texts: The Home Secretary from 1970 to 1972 was a British politician who served as the Chancellor of the Exchequer from 1962 to 1964. He was thought of as a potential Conservative leader from 1955 until the late 1960s, but he was twice seriously considered for the post. He was a director in several British financial firms. He was responsible for the UK Government's Northern Ireland policy while he was Home Secretary. He left office because of an unrelated scandal in one of the companies he was director in. The actuary who contracted to do actuarial and financial calculations as the Commercial Calculating Company was named after his son, who was born in North Finchley. The family moved to Bexhill to escape the German air raids.The purpose of State control and the guiding principle of its application is the achievement of true freedom was the conclusion he was to make after studying the works of Hegel. He received a greats degree. After graduating, <mask> set up a meeting with Harold Nicolson, who advised him to wait before joining the Conservative Party or National Labour. The Bar at the Middle Temple was founded in 1940. He volunteered for service in the Royal Air Force during the Second World War, but did not practise as a barrister. He was appointed Private Secretary to the Secretary of State because of his poor eyesight, but he rose to the rank of Flight Lieutenant because officers who were not qualified to wear pilot's wings were nicknamed "Wingless Wonder". In the general election of July 1945, he was selected as a parliamentary candidate for Heston and Isleworth, a newly created constituency in Middlesex, after he wrote an essay on Conservative policy in November 1943.Heston and Isleworth had been expected to be a safe Conservative seat, but they were defeated by the Labour party. The Conservative Party was defeated in the 1945 general election. The Party depended too much on slogans that were outdated and popular with the public. In 1945, he became the first staff member of the Conservative Parliamentary secretariat and later the Conservative Research department. The Labour government's nationalisation programme was persuaded to be accepted by the party. In March 1946, <mask> was chosen as the prospective candidate for Barnet and began giving speeches there. In 1945, Labour won the seat, but it was considered marginal.The Member of Parliament with an absolute majority was elected in 1950. A junior Minister at the Ministry of Civil Aviation was made by Churchill after the 1951 election. He was appointed as the Economic Secretary to the Treasury later that year after speaking on behalf of the Treasury on the 1952 budget. In order to move from post-war austerity to affluence, Maudling worked to reduce taxes and controls. In 1955, when Anthony Eden became Prime Minister, he promoted <mask> to head a department as Minister of Supply. He was in favor of the invasion of Suez. The Ministry was responsible for aircraft production and supplying the armed forces, and <mask> agreed with critics who argued that it was an unnecessary middleman.Although he was in favor of Harold Macmillan's appointment as Prime Minister, he had trouble with his position in the new government. He refused to continue at the Ministry of Supply because he did not want to be seen as being behind Iain Macleod, who had held the post five years earlier. The Ministry of Fuel and Power had a spokesman in the House of Commons who was demoted. He proved to be useful nine months later, when he was brought into the Cabinet on 17 September 1957, where he acted more as a Minister without Portfolio: he had specific responsibility for persuading the six members of the European Economic Community, who had recently signed the Treaty of Rome, to abandon. He underestimated the importance of the Community because of his lack of international experience. Faced with widespread rejection of the proposals, <mask> sought to play off the Germans against the French. Jacques Soustelle, the French Minister of Information, told the press six months after de Gaulle's election that France would reject the plan.The British delegation formally ended accession negotiations two days later. The basis of the European Free Trade Association was revised by Maudling. In December 1957, <mask> became a member of Lloyd's of London and his assets were below average. After the 1959 election, the President of the Board of Trade was appointed. He introduced the government's proposals to help areas of high unemployment. The government took over unused land for development in order to achieve this, as well as paying grants to companies to create new plants. The European Free Trade Association was created to compensate for his failure to negotiate a free trade area with the Common Market.Britain's right to make commercial agreements with New Zealand and Australia would be ended if Britain joined the Common Market. He said that he could not think of any more retrograde steps economically or politically. He was the Chancellor of the Exchequer at the time of the reopening of negotiations for Common Market membership. The Secretary of State for the Colonies was responsible for decolonising in 1961. His plan for Northern Rhodesia was controversial and he had to threaten resignation before it was approved, but he chaired constitutional conferences for Jamaica, Northern Rhodesia and Trinidad and Tobago which prepared them for independence. When Macmillan made it clear in private that he supported a voluntary incomes policy, <mask> seized his opportunity to return to economic policy. After making his case in public, he was appointed Chancellor of the Exchequer three weeks later.Purchase tax and bank interest rates were cut by the Chancellor. His budget was for expansion without inflation. With a 4% growth target, <mask> was able to remove income tax from owner-occupiers' residential premises. The rate of duty on home-brewed beer was legalised by him. This was the time when Maudling was the most popular within the Conservative Party. Harold Wilson and his Chancellor James Callaghan blamed the "dash for growth" that followed the 1963 budget for increasing sterling's chronic instability. Although he increased taxes, he did little to subdue demand in an election year.The first unsuccessful leadership bid was encouraged by the Chief Whip and the Party Chairman. In order to get the agreement of the deputy prime minister to serve under him, <mask> obtained a mutual promise that they would, if necessary, agree to serve under one another. In The Times on 28 July, William Rees-Mogg claimed that Butler had a 2:1 lead over <mask> in the Cabinet. At a time when <mask>'s support had fallen, Macmillan's sudden illness and announcement of his resignation came. The Conservative Party conference had become a hustings for the leadership despite Iain Macleod's help in how to deliver his speech. Foreign Secretary Lord Home was declared the compromise candidate by Dilhorne and Redmayne back in London the following week. In order for Home to become Prime Minister, the Quad tried to convince him to refuse to serve.Dilhorne refused to lay the results of his consultations before the Cabinet. He attended the meeting at Powell's house late in the evening of 17 October after attending a formal dinner and seems to have gone along with it rather than being a ringleader. On the morning of Saturday 19 October, he agreed to serve under Home and become the Prime Minister. Under the new Prime Minister, <mask> had a prominent role at the helm of the party's daily press conferences, while Douglas- Home toured the country. According to the journalist Anthony Howard, the narrow Conservative defeat would have been a narrow victory if <mask> had been leader. After being forced out of the post by the election defeat, <mask> left a note to his successor, James Callaghan. I apologize to leave it in a mess.One of the factors that led to his being shifted to spokesman on Foreign Affairs in early 1965, was the fact that he accepted a seat on the board of Kleinwort Benson. As criticisms of his leadership mounted, <mask> publicly maintained his loyalty to Douglas- Home. Edward Heath was the candidate for the position of candidate to the party centre-right when Douglas- Home resigned after putting in place a system in which the leadership was directly elected. At that time, there was little support for Powell's support of monetarist and Thatcherite economics. Powell got 15 votes. Powell's 15 votes were seen as more likely to have gone to <mask> if he had not stood, but they would have made no difference to Heath's narrow majority. This was a time of instability for the Conservatives.There was little to distinguish between the policies of the Tories and Labour, which led to their scepticism of Keynesianism growing through the 1960s. The cross-party support for economic planning and union negotiation was not stimulating high levels of economic growth. His lack of commitment for the role was mentioned by his opponents as evidence of his lack of commitment, and he was also criticized for being too close to the Douglas-Home style of politics. The Home Secretary was a member of the Shadow Cabinet and served as a deputy leader. His support for an incomes policy went against party policy because he was neither personally nor politically close to Heath. He made gaffes when he said that Harold Wilson had followed the same policy as the Conservatives on Rhodesia and that he couldn't think of anything he had done wrong. After being removed from the Shadow Cabinet in 1968 for his controversial Rivers of Blood speech, <mask> was moved from the position of Shadow Commonwealth Secretary to become Shadow Defence Secretary.The Troubles in Northern Ireland were the most pressing problem at the Home Office when the Conservatives returned to power in 1970. At the end of his first visit to the region, he remarked "For God's sake bring me a large Scotch." What a terrible country. When he referred to reducing IRA violence to "an acceptable level", it was a mistake that was damaging. He tended to overlook the differences between the approach of the United Kingdom government and that of the Government of Northern Ireland. The Prime Minister of Northern Ireland resigned when he was denied the full number of troops he requested. The introduction of internment without trial for terror suspects caused widespread upheaval and anger among the nationalist population due to its exclusive use of that community, and was followed by an already planned massive increase in violence.The abolition of capital punishment in 1969 did not lead to an attempt to bring it back. In 1971 he modestly tightened the immigration rules and introduced Community Service, a new alternative to prison. He ordered the deportation of a leader of the German student movement. Dutschke was in Britain to recover from an assassination attempt. The magazine Private Eye and the television comedy show Monty Python's Flying Circus skewered ombling, which was often the target of satirical cartoons in major newspapers. The British army's statement that the Parachute Regiment had only fired in self-defence turned out to be incorrect. The Speaker of the House denied recognition to the Northern Ireland nationalist who was present in Derry at the protest.There is a man on the floor of the Commons. She said that the 13 people shot and killed by British soldiers had not expressed any regrets. Direct rule of Northern Ireland was brought in under a separate Secretary of State. In 1974, a PIRA member sent a letter bomb to <mask>, which slightly injured him. In 1972, <mask>'s business activities caused a lot of concern in the press. In 1966 he obtained a directorship in the company of John Poulson, an architect who helped obtain lucrative contracts. In 1972 he was made bankrupt after doing business through bribes.His bribe payments were disclosed in the bankruptcy hearings. The decision was made that his position as Home Secretary was no longer valid because of his responsibility for the Metropolitan Police. He resigned due to sympathy from the press. Edward Heath's government performed a 'U-turn' on economic policy after receiving <mask>'s resignation. He continued to make media appearances despite being advised not to. Margaret Thatcher became the leader of the Conservative Party in the year after the party's electoral defeat. The Shadow Foreign Secretary was appointed by her.After less than two years in the role, he was dismissed for clashing with Thatcher over economics. He summed up his career as being fired by Margaret Thatcher. The president of the Real Estate Fund of America had been imprisoned for fraud and the chairman of the Peachey Property Corporation had taken money from the company. Heavy losses for the Maltese government were caused by his lobbying for more aid after obtaining a commission for Poulson there. There was an inquiry into the conduct of <mask> and two other MPs. The inquiry's report was published on July 14, 1977 and concluded that <mask> had engaged in conduct that was not in line with House standards. The debate to "Save Reggie" was organised by the Conservative Party when the report was considered by the House of Commons.An amendment was put down to "take note" of the report, instead of endorsing it, and carried by 230 votes. No punishment was given. An attempt by backbench Labour MPs to expel <mask> from the House was defeated by 331 votes to 11 and a move to suspend him for six months was defeated by 327 to 97. After his political career was ended by the scandal, <mask> and his wife became heavy drinkers. In the late 1970s, <mask>'s health rapidly deteriorated as the drinking turned to alcoholism. He died in 1979. Death <mask> passed away at the Royal Free Hospital in London on February 14, 1979 at the age of 61.He was buried in the churchyard of Little Berkhamsted. There is a stone seat next to the grave. <mask> was married to actress Beryl Laverick in 1939. They had four children: three sons and a daughter, who became a journalist in the 1960s as the "travelling teenager" of the Daily Mail and appeared alongside John Lennon on a TV show. His mother disowned him as a result of his marriage and he did not attend her funeral. When a comment was made about her having a child out of wedlock, Maudling publicly expressed her pride. She was buried next to her husband's at Little Berkhamsted.Irish actor Michael Culkin played the role of <mask> in the limited television series A Very English Scandal. There is a list of deaths through alcohol. His term as Chancellor is covered in The Chancellors: A History of the Chancellors of the Exchequer. Reggie: The Life of <mask> was written by Lewis Baston. There is a publishing house called Sutton Publishing. There is no other specified. A little money for Michael.There is a story about the Real Estate Fund of America. Private Eye productions is a production by André Deutsch. There was nothing to declare about the political corruptions of John Poulson. The man is John Calder. Howard, Anthony RAB: The Life of R. A. Sidgwick and Jackson. Robert Shepherd wrote "Reginald Maudling" in the Oxford Dictionary of National Biography.There is a 1971 filmed interview on the Immigration Bill.

