texts:
 Marshall O'Reilly (scenes cut)
What Every Woman Knows (1934) as David Wylie
The Little Minister (1934) as Doctor McQueen
Vanessa: Her Love Story (1935) as George, the Inn Keeper
Laddie (1935) as Mr. Pryor
Oil for the Lamps of China (1935) as J.T. McCarter
Mutiny on the Bounty (1935) as Burkitt
 The White Angel (1936) as Doctor Hunt
Mary of Scotland (1936) as Huntly
The Charge of the Light Brigade (1936) as Col. Campbell
A Woman Rebels (1936) as Judge Byron Thisthlewaite
Beloved Enemy (1936) as Liam Burke
The Great O'Malley (1937) as Captain Cromwell
Parnell (1937) as Davitt
The Life of Emile Zola (1937) as Maitre Labori
Confession (1937) as Presiding Judge
That Certain Woman (1937) as Jack Merrick, Sr.Sergeant Murphy (1938) as Col. Todd Carruthers
Jezebel (1938) as Dr. Livingstone
The Beloved Brat (1938) as John Morgan
The Amazing Dr. Clitterhouse (1938) as Police Inspector Lewis Lane
Valley of the Giants (1938) as Andy Stone
The Sisters (1938) as Tim Hazelton
Comet Over Broadway (1938) as Joe Grant
The Dawn Patrol (1938) as Phipps
The Oklahoma Kid (1939) as Judge Hardwick
Wuthering Heights (1939) as Dr. Kenneth
Juarez (1939) as General Marechal Achille Bazaine
Sons of Liberty (1939, Short) as Alexander MacDongall
Daughters Courageous (1939) as Samuel 'Sam' Sloane
The Old Maid (1939) as Dr. Lanshell
The Private Lives of Elizabeth and Essex (1939) as Francis Bacon
Dr. Ehrlich's Magic Bullet (1940) as Minister Althoff
Brother Orchid (1940) as Brother Superior
The Sea Hawk (1940) as Sir John Burleson
City for Conquest (1940) as Scotty MacPherson
Knute Rockne, All American (1940) as Father John Callahan
Shining Victory (1941) as Dr. Drewitt
Dr. Jekyll and Mr. Hyde (1941) as Sir Charles Emery
How Green Was My Valley (1941) as Gwilym Morgan
The Gay Sisters (1942) as Ralph Pedloch
Forever


type: original

texts:
<mask> (21 November 1901 – 8 October 1989) was a Filipino poet, short story writer and novelist. Three of his novels have been published by Ateneo de Manila Press. Soledad S. Reyes wrote: "The interconnectedness between the past and the present was a theme familiar to many Filipino writers who, in a variety of ways, argued the need to remember the past. Francisco Laksamana, Faustino Aguilar, Lazaro Francisco, <mask>, Macario Pineda, and even Fausto Galauran, among others, constructed narratives enjoining the readers not to be dazzled by the present, but to remember the heroic and noble past of their forefathers." Birthplace
He was born on November 21, 1901, in Tondo, Manila, Philippines to <mask>mundo of Tondo, Manila. His father was the manager of a hat establishment in Binondo, Manila. He was married to <mask> of Tondo and Naic, Cavite, a hometown beauty queen when they met.He wrote for Bulaklak, Liwayway, Silahis, Kislap, Tagumpay - the country's leading weekly magazines during his time. He was poet laureate of the Republic of the Philippines in 1945 and won the Commonwealth literary awards in the 1940s and the Rizal Centennial Literary Awards in 1961. His contemporaries were Amado V. Hernandez, Fausto Galauran, Simeon Mercado, Nemesio Caravana and Liwayway Arceo, among others. He was one of the best 50 writers of the Philippines. Education
He began his early education at a kindergarten school ran by Maestra Enchang on Folgueras St., Tondo and Colegio La Juventud ran by Prof. Perfecto del Rosario. He also went to the Tondo Primary School and the Meisic Elementary School. He finished high school at the Manila North High School, now Arellano High School, in Santa Cruz, Manila.He was in the same class (1922) as Lorenzo Sumulong, a Philippine senator. He went to the University of the Philippines and National University, where he obtained his A.A. degree. He finished his law studies at the Philippine Law School and became a member of the Philippine Bar in 1939. As a student he was given these

masks:
Alberto Segismundo Cruz
Alberto Segismundo Cruz
Bartolome Cruzgis
Patrocinio Lopez Cruz


texts:
 various honors: Sobresaliente, Lectura Castella, Colegio La Juventud Honor Student, Tondo Primary School Model Student, Meisic Primary School Distinguished Student and Declaimer, Tondo Interrmediate School Class Poet, Manila North High School Orator, Philippine Law School (PLS) Senator, PLS Junior Philippine Senate Editor, The National, student organ of the National University

As a newsman and writer, he was a member of the pre-war TVT Publication (Taliba-La Vanguardia-Tribune). He covered Malacanang, the Senate and Congress. He contributed countless articles, features, short stories to the newspapers and magazines of his time. He was one of the few who was a prolific writer in both English and Filipino.Literary honors
Holder of the Literary Award Record in short story and poetry in the pre-war Taliba and Liwayway
Winner, Commonwealth Literary Contest (1940)
Novelist of the Republic for his novel "Muling Pagsilang" (1942), adjudged by a juror headed by the illustrious senator and writer, Claro M. Recto
Poet Laureate of the Republic (1947), with Simeon Mercado
Winner, book-essay, Rizal National Centennial Commission (1961), with Leopoldo Yabes
Winner, poetry, Rizal National Centennial Commission (1961)
1975 Palanca Awards - "Sino ang Bulag at Iba Pang Tula" by <mask><mask> 1975 Palanca Awards

Public and government service
As a lawyer, he was associated with Atty. M. V. Roxas and F. Soc Rodrigo. He was a first grade civil service eligible and writer-translator, an attorney under Republic Act No. 1080, and attorney-claim investigator under the Judge Advocate General Office (1947). He was in the Press Relations Division and also the Legal Division of the Office of the President of the Commonwealth from February 10, 1939 till December 31, 1941. He was corrector of style and professor in Filipino and translation technique at the National Assembly (1942). He was Inspector General of the National Land Settlement Administration from March 24, 1948 to December 31, 1949.From February 5, 1949 to

masks:
Alberto S
. Cruz


texts: December 31, 1950 he was an assistant at the Department of Foreign Affairs. He was appointed Justice of the Peace for Indang-Inopacan, Leyte on August 16, 1951, but did not serve due to his commitments in the country's capital, Manila. He was special attorney and legislative researcher at the Philippine Senate from March 1, 1951, until he retired from government service in 1961. He is remembered, first, as a novelist, short story writer and poet. His works graced the pages of the prime entertainment sources of his time - the newspapers and weekly magazines, such as, Liwayway, Bulaklak, Silahis, Kislap Graphic and, then later, Tagumpay. His short story "Rosa Malaya" was featured in the high school textbook Diwang Ginto. He was included in the top 100 short story writers of his time in a book edited by Pedrito Reyes, "50 Kuwentong Ginto ng 50 Batikang Kuwentista".His novels "Ang Bungo", "Lakandula" and "Halimuyak" had been published as college textbook by Ateneo University. As the first accredited vernacular newsman in Malacanang, he was the first newspaperman welcomed by President Manuel L. Quezon to write and translate his speeches, addresses and pronouncements into the National Language, making it possible to bring the message of the Chief Executive and make it better understood by the people. To-be-president Diosdado Macapagal was in the same press relations office in Malacanang, at that time. As lawyer of the Tondo Foreshore Residents' Association, he was instrumental in the preparation of a bill that granted the right to thousands of poor bonafide occupants of the Tondo foreshore area to purchase the lots they had occupied since liberation on an installment plan basis. He argued for them in the hearings until the bill became Republic Act 559, benefiting thousands of families in the Tondo foreshore area. Inspired by the late Claro M. Recto and José P. Laurel, he initiated together with Jose Villa Panganiban, who became Director of the Institute of National Language, the project to


texts:
 translate into Filipino all acts and resolutions of the Congress of the Philippines in order that the people may understand better their rights and obligations as citizens. Final years
<mask> immigrated to the United States in the mid-1960s to be with his children and grandchildren.His last work was Sariling Parnaso, a collection of poems. He had ten children, who all ended up living in the United States. He came back to the Philippines and spent the rest of his years at the house he and wife, Patrocinio, built in Project 8, Quezon City. He died in 1989 at the age of 88. His friend and contemporary National Artist Amado V. Hernandez who also grew up in Tondo had the highest respect for <mask>. "Siya'y isa kong iginagalang na makata at manunulat." "Sa ilang nobela ni <mask> <mask> ay makikita ang pagsasanib ng tradisyonal na tema ng protesta at ilang elemento ng modernismo.Bagama't karaniwang ipinalalagay na kasabay nina Fausto Galauran at Narcisco Asistio, higit na makatwirang ibilang si Cruz sa henerasyon ng mga manunulat na naging kilala matapos ang digmaan. "Sa kanyang mga nobela ay ipinahayag ni Cruz ang kanyang pagkabahala sa masasamang epekto ng pagpasok ng kaunlaran o sibilisasyon sa Pilipinas. Sa "Halimuyak" at "Lakandula", inilarawan ni <mask> ang isang bayang tahimik at matulain bago ito sinalanta ng sibilisasyon o kaunlaran. Ang ganitong tema ng pagkawasak ng likas na katahimikan at kagandahan ay inilangkap ni Cruz sa kuwento ng pag-ibig." "Filipino poets and writers have been using the form of letters and their epistolaric qualities to render their literary works: the likes of <mask> Balmaceda, Jose Corazon de Jesus, Lope K. Santos, Iñigo Ed Regado, Amado V. Hernandez, Emilio A. Bunag, Florentino T. Collantes, Ildefonso Santos, Alejandro G. Abadilla, Manuel Principe Bautista and <mask> <mask>. (Añonuevo, 274)." References

