texts: The Jesus Puzzle, Challenging the Verdict, and Jesus: Neither God nor Man were written by <mask><mask>. The thesis of the Christ myth theory is that Jesus did not exist as a historical figure. Paul believed that Jesus was executed in a spiritual realm. He has a bachelor's degree in Ancient History and Classical Languages, but no advanced degrees. He gained a basic knowledge of Hebrew and Syriac from his undergraduate studies. The idea of a mythical origin of Jesus was introduced to writings by G. A. There is a moderate form of the "Christ myth" theory argued by Wells.The Jesus Puzzle was written in 1999. Canadian Humanist Publications published it. He published a re-release of The Jesus Puzzle in 2005, along with two other books. Challenging the Verdict is a critique of The Case for Christ. The Jesus Puzzle was revised and expanded into Jesus: Neither God nor Man - The Case for a Mythical Jesus. The End of an Illusion: How Bart Ehrman's "Did Jesus Exist?" was published in 2012. There is a case for an historical Jesus to rest.Christianity began with a belief in a spiritual, mythical figure, that the Gospels are essentially allegory and fiction, and that no single identifiable person named Jesus lay at the root of the Galilean preaching tradition. The case for a mythical Jesus was argued in The Jesus Puzzle and Jesus: Neither God nor Man -- The Case for a Mythical Jesus. The major Christian apologists before 180 AD did not include an account of a historical Jesus in their defense of Christianity. He suggests that the early Christian writers describe a Christian movement grounded in Platonic philosophy and Hellenistic Judaism, reaching the worship of a monotheistic Jewish god and what he calls a "logos-type Son". There is no indication that they believed in a historical. The title "The Jesus Puzzle" was used for four different works. His article "The Jesus Puzzle: Pieces in a Puzzle of Christian Origin" was published in 1997.He created a website under the same title around the same time as he developed his material for a book. His method was to publish a fairly crude first draft, and then remove material that proved impractical, while retaining the general direction of argument. The site was used for more commentary and responses to reviews of his work. The Jesus Puzzle is a non-fiction book. It was published two years later. He provided a novel title for download on his website. The view that Jesus is a mythical figure rather than a historical person is promoted in all four of these works.Paul and other writers of the earliest Christian Gnostic documents did not believe in Jesus as a person who incarnated on Earth in a historical setting. They believed that Jesus died for the sins of the world and was resurrected by God. The myth of Christ was not based on a historical Jesus, but on the Old Testament exegesis in the context of Jewish-Hellenistic religious syncretism, and what the authors believed to be mystical visions of a risen Jesus. The Jesus myth was given a historical setting by the second generation of Christians in the 1st and 2nd century. He says that the author of the Gospel of Mark probably didn't consider his work of history to be a work of history at all. The story of Mark was fused with a different tradition of anonymous sayings embodied in the Q document into the other gospels. With Jesus being the embodiment of this Wisdom, the Q-authors may have regarded themselves as "spokespersons for the Wisdom of God."This embodiment of Wisdom became seen as the history of the life of Jesus. There is no historical value to the Acts of the Apostles, according to the works of John Knox, Joseph B. Tyson, J.C. O'Neill, Burton L. Mack and Richard Pervo. In 2009, <mask> self-published a revised edition of his book, Jesus: Neither God nor Man, expanded by incorporating the rebuttals to criticisms received since 1999 and accumulated on his website. Some authors are sympathetic to the view that Jesus never existed. Robert M. Price and Richard Carrier both gave favorable reviews to The Jesus Puzzle. The Jesus Puzzle was described as "the most compelling argument against the historical Jesus published in my life-time" by the former editor of American Atheist. George Albert Wells, who now argues a more moderate form of the Christ myth and who rejects the view that the mythical Jesus of Paul did not descend to Earth, has described The Jesus Puzzle as an important book.There are "reasons for scholars to hold the view that Jesus never existed" according to R. Joseph Hoffmann. He said that his work owes a lot to Wells. Some of the arguments against the hypothesis that Jesus did not exist have merit. The Jesus Puzzle outlines a plausible theory for a completely mythical Jesus. It would take a 2,400-page book to deal with Jesus, Neither God nor Man being filled with so many unguarded and undocumented statements and claims. One who is unable to understand the ancient texts he uses in his arguments is described as the most influential of all the mythicists by a New Testament scholar. The end of an illusion is Bart Ehrman's "Did Jesus Exist?"There is a case for an historical Jesus to rest. The Fall 1997 Journal of Higher Criticism article "The Jesus Puzzle: Pieces in a Puzzle of Christian Origins" was reproduced on the Age of Reason Publications website. The case for Christ is challenged at archive.org.

masks:
Earl J
. Doherty
Doherty


type: paraphrased

texts: An American physical chemist named <mask> was born on June 13, 1919 in St. Louis, Missouri. <mask> received his BS from the California Institute of Technology in 1940 and his PhD from the University of California, Berkeley in 1942, both of which are considered to be the founding fathers of modern high-temperature chemistry. Following his graduate work, <mask> joined the Manhattan Project and later joined the faculty at the University of California, Berkeley. Rose Sturgo died in 1989. They had three children. He died of poisoning from his work in World War II. The first ten years of <mask>'s life were spent with his family in Ohio, where his father worked as a shoe repairman.After the Great Depression, his family moved to Los Angeles, California. After six years, <mask> decided to attend the California Institute of Technology. Professors E. Swift and D. Yost and Professors D. Pressman and H. J. Lucas were the professors that influenced <mask> the most. After the B.S. Professor Pauling persuaded him to continue his studies at the University of California, Berkeley. After only 28 months after the United States entered World War II, <mask> completed his PhD on the effect of electrolytes on the kinetics of aqueous reactions. The Manhattan Engineering District Project is a top-secret wartime research group that was recruited by <mask> after his PhD work.I was assigned to work under Professor E.D. The group headed by <mask> was assigned a threefold task of predicting the high-temperature properties of the newly discovered element plutonium, then available only. The first of these tasks led to a fundamental examination of the behavior of elements at high temperature, and resulted in a series of papers describing the high- temperature behavior of many compounds. The second task led to the development of the sulfides of cerium, thorium, and U. The third task led to the development of a micro method of analysis. The research resulted in the creation of a new material called CeS, which was used in hundreds of crucibles at Los Alamos National Laboratory. When plutonium became available, <mask>'s crucibles were ready.Following his service as a member of the Manhattan Project, <mask> was appointed an assistant professor in the Department of Chemistry at the University of California. He achieved the rank of full professor in 1955. Over the course of sixty years, <mask> was a faculty member in the Department of Chemistry. In addition to his academic appointment, <mask> was associated with the Lawrence Berkeley National Laboratory (formerly the Lawrence Radiation Laboratory) from 1943–1994, and served as Director of the Inorganic Materials Research Division of LBNL from its inception in 1961. <mask> was given the opportunity to take an active role in all levels of academic instruction, both inside and outside of the laboratory. <mask> provided classroom instruction in solid-state chemistry, heterogeneous equilibria, and inorganic chemistry, as well as supervised laboratory work for freshman chemistry, advanced quantitative analysis, instrumental analysis, inorganic synthesis, and organic chemistry, as well as courses in chemical thermodynamics. <mask> started a course for freshman-chemistry teaching assistants that reviewed principles and certified their ability to fulfill their responsibilities in order to ensure a high standard of instruction.<mask> was a caring and gifted teacher who was admired by students and colleagues alike. He delivered the annual Faculty Research Lecture at UC Berkeley in 1966. "A Broad University Education leads to Astrochemistry" was the title of his lecture. The Henry B. Linford Award for distinguished teaching was given to him in 1988. An academic symposium was held in his honor after he retired from the University of California, Berkeley. <mask> was instrumental in founding the National Academy of Sciences' National Research Council Committee on High-Temperature Chemistry and organizing the first Gordon Research Conference on High-Temperature Chemistry. <mask> worked on many committees at the request of the Atomic Energy Commission and its successors, the Energy Research and Development Administration and the Department of Energy.The International Union of Pure and Applied Chemistry and the International Atomic Energy Agency were both represented by him. The Journal of Physical Chemistry Solids, Progress in Organic Chemistry, and the Journal of Chemistry Physics all had <mask> on their editorial advisory boards. The Handbook of Chemistry and Physics was published in 1991. Part II of the Bibliography on the High-Temperature Chemistry and Physics of Materials was compiled and maintained by <mask>. <mask> had a distinguished career as a chemist and an interest in native California plant life. He was a founding member of the California Native Plant Society. The Arctostaphylos uva-ursi leo-breweri was named after him to honor his contribution to the study and preservation of California's native flora.<mask> wrote nearly 200 articles on a variety of advanced topics in the field of thermodynamics. In 1961, he and Kenneth Pitzer revised Gilbert N. Lewis and Merle Randall's classic 1923 text. <mask>'s research covered a wide range of subjects, but his main focus was on high-temperature thermodynamics, materials science, studies of metallic phases, and the development of metallic bonding theory. At different times in his career, he was involved with astrophysics and ceramics. <mask>'s early work showed that the equilibrium vapor above CuCl was mostly Cu3Cl3 molecule at normal pressures. The observation led to <mask>'s Rule. The vapor species become more complex when the temperature is raised.There are unusual oxidation states and the formation of polymers. The field of high-temperature chemistry is based on his rule. He focused on resolving discrepancies between reported experimental values and values predicted by chemical bonding models. The reliability of the model was confirmed when the reported data was shown to be in error. The enthalpies of formation of C(g) and N(g) were larger than the accepted values. There are many examples of use of predictive models when there is no reliable experimental data. It was necessary to improve the models when the experimental results were confirmed.At high temperatures, the neglect of gaseous polymer species would be an example. The war-time study found evidence of polymerization. A general theory predicted that saturated high-temperature vapors would be complex mixtures of species and that the complexity would increase with increasing temperature. High-temperature workers have confirmed these predictions. The studies started with the sulfides were extended to include other phases. The experience on the Manhattan Project on the use of platinum to reduce the volatility of lanthanides and actinides was extended to a wide range of transition metal intermetallic compounds through use of the Engel correlation of electronic and crystal structures. The critical evaluations of the thermodynamic properties from the Manhattan Project were updated periodically.The 2nd edition of Lewis and Randall's Thermodynamics shows how the data from one of <mask>'s compilations can be used. The equilibrium distribution of the elements in the Earth's gravitational field is illustrated in a 1951 paper by <mask>. <mask> conducted a wide range of studies to fix the properties of high- temperature vapors. <mask> published many papers on the analysis of the spectrum produced by high-temperature gasses. The method for determining ground electronic states was described in several papers. When low temperature matrix isolation was developed by George Pimentel at UC Berkeley, <mask> produced many papers on his high-temperature molecule in a frozen inert matrix. <mask> was interested in the electronic states of I2 for a long time.<mask> wanted to understand the strong generalized Lewis acid-base interactions between lanthanides, actinides and left-hand transition metals. A combination of high-temperature solid electrolyte cells, equilibration with oxides, carbides and nitrides, and vapor pressure measurements were used. The intermetallics were shown to be the most stable of all compounds. There is a correlation between the number of electrons and the structure of the metal. The concept of acid-base interactions and the nature of d and f electrons were added by <mask>. He tested these ideas by heating ZrC with noble metal Platinum and found that the formation of ZrPt3 released a lot of energy despite the great stability of ZrC. The <mask>gel theory for bonds was developed over several years by <mask>.<mask> received many awards and honors, including the L.H. The Baekeland Award of the American Chemical Society was presented in1953. <mask> was an elected member of the National Academy of Sciences, the American Academy of Arts and Sciences, and the American Society for Metals. In 1984 a special festschrift in his honor was prepared by his former students and colleagues. The biographical essays prepared by his colleagues and students were partially adapted from an autobiographical essay written by <mask>. The University of California, Berkeley, and the California Institute of Technology are alumni of the UC Berkeley College of Chemistry.