masks:
Maudling
Maudling
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Reggie Maudling


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texts: <mask> was born on December 17, 1985 in England. He is the host of Radio 1's breakfast show, co-presenter on the cricket podcast Tailenders with Felix White and <mask>, and writer of the Kid Normal book series with Chris Smith. <mask> was born to Alan and Rosemary on December 17, 1985 in London. His parents were both teachers. Catherine is his sister. He was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 <mask> used to play cricket.He first broadcast on hospital radio when he was 14, however, he later discovered that the transmitter was broken and none of his shows actually went out. <mask> was a deputy head boy at The Bishop's Stortford High School. He obtained a 2:1 in drama at the University of East Anglia. He was the station manager of the students' union radio station Livewire 1350AM. He said that he didn't like being a station manager. He presented several breakfast shows on Future Radio before he got a break on Radio 1. He presented at the Student Radio Awards.He worked on the show during university holidays. <mask> presented Early Breakfast on Friday for the likes of Sara Cox and Vernon Kay. The day after graduating from university, he presented his first show. He was awarded the Early Breakfast Show five days a week in October 2007. On Monday 1 October 2007, he presented his first full-time show, and his first ever Record of the Week was Hometown Glory by Adele. On 21 September 2009, a new schedule was launched on Radio 1, and it was announced that <mask> would move to an early afternoon slot. The Official Chart Update was hosted by <mask> from March 2010 until January 2013 when Scott Mills took over.<mask> co-hosted Not Just Cricket on 5 Live with England cricketers <mask> and Graeme Swann. The main focus of the show is cricket. That's What He Said is hosted by Chris Smith on Radio 1 Newsbeat. Each week, the best bits of <mask>' show are included in the podcast. <mask> and Chris play a game called 'Cheeseball' in which Babybell is thrown into the centre of a cheese court and the closest to the centre wins. Birthday, engagement, and wedding announcements are made to the theme of Jurassic Park. Julia from Germany is the show clerk and she gives the pair with a weekly agenda.There are more recent features such as 'Julia's word of the week' and 'Friendly Foreigners'. Tiny's science fact. <mask> guest hosted the February edition of Fighting Talk, which was hosted by Colin Murray. <mask> along with Felix White, Jimmy Anderson, Mark 'Sharky' Sharman, and regular input from Bristolian Matt 'Mattchin' Horan began hosting a cricketing podcast 'Tailenders'. This was initially a weekly show, but it was renewed on a weekly basis. The features include 'General Cricketing Sadness', 'Machin's Quiz' and 'Black Wednesday/Xmas Show/App Launch'. On February 28, 2012 it was announced that <mask> and Scott Mills would swap shows on April 2, 2012 meaning that <mask> would host the drivetime show from that date."Mayor of Where", "Impossible Karaoke", "Rage against the Answer Machine", and "What" were some of the recurring features on <mask>'s show. Chris Smith, also known as 'Chris Smith with the news', is the main afternoon Newsbeat reader. <mask> held a mini-music festival in Glasgow prior to the T in the Park festival, and hosted his show for an entire week from the BFBS radio studio in Camp Bastion, Afghanistan. Between 1600 and 1745, <mask>' former Friday show was taken up by The Official Chart, followed by Dance Anthems between 1800 and 1900. The 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 James picked the name "RoboCrop" from thousands of suggestions for a tractor on loan to the police to raise awareness of rural crime. The tractor was not built for response policing and had a top speed, according to the police.<mask> took over Radio 1 Breakfast on August 20. Grimshaw took on the Drivetime show from 4pm-7pm. "It's time for a change, time for a new show and, most importantly, it's going to be time for a new wake-up time," said Grimshaw on his Breakfast Show on 31 May. <mask> said that taking over would be a big challenge, but he was ready and willing to give it a try. Wallace the Lion was the first guest on the show. The show was on Radio 1 for four days a week until December 2020 when the show was moved to five days a week on <mask>' Breakfast Show. <mask> is a TV host.In 2009, he presented a show called Sun, Sex and Holiday Madness, about British tourists in Magaluf and Young, Jobless and Living at Home. He hosted the backstage winners' podium at the BRIT Awards in 2009, as well as presenting Sound on BBC Two's Switch. In the Doctor Who episode "Closing Time", <mask> had a non-speaking role. In August 2012 <mask> presented the coverage of the Reading and Leeds Festivals with Fearne Cotton. He presented coverage of T in the Park in July. <mask> co-presented coverage of Radio 1's Big Weekend with Alice Levine. <mask> hosted the coverage of the festival for the second year in a row.He hosted the coverage of the festivals in the summer 2014–2018. <mask> co-presented two series of Unzipped with Russell Kane and How to Win Eurovision on the same day. The 50 greatest London 2012 Olympics moments were presented by <mask> and Gabby. On his 27th birthday, the show was broadcast. Staying in with <mask> and Russell was a show hosted by <mask> and Kane. Both appeared on the Children in Need appeal night and <mask> won by performing 'The Circle of Life' from 'The Lion King'. <mask> was a contestant in the gameshow Swashbuckle with his niece.The closing ceremony of The Invictus Games was hosted by <mask>. I Survived a Zombie Apocalypse was presented by him in 2015. He played a police officer in Murder in Successville. The Comedy Feeds episode Dead Air was co-written and starred <mask>. He hosted a segment of the Sport Relief telethon. <mask> is a guest on The One Show. <mask> co-presented the Children in Need appeal for the first time.The Children in Need Rocks for Terry concert was held at the Royal Albert Hall. <mask> presented cricket coverage of the South Africa tour to Australia for two years. He has co-presented Sounds Like Friday Night with A.Dot. Kid Normal is a children's book series about a normal boy in a superhero world. The first one was published in July of last year and the second one in March of this year. The first book was the biggest selling children's debut of the year and has sold over 100,000 copies. The books have been released in 19 other languages.<mask> took part in the Red Nose Day 'Hell and High Water Challenge' in January of last year. They traveled along the river for five days to raise money for a new school. They raised over a million dollars for the charity. <mask> was on the Let's Dance for Comic Relief judging panel. <mask> was part of the 'Team Coe' in Sport Relief. His team won the competition. He participated in the cycling, synchronized swimming and swimming relay.They traveled to Uganda in February of 2015 to take part in an operation. Comic Relief funds helped to rebuild the Iyolwa Health Centre in Eastern Uganda. He wrote about it here. The Radio 1 audience raised over half a million dollars. In February 2016 <mask> completed five triathlons in 5 days, in 5 different cities across the UK, in order to raise money for Sport Relief. <mask> supports a charity that raises awareness of breast cancer. "Pedal to the Peaks" was <mask>'s second 'Gregathlon' for Sport Relief.Extreme weather conditions caused the challenge to be postponed because it was too dangerous to continue. <mask> climbed Ben Nevis in March of last year to raise over $1 million. <mask> is the father of Ruby, the youngest daughter of <mask>. He used to play cricket for the Under-18s. He is a big fan of Bath Rugby. He is a fan of football. He is an ambassador for two charities.He was a part of the 2012 Team Give Blood campaign. <mask> proposed to his girlfriend, the daughter of newspaper editor Alan Rusbridger, on 1 June. They were married in September of the same year. They live in London. The Student Radio Award for 'best male host' was given in 2013; the Silver Sony Radio Academy Award for 'best entertainment show' was given in 2014; and the Gold Radio Academy Award for 'best entertainment show' was given in 2016 The Apprentice: You're Fired was one of the funniest moments of the year. Murder In Successville, Drunk History, Room 101, and Saturday Kitchen all aired on the same day.The One Show in 2020 and The Sara Cox Show in 2019. The Big Night In, Great British Menu, Strictly Come Dancing, and Loose Women are all included in this year's edition of the show.