1901 births
1987 deaths
People from Tondo, Manila
Filipino writers
University of the Philippines alumni
Philippine Law School alumni
National University

masks:
Alberto
Alberto
Alberto Semundo
Cruz
Cruz
Julian Cruz
Alberto Segismundo
Cruz


texts:
Anthony Malcolm Daniels (born 11 October 1949), also known by the pen name <mask> (), is an English cultural critic, prison physician and psychiatrist. He worked in a number of Sub-Saharan African countries as well as in the East End of London. Before his retirement in 2005, he worked in City Hospital, Birmingham and Winson Green Prison in inner-city Birmingham, England. Daniels is a contributing editor to City Journal, published by the Manhattan Institute, where he is the Dietrich Weismann Fellow. In addition to City Journal, his work has appeared in The British Medical Journal, The Times, New Statesman, The Observer, The Daily Telegraph, The Spectator, The Salisbury Review, National Review, New English Review, The Wall Street Journal, and Axess magasin. He is the author of a number of books, including Life at the Bottom: The Worldview That Makes the Underclass; Our Culture, What's Left of It; and Spoilt Rotten: The Toxic Cult of Sentimentality. In his writing, Daniels frequently argues that the socially liberal and progressive views prevalent within Western intellectual circles minimise the responsibility of individuals for their own actions and undermine traditional mores, contributing to the formation within prosperous countries of an underclass afflicted by endemic violence, criminality, sexually transmitted diseases, welfare dependency, and drug abuse.Much of <mask>'s writing is based on his experience of working with criminals and the mentally ill. In 2011, <mask> was awarded the Prize for Liberty by the Flemish classical-liberal think tank Libera!. Life
Daniels was born in Kensington, London. His father was a Communist businessman of Russian ancestry, while his Jewish mother was born in Germany. She came to England as a refugee from the Nazi regime. His grandfather had served as a major in the German Army during WW1. His work as a physician took him to Southern Rhodesia (now Zimbabwe), Tanzania, South Africa,

masks:
Theodore Dalrymple
Dalrymple
Dalrymple


texts:
 and the Gilbert Islands (now Kiribati).He returned to the United Kingdom in 1990, where he worked in London and Birmingham. In 1991, he made an extended appearance on British television under the name <mask>. On 23 February, he took part in an After Dark discussion called "Prisons: No Way Out" alongside former gangster Tony Lambrianou, Greek journalist and writer Taki Theodoracopulos, and others. In 2005 he retired early as a consultant psychiatrist. He has a house in Bridgnorth, Shropshire, and also a house in France. Regarding his pseudonym "<mask>", he wrote that he "chose a name that sounded suitably dyspeptic, that of a gouty old man looking out of the window of his London club, port in hand, lamenting the degenerating state of the world". He is an atheist, but has criticised anti-theism and says that "To regret religion is, in fact, to regret our civilization and its monuments, its achievements, and its legacy".Raised in a non-religious Jewish home, he began doubting the existence of a God at age nine. He became an atheist in response to a moment in a school assembly. Daniels has also used other pen names. As "Edward Theberton", he has written articles for The Spectator from countries in Africa, including Mozambique. He used the name "Thursday Msigwa" when he wrote Filosofa's Republic, a satire of Tanzania under Julius Nyerere. He may also have used another pen name, in addition to his bona fide name. Writing
Daniels began sending unsolicited articles to The Spectator in the early 1980s; his first published work, entitled A Bit of a Myth appeared in the magazine in August 1983 under the name A.M. Daniels.Charles Moore wrote in 2004 that "<mask>, then writing under a different pseudonym, is the only writer I have ever chosen to publish on the basis of unsolicited articles". Between 1984 and 1991 Daniels published articles in The Spectator under the pseudonym Edward Theberton. Daniels has written extensively on

masks:
Theodore Dalrymple
Theodore Dalrymple
Theodore Dalrymple


texts: culture, art, politics, education, and medicine – often drawing on his experiences as a doctor and psychiatrist in Africa and the United Kingdom. His writing has been described as simplistic and addicted to cliches by the journalist Christopher Hitchens. The historian Noel Malcolm has described Daniels's written accounts of his experiences working at a prison and a public hospital in Birmingham as "journalistic gold", and Moore observed that "it was only when he returned to Britain that he found what he considered to be true barbarism – the cheerless, self-pitying hedonism and brutality of the dependency culture. Now he is its unmatched chronicler." Daniel Hannan wrote in 2011 that <mask> "writes about Koestler's essays and Ethiopian religious art and Nietzschean eternal recurrence – subjects which, in Britain, are generally reserved for the reliably Left-of-Centre figures who appear on Start the Week and Newsnight Review.It is <mask>'s misfortune to occupy a place beyond the mental co-ordinates of most commissioning editors." Life at the Bottom: The Worldview That Makes the Underclass, a collection of essays was published in book form in 2001. The essays, which the Manhattan Institute had first begun publishing in City Journal in 1994, deal with themes such as personal responsibility, the mentality of society as a whole, and the troubles of the underclass. As part of his research for the book, <mask> interviewed over 10,000 people who had attempted suicide. Our Culture, What's Left of It: The Mandarins and the Masses, published in 2005, is another collection of essays in which he contends that the middle class's abandonment of traditional cultural and behavioural aspirations has, by example, fostered routine incivility and militant ignorance among the poor. He examines diverse themes and figures in the book including Shakespeare, Marx, Virginia Woolf, food deserts and volitional underclass malnutrition, recreational

masks: Dalrymple Theodore Dalrymple


texts:
 vulgarity, and the legalisation of drugs. One of the essays in the book, "When Islam Breaks Down", was named one of the most important essays of 2004 by David Brooks in the New York Times.In 2009, <mask>'s British publisher Monday Books published two books of his. The first, Not With a Bang But A Whimper, appeared in August 2009. It is different from the United States book of the same name, though some of the author's essays appear in both books. In October 2009, Monday Books published Second Opinion, a further collection of <mask> essays, this time dealing exclusively with his work in a British hospital and prison. With Gibson Square <mask> then published his most successful book Spoilt Rotten: The Toxic Cult of Sentimentality (2010), which analyses how sentimentality has become culturally entrenched in British society with seriously harmful effects. In 2011, he published Litter: What Remains of Our Culture, followed by The Pleasure of Thinking (2012), Threats of Pain and Ruin (2014), and others. <mask> was a judge for the 2013 Hippocrates Prize for Poetry and Medicine.He currently writes a weekly commentary column for the online Taki's Magazine. Themes
Daniels's writing has some recurring themes. The cause of much contemporary misery in Western countries – criminality, domestic violence, drug addiction, aggressive youths, hooliganism, broken families – is the nihilistic, decadent and/or self-destructive behaviour of people who do not know how to live. Both the smoothing over of this behaviour, and the medicalisation of the problems that emerge as a corollary of this behaviour, are forms of indifference. Someone has to tell those people, patiently and with understanding for the particulars of the case, that they have to live differently. Poverty does not explain aggressive, criminal and self-destructive behaviour. In an African slum you will find among the very poor, living in dreadful circumstances, dignity and

masks: Dalrymple Dalrymple Dalrymple Dalrymple


texts: decency in abundance, which are painfully lacking in an average English suburb, although its inhabitants are much wealthier.An attitude characterised by gratefulness and having obligations towards others has been replaced – with awful consequences – by an awareness of "rights" and a sense of entitlement, without responsibilities. This leads to resentment as the rights become violated by parents, authorities, bureaucracies and others in general. One of the things that make Islam attractive to young westernised Muslim men is the opportunity it gives them to dominate women. Technocratic or bureaucratic solutions to the problems of mankind produce disasters in cases where the nature of man is the root cause of those problems. It is a myth, when going "cold turkey" from an opiate such as heroin, that the withdrawal symptoms are virtually unbearable; they are in fact hardly worse than flu. Criminality is much more often the cause of drug addiction than its consequence. Sentimentality, which is becoming entrenched in British society, is "the progenitor, the godparent, the midwife of brutality".High culture and refined aesthetic tastes are worth defending, and despite the protestations of non-judgmentalists who say all expression is equal, they are superior to popular culture. The ideology of the Welfare State is used to diminish personal responsibility. Erosion of personal responsibility makes people dependent on institutions and favours the existence of a threatening and vulnerable underclass. Moral relativism can easily be a trick of an egotistical mind to silence the voice of conscience. Multiculturalism and cultural relativism are at odds with common sense. The decline of civilised behaviour – self-restraint, modesty, zeal, humility, irony, detachment – ruins social and personal life. The root cause of our contemporary cultural poverty is intellectual dishonesty.First, the intellectuals (more specifically, left-wing ones)


texts:
 have destroyed the foundation of culture, and second, they refuse to acknowledge it by resorting to the caves of political correctness. Bibliography

 Coups and Cocaine: Two Journeys in South America (1986)
 Fool or Physician: The Memoirs of a Sceptical Doctor (1987)
 Zanzibar to Timbuktu (1988)
 Filosofa's Republic (1989) (published under the pen name Thursday Msigwa)
 Sweet Waist of America: Journeys around Guatemala (1990)
 The Wilder Shores of Marx: Journeys in a Vanishing World (1991)  (published in the U.S. as Utopias Elsewhere)
 Monrovia Mon Amour: A Visit to Liberia (1992)
 If Symptoms Persist: Anecdotes from a Doctor (1994)
 So Little Done: The Testament of a Serial Killer (1996)
 If Symptoms Still Persist (1996)
 Mass Listeria: The Meaning of Health Scares (1998)
 An Intelligent Person's Guide to Medicine (2001)
 Life at the Bottom: The Worldview That Makes the Underclass (2001)
 Violence, Disorder and Incivility in British Hospitals: The Case For Zero Tolerance (book published by the Social Affairs Unit, 2002)
 Our Culture, What's Left of It: The Mandarins and the Masses (2005)
 Romancing Opiates: Pharmacological Lies and the Addiction Bureaucracy (2006)  (published in the U.K. as Junk Medicine: Doctors, Lies and the Addiction Bureaucracy )
 Making Bad Decisions. About the Way we Think of Social Problems (2006) (Dr. J. Tans Lecture 2006; published by Studium Generale Maastricht, The Netherlands. Lecture read on Wednesday 15 November 2006. ) In Praise of Prejudice: The Necessity of Preconceived Ideas (2007)
 Not With a Bang But a Whimper: The Politics and Culture of Decline (US edition) (2008)
 Second Opinion. A Doctor's Notes from the Inner City (2009)
 Not With a Bang But a Whimper: The Politics and Culture of Decline (UK edition; contains three essays that are not in the US edition) (2009)
 The Examined Life (2010a)
 The New Vichy Syndrome. Why European Intellectuals Surrender to Barbarism (2010b)


texts:
 Vrijheid en oprechtheid (Freedom and integrity), Pelckmans (2011), together with Bart De Wever
 Mr Clarke's Modest Proposal: Supportive Evidence from Yeovil (2011).Social Affairs Unit. Anything Goes (2011). New English Review Press. Litter: How Other People's Rubbish Shapes Our Life (2011). Gibson Square Books. Farewell Fear (2012). New English Review Press.The Pleasure of Thinking: A Journey through the Sideways Leaps of Ideas (2012). Gibson Square Books. Threats of Pain and Ruin (2014). New English Review Press. Admirable Evasions: How Psychology Undermines Morality (2015). Encounter Books. Out into the Beautiful World (2015).New English Review Press. Migration, Multiculturalism and its Metaphors: Selected Essays (2016). Connor Court. The Proper Procedure and Other Stories (2017). New English Review Press. The Knife Went In: Real-Life Murderers and Our Culture (2018). Gibson Square.The Terror of Existence: From Ecclesiastes to Theatre of the Absurd (2018). New English Review Press. False Positive: A Year of Error, Omission, and Political Correctness in the New England Journal of Medicine (2019). In Praise of Folly: The Blind-spots of Our Mind (2019). Gibson Square. Embargo and Other Stories (2020). Mirabeau Press.Around the World in the Cinemas of Paris (2020). Mirabeau Press. Saving the Planet and Other Stories (2021). Mirabeau Press. References