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Leo Brewer
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Leo Brewer


texts: <mask> (born May 17, 1963, in Philadelphia, Pennsylvania) is an American multi-instrumentalist most noted for his work as the keyboardist and a writer for the band Phish. <mask> has a number of other side projects, including leading the electronic jazz fusion band Vida Blue and acting as a session musician for the comedy rock duo Tenacious D. <mask> was born in Philadelphia in 1963. In 1969 his family relocated to Basking Ridge, New Jersey, after he began to learn to play the piano. He played in bands with his friends by seventh grade. Jack B<mask> was the father of his son. Volunteers in Medicine is a free health clinic that is staffed by retired health workers.<mask> died in February. <mask> spent a year at Gill St. Bernard's School in New Jersey. During his senior year of high school, <mask> attended Lawrence Academy, a boarding school in Massachusetts, and then attended Southern Methodist University, where he took a course called "Imagination, Awareness, and Ideas" taught by Donald Pasquella. <mask> met his mentor, saxophonist Karl Boyle, in the fall of 1984 and wrote his senior study, The Art of Improvisation, under his guidance. <mask> said in his senior study that his music teacher and pianist were the most important people in helping him develop his jazz improvisation. <mask> graduated from the school in 1987. <mask> played in the band for the first time on May 3, 1985."I Been Around," "Halfway to the Moon," and "If I Told You" are all written by <mask>. "things people do." He has written many other songs with the band. <mask> played keyboards on the title track of a Scottish band's debut album. Steve Lillywhite produced the Billy Breathes album in 1996. <mask> joined Tenacious D for a show at the Higher Ground nightclub in Vermont in September 2001 after recording with the band on their debut album. <mask> was a founding member of Vida Blue which performed from 2001 to 2004, and reformed to record an album.<mask> recorded an album of all new material in 2006 after a two-year hiatus from the music industry. On April 17, 2007, Sony/BMG's Legacy Recordings released the eponymous album. <mask> stated, "I know a lot of people on the internet, and that's certainly an option, especially these days and especially if you're catering to the Phish fans who already know who I am." I wanted more. When I was done with the record, I wanted as many people to hear it as possible. The High Sierra Music Festival was held in Quincy, California. He has a band that includes multi-instrumentalists, guitarist Adam Zimmon, bassist Rob O'Dea, and drummer Gabe Jarrett.<mask> said he had a good feeling about the group. It's in its infancy, but it feels like a band. It feels like there is a collective consciousness. <mask> toured with members of The Meters as The Meter Men. A 1991 Yamaha C7 concert is one of the instruments <mask> has on his current rig. A Wurlitzer model 200 electric piano with a custom blue sparkle top is the first polyphonic analog synthesizer from Moog in more than three decades.

masks:
Page Samuel McConnell
McConnell
McConnell
. McConnell
Jack McConnell
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Page McConnell


texts: <mask><mask> was an American psychologist. The understanding and treatment of stress, chronic fatigue and substance abuse is one of the most significant contributions made by Freudenberger. One of the first to describe the symptoms of exhaustion was Freudenberger. He published a book dealing with chronic fatigue in 1980. Freudenberger received the American Psychological Foundation Gold Medal Award for Life Achievement in the Practice of Psychology in 1999. Freudenberger was born to a middle-class Jewish-German family in Germany. While his mother had three jobs, his father had a cattle dealerTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaTrademarkiaHitler gained power in Germany in 1933. Freudenberger's family was threatened by the Nazis. After the death of his grandfather and the beating of his grandmother, Freudenberger fled to the United States with his parents' approval. He cared for himself until a relative gave him a place to stay in New York. He graduated from a junior high school with honors after he settled in New York. Freudenberger began work as a tool and die maker's apprentice to help his parents when they arrived in the U.S.A. Without a high school degree and working at a manufacturing plant, Freudenberger attended night classes at Brooklyn College.Freudenberger was influenced by Abraham Maslow, who was his model and mentor, after meeting him in a psychology class. Freudenberger received his bachelor's degree in psychology from Brooklyn College in 1951. He received his master's degree in psychology from New York University in 1952 and his doctorate in psychology in 1956. Freudenberger was a student at the National Psychological Association for Psychoanalysis and worked in a factory at night. He finished his analytic training in 1962. Freudenberger's psychological-psychoanalytic practice became very successful. Freudenberger was a senior faculty member and training analyst for NPAP from 1970 to 1999.In his career, Freudenberer was an assistant/visiting professor at Queens College, Brooklyn College, Louisiana State University and New York University. Freudenberger helped develop the free clinic movement, which treated substance abusers, during the 1970s. Freudenberger didn't pay for the time he devoted to these clinics. He created and supervised training programs for drug abuse treatment at the Archdiocese of New York. Freudenberger's scholarly contributions were recognized in the United States and around the world. He was made a fellow of the American Psychological Association in 1972. In 1981 he received the Psychologist of the Year Award from the American Psychological Association and the American Society of Psychologists in Private Practice, and in 1983 he received the Presidential Citation from the APA.Freudenberger worked for both the APA Task Force on Substance Abuse and the Board of Professional Affairs. The Division of Independent Practice and the Division of Psychotherapy were represented by him on the Council of Representatives. He was a founding board member of the National Academies of Practice and a founding president of the Divisions of Psychotherapy and Independent Practice. The concept of burn out was developed from his work with the free clinics and through therapeutic communities. "Burnout" is a state of mental and physical exhaustion caused by one's professional life. <mask> and Gail North came up with a list of phases of burnout. <mask> and Somer wed soon after they met.They had three children together. Lisa received a degree in clinical psychology. Mark specialized in real estate. A slumlord in NYC. She became an assistant district attorney. Freudenberger traveled with his family throughout the United States, as well as to Canada, Europe, and Israel. He never returned to Germany after growing up there.He was interviewed by video for the Shoah Foundation's collection of memoirs of Jewish Holocaust survivors. Freudenberger was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 He died in New York City Hospital on November 29, 1999. The American Psychological Association German emigrants to the United States 20th-century American Jews Brooklyn College alumni 20th-century psychologists.

