texts:
 Suárez's De Legibus, which I had heard him praise, and it bears his inscription. I wish I could have offered him something besides affection and reverence for his lovely spirit". <mask> was diagnosed with a fatal illness in 1910 but refused to undergo surgery, carrying out his parish duties until he died of cancer on the evening of Rosary Sunday, 5 October 1913. Towards the end of his life he had begun to write an autobiography, but burned the manuscript a few days before his death believing that "it might do harm to others". University College Cork Digitisation Project

In the context of its Corpus of Electronic Texts (CELT), University College Cork has begun a digitisation project to make <mask>'s extensive literary oeuvre available on line. The project began with the publication of his poems and essays which are normally difficult to access in printed form.Over a period of time, all of <mask>'s works will be added to the digital collection. Publications

Books

 Geoffrey Austin, Student, M. H. Gill & Son, Dublin 1895
 The Triumph of Failure, Burns and Oates, London 1901
 My New Curate, Marlier and Callanan, Boston 1900
 Cithera Mea, Marlier and Callanan, Boston 1900
 Mein neuer Kaplan: Erzählung aus dem irischen Priesterleben, translated by Oskar Jacob, , Cologne 1900
 Mariae Corona, Benzinger Brothers, New York
 Collection of Sermons and Essays
 Luke Delmege, Longmans, Green & Co., London & New York

masks:
Sheehan
Sheehan
Canon Sheehan


type: original

texts:
 1901
 Mon Nouveau Vicaire, Éditions Pierre Dumont, Limoges 1901
 The Canticle of the Magnificat, Dublin 1901
 Holy Week and the Festival of Easter, Catholic Truth Society, Dublin 1902. Mater Dolorosa, Catholic Truth Society, Dublin 1902. St. Domnick and St. Teresa,  Catholic Truth Society, Dublin 1902. Der Erfolg des Mißerfolgs (The Triumph of Failure), translated by Oskar Jacob, Stehl, Kaldenkirchen, 1902. Under the Cedars and the Stars, Dolphin Press, Philadelphia 1903. Under the Cedars and the Stars, Brown and Nolan, Dublin 1904 (for the Catholic Truth Society of Ireland).Under the Cedars and the Stars, Benzinger Brothers, New York 1906. Glenanaar, Longmans, Green & Co., London and New York 1905
 Geoffrey Austin (German translation), Cologne 1904
 Az én új káplánom : elbeszélés, Budapest: Staphaneum Ny., 1904
 Mijn nieuwe kapelaan/ naar het Engelsch van P.A. <mask> ; vert. uit het Engels door Marie van Beek ; met een "woord vooraf" van H. Ermann, Van Leeuwen, Leiden (1904). Mój nowy wikary; opowieść z urywków pamietnika proboszcza irlandzkiego. (Przeklad z "Roli" 1902–1903) Przeklad z angielskiego [Polish translation of My New Curate published by Jan Jelenski (1845–1909)], Wydawnictwo Ks. M. Godlewskiego, Warszawa 1904.Luke Delmege (Flemish translation by J.J. Raken), P. Brand, Bussum. Succes door Mislukking (Flemish translation of The Triumph of Failure), R.K. Boekcentrale, Amsterdam. A Spoiled Priest and


texts:
 Other Stories (1905)
 Verhalen door Kanunnik P.A. <mask> (Dutch translation of A Spoilt Priest and Other Stories translated by J.J.G. Wahlen) : Van Leeuwen, Leiden 1905
 Delmege Lukács : regény az ír lelkipásztori életből, Budapest: Egyházi Közlöny, 1905 Budapest : Stephaneum Ny
 Moj novi kapelan : pripoviest iz irskoga života [Slovenian translation of My New Curate], A. Scholz, Zagreb 1905
 Geoffrey Austin (French Translation), P. Lethielleux, Paris n.d.. Early Essays and Lectures. London: Longmans, Green, & Co., 1906.Der Erfolg des Mißerfolgs, Kalenkirchen 1906
 Succès dans l'Échec, Éditions P. Lethielleux, Paris 1906
 Succes door Mislukking, translated by A. Schmitz, F.H.J. Bekker, Amsterdam 1906. Mūj Nový Kaplan, translated into Czech by  (under the pseudonym O.S. Vetti), Jan Otto, Prague 1906
 Lisheen, Longman, Green & Co., London and New York 1907
 Das Christtagskind,(German translation of Glenanaar), Styl, c.1907 [translated by Oskar Jacob ]
 Parerga, Longmans, Green & Co, London and New York 1908
 Mi Nuevo Caodjutor: Sucesos de la vida de un anciano parroco irlandés; traduccion espanola por M.R. Blanco del Monte, Friburgo de Bresgovia (1908)
 The Blindness of Dr. Gray, or, The Final Law, Longmans, Green & Co., London and New York 1909
 Dolina Krvi (Glenenaar), translated by Izidor Cankar, Lubljana: Katoliška bukvarna 1909 (Slovene translation)
 Pohozené Dítě: Novella, Kotrab, Prague 1909 [Czech


texts:
 translation of Glenanaar]
 Mi Nuevo Coadjutor, Madrid 1910
 Az üldözöttek : írországi regény, Budapest: Szt. István Társ., 1910
 Miĭ novyĭ sotrudnyk; opovidanie iz zapysok irli︠a︡ndsʹkoho parokha [Ukrainian translation of My New Curate], V.A. Shyĭkovsʹkyĭ, Lʹviv 1910
 The Intellectuals.An Experiment in Irish High Club-Life, Longmans, Green & Co, London and New York 1911
 The Queen's Fillet, Longmans, Green & Co, London and New York 1911
 Von Dr. Grays Blindheit, Einsiedeln 1911
 Miriam Lucas, Longmans, Green & Co, London and New York 1912
 Lukas Delmege, Regensburg 1912
 Lukáš Delmege, translated into Czech by , Kralín, Prague 1912
 De haarband van de koningin / Kanunnik <mask> ; uit het Engelsch vert. door Th.B.J. Wilmer, Van Leeuwen, Leiden 1912
 Lisheen oder Der Průfstein der Geister, Einsiedeln 1914
 The Graves at Kilmorna, Longmans, Green & Co, London and New York 1915
 Kresalo Duhov(Slovenian translation of Lisheen), translated by Izidor Cankar and Narte Velikonja, Ljubljana, Katoliška bukvarna 1917
 Miriam Lucas (German translation), Einsiedeln 1918 [translated by Oskar Jacob]
 Das Haarband der Königin, Einsiedeln 1919
 Sermons, New York, 1920
 Der Ausgestoßener, Saarlouis 1920
 De graven te Kilmorna (Dutch translation by Arthur Coussens), Thielt, Lannoo, 1922. Gray doktor vaksága, vagy A legfőbb törvény : írországi regény, Budapest : Pallas, 1923
 Cithara Mea. Poems
 Our Personal and Social


texts:
 Responsibilities, Dublin
 An Aged and Youthful Confessor, Dublin
 Thoughts on the Immaculate Conception, Dublin 1924
 Mnisi z Trabolganu, Warsaw 1924
 Sprawa Odłożna; Mnisi z Trabolganu: Opowiadnia, Warsaw 1924
 Die Gräber von Kilmorna, Einsiedeln 1926 [translated by Oskar Jacob  ]
 Tristram Lloyd, Longmans, Green & Co, London and New York 1928
 The Greatest Doctor, Dublin 1930
 Tristram Lloyd (French translation), translated by E. Masson, Éditions P. Lethielleux, Paris 1930
 Tristram Lloyd (Spanish Translation), translated by Emilio Sanz Pertegas, Bilbao-Madrid, Pia Sdad. S. Pablo, n.d..
 Tristram Lloyd (German translation), translated by , Haas und Grabherr, Augsburg 1930. Gleann an Air: Uirsceal ar Shaoghal i nEirinn, translated by Tomás de Bhial, Oifig an tSoláthair, Dublin 1931
 Luke Delmege (Spanish translation), Castellano, Londres 1932
 How Character is Formed, Dublin 1933
 An Sagart Óg, Dublin 1935
 L'expérience de Robert Maxwell : roman [French translation of Lisheen translated by Alphonse Burgoin], J. Dupuis [et] fils, Paris 1937.Lisín, translated by Séamus Ó Grianna, Oifig an tSoláthair, Dublin 1939
 Filéad na bainríoghaine (translation by Séamus Ó Grianna), Oifig an tSoláthair, Dublin 1940
 Tristram Lloyd (Spanish translation), Madrid
 Tristram Lloyd, (Italian translation), translated by Prof. A. Galli (Modena), Alba 1942
 Rita, die Sängerin, Steyler Verl. buchh., Kaldenkirchen; St. Gabriel-Verl.,


texts:
 Wien-Mödling, 1953
 Il Mio Nuovo Cappellano, Edizioni Paoline, Roma 1954
 Il Mio Nuovo Curato : giornale umoristico di un veccho prevosto d'Irlanda, translated by F. Zanetti, Benedetto Bacchini, Milan. Il Trionfo dell'Insuccesso, translated by Marilinda Machina, Edizioni Paoline, Francavilla-al-mare 1968
 La Benda della Regina, translated by Emma Masci Kiesler, Milano 1970

Articles, Essays, Sketches and Reviews

 Religious Instruction in Intermediate Schools. In: The Irish Ecclesiastical Record, Vol.II, No.9 (September 1881), pp. 521–531. In a Dublin Art Gallery.In: The Irish Ecclesiastical Record, Vol. II, no. 12 (December 1881), pp. 726-742. The Effects of Emigration on the Church. In: The Irish Ecclesiastical Record., vol. III, no.10 (October 1882), pp. 602-615. Gambetta. In: The Irish Ecclesiastical Record, vol. IV, no.3 (March 1883), pp. 137-152. Emerson:Free Thought in America.In: The Irish Ecclesiastical Record, Vol. V, no. 10 (October 1884), pp. 613-623. Education at German Universities. In: The Irish Ecclesiastical Record., Vol. VII, no.6 (June 1886), pp. 496-511; Vol. VII, no. 7 (July 1886), pp. 617-630; vol. VII, no. 8 (August 1886), pp.685-698.The German and Gallic Muse. In: The Irish Ecclesiastical Record., Vol. VIII, no. 6 (June 1887), pp. 42-56. The Poetry of Matthew Arnold. In: The Irish Ecclesiastical Record, Vol.IX, no. 6 (June 1888), pp. 481-494. Recent Works on St. Augustine. In: The


texts: Dublin Review, Vol.XIX, no. 7, (July 1888), pp. 88-107.Recent Augustinian Literature. In: The Irish Ecclesiastical Record, Vol.VIII, no.12 (December 1888), pp. 1069-1082. The Life and Influence of St. Augustine. In: The Irish Monthly, Vol. XVIII, May and June 1890, pp. 200–209 and 241–246.The two civilisations. Parts I and II. In: The Irish Monthly, Vol. XVIII, June and July 1890, pp. 293–301 and 358–367. The Seraph of Assisi. In The Irish Monthly, Vol.XVII, September 1890, pp. 468–479. The Late Father C. P. Meehan. In The Catholic World, Volume 51, (Issue 306), Sept 1890; pp. 796-801. Irish Youth and High Ideals. In The Irish Monthly, Vol.XIX, January 1891, pp. 39–54. Sir C. Gavan Duffy's Life of Thomas Davis. In The Catholic World, Volume 53 (Issue 317), Aug 1891; pp. 746–751. Impressions of Tennyson. In The Irish Monthly, Vol.XX, November 1892, pp. 602–606. The First Sin: a poem beginning "I said the prayer: 'Into Thy hands'". In: The Irish Monthly, Vol. XXI, October 1893, pp. 526–530. A Sunday in Dartmoor.In: The Irish Monthly, Vol. XXII, February 1894, pp. 80–88. Mr. Aubrey de Vere's New Volume. In The Irish Monthly, Vol. XXII, March 1894, pp. 126–138.Pretres-Adorateurs. In: The Irish Ecclesiastical Record, Vol.XV, no. 7 (July 1894), pp. 576–585. The Golden Jubilee of O'Connell's death. In: The Irish Monthly, Vol. XXV, July 1897, pp.337–350. Optimism v. Pessimism. I. In Literature. II. In daily life. In:


texts:
 The Irish Monthly, Vol.XXV, January 1897, pp. 39–52. The Dead and One of our Dead. In: The Irish Monthly, Vol. XXV, September 1897, pp. 489–494. Known by Fruits.In: Irish Monthly, vol. XXVI, n.295 (January 1898), pp. 21–27. Remanded. In: The Catholic World, vol. 66, n.394 (January 1898), pp. 437–452.Literary Criticism. In The American Ecclesiastical Review, Vol. XVIII, June 1898, p. 591. Our personal and social responsibilities. In: The Irish Monthly, Vol. XXVII, May and June 1899, pp. 225–233 and 292–304.The Literary Movement in Ireland. In: Sacred Heart Review (Boston), vol. 26, no. 20, 16 November 1901, pp. 308–309. The Literary Movement in Ireland. In: Sacred Heart Review (Boston), vol.26, n.23, 7 December 1901, pp. 356–357. Fr. Mac on Retreat: In The American Ecclesiastical Review, 1902. Books that influenced "Luke Delmege". In: The Irish Monthly, Vol. XXX, February 1902, pp.109–114. Dawn of the New Century. In: The Irish Ecclesiastical Record, fourth series, Vol.XV, no. 1, (January 1904), pp. 5–26. Non-dogmatic religion. In: The New Ireland Review, Vol.XXIII, August 1905, pp. 321–333. The Literary life. In: The Irish Monthly, Vol. XXXVII, April 1909, pp. 181–202
 Irish Primary Education. In: The Irish Monthly, Vol.XLV, January 1917, pp. 49–64. Hymns, Poems and Sonnets

