texts: <mask> was an English politician, republican political theorist and colonel. The commissioner of the trial of King Charles I of England opposed the king's execution. The prosecution used <mask>'s most famous work, Discourses Concerning Government, as a witness at his trial in order to charge him with plot against Charles II. He was put to death for treason. <mask> was considered a "Whig patriot and martyr" after his death. The works of <mask> and John Locke are considered to be cornerstones of western thought. <mask> died because of discourses concerning government.The ideas it put forth eventually led to the creation of the United States. <mask> opposed the theory of a divine right of kings by suggesting ideas such as limited government, voluntary consent of the people and the right of citizens to alter or abolish a corrupt government. The textbook of the American revolution is Discourses Concerning Government. <mask> was the father of <mask> and the great-nephew of Sir <mask>. His mother was a descendant of the 9th Earl of Northumberland. <mask> was raised at Penshurst Place in Kent after being born at Baynard's Castle. In November 1636, his mother wrote to her husband that she had heard of their son.It was a huge deall of witt and much sweetness of nature. <mask> served in the Army of the Eastern Association and became a lieutenant colonel in the Earl of Manchester's cavalry. "Colonel <mask> charged with much bravery in the head of my Lord Manchester's horses, and came off with many wounds, the true badges of his honour", wrote an observer at the Battle of Marston Moor. When the New Model Army took over, he relinquished his appointment as colonel due to ill health. In 1645 <mask> was elected to the Long Parliament and opposed compromising with the King, Charles I. He opposed the purge of moderates who formed the Rump Parliament. <mask> was a commissioner for the trial of Charles and opposed the execution of the king.He said that by 1649 <mask> had changed his opinion and declared the king's execution the "best and bravest act that ever was done in England". When Cromwell's army entered Parliament in 1653, <mask> refused to leave until he was threatened with physical removal. He thought Cromwell was a tyrant. <mask> was so bold that he was able to outrage the Lord Protector by playing the role of Brutus in Julius Caesar. Lucy Walter was the mistress of Charles II. In his Discourses Concerning Government: Baltic ambassador, <mask> wrote that the Republic was vigorously pursuing England's national interests, in contrast to the Stuarts' record of military failure. war would threaten England's naval supplies, as well as those of the Dutch, and he was part of a delegation that helped to broker peace between the Danes and Swedes.The delegation was led by Edward Montagu. The third planned plenipotentiary, Bulstrode Whitelocke, declined because he knew the overruling temper and height of Colonel Sydney. A few shots of our cannon would have made this peace, <mask> said. Due to the Swedish king being unable to immediately receive them, the delegation negotiated with the Dutch on forming a joint fleet to impose peace terms. The English wish to command all as if they were masters according to Charles X. The treaty proposal was handed to Charles by <mask>. He said that Charles told them that they made projects upon their fleets and that he had a project by his side.An observer wrote that everyone was amazed how <mask> stood up to him. <mask> thought that Montagu should lose his head for sending the whole fleet back to England. Despite the curtailment of England's influence, France, England and Holland signed a treaty. <mask> signed the visitor's book at the University of Copenhagen with "This hand, enemy to tyrant" The Great Seal of Massachusetts was created during the American Revolutionary War. <mask> was exiled when the monarchy was restored. <mask> thought it was wise to remain in exile in Rome because he had defended the execution of Charles I.He wrote that he would not submit, but that he would accept the fact that we had bin against this king or his father. ... I will be more content with my fortune when I see that it was not a way of avoiding it. A stranger saved him from an assassination attempt. <mask> wrote "Let there be revenge for the blood of the just" in the visitor's book when he was at the Calvinist academy. He was the target of an assassination attempt in April 1665. <mask> and other republicans were in Paris in the 16th century.Louis wrote that <mask> had promised him a great uprising, but that he only offered him 20,000 because he wanted to expose the fact that he was a fugitive. He returned to England in 1677. As death is the greatest evil that can befall a person, monarchy is the worst evil that can befall a nation. <mask> claimed that an English republic would have a "unity of interest" with the Dutch Republic because of the families of Stuart and Orange. The manuscript was not widely known until 1996. <mask> returned to England in September 1677. After his father's death, <mask> was forced to bring a lawsuit against his brothers, who refused to pay him the money, in the Court of Chancery.He had to stay in England for several years after he won the case. He stayed in London. The French ambassador wrote on October 6th that <mask> received 500 dollars from the French for helping to bring about the fall of Danby. <mask> wished for an alliance of English and Dutch republicans against the Stuart–Orange alliance and told Barillon that it was against the interest of France to suffer England to become a republic. The principle that the House of Stuart and that of Orange are inseparably united was believed to be by <mask>. The answer to the king's declaration, entitled A Just and Modest Vindication of the Proceedings of the Two Last Parliaments, was written by <mask>. It was written by <mask>.A new draught was made by Jones. <mask> and others plotted against the royal tyranny of a force without authority. The Rye House Plot was a plan to kill Charles and James, who later became King James II. On June 25, 1683 <mask>'s arrest warrant was issued. His papers were taken away during his arrest. He was tried in November of 1683. William Howard, 3rd Baron Howard of Escrick was the only witness, and since the law stated that two witnesses were necessary, the government used the Discourses as its second witness.The conduct of the trial of Lord Chief Justice Jeffreys caused a lot of criticism. The Discourses were described as "an argument for the people to rise up in arms against the King". <mask> said that it was easy to condemn him because he said that there was no God and the Apostles were drunk. As long as he didn't publish it, he was entitled to write what he wanted. Jeffreys said that no man has a right to curse at the King. On November 26, <mask> was sentenced to death for treason. Jeffreys said that he hoped God would put <mask> into a proper state so that he could enter the next world.<mask> wrote that his life's work was to: He petitioned the King for mercy on the grounds of Jeffreys' unprofessional conduct, and friends and relatives added their pleas: but the King was as implacable. <mask> said that for all he cared, the King could make a snuffbox. <mask> argued that his conviction was illegal, that the evidence against him was poor, and that there were deviations from proper legal procedure at his trial. He argued that Discourses Concerning Government did not constitute treason. "We live in an age that makes truth pass for treason," he said, as he abstained from tackling truly "great matters" in this last speech of his. He declared that he was dying for the Good Old Cause. His remains were buried at Penshurst after he was beheaded.<mask> absolute monarchy was a political evil. The text for which <mask> lost his life was written during the Exclusion Crisis as a response to Robert Filmer's Patriarcha, a defense of divine right monarchy. The powers of government are granted to the king by God in a political system called the divine right of kings. The king is God's hand on earth. His power extends into the private religious life of his subjects. People were often imprisoned for their religious beliefs under this system. <mask> was against the right of kings government.In 1698, his Discourses Concerning Government was published. <mask> believed that if the government became corrupt, the people would retain the power to form another government. God leaves to man the choice of forms in government. He may also be abrogate. For a valid civil government to exist, it must be formed by general and voluntary consent, argued <mask>. General consent is the ground of all governments according to <mask>. <mask> believed that civil government should be limited.He said the only ends for which governments are constituted are the obtaining of justice and protection. A limited civil government's primary purpose is to render legal justice through its court system and to provide for the safety of its citizens. We can conclude from <mask> that if a government fails to accomplish these basic components, it is no longer required to obey them. <mask>'s Discourses Concerning Government and Locke's Two Treatises on Government are important works in the founding of the United States of America. As students in the early colonial universities, the founding fathers read and studied these works. The works of Locke and <mask> were extensively researched by Thomas Jefferson. The book of the American Revolution is called The Discourses Concerning Government.<mask> was remembered as the "Whig patriot and martyr" after his death. <mask>'s influence on political thought was second only to that of John Locke in the 17th century. Locke's Two Treatises were more influential than <mask>'s Discourses according to J. P. Kenyon. <mask> was praised by the poet James Thomson as "the British Cassius", the hero "warmed" by "ancient learning to the enlightened love/Of ancient freedom". Sir John Dalrymple exposed <mask> as a pensioner of Louis XIV when he published his memoirs in 1741. If he had seen his son run away from a battle, Dalrymple would feel more shame. When <mask> and Lord Russell's memory ceases to be an object of respect and veneration, Charles James Fox predicted, English liberty will be fast approaching its final consummation.The American conception of liberty was influenced by <mask>. He was a hero of John Trenchard and Thomas Gordon. <mask>'s argument that "free men always have the right to resist tyranny" inspired the name of the modern libertarian think tank. The two primary sources for the founding fathers' view of liberty were <mask> and Locke, according to Thomas Jefferson. The Whig historian Thomas Babington Macaulay wrote of the Whig opposition to Charles II in 1824, but the libertarian philosopher Friedrich Hayek quoted <mask>'s Discourses on the title page of his book. The college is named after <mask> <mask>. The original spelling of <mask> was used by the College.The American Revolutionary thinker's beliefs were influenced by his ideas. After the American Revolution, <mask> <mask>, a martyr to royal tyranny, became a given name in the United States. <mask>, <mask>: Apology in the Day of His Death is one of the works. The address was given to the citizens of New-Hampshire by Jacob B. Moore. In the series Cambridge Texts in the History of Political Thought, <mask>, <mask>: Discourses on Government was written by Thomas G. West. An Account of the Author's Life is an account of the author's life. A further reading is Everdell, Williams R. (2000).A History of Republics and Republicans is called The End of Kings. The University of Chicago Press. "Colonel <mask>'s Speech" was delivered to the sheriff on the scaffold in December of 1683. 17th-century English diplomats, English republicans, British classical liberals, and English political philosophers were executed.