masks:
Herbert J
. Freudenberger
Freudenberger
Freudenberger


texts: <mask> was born on May 1, 1951, and is an American photographer who has made large format black and white photographs. <mask> was the third of three children. The bookstore at Washington and Lee University was run by her mother, Elizabeth Evans Munger. <mask> was allowed to be neglected by his father. <mask> used her father's 5x7 camera as the basis for her large format cameras today. <mask> started photographing when she was sixteen. The majority of her photographs and writings are in Virginia.<mask> attended college after graduating from The Putney School. She received a degree in creative writing from Hollins University in 1975. She took up photography because she wanted to be alone in the darkroom with her boyfriend. She made her photographic debut with a nude photo. <mask> has never had any formal training in photography. <mask> was a photographer at Washington and Lee University. In the mid-1970s she photographed the construction of its new law school building, the Lewis Hall, leading to her first solo exhibition in 1977.Her first book, Second Sight, included some of those images. While <mask> explored a variety of genres as she matured in the 1970s, she truly found her trade with her book, At Twelve: Portraits of Young Women. She was featured in an issue of "Aperture" in 1995. The location was illustrated with photographs. Her second collection, At Twelve: Portraits of Young Women, was published in 1988. The images captured the confusing emotions and developing identities of adolescent girls, and the printing style lent a dramatic and brooding mood to all of her images. When a girl is twelve years old, she often wants less involvement with adults.It is a time in which the girls yearn for freedom and adults feel their own grip on things becoming a little tenuous, as they realize that they have to let their children go. <mask>'s photographs don't glamorize the world, but they don't make it into something more unpleasant than it is. <mask> focuses on the strength that the girls possess instead of showing them as vulnerable in their youthfulness. <mask> says that the young girl was reluctant to stand closer to her mother's boyfriend. <mask> said that she thought it was odd because they had provoked the photograph in the first place. The girl refused to move in closer, even though <mask> didn't want to crop out her elbow. <mask> claims that the girl's mother shot her boyfriend in the face with a gun.The mother testified that the man was at home partying and harassing her daughter while she worked at the truck stop. <mask> said the child put it to him directly. <mask> looks at the photograph with a chill of realization. <mask>'s third collection, Immediate Family, was first exhibited in 1990 by Edwynn Houk Gallery in Chicago and was published as a monograph in 1992. The New York Times Magazine used a picture of her three children on the cover of its September 27, 1992 issue. "Probably no photographer in history has enjoyed such a burst of success in the art world," wrote Richard B. Woodward. There are 65 black and white photographs of her three children under the age of 10.Many of the pictures were taken at the family's remote summer cabin, where the children played and swam in the nude. Many explore typical childhood themes (skinny dipping, reading the funnies, dressing up, napping, playing board games) but others touch on darker themes such as insecurity, loneliness, injury, sexuality and death. Sarah argues that <mask>'s work is not a portrait, nor a documentary, or a snapshot. The tension between private family life and the public sphere is what <mask>'s work is about. She argues that when these private moments are placed in the public eye, they are interpreted through societal codes such as, motherhood, allowing the viewer to interpret the narrative of the work through their subjective views. The opinion that the controversy stems from adult's subjective interpretation of the narrative that pose creates is reinforced by the argument that a pose is only a pose. There were accusations of child pornography in America and abroad, as well as contrived fiction with constructed tableaux.The time when politicians were cracking down on child pornography was when the immediate family entered the field. <mask> was forced to self-censor or have his work removed from public spaces because of negative accountability. The media manipulated public conceptions of cultural works, delegitimising artist like <mask>, despite no charges or legal action being brought against her. The public saw photos as the highest type of evidence because of the political movement. <mask> and Livingston are argued to have been under scrutiny in her work, Models of Integrity: Art and Law in Post-Sixties America. The passing of child pornography regulations meant that film developers could refuse to make a film if they deemed it immoral. Even if it suggests lawlessness, <mask>'s work has central meaning to many people's lives for a wide variety of legitimate reasons.The responsibility of parents to protect, shelter, and nurture their children is something he views as being violated by such work. Mary Gordon argued that <mask>'s work abused the power dynamic between mother and child. Gordon argued that placing her children in sexualised positions invites the viewer to imagine the children as potential sexual partners, which is unethical for a mother. The sexual nature of <mask>'s work invites discussion of her children's sexuality, which is harmful to the private sphere of the nucleus family. Raymond Sokolov's article Critique: Censoring Virginia in the Wall Street Journal received more negative feedback. He wondered if children should be photographed nude and if federal funds should be used for such artwork. <mask> put black bars over her daughter Virginia's eyes, nipples, and pubic region in a modified image for his article.<mask> said he used the image without permission to show the kind of thing that shouldn't be shown. <mask> claimed that Virginia began touching herself on the areas that were blacked out after reading the article. <mask> posing on a picnic table outside, bathed in light. Mary Gordon believes "tomato" is a synonym for a desirable woman and that it presents her daughter as "sexually desirable". She tried to capture the image in a rush because the sun was setting when she told Steven that she had just been playing around and her mother told her to freeze.The photograph's title is due to the fact that everything is blurred except for the tomato. Dana Cox said in her essay that the <mask> children were probably unaware of the other photographs being taken because they were often naked. <mask> says she used to walk around her house naked when she was a child. Cox states that the artist's childhood is reflected in the way she captures moments in her children's lives. One image that deals with another aspect of childhood besides "naked play" is "Jessie's Cut", which shows a girl with a cut above her left eye and her head wrapped in plastic. She has a cut on her skin and blood on it. As painful as the image looks, there are a lot of viewers who could relate to Jessie because they had broken bones as a child.<mask> considered the photographs to be "natural" since she has seen her children in every state: happy, sad, playful, sick, bloodied, angry and even naked". In her work on family photo albums, Deborah Chambers reflects on their idyllic nature but also argues that they rarely convey the actual experience of the family. These idyllic photos are brought to the public sphere by <mask>'s work. <mask> uses idealised family photos to create a narrative from her children's perspectives. Her vision in large measure is accurate, and a welcome corrective to familiar notions of youth as a time of unalloyed sweetness and innocence, according to critics. <mask> was named "America's Best Photographer" by Time magazine in 2001. The patent devotion of her son and daughters in so many of the solemn or playful events was what enraged the critics of her child nudes.It's the only collection of family photographs that's remotely like it, with its naked candor and maternal curiosity. The New Republic thought it was one of the best books of its time. Even though <mask> was never charged with taking or selling child pornography, any federal prosecutor anywhere in the country could bring a case against him in Virginia. She consulted a Virginian federal prosecutor who told her that some of the images she was showing could have her arrested. She decided to delay the publication of the book. When the kids won't be living in the same bodies, she thought the book could wait 10 years. They will understand the implications of the pictures once they have matured.I made my own decision. <mask> and her husband arranged for the children to talk to a psychologist to make sure they understood what the publication would do after the children did not like the decision. The children were allowed to vote on which pictures to put in the book. <mask> told Woodward that she wanted to keep copies of Immediate Family out of the home town of the children. She asked bookstores not to sell it and libraries to keep it in their rare-book rooms. <mask> has no intention to jeopardize her children or use them for pornographic images, according to Dr. Esman, a child psychiatrist at the Payne Whitney Clinic. He says that the nude photographs don't appear to be erotically stimulating to anyone but a case-hardened pedophile or a religious fundamentalist.<mask> said that he didn't expect the controversy over the pictures of his children. I was photographing my children as they grew up. I was doing different things with them. Her fourth book, Still Time, was based on the catalogue of a traveling exhibition that included more than 20 years of her photography. More photographs of her children were included in the 60 images. <mask> began photographing landscapes on wet plate collodion 8x10 inch glass negatives, and used the same 100 year old 8x10 format bellows view camera that she had used for all the previous bodies of work. <mask> - Mother Land: Recent Landscape of