External links

 Manhattan Institute Scholar – <mask>mple
 Anthony Daniels articles in Quadrant

1949 births
Living people
British political writers
Conservatism in the United Kingdom
English atheists
English psychiatrists
English male journalists
English travel writers
English people of Russian descent
English people of German-Jewish descent
English Jews
Jewish atheists
Jewish psychiatrists
Pseudonymous writers
Quadrant (magazine) people
Prison physicians
Physicians-in-Ordinary
Writers on addiction
People from Kensington
Critics of Marxism
Manhattan Institute for


texts:
<mask> of Wrotham or <mask> (died ) was a medieval English royal administrator and clergyman. Although a late 13th-century source says that <mask> held a royal office under King Henry II of England (reigned 1154–1189), the first contemporary reference to <mask> is in 1197, when he became responsible for, among other things, the royal tin mines. He also held ecclesiastical office, eventually becoming Archdeacon of Taunton, and served King John of England as an administrator of ecclesiastical lands and a collector of taxes. <mask>'s main administrative work was naval. He was in charge of the royal fleet in the south of England in 1205, and was one of those responsible for the development of Portsmouth as a naval dockyard. He continued to be involved in naval matters until 1214 or later, but by 1215 he had joined the First Barons' War against John. After John's death in 1216, <mask> returned to the royalist cause.He probably died in late 1217. Known to a contemporary chronicler as one of John's "evil advisers", <mask> is said by modern historians to have had a "special responsibility for ports, customs, and the navy", and was "keeper of ports", a forerunner of the office of First Lord of the Admiralty. Early life

Little is known of <mask>'s background or family, except that his father Godwin held land in Shipbourne, near Wrotham in Kent, perhaps as a vassal of the Archbishops of Canterbury. <mask>'s brother Richard was named as <mask>'s deputy in 1207. According to late 13th-century documents, the Hundred Rolls, King Henry II gave <mask> the office of steward of Exmoor, and lands at North Petherton, Somerset. <mask> was the prebend of St Decumans in the cathedral chapter of Bath Cathedral by 9 May 1204. He claimed to have held the office since 1194 during a later dispute with Savaric fitzGeldewin,

masks:
William
William de Wam
William
William
William
William
William
William
William
William
William
William


texts:
 the Bishop of Bath and another canon of the cathedral, Roger Porretanus, who claimed the prebend.By 23 December 1205, <mask> had secured a papal judgement against Roger. <mask> may have owed his advancement in royal service to <mask>, a royal judge. In 1197 he granted <mask> a manor at Sutton-at-Hone, Kent, which later was supposed to become a hospital, but instead eventually became a preceptory for the Knights Hospitaller. From 1197 <mask> was responsible for the collection of revenues from <mask>'s lands at Lydford, Devon, and held the office of chief forester of Somerset; it is unclear to whom he owed that position. Royal service

In 1197, Hubert Walter, who was Archbishop of Canterbury and Justiciar, appointed <mask> to the administration of the royal stannaries, or tin mines, and in 1198 <mask> was placed in charge of tin production, an office later known as the Lord Warden of the Stannaries. Under his control the mines became much more lucrative for the king, and accounted for a total of £1100 in <mask>'s first year of administration. As part of his administrative work he became the first warden of Lydford Castle after it was constructed in the 1190s.In 1199 he was involved in a dispute over the stannaries with another official, Hugh Bardulf, temporarily losing control of them – along with his office as sheriff – in 1200. The reason for the loss of these offices is uncertain. After restoration to office, he remained as Lord Warden of the Stannaries until 1215. In 1198 and 1199, <mask> was Sheriff of Devon and Sheriff of Cornwall, along with another royal servant, and served as a royal justice. In 1200 he was recorded as a receiver of the carucage, a tax on land, in the Pipe roll; whether this meant that he was a local or a national collector of the tax is unclear. By 12 September 1204,

masks: William William GeoffreyPeter William William Geoffrey William William William William


texts:
 <mask> was Archdeacon of Taunton in the Diocese of Bath, and he witnessed the election of Jocelin of Wells as the new bishop of the diocese. He was jointly placed in charge of the mints of London and Canterbury in 1205, along with Reginald de Cornhill, with whom he also shared the collection of the tax of a fifteenth on merchants, a post the two had held since 1202.In May 1205 <mask>, along with de Cornhill, was given custody of one of three dies for the mint at Chichester; in July the king gave <mask>'s custody to Simon of Wells, the Bishop of Chichester. <mask> was one of the officials in charge of the collection of a tax of a thirteenth in 1207. <mask> was also placed in charge of vacant ecclesiastical offices, collecting their revenues for the king. He performed this office for the Diocese of Worcester around 1200, the Diocese of Winchester in 1204, for Glastonbury Abbey in 1205, and for Whitby Abbey in 1206 and 1209. From his actions it can be assumed that <mask> was a member of the royal household, probably working in the wardrobe. Naval administration

<mask>'s main administrative work concerned the navy. In 1204 he, de Cornhill, and <mask> of Furnell were placed in charge of granting wool export licences.<mask> of Wrotham was also one of the officials charged with supervising the ships dispatched to the coasts in 1204, after the loss of Normandy exposed England to invasion by the French. In 1205 he was again one of the keepers of the royal fleet along the south coast. <mask> was in charge of the 17 ships based in Romney, Rye, Shoreham, Southampton, Winchelsea, and Exeter, while the rest of the fleet came under Cornhill's control. In the same year, he was also in charge of naval spending for the attempted invasion of France, which in June alone totalled over 470 pounds. <mask> surrendered

masks: William William William William William Wrotham William William William William William


texts: custody of Taunton Castle to Peter de Taraton in July and was in charge of purchasing the royal wine in August. No further naval duties are recorded until November, when along with Cornhill he was responsible for assessing the ports. In 1206 <mask> was in charge of the naval forces in the Cinque Ports and commanded the fleet that invaded Poitou.Whether he accompanied the fleet or stayed in England after it sailed is unclear; according to two historians – F. W. Brooks and R. W. Powell – it is more likely he stayed. From 1206 until 1215 he was effectively commander of King John's navy, and helped to develop Portsmouth as a royal dockyard. In 1208 <mask> was put in charge of ensuring that no ships sailed without royal permission. That year he also oversaw the naval preparations made by the Cinque Ports. The purpose of these preparations is unknown; the Annals of Dunstable ascribe to John a desire to oppress the Cinque Ports. During May 1208 a royal order was issued that <mask>'s deputies in all the seaports should seize any ships in the ports that were from foreign countries, excluding Denmark, Norway and other countries that did not oppose John's diplomatic efforts. A gap in the governmental records does not allow a detailed view of <mask>'s activities for the next years, until 1212, when <mask> is shown performing many of the same duties as earlier.He was in charge of repair of some ships and the construction of a large new ship, named the Deulabenit, owned by the king. <mask> was also responsible for impressing privately owned merchant ships into royal service. These ships were used in the naval action of the Battle of Damme at Zwyn in 1213, when a fleet under <mask>, the Earl of Salisbury, destroyed a substantial French naval force and sacked the town of Damme. In late 1213 <mask> was directing

masks:
William
William
William
William
William
William
William Longespee
William


texts:
 the efforts of the seaports of south-western England and the Cinque Ports in naval affairs. He was also responsible for the setting up of a supply depot for the navy in June 1213, for which he received supplies from the diocese of Chichester. In 1214 <mask> had custody of some royal prisoners. The same year, the king ordered him to return a merchant ship if he had indeed seized it from its owner, Joscelin de Hampton.Also in 1214, <mask> co-founded the hospital of Domus Dei in Portsmouth with Peter des Roches, the Bishop of Winchester. The foundation was confirmed by the king in October 1214. John rewarded <mask> for his service with churches in Sheppey and East Malling, which were granted in 1207, and the right to oversee the royal forests in Cornwall and Devon. Other grants included lands in Dartford and Sutton-at-Hone that had escheated to the crown, lands in Westminster and a prebend in the royal ecclesiastical foundation at Hastings. Later years and legacy

During John's reign, Pope Innocent III placed an interdict on England, forbidding public celebration of sacred rites in English churches. <mask> supported John, and remained in England. The medieval chronicler Roger of Wendover named <mask> as one of John's "evil advisers", or "most wicked counsellors".Modern historians argue that Roger's account of John's reign, while containing some truth, was written to defame men who were prominent in the early years of King Henry III, John's son who had succeeded his father in October 1216. According to Nicholas Vincent, while Roger's account of the exactions and crimes of the members of his list of evil advisers certainly had a strong basis of truth, it was also greatly exaggerated. W. L. Warren agrees and points out that many of the details of Roger's accounts that can be checked with other records

masks: William William William William William


texts:
 are wrong, making the other parts of his stories suspect. In 1215 <mask> joined the baronial rebellion against John, and lost his naval offices, the royal forester's office for Somerset, and custody of Lydford Castle. In May 1216 the king offered <mask> a safe conduct, which noted that <mask> had fled overseas. The letters were witnessed by Peter des Roches. In mid-1217, he rejoined the royalist cause, returning to the side of Henry III.This action regained him some of his lost lands. <mask> last appeared in documents on 25 July 1217 and was dead by 16 February 1218, probably before 2 December 1217, when someone else is mentioned as archdeacon. On 16 February 1218, John Marshall became the guardian of Richard, <mask>'s nephew and heir, who was the son of <mask>'s brother Richard. <mask> has been described as having a "special responsibility for ports, customs, and the navy" by the historian Robert Bartlett. He is usually given the title of "keeper of ports" or "keeper of galleys", which Ralph Turner equates with being First Lord of the Admiralty in later history. Sometimes this would be given as "custos portum maris" in Latin, or "keeper of the seaports". At other times he was titled "keeper of the king's ships".Bartlett also called <mask> "one of the king's most important administrators". Charles Young said that <mask>'s service to King John was a "distinguished administrative career", and J. E. A. Joliffe called <mask> one of the "greatest of the king's clerks". Notes

Citations

References

13th-century English Roman Catholic priests
13th-century English Navy personnel
High Sheriffs of Cornwall
High Sheriffs of Devon
English judges
1210s deaths
Archdeacons of Taunton
Year of birth unknown
12th-century English Roman Catholic priests
People from

masks: William William William William William William William William William William


texts:
<mask> (15 January 1931 – 10 September 1995) was a British film and television special effects designer. He was initially noted for his work on the "Supermarionation" TV puppet series produced by Gerry Anderson, and later for the 1970s and 1980s James Bond and Superman film series. Biography

