texts: <mask>. is an American professional stock car racing driver and team owner. He is a part-time driver in the NASCAR Camping World Truck Series. Norm Benning Racing has 6 Chevrolet Silverados. He used to work as a driver analyst for TheRacingExperts.com. After his performance in the Mudsummer Classic, he was often referred to as Stormin<mask>. He competed in the NASCAR Busch Series. Even though he was supposed to be at least 18 years old, <mask> began racing at the age of 15.He has raced in dirt late models. The highest finish of 5th in 2001 was the highest finish in the top 10. There have been five top 5 and 32 top 10 finishes. He finished 3rd at the Springfield dirt mile in 2004. During his career, he has tried numerous NASCAR races in the top 3 divisions. In 1989 he drove in three races in the Cup Series for the No. The car was owned by Jerry O'Neil.After starting 35th, he finished 30th in his debut. He would finish 31st in his return to Dover. He made his last Cup points race start for O'Neil in 1993 and finished 39th after one lap of competition. After that, he tried to make the Daytona 500 for seven years in a row, but either failed to qualify or was denied entry due to his car being slow in practice. He tried many Cup races in his own No. The 84 Lumber Chevy is one of the entries. 78 T.R.I.X.A car is racing. A total of 33 Cup races were attempted by <mask>. He pulled out of the Daytona 500. In 2002 he started in the Craftsman Truck Series. <mask> was driving for Troxell Racing. 93 Chevy entered the field at Nashville Superspeedway in 18th position. The team was dropped out of the event.The Truck Series had a full season in 2009. He missed the Daytona race. <mask>'s best finish of the year was 17th in the Camping World Truck Series. His final position was 21st. The next two years were spent trying to get into the NASCAR Busch Series. He was able to compete in 3 of the 6 races. In his first race, he started in 42nd and finished in 40th.He improved during the season with a career-best 36th place at NHIS. After starting the race in 42nd, he was forced out of the race due to brake failure. He gave a car to Dion Ciccarelli, who finished 29th. During the 2008 Truck Series season, <mask> competed in 7 of the 8 races. There is a Chevrolet. <mask> competed full-time in the Truck Series for his team in 2009, his first attempt at a full NASCAR season. He finished 21st in the overall points after he qualified for 24 of 25 races.He finished 17th at Michigan with Germane Red sponsorship. The final transfer spot into the Mudsummer Classic was earned by <mask> after he held onto fifth place in the "last chance" qualification race. He was able to repair his truck with the help of larger teams. He finished 26th, four laps down. After <mask>'s performance in the last chance race, he placed the Eldora truck for sale on eBay. <mask>'s career-best Truck Series finish was 12th at Talladega Superspeedway. The number 6 was the second entry in the season and the number 57 was the part-time second entry.<mask> gained support for Pennsylvania governor Tom Corbett late in the season. In 2015, <mask> was 10th in points and 14th in the opening race at Daytona. His best career start was 13th, and he rebounded from a late-race spin to finish 19th. <mask> missed four races in the last part of the season. The year began with a DNQ at Daytona. This was the worst start since 2012 for <mask>. In addition to failing to qualify for six races, <mask> withdrew from the Charlotte race.After being knocked out by Austin Hill, <mask> missed the race by.016 seconds. He was able to make the race after missing all the races in 2016 but he started 30th and finished 28th. <mask> and MB were partners for several races. <mask> and his team were 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 Benning missed the first 3 races of the season. Only 32 trucks showed up for the 32-truck field for the 4th race of the season in Kansas. He made every race he attempted for the rest of the season after that race.In the regular-season finale at Bristol, <mask> made every race. After Canada, he didn't show up for the rest of the season. At the beginning of the season, sponsorship from Zomongo and H&H Transport came back. <mask>'s number was on display during drafting practice. The ability to stay in the pack was shown by the 6 Silverado. The team lacked single truck speed and missed the field. Atlanta was hit and miss.An early spin forced <mask> to park early, resulting in a 29th-place finish. After finishing in 28th at Las Vegas, he missed both Texas and Martinsville. After only 28 laps at Delaware, he finished last, and 21st at Kansas, due to not being able to meet the minimum speed. Charlotte would be skipped due to a large entry list. Things would start to fall into place over the next 4 weeks. The second Texas race would result in a 17th-place finish, followed by a 24th and 25th at Iowa and Gateway, respectively. The rest of the season would have ups and downs, including an 18th place at Talladega, which would end his season early.The beginning of 2020 would be the same as the beginning of 2019. <mask> didn't make the trip to Las Vegas because he didn't know what he was going to do for the season. Following the 2-month racing hiatus, <mask> looked to take advantage of NASCAR's field expansion from 32 trucks to 40. The races at Charlotte and Atlanta had 47 trucks enter each time. <mask> was able to make his first start of the season after only 39 teams entered the following race. The finale at Phoenix Raceway and the other Las Vegas race were skipped. He had a points finish of 36th and a finish of 22nd at Talladega Superspeedway.The full NASCAR Camping World Truck Series schedule would be announced by <mask>. The campaign was called "Racing With The Ultimate Underdog". After several years of running a plain paint scheme, <mask> would add a red and yellow accent to his truck. By finishing in the top 40 in points in 2020, <mask> would make the second race at the Daytona Road Course, even though he missed out on a spot in the season- opening race. Marcus Lemonis, CEO of Camping World, offered $15,000 to any team that ran at Las Vegas and Atlanta with Camping World and Overton's paint schemes. Despite being involved in a late accident, <mask> was able to score a top 20 finish. <mask> was forced to withdraw from Gateway because his truck's nose was no longer legal.At the second race, he showed a new nose. New sponsorship from Cross-Eyed Owl Beer would help <mask> score another top 20. There was a prepared truck and an Ilmor engine for the season finale race. Problems before the start of the race resulted in a DNQ. The team would be back in 2022. The pole position is awarded by time. Pole position is earned by points.Most laps were led. Ineligible for series points for the Daytona 500 Busch Series and the Camping World Truck Series. Pole position is earned by points or practice time. Most laps were led. People from Westmoreland County, Pennsylvania are related to people from the Pittsburgh metropolitan area.