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Sally Turner Munger
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texts: Georgia and Virginia in 1997 and Deep South: Landscape of Louisiana and Mississippi in 1999 were both shown at the Edwynn Houk Gallery in NYC.Many of these large (40"x50") black-and-white and manipulated prints were taken using the 19th century "wet plate" process, in which glass plates are coated with collodion, dipped in silver nitrate, and exposed while still wet. The New York Times called it a swirling, ethereal image with a center of preternatural clarity, and showed many flaws and artifacts, some from the process and some introduced by <mask>. <mask> is the subject of two films. Blood Ties was nominated for an Academy Award as Best Documentary Short in 1994. Steve Cantor directed the second What Remains: The Life and Work of <mask>. It was nominated for an award in 2008 for Best Documentary. "It is one of the most exquisitely intimate portraits not only of an artist's process, but also of a marriage and a life, to appear on television in recent memory," wrote Ginia Bellafante in her New York Times review of the film.<mask> used view cameras from the early 1890s. These cameras have wooden frames, accordion-like bellows and long lens made out of brass, now held together by tape that has mold growing inside. The light in the pictures is softened by this camera, which makes them timeless. The September 9, 2001 cover of The New York Times Magazine featured a self-portrait of her with her two daughters. <mask>'s fifth book, What Remains, was based on the show at the Corcoran Gallery in Washington, DC. There are four parts to the book: Matter Lent, December 8, 2000, Antietam, and What Remains. There are photographs of Eva, her greyhound, and dead and decomposing bodies at a federal forensic anthropology facility in the first section.An escaped convict was killed in a gunfight with police on her property. Antietam is the site of the bloodiest single day battle in American history during the Civil War. Her children's faces are studied in the fourth part. The study of mortality, decay and death ends with hope and love. There are 65 black-and-white images in <mask>'s sixth book, Deep South, which was published in 2005. The photographs were described as "haunted landscapes of the south, battlefields, decaying mansion, and the site where Emmett Till was murdered". Newsweek said that <mask> "walks right up to every Southern stereotype in the book and subtly demolishes each in its turn by creating indel disturbing images that hover somewhere between document and dream".<mask>'s seventh book, Proud Flesh, was a study on the effects of muscular dystrophy on <mask>'s husband. <mask> notes that the results of the rare reversal of photographic roles are candid, wrenching and touchingly frank of a man at his most vulnerable moment. The project was displayed in a gallery. <mask>'s eighth book, The Flesh and The Spirit, was released in conjunction with a show at the Virginia Museum of Fine Arts. The museum director stated that she follows her own voice. Her pictures have an amazing degree of soul. New and recent work, as well as early works, were included in the book, though not strictly a retrospective.The body has illnesses and death, and is the unifying theme. The topic of how her family influenced her work was the subject of a lecture she gave at Harvard in 2011. Hold Still was a companion to the lecture. <mask> sat down with one of her peers at the festival. The way in which photographing personal lives became a source of professional controversy was discussed by the two photographers. This was followed by an appearance at the University of Michigan. <mask>'s ninth book, Hold Still: A Memoir with Photographs, is a mixture of a memoir of her youth, an examination of some major influences of her life, and reflections on how photography shapes one's view of the world.There are many photographs, letters, and other items. She singles out her childhood and her introduction to photography at Putney, her relationship to her husband of 40 years and his parent's mysterious death, and her maternal Welsh relative's nostalgia for land morphing into her love for her land in the Shenandoah Valley. <mask>'s eyes were opened to race relations and exploitation, her relationship with local artist Cy Twombly, and her father's genteel southern legacy are also examined. She ponders the relationship Robert S. Munger had with his workers. It was described as an "instant classic" by the New York Times. <mask>'s article from the book appeared in The New York Times Magazine. Hold Still was a finalist.In 2016 <mask>'s tenth book, Remembered Light: Cy Twombly in Lexington, was published. There is a photographic view of Cy Twombly's studio. There is an exhibit of color and black-and-white photographs at the Gagosian Gallery. It shows the overflow of Twombly's general method: the leftovers, smudges, and stains, or, as Simon Schama said in his essay at the start of the book, "an absence turned into a presence". <mask>: A Thousand Crossings, authored by Sarah Greenough and Sarah Kennel, is a large (320 pages) compendium of worksSpanning 40 years, with 230 photographs by <mask>. <mask>: A Thousand Crossings was the first major survey of the artist's work to travel internationally when it opened at the National Gallery of Art. The issues of race and legacy of slavery were a central theme of <mask>'s memoir Hold Still.A series of portraits of black men were made during one-hour sessions in the studio with models not previously known to her. <mask> borrowed the idea of the poem "Poem of the Body" from Bill T. Jones and used it as a template for her own exploration. In the summer of 2016 several pictures from this body of work were highlighted in a magazine. A series of photographs of African American historic churches photographed on expired film and a series of tintype photographs of a swamp that served as a refuge for escaped slaves were introduced in this book and exhibit. Some critics see in <mask>'s work a deep working through of the legacy of white violence in the South, while others worry that <mask>'s work at times repeats rather than critiques of white domination and violence in the American southeast. <mask> is the daughter of Robert Munger and Elizabeth Munger. In <mask>'s introduction to her book, she expresses stronger memories for the black woman, Virginia Carter, who oversaw her upbringing than for her own mother."<mask> may look like me, but inside she's her father's child," said Elizabeth Munger, who was not a big part of <mask>'s life. Virginia Carter, who was born in 1894, raised <mask> and her two brothers and was an admirable woman. Left with six children and a public education system that 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 888-739-5110 Virginia Carter died in 1994. <mask> and Larry married in 1970. <mask> was a blacksmith before he became an attorney. Larry was diagnosed with a disease.<mask>'s family's farm is where they built their home. They have three children together, one who took his own life in 2016 after a life-threatening car collision, and two who served in the Peace Corps. She is a big fan of endurance horse racing. She was riding her Arabian horse when he was injured. <mask> was thrown to the ground, the horse rolled over her, and the impact broke her back. After recovering from the accident, she made a series of self-portraits. The self-portraits were on view for the first time in November 2010 at the Virginia Museum of Fine Arts.There are books at twelve about young women. New York in 1988. Immediate family. New York, 1992. Still time. New York, 1994. <mask>: Proud Flesh was published in the 21st edition.The gallery is in New York. The exhibition catalogues The Lewis Law Portfolio, at the North Carolina Center for Creative Photography, Durham, NC. National Geographic in 2003 R. H. Cravens has a Photography Past/Forward. The Aperture Press was published in 2005. <mask>'s life and work can be found in Other Film and television Blood Ties. Steven Cantor and Peter Spirer directed it.Moving Target is a production company. 30 minutes, color, DVD. "Giving Up the Ghost" was nominated for an Academy Award. The arts show has an egg. Thirteen/WNET is based in New York. "Place". The first episode.Art in the Twenty-First Century was directed by Catherine Tatge. 14 minutes. There is a color. There is a DVD. <mask>'s Life and Work was published in 2002. Steven Cantor directed it. Zeitgeist Films is located in New York.80 minutes, color, DVD. They did it in 2004. The winner of the best documentary. There is a film festival in Jacksonville. The best documentary film won the grand jury prize. The Nantucket Film Festival had the best storytellers. The official selection of the film festival.The New York Loves Film Documentary Award is given by the New York Film Festival. There is a film festival. Some things are private. Playwrights are Deborah Salem Smith and Laura Kepley. The Dowling Theater is home to the Trinity Repertory Theatre. Providence, Rhode Island. "The Genius of Photography: We Are Family" was published in 2008.There is a sixth episode. "Thalia Book Club: <mask> Hold Still" was produced by Wall to Wall Media. Time magazine named <mask> "America's Best Photographer" in 2006 and Ann Patchett received a Doctor of Fine Arts degree from the Corcoran College of Art + Design. The Andrew Carnegie medal for excellence in Nonfiction for Hold Still: A Memoir in Photographs was awarded by the Royal Photographic Society. Inducted into the International Photography Hall of Fame on October 29, 2021, <mask>'s work is held in the following permanent

masks:
Mann
Mann
Sally Mann
Mann
Mann
Mann
Mann
Mann
Mann
Mann
Mann
Mann
Mann
Mann
Mann
Mann
Sally Mann
Mann
Sally Mann
Mann
Mann
Mann
Mann
Mann
Mann
Sally
Mann
Mann
Sally
Larry Mann
Sally
Mann
Sally Mann
Sally Mann
Sally Mann
Sally Mann
Mann
Mann


texts: A sculptor and woodcarver from Riegel, Germany, <mask> was born on June 11, 1754 and died on March 4, 1822. The crowning achievement of the Cape Baroque style is thought to be represented by numerous sculptural adornments that adorn buildings in the Cape region of South Africa. Although his father's occupation is unknown, his elder brother was a builder and architect who settled in Hungary. During the baroque era, architecture and sculpture were closely allied and it is likely that <mask> received his training from an artist's studio. He studied under both Joseph Amann and Joseph Hrr. The Feuchtmayer family of the Wessobrunner School were well known during the time of his apprenticeship. <mask> was a soldier in the Dutch East- India Company when he arrived at the Cape of Good Hope.Although he was a trained sculptor, he was initially employed as a carpenter. In the 1780s, a wealthy Lutheran named Martin Melck ordered him to carve a pulpit for the Lutheran Church in Cape Town. The King David relief on the organ loft was the first thing he did for the Lutheran Church, but the most important work was the pulpit. The memorial plaque, windows and doors are all made by him. Anreith gave the church a new facade after finishing work on the interior of the building. This was rebuilt in 1820, along with Anreith's turret, thanks to drawings by Lady Anne Barnard and John Barrow. The facade and portal of the Martin Melck House were influenced by him.He was appointed master-sculptor of the Dutch East India Company in 1786. <mask> was commissioned by the Dutch Reformed Church to create a pulpit. He was assisted by Jan Jacob Graaff, the chief carpenter at the Company. The pulpit was designed by Anreith, but the higher ranking Graaff received more money. The Groote Kerk in Adderley Street inaugurated the pulpit on November 29, 1789. The architect LouisMichel Thibault worked closely with Groot Constantia <mask> after she left the service of the Company. He did his first project with the architect, the wine-cellar at Groot Constantia, for which he designed an elaborate baroque pediment, The Rape of Ganymede, a depiction of the myth of the youth, abducting Zeus in the form.He arranged a bunch of putti figures in front of a row of wine vats. There is a child seated on an eagle pouring wine from a jar. There is a statue of Abundantia at the homestead. Dora Fairbridge claims Cloete family tradition holds that this work was not done by Anreith. A bath at Constantia is more likely to be by his hand. The development of Cape Town architecture in the late 18th and early 19th century was influenced by three people: Thibault, <mask> and Schutte. The triumvirate of Thibault, Anreith and Schutte worked out of the Castle for many years.The Governor of the Dutch East India Company Colony made a number of improvements to the Castle of Good Hope. The Governor's residence had a portal called the Kat Balcony. Anreith painted the portico and entrance portal. Anreith's signature features are the stucco parapet, ionized columns, folding door and fanlight. The carvings and fanlights at Rust en Vreugd were executed by other works. When the house was demolished in 1970, the pedimental relief of Mercury as a boy was removed. Some woodwork from the demolished Saasveld House can be seen at the Huguenot Memorial Museum in Franschhoek.There is a replica of the Lioness Gateway in the Company's Gardens. The entrance to the Company's menagerie used to be called the Lioness Gateway. Anreith made a living teaching life drawing and geometry. The first art school in South Africa was founded by the Freemasons. He was a member of the Lodge de Goede Hoop and designed a number of lime plaster statues, of which three survived a fire. The design of the Hurling Pump in Oranjezicht was inspired by the drinking fountain created by Anreith and Thibault. The lion's mask was carved on the pump.Poverty, loneliness, and a decline in the quality of his work were some of the things that marked <mask>'s later years. He died in Cape Town in 1822. 1754 births, 1822 deaths, 18th-century German sculptors, 19th-century German sculptors, Dutch East India Company people, 19th-century male artists.