masks:
Gregory James Alan Miward
James Anderson
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James


texts: <mask> was an American country music singer. <mask> had several years of commercial success after signing a record deal at 45. During that time period, she had four number one hits and placed additional singles on the country chart. After the death of her father, <mask> moved to Alabama. She started a folk trio after developing an appreciation for folk music. She was cast in the touring production of Hello, Dolly! in 1966. She continued to act in Broadway musicals and television commercials after moving to New York City.She began writing as a hobby. <mask> briefly signed to Elektra Records in 1981 after a demo recording was made of her music. She had her first major hit in 1986 with "80's Ladies". Her debut album sold over one million copies and produced three additional hits, including the number one single "Do Ya." This Woman and Love in a Small Town were both released by <mask>. "Hey Bobby" and "Come Next Monday" were hit singles from the albums. She left her recording contract in the early 1990s after a number of personal setbacks.In 1996 she released the studio album "My Roots Are Showing..." and in 2001 she released Live Close By, Visit Often. Simply was <mask>'s final album. <mask> was born in Crossett, Arkansas in 1942 to Larry and <mask>. <mask>'s father died from leukemia when she was five years old. She became shy and withdrawn after his death. <mask> spent her childhood in Mobile, Alabama after her father's death. She graduated from high school in Houston, Texas, after her mother moved her family there when she was a teenager.She became fond of music when she was a child. <mask>'s mother was once offered a job singing in the Les Brown orchestra as well as performing Swing music on local radio. At Lon Morris College, she studied drama and folk music. <mask> formed a trio with David Jones and Guy Clark. They performed at restaurants and other places in Texas. The trio recorded a song for a folk album. <mask> sang the song "Brave Young Soldier."She formed a folk duo with Frank Davis. They recorded an album called "Frankie and Johnny" in Hollywood, California. <mask> returned to Houston. The Broadway musical Hello, Dolly! was toured in 1966. They were looking forchorus girls in the Houston area. <mask> toured the same year after auditioning and getting the part. After Hello, Dolly!'s national tour ended, <mask> moved to New York City to pursue acting.She got several small stage role parts in the city for 20 years. <mask> appeared in the Broadway shows Promises, Promises and West Side Story. She found work singing jingles. She was cast in commercials for hygiene products. <mask> recalled being in a hemorrhoid commercial in an interview with the Chicago Tribune. Lord! I had a hemorrhoid commercial that people I knew from the 3d grade called me up and said, "Is that you?"<mask> was given a piano and became interested in writing. She wrote music and taught herself how to play it. New York started their first country radio station. She began writing country songs after she found the music to be more sophisticated. While performing as part of a synthesizer troupe, Oslin was inspired to write her first country song from writing on a bathroom wall. "I ain't gonna love nobody but Cornell Crawford" was written on the wall. The song was written by <mask> and she recorded it in 1990.<mask> brought her compositions to the attention of the performance rights group. It was brought to the attention of their Nashville executive. <mask>'s music was brought to the attention of Nashville record executives. <mask> had a duet with Guy Clark on his 1978 self-titled album. <mask> was able to get a singles-only recording contract with Elektra Records. "Younger Men" and "Clean Your Own Tables" were the only two singles issued on the label. She recalled that her first record, "Clean Your Own Tables," got on the charts for about 15 minutes.She was dropped from their label in 1982. She gained 40 pounds after returning to New York. She continued with her commercial work. The original compositions of <mask> were recorded by Judy Rodman, Dottie West, Gail Davies and The Judds. <mask> wanted to regain a recording contract. She borrowed seven thousand dollars from her aunt, lost 40 pounds, and invited record executives to a one-time music showcase. I waited for the phone to ring the next morning.She said that it did not. <mask> contacted Nashville producer Harold Shedd, who had recently recorded Alabama. <mask> became her full-time production partner after Shedd convinced him to record three of her original tunes. She met Joe Galante in 1986. <mask> was signed to RCA by Galante when she was 45 years old. <mask>'s first label single, "Wall of Tears," was released in December 1986. The song did not become a major hit despite breaking into the top 40.The self-penned "80's Ladies" became her first major hit. <mask> had written the tune several years before. I thought it was a show piece. She stated in 2011 that she didn't think it would be a single. The single peaked at number seven on the Hot Country Songs chart in July and went to number four on the RPM Country Singles chart in Canada. At the Country Music Association Awards, it won Best Female Country Vocal Performance and Song of the Year. The first female artist to win the Song of the Year accolade was <mask>.Critics gave a positive response to "80's Ladies". Mary Bufwack and Robert K. Oermann called the track "the anthem of a generation." Bill Friskics-Warren compared the piano sound to that of Jackson Browne. <mask>'s debut studio album was released in July of 1987. It was the highest-charting album by a female country artist in 20 years. Her highest-charting release on the Billboard 200 was in March 1988. Platinum was certified in the United States for selling over one million copies."Do Ya" and "I'll Always Come Back" were both number one on the country chart. <mask> became more financially stable because of her musical success. She rarely lived in her first house due to a demanding tour schedule. She recorded her second album that year, after touring with Alabama and George Strait. This woman was released in August 1988. All ten of the album's tracks were written by <mask>. The modern thinking of middle-aged women of the eighties was reflected in This Woman.The project was praised by various publications. Alex Henderson of Allmusic gave it a three-star rating, calling it a generally appealing release that successfully balances commercial and artistic considerations. Rolling Stone named it one of their "12 Classic Albums" and found it to define female independence. Robert Christgau gave the album a "B" rating, praising the album's defiance of gender roles in the Nashville establishment. She won a second gramophone award for her number one hit, " Hold Me." The title track was followed by the top five hits. <mask> continued to have success into the 1990s.Clint Black was the opening act of her newly established tour that year. Her mental health was negatively affected by her road schedule. She took several months off from appearances to focus on her mental health. She told the Chicago Tribune that it took her months to become a human. <mask> recorded her third studio album. Love in a Small Town was released in 1990. The project spent 71 weeks on the country albums chart."Come Next Monday" would be her fourth number one single on the country chart, despite the album's first single being only a minor hit. The top 40 hit was "Mary and Willie", followed by "You Call Everybody Darling" and "Cornell Crawford". <mask> was away from music more as the decade went on. Her last album was called Greatest Hits: Songs from an Aging Sex Bomb. The album peaked at number 28 on the Top Country Albums list. She included three new songs in her greatest hits. The re-recording of "New Way Home" was included.It spent three weeks on the country chart. Jack Hurst of The Chicago Tribune found the new tracks to be "pop sounding" but also found it to blend in with her previous hits. Allmusic's Rick Anderson rated it four out of five stars, but also observed it to have pop inflections. "This is great pop music, no matter what bin you find it in," he said. <mask> had an acting transition, hiatus and return to the spotlight. On the television western, Paradise, a guest appearance was made. <mask> performed a song called "Down in the Valley" while portraying a mother.She performed a duet version of her song, "New Way Home," on a television special. <mask> appeared in a film called The Thing Called Love. She starred in a movie with River Phoenix. The film's plot focused on Nashville and the main character's dream of becoming a country music writer. Lucy was a fictional owner of the cafe. The Austin Chronicle disliked the movie but praised <mask>'s performance. "She's so country and so good in her role, she reveals the rest of the movie to be as artificial as it is," Louis Black wrote in 1993.<mask> appeared in a movie called Poisoned by Love: The Kern County Murders. She appeared in the Arkansas-themed series Evening Shade in 1994. One of the sisters was going to try out for the Grand Ole Opry. Oslin would take several years away from music. She was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 Oslin was persuaded back into recording by her former boss, Joe Galante. "My Roots Are Showing..." was produced and recorded by her and Rick Will and was released on BNA Records.There were cover versions of lesser-known country and pop recordings on the album. Allmusic only rated it 2.5 stars. Carpented said that the only issue was that the album was marketed as a country album. "My Roots are Showing": K.T. <mask>: Songs, Reviews, Credits, Robert K. Oermann "My Roots Are Showing..." reached number 45 on the country albums chart and spawned a single, "Silver Tongue and Gold Plated." <mask>'s fifth studio album, Live Close By, Visit Often, was released in 2001.She co-produced the album with the lead vocalist of The Mavericks. Country, electronic dance and Latin are some of the musical styles on the album. Live Close By received mixed reviews. The project was too eclectic to be called a country and too pop to be called a pop. Oslin's vocal performance was praised by Alanna Nash, but she found the album to be "schizophrenic" in its musical diversity. Live Close By, Visit Often spent 11 weeks on the country albums list and peaked at number 35. The title track was the first single and reached a minor position on the country songs list.The cover of Rosemary Clooney's "Come on-a My House" would make the dance music chart. <mask> stopped working after 2001. She told Country Music Television that the decision to stop performing was conscious. I asked my people if they had enough money to quit. They said yes. "Then, I quit!" I said. She spent a lot of time at home.She performed a one-woman show in 2008. She performed at the Franklin Theater for the twentieth anniversary of her studio album, 80's Ladies. <mask> recorded her final studio album after performing a live cabaret show. Simply was released in 2015. There was a new track called "Do You Think About Me" on the album. The band consisted of four players. <mask> stated in a 2015 interview that she made the album so fans could buy new music at her shows.<mask> retired after the record's release. In a 1988 interview, <mask> described her own musical style as stemming from country, southern blues and R&B. I was surprised people liked it. They should be asking what it is. It's something I ask myself all the time. <mask>'s musical style is based in country but also includes elements of pop rock and adult contemporary. Examples of pop and "anthemic rock" can be found in her first two albums.Alex Henderson called her sound "far from a honky tonker" when he reviewed 1988's This Woman. After leaving RCA, <mask> incorporated more dance, traditional pop, Latin and Americana into her musical style. Her songs can also be identified with her musical style. Oslin wrote most of her material as a musical artist. Characters going through trials and trials of middle age were the focus of many of her compositions. According to Oslin, she was inspired by her friends who were 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 She said that she learned from watching people and put it in terms that music fans would find interesting.Bill Friskics-Warren wrote that <mask> "gave voice to the desires and trials of female baby boomers on the cusp of middle age." In Finding Her Voice: The History of Women in Country Music, <mask> became the beacon of inspiration for every middle-aged woman who felt vibrant yet overlooked. She was called "penetrating, vivid tales of women in turmoil" by Dennis Hunt of The Los Angeles Times. <mask> was influenced by traditional pop and country performers when he was a child. <mask>'s musical inspiration was away from country and pop as she started performing folk music in the 1960s. Even though she didn't want to be a writer, <mask> began writing country songs even though she didn't want to. According to several publications, Legacy Oslin's success gave identity to strong, female women in their middle-aged years.<mask> remarked on her legacy in 2020. <mask> had a strong influence on women with her hit '80's Ladies', which was one of the best country songs of all time. She was an inspiration to Lorrie Morgan and her writing about the strength of women. Brandy Clark and Chely Wright were influenced by her artistry. In 2003 Mary Bufwack and Robert K. Oermann commented on her musical legacy. Almost every major song publisher in Music City has female staff writers. <mask> was part of a group of country artists who changed their sound in the late 1980s.She has been cited as an innovator of Nashville's musical shift by writers and critics. According to Bill Friskics-Warren of The New York Times, <mask> was among a distinguished circle of thoughtful, independent female writers. <mask> received a lot of honors. She was a member of the Texas Songwriters Hall of Fame. She was a member of the Nashville Songwriters Hall of Fame. <mask> never married. She had several long-term relationships through middle age.There was a relationship with Alan Rubin, a musician and former member of The Blues Brothers. The couple lived in upstate New York for two years. <mask> moved back to New York City after the relationship ended. Rubin gave <mask> her first piano. <mask> started to write after her break up. Steve Buckingham and Owen Hale were with <mask>. These relationships ended.She told People magazine in 1993 that she liked her own company. <mask> had a battle with depression in the early 1990s. She lost interest in creating and performing music. <mask> said that she returned to normal after she stopped taking hormones. <mask>'s mother died around the same time. She began suffering from chest pain in 1995 after spending a summer mowing her lawn. She had to have quadruple bypass surgery after going to several exams.She had a permanent triangular scar despite making a full recovery. <mask> moved into an assisted-living facility after he was diagnosed with Parkinson's disease. She died on December 21, 2020, a week after she was diagnosed with COVID-19 in Nashville. She was 78 years old. She was buried next to <mask> at a cemetery in Nashville. 1987: Ladies, 1988: This Woman, 1990: Love in a Small Town, 1996: "My Roots Are Showing..." The year 1998.K.T<mask>. The Encyclopedia of Country Music. The Editor is <mask>. Oxford University Press is in New York. pp. 386–.20th-century American singers 20th-century American women singers 21st-century American women singers American country keyboardists