masks:
Norm Benning Jr
' Norman
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning
Benning


type: paraphrased

texts: <mask> was a British author, musician, painter and traveller. She was involved in aviation in both the United Kingdom and the United States. <mask> was the fourth child and only daughter of <mask> and <mask>. She was christened on July 2, 1882. <mask>'s granddaughter spent the first few years of her life in the area. By the time Parbury was seven, she and her mother had moved to live with Lucy's widowed mother, <mask>. In December 1889, when she was eight years old, Parbury was on stage to raise funds for the Children's Hospital.Her teacher was Marie Foxon. She was in London with Dr. Lierhammer and in Paris with Jean de Reszke. She learned to play and compose music. Parbury could imitate well-known singers, male and female, andbrought down the house with her imitations of farmyard fowls, peacocks, doves, and cats. At the Queen's Hall in London in 1922, Parbury's programme of opera excerpts and drawing-room "trifles" did not impress a music critic from The Times. Early involvement in flying <mask> was interested in aviation. She was a passenger in a biplane flown by Claude Grahame-White at the Flying Carnival in 1910.She attended his first marriage in June 1912, where most of the other guests were experts in aviation. Parbury said that she flew over Stonehenge in a biplane piloted by Howard Pixton, who won the 1914 Schneider Trophy air race. Before World War 1 Parbury traveled to Egypt when she was sixteen and then in 1901 she and her mother sailed to India from London on a P&O steamship. In 1909, Parbury published a description of their travels, including many of her paintings of local scenes, and ten years later she published sheet music about her experience in India. Parbury traveled to North America. She spoke at the Women's Canadian Club in Victoria, BC, about how she was going to study the country and its people. She went back to Canada at the end of 1912 after returning to England.She met Dr Charles Newcombe, an ethnographer with a keen interest in the indigenous peoples of the region. In late 1912 and early 1913, Parbury wrote to him several times saying that she would like to reproduce a photograph of the curios and Indian trophies that she had seen. While in BC Parbury organised a trip in which she camped, climbed, rode on a cayuse through the Rockies and trekked up the Thompson River, the first white woman to be seen on its banks. After the war, her book, illustrated by herself, on her Canadian experiences, will be published. Miss Parbury doesn't shoot big game, but she enjoys the call of the wild and the tracking of shy creatures. She was planning to publish a book called "Impressions of Canada" but it has not been found. Parbury nursed soldiers in France for eight months during World War I.Miss Parbury launched an appeal because she wanted to collect a million cigarettes for our soldiers. She will distribute them in batches. Without publicity up to the present, she has obtained 75,000, thanks to the contributions of Sir John Thornycroft, Mr. Harry Gratton, Mr. Gerald du Maurier, and others. For 6s. 8d. A thousand cigarettes can be obtained, and they are given away with a friendly message. Send our Tommies a thousand cigarettes.Miss Parbury lives at 53 Egerton Gardens. In London, Parbury set up a "Jacobean studio" at Yeoman's Row, where she and others would entertain wounded soldiers with sing-songs. She said in an interview after the war that she knew of three cases where sight, hearing and speech were restored to men who had lost three senses. We entertained 600,000 men during the war and had as many as 50 nerve cases at the same time. She immediately wrote to seek Sir Robert's patronage for a matinée at the Queen's Theatre in aid of the Canadian Red Cross after hearing that he was in London. "Miss Parbury, author" sailed first class to New York on the Aquitania in May 1919. She stayed in North America for two years, and while in New York had a permanent suite at the Commodore and a country house.She attended special events and flew when she could. She sent a postcard from Mineola, NY to London in July 1919. After staying with the Governor of Newfoundland, Sir Alexander Harris, in St John's, Parbury returned to New York where she had portraits taken by the renowned photographer Arnold Genthe. She spoke at a meeting of the American Geographical Society in New York on "Kashmir, the Garden of the East" at the end of the year. In December 1919 she gave an interview to New York newspapers in which she introduced another objective of her trip: to establish a league of friendship between England and the United States. She was able to promote her League of Friendship idea, which she referred to as a friendship club for Anglo-Saxons, because of the stops in Decatur, Chicago, Dayton and Detroit. The New York Community Service clubhouse for disabled and active service men was the beneficiary of a musicale performed by Parbury before he returned to England.During her stay in the United States, Parbury was able to indulge her interest in aviation. She sent a postcard from Mineola, NY to London in July 1919. "Miss <mask> welcomed him to America by flying over the ship in an airplane to drop a bouquet of American Beauty roses." A movie clip of the event is available online. When three all-metal planes were looking for the best route from New York to San Francisco, Parbury was a passenger on one of the escort aircraft. Back in England, in January 1922 Parbury flew as a passenger to the Hague with a test pilot, while using wireless telephony to listen to one of her own compositions being played in a hall below. At a private gathering before the flight, one of her guests, Guglielmo Marconi, spoke of the close association between aviation and wireless telephony: "Mention has been made of the possibility of wireless rays passing out through the terrestrial air into space, and of the sending of messages to MarsWe will have to change the designs of our machines if we ever fly in those spaces outside the envelope. Parbury was working on a big project. An annual music festival in London was what she had in mind for a bond of harmony between the people of the Empire. The Royal Albert Hall was the site of the first British Empire Music Festival. Dame Clara Butt sang at the third festival in 1924. <mask> <mask> was married to Ernest Bigland three days after the first BEMF. The ceremony was performed by the Prebendary of St Pauls Cathedral.Canon Sir John Key is a cousin of the bride. Parbury's senior, Ernest Bigland, was a ship owner. Ernest's home was where Florence grew specimen flowers for an exhibition. She was awarded an Award of Merit for Begonia Florence Bigland at the flower show. "Abbey Wedding March" and "Sonning" were written for the wedding of John Raymond Ropner to Joan Redhead on July 24, 1928. Sir Hugo Oscar Robert Ropner was a ship builder and owner. Mrs Bigland probably wrote music for this occasion through the shipping connection.On December 10, 1942, Ernest Bigland died. <mask> moved to London about 1949. She lived at Flat 11, 51 South Street, W1, close to Park Lane. She left a considerable fortune when she died there. She wanted her ashes to be scattered over the tree by George Upfield in her will. It's not known where that was. There were people from South Norwood who died in the 1960s.