Early years
<mask> was born in St Pancras, London, England. Both Meddings' parents had worked in the British film industry: his father as a carpenter at Denham Studios and his mother as producer Alex Korda's secretary and actress Merle Oberon's stand-in. Meddings went to art school and, in the late 1940s, also found work at Denham Studios, lettering credit titles. It was there that he met effects designer Les Bowie and joined his matte painting department. During the 1950s, Meddings' work with Bowie included the creation of Transylvanian landscapes for Hammer Films and a "string and cardboard" invention that proved useful when Meddings was hired for Gerry Anderson's earliest TV puppet series.In 1953, he married Anne S. Dodge (born 1935). In 1972, Meddings married Alexe Anne Inglis (born 18 May 1954). Gerry Anderson productions
Meddings' first work with Anderson was as an uncredited art assistant on Anderson's second puppet series, Torchy the Battery Boy, produced in 1957. In 1960, he painted cut-out backgrounds of ranch houses and picket fences for Four Feather Falls. He was credited with the special effects in Anderson's 1960 and 1962 series Supercar and Fireball XL5, being elevated to special effects director for Stingray (1964) for which he and Reg Hill designed the main models. Meddings became special effects supervisor for Thunderbirds (1965–66), during which time he was responsible for the design of the Thunderbird machines themselves. He was visual effects supervisor for all the Anderson puppet series of the late 1960s (Captain Scarlet and the Mysterons, Joe 90 and The Secret Service) and also Anderson's first live-action series, UFO, at the start of the 1970s.He performed the same role on Anderson's three 1960s feature films,

masks:
Derek Meddings
Derek Meddings


texts:
 Thunderbirds Are Go (1966), Thunderbird 6 (1968) and the live-action Doppelgänger (1969; also known as Journey to the Far Side of the Sun). During his time working on these series, Meddings and his team developed a number of innovations in the filming of miniature models and landscapes which have since become standard in the industry. James Bond films
In the 1970s Meddings furthered his career by working on the special effects for the James Bond films. He first impressed producer Cubby Broccoli with some miniature effects that he had created for Live and Let Die (1973). Once Broccoli realised the economic advantages of building detailed models instead of expensive full-sized constructions, Meddings was encouraged to come up with design concepts for the next film in the series, The Man with the Golden Gun (1974). After this, he was contacted by Pink Floyd, and <mask> handled all the pyrotechnics on the Pink Floyd shows in 1975. He returned to the James Bond films in 1977 with The Spy Who Loved Me.Among other tasks, Meddings spent four months on location in the Bahamas, where he supervised the construction of a "miniature" supertanker more than  long and three "miniature" nuclear submarines for exterior sequences filmed at sea. He also designed and built the Lotus Esprit car which converted into a submersible, cleverly intercutting full-sized body shells with one-quarter-scale miniatures. For Moonraker (1979), Meddings created and photographed miniatures of Drax's space shuttles and space station and also realised the final space battle. Due to the film's tight schedule, Meddings was unable to use optical compositing (which is a lengthy process due to the extensive film processing involved) to combine the different elements for the space sequences. Instead, they were combined in-camera using multiple passes of the same piece of film. Film would sometimes be exposed as many as 90 times to capture the dozens of separately photographed elements. The film was nominated for the Academy Award for Visual Effects.Meddings was Visual


texts:
 Effects Supervisor on For Your Eyes Only (1981). The ship's explosion was done with a miniature at Pinewood Studios in the tank on the 007 Stage. For GoldenEye (1995), Meddings again created miniatures. This includes a train crash and a jet fighter crash. The climatic destruction of a gigantic satellite dish used a model built by Meddings' team, intercut with scenes shot with stuntmen in Britain. Other work
In 1975, Meddings created cost-effective model monsters which could be photographed in the same frame as the actors in the prehistoric adventure film The Land That Time Forgot. On Superman (1978), his work included building a  miniature of the Golden Gate Bridge to be destroyed in an earthquake, complete with a colliding scale school bus and cars, while Superman (suspended on wires) flew in to the rescue.He also built and photographed the Krypton miniatures in addition to a large-scale model of the Hoover Dam. Due to the film's schedule overruns and Meddings' own commitments to the James Bond series, he was unable to complete the dam flooding sequence and the production hired a California-based company to complete the sequence – resulting in some visibly inferior miniature work in the latter part of the film. Meddings believed that he was asked to supervise the effects for Batman (1989) because director Tim Burton was a fan of his work on Thunderbirds. Meddings set up his own visual effects company, The Magic Camera Company, based at Lee International Studios in Shepperton. For The NeverEnding Story II: The Next Chapter (1990), he established another company in Germany. He appeared once as an actor, in the role of Dr Stinson in Spies Like Us (1985). Death
At the time of his death from colorectal cancer in 1995, Meddings was engaged in post-production on the latest James Bond film, GoldenEye, on which his sons Mark and Elliott James (born May 1973) also worked.A dedication in the credits of the completed films reads "To the memory of <mask>s". Meddings is known to have had two other sons: Nicholas Alexander (born July 1980)


texts:
 and Noah Luscombe (born August 1978). He also had at least one daughter: Chloe Loveday (born 1982). Awards
In 1979, for his work on Superman (1978), Meddings was awarded a shared Special Achievement Award for special effects by the Academy of Motion Picture Arts and Sciences, and shared the Michael Balcon Award of the British Academy of Film and Television Arts (BAFTA). He was also nominated for the 1980 Academy Award for Best Visual Effects for his work on Moonraker (1979), for the 1990 BAFTA Award for Best Special Visual Effects for Batman (1989), and posthumously for a 1996 BAFTA Award for Best Achievement (in special effects) for GoldenEye (1995). Filmography

Visual Effects

Fireball XL5 (1962)
Stingray (1963)
Thunderbirds (1965)
Captain Scarlet and the Mysterons (1967)
Joe 90 (1968)
The Secret Service (1969)
UFO (1970)
Thunderbirds Are Go (1966)
Thunderbird 6 (1968)
Doppelgänger (aka Journey to the Far Side of the Sun; 1969)
Z.P.G. (1972)
Fear Is the Key (1972)
Live and Let Die (1973)
The Man with the Golden Gun (1974)
The Land That Time Forgot (1975)
Shout at the Devil (1976)
Aces High (1976)
The Spy Who Loved Me (1977)
Superman: The Movie (1978)
Moonraker (1979)
Superman II (1980)
For Your Eyes Only (1981)
Krull (1983)
Banzaï (1983)
Superman III (1983)
Supergirl  (1984)
Spies Like Us (1985)
Santa Claus: The Movie (1985)
Mio min Mio (1987)
High Spirits (1988)
Apprentice to Murder (1988)
Batman (1989)
The NeverEnding Story II: The Next Chapter (1991)
Hudson Hawk (1991)
Cape Fear (1991)
The NeverEnding Story III (1994)
GoldenEye (1995)

Actor
Spies Like Us (1985) - Dr. Stinson

References

External links

Derek Meddings: 21st-Century Visions – 1995 biography with emphasis on Meddings' work on the Supermarionation TV series

1931 births
1995 deaths
Special Achievement Academy Award winners
BAFTA winners (people)
British film designers
Deaths from cancer in England
Deaths from colorectal cancer
Miniature model-makers
People from Cookham
Businesspeople from London
Special effects people
20th-century English


texts:
<mask><mask> (born October 20, 1976) is an American politician from New York. He is currently a Democratic member of the New York State Senate, representing the 63rd District since January 2013. He previously represented the 58th District from 2011 to 2013. Early life and education
<mask> was raised in South Buffalo, one of five children of <mask>. and <mask>. His father worked as Buffalo's commissioner of assessment and taxation, and his mother is a retired nurse who teaches nursing at D'Youville College. He received his early education at St. Martin's Elementary School, and attended the St. Joseph's Collegiate Institute. He earned a bachelor's degree and a master's degree in occupational therapy from D'Youville College.Career

Erie County Legislature

In late 2004, at the age of 28, <mask> was appointed to the Erie County Legislature, representing the 2nd District, after <mask>. F. Schroeder was elected to the State Assembly. In 2005, <mask> defeated Democratic primary opponent Paul Sullivan by a vote of 65% to 35%. He won 72% of the vote in the general election against his Republican opponent, Julieanne <mask>. In 2007, <mask> ran unopposed for a second full term to the Erie County Legislature. New York State Senate

Elections
In 2010, <mask> challenged incumbent William Stachowski for the Democratic nomination for the 58th District in the New York State Senate. <mask> also earned the endorsement of the Conservative Party, which had previously supported Stachowski. Stachowski was one of eight Democratic state senators who had voted against a bill allowing same-sex marriage in New York, while <mask> supported it, earning him the backing of gay rights organizations in the primary.<mask> ultimately defeated

masks:
Timothy M
. Kennedy
Kennedy
Martin F
Mary Kennedy
Kennedy
Mark J
Kennedy
Mazurkwicz
Kennedy
Kennedy
Kennedy
Kennedy
Kennedy


texts: Stachowski by a margin of 63%-26%. amid a wave of anti-incumbent voter sentiment. Stachowski remained on the ballot on the Independence Party and Working Families Party lines. In the 2010 general election, <mask> defeated Republican Assemblyman Jack Quinn III, gaining 47% of the vote to Quinn's 45%. The remaining votes went to Stachowski. Seeking reelection in 2012, <mask> won a primary challenge from Democrat Betty Jean Grant, prevailing by 139 votes. The closeness of the election prompted a protracted court battle heard by Justice Joseph R. Glownia of the State Supreme Court.<mask> ran uncontested in the November 2012 general election and was re-elected. In 2014, <mask> defeated Grant in a Democratic primary rematch, receiving 16,660 votes (60.2%) to Grant's 10,997 votes (39.8%). The race received much attention, with campaign spending by the candidates and outside groups surpassing $1 million. <mask> received the backing of the New York State United Teachers and realtors, while Grant received the Erie County Democratic Committee endorsement and help from the Independent Democratic Conference, a breakaway group of state Senate Democrats who sided with Republicans in the Senate. <mask>'s base of support was South Buffalo, Lackawanna, and Cheektowaga, while Grant's base of support was Buffalo's East Side. In the November 2014 general election, <mask> (who ran on the Democratic, Working Families, and Independence ballot lines) defeated Ricky T. Donovan, Sr. (who ran on the Republican and Conservative ballot lines). Out of 59,094 total votes, <mask> received 42,278 (71.5%), while Donovan received 11,973 (20.3%).In the 2016 general election, <mask> ran unopposed on the Democratic, Working Families, Independence, and