masks:
Anton Anreith
Anreith
Anreith
Anreith
Anreith
Anreith
Anton Anreith


texts: <mask> is an English actor who has appeared in films in the UK, US and India. He played the villain Gustav Graves in the 2002 James Bond film Die Another Day and was nominated for an award for best supporting actor. One of the leads in the Lost in Space series was <mask>. The younger son of actors Dame Maggie Smith and <mask> was born on April 21, 1969 at the Middlesex Hospital in Fitzrovia, London. He was educated at two schools. He attended the London Academy of Music and Dramatic Art. In 1992 he began his film career with a role in Sally Potter's Orlando.He has appeared on stage and on television. He played the title role in a Royal Shakespeare Company production of Coriolanus after graduating from LAMDA. In 2004, he played Stanley Kowalski in a West End production of Hamlet. He appeared in Ring Round the Moon. He played Orsino in the 1996 film adaptation of William Shakespeare's Twelfth Night. He played Gustav Graves in the 2002 James Bond film Die Another Day. He was 33 at the time of the film's release, making him the youngest actor to play a Bond villain.In 2005, he played the role of a British Army captain in a movie about the Indian rebellion of 1857. He returned to India to play a British East India Company officer in a movie. He played the role of Edward Rochester in The Wild West, which was broadcast in the United States on PBS in early 2007, as well as the role in the television adaptation of Custer's Last Stand, which was broadcast on the British Broadcasting Corporation in February 2007. In mid-2007, he played the role of Jerry in a revival of Betrayal. Jonathan Kent directed the revival of William Wycherley's The Country Wife. The Theatre Royal Haymarket Company produced the play. In February 2008, the Fox Broadcasting Company gave the go-ahead to cast <mask> as the lead in a potential one hour, prime time US television show, Inseparable, to be produced by Cassidy.The show was to feature a partially paralysed forensic psychologist and a charming criminal. Fox had not yet approved a script or purchased a pilot for the show, so the casting of <mask> was unusual. In May 2008, The Hollywood Reporter said that the producers' hold on <mask> had expired. Bob Holness provided the voice of Bond in the first radio dramatisation of the novel, though Moonraker was on South African radio in 1956. He has appeared in a number of James Bond novels. In May 2008, Stock-pot Production announced that <mask> will be starring in a film called Fly Me with Tim McInnerny. Stock-pot was the producer of One Day, a short 2006 film shown at international film festivals, in which the boss of McInnerny's character was played by <mask>.The Story of James Bond, a tribute to Ian Fleming, was presented at the London Palladium on October 5, 2008. The event, organised by Fleming's niece, featured music from various James Bond films and Bond film stars reading from Fleming's Bond novels. The readings were for James Bond. The last book written by Simon Gray was read by <mask> in December of 2008. Gray's description of his role at the christening of Eli was included in the excerpts from which <mask> read. In the third season of Robin Hood, <mask> played Prince John. The series was aired in the US.Strike Back is a six-part television series based on the novel by Chris Ryan. In May 2010, the series aired. The production of Ibsen's A Doll's House was staged at the Donmar Warehouse in 2009. The Blue Geranium was a sequel to the television series and films based on Agatha Christie's Miss Marple character. The show was aired in the US on PBS. Vexed was a three-part comedy television series for the British Broadcasting Corporation. The Lost Explorer was a short film written and directed by Tim Walker.The short story was the basis for the film. In the spring of 2010 there was a revival of Tom Stoppard's The Real Thing directed by Anna Mackmin at the Old Vic Theatre in London. It's moving for me to do something at the Old Vic, where my parents performed as part of the Royal National Theatre Company. It means it has an interest. It was an historic place, but I didn't see anything when my parents were there. I'm a huge fan of Stoppard's work. In 2010, he appeared in Danton's Death.The play was performed at London's Royal National Theatre. Over the years, he has continued to narrate audiobooks and perform in radio dramas. The King James Version of the Bible was part of a celebration of the 400th anniversary of the Bible's publication. The role of Philip Marlowe was played by <mask> in the radio serial. The audiobook, Paul Temple and the Geneva Mystery, was narrated by <mask>. In the television series Black Sails, he played the role of Captain JamesFlint, a pirate in the early 18th century. He played former British Prime Minister Tony Blair in a movie.He played the role of John Robinson in the Lost in Space remake. He played Damian Cray in the second season of Alex Rider. New Zealand actress Anna- Louise Plowman was married to <mask> in 2001. Their first child was born in 2007. The British playwright Simon Gray, who wrote a stage play and a radio drama, was said to be Eli's godfather. Their daughters were born in September and May of 2009. The 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846The Ian Charleson Award for best classical actor under 30 was won by Coriolanus.

masks:
Toby
Stephens
Sir Robert Stephens
Stephens
Stephens
Stephens
Stephens
Stephens
Stephens
Stephens
Stephens
Stephens
Stephens
Stephens


texts: I. <mask> was a pen name of <mask><mask>. His association with various venues began with his debut with the nationalist magazine Smntorul, and continued with affiliations with various other venues. <mask>'s contributions to fantasy, children's literature and memoir were not included in the genres illustrated by his public commitments. His work is mostly indebted to <mask>, through him, and is often described as picturesque but mediocre. <mask> completed his secondary studies in the city where he was in the same class as future writers. He made his debut in writing in 1903, when his contribution was hosted by the Smntorul. He studied Letters and Law at the University of Bucharest in 1904.The first volumes of his poetry and short stories were published during those years. I<mask>'s works made an impression on two of his competitors. He found an early mentor in Macedonski, who guided his early literary career and provided him with advice upon their first meeting. Before 1910, <mask> began contributing to Covorbiri Critice magazine and attending its club, which was hosted by Dragomirescu. As a follower of the conservative literary society Junimea, Dragomirescu had been directing his efforts toward assembling together some of his former colleagues. In addition to these authors, people who frequented the circle before 1910 included Symbolist figures. <mask> <mask>, Costin Petrescu and George Talaz are visual artists.According to literary historian Z. Ornea, the eclectic circle became a center of opposition to Smntorul. George Clinescu, a literary historian, said that <mask> lived a bohemian life in Flticeni, where he profited from the fact that a relative of his was a tavern owner. He was a regular at the pub. Although he boasted a rustic lifestyle, <mask>'s townhouse was far from a miserable mud hut and he raised ducks, geese and pigs. <mask> sought out fellow writers and addressed them as mi frate-miu, "brother o' mine". Dragoslav published his work in a number of places, including Ft Frumos, Flacra, and Ramuri. He joined the Romanian Writers' Society in 1909 after publishing Fata popei and Povestea copilriei.The collections Novele and Povestiri alese were put out in 1910. In 1912, <mask> was associated with the Symbolist and modernist venue Insula, edited by <mask>. The only person from the Insula group not to have been a Symbolist was <mask>. The writer was one of the people who welcomed Macedonski back from his trip to France. " 'Macedonski has arrived' sounds as if the man has risen from the dead," he stated in a Rampa article, as he viewed the event as an opportunity for restoring Macedonski's prestige. Together with Stamatiad and Mndru, Dragoslav was able to bridge the gap between the two. Volintirii and mpratul Rogojin followed each other in 1912.The stories volumes Srcuul were put out in 1915. The books were printed in Ortie, a town outside the Kingdom of Romania. At an early stage of World War I, Dragoslav was affiliated with Libertatea, which advocated for the Central Powers. Dragoslav spent a lot of time at the local high school reading to wounded soldiers as the Central Powers occupied the southern part of the country. In 1921, <mask> put out his definitive selection of novellas and sketch stories. Clinescu argued that binge drinking was to blame for his illness in the 1920s. Over 6 liters of bodily fluid was drained of him after he was hospitalized for ascites.He died in Flticeni after being hospitalized again at the Colea Hospital. <mask>'s stories have traditionally been described as picturesque works, but overall mediocre. His prose is thought to have been influenced by <mask>, a celebrated late 19th century author who borrowed inspiration from rural culture and folklore. Clinescu concluded that the object of his criticism was far from being a writer after reviewing the impact of other works on <mask>'s work. Including <mask>'s work among an "eclectic" tendency, he rejected most of it as "garrulous" and "adulterous" versions from themes provided by other authors. <mask> was an inauthentic peasant who tried to adapt a "popular epic" to modern urban subjects, using the work of <mask> Caragiale as a template. In which the better parts are echoes from Creang, this results in "loose productions".Other narrative motifs found in earlier literature are used in <mask>'s works. The author illustrated the pretext of protagonists meeting in inns, a common theme in 19th- and 20th-century Romanian literature. Facerea lumii, <mask>'s main work in the fantasy genre, was deemed a sort of glib fairy tale by Clinescu. In the beginning of beginnings there was darkness, there was no light, and there was no time. The mythopoeia samples beliefs found among dwellers of the mahala, rather than being "truly peasant", and is prolix, without "plasticity". The Sburtorul critic believes that <mask>'s "most accomplished" pieces are a kind of literary styling. Assessments of <mask>'s work divided the literary circles he frequented.Ornea attributes the enthusiasm of finding new and distinctive works that would impose a dissident to the voice of Mihail Dragomirescu, who described <mask> as a new Creang and found some of his works to be masterpieces. <mask>, a literary reviewer, commented on the baggage of <mask> the short story writer. As far as the artistic sphere is concerned, there is sheer poverty. One of Trivale's major mistakes was his excessive leniency for both <mask> and Cazaban. Clinescu identified Dragoslav as the main source of inspiration for Pitarc, a secondary character in Mihail Sorbul's novel Mngierile panterei. His portrait was drawn by <mask> <mask>. Istoria literaturii romne de la origini pn n prezent was written by George Clinescu.I, Editura Minerva, Bucharest, 1971. There were people from Flticeni who died during World War I.

