask> continued to perform but was subjected to daily threats and restrictions on the venues and music he could play. When Nazi authorities in occupied Norway started arresting and deporting Jews, <mask> went under cover with friends and eventually fled to Sweden. The rest of his family arrived in Sweden a few days later, but many of <mask>'s closest relatives were deported from Norway and were victims of the Holocaust in Auschwitz. <mask> became a proponent of Norwegian music and culture while in exile in Sweden. He wrote the music to several patriotic Norwegian songs, including Kirkenesmarsjen, a march to commemorate the liberation of the Northern Norwegian town of Kirkenes by Soviet troops on 25 October 1944. Sponsored by the Norwegian government-in-exile and Svenska Norgeshjälpen, <mask> performed for members of the Norwegian Resistance Movement in Sweden along with his wife Solveig,  Randi Heide Steen, Ernst Glaser, Gunnar Sønstevold, Hugo Kramm, Gunnar Reiss Andersen, Axel Kielland, Lauritz Falk, Sonja Mjøen, and others. <mask> also sent packages to musical colleagues in Oslo under the pseudonym Banjo-Lasse.After the Liberation of Norway  the <mask> family returned to

masks: Levin Levin Levin Levin Levin Levin Levin Levin Levin Levin Levin


texts:
 one of the central train stations in Oslo in June 1945. The orchestra which <mask> had to leave nearly three years earlier awaited him at the platform, performing at their arrival. Post-war career
After the war, <mask> decided to concentrate more on a classical career, and after he accompanied Gösta Kjellertz, his career as an accompanist took off. He accompanied such diverse international artists as Elisabeth Schwarzkopf, Yehudi Menuhin, <mask>, Rita Streich, Henryk Szeryng, Ann Brown, Kim Borg, Camilla Wicks, Felicia Weathers; and a panorama of Norwegian artists that included Ingrid Bjoner, Knut Skram, Arve Tellefsen, Terje Tønnesen, Elise Båtnes, Aase Nordmo Løvberg, Edith Thallaug, and Ole Bøhn. Notably, on 22 May 1984, he and  American pianist <mask><mask>, performed together in Carnegie Hall in a concert called "From Grieg to Gershwin" with then Crown Prince Harald and Crown Princess Sonja in attendance. The two, along with other musicians including Ole Bøhn, Knut Skram, Felicia Weathers, and Ingrid Bjoner performed pieces by Edvard Grieg, Richard Hageman, Harry Owens, Aaron Copland, Celius Dougherty, Oley Speaks, George Gershwin. <mask> took part in performing tours all around the world.He became one of the most respected classical musicians of his time in Norway. He took an active part in music education at all ages, led the Norwegian Society of Composers and Lyricists (NOPA), and promoted the art of accompaniment. He was the first rector of the Norwegian Academy of Music when it was founded in 1973, where he was also a professor of interpretation. When the academy moved to its new facilities in Majorstuen in 1989, one of the performance halls was named after <mask>. Awards
<mask> received the

masks:
Robert Levin
Levin
Roberta Peters
Robert D
. Levin
Levin
Levin
Levin


texts:
 Houens legat (1951)  and Statens kunstnerstip  (1954). <mask> was awarded the Norwegian Music Critics Award (Musikkritikerprisen) (1956/57), Lindemanprisen (1983) and Spellemannprisen (1977). He was also awarded the King's Medal of Merit (Kongens fortjenstmedalje) in gold  and was made a member of the Order of St Olaf.In 1993,  he was awarded the Anders Jahre Cultural Prize  (Anders Jahres kulturpris) jointly with Stein Mehren. Personal life
In 1938, he married Solveig Margrethe Bernstein (born 1914). They were the parents of journalist, <mask> (born 1939). Their daughter, Sidsel <mask> (born 1944) was music teacher and cultural facilitator at the Jewish Museum in Oslo. <mask> died  during 1996 at the age of 84 and was buried at  Østre gravlund in Oslo. References