masks: Kennedy Kennedy Kennedy Kennedy Kennedy Kennedy Kennedy Kennedy Kennedy


texts:
 Women's Equality ballot lines and received 89,650 votes. In 2018, <mask> defeated Shaqurah Zachery in a Democratic primary, winning 23,640 (76.6%) of the vote. He ran unopposed in the general election. Tenure
In 2011, <mask> voted in favor of the Marriage Equality Act, which legalized same-sex marriage in New York. <mask> lost the support of the Conservative Party in 2012 following his vote on the marriage issue. Also in 2011, <mask> authored Jay-J's Law, which sought to stiffen penalties for repeat child abusers by increasing the look back period in which someone can be charged with aggravated assault. The bill was named after Jay-J Bolvin, a young boy who suffered 11 fractured bones, a severe seizure disorder and developmental delays as a result of a severe beating from his father, who had previously been convicted of assaulting one of his other sons.The bill was passed by the legislature and later signed into law by Governor Andrew Cuomo in July 2013. In 2012, <mask> introduced a package of four bills to combat the opioid epidemic in New York. One of the bills would create a prescription-monitoring system for physicians and pharmacists to track the prescription of narcotic painkillers. This proposal was made by New York State Attorney General Eric Schneiderman. <mask> was known as a "solid pro-life vote" during his early political career. In 2013, <mask> cast a procedural vote for the tenth point of Gov. Andrew Cuomo's Women's Equality Act, which would have expanded abortion rights in New York.In February 2014, <mask> acknowledged that his position on abortion had "evolved" and that he supported the tenth point of the Women's Equality Act; he added, "'I believe at the end of the day that a woman has to be able

masks: Kennedy Kennedy Kennedy Kennedy Kennedy Kennedy Kennedy Kennedy


texts: to make a decision upon her health, her life and her family that is in her best interests and their best interests'". Pro-choice groups praised his shift on the issue, while Bishop <mask> of the Buffalo diocese of the Roman Catholic Church criticized him for it. In 2019, <mask> voted in favor of the Reproductive Health Act, which was described by The Buffalo News as "the most sweeping set of protections to the state’s abortion laws in 49 years". In 2013, <mask> co-sponsored legislation to increase the state minimum wage to $9 an hour, and automatically adjust the minimum wage to account for cost-of-living increases. In May 2013, <mask> introduced a Jackie's Law into the Senate, which was prompted by the death of West Seneca woman Jackie Wisniewski, who was killed after being stalked by a former boyfriend using a GPS tracking device on her car. <mask>'s bill updated New York's stalking statutes by allowing police to pursue criminal charges against those who use electronic tracking devices to stalk victims. Assemblywoman Crystal Peoples-Stokes sponsored companion legislation in the Assembly.Governor Andrew Cuomo signed the bill into law in July 2014. In 2014, <mask> introduced legislation that would limit the state's legal immunity for claims for damages. The legislation would specifically amend Section 58 of the State Highway Law, which immunizes the state from "liability for damages arising from defects in its highways" during cold-weather months. The bill proposed by <mask> "would allow motorists to seek damages from the state for 'egregious or unreasonable' defects year-round or when it was given prior notice of a defect." State Assemblyman Thomas J. Abinanti filed companion legislation in the State Assembly.

masks:
Richard Malone
Kennedy
Kennedy
Kennedy
Kennedy
Kennedy
Kennedy


texts:
 <mask> was a supporter of the legalization of mixed martial arts (MMA) in New York, which at the time was the only U.S. state to bar MMA events. <mask> argued that MMA could economically benefit Western New York, with events at First Niagara Center in Buffalo benefiting local businesses.The legal status of MMA had been a state political issue for years; the state Senate passed legalization legislation seven times over six years, but the bills were not taken up by the State Assembly. <mask> expressed disappointment at the failure to pass the legislation in 2015, and welcomed passage of MMA legislation in 2016. In 2017, <mask> supported legalizing vehicle for hire companies in all areas of New York State. When the Democratic Party won the majority in the State Senate in 2018, <mask> was appointed chair of the New York State Senate Transportation, Infrastructure, and Capital Investment Committee. He also serves on the Finance, Rules, Energy & Telecommunications, Insurance, Banks, and Social Services Committees. In his first year chairing of the Senate Transportation Committee, <mask> secured $100 million for the Niagara Frontier Transportation Authority (NFTA) Buffalo Metro Rail System. <mask> was one of the main players in getting a new Amtrak Buffalo–Exchange Street station built.2020 presidential election
In the 2020 Democratic Presidential Primary, <mask> received the most votes (43,127) as a delegate for Joe Biden to the 2020 Democratic National Convention for the 26th Congressional District. References

1976 births
Living people
New York (state) Democrats
Politicians from Buffalo, New York
New York (state) state senators
D'Youville College alumni
21st-century American politicians
St. Joseph's Collegiate


texts:
<mask> (March 22, 1917 – December 25, 2000) was an equine artist, author, and teacher, as well as an illustrator of over 130 books, in addition to his own. He was designated the official illustrator of the United States Equestrian Team, and was a founding member of the American Academy of Equine Art. He created several horse charts that are considered authoritative works and have been used by the Smithsonian Institution. Early life
<mask> was born in Wilkes-Barre, Pennsylvania in 1917. He graduated from Pratt Institute in 1939, and was a veteran of the Second World War, where he held the rank of First Lieutenant. He was further educated at the New School, in sculpting, as well as the Art Students League of New York in visual arts. Savitt was also an active equestrian, and relocated to North Salem, New York in 1956.Career
The New York Times said of his 1956 book Step-a-Bit: The Story of a Foal, that Savitt's drawings had "great charm and spontaneity". That year Savitt was named the official artist of the United States Equestrian Team. Then his book Midnight, Champion Bucking Horse won the Boys Club of America junior book award in 1958. In 1950, he illustrated the seminal book on English equestrianism, Learning to Ride, Hunt, and Show by Gordon Wright. His paintings have been used in the posters for races like the Kentucky Derby and the National Horse Show. His work went to galleries and commercial accounts, and he painted portraits of people such as William Randolph Hearst Jr. and Raymond Firestone. It was at times

masks:
Sam Savitt
Sam Savitt


texts:
 considered a mark of greatness for a race horse to have been illustrated and published by Savitt.He has also created paintings of horses participating in competitive polo. In addition, his subjects included fox hunting, rodeo, steeple-chasing and show jumping. His 1981 book Draw Horses with <mask>tt is considered to be a seminal book in equine portraiture. As a writer he wrote sixteen books and co-authored two. In addition, he illustrated more than 130 books by other authors. He worked as a cover artist for Dell Books. His comic book work included stories written about Gene Autry, Roy Rogers, The Lone Ranger, The Cisco Kid, and Ben-Hur.His work appeared in magazines that included Equus, The Chronicle of the Horse, Equine Images, Arizona Highways, Boys’ Life, and Sports Illustrated. In 1998 Savitt was awarded the Lifetime Achievement Award from the North American Horseman’s Association. The association had previously awarded him the title of Equine Artist of Distinction. Equus Magazine included him in their list of the world’s most influential horsemen of the 20th century. Savitt is the cofounder of the American Academy of Equine Art, with Henry Koehler, Marilyn Newmark, and June Harrah. With his wife, Bette, he opened Black Horse Press in 1963, which sold his charts and reproductions of his pieces. His works have been used as the illustrative basis of home furnishings and décor by various companies.Later life and death
Savitt died at the age of 83, in 2000. Braun, ed. (1965)
 Big Jump for Robin by Suzanne Wilding (1965)


texts:
 Christy finds a rider by Elizabeth Harrover Johnson (1965)
 Dave and his dog, Mulligan by Jim Kjelgaard (1966)
 About Horses by Luther Dexter (1968)
 The golden book of horses by George McMillan (1968)
 Ride, gaucho by Bruce Grant (1969)
 Sky rocket; the story of a little bay horse by Margaret Cabell Self (1970)
 Wild animal rescue! by Bryan O'Donoghue (1971)
 How to bring up your pet dog; choosing, understanding, training, protecting, enjoying by Kurt Unkelbach (1972)
 Hundred Horse Farm by Blanche Chenery Perrin (1973)
 Summer Pony by Jean Slaughter Doty (1973)
 A boy and a pig, but mostly horses by Sherman Kent (1974)
 The Gallant Gray Trotter by John T. Foster (1974)
 Backyard pony: selecting and owning a horse by Frederick L. Devereux (1975)
 How to take care of your horse until the vet comes: a horse health and first aid guide by Herb Marlin (1975)
 Horse tales by Suzanne Wilding, ed. (1976)
 The tale of the horse by Walter L. Field (1977)
 Pluto: brave Lipizzaner stallion by Anne Colver (1978)
 Springfellow by Robert Kraus (1978)
 How to teach an old dog new tricks: retraining the secondhand dog by Kurt Unkelbach (1979)
 My Mane Catches the Wind, poems about horses (1979)
 Hiboy: Young Devil Horse by Justin F. Denzel (1980)

References

External links

1917 births
2000 deaths
American children's book illustrators
American children's writers
20th-century American non-fiction writers
People from North Salem, New York
Pratt Institute alumni
The New School alumni
Art Students League of New York alumni
20th-century


texts:
<mask> (August 1, 1923 - December 19, 2005) (Sihasapa and Minneconjou Lakota) (Lakota name Hinsha Waste Agli Win – "Returns Victorious with a Red Horse Woman") was a scholar, anthropologist, and educator known for her work in the fields of Indigenous languages, cultures, and history. <mask> spent much of her life researching, teaching, and serving Native communities, primarily in the fields of bilingual education, addiction and recovery, mental health, tribal identity, and women's, children's, and LGBT community issues. Early life
<mask> was born on the Standing Rock Reservation in Wakpala, South Dakota on the 1st of August, 1923. Education
Medicine received her BA in anthropology at South Dakota State University in 1945, and her MA in both Sociology and Anthropology from Michigan State University in 1954. She completed her Ph.D in 1983 at the University of Wisconsin. Career
Medicine studied the human behaviors involved in racism and linguistic discrimination, in both academia and social anthropology. Much of her work focused on the resurgence, survivance, and expansion of Indigenous languages and culture.<mask> was known internationally for her work with students and faculty, and over her 50 year career at campuses including Santo Domingo Pueblo Agency School, Flandreau Indian School, the University of British Columbia, Stanford University, Dartmouth College, Mount Royal College (now Mount Royal University), San Francisco State

masks:
Beatrice Medicine
Medicine
Medicine
Medicine


texts: University, the University of Washington, the University of Montana and the University of South Dakota. She retired as Professor Emeritus of Anthropology at California State University, Northridge. In her book, Learning to Be an Anthropologist and Remaining Native, <mask> playfully attributed her multi-institutional career as a result of embracing the traditional roots of the Lakota: "as far as moving so often is concerned, I jokingly refer to the former nomadism of my people". Her lifelong commitment as a scholar and educator resulted in numerous publications, speeches, lectures, and studies, for many which <mask> received honourable accolades and awards recognizing her pursuits for equity in human rights. <mask> was actively involved in civil rights struggles in the Indigenous communities of Seattle, Vancouver, and Calgary. In 1974 <mask> testified alongside Vine Deloria Jr. as an expert witness in the federal case brought against those involved in the Wounded Knee incident. In 1984, <mask> was elected to the Common Cause National Governing Board, a nonprofit organization built with the intent on "holding power accountable".In 1993-94 <mask> took a stand for her beliefs and respect for the role of women in Indigenous cultures by accepting a position in the Women's Branch of Canada's Royal Commission on Aboriginal Peoples, seeing this as acting as a voice for the people to fight for the legal rights of Indigenous families. <mask>'s

