texts: <mask> MC was a Royal Marines officer who was held captive in Colditz Castle during the Second World War. He was a recipient of the Military Cross. <mask> was born in 1919. He was the son of Major <mask> MC. He was educated at a college. <mask> joined the Royal Marines in 1937 and passed out at Deal, Kent, before the outbreak of World War II. He was promoted to Lieutenant on February 2, 1940.He was posted to the heavy cruiser. The Norfolk was sent to the Clyde for repair after it was bombed. <mask> was selected to be part of the BEF and was redeployed to Chatham. After midnight on 25 May 1940, Captain Courtice's company of 85 Royal Marines landed at Calais. They were charged with helping the French marines defend the ancient citadel at the centre of the town. They were surrounded and out of bullets after they were attacked by the XIX Panzer Corps. <mask> was mentioned in dispatches for his "courage and devotion to duty" in racing up and down the beach to keep his machine gun supplied.The official German record said that the enemy seemed to have received reinforcements after two days of heavy fighting. The British troops, including <mask>, were taken prisoner after they surrendered to the Germans. The captured troops were marched through northern France. They were transferred to Tittmoning from Laufen camp. The Royal Marines were moved to a part of Stalag X-B where they were planning to escape. During the winter of 1941–42, the two men became friends after Bruce was imprisoned with <mask>. A 251-yard-long tunnel, complete with rest bay, electric lighting and air flow system, as well as a signalling device to warn of the approach of sentries, was conceived, designed and built by hand with a number of colleagues.The soil was hidden under a hut. <mask>, Bruce and 10 other officers escaped on April 7, 1942. Within a few hundred yards of the Danish border, Bruce and <mask> were captured after 12 days on the run. The pair escaped again, this time by jumping aboard a prison truck, but were caught by the German police at the railway station. Stalag VIII-B is a prison camp for other ranks. Their stay was only a few months. Two of <mask>'s colleagues were also caught escaping after <mask> was found dangling from a window within inches of a guard dog.They were sent to Colditz Castle. During the summer of 1942, Bruce and <mask> arrived at Colditz Castle, where fellow persistent escapees were engaged in planning more escapes, and <mask> was involved in the various projects. The three Royal Marine officers who were at Colditz had a reputation for bravery and good humour, and <mask> was noted as being particularly outspoken, a persistent nuisance to his captivity and equally amusing to his colleagues. He stole the cap of the German officer who was talking about the merits of Wagner during the musical evening. The Germans were amused when, late for a roll-call, he called from a castle window to the parade below "I'll come down and join you all in a minute". During the fall of 1943, Mike Sinclair was captured. Sinclair was shot by a German officer after he surrendered.<mask> shouted "German murderers!" when he thought his friend was dead. He was sentenced to two months in a military prison. After 40 years, some 30 officers and their wives made a return visit to Colditz, and <mask> was seen by millions of television viewers standing in the courtyard and taking off the Commandant's "Call to Appell" at the top of his voice. <mask> remained in Colditz until he was released on April 16, 1945. He had a brief re-training period after the war. He was a temporary captain. The Royal Marines in Berlin had an officer named <mask>.<mask> was returned to Britain after this posting. He was posted to the carrier. He and Donald Douglas, a former prisoner of the Japanese, were determined to confront the ship's captain and insist on reasonable treatment. <mask> entered the captain's cabin and declared, "Look, Sir, we're here to tell you that we've both been b*d about as PoWs and we're not having any of it in peacetime!" To his surprise, the captain replied, "All right, I hear you." You should dismiss! The captain of the ship told them that he was reading a book on how to deal with ex-PoWs, or their fate might have been different.He was posted to Egypt, Aqaba, Hong Kong and Malaya. During the Malayan Emergency, he was made an officer in charge of the jungle operation. He was asked to go on a jungle patrol with Mr Justice Brown. A bandit threw a grenade at the soldiers as they made their way up a hill at Ringlet. <mask> calmly covered the grenade with his hat and held it while his friends ran to safety. The grenade failed to explode. <mask> was surprised that he was awarded the Military Cross for his "vigor, determination and outstanding skill" in conducting operations against the bandits.On January 14, 1955, he was promoted to major. He became an Amphibious Staff officer. A six-month Joint Training course with the US Marines was followed by postings to the RN Staff College and Amphibious Warfare HQ. He was promoted to lieutenant colonel in 1961. He was in charge of 40 Commando until 1963. During the confrontation with the Indonesians following the Brunei Revolt of 1962, he was frequently employed in Borneo. <mask> retired from the Royal Marines on March 3, 1967.<mask> married Barbara Lewis in 1945. They had two boys. <mask> and his family moved to the Bahamas after he retired from the Marines. <mask> joined the company in 1967. <mask> and Suzanne Twiston-Davies were married in 1974 after the death of Barbara. He and Hilary Jones bought McPherson & Brown in 1981 and changed it to Churchill & Jones. The Northern Bahamas of RE/MAX was granted a franchise by <mask> in 1997.The death of <mask> <mask> occurred in 2001. There were Royal Marines personnel of World War II who were held in Germany, as well as prisoners of war who were held in Colditz Castle.

masks:
David Peter Lafayette Hunter
David Peter Lafayette Hunter
Lafayette Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
Hunter
David Peter
Lafayette Hunter


type: paraphrased

texts: The Duke of Aquitaine was known as Hunald I, also spelled Hunold, Hunoald, Hunuald or Chunoald. He was an officer of the Merovingian kings of Francia, but Aquitaine was completely independent when he took it. The lowest point of the Merovingian monarchy was when the kingdom was ruled by the mayors of the palace. At the beginning of his reign, Hunald was forced to accept the authority of the mayor of the palace, but he tried three times to throw it off. He did manage to retain Aquitaine. He retired to a monastery and gave power to his son. He died during an attack on Rome.Despite the opinion of historians that Hunald left his monastery to lead Aquitaine again, <mask> I seems to have been a different person from the <mask> <mask>, who led the revolt that followed the death of Waiofar. Hunald succeeded his father after he died. His brother Hatto acted with him. Hunald had the same name as his father, brother and son. His father enlarged the Aquitanian province to include territory along the Loire that had once been Neustrian and the Auvergne region that had been Austrasian. Charles Martel led an expedition into Aquitaine. The well-fortified city of Bordeaux was occupied by him.He wasn't recorded as having met any resistance. The purpose of this expedition was to change the constitution of Aquitaine in the Frankish kingdom by forcing Hunald to recognize his lordship and to pay taxes to the royal government. The show of force worked. Charles gave the duchy of Aquitaine to Hunald and made him and his brother give a "promise of faith" to him and his sons. Charles did not retain Bordeaux or any other part of Aquitaine after this success. According to the late 8th-century life of Pardulf, Hunald succeeded his father as princeps and later served Charles as legatus. Hunald and Hatto rebelled against Charles despite their promise of faith.Hatto was captured by Charles's forces and handed over to the bishop of Auxerre. Ainmar was deposed and imprisoned by Charles after Hatto escaped from prison. He tried to escape from prison. Hatto's brother betrayed him. Hunald blinded him and imprisoned him in a monastery after inviting him to a meeting. The price for allowing Hunald to keep his duchy was the betrayal of Hatto. There is some evidence of low-level conflict, but the peace between Hunald and Charles seems to have continued until Charles's death.Charles Martel and his brother, Childebrand <mask>, led several expeditions against the Umayyad forces. As his father had done Charles Martel, the son of Hunald harassed the forces of Charles's son Pippin the Short during the siege of Narbonne in 752–59, according to the Annals of Aniane. Charles never besieged Narbonne, possibly because Hunald was threatening his lines of communication, despite achieving a crushing victory over the Umayyads. Hunald's revolts were the most serious. The dukes of Bavaria and Alemannia were involved in this. The dukes wanted to regain their independence after Charles Martel's death. No king was appointed to succeed Theuderic IV after he died.The brothers conquered the city of Bourges and the fortress of Loches after raising an army. According to the Chronicle of Fredegar, the Gascons of Aquitaine rose in rebellion under Duke Chunoald. Carloman and Pippin crossed the Loire at the city of Orléans. As they pursued the Duke Chunoald, they laid waste to the outskirts of Bourges, which they set on fire. The stronghold of Loches fell and the garrison was taken prisoner. Their victory was over. They took off the local inhabitants and got home in the autumn of the same year.. Gascony was a separate land from Aquitaine at that time and the reference to Gascons indicates that Hunald had Gascon allies. Before leaving Aquitaine, Carloman and Pippin met at Vieux-Poitiers to agree on a division of Francia between them, having imprisoned their illegitimate half-brother Grifo. Aquitaine was not included in this division because of its continuing independence. After Carloman and Pippin left, Hunald crossed the Loire in support of Duke Odilo. He is said to have destroyed the church of Saint Mary in the city of Chartres. The church of Chartres was to become a cathedral.Hunald did not meet any opposition. Childeric <mask> was placed on the throne in early 743 by Carloman and Pippin. The poor defence was put up against the invasion of Hunald. The brothers' authority would increase if they could do it in the name of the king. Carloman and Pippin invaded Aquitaine again in 745 to punish Hunald for the raid of 742. According to the Annales Mettenses priores, Hunald swore an oath to obey their will and gave hostages. He retired to a monastery on the le de Ré after this humiliation.According to the Annales Mettense, he took off the crown on his head and swore a monk's vow before entering the monastery. He was succeeded by his son. Hunald joined one of the suburban monasteries attached to Saint Peter's Basilica. Rome was attacked by the Lombard king. Hunald died in the fighting. He may have been stoned to death for taking charge of the defence of Saint Peter's. The character Huon de Bordeaux was inspired by Hunald.The year of birth of Frankish warriors is unknown.