masks:
Algernon Sidney
Sidney
Sidney
Algernon Sidney
Sidney
Sidney
Robert Sidney
Sidney
Philip Sidney
Sidney
Sidney
Sidney
Sidney
Sidney
Sidney
Sidney
Sidney
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Sidney
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Sidney
Sidney
Sidney
Algernon
Sidney
Sidney
Algernon
Sidney
Sidney
Algernon
Sidney
Algernon
Sidney


type: paraphrased

texts: <mask> is a Dutch professional footballer who plays as a forward. <mask> signed a contract with the club until 2009, after he began his professional career with the club. In the opening game of the season, <mask> Almelo. On December 29, 2007, <mask> scored a brace, in a 3–1 win over Sparta Rotterdam, followed by setting up two goals in a 3–2 win over Excelsior. For his performance, <mask> signed a contract extension with the club, keeping him until 2012 and revealed that he turned down a move to join Ajax in the January transfer window. In a 3–1 win over VVV-Venlo, <mask> scored again. Despite an ankle injury, <mask> played in twenty-three games and scored six times. On August 24, 2008, <mask> left Groningen for PSV for a fee of 4 million and signed a five–year contract. In his first start for PSV, <mask> played 55 minutes before being replaced in a 1–0 win over Sparta Rotterdam.He came back and set up one of the goals in a 3–2 loss against Roda JC. He scored his first goal for the club in a 2–2 draw against Heerenveen on November 29, 2008. In his second meeting against his former club, <mask> came on as a late substitute in the second half and scored the winning goal in a 1–0 win. As the 2008–09 season progressed, his first team opportunities were limited, as he appeared most of the time on the substitute bench before an injury forced him out for the rest of the season. He made nineteen appearances and scored once in his first season at PSV. In the third round of the KNVB Cup, <mask> came on as a substitute in PSV's 2–0 win over Roda JC. He scored on his first appearance for the club in the 2010–11 season, in a 3–0 win over Sparta Rotterdam in the second round of the KNVB Cup.In the 2010–11 season, <mask> made seven appearances. After being told by the club's technical manager that he would not be at the club next season, <mask> returned to the club at the end of the 2011–12 season and was linked with a move to German side 1860 Munich. At the end of the 2012–13 season, <mask> was let go by the club after being told that his contract wouldn't be renewed. PSV lent Nijland to Willem II for the rest of the season. In a 9–1 victory for the club, <mask> scored five goals in a friendly match against UD Ojen. He scored on his league debut for Willem II on January 23, 2010 in a 4–2 loss to Heerenveen, followed up by scoring his second on January 29, 2010 in a 2–1 win against RKC Waalwijk. He scored two more goals later in the season.At the end of the 2009–10 season, <mask> helped the club survive and scored five times in twenty appearances. PSV lent Nijland to NEC Nijmegen. Heerenveen and Nijland played to a 2–2 draw in the opening game of the season. He scored his second goal of the season in a 4–1 win over Fortuna Sittard in the second round of the KNVB Cup. As a result of injuries, <mask> made nineteen appearances and scored two times in the 2011–12 season. <mask> went to the Australian club on a four-month loan. In round 19 of the season, <mask> made his debut for the Broncos.At the end of the 2012–13 season, <mask> returned to his parent club despite wanting to sign for the club on a permanent basis. <mask> signed a three–year contract with PEC Zwolle after leaving PSV. Manager Ron Jans rejoined Nijland after he joined the club. He scored his first PEC Zwolle goal in a 1–1 draw against Utrecht, after coming on as a late substitute. His second goal was against Go Ahead Eagles. His first season at PEC Zwolle was disappointing as he only made twenty–five appearances and scored two times in all competition. Frustrated with a lack of first team opportunities last season, <mask> considered leaving the club ahead of the 2015–16 season, but he was named in the starting eleven for the Dutch Supercup-game between PEC and Ajax, where he scored the winning goal in a 1-0 win.His performance was praised by the club's director. In addition to being named Man of the Match by Voetbal International, Heracles, Niljand scored five times in 17 appearances for the first team, as he was given more first team opportunities. In a 1–0 loss against Go Ahead Eagles on February 15, 2015, he received a straight red card after scoring three more goals. After serving a two match suspension, <mask> returned to the first team on 7 March 2015 and scored a hat–trick of his career, in a 6–1 win over Cambuur. The club's top scorer, <mask>, made thirty-eight appearances and scored thirteen times in the 2014–2018. After scoring his first goal of the season in a 1–1 draw against Heracules Almelo on November 7, 2015, he continued to be in the first team regular despite facing new competition. In the second half of the season, Niljand scored four more goals against Heerenveen, De Graafschap and Willem II.Niljand signed a contract extension that will keep him with the club for another two years. <mask> made twenty-seven appearances and scored six times in the 2015–16 season despite being hampered by injuries. <mask> injured his thigh during a 4–0 defeat to PSV Eindhoven in the first three matches of the season. In May 2008, <mask> was called up by the B Team. <mask> was the Managing Director of FC Groningen. <mask> told Goal.com that he is taking Spanish classes while playing football. He revealed that he's being called a lot of different names.There are external links to career statistics.

masks:
Nijland
Nijland
Nijlandacles
Nijland
Nijland
Nijland
Nijland
Nijland
Nijland
Nijland
Nijland
Nijland
Nijland
Nijland
Nijland
Nijland
Nijland
Nijland
Nijland
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Hans Nijland
Nijland


texts: <mask> "Bud<mask>. was an American politician and was a Democratic member of the United States House of Representatives from 1991 to 2009. Cramer will not seek re-election to a 10th term. <mask> was born and raised in Alabama. Bud earned a bachelor of arts in 1969 and a law degree in 1972 from the University of Alabama. He joined the Army as a tank officer after graduating. He was a member of the Army Reserve from 1976 to 1978. Cramer has a daughter, Hollan, two grandsons, Dylan and Mason, and a granddaughter.He taught Sunday school to young people for many years at the United Methodist Church. <mask>'s political career began in 1973, when he was appointed assistant district attorney in Madison County. When he was 33, he challenged the incumbent Madison County District Attorney and won. He was district attorney from 1981 to 1990. Cramer won the seat. The National Children's Advocacy Center was founded in 1985 by him. He was considered for a post in the Bush administration.Cramer surprised his colleagues by announcing on March 13, 2008, that he would retire at the end of his term. The race to succeed <mask> had a Republican and a Democrat in it. On December 22, 2009, he announced that he was joining the Republican caucus, making him the second Republican ever to represent the district. Cramer was reelected in 1992. The closest a Republican had come to winning one of the few remaining districts in the former Confederacy was in 1994 when he narrowly lost to Wayne Parker. Cramer received 1,770 votes to hold onto his seat. Cramer won five more terms by over 70 percent of the vote in 2006 and never faced serious opposition again after he defeatedParker with less difficulty in 1996.Cramer was a supporter of the International Space Station and a leading advocate for spending increases in missile defense, as Redstone is located in the district and has been a center for research and development of these two projects. He supported the Democratic line for his first three terms. Cramer moved to the right in his voting after the 1994 near-defeat. He often broke with his party on issues such as abortion, gay rights, gun control, taxes, regulation of business, and the environment. Cramer was one of four Democrats who voted for the tax cut bill. He did not vote in favor of any of the articles of impeachment against Clinton. Cramer's voting record placed him near the center of the House; however, he was often cited as unpredictable in his votes.Cramer's work with the area prior to his ascent to the House has resulted in child protection being a legislative project. <mask> was a member of the Blue Dog Democrats, a coalition of conservative and moderate House Democrats. He registered as a Republican after being encouraged by fellow Alabama politician Sen. Richard Shelby to do so. <mask> won reelection in his increasingly conservative district despite his party affiliation. <mask> was one of 81 House Democrats who voted in favor of authorizing the invasion of Iraq. The continued occupation of Iraq was one of the measures he voted in favor of. Cramer joined fellow Democrats in opposing Bush's plan to send more troops to Iraq.The Select Intelligence Oversight Panel Permanent Select Committee on Intelligence Subcommittee on Oversight and Investigations is chaired by the Blue Dog Coalition. The National Journal economic rating was 50% Liberal, 49% Conservative Social, and 45% Conservative Americans for Democratic Action.