masks: Medicine Medicine Medicine Medicine Medicine Medicine Medicine


texts:
 commitment to social action did not end when she retired from her career as a teacher and scholar in the early 1990s. Upon returning to her home on the Standing Rock Indian Reservation in South Dakota she assisted in the efforts to build a new public school for the community. She also sat on the Pardon Board and the Wakpala-Smee School District School board. Death
<mask> died during an emergency surgery on 19 December 2005, in Bismarck, North Dakota. In accordance with her wishes there was no funeral service. Her family requested that, rather than collect flowers for a gravesite, friends and family instead donate to the American Indian College Fund in Denver, Colorado.<mask> is survived by her sister Grace V Yardley, her son Ted Sitting Crow Garner, and her adopted daughter JoAllyn Archambault who is also an anthropologist. Legacy
In 2006 AltaMira Press published Drinking and Sobriety Among the Lakota Sioux, a work they had been producing with Medicine in the days prior to her passing. This work examines the role of harmful Stereotypes of indigenous peoples of Canada and the United States in relation to alcoholism which <mask> originally presented in her 1969 article "The Changing Dakota Family and the Stresses Therein," in The Pine Ridge Research Journal. In honour of <mask> and her lifelong dedication to education,  The Society for Applied Anthropology (SfAA) created the Bea Medicine Award, a scholarship travel grant of $500,


texts:
 awarded to up to four students who are either completing their undergraduate or graduate studies, to assist in attending the Annual Meeting of the SfAA. Her papers are archived in the National Anthropological Archives at the Smithsonian Institution. Awards
 (1991) Distinguished Service Award from the American Anthropological Association. (1996) Bronislaw Malinowski Award from the Society for Applied Anthropology.(2005) George and Louise Spindler Award for Education in Anthropology from the American Anthropological Association. Ohana Award from the American Counseling Association]. Outstanding Woman of Color Award from the National Institute of Women of Color. Honoring Our Allies Award from the National Gay and Lesbian Task Force. Published work

Collaborative works
 (1973). "The Native American" in Don Speigel and Patricia Keith-Speigel eds. The Outsiders.New York: Rinehart and Winston Holt. (1976) "The Schooling Process: Some Lakota (Sioux) Views" in Craig J. Calhoun and Francis A. Janni eds. The Anthropological Study of Education. The Hague: Mouton. (1983). "Warrior Women." The Hidden Half: Studies of Plains Indian Women.Patricia C. Alberts, ed.  .
 (1987). "My Elders Tell Me" in J.Barman, Y. Hebert and D.McCaskill eds. Indian Education in Canada, vol 2. Vancouver: University of British Columbia Press. (1987). "Indian Women and the Renaissance of Traditional Religion" in Raymond J. DeMallie and Douglas R. Parks eds. pp.159–171.


texts:
 Sioux Indian Religion, Tradition and Innovation. Norman and London: University of Oklahoma Press. (1987). "The Role of American Indian Women in Cultural Continuity and Transition" in J. Penfield ed. Women and Language in Transition. Albany: SUNY Press.(1988). "Ella Cara Deloria" in Ute Gacs, Aisha Khan, Jerry McIntyre and Ruth Weinberg eds. pp. 45–50. Women Anthropologists: a Biographical Dictionary. New York: Greenwood Press. (1997)."Changing Native American Roles in an Urban Context and Changing Native American Sex Roles in an Urban Context" in Sue-Ellen Jacobs, Wesley Thomas and Sabine Lang eds. Two-Spirit People: Native American Gender Identity, Sexuality, and Spirituality. Urbana and Chicago: University of Illinois Press. (1997). "Lakota Star Quilts: Commodity, Ceremony and Economic Development" in Marsha L. MacDowell and C. Kurt Dedwhurst eds. To Honor and Comfort: Native American Quilting Traditions. Museum of New Mexico Press and Michigan State University Museum.(1999). "Ella Cara Deloria: Early Lakota Ethnologist (Newly Discovered Novelist)" in R. Darnell and L. Valentine eds. The Americanist Tradition. Toronto: University of Toronto Press. Articles and journals

 (1969) "The Changing Dakota Family and the Stresses Therein." Pine Ridge Research Bulletin, No. 9, pp.13–23. (1971). "The Anthropologist and American Indian Studies Programs." Indian Historian, No. 4, pp. 15–18. (1971)."Anthropology as the Indian's Image Maker."


texts: Indian Historian, Vol. 4, No.3, pp. 27–29. (1973). "Finders Keepers?" Museum News, No.51, pp. 20–26. (1975). "Self-Direction in Sioux Education." Integrateducation, No. 78, pp. 15–17.(1976). "Oral History as Truth: Validity in recent Court Cases Involving Native Americans." Folklore Forum, Bibliographic and Special Series, Vol. 9, No. 15, pp. 1–5. (1978)."Higher Education: a New Arena for Native Americans." Thresholds in Education, No. 4, pp. 22–25. (1980). "Ella Cara Deloria, the Emic Voice." Melus (Multi-Ethnic Literature in the U.S.), Vol.7, No. 4, pp. 23–30. (1980). "American Indian Women: Mental Health Issues which Relate to Drug Abuse." Wíčazo Ša Review: a Journal of Native American Studies, No. 9, pp.85–89. (1980). "American Indian Women: Spirituality and Status." Bread and Roses, No. 2, pp. 15–18. (1981)."American Indian Family Cultural Change and Adaptive Strategies." Journal of Ethnic Studies, No. 8, pp. 13–23. (1981). "'Speaking Indian': Parameters of Language Use among American Indians." Focus: National Clearinghouse for Bilingual Education, No.6, pp. 3–10. (1981). "The Interaction of Culture and Sex Roles in Schools." Integrateducation, Special Issue: American Indian Education, No. 19, pp. 28–37.(1981). "Native American Resistance to Integration: Contemporary Confrontations and Religious Revitalization." Plains Anthropologist, Vol. 26, No. 1, pp. 277–86. (1982)."New Roads to Coping: Siouan Sobriety" in S.M. Manson ed. New


texts:
 Directions in Prevention among American Indian and Alaska Native Communities. Portland: Oregon Health Sciences University. (1983). "Indian Women: Tribal Identity as Status Quo." Women's Nature: Rationalizations of Inequality.New York: Teachers College Press. (1986). "Contemporary Cultural Revisitation: Bilingual and Bicultural Education." Wíčazo Ša Review: a Journal of Native American Studies, No. 2, pp. 31–35. (1988)."Native American (Indian) Women: A Call for Research." Anthropology and Education Quarterly, Vol. 19, No. 2, pp. 86–92. (1990). "'Carrying the Culture: American Indian and Alaska Native Women Workers' Wider Opportunity for Women Inc." Risks and Challenges: Women, Work and the Future, pp.53–60. (1993). "North American Indigenous Women and Cultural Domination." American Indian Culture and Research Journal, Vol. 17, No. 2, pp. 121–30.(1998). "Alcohol and Aborigines: the North American Perspective." Alcoholic Beverage Medical Research Journal, No. 8, pp. 7–11. (1998). "American Indians and Anthropologists: Issues of History, Empowerment, and Application."Human Organization, Vol. 57, No. 3, pp. 253–57. Films

 (1999). Seeking the Spirit: Plains Indians in Russia. Liucija Baskauskas, dir.Documentary Educational Resources. References

External links
 "SFAA Bea Medicine Award", Society for Applied Anthropology. "Beatrice Medicine", Webster.edu. "Rights advocate Medicine dies" at the Wayback Machine (archived October 15, 2008),


texts:
 Rapid City Journal. "Beatrice Medicine Dead at 82", Savage Minds. "Beatrice Medicine", Native American Authors. "Learning to Be an Anthropologist and Remaining 'Native'", University of Illinois Press."Franz Boas Award", American Anthropological Association. 1923 births
2005 deaths
20th-century American scientists
20th-century American women scientists
20th-century Native Americans
American women anthropologists
California State University, Northridge faculty
Lakota people
Michigan State University alumni
Miniconjou people
Native American anthropologists
Native American women academics
American women academics
Native American academics
Place of birth missing
Sihasapa
20th-century Native American women
21st-century American


texts:
<mask>  (born 10 October 1964) is an English actress from Oldham, England. She graduated from the Guildhall School of Music and Drama in 1986 and began her career in local theatre, whilst teaching drama classes at the University of Salford. Lancashire found popular success in television programmes including Coronation Street (1991–1996, 2000), Where the Heart Is (1997–1999), Clocking Off (2000) and Seeing Red (2000) and earned widespread recognition. In July 2000, Lancashire signed a two-year golden handcuffs contract with the ITV network which made her the UK's highest paid television actress. Subsequent television roles include the costume dramas Oliver Twist (2007), Lark Rise to Candleford (2008–2011) and The Paradise (2012), and the fact based dramas Cherished (2005) and Five Daughters (2010). Since 2012, <mask> has earned extensive critical acclaim for her roles in the contemporary drama series Last Tango in Halifax (2012–2020) and Happy Valley (2014–present). <mask> has also appeared in the feature films And When Did You Last See Your Father?(2007) and Dad's Army (2016), and West End theatre productions including Blood Brothers in 1990, Guys and Dolls from 2005 to 2006 and Betty Blue Eyes in 2011. Her combined acting credits have earned Lancashire a number of awards and nominations over a career spanning four decades, including two British Academy Television Award wins out of five nominations. She was appointed an Officer of the Order of the British Empire (OBE) in the 2017 Birthday Honours for services to drama. Life and career

Early life and career beginnings (1964–1990)
<mask> <mask> was born on 10 October 1964 in Oldham, Lancashire. Her father,

masks:
Sarah Jane Abigail Lancashire
Lancashire
Lancashire
Sarah Jane
Abigail Lancashire


texts: <mask> (1933–2004), was a television scriptwriter noted for his work on the soap opera Coronation Street and situation comedies such as The Cuckoo Waltz. Her mother, Hilda, worked as Geoffrey's personal assistant. She has three brothers, one her elder, one younger and a twin.Lancashire was educated at Oldham Hulme Grammar School between 1976 and 1981. At the age of 17, she started to suffer clinical depression. Lancashire has stated she was never driven by the ideas of fame and status. Her background had inspired an initial interest in working behind the scenes in television. She did not give serious thought to the performing arts until the age of 18. After winning a place at the Guildhall School of Music and Drama, Lancashire realised that she enjoyed acting. She graduated in 1986, describing her time as a student there as "tremendous" but "seriously hard work and quite intimidating".After rejection from several repertory theatre companies, Lancashire was given her first acting role by Howard Lloyd-Lewis, artistic director of the Manchester Library Theatre Company, which provided her with an Equity Card. Lancashire performed two plays with the company, Pacific Overtures and The Beauty Game, which she states formed "the start of my career as an actor". She found her first professional acting experience "terrifying" as a result of the live audiences, recalling that, "because I wore a bathing costume in some of the scenes, I got heckled!" She also realised that taking risks or underperforming could have had consequences for her acting career. Her role as Denise in The Beauty Game earned her a nomination for Best Supporting Actress at the Manchester Evening


texts: News Theatre Awards. At the age of 22, Lancashire married her first serious boyfriend, Gary Hargreaves, a music lecturer 11 years her senior, whom she had met four years earlier. Recalling the circumstances of her first marriage in 2001, Lancashire stated she only married because she became pregnant and possessed both a traditional outlook and a fear of the stigma of having a child out of wedlock.Thomas, her first child with Hargreaves, was born in 1987; a second son, Matthew, was born in 1989. During her early career, Lancashire found herself with large breaks between theatre appearances. To support herself financially, she worked as a drama tutor for five years at Salford University alongside her acting work. Discussing Lancashire's time as a visiting lecturer in Acting and Characterisation, Professor Ron Cook, Head of the University's School of Media, Music and Performance, noted that Lancashire made a "significant impact" in the formative stages of the drama department at the University and had also directed student productions. In 1987, Lancashire made a brief appearance in Coronation Street as Wendy Farmer, a prospective lodger of series regular Jack Duckworth (Bill Tarmey). In the late 1980s, she also appeared in an episode of the children's anthology series Dramarama, and a single episode of the ITV sitcom Watching. In 1990, Lancashire received her "big break" – the role of Linda in a production of Willy Russell's Blood Brothers at the Albery Theatre.Although she thoroughly enjoyed performing in London's West End, she found it difficult to reconcile the experience with raising two young children in Manchester. Breakthrough and popular success


texts:
 (1991–2000)