masks: Hunald Hunald II I III


texts: During the Joseon Dynasty, <mask> was a Korean calligrapher, painter, philosopher, poet, and politician. His pen name was Misu. The best Chinese calligrapher of his time was <mask>. He was the first person in Korean history to hold a high-ranking position without taking the civil service exam. <mask> was born in Hanseong. <mask> was the Vice Prime Minister of Joseon and his father was a member of the lower bureaucracy. Im Je was <mask>'s paternal grandfather.<mask> Kyo was a student of Park Ji-hwa. The students of Park Ji-hwa and Seo Gyeong-deok were to join the Easterners at the Joseon Court. The court politics were divided into two groups: the Southerners and the Northerners. <mask>'s family were members of the Northerners. <mask> Mok was a student of Yi San-hae and Yi Won-ik. He married Lady Yi of the Jeonju Yi clan, a granddaughter of Yi Won-ik. Yi Won-ik's support made the marriage successful despite opposition from his wife's family.In 1615, <mask> Mok and his cousin, <mask> Hu, went to study at a private educational institute. In 1626, <mask> <mask>, the head of management of the dormitory of educational institutions, imposed personal sanctions on Park Ji-gye, accusing him of joining King Injo's attempt to destroy the Li. He wasn't allowed to apply for Gwageo for a period of time. He was appointed to the position of Naesikyokwan in 1651, but resigned a few years later. After serving as Jojiseobyuljwa and as Gongjojwarang, he resigned. He was reappointed to the position of Gongjojwarang in 1657. He was reappointed to the position in 1658<mask> <mask> became head of Jangakwon in September of 1659, after he was appointed to Buhogun. He was appointed leader of Sanguiwon in December. Song Jun-kil and Song Si-yeol were at odds with him regarding the length of time for Queen Jangryeol, the second wife of King. The mourning period for Grand Royal Queen Jaui was initially set at one year, but the Southerners disagreed, and this led to the start of an argument. On the other hand, Song Jun-kil and Song Si-yeol argued that the Queen should only mourn for the second son of Injo for a year. According to <mask> <mask> and Yun Hyu, Queen Jaui should mourn for three years for her husband's death because he was King Injo's oldest son. While Song Si-yeol claimed that the Joseon Dynasty was small China to justify his arguments, <mask> Mok claimed that the Kingdom of Joseon was a different country that was beyond the rule of China.He wrote Kieun and Dongsa in the second Yesong argument. The "Eastern History" was a Korean history book that did not agree with the idea of the national ancestor being Gija. Queen Inseon died in 1674. There was a dispute over the length of the mourning period for Queen Jangnyeol. The wife of Injo's second son should be mourned for 9 months according to Song Si-yeol. According to <mask> Mok and Hyu, Queen Inseon was the first daughter-in-law of King Injo and needed one year of mourning. The ruling party headed to Song Si-yeol wanted a cabinet reshuffle in order to give the power to the Southerners.The victory was for <mask> Mok and Yun Hyu. <mask> Mok was still trusted despite his death. He was appointed to Yijochamui in November 1674. He was appointed for a number of posts in 1675. <mask> Mok was promoted to Right StateCouncillor of Joseon. <mask> Juk's illegitimate son, <mask> Gyeon, abused his power and <mask> Mok attacked him, but the Southerners took <mask> Juk's side. He died in Gyeonggi Province at the age of 86.<mask> <mask> and Yun Hyu were called Samunanjeok by the Westerners. He was rehabilitated in 1689. He was posthumously honoured as a Chief State Councillor. <mask> Mok was posthumously given the title Munjeong.

masks:
Heo Mok
Heo
Heo Mok
Heo Ja
Heo Mok
Heo
Heo
Heo
Heo
Heo
Heo
Mok
Heo
Mok
Heo
Mok
Heo
Heo
Heo
Heo
Heo
Heo
Heo
Heo
Heo
Heo
Mok
Heo


texts: <mask> was a German writer and artist who worked in Berlin. <mask>'s father was a metalworker at the royal buildings. From 1892 to 1895, <mask> attended the trade school and the technical college. His first job was as a stonemason. He met Raoul Hausmann after moving to Berlin. They would become influential figures in Berlin. He designed a utopian World Temple in 1906.Greek and Indian Archetypes were some of the forms of inspiration. The building, which was to be 1500m high, remained unbuilt and is only in the form of sketches and writings. He created designs for an unbuilt zoo. In 1914, <mask>'s output began to increase. Over the course of the next few years, he wrote articles for two journals and published a book on Monism. During the First World War, he was found to be insane due to manic depression. He gave outrageous public performances parodying public and mythic identities and produced utopian designs of monumental, metaphysical, and messianic dimensions.He ran for office in the Reichstag. He became a leader in the German political party known as The Central Council of Dada for the World Revolution. He was appointed head of a society called Christus, which was founded in 1917 as a legal company. Hausmann explained that the plan was to recruit people to join the society for 50 marks, after which they could become Christ and be free from all temporal authority. There were attempts to equate conscientious objection with Christian martyrdom. On November 17, 1918, he became the center of a scandal after giving a performance in Berlin Cathedral which disrupted a sermon. He shouted either "You are the ones who mock Christ, you don't give a damn about him" or "To hell with Christ!" from the choir loft above him.He claimed in 1918 that he had been resurrected as the Oberdada, the president of the universe, a parody of a high-ranking military figure. He wrote a tract in the same year. The explanations of his 'cosmic identity' were expounded in a number of pieces. He credits him with being the first to have created giant collage art, which he produced from life-size posters and used in his direct action campaigns, after which he destroyed them. The inaugural ceremony for the first German republic took place in 1919 at the Weimar Theater. The home-made flyers were thrown onto the heads of the politicians. The Green Horse was nominated as the new government's President by these flyers.The only member of the Berlin Dada movement capable of carrying out their resistance movement with maximum publicity was <mask>. He put in the shade the activities of Dadaists in New York, Berlin, and Paris for lack of inhibition. He was the furthest removed from normal (and therefore convention) of them all. This unique artwork, part national history, part personal biography, now survives only through photographs and is considered to be the first environment in the history of art. This new art form is called démontage because of it's deconstructive essence. The sketches of visionary architecture were similar to those of Hausmann and Yefim Golshev. After the abdication of the Kaiser in 1919, <mask> printed calling cards proclaiming he was the President of the Earth and Universe.He applied to teach at the school. Gropius declined. At the age of 80, <mask> died in a home for the elderly in Adldorf, Germany. There are references to Hanne Bergius. Berlin, 1917–1923. The artistry of polarities. Metamechanics - manifestations.There is a new edition of Vol. There are ten editions of Crisis and the Arts. The History of Dada is a book. Stephen Foster is from New Haven, Conn. The Dionysian-Apollonian Process of Dada was written by Hanne Bergius. The History of Arts and the Humanities, Los Angeles 1999, pp. There were 115 and 139.The University of California Press published Expressionist Utopias in 2001. 189. The Institute of Fine Arts, New York University 2005, Adrian V. Sudhalter, <mask> and the Demise of Wilhelmine Culture: Architecture, Dada, and Social Critique. <mask> is an artist and art. The Postwar Plasto-Dio-Dada-Drama and German War Exhibitions were written by <mask>. The article is titled "Dada/ surrealism 21". There is a website.The births and deaths of architects from the 1870s to 1955.

masks:
Johannes Baader
Life Baader
Johannes
Baader
Baader
Baader
Baader
Johannes Baader
Johannes Baader
Johannes Baader


texts: He was a Canadian-born American theologian and philosopher. When he was born in Wolfville, Nova Scotia, on August 7, 1926, he moved to Massachusetts where he attended Rivers Country Day School. In The Lustre of Our Country The American Experience of Religious Freedom, he is mentioned. The two men prayed together at the school, and Noonan refers to him as a childhood rival. <mask> was my chief academic rival because his uncle was our Latin teacher. He received a Bachelor of Arts degree in physics from Harvard University in 1941 and a Bachelor of Divinity degree from Yale Divinity School in 1951. He received a Doctor of Philosophy degree from Yale in 1961.He was a voice for the inclusion of women in higher education in relation to the benefits of co education when he was an assistant professor at Princeton University. In 1971 he was elected to the position of Bussey Professor of Theology at Harvard Divinity School. According to Harvard University's President's Report,<mask> was a lecturer at the University of Birmingham, England, in 1969 and held a Fulbright Scholarship at the University of Louvain, Belgium, in 1958. He was a guest minister at churches throughout the country and won a number of prizes for his teaching. There was a death in Boston, Massachusetts, on September 10, 1980. The author and editor of 25 books and/or articles in 48 publications in two languages had interests in theology and philosophy. He advocated for a God capable of change and had little patience for monism.He embraced and defended the doctrine of the Trinity despite rejecting dogmas. He could be classified as an American pragmatist. He didn't believe the Bible to be inerrant and he wasn't a literalist. He believed that the primary importance of the biblical text was to interpret the life of Christ in the believer's context. His method called for New Testament biblical studies that grounded theological interpretation in scholarly analysis and the historical context of first-century Palestine. He believed that the interpretive context was changed by the personal struggles of the believer. He was interested in poetry and forms."For him theology was never an armchair exercise, it was always a matter of life and death, a struggle over ultimates," said Timothy George. The Christian theology of suffering is presented by drawing upon New Testament exegesis, theology of religion, and history of doctrine. After his death, interest in his publications waned. His books on suffering and death have enjoyed a resurgence over the last few years. David Cain, a professor of religion at the University of Mary Washington and a United Church of Christ minister, is one of the people who are republishing the works of McGill. A list of his publications and more information about his professional contributions to the field can be found in David Cain's article "Arthur McGill: A Memoir". The Distrust of Reason was written by <mask>. Reason in a Violent World.In 1959 there was a p 34-50. The place of dogmatic theology in the university. Yale University. 1961. The Celebration of the Flesh was written by <mask><mask>. The New York Association Press. 1964.The End of Intimacy Christian Faith and Higher Education Institute was written by <mask>. 1965. The Christian Scholar, Spring 1966. The Many-Faced Argument with John Hick Eds. was written by <mask>. The Many-Faced Argument with John Hick Eds. New York. 1967. The Death of God and All That in Radical Theology: Phase Two was written by <mask><mask>.Glenn R. Wittig and C.W. Christian are authors. Philadelphia is named after Lippincott. 1967. A Human Problem Man in Nature and the Nature of Man was written by <mask>. Technology. The fifth Combined Plan Conference was held at the Arden house. November 1967. The test of the theology of suffering was written by <mask><mask>.1968. The Westminster Press was published in 1982. Arthur C. Critique II Theology Today was published in 1968. <mask>. is wondering if private charity is coming to an end. A bulletin for church officers was published in 1969. The study of religion in colleges and universities was written by Paul Ramsey and John F Wilson. The school is called Princeton.p105-38 was published in 1970. The Crisis of Faith Thesis was written by <mask><mask>. In 1974. The structures of inhumanity were written by <mask><mask>. There are disguises of the demonic. NY association 1975.There are External links to <mask><mask>: Conversation and Tribute.