 St. Augustine at Ostia: a poem beginning "At Ostia? Yes! "Twas the springtime. In: The Irish Monthly, Vol. XVI, June 1888, pp.349–350.


texts: The First Sin: a poem beginning "I said the prayer: 'Into Thy hands'". In: The Irish Monthly, Vol. XXI, October 1893, pp. 526–530. Ave Atque Vale: a poem beginning "When with a song of heavenly mirth". In: The Irish Monthly, Vol.XXI, December 1893, pp. 631–632. Sentan the Culdee: a poem beginning "This is the vision of a man of God". In:  The Irish Monthly, Vol. XXIV, January 1896, pp. 1–10. Death, the magician: a poem beginning "For I do hate thee O thou spectre, Death".In: The Irish Monthly, Vol. XXIV, November 1896, pp. 594–595. Hymn to spring: a poem beginning "O Earth, awake from thy slumbers". In:  The Irish Monthly, Vol. XXV, April 1897, pp. 217–218.On the Mer-de-Glace: a poem beginning "Hither God brought his rebel seas to try". In: The Irish Monthly, Vol. XXV, August 1897, p. 439. Known by fruits. In: The Irish Monthly, Vol. XXVI, January 1898, pp. 21–27.The elf child: a poem beginning "Mother is this the storm-fiend". In: The Irish Monthly, Vol. XXVI, February 1898, p. 72. Sonnets of travel: beginning "The dying sun had sucked his last red beam". In: The Irish Monthly, Vol. XXVI, April 1898, pp. 180–181.My oratory lamp: a poem beginning "Lord, Thou hast kindled all Thy lamps tonight". In: The Irish Monthly, Vol. XXVI, June 1898, p. 320. Swallows of Allah: a poem beginning "Swallows of Allah, unfurl your white wings". In: The Irish Monthly, Vol. XXVI, November 1898, pp. 601–602.Thalassa! O Thalassa! a


texts:
 poem beginning: "Can you see the spine of yonder crest". In: The Irish Monthly, Vol. XXVII, April 1899, pp. 188–189. The Leper Priest of Luneburg.In The Irish Monthly, Vol. 17, No. 196 (Oct. 1889), pp. 537–542. Gachla, the druidess: a poem beginning "A relic of an old-time rune". In: The Irish Monthly, Vol. XXVIII, January 1900, pp.1–15. The bird and the fly: a poem beginning "I saw a speck on my window pane". In: The Irish Monthly, Vol. XXVIII, August 1900, pp. 482–483. A game of chess: a poem beginning "A square of black and a square of white". In: The Irish Monthly, Vol.XXVIII, September 1900, pp. 523–524. The cry of the curlews: a poem beginning "A lonely whitewashed cottage". In: The Irish Monthly, Vol. XXIX, June 1901, pp. 287–288. To a post—two voices: a poem beginning "Strong watcher o'er the night wolds".In: The Irish Monthly, Vol. XXXII, October 1904, pp. 600–604. Woman and child: a poem beginning "We watched the sunset together". In: The Irish Monthly, Vol. XXXV, February 1907, pp. 83–86.Plays

 Lost Angel of a Ruined Paradise. A Play, Longmans, Green & Co, London and New York 1904
 Ange Egaré d'un Paradis Ruiné, Éditions P. Lethielleux, Paris 1907

Bibliography about Fr. <mask>

 Herman Heuser: Book Review of Geoffrey Austin. In The American Ecclesiastical Review, vol. XVII, October 1897, pp. 327–328. Anonymous: Talk about New Books.In The Catholic World (New York), vol. 71 (May 1900), pp. 272–277.


texts:
 Maurice Francis Egan: Cithara Mea - A Book Review. In TheCatholic University Bulletin (Washington, DC), vol. VII, no. 2 [February 1901], pp.180–182. Anonymous: Der Erfolg des Mißerfolges: from the Maria Laach publication Stimmen aus Maria-Laach, vol. LXV (1903), pp. 111–112. Matthew Russell: The Author of My New Curate. In The Dolphin, vol. 1, no.1 (January 1902), pp. 12–20. Anonymous: A Curious Fact About Fr. <mask>'s Irish Characters. In The Sacred Heart Review (Boston), vol. 27, no. 9, 1 March 1902, p. 141.Matthew Russell, Notes on New Books. In: Irish Monthly, vol. 30, n. 46, April 1902, pp. 237–238. Matthew Russell, Notes on new Books. In Irish Monthly, vol. 30, no.353 (November 1902), p. 656 (announcement of French translations). Matthew Russell: Concerning the Author of "Luke Delmege". In The Irish Monthly, Vol.XXX December 1902, pp. 661–669. Anonymous: "Ames Celtiques et Ames Saxonnes". In "Le Mois littéraire et pittoresque", tome VIII (1902), p. 138. Stephen Gwynn: To-Day and To-Morrow in Ireland, Dublin, Hodges Figgis 1903, pp.142–157. C.P., Dr<mask>'s New Book: An Appreciation. In The Irish Monthly, Vol. 32, No. 367 (Jan. 1904), pp. 13–17
 William Kirkpatrick Magee:  The Breaking of the Ice [Review of Under the Cedars and the Stars]. In: Dana, 1 (May 1904), pp.11–17. Anonymous: "Geoffrey Austin". In "Le Mois littéraire et pittoresque", tome XI (1904), p. 182. Joseph Spillmann: Lukas Delmege. In:

masks:
Sheehan
. Sheehan


texts:
 Stimmen aus Maria Laach (subsequently Stimmen der Zeit), vol. LXVI (1904), pp. 102–109
 Anonymous: Review of A Spoiled Priest and Other Stories.In: The Tablet, 10 October 1904. Et Cetera: Review of A Spoled Priest and Other Stories. In: The Tablet, 26 November 1904. Lizzie Twigg: Songs and Poems ... With introduction by ... <mask>. Longmans & Co.: London, 1905. Anonymous:  Glenanaar [A book review]. In Sacred Heart Review (Boston), vol, 34, n. 2, 8 July 1905, p. 24.Mrs. <mask>. Daly: Face to Face with the Author of My New Curate. In Sacred Heart Review (Boston), vol. 34, n. 15, 7 October 1905, p. 9. James Britten:Review of Glenanaar. In Catholic Book News (London, CTS), vol. IX, n. 97, 10 July 1905, p. 207. W. H. Grattan Flood,  Dr. <mask>'s new novel: a review of "Glenanaar" by <mask>.In  The New Ireland review, Vol. XXIII, pp. 380–382, August 1905. Anonymous: Glenanaar [Book Review]. In: The Spectator, 26 August 1905, p. 20. Edward Nagle: Dr. <mask>'s Latest Work. In The Irish Ecclesiastical Record, Ser.4, Vol. VIII, September 1905, pp. 214–115. Anonymous: Book Notices [Review of Glenanaar]. In: Otago Daily Times [New Zealand], Issue 13413, 13 October 1905, Page 3.
 : Le Clergé Irlandais. In: La Revue politique et littéraire, Series 5, tome VI, n. 26  [29 December 1906], pp. 809–812.Anonymous:  People We Hear About. In: New Zealand Tablet, Volume XXXIV, Issue 5, 1 February 1906, Page 10. Anonymous: New Books

masks:
Canon Sheehan
Augustine J
Sheehan
Canon Sheehan
Sheehan


texts:
 and Publications [Review of Glenanaar]. In: Press [New Zealand], Volume LXII, Issue 12424, 10 February 1906, Page 7. Anonymous: Literary Column [Review of Glenanaar]. In: Evening Post [New Zealand], Volume LXXI, Issue 71, 24 March 1906, Page 11. G.K. Chesterton, The Vanity of Essays [a review of Early Essays and Lectures, London 1906].In: The Daily News, 31 October 1906. Anonymous:  Forthcoming Books [Review of Early Essays]. In:Otago Daily Times, Issue 13741, 3 November 1906, Page 5. Anonymous: Early Essays and Lectures [Book Review]. In: The Spectator, 17 November 1906. Michael James: Some Aspects of <mask>. In New Ireland Review, Vol.XXVI, February 1907 pp. 365–371; Vol. XXVII March 1907 pp. 15–27. The Constant Reader: Browsings in Bookland. In: Otago Daily Times [New Zealand], Issue 14108, 11 January 1908, Page 7. Anonymous:  Literary Notes [Review of Lisheen].In: Dominion [New Zealand], Volume 1, Issue 122, 15 February 1908, Page 13
 M.B. [Dublin Correspondent]: Our Irish Letter [Review of Lisheen]. In: New Zealand Tablet, Volume XXXVI, Issue 12, 26 March 1908, Page 27. Anonymous:  Literary Notes [Review of Lisheen]. In: Timaru Herald [New Zealand], Volume XIIC, Issue 13556, 28 March 1908, Page 1
 Anonymous: School Pize Books. In: New Zealand Tablet, 27 August 1908, Page 21. Anonymous: Intercolonial [report on the terna for diocese of Lismore].In: New Zealand Tablet, 8 July 1909, Page 33. Anonymous: His


texts:
 Contradiction of Character. In: Otago Daily Times, Issue 14596, 7 August 1909, Page 13. Anonymous: People WE Hear About. In: New Zealand Tablet, 30 September 1909, Page 1548
 Cornelia Pelly: An Hour with <mask>. In Irish Monthly, vol. XXXVI, no.426 [December 1908], pp. 689–693. Cardinal Désiré Félicien François Joseph Mercier, Archbishop of Malines: Cardinal Mercier's Conferences delivered to his Seminarists at Mechlin in 1907. Translated from the French by J. M. O'Kavanagh. With an introduction by the Very Rev. P. A. Canon <mask>. London: R. & T. Washbourne 1910.Anonymous: The Final Law [Review of the Blindness of Dr. Gray]. In: New Zealand Herald, Volume XLVII, Issue 14370, 14 May 1910, Page 4. Helena Concannon:  <mask>'s Woman Characters. In The Leader, 13 and 20 September 1910. The Constant Reader: The Swinbourne of Italy. In: Otago Daily Times [New Zealand], Issue 15148, 20 May 1911, Page 13. The Constant Reader: The Winter Show.In: Otago Daily Times, Issue 15214, 5 August 1911, Page 13. Anonymous: The Queen's Fillet [Book review]. In: The Spectator, 30 September 1911, p. 22. Sophie O'Brien: <mask> <mask>, DD. In America, Vol. 10, no. 2, [October 1913], p. 48.Anonymous: Obituary. In The New York Times, 7 October 1913. Et Cetera: Obituary. In: The Tablet, 11 October 1913, p. 28. Anonymous: Obituary. In Sacred Heart Review (Boston), vol. 50, n. 17, 11 October 1913.Anonymous: Obituary. In: Otago Daily Times,

