texts:
 2019 - Outstanding Graduate Teacher, College of Liberal Arts, Purdue University. Selected bibliography

Book
Essays on Deleuze.Edinburgh: Edinburgh University Press, 2012. .

Edited books
Between Deleuze and Foucault. Eds. Nicolae Morar, Thomas Nail, and <mask><mask>, 2016. . The Cambridge Companion to Deleuze. Ed. Henry Somers-Hall and <mask><mask>. Cambridge: Cambridge University Press, 2012. .
Deleuze: A Philosophy of the Event, together with The Vocabulary of Deleuze, by François Zourabichvili.Ed. and with an introduction by Gregg Lambert and <mask><mask>. Trans. Kieran Aarons. Edinburgh: Edinburgh University Press, 2012. .
Deleuze and Ethics. Ed. Nathan Jun and <mask><mask>.Edinburgh: Edinburgh University Press, 2011. .
Gilles Deleuze: Image and Text. Ed. Eugene W. Holland, <mask><mask>, and Charles J. Stivale. London: Continuum, 2009. . Selected translations
Klossowski, Pierre. Living Currency. Ed.Vern Cisney, Nicolae Morar, and <mask><mask>. London: Continuum, 2017. .
Serres, Michel. Thumbelina. Trans. <mask><mask>. London: Rowman and Littlefield, 2014. Foucault, Michel.The Gay Science, interview with Jean Le Bitou. Trans. Nicolae Morar and <mask><mask>. Critical Inquiry 37 (Spring 2011), 385-403. Deleuze, Gilles. Francis Bacon: The Logic of Sensation. Minneapolis: University of Minnesota Press, 2003. .
Stengers, Isabelle.The Invention of Modern Science. Minneapolis: University of Minnesota Press, 2000. .
Pierre Klossowski, Nietzsche and the Vicious Circle. Chicago: University of Chicago Press, 1998. .

References

American philosophers
Living people
1958 births
Wheaton College (Illinois) alumni
University of Chicago alumni
Purdue University

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<mask>-Stewart, 1st Baronet (6 December 1897 – 3 September 1961), born <mask>, was a British banker, Army officer and politician. He was a National Liberal Member of Parliament for East Fife from 1933 until his death, and was the sessional chairman of the Parliamentary Party in 1945. He played an important role in negotiating the unity of the National Liberals with the Conservatives, but was unable to persuade the Liberal Party to join as well. Early life
Henderson-Stewart was born at Crieff, Perthshire, the son of Matthew Stewart. He attended Morrison's Academy in the town, interrupting his education to join the Royal Artillery and serve in the First World War. Promoted to Acting Captain in February 1918, he was wounded in action. He left the Army in 1919, placed as a Captain on the Reserve of Officers, and went to the University of Edinburgh where he obtained a Bachelor of Commerce degree in 1922 and a Master of Arts degree in economics in 1923.He was in the Territorial Army from 1921 to 1925. Liberal Party candidacies
At the 1923 general election Stewart was Liberal Party candidate for Leicester East, but finished in third place with only 27% of the vote. In the 1924 general election he fought Derby as the sole Liberal candidate, opposing J. H. Thomas who was a senior Labour Minister. His task was reckoned "a difficult one" and he again finished bottom of the poll. During the 1920s Henderson-Stewart worked at the British Overseas Bank in London. His political activity occurred through the Land and Nation League, a Liberal body which had been set up to promote the land policy which was being promoted by David Lloyd George. By 1929 he was Secretary of the League, and he was selected as the Liberal candidate for Dundee.Like Derby this was a two-member constituency but unlike Derby the Conservatives nominated only one candidate, and it was recognised

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 that Liberal and Conservative voters (each of whom had two votes) would use their second vote for the other party's candidate. Henderson-Stewart finished as runner-up, some 13,712 votes from winning a seat but having put in a creditable performance. East Fife election
In January 1933, Henderson-Stewart was adopted as Liberal National candidate for East Fife, where the death of the sitting Member of Parliament Sir <mask> Millar had precipitated a by-election. He obtained the support of the Unionists, although he faced opposition not only from the Labour Party and the Scottish National Party but also the Agricultural Party (whose candidate proclaimed himself a Conservative) and an unofficial Liberal who supported free trade. Lord Snowden, the former Labour Chancellor, sent a message of support to the unofficial Liberal, which Henderson-Stewart described as "little more than an ill-natured outburst",

Member of Parliament
Henderson-Stewart won with a comfortable majority of 9,135, and in his victory speech attacked the "wrecking tactics" of the Agricultural and unofficial Liberal candidates. He gained a reputation for diligent constituency work, among the farmers and fishermen of Fife, and soon after his election opposed a reduction in the grant to the Forestry Commission which he considered a false economy. He often spoke on economic questions.On foreign affairs, he spoke in 1934 in favour of the United Kingdom staying out of any conflict between France and Germany; that July he stated that the innermost chamber of world peace lay in Anglo-American friendship. Foreign affairs
In the summer of 1935, Henderson-Stewart went on a tour of European horse markets, and on his return wrote a pamphlet entitled "Stop the Export of Butchery Horses" which called for a legal ban on the export trade. In July 1938, Henderson-Stewart was vice-chairman of the Empire


texts:
 Development Conference which was held at the Empire Exhibition in Glasgow. In December 1938, Henderson-Stewart called for a determined and comprehensive approach to rearmament, and regretted that the Government had proclaimed its approach as limited. In March 1939 he was a co-signatory of a Parliamentary motion put forward by Anthony Eden and Winston Churchill which called for a National government "on the widest possible basis" to enable Britain to put forward its maximum military effort; the motion was not welcomed by the Chamberlain government. Second World War
Before the outbreak of war, Henderson-Stewart sought to ensure that the system of National Service in the armed services worked smoothly; in November 1939, he criticised the operation of the scheme in calling up agricultural workers when the government was calling for farmers to plough more land. In the Norway Debate of May 1940, Henderson Stewart voted against Chamberlain.After Churchill took over as Prime Minister, Henderson-Stewart enlisted again in the Royal Artillery in which he served from September 1940 to June 1941. Henderson-Stewart was made the Scottish Whip for the Liberal Nationals in December 1942. In the spring of 1944 he went with a Parliamentary delegation to the West Indies to look at conditions there; on his return he said he had found "a blazing loyalty" to the Empire. In October 1944 he voted against the Government on the issue of compensation for landowners for adverse planning decisions. Liberal unity
With the Liberal candidates again divided between the Liberal Nationals and Opposition Liberals in the 1945 general election, Henderson-Stewart sought a reunification, without success. When Parliament reassembled after the election, Henderson-Stewart was chosen as the Chairman of the Liberal National Parliamentary Party for the session. This made him unofficial party


texts:
 leader; however he served only for one year.In September 1947 he wrote to The Times suggesting that the Liberal Party should consider merging with the Conservatives, arguing that Liberalism "stands four square in opposition to Socialism" and should work together with Churchill. Shortly after, Henderson-Stewart's group formally joined with the Conservatives. At the 1950 general election, the Liberal Party nominated David Alexander Freeman a 22-year-old student at St Andrews University as a candidate against Henderson-Stewart, the first time they put a candidate up against him, and the controversy between them was described as "bitter". Henderson-Stewart increased his majority while the Liberal lost his deposit. In the new Parliament he kept up his campaign for the local fishing industry, calling for immediate action to prevent a crisis. He wanted controls on fish imports. Ministerial office
The Conservatives' return to power in 1951 led to Henderson-Stewart's appointment as Joint Parliamentary Under-Secretary of State at the Scottish Office in February 1952.Among his responsibilities were the fishing industry. In August of that year he was invited to speak to the European Youth Conference in Midlothian, at which he declared that "the mother country of a great Commonwealth and Empire" could not surrender vital elements of sovereignty. In December 1952, Henderson-Stewart was accused of lying by the Labour MP John Rankin, angry that the Government Chief Whip had closed the debate after Henderson-Stewart had spoken. As the Minister responsible for the Scottish Education Department, Henderson-Stewart tried to encourage Scottish parents to keep their children in school long enough to sit the Leaving Certificate. He also dealt with the early stages of the dispute between the United Kingdom and Iceland over fishing rights, when an agreement was made by which


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 the Icelandic government agreed not to try to extend its four-mile limit. He was also involved in a proposal for a River Forth tunnel, which he described as a brilliant idea but unsuited to the physical conditions. Baronetcy
Henderson-Stewart left the Government when Harold Macmillan became Prime Minister, although he was made a Baronet simultaneously.He was created Baronet of Callumshill in the County of Perth on 28 March 1957; the Court of the Lord Lyon granted a warrant allowing him to change his surname to Henderson-Stewart (and by Deed Poll). University appeal
In September 1957 Henderson-Stewart denounced Frank Cousins of the Transport and General Workers' Union as "just another demagogue playing for power" when Cousins declared his opposition to wage restraint. He became chairman of the Appeal Committee for St Leonards and St Katherine's Schools in St Andrews. He was also elected Chairman of the Scottish Unionist Members Committee in November 1960. Henderson-Stewart died suddenly in Dundee in September 1961. References

Sources
"Sir J. Henderson-Stewart" (Obituary), The Times, 4 September 1961. "Who Was Who", A & C Black
M. Stenton and S. Lees, "Who's Who of British MPs" Vol.IV (Harvester Press, 1981)

External links

People educated at Morrison's Academy
Unionist Party (Scotland) MPs
UK MPs 1931–1935
UK MPs 1935–1945
UK MPs 1945–1950
UK MPs 1950–1951
UK MPs 1951–1955
UK MPs 1955–1959
UK MPs 1959–1964
Royal Artillery officers
British Army personnel of World War I
Alumni of the University of Edinburgh
Baronets in the Baronetage of the United Kingdom
1897 births
1961 deaths
People from Crieff
Members of the Parliament of the United Kingdom for Fife constituencies
National Liberal Party (UK, 1931) politicians
Liberal Party (UK) parliamentary candidates
Ministers in the third Churchill government, 1951–1955
Ministers in the Eden government,


texts: <mask> (born January 14, 1941) is an American actress. She is the recipient of many accolades, including an Academy Award, a Primetime Emmy Award, three Golden Globe Awards, and a BAFTA Award. In 2011, the government of France made her an Officer of the Order of Arts and Letters. Her career began in the early 1960s on Broadway. She made her screen debut in the 1967 film The Happening, and rose to fame that same year with her portrayal of outlaw Bonnie Parker in Arthur Penn's Bonnie and Clyde, for which she received her first Academy Award nomination. Her most notable films include the crime caper The Thomas Crown Affair (1968), the drama The Arrangement (1969), the revisionist western Little Big Man (1970), an adaptation of the Alexandre Dumas classic The Three Musketeers (1973), the neo-noir mystery Chinatown (1974) (for which she earned her second Oscar nomination), the action-drama disaster The Towering Inferno (1974), the political thriller Three Days of the Condor (1975), the satire Network (1976) (for which she won an Academy Award for Best Actress), and the thriller Eyes of Laura Mars (1978). Her career evolved to more mature and character roles in subsequent years, often in independent films, beginning with her controversial portrayal of Joan Crawford in the 1981 film Mommie Dearest.Other notable films in which she has appeared include Supergirl (1984), Barfly (1987), The Handmaid's Tale (1990), Arizona Dream (1994), Don Juan DeMarco (1995), The Twilight of the Golds (1997), Gia (1998) and The Rules of Attraction (2002). <mask> has also performed on stage in several plays, including A Man for All Seasons (1961–63), After the Fall (1964), Hogan's Goat (1965–67), A Streetcar Named Desire (1973)