Two weeks after finishing her run in Blood Brothers, Lancashire auditioned for the role of new Coronation Street character Raquel Wolstenhulme, a colleague of supermarket employee Curly Watts (Kevin Kennedy). Lancashire joined on a three-month contract, continuing to teach at Salford University for another year. Raquel first appeared on 25 January 1991 and departed on 10 May; having moved to London to try to launch a modelling career. Lancashire had initially been reserved about Raquel's characterisation, noting that her "acidic side" could have rendered her the "street bitch" had it been embellished. She took care to highlight Raquel's potential, playing against what had been written to make her more comic, evoking audience sympathy. Between 26 September and 19 October 1991, Lancashire played the title role in an adaption of Educating Rita at the Queen's Theatre, Hornchurch.Following Raquel's reintroduction on 30 December 1991, <mask> committed herself to Coronation Street full-time. She would remain in the series until 1996, earning a reported annual salary of £90,000. Two years into the role, she experienced a 14-month nervous breakdown but did not confide in anyone besides her close family or take any time off work, which in retrospect she deemed "the worst thing [she] could have done. During the worst part of her experience Lancashire described herself as "hysterical at the thought of getting out of bed". Her mother Hilda forced her to seek medical assistance for her condition, which <mask> states "gave me my life back", her twenties having been "a write-off". <mask> felt her first marriage had also contributed to her unhappiness; in

masks: Lancashire Lancashire Lancashire


texts: 2001, she stated that though her marriage lasted ten years, it "was 10 years longer than it should have done". In 1995 she separated from Hargreaves; the pair would ultimately later divorce.She described leaving her marriage as a "cleansing experience" and a "renaissance"; one that enabled her to rediscover her sense of identity. Other steps that <mask> took to combat her depression included remaining single for five years, attending therapy sessions, and taking prescriptions of the anti-depressant drug Paroxetine. In December 1995 <mask> starred in the spin-off straight-to-video film Coronation Street – The Cruise, a 75-minute special detailing Raquel and Curly's honeymoon. The special was advertised as being exclusive to video, and 750,000 copies were sold, to the value of £10 million. <mask> departed Coronation Street in 1996 due to her heavy work schedule and desire to pursue other projects. She had also tired of the fame the role brought her, shying away from personal appearances and interviews with television magazines. Her final scenes attracted 20 million viewers.Lancashire's performance in the role saw her nominated in the Most Popular Actress category at the 2nd National Television Awards in October 1996. Lancashire's next role was district nurse Ruth Goddard in the ITV drama series Where the Heart Is, which began airing in 1997. Also in 1997 she filmed a situation comedy for the BBC, Bloomin' Marvellous, in which she played Liz, one half of an argumentative married couple trying for a baby. However, due to poor viewing figures and a damning critical response the sitcom was not renewed. Regarding the negative reception to the series, her co-star


texts: Clive Mantle sarcastically remarked "I've seen murderers and rapists get a better press than we did". Lancashire continued to star as Ruth Goddard in Where the Heart Is for its second and third series in 1998 and 1999. In 1998 she was nominated for her second National Television Award for Most Popular Actress.In February 1999 she made a guest appearance in the British dark comedy anthology series Murder Most Horrid alongside comedian Dawn French. The pair played two yachtswoman whose journey ends with fatal repercussions. In April it was announced that Lancashire would be quitting Where the Heart Is, despite an offered pay rise. At the time, Where the Heart is was the third most popular drama on British Television, regularly attracting 12 million viewers. Lancashire's decision was reportedly influenced by the series filming away from home, and a fear that remaining in the series long term would harm her career. In January 2000 she expanded on her decision, stating that Ruth "was too chocolate-boxy, no longer a challenge". On 1 January 2000, Lancashire returned to Coronation Street for one episode in which Raquel asks Curly for a divorce.Lancashire felt it was an apt time to return, as she was now a more confident actress and wanted to portray Raquel again before she aged significantly. The series' producer at the time, Jane Macnaught, deemed Raquel one of Coronation Street most popular ever characters and her return an opportunity for her "millions of fans" to learn what had become of her. Lancashire and Kennedy were the sole actors in the episode, the first to feature just two characters. From late January, Lancashire appeared as factory employee Yvonne


texts:
 Kolakowski, a widow with a dysfunctional personal life, in the BBC One drama series Clocking Off. Lancashire used her own experiences as a single mother in her characterisation. In March, she played actress Coral Atkins in the television film Seeing Red. Lancashire found shooting the drama, which detailed Atkins' decision to quit her acting career in order to set up a care home for abused children, "mentally draining".Lancashire then spent eight weeks filming the BBC One legal sitcom Chambers in which she played "ambitious" and "bigoted" barrister Ruth Quirke. The series was aired from June 2000. Lancashire's final role in 2000 was in the two-part drama thriller My Fragile Heart. Lancashire's output in 2000 earned her several awards. She was voted best actress at the TV Quick Awards in September 2000 for her roles in Clocking Off and Seeing Red, and in October was voted Most Popular Actress at the 6th National Television Awards for Seeing Red. In March 2001 she was named Drama Performer of the Year by the Television and Radio Industries Club, with mention of her work in Clocking Off and Seeing Red. "Golden Handcuffs" contract

Following Lancashire's success in connecting with a television audience, ITV sought to secure her exclusively to their network in a two-year golden handcuffs deal, which was finalised in July 2000.Lancashire became the first actress to be given such a contract with ITV. The deal, worth £1.3 million, made Lancashire the highest-paid actress in British Television. Discussing the exclusive signing ITV controller of drama Nick Elliott identified Lancashire as being someone with "a great range [who] creates a tremendous empathy with an


texts: audience". He also admitted that heavy interest in Lancashire from the BBC had been a factor in giving her the contract, and blocking her from working with other networks. Her last role on BBC One during this period was comedy drama Gentleman's Relish, an adaptation of the Miles Gibson novel Kingdom Swann. The television film, which aired on New Year's Day 2001, was Lancashire's first in the costume drama genre; she played a housekeeper harbouring romantic feelings for her employer (Billy Connolly). Her first role under her new contract with ITV was the six-part drama The Glass opposite John Thaw.The series, which aired between May and June 2001 saw Lancashire star as a saleswoman for a double-glazing company who ends up caught in a love triangle with her boss and his nephew. In August 2001, Lancashire married television executive Peter Salmon,  in a low-key ceremony held at Langar Hall, Nottinghamshire. Salmon had proposed to Lancashire in New York during a holiday at Easter time 2001. The two began a romantic relationship in the summer of 2000, though they had first met several years earlier whilst she was portraying Raquel on Coronation Street and he was employed by Granada Studios, which produces the soap opera. In October Lancashire starred in an adaptation of the Michelle Magorian novel Back Home as Peggy Dickinson, a woman adjusting to life in post-war Britain after having been separated from her family during the war. In March 2002 Lancashire received an Honorary Master of Arts degree from Salford University. In April, she starred in two-part psychological thriller The Cry, which she described as her "most naked role yet".She played a social


texts: worker grieving her second still-born child who is determined to protect a baby she perceives to be at risk of abuse. Lancashire drew on her own experiences of clinical depression in her depiction of her character's mentality. Her performance saw her awarded with a Golden Nymph award for Best Performance by an Actress in a Mini-Series at the Monte-Carlo Television Festival. In April it was reported that Lancashire had been lined up to play the lead role in comedy drama Life Begins, which creator Mike Bullen had written with Lancashire in mind. However, by June, Lancashire had exited the drama, unwilling to commit to a potentially long running series. Later that month BBC News and newspaper The Guardian reported that Lancashire had exited her exclusive deal with ITV, which would not be renewed after it expired in the autumn. The decision was reportedly influenced by Lancashire's desire to reduce her workload and to have the freedom to take on other roles.In September 2002 she appeared in a two-part crime drama pilot, Rose and Maloney, as legal investigator Rose Linden. On 22 December she appeared in the television movie Birthday Girl as Rachel Jones, who plans a party to celebrate being in remission from a serious illness, only to discover that the disease has returned. Lancashire's final role under her ITV contract was Gertrude Morel in an adaptation of D.H. Lawrence's 1913 novel Sons and Lovers, airing in January 2003. The portrayal –her first of a mother with adult children– followed Gertrude's transformation from a young bride into a fifty-something woman ravaged by her life experiences of poverty and domestic abuse. Lancashire re-read the novel


texts:
 several times prior to filming, and identified with the themes of filial and marital relationships she had been unable to appreciate as a GCSE student. The miniseries gave her a sense of conviction in her career path, stating ahead of the broadcast in 2002: "whatever the reason I do what I do, I felt I had come to a point where I could stop searching after this". Reviewing the serial Paul Hoggart of The Times wrote that Lancashire "steals the show" with a "performance of immense subtlety and quiet strength, proof, if we still needed it, that she has matured into a terrific actress."Conversely Andrew Billen, writing in New Statesman, wrote that "<mask> was no revelation at all", purely because she had "long since proved herself a formidable actress". Subsequent projects (2004–2012)