masks:
Canon Sheehan
Sheehan
Canon Sheehan
Canon Patrick
Sheehan


texts: Issue 15922, 15 November 1913, Page 7. Anonymous: Saintly Priest Called to his Eternal Reward. In: The Southern Guardian (Arkansas), 18 October 1913, p. 7. Constant Reader: Fire Underground and at Sea. In: Otago Daily Times, Issue 15898, 18 October 1913, Page 14. Et Cetera.In: The Tablet, 22 October 1913. Anonymous: <mask> of Doneraile: Death of a Great Catholic Novelist. In: Catholic Press (New South Wales), 13 November 1913. Bishop Robert Browne: Canon First and Last a Priest. In Sacred Heart Review (Boston), vol. 50, n.22, 15 November 1913. Anonymous: Obituary.In: The Freeman's Journal (Sydney, New South Wales), 20 November 1913, p. 8. Anonymous: Obituary. In: Catholic Press (New South Wales), 20 November 1913. Stanhope William Sprigg: Obituary. In: The Advrtiser (Adelaide, Southern Australia), 22 November 1913. Mrs. William O'Brien: Reminescences. In: Freeman's Journal (Sydney, New South Wales), 27 November 1913.Anonymous, Death of <mask>. In: New Zealand Herald, Volume L, Issue 15490, 24 December 1913, Page 11. The souvenir of <mask> being extracts from his writings made by a Sister of the Presentation Convent, Doneraile. London: Burns and Oates, 1914. Michael Phelan, SJ, <mask>: A Sketch, Dublin: CTSI, 1913. Anonymous, Obituary of <mask>. In  The Irish Book Lover, Vol.V, pp. 62–63, November 1913. Anonymous, Patrik Augustin <mask>. In Dom in Svet, Vol. 26, no. 12 [1913], pp. 447–448.Anonymous, Newman

masks:
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Sheehan


texts:
 Society. In: New Zealand Herald, Volume LI, Issue 15559, 17 March 1914, Page 5. M.M.B., <mask> at Home in Doneraile. In: The Irish Monthly, vol. 43, n. 506, August 1915, pp. 529–534. John D. Colclough, <mask>: A Reminiscence and an Appreciation.In Studies, vol. VI, no. 22, June 1917, pp. 275–288. John Horgan,  <mask>: A Memory And An Appreciation. In  The Irish Monthly, Vol. XLII, pp.1–12, January 1914. Herman Joseph Heuser: <mask> of Doneraile: the story of an Irish parish priest as told chiefly by himself in books, personal memoirs, und letters. New York: Longmans & Co., 1917
 George O'Neill: A relic of <mask>. In Studies, Vol. VI, no. 23, September 1917, pp. 385–397.Anonymous: <mask> One of the Greatest Irish Writers. In Sacred Heart Review (Boston), vol. 58, n. 24, 24 November 1917, p. 10.
 : Kresalo Duhov. In Dom in svet, Ljubljana, Vol. 30 (1917), nos. 5/6, p. 183. Anonymous: Canon sheehan Realized the Need for Religion in Irish Schools.In Sacred Heart Review (Boston), vol. 59, n. 8, 23 February 1918, p. 9. John J. Horgan: "<mask> of Doneraile by Herman Heuser book review. In Studies, vol. VII, no. 25, March 1918, pp. 48–51.Maurice F. Egan: <mask> of Doneraile. In The Atlantic Monthly, September 1918, pp. 368–370. Leigh G. Hubbell: <mask> in Perspective. In The Notre Dame Scholastic, vol. III, n.2, 19 October 1918,pp. 18-20.Shane Leslie: <mask> of Doneraile. In Dublin Review, vol. 162 (1918). Arthur

masks:
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan


texts:
 Coussens: P. A<mask>, zijn leven en zijn werken. Brugge 1923. Daniel Corkery: The Neglect of <mask>. In Irish Independent, 30 May 1924.Cecilia Williams: The constructive ideas of <mask>'s fiction, M.A. thesis submitted to the University of Notre Dame (Indiana) 1924. Francis Boyle (Curate of Cooley, Carlingford): Canon Shehan: a Sketch of his Life and Works. Dublin: M. H. Gill & Son 1927. Anonymous: <mask> of Doneraile[Book review of <mask> by Francis Boyle]. In The Tablet, 10 September 1927, p. 10. W. H. K.: Another Novel by <mask> of Doneraile [Book Review of Tristram Lloyd].In The Tablet 17 November 1928, p. 643. Sophie O'Brien: Memories of <mask>. In Studies, Vol. XIX September 1930, pp. 492–498. Herman Heuser: Kanonikus Sheehan von Doneraile [Biographical introduction] to Tristram Lloyd (German translation), Haas und Graabherr, Augsburg 1930. Irma Louise Henry: Catholic leadership and Catholic Action in the works of <mask>, B.A.thesis submitted to Xavier University of Louisiana, 1932. Armand P Laverdiere: Clerical life in Ireland according to <mask>'s works, M.A. thesis submitted to St. Mary's Seminary (Baltimore, Md. ), 1932. William F. P. Stockley: Essays in Irish Biography. Cork 1933
 : Das Katolische Schrifttum im heutigen England. Munich 1935
 Mary Carmelita Harmon: The mystical in <mask>'s works, M.A.thesis submitted to Creighton University, 1935. Sophie Raffalovich O'Brien: My Irish Friends. Dublin,

masks:
. Sheehan
Canon Sheehan
Canon Sheehan
Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan


texts: London, Burns, Oates & Washbourne 1937. Alice Vale: <mask> and Social Reform:Dissertation accepted for higher degrees in the Graduate school of Arts and Sciences, Volumes 1–10, Fordham University 1937. M. H. Rev. Gaffney, Dr. Herman J. Houser and <mask>. In The Irish ecclesiastical record, Ser.5, Vol. LIV, pp. 367–374, October 1939. Donnchadh Mechan: <mask>. In The Bookman, Vol. II, n.3, December 1947, pp. 46–59.Francis MacManus: The fate of <mask>. In The Bell, Vol. XV, n.2, November 1947, pp. 16–27. James Hurley: The Nationalism of <mask>, an unpublished thesis presented for the degree of Master of Arts, University College Cork (1950). J. B. Morton: A Forward.In: The Graves at Kilmorna, Clonmore and Reynolds, Dublin 1950. Anonymous, Glenanaar [A Book Review]. In: The Irish Monthly, vol. 79, n.935 May 1951, pp. 249–251. Michael P. Linehan: <mask> of Doneraile: Priest, Novelist, Man of Letters. Dublin: Talbot Press 1952.Gladys V. Towers, <mask>. In The IrishMonthly, Vol. LXXX, March 1952, pp. 112–117. Thomas Halton, The Theology of Canon <mask>. In The Irish Ecclesiastical Record, Ser. 5, Vol.LXXIII, December 1952, pp. 431–439. Fr. Senan, OFM Cap. (edt): The Capuchin Annual 1952 Dublin 1952. John Henning: The Place of German Theology in Works of <mask>. In Irish Ecclesiastical Review, Ser.5, Vol. LXXX December 1953, pp. 379–387. John Hennig: A Note on <mask>'s Interest in German Literature. In: The Modern

masks:
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Sheehan
Canon Sheehan
Canon Sheehan


texts:
 Language Review, 49 [1954], pp. 352–355. Benedict Kiely: <mask>: The Reluctant Novelist.In Irish Writing, no. 37, Autumn 1957, pp. 35–45. Kenneth Macgowan: <mask> of Doneraile. [With a portrait.]. Dublin: Catholic Truth Society of Ireland 1963. Kenneth McElligott: The figure of the priest in the novels of <mask>, an M.A.thesis submitted to St. Bonaventure University, New York, 1965. Anthony Coleman: <mask>: The Dilemma of Priest and Artist. In Studies, (Spring 1969), pp. 215–145. Oliver McDonagh: The nineteenth century novel and Irish social history : some aspects [O'Donnell lecture delivered at University College Cork on 21 April 1970], National University of Ireland, 1970. Liam Brophy, <mask>: the Great European. In: Eirig, November 1972, pp.12–13. Jeremiah Lovett: Visionen and technique in the Novels of <mask>, a thesis presented for the degree of Master of Arts, Maynooth, 1974. <mask>: Some Victorian and Georgian Catholics. Ayre Publishing, 1977. .
 Robert Forde: <mask>: From Unpublished Letters. In Seanchas Duthalla 1978–1979 no date or place of publication. Robert Forde: <mask>: From Unpublished Letters. In Seanchas Duthalla 1980–1981 no date or place of publication.Sean Ua Cearnaigh: An Canonah O Siochain agus an Ghaeilge. In: Comhar, vol. 42, no. 10 October 1983, pp. 25–26. John R. Aherne: Serendipity : essays on Robert Hugh Benson, Maurice Baring, Alice Meynell, G.K. Chesterton, <mask>, Kate Chopin,

masks:
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Patrick Braybrooke
Canon Sheehan
Canon Sheehan
Patrick Sheehan


texts:
 Merrimack College Press 1985. Robert Forde: <mask>: From Unpublished Letters.In: Journal of the Mallow Field Club, no. 4 [1986]
 Tom Gavin: Priests and Patriots: Irish Separation and Fear of the Modern, 1890–1914. In: Irish Historical Studies, vol. 25, n. 97 (May 1986), pp. 67–81. Anna Theresa Murphy: Warm Humanity of Canon <mask>'s Stories. In Southern Star, 15 April 1989.Anna Theresa Murphy: High Ideals and Integrity of Doneraile Priest. In Southern Star, 22 April 1989. Brendan Clifford: <mask>: A Turbulent Priest. Millstreet, Co. Cork: Aubane Historical Society; Dublin: Irish Heritage Society, 1990. Michael Barry: By Pen and Pulpit: Life and Times of the Author <mask>. Saturn Books, 1990. Mary O'Neill: A view from the pulpit : the novels of <mask>, a thesis presented for the degree of Master of Arts, University College Cork (1990).John Cronin:<mask>, Luke Delege: In The Anglo-Irish Novel: 1900–1940, Vol II, Appletree: Belfast 1990, pp. 22–29. David H. Burton: The Friendship of Justice Holmes and <mask>. In Harvard Library Bulletin, Vo. 25, n.2 [April 1977]. David Henry Burton (Hrsg. ): <mask> Correspondence: The letters of Justice Oliver Wendell Holmes and <mask> <mask>.Port Washington, NY: Kennikat Press, 1976. Revised edition: Fordham University Press 1993. D. M. Collie: The Nineteenth-Century Novel: A Postscript: The Case for <mask> (1852–1913). In The Linen Hall Review, Vol. 10, No. 3 (Winter, 1993),

masks:
Canon Sheehan
Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Holmes Sheehan
Canon Patrick
Augustine Sheehan
Canon Sheehan


texts:
 p. 8.
 : <mask> <mask>. In: Biographisch-Bibliographisches Kirchenlexikon (BBKL).Band 9, Bautz, Herzberg 1995, , p. 1598. Catherine Candy: Priestly Fictions: Popular Irish Novelists of the Early 20th. Century; <mask><mask>, Joseph Guinam, Gerald O'Donovan. Dublin: Wolfhound Press 1995. Alix Davis, The Novels of <mask>. [Oral Presentation], Department of English Public Lecture, University College, Cork, 9 February 1995. Robert Forde: <mask>: Unpublished Manuscripts 1.In: Journal of the Mallow Field Club, no. 13 [1995]
 Robert Welch, Bruce Stewart edts. : Oxford Companion to Irish Literature: article on <mask>, Oxford University Press 1996, p. 518
 Ruth Fleischmann: Catholic Nationalism in the Irish Revival: A Study of <mask> 1852–1913. Basingstoke: Palgrave Macmillan 1997.  ;
 William H. Murphy: Catholic Fiction and Social Reality in Ireland 1873–1922, Greenwood Publishing, Westpoint CT, 1997. Gerard Moran (editor): Radical Irish Priests, 1660–1970. Dublin: Four Courts Press 1998. ;
 Benedict Kiely: A Raid into Dark Corners: and other Essays:  Cork: Cork University Press 1999. Joachim Fischer: <mask> und die deutsche Kultur.In: Joachim Fischer, Das Deutschlandbild der Iren 1890–1939, Winter Verlag Heidelberg 2000. Robert Forde: <mask>: Unpublished Manuscripts 2. In: Journal of the Mallow Field Club, no. 20 [2002]
 Lawrence McBride: '<mask>, <mask>'. In: 'Oxford Dictionary of National Biography', Oxford