masks:
Florence Tyzack Parbury
Florence Tyzack Parbury
Douglas Stewart Parbury
Lucy Jane Tyzack
George Parbury
Jane Tyzack
Florence Parbury
Florence Parbury
Florence Tyzack
Parbury
Florence


texts: A British Anglican priest and academic who committed suicide in the wake of media reactions to an anonymous preface he wrote for Crockford's Clerical Directory was also known as "<mask>". <mask> and Kathleen Beryl were the parents of <mask>. <mask>'s father was a shipping clerk. <mask> attended a number of schools, including the Royal Grammar School, Guildford, and Christ's College, Cambridge. He became a priest, a historian, a member of the Church of England's standing committee, and a canon of the cathedral. He was a well-known figure in ecclesiastical politics in England, being a noted figure in the opposition to the ordination of women. The biographical details of every Anglican cleric in Britain and Ireland can be found in Crockford's Clerical Directory.To take a slightly waspish, detached and amused look at the events in the church since the previous edition, it was traditional for it to be written anonymous. The 1988 edition of the directory was published on December 3, 1987. <mask> consciously took a different tack on the article and wrote a carefully constructed demolition of the hierarchy of the Church of England from a conservative viewpoint, which he himself described as "wicked". <mask> believed that the liberal elite in the church would follow in the footsteps of the Episcopal Church in the United States of America and would lead to a steep decline. He argued that Runcie was guilty of cronyism, appointing to high office only those who he had known through Westcott House or other colleges. The secular press turned the article into front page news, despite the fact that it might have been predicted. The papers latched on to his criticisms of Runcie, yet they were far more critical of the Bishop of Durham and the Bishop of Newark.<mask> was the anonymous author and the last entries in his diary made clear that he was finding the attentions of the tabloid press difficult to cope with. <mask> took his own life on 7 December. His death and the events leading up to it continue to divide those who are interested in church matters. <mask> was hounded to his death by the machinations of the Church of England for saying something that everyone believed to be true. <mask> was not without his problems and had recently lost his mother, points out the liberals, who agree that his death was a tragedy. His preference is for men of liberal disposition and a moderately Catholic style which is not taken to the point of having firm principles. He is prepared to overlook a certain theological deficiency if they have a good appearance and articulate over the media.<mask>'s Crockford introduction came at a time when the issue of the ordination of women to the priesthood was becoming more divisive in the Church of England. The main book on the <mask> affair, William Oddie's The Crockford Files, highlights this as a primary frustration for <mask> but also considers other factors, such as the gradual emergence after the 1960s of trends and the non-realist theology of Don Cupitt. <mask> aligned himself to the Anglo-Catholic wing of the church and had strong links with Pusey House, Oxford, and the clergy who staffed it. The ordination of women to the priesthood was not central to the opposition of the group Forward in Faith. It is not clear how he would have moved had the Church of England voted in favor of ordination of women in 1994. <mask> and Robert Runcie knew each other and <mask> was one of a number of clergy and lay people who used to draft speeches and sermons for Runcie. <mask> had become frustrated with his lack of preferment and this may have contributed to the tone of his preface.Runcie said that there was nothing in what he wrote which he had not previously said to his face. <mask>'s portrait shows him as a distinguished academic and cleric, but also as a lonely man who could not cope with the spotlight. Essays in memory of Norman Sykes were written. It was published by Adam and Charles Black. <mask> and J. D. Walsh edited it. To the Church of England. Churchman Publishing was founded in 1988.Francis Atterbury Bishop of Rochester had a career in the church and state. Oxford: Clarendon Press, 1975, 335 p. Change and Tradition in the Church. The Association for the Apostolic Ministry is based in London. ; 21 cm. "This Report was approved for publication by AAM by the late Canon <mask>, and it was called Bishop of Peterborough: A Study in the Political and Ecclesiastical History of the Early Eighteenth Century." S.P.C.K. is located in London.The Church Historical Society was published in 1957. That Fateful Preface, New Directions, January 2006 December 1997 marks the anniversary of An Unhappy Anniversary. The suicides of people educated at Royal Grammar School, Guildford, New College, Oxford, and Westcott House, Cambridge.