masks:
Kay Toinette Oslin
Oslin
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Kathleen Oslin
Oslin
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Sarah Trahern
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Tammy Wynette
. Oslin
Paul Kingsbury


texts: Hedieh (March 27, 1939 to May 16, 1989) was a prominent Iranian contemporary poet and lyricist who has written lyrics for notable artists. She wrote more than 30 songs for Hayedeh. On March 27, 1939, <mask> was born in Tehran. After graduating from high school in Tehran, <mask> moved to England where she received a bachelor's degree in English literature from King's College London. She left her job at the Iran Petrochemical Commercial Company to pursue a career in poetry after returning to Iran. She wrote columns for magazines in the 60's. Her first poem was published in 1959Two poetry books were published in 1969 by Kasra. She co-won the Television poetry contest with Manouchehr Atashi. <mask> started writing songs after Fereydoun asked her to. The first song she wrote was sung by Hayedeh. Before the revolution, she wrote songs for artists like Hayedeh, Nooshafarin, Ebi, Sattar, Mahasti, Golpa and Nasrin. <mask> moved to the United States after the Iranian Revolution. <mask> wrote songs under the name "Hedieh".Hayedeh was a very close friend of hers and she wrote many memorable songs for him. She wrote many songs for new artists. The song "Tanine Solh" was written by <mask> <mask> in 1986 and was performed by Andy & Kouros, Fataneh, and Moein. The soundtrack of House of Sand and Fog used two of her songs. <mask> was married to Eskandar and had three sons. Ali is an actor and producer in Los Angeles. <mask> died of breast cancer in 1977.She was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 The song "Gheseye Man" was written by Kasra and was performed by Hayedeh. On May 16, 1989, after a twelve-year battle with breast cancer, and seventeen surgeries, Leila Kasra died in Century City Hospital in Los Angeles. Kasra was buried in Los Angeles on May 21, 1989. Her funeral was attended by many artists. References include Shahyar Ghanbari, Ebi Mina Assadi Mahasti Forugh Farrokhzad, and Hedieh.