Other sources
 <mask> and <mask>  (1983) Med livet i hendene (Oslo: Cappelen)

External links
Music Information Center article on <mask>

1912 births
1996 deaths
Norwegian classical pianists
Classical accompanists
20th-century classical pianists
Norwegian Academy of Music faculty
Refugees in Sweden
Jews who emigrated to escape Nazism
Jewish classical pianists
Norwegian refugees
Norwegian Jews
Norwegian people of Lithuanian-Jewish descent
Recipients of the St. Olav's Medal
Recipients of the King's Medal of Merit in

masks:
Levin
Mona Levin
Levin
Levin
Robert Levin
Mona Levin
Robert Levin


texts:
<mask>, also known as <mask> and Susan (June 9, 1792 – November 10, 1862), was an American portrait artist in New England in the 19th century. She published poetry, a Christmas hymn, a novel, and an autobiography entitled Roses and Thorns, or Recollections of an Artist. As a young girl, she was an excellent student, but needed to quit school at the age of 11 to care for her ill grandmother. At 15, she taught school and a year later joined an academy in Providence, Rhode Island, where she earned her way through school by making and selling needlework. She graduated with highest honors and established a school that she operated for years. Paine gave the profits to her family, and she helped support them throughout most of her life. She had a short marriage characterized by abuse and control.A child was born to the couple, but died 11 months later. Before the child's birth, Paine had left her husband and obtained a divorce. To support herself, she taught school for a period and then began to work as a portraitist. She traveled throughout Rhode Island, Massachusetts, and Maine accepting commissions for portraits of individuals or families from 1826 through 1862. Because she lived a mobile lifestyle, she had few long-lasting relationships. The closest personal relationship of her life was with her mother. She raised a girl, however, for three years and taught her how to paint.Once she became a professional portraitist she had periods of financial security, but that and her physical health vacillated over the course of her career. Early life
<mask> <mask>, born in Rehoboth, Massachusetts on June 9, 1792, was the second child of <mask> (b. 1764–65) and Mary Chaffee <mask> (1767–1849). Her father was a mariner. When she was a young girl, he was lost at sea. She then lived with her maternal grandparents, Reverend Jonathan Chaffee and Mary Chaffee. Paine, an excellent student, attended school until she was 11 years of age, when she was needed to help care for

masks:
Susanna Paine
Susannah
Susanna
Paine
James Paine
Paine


texts:
 her ill grandmother.The following year she nearly died as the result of a lightning strike that killed the person standing beside her. Believed to have died, she resumed consciousness after one hour, but suffered from seizures for several years after the incident. Her mother married widower Nathaniel Thurber on April 9, 1808, and the combined household, including his four children, moved to a Foster, Rhode Island farm. At 15 years of age, Paine taught school and then attended "the best Academy in Rhode Island", which she financed through the sales of her needlework. Paine learned how to paint with watercolor at the academy and graduated with the highest honors; she was sufficiently trained "to teach any of the common branches of education." Upon graduation Paine established a school near her mother and stepfather's house. The profits she made from the school were given to her mother and on one occasion loaned to her stepfather.Reluctantly, and at her mother's insistence, she married James Phillips on November 4, 1819. Her husband—a gambler—was abusive, tyrannical and cruel. According to Paine, she left her husband after "one year and two months of cruel bondage". Paine returned to her mother's house and three months later gave birth to her son on August 30, 1821. The child, Theodore Winthrop Phillips, died 11 months later. The Rhode Island Supreme Court granted Paine a divorce from her husband in 1821 or 1823. Paine was left destitute, having received no alimony and having relinquished property that she previously owned to her husband.Paine resumed teaching and painted portraits to supplement her earnings, allowing her to support herself and send money to her mother, stepfather and their family, who had moved to Connecticut. To this point her life had been one of turmoil and financial precariousness. Rather than marry another man to secure a better standard of living, she developed a career so that she could support herself. Artist