masks:
Garry Bennett
Roy Charles Frederick Bennett
Life Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Bennett
Gareth Bennett


texts: <mask> is an American plant Biologist. She is a professor in the Department of Environmental and Plant Biology at Ohio University. His research interests include signaling events. Some of her recent research includes an experiment on board the International Space Station, which is considered to be one of the world's experts on gravitational signaling in plants. <mask> was born in Kentucky and raised there. She received her degree. In 1980 and a B.S.In 1984 I received my biology degree from the University of Kentucky. She received her M.S. in 1991. I studied Plant Pathology at the University of Kentucky. In 1995 she received her PhD from the Interdisciplinary Plant Physiology Program. From 1988 to 1990 she was a Research Assistant in the Department of Plant Pathology at Kentucky University after working as a Senior Scientist in Research and Development for American Scientific Products. He was a Visiting Scientist at the Russian Academy of Sciences in Kazan, Russia, in 1994. As Associate Chair in the Department of Environmental and Plant Biology at Ohio University, he served as "Rotating" Program Director of Integrative and Organismal Systems for the National Science Foundation.She worked for the National Science Foundation as an Intermittent Program Director for Molecular and Cell Biology. Currently, he is a Professor in the Department of Environmental and Plant Biology at Ohio University. The research lab is staffed by both graduate and undergraduate students, who use genetic and genomic tools to study plant growth and development. The shift between open and closed flowers in Viola pubescens is one of the projects in the <mask> lab. She became a Research Associate for the NASA Specialized Center of Research and Training at North Carolina State University. She began teaching in the Department of Environmental and Plant Biology at Ohio University after holding that position. In May of the same year, her proposal along with eight others was accepted for experimentation aboard the ISS, after she submitted a research proposal to NASA.The goal of her space flight mission was to study the transcriptomic and proteomic responses to microgravity. In January 2015, the Dragon cargo capsule with the BRIC-20 experiment was placed in the path of the International Space Station. After a month in space, the Dragon cargo was released and returned to Earth at the Kennedy Space Center. The samples were sent to the Ohio University lab for proteomic and transcriptomic analyses. The results of the space flight mission may provide insight into how plants cope in a microgravity environment, subsequently enhancing efforts to use plants for sources of food and oxygen during future spaceflight missions. The NASA Ames Research Center in Mountain View, California has a GeneLab - Omics Open Science Initiative. Approximately 2,100 sixth-twelfth grade students, 1,000 elementary aged students, and 80 adults have been reached through her talks, demonstrations, and workshops.The organizing committee chair and a speaker for the tech savvy program have been held by <mask>. Tech Savvy is a daylong conference for middle school girls aimed at introducing them to the fields of science, technology, engineering and mathematics. The National Science Foundation (NSF), the United States Department of Agriculture, European Space Agency, and the American Society of Plant Biologists are some of the grant panels that <mask> has sat on. She has served on the editorial boards of over a dozen scientific journals, including the American Journal of Botany, Plant Cell, and Plant Physiology. The Education Committee Chair is held by <mask> through 2019. Outstanding Faculty Leadership and Service Award, American Society of Plant Biologist, GeneLab - Omics Open Science Initiative NASA Ames Research Center, Mountain View, CA are some of the awards. There have been advances in space research.Microarray identifies transcription factors potentially involved in signal transduction. The research of gravity and space. Kentucky University alumni, Ohio University faculty, American women biologists, and 21st-century American women are mentioned.