masks:
Robert Edward
" Cramer Jr
Cramer
Cramer
Cramer
Cramer
Cramer
Bud Cramer


texts: A former Major League Baseball pitcher named <mask> has a 20-year career with six different teams. He won the 1996 World Series with the New York Yankees and the 2006 World Series with the Detroit Tigers. He won five Gold Glove Awards and pitched the 14th perfect game in MLB history. He was the oldest baseball player in the American League. The singer who shares <mask>' name made a famous song called The Gambler. <mask> was born in Georgia and grew up on a farm in Florida. <mask> and his wife live in Texas with their two children.He likes golf, fishing and building houses. <mask> graduated from Plant City High School in Florida in 1982, where he played baseball only during his senior season, hitting.300 as a right fielder. He signed for $1,000 after being selected by the Texas Rangers in the 39th round of the Major League Baseball draft. He was made a pitcher because of his throwing arm and left-handedness. <mask> was a relief pitcher for the Rangers in 1989 and spent 7 years in the minor leagues. He was a starter for the club in 1993. <mask> played for the Texas Rangers, New York Yankees, Oakland Athletics, New York Mets, and Minnesota Twins.In the regular season, he won 17 games, and excelled in the post-season with 23 straight blankings over his 3 starts. He's one of three pitchers in Rangers history to win at least 17 games in 31 starts or fewer, along with Scott Feldman and Ferguson Jenkins. Billy Beane's first trade as general manager was to acquire <mask> from the Yankees for third baseman Scott Brosius. <mask> was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 He was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 He was traded to the New York Mets at the deadline. On July 23, 1999, the New York Mets Rogers was traded to the A's.<mask> was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 He is best known for walking in the series winning run against the Atlanta Braves in the 1999 NLCS, giving the Braves the win and costing the Mets the series. <mask> was a free agent after the 1999 season. <mask> joined the Texas Rangers after the 1999 season. <mask> was signed by the Minnesota Twins in March of 2003 to fill the rotation slot left by Eric Milton. During the regular season, Rogers went 13-8 with a 4.57 earned run average and made one appearance in the ALDS against the New York Yankees. <mask> rejoined the Rangers as a free agent in 2004.<mask> knocked one camera to the ground after shoving two cameramen after walking onto Ameriquest Field for a pre-game warm up against the LA Angels. One of the reporters resumed filming after picking up the camera, which angered <mask> into shoving him again, after grabbing and throwing the camera to the ground. He was sent home by the Club after being led away by a teammate. Larry Rodriguez, the cameraman for Dallas/Fort Worth Metroplex's Fox Network affiliate KDFW, was taken to a local hospital complaining of shoulder, arm and leg pain. Rodriguez made a complaint of assault against <mask> while in the hospital. Bud Selig fined <mask> $50,000 and suspended him for 20 games. <mask> was 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780Selig upheld the suspension. <mask> was allowed to return to play after being overruled by the commissioner. On July 18, 2005, <mask> was charged with a Class A misdemeanor assault charge with regard to Rodriguez and a Class C misdemeanor assault charge with regard to the second cameraman. <mask> was released on a bond. Following <mask>' completion of an anger management course, the Class A charge was reduced to Class C. <mask> returned to the mound against Boston in August of 2005. <mask> gave up 5 runs and 7 hits in 5 pitches in Boston's 16–5 victory.He finished the year with a 3.46 earned run. <mask> did not return to the team after the regular season ended. Rodriguez filed a civil suit against <mask> and the Rangers on October 5, 2005. <mask> signed a two-year, $16 million contract with Detroit on December 8, 2005. <mask> finished the 2006 regular season with a 3.84 earned run average. We need a guy like that for a long time. Jeremy Bonderman said he was glad the team went out and got <mask>.On his first year in Detroit, <mask> said, "There's a lot of benefits here, that you wouldn't know as a visiting player, but for me, I appreciate the town, the city, the people." It's not that difficult to travel for a baseball player. It makes sense to be able to relax on certain days. You can't take for granted the things that you can't take for granted, like the quality of people like Dombrowski and Mr. Ilitch. When I met Jim and the coaching staff, I knew this was the place for me. I knew where I was going. <mask> had surgery for a blood clot in his shoulder and was out for 3 months.He earned his first win of the season on June 22 against the Atlanta Braves, as he pitched 6 shut outs and allowed 2 hits. In the American League Division Series against the Yankees, <mask> won his first game in the playoffs, throwing 7 no-hitters with 8 strikeouts in a 6–0 victory. At 41 years and 330 days old, he became the oldest starting pitcher to win a playoff game. In Game 3 of the American League Championship Series against the Oakland A's, <mask> retired 9 batters in a row, allowing only 2 hits and 2 walks, while striking out 6 and pacing the Tigers to a 3–0 victory. Game 2 of the World Series was started by <mask>. <mask> was supposed to pitch 2 games at home. He was the oldest starting pitcher to win a World Series game, as he left the game with theTigers in the lead 3–0, retiring 10 straight batters, striking out 5, and allowing only 2 hits and 3 walks.Fox cameras caught a smudge on <mask>' hand. <mask> said it was dirt mixed with rosin and wiped off. The substance was described as dirt, according to Rich. <mask> remained in the game since it wasn't ruled a foreign substance. <mask> had a streak of 23 shut outs. There were smudges in 2 other games. <mask> stopped playing at the end of 2008.He became the 7th 200 game winner in history who never won 20 games in a season. Tim had his 200th win in 2011. Mussina recorded a 20 win season after reaching 200 wins. <mask> was a member of the Texas Rangers Hall of Fame. <mask> was a pitching coach for the Detroit Tigers in 2010. His ability to coach pitchers on fielding would be of interest to the team. <mask> threw out the ceremonial first pitch in 2011.<mask> did not retire from Major League Baseball. <mask> pitched the 14th perfect game in baseball history on July 28, 1994 with the Rangers against the California Angels, the last no-hitter in Rangers history to date, and the only perfect game in franchise history. He appeared on ABC's Good Morning America on July 29, 1994, and on CBS's Late Show with David Letterman on August 1, 1994. He met <mask> at a function in Arlington, Texas in 1994. <mask>' 1994 perfect game was caught by Ivn Rodrguez, who in June 2007 caught the no-hitter of Roger's future teammate Detroit Tiger. The game took place three years after the last perfect game, on July 28, 1991. <mask> won 5 Gold Glove Awards at pitcher, including 4 with the Rangers and 1 with the Tigers.He was the top fielding pitcher in MLB in 2008. Billy Beane stated that <mask> was the best fielding pitcher he had ever seen. It's like having an extra infielder. On June 18, 2006 <mask> won his 200th game, against the Chicago Cubs at Wrigley Field, and Detroit set a club record with 8 home runs. <mask> has 93 pickoffs in his career. On May 9, 2008 against the New York Yankees, <mask> picked off Wilson Betemit for his 92nd pick-off, passing Mark Langston. References External links or Retrosheet Articles <mask> claims another 2006 honor: Detroit fans name pitcher King Tiger.

masks:
Kenneth Scott Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Kenny
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Kenny Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers
Rogers