Paine worked as a


texts:
 professional portrait painter by traveling through New England and placing advertisements in local newspapers to solicit business. She and Ruth Henshaw Bascom were two of 11 or more women who worked as professional itinerant portraitists in the late 18th and early 19th centuries. Paine was "a woman of stalwart proportions, weighing over 200 pounds, and was a very original character..." She was also described as an idealist. Paine was subject to criticism for traveling alone as a woman, but found it was safe to stay in boarding houses, secured through "several letters of introduction" from trusted people.To establish herself as a "genteel" artist, she studied art at the Boston Athenæum, stayed at upscale boarding houses, and became a published writer. Throughout her career, Paine generally made oil paintings on 1/2 inch wood panels of which the sides and back were washed in red, gray-green, or green-blue. The subjects of the paintings were often portrayed in a confident manner in half-length poses. Their accessories, hair, and clothing were often "elaborately detailed". The placement of hands, tables, and other objects could be awkward. She had a tendency to paint the sitters with long hands, light flesh tones, doelike eyes and round faces. Paine was known to take liberties in the portrayal of her subjects; she once painted a gray-eyed man's portrait with black eyes because she thought they were more attractive.Maine
She traveled alone for the first time in 1826 to Portland, Maine and placed a business advertisement in the December 12 edition of the Portland Advertiser. The standard rate for large oil portraits at that time was US$20–$30, but Paine advertised $8 for large portraits. Not having received any leads for work, she placed a January ad with a testimonial, which said that her portrait's were a good likeness of the subject and well executed—and that women might find "a pride and pleasure in patronizing a female artist." Once she made a


texts:
 painting for her landlady and neighbors saw it, she began to receive commissions for her work. Paine worked in southern Maine, Portland, and New Hampshire in 1827 and 1828. Initially, she had sufficient commissions to support the rental of a furnished parlor, an office for painting, and another office to exhibit her portraits. A religious woman, Paine adopted simpler clothing as a spiritual practice during this time.As her health declined, she engaged nursing services, which left her short of funds. Paine answered a friend's request to return to Providence to paint her dying daughter, and still in poor health, stayed there several months. Paine worked as an artist in Maine until about 1831. One of her subjects while in Portland was George Morillo Bartol, her portrait of him sold for US$38,513 on March 6, 2011. Massachusetts
She received formal art training at the Boston Athenæum around 1832 and spent the following summer in Cape Ann. Paine, one of the first artists to paint on Cape Ann, returned for several years, interrupted by visits to her mother each spring and fall. She was in the village of Annisquam on Cape Ann by 1834, when she painted portraits of families.Paine continued to paint on the cape during the 1830s and 1840s. She found it to be a unique place:

She raised a girl, who she called her adopted daughter, from 12 to 15 years of age. During that time Paine taught her to paint and they lived for a few months in Fall River, Massachusetts. During a visit to her mother and stepfather's farm, she found that her younger half-brother, Nathaniel, had secured the deed to the farm and lived in the main house; her parents lived in "a sort of out-house". Months later, after her half-brother sold the farm, Paine found them "looking sad and dejected" with Nathaniel in South Killingly, Connecticut and made arrangements for her mother and step-father to live in an apartment. Rhode Island
In 1830, Paine painted the portrait of author, Catharine R.