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Dunaway


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 and was awarded the Sarah Siddons Award for her portrayal of opera singer Maria Callas in Master Class (1996). Protective of her private life, she rarely gives interviews and makes very few public appearances. After romantic relationships with Jerry Schatzberg and Marcello Mastroianni, Dunaway married twice, first to singer Peter Wolf and then to photographer Terry O'Neill, with whom she had a son, Liam. Early life and education
<mask> was born in Bascom, Florida, the daughter of Grace April (née Smith), a housewife, and John MacDowell <mask> Jr., a career non-commissioned officer in the United States Army. She is of Ulster Scottish, English, and German descent. She spent her childhood traveling throughout the United States and Europe.Dunaway took dance classes, tap, piano and singing, graduated from Leon High School in Tallahassee, Florida, and then studied at Florida State University and the University of Florida, and graduated from Boston University with a degree in theatre. She spent the summer before her senior year in a summer stock company at Harvard's Loeb Drama Center, where one of her co-players was Jane Alexander, the actress and future head of the National Endowment for the Arts. In 1962, at the age of 21, she took acting classes at the American National Theater and Academy. She was spotted by Lloyd Richards while performing in a production of The Crucible, and was recommended to director Elia Kazan, who was in search of young talent for his Lincoln Center Repertory Company. She also studied acting at HB Studio in New York City. Shortly after graduating from Boston University, Dunaway was appearing on Broadway as a replacement in Robert Bolt's drama A Man for All Seasons. She subsequently

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 appeared in Arthur Miller's After the Fall and the award-winning Hogan's Goat by Harvard professor William Alfred, who became her mentor and spiritual advisor.In her 1995 autobiography, <mask> said of him:  "With the exception of my mother, my brother, and my beloved son, Bill Alfred has been without question the most important single figure in my lifetime. A teacher, a mentor, and I suppose the father I never had, the parent and companion I would always have wanted, if that choice had been mine. He has taught me so much about the virtue of a simple life, about spirituality, about the purity of real beauty, and how to go at this messy business of life." Career

Early films and breakthrough, 1967–1968
<mask>'s first screen role was in the comedy crime film The Happening (1967), which starred Anthony Quinn. Her performance earned her good notices from critics; however, Roger Ebert of The Chicago Sun-Times panned the performance saying that she "exhibits a real neat trick of resting her cheek on the back of her hand." That same year, she had a supporting role in Otto Preminger's drama Hurry Sundown, opposite Michael Caine and Jane Fonda. Filming proved to be difficult for Dunaway as she clashed with Preminger, who she felt didn't know "anything at all about the process of acting."She later described this experience as a "psychodrama that left me feeling damaged at the end of each day." <mask> had signed a six-picture deal with Preminger but decided during the filming to get her contract back. "As much as it cost me to get out of the deal with Otto, if I'd had to do those movies with him, then I wouldn't have done Bonnie and Clyde, or The Thomas Crown Affair, or any of the movies I was suddenly in a

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texts: position to choose to do. Beyond the movies I might have missed, it would have been a kind of Chinese water torture to have been stuck in five more terrible movies. It's impossible to assess the damage that might have done to me that early on in my career." Preminger's film did not meet critical or box-office success, but <mask> retained notice enough to earn a Golden Globe Award nomination for New Star of the Year. <mask> had tried to get an interview with director Arthur Penn when he was directing The Chase (1966) but was rebuffed by a casting director who did not think that she had the right face for the movies.When Penn saw her scenes from The Happening before its release, he decided to let her read for the role of the bank robber Bonnie Parker for his upcoming film, Bonnie and Clyde (1967). Casting for the role of Bonnie had proved to be difficult and many actresses had been considered for the role, including Jane Fonda, Tuesday Weld, Ann-Margret, Carol Lynley, Leslie Caron, and Natalie Wood. Penn loved Dunaway and managed to convince actor and producer Warren Beatty, who played Clyde Barrow in the film, that she was right for the part. Besides Dunaway's being a comparative unknown, Beatty's concern was her "extraordinary bone structure," which he thought might be inappropriate for Bonnie Parker, a local girl trying to look innocent while she held up smalltown Texas banks. However, he changed his mind after seeing some photographs of Dunaway taken by Curtis Hanson on the beach: "She could hit the ball across the net, and she had an intelligence and a strength that made her both powerful and romantic." Dunaway only had a few weeks to prepare for the role and, when she was asked to lose weight to


texts: give her character a Depression-era look, she went on a starvation diet, stopped eating and dropped thirty pounds. The film was controversial on its original release for its supposed glorification of murderers and for its level of graphic violence, which was unprecedented at the time.It performed well at the box office and elevated <mask> to stardom. Roger Ebert gave the film a rave review and wrote, "The performances throughout are flawless. Warren Beatty and <mask>, in the title roles, surpass anything they have done on the screen before, and establish themselves (somewhat to my surprise) as major actors." The film was nominated for ten Academy Awards, including Best Picture, and <mask> received her first nomination for Best Actress. Her performance earned her a BAFTA Award for Best Newcomer and a David di Donatello for Best Foreign Actress, and she was now among the most bankable actresses in Hollywood, as she later recalled. "It put me firmly in the ranks of actresses that would do work that was art. There are those who elevate the craft of acting to the art of acting, and now I would be among them.I was the golden girl at that time. One of those women who was going to be nominated year after year for an Oscar and would win at least one. The movie established the quality of my work. Bonnie and Clyde would also turn me into a star." <mask> followed the success with another hit, The Thomas Crown Affair (1968), in which she played Vicki Anderson, an insurance investigator who becomes involved with Thomas Crown (Steve McQueen), a millionaire who attempts to pull off the perfect crime. Norman Jewison hired <mask> after he saw scenes from Bonnie and Clyde before its release. As  Arthur Penn had needed

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 to persuade Warren Beatty to cast <mask>,  Jewison had to convince McQueen that she was right for the part.The film emphasized <mask>'s sensuality and elegance with a character who has remained an influential style icon. The role required over 29 costume changes and was a complex one to play. "Vicki's dilemma was, at the time, a newly emerging phenomenon for women: How does one do all of this in a man's world and not sacrifice one's emotional and personal life in the process?" Despite his original reluctance to work with her, McQueen later called <mask> the best actress he ever worked with. <mask> was also very fond of McQueen. "It was really my first time to play opposite someone who was a great big old movie star, and that's exactly what Steve was. He was one of the best-loved actors around, one whose talent more than equaled his sizable commercial appeal."The film was immensely popular and was famed for a scene where <mask> and McQueen play a chess game and silently engage in a seduction of each other across the board. Career setbacks, 1969–1973

Following the completion of The Thomas Crown Affair, <mask> leapfrogged France's new wave directors to begin filming in Italy Vittorio de Sica's romantic drama, A Place for Lovers (1968). This film was with Marcello Mastroianni, where she played a terminally ill American fashion designer in Venice who has a whirlwind affair with a race car driver. Although <mask> had always wanted to avoid romances with her co-stars, she began a love affair with Mastroianni that lasted for two years. The film was an artistic disappointment and a commercial failure. In 1969, <mask> appeared in The Arrangement, a drama directed by Elia Kazan, based upon his novel of the

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texts: same title, opposite Kirk Douglas. The film did poorly at the box office, receiving mostly negative reviews, although <mask> was praised, with Roger Ebert writing that her acting "is not only the equal of in Bonnie and Clyde, but is, indeed, the only good acting she has done since".Vincent Canby of The New York Times wrote that she was "looking so cool and elegant that the sight of her almost pinches the optic nerves". Also in 1969, The Extraordinary Seaman, a comedy adventure directed by John Frankenheimer and also starring David Niven that she shot right after Bonnie and Clyde, was released to poor reviews and proved to be a commercial failure. Despite protests from her agent, Dunaway turned down many high-profile projects in order to spend time with Mastroianni. In 1969, Dunaway took a supporting role as a favor to Arthur Penn in his western, Little Big Man. In a rare comic role, Dunaway played the sexually repressed wife of a minister who helps raise and seduce a boy raised by Native Americans, played by Dustin Hoffman. The film was widely praised by critics and was one of Dunaway's few commercial successes at this point. That same year, she appeared in the lead role in Puzzle of a Downfall Child (1970), an experimental drama directed by Jerry Schatzberg and inspired by the life of model Anne St. Marie.The film failed to generate commercial interest, though it earned for <mask> a second Golden Globe nomination, for Best Actress – Motion Picture Drama. The film remained in obscurity over 40 years, until it was revived at the 2011 Cannes Film Festival in honor of <mask>. Involved in domestic issues in Italy with Mastroianni, after some months away from the industry she finally found her next role


texts: in the western Doc (1971), which tells the story of the gunfight at the O.K. Corral and of one of its protagonists, Doc Holliday. During the filming, <mask> realized how much she had missed working. That same year, she went on to make the French thriller The Deadly Trap with her Lincoln Center compatriot Frank Langella, not with a director from the already crested New Wave (Jean-Luc Godard had originally made contributions to the first script of Bonnie and Clyde), but with the French postwar director held in the widest respect, René Clément. Only five months after the first day of shooting, the film was screened at the 1971 Cannes Film Festival, but was not entered into the main competition.Neither Doc nor The Deadly Trap had generated much attention, either critically or financially, so <mask> accepted an offer to star in a movie for television, The Woman I Love (1972), in which she portrayed Wallis Simpson. She returned to film in 1973 with Stanley Kramer's drama, Oklahoma Crude, opposite George C. Scott. It was an ambitious project in which <mask> had to play another complex character, "a woman who is caught between her ambition and her femininity. When the film opens, she is as tough as nails, a shoot-first-and-ask-questions-later woman. Along the way, she slowly opens herself up to her estranged father and a lover. I understood that dilemma well, the conflict between ambition and love, the fear of trusting someone else with your love." The film was a modest success but <mask> received good notices for her performance.In his review of the film, Roger Ebert noted how she had never topped the work she did in Bonnie and Clyde, and said that her career had been "rather absentminded" ever since. He