masks: Sarah Sarah Wyatt Wyatt Wyatt Wyatt


texts: Slavoljub "<mask>" Vorkapi was a Serbian-born Hollywood montagist and chair of the USC School of Cinematic Arts. He was a prominent figure of modern cinematography and motion picture film art during the early and mid-20th century. On March 17, 1894, in the small village of Dobrinci near Ruma in the Srem region, Slavoljub Vorkapi was born. <mask> was told by his father that he should be well-educated. He made his first steps in art and drawing when he was a student in a well-known regional high-school in the nearby town of Sremska Mitrovica. Mileva Mari-Einstein was the first wife and work associate of Albert Einstein. He attended the Art School in Belgrade after graduating from high school.He studied art in Hungary after receiving a scholarship from Matica srpska, Serbia's highest cultural and scientific institution. He survived the Serbian retreat across Albania in order to reach Allied positions in Greece after returning to his homeland at the beginning of World War I. From where he reached France, he sailed to Italy. He moved to Montparnasse after entering the Art Academy in Paris. The collective painter exhibits were held in 1917 and 1919. In 1920, <mask> was able to fulfill his dream of going to the United States. He lived in New York for a short time.He was homeless for almost a year before he arrived in Hollywood. He was best known as a montagist, special effects expert, cinematic artist, cinema teacher, editor, and as one of the most respected cinematic filmmakers in the period between the two World Wars. There were many cinematic documentaries and cinematic short-length movies made by Vorkapi. He was one of the co-writers of the script for the experimental film, which was directed by Robert Florey. The Life and Death of 9413: a Hollywood Extra (1928) with Robert Florey and 2 beautiful and exciting visual tone poems, Moods of the Sea (1941) and Forest Murmurs (1947) were all directed by Vorkapi. The October 2005 DVD collection Unseen Cinema: Early American Avant Garde Film- 1894-1941 contains a one-minute sequence for Manhattan Cocktail. He is best known for his work on films such as Dr. Jekyll and Mr. Hyde.The Good Earth, David Copperfield, and Mr. Smith went to Washington. For his films, he used a variety of techniques, including optical effects, creative graphics, and lap dissolving. He created, shot, and edited scenes for films at Universal Pictures, MGM, RKO, and Paramount. The short film Private Smith of the U.S.A. was nominated for an Academy Award. Moscow Strikes Back was one of four winners at the 15th Academy Awards for Best Documentary Feature. He was the chair of the Department of Film at the University of Southern California from 1949 to 1951. He was a professor at the Belgrade Film and Theatre Academy in Yugoslavia in the 1950s.Hanka was a full-length motion picture directed by Vorkapi. The garden house that Gregory Ain was commissioned to build was for the residence of Vorkapich in Beverly Hills. It was a small landmark. It was destroyed. During his visit to Yugoslavia, he gave two of his master drawings to the Srem Museum. On October 20, 1976, Edvard's father <mask> died of a heart attack in Mijas, Spain. The "Vorkapich", as it was known in the 1930s and 40s, was due to his mastery of the dynamic visual montage sequence, in which time and space are compressed using a variety of cinematic techniques.Moviemakers sometimes refer to the technique as "a Vorkapich". Art Clokey used kinescope animation techniques to create the Gumby animated series. The Season 1 finale of Better Call Saul had a major influence on it. The most typical avant-garde has Pure cinema Montage (filmmaking) Cinematic techniques. On True Cinema was written by James and David. <mask> Vorkapich: Reminiscences was written by Babac. There is a recreation of the life and death of 9413 at the Internet Archive.

masks: Slavko Slavko Slavko Slavko Slavko


texts: <mask> was a film actor and writer. Manik participated in a theatre play in 1977 to celebrate the Golden jubilee of Majeediyya School. His first priority is sketching and drawing, followed by writing, though he joined several other theatre performances as a hobby. He played the administrative chief of the Portuguese kingdom who invaded and ruled over the Maldives in his most notable performance as a theatre artist. The National Award of Recognition was given to him in 1983 for his work as a theatre performer. <mask> made his screen debut in 1982 with a Television Maldives production titled Ghaazee Bandaarain where he reprised the role of Viyazor, which he performed in his previous theatre plays. The film tells the story of the invasion of Portugal and the re-capturing of Malé.His "authentic" performance was appreciated by the critics and audiences which resulted in him receiving several film offers. He played the role of a father who disapproves of his son's decision to marry a blind orphan in the 1993 film BeyvaFAa. <mask> portrayed a character who helped his father in the search for his father in the movie Sitee. <mask> played the role of an underprivileged senior citizen who changed the life of an ordinary man in Ibrahim Rasheed's family drama Dhevana An'bi. A couple gets separated due to social discrimination initiated by their mother-in-law. Hamid Ali's Badhal was released in 1996, in which he starred alongside Ali, Hussain Sobah and Niuma Mohamed as a wealthy businessman who is being deceived in a series of events due to a misunderstanding by a "non-existent" twin. Fun Asaru is a TelevisionMaldives production that follows two women; one searching for her mother and the other fighting cancer.His brief role in Amjad Ibrahim's debut direction Huras, which was developed with the sole intention of winning Gaumee Film Awards, failed to garner any award at the 2nd Gaumee Film Awards ceremony. <mask> was the father of an established actress who sacrificed her career for an underprivileged singer in Amjad Ibrahim's Loabeege Aniyaa. In 1998, Mariyam Shauqee played the role of the chief of the district council advocating for the right of citizens and was credited as the writer of the series along with Fathimath Nahula and Ibrahim Rasheed. The relationship of two exemplary wives and their respective families is depicted in the film Ajaaib, which starred <mask>, Asim, Mariyam Nazima, Koyya <mask> and Waleedha Waleed. He played the father of an emotionally immature wife in Amjad Ibrahim's comedy drama film, Majubooru Loabi (2000), as well as being a wealthy businessman who married a gold-digger in Aslam Rasheed's Shaalinee. He played the spiritual old man in Zalzalaa, which was the most successful film of the year. In 2001, he starred in Ali Shameel's drama film Hithi Nimun, which tells the story of a stubborn young man who abandons his girlfriend when he discovers that she is pregnant.<mask> played a supporting role in the 2003 horror film Araamagu Dhonkamana, which was directed by Imad Ismail. He collaborated with Abdul Faththaah for his romantic disaster film, Hureemey Inthizaarugaa. The film received favorable reviews from critics, but it failed to perform financially. <mask> was playing the father of Reena, who has been traumatised by the events that led to a big loss in her family. <mask> played the calm and genuine father in Abdul Faththaah's critically acclaimed television series, Thiyey Mihithuge Vindhakee. <mask> played a role in Hukuru vileyrey which was based on a novel published by Ibrahim Waheed. The film was considered to be one of the few acceptable horror films the film industry has ever produced.Several clips were edited off and 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 In 2008, Manik appeared in a small role in Fathimath Nahula's romantic drama film, Yoosuf, which depicts the story of a deafness and blind man who has been mistreated by a wealthy family, mocking his disability. The film received widespread critical praise and became a blockbuster at the box office. The film Accolades References 1940 births is a feature film.