texts:
 Williams, who wrote poetry, Religion at Home, and the Lives of William Barton and Stephen Olney. The portrait was given to the Rhode Island Historical Society in 1885 from a group of members of the society, including Henry J. Steere.From about 1836, she had a residence in Providence, Rhode Island and kept her parents in "comfortable support". Between 1836 and 1838, she wrote and published a Christmas hymn and poetry. She enjoyed a successful professional life until 1842 when she left town for her safety during the Dorr Rebellion. She went to Cape Ann and after a few months returned to Providence. She became ill and, unable to find work in both places, suffered financially. Her mother came to live with her in Providence following the death of her stepfather, Nathaniel Thurber, in November, 1848. The following March, her mother Mary died during a visit to her half-brother who then lived in Hartford, Connecticut.She had supported her parents since she was a teenaged girl. Later years
Paine traveled through Maine, where she had difficulty establishing herself for want of connections that she had relied upon in the past, so she returned to Providence and for the first time established herself in a highly respectable commercial building with, aside from herself, only male occupants. She struggled professionally and, because of the loss of her mother, she suffered personally. The career that she relied upon kept her forever traveling, which had made it difficult to establish long-standing relationships. Her relationship with her mother was the only close one of her life. She published her autobiography, Roses and Thorns, or Recollections of an Artist in 1854. Six years later she published Wait and See, a Victorian novel.She died in Providence, Rhode Island on November 10, 1862. A file containing papers, photographs, exhibition catalogs and other archival material is held at the Brooklyn Museum Libraries & Archives and the Frick Art Reference Library of the


texts:
<mask> (born February 8, 1967) is an American actress, singer, writer and producer. She has been seen in multiple Broadway and off-Broadway plays and musicals, on numerous solo and original cast recordings, and in various film and television roles. Early life and education
<mask> was born in Kentucky. When she was four years old, her family moved to Topeka, Kansas, where she grew up. <mask> moved from Topeka to New York City when she was 18 to attend the Neighborhood Playhouse School of the Theatre. She is a writer in residence at Second Stage Theater and lives with her son in New York City. Career
On Broadway, <mask> has starred in Dirty Rotten Scoundrels, garnering nominations for a Tony Award, a Drama Desk Award and an Outer Critics Circle Award.She starred as Amneris in Elton John and Tim Rice's Aida (2000), for which she won the Clarence Derwent Award and was a Drama League Honoree. The single "A Step Too Far" performed by Elton John, Heather Headley and <mask> <mask> from the 1999 Elton John And Tim Rice Aida concept album charted at #15. <mask>'s You May Now Worship Me, co-authored with Dick Scanlan, raised $200,000 to benefit the Phyllis Newman's Women's Health Initiative of The Actor's Fund. The one night only fundraiser premiered March 31, 2008 at The Eugene O'Neill Theatre. You May Now Worship Me would later become the concept behind Everyday Rapture. In 2010, <mask> starred in the critically acclaimed production Everyday Rapture, which <mask> wrote with co-author Dick Scanlan. Everyday Rapture began its run on Broadway at the American Airlines Theatre in previews April 19, 2010, and officially opened on April 29, 2010.The show played to sold out audiences throughout the run,

masks:
Sherie Rene Scott
Scott
Scott
Scott
Sherie
Rene Scott
Scott
Scott
Scott


texts: finally ending its limited engagement on July 11, 2010. <mask> received Tony Award nominations for Best Book, and Best Leading Actress in a Musical, and Drama Desk Award nominations in the categories of Best Leading Actress, Best Book, and Best Musical for Rapture. Other Broadway credits include Sally Simpson in Tommy (1993), Marty in Grease (1995–96), and Maureen in Rent (1997). She originated the role of Ursula in The Little Mermaid (2007) for which she received her second Outer Critics Circle Award nomination for Outstanding Featured Actress in a Musical. She starred as Pepa in the musical adaptation of Women on the Verge of a Nervous Breakdown, on Broadway, which opened on November 4, 2010. For this role she was nominated for the Drama Desk Award for Outstanding Actress in a Musical. <mask> appeared in The Front Page as Mollie Malloy with an all-star cast including Nathan Lane, John Slattery, Holland Taylor, John Goodman, Jefferson Mays and Robert Morse.Jack O'Brien directed the production that premiered on Broadway in fall 2016 at the Broadhurst Theatre. Whorl Inside a Loop, written by <mask> and Dick Scanlan, premiered August 27, 2015 at the Second Stage Theatre. Directed by Michael Mayer and Scanlan, Whorl garnered critical acclaim, including several 'Best of 2015 Theater' Lists. Off-Broadway roles include John Guare's play Landscape of the Body at the Signature Theatre, for which she received a 2006 Obie Award and a Lucille Lortel Award and was a Drama League honoree. Musicals include Jason Robert Brown's The Last Five Years for which she received a Drama Desk Award nomination, and the title role in Debbie Does Dallas: The Musical. <mask> can be heard on the original off-Broadway