texts: An American composer, conductor, and pianist named <mask> was born on January 28, 1936 in Spencer, Iowa. The son of a jazz trombonist, he studied composition with Paul Fetler at the University of Minnesota. He received his PhD from the University of Pennsylvania in 1966 with a thesis on "Tonal Cohesion in Schoenberg's Twelve-tone Music". In 1966 he was appointed professor at the University of Washington in Seattle, where he also became associate director of the University of Washington's Contemporary Group. From 1974 to 1984 he was chancellor of the North Carolina School of the Arts. He was the chair from 1986 to 1995. He taught until his retirement in 2001 after being appointed to a named chair in 1994.The Philadelphia Orchestra, the Seattle and North Carolina symphonies, and the Philadelphia String Quartet are just a few of the groups that have performed <mask>'s compositions. His works and performances have been recorded. In 1986 he became composer-in-residence at Williams College and served as Chair of the Music Department from 1986 to 1995. He retired in 2001. The University of Pennsylvania, the Philadelphia Musical Academy, and the City University of New York were all taught by <mask>. He was the President of the Cornish Institute in Seattle and the Co-director of the Contemporary Group at the University of Washington. He was a member of the NEA Composers Panel from 1975 to 1981.Two Guggenheim Fellowships, two NEA Fellowships, numerous ASCAP awards, awards from the Rockefeller Foundation and the American Music Center are just some of the prizes he received. His earlier compositions were serial, but in the late 1960s he abandoned twelve-tone technique and turned to a neoromantic style. His musical language is mostly modal, with Lydian predominating, and occasionally adopts scale patterns characteristic of non-Western traditions, such as those of Japanese koto music. His harmony often features sounds from the major-seventh and major-seventh with added fourth chords. He tends to use moderate to slow underlying tempos, but with active and pliable surface rhythms. Compositions for SATB choir, for piano, and for opera and chamber orchestra. Chamber Music VII for trumpet and piano, Chamber Music VIII for trumpet and piano, and Chamber Music IX for voice.There is a string quartet in Philadelphia. The USA has a contemporary composer. Turnabout, 1974. TV-S 34524. The string quartet was with George Rochberg. 2. Chamber Music III is for trombone and piano, Chamber Music IV is for percussion ensemble, and Chamber Music V is for voice, string quartet, and tape.Stuart Dempster is a member of the University of Michigan percussion ensemble. Charles Owen. The Delfcon Recording Society was in New Jersey. CD,DRS 2127. Chamber Music III is for the trombone and piano. There are Blues, Ballads and Beyond. Mark Hetzler is a trombonist.Summit Records DCD 668 was released in 2015. The Ritual Series consists of chamber music. First construction. The percussion ensemble is from the university. Adam Snow. Eagle Editions was in Rock Hill, S.C. There is a CD.Ronald lo Presti, John Cage, Bob Becker, Camille Saint-Sans, Charles Gounod, and David Rose have works with them. Chamber Music VII is for trumpet and piano. There are mixed doubles. Tunnell is a trumpet and piano player. Columbus, Ohio: Coronet. LP,LPS 3210. Donald H. White and David Liptak have works with them.Chamber Music VII is called "Ceremonies" and Chamber Music VIII is called "Sonata for trumpet in C and piano". The trumpet works. Deborah DeWolf Emery is a piano player. Kleos Classics was written in White Plains, New York. There is a CD called KL 5126. Both Jean Hubeau and Paul Hindemith have Sonatas for trumpet and piano. Chamber Music VII is for trumpet and piano.Terry Everson is a member of the International Trumpet Guild. Terry Everson is a trumpet player and Susan Nowicki is a piano player. The International Trumpet Guild. There is a CD called ITG 001. The Journal of the International Trumpet Guild 16 was published. There was a report in 1 (1991). There are works by Peter Maxwell Davies, <mask>, Jacques Castérde, and Fisher Tull.Chamber Music VII is called "Ceremonies" and Chamber Music VIII is called "Sonata for trumpet in C and piano". The Bravura Trumpet is a musical instrument. <mask> is a piano player. Vox Classics was published in 1995. VOX 7513. The Chamber Music VIII is called Sonata for trumpet in C and piano. It is possible that it is possible that it is possible that it is possible that it is possible that it is possible that it is possible that it is possible that it is possible that it is possible that it is possible that it is possible that it is possible that it is possible that it isTerry Everson is a trumpet player and Susan Nowicki is a piano player. Heerenveen, Holland: De Haske Classical. DHR 197.006. Music by Joseph Turrin, Norman Dello Joio, Jan Krzywicki, and Augusta Read Thomas. The Chamber Music XI is called "Strophes of Night and Dawn after Baudelaire". There are strophes of the night and dawn. The Florida State Brass Quintet is made up of people from Florida.Crystal Records was founded in 1997. CD, 566. With music by J. S. Bach, Richard Peaslee, John Cheetham, Gwyneth Walker, Steven Everett, and Jan Koetsier. For piano and orchestra. The Seattle Symphony Orchestra cond. There is a man named Milton Katims. Odyssey was written in New York.Lp, Y 34140. There is a symphony by William Schuman. There are 8. The Concert Mass has a song called "Sanctus". The Portland State University Chamber Choir performs. Bruce Brown. There are records in Albany.TROY 243 is a CD. There are works by Bryan Johanson, Tomas Svoboda, and others. Reissued online in New York. TR243 is a streaming audio. There are two types of music: solo music for violin and solo music for viola. The Bravura Chamber Music is from the 20th century. Donald McInnes, viola; Timothy Baker, violin; and Russell Miller, piano.Kleos Classics was in Pleasantville, N.Y. KL 5106 is a CD. Quatre pomes are for voice, viola and piano. Paul Hindemith wrote a piece for viola and piano. 11 no. 4. The concert is called Voyage de nuit.The Piedmont Chamber Orchestra is cond. Nicholas Harsanyi. Turnabout in 1981. TV 34776. Benjamin Britten: Les illuminations. 18. <mask><mask>'s page at Theodore Presser Company in Memoriam can be found at the University of North Carolina School of the Arts.

masks:
Robert Charles Suderburg
Suderburg
Suderburg
Robert Henderson
Robert Suderburg
Robert C
. Suderburg


texts: <mask> is an American singer-songwriter, musician and author, known for her solo work and with her rock bands Throwing Muses and 50FootWave. She's released eleven solo albums. Her guitar work can be jaggedly dissonant or traditional folk. Hersh's lyrics reflect her personal experiences. Hersh was born in Atlanta, Georgia and moved to Newport, Rhode Island when she was six years old. Her mother was a special educational needs teacher and her father was a professor. When she was nine, her father gave her a guitar and she wanted to learn how to play it.<mask>'s parents separated when she was young and her mother married her best friend's father. When they were 14, <mask> talked Donelly into starting a band called The Muses. Throwing Muses was formed in 1981 when <mask> and Donelly were freshmen in high school. David Narcizo became a long-term member of the group with 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 Throwing Muses' songs were often written and sung by Hersh. Songs and lead vocals were contributed by Donelly. After graduating from the Rhode Island School of Design, Hersh dropped out and formed the band in Boston, Massachusetts, where they played on weekends.<mask> befriended Betty Hutton, a film actress who attended the school in her 60s and attended several Throwing Muses shows in Newport. The Throwing Muses were signed to 4AD, the first American group to be signed on a British label, and released Chains Changed in 1987. The mini-LP The Fat Skier and the album House Tornado were released. The 4AD Throwing Muses biography describes its sound as being between elliptical post-punk, harmonious folk jangle and rockabilly thunder without ever settling into standard genre patterns. The opening band for the Throwing Muses 1986 UK tour was the Boston-based Pixies. The band began touring the U.S. and Europe in 1987 after signing a U.S. deal with Sire/Reprise Records. <mask> wrote most of the songs. The band became a trio when Donelly left.In 1994, <mask> began a solo career on Sire/Reprise and 4AD as an acoustic performer, beginning with Hips and Makers, an album lightly arranged around her vocals, guitar, and a cellist, in contrast to the volatile, electric sound of her band work. Michael Stipe is from R.E.M. This is the first solo album that I made an appearance on. <mask> moved to Rykodisc for the band's 1996 album, Limbo, and released her solo album, Strange Angels, in 1998. She and Billy O'Connell created the ThrowingMusic label in 1996 to better control her career and the distribution of her recorded material. She was able to co-release some of her projects, including an ongoing download-subscription service called Works in Progress, for releases available through the label's website. Sky Motel was Hersh's solo release in 1999.Throwing Muses focuses on touring over record sales and airplay. <mask> stated in an interview that music is not a commodity. People have earned it by being human. They have the right to hear and share it in churches and parties. That's how music works. <mask> released a solo album in 2001 called Sunny Border Blue, in which she played nearly all instruments. She described the album as having more intensity than her previous works, as she continued her pursuit of songwriting as being in part a way to transform "ugly feelings" into art.She collaborated with other like minded alternative artists. In 2003 she released The Grotto, an acoustic solo album of song sketches with personal lyrics set in Providence, Rhode Island, with Andrew Bird on violin and Howe Gelb on piano. A self-titled album by Throwing Muses was released on the same day. Both were recorded in Rhode Island. <mask> formed a power rock trio when she couldn't tour on a full-time basis. 50 Foot Wave and her solo career were the focus of her touring appearances and recording efforts in 2004. <mask> released her first solo album in four years in 2007, entitled Learn to Sing Like a Star.<mask>'s pop songs are both emotional and raw. CASH Music, a subscription-based, direct-to-consumer website, was formed along with fellow musician Donita Sparks. Fans can become "Strange Angels" and subscribe to her output to receive albums and print releases, downloadable content, and guest spots for live shows, ranging from $30 per quarter to $5,000 (executive producer credit on her next album). The album was released as a download and hardback book. Throwing Muses reformed in 2013 and released a new album with a book designed by a graphic designer. The book has artwork and lyrics by <mask>. The band's last release was ten years ago.<mask>'s output was released online at this point in her career. She said that they had been asked to dumb down their product many times because they were different from the recording industry. I decided not to turn my back on my music because I have been asked to act and look like a bimbo many times. I won't turn my back on women. We don't participate in the traditional recording industry because we disagree with it. We play music because it has nothing to do with the music business. She released a double album and a book in October of 2016<mask> embarked on a tour. <mask> announced on her website that she had signed with Fire Records. On October 5, 2018, her new record was released. The album was recorded in May of the same year. The release of Throwing Muses' new album, Sun Racket, was delayed from May 22 to September 4. <mask>'s vocal style varies from softly melodic to screaming. She has an occasional sound that adds drama to her words.Her songs cover a wide range of topics, including childbirth, love, and death. The New York Times pointed to <mask>'s explorations of "rage, aggression and mental chaos" as evidence of female rock artists of the early 1990s pushing against gender role boundaries in their work. In the Times, Ann Powers wrote about <mask>'s musical style: "Her plastic, sometimes obsessively circular song structures emphasize staggered rhythms and extreme dynamic shifts, and her voice, a carnal cry that pushes through her body gathering up air, lend her often oblique lyrics." <mask> said her parents' album collections, which included the Carter Family, Stevie Wonder, Robert Johnson, Talking Heads, and The Beatles, influenced her when she was a child. Her early contemporary musical influences include The Raincoats, The Pretenders, Talking Heads, Violent Femmes, Meat Puppets, Dead Kennedys, Hsker D, and X. Toby Snax, Hersh's illustrated children's book, was published in 2007, and was further developed as an interactive app for children in 2011. The app allows children to hear her read the story out loud and she has recordings of lullabies that she learned as a girl in Tennessee.Her 2010 memoir Rat Girl is based on a diary she wrote when she was 18 and pregnant with her first child. In The New York Times, it was called an "uncommonly touching punk memoir." In Rolling Stones, it was called a "25 greatest rock memoirs of all time." <mask>'s book, Don't Suck, Don't Die: Giving Up Vic Chesnutt, is about her friendship with the late singer-songwriter. He is one of her influences with his "grace of a melody that breaks the rules of meter" and his fluid timing. <mask> was married to Billy O'Connell for 25 years before they divorced. She has four boys. She is engaged to Fred Abong.<mask> has talked about her bouts with mental illness. She suffered a double concussion when she was hit by a car while riding her bicycle. The sounds would change their sonic vocabulary until I heard drums and syllables. All these words would come. She stated that hearing "pieces of songs" in her mind compelled her to take the pieces apart and craft songs from them. She claims that she doesn't remember writing her first songs. She has had a number of different diagnoses for her condition, including a number of post-traumatic and dissociative disorders, which she says have been successfully treated with eye movement desensitization and reprocessing therapy.<mask> sees music in colors. Hips and Makers, Murder, Misery and Then Goodnight, Sky Motel, Sunny Border Blue, and The Grotto are all studio albums. There is a Rat Girl. New York: Penguin. Don't Suck, Don't Die: Giving Up Vic Chesnutt was published in 2011. The University of Texas Press is in Austin. The University of Texas Press published Don't Suck, Don't Die: Giving Up Vic Chesnutt.There is a series of American music. The University of Texas Press is in Austin. Selected lyrics of Nerve Endings. Unbound, this year. Seeing Sideways is a memoir of music and parenting. The University of Texas Press was published in 2021. Sex and Rock 'N' Roll: In Their Own Words.Post, Laura. Interviews with women in music. The New Victoria Publishers. It's hard to do the break-ups of Throwing Muses. There is an option. The Interview on Boston Rock Talk Interview with I Heart Noise Performance, Reading and Q&A was recorded on January 26, 2015, at the Arts and Entertainment Industry Forum at the Loyola University. 20th century American women guitarists 20th century American women singers 21st century American women memoirists