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texts: praised her performance in Oklahoma Crude, saying that she played the role with "a great deal of style," while adding, "Perhaps she has decided to get back to acting." In 1972, following the filming of Oklahoma Crude, <mask> returned to the stage in an adaptation of Harold Pinter's Old Times. She found the stage more challenging than film. "Old Times affected me in a lot of very complex ways. The play itself reminded me during a difficult point in my life that there are a million facets to life. There is never just one answer.Professionally, if I hadn't taken that step to go back to the stage, in a serious way, I think I would have suffered for it." The following year, <mask> portrayed Blanche DuBois in a Los Angeles stage adaptation of Tennessee Williams's A Streetcar Named Desire. "It was a fun performance for me, but hard, very draining. At the height of the madness each night, I would go from standing straight up to falling to my knees, in one swift move." Williams himself praised <mask> for her performance, "He told me later that he thought I was brave and adorable and reminded him of a precocious child, and that my performance ranked with the very best. It was high praise indeed coming from him." Also in 1973, <mask> appeared as the villainous Milady de Winter in Richard Lester's The Three Musketeers, based on Alexandre Dumas' novel of the same name, co-starring Michael York, Oliver Reed, Richard Chamberlain and Charlton Heston.Eventually, producers decided to split the film into two parts: The Three Musketeers and The Four Musketeers (released in 1974). Critics and audiences alike praised the film for its action and its comic tone, and it was the first in a line of successful projects for


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 <mask>. Resurgence and acclaim, 1974–1981
Director Roman Polanski offered <mask> the lead role of Evelyn Mulwray in his mystery neo-noir Chinatown (1974). Although its producer, Robert Evans, wanted Polanski to consider Jane Fonda for the role, arguing that <mask> had a reputation for temperament, Polanski insisted on using Dunaway. She accepted the challenging and complex role of Mulwray, a shadowy femme fatale who knows more than she is willing to let Detective J.J. Gittes (played by Jack Nicholson) know. Dunaway got along well with Nicholson, describing him later as a "soul mate," but she clashed with Polanski, who had a reputation for being dictatorial and controlling on a set. "Roman was very much an autocrat, always forcing things.It ranged from the physical to the mental. He was very domineering and abrasive and made it clear he wanted to manipulate the performance. That approach has never worked with me." Two weeks after the filming started, the two had a confrontation that became notorious. Polanski pulled one of <mask>'s hairs out of her head, without telling her, because it was catching the light. <mask> was offended, describing his act as "sadistic" and left the set furious. "It was not the hair, it was the incessant cruelty that I felt, the constant sarcasm, the never-ending need to humiliate me."Years later, both shared their admiration for each other, with Polanski saying that their feud was not important – "It's the result that counts. And she was formidable," while <mask> admitted that "it was way too much made out of it," added that she enjoyed working with Polanski, calling him "a great director," and stated that Chinatown was "possibly the best film I ever made." Despite the

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texts: complications on the set, the film was finished, released to glowing reviews and ultimately became a classic. It made back its budget almost five times, and received 11 Academy Award nominations. <mask> received a second Best Actress nomination, and also received a Golden Globe nomination and a BAFTA nomination. Upon the release of the film, producer Robert Evans was full of praise for Dunaway. "She has everything—beauty, talent, neurosis.She's one of the great strange ones. When the lights go out and that face comes out of the dark and she looks at you with those big mysterious eyes, I tell you, it's a very compelling thing. She has something we haven't seen on the screen for a long time. She has witchery. She's a femme fatale." That same year, <mask> appeared in a television adaptation of After the Fall with Christopher Plummer. She played the lead role, which was for her "like a dream come true.As with Bonnie, I knew the territory well. Maggie (her character) was a completely wounded soul, a girl who had grown up on the wrong side of the tracks." She next played Paul Newman's fiancée who is trapped in a burning skyscraper along with several hundred other people in the all-star disaster epic, The Towering Inferno (1974). The film became the highest-grossing film of the year, further cementing <mask> as a top actress in Hollywood. Also in 1974, <mask> married Peter Wolf, the lead singer of the rock group The J. Geils Band. At this time, she felt "exhausted from the constant and intense pressures of the work," and at the last moment pulled out of The Wind and the Lion (1975), in which she was to costar with Sean Connery, to concentrate on her married life. Her next feature was Sydney Pollack's


texts: political thriller, Three Days of the Condor (1975).Her character was to be held hostage by a CIA analyst, played by Robert Redford, and <mask> was required to display fear that she might be raped. However, she had difficulty not breaking into laughter during the shoot, as "the idea of being kidnapped and ravaged by Robert Redford was anything but frightening." The film was a critical and commercial success, and <mask>'s performance, which was praised by the critics, earned her a fifth Golden Globe nomination. In his review of the film, Roger Ebert called her character "the very embodiment of pluck," and said that, "She has three lines of dialogue that brings the house down. They're obscene and funny and poignant all at once, and Dunaway delivers them just marvelously." <mask> took a break from acting and spent almost a year turning down projects. She passed on a role in Alfred Hitchcock's final film, the comic thriller Family Plot, which she later lamented.She returned to the screen in 1976 with the Holocaust drama Voyage of the Damned. The story was inspired by true events concerning the fate of the  ocean liner carrying Jewish refugees from Germany to Cuba in 1939. That same year, <mask> appeared in the Paddy Chayefsky-scripted satire Network as the scheming TV executive Diana Christensen, a ruthless woman who will do anything for higher ratings. She loved the script and later said this was "the only film I ever did that you didn't touch the script because it was almost as if it were written in verse." She pursued the role over the objections of her husband, Peter Wolf, and her confidant, William Alfred, who regarded Christensen as too heartless and were concerned that people would confuse her


texts: with the character. However, <mask> believed it was "one of the most important female roles to come along in years" and went along with Chayevsky's conception and director Sidney Lumet's warning that she would not be allowed to sneak in any weeping or softness, and that it would remain on the cutting room floor if she did. The film, a success in its own day, is frequently discussed today due to its almost prophetic take on the television industry.<mask>'s performance was lauded, with Vincent Canby of The New York Times saying that she "in particular, is successful in making touching and funny a woman of psychopathic ambition and lack of feeling." <mask>'s performance in Network earned her many awards. She was named Best Actress in the Kansas City Film Critics Awards, and she received her sixth Golden Globe nomination for Network and was awarded Best Actress in a Motion Picture – Drama. In early 1977, the Academy Awards nominated Network for ten awards, with <mask> winning the Best Actress award. Also in 1976, <mask> appeared as the lead in the made-for-television movie, The Disappearance of Aimee, in which she co-starred with Bette Davis. Following her Oscar win, Dunaway took another break from acting to figure out her personal life. As her marriage was falling apart, she began a relationship with English photographer Terry O'Neill, who took one of his most famous pictures, The Morning After, showing Dunaway poolside at the Beverly Hills Hotel with her Oscar the morning after the ceremony.In 1978, <mask> returned to the screen in Irvin Kershner's thriller Eyes of Laura Mars, about a fashion photographer who sees visions of a killer murdering people. The film was a success at the box office and <mask>

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texts: received positive reviews for her performance, with Janet Maslin writing for The New York Times that she was "perfect for her role." She played supporting roles in The Champ (1979), as the film offered her the chance to play the role of a mother, "which was emotionally where I wanted to be in my life," and The First Deadly Sin (1980), as she wanted to work with Frank Sinatra. In 1981, Dunaway played the title role in Evita Peron, a television miniseries based on the life of the famed First Lady of Argentina. That same year, <mask> portrayed actress Joan Crawford in the adaptation of her daughter Christina's controversial memoirs, Mommie Dearest, in which she had depicted her adoptive mother as an abusive tyrant, who only adopted her four children to promote her acting career, making quite a stir as the first celebrity tell-all book. Dunaway accepted the role after meeting producer Frank Yablans and director Frank Perry, who both assured her that they wanted to tell the real story of Joan Crawford and not just a tabloid version of her life. "Though Christina's book was obviously an exploitation book, the first one of its kind, my task was to portray a woman, a full woman who she was in all her facets, not just one.I tried to illuminate who this woman was. But it was more than just about being angry, it was about trying to examine and explore the forces that undermined her." To play the role, <mask> researched Crawford's films and met with many of her friends and co-workers, including director George Cukor. Filming proved difficult for her as she was almost never out of character. "If your mind is on a woman who is dead and you're trying to find out who she was and do right by her, you do feel a


texts: presence. I felt it at home at night sometimes. It wasn't pleasant.I felt Joan was not at rest." After the infamous wire hangers tantrum scene, <mask> was so hoarse from screaming that she lost her voice. Frank Sinatra drove her to see a throat specialist and shared his own tips on how to preserve her voice. The film opened in 1981 and was a commercial success despite negative reviews. <mask>'s uncanny performance earned her two Best Actress award nominations by the New York Film Critics Circle Awards and the National Society of Film Critics Awards, and was lauded by critics. Janet Maslin, while dismissing the film as incoherent, wrote that <mask>'s performance was "a small miracle" and praised her energy and commitment to the role. The frequently harsh Pauline Kael raved about Dunaway's performance, stating that she had reached new heights as an actress and surmised that it would be difficult for Dunaway to top her performance as Crawford.Vincent Canby also praised <mask>, writing that "Mommie Dearest doesn't work very well, but the ferocious intensity of <mask>'s impersonation does, as does the film's point of view, which succeeds in making Joan Crawford into a woman far more complicated, more self-aware and more profoundly disturbed than the mother remembered in Christina Crawford's book." Director Sidney Lumet stated that it was "a brilliant, an extraordinary performance. The courage of that evil that she brings to it, I think that's just major acting." Although the film became a cult classic as well as one of her most famous characters, <mask> expressed her regrets for playing Crawford, as she felt "it was meant to be a window into a tortured soul. But it was made into camp." She also blamed the

masks:
Dunaway
Dunaway
Dunaway
Dunaway
Faye Dunaway
Dunaway


texts:
 film for hurting her career and almost never agreed to discuss it in interviews afterwards. Film, television, and theatre, 1982–1999
In 1982, <mask> appeared in a television adaptation of Clifford Odets's dramatic play The Country Girl as the wife of a washed-up alcoholic singer played by Dick Van Dyke, whom she later described as "one of the sweetest and funniest men in the world", but admitted "Though it was a valiant effort on all our parts, and there were moments I thought were good and true, the remake fell short of our hopes and certainly of the original.But doing it helped remind of that I do love this business of acting, something the Crawford movie had come close to making me forget." That same year, she returned to the New York stage with William Alfred's second theatre project for her, The Curse of an Aching Heart. In her role she later felt she had been miscast, "It was a little bit too star-heavy with me in it. The play would have been better with just the simplest of women." Despite her mixed feelings about it, her performance earned her good reviews from the critics, with Frank Rich writing for The New York Times that "<mask>'s absence from the theater has not dimmed her stage technique. She's usually in command." During this time, <mask> moved to England with her partner Terry O'Neill, whom she married in 1983, and, being more interested in her married life, only took on work that was convenient for her.That same year, she returned to the screen in Michael Winner's period melodrama The Wicked Lady, in which she played an 18th-century highway robber. The film proved to be a critical and commercial failure. "Though I loved making The Wicked Lady, in the end it just didn't have the juice