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Leila Kasra
Kasra
Kasra
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Leila
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Kasra


texts: Coxius was a Flemish painter and designer of stained-glass windows, tapestries and prints. He was employed in the principal cities of Flanders. He was the court painter for Emperor Charles V and King Philip II of Spain. <mask> was given the nickname the Flemish Raphael because some of his peers thought he was as good as the Italian master. His study of classical antiquity and the art of Renaissance masters like Raphael, Michelangelo and Leonardo da Vinci during his 10-year residence in Italy left an important mark on his style. His innovative style and bold compositions were an inspiration to Flemish artists including Peter Paul Rubens. He was an important link between the artists of early Netherlandish painting and the Flemish Baroque.Coxie produced a copy of the Ghent Altarpiece by the van Eyck brothers as well as a Descent from the Cross by the van der Weyden. There are no records about the early life and training of <mask>. He was determined to be 1499 through the use of later sources. The place of his birth is not certain. It is assumed that he was born in Mechelen, the first place he returned to after living in Italy. Some art historians believe that he was born in the Prince-Bishopric of Lige. The masters from whom he received his training are not documented.The workshop of the Brussels master Bernard van Orley is where most known facts and statements of later biographers come from. Coxie enjoyed the favor of the Flemish Cardinal of Rome, who may have been Bernard van Orley's patron in Rome, assuming van Orley really took the trip to Rome. It is thought that the relationship with the Cardinal proves that van Orley recommended his student to his former patron. After Bernard van Orley died in 1541, the commission for the stained glass windows of the cathedral of St Michael and St Gudula was given to <mask> <mask>. Coxie trained with a 'Bernard van Brussel' according to the early Flemish artist biographer. Coxie was a student of Bernard van Orley. It is not possible to confirm with certainty that Bernard van Orly was <mask>'s master because of the lack of contemporary documentary evidence.The earliest documents attesting to <mask>'s life are from his residence in Rome. Giorgio Vasari knew <mask>. <mask> was commissioned by the Cardinal to paint frescoes in the Santa Maria dell'Anima. The frescoes are likely to have begun around 1531. As the fresco technique is a painting technique typical of the Italian Renaissance and virtually unknown in contemporary Flemish painting, it must be assumed that by the time <mask> started work on the frescos he had already resided in Italy for a period of time so as to familiarise himself with this technique. The frescoes in the Santa Maria dell'Anima are thought to have earned him a reputation in Rome. After completing the frescoes in 1534, he was admitted to the Compagnia di San Luca, Rome's guild of painters and miniaturists.He was one of the first Flemish artists to join the guild. <mask> stayed in Italy until the end of the 1530s. The frescoes that he created are lost due to renovations to the interior of the church. The series of 32 prints on the history of Amor and Psyche was engraved by Agostino Veneziano and the Master of the Die and was published in Rome between 1530 and 1560. <mask> went back to his home country via Milan in 1539 He made tapestries in Milan. He registered in the local Guild of Saintluke in Mechelen.He lived in the city centre in a house on the Bruul. He married Ida van Hasselt, a native of the city of Hasselt, in the Prince-Bishopric of Lige. He lived in Lige, the main city in the Prince-Bishopric of Lige. At that time, Lige was an important artistic centre where important artists were active. Lombard and Floris were Romanists. When artists from the Low Countries traveled to Rome, they took the new Renaissance currents with them and used them to break with the Netherlandish painting traditions. It's not clear how long he was in Lige.He may have traveled between Mechelen and Lige. The first children of <mask>, a son Raphael and a daughter Anna, may have been born in Lige. Raphael followed in his father's footsteps as a painter. In 1545 or 1546, a son was born in Mechelen. No existing works by him are known. Coxie became a sought-after artist after returning to the Low Countries. The Holy Kinship commission was the first important one.The Virgin Mary with her mother Anna, Christ and John the Baptist are shown at the center of the work. The scene is set in a Renaissance architecture. <mask>'s first confrontation with the monumental, grand style of the High Renaissance was offered to the general public. <mask> took over the commission after Bernard van Orley died and delivered four designs. He was commissioned to design a cycle of stained glass for the cathedral. He is thought to have succeeded van Orley as the court painter to Mary of Hungary, sister of Charles V, Holy Roman Emperor and the governor of the Netherlands. The new Habsburg castle in Binche was started in 1546.The architect was from Mons and studied in Italy. The new castle has fresco paintings. He received a commission to paint the rood screen of the Cathedral of St. Michael and St. Coxie was a poorter of the city of Brussels and a member of the guild of Saintluke. The court of Mary of Hungary was established in the administrative capital of the Low Countries. He ran a large workshop. He owned two houses in Brussels after his financial success.He was sought after as a designer of cartoons for tapestries by both the Habsburg rulers and the local industry. The production of tapestries was an important economic factor in the Netherlands at that time. He received an annual salary as a cartoon painter in the city of Brussels. None of Coxcie's tapestry designs have survived. Some of his cartoons and tapestries have been attributed to him. The tapestries were sold to Sigismund II Augustus for his castle on the Wawel. He created designs for several biblical scenes, including the Story of the First Parents, the Story of Noah, and the Story of the Tower of Babel.The tapestries for Phillip II's Royal Palace of Madrid may have been designed by Coxie. <mask>'s works were commissioned by Charles V, the Holy Roman Emperor. <mask> was commissioned by the Morillon family to paint the Triptych with the triumph of Christ. The decorations for Philip II's arrival in Brussels in 1549 were designed by Guy Morillon, who was a secretary to king Charles V. <mask>. The royal support for Coxie was maintained by the new ruler after Charles V stepped down from the throne. Coxie was asked to make a copy of the van Eyck brothers Altarpiece. Coxie moved to Ghent to execute the commission because the altarpiece was located in the St Bavo's Cathedral.He lived there from 1557 to 1559. After finishing his copy in 1559, he moved to Mechelen where he bought a house on the Bruul for one of his homes. He was a member of the guild of musketeers and the chamber of rhetoric de Peoene. The founding in 1559 of the Archbischopric of Mechelen, led by the powerful Cardinal Antoine Perrenot de Granvelle who was also the king's chancellor, made Mechelen an important religious centre in Flanders. Two copies of Van der Weyden's Descent from the Cross from Coxie were commissioned by Philip II of Spain. He is said to have tried to defend Mechelen against the iconoclasts after the Beeldenstorm destroyed many religious objects. He was a loyalist of the Habsburg court.The Duke of Alba, governor of the Habsburg Netherlands between 1567 and 1573 was protected by the king because of his attitude. The loss of a large portion of Coxcie's work was caused by the Beeldenstorm. The painter faced many setbacks during this era of religious turmoil. The son was arrested in Italy on suspicion of heresy after travelling with a group of Dutch and German Protestants. He was sentenced to 10 years in the galleys. The sentence was cut in half after the king's chancellor de Granvelle interceded with the Pope. Philip II was involved in the liberation of Willem a few years later.Powerful figures supported the artist at that time. The Duke of Alva gave preferential treatment to the family when he allowed Raphael and his father to stay at home. His wife passed away in 1569. He had two more children of whom <mask> the Younger became a painter, two months after his wife's death. The painter's location from the 1570s is not clear. Spanish troops took Mechelen for three days in October 1572 after retaking the city from William the Silent, the leader of the Dutch Revolt. Many local painters fled to Antwerp due to the Spanish Fury.<mask> may have been in Spain when the events happened. Spanish soldiers stole tapestries from his home and some painters from Antwerp were able to buy them back. <mask> stayed in Mechelen and took on two students. As many of the altarpieces which had been destroyed needed to be replaced and its leading history painters had just died, Mechelen had become a cultural wasteland. He was registered in the Guild of Saintluke of Antwerp in 1578 after completing an altarpiece in 1575. The Calvinist government ruled the city from 1580 to 1585. He was able to get commission from the local government because they were tolerant of Catholics.While his house in Mechelen was rented out, he was registered as a tenant in the same place. Coxie immediately gained commission from patrons in Mechelen, including the city government, after the return of Spanish Catholic control over the city in 1585. In 1589, the Spanish king granted an annuity to the elderly artist. Coxie continued to paint even after he was 90 years old. There is a portrait of Philip II painted by the artist on the back of one of the side panels. He died after falling off a scaffold while working on the restoration of the Judgment of Solomon in the Antwerp City Hall. Work General <mask> was a prolific artist who painted altarpieces and portraits and produced designs for stained-glass windows, tapestries and prints.He was skilled in both the traditional Flemish oil on panel technique as well as the Italian fresco technique. His career ended in the 16th century. He had a large workshop which gave him a large output which contributed to his reputation and influence. His work was overtaken by the Baroque style introduced into Flanders by Rubens, a Flemish artist who had studied and worked in Italy. His style is a fusion of the Flemish and Italian artistic traditions. Bernard van Orley's study of the designs of Raphael gave him a familiarity with the new vocabulary of the Italian Renaissance. The designs were brought to Brussels.He made the figures in his altarpieces more monumental and heroic in response to Raphael's work. Classical architecture was included in his compositions. <mask> was able to study the works of Raphael, Michelangelo, and other Renaissance painters while he was in Rome. He was aware of the intellectual discussions on the reception of Antique art in Italy. Coxie tried to express these visual and philosophical influences in the panel Plato's Cave he painted during his stay in Rome. The painting references Plato's ideas about how art imitates nature and sometimes deviates from perfect imitation by changing the proportions in order for the viewer to get a true appreciation of the real object. Plato's Cave deals with the question of how art can properly depict reality and what art can tell us about that reality.According to Plato, the search for the way out of the cave should be the object of all true philosophy, because only the viewer of the painting can see the way out. Coxie borrows models from both Michelangelo and Antique models in Plato's Cave. The model for the man in the middle was found in the Roman Antique statue of Falling Galatian. The first important work he realised upon his return to Flanders shows all the key characteristics of his style and the contribution he made to Flemish painting. The Holy Kinship was painted in 1540 for the altar of the Antwerp Cathedral. At the center of the Virgin Mary are her mother Anna, Christ and John the Baptist. The scene is set in a Renaissance architecture.<mask> showed that he had mastered the Italian style, while not abandoning his roots. There are many Italian characteristics in the painting. The figure of the Virgin goes back to Da Vinci. Raphael inspired the architectural columns, drapes and niches. The work evokes the work of Jan van Eyck and Rogier van der Weyden with its attention to detail and rich colour. <mask> provided designs for the printers and engravers. Coxi retells the story of Amor and Psyche in a graphic series.The series was attributed to Raphael for a long time. <mask> made the design sketches according to Giorgio Vasari. <mask> designed a series of prints about the love of Jupiter. The designs for both series were based on works by Raphael and Michelangelo. There are external links to births and deaths of 16th-century Flemish painters.