masks:
Martha Hersh
Hersh
Hersh
Hersh
Hersh
Hersh
Hersh
Hersh
Hersh
Hersh
Hersh
Hersh
Hersh
Hersh
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Hersh
Hersh
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Hersh
Hersh


masks:
Peter Christopher Bourjos
Bourjos
Bourjos
Career Bourjos
Bourjos
Bourjos
Bourjos


texts: being hit by a pitch. He played in 101 games and made 195 plate appearances. He made one error for a.994 fielding percentage.64 of his 95 appearances were in center field. His final batting line included a.220 batting average,.291 on-base percentage,.315 slugging percentage, three HR, seven doubles, and three stolen bases. The opportunity for <mask> to regain playing time was cleared by the signing of Hunter as a free agent. <mask> began taking batting practice off a tee in order to increase his production at the plate. He changed his approach by hitting more ground balls and line drives. He had a ground ball rate of over 50 percent in 2011. He had raised the total to 58.7 percent, which was top-ten for hitters with at least 170 plate appearances.Improved results were shown by the extra practice and change in approach. As of June 29, he had a.333 batting average,.392 on-base percentage, and.500 slugging percentage. In August, <mask> took another pitch off his wrist. He produced just five hits in 46 PA in August and September, despite attempting to rehabilitate it without surgery. The wrist had to be repaired. Bourjo had a.272 batting average,.333 OBP,.372 SLG, three doubles, three triples, and three home runs in 55 games for the Angels. With the previous season's starting center fielder Jon Jay producing a decline in offensive performance and below average defense, acquiring <mask> allowed the Cards to offset some defensive inconsistency.On January 17, <mask> agreed to a one-year, $1.2 million contract with a plate appearance-based performance incentive. The first three-hit game for Bourjos was against the Atlanta Braves. He hit his second home run of the season in the victory. During a May 29 game against the San Francisco Giants, he advanced from first base to third on the pitcher's sacrifice bunting. Third base was without a fielder when the Giants optioned for an infield shift. The play happened without an error. The home run by <mask> was the difference in the game against the Royals.On August 10, <mask> hit his fourth home run of the season against the Baltimore Orioles in Oriole Park at Camden Yards. <mask> was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 He lost playing time to Jay due to a slow start to the season. Bourjos made his first career playoff appearance against the Dodgers in the NLDS and the Giants in the NLCS, playing in five games and batting twice. The Giants eliminated the Cards from the playoffs. On October 21, Bourjos had hip surgery. He said that it affected his swing and contributed to his lower batting average.<mask> agreed to a one-year, $1.65 million contract with the Cards on January 15, 2015. Most of the playing time in center field went to Jay when he was the fourth outfielder. His speed made a difference in the April 29 win against Philadelphia. He was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 Philadelphia claimed Bourjos off of waivers. Bourjos hit.251/.289/.389 with 5 home runs and 23 runs for the season. Bourjos signed a minor league deal with the Chicago White Sox.He was traded to theTampa BayRays for cash considerations or a player to be named later. He hit.223/.272/.383 with 5 home runs in 100 games. <mask> signed a minor league contract with the Chicago Cubs. He was released on March 23. On March 26, the Atlanta Braves signed <mask> to a one-year contract. He was released on April 29 after being designated for assignment on April 25. On May 1, he resigned from a minor league deal.He had his contract purchased a second time. He had a batting average of.235 with Atlanta. <mask> elected free agency after being designated for assignment and clearing waivers. <mask> was signed to a minor league deal by the San Francisco Giants. <mask> signed a minor league deal with the Angels. <mask> was selected to the opening day roster after making the team in Spring Training. <mask> was designated for assignment on May 7 after hitting.091/.109/.114 in 26 games with the team.<mask> was released by the Angels. <mask> ended his playing career when he was hired as an advance scout for the Colorado Rockies. <mask> was hired by the Arizona Diamondbacks to serve as the team's minor league outfielder and baserunner. <mask> was prized for his speed and defense. He was rated as one of the best defensive center fielders in baseball by Fangraphs. He covered so much ground as a center fielder that it sometimes backfired. His corner outfielders, unaccustomed to flanking a player with such range, sometimes weren't giving way to <mask>, while other times they flinched or back away at his mere approach.<mask> only played center field when he was in the game, pushing Trout into left field after he became a full-time player. In 341 Major League games, <mask> has played only center field and five as a designated hitter. As a hitter, <mask> averaged a 50.5% ground ball rate over his career. He had his lowest career ground ball rate in 2011. It has been over 50% every other season. In the previous year, it was 58.7%. <mask>' batting-ball style allows little margin for extra base hits according to Dave Duncan.<mask>, the son of a former San Francisco Giants outfielder, played in a 33 minute minor league baseball game in 1981. <mask> and his wife have two children. There is a list of second-generation Major League Baseball

masks:
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Bourjos
Chris Bourjos
Bourjos