masks:
Arthur
McGill
Arthur C
Arthur C
. McGill
Arthur C
Arthur C
Arthur C
. McGill
Arthur C
Arthur C
. McGill
Arthur C
Arthur C
. McGill
Arthur C
. McGill
Arthur C
. McGill


texts: <mask> was a Latin jazz musician who helped refine Afro-Cuban jazz and created both Cubop and salsa music. He was raised in Havana with his foster sister. In New York City, <mask> formed the Afro-Cubans in 1940, bringing together Cuban rhythms and big band arrangements in one group. He made a lot of recordings from the 1940s to the 1980s. In 1975, Machito changed to a smaller format. One year before he died, he brought his son and daughter into the band and received a award. The careers of many musicians who played in the Afro-Cubans over the years were affected by <mask>'s music.George Shearing said <mask> was an influence. The intersection in East Harlem is named after him. There were conflicting accounts of <mask>'s birth. He claimed to be a native Cuban from Havana. He is an American of Cuban ancestry according to some accounts. He may have been born in the Jess Mara district of Havana in 1908, or in the Marianao Beach district of Havana in 1909, or in the Tampa district in 1912, or in the Havana district in 1915. <mask> was raised in Havana's Jess Mara district, where his foster sister was born in 1915.Both of them were raised by her parents. Francisco Ral Gutiérrez Grillo, the son of a cigar manufacturer, was nicknamed "Macho" as a child because he was the first son born to his parents after they had three daughters. In his teens and twenties in Cuba, "Macho" became a professional musician. Career Macho was a vocalist with Las Estrellas Habaneras in New York City. In the late 1930s, he worked with a number of Latin musicians, including Conjunto Moderno and Cuarteto Caney. The first rehearsal of the Afro-Cubans took place at the Park Palace Ballroom in Harlem on December 3, 1940, after an earlier attempt to start a band with Mario Bauz. A big band-style brass section with trumpets and saxes was backed by a trap drum, piano, bass and a Cuban bongo.Mario Bauz was Machito's musical director for 34 years. Bauza played the trumpet and saxophone. The band had a hit in 1941. "pigeon soup" is a Puerto Rican joke about nearly starving as an immigrant in New York. The first fusion of Afro-Cuban rhythms with jazz was done by <mask> and the Afro-Cubans. The Afro Cubans had a maraca player named <mask> and a musical director named Bauza. Bauza, <mask>'s brother-in-law from his marriage to <mask>'s sister Estela, hired jazz-oriented arrangers and musicians to replace the band's founding member who had been drafted into the U.S.The inspiration of <mask>'s music came from the United States jazz musicians. "Machito," an Afro-Cuban number composed by Stan Kenton and Pete Rugolo, was released as a Capitol 78 in 1947. During World War II, <mask> was drafted into the United States Army. He suffered a leg injury after a few months of training and was discharged in October. Bauza had sent for <mask>'s foster sister, Graciela, who had traveled to New York from Havana, where she had been performing with the all-female Orquesta Anacaona. <mask> returned to front the band after a year in which he was lead singer of the Afro-Cubans. At performances, the two singers alternated solo songs and created duets such as "Si Si No No" and "La Paella".Adding to the percussion were <mask>'s maracas. Willie Bobo helped move the band's gear to Upper Manhattan so he could watch them play. Near the end of the evening, if there were no musician's union leaders in sight, he borrowed bongos from José Mangual and played with the band. <mask> helped him get positions in other bands. George Shearing said that <mask> and Willie Bobo helped him learn about Latin music. <mask> played maracas on the song "The Peanut Vendor", which was a hit for Stan Kenton, in December 1947. The other Afro-Cubans at the date were Carlos and José.There was a surge in interest in Cubop after the bands of Kenton and <mask> shared the stage at The Town Hall, New York. <mask> recorded an arrangement of Bauza's "Tanga" with the new title "Cubop City" in 1948. Howard McGhee and Brew Moore played on trumpet and sax, respectively, in <mask>'s live shows. He was in the studio with Charlie and Flip. On February 11, 1949, <mask> played Carnegie Hall on a bill that included Duke Ellington and Bud Powell. There were 78 sides recorded in 1948 and 1949. The 14-piece band had three trumpeters, four saxophonists, a piano player, a bass player, and three percussionists.There were arrangements by pianist Hernndez and vocal additions from the Rigual Brothers. Mitch Miller plays the obo on a song called "Oboe Mambo". For 22 years, <mask> and his band played at the Concord Resort Hotel in the Catskills. The album was issued as a representation of an evening's performance, but it wasn't recorded at the resort. Five-year-old Mario Grillo learned to play the timbales during the 1961 summer series, with lessons from Ubaldo Nieto, then returned to New York with his father's band and played his first gig. The album was mostly original songs by A.K. They collaborated with Bauz.Luciano "Chano" Pozo's song was the only cover tune. Cannonball Adderley is a guest musician along with Doc Cheatham and Joe Newman. The band played the sax on the album. A seven-man percussion section includes Cndido Camero. The album was named after Robert Dimery in his book 1001 Albums You Must Hear Before You Die. In 1975, <mask>'s son Mario Grillo, known as "<mask> Jr", joined the band for the recording of Afro-Cuban Jazz Moods, which was nominated for aGrammy Award. <mask> decided to tour Europe with a smaller ensemble.Bauz had doubts that the enterprise would work musically. She left as well. The tour and smaller band proved to be very successful. He admitted years later that he had acted too hastily. Mario Grillo was the musical director in 1977. A change of tone was signaled by the appearance of Lalo Rodrguez as co-lead singer and composer of three tunes. The band name "<mask> and his Salsa Big Band" was used for further European tours, with <mask>'s daughter Paula Grillo taking the lead vocals.London became the band's " home base" when they appeared in February 1982. <mask> and his band played at the New York portion of the Newport Jazz Festival in 1978. The man is with the band. <mask> and Tito Puente brought their bands to the stage after their sets. The song "Mamba Adonis" was played for 15 minutes by the two bands. The band finished the set with the song "Manteca", an arrangement from 1948. The Best Latin Recording category was won by <mask> & His Salsa Big Band in 1982.In about four hours, the recording was made in the Netherlands. The first jazz song to be based in-clave was composed by Mario Bauz and recorded by <mask> and his Afro-Cubans. The first Cuban jam session that made the world notice was held at the Park Palace Ballroom on May 29, 1943. <mask> was in New Jersey for his fourth week of basic training. The day before at La Conga Club, Mario Bauz, Machito's trumpeter and music director, heard pianist Luis Varona and bassist Julio "Papi" Andino play something which would serve as a permanent sign off. Dr. Bauz leaned over the piano and told Varona to play the same song he had played the night before. The introduction of "El Botellero" was begun by Varona's left hand.Bauz told Andino to play the trumpets, saxophones, and saxes. An Afro-Cuban jazzed up melody began to take shape from the broken chord sounds. Gene Johnson's sax sounded like jazz. Afro-Cuban jazz was invented when Bauz composed a song about marijuana. Whenever "Tanga" was played, it sounded different depending on the soloist. The song "Cu-Bop City" was recorded months after Howard McGhee soloed with <mask>'s orchestra at the Apollo Theatre. The jams which took place at the Royal Roots, Bop City and Birdland between 1948 - 49 were unrehearsed before the Machito orchestra took the stage.The Machito orchestra's ten- or fifteen-minute jams were the first in Latin music to break away from the traditional under four-minute recordings. The first precedent in Latin music was set in 1949 when the Machito orchestra recorded a five-minute song. The Jazz Scene album sold for $25 and was part of the 78 RPM. The right hand of the "Tanga" piano is known as ponchando, which is a type of non-arpeggiated guajeo. The sequence of attack points is emphasized. As a form of accompaniment, it can be played in a strictly repetitive fashion or as a varied theme akin to jazz comping. The 1949 recording by <mask> has the following example in it.The piano is by René Hernndez. The first band to make the triumvirate of congas, bongo, and timbales the standard battery of percussion in Afro-Cuban based dance music. All three instruments increased their roles in Afro-Cuban dance music because of this. The use of broken bell patterns by the bongocero in mambo horn sections, the increased rhythmic vocabulary of the conga drum and its function in a band setting, the increased importance of the timbales role in setting up figures played by the horns and accenting them as a jazz It's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's The first recorded example of all three percussion instruments playing as a section is "Nague". The band explored jazz arranging techniques with Afro-Cuban rhythms.The idea of interpreting Cuban music with as much richness as possible was a new concept. You need to understand how important this was. It made every other band come after them. The first band to explore modal harmony, a concept explored much later by Miles Davis and Gil Evans, from a jazz arranging perspective. The "sheet of sound" effect is achieved through the use of multiple layers. The first big band to explore large scale extended works from an Afro-Cuban perspective. It's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's"The Afro-Cuban Jazz Suite" was written by Chico O'Farill. The first band to wed jazz big band arranging techniques in an original composition with jazz oriented soloists using an Afro-Cuban based rhythm section. It's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's possible that it's "Tanga" is a composition by Gene Johnson and Brew Moore. The first multi-racial band in the US. The band Machito & The Afro-Cubans used the term "Afro-Cuban" to acknowledge the West African roots of the music. The first Afro-Cuban based dance band explored the concept of clave counterpoint from an arranging standpoint.The ability to weave from one side of the clave to the other without breaking its rhythmic integrity within the structure of a musical arrangement. The band set a standard of professionalism and musical excellence that had to be met by the leaders of any group that followed. The sound of the Machito Afro-Cuban was not that of Cugat but that of the majority of New York City's bandleaders. Cugat did not perform for the Latino community in East Harlem and the South Bronx. The community had little access to Cugat's sound, but they may have experienced it through recordings on radio. The Machito Afro-Cubans provided a proving ground for the exchange of progressive musical ideas for Afro-Cuban based dance music and its fusion with jazz arranging techniques, along with jazz oriented soloists in a multi-racial framework that had not existed before. Mario Bauz was the music director for Machito.A progression can begin on either side of the clave. The song section is said to be in 3-2 clave when the progression begins on the three-side. The progression begins on the two-side. The influence of jazz conventions is most likely to be seen in the way salsa and Latin jazz charts represent clave in two measures of cut-time. Changing from one clave sequence to the other is a matter of reversing the order of the measures. The 3-2/2-3 concept and terminology was developed in New York City in the 1940s by Mario Bauza, who was the music director of Machito and His Afro-Cubans. Bauz could move the song from one side of the clave to the other.The opening verse of "Que vengan los rumberos" was written by <mask> and his Afro-Cubans. The melody goes from one side of the clave to the other. A measure of 2/4 moves the progression from the two-side to the three-side. The start of the progression back to two-side is moved by another measure of 2/4. To hear and feel the melody move from one side to the other, clap along with the excerpt. The first 4 12 of the verse are in chronological order. The song flips to the three-side after the half clave.It continues on the V7 for 4 12 claves. The second measure flips the song back to it's original position. "Quegan los rumberos" is a song that alternates between a 3-2 framework and a 2-3 framework. It takes a lot of flexibility to rearrange your orientation in this way. In order to move your point of reference from one side of clave to the other, the most challenging moments are the truncations and other transitional phrases. Along with this excerpt, clap. Frank "<mask>" Grillo creates a tension/release that spans more than a dozen measures.Initially <mask> sings the melody straight, but soon expresses the lyrics in the freer and more syncopated inspiracin of a folkloric rumba. <mask> has developed a lot of tension by the time the song changes to 3-2. The tension is solved when he sings on three consecutive main beats. The song returns to 1-2 and the fifth line in the measure after tresillo. <mask> was a bit short in stature. He changed his nickname from "Macho" to "<mask>" after he married a Puerto Rican. It was possible for New York Latinos to attain a sense of pan-Latino solidarity thanks to the cross-national marriage.Martha, Frank Jr., Barbara, Mario and Paula are the children of Frank and Hilda Grillo. The family lived in Spanish Harlem at 112th Street and Second Avenue, where <mask> enjoyed cooking and writing songs for his children. <mask> had a stroke before a concert in London, England in 1984, collapsing while waiting to go on stage. On April 19, 1984, he died at University College Hospital in London. Mario led The Machito Orchestra after his father's death. Paula has occasionally fronted the group as its singer. Mario Bauz died in 1993.After her husband's death, Hilda Grillo was a patron of Latin music. She died in April 2010 at the age of 94. The intersection of East 112th Street and Third Avenue was renamed "Machito Square" in 1985 by New York mayor Ed Koch. The southwest corner of the intersection was where Machito lived as a young adult. The documentary film Machito: A Latin Jazz Legacy was released in 1987, showing an elderly Machito and his wife in their Bronx apartment, as well as archival footage from performances in the 1940s and afterward. As leader Mucho Macho <mask> (Clef, 1948–1949), vacation at the Concord and Machito with Flute to Boot are included. Bim Bam Boom is an album of Cuban Rhythms by sideman Miguelito Valdés.Selected Transcriptions of <mask> and His Afro-Cubans. A & R edition is in Middleton, Wisconsin. Music of <mask> and his Afro-Cubans can be found at the Library of Congress.