masks:
Dunaway
Miss Dunaway
Dunaway


texts: it needed to be a hit. It seemed to never quite decide whether to be a farce or a drama, and so it failed by being neither." In 1984, <mask> played the lead villain in the superhero movie Supergirl. She felt that "the film was really just a send-up, a spoof, and I had a lot of fun with Selena (her character)" but later admitted she was furious with the director Jeannot Szwarc, "Every time I tried to do something funny, he wouldn't let me. He said, "you have to be the straight person".I always wanted to do comedy, but it's daunting when you've not done it before." Also in 1984, <mask> appeared in a television miniseries, Ellis Island, which earned her a second Golden Globe Award, for Best Supporting Actress – Series, Miniseries or Television Film. The following year, she starred in the miniseries, Christopher Columbus. She also appeared in two Agatha Christie adaptations, Ordeal by Innocence and Thirteen at Dinner (which was made for television). Though the work was involving, <mask> struggled to find artistically fulfilling roles during this period in England. "I missed doing movies. The television scripts I was getting were thin.There is no comparison between those and a Chinatown script." "Though I had worked steadily in England, it felt as if I had disappeared completely. I was rapidly becoming invisible. I felt increasingly that my career was being limited to, and limited by, the projects that were being mounted there." Following her divorce from O'Neill in 1987, <mask> returned to the United States and attempted to rebuild her career by appearing in several independent dramas. <mask> was widely praised for her performance as an alcoholic opposite Mickey Rourke in Barbet Schroeder's drama Barfly

masks: Dunaway Dunaway Dunaway Dunaway Dunaway


texts: (1987). Based on a novel by Charles Bukowski, the film was very important to her, as she later explained, "This character, who has given over her days and nights to a bottle, is my way back to the light.This is a role that I care deeply about. I haven't felt this passion for a character since Network. I saw the promise of a comeback for me in the deglamorized face of Wanda, a woman of sweet vulnerability." The film was a small success at the box office, but received excellent reviews from critics and <mask> earned her sixth Golden Globe Award nomination, for Best Actress – Motion Picture Drama. Pauline Kael wrote that "<mask> plays the self-destructive Wanda with a minimum of fuss... she wins your admiration by the simplicity of her effects", and Roger Ebert felt that both Rourke and Dunaway "take their characters as opportunities to stretch as actors, to take changes and do extreme things". After Barfly, which remained one of her favorite films, Dunaway tried to be careful about the roles she chose, but was also faced with the reality she had to work to support herself and her child. In 1988, she appeared in the period drama The Gamble but felt that the best part of this experience turned out to be meeting her co-star Matthew Modine.The following year, she produced and starred in an adaptation for television of Olive Ann Burns' historical novel Cold Sassy Tree. Dunaway co-starred Richard Widmark and Neil Patrick Harris as an enchanting dressmaker who lightens up the lives of a young boy and his grandfather, whom she marries to the town's disapproval. The film aired on TNT to great success and became one of Dunaway's favorite experiences. "What gave Cold Sassy its heart were the people who were


texts: involved. It was an incredible collaboration, and I treasure the experience as much as the result, of which I am extremely proud." That same year, she agreed to take part in Wait Until Spring, Bandini with Joe Mantegna as a favor to Tom Luddy, who had produced Barfly. Also in 1989, she appeared in the Italian drama Crystal or Ash, Fire or Wind, as Long as It's Love as she wanted to work with director Lina Wertmüller.In 1990, she was reunited with Robert Duvall, with whom she had co-starred in Network, in Volker Schlöndorff's adaptation of the Margaret Atwood novel of the same name, The Handmaid's Tale. The film did not do well at the box office but <mask>'s performance earned her good reviews. Roger Ebert wrote that, "Duvall and <mask> provide the best moments in the movie, he by showing the unconscious egotism of the male libido, she by showing that in all times and all weathers, some kinds of women will gauge their happiness by the degree to which their family's exterior appearance matches the accepted values of society." Double Edge (1992) by Israeli director, writer and actor Amos Kollek offered her a role she wanted to play, a New York Times reporter who has been sent to Jerusalem for three weeks to cover the Israeli-Palestinian conflict. All of these were smaller movies that never manage to draw the attention of a mass audience. The following year, <mask> accepted a supporting role in the thriller The Temp, as she felt the project had the potential to be a mainstream hit, and was a chance for her to reconnect with a larger audience. The film proved to be a critical and commercial failure.Four weeks before its release, Paramount decided to re-shoot the final scene, much to <mask>'s displeasure,


texts: as her character was going to be turned into the murderer. "Once again, I could see myself being thrown into playing the extreme — what was initially conceived as a character in the tradition of Diana in Network was being turned into a high-gloss female executive/slasher. The new ending wasn't enough to salvage the film, though. By the final scene, it didn't matter who was the killer, the film had been dead for an hour at least." Also in 1993, <mask> was cast as Johnny Depp's love interest in Emir Kusturica's surrealist comedy-drama Arizona Dream. The film, in which she played a woman who dreams of building a flying machine, premiered in Europe to great acclaim, and received the Silver Bear — Special Jury Prize at the Berlin International Film Festival. <mask> was very proud of the film, and believed that her role could bring her career to higher heights than ever.However, Warner Bros. elected to re-edit Kusturica's film, cutting and changing it. <mask> was dismayed to find that some of her best scenes were left out of the American version. Warner Bros. released the film in United States in 1994 to positive reviews, but little box office. That same year, <mask> was cast in the short-lived CBS sitcom, It Had to Be You. Around that time, she was contacted by NBC who wanted her to take on the role of a female sleuth, more in the vein of Columbo than Murder, She Wrote. As the prospective series was being developed, <mask> contacted Columbo star Peter Falk, wanting his advice on how to approach playing a sleuth character. While discussing the role, Falk told <mask> about a Columbo script that he had written himself.It's All in the Game featured a seductive woman who plays a game of cat-and-mouse with


texts: Lt. Columbo in the midst of a murder. Falk had written the script some years prior, saying that he could not find the right actress to take on the role. He offered her the role, and <mask> accepted immediately. The 1993 TV movie proved a success, nominated for several Golden Globe and Emmy Awards. <mask> was recognized with the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series, saying it was that moment when she felt like she was truly home. "I was overwhelmed by the generosity of spirit my colleagues extended me that night. It was like being wrapped up in a warm embrace.Though this is more often than not a town of grand illusions and transitory friendships, the moment seemed heartfelt, and touched me deeply." With the prospective detective show not working out, Dunaway became interested in returning to the stage. She auditioned to replace Glenn Close in the musical Sunset Boulevard, a stage version of 1950 film of the same name. The composer and producer Andrew Lloyd Webber cast <mask> in the famed role of Norma Desmond, and <mask> began rehearsing to take over the LA engagement when Close moved the show to Broadway. Tickets went on sale for <mask>'s engagement, but shortly after the rehearsals started, Webber and his associates announced that Dunaway was unable to sing to their desired standards. They announced that when Close finished her engagement, the show would shut down completely. Dunaway filed a lawsuit, claiming that Webber had damaged her reputation with his claims.The case went to court and a settlement was later reached, but <mask> and the producers have not discussed it. In 1995, <mask> reunited with Johnny Depp in the romantic comedy Don Juan DeMarco, in which she


texts: played Marlon Brando's wife. A hit at the box office, the film was praised for its romance and the performances of the three main characters. That same year, Dunaway published Looking for Gatsby, a memoir she co-wrote with Betsy Sharkey, which earned her great reviews. Mark Harris of Entertainment Weekly wrote in his review of the book that "to read her accounts of her Oscar-nominated performances as the taut, sexy, neurotic femmes fatales of Bonnie and Clyde, Chinatown, and Network is to learn from an expert about the instincts, collaborations, and compromises that go into great film acting". The following year, Dunaway was awarded a star on the Hollywood Walk of Fame and starred in the family comedy Dunston Checks In, the crime thriller The Chamber, which reunited her with her Bonnie and Clyde co-star Gene Hackman, and the directorial debut of actor Kevin Spacey, Albino Alligator. Also in 1996, Dunaway returned to the stage, playing famed opera singer Maria Callas in the U.S. national tour of the Tony Award winning play Master Class by Terrence McNally.Callas was one of <mask>'s favorite characters she ever played. "That woman changed an art form, and not many people can say that. Callas is to opera what Fellini is to cinema." Similarities were made by the press between the career and personalities of Callas and <mask> as both were seen as perfectionists whose run-ins with directors had them castigated as prima donnas. "I think the play is really about what it takes to do something in life, and its original in that, because there's not a play I know of that has been written about that. This is about an uncompromising artist and a professional who will stop at almost nothing to serve the art that


texts:
 she loves. She said it over and over again in many of her interviews: "It's not a question of discipline, it's a question of love, of what you do out of the passion for your art."And she's right. She was all about feeling — that's why I love this role so much." The tour was a great success and earned <mask> rave reviews for her performance, as well as the Sarah Siddons Award. Her performance as the matron of a wealthy Jewish family in turmoil in the drama The Twilight of the Golds (1997) earned her a Screen Actors Guild Award nomination for Outstanding Performance by a Female Actor in a TV Movie or Miniseries. In 1998, she starred with Angelina Jolie in Gia, a biographical film about the rise and fall of supermodel Gia Carangi. Playing the small but key role of Carangi's agent, <mask> was well reviewed and won her third Golden Globe Award, for Best Supporting Actress – Series, Miniseries or Television. The following year, <mask> appeared in the remake of The Thomas Crown Affair, and Roger Ebert argued in his review of the film that she "had more electricity in 1968 and still does" compared to actress Rene Russo who was cast in her original role.Also in 1999, <mask> portrayed Yolande of Aragon in Luc Besson's historical drama The Messenger: The Story of Joan of Arc. Independent films and hiatus, 2000–2015