masks:
Patrick Augustine
Sheehan
Patrick A
. Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Sheehan
Patrick Augustine


texts: University Press, 2004. Tom Garvin: The Quiet Tragedy of <mask>: in Studies, vol. 98, Summer (2009).<mask>: <mask>,(Canon) <mask>. In James McGuire and James Quinn (edts. ),  Dictionary of Irish Biography, Cambridge: Cambridge University Press 2009. Sheridan Gilley: <mask> <mask>: Priest and Novelist. In Peter Clarke (edt. ), The Church and Literature, Ecclesiastical History Society, Warrington (GB), 2012. Nora O'Keeffe: <mask>.In: Small Town Big History: Glimpses of 20th Century Doneraile, Doneraile 2012. Bobby Buckley: <mask>: The Gardener/Philosopher of Doneraile. In: Journal of the Mallow Field Club, no. 30 [2012]. James O'Brien: The Collected Letters of <mask> of Doneraile 1883–1913. Wells(GB): SMENOS Publications 2013. Mary Layland: Local Leader.In:  Irish Times, 30 April 2013. Sarah McDonald: <mask>: the Author Priest of Doneraile. In: Catholic Life (London), June 2013, pp. 36–38. Don O'Leary: Faith, Nature and Science in the Works of <mask>. In: New Hibernia Review, vol. 17, no.2, (Summer 2013), pp. 119–135. James O'Brien: <mask> of Doneraile 1852–1913: Outlines for a Literary Biography. Wells(GB): SMENOS Publications 2013. Brian Maye: Comoradh an Chanonaigh – Laoch liteartha a ligeadh i ndearmad. In: The Irish Times (2 October 2013). Peter Costello: <mask> Restored to Prominence.In:The Irish Catholic (3 October 2013, p. 29). Peter Costello: A Canon of Rich Literature. In: The Irish Catholic (10

masks:
Canon Sheehan
Patrick Maume
Sheehan
Patrick Augustine
Canon Patrick
Augustine Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan


texts:
 October 2013, p. 14). Peter Costello: The Life and Thought of <mask>. In: The Irish Catholic (28 November 2013). Brian McKevitt: Priest Turned Novel Writer. In Alive, n. 195, December 2013.James O'Brien: <mask> of Doneraile Centenary 1913–2013. In: The Vale Star: Christmas Supplement 2013, pp. 42–45. Brian Fanning & Tom Garvin: The Books That Define Ireland. Dublin: Irish Academic Press 2014. Fiona Lynch: <mask> of Doneraile: Outlines for a Literary Biography (a review). In: The Catholic Voice 18 May 2014, p. 22.Gabriel Doherty (edt. ):Revisiting <mask> of Doneraile 1852-1913: Author, Activist, Priest. Wells (GB): SMENOS Publications 2014. J. Anthony Gaughan, <mask> restored to the Pantheon of Irish literature. In: The Irish Catholic (1 March 2015). Lawrence W McBride, <mask>, <mask>, article in Oxford Dictionary of National Biography Online. James O'Brien: Canon Burton's Sketch of <mask>.In: Journal of the Mallow Field Club, no. 33 [2015]
 James O'Brien: Lord Castletown's Sketch of <mask>. In: Journal of the Mallow Field Club, no. 34 [2016]
 James O'Brien: Correspondence from the Papers of <mask> of Doneraile 1888-1913. Wells (GB): SMENOS Publications 2017. James O'Brien: Mother Ita O'Connell's Biographical Sketch of <mask>. In: Journal of the Mallow Field Club, no.35 [2017]
 James O'Brien: The Catholic World and <mask>. In The Catholic Voice 14 February 2020, p. 19; pp. 23–24. Gillian Doherty: <mask>

masks:
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Sheehan
Patrick Augustine
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan
Canon Sheehan


texts:
 (1852-1913): Catholic Intellectual and Novelist. In Totus Tuus Magazine'' 16 June 2021. References

External links

1852 births
1913 deaths
20th-century Irish Roman Catholic priests
Irish non-fiction writers
Irish novelists
Alumni of St Patrick's College, Maynooth
Irish land reform activists
Christian clergy from County Cork
Deaths from cancer in Ireland
People educated at St Colman's College, Fermoy
19th-century Irish Roman Catholic


texts:
<mask> (1864–15 September 1919) was a Chin leader who fought the British Indian Army when they invaded Chin Hills/Chin State in the late 19th century. Two years after the British had conquered the Chin Hills, he led a rebellion to overthrow the British colonial administration from Chin Hills. Unsuccessful in his rebellion, <mask> was sentenced to life imprisonment on the Andaman Islands in the Indian Ocean. He was released in 1910 and returned to the Chin Hills. Early youth
<mask> was the son of Sizang chief Pu Khup Pau and Pi Cing Niang. He was born in 1864 at Khuasak, Tedim Township. British invasion of Chin Hills (1888-1889)

The Kingdom of Burma fell under the rule of the British Empire in 1885 and Kale-Kabaw valley, bordering the Chin Hills became the British territory.The British had several meetings with the Chin tribal leaders to discuss the recognition of British authority, the issue of raiding made by the Chin to the plains and to open a trade route linking Burma to India. The negotiation failed as the Chin made several raid in to the plains, defying the British. The Tashon, the most powerful tribe in Chin Hill at that time, also harbored the Shwe Gyo Phyu prince and his followers who rebelled the British in central Burma. Ultimatum was sent to the Sizang chief to deliver <mask> Kam together with the captives whom he carried off. Ultimatum was also sent to the Tashon council to deliver the Shwe Gyo Phyu prince and his followers. When the ultimatums were ignored, the British made preparation to invade the Chin Hills. Preparation for the expedition of 1888-1889

The British spent the month of November 1888

masks:
Khai Kam
Khai Kam
Khai Kam
Khai


texts:
 preparing for the expedition.Brigadier-General Faunce and Captain Raikes, established defensive positions long the valley. A levy of Military Police (later 2nd Battalion of Burma Rifle) guarded the Yaw valley against the depredations of the Southern Chins. Capt. Raikes and his assistant Mr. Hall collecting intelligence about the Chin, their village and the routes into the hills. Hills coolies were collected in Assam and sent for the expeditions. The forces for expedition were gathered at Kanpale (Stockade No.1) and Gurkha 42nd Battalion was added for the expeditions. Strategy for invading Chin Hills

The strategy was to first march against the Sizang head village, Khuasak then deal with the surrounding villages.The route selected for the advance of the column was from Kanpale to the summit of Leisan range. There were no road to the hills at that time, therefore, a road had to be constructed for the main invading force and their heavy weaponry. At the beginning of December 1888, the road construction was completed until the foot of the hill, there they established No.2 Stockade i.e. Zawlkin/Khai Kam village. The road construction continued towards the hills and the reach at Phatzang where a rough No.3 stockade was established. The Chins Offensive

The Chin learned about the invasion and made necessary preparation themselves. The Sizang council sent <mask> Kam of Khuasak to meet Khawcin (the chief of Kamhau) at Tedim.The next day a force consisting of 1,200 (Sizang), 400 (Kamhau) and 30 (Sukte) prepared to defend their motherland. At Khuasak, the Chin warriors were feasted by slaughtering a mithun. The Tashon also


texts: gathered warriors from her powerful neighbouring tribes. On 7 December 1888, the Sizang started their offensive by attacking the road construction party, wounding Lt.Palmer. Lt. Palmer later died on that wound. On 24 December, the Sizang again attacked the road working party and killed a sepoy of 2nd Gurkha. On Christmas Day, the combined forces of Sizang, Kamhau an Sukte attacked on the working party under the direction of Lt. Butcher of 42nd Gurkha Bn.The Sizang were in constant co-ordination with the Tashons. On 10 December 1888, the great force of Tashon made a simultaneous attack on the villages of Sihaung, Kyawywa and Kundu. At the same time, 80 Tashon warriors clashed head to head with 42nd Gurkha Light infantry led by Capt. Westmoreland. On the same date, the Sizang attacked Indin (Sawbwa's capital) and a combined force of Sokte and Kamhau attacked the military post at Kangyi (20miles north of Kalemyo). The Chins showed their planning abilities and military capabilities in this simultaneous attack to the various British positions. The British officers were impressed by the Chin capabilities as political officers Mr. Carey and Mr.Tuck wrote: "The Chins were in great force, and we now know that Tashons and Siyins (Sizang) were fighting side by side on this occasion.The Chins swooped down from the heights on to the party, which was working on a narrow spur, and attacked them from all four sides, fighting under cover of heavy undergrowth. The collies bolted and the troops fell back after holding their ground some little time. Whilst disputing every stage of our advance into their hills, the Chins showed considerable


texts:
 tactical ability by taking the offensive in the plains and attacking Shan villages and our posts in the rear of advancing column". Chin Hills Expedition (1888-1889)

Since, the Chin showed their military skills by inflicting some losses on the invading forces, the British Army have now taken the Chin seriously. Field Marshal Sir George Stuart White Commander-in-Chief of Burma, personally came to supervise the expeditions. He arrived in Kanpale on 30 December 1888 and accompanied the expedition forces. On 27 January 1889, the road workers were again attacked by the Chin.The workers were sent back to the No.3 Stockade and the British troops engaged with the Chin. The Chin made them very resistance but the British troops managed to push the Chin back slowly towards the hills until they reached heavily fortified position at Leisanmual (Red Rocky Gate). The Chin stood firm at Leisanmual stockade which was a formidable and skillfully placed stockade. The stockade was also the last defensive line for the Chin. Attempts were made to overcome the stockade but, a stubborn resistance made by the Chin made it very difficult. The British political officers Mr. Carey and Mr. Tuck noted the difficulty as “their routes always heavily stockade and the stockades generally held by the enemy, who never ceased to ambush when opportunity occurred, both day and night (Carey & Tuck 1896, p 28)”. The British attacking force at Leisanmual were reinforced by the 42nd Gurkha Bn led by Lt.Col Skene.Field Marshal Sir George Stuart White himself joined the force. The attack at Leisanmual was described by Field Marshal Sir George Stuart White as "Enemy


texts: yesterday attacked our working party on road above this and held our covering party, 40 British and 100 Gurkhas, from 9-2, when I arrived and ordered their positions to be charged. We carried all, driving them entirely away, getting off ourselves wonderfully cheaply. Only one Norfolk dangerously wounded. Enemy in considerable numbers, using many rifles and plenty ammunition. They fired at least 1000 rounds, standing resolutely until actually charged, even trying to outflank at once. 'Most difficult enemy to see or hit I ever fought'".The reinforcement made a difference to the battle as the British overcome the stockade. The battle at Leisenmual was a serious blow to the Sizang, realizing that it was impossible to save their villages. On 22 January, Gen. Faunce proceeded to the summit of Leisan range after several skirmishes. There they established No.4 stockade on 31 January 1889. During one of these operations a Lophei Chief Khup Lian personally fought hand to hand with a British soldier and captured a semi-automatic rifle. This was the first semi-automatic gun to reach the hands of the Chin people. He recorded this in a stone inscription which reads "I am the 15th generation down from the house of Thuantak who is the original progenitor of the Siyin Tribe.Being an orphan from childhood I exerted myself all alone in many enterprises by which I became a self-made man with many and various achieve-ments. When the British on 1888 undertook their first expedition against us (the Chins) I attainded the age of 20 years and I played an active part in the defence against them. When the British troops marched up the Signalling at


texts:
 No. 5 Stockade the united forces of the Siyins. Suktes and Kamhaus made a good resistance to the British attack which was easily repulsed. On this occasion I personally captured one rifle. When the second expedition took place in 1889 the British, too well armed to be resisted against, carried the day: hence the annexation of Chin Hills".(Note: This is not a full inscription)

British occupation of Sizang Valley (1889)