masks: Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito Machito


texts: The Swiss businessman and collector of wine and art is currently living in Switzerland. He worked for several companies in the United States and Switzerland. He works in the fields of wine and luxury goods. He is ranked among the 300 wealthiest Swiss citizens and among the 100 most important figures of the Swiss economy by the Swiss business magazine Bilanz. In 1980 <mask> took over the management of Alrodo AG, which was owned by his father and uncle. The company bought perfumes and cosmetics for imported retailers. After acquiring all of the equity in Alrodo in 1984, he built up the company to become Switzerland's largest perfumery chain with 120 branches.The number of employees increased from 8 to 800. Denz sold Alrodo to a French perfumery chain. In the same year he founded Lalique Group, a company specializing in the creation, production and marketing of perfume and cosmetic brands. Lalique Group completed the acquisition of 50% of Glenturret distillery, one of Scotland's oldest working single malt whisky distilleries, on March 28, 2019. Since 2007, the company has been listed on the stock exchange. The Group has been listed on the SIX Swiss Exchange since June of last year. Over 650 original pieces were in the world's largest private collection of vintage perfume bottles designed by René Lalique.The French crystalware house Lalique S.A. was acquired by the company in 2008. After being restructured, the group became profitable again, with branding focused on art, decorative items, interior design, jewellery, perfume and hospitality. There were co-branding projects between Lalique and other luxury brands. Collaborations were signed with artists such as Jean-Michel Jarre, and resulted in collections for the company. More than 650 pieces designed by René Lalique and his successors are on display in the Lalique museum in Wingen-sur-Moder. Denz lent 230 pieces from his collection. René Lalique's villa in Wingen-sur-Moder was converted into a luxury hotel and restaurant by Denz.Chef Jean-Georges Klein is in charge of the restaurant. Les Grand Vins Wermuth S.A., founded in 1994, is now split into Denz Weine and Wermuth Auktionen AG. The Clos d'Agon estate on the Costa Brava is overseen by the oenologist Peter Sisseck. Denz sold his stake in Clos d'Agon in 2020. <mask> bought the Chteau Faugres estate on the recommendation of his friend Count Stephan von Neipperg. There are three vineyards in Faugres, which have 30 employees. He and Peter Sisseck took over the vineyard in 2010.There are 120 hectares of estates in Bordeaux. Mario Botta designed the winery at Chteau Faugres. He describes his creation as a cathedral of wine. The wines are aged in oak barrels using modern technology and traditional methods. The Chteau Faugres and the Chteau Péby Faugres were awarded the title of Grand cru Classé of Saint-Emilion. Péby Faugres is one of the finest Bordeaux wines. The Chteau Péby Faugres Vintage 2005 100/100 was rated by the Parker's Wine Buyer's Guide.One of the oldest vineyards in Sauternes, and one of the few premiers grands crus classés, was acquired by Silvio <mask>. The Saint-Emilion Jurat inducted Silvio <mask> on 17 September. More than 3000 Saint-Emilion wine ambassadors worldwide are part of the Jurade of Saint-Emilion. He was awarded a prize for his involvement in the Alsace region. He received the Guillon d'Or award from the Vaudois wine brotherhood, commending his passion and performance in the world of wine. In 2003 <mask> <mask> entered the real estate business. He buys, renovations, and resells traditional town houses in the area.<mask>'s company Art & Trade has a collection of works of art. He has been buying vintage wines for 30 years. There are more than 35,000 bottles in his private cellar. He had an interest in perfume bottles when he was at Alrodo. The world's largest private collection of bottles by the celebrated French glass artist René Lalique is owned by him. The "Commandeur de la Commanderie du Bontemps de Médoc, des Graves, de Sauternes et de Barsac" is Silvio <mask>.

masks:
Silvio Denz
Denz
Denz
Denz
Silvio
Denz
Denz
Denz


texts: <mask> is an American painter known for his participation in New York City's interdisciplinary East Village art scene during the 1980s. Growing up in Southern California, <mask> was enamored by television and the promise of modern design. His works often include pop culture icons, such as the Jetsons, or caricatures of middle-class Americans in an apocalyptic science fiction setting. Born in Los Angeles, <mask> moved to New York in 1980 with a degree in painting. Cosmic Caverns, Day-Glo paint installations, and black light were all created by <mask> in the East Village of the 1980s. The first "cosmic closet" was installed in 1981 in the Times Square apartment he shared with Haring. In the landmark 1980 Collaborative Projects exhibition The Times Square Show, they exhibited a six-minute video called "The Sparkle End".After seeing his work embraced by museums, such as the Whitney, which selected him for the 1985 Whitney Biennial, <mask> had important shows at Fun Gallery (1981) and Tony Shafrazi. "It leaves you with hope, joy, play and optimism, and a sense of love," Demetria Daniels wrote about his work in Downtown Magazine. In 1987, <mask> designed a swing carousel for Luna Luna, an amusement park with rides designed by renowned contemporary artists. There was an exhibition at the Hammer Museum. "BLOX and BAX", his latest one-person exhibition, was held at the Honor Fraser Gallery in Los Angeles. The large group exhibition "Fast forward: Painting From the 1980s" at the Whitney Museum featured his work. "Club 57: Film, Performance, and Art in the East Village, 1978–1983" was an exhibition at the Museum of Modern Art in New York.The Portland Art Museum, Portland, OR 2015; Pasadena Museum of California Art, Pasadena, CA 2004; Los Angeles Contemporary Exhibitions, Los Angeles (2001); and the Nassau County Museum of Art, Roslyn, NY 2016 have all presented one-person exhibitions of <mask>'s work. There are public artworks on view at ArtCenter College of Design, Pasadena, CA; Cross Bronx Expressway on Third Avenue, Bronx, NY; Houston Street and Bowery, New York, NY; Norfolk Street, New York, NY; and the Pasadena Museum of California Art, Pasadena, CA. His work can be found in public collections such as the Bass Museum of Art, Miami Beach, FL; The Jewish Museum, New York, NY; and the Ludwig Museum, Cologne, Germany. Popular culture and merchandising opportunities are welcome at Scharf. He created the pilot for The Groovenians for Adult Swim and designed the cover art for Bouncing Off the Satellites. He has appeared in films about his friend, opera singer Klaus Nomi, as well as 2016's <mask>'s World: ART/New York No. 69 was written by Paul Tschinkel.He collaborated with an art consultant on an accessories line. Dior is partnering with <mask> for a new collection in 2020. The exhibition is called "Dystopian Painting" and will be held in New York, NY. Jeffrey Deitch is from Los Angeles, CA. "Optimistically Melting" Honor Fraser Gallery Los Angeles "Anxiously Optimistic" Baik Gallery Seoul Republic of Korea "Universalis" La Nave Salinas Ibiza, Spain Honor Fraser Gallery Los Angeles CA is located in the Galerie Enrico Navarra. Jeffrey Deitch is from New York.The Nassau County Museum of Art is located in Roslyn Harbor, NY. Fraser Gallery is in Los Angeles, CA. The Frederic Snitzer Gallery is in Miami, FL. Pace prints NYC, "Kenny Scharf", "Colette", and "Kolors" by Paul Kasmin Gallery, NY. NY. The gallery is called "Amerikulture." The Honor Fraser Gallery is in Los Angeles, CA.The Honor Fraser Gallery is in Los Angeles, CA. Paul Kasmin Gallery NY. NY. Honor Fraser Gallery is in Los Angeles, CA. There is a gallery in London, UK. Seomi and Tuus are in Korea. The Paul Kasmin Gallery is in New York.The Paul Kasmin Gallery is in New York. The Patrick Painter Gallery is in Santa Monica, CA. The "Groovenian Drawings" are in the Kantor Gallery Los Angeles, CA. The Pasadena Museum of California Art is called "California Grown". The "Nightlight" Patrick Painter Gallery is in Santa Monica, CA. The gallery is called "Muted" and is located in Los Angeles, CA. Tony Schafrazi Gallery New York, NY has a painting by <mask>.Los Angeles Contemporary Exhibitions has "Hollywood Stars". The gallery is in Beverly Hills, CA. The Tony Shafrazi Gallery is in New York, NY. Galerie Hans Mayer Berlin, Germany has a painting called "Heads, Small Paintings and Closet # 16". <mask> is a sculptor at the Portland Institute for Contemporary Art. The Galerie Hans Mayer Dsseldorf is in Germany. A gallery in Mexico named "<mask> Scharf" opened in 1998 in Atlanta, GA.Tony Shafrazi Gallery is in New York, NY. The Dal Museum is in St. Pete, FL. The Tony Shafrazi Gallery is in New York, NY. Tony Shafrazi Gallery NY has paintings, sculptures, and new work. The Museo de Art Contemporaneo de Monterrey is in Mexico. The Heads Center for the Fine Arts is in Miami. <mask>zi Gallery NY is owned by <mask>zi Gallery NY was opened in 1994. NY. The works on paper were written by <mask>. <mask> : Tony Shafrazi Gallery NY was published in 1992.<mask> : Galerie Beaubourg, Paris. There is a gallery in Los Angeles. <mask> had a gallery in Tokyo. The Tony Shafrazi Gallery is in NY. <mask> had a gallery in Tokyo. The Tony Shafrazi Gallery is in NY. <mask>zi Gallery is in NY. The Gagosian Gallery is in Los Angeles. The Tony Shafrazi Gallery is in NY. The American Graffiti Gallery is in Amsterdam. Fun Gallery, NY was founded by <mask>. National Studio Artists P.S.1 Contemporary Art Center was founded in 1981 by <mask>.The Jetsons Fun Gallery is in NY. Group Exhibitions: The Times Square Show Times Square, New York City