In 2000, <mask> appeared in the James Gray-directed crime film The Yards as Charlize Theron's mother. Although failing to perform at the box office, the film was received with positive reviews. That same year, she turned down the opportunity to play a drug addict in Requiem for a Dream and the role went to Ellen Burstyn, who received an Academy Award nomination for her performance. In 2001,


texts: <mask>'s role in Running Mates earned her a Golden Globe nomination for Best Supporting Actress in a Series, Miniseries or Television Film. In 2002, she played Ian Somerhalder's rich Xanax-popping mother in Roger Avary's adaptation of Bret Easton Ellis' novel, The Rules of Attraction. She served as a judge on the 2005 reality show The Starlet, which sought, American Idol-style, to find the next young actress with the potential to become a major star.In 2006, <mask> guest-starred in Kiss Kiss, Bye Bye an episode of the crime drama CSI: Crime Scene Investigation because she was a huge fan of the show. She also appeared on Touched by an Angel, Alias and Grey's Anatomy. In 2008, <mask> agreed to star in a low-budget Welsh horror film, Flick, for a fraction of her usual $1 million fee after falling in love with the script. She called the writer and director David Howard personally to accept the part of a one-armed American detective, saying it was "a really original story". The film premiered at the Raindance Film Festival. That same year, she criticized Hollywood's treatment of older women, saying: "I am furious that they think I'm too old to play the love interest of guys like Jack Nicholson and Clint Eastwood. Why should I play sisters and mothers while guys like Jack and Clint, who are older than me, have on-screen lovers half their age?"In 2009, <mask> began shooting a film version of the McNally play Master Class, starring herself as Maria Callas, Al Pacino (as Aristotle Onassis), Val Kilmer, Alan Cumming, her son <mask> O'Neill and lyric soprano Danielle de Niese (the latter two as opera students). As film roles became more difficult to find, <mask> bought the rights to the play after the 1997 tour

masks:
Dunaway
Dunaway
Dunaway
Dunaway
Liam Dunaway
Dunaway


texts: and announced her intention of writing, directing and starring in the film. The production however was a disaster and financing the project has been one of the many obstacles. "I want to do it my way. I'm not going to sell it out to a studio. You have to raise money. You have to get private investors and it takes a long time to get it right.It takes 10 years. People hear <mask> and think she has a lot of money, but I don't because I've spent a lot. Not tonnes. I spent what I want to spend on this movie and you have to have skin in this game. You have to take risks." In 2013, she confirmed that she had completed the first half of the film and planned to shoot the rest soon after. However, it was announced in June 2014 that after nearly 20 years of owning the film rights, <mask> had decided to withdraw from the project.In 2011, a photo of <mask> taken by Jerry Schatzberg in 1970 was chosen as the 64th annual Cannes Film Festival poster backdrop. The festival organizers described it as a "Model of sophistication and timeless elegance, it is an embodiment of the cinematic dream that the Festival de Cannes seeks to maintain". During the festival, <mask> and Schatzberg appeared at a special screening of Puzzle of a Downfall Child, earning a standing ovation upon their entrance. In 2013, <mask> was the first recipient of the Leopard Club Award and made a rare personal appearance at the Locarno International Film Festival to accept the award. In 2014, <mask> was recognized as the guest of honor by the Lumière Film Festival. Organizers praised the "immense contribution she has made to the emergence of the independent American films of the sixties and seventies, and the contribution is of the highest caliber".

masks:
Faye Dunaway
Dunaway
Dunaway
Dunaway
Dunaway
Dunaway


texts:
 Her attendance at the festival was described as an "exceptional event".<mask> received a standing ovation by a crowd of 5,000, and declared in an emotional speech following the tribute she received, "My fans and my friends have supported me in this search for all these years, and I thank you from all of my heart, and without you, I would not be the same <mask>." Also in 2014, <mask> had to pull out of a French drama called Macadam Stories, in which she was going to play the lead, due to health issues, and was replaced by Isabelle Huppert. The following year, it was announced that <mask> was writing a book about her experiences making Mommie Dearest but the project never materialized. Return to film and theatre, 2016–present
In 2016, <mask> made a rare public appearance at the TCM Classic Film Festival where she hosted a screening of Network and also joined in conversation with Ben Mankiewicz for a Q&A session in which she discussed her decades-spanning career. Although she stated in a 2013 interview she felt her acting career was "pretty much over", <mask> told Mankiewicz she had no intention to retire: "We live for work. We live for what we do. I just want to keep working.It's where I'm happiest." That same year, she was cast in a supporting in the second season of Hand of God but was ultimately replaced by Linda Gray due to "some scheduling conflicts and some other issues" according to Ben Watkins, creator of the show. Also in 2016, Dunaway guest-starred as herself in the season finale of season two of the mockumentary series Documentary Now!. In 2017, Dunaway returned to acting with a cameo role in the horror-thriller The Bye Bye Man, a small part in the Christian drama The Case for Christ and a

masks:
Dunaway
Faye Dunaway
Dunaway
Dunaway
Dunaway
Dunaway


texts: supporting role in the psychological thriller Inconceivable,  also starring Nicolas Cage and Gina Gershon. The critic Frank Scheck of The Hollywood Reporter found "distressing that Dunaway can't find more dignified projects at this point in her estimable career". Also in 2017, Dunaway reunited with her Bonnie and Clyde co-star Warren Beatty at the 89th Academy Awards, in celebration of the film's 50th anniversary. After being introduced by Jimmy Kimmel, they were given a standing ovation as they walked out onto the stage to present the Best Picture Award.They were given the wrong envelope and <mask> incorrectly announced La La Land as Best Picture, instead of the actual winner, Moonlight. This became a social media sensation, trending all over the world. <mask> was left "completely stunned" when Oscars crew members came on stage to explain that there had been a mistake and later said she felt "very guilty" about the incident, describing it as "one of the worst moments I've ever had". That same year, <mask> was honored at the Dallas International Film Festival where she was presented with the Dallas Star Award. In 2018, <mask> and Beatty returned to present Best Picture at the 90th Academy Awards, earning a standing ovation upon their entrance, making jokes about the previous year's flub. In 2019, more than thirty years since her performance in The Curse of the Aching Heart, <mask> planned to return to Broadway with an updated version of Matthew Lombardo's one-woman play Tea at Five, which was first staged at Hartford Stage in 2002. She would portray Katharine Hepburn being particularly drawn to the complexities of the play and the character, saying, "Hepburn was a brilliant actress.Her aura on screen


texts: was unique. That, coupled with the wide array of roles she played, made her an inspiration to me and many others. She had a lot of class, too, and the innate ability to project intelligence, both on and off screen. You can't help but want to explore that and learn more about her." The three week try-out in Boston met critical appreciation: Patti Hartigan of The Boston Globe felt that <mask> gave a "bravura performance" and wrote that she "inhabits the role and goes beyond mere mimicry. Of course, she captures The Voice – waspy, reedy, patrician – but she also brings a mix of fragility and strength to the role, maintaining the straight spine but also letting that stiff upper lip quiver ever so slightly when grief overtakes her." Christopher Caggiano of The Arts Fuse gave the play a mixed review but praised <mask>, writing that she "does manage to remind us why, despite her relative absence from the stage and the screen in the last 30 years, she remains a Hollywood legend.She has a palpable emotional intensity, and gives you the sense that entire scenes are playing out behind her eyes as part of her backstory. She's a legend for a reason." Tea at Five was pitched to be her triumphant return to Broadway. However, following three weeks at the Huntington Theatre Company in Boston, <mask> was released from the play, reportedly due to altercations between her and crewmembers. An assistant fired by Dunaway filed a lawsuit against the actress in August 2019 alleging homophobic verbal harassment. <mask> will next appear in Visceral, a film directed by Frédéric Jardin also starring Georgina Campbell. In July 2021, Variety reported that Dunaway appears in the new controversial film The Man Who Drew God.Legacy


texts:
 and reputation
<mask> is regarded as one of the greatest and most beautiful actresses of her generation, as well as a powerful emblem of the New Hollywood. Director John Huston, who played <mask>'s father in Chinatown, stated in a 1985 interview that he found her to be "quite extraordinary". Robert Evans, who produced Chinatown, also described her as "extraordinary", and affirmed that "no one could've played her part as well". Stephen Rebello of Movieline wrote in a 2002 article, "Though fiercely modern, an ideal female analog for screen machos like Steve McQueen and the young Jack Nicholson, she also radiated the stuff vintage movie stars are made of. Any actress today would be lucky to have a fraction of her films on her resume." Cannes Film Festival artistic director Thierry Fremaux said, "She has one of the most wonderful filmographies of any actress. Look at her movies from the '70s for example – she only made good choices.She's had an incredible career." Through her career, Dunaway worked with many of the 20th century's greatest directors—Elia Kazan, Sidney Lumet, Arthur Penn, Roman Polanski, Sydney Pollack and Emir Kusturica among them, and several of the films she starred in became classics. In 1998, the American Film Institute ranked Bonnie and Clyde, Chinatown and Network on their list of the 100 best American movies ever made. Her roles as Bonnie Parker and Joan Crawford were respectively named 32nd and 41st on the AFI's list of the fifty greatest screen characters in the villain category. Elizabeth Snead wrote in her review for USA Today of <mask>'s memoirs that she was "the epitome of a modern, mature, sexy woman" and Mark Harris of Entertainment Weekly felt that "<mask> is a rarity in

masks:
Dunaway
Dunaway
Dunaway
Faye Dunaway


texts: the land of stars (and star bios) – a tough, smart, committed pro". In 1994, <mask> was ranked 27th by People Magazine on a list of the 50 most beautiful people and in 1997 she was ranked 65th by Empire Magazine on a list of the 100 top stars in film history. Famously demanding, with an attention to detail that sometimes drove costars and directors mad, Dunaway believed she was often mistaken for being as cold and calculating as some of the women she portrayed.Her clashes with Roman Polanski on the set of Chinatown earned her a reputation for being difficult to work with. Upon the release of the film, Polanski told a reporter for Rolling Stone that he considered <mask> "a gigantic pain in the ass", but added that he had "never known an actress to take work as seriously as she does. I tell you, she is a maniac." Bette Davis described <mask> as the worst person she had ever worked with in an interview with Johnny Carson in 1988, calling her "totally impossible", "uncooperative', and "very unprofessional". <mask> denied Davis' claims in her autobiography, writing "Watching her, all I could think of was that she seemed like someone caught in a death throe, a final scream against a fate over which no one has control. I was just the target of her blind rage at the one sin Hollywood never forgives in its leading ladies: growing old." In his 1996 book Making Movies, Sidney Lumet slammed <mask>'s reputation for being difficult as "totally untrue", and called her a "selfless, devoted, and wonderful actress".Director Elia Kazan described <mask> as "a supremely endowed, hungry, curious, bright young talent", and added: "<mask> is a brilliant actress and a shy, highly-strung woman. She is intelligent, and she is

masks: Dunaway Dunaway Dunaway Dunaway Dunaway Dunaway Faye


texts:
 strong-willed." Like Lumet, Kazan felt she was not difficult, but a perfectionist who was never satisfied. "The artist is rarely, if ever, satisfied. The artist is frequently grateful and intermittently amazed, but he or she is never satisfied. That <mask> is unlikely to be satisfied with her efforts—or those with whom she works—is not a caprice; it is not the willful misbehavior of a spoiled actress: This is how artists operate." Johnny Depp, who co-starred with <mask> in Arizona Dream and Don Juan deMarco, called her a misunderstood artist."She's just uncompromising as an actress, and I think that's a positive thing." Maria Elena Fernandez of the Los Angeles Times wrote in a 2005 article about Dunaway that "in her case, the behavior many call 'difficult' seems clearly linked more to passions than to ego". In her autobiography Looking for Gatsby, Dunaway confronted this reputation and described herself as a "perfectionist":