masks:
Moosa Manik
Career Manik
Manik
Manik
Manik
Manik
Hassan Manik
Manik
Manik
Manik
Manik


texts: <mask> was a Belgian playwright, stage director, and drama teacher. Career Brulin studied scenography in Belgium. The successor of Henry Van de Velde became Brulin's mentor. The studio of the national theatre was where Brulin studied theatre. He was the first TV director for Drama at the Belgian Radio and Television Flemish Service. The avant-garde literary magazines Tijd en Mens (Time and Men) were co-created by <mask> and Hugo Claus. He acted in the first Flemish long feature film after the war, Meeuwen sterven in de Haven.His first plays were staged at the "Nederlands Kamertoneel", a professional Chamber Theatre. After winning a prize for his play "Twee is te weinig, drie is te veel" in Amsterdam, Brulin got attention as a playwright. The Belgian National Prize for Playwrights was one of the prizes he received. The Italia Prize was given to an opera scenario that was staged at the "Rai", the Italian TV and Teatro Massimo in Sicily. He played the Prince of Aragan in The Merchant of Venice, a production of the "Royal Flemish Theatre". He played the role of "Captain Cat" in " Under Milk Wood" at the end of his acting career. Brulin traveled around the world in search of self-development and training.He followed lessons at the actor's studio when he was a student in New York. He was invited to teach at the University of Ohio, The Institute of American Indian Arts, and the Virginia Commonwealth University. He was a guest teacher at the University of Utrecht, the Theatre Academy in Arnhem, the Theatre School in Amsterdam, and the Theatre Academy in Brussels. He directed three plays for the Otrabanda Company. The Kaakama Kaakoo is in La Mama Experimental Theatre. The Fire Eaters Enemy and Eyes of Chalk were shown in an off-Broadway theatre. He directed Jean Genet's Who's Afraid of Virginia Woolf and was appointed as a theatre adviser by the Government of the Netherlands.He staged several of his plays in Belgium. His play Nu het Dorp niet meer bestaat was the beginning of a contract in Africa after a tour with that company. The "Chamber Theatre" was founded by him after staging plays for the South African National Theatre Organisation. He directed Waiting for Godot, in which he played the role of Vladimir. He acted in St. Joan of G.B. Shaw. Franois Swart played the title role of "Germanicus", a cry for freedom, for the opening of the new aula.From the apartheid regime in South Africa, Brulin traveled directly to the first independent African State under Kwame Nkrumah, married there with the daughter of a local chief, talked with the wife of WEB Dubois, and had an exceptional political influence. He returned to Europe with 'Les Chiens', an anti-apartheid play that appeared at the National Theatre of Algeria. Jean Villar and Aime Cesaire were at the opening night of Paris. He wrote a play about a Flemish boy who became famous in China. He directed the play in Dramaten, the most distinguished theatre in Sweden. His plays Turandot and Det er inte Eugene were staged in a number of countries. The "New Africa Group" was founded by South African author Athol Fugard with the help of David Herbert.He was a director of television plays at the Flemish Television Service for many years. His play Naga Naga by the Sasaran Theatre of Penang was invited to the Cultural Centre of Jakarta (Indonesia) and as he wrote and directed Roch Anai Anai, a play conceived from "The soul of the white ants" by Eugene Marais at the Universiti Technologi Mara at Shah Look back in Anger was directed by him at the Kansas Missouri Theatre. He was a member of the Belgian delegation of the International Theater Institute of Unesco in Warsaw in 1967. In 1970 Brulin directed Saboo, the first production of Thétre Laboratoire Vicinal with Frédéruc Flamand, which caught the attention of Maurice Béjart. Between 1975 and 1985 the company developed a repertory of African and Asian plays. In the early 1950s, he was a pioneer with African and Asian actors after Potopot was published.He wrote A Coons Carnival and Our Lady of the Crabs about hunger in South America. He was a member of the American Living Theatre when he wrote and directed A Coon's Carnival. His works have been translated and published in a number of countries, including English, German, French, Spanish, Portuguese, Arabic, Malay, Norwegian, Russian, Hungarian, Romanian, Serbo-Croat, and the Ed. The "Metro Station Bizet" was decorated in 1992. He was an actor in the Opera House, La Monnaie in Brussels and the dance group "Ultima Vez" in Europe and the East. He translated poems from Malaysia to English. The Order of Leopold II has a Knight in it.In <mask> <mask>'s People of the Void, an opera adaptation of Wilson Harris' Jonestown, the deaths of Dutch male dramatists and playwrights were recorded.