masks:
Kenny Scharf
Scharf
Scharf
Scharf
Scharf
Scharf
Scharf
Kenny Scharf
Kenny Scharf
Kenny Scharf
Kenny Scharf
Kenny
Kenny Scharffra
Kenny Scharffra
Kenny Scharf
Kenny Scharf
Kenny Scharf
Kenny Scharf
Kenny Scharf
Kenny Scharffra
Kenny Scharf
Kenny Scharf


texts: <mask> was an American actress and dancer who appeared in light opera, musical comedy, vaudeville and silent film. She was best known for her roles in the musicals The Princess Chic, Flo Flo and The Waltz Dream, as well as her rendition of the vampire dance in Take It from Me. <mask> was born in New York City and was the daughter of Fernando and Frances Lenord. Fernando was the son of Spanish parents and was born in Venezuela. Her parents toured with the Emma Abbott Grand Opera Company. <mask> received her musical education from her father as did her sister Beatriz. Her half sister was also an actress.<mask> was a student at the convent. <mask> and Beatriz followed in their father's footsteps by starting singing careers of their own. <mask> was busy with her career in New York and Fernando moved to San Francisco to teach voice. He continued to train Beatriz in operatic vocal techniques after raising her. The way to move as another person, the way to make simple but authoritative gestures, and the way to build intensity over the span of a performance were all passed on to his daughter. At the time of his death, her father was the president of Arrillaga Musical College in San Francisco. Maria Antonia Field wrote a book about her time as a student of <mask>.In the fall of 1901, Theatre Michelena made her professional theatrical debut playing a minor role in a national tour of the Kirke La Shelle comic opera, The Princess Chic. On January 19, 1903, at the Columbia Theatre, San Francisco, she assumed the title role of The Princess Chic of Normandy and continued in this capacity for the rest of the season and throughout the next. In the Harry B. Smith musical comedy, The Jewel of Asia, Michelena starred as Zaidee. The School Girl was a musical comedy written by Henry Hamilton, and The Yankee Consul was a musical comedy written by Alfred George and Henry Blossom. In August 1906, she made her New York debut as Princess Cholulu in R.H. Burnside and Gustave Kerker's musical comedy The Tourist. A New York Times reviewer mentioned the song "They Lived to Beloved in Vain" when they reviewed the play. In 1907 she appeared in Boston and Philadelphia.The Girls of Holland opened on Broadway in 1907 under the title The Girls of Holland, but found little success. A musical comedy about a recent trip to Asia by the American Secretary of War was inspired by the opening of the Casino Theatre in Funabashi. After Funabashi closed in February, Michelena took over the role of Princess Helena in the operetta The Waltz Dream. The Broadway Theatre on West 41st Street in New York City was the location for the English stage adaptation of the original Austrian production. On June 11, 1908, Michelena sailed for England aboard the steamship for an engagement at London's Palace Theatre and a later side trip to France. She returned early that September after enduring a storm-plagued Atlantic crossing aboard the ocean liner New York, to prepare for a fall road tour with the Harry B. Smith and Maurice Lévy. She and Joseph Smith performed The Vampire Dance in the play.She appeared in George Broadhurst's musical comedy, The Girl and the Drummer, at the Grand Theatre in Chicago on September 4, 1910. The Girl on the Train, a musical comedy by Harry B. Smith, was performed at New York's Globe Theatre by her and Frank Daniels. The musical closed out its run at Boston's Colonial Theatre in April of 1911. The first production to play at the newly renovated Bucklen Theatre in Elkhart, Indiana was performed by Michelena. Where do you live? Jean Briquet was one of the more popular Broadway musicals of the 1910–11 season. In the spring of 1912, she toured with Lew Fields' hit show Hanky Panky.The New Amsterdam Theatre, New York, was the location of the Ziegfeld Follies of 1914. She played the title role in the hit musical comedy, Flo- Flo, for six months on Broadway. She appeared in almost 100 performances of Take It from Me at the 44th Street Theatre in the spring of 1919. In the play, she played Queenie LaBelle, a cinema vampire, who in one popular scene performs "The Vampire Dance" with Vernon "Soup" Van Dyke. She played Betty Be Good for eight weeks at Boston's Shubert Theatre. She was a principle performer with the Ziegfeld Follies in 1921. They toured together in a skit called All for Vera after they starred in Hello Miss Radio.In 1927, the two shared top billing in Listen Dearie, a musical comedy. She starred in at least two silent films with her husband. The Ocean Film Corporation produced a family drama called Driftwood in 1916. The film was directed by Marshall Farnum and adapted from a play by Anthony Paul Kelly. The Devil's Playground was a social drama produced in 1917. Dallas Tyler wrote the writing credits for The Devil's Playground. Paul Schindler was a composer and orchestra director who composed music for such shows as Tiger Lilly, The Geezer of Geck, The Wizard of Oz and The Isle of Spice.On May 16, 1917, Michelena divorced Schindler. She married stage and film actor Harry Spingler in New York on April 30, 1918. In February 1921, Michelena filed for divorce in Los Angeles on the grounds of desertion. Fred Hillebrand was her leading man over much of her career. They were together until the death of Michelena in 1961. There is a list of Hispanic and Latino American actors.

masks:
Vera Michelena
Vera
Vera
Vera Michelena
Vera
Vera
Fernando Michelena


texts: Peter "<mask>" <mask> was a central defender for several English football league clubs. He was a member of the Nigerian team that competed in the 2000 African Cup of Nations and the 2002 World Cup. <mask> played for a number of teams in his career, including Gillingham, Barrow, and Macclesfield Town. The Conference National where <mask> began his career was where he was signed for ahead of the 1994–95 season. Sodje had unsuccessful trials at Wimbledon and Luton Town. He waited for his international clearance to come through before making a first-team appearance in August 1994. He made his debut in a 1–0 loss to Welling United.<mask> came off the bench to score in a 5–0 win over Yeovil Town in a game in which he made a total of 33 appearances. Despite Sodje helping the club win the Conference National title, they would not be promoted to the Football League due to insufficient ground facilities. He made 49 appearances and scored five goals, four of which came in the league. In his third season at Stevenage, Sodje scored 7 times in 55 games and was part of a third place finish. At the end of the season, <mask> joined Macclesfield Town. He scored 13 goals in three years with the side. <mask> scored on his Football League debut for Macclesfield Town.He played 83 times and scored 6 goals for Macclesfield Town before he left to join Luton Town in 1999; there, he made only 9 appearances and was loaned out to Colchester United for part of the 1999–2000 season. <mask> made three appearances. Sodje made 97 league appearances over three seasons. His first goal was in a 4–2 win over Pompey. <mask> was called up to the Nigeria squad for the first time in his career and played in the 2002 World Cup in Japan. He was made the captain of Huddersfield Town. The 2–1 win over Derby County in the first round of the League Cup was his Town debut.His league debut was in a 2–2 draw with Boston United. In January 2004, he scored his first goal for the Terriers in a 2–0 home win over Boston United. He helped the Terriers win the Division Three Play-off title in his first season. In the 2003– 2004 season, <mask> was voted into the PFA Players' Division Three team of the season. On 10 July 2007, he joined League One side Gillingham on a two-year deal, and made his debut in the 1–0 away defeat to Cheltenham Town on 11 August. He joined Bury on a loan until the end of the season and was transferred on June 5, 2008. On July 1, 2008, it was announced that his contract had been terminated.On July 3, 2008, Sodje signed a two-year contract with the club. He was named 2nd vice-captain by Alan Knill at the beginning of the 2010–11 season. He signed a two-year contract extension in May 2011. He made his 500th appearance in the league in January 2012 when he played for Bury. On June 4, it was announced that Sodje would return to Macclesfield Town as an assistant to John Askey. Sodje was a player for The Silkmen. His brother Sam represented Nigeria at international level.He was part of the team that finished second in the African Cup of Nations. He was part of the Nigeria squad that played against Argentina and England in the 2002 World Cup. Sodje scored in a 2–1 friendly win against the Republic of Ireland in 2002. His family originate from Delta State of Nigeria. Three of <mask>'s brothers are professional football players and one is semi-professional. Sam and Akpo played with <mask>. At international level, he has represented Nigeria with Sam.Steve has never been to a Football League game. Bright was a rugby league and rugby union player. Onome <mask> is a professional player in England. At the request of his mother, Sodje started wearing a do-rag in 1994. "Against All Odds" is one of the words on the headband. Sodje and his brothers Stephen and Bright were sentenced to 18 months in prison for fraud in September of last year. The career statistics were correct as of 19 March.British people were convicted of fraud. There are no playing staff at Bury F.C. The players are citizens of Nigeria. The players are from the F.C. English criminals and English people of Nigerian descent play football in the English Football League. There are players at the A.F.C. The players at Town F.C.The players are from Macclesfield Town. There are no playing staff at Macclesfield Town F.C. Nigerian football players are in the National League of English football. The players are from F.C. The players are from Yeovil Town F.C. players