texts: An American dancer, author, anthropologist, and social activist was born on June 22, 1909. She was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 She is known as the "matriarch and queen mother of black dance". While a student at the University of Chicago, he ran a dance school and earned a bachelor's degree in anthropology. She went to the Caribbean to study. She went back to graduate school to get a master's thesis. She didn't complete the other requirements for that degree, but she realized that her professional calling was performance.During the 1940s and 1950s, <mask> was popular in the United States and she was renowned throughout Europe and Latin America. The Washington Post called her a dancer. The only self-supported black dance troupe in the US at that time was the Katherine Dunham Dance Company. She choreographed more than ninety individual dances. As a leader in the field of dance anthropology, he was an innovator in African-American modern dance. The <mask> technique was developed to support her dance works. There were early years in Chicago.Her father was a descendant of slaves. According to her mother's memoir, she died when she was four years old. She had a close relationship with her older brother. The children were left with their aunt on Chicago's South Side after their mother died. Black southerners tried to escape the Jim Crow South in order to escape the effects of the Great Migration. Along with the Great Migration, White flight and her aunt closed their business. The custody battle was brought on by their maternal relatives.Neither of the children were able to live in a home for a while. After her father was remarried, her brother and sister-in-law were taken in. The family moved to a mostly white neighborhood. Her father owned a dry-cleaning business. At a young age, she became interested in both writing and dance. "Come Back to Arizona" was a short story she wrote when she was 12 years old. She was a member of the baseball, tennis, basketball, and track teams at the high school, as well as serving as vice-president of the French Club.She began to learn a kind of modern dance based on the ideas of Europeans like mile Jaques-Dalcroze and Rolf von Laban. She gave her first public performance at the age of 15 when she organized "The Blue Moon Café", a cabaret to raise money for Brown's Methodist Church. She opened a private dance school for young black children when she was a high school student. After completing her studies at the junior college, she moved to Chicago to join her brother at the University of Chicago. During her time in Chicago, she hosted social gatherings and invited visitors to her apartment. Alan Lomax, Robert Redfield, and A.R. were among the visitors. She met many people at the University of Chicago.Her brother suggested that she study anthropology after seeing that she enjoyed working and socializing with people. The University of Chicago's anthropology department is different from other anthropology departments in the US in that it focuses almost exclusively on non-Western peoples. The anthropology department at Chicago in the 1930s and 40s had a philosophy of liberal humanism, as well as principles of racial equality and cultural relativity. In 1929, he joined the department as an anthropology major and studied dances of the African diaspora. She studied under anthropologists as a student. Lloyd Warner, Edward Sapir, Melville Herskovits, and Bronisaw Malinowski. She showed promise in her studies of dance.Redfield, Herskovits, and Sapir's contributions to cultural anthropology exposed her to topics and ideas that inspired her creatively and professionally. She was influenced by both Herkovits' and Redfield's studies showing links between African and African American cultural expression, as well as by Sapir's viewpoint on culture being made up of rituals, beliefs, customs and artforms. She learned about the relationship between dance and culture during a lecture by Redfield. The influence of <mask>'s relationship with Redfield was high. He "opened the floodgates of anthropology" for her, she wrote. She later called it "Dance Anthropology" after he showed her the connection between dance and social life. In 1935, <mask> was awarded a travel fellowship to conduct ethnographic fieldwork in Haiti, Jamaica, Martinique, and Trinidad to study the dance forms of the Caribbean.The study of how dance manifest within Haitian Vodou was one example of this. She received a grant to work with Professor Herskovits, who had ideas about retention of African culture among African Americans, which served as a base for her research in the Caribbean. After her research tour of the Caribbean in 1935, she returned to Chicago in the spring of 1936. She received a bachelor's degree in philosophy and a PhD in social anthropology in August. She was one of the first black women to attend this college. The Dances of Haiti: A Study of Their Material Aspect, Organization, Form, and Function was submitted in 1938. To fulfill the requirements for a master's degree, I went to the Department of Anthropology.She was aware of her passion for both dance performance and anthropology and felt she had to choose between the two. Although she was offered another grant from the Rockefeller Foundation, she chose dance. She did this for many reasons. She knew she would be able to reach a broader public through dance, as opposed to the institutions of academia. She left for Broadway and Hollywood without completing her graduate degree. I don't know what I would have done without anthropology, I learned how to feel about myself in relation to other people. You can't learn about dances until you know people.It's the most fascinating thing to learn. In Jamaica, she lived in the Maroon village of Accompong, deep in the mountains of Cockpit Country, for several months. She wrote a book about her experiences there. She traveled to Martinique and Trinidad and Tobago for a short time to investigate the presence of the African god Shango in the West Indian religious culture. She arrived in Haiti in 1936 and stayed there for several months. During his time in Haiti, he researched Vodun rituals and the dance movements of the participants. She recorded her findings through ethnographic field notes.This style of research was not common in anthropology. It is now a common practice within the discipline. She used her research of Afro-Haitian dance and culture to correct the misrepresentation of African culture in the education of Black Americans. She used the knowledge she gained in her research to acknowledge that Africanist esthetics are important to the cultural equation in American dance. She was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 She became friends with Dumarsais Estimé, a high-level politician who became president of Haiti in 1949. She helped him when he was sent in exile to Jamaica after a coup d'état because of his progressive policies.She began her dance career in Chicago when she joined the Little Theater Company. After coming to the United States with the Franco-Russian troupe Le Thétre de la Chauve-Souris, Ludmilla Speranzeva, a Russian dancer who had settled in Chicago, began to study ballet with <mask>. Mark Turbyfill and Ruth Page were both dancers at the Chicago Opera. Vera Mirova specialized in "Oriental" dance. She was exposed to many dance forms through her ballet teachers. Ballets Ngres is one of the first black ballet companies in the United States. The group performed at a ball.The group was dissolved after this performance. The Negro Dance Group was opened by <mask> in 1933, after Speranzeva encouraged her to focus on modern dance instead of ballet. It was a place for <mask> to teach dancers about their heritage. He was a guest artist with the ballet company of the Chicago Opera. La Guiablesse was based on a Martinican folk tale in the French West Indies and was choreographed by Ruth Page. It opened in Chicago in 1933 with a black cast and Page dancing the title role. The production was repeated the next year with students from the Negro Dance Group in the ensemble.She was able to travel to Jamaica, Martinique, Trinidad, and Haiti for eighteen months in 1935 because of the funding she received from the Rosenwald Foundation. The Master's thesis was titled "The Dances of Haiti". After completing her undergraduate work at the University of Chicago, she decided to pursue a performing career instead of studying. She traveled with them to New York in 1937 to take part in A Negro Dance Evening. In the first half of the program, the troupe performed a suite of West Indian dances, while in the second half they performed a ballet called Tropic Death. The company performed at the Abraham Lincoln Center after returning to Chicago. At this time, Rara Tonga and Woman with a Cigar were created.Both were signature works in the <mask> repertory. She became the dance director of the Chicago Negro Theater Unit of the Federal Theatre Project after her company performed well. She choreographed the Chicago production of Run Li'l Chil'lun. The Emperor Jones is one of the works she created. At this time, she was associated with a designer. The Federal Theater Project in Chicago produced the first version of her dance composition L'Ag'Ya. Based on her research in Martinique, this three-part performance integrated elements of a Martinique fighting dance into American ballet.In 1939, the company gave additional performances in Chicago and Cincinnati before returning to New York. The International Ladies' Garment Workers Union invited <mask> to stage a new number for Pins and Needles 1940. <mask> booked her own company in the theater for a Sunday performance as the show continued at the Windsor Theater. Her principal Haitian drummer, Papa Augustin, was included in this concert, which was called Tropics and Le Hot Jazz. The show was so popular that it was repeated for another ten Sundays. The company was engaged in the 1940 Broadway production of Cabin in the Sky, which was staged by George Balanchine. The show ran in New York for 20 weeks.There was an extended run of performances on the West Coast. There was a small controversy in the press. The Warner Brothers short film Carnival of Rhythm was filmed in Los Angeles after the national tour of Cabin in the Sky. In 1942, after the US entered World War II, he appeared in the Paramount musical film Star Spangled Rhythm with Eddie "Sharp" Anderson. The black musical Stormy Weather, which featured a stellar range of actors, musicians and dancers, was one of the movies she performed in as a dancer. The company went back to New York. The company moved to W 43rd Street after the Isadora Duncan Dance moved to Caravan Hill.The troupe opened in Tropical Review at the Martin Beck Theater under the management of Sol Hurok. The show featured lively Latin American and Caribbean dances, plantation dances, and American social dances. The company embarked on an extensive tour of the United States and Canada after the original two-week engagement was extended by popular demand. The show was banned in Boston after one performance. Although it was well received by the audience, local censors were worried that the revealing costumes and provocative dances might compromise public morals. In 1945, the company appeared in Blue Holiday at the Belasco Theater in New York and the Carib Song at the Adelphi Theatre. The finale to the first act was a staged interpretation of a Vodun ritual, which became a permanent part of the company's repertory.Bal Ngre was a Broadway show that received glowing notices from theater and dance critics. The Great Northern Theater in Chicago hosted the premiere of the musical play Windy City in 1947. She opened a cabaret show in Las Vegas in