masks:
Tone Brulin
Tone Brulin
Tone
Brulin


texts: <mask> was a French military physician who was considered to be a progenitor of public health in France. He was the son of <mask>, a doctor in Nantes and Fanny Robertson-Martel, who married Berthe Marie Vidal on September 15, 1866, whom he divorced to marry Louise Marie Bidermann on April 2, 1882. He was a prize-winning intern at the hospitals in the early 19th century and a prosector at the school of medicine in the late 19th century. He was appointed a doctor at the Imperial School of Military Medicine and Pharmacy in December of 1858 after passing his medical thesis at the Faculty of Medicine in Paris in February 1858. He was part of the Syrian Expeditionary Force from August 1860 to June 1865. He was appointed to the Military Hospital in Strasbourg. He was appointed professor of epidemiology at the Val-de-Grce Army Training Hospital after passing the agrégation examination in 1865.He was appointed doctor major 2nd class on December 27th, 1865, at the Médéa military hospital, and then at the hospitals of the Algiers division on February 19th and March 5th, 1870. He was the chief doctor of the 17th corps headquarters when he took part in the Franco-Prussian War. He was promoted to the rank of Major 1st class doctor on February 8, 1871, and was sent to the hospital of Saint-Omer in July, before being sent to Valenciennes in October. He was sent to the Bne hospital as acting chief doctor. In 1874, as a full professor of military hygiene and forensic medicine at the cole du Val-de-Grce, he traveled to the major cities of Europe to study their health organisation and institutions. He was a senior doctor of 1st class in the Val-de-Grce and the Gros-Caillou hospital. Director of the 3rd corps health service in Rouen in December 1885, he was appointed Medical Inspector at the health service of the military government in Lyon and at the 14th corps.He was the director of the Lyon Military Medical School from December of 1889 to December of 1893. He ended his career on April 22, 1893, after being appointed Director of the Paris military government's health service. Public health medicine in France came up against local politics and the incomprehension of a rural population. Despite Pasteur's discoveries, it had solid frameworks but poor execution in the field. mile <mask> participated in the 5th edition of the Traité d'hygine publique et privée with a work on the hygiene of the military profession. He changed the translation of Griesinger's Infectionskrankheiten. In 1879, he founded the Revue d'hygine et de police sanitaire, a journal devoted to the most important questions of public, professional or private hygiene.TheTreatise on Disinfectants and Disinfection was published in 1882. At the Academy of Medicine, he was interested in alcoholisation, the dangers of mobile stoves, the pathogenesis of heat stroke, disinfection in contagious diseases, alcoholism through breast-feeding, and the sickness in the basins of silkworm farms. He is the author of reports on the use of salicylic acid and its derivatives in foodstuff, on epidemic diseases requiring compulsory declaration, on the sanitary services, and on the supply of drinking water to the garrisons. He was the Secretary of the Hygiene Section from 1898 to 1901. He was a founding member of the society of public medicine and professional hygiene. He was a member of the Medical Society of Hospitals. He was on the Advisory Committee on Public Hygiene, which depended on the authority of the Minister of the Interior, as early as 1884.Publications De l'inflammation périombilicale. Parent imprimeur, 1869 De la salubrité de la profession militaire. De E. Martinet had a Traité des maladies infectieuses. Rapport sur l'enqute concernant la phtisie, 1886. The officer of the Ordre des Palmes académiques was appointed in 1876. The officer was from the Order of the Medjidie. The street Capitaine Yves Hervout is named after Montyon Prize (1854) Legacy.The Commandeurs of the Légion d'honneur Officiers of the Ordre des Palmes Académiques are recipients of the Medjidie.

masks:
Arthur Vallin
Franois Auguste Vallin
Vallin


texts: <mask> was born on December 29, 1965, and is an American actor. He originated the role of "The Old Man" in A Christmas Story: The Musical. He played the role of Popov in the Broadway production. In A Christmas Story: The Musical on Broadway, <mask> originated the role of "The Old Man" and played it in Boston, Hartford and Madison Square Garden. He played The Captain in the Broadway revival of Dames at Sea. The musical ran from October to January. His other theatre credits include many Broadway musicals that have won the Tony Award, such as Curtains with David Hyde Pierce, Contact, and Titanic, and revivals of Damn Yankees.A sought-after cabaret performer, <mask> has also appeared in many concert performances, including Guys and Dolls and the Family Holiday Concert with the New York Pops at Carnegie Hall. His performance in Guys and Dolls was praised by the New York Times. He is a regular soloist with the New York Pops, and he has headlined three sold-out concerts at Carnegie Hall. He performed at the Queens' Socrates Sculpture Park in July of last year. He has performed in commercials. He was seen on Elementary, Madame Secretary and Unbreakable Kimmy Schmidt. He played a recurring character.<mask> was on the soap opera All My Children. He played Bruce Caplan on the television series Gossip Girl. The Good Wife and Boardwalk Empire have both had guest star appearances by <mask>. He appeared in the short film Russian Broadway Shut Down. He is an acting professor. He was born in Rochester, New York and grew up in LeRoy, New York. <mask> was nominated for an Outer Critics Circle Award for Outstanding Male Dancer in a Broadway Show.