masks: Efe Sodje Sodje Sodje Sodje Sodje Sodje Sodje Sodje Sodje Sodje Efe Sodje


texts: <mask> was an American director, assistant director and production manager. He was nominated for the Academy Award for Best Assistant Director. He worked on over 75 films and television shows. <mask> was born in Connecticut on January 26, 1903. He entered the film industry as an assistant director at RKO Pictures and his first film was the musical comedy Caught Plastered, which starred the comedy duo of Bert Wheeler and Robert Woolsey. He assisted on over a dozen films over the next five years. He was an assistant to George Cukor on the movie What Price Hollywood?, which starred Constance Bennett and Lowell Sherman.He was one of the assistants that worked on Christopher Strong, a movie that featured the first starring role for Hepburn. He worked with Hepburn on two more films in 1933, Morning Glory and Little Women. He was an assistant to Thornton Freeland on the RKO musical Flying Down to Rio, which featured the first on-screen appearance of Fred Astaire and Ginger Rogers, as well as assisting Seiter on another Wheeler & Woolsey comedy. The Age of Innocence, the first talking version of the novel, was assisted by <mask>. He was an assistant to Richard Wallace on The Little Minister. During the filming of this movie, <mask> told off Hepburn. He told her to get on the set before she was sent back to New York to do another Lake.He became one of her favorites as an assistant director. <mask> was part of a concerted effort to build a group of young directors. His first assignment as the main man behind the camera was as co-director with William Hamilton on the 1935 film Freckles, based on the 1904 novel of the same name. The 1935 version of Seven Keys to Baldpate was directed by the two again. <mask> was given his first solo directing assignment in 1936, when he directed Second Wife, which starred Gertrude Michael and Walter Abel. He directed 20 films over the next ten years and was the chief director for Tim Holt's Westerns. The Fargo Kid, Along the Rio Grande, and Land of the Open Range are some of the oater collaborations between <mask> and Holt.RobertMitchum signed a seven-year contract with RKO to make B-Westerns based on Zane Grey novels. Nevada was the first film assigned to <mask>. <mask>'s last film as a director was 1945's West of the Pecos, which was an adaptation of a Grey novel. After taking the helm of films, <mask> continued to work at the assistant director level. He worked on several features, including Roberta, directed by Seiter, and starring Irene Dunne, Fred Astaire, and Ginger Rogers, as well as Alice Adams, with George Stevens directing. In the late 1940s through the 1950s, <mask> worked as a production manager on films such as Blood on the Moon, The Big Steal, Angel Face, and Jet Pilot. <mask> and Watkins were married until his death in 1981.The two adopted a child in the 1930s. <mask> died in Orange County, California. Caught Plastered was an assistant director of Too Many Cooks. Assistant director Flying Down to Rio, assistant director Emergency Call, assistant director Bed of Roses, assistant director Morning Glory, assistant director Little Women, assistant directorDiplomaniacs, assistant director Christopher Strong, assistant director Flying Down to Rio, assistant director Morning Glory, assistant director Little Women, assistant director The Age of Innocence was assistant director, Break of Hearts was assistant director, Seven Keys to Baldpate was assistant director, and The Big Game was assistant director.

masks:
Edward Killy
Killy
Killy
Killy
Killy
Killy
Killy
Killy
Killy
Killy
Killy
Killy
Killy


texts: <mask> was an American jazz saxophonist who lived in Chicago, Illinois. <mask>'s playing was influenced by swing music and hard bop, but he also incorporated innovations from free jazz. <mask> was a mentor to many young musicians. He was called a "Father figure of experimental jazz in Chicago" by critic Ben Ratliff. He was referred to as a "scene caretaker, underground booster, indefatigable cultural worker, force quiet for good." <mask> was described as the "best tenor saxophonist in free jazz/underground jazz/outside jazz today" by John Litweiler in 2001. <mask> was born in Louisiana.When he was ten, his parents separated and he moved to Illinois, where he lived with his mother and aunt in a one-room apartment. When <mask> was a teenager, a friend introduced him to the music of CharlieParker, and he soon decided he wanted to play saxophone. He listened to many people who influenced his playing. He 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 Unlike many musicians at the time, <mask> did not play with dance bands or school ensembles, and instead focused on practicing, taking private lessons, and studying music theory, all the while supporting his family by working as a waiter. He wanted to combine Ammons' big sound with Parker's speed to develop a personal sound on his instrument. Anderson stated that he tried to figure out how he was doing certain things, not so much the notes that he was playing.He had a unique way of placing things. He said that Charlie Parker was one of the best musicians he had ever heard. His music was so involved that the notes came out and hit you. It was difficult. It's still hard. He began to develop a series of exercises which he incorporated into his daily practice routine, which eventually became a book called "Exercises for the Creative Musician". In the early 1960s, <mask> began listening to and studying the music of Ornette Coleman, and immediately related Coleman's playing to that of Charlie Parker.He said that he heard Ornette Coleman back in those days. I knew what he was doing. It was not strange to me. I knew where he was coming from. At this time, influenced by Coleman, he formed a piano-less band with Bill Brimfield, bassist Bill Fletcher, and drummer Vernon Thomas, playing a mixture of bebop standards and <mask> originals. The idea of forming a new organization to promote their music was started by <mask> in 1963, when he began participating in weekly jam sessions in Chicago. <mask> was one of the earliest members of the AACM.<mask> was not a charter member, but he attended the early meetings and got in on the ground floor. <mask> played on the first AACM event as part of the Joseph Jarman Quintet, which also included bassist Charles Clark and drummer Arthur Reed. In 1966, <mask> played on Jarman's debut album, Song For, and in 1968, he played on Jarman's As If It Were the Seasons. The albums were released by Delmark. In the late 1960s, when many of his AACM colleagues moved to Europe, <mask> chose to remain behind, supporting his wife and three young children by working at a rug company, practicing his instrument, and heading the AACM's Evanston chapter. The Fred Anderson Sextet consisted of George E. Lewis, Douglas Ewart, bassist Felix Blackmon, drummer Hamid Drake, and vocalist Iqua Colson. The performers were a full generation younger than <mask> and comparatively inexperienced, yet he granted them considerable creative agency as members of his band.<mask>'s 1970s band resembled a'mutuality' - a special kind of collective enterprise that requires its members to achieve a 'high degree of autonomy' while maintaining a sense of 'full partner'. "<mask> let you play as long as you wanted, and you could try out anything," said George E. Lewis. <mask> and Brimfield traveled to Europe in 1977 to record a song with the Austrian trio Neighbours. The Birdhouse in Chicago was opened by <mask> in May of that year. <mask> was harassed by officials and people in the neighborhood who were suspicious of his motives and ended up closing the club a year later. Another Place, <mask>'s first album as a leader, was recorded at the Moers festival in Europe in 1978. Dark Day was recorded with bassist Steven Palmore, drummer Hamid Drake, bassist Larry Hayrod, and percussionist Adam Rudolph.The second album was released in 1984. In 1982, <mask> took over ownership of a bar in Chicago called the Velvet Lounge and transformed it into a center for the city's jazz and experimental music scenes. The club moved in the summer of 2006 The venue became a spiritual home to many musicians who shared the uncommercial player's need for an intimate space run by and for the people who cared. Under <mask>'s supervision, participating musicians were encouraged to develop performance methodologies that were 'contributive, not competitive'... the musical and social practices that had characterized <mask>'s bands since the 1960s were transmitted. <mask> rarely recorded for a decade beginning in the early 1980s. Vintage Duets with drummer Steve McCall was recorded in 1980 but not released until 1994.It was recorded in 1980 but not released until 2000. In 1990, he received the first Jazz Masters fellowship from Arts Midwest, and by the mid 1990s, he resumed a more active recording schedule, both as a solo artist and in collaboration with younger performers, such as pianist Marilyn Crispell. At the Chicago Jazz Festival in 1999, <mask> and Von Freeman appeared with a 30-piece orchestra in a performance of a work by Edward Wilkerson. In 2002, the festival honored <mask>, and he appeared as a soloist with the NOW Orchestra, conducted by George E. Lewis. The Velvet Lounge attracted artists from all over the world. In 2005, the Vision Festival presented <mask> Day in his honor, and in 2009, the Velvet Lounge hosted an 80th-birthday celebration featuring four sets of music from some of Chicago's top jazz artists. His role in the city is to keep young musicians playing, and he continued to record and tour throughout the 2000s.I will always have a place for them to play. He died on June 24, 2010 at the age of 81, and was survived by two sons, Michael and Eugene, as well as five grandchildren and six great-grandchildren. He was going to perform on the day he died. Discography was leader and sideman with the Art Ensemble of Chicago Live at Earshot Jazz Festival.

masks:
Fred Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Fred
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Fred Anderson