masks:
Dragoslav
Ion V
. Ivaciuc
Dragoslav
Ion Creang
Ivaciuc Dragoslav
. Dragoslav
Dragoslav
Iosif
Iser
Dragoslav
Dragoslav
Dragoslav
Dragoslav
Ion Minulescu
Dragoslav
Dragoslav
Dragoslav
Ion Creang
Dragoslav
Dragoslav
Dragoslav
Ion Luca
Dragoslav
Dragoslav
Dragoslav
Dragoslav
Dragoslav
Ion Trivale
Dragoslav
Dragoslav
Iosif
Iser


texts: <mask>, also known as <mask>, was a Scottish writer. "Will ye no' come back again?" is one of her songs. Almost two hundred years after they were written, "Charlie is my darling" and "The Rowan Tree" are still popular. The song "Caller Herrin'" was 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 She sometimes contributed her own music to the traditional Scottish folk music. The creation of a distinct Scottish identity was influenced by the Jacobite heritage of <mask>ne and Robert Burns. In the belief that her work would not be taken seriously if it were known that she was a woman, Nairne went to great lengths to hide her identity when submitting her work for publication.She often attributed her songs to the gender neutral B.B., S.M., or "Unknown" because she felt that she gave too much away. Although both working in the same genre of traditional Scottish folksongs, Nairne and Burns display different attitudes in their compositions. Nairne tends to focus on an earlier romanticised version of the Scottish way of life, with sadness for what is gone forever, whereas Burns displays an optimism about a better future to come. <mask> was born at the Auld Hoose, Gask, Perthshire, on August 16, 1766. She was the daughter of Duncan Robertson of Struan, the chief of Clan Donnachie, and his wife Margaret, who was the fourth child of the three sons and four daughters of Laurence Oliphant. She was given the name <mask> in memory of Prince Charles Edward Stuart, her father's Jacobite. The Oliphant family, along with the Robertsons and the Nairnes, were accused of high treason and exiled to France.<mask>'s parents were married at Versailles in 1755 after the exiles stayed in France for nineteen years. Two years before <mask>'s birth, the couple returned to Scotland after the government allowed the family's kinsmen to buy back part of the Gask estate. Lord Nairne commanded the second line of the Jacobite army at the Battle of Prestonpans in 1745 and her parents were cousins. He escaped to France after he was sentenced to death and remained there until he died. <mask> and her siblings DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch DropCatch As their father considered it unladylike, a governess was hired to ensure that the girls had a full education including music and art, and that they did not speak in a broad Scots dialect. Music and dance teachers were engaged, as well as a local minister who provided general tuition, and the children's prayer books had the names of the Stewarts obscured.<mask> was well educated, well-liked by fashionable families, and an accomplished musician who was familiar with traditional songs. Lord <mask>'s grandson William Murray Nairne became the 5th Lord Nairne in 1824. He was born in Ireland to a Jacobite family who had forfeited their lands. The pair were married on June 2, 1806, after he was promoted to the position of assistant inspector-general. The only son of the couple was born in Edinburgh two years later. Lady Nairne lived with her son in Ireland and on the continent after her husband's death. His health was not helped by the change in climate and he died in December.After a stroke, Nairne died on October 26, 1845, and was buried in the family chapel. Nairne began writing songs after her father's death. She was a descendant of Robert Burns. Dianne Dugaw, Professor of English and Folklore at the University of Oregon, said that the two forged a national song for Scotland that lies somewhere between folk-song and art-song. Both were influenced by Jacobite history. She was able to contribute some of her own tunes because she was able to read music and play the harpsichord. She probably wrote three tunes, "Will Ye No Come Back Again", "The Rowan Tree", and "The Auld House", as no earlier printed versions have been found.Her first composition may have been a tribute to Burns. Her interest in Scottish music and song brought her into contact with Robert Purdie, an Edinburgh publisher. Purdie was gathering together a collection of the national airs, with words suited for refined circles, to which Nairne contributed a significant number of original songs. The Scottish Minstrel was published in six volumes as The Scottish Minstrel from 1821 to 1824. Given her family background and upbringing, it's unsurprising that the majority of Nairne's songs have Jacobitism as their backdrop. "Wha'll be King but Charlie?" is one of the best known of such works. "Charlie is my darling", "He's owre the Hills", and "Will ye no' come back again?".The Jacobite influence in her work runs deep and she wrote such songs as a tribute to the mid-18th century struggles of her parents and grandparents. The Jacobite distaste for the Whiggish displays and manners of the nouveau riche in post-Union Scotland is reflected in "The Laird o'Cockpen" and "Caller Herrin'". Nairne's songs were written before her marriage. "Would Ye Be Young Again?" was the last thing she did. At the age of 75, she added a note to the manuscript that showed her attitude to life: "The thirst of the dying wretch in the desert is nothing to pining for voices which have ceased forever!" Her songs tend to focus on grief, and romanticise a traditional way of Scottish life. She had an eye on a global future, but her contemporary Burns had an eye on a group of working people.On the posthumous publication of "Lays from Strathearn", Nairne's achievements as a writer were made public. If it became public knowledge that she was a woman, she might have been concerned about the popularity of her songs. She hid her handwriting when she submitted her contributions to The Scottish Minstrel and later switched to the gender neutralBB. She appeared to be an elderly woman from the country when pressed by Purdie to meet his best contributor. Purdie was persuaded that she was merely a conduit for the songs she gathered from simple countryfolk. The entire editorial committee of the Minstrel were aware of her identity, as were her sister, nieces and grandniece. She shared her secret with very few men, not even her husband, as she wrote to a friend in the 1820s.Consideration for her husband may have been one of the reasons for keeping her anonymity. If it had been known that his wife was writing songs in honor of the Jacobite rebels of the previous century, he would have been embarrassed. She kept her secret for fifteen years after his death. Scottish songwriters, Scottish folk-song collectors, 19th-century Scottish people, and 19th-century Scottish writers are listed.

masks:
Carolina Baroness Nairn
Carolina Baroness Oliphant
Carolina Nair
Carolina Oliphant
Carolina
Carolina
Carolina
Carolina
Carolina
Nairne


texts: <mask> is an American singer, writer, actress, essayist and producer who is also known for her work as Jessica 6. In 1986 <mask> was born in New York City. Her parents are Puerto Rican. Her debut album "Lost in Lust" was released on her own label. The album is a song-oriented downbeat electronic album steeped in the grittier ends of early-'90s hip-hop and R&B production. She toured with Antony & The Johnsons and others as part of their "Turning" project. Hercules and Love Affair's self-titled album was released on James Murphy's label DFA Records.She appeared in the music video for the single "You Belong". Slant Magazine placed "You Belong" at #9 on the Top 25 Singles of 2008 and the song was used in the pilot episode of How to Make It in America. "Hercules Theme" was ranked #21 on The 100 Best Tracks of 2008 by Pitchfork Media. The band made its live debut on May 17, 2008, at the Studio B venue in Brooklyn, New York, before going on a European and North American tour. The Guardian said that he was "boasting the effortless air of a future pop icon." The group Jessica 6 was formed in 2009. The group Jessica 6 was formed in 2009.The band met in late 2007, after they helped put together the Hercules and Love Affair live show. "Fun Girl" was released by Jessica 6 on May 21, 2009. See The Light is an album that combines dance with her natural R&B/soul stylings. The music video for Jessica 6's second single, White Horse, was released on February 28, 2011. The video received positive reviews from music critics. In a review for The Guardian, Michael Cragg felt that the song created a "fresh take on 70s disco and filtered house with a dash of funk." Hercules and Love Affair sound like they don't have a distinctive vocalist, but Jessica 6 do.Robin Murray noticed a pop touch, but that doesn't undermine the production. Her status as a history making global artist was further solidified by her appearance at the Greek MAD Video Music Awards on June 14, 2011. The song "White Horse" was used in a film about a group of people. The film was seen in provocative S&M posturings. Their third single "Prisoner of Love" featured Anohni who also appeared in the song's video and was styled byNicola Formichetti. In 2012 after a 2 month North American tour with Holy Ghost!, the trio broke up and she continued her work under the same name. i-D Magazine called the sophomore Jessica 6 album "seductive, dark, smart, and as catchy as Miss Jackson's greatest hits."She had an artist profile inHarper's Bazaar after the release of "The ELI OT sessions" which received rave reviews. A two month residency at the Clocktower Gallery in New York City ended with a project titled "Borough Gypsy" which the gallery described as a lo-fi cassette tape trip down memory lane. The Clocktower Galleries' studio space was transformed into a world where visitors could see and listen to the urban tale as they listen to the album unfold. Visitors are granted full access to diaries, sketchbooks, photo albums and song writing progress journals which document the album's emotional progression as well as the emotional progression which inspired its content. Also on display are hand-made items used for stage shows, items from Nomi's childhood, and some of her first ever recorded demos which are only available in reel-to-reel and cassette tape format. She followed up with a second volume of "Borough Gypsy" in 2016 after releasing the first one to the public. She wrote and sang over the instrumentals produced by J Dilla.Gabriel Magdaleno directed the visuals for it in The Source. In books by Emely Nue of Pussy Riot, The Fader and more, <mask> has published intimate essays and poems on feminism, sex, romance and gender identity. She addresses how shame can lead to abusive relationships in her essay titled "The Lingering Trauma of Searching for Love as a Trans Youth" which was published on March 9, 2017. The essay "The Storm Inside: Loving Trans Women in a Toxic World" was published by Into Magazine. Talkhouse asked <mask> to write a piece for their Gig Economy column. She wrote "Identity, Equality and Fighting for a Livable Wage". She talked about her struggles in the music industry as well as her time with Hercules & Love Affair, and realized that nothing will ever amount to her biggest win yet.<mask> made her acting debut on the show. "Haymaker" is a Muay Thai boxing feature film. She discussed the stigma trans women face when embracing and openly discussing sex and sexuality on Viceland's Slutever TV Series. Musical Collaborations Discography Music Videos References External links Personal website American electronic musicians American women singer-songwriters American woman in electronic music