Personal life
In 1962, Dunaway started a romance with stand-up comedian Lenny Bruce that lasted for a year. She was engaged to photographer Jerry Schatzberg from 1967 to 1968. The two remained friends and <mask> later starred in his first film as a director, Puzzle of a Downfall Child (1970). During the filming of A Place for Lovers (1968), Dunaway fell in love with her co-star Marcello Mastroianni. The couple had a two-year-live-in relationship.<mask> wanted to marry and have children, but Mastroianni, a married man, could not bear to hurt his wife and refused, despite protests from his teenage daughter Barbara and his close friend Federico Fellini. <mask> decided to leave him and told a reporter at the time that she "gave too much. I gave things I have to save for my work".

masks: Faye Dunaway Dunaway Dunaway Dunaway


texts:
 She later recalled in her 1995 autobiography:

Mastroianni later told a reporter for People magazine in 1987 that he never got over his relationship with <mask>. "She was the woman I loved the most", he said. "I'll always be sorry to have lost her. I was whole with her for the first time in my life."In 1974, Dunaway married Peter Wolf, the lead singer of the rock group The J. Geils Band. Their career commitments caused frequent separations and the two divorced in 1979. She met her second husband, the British photographer Terry O'Neill, when he was assigned by People magazine to take pictures of Peter Wolf and of her in 1977. They married in 1983 and Dunaway credited O'Neill with being "the one person responsible for helping me grow up to womanhood and a healthy sense of myself". Their child, <mask> O'Neill, was born in 1980. In 2003, despite Dunaway's earlier indications that she had given birth to Liam, Terry O'Neill revealed that their son was adopted. After the divorce from O'Neill, Dunaway dated English author Frederick Forsyth.She then had a three-year relationship (1988 to 1991) with Warren Lieberfarb, Home Video president of Warner Bros. Her most recent publicized romantic attachment was with French actor Bernard Montiel in the mid-1990s. In a rare interview for Harper's Bazaar in 2016, <mask> said she felt that "it's important to have a partner, probably," but she described herself as "a loner," and added "I kind of like to be alone and do my work and, you know, be focused on my own things." <mask> is a devout Catholic and has said that she attends morning Mass regularly. She converted in 1996 and, until then, was a lifelong Protestant. Awards and nominations

Filmography

Select

masks:
Dunaway
Liam Dunaway
Dunaway
Dunaway


texts:
 filmography

Select theatre roles:

Bibliography

Citations

Sources

External links

1941 births
20th-century American actresses
21st-century American actresses
Actresses from Florida
American film actresses
American people of English descent
American people of German descent
American people of Scotch-Irish descent
American television actresses
BAFTA Most Promising Newcomer to Leading Film Roles winners
Best Actress Academy Award winners
Best Drama Actress Golden Globe (film) winners
Best Supporting Actress Golden Globe (television) winners
Boston University College of Fine Arts alumni
Catholics from Florida
Converts to Roman Catholicism from Protestantism
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texts: <mask> (; born 11 August 1987) is an Indonesian badminton player specializing in doubles. She won gold medals in the women's doubles at the 2014 Asian Games, at the 2019 Southeast Asian Games and at the  2020 Summer Olympics. She also won three bronze medals at the World Championships in 2015, 2018, and 2019. <mask> is a member of BWF Athletes' Commission to represent the needs and views of athletes to the BWF council and committees from 2013 to 2017 and 2021 to 2025. Having started her career at the Jaya Raya in Jakarta, she later was selected to join the national team in 2003. <mask> represented her country in the 2012, 2016 and at the 2020 Summer Olympics. She also featured in the Indonesian women's winning team at the 2007 Southeast Asian Games.She reached a career high of world number 2 in the BWF women's doubles rankings alongside Nitya Krishinda Maheswari. <mask>'s achievements began when she was paired with Jo Novita, winning a Grand Prix title, two silver medals at the Southeast Asian Games in 2005 and 2007, and a bronze in the 2005 Asian Championships. Together with Maheswari, she collected 2 Superseries titles, 3 Grand Prix titles, a gold at the 2014 Asian Games, a silver at the 2013 Southeast Asian Games, and bronze medals at the 2015 World and 2016 Asian Championships. She made a new partnership with the youngster Apriyani Rahayu in 2017. Together with Rahayu, she won her first women's doubles gold at the Southeast Asian Games in 2019, her first title on home soil at the 2020 Indonesia Masters, and  Indonesia's first ever women's doubles gold at the 2020 Summer Olympics. Early

masks:
Greysia Polii
Polii
Polii
Polii


texts:
 life
<mask> <mask> was born in Jakarta to <mask> and Evie Pakasi, both of Minahasa descent native to North Sulawesi. She is the third of five siblings.She lived in Jakarta until her dad died when she was only 2, and moved to Manado, where she spent her childhood. She was influenced to play badminton by her sister, and by former national player Deyana Lomban. Her talent was already apparent by the time she was six years old. Recognizing her talent, she and her mother moved back to Jakarta in 1995 for better training and a chance to develop her career as a badminton player, joining the Jaya Raya Jakarta club. She idolized Susi Susanti and Zhang Ning. At the club, her coach Retno Kustijah noticed her talent as a doubles player, and when Polii was 14, she made the decision to switch from singles to doubles. She made it to the national team in 2003.Career

2003–2005: Early career and National Championships title
Starting her career as a women's and mixed doubles player, <mask> began to show her abilities at the age of 16. Partnered with Heni Budiman, she reached the semi-final stage in the 2003 Malaysia Satellite tournament. As a national team player, she won her first National Championships title with Budiman. The duo defeated East Kalimantan pair Indarti Issolina and Angeline de Pauw 8–15, 15–8, 15–7. In 2004, <mask> helped the national junior team win the girls' team bronze at the Asian Junior Badminton Championships and mixed team bronze at the World Junior Championships. She also claimed the World Junior silver in the mixed doubles with Muhammad Rijal, and the bronze medal in the girls'

masks:
Greysia
Polii
Willy Polii
Polii
Polii


texts:
 doubles with Budiman. She made her debut with the national team at the Uber Cup in 2004, where the team made the quarter-finals.Her best achievements in individual events during the year were reaching the quarter-finals at the Chinese Taipei Open and the Malaysia Open. In 2005, Polii won bronze medals at the Asian Junior Championships in the girls' team and doubles (with Heni Budiman). In March, she and Budiman finished as the semi-finalists in the Swiss Open. Due to the hip injury suffered by Budiman at the Swiss Open, <mask> made a new partnership with her senior Jo Novita in the beginning of 2005, and the duo won the bronze at the Asian Championships, as well as silver at the Southeast Asian Games. At the World Grand Prix event, the <mask>-Novita partnership were semi-finalists at the Singapore and Hong Kong Open. <mask> helped Indonesia reach the final stage of the Sudirman Cup, but the team lost 0–3 to China. 2006–2008: World Grand Prix title
In 2006, Polii began her season competing at the All England Open.Together with Jo Novita, she lost in the second round to the third seeds from China, Yang Wei and Zhang Jiewen, in straight games. In May, <mask> won her first IBF World Grand Prix title at the 2006 Philippines Open partnered with Novita. In the final they beat their compatriots Endang Nursugianti and Rani Mundiasti in straight games 21–16, 21–13. She also paired with Muhammad Rijal in the mixed doubles, losing in the semi-finals to the eventual champions from Thailand, Sudket Prapakamol and Saralee Thungthongkam. At the Indonesia Open held in Surabaya, <mask>'s run was ended by a

masks: Polii Polii Polii Polii Polii


texts: partnership featuring Zhao Tingting in both the women's and mixed doubles. In June, <mask> reached the semi-finals in the mixed doubles and quarter-finals in the women's doubles at the Singapore Open. On the East Asian tour held in July–August, her best achievement was being a finalist at the Korea Open - she and Novita were defeated by Yang Wei and Zhang Jiewen by a score of 10–21, 11–21.Together with Novita, she qualified to compete at the World Championships held in Madrid. The duo were defeated in the third round to first seeds and eventual champions from China Gao Ling and Huang Sui. Ranked as world number 10 in the women's doubles with Novita, <mask> was ousted in the second round of the Japan Open both in the women's and mixed doubles. In the mixed doubles with Rijal, they lost to two-times Olympic champion Zhang Jun and Gao Ling in a rubber game 16–21, 22–20, 7–21. In November, the second seeded Polii-Novita reached the semi-finals of the Denmark Open before being defeated by Polish pair Kamila Augustyn and Nadieżda Kostiuczyk in a close rubber game 13–21, 21–19, 19–21. In December, she represented her country at the 2006 Doha Asian Games, but failed to contribute any points to the team, where Indonesia women's team fell in the repechage to the semi-finals stage. Due to an injury suffered by Novita during the matches against Malaysia in the group stage, <mask> was paired with Pia Zebadiah Bernadeth in the individual event, but they were upset in the second round by Japanese pair Miyuki Maeda and Satoko Suetsuna.She ended the 2006 season standing as world number 9 in the women's

masks: Polii Polii Polii


texts: doubles. <mask> opened the 2007 season by playing at the Malaysia Open with new partner Vita Marissa. The duo advanced to the final, but were unable to defeat the three times World Champion Gao Ling and Huang Sui, although they forced the Chinese pair to play a deciding game. Seeing that this new couple had good prospects, the women's doubles coach Aryono Miranat continued their partnership. In the following tournaments, although they did not win a title, the pair managed to become semi-finalists at the Swiss Open and quarter-finalists at the All England and Singapore Open. In Switzerland, <mask> also finished as the finalist in the mixed doubles with Muhammad Rijal. In June, she helped Indonesia finish second to China in the Sudirman Cup.In July, after Jo Novita recovered from an injury, the duo teamed up again and participated in the Thailand Open, China Masters, and Philippines Open. Their best results were when she and Novita reached the semi-finals in the Philippines. In the quarter-finals, they were able to beat the third seeds from China, Yang Wei and Zhao Tingting, in two close games 25–23, 24–22. In August, <mask> played at the World Championships in the women's and mixed doubles. In the second round of the women's doubles, she had to retire from the tournament due to an injury to her right knee ligament. On the European tour in October–November, her best result was a semi-final appearance in the French Open. At the National Championships held in Solo, teamed up with Novita, <mask> successfully defended the title she won two years ago with Heni Budiman.In December, she featured in