texts: <mask> is an American sculptor known for her emphasis on large scale, site specific projects and environmental art. Since graduating with an MFA in painting and photography at the University of California, Los Angeles in 1972, Zimmerman has exhibited drawings and photographs. Richard Diebenkorn was one of her teachers. A number of temporary, site-specific installations were created for museum and gallery exhibitions. The projects were presented at the Museum of Contemporary Art, Chicago; Hudson River Museum, NY; Walker Art Center, Minneapolis; Berkeley Art Museum, Berkeley; and the Los Angeles County Museum of Art, Los Angeles. Large scale projects for civic, university and corporate sites, as well as studio pieces and private commissions, are just some of the works that Zimmerman has created. She was one of two people to receive the 2016 Isamu Noguchi Award.When she returned to California in 1977 after a trip to India, she was inspired by the archeological sites she visited. She was interested in doing outdoor projects and working with stone after this trip. She was invited to do temporary outdoor works at venues such as Artpark, Lewiston, NY; 1980 Winter Olympics, Lake Placid, NY; and other spaces. She has written that the ability to experiment with new materials and to learn while creating temporary projects gave her confidence to create permanent commissions. These projects are recognized for their use of stone, water, and landscape elements. A fountain to remember the 1993 World Trade Center bombing in New York City is one of the large scale public commissions. During her undergraduate years at UCLA, she took classes in the fine arts program.Her interest in contemporary art and knowledge of this discipline led her to work for the Art and Technology exhibition at LACMA in 1967. She graduated from the MFA program in 1972 after working as an independent student with Robert Heineken and Richard Diebenkorn. In the 1960s and 1970s Los Angeles was home to many art communities and quality art colleges. There were alternative art exhibition spaces, such as L.A.C.E and LAICA, to compensate for the scarcity of art museums interested in contemporary art and the lack of art galleries. In 1962, ArtForum was founded in San Francisco, the Feminist Art Movement began in 1971 with roots at CalArts, and LACMA initiated the first museum exhibition of Art & Technology, making use of unconventional venues to exhibit artist'. The rich environment as well as the young architect she lived with influenced her work in graduate school. He traveled through India, Nepal and Central Asia while in the peace corps.She wanted to travel and investigate the world herself because of the images and cultural influences he shared. They traveled throughout the American southwest and to Mexico to see Native American and Pre-Columbian archeological sites, as well as visit the progressive modern architecture. Between her undergraduate and graduate years, she worked in a variety of positions. She was hired as an assistant to the head designer in the art department at Columbia Records after working as a studio assistant for several artists. She left that job to work for the Charles and Ray Eames office in Venice as an assistant to the house photographer and darkroom supervisor. Kirk Varnedoe began a correspondence in 1975 after he wrote an article about the drawing and photographic piece she exhibited in the 1974 Whitney Biennial. She was in NYC in 1976 to install a project at PS1 when they met for coffee.In 1977 she and Varnedoe shared a loft in New York City. They were married in 1983. He was a professor of art history at NYU's Institute of Fine Art and she taught studio classes. Varnedoe's deep knowledge of western art history and his widely celebrated talent to convey this information to students, colleagues and friends enriched Zimmerman's understanding of and appreciation for these traditions. Her studies of oriental art history, her residency in Japan, and her travels to India and China became new interests for him. Art in Public Places was started by the National Endowment for the Arts. Projects using government funds were required to use a percentage of the funds for artwork specific to the project at hand.One of the first projects was for Fort Lincoln Park in Washington, DC. She began her relationship with Cold Spring Granite Company after the project was never realized. This would be her main source of stone for over 30 years. When the National Geographic Society selected David Childs of SOM to design their new headquarters in Washington, DC his office sought out artists who worked with stone. This commission reinforced her desire to pursue this type of artwork and to learn more about all the aspects of creating outdoor public projects including: construction methods; landscape requirements; sustainable building practices and materials sources. She became interested in making smaller stone sculptures after spending a lot of time at stone quarries. Marabar, National Geographic Society, and Washington D.C. Plaza have public works.There are numerous granite boulders in the garden. O'Hare International Center is adjacent to O'Hare airport. Commissioned by Hawthorn Realty Group. The First Market Tower Plaza is in San Francisco. Commissioned by the San Francisco Arts Commission. The Conference Center is located at AT&T headquarters in Basking Ridge, NJ. The World Trade Center is in New York City.The World Trade Center was bombed in 1993. The Assembly of Friends was destroyed by the US Embassy in Dar es Salaam. Commissioned by the US State Department. The Olympic Park is in Beijing, China. The Beijing 2008 Olympic Committee commissioned it. The 2010 Capsouto Park was commissioned by the NYC Parks Department. Gail Wittwer-Laird of the NYC Parks Department collaborated with the artist.There is a 120' long x 10' wide stone and water 'canal' by the artist in this one acre park. Private residence, Amagansett, NY 1992 Morbihan, General Mills Art Collection, Minneapolis, Minnesota 1995 Agate, Private residence, Kent, Connecticut The Whitney Museum of American Art, New York, the Art Gallery of New South Wales, Australia, and the U.S. Customs House are included. The Los Angeles County Museum of Art received an Artist Fellowship Grant from the National Endowment for the Arts in 1980. The National Endowment for the Arts gave an artist fellowship in NY in 1981 and the US Creative Artist Exchange fellowship in Japan in 1982. Milan: Charta. There are places and projects for 40 years.The grounds for sculpture are in Hamilton, NJ. There are links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to links to


texts: <mask> was an American portraitist. He trained in Paris with the famous French portraitist Emile Auguste Carolus-Duran, who 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 His work was shown in Paris in 1889 and Chicago in 1893. There were studios in San Francisco, Boston, New Bedford, and New York. <mask> was born in Canada in 1840 and moved to upstate New York as a young man. His family DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch The Canadian Irwins were Loyalists.Canadians who were loyal to the British Crown after the American Revolution moved to Canada. The War of 1812 was fought by members of the <mask> family. <mask> was patronized by a Lieutenant-Governor of Upper Canada despite his participation in the Rebellion. He was a student of the National Academy of Design in New York City. He spent a lot of time in San Francisco. The Salon de Paris exhibited the work of Emile Auguste Carolus-Duran in 1879. He spent time in Boston, Massachusetts, Louisville, Kentucky, New York City, and Yonkers in the United States in the 19th century.In 1889, he was elected into the National Academy of Design as an Associate Academician. In 1874, while in California, <mask> married Adela Vellejo Curtis. She was the daughter of two people who were born in Connecticut and Pennsylvania. During the California Gold Rush, the Rancho Petaluma Adobe was owned by General Mariano Vallejo, a family friend, and the Curtis family lived there. Edith C. and Constance were the children of <mask> and Adela. The year 1885. <mask> and his family lived in New York in the late 19th century.The family would visit the second home on the shore of the lake during the summer. The family of Adela's aunt, Charlotte Curtis Dean, were frequent guests of the <mask>s. In 1896, <mask> fell into the lake while taking photographs of the sunset from a round bottom boat. After hitting his head on the edge of the boat as he fell, he drowned. In Nathan Hale Cemetery in Connecticut, <mask> <mask> is buried with his wife Adela and daughter Edith. The Governor of the Commonwealth of Massachusetts was John Henry Clifford. There is an oil on canvas portrait of Frederic Remington.Portrait of a child in blue is an oil on canvas. There is an oil on canvas portrait of a tea trade captain. There is an oil on canvas portrait of a female artist. There is an oil on canvas portrait of a young woman. The player is watercolor. In Dearinger's compendium of the National Academy of Design, <mask>'s studies under Carolus-Duran are listed as 1867–1869. The Catalogue of Mark Hopkins Institute was published after <mask>'s death.While he was still alive, the 1884 Catalogue of The Southern Exposition in Louisville correctly listed his years of study under Carolus-Duran. Charles M. Kurtz was the editor of the catalogue. There were 19th-century American male painters and pre-Confederation Canadian emigrants to the United States.

masks:
Benoni Irwin
Benoni Burdeau Irwin
Irwin
Benoni
Irwin
Irwin
Irwin
Irwin
Irwin
Benoni
Irwin
Irwin
Irwin


texts: <mask> was a Seventh-Day Baptist leader. He was well known in London antiquarian and literary circles for his talent for paleography. He was the founder of three more historical societies. He published many articles and books during his lifetime. For his prominence in London Seventh-Day Baptist circles, <mask> was lesser known, but equally regarded. This circle was the subject of a newspaper article in 1869, where the reporter wrote of the contrast between the dilapidated building the services were held in and their leader, <mask>, who appeared as "a profound scholar and most courteous gentleman". <mask> was the son of Mary and <mask> of Kitmore.<mask>'s religious and historical interests were influenced by his mother's Langleys, who were the proprietors of estates in Oxfordshire and Buckinghamshire. He was a tutor to several families in Tulse Hill when he was seventeen. The earliest record of <mask>'s antiquarian interests can be found in his catalogues. The Leathersellers' Company requested that Abraham Colfe's library be catalogued before they were purchased by the British Library. The catalogue of Ashmole's manuscripts, published in 1845, was compiled by <mask> during his time in Oxford. He was a contributor to the works of other antiquarians early on in his career. <mask> claimed that he was the first researcher to rush into the parliament buildings in order to save their records.<mask> obtained a position at the Record Commission, a 19th-century royal commission into the state of the nation's archives, thanks to the many literary contacts he had made while a reader at the British Museum. The position at the commission proved valuable to <mask>, as his antiquarian interests were occupied with the training of junior transcribers, and a set of volumes detailing "all the leagues, treaties, alliances, capitulations, and confedera." Docquets of Letters Patent Passed Under Charles I, which was published posthumously, was an original work that he produced in this time. Thanks to his literary connections and reputation as a paleographer, <mask> was given the position of assistant keeper at the Public Record Office in 1840. His duties included preparing reports on the records of the Treasury. His vehement Sabbatarianism annoyed his employers, who required him to work on Saturdays, though his duties at the Treasury continued until 1854. <mask> was appointed to the Society's council three times and was elected a Fellow of the Society in 1858.He was a member of the British Archaeological Association. The Camden Society is one of several English local history societies. He founded three antiquarian societies, one of which was the Chronological Institute of London. The Palestine Archaeological Association was founded in 1850. By 1870, each of these had been subsumed into the Society of Biblical Archaeology. According to Bernard Nurse of the Oxford Dictionary of National Biography, <mask> was highly regarded by his peers. He was described in his obituary as "richly stored with archaic learning and palaeographical knowledge, which he was always ready to impart to the youthful student and to give to the world at large."<mask> did a lot of historical research. The majority of issues of the Journal of the British Archaeological Association from 1846 to 1872 contained articles by him. Between 1861 and 1871, several of his communications were published in the society's journal. His first communication to the Society concerned the will of Hans Holbein the Younger, and caused a significant stir, with his obituary in the Proceedings claiming it caused a complete revolution in the history of Holbein's works. <mask> edited three volumes of early modern English poetry. <mask> prepared an edition of the Antonine Itinerary for the Rolls Series at the end of his life, but it was never published. In 1840, <mask> became the afternoon preacher of a small Seventh-Day Baptist community in Mill Yard, on Leman Street, following from J.B. Shepston. There were only five members during this time: himself, his third wife, Ann, Charlotte, and Sophia. He lived in the minister's house at 15 Mill Yard. The congregation did not grow over twenty people while he was here. <mask> was always involved in litigation relating to his religious matters. A member of the Metropolitan Cathedral accused <mask> of being a Jew due to his emphasis on the Old Testament in his sermons. He was charged with libel and had to pay heavy damages.<mask> was the minister of this congregation until his death. He was followed by his son-in-law. The congregation moved from Mill Yard to the LTS Railway Company's premises. <mask>'s congregation was the subject of a newspaper article in 1869. Davies had a pleasant surprise when he met <mask> <mask>. <mask> married Elizabeth White at the age of twenty-two. They had three daughters.Mary Anne was the daughter of Benjamin Noakes. <mask> was once again married to Harriot, daughter of the minister of Mill Yard. Theodora married <mask>, who was <mask>'s successor as pastor. <mask> believed that his vision was damaged after a sewage incident in the Treasury Chambers, and that he suffered a decline in health at his job in the Public Record Office. <mask> was one of the irritable race of poets, having rebuked claims of crypto-Judaism using the medium. <mask> died in Mill Yard on April 12th, 1872. There is a catalog of the manuscripts in the Library of the College of Arms.There is a library in a school.