masks: Scott Scott Scott Scott


texts: cast recording of The Last Five Years along with Norbert Leo Butz. She is an executive producer of the film The Last Five Years starring Anna Kendrick and Jeremy Jordan.<mask> also makes an appearance in the film. In regional theatre, she has appeared in world premiere productions of Randy Newman's Faust (1995). She appeared in Kander and Ebb's Over and Over, at the Signature Theatre, which was a musical adaptation of The Skin of Our Teeth, receiving a nomination for a Helen Hayes Award. <mask> co-founded the Grammy Award–winning Sh-K-Boom Records and Ghostlight Records, which seeks to preserve original cast albums and solo recordings by Broadway artists. The records, produced over 150 albums, garnered 3 Grammy awards, and 12 Grammy nominations. SKB/Ghostlight's Grammy Awards include those for the cast albums of In the Heights, The Book of Mormon and Beautiful. SKB/Ghostlight received a 2006 Drama Desk Award for dedication to the preservation of musical theatre through cast recordings.The label won their first Grammy in 2009 for the Original Cast Recording of In The Heights. <mask> can be heard on numerous Grammy Award-winning and OBC cast albums, the Billboard hit single "A Step Too Far" with Elton John, "The Folks Who Live On The Hill" with jazz great Bill Charlap, as well as the critically acclaimed, "Sherie Rene…Men I've Had,"  Everyday Rapture the original Broadway cast album, and All Will Be Well:  The Piece Of Meat Studio Sessions, produced with Todd Almond. <mask> did a try-out of her new, "critically acclaimed" work, Piece of Meat, in collaboration with Todd Almond, in the 2012 Adelaide Cabaret Festival and premiered it in New York City at 54 Below from October 16–27, 2012. From


texts:
 July 9–28, 2019, she wrote and starred in an original musical collaboration titled TWOHANDER at Feinstein's/54 Below alongside Norbert Leo Butz, with musical director Todd Almond. <mask> previously shared the stage with Butz in the original productions of the musicals Dirty Rotten Scoundrels and The Last Five Years. Work

Broadway
Source: Internet Broadway Database

Other theatre

Filmography

Discography
Source: Amazon.com

2011 Women on the Verge of a Nervous Breakdown (Original Broadway Cast Recording) – Sh-K-Boom Records
2010 Everyday Rapture (Original Broadway Cast Recording) – Sh-K-Boom Records
2008 Disney's The Little Mermaid (Original Broadway Cast Recording) – Disney
2005 Dirty Rotten Scoundrels (Original Broadway Cast Recording) – Sh-K-Boom Records
2005 Hair (Actors' Fund of America Benefit Recording) – Sh-K-Boom Records
2005 Bright Lights, Big City (Cast Recording Recording) – Sh-K-Boom Records
2002 The Last Five Years (Off-Broadway Cast Recording) – Sh-K-Boom Records
2002 Debbie Does Dallas (Off-Broadway Cast Recording) – Sh-K-Boom Records
2000 Aida (Original Broadway Cast Recording) – Disney
2000 Sherie Rene Scott: Men I've Had (Solo CD) – Sh-K-Boom Records
1999 Elton John And Tim Rice's Aida (1999 Concept Album) – Island Records

Awards and nominations

Notes

External links
ShereReneScott.com

Sh-K-Boom Records
Review of Everyday Rapture Broadway musical about Sherie Rene Scott and starring her. Opened May 7, 2010