While pregnant with her third child, <mask> began an 18-month career break, the longest of her working life. In March 2003, <mask> gave birth to her third son, Joseph. <mask>'s first job after returning to work was her directorial debut on an episode of the BBC One anthology series The Afternoon Play. For "Viva Las Blackpool" she was given the Best Newcomer Award (sponsored by BBC Birmingham) at the Birmingham Screen Festival and the Best New Talent Award at the Royal Television Society (Midlands) awards in 2004. The venture also earned her first British Academy Television Awards nomination in 2005 for Best new Director of Fiction. <mask> next filmed three two-part stories for Rose and Maloney, following on from the pilot episode in 2002.The delay between shooting for the pilot and its follow-up was a result of Lancashire's career break and problems reconciling her availability

masks:
Sarah Lancashire
Lancashire
Lancashire
Lancashire
Lancashire


texts: with that of co-star Phil Davis. In 2005 Lancashire starred in The Rotters' Club as a housewife in 1970s Birmingham. Also in 2005 she appeared in the BBC television film Cherished as Angela Cannings, a British woman who was wrongfully convicted of killing her two baby sons. Lancashire was proud to be involved with the project, having greatly admired Cannings strength of character during her ordeal, and being able to relate to her sense of anguish as a parent. In December 2005, Lancashire returned to West End theatre, taking on the role of Miss Adelaide in the Donmar Warehouse production of Guys and Dolls at the Piccadilly Theatre. Lancashire was due to stay with the production until March 2006, but due to a severe chest infection made her last appearance on 4 January. In 2006 Lancashire accepted an invitation to write a short autobiographical entry in Who's Who.Lancashire's only television acting role in 2006 was as house-wife and cake-maker Elaine in the BBC comedy drama Angel Cake. In November she presented an episode of the Five documentary series Disappearing Britain in which she interviewed people with memories of Wakes Week holidays in Blackpool during the early 20th century. In February 2007 she made an appearance in the E4 teen drama series Skins. This was followed by a leading role in the BBC Two television drama Sex, the City and Me as solicitor Ruth Gilbert. In October, Lancashire appeared in her first feature film, David Nicholls' And When Did You Last See Your Father? in which she played aunt Beaty. In December, she played the supporting role of Mrs Corney in the BBC's 2007 adaption of Charles Dickens' 1838 novel Oliver Twist.Whilst


texts: ambivalent about the serial as a whole, The Daily Mirrors Jane Simon singled Lancashire out for praise stating that she "really sets the tone for the cold, unfeeling world into which orphaned Oliver is born." Between 2008 and 2011 Lancashire narrated the BBC One series Lark Rise to Candleford, a costume drama based on Flora Thompson's memoir of her Oxfordshire childhood in the 1880s. In April, she appeared in the opening episode of the 2008 series  of Doctor Who, as "an enigmatic and powerful businesswoman" who Lancashire described as a "warped Mary Poppins". She was amongst a number of high-profile actors the series' executive producer Russell T Davies secured for the fourth series of the science-fiction drama as part of his intention to make it "bigger and blowsier". In 2009, Lancashire starred in the BBC One musical drama series All the Small Things. She played Esther Caddick, a full-time mother who starts a choir after her husband leaves her for a more glamorous woman. In July that year the actress was made an honorary Doctor of Letters by the University of Huddersfield.Following this, she reunited with director Coky Giedroyc, who had directed her in Oliver Twist, for a 2009 television adaptation of Emily Brontë's 1847 novel Wuthering Heights in which she played housekeeper Nelly Dean. In 2010 Lancashire portrayed Rosemary Nicholls, mother of a murder victim, in the three-part BBC drama Five Daughters; a depiction of the Ipswich serial murders from the perspective of the victims and their families. Though the pair never met, Lancashire felt it important to receive Nicholls consent before filming, and was later "humbled" and "relieved" to receive a


texts:
 feedback letter thanking her for her portrayal. Also in 2010 she guest-starred in the police drama series Inspector George Gently. In March 2011 Lancashire began starring in a new Cameron Mackintosh musical, Betty Blue Eyes, at the Novello Theatre. In the production, a loose adaptation of the 1984 film A Private Function, she starred as Joyce Chilvers, an aspirational housewife who Lancashire describes as "brittle" and "capricious". Despite positive reviews the musical closed in London on 24 September 2011, after a run of just six months.For her performance Lancashire was nominated for the Laurence Olivier Award for Best Actress in a Musical. In 2012 she appeared as lady's maid Miss Whisset in the penultimate episode of the 2010 revival of Upstairs Downstairs. In September 2012 Lancashire began appearing as Head of Ladieswear Miss Audrey in the six-part series The Paradise set in a department store in Northern England in the late 19th century. Lancashire described her character as "a true archetypal spinster" who has long denied herself a romantic life and who begins to feel undermined by a younger colleague. Last Tango in Halifax and Happy Valley
Between November 2012 and December 2016 Lancashire appeared opposite Anne Reid and Derek Jacobi in the BBC drama series Last Tango in Halifax. In the series she plays Caroline, an Oxford-educated headmistress who feels that her mother's second marriage gives her "permission" to be herself. Caroline's same-sex relationship with a fellow teacher resulted in Lancashire receiving more fan mail than for any other role, largely from women telling her that the series had helped them to come out.Due to the


texts: under-representation of gay characters in television, Lancashire felt it particularly important that Caroline's experience would not be depicted inaccurately. In her portrayal she opted to focus on the "humanity" of the character, rather than her sexuality. Filming of the second series clashed with filming of the second series of The Paradise, which necessitated Lancashire leaving The Paradise partway through its second series. For her role as Caroline she was nominated for the British Academy Television Award for Best Supporting Actress in both 2013 and 2014, winning in 2014. At the 2015 Hay Festival Lancashire stated that of all the roles she has taken on in her career Caroline is the one she is most proud of, citing the "extraordinary impact" of the character. After airing three full series, Last Tango in Halifax returned for a fourth series in December 2016, consisting of two episodes which were promoted as "Christmas Specials", and also for a fifth series in 2020. In 2014, Lancashire re-united with Last Tango in Halifax writer Sally Wainwright on the crime drama Happy Valley.Wainwright was keen to write another role for Lancashire after being "blown away" by her performances in Last Tango in Halifax. Lancashire portrays single-grandparent Catherine Cawood, a police sergeant still dealing with the aftermath of her daughter's rape, and subsequent suicide, eight years earlier. Mark Lawson of The Guardian identified the performance as a career best for Lancashire, stating that she perfectly conveyed "the script's demandingly contradictory notes of tragedy, comedy, love, guilt, weakness and courage". For this role she earned the TV Choice Award for Best


texts:
 Actress in 2014, and the Royal Television Programme Award for Best Actress in 2015. In September 2014 the Radio Times listed her as one of the thirty most powerful women in British television and radio. In April 2015 she received her fourth BAFTA television nomination, her first in the Best Actress category. In June 2015 she was named Best Actress in a Drama Series at the Monte Carlo Television Festival.Despite Lancashire's concerns regarding the decision to extend the story told in Happy Valley, Wainwright's "genuine" storytelling and "integrity" convinced her to return for a second series, which aired in 2016. Lancashire stated that she found the second series as "emotionally brutal" as the first; disclosing to The Independent that she inhabited Catherine's emotional pain for the entirety of the shoot. Whilst promoting the second series, Lancashire also refuted criticism about the level of violence towards women in the series, stating she "would never condone anything which [she] thought was salacious, titillating, or gratuitous" and that Catherine's experience represented an "absolutely honest portrayal of what a female police officer can be subjected to". For her role in the second series of Happy Valley, Lancashire won the 2017 National Television Award for Best Dramatic Performance, and the BAFTA TV award for Best Actress. 2015–present
In March 2015 Lancashire began filming a television adaptation of Ronald Harwoods 1980 play The Dresser. In the teleplay, which aired in October 2015, Lancashire portrayed stage manager Madge, whose unrequited love for 'Sir' (Anthony Hopkins), the head of a repertory theatre company, pits her at odds with his dresser


texts:
 and confidant, Norman (Ian McKellen). Lancashire described The Dresser as "the greatest piece ever written about actors" and found both working with and observing McKellen and Hopkins – "two of the greatest actors ever" – an extraordinary experience.Following an airing on the American premium cable channel Starz in 2016, Lancashire was nominated for the 2016 Critics' Choice Television Award for Best Supporting Actress in a Movie or Miniseries Lancashire played Mrs Pike in the 2016 feature film Dad's Army, based on the situation comedy series of the same name. In early 2017, she began voicing the character of "Headmonstress" Mrs Twirlyhorn in the animated pre-school series School of Roars, which airs on Cbeebies. Lancashire was due to appear opposite Martin Freeman in Labour of Love, a political comedy by James Graham, at the Noël Coward Theatre in late 2017 but pulled out on 1 September "on doctor's advice" and was replaced by Tamsin Greig. In 2018 she starred as Miriam – billed as an "experienced, no-nonsense social worker" – in Kiri, a four-part drama series written by Jack Thorne, co-produced by Channel 4 and the American on-demand service Hulu. The miniseries centres on a black girl living with a white foster couple who is murdered on a visit to her family, putting Miriam and the social services under scrutiny. Filmography

Awards and nominations

Lancashire was appointed Officer of the Order of the British Empire (OBE) in the 2017 Birthday Honours for services to drama. References

External links

1964 births
Living people
20th-century English actresses
21st-century English actresses
Actresses from Lancashire
Alumni of the Guildhall School of Music


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 and Drama
Best Actress BAFTA Award (television) winners
Best Supporting Actress BAFTA Award (television) winners
English film actresses
English musical theatre actresses
English soap opera actresses
English stage actresses
English television actresses
English television directors
Officers of the Order of the British Empire
People educated at Hulme Grammar School
Actresses from Oldham
Twin people from England
WFTV Award winners
Women television


texts:
Friedrich Otto (<mask><mask> (31 March 1891 – 16 May 1948) was a journalist, businessman, and filmmaker in Germany and one of the pioneers of the film making industry in Palestine before the establishment of Israel. Biography
<mask>, a Protestant Christian, was born in Erfurt, Germany. After a period of studies in Zurich and Milan, he began to produce films in Berlin in 1913. During World War I he was recruited into the German army as a driver and eventually was sent to Palestine to serve. On this first encounter with the Middle East he became enchanted with the region. After the war he returned to Berlin to resume work in film. During his frequent visits to a chocolate shop he met and married the daughter of the owner Cyla Anderman, a Jew.He also adopted her daughter Rosa. They lived in Berlin where <mask> established a film studio and laboratory. In 1932 he documented Hitler's election campaign. With the rise to power of the Nazis and the laws governing Aryan purity, <mask> was being forced to divorce his wife because of her Jewish ancestry. Instead he decided to move his family out of Germany. He withdrew a large amount of funds from his bank account and awaited the inevitable visit from the Gestapo. Laws in Germany at that time forbid the transfer of funds out of the country.He told representatives of the Gestapo that he had used the money to pay personal debts and buy new furniture. The Gestapo believed that he had transferred the funds to a Swiss account. <mask> admitted to having a small account in Switzerland and invited the Gestapo to accompany him to Zurich to confirm his story. His invitation was accepted and the family left Germany, with their money hidden away, escorted over the border by Gestapo agents. Once in Switzerland, the Dunkels were free to leave for Eretz Israel, with their money, while the duped Gestapo

masks:
Fred
) Dunkel
Friedrich Dunkel
Dunkel
Dunkel
Dunkel