Before the arrival of British force at Sizang villages, <mask> Kam burned his capital Khuasak then moved into the jungle. At the same time over 2,000 warriors of the Sizang, Kamhau, Sukte and Khuano were assembling at the village of Buanman. The British fired the cannonballs at Buanman and then it exploded spectacularly, thus, the Chin realized the superiority of the British force. By February 1889, the British captured Khuasak, Buanman and Thuklai where the British military post Fort White was built. The name of the Fort was in honour of Gen. Sir George White. The British then destroyed the whole of Sizang villages as British political officers Carey and Tuck reported "By 6th March not a single Sizang village remained in existence. The destruction of Sizang villages was accomplished with a good deal of firing, but very little damage to life and limb (Carey & Tuck 1896, P29)".Although, villages were burnt to ground, <mask> <mask> did not surrender. Instead, he moved his headquarter to Suangpi from where he continued his resistance movement against the British. They ambushed the British, they cut telegraph cables and stole cattle from the British whenever possible. The Sizang resisted the British from the

masks: Khai Khai Kam


texts:
 forest for two years. They were constantly moving their hideout whenever the British knew their location. British occupation of Chin Hills (1890)

In September 1889, the British northern column attacked Suangpi, Dimpi and Dimlo. The British burned Suangpi in November but instead of surrendering, <mask> Kam simply moved again his headquarter to Pimpi.On 11 December, the British attacked Montok but the people resisted the British column rather than saving their burning newly built huts. The British then temporarily abandoned their attempt to defeat the Sizang, who resisted under the leadership of Khai <mask>. The British then marched to subdue the Tashon who were the most powerful tribes in the whole of Chin Hills at that time. The British believed that Sizang would surrender if Tashon submitted to the British. In March 1890, the Tashon surrendered to the British, followed by the Sizang in April 1890. On the first of September 1890 Khuppau and Khai <mask> of Khuasak surrendered their slaves. On that day, in a ceremony held in Thuklai, Sizang chiefs Manglun (Limkhai), Kamlam (Thuklai), Khuppau (Khuasak), Dolian (Buanman) and Khuplian (Lophei) made an oath of friendship with political officer R. S. Carey.A mithun was slaughtered for the ceremony, and its tail was dipped in the blood. Pu <mask> took the tail of the mithun and stroked the legs of Mr. Carey, and said; "Let us forget our wars in the past; should you break our peace agreement, may you fall like the hairs of mithun and pigs, and should the Sizang break this peace agreement, may the Sizang fall like the hairs of mithun and pigs." After the ceremony, Mr. Carey

masks: Khai Kam Kam Kamlam


texts:
 announce British recognition of the existing Sizang chiefs. Sizang-Gungal Rebellion (1892-1894)

Since the British occupied in Chin Hills, heavy fines were imposed for any sign of rebellion, collies were demanded all over Chin Hills, disarming the Chin by confiscating their guns and freeing their slaves. The Chin people were not happy with the British conduct, as a result, several rebellions had taken place. In the Gungal area (right bank of Manipur River), Kaptel village under Chief Thuam Thawng, attacked the British outpost at Botung. Because of his action, the British demanded the surrender of Thuam Thawng.Chief Thuam Thawng did not bow to the British demands, instead of surrendering, he planned with <mask> Kham to drive the British out of the Chin Hills. The Sizang chiefs (except Mang Lun of Sakhiling) held a conference and agreed unanimously to start a rebellion. This plan also got approval from Tashon, Hualngo and Zahau. <mask> <mask> and Thuam Thawng first decided to remove the political officers, the township officers and the Interpreters, so that there should be none left to advise and guide the British troops in Chin Hills. Thuam Tawng then invited the political officer Mr. Carey to take a fresh oath of submission. Mr. Carey had travelled to Southern Chin Hills, therefore, Maung Tun Win (Township officer), Aung Gyi and Aung Zan (interpreters) were sent for the mission. Although they were warned about Thuam Thawng and Khai Kam plan by Sakhiliang Chief Mang Lon and Kamhau Chief Do Thang, they proceeded as planned.<mask> Kam and Pau Dal (son of Thuam Thawng) choose 200 warriors for rebellion. When the British

masks: Khai Khai Kam Khai


texts:
 delegation, Maung Tun Win, Aung Gyi and Aung Zan got to the Pumva village, they were assassinated and Sizang-Gungal rebellion was initiated. The majority of the people taking part in this rebellion were Sizang, Gungal and Sukte. The Sizang had 18 villages and all of the villages except (Vokla, Naripi & Sakhiliang) rebelled. Out of 9 Sukte villages, Dimlo and Dimpi rebelled. All of Gungal villages (10 villages) except (Mwial, Laitui and Puyan) rebelled. The plan was the Gungal and Sukte to operate in Tedim areas and the Sizang to operate in Fort White areas.The Gungal and Sukte attacked the British posts and the Sizang blocked Kalay-Sizang road, cut the telegraph wires, stole the cattle's and destroyed the vegetation. British operation to crush the rebellion

The British quickly learned about the rebellion and sent a large force of 2,500 rifles with two mountain guns led by Brigadier General Arthur Power Palmer to crush the rebels. In 1892 November 14, the British troop and Sizang rebels clashed at Pimpi. The Sizang burned Pimpi then fled into the jungle. By the end of 1892, the British burned all of the rebelling villages as a punishment for the rebellion. The rebellion leader <mask> <mask> and his followers were still largely present in the Jungle. In the early part of 1893, the British then turned their focus to Thuam Thawng's Gungal areas.The British made a surprised attacked at Kaptel, driving Chief Thuam Thawng to Heilei. Thuam Thawng resisted the British force from Heilei stockade which was destroyed by a mountain gun. Thuam Thawng then again fled to Muizawl village. The Muizawl was also captured by the British

masks: Khai Kam


texts:
 along with Thuam Thawng and his son Pau Dal. They were sent to Kindat Jail in Myingyan where both of them died in that jail. By the end of 1893, all of the Sizang chiefs surrendered except <mask> <mask> and his followers. He hid in the jungle and continued fighting the British.By the end of 1893, his strength was recorded at 127 fully armed and their families all belong to Sizang and Thuklai clans. Up until this point, the rebellion was commanded by a very experienced senior commander Brigadier General Arthur Power Palmer. General Sir Arthur Power Palmer received The Companion Order of the Bath CB for his excellent services for the suppressive campaign against the Siyin-Gungal Rebellion However, unable to crush the rebellion swiftly, the British government then dispatched Major-General Richard Campbell Stewart, the Commander-in-Chief in Burma to personally supervise the rebellion. On 21 Feb 1893, the military situation was reported by Major General R. C Stewart follows:

"I beg to note, for the Chief Commissioner's information, the state of affairs in the Chin Hills, as the result of my late visit to Fort White and Hakha. Note on the state of affairs in the Chin Hills in February 1893. Military Situation: The Chief Commissioner is aware of the circumstances connected with the murder of the Myook and a portion of the escorts by the Siyins (Sizang) and Nwengals (Gungal), and subsequent telegrams and diaries have related the progress of the revolt and of the operations which were deemed necessary to suppress it. On the first outbreak of the Siyins (Sizang) on the 9th October 1892 the garrisons of Fort White was reinforced by


texts: two guns of No.7 Bombay Mountain Battery, and 100 rifles with Headquarters, 1st Burma Battalion, under Captain Presgrave, and subsequently by 200 rifles Norfolk Regiment, under Captain Baker, which enable the offensive to be taken with vigour; and General Palmer, Commanding the Myingyan District, arrived at Fort White on the 1st December and assumed control of the operations. As the most effective way of dealing with the Siyins (Sizang), General Palmer asked for more troops, and so 300 rifles, 5th Burma Battalion under Lieutenant Taylor, and the headquarters and 400 rifles, 6th Burma Battalion, under Captain Keary, D.S.O., were added to the force. Posts were then established at Dimlo, Phunnum, and Montok; and on 2 January General Palmer with two guns, 100 rifles, Norfolk Regiment; 50 rifles, 21st Pioneers, 200 rifles, 1st Battalion; 100 rifles, 5th Burma Battalion; moved from Fort White across the Nankate [Vangteh] and on the 13th January occupied Kaptial[Kaptel], the principal and most recalcitrant village of the Nwengals. The policy throughout had been to harry the revolted tribes, and to destroy their grain supplies as much as possible. Small parties have been despatched daily from several posts to search the valley and ravines, and to hunt up Chins still lingering in the vicinity of the occupied villages. The results have been satisfactory and the tribes are being severely punished. It is difficult to estimate what their losses have been, because in all encounters with our troops the Chins have invariably been seen to carry off their wounded.On our side the losses have been extremely heavy, a total of 53 having been


texts:
 killed and wounded since the operations commenced. When I left Fort White General Palmer and Mr. Carey were very hopeful that both the Nwengals and the Siyins would shortly submit. Some guns had already been brought in from villages across the Nankate, and Dimlo, Pomvar and other Siyin villages were asking terms. I have every reason to hope, therefore, that full submission may shortly be expected, and I consider it a matter of congratulation that the revolt has been localised, and that the neighbouring tribes have not joined in it". The British found traces of rebels but, they were unable to fight them in the dense Jungle. On January and February 1894, Lieutenant Sutton searched for them from the Leisen range and Lieutenant Mockler searched for them from north to south. They found a track leading to a rebel hideout and several rebels were killed, captured and prisoners were taken.The British also took casualties of 1 Gurkha killed and 1 wounded. The British destroyed all the stocks of grain they found to flush out the rebels. On 24 February the Gurkhas surprised the rebels in camp, killing and capturing several. There, the British learned that the rebels were supplied by their relatives residing in Tavak (located in the valley) and Thuklai. The British then ordered a stop in trade between the Sizang and the plains. The Generals were frustrated and started to use punitive measures. Do Thang (Sukte Chief) was arrested and asked the villagers to capture the rebels in order to purchase his liberty.By the middle of 1894, only 27 rebels were left fighting the British. Collective punishment

The British authorities were


texts: frustrated about the rebellion, and started to use punitive measures to capture <mask> <mask> and his followers. They stopped all Sizang cultivations, villages were fined heavily for the conduct of rebels, whilst every Chief and village elders were made to assist the British finding the rebels. These harsh measure had significant effect as more rebels finding themselves hemmed in, therefore on 23 April 1894, 23 rebels were surrendered. The four left were <mask> <mask>, Khup Pau (his father), Mang Pum (his brother) and Pu Kam Suak. Although only four remained they did not surrender and continued to fight from the jungle. The Sukte and Kamhau were anxious for the release of their Chief Do Thang whom the British promise to release only when villagers delivered <mask> <mask> and his followers.The Sakhiliang were also tired of the struggle. The Chin were worried that if the trade route remained close, they would all starve during the rains. However, the people were determined to hold information for <mask> <mask>'s family. The British then so frustrated, they arrested all the remaining male relatives of <mask> Kam as hostages. Learning their relatives lives were at stake, on 16 May 1984 (1894? )<mask> <mask>, Khup Pau (<mask> Kam father), Mang Pum (<mask> Kam younger brother) and Pu Vum Lian and Pu Suang Son surrendered. They were immediately transported to Kindat jail in Myingyan District.When he was led from Thavak to the Kindat jail the locked chains opened by themselves three times but he did not attempt to flee. The guard commander was puzzled about the miraculous happening. This was the last rebellion against the British

masks: Khai Kam Khai Kam Khai Kam Khai Kam Khai Khai Kam Khai Khai


texts:
 until (Hakha-Thado-Khuangli Rebellion in 1917). After the arrest, the hostages and Chief Do Thang were released and the trade route was re-opened. Life imprisonment
<mask> <mask> was sentenced for life and transported to the Andaman Islands in the Indian Ocean. The British remarked "Never trust a Sizang, never allowed <mask> Kam to return to Chinland". Khup Pau and Mang Pum got 4 years and 3 years respectively at Rangoon jail.Mang Pum later worked for the government and appealed to the British government for the release of <mask> Kam. Return to Chin Hills and death

Upon successful appeal by his brother to the British authority, <mask> <mask> was released on 14 May 1910 and returned to Chin Hills. When Thado-Kuku, Hakha and Khuangli rebellion happened in 1917, <mask> <mask> was employed by The British as an advisor during Hakha-Thado Rebellion in 1917. He died on 15 September 1919. Honour