masks: Coxie Coxie Michiel Coxie Coxie Coxie Coxie Coxie Coxie Coxie Coxie Coxie Coxie Coxie Coxie Coxie Coxie Michiel Coxie Coxie Coxie Coxie Coxie Coxie Coxie Coxie


masks:
Freddie Lee Barnes
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texts: <mask> is an American author of poetry, fiction, and nonfiction. <mask> is a professor at Cornell University. The American Academy of Arts and Letters Award in Literature is one of her awards. <mask> was the youngest of three daughters and was born in Troy, New York. Her mother was a visiting nurse and her father was the proprietor of the Phoenix Hotel. She started writing poetry when she was in high school. She remembers attending a women's poetry conference in Massachusetts in 1979 as a formative experience.She received scholarships to study poetry at The Writers Community in New York City. She moved to New York in 1980 to study poetry under A. R. Ammons and others. W. D. Snodgrass selected her first book for publication. She was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 Fulton was appointed a Fellow in the Michigan Society of Fellows for three years in 1983. <mask>'s second book, Palladium, was selected for publication in the 1985 National Poetry Series. She began her friendship with John H. Holland because of her interest in using scientific metaphor.Holland's writing on Complex Adaptive Systems has been cited many times by her as being instrumental in the development of her theory on Fractal Poetics. She met the two composers there. <mask> received a "Genius Grant" in 1991. <mask> has been praised for her finely crafted and emotionally powerful short fiction. She had published ten stories before 2008. The Best American Short Stories include two of those stories. The Best American Short Stories and The Best American Poetry series feature three contemporary authors: <mask>, Lydia Davis, and Stuart Dybek.The Michigan Society of Fellows had a senior fellow named <mask>. She returned to Ithaca as a professor of English at Cornell University in 2002. She received an American Academy of Arts and Letters Award for Literature. <mask> was given the Rebekah Johnson Bobbitt Award by the Library of Congress. She was a lecturer in the practice of poetry at the University of California, Berkeley and the George Elliston Poet at the University of Cincinnati. She is a visiting professor at University of California, Los Angeles, University of Virginia, and a number of other universities. The conventional wisdom among many poets is that the content of a poem is less important than its form.<mask> has created a poetic style that is remarkably "about things" in the sense that her poems explore their overt subject matter deeply and uphold their convictions with rigor. <mask>'s broad range of interests, as well as her continual and evolving sense of how to use the most seemingly insignificant details to illuminate the nuances of difficult moral ideas, are demonstrated in the Cascade Experiment. According to <mask>, poetry is a model of the way the world works. Her poetry has been described as intricately crafted, yet expansive, in its scope and vision. There is something startling about to be revealed in these poems, and indeed that mystery or tension often resolves in powerful acts of linguistic reckoning, as if a piece of psychological origami were unfolding before our eyes. <mask> has distinguished herself as one of the most original American poets writing today, according to the editors of Twentieth-Century American Poetry. She has succeeded in challenging the assumptions underlying current modes of poetry such as the autobiographical, first-person lyric or the experimental 'Language poem'.In his introduction to <mask>'s first book, W. D. Snodgrass states that "we are always engaged by the sense of linguistic." A Boston Herald reviewer wrote, "Reading her poems is like listening to a set of the most spirited and peculiar jazz: you must sharpen your spirit to be moved by what is rare." The most critical response to this debut volume was positive, but conservative critics were more guarded or even catty. Her second collection consolidated the "polyphonic textures," shifts in diction, and signature enjambments that have become hallmarks of her poetry. The etymology of "palladium" is the focus of the first part of the structure, which is followed by the second part, the third part, the fourth part, the fifth part, and the sixth part. One review explained the organizing structure as follows: "Etymology breeds metaphor, and palladium creates the imagery and energy of the poems, without necessarily intruding upon them." The flow of associations and ideas is not restricted by the organizing principle of an <mask> poem.It's as though the world was endowed with a force that allowed the poet to branch out in many directions. <mask>'s "irrepressible inventiveness" and "startling juxtapositions" were named an "aesthetic of profusion" by Sven Birkerts. Critics said the poems were "prepossessing and formidable," and "hardwon and solid." Palladium was admired for its "energy and passion for specificity," its "wit and unpredictable, wildly Heterogenous combinations," the way "surface and substance, style and content, coexist and are often at odds with one another." Peter Stitt described the style of Palladium as having so much texture, thanks to <mask>'s images and to her use of words, and that texture places a surface on the abstract construct of the poem. Calvin Bedient and others were hostile towards the "wicked intelligence" of <mask>. <mask> included these criticisms in the hand-written marginal comments of her innovative "Point of Purchase".According to Rita Dove in the Washington Post, it was a sendup of academics, with a poem littered with marginalia from different critics, each with distinct personality, literary persuasions and handwriting. Stephen Behrendt commented that the poem has its own set of marginal annotations by several different hands. Not since "The Rime of the Ancient Mariner" has a long poem presented the reader with an example of this phenomenon. "I am large, I contain multitudes" is a guiding principle for postmodern verse according to <mask>. According to David Baker, <mask> is embarking on a project to redefine or recreate poetry according to the multiforms of experience and intellect, rather than to shape experience by modeling it on a received poetic vision. <mask>'s poetics leave me where I've never been, changing the rules of the game of poetry completely. Lawrence Joseph tells <mask>'s reader to expect a vision of American society, its technological, sexual, class, and religious relationships and context, embodied in language conscientiously intelligent and physical.<mask>'s treatment of the real world is never treated only as an exercise in "realism" according to British poet Rodney Pybus. According to David Barber, <mask>'s "expansiveness" of subject is realized in "poems that binge not just on language but on lexicons and argots, poems that lift their riffs not only from the deep wells of the American vernacular but from the streamlined There are many examples of her signature use of polyphony and word superclusters in Powers of Congress. The double-equal or bride sign was invented by <mask>. "<mask>'s poems are like no one else's today, with their elasticity stretching to some lines, and a snapped back, and it's what great poetry must do and be," said the author. "<mask> writes with fiery intelligence, and unapologetically so, for it is in the acts of thinking and rethinking that this poet believes we stave off the brute world's numbing assault." Hers is a maximalist poetry, exploding beyond its boundaries.<mask>'s poetry has been praised by many critics. "<mask>'s acoustic signals reign, giving the impression that behind their creation lies some kind of unimaginable technology, telepathy, or just plain genius," stated the author. "Her poems, spoken out loud or 'heard' in the process of reading, offer a subtle, magnificent jazz: a music for the intellect, felt on the tongue and in the body," said Edward Falco. The music of <mask>'s poetry is stirring. There was a long sequence called "reimagine Daphne and Apollo." It is within this larger and deeper context that Ovid's tale of Daphne and Apollo takes on, in <mask>'s version, an expanded significance: that of the suppression of women's power by the indians. The score for this sequence takes nearly two and one-half hours to complete.Megan Harlan commented on how <mask>'s poems are "aurally rich with slant rhymes and musical rhythms." The wordplay present in <mask>'s earliest poems has become thoroughly suffused. The title of her fifth collection, Felt, is meant to signify both an emotion once experienced and the fabric constructed by fibers that are forcibly pressed, rather than woven, together. According to Carol Muske-Dukes, <mask>'s "poetic intuition is a kind of apperceptive proof, never false," and that Felt is "fetishistic, wildly associative, demonically apt and simply eloquent." "Selected from all poetry books published in the United States in 2000 and 2001, Felt was praised by the Rebekah Johnson Bobbitt Award committee as "full of animated, charged poems." The statement said that Felt is blessed with the kind of direct wiring between sensation and language, feeling and form that strikes first with physical and then with intellectual and emotional wallop. Her best book so far is possessed of great velocity, great staying-power, and hers is a poetic sensibility at once remarkably comprehensive and remarkably precise, and felt.The Los Angeles Times selected Felt as one of the best books of 2001. <mask>'s first fiction collection is carefully constructed from interwoven parts "playing off and enhancing the meaning of one another." <mask>'s knack for creating stories that are more than the sum of their intricately assembled parts is what sets The Nightingales of Troy apart from so many other debut collections. Her best stories show her architectural prowess and remind the reader of the capaciousness of the story form. According to Donna Seaman, <mask> shows "extraordinary verve in the originality of the predicaments she creates for her irresistible characters, her evocation of the land and the rise and decline of the town, and her breathtakingly inventive language." <mask>'s prose is easy to read and her language is precise. <mask>'s narration frequently moves beyond the immediate, both powerfully and subtly.Poetics <mask>'s "fingerprint-distinct voice" is immediately recognizable for its poetic ambition and humor. She shared her interest in scientific metaphors and diction with her mentor. She is different from Ammons through her engagement with injustice. <mask> chose Lisa F. Jackson's film, The Greatest Silence, for the 2008 "Revolution" writers conference and film festival at the University of North Dakota. Silence is one of my deep subjects, as is resistance, a quality as important to poetics as to revolutions. I've tried to engage with the background rather than the figure, to find new linguistic ways of confronting disenfranchisement, cruelty, and suffering, while retaining the amazing qualities of