masks:
William Henry Black
Black
Black
William Henry Black
John Black
Black
Black
Black
Black
Black
Black
Black
Black
Black
Black
Black
Black
Black
Black
Black
Black
Black
William Henry
Black
Black
Black
William Jones
Black
Black
Black
Black


texts: <mask> "Eddie The Butcher" <mask>. was a New York mobster who was a mentor to the leader of the Westies. <mask> is said to have shown Coonan how to dismember and dispose of murder victims by scattering their remains into the waters around the New York City Department of Environmental Protection at Randalls and Wards Islands. <mask> was murdered in a bar by Joseph Sullivan. <mask> was born in 1934. <mask> was the son of <mask>. and <mask>. He was the brother of many people. Growing up in Hell's Kitchen, he played hockey with many future Westies-aligned criminals at Hell's Kitchen Park and boxed at the Boys & Girls Clubs of America, and eventually started burglarizing commercial buildings in Lower East Side, Manhattan and cargo from warehouses in West Side, ManhattanMany of the Westies dropped out of high school. He was married to Shirley Forstmann at the time of his death and he was the father of three children. <mask> looked and sounded like a mobster from the 1920s, according to T.J. English. At thirty-nine years old, he had been convicted of assault and robbery and had been sent to Attica Correctional Facility in New York, where he witnessed the Attica Prison riot. He spent almost a year on the FBI's most wanted fugitive list after he was a passenger on the International Longshoremen's Association ship. He used to tell neighborhood youths about his violent past in a way that made them laugh. He claimed to have killed Mike "The Yugo" Yelovich because he accidentally shot <mask> with a rifle.He frequented the Sunbrite Bar on 10th Avenue and 50th in Chelsea, and The Market Diner in Hell's Kitchen. His son was found not guilty of being involved in a drunken bar brawl in Hell's Kitchen. <mask> served under Mickey Spillane after he was released from prison. He was involved in the kidnapping of a Genovese crime family bookmaker, Paul Ziccardi, as well as participating in the gang war between Spillane and Coonan. <mask> was able to perfect a new and gruesome murder method thanks to his time in an upstate New York prison, where he learned the trade of butchery. <mask> took on James "Jimmy C" Coonan, a younger generation Irish hoodlum who wanted to take out Mickey Spillane. The younger Irish in the neighborhood had a following of their own, as well as earning the respect of some older people.<mask> favored working for Coonan over Spillane. Dennis and Patrick were lifelong best friends. On August 25, 1975, Curley pulled a gun on Dugan while the two were drinking. The jest was taken as a personal insult by Dugan. Dennis Curley was shot and killed in Hell's Kitchen by Paddy Dugan later that evening. The entire neighborhood was affected by this murder as it was known for being violent. <mask> was upset about the killing.Both Curley and <mask> were small-time Irish hoods in Hell's Kitchen. <mask> was a member of the Spillane crew and he forbade violence against the Coonan gang unless they struck against his men first. <mask> and the Westies Coonan were looking for a more feared and respected criminal like <mask> and decided to use Dugan to lure him. Cummiskey taught Coonan the tricks of the trade. He did not act on his anger because he did not want to jeopardize his relationship with <mask>. Three months after the Curley murder, Coonan and <mask> called in a hit against the Spillane crew, claiming they needed Paddy to be the wheelman in the murder. The two proceeded with their plan, murdering and butchering Dugan.<mask>, the so-called "Butcher of Hell's Kitchen" taught young Coonan the "art" of body dismemberment. The niece of Coonan provided knives and helped with the aftermath of the murder. The Sunbrite Bar was where <mask> and Coonan went for a drink the next day. They brought the head of Dugan with them, set it down on the bar stool, ordered his favorite whiskey, and put it in his mouth. "Although he fucked up, he was still a good Irishman," they are said to have said. Beattie was told to bring the carton of milk to the apartment of Dugan. He was told to leave the bar and get rid of the contents of the carton.The penis was rumored to have been placed in a jar and kept in a refrigerator. <mask> became a member and follower of the young Jimmy Coonan, who was part of the Hell's Kitchen Irish Mob known as The Spillane Gang. The Jacob Javits Center in Hell's Kitchen would turn into a tremendous money maker once it was built. The Genovese family front boss Anthony "Fat Tony" Salerno didn't like the fact that the construction site in Hell's Kitchen made it Mickey Spillane's territory, so he sent a hit man from Queens. Despite rumors of <mask> defecting to the Westies, he was shot at point blank range and killed by Joseph "Mad Dog" Sullivan while drinking at the Sunbrite bar on August 20, 1976. His death was ordered by Salerno to eliminate high ranking and veteran members of Spillane's organization. The funeral was held at Holy Cross Church in Manhattan and the wake was held at the former Buckley Funeral Home in Hell's Kitchen.Davis wrote Mafia Dynasty: The Rise and Fall of the Gambino Crime Family. New York:HarperCollins. English, T.J. The Westies are inside the Hell's Kitchen Irish Mob. St Martin's Paperbacks was published in 1991. T.J. Paddy Whacked: The Untold Story of the Irish American Gangster was written in English. New York:HarperCollins.The year of birth is missing in the killings of people in New York City.

masks:
Edward
Cummiskey Jr
Cummiskey
Cummiskey
Edward
Edward Cummiskey
Edward Cummiskey Jr
Mary Cummiskey
Cummiskey
Cummiskey
Cummiskey
Cummiskey
Cummiskey
Cummiskey
Eddie Cummiskey
Cummiskey
Cummiskey
Cummiskey
Cummiskey
Cummiskey
Cummiskey
Cummiskey
Cummiskey
Cummiskey
Cummiskey


texts: In 1890, <mask> took over his father's business and started a trading empire that would grow into the largest independent trading company in the Gulf region. The country's first bank and the first petrol station were introduced by Kanoo. He built a significant regional business in shipping and trading agencies, which brought him into conflict with British companies and authority, before seeing much of his holdings wiped out by the financial crisis that followed the collapse of the pearling industry in the Persian Gulf. Growing up in Manama, the lively trading centre of the small island nation, was the early life of the man. He worked in his father's business at an early age. In 1890, at the age of 22, he took over the business from his father, expanding his links to the whole Indian coast and other ports in East Africa. For the rest of his life, Kanoo would make annual voyages to India for four to six months.Recognising the importance of links with the British, and particularly the dominance of the British steamship companies, Kanoo took an unpaid post in 1898 with the first British Resident Agent in Bahrain. J. Calcott Gaskin, the first British resident assistant political agent in Bahrain, was appointed by the ruler of the kingdom in 1900. The post became the Persian Gulf Residency after Gaskin was replaced by Prideaux in 1904. The mother of pearl trade was one of the activities that Kanoo built his trading activities around. He secured an agency to ship large bulk of coffee and tea, breaking them down into smaller shipments for regional distribution, as well as an increasingly wide network of general trade throughout Saudi Arabia. In 1911, he secured the agency for Arab Steamers, a Bombay-based company that ran a regular service between Bombay and Basra with a single ship. The British India Steam Navigation Company was the dominant force at the time, but Arab Steamers expanded its fleet to offer a weekly service.After expanding its fleet to five ships, Arab Steamers diverted them from the Bombay/Basra run to operate scheduled services. The first typewriter to be used inBahrain was provided to the agent by the company. The Anglo Persian Oil Company established him as the agent for the Mahadi Namazi Line after he signed an agency agreement with them in 1913. He became the agent for the Mogul Line, a shipping company that specialized in the transportation to and from Jeddah of pilgrims to Mecca. The Bombay and Persia Steam navigation Company of Bombay and the Persian Gulf steam navigation Company of London were two of the shipping agencies operated by Kanoo by the First World War. The smaller of the two agencies was forced to give up the Persian Gulf steam navigation company agency. When Imperial Airways started regular flights through Bahrain as part of its Empire Route, his APOC agency was to become a lucrative one.The walk-in strong room from Goodridge, the British manufacturer that manufactured the first bank vault in Bahrain in 1913, is on display at the Bahrain Heritage Centre. A number of banking services were offered by Kanoo to local merchants, including Islamic finance and money transfers. Local merchants and traders in Manama resisted the establishment of the British-owned Eastern Bank due to the existence of this banking system. After dropping his resistance to the establishment of the British bank, Kanoo quietly continued to provide financial services to the local trading community. The Kerr Steamship Company, Studebaker and Ford had agencies established by this time. In 1929, he set up the first petrol pump. In 1912, on King George V's birthday, the British awarded the Kaiser-i-Hind Medal of the Second Class to Kanoo, but his relationship with the British was not always smooth.The political agent of the time noted that Kanoo had refused to give assistance and was believed to be in the Arab camp. He was awarded a Member of the Order of the British Empire (MBE) on June 3, 1919, after his status was upgraded by the British in 1917. His relationship with H. R. P. Dickson, who took over as Political Resident in 6 November 1919, was fraught with conflict. The relationship between the British and Kanoo was damaged by the removal of the two men. In 1923, King George V awarded the Companion of the Order of the Indian Empire (CIE) to Kanoo, and in 1925, he sailed to Sharjah in support of the Political Resident. The long decline of the pearl markets of the Persian Gulf forced many pearl divers, captains, traders and other businessmen into penury. After applying for a 20,000 rupee loan from the ruler of Bahrain, he was rejected by the British opposition.<mask> was forced to sell off parts of his business because of the high rates of interest on his commercial loan. The Eastern Bank provided the loan. His business and health were damaged by the affair, which dragged on into the Second World War. When his brother died of plague at the age of 25 in 1903 and 1904, Kanoo adopted the two sons and daughter of him. Jassim and Ali became partners in the family business. The girl's name was Mariam. By the time of his death on December 21, 1945, Haji <mask> bin <mask>o had paid off most of his debts, but he left his two adopted sons just 10,000 Rupees to rebuild the family's fortunes.He left them with a collection of lucrative businesses and agencies and they formed a successful partnership that would lead to the creation of a major conglomerate with operations in the UK, Saudi Arabia, and the Middle East. 1868 births and 1945 deaths of business people.

masks:
Haji Yusuf
Kanoo
Yusuf
Ahmed Kano