The University of Kalay, Sagaing Division, Myanmar was once officially called "Khai Kam University" in honour of Pu <mask> Kam. The best sports arena in Hakha, Chin State is also called "Khai Kam Sport Centre" to honour Pu Khai Kam. The part near 9miles at Kalaymyo was also named Bo Khai Kam Park in honour of Pu <mask> Kam.References

1864 births
1919

masks: Khai Kam Khai Khai Khai Kam Khai Kam Khai Khai


texts:
<mask> (born 1952) is an artist, furniture maker, and educator from California. She was born in La Junta, Colorado. <mask> was influential in the early period of post-modern artistic furniture. She challenges the masculine environments within the field of woodworking. Her work uses humor, social commentary, sculptural forms, and color to challenge the accepted notions of furniture. Conceptually her work deals with social practices such as her Japanese-American heritage, feminism, and wildlife endangerment in Africa. <mask> served as the head of the Furniture Design department at San Diego State University for 25 years.Background
<mask> is a third generation Japanese-American living in San Diego. She was born deaf in both ears and has worn a hearing aid since nine years old. She studied woodworking at San Diego State University, where she received her BA in 1975. She then studied woodworking at the Virginia Commonwealth University in Richmond, Virginia. She transferred to Boston University's Program in Artistry from 1976 to 1978, where she studied under Alphonse Mattia and Jere Osgood. In 1980, she was one of the first women, and the first deaf student to complete an MFA at the Rochester Institute of Technology's School for American Crafts in New York. Career

Educator
<mask> taught at the Appalachian Center for Crafts in Smithville, Tennessee, from 1980 to 1985, and served as head of the woodworking and furniture design program from 1982 to 1985.She then went on to work as the head of woodworking and furniture design at California College of Arts and Crafts in Oakland, California, from 1985 to 1989. After that she was the head of

masks:
Wendy Maruyama
Maruyama
Maruyama
Maruyama
Maruyama


texts:
 woodworking and furniture design at San Diego State University from 1989 to 2014. Early in her career, <mask> taught at the California State University in Northridge, California, in 1970. From 1970 up to present day, she has taught workshops at craft schools including Penland School of Crafts in Penland, North Carolina, and Anderson Ranch Arts Center in Snowmass Village, Colorado. Although she has officially retired, <mask> continues to serve as a mentor for her former students, and is set to teach a workshop at Anderson Ranch Arts Center in the summer of 2017. Artist
Her earliest works in the 1970s were very typical of the style of that time, in which she used visible cabinetmaking skills, compound bent lamination, celebration of complex wood grains and types. Along with Rosanne Somerson and Gail Fredell, <mask> was one of the first women to break into the field of studio furniture.These women responded to the marginalization felt by a male-dominated field by making work that used complex joinery, bent lamination, and technical processes. <mask> felt restricted by this type of highly technical furniture, and set out to make more expressive works during her time studying at the Rochester Institute of Technology. Believing in the art of furniture making, <mask> stated "I see furniture as a archetypal object that can also be expressive of the times. Furniture is capable of setting a certain mood and reflecting common ideals in our lives." In her early career she produced 15-20 pieces of furniture a year. She continued to produce about 6-8 pieces every year while of teaching full-time and maintaining other responsibilities. The 1980s was

masks: Maruyama Maruyama Maruyama Maruyama Maruyama


texts:
 an era of experimentation with forms and aesthetics, using colored surfaces, angular forms, and several mediums.Later in the 1980s, <mask> entered what she describes as a "white period", of "post-nuclear primitive", as an opposition to nuclear testing. These works consisted of pale, white furniture that she imaged would exist after a nuclear holocaust. Her 1982 piece, Mickey Mackintosh Chair, humorously pays homage to the cartoon character Mickey Mouse, but also speaks to the renown Scottish designers Charles Rennie Mackintosh and Margaret MacDonald Mackintosh. <mask>'s chair visually alludes to the iconic tall-backed Mackintosh Chair by the twentieth-century duo. Her work is included in permanent collections at the Victoria and Albert Museum; Museum of Fine Arts, Houston; Los Angeles County Museum of Art, Dallas Museum of Art, Queen Victoria Museum and Art Gallery, Launceston, Australia; Museum of Fine Arts, Boston; Philadelphia Museum of Art; Museum of Arts and Design, New York; Mint Museum of Art, North Carolina; Fuller Craft Museum, Massachusetts; Mingei International Museum, California; and the Oakland Museum of Art, California. <mask> had held a studio space in the Glashaus in Barrio Logan in San Diego for many years, until 2017 when the building was sold and renovated. <mask> has served as a member of the advisory of the Furniture Society.In 2009, she was inducted into the American Craft Council's College of Fellows for outstanding artistic achievement over her career. WildLife Project

<mask>'s series titled "WildLife Project" was inspired by a trip to Kenya where she met with wildlife advocates to learn more about the dangers


texts:
 of poaching animals. This work draws attention to the wrongful slaughter of elephants and rhinoceroses for the harvest of their tusks for the $10 billion annual ivory industry. <mask> places special interest on the unique social nature of elephants and their similarities to humans. The series was started while <mask> was a resident artist at the Pilchuck Glass School in Stanwood, Washington in 2013. During this time she created blown-glass tusks became part of the 2015 artwork Sarcophagus. WildLife consists of six life-sized elephant heads made from segments of painted wood stitched together.Each elephant reaches up to twelve feet tall, and resembles a hunting trophy. The show also includes a Buddhist-style Bell Shrine with burning incense and a bronze bell. The bell sounds every fifteen minutes to represent how often an elephant is killed for its tusks. This work has been traveling the United States since 2015 and has been exhibited at The Chrysler Museum of Art, the San Francisco Museum of Craft and Design, the Center for Art in Wood, Penland School of Crafts, and the Oceanside Museum of Art. The exhibition is organized by the Houston Center for Contemporary Craft and is curated by Elizabeth Kozolowski. It was made possible through contributions from the Windgate Charitable Foundation. Executive Order 9066
<mask>: Executive Order 9066 is a series of works by <mask> examining Franklin D. Roosevelt's 1942 Executive Order number 9066 which authorized the internment of 120,000 American citizens of Japanese ancestry.<mask>'s maternal relatives were among those imprisoned during this era. These works include Executive Order 9066, the Tag

masks:
Maruyama
Maruyama
Wendy Maruyama
Maruyama
Maruyama


texts:
 Project, and a selection of historical artifacts. They have been exhibited at the Museum of Craft and Design in San Francisco, The University Art Gallery at San Diego State University, and the Richard and Dolly Maas Gallery at SUNY Purchase. These works have been said to continue to be of importance during current times of political turmoil. Executive Order 9066 is a series of wall-mounted cabinets alluding to themes common within these internment camps. These pieces include documentary photographs of Dorothy Lange and Tōyō Miyatake alongside barbed wire, tar paper, and domestic objects. These pieces also display actual objects owned or made by the internees in the camps, including suitcases used by families during their relocation and items made from materials available in the camps.The Tag Project consists of 120,000 replicas of the paper tags Japanese internees were forced to wear during relocation. The tags were grouped into bundles representing each one of the camps and suspended from the ceiling. Their purpose is to display the sheer mass of those displaced as well as to evoke a sense of humiliation endured by the Japanese internees. The making of this project involved the help of hundreds of community members to hand-write all of the names of the Japanese prisoners on the tags. Awards and distinctions
 Several National Endowment for the Arts grants for visual artists
 California Civil Liberties Public Education grant, 2010
 Japan/US fellowship
 Fulbright Research grant to work in the UK

Exhibitions
<mask> has held solo exhibitions in New York City; San Francisco; Scottsdale, Arizona; Indianapolis, Indiana; Savannah Georgia;


texts:
 and Easthampton, New York. She has also exhibited in Tokyo, Seoul and London. Her exhibitions include:
 1984 "Material Evidence"
 1989 "Craft Today USA"
 1990 - Solo Exhibition, Snyderman Gallery, New York, NY.1995 - "<mask>: Simple Pleasures and Indulgences", Peter Joseph Gallery, New York, NY. 1997 - "Hako", NUNO Inc., Japan. 1998 - "<mask>: New Work", Joanne Rapp Gallery, Scottsdale, AZ. 1999 - Solo Exhibition, John Elder Gallery, New York, NY. 2000 - "In the Eye of the Beholder", Savannah College of Art and Design, Savannah, GA.
 2002 - "The Inside Story", Herron School of Art, Indianapolis, IN. 2003 - "Turning Japanese", Pritam and Eames Gallery, East Hampton, NY. 2005 - "Men in Kimonos", Pritam and Eames Gallery, East Hampton, NY.2009 - "Executive Order 9066", Richard and Dolly Maas Gallery, SUNY Purchase, NY. 2012 - "Mirror, Mirror", Velvet Da Vinci Gallery
 2012 - "<mask>: Executive Order 9066", The Society of Arts and Crafts, Boston, MA. 2013 - "<mask>: Executive Order 9066", Arkansas Art Center, Little Rock, AR
 2014 - "Executive Order 9066", The San Jose Institute of Contemporary Art, San Jose, CA
 2016 - "Executive Order 9066 and The Tag Project", Boise Art Museum, Boise, ID
 2016 - "Instructions to All Persons: Reflections on Executive Order 9066", Japanese American National Museum, Los Angeles, CA
 2016 - "<mask>: The WildLIFE Project", Penland School of Crafts Gallery, Penland, NC
 2017 - "<mask>: The WildLIFE Project", Oceanside Museum of Art, Oceanside, CA
 2018 - "<mask>: Executive Order 9066", Riverside Art Museum, Riverside, CA

References

Further reading
 Craft in America -<mask>
 Design Sponge - <mask>ama
 TedX

masks:
Wendy Maruyama
Wendy Maruyama
Wendy Maruyama
Wendy Maruyama
Wendy Maruyama
Wendy Maruyama
Wendy Maruyama
Wendy Maruyama
Wendy Maruy


texts:
 - <mask> on the TAG Project
 Knight Foundation - <mask>

External links

Furniture makers
American furniture designers
Artists from California
1952 births
Living people
Rochester Institute of Technology alumni
San Diego State University faculty
Women carpenters
Women woodworkers
American sculptors
American woodworkers
American art educators
Deaf people
ArtAndFeminism 2020
Fellows of the American Craft

masks:
Wendy Maruyama
Wendy Maruyama


texts:
<mask> (born January 7, 1978) is an American rock singer-songwriter from Long Island, New York, currently signed on Island Records. His first major label record 11:59, released via Atlantic in 2010, reached No. 31 on Billboard 200 and No. 10 on Billboard Rock albums chart. <mask> became known to a wider audience as contestant on the CBS reality TV show Rock Star: Supernova in 2006. His songs have featured on several TV shows and promotion. His song Brand New Day, featured as the main theme to Fox TV series Lie to Me, earned him a BMI TV Music Award in May 2009.His first single for Island Records, "Stay Awhile" reached No. 28 on Billboard Adult Pop Songs, and its music video has logged over 1 million views on YouTube to date. "Stay Awhile" was released on iTunes August 14, 2012. Early life
<mask> was born in Huntington, New York on Long Island, and grew up in nearby Dix Hills. He was 14 years old when he formed his first band called Stage. They released four EPs – "Black" in 1997, "Blue" in 1999, "White" in 2000 and "The Final" in 2004, and in 1995 studio album "Historical Underdosing" and a self-titled album on Maverick Records in 2003. While still in high school, the band played CBGB's and the Mercury Lounge.When the band parted ways, <mask> became the solo artist R.<mask> and released his independently produced debut solo album Songs from the Eye of an Elephant on Stone Crow Records in 2005, some songs of Stage was re-recorded for the album (Perfect, Perfect Time Of Night (Back Of Your Car), "O", Sink Or Swim). <mask> was a contestant on the second season of CBS' reality show

masks:
Ryan Stahr Kulchinsky
Star
Star
Star
Star
Television Star


texts:
 Rock Star where Tommy Lee's band Supernova was looking for a lead singer to front the supergroup. On the show, <mask> consistently showed his diverse style from melodic and moving piano to rocking, and was nicknamed <mask> "The Darkhorse" <mask> by show commentator Dave Navarro. He was eventually eliminated, and days later, Mark Burnett, the show's producer, set up <mask> and the show's House Band to record a live album, to help <mask> jump start his career. He returned to the show on week 11 with the help of his fans through SMS voting, to perform an encore performance of "Back of Your Car", and was awarded a Honda CR-V.