masks: Polii Polii Polii Polii


texts:
 the Indonesian women's winning team at the Southeast Asian Games in Nakhon Ratchasima, Thailand, and won her second women's doubles silver at the Games. In the first half of the 2008 season, together with her partners Jo Novita and Muhammad Rijal, <mask> did not have satisfactory results, as her best achievements were being a women's doubles quarter-finalist in the German, All England, Indonesia, and Asian Championships. She was also a mixed doubles quarter-finalist in Korea, Germany, and India. In May, <mask> helped Indonesia reach the final of the Uber Cup held in Jakarta, where the team finished as the runner-up. <mask> later teamed up with Nitya Krishinda Maheswari in the women's doubles and with Flandy Limpele in the mixed doubles. Her best results with her new partner was as a women's doubles semi-finalist in the Denmark Open, defeating the 7th seeds Cheng Shu and Zhao Yunlei in the second round, and finishing as a mixed doubles quarter-finalist in the Japan Open and China Masters. Despite not being paired-up with Novita in the remaining 2008 tournaments, they were qualified to compete at the inaugural Superseries Masters Finals held in Kota Kinabalu, Malaysia.The duo reached the semi-finals, where they were defeated by their compatriots Liliyana Natsir and Vita Marissa in straight games 19–21, 17–21. 2009–2012: National Championships double crowned, Olympic Games black card
In 2009, Polii focused on one discipline, playing only in the women's doubles with Nitya Krishinda Maheswari. Even though she fell in the early stages of two Europe tour events, the All England and Swiss Open,


texts: she reached the finals of Singapore Open. She and her partner beat the world number one Chin Eei Hui and Wong Pei Tty from Malaysia in the quarter-finals, followed by ninth-placed Lena Frier Kristiansen and Kamilla Rytter Juhl from Denmark in the semi-finals. In May, she was part of the Indonesia team who finished as semi-finalists in Sudirman Cup held in Guangzhou. <mask> and Maheswari played at the World Championships in Hyderabad, India, as 13th seeds. Their journey at the championships stopped in the third round with defeat to the 2008 Olympic gold medalists, the 5th seeded Du Jing and Yu Yang in straight games 20–22, 12–21.She later managed to reach the semi-finals in the Japan and French Open, but was beaten by Chinese pair Ma Jin and Wang Xiaoli in both tournaments. In December, <mask> participated at the Southeast Asian Games in Vientiane, Laos. She won the silver medal in the women's team, and as second seeds in the individual women's doubles event, she and Maheswari had a bye in the first round, but their progress was stopped by young Thai pair Savitree Amitrapai and Vacharaporn Munkit in the quarter-finals. As a pair with Maheswari, she spent time inside the top 10 of the BWF rankings. In January 2010, <mask> was crowned a double champion at the 2009 National Championships, winning the women's doubles with Meiliana Jauhari, and the mixed doubles with Tontowi Ahmad. As a new pair, the <mask>–Jauhari partnership were considered successful at the Super Series stage, they were the semi-finalists in the Singapore Open; quarter-finalists in All England, Indonesia Open, and China


texts: Masters. The pair were also the finalists in the Macau and Indonesia Grand Prix Gold.She also was a quarter-finalist at the Asian Championships both in the women's doubles with Jauhari and the mixed doubles with Ahmad, and part of the national team that won the bronze medal at the Uber Cup and Asian Games. At the end of the season, she was ranked as women's doubles world number 9 in the BWF World ranking, and number 8 in the Super Series ranking, made her able to compete at the Super Series Finals in Taipei, though she did not advance to the semi-final, after placed third in the group stage. In 2011, <mask> alongside Meiliana Jauhari was not able to win a title. Her best results at the Super Series event was the semi-finals in the India Open; she was also a quarter-finalist in Singapore and Indonesia Open. In the second round of the Indonesia Open, a Super Series Premier event, <mask> received a yellow card from the umpire, for taking too much time during a close match against Ma Jin and Pan Pan. At the Grand Prix event, she was a finalist in the Chinese Taipei Open; semi-finalist in Malaysia and Swiss Open. Together with Jauhari, she competed at the World Championships in London.The duo lost in the quarter-finals to Miyuki Maeda and Satoko Suetsuna, worsening their head-to-head record against that pair to 0–4. <mask> was part of the national team that won the bronze medal at the Sudirman Cup, where Indonesia lost in the semi-finals to Denmark by a score of 1–3. In 2012, <mask> started the season by making the quarter-finals in the Korea Open Super Series Premier with her partner Meiliana


texts:
 Jauhari. She later was defeated in the early rounds of some tournaments, including the Super Series event of Malaysia, All England, and the India Open. In June, she reached the semi-finals of Indonesia and the Singapore Open. She managed to reduce her head-to-head deficit against the Japanese pair Miyuki Maeda and Satoko Suetsuna to 1–4, after she and Jauhari beat them in quarter-finals of the Indonesia Open. At the 2012 Summer Olympics, <mask> and her partner Meiliana Jauhari, along with Jung Kyung-eun and Kim Ha-na, Ha Jung-eun and Kim Min-jung of South Korea, and Wang Xiaoli and Yu Yang of China were disqualified from the competition for "not using one's best efforts to win a match" and "conducting oneself in a manner that is clearly abusive or detrimental to the sport" following matches the previous evening during which they threw the match.<mask> <mask> and her partner Meiliana Jauhari played against South Korea's Ha Jung-eun and Kim Min-jung. Indonesia filed an appeal to the case,  but it was withdrawn. 2013–2015: First Grand Prix Gold, Super Series, and Asian Games champion

In 2013, <mask> started the season with Meiliana Jauhari, but was defeated in the initial round of Korea and Malaysia Open. <mask> later paired with youngster Anggia Shitta Awanda, a silver medalist at the 2011 World Junior Championships. The <mask>-Awanda partnership did not last long, with their best result in four tournaments being the quarter-finals of the New Zealand Open. In March, <mask> was elected to serve a four-year term as a member of BWF Athletes' Commission to represent the needs and views of

masks: Polii Greysia Polii Polii Polii Polii Polii


texts: athletes to the BWF council and committees. In preparation for Indonesia's participation in the Sudirman Cup in Kuala Lumpur, <mask> resumed her partnership with Nitya Krishinda Maheswari.In their first game back together in Kuala Lumpur, the pair managed to contribute one point for Indonesia against India. At the second tournament for <mask> and Maheswari after four years separated, she finally won her first Grand Prix Gold title in the Thailand Open. She and Maheswari beat Japanese pair Yuriko Miki and Koharu Yonemoto in the final with the score of 21–7, 21–13. At the Super Series event, they later finished as semi-finalists in Singapore and the French Open; also quarter-finalists in Indonesia Open and China Masters. In the French Open, she and Maheswari beat the world number one and first seeded pairing from China, Wang Xiaoli and Yu Yang in a close rubber game, 21–17, 14–21, 23–21. In December, she won her third women's doubles silver medal at the Southeast Asian Games held in Myanmar. In 2014, <mask> began the season as a semi-finalist in the Korea Open and quarter-finalist in the Malaysia Open with Nitya Krishinda Maheswari.In March, she became a finalist in the Swiss Open Grand Prix Gold after beating the first seeded Christinna Pedersen and Kamilla Rytter Juhl in the quarter-finals and the 7th seeded Luo Ying and Luo Yu in the semi finals. Later she and Maheswari were defeated by the 2nd seeded Bao Yixin and Tang Jinhua 21–19, 16–21, 13–21. In four meetings against Bao and Tang, each match had ended with a rubber game, and after the loss in Switzerland, the head-to-head record


texts: between the pairs stood at 0–4. At the quarter-finals of the Singapore Open, she and Maheswari were defeated for fifth time by Bao and Tang, this time losing in two close games 20–22, 20–22. In May, she participated at the Uber Cup held in New Delhi, but the team were eliminated in the quarter-finals. In June, she competed in the Indonesia Open in the women's doubles with Maheswari and mixed doubles with Kevin Sanjaya Sukamuljo. In both events, she lost in the second round, but in the mixed doubles, she and Sukamuljo were able to upset the defending champions and world number one Zhang Nan and Zhao Yunlei in the first round with the score of 15–21, 21–18, 23–21.In July 2014, <mask> claimed her second BWF Grand Prix Gold title with Nitya Krishinda Maheswari in the Chinese Taipei Open, beating Wang Xiaoli and Yu Yang in the final. She qualified to compete in the World Championships in Copenhagen, but lost to Reika Kakiiwa and Miyuki Maeda in the quarter-finals. In September, <mask> won the women's doubles gold medal at the Asian Games in Incheon, South Korea, partnered with Maheswari. En route to the gold medal, she and Maheswari beat 3rd seeds Kakiiwa and Maeda in the quarter-finals, 2nd seeds Tian Qing and Zhao Yunlei in the semi-finals, and 1st seeds Misaki Matsutomo and Ayaka Takahashi in the final. After finishing as quarter-finalists in the China Open, and semi-finalists in the Hong Kong Open, she and Maheswari played in the Dubai World Superseries Finals, but had to retire from the competition due to an injury suffered by Maheswari in the opening match against Kakiiwa and Maeda. In

masks: Polii Polii


texts:
 2015, <mask> opened the season as a quarter-finalist in the Malaysia Masters partnered with Nitya Krishinda Maheswari. She and her partner were also eliminated in the quarter-finals of All England, Malaysia, and Australia Open.In May, she was part of the Indonesia team that won the bronze medal of Sudirman Cup in Dongguan, China. In June, she and Maheswari made it to the final of the Indonesia Open, but they were not able to win the title after losing to Tian Qing and Tang Jinhua in the final. <mask> and Maheswari managed to retain their title in the Chinese Taipei Open after beating world number one Misaki Matsutomo and Ayaka Takahashi in the semi-finals, and the second seeded world number 3 Luo Ying and Luo Yu in the final. In August, <mask> and Maheswari won a bronze medal in the World Championships in Jakarta. A month later, they then captured their first Super Series title in the Korea Open. At several Super Series tournaments at the end of 2015, she finished as a semi-finalist in French, Hong Kong, and Dubai World Superseries Finals, and as a finalist in a Grand Prix Gold event, the Indonesian Masters. She and Maheswari ended the season as world number 3 in the BWF World rankings.2016: World number 2, and Rio Olympics