masks:
Alice Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Alice Fulton
Alice Fulton
Fulton
Fulton
Fulton
Alice Fulton
Fulton
Fulton
Alice Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton


texts: poetry. I've tried to be a student of inconvenient knowledge that will force us to change our lives in revolutionary ways.Sacred, religious, spiritual, compassionate, and ethical themes are included in her work. As has been noted by Miller, "faith" is an issue that comes up in all of <mask>'s volumes and in poem after poem." According to Peter Brier, <mask> conveys much of the ecstasy that is associated with the strongest religious poets. <mask>'s "ecstatic techniques" are deployed "for far earthier and more carnal purposes." "Like the Language poets, <mask> is interested in linguistic play and artifice, and also in critical theory and philosophy, although the theories most evident in her poetry and essays are those of science and mathematics." "From the first," <mask> "has been as theoretically astute as the Language poets" as well as being interested in a poetry that will "discomfit readers and unsettle their expectations, a poetry of inconvenient knowledge," a phrase originally used in <mask>'s 1997 essay. In her 1986 essay, "Of Formal, Free, and Fractal Verse: Singing the Body Eclectic," <mask> uses the term "fractal" to suggest a way to think about.According to Tigerlily, <mask> "coined the phrase 'fractal poetry' as a method of revisioning the value of both formal and free verse." <mask> has been accused of inexact usage of "fractal." Critics have said that her use of "fractal" is more metaphorical. According to Susan Duhig in the Chicago Tribune, "For <mask>, the fractal serves as a potent metaphor for a poetry with a form that exists somewhere between utter shapelessness and the Euclidean order of regular meter and genre, a poetry whose volatile, irregular patterning exists on the threshold of <mask>'s essays explicate one possible language for understanding poetry in the age of quantum mechanics, according to Duhig. "Chaos theory and fractal poetics allow <mask> to analyze the complexity of social structures and cultural constructions through new perspectives in poetic form," wrote biogeneticist Ana Marti-subirana. <mask>'s poetics operate as a means to engage both the poet and the reader of poetry into an intellectual immersion beyond the obvious.In her 1996 essay, "Fractal Amplifications: Writing in Three Dimensions," <mask> compared the picture plane in painting to a poem plane. She suggests that by juxtaposing transparent with textured passages, a linguistic screen that1-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-65561-6556 Evidence of her conversations with Holland is shown in this essay. <mask> stated that John H. Holland's work in complexity theory affected his poetics in the 90's. <mask>'s prose collection contains both of the seminal essays and a full description of Fractal Verse is beyond the scope of this article. Barbara Fischer's analysis of <mask>'s ekphrastic poem "Close" in Felt explains this maximalist approach in a third essay titled "Fractal Poetics: Adaptation and Complexity". She stands close to her subjects to see that art, visual or verbal is adulterated by evidence of the processes that made it.The painting looked a little dirty in person. I could see the artist's hairs in the paint. She sees "gooey gobs of process painted in," and Mitchell's knifework, which has left some gesso showing through, is a form of excess. The extravagant and roiling expenditure of imagery and wordplay that draws attention to the means by which any representational illusion of plenitude is sustained is a characteristic feature of <mask>'s work. I agree with those who do not consider <mask>'s "form of excess" to be a negative. Eavan Boland was the first to liken <mask> to Emily Dickinson. According to Publishers Weekly, <mask> may be Dickinson's heir.Dickinson and <mask> cross the boundaries of popular and highly experimental genres of poetry writing. <mask>'s verse has the tight constructedness and multiple layers of Dickinson's poetry. Miller was the first critic to note similarities between Dickinson and <mask> in their use of end-of-line syntactic doubling. <mask> introduces a new sign of punctuation that she calls 'a bride after the recessive threads in lace', similar to Dickinson's dash key to the rhythms and expression of her poetry. This double-equal sign, which'might mean immersion,' is 'the unconsidered // mortar' between bricks; it makes 'visible the acoustic signals / of things about to flame,' 'hinging one phrase to the next,' throwing the reader into the same kind of adventurous Miller says that the interest in hinges, in connections, in incongruities and contiguities reveals itself in verbal and syntactical structures as well as in themes. <mask> makes us see the pomposity, ridiculousness, and fragility of our beliefs, hopes, and attitudes as well as the sometimes terrible wonder of human interaction and the universe beyond ourselves.Mark Jarman and Cristanne Miller have noted the influence of both Dickinson and Moore. The sheer delight in language's subterfuges, the knotty avenues of recollections and desire, the human need for'significance' that forms narratives even where there are none is one of <mask>'s literary mentors. "Anguish is the universal language." The new look is not right at first. "Emotion is the best way to remember something." A perfect skepticism question. Poetry is not teleological in spirit.There is pleasure in the presence and texture of each line. It is said that fiction is about what happens next while poetry is about what happens now. The enemy of women's progress has been the unseemly. "Simplicity is prized as a symptom of genuineness." I used the hand's most important attribute, opposition, to hold the pen. The wish to survive turns poets into poeticians. "What's human is lonlier than anything else."The poem plane or linguistic surface can be broken by free verse. <mask>'s command of a scientific metaphor has been critiqued. "<mask>'s poetry stands as one of the most representative examples of intellectual exchange between contemporary experimental poetics and modern science, as represented by quantum physics, chaos theory and complexity theory." <mask>'s poetry of emergence has been identified by Marti-subirana as a part of <mask>'s use of "Complexity theory and Darwinism". Individual and collective emotions, as well as behavioral patterns, are examined from the perspective of emergence and emerging patterns. "Emergence" is part of John H. Holland's description of complex adaptive systems. <mask>'s poetics have been written about by a Harvard mathematician.<mask> engages with mathematics as the "science of the subtle glues" that bind different ideas together. He noted that the very connectors themselves come out into the open in the poem. A number of poems that deploy and define her "bride sign" can be found in Sensual Math. With all of <mask>'s books, there is a carefully constructed web of interrelated parts that form an organic whole. One critic predicted that "Sensual Math might well come to be seen as one of the most significant volumes of the 1990s." Lynn Keller commented that her inventive work, which stretches the linguistic, vocal, and emotional range of contemporary lyric, points to resources that lie between recognized categories, in liminal states, and at the cultural margins as offering hope for significant social and aesthetic. Her double equal sign and other rejections of patriarchal binaries aim to counter destructive othering in all aspects of our lives.Karen Barad's book, Meeting the Universe Halfway, is named after a poem by <mask>. The poem is a wonderful combination of science and faith, and finds mystery in empiricism, according to Gabriel Mckee. The 14th-century mystical text The Cloud of Unknowing is said to be the most famous illustration of apophatic theology. <mask>'s formal inventions use form in the service of content. It is only for the convenience of critical discussion that one could wish to separate meaning and technique during the act of writing. The realization that craft depends on content leads to the concept of organic form and the idea that whatever elements help us experience a poem as a whole can be called its form. <mask>'s forms often reinforce the claims of her poems, asserts Deborah Landau in an essay about the body poems of Anne Sexton and <mask>.<mask>'s work makes words do double duty as different parts of speech, according to the editors of 20th Century Poetics. <mask> uses enjambment to improve her wording, which in turn is strengthened by the vividness of her imagery. <mask> stated in interviews that she tries to "think freshly about the why of every line" and how to make meaning shift at enjambments without the end word in the line changing its part of speech. <mask> often refuses to gender her speakers, forcing her readers to reconsider their assumptions about what constitutes male or female identity. <mask> has used allusions to literary and high culture throughout her career. According to Ernest Smith, a significant theme in <mask>'s work is the relationship among the individual, imagination, and culture, both historically constructed aspects of culture and contemporary, popular culture. Smith says that <mask>'s polyphonic texture is similar to the use of counterpoint in music.The American Academy of Arts and Letters Award in Literature is given by the Library of Congress. The paper "Chaos and Emergence: Dialogic Models of Intellectual Exchange in <mask>'s Poetics" was presented at the Conference on Women's Poetry Since 1900. "Alice Fulton" is a poem by Cynthia Hogue and Elisabeth Frost. The University of Iowa Press was published in 2007. 121–151. Barbara K. Fischer is the author of Museum Meditations: Refraiming Ekphrasis in Contemporary American Poetry. New York: Routledge."Alice Fulton" is written by Ernest Smith in Contemporary American Women Poets: An A to Z Guide. The pp is from the 2006 edition of the Greenwood Press. 128–131. A to Z Guide to Contemporary American Women Poets. Ernest J. Smith is referred to as "<mask>" in the Encyclopedia of American Poets and Poetry. The pp is from the 2006 edition of the Greenwood Press. 574–575.Dictionary of Literary Biography 193: American Poets Since WW II contains a description of "<mask>." The book was written by Bruccoli Clark Layman. 136–137. Cynthia Hogue wrote "Another Postmodernism: Toward an Ethical Poetics" in the spring of 2002. "To organize a waterfall" is a poem by <mask>. St. Paul: Graywolf Press in 1999. 173–7.The New York Times Book Review published Megan Harlan's "The Past Tense of Feel" in 2001. "Felt," Boston Review, 26:5:54-56, October/November 2001. Lynn Keller wrote "The 'Then Some Inbetween': <mask>'s Feminist Experimentalism" in June 1999. "'Not a Woman, Quite': The Body Poems of Anne Sexton and <mask>" was written by Deborah Landau. Trento, Italy: Dipartimento diScienze Filologiche e Storiche was published in 1997. The score was 209–227. Lynn Keller and Cristanne Miller wrote "'The Erogenous Cusp': or Intersections of Science and Gender in <mask>'s Poetry" in Feminist Measures: Soundings in Poetry and Theory.The University of Michigan Press was published in 1994. 327–343. "<mask>: 'Wonder Stings Me More than the Bee'" was written by Cristanne Miller. 10–11. "An Interview with <mask>" was written by Cristanne Miller. The New Yorker interview with <mask> can be found on the Library of Congress home page. Irish Times interview with <mask> can be found on the University of Michigan home