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texts: the first year that the city became a popular entertainment and gambling destination. She took her troupe to Mexico, where they performed for more than two months. She was an immediate sensation in Europe after touring in Mexico. She opened A Caribbean Rhapsody at the Prince of Wales Theatre in London and then took it to the Thétre des Champs-lysées in Paris. This was the beginning of more than 20 years in which she performed with her company almost exclusively outside the United States.The company appeared in 33 countries during these years, including Europe, North Africa, South America, Australia, and East Asia. The company met with enthusiastic audiences in every city and developed dozens of new productions. The company ran into periods of financial difficulties as it was required to support all of the dancers and musicians. Tony Martin, Yvonne De Carlo, and Peter Lorre were among the actors who appeared in the movie. They appeared in the first ever, hour-long American spectacular televised by NBC, when television was first beginning to spread across America. Television spectaculars were filmed in London, Buenos Aires, Toronto, and Mexico City. In 1950, Sol Hurok presented a dance show at the Broadway Theater in New York featuring some of the best works of the artist.It closed after 38 performances. The company embarked on a tour of venues in South America, Europe, and North Africa. They had success in France. Msica en la Noche and Die Grosse Starparade were made in Mexico City and Germany, respectively, in 1955. The company's international tours ended in Vienna in 1960. The impresario left them stranded without money. After they returned to the United States, the company was paid to appear in a German television special.In 1962, a group of dancers and drummers from the Royal Troupe of Morocco came to Broadway to perform in the show. After only eight performances, it was not a success. The invitation from New York's Metropolitan Opera to stage dances for a new production of Aida, starring Leontyne Price was a highlight of <mask>'s later career. She was the first African American to set the dances for The Emperor Jones. The critics acknowledged the historical research she did on dance in ancient Egypt, but they didn't like her choreography that was staged for the production. In the United States and Europe, he did several choreographic commissions. She was a State Department representative for the United States at the first ever World Festival of Negro Arts.She retired after presenting her final show at the Apollo Theater. One of her major works was directing the premiere full, posthumous production of Scott Joplin's opera Treemonisha in 1972, a joint production of the Atlanta Symphony Orchestra and the Morehouse College chorus in Atlanta, conducted by Robert Shaw. Since the 1970s, this work has been successfully produced in many places. As part of the Dance in America series, James Earl Jones narrated the PBS special, "Divine Drumbeats: <mask> and Her People." The American Dance Theater produced a tribute to her in 1987 at Carnegie Hall. The school of dance and theatre opened in New York City in 1945. Lee Shubert gave her dance company rent-free studio space for three years, and it had an initial enrollement of 350 students.The program offered courses in dance, drama, performing arts, applied skills, humanities, cultural studies, and Caribbean research. The school was granted a charter in 1947. The school was managed by one of the dancers, and thrived for about 10 years. At the time, it was one of the best learning centers of its type. Schools that were inspired by it were opened in Rome, Paris, and Stockholm. Eartha Kitt was one of her alumni. She became a dancer with the company after winning a scholarship to the school.In the 70s, they collaborated on a musical based on the Irish play, Peg O' My Heart. Dana McBroom-Manno was a featured artist in the show. Sidney Poitier, Warren Beatty and James Dean were among those who attended her school. Jazz musician Charles Mingus held regular jam sessions with the drummers, as well as frequently dropping in to play the bongo drums. The Dunham Technique, a style of movement and exercises based in traditional African dances, was developed to support her choreography. This is now taught in many dance schools as a modern dance style. By 1957, her health was being affected by her personal strain.She lived in relative isolation in Kyoto, Japan, where she worked on writing memoirs of her youth. A Touch of Innocence: Memoirs of Childhood was published in 1959. Island Possessed was published in 1969. A fictional work based on her African experiences was published in 1974. During her career, she occasionally published articles about her anthropological research and lectured on anthropology at universities and scholarly societies. Leontyne Price was hired to play Aida at New York's Metropolitan Opera Company. The members of the last New York Company tried out for the Met Ballet Company.Some of the dancers she chose were Dana McBroom, Jean Kelly, and Jesse Oliver. The Met Ballet Company trained at the 42nd Street studio of Dunham for the entire summer leading up to the season opening of Aida. Lyndon B. Johnson was in the audience. The dances of the opera were given a new authenticity by <mask>'s background as an anthropologist. She was consulted on how to make the Egyptian and Ethiopia dress. Dana McBroom-Manno is a Master of the Dunham Technique. After moving to East St. Louis, he took up the post of artist-in-residence at Southern Illinois University.A liberal arts curriculum that would be a foundation for further college work was created when she brought together anthropologists, sociologists, educational specialists, scientists, writers, musicians, and theater people. She collaborated with Buckminster Fuller, one of her fellow professors. In 1965, President Lyndon B. Johnson nominated <mask> to be a cultural adviser to the government of Senegal in West Africa. The First Pan-African World Festival of Negro Arts was to be arranged by her in order to help train the Senegalese National Ballet. She occasionally returned to Senegal to scout for talented African musicians and dancers after establishing a second home there. The Performing Arts Training Center was opened in order to combat poverty and urban unrest. Unemployment in the city was high due to the loss of many working-class jobs due to the restructuring of heavy industry.Gang members in the ghetto were encouraged to use drumming and dance to vent their anger after the assassination of Martin Luther King Jr. The teaching staff of the PATC was made up of former members of the touring company. While trying to help the young people in the community, he was arrested. The local police officials were embarrassed and quickly released her. She taught the Dunham technique to succeeding generations of dance students. She lectured to students from all over the world at the Masters' Seminars. The centers were established to preserve artifacts from her collection.The University of California, Berkeley hosted an artist-in-residence and lecturer in 1976. Kaiso! is a photographic exhibit about her achievements. The Women's Center is on the campus. An anthology of writings about her was published in 1978. The Institute for the Study of Social Change published a limited edition of 130 copies of the book. The Dunham technique was developed in the mid 20th century. Dunham is a technical dance form developed from elements of indigenous African and Afro-Caribbean dances.Rhythm is the core of modern dance principles including contraction and release, groundedness, fall and recover, counterbalance, and many more. These principles are incorporated into a set of class exercises she labeled as "processions". Each procession builds on the last and focuses on conditioning the body to do specific exercises later. There is a strong emphasis on breath and alignment in the video footage of the classes. Dancers are often told to put weight on the balls of their feet, lengthen their spine, and breathe from the abdomen. Dancers are trained to engage with polyrhythms by simultaneously moving their upper and lower bodies according to different rhythms. The exercises prepare the dancers for African social and spiritual dances that are practiced later in the class.The development of her technique came from a need for specialized dancers to support her choreographic visions and a greater desire for technique that she wanted to say. While admiring the narrative quality of ballet technique, she wanted to develop a movement vocabulary that captured the essence of the Afro-Caribbean dancers she worked with. Many of her students seem to agree with her that her technique is a way of life. The influence of her open technique classes and artistic presence in the city has been talked about by many of her students. Some of her students attribute their success in life to the structure and artistry of her technical institution. The influence of cultural movement languages outside of dance can be found in the Dunham technique. The American Dance Festival and The Ailey School are places where Dunham is still taught.The company toured throughout North America in the 1940s and also performed in the South. After learning that the city's black residents had not been allowed to buy tickets for the performance, she refused to hold a show in the theater. In October 1944, after getting a rousing standing ovation in Louisville, Kentucky, she told the all-white audience that she and her company would not return because their management wouldn't allow people like them to sit next to them. She hoped that the "war for tolerance and democracy" would bring about a change. During the course of the tour, <mask> and the troupe had recurring problems with racial discrimination, leading her to a posture of militancy which was to characterize her subsequent career. When the producer said she would have to replace some of her darker-skinned company members, she refused to sign a lucrative studio contract. Black Americans were not allowed to stay at hotels in many regions of the country when she and her company were on tour.While she was officially representing American cultural life in her foreign tours, she was given very little assistance by the U.S. State Department. The ballet that dramatized the lynching of a black man in the racist American South was disapproved of by department officials. The premiere performance on December 9, 1950 at the Teatro Municipal in Santiago, Chile, generated considerable public interest in the early months of 1951. The ballet presented to foreign audiences had a negative view of American society. As a result, she would experience some diplomatic difficulties on her tours. Even when it was entertaining U.S. Army troops, the State Department refused to support her company, even though they were unofficially artistic and cultural representatives. The Hotel Esplanada was frequented by many American businessmen and was refused rooms by the Afonso Arinos Law in Brazil in 1950.She made sure the incident was publicized because of the fact that it was due to racial discrimination. The incident became a hot political issue in Brazil. The Afonso Arinos law made discrimination in public places a felony in Brazil. In 1992, at the age of 83, <mask> went on a hunger strike to protest the U.S. foreign policy against Haitian boat- people. She went on a hunger strike for 47 days to protest the forced repatriation of Haitian refugees. She said her job was to create a useful legacy. Many different people came to her home to show their respect, such as Jonathan Demme and Louis Farrakhan.The plight of the Haitian boat- people and the U.S. discrimination against them were brought to the attention of the international community. After Jesse Jackson personally requested that she stop risking her life for this cause, she ended her fast. She received a medal of Haiti's highest honor in recognition of her stance. In 1931, <mask> married Jordis McCoo, a black postal worker, but he didn't share her interests and they ended up divorcing in 1938. John Thomas Pratt, a Canadian who had become one of America's most renowned costume and theatrical set designers, began to work with <mask> about that time. The two of them shared interests in African-Caribbean cultures and he was happy to help her out. They became romantically involved after he became her artistic partner.In the summer of 1941, after the national tour of Cabin in the Sky ended, they went to Mexico, where inter-racial marriages were less controversial than in the United States, and got married on July 20, 1941. It wasn't recognized as a legal marriage in the United States, a point of law that would come to trouble them later. The couple adopted a 14-month-old baby named Marie- Christine from France in 1949. From the beginning of their association, the sets and costumes were designed by Pratt. She continued to work with him until his death. They traveled to Haiti for extended stays when she wasn't performing. In the late 1940s, she