1967 births
American film actresses
American musical theatre actresses
Living people
Neighborhood Playhouse School of the Theatre alumni
Actresses from Kentucky
21st-century American actresses
20th-century American actresses
Singers from Kentucky
Writers from


texts:
<mask> (; born 26 April 1999) is a Russian figure skater. He is the 2016 CS Nebelhorn Trophy champion and the 2016 Russian National bronze medalist. On the junior level, he is the 2014–15 Junior Grand Prix Final bronze medalist and the 2015 Russian Junior National champion. <mask> holds the title of Master of Sports of Russia. Personal life
<mask>ich <mask> was born 26 April 1999 in Saint Petersburg. He is the eldest child in his family and has one younger sister. Besides skating, <mask> also enjoys listening to music, playing soccer, snowboarding and skateboarding.He supports FC Zenit Saint Petersburg. Career

Early career
<mask> began skating at the age of 5 in 2004. His parents first took him skating because he had contracted bronchitis at a very young age. Under doctor's orders they were asked to either take him swimming or to the skating rink. Because he was only 5 years old, <mask> took up figure skating instead of ice hockey. Tatiana Mishina, Oleg Tataurov and Svetlana Frantsuzova were his earliest coaches. In the 2009–10 season <mask> brought home the silver medal in the novice event at the 2010 Toruń Cup and finished just shy of a medal at Rostelecom Crystal Skate.The following season, <mask> won gold at the 2011 Toruń Cup, his first international gold medal. In the 2011-12 season, he won the novice event at the 2011 NRW Trophy in Dortmund, Germany and finished second in the junior event at Rostelecom Crystal Skate. Making his debut at the 2012 Russian Junior Championships, he finished 12th. 2012–13 season
<mask> became age-eligible for the ISU Junior Grand Prix (JGP) series in the 2012-13 season and was assigned two JGP events in his debut season. He finished 5th in his JGP debut in Courchevel, France, and won the silver medal at his second JGP event in Turkey. A triple Axel was included in his programs for his first season on the ISU Junior Grand Prix circuit. This jump was landed and ratified in his second JGP event, albeit with a negative Grade of Execution (GOE).As the 2012-13 season progressed, <mask> went on to land several clean 3A with positive

masks:
Alexander Dmitriyevich Petrov
Petrov
Alexander Dmitriyev
Petrov
Petrov
Petrov
Petrov
Petrov
Petrov
Petrov
Petrov


texts:
 GOE, including one at the 4th stage of the Cup of Russia series in November 2012. Weeks later, at the 5th stage of the Cup of Russia series, <mask> landed a combined total of three clean 3A including a 3A-3T in the free skate. He won that competition with a score of 221.15. On the international scene, <mask> won gold medals in the junior events at the 2012 Coupe de Nice and the 2013 20th Volvo Open Cup. At the Russian Championships, he was tenth in his senior-level debut and won the bronze medal in the junior event. In his final competition of the season, <mask> won the junior gold medal at the 2013 Triglav Trophy with an overall score of 192.97 points, which included a 3A (1.00 GOE) in the short and 3A (2.00 GOE) and 3A-2T (1.00 GOE) in the free skate. 2013–14 season
In the 2013-14 season, Alexei Mishin began coaching <mask> alongside Tatiana Mishina and Oleg Tataurov.<mask> won silver in his season's debut at the Junior Grand Prix event in Gdańsk, Poland and another silver medal in Ostrava, Czech Republic. He qualified for his first JGP Final. In November, <mask> competed in the first senior international of his career at the 2013 22nd Volvo Open Cup in Riga, Latvia and won the silver medal there. He beat several experienced skaters including compatriots Sergey Borodulin and Zhan Bush, finishing behind 4-time Olympic medalist Evgeni Plushenko. In Riga he landed a total of three clean 3As, including a 3A-2T in the long program. <mask> then finished 5th at the Junior Grand Prix Final held in Fukuoka, Japan. At the Russian Championships, <mask> ranked eighth on the senior level and improved on his previous showing by winning silver in the junior event, finishing 1.88 points behind Adian Pitkeev.He placed 4th at the 2014 World Junior Championships. 2014–15 season