<mask> appeared on the Rachael Ray show and performed "Breathe" and "Start a Fire" (aired October 6, 2010). <mask> appeared on the Tonight Show with Jay Leno and performed "Stay Awhile" (aired August 14, 2012)

<mask> and band performed "Stay Awhile" on VH1 Big Morning Buzz (aired September 7, 2012)

Career
Atlantic Records released Last Train Home EP on June 16, 2009, of four songs to appear on <mask>'s album. The music video for "Breathe", premiered on CNN.com October 21, 2009, highlighted 18 unemployed people in various occupations and the website <mask> established breathe4jobs.com to allow potential employers to contact those appearing in the video.VH-1 interviewed <mask> on its VH-1 Top 20 show where he spoke of the positive effects of the video for his song "Breathe." One of the people in the video successfully found a job because of the video. <mask>'s first major label studio album, titled 11:59, was released on August 3, 2010, with a sold-out

masks:
Ryan
Ryan
Star
Ryan
Ryan
Ryan Star
Ryan Star
Ryan Star
Star
Ryan Star
Ryan Star
Star


texts:
 performance that night at New York City's famed Irving Plaza. The album debuted at No. 10 on the Billboard Rock Albums chart, and at No. 31 on Billboard.com. <mask> released a free EP to his fans in January 2012, titled The America EP via Twitter and Facebook.The songs "Orphans" and "Somebody's Son" were initially meant to be released on 11:59. The EP is dedicated to <mask>'s grandfather who fought in World War II. As Atlantic showed no interest to support his new song, <mask> recorded and self-released a music video for "Stay Awhile" in February 2012, getting attention from MTV Buzzworthy as a breakthrough hit. The video has reached over 1 million views on YouTube as of August 2012. The song also charted on Hot AC and Adult Pop Songs charts based on radioplay. Eventually, on August 6, 2012, <mask> and his management announced via Twitter that he had signed on with a new record label Island Records. <mask> said that he made his decision after consulting with Jon Bon Jovi, whose band has been on Island for 30 years.The label's reaction to his song meant a lot to him as well. His single "Stay Awhile" was released via Island Records August 14, 2012. <mask> and his band made their late night television debut on The Tonight Show with Jay Leno on the same day. <mask> will release a 5-song EP Animals, recorded with his touring band in Rhinebeck, New York, on August 5, 2013. The single from the EP, "Impossible" is currently streaming exclusively at Billboard.com. Touring
<mask> has been on the road in support of "Stay Awhile". Recently opening for Andy Grammer, <mask> has previously

masks:
Ryan Star
Star
Ryan Star
Star
Ryan Star
Ryan
Star
Ryan
Ryan


texts:
 toured with Parlotones, Bon Jovi, Train, The Script, Rob Thomas, Collective Soul, O.A.R.and David Cook. <mask> opened for Bon Jovi on three dates of their Bon Jovi Live tour in March 2011, and for the Goo Goo Dolls during the October–November 2011 stretch of their Something for the Rest of Us Tour. Songwriting
"Last Train Home" was featured on the soundtrack for the movie P.S. I Love You (premiered December 21, 2007)
"This Could Be The Year" was featured on the WWE Survivor Series (aired November 23, 2008)
"Losing Your Memory" was featured on the episode 2x13 "Daddy Issues" of the Vampire Diaries (aired February 3, 2011)
"Brand New Day" was the theme song for the TV series Lie to Me (aired January 21, 2009 – January 31, 2011)
Besides his own music, <mask> has songwriting credits on other artists' releases, such as:
 We are Unbreakable – Hedley
 My Oh My – Tristan Prettyman
 Screaming – James Durbin
 Don't Stop – Electric Touch
 Right Here With You – David Cook
 A Perfect World – Takida

Discography

Studio albums

EPs

Singles

Music videos

Other appearances
These songs have been released on albums that were not a studio album released by Star. On December 3, 2010, <mask> performed for the 101.9 FM Miracle on State Street in Chicago Illinois, along with Ingrid Michaelson, and Maroon 5. Songs in other media

References

External links

Living people
American rock musicians
Singers from New York (state)
People from Huntington, New York
Rockstar: Supernova contestants
Island Records artists
People from Dix Hills, New York
1978 births
21st-century American male singers
21st-century

masks:
Star
Ryan Star
Ryan Star


texts:
<mask> (born 17 April 1895 in Metternich bei Koblenz; died 31 August 1960) was Director of the Danzig Anatomical Institute during World War II and Nazi party member (party membership ID 2733605). During the Second World War <mask> used human corpses in the creation of anatomical models for the institute, which after a soap-like byproduct from the model-creation process was presented in the Nuremberg trials as soap made from victims of the Holocaust, has led to numerous accusations against Spanner of crimes against humanity. Production of human soap

Historian Joachim Neander states that the rumors which allege that the Nazis produced soap from the bodies of Jews who they murdered in their concentration camps, long-since thoroughly debunked, are still widely believed, and exploited by holocaust deniers. He however goes on to say that even scholars who reject the aforementioned claims that the Germans made soap from human fat and mass-produced it are sometimes still convinced that the Germans attempted "experimental" soap production on a smaller scale in Danzig and that this claim is still repeated as if a firm fact in several remembrance contexts. He, and the Polish historians Monika Tomkiewicz, who works in the investigative department of the Institute of National Remembrance (IPN) in Gdańsk, and Piotr Semków, formerly also an employee of the IPN, later a lecturer at the Naval Academy in Gdynia, have thoroughly investigated the claims around the Danzig Anatomical Institute by Spanner and have all concluded the Holocaust-related soap-making claims surrounding it to also be myths, particularly cemented into Polish consciousness by Zofia Nałkowska's 1946 book Medaliony, which was mandatory reading in Poland until 1990, was widely distributed in the Eastern Bloc, and is still popular today. They all alleged that such secondary sources have played a far larger role of spreading information about the claim than

masks:
Rudolf Spanner
Spanner


texts: scholarly research. According to both Neander, and Tomkiewicz and Semków, "soap", made from human cadavers, did indeed come into existence at the Danzig institute, but that this was not related to the alleged Holocaust-related crimes of "harvesting" Jews or Poles for soap-making purposes, since the connection between "the Holocaust" on the one side and the "Danzig soap" on the other exists only by way of the confirmed false rumors of "concentration camp soap" which circulated during the war.The idea that the Danzig Anatomical Institute, and Dr. Spanners work therein, was related to the Holocaust originally stemmed from the findings of bodies and bone maceration processes in the creation of anatomical models in a small brick building on the premise of the anatomical institute. This, and the soapy grease created for injection into the models' flexible joints, was used by the Soviets and the newly established Polish Chief Commission for the Prosecution of Crimes against the Polish Nation as proof of human soap production in Nazi concentration camps. The latter claims had been presented as fact and had become a stock phrase in Soviet propaganda, but of which no evidence could be found in the liberated camps. The "human soap" from the bone maceration found in Danzig was conflated with the separate rumors regarding the Nazi concentration camps and were presented together during the Nuremberg trials. Semków states that the presence of human fat tissue has indeed been confirmed in the samples of the soap from Danzig presented during the trial through surface analysis performed by the IPN and Gdańsk University of Technologyand in 2011 and 2006, respectively, but his and Tomkiewicz research concluded but that the soapy grease presented at the trials (claimed to be "unfinished soap") was a by-product stemming from Spanner's work in bone maceration. <mask>, a well-respected physician who was nominated for the Nobel


texts: Prize in Physiology or Medicine in 1939, would also not have been "experimenting" with soap production (which was widely understood and not something which needed experimentation) instead of teaching his students. The IPN also maintained that at least 10 kg of soap from human fat was produced, sourced from the Stutthof concentration camp, based on the aforementioned testimonies delivered in 1945 and the presence of kaolin in the samples indicated its possible use as a cleaning soap due to its abrasive qualities, but discontinued the criminal investigation of this due to lacking grounds to claim that Spanner had incited killings in order to obtain corpses for the Institute.Regarding the presence of kaolin, the abrasiveness of which has also been criticized as being unsuitable for flexible model-joints, it was noted by Tomkiewicz and Semków that Spanner had previously done research on kaolin injections into cadavers, meaning that the kaolin found in the soap could have come from the cadaver itself, rather than as later additive. Neander also points out that the 1945 testimonies was contradictory and unrealistic, with a testimony from 12 May 1945 which claimed that 75 kg of fat were produced 8 kg of soap were produced from the first boiling, a testimony from 28 May 1945 which claimed that 70–80 kg of fat were produced from 40 bodies and 25 kg of soap were produced from both boilings, and a testimony from 7 June 1945 which claimed that 40 bodies produced 40 kg of soap from both boilings. These inconsistencies were even pointed out before the Chief Commission. Further testimonies were also noted and described as being "contradictory and inconclusive" in a 1990's report which was compiled by the newly established Holocaust Memorial Museum in Washington D.C., which holds a cautious stance with regard to the Danzig Soap issue. Tomkiewicz and Semków write that when Zofia Nałkowska, Vice-Chairperson of the Chief


texts:
 Commission, was already writing her short-story "Professor Spanner" (which would be published in Medaliony), Spanner was again working as a medical doctor, under his own name, in Schleswig-Holstein in September 1945, unaware that he was being linked to any possible crimes. He was arrested in May 1947, but was released after three days, later being arrested again, but he was once again released after explaining how he had conducted the maceration and injection process. Spanner would "repeat my statement given at the police and add: At the Danzig Anatomic Institute soap was manufactured to a limited extent from human fat.This soap was only used for the manufacturing of joint preparations". After being dismissed by intervention from the British occupation authorities he was declared "clean" by the denazification program in 1948, officially exonerated, and resumed his academic career, becoming director of the Institute of Anatomy in Cologne in 1957 and editor of the esteemed Werner Spalteholz anatomical atlas, before dying in 1960. Neander concludes that no research or experiments on soap-making were conducted in Danzig, that corpses which were delivered to be boiled and turned into anatomical models were all the corpses of Germans who had not been killed in order to "harvest" their bodies and that the only soap created was a byproduct of this. He also concludes that what the IPN called the "chemical substance which was essentially soap", obtained by human fat, was used for laboratory cleaning purposes towards the end of the war, with <mask>, as head of the institute, bearing responsibility for this, but that such handling of dead bodies amounted to a misdemeanor as opposed to any criminal behavior, let alone a crime against humanity or involvement in any genocidal activities, something which is today officially acknowledged in Poland. Notes

Physicians in the Nazi Party
Year of birth unknown
1960 deaths
1895


texts:
<mask> (March 19, 1861January 10, 1936) was an American playwright, journalist, and political activist. He wrote two plays about the Haitian Revolution and its aftermath: Dessalines (1893), a historical drama about Jean-Jacques Dessalines; and Christophe (1911), a drama about Henri Christophe, King of Haiti following the Revolution. Life

Early years (1861–1883)
<mask> was born on March 19, 1861, in New York City, to <mask> and Charles F<mask>. His mother was a native French speaker whose family had immigrated to New Orleans from France; the <mask>s spoke both English and French at home. <mask> was descended from a participant in the Haitian Revolution. On his father's side, he was a descendant of <mask>, the brother of <mask>. James was a veteran of the Revolutionary War—he planned the fortification of Dorchester Heights—and a prominent figure in the Black community of Massachusetts in the early Republic.Although born in New York, <mask> grew up mainly in New Bedford, Massachusetts. His mother died when he was 13 years old. Following her death, he came under the care of his godmother, whom Beasley calls the "Baroness de Hoffman". The Baroness, in turn, put <mask> under the care of an unnamed Catholic priest. Thereafter, <mask> attended school at a number of Catholic institutions: a seminary in Trois-Rivières, Quebec, likely the Séminaire Saint-Joseph de Trois-Rivières; La Salle Academy in Providence, Rhode Island; and in a "college of the Congregation of St Croix". Beasley does not record which college this was, but the use of the French term Sainte Croix for "Holy Cross" suggests that <mask> attended one of the several schools in Quebec organized by the Congregation. Another source claims he attended "St.