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texts: purchased a large property in the suburbs of Port-au-Prince known as Habitation Leclerc.As a private retreat, Habitation Leclerc was frequently used by <mask> to bring members of her dance company to recuperate from the stress of touring and to work on developing new dance productions. She sold it to a French businessman in the early 1970s after running it as a tourist spot. During her brief stay in the United States after the death of her brother, she suffered a nervous breakdown. He was a philosophy professor at Howard University. She developed a friendship with the psychologist and philosopher Erich Fromm, whom she had known in Europe. He was one of the international celebrities who were friends with <mask>. In December 1951, a photo of <mask> dancing with Prince Ali Khan at a private party he had hosted for her in Paris appeared in a popular magazine and fueled rumors that the two were romantically linked.Both the prince and <mask> denied the idea. A quiet ceremony in Las Vegas took place earlier in the year in which the prince and Rita Hayworth were married. The couple adopted a 14-month-old girl they found as an infant in a convent nursery in France. She was the only child of the couple. Julie Robinson and her husband, singer and political activist Harry Belafonte, were among the friends and colleagues of <mask>. They were close friends of <mask> for a long time. The former dancers who remained her lifelong friends were Glory Van Scott and Jean-Léon Destiné.She died from natural causes in New York City. She died a month before her 97th birthday. She wished her family well. Six decades ahead of the discipline, Legacy Anthropology was pioneered and demonstrated new ways of doing and imagining anthropology. Anthropology's participation in scientific colonialism was discussed by scholars in the 70s. This wave continued throughout the 1990s with scholars publishing works such as Decolonizing Anthropology: Moving Further in Anthropology for Liberation, Decolonizing Methodologies, and more recently, The Case forLetting Anthropology Burn, that critique anthropology and the discipline's roles in colonial knowledge production and power structures. The literature encourages researchers to use their research to benefit the communities they work with.Six decades before the new wave of anthropological discourse began, anthropologists used anthropology as a force for challenging racist and colonial ideologies. After recovering dance epistemologies relevant to people of the African diaspora during her ethnographic research, she applied anthropological knowledge to develop her own dance pedagogy that worked to reconcile with the legacy of colonization and racism. Her dance education brought about feelings of hope and dignity for inspiring her students to contribute positively to their own communities, and spreading essential cultural and spiritual capital within the U.S., just like her colleague. After finishing her master's degree in anthropology, she was forced to choose between her career in dance and graduate school. "My problem was to remain in this academic position that anthropology gave me, and at the same time continue with this strong drive for motion - rhythmic motion", she said during an interview in 2002. She didn't have a master's degree in anthropology so she continued her career in dance. She knew that if she continued to limit her work within academia, it would be harder for her work to be seen by a wider range of people.She continued to engage with and influence the discipline for the rest of her life despite the decision. One of her biographers wrote that anthropology became a life-way for her. Research-to- performance is a concept within Dance Anthropology. There are many questions essential to anthropology's postmodern turn, such as critique of understandings of modernity, interpretation, and cultural relativism. Several Black women, including Erna Brodber, were working to transform the discipline into an anthropology of liberation: employing critical and creative cultural production. Many scholars say that <mask> is important to the fields of Dance Education, Applied Anthropology, Humanistic Anthropology, African Diasporic Anthropology and Liberatory Anthropology. She was named one of the most influential African American anthropologists.She was a pioneer of Dance Anthropology, established methodologies of ethnochoreology, and her work gives essential historical context to current conversations and practices of decolonization within and outside of the discipline of anthropology. Her legacy is still shining with each new day. Anna Kisselgoff is a dance critic for The New York Times. In introducing authentic African dance-movements to her company and audiences, sheexploded the possibilities of modern dance expression. According to her biographer, Joyce Aschenbrenner, there is no American black dancer who has not been influenced by the Dunham Technique, unless he or she works entirely within a classical genre. The August 2000 issue of Dance magazine had a cover story on <mask>. As Wendy Perron wrote, "Jazz dance, 'fusion' and the search for our cultural identity all have their antecedents in <mask>'s work as a dancer, choreographer, and anthropologist."She was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 Her early and lifelong search for meaning and artistic values for black people, as well as for all peoples, has motivated, created opportunities for, and launched careers for generations of young black artists. She was described as one of our national treasures by a black writer. The rise of American Negro dance began when she and her company jumped into the Windsor Theater in New York, from Chicago in 1940. She integrated techniques of ballet and modern dance with African and Caribbean styles of movement, which included a flexible torso and spine, articulated pelvis and isolation of the limbs. Her mastery of body movement was consideredphenomenal. She was praised for her smooth and fluent choreography and dominated a stage with what has been described as "an unmitigating radiant force providing beauty with a feminine touch full of variety and nuance."Her company of magnificent dancers and musicians met with the success it has and that she as explorer, thinker, inventor,organizer, and dancer should have reached a place in the estimation of the world. The perspectives of concert-theatrical dance in Europe were profoundly affected by the performances of the Dunham troupe. While in Europe, she influenced hat styles on the continent as well as spring fashion collections, featuring the Dunham line and Caribbean Rhapsody, and the Chiroteque Franaise made a bronze cast of her feet for a museum of important personalities. Many well known performers, including Archie Savage, Lavinia Williams, and Tommy Gomez, were nurtured by the company. "The closest thing to a unified Afro-American dance existing is the Dunham Technique," said Ailey, who first became interested in dance as a professional career after seeing a performance of the Katherine Dunham Company as a young teenager in Los Angeles. Maya Deren was the personal assistant and press promoter for several years and later wrote The Divine Horseman: The Voodoo Gods of Haiti. Deren is considered to be a pioneer of independent American films.In particular, she was involved with the Lucumi tradition in the Caribbean and the United States. She shed light on the cultural value of black dance, and INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals According to Julia Foulkes,<mask>'s path to success lay in making high art in the United States from African and Caribbean sources. Over the years, she has received scores of special awards, including more than a dozen honorary doctorates from American universities. The National Dance Association gave her the Heritage Award. She received the Albert Schweitzer Music Award for a life's work dedicated to music and devoted to humanity. She received the Kennedy Center honors in 1983, one of the highest artistic awards in the United States.The American Anthropological Association gave her a distinguished service award. In 1987 she received the Samuel H. Scripps American Dance Festival Award and was also inducted into the National Museum of Dance's Mr. and Mrs. Whitney Hall of Fame. The National Coalition of 100 Black Women gave her an award. She was one of only two University of Chicago alumni to receive a National Medal of Arts. There is a star on the St. Louis Walk of Fame. She was named one of the first hundred of "America's Irreplaceable Dance Treasures" in 2000. She was included in the book 100 Greatest African Americans.She received a Lifetime Achievement Award in 2004. She was awarded Outstanding Leadership in Dance Research by the Congress on Research in Dance. References sources include Aschenbrenner, Joyce. The woman is dancing a life. The University of Illinois Press was published in 2002. Elizabeth Chin. The 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846American Anthropologist 112, no. December 4, 2010: 640–42. There is a stable at www.jstor.org. Elizabeth Chin. Recovering an Anthropological Legacy, Choreographing Ethnographic Futures is a work by the author. There is an advanced seminar series. The School for Advanced research Press is located in Santa Fe, NM.Cruz Banks is from Ojeya. The book is called "Decolonizing Anthropology Through African American Dance Pedagogy." Transforming Anthropology 20 was published in 2012 There is a person named <mask>, and there is a person named Hepburn, and there is a person named Hepburn, and there is a person named Hepburn, and there is a person named Hepburn, and there is a person named Hepburn, and there is a person named Hepburn, and there is There is a touch of innocence. The University of Chicago Press was published in 1994. There is a person named <mask>, and there is a person named Hepburn, and there is a person named Hepburn, and there is a person named Hepburn, and there is a person named Hepburn, and there is a person named Hepburn, and there is a person named Hepburn, and there isThe island is possessed. The University of Chicago Press was founded in 1994. Coward, McCann, and Geoghegan were in New York in 1982. "Kaiso!" Writings by and about a woman. Choice Reviews Online 44, no. The year 2006: 44–0233.TheCHOICE.44-0233 is available for free. There is a person on dance anthropology. There is a video. The item can be found at www.loc.gov. Her films are about anthropology. There is a video. " Between primitivism and Diaspora: The Dance Performances of Josephine Baker, and others," Theatre Journal 55, was written by Anthea Kraut.The Black Tradition in American Dance was written by Richard A. Smithmark Publications was in New York. There is a collection at the Library of Congress. There is a guide to the photograph collection. The UC Irvine libraries have special collections. The National Visionary Leadership Project contains excerpts from the oral history video "Overcoming 1940s Racism". On June 26, 2002, at a Jacob's Pillow Dance Festival, there was archival footage of a speaker.The New York Times wrote about how the Dance Pioneer died at 96 and how he was remembered by the centers for arts and humanities. 20th-century American actresses, 20th-century American musicians, 20th-century American women, 20th-century anthropologists, and American social scientists all had

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