In his season's debut at the Junior Grand Prix series, <mask> took the silver medal in Ljubljana, Slovenia, where he led China's Jin Boyang after the short program and finished 3.84 points behind Jin overall after the latter landed three quadruple jumps in the free skate. He went on to win gold in

masks: Petrov Petrov Petrov Petrov Petrov Petrov Petrov Petrov Petrov


texts:
 Tallinn, Estonia, outscoring Japan's Sota Yamamoto by 5.67 points, and qualified for his second consecutive Junior Grand Prix Final, where he would eventually take home the bronze medal after finishing second in the free skate. Competing on the senior level at the 2014 Finlandia Trophy, he placed second in the short and third in the free skate, taking the bronze medal behind American Adam Rippon. <mask> won his first international senior title at the 2014 Cup of Nice after placing first in both programs and outscoring fellow medalists Artur Dmitriev, Jr. and Keiji Tanaka by over thirty points. He then followed that win with a gold medal at the 2014 Volvo Open Cup. On November 22, <mask> placed first at the 2014 Warsaw Cup posting personal best scores with a total of 231.53 points.In early 2015, <mask> fell ill several times with an acute respiratory infection. Illness took its toll on his performance at the World Junior Championships where he finished 6th overall after winning a bronze medal for the short program. <mask> ended the season in the top 20 in the ISU World Standings with a Seasonal Best score in the top 20 as well. In the ISU Seasonal World Standings, he was ranked 12th at the end of the 2014-2015 season and finished second in the Challenger Series rankings. 2015–16 season: Full senior debut
In 2015, <mask>ard, <mask> completed another clean skate and placed 6th going into the free skate. Due to the November 2015 Paris attacks, the free skating event was cancelled. Eventually, the ISU decided to award points from the competition based on the placing of the skaters after the short program. At the 2016 Russian Championships in Ekaterinburg in December, <mask> once again skated a clean program and placed 5th after the short program. He completed a flawless free skate to move up two placings and win the bronze medal, his first senior Russian Championships medal at the young age of 16 years. <mask>’s TES in the free skate was the highest in the entire competition. His triple Axel combination received 2.00 GOE and his solo triple Axel received 1.71 GOE.It

masks: Petrov Petrov Petrov Petrov Petrovmp Petrov Petrov Petrov


texts:
 was revealed after the event that he had in fact been carrying a ligament injury to his leg going into the competition, after falling badly just one and a half weeks before the Championships. After finishing on the podium at the 2016 Russian Championships, <mask> earned the right to represent Russia at the 2016 European Championships in Bratislava. Due to an illness contracted after returning from a training camp in Estonia a fortnight before the European Championships, he had not been able to train until three days before he flew to Bratislava. Even so, he fought hard and skated both programs cleanly, being the only Russian man to do so and eventually finishing eighth overall on his debut. He also set a new personal best in the short program and a season's best in the free skate. 2016–17 season
In 2016, <mask> started his season at the 2016 Nebelhorn Trophy where he won gold after placing first in both the short and free skate with a total of 232.21 points. For the 2016-17 Grand Prix season, <mask> has been assigned the 2016 Skate Canada International and the 2016 Cup of China.2017–18 season
<mask> began the season at 2017 CS Lombardia Trophy, finishing seventh, and then competed at a second Challenger event, the 2017 CS Finlandia Trophy, where he came ninth. He was assigned to the 2017 Cup of China and the 2017 Skate America, coming eleventh at the Cup of China before withdrawing from Skate America. He then competed at a third Challenger, the 2017 CS Golden Spin of Zagreb, coming eighth. He withdrew from the 2018 Russian Championships. 2018–19 season
<mask> placed seventh at the 2019 Russian Championships. 2020-21 season