masks:
Nomi Ruiz
Nomi
Ruiz
Ruiz
Nomi


texts: <mask> was the son of John and <mask> and was the first Commander-in-Chief of India. On February 27th, 1697, he was christened in the Church of All Saints. "<mask>, junior, gentleman" was admitted to the freedom of the City of Hereford in 1660 and became Mayor in 1661. The freedom of the city was granted to "<mask>, apothecary" and "<mask>, brewer" in 1682 and 1702, respectively. One of these must have been the father of <mask> according to Biddulph. In the All Saints' Church burial register, there is a record of the burial of <mask> on 13 November 1698, which was presumed to be his mother's maiden name. He is thought to have entered the army in 1727 and served in Gibraltar and Flanders before taking part in the Battle of Culloden.He commanded the East India Company's troops in India in 1748. <mask> was involved in Dupleix's schemes for the French conquest of southern India after he arrived at Fort St David. He was captured by a French cavalry patrol while leading forces to help enforce the Siege of Pondicherry in 1748. The French imprisoned him until the peace of Aix-la-Chapelle. Robert Clive, the future Commander-in-Chief of British India, began a lifelong friendship with him after he was in command at the capture of Devicota. Clive refused to accept a sword of honour unless <mask> was also voted to be the creator of the Indian army. <mask> was back in India by 1752.He found Clive in charge of a force. As senior officer <mask> took over the command, he was careful to allow Clive every credit for his part in the subsequent operations, which included the relief of Trichinopoly and the surrender of the entire French besieging force. In 1752 he defeated the French with an inferior force and in 1753 he relieved Trichinopoly. He fought a series of actions in defence of that place for seventeen months and then arranged an armistice of three months. He was commander-in-chief when the first regular forces of the crown arrived. He was in charge of Fort St George during the siege of Madras by the French in 1755-1759. After failing health forced him to return to England, he resumed his command as major-general and commander-in-chief.Clive gave his old friend an annuity of 500 dollars a year. He retired after presiding over the board charged with arranging the reorganisation of the Madras army. He spent his retirement years in England as an honoured guest of his friend Sir Robert Palk, 1st Baronet, who was a fellow officer of the British East India Company. He was buried in the parish church of Haldon House after he died in London. <mask> gave a large sum of money to his friend, who was <mask>'s guest. A life-size statue of <mask> dressed as a Roman general and decorated with three large tablets was one of the monuments erected by Palk. The tradition of naming <mask> in honor of Palk began in the family.His arms were covered with armorials, and they were visible on the vestry screen of Dunchideock Church. The arms of Sir <mask>, the Lord Mayor of London in 1665, are visible on the monument to Sir Thomas Gresham in St Helen's Church, Bishopsgate, City of London. The Viceroy of India is 1st <mask>. There is a monument to William Tyler in the north aisle of the nave of the abbey. Beneath his bust is a medal that says "born March 6, 1697; died January 10, 1775". On the left side is a winged figure of Fame holding a shield that says "For Discipline established, Fortresses protected, Settlements extended, French and Indian Armies Defeated, and Peace Concluded in the Carnatic". The East India Company is represented by a female figure on the right side.There are French and Indian flags at her feet as she points towards <mask>'s bust. The arms of <mask> are displayed on the front of the pedestal. The town <mask> defended against the French from May 1753 to October 1754 is engraved on the panel further down. The main inscription on the black marble base was put there by the East India Company to show their gratitude for Major General <mask>'s services in the command of their forces on the coast of Coromandel. The Foreign and Commonwealth Office in London has a life-size marble statue of him. The statue is 5 feet 8 inches high and depicts him as a Roman general. It was commissioned by the East India Company in 1760.On the side is "P. Scheemakers Ft". A drawing of the statue was published in London in 1843. The Haldon Belvedere was built in order to honor <mask>, who had spent his retirement as a guest at Haldon House. There is a statue made of coade stone in the centre of the tower's ground floor, similar to the one in the Foreign and Commonwealth Office. The National Portrait Gallery in London has a reproduction of the Gainsborough portrait. St Michael's Church, Dunchideock, the parish church of Haldon House, was where <mask> was buried. This monument was also made by William Tyler.There is a marble profile and three inscriptions. Colonel John Biddulph, the Father of the Indian Army, London, 1901 1698 births 1775 deaths, was the father of the British East India Company.

masks:
Lawrence
Mary Lawrence
James Lawrence
John Lawrence
John Lawrence
Stringer Lawrence
Michael Stringer
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
John Lawrence
Baron Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence
Lawrence


texts: The English farmer <mask> was known as a writer on agriculture. <mask> is said to have been born about 1700, received an ordinary education, and began life as a farmer. He held a farm in Little Gaddesden, which he made no pretense to scientific agriculture. He traveled a lot both in this country and on the continent, and was evidently a person of intelligence. His early works brought him into disgrace, and many applications were made to him by landed proprietors in all parts of the country to visit and report on their farms. He traveled to the north of England to give those who complied with his terms the benefit of his experience. <mask> was a shrewd man of business, for he soon added to his income by frequently traveling as an agent for seeds and seller of farming implements, and he was ready to execute any sort of country business at a fixed price.Many eager farmers, led by his fame and his books, went to visit <mask>'s farm, but found that he did not carry out any of the views he advocated in his books, that his implements were old-fashioned, and that his land was neglected. The sale of his books was quickly reacted to by this report. Their reputation began to decline after introducing many new methods of treatment. <mask> was sad that he was not living up to his fame. The success of his work on timber, which ran through three editions in less than three years, tempted Osborne, the book-seller, to engage him as a writer, and <mask> produced with much fecundity volume after volume. To fill up his stipulated number of pages, he was driven to introduce those ridiculous anecdotes and unnecessary details which have so much marred his writings. As long as <mask> followed his own rule, "I always considered experience as the only benchmark of truth, and by that unerring rule every particular here advanced has been sufficiently tried," all was well, and his books were valued accordingly.The editor of his last book was compelled to exclude many foolish stories of gipsies, thieves, and the like, as well as many absurd nostrums and receipts, in order to fill space. The advance in agricultural science has made <mask>'s books useless. The work of The Practical Farmer was first published in 1732. The last edition was published in 1759. It looks at the meliorating of soils, the grains, grasses, cows, sheep, and suckling of calves, pigeons and rabbits, forest trees, manures, hops, foreign wheats, and comparison of different methods of farming. The author seems aware of the benefit to light lands from consuming the turnips on the ground by sheep, and recommends horse-hoeing peas and beans, and burnt clay as a manure. Cows make a clear profit by selling their fat calves or butter and cheese for ten years.The diseases are cured. The author reckons sheep are the most eligible of all animals, and where they are not kept a farmer's destiny may easily be read. The rot is caused by water and grows. Salt and dry food cure it. The farmer makes cyder ana1 perry from fruit trees. The practices of use do not enter into the merits of preference, and the comparison of the farming of different counties does not enter into the merits of preference. The common grain and leguminous plants, natural and artificial grasses, ploughing in general, seeds, weeds, and liquor for a corn were all included in the 400 page volume of Chiltern and Vale Farming.The wheel-plough, with two mould-boards, is figured and largely described, and the author seems very fond of its supposed value. The planting of oak and fruit trees in the middle of a book on arable lands is confusing the management of the works. The management and value of the grains are discussed separately, and the following estimate is given of beans: Oats yield a profit of $1 1s. In the year 1732, wheat cost 10s.9d and barley 3s. 6d. on a piece of land. The artificial grasses are white and red.The cow-grass is the medium of botany. Hoofs come very close to the knowledge of bones, but no new substance is added to former lists. The author thinks that lime can act a balsamic alkaline salt that is coagulated in the crude stone or chalk, and until the acid barren quality is evaporated by tire, the salts in them are of little or no signification to the land. The dead quality is cured by fire, fermentation, and putrefaction. Lime can be mixed with turf or mould, sown over the ground when it is pulverized, and over the ground with turnip seed. He thinks hot lime kills the small animals of the soil, and that it must benefit lands of every kind. Every kind of acidity is corrected by chalk.<mask>'s best work is The Modern Husbandman, which treats of the farmer's year month by month and of rural economy in general. <mask>'s works are in publications. The Practical Farmer, or, the Hertfordshire Husbandman: Containing Many New Improvements in Husbandry is a 5th edition. 1759 <mask>. The farming of Chiltern and Vale was done in 1733. The man is <mask>. Experiments in Husbandry for the month of April.The man is <mask>. <mask> was the London and country brewer. The tree was improved in 1738. The last two are tracts. The man is <mask>. The practice of husbandry display'd, 1746 <mask>. The Shepherd's Sure Guide contains stories of sheep and dogs.The man is <mask>. The Modern Husbandman was published in 1750. There is a new edition of Vol. The first edition of Vol. 1 2, Vol. 3, Vol. The 4th edition of Vol.<mask> was 8. The Country House wife's Family Companion was published in the 17th century. The man is <mask>. The practice of raising plantations of the best cyder apple and pear trees with the improvement of their excellent juices is called the present practice of raising Cyderman. By Experienc'd hands, R. Baldwin and <mask>. Every Farmer has his own Farrier. The man is <mask>.Husbandry Abridged and Methodized was published in 1772. There is a new edition of Vol. There were 1700 births and 1758 deaths in the 18th-century English writers.