masks:
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Alice Fulton
Fulton
Alice Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Alice Fulton
Fulton
Fulton
Alice Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Fulton
Alice Fulton
Alice Fulton
Alice Fulton
Alice Fulton
Alice Fulton
Alice Fulton
Alice Fulton
Alice Fulton
Alice Fulton
Alice Fulton
Alice Fulton


texts: <mask>va was a Russian Soviet realist painter, graphic artist, and book illustrator who lived and worked in Leningrad. She was considered a representative of the school of painting in the Leningrad Union of Artists. <mask>va was born on November 22, 1909, in the village of Belostok, Omsk Province, West Siberia. <mask> was a student at the Omsk School of Industrial Art. <mask> graduated from the School of Industrial Art in Omsk in 1928. <mask> came to Leningrad in 1930. She has participated in art exhibitions since 1934.<mask> worked as an easel painter, graphic artist, and art illustrator. Her personal exhibitions were in Leningrad and Moscow. During their travels in the 1930s, <mask> and her husband, artist Nikolai Kostrov, painted a lot from life on the White Sea and Barents Sea. <mask> was admitted to the Union of Artists in 1940. <mask>va illustrated children's books for the largest publishing houses in Moscow and Leningrad. According to the ancient cities of Vologda and Vladimir-Suzdal land, she travels to Armenia, Norway, and then on to the Danube. Many works of graphics and painting are based on the impressions from these trips.<mask>na died in Saint Petersburg. <mask>'s paintings and graphics can be found in the State Russian Museum, as well as in Art Museums and private collections in Russia, Germany, and other countries. The exhibition of works by Leningrad artists was held in 1951. There is an exhibition catalogue. The Leningrad edition was published in 1951. P. 43. There was an exhibition of works by Leningrad artists in the spring of 1954.There is an exhibition catalogue. The Izogiz Edition was published in 1954. P. 41. There was an exhibition of works by Leningrad artists in 1955. There is a catalogue. The Union of Artists in Leningrad. P. 29There was an exhibition of works by Leningrad artists in the spring of 1956. There is a catalogue. The Union of Artists in Leningrad. There was an Autumn exhibition of works by Leningrad artists. There is an exhibition catalogue. The Union of Artists Edition was published in Leningrad. P. 50.In 1917 - 1957. There was an exhibition of works by Leningrad artists. There is an exhibition catalogue. The KhudozhnikRSFSR is from the Leningrad region. p. 63 There was an Autumn exhibition of works by Leningrad artists. There is an exhibition catalogue.The KhudozhnikRSFSR was published in 1959. P. 44. There was an exhibition of works by Leningrad artists in 1960. There is an exhibition catalogue. The KhudozhnikRSFSR was published in 1963. 31 There was an exhibition of works by Leningrad artists in 1960.There is an exhibition catalogue. The KhudozhnikRSFSR was founded in 1961. P. 81. There was an exhibition of works by Leningrad artists. There is an exhibition catalogue. The KhudozhnikRSFSR was released in 1964. P. 78.The exhibition is about fine arts. The KhudozhnikRSFSR, 1965, was in Leningrad. p. 103 There was an exhibition of works by Leningrad artists. There is a catalogue. The KhudozhnikRSFSR was published in 1971. p. 32Russian Federation Artists gave art works to museums. The official catalogue. The Russian Federation of Artists was founded in 1972. p. 218. The works in our contemporary exhibition were created in 1971. The KhudozhnikRSFSR was published in 1972. P. 43.The still-life. There is an exhibition of works by Leningrad artists. There is an exhibition catalogue. The KhudozhnikRSFSR was published in 1973. 10. There are exhibitions of Soviet art. There is a directory.Volume 3. 1947 - 1941. The Soviet Artist was in Moscow in 1973. pp. There were 25, 85, 86, 132, 214, and 340. The exhibition of artists in the Motherland. There is a catalogue.The KhudozhnikRSFSR was published in 1974. P. 50. The second exhibition of works by Leningrad artists was held in 1972. There is a catalogue. The KhudozhnikRSFSR was published in 1973. 14. The Contemporary regional exhibition of Leningrad was held in 1975.There is a catalogue. The KhudozhnikRSFSR was published in 1980. P. 45. The Fifth Republic of Russia was held in 1975. There is an exhibition catalogue. The Soviet Artist was in Moscow in 1975. p. 77The Fine Arts of Leningrad. There is an exhibition catalogue. The KhudozhnikRSFSR was published in 1976. p. 177 The Portrait of Contemporary is the fifth exhibition of works by Leningrad artists. There is a catalogue. The KhudozhnikRSFSR was published in 1983.P. 42. The works are dedicated to the 60th anniversary of the October Revolution. There is a catalogue. The KhudozhnikRSFSR was published in 1982. P. 41. There was an Autumn exhibition of works by Leningrad artists. There is an exhibition catalogue.The KhudozhnikRSFSR was published in 1983. P. 44. <mask> is a person. There is an exhibition of works. The KhudozhnikRSFSR was published in 1979. The Union of Artists of USSR has a directory. Volume 1.The Soviet artist was in Moscow in 1979. p. 548. There are exhibitions of Soviet art. There is a directory. Volume 5. The year 1954. The Soviet Artist was in Moscow in 1981.pp. 25, 27, 141, 142, 259, 261, 386, 545, 548, 626. <mask> and Nikolai are related. There are drawings. There is an exhibition catalogue. The Soviet Artist was in Moscow in 1983. The exhibition is dedicated to the 40th anniversary of the liberation of Leningrad from the enemy blockade.The KhudozhnikRSFSR was published in 1989. 27. The Union of Artists of Russian Federation has a branch in Leningrad. The KhudozhnikRSFSR was published in 1987. p. 63 The link of times was from 1932 to 1997. Artists are members of the Union of Artists of Russia.There is an exhibition catalogue. The central exhibition hall was built in 1997. P. 251. Sergei V. Socialist Realism is unknown. The school is in Leningrad. The NP-Print Edition was published in Saint Petersburg.P.385, 389, 400, 443, 444, and 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 888-349-8884 The births and deaths of 20th-century Russian painters.

masks:
Anna Alexandrovna Kostro
Anna Alexandrovna Kostro
Anna
Anna
Anna
Anna
Anna
Anna
Anna Kostro
Annaov
Anna Kostrova
Anna
Anna