In October, it was announced that he had changed coaches to work with Evgeni Plushenko. Programs

Competitive highlights
GP: Grand Prix; CS: Challenger Series; JGP: Junior Grand Prix

Detailed results
Small medals for short program and free skating awarded only at ISU Championships.Senior level

 C= Cancelled. Junior level

References

External links

1999 births
Russian male single skaters
Living people
Figure skaters from Saint

masks: Petrov Petrov Petrov Petrov Petrov


texts:
<mask> (1 May 1789 – 15 May 1879) was an English businessman and banker  who, while residing in England, played a significant part in the formation and establishment of the Province of South Australia. He established the South Australian Company and was its founding chairman of the board of directors. In later life he migrated to the colony and served as a member of the first South Australian Legislative Council. His financial contribution of some £40,000 was instrumental to the creation of South Australia. Early life
<mask> was born at Newcastle upon Tyne, England, fifth son of <mask> of Newcastle (1743–1831) and his second wife <mask> née Lindsay (1749–1802). Caleb was a successful coachbuilder and ship owner. After his mother's death, he continued his education at a boarding school and at age 15 became an apprentice coachbuilder under his father's direction.He started the Benevolent Society of Coachbuilders in Newcastle in 1807 "to provide for sick members and others requiring relief, and promote habits of economy and temperance". In 1808 he went to London to gain further experience and returned to Newcastle in 1809 where he worked as a supervisor for his father's business. On 8 April 1812 in Hutton, Essex, he married Rosetta French (1793–1867), daughter of John French (1761–1829), "Gentleman of Hutton, Essex", and Rosetta French née Rayner (1756–1836). They had three sons and four daughters. Their eldest son, <mask> <mask> became a notable artist. Their daughter <mask> caught smallpox and died while nursing refugees in Beirut. Career

Over the next 20 years <mask> took a large role in the family business in Newcastle, which also had branches in British ports, the West Indies and Spanish America, and steadily developed his own shipping business in London.By 1831, his business owned three ships, commercial business in British Honduras, Buenos Aires and London, coach factories in Durham and Newcastle, with mahogany trade

masks:
George Fife Angas
Angas
Caleb Angas
Sarah Angas
George French
Angas
Emma Angas
Angas


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 and copperas works. <mask> came from a non-conformist religious household, and as a religious person became a secretary of the Newcastle Sunday School Union, founded in 1815 to educate poor children in Newcastle and Gateshead. On two occasions after the repeal of the Test Act and the Corporation Act in 1828, which barred non-conformists from public office, <mask> was asked to stand for Parliament, but declined partly due to reasons of poor health. He had a talent for banking, and played a large part in the founding of the National Provincial Bank of England in 1833, (which exists today after several mergers as NatWest), sitting as a director on its first board, the Union Bank of Australia (in 1836) and the South Australian Banking Company (in 1840). In 1835, he held shares in the British American Land Company. South Australia

<mask> had become relatively wealthy and was concerned with putting his money to the best use. He became interested in a proposed settlement in South Australia and in 1832 joined the committee of the South Australian Land Company and took up enough shares to become a director.His own views on systematic colonisation dealt with the exclusion of convicts, concentration of settlers, sending out (preferably religious) intelligent people with capital, the emigration of young couples of good character, free trade, free government, and freedom of religion. As such, South Australia became the first Australian colony to provide residents with religious freedom and to grant land rights to indigenous people. <mask> was discouraged by the company's failure to get government support, but continued his involvement with the South Australian Association which was formed in 1834, with Robert Gouger as secretary. During debates on the price of land <mask>, who held the opposite view to Edward Gibbon Wakefield, wanted the price of land to be low. However, the South Australian Colonization Commission set a high price for

masks: Angas Angas Angas Angas Angas