masks:
William Edgar Easton
Easton
Marie Antoinette Leggett Easton
. Easton
Easton
Marie Antoinette Leggett Easton
Moses Easton
James Easton
Easton
Easton
Easton
Easton


texts:
 Caesar's College, Canada".This appears to be a reference to Collège Saint-Césaire, in Saint-Césaire, Quebec, which founded in 1869 by a member of the Congregation of Holy Cross. Texas (1883–1901)
<mask> moved to Texas at age 22. Price notes that was a momentous and somewhat unusual decision for <mask> to have made, given that he was "a young man just out of a Canadian Catholic seminary". He married Mary Elizabeth <mask> in 1888 in Austin. He worked as a teacher from roughly 1882 to 1885. While in Texas, <mask> edited at least three newspapers: the Citizen, the Blade, and the Globe. He later served as the inaugural president of the Colored State Press Association.He also held a number of positions with the state Republican Party, beginning an activist career that would last long after he departed Texas. California (1901–1936)
<mask> appears to have moved to California sometime in 1901: in July 1924, he recorded in a biographical sketch he completed for the California State Library that he been in California for 23 years. At the time he completed that profile, he lived at 1764 West 35th Street, Los Angeles and had three daughters and one son. While in California, he held various positions in journalism and politics. Among many other jobs, he worked for a time as a speechwriter for the Republican and Progressive parties. In 1911, he published an editorial in the Los Angeles Herald, denouncing the assault of Booker T. Washington that year in New York City. He wrote: "[t]he ruthless murder of Dr. Washington (call it by its proper name, for that was what was intended) would not only have been the crowning misfortune of the colored race, but a dreadful menace to the state—to the whole nation, the nation that is at this

masks: Easton Easton Easton Easton Easton


texts:
 time so seriously endeavoring to solve a most  problem".During World War I, he was picked by Emmett Jay Scott to serve as a member of the Speakers Bureau of the Department of War. After the war ended, he was "designated by the California Historical Survey Commission as chairman of a sub-committee of the California War History Committee to gather and preserve material and information regarding the activities of the colored race in California in connection with their part in helping to win the war". <mask> died on January 10, 1936, at his home in Los Angeles. He was buried at Calvary Cemetery. Religious views
<mask> was Catholic until "sometime after … 1893", when he joined the African Methodist Episcopal Church. He had previously been active in the Colored Catholic Congress, founded in the late 1880s by Daniel Rudd. In 1893, he delivered a lecture on "The Catholic Church and the Negro Race" at St. Joseph's Hall in New Orleans.Works

<mask> wrote two plays that received wide notice at the time, both about prominent figures in the Haitian Revolution: Dessalines (1893) and Christophe (1911). Henrietta Vinton Davis produced and starred in both. He also wrote two other short plays, Is She a Lady in the Underworld? and Misery in Bohemia, which do not seem to have been staged. Dessalines
Hill and Hatch describe Dessalines as a "romantic melodrama written in blank verse". The titular character and male lead of Dessalines is Jean-Jacques Dessalines, a key figure in Haiti's early military and political history. The plot concerns Dessalines's exploits and his relationship with Clarisse, a (probably) mythical figure who converts him to Christianity.Byrd and Twa note that the play glosses over Dessalines's "massacres" and

masks: Easton Easton Easton


texts:
 "despotism" in favor of a focus on religious and romantic themes. Byrd argues that Dessalines should be interpreted in light of late 19th-century views of Black masculinity in America. The ideology of white supremacy painted Black people—and in, particular, Black men—as weak, uncivilized, and incapable of running their own affairs. In the view of a number of contemporary Black intellectuals, the example of Haiti and its revolution provided a counterpoint to this ideological fiction: Haiti was an independent republic, like the United States, which had expelled its colonial governors and created a new nation. In his preface to Dessalines, <mask> lamented what he saw as a failure to properly memorialize the heroic deeds of Black people:The Negro alone fails to immortalize his distinguished dead, and leaves to the prejudiced pen of other races, the office, which, by a proper conception of duty to posterity, very properly becomes his duty. …
… the author of this work hopes to see a happier era inaugurated by the constant production of legitimate drama, written exclusively for Negro players and meeting, he hopes, with the full endorsement of the brother in white. For the reasons, as above enumerated, has the author presumed to lay on the altar of race pride the dramatic tale of the heroic Dessalines.The Chicago premiere of Dessalines was at Freiburg's Opera House, on 22nd Street, in September 1893.It featured "a complete cast of colored characters". Henrietta Vinton Davis played Clarisse. The premiere was scheduled to coincide with the 1893 World's Columbian Exhibition, but was not billed officially as part of the Exhibition program. Rather, Twa observes that it was staged in "protest against the Exposition's exclusion


texts:
 of African Americans in its planning and the rejection of many proposals for exhibits to display the accomplishments of African Americans". Hill and Hatch count two other runs of Dessalines: one in Pittsburgh in 1909, which Davis directed and starred in; and one in Boston in 1930, in a company led by Maud Cuney Hare. The play was reviewed in the Indianapolis Freeman in April 1893. The reviewer expressed some displeasure that <mask> had not chosen a subject from American history, writing:… we sincerely hope … the splendid inspiring example set by Mr. <mask> being emulated, will yet give us from the pen of some one of our many brilliant and growing crop of race writers, a drama purely American …The Freeman later offered its readers a copy of Dessalines as part of a holiday promotion.Albion W. Tourgée reportedly stated at the time that Dessalines was "the highest evidence of literary culture thus far produced by an American negro". Christophe
Christophe, reportedly written for Davis, was staged in New York and Los Angeles in spring 1912. In New York, it opened at the Lenox Casino in Harlem, at 102 West 116th Street and Lenox Avenue (now known as Malcolm X Boulevard). Besides Davis, cast members included R. Henri Strange, Lawrence Chenault, Frederick Douglass Hogan, Otis Sherman, and Blanche DeForrest. Proceeds from the New York staging went to a provisional Black regiment of the New York National Guard commanded by Charles W. Fillmore. Notes

Sources

Further reading

External links

1861 births
1936 deaths
20th-century American dramatists and playwrights
African-American dramatists and playwrights
People from New Bedford, Massachusetts
Writers from Los Angeles
20th-century African-American

masks: Easton Easton


texts:
<mask> (born János Békessy; 12 February 1911, Budapest – 29 September 1977, Locarno) was a Hungarian and American writer and newspaper publisher. From 1941, he held United States citizenship. He was also known by such pseudonyms as Antonio Corte, Frank Richard, Frederick Gert, John Richler, <mask>, and Alexander Holmes. Life

Early years

<mask> was born as János Békessy in Budapest, Kingdom of Hungary, Austro-Hungarian Empire. His parents, Imre Békessy and Bianca Marton, were of Jewish origin but converted to the Christian (Protestant) faith. After World War I the family moved to Vienna where his father published one of the first daily tabloids, Die Stunde (The Hour), from 1923 to 1926. János was educated at the Franz-Joseph-Gymnasium between 1921 and 1929.Afterwards he started to study Law and German Literature at Heidelberg, but returned soon to Vienna due to the rapidly growing extreme anti-Semitism in Germany. Newspaperman

In 1930 he began to work as a reporter for the Wiener Sonn- und Montagspost (Vienna Sunday and Monday Post). In the following year he became Editor of the Österreichische Abendzeitung (Austrian Evening News), one of the youngest newspaper editors ever, at age 20. Around this time he married his first wife, Margit Bloch. Early in 1934 he moved to the Wiener Morgen (Vienna Morning News). From 1935 to 1939 he was a Foreign Correspondent for the Prager Tagblatt (Prague Daily News), stationed mostly at Geneva, covering the League of Nations and was present at the Évian Conference in 1938. Habe described the course of the Conference in his novel The Mission (1965).The focal point of the novel is the infamous offer made

masks:
Hans Habe
Hans Wolfgang
Habe


texts:
 by the German government, and transmitted to the Conference by Neumann von Héthárs, to sell the Austrian Jews to foreign countries at a price of $250 per capita, and the Conference delegates' refusal to accept. At this time <mask> was married to his second wife, Erika Levy, heiress of the Tungsram light bulb company. Soldier in World War II

After the Anschluss, <mask> was expatriated and his books forbidden by the new Nazi government. He went into exile in France and joined the French Foreign Legion. In 1940 he was captured and interned in the Dieuze transit camp. From there he managed to escape with the help of French friends (to Lisbon) and immigrated to the United States. He became a US citizen by naturalization in 1941.Habe married his third wife, Eleanor Post Hutton, heiress of General Foods, in 1942. They had a son, Anthony Niklas <mask>. In 1942 he was drafted into the US Army and trained in psychological warfare at the Military Intelligence Training Center at Camp Ritchie, Maryland. Then he joined the 1st Mobile Radio Broadcasting Company and went in March 1943 to North Africa to participate in Operation Avalanche, the landing in Italy. In 1944 he became an instructor of psychological warfare at Camp Sharpe, near Gettysburg, Pennsylvania. In autumn 1944 he selected a group of German writers and newspaper editors to prepare for the publishing of new newspapers after the war in Germany. Newspaperman in Germany

In 1945, <mask> returned to Germany in the wake of the occupying US Army.By November 1945 he had created 18 newspapers in the American Occupation Zone. Then he became Editor of the Neue Zeitung in Munich. At this time he was

masks: Habe Habe Habe Habe


texts:
 married for a short time to actress Ali Ghito. In 1949 he moved to the Münchner Illustrierte (Munich Illustrated), and, in 1951, to the Echo der Woche (Echo of the Week). From 1952 to 1953 he wrote the column Outside America for the Los Angeles Daily News. When the Echo der Woche ceased to appear in 1953, he settled in Ascona, Switzerland, and wrote mostly novels. Murder of daughter
In 1948, he married his fifth wife, American actress Eloise Hardt (17 September 1917 – 25 June 2017); the couple had one child, Marina Elizabeth <mask> (23 February 1951 – 30 December 1968), who was murdered at age 17.She was a student at the University of Hawaii home on vacation when she was murdered in Los Angeles. According to the autopsy report, <mask>'s body was found fully clothed, with the exception of one shoe lying nearby. Her throat had been slashed and she had received numerous knife wounds to the chest. She suffered multiple contusions to the face and throat, and had been garrotted. No alcohol or barbiturates were found in her blood. There was no evidence of rape. <mask> was abducted outside the home of her mother in West Hollywood, 8962 Cynthia Avenue.The neighborhood had been the location of a number of rapes in the weeks prior to her murder. A former Manson Family associate claimed members of the Family had known Habe and it was conjectured she had been one of their victims. Los Angeles County coroner Thomas Noguchi recorded that the teenager bled to death. Survived by both parents, <mask> was buried in Holy Cross Cemetery, Culver City following a requiem mass at Good Shepherd Roman Catholic Church in Beverly Hills. <mask>'s sixth and last wife

masks:
Habe
Habe
Habe
Marina Habe
Habe


texts:
 was Hungarian actress and singer Licci Balla; they wed in 1954. Prizes
1942 Jerusalem Medaille
1945 Luxembourg War Cross
1972 Theodor-Herzl-Preis
1976 Großes Bundesverdienstkreuz
1977 Konrad-Adenauer-Preis

Works
Drei über die Grenze (1936)
Eine Welt bricht zusammen (1937)
Tödlicher Friede (1939), also published as Zu spät? (1939) and in American edition as Sixteen Days
Kathrin oder der verlorene Frühling (1943)
Wohin wir gehören (1946)
Ob Tausend fallen (1941, A Thousand Shall Fall, about his war experiences in the French Foreign Legion)
Walk in Darkness (1948)
The Black Earth (1952)
Ich stelle mich (1954, autobiography)
Off limits (1955); Off limits, English translation by Ewald Osers published in Great Britain by Harrap, London, 1956 with dust-wrapper by George Adamson
Im Namen des Teufels (1956) (filmed in 1962 as The Devil's Agent).Die Rote Sichel (1959)
Ilona (1960)
Die Tarnowska (1962; Countess Tarnovska)
Tod in Texas (1964)
Die Mission (1965, The Mission (first published in Great Britain by George G. Harrap & Co. Limited, London, 1966)
Christoph und sein Vater (1966)
Im Jahre Null (1966)
Das Netz (1969)
Wien, so wie es war (1969)
Erfahrungen (1973)
Palazzo (1975)
Leben für den Journalismus (München : Droemer Knaur, 1976.