masks:
William Ellis
Ellis
Ellis
Ellis
Ellis
Ellis
Ellis
Ellis
Ellis
Ellis
William Ellis
William Ellis
William Ellis
William Ellis
William Ellis
William Ellis
William Ellis
William Ellis
William Ellis
William Ellis
William Ellis


texts: Mnzenberg was a German Communist political activist and publisher. The famine-relief and propaganda organization Workers International Relief was established in 1921 by Mnzenberg, who was the first head of the Young Communist International. He was a leader of the Communist Party of Germany (KPD) during the Weimar Era, but later became less enamored with the USSR due to Joseph Stalin's Great Purge of the 1930s. Condemned by Stalin to be arrested for treason, Mnzenberg left the KPD and in Paris became a leader of the German émigré anti-fascism and anti-Stalinist community until forced to flee the Nazi advance into France in 1940. He escaped from a prison camp in France and was found dead in a forest a few months later. He was described as a cultural impresario of genius by Walter Laqueur. Mnzenberg was born in August 1889 in Erfurt, in the province of Saxony.Mnzenberg was the son of a tavern keeper and grandson of a baron from the House of Seckendorff. As a young man working in a shoe factory, he became involved with trade unions and the Social Democratic Party of Germany. He was briefly imprisoned in 1907 for attempting to organize apprentices in Erfurt with the local branch of the Union of Young German Workers. After travelling through Germany, he reached Zrich in Switzerland in 1910 and stayed there for eight years. He studied the works of Peter Kropotkin and Mikhail Bakunin while he was there. He moved back to social democracy. Mnzenberg sided with the USPD when the SPD split in 1914 over the issue of World War I.He was elected to the executive of the Social Democratic Party of Switzerland the year after he became leader of the Swiss socialist youth movement. During World War I, Mnzenberg visited Vladimir Lenin at his home in Zrich, Switzerland. The Swiss authorities imprisoned him twice before deporting him to Germany in 1918. Mnzenberg was a founding member of the KPD. At the party's founding congress in December 1918, he acted as a spokesman for the opposition to the proposal to contest the 1919 German federal election. Mnzenberg played a leading role in the Spartacist uprising in Stuttgart, leading a demonstration against the city's Social Democratic government which declared it overthrown in favor of the Soviets. After the failure of the uprising, he was arrested and spent five months in prison before he and the other leaders of the rebellion were acquitted.He became chairman of the state KPD. In 1919, the congress of the Socialist Youth International voted to become the Young Communist International, with Mnzenberg remaining at its head. He was a delegate to the 2nd World Congress of the Communist International in 1920. He was removed from his leadership role with the YCI the following year. Mnzenberg was elected to the Reichstag as a KPD member. The KPD was banned in 1933. He did not play a leading role in debates and avoided factional struggle in public, preferring to concentrate on his propaganda work.One of the few KPD leaders in 1933, Mnzenberg was a source of immense pride for him. Mnzenberg was a brilliant propagandist during the Weimar period. After being removed from the leadership of the Communist Youth International, he was given the task of raising money and food for the Russian famine victims. Mnzenberg is said to have raised millions of dollars for the Soviet Union during the famine through his organization Internationale Arbeiter-Hilfe. IAH's efforts were valuable not only for the practical help they offered in terms of famine relief, but also due to their propaganda value for the communist movement in Germany and around the world. The Moscow-based film studio Mezhrabpomfilm employed 400 members of staff and produced films by Soviet directors. Their films, as well as other Soviet productions, were distributed in Germany by its subsidiary Prometheus-Filmgesellschaft, including Battleship Potemkin, which became a major hit in Germany after receiving a poor reception in the Soviet Union.Prometheus produced films in Germany, such as Kuhle Wampe, which was co-written by Bertolt Brecht. The most widely read socialist newspaper in Germany was launched in 1924, and it achieved a circulation of almost half a million. Christopher Andrew and Oleg Gordievsky wrote KGB: The Inside Story of its Foreign Operations. Hodder & Stoughton was in London in 1990. <mask> Mnzenberg: A Political Biography was written by Babette Gross. Marian Jackson translated. Michigan State University Press was published in 1974.The invisible writing by Arthur Koestler. The second volume of an autobiography. London: Vintage, 2005; pp. 258–263, 381–386. Gerhard, Frhzug, was named after him. Green, John, <mask>-Munzenberg-Fighter-against-Fascism-and-Stalinism, and Martin Mauthner are authors of German Writers in French Exile. The Red Millionaire: A Political Biography of <mask> Mnzenberg was written by Sean McMeekin.Yale University Press was published in 2004. Stephen Koch wrote Double Lives: Stalin, <mask> Munzenberg and the Seduction of the Intellectuals. New York: Free Press in 1994. "In control of Solidarity?" asked Fredrik Petersson. The Workers' International Relief and League against Imperialism was written by <mask> Mnzenberg. The Reichstag Fire was written by Fritz Tobias. Arnold J. Pomerans is trans.Putnam was born in New York. The Orlov KGB File: The Most Successful Espionage of All Time was written by Boris Volodarsky. There is a book in New York. "Wilhelm Munzenberg, International Secretary YPSL" is in The Young Socialists' Magazine. There were 12 no. In April 1918, pp. 4. 2, 15."Breitbart for the Left" is an External link by Green, John and <mask> Mnzenberg. 25 March. "Willi the Red", The Nation, 29 January 2004, Koch, Stephen, "Lying for the truth: Mnzenberg & the Comintern", The New Criterion, retrieved 27 July 2011.

masks: Willi Willi Willi Willi Willi Willi


texts: During the American Civil War, <mask><mask> was a United States soldier and native of Pennsylvania who served in Company I of the 1st West Virginia Cavalry. The U.S. Medal of Honor was awarded to him for his actions during the Battle of Appomattox Station. On May 3 of that year, the award was presented. On July 12, 1841, <mask><mask> was born. The Civil War began on November 18, 1861, at the age of 20. He joined Company I of the 1st West Virginia Cavalry. <mask> and his fellow 1st Virginia Cavalrymen were assigned to guard the Baltimore and Ohio Railroad in what is now West Virginia during the opening months of the Civil War.They engaged the enemy in operations at Monterey (April 12), Buffalo Gap (May 3), McDowell (May 7), Strasburg (June 1), Cross Keys (June 8), Port Republic (June 9), and White Plains (June 10). There were battles at Cedar Mountain and Orange Court House during the month of August. They were involved in operations along the Rapidan River, as well as Kelly's Ford, Sulphur Springs, and Waterloo Bridge. They fought in the Battle of Chantilly after being engaged in operations at Lewis Ford. The year of 1863 was an intense one for <mask> and the 1st West Virginia Cavalrymen. They helped to drive Confederate troops from Pennsylvania into Maryland and Virginia during the Gettysburg Campaign, which took place in the summer of 1863. Two days before Christmas, <mask> re-enlisted with the 1st West Virginia Cavalry at New Creek, West Virginia, earning the designation of "Veteran Volunteer".After emerging from winter quarters in 1864, <mask> and his fellow 1st West Virginia Cavalrymen fought in the battles of Cove Mountain, Lynchburg, and Rutherford's Farm before becoming deeper involved in that year's Valley Campaigns. <mask> and the 1st West Virginia Cavalry fought in the battles of Five Forks and Sailor's Creek in the spring of 1865, next to the end of the war. <mask> was awarded the U.S. Medal of Honor on May 3 after he performed an act of bravery. While fighting with the 1st West Virginia Cavalry in the Battle of Appomattox Station on April 8, he captured the flag of the Confederate States Army. The Battle of Appomattox Court House took place on April 9. <mask> left the military on July 8, 1865. After his honorable discharge from the military, <mask> married.He and Margaret were the parents of Elizabeth Ann, Sarah, Lucinda, and Ida. <mask> and his son were farming their family's land in West Bethlehem Township, Washington County, Pennsylvania, by 1900. Margaret, <mask>'s wife, and their other children lived with them. On September 8, 1912, <mask> died at his home in Amwell Township, Washington County, Pennsylvania and was buried at the Ten Mile Dunkard Church Cemetery in Lone Pine, Pennsylvania. The 1st West Virginia Cavalry has a medal of honor citation. The place is at Appomattox Station, Va., on April 8, 1865. The service was entered at:Birth place: Washington County, Pa. May 3, 1865 is the date of the issue. The Confederate flag was captured. The President of the United States of America, in the name of Congress, presents the Medal of Honor to <mask>, United States Army, for extraordinary heroism on April 8, 1865, while serving with Company I, 1st West Virginia Cavalry, in action at Appomattox Station. There is a list of American Civil War Medal of Honor recipients. In "About the Chapel", there is an image of the Confederate battle flag captured by <mask><mask> during the Battle of Appomattox Station on April 8, 1865. Washington and Lee University was retrieved online.There are gravestone photographs of "CPL <mask> A. <mask>". Salt Lake City, Utah: Find a grave. The history of the medal of honor. Mt. The Congressional Medal of Honor Society was retrieved online. The Union Army soldiers who died in 1912 were recipients of the Medal of Honor.

masks:
Thomas A
. Anderson
Thomas A
. Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Anderson
Thomas Anderson
Anderson
Thomas Anderson
Thomas A
. Anderson
Thomas
Anderson