In January, <mask> and Nitya Krishinda Maheswari reached a career high as world number 2 in the women's doubles. She and Maheswari started the season in March, and finished as semi finalists in the German Open, losing in the final to Thai pair Puttita Supajirakul and Sapsiree Taerattanachai in a close rubber game. In April, the duo also reached the semi-finals in


texts:
 India and the Malaysia Open, and then they won their second Super Series title together in the Singapore Open without stepping on court, after their opponents Misaki Matsutomo and Ayaka Takahashi withdrew from the final match due to an injury suffered by Matsutomo in the semi-finals. <mask> and Maheswasi won the bronze medal in Asian Championships held in Wuhan, losing in the semi-finals to Naoko Fukuman and Kurumi Yonao in a close rubber game by the score of 21–13, 19–21, 22–24. The match lasted two hours, 41 minutes, setting a record for the longest badminton match ever. In May, she alongside the Indonesian women's team competed in the Uber Cup in Kunshan, China, but the team lost in the quarter-finals to South Korea. In June, <mask> and Maheswari finished as runners-up in the Australian Open, defeated by Bao Yixin and Chen Qingchen.She made her second appearance at the Summer Olympics in Rio de Janeiro, Brazil, this time with Maheswari. The duo won three matches in the group stage and advanced to the knocked-out stage. In the quarter-finals, they lost to Chinese pair Tang Yuanting and Yu Yang in straight games 11–21, 14–21. At the European tour in October, she and her partner reached the semi-finals in Denmark and quarter-finals in the French Open. The duo were qualified for the BWF Superseries Finals. However, they withdrew from the tournament due to Maheswari's scheduled knee surgery and their position was taken by Vivian Hoo and Woon Khe Wei. 2017: New partner, French Open and second Thailand Open title
Due to an injury suffered by Maheswari, Polii tried partnerships with Rosyita


texts:
 Eka Putri Sari and Rizki Amelia Pradipta.Together with Putri Sari, she reached the semi-finals in the Thailand Masters, losing to Chen Qingchen and Jia Yifan, while with Pradipta, the duo lost in the second round of the European tour in the German, All England and Swiss Open. In May, <mask> partnered with Apriyani Rahayu, and they competed as a new pair at the Sudirman Cup in Gold Coast, Australia. Even though they had only been paired for about a month, the duo won their first title in the Thailand Open after defeating the home pair Chayanit Chaladchalam and Phataimas Muenwong in straight games 21–12, 21–12 in the final. They also won the Superseries title at the French Open, just five months into their partnership. Other achievements by <mask> and Rahayu in 2017 were runner-up in Hong Kong, semi-finalists in New Zealand, and quarter-finalists in Korea Open. <mask> also helped the Indonesia women's team win the bronze medal at the Southeast Asian Games held in Kuala Lumpur, unfortunately, in the individual women's doubles event, she and Rahayu lost in the first round to eventual champion Jongkolphan Kititharakul and Rawinda Prajongjai of Thailand. The <mask> and Rahayu partnership, first paired in May, reached a career high as world number 10 in the BWF World rankings in November.2018: India Open and third Thailand Open title
In January, <mask> and Apriyani Rahayu began the season by finishing as runners-up in the Indonesia Masters, losing to second seeded Misaki Matsutomo and Ayaka Takahashi in the final. A month later, the duo played as the third seeds in the India Open and won the


texts:
 title after beating the first-seeded Christinna Pedersen and Kamilla Rytter Juhl in the semi-finals, and the second-seeded Jongkolphan Kititharakul and Rawinda Prajongjai in the final. She featured in the Indonesian women's team that won bronze at the Asia Team Championships held in Alor Setar and were quarter-finalists in the Uber Cup in Bangkok. In July, she and her partner lost in the quarter-finals of the Indonesia Open to Yuki Fukushima and Sayaka Hirota, but a week later, she won her third Thailand Open title, as she and Rahayu defended the title they had won in Thailand the previous year, when the event was known as the Grand Prix. In August, the duo won the bronze medal at the World Championships in Nanjing, and further bronze medals at the Asian Games in the women's doubles and team events. In the remainder of the 2018 tour, she and Rahayu only reached the semi-finals in Japan, China, Denmark, French, Hong Kong, and quarter-finals in the Fuzhou China Open. The duo achieved their career high as world number 3 in the BWF rankings in September.2019–2021: Second India Open, first Southeast Asian Games, home soil title and first Olympic Games gold medal
<mask> opened the 2019 season as a finalist in the Malaysia Masters with Apriyani Rahayu. In the semi-finals, they beat their arch-rivals Misaki Matsutomo and Ayaka Takahashi in a close rubber game, improving their head-to-head record against the Japanese pair to 2–8. A week later, they again lost to Matsutomo and Takahashi in the Indonesia Masters. They led 18–10 in the first game, but lost it 20–22, eventually losing the match in a


texts: close rubber game. In March, she and Rahayu lost in the quarter-finals of both the German and All England Open. <mask> and Rahayu then clinched their second India Open title defeating Chow Mei Kuan and Lee Meng Yean in the final. In May, she alongside the Indonesia team finished as semi-finalists in the Sudirman Cup in Nanning, settling for the bronze medal.In June, she and Rahayu advanced to the semi-finals of the Australian Open after beating the first seeded, world number one Mayu Matsumoto and Wakana Nagahara in the quarter-finals, but the duo were beaten by Chinese pair Chen Qingchen and Jia Yifan, the fifth defeat in seven meetings between them. At the World Championships in Basel, Switzerland, she and her partner won the bronze medal, after defeat in the semi-finals to eventual champions Matsumoto and Nagahara. After the World Championships, her coach, Eng Hian, evaluated that she and Rahayu had fallen short of their previous standard. In the end of 2019 season, their best results were only the semi-finalists in Chinese Taipei Open, after that, they often lost in the initial stage. She finally won her first women's doubles gold medal at the Southeast Asian Games, having made her debut at the Games 14 years ago. She and Rahayu defeated Chayanit Chaladchalam and Phataimas Muenwong of Thailand 21–3, 21–18. In 2020, <mask> and Apriyani Rahayu who ranked as world number eight started their tour in the Malaysia Masters.At that tournament, they finished as semi-finalists defeated by Chinese pair Li Wenmei and Zheng Yu in a rubber game. A week later in the Indonesia Masters, <mask> won her


texts: first ever international title in Indonesia, after she and Rahayu triumphed in a thrilling match against Maiken Fruergaard and Sara Thygesen of Denmark. In February, she won her second title of the year by winning the Barcelona Spain Masters. In the final, she and Rahayu defeated Gabriela and Stefani Stoeva of Bulgaria in a rubber game. In March All England Open, she and her partner lost in the first round to Korean pair Chang Ye-na and Kim Hye-rin in straight games. Due to the COVID-19 pandemic, numerous tournaments on the 2020 BWF World Tour were either cancelled or rescheduled for later in the year. In June, <mask> then took part at the PBSI home tournament partnered with Febby Valencia Dwijayanti Gani.The duo finished third at that tournament. <mask> returned in the international competitions at the 2020 Asian Leg tournament in January 2021. Together with Rahayu, she won her first ever BWF Super 1000 tournament, the Yonex Thailand Open. She dedicated the title to her elder brother, Rickettsia, a father-figure to her ever since their father's death when she was a child, who died after <mask>'s wedding in December 2020. A week later in the semi-finals of the Toyota Thailand Open, <mask> and Rahayu fell in two games to Lee So-hee and Shin Seung-chan of South Korea. The duo then played at the World Tour Finals, but was eliminated in the group stage. In 2021, <mask> scheduled to participating at the All England Open, but later Indonesia team were forced to withdraw from the competition by BWF after the team members will self-isolate for 10 days from the date of their inbound flight after an


texts:
 anonym person traveling onboard tested positive for COVID-19.<mask> qualified to compete in the women's doubles event at the 2020 Tokyo Summer Olympics. She competed in her third straight Summer Olympics with debutant Apriyani Rahayu. In the final, they defeated the 2017 World Champions Chen Qingchen and Jia Yifan in two straight games, 21–19, and 21–15. <mask> and Rahayu became the first unseeded pair to win the gold medal in women's doubles. This was Indonesia's first Olympic Games gold in women's doubles. At 33 years and 356 days, <mask> is the oldest female badminton player to win a gold medal at the Olympics. With this win, Indonesia became just the second country after China to have won gold medals in all five disciplines of badminton at the Summer Olympics.After her Olympic success, the Student Sports Training Center in Jakarta was named after <mask> and fellow olympian Apriyani Rahayu. In December 2021, <mask> was elected as BWF Athletes' Commission. Awards and nominations

Achievements

Olympic Games
Women's doubles

BWF World Championships
Women's doubles

Asian Games
Women's doubles

Asian Championships
Women's doubles

Southeast Asian Games
Women's doubles

IBF World Junior Championships
Girls' doubles

Mixed doubles

Asian Junior Championships
Girls' doubles

BWF World Tour (6 titles, 3 runners-up)
The BWF World Tour, which was announced on 19 March 2017 and implemented in 2018, is a series of elite badminton tournaments sanctioned by the Badminton World Federation (BWF). The BWF World Tours are divided into levels of World Tour Finals, Super 1000, Super 750,


texts:
 Super 500, Super 300 (part of the HSBC World Tour), and the BWF Tour Super 100. Women's doubles

BWF Superseries (3 titles, 6 runners-up)
The BWF Superseries, which was launched on 14 December 2006 and implemented in 2007, was a series of elite badminton tournaments, sanctioned by the Badminton World Federation (BWF). BWF Superseries levels were Superseries and Superseries Premier. A season of Superseries consisted of twelve tournaments around the world that had been introduced since 2011.Successful players were invited to the Superseries Finals, which were held at the end of each year. Women's doubles

Mixed doubles

 BWF Superseries Finals tournament
 BWF Superseries Premier tournament
 BWF Superseries tournament

BWF Grand Prix (5 titles, 6 runners-up)
The BWF Grand Prix had two levels, the Grand Prix and Grand Prix Gold. It was a series of badminton tournaments sanctioned by the Badminton World Federation (BWF) and played between 2007 and 2017. The World Badminton Grand Prix was sanctioned by the International Badminton Federation from 1983 to 2006. Women's doubles

 BWF Grand Prix Gold tournament
 BWF & IBF Grand Prix tournament

Performance timeline

National team
 Junior level

 Senior level

Individual competitions

Junior level
In the junior international tournament, <mask> won bronze medals in the girls' doubles at the 2004 World, 2005 Asian Junior Championships and also a silver medal in the mixed at the 2004 World Junior Championships. Girls' doubles

Mixed doubles

Senior level
In the senior level tournament, <mask> won gold medals in the 2014 Asian Games, 2019 Southeast