masks:
John Bolton
Career Bolton
Bolton
John Summerhill
Bolton
John Summerhill


texts: The leading artist in the court of King Philip IV of Spain and Portugal was <mask>. He was an individual artist of the Baroque period. He developed a freer manner characterized by bold brushwork after beginning to paint in a precise tenebrist style. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners. 19th-century realist and impressionist painters used Velzquez's artwork as a model. Some of Velzquez's most famous images were re-interpreted by artists in the 20th century. The first child of Juan Rodriguez de Silva and Jernima Velzquez was born early in life.He was christened at the church of St. Peter on June 6, 1599. A few days or weeks after his birth, he is most likely to have been christened. His paternal grandparents, Diogo da Silva and Maria Rodrigues, were originally from Portugal. When Velzquez was offered knighthood in 1658, he claimed descent from the lesser nobility in order to qualify. He showed an early gift for art and was trained by Francisco Pacheco, an artist and teacher. Antonio Palomino, an early-18th-century biographer, said Velzquez studied for a short time under Francisco de Herrera before beginning his apprenticeship under Pacheco. A contract signed on September 17, 1611, formalized a 6-year apprenticeship with Pacheco backdated to December 1610, and it has been suggested that Herrera may have replaced Pacheco between December 1610 and September 1611.Despite being a dull and undistinguished painter, Pacheco sometimes expressed a simple, direct realism in his work. He encouraged his students' intellectual development as a teacher. Velzquez was trained in proportion and perspective and studied the classics in Pacheco's school. On April 23, 1618, Velzquez married Juana Pacheco, the daughter of his teacher. They had two children. Francisca de Silva Velzquez y Pacheco married painter Juan Bautista Martnez del Mazo at the Church of Santiago in Madrid on August 21, 1633. Ignacia de Silva Velzquez y Pacheco was born in 1621 and died in infancy.Kitchen scenes with prominent still-life are among Velzquez's earliest works. He was one of the first Spanish artists to paint such scenes, and his Old Woman Frying Eggs demonstrates the young artist's unusual skill in realistic depiction. Caravaggio's work and the polychrome sculpture in Sevillian churches may have influenced the realism and dramatic lighting of this work. There are two bodegones, Kitchen Scene with Christ in the House of Martha and Kitchen Scene with Christ at Emmaus. The formula used by Pacheco is followed by the Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the Blessed Virgin of the His other religious works include The Adoration of the Magi and Saint John the Evangelist on the Island of Patmos, both of which begin to express his more pointed and careful realism. The portrait of Sor Jernima de la Fuente was Velzquez's first full-length portrait.The peak of Velzquez's bodegones is the Water Seller of Seville, which is admired for its virtuoso rendering of volumes and textures as well as for its enigmatic gravitas. By the early 1620s, Velzquez had established his reputation in Seville. He traveled to Madrid in April 1622 with letters of introduction to Don Juan de Fonseca. The poet Luis de Gngora was portrayed by Velzquez at the request of Pacheco. Velzquez painted over the portrait that showed Gngora crowned with a wreath. He stayed in Seville until August. The king's favorite court painter died in December of 1622.The powerful minister of Philip IV ordered Velzquez to come to the court. He was offered 50 ducats to help with his expenses, and he was accompanied by his father-in-law. When the portrait was finished, it was sent to the royal palace. On August 30, 1623, Philip IV sat for Velzquez. The portrait pleased the king, and Olivares commanded Velzquez to move to Madrid, promising that no other painter would ever paint Philip's portrait and all other portraits of the king would be withdrawn from circulation. After receiving 300 ducats from the king, he moved his family to Madrid, where he lived for the rest of his life. Velzquez was admitted to the royal service with a salary of 20 ducats per month, lodgings and payment for the pictures he might paint.The portrait of Philip was exhibited on the steps of San Felipe. The portrait of Fonseca is also lost. There are two portraits of the king in the Museo del Prado. The severity of the Seville period has disappeared and the tones are more delicate. The Spanish school was influenced by Antonio Mor, the Dutch portrait painter of Philip II. The golilla is a stiff linen collar projecting right from Philip's neck. Philip's dress reform laws during the economic crisis replaced the court fashion of elaborate ruffed collars with the golilla.The court of Spain hosted the Prince of Wales in 1623. The picture of him sitting for Velzquez is lost. The expulsion of the Moors was the subject of Philip's competition for the best painters of Spain. Velzquez won. Philip III pointed with his baton to a crowd of men and women being led away by soldiers, while the female personification of Spain sat in calm repose, according to recorded descriptions of his painting. Velzquez was appointed a gentleman. He received a daily allowance of 12 réis, the same amount allotted to the court barbers, and 90 ducats a year for dress.In September 1628, Velzquez accompanied Peter Paul Rubens to view the Titians at the Escorial. Rubens had a high opinion of Velzquez but had no influence on his painting. Velzquez wanted to see the works of the great Italian masters. In 1629, Velzquez received 100 ducats for a painting of a group of men in contemporary dress paying homage to a half-naked young man seated on a wine. Velzquez's first mythological painting has been interpreted as a depiction of a theatrical performance, as a parody, or as a representation of peasants asking the god of wine to give them relief from their sorrows. The style shows the naturalism of Velzquez's early works that were influenced by Titian and Rubens. Velzquez was given permission to spend a year and a half in Italy in 1629.Though this first visit is seen as a crucial chapter in the development of his style, few details and specifics are known of what the painter saw, who he met, how he was perceived and what innovations he hoped for. He traveled to a number of places. He visited Naples in 1630 to paint a portrait of Maria Anna of Spain. The major works from his first Italian period are Joseph's Bloody Coat brought to Jacob and Apollo in the Forge of Vulcan, both of which reveal his ambition to rival the Italians as a history painter in the grand manner. The biblical scene depicting a deception and the mythological scene depicting the revelation of a deception are both similar, and may have been conceived as pendants. Velzquez used gestures and facial expressions from everyday life to portray his characters in The Triumph of Bacchus. Velzquez painted Apollo in the Forge of Vulcan on canvas prepared with a light gray ground rather than the dark reddish ground of his earlier works.He made the use of light gray grounds because of the change that resulted in a greater luminosity. Velzquez returned to Madrid in January 1631. The first portrait of the young prince, Prince Balthasar Charles with a Dwarf, was completed that year. Velzquez depicts the prince looking dignified and lordly, or in the dress of a field marshal on his prancing steed. In one version, the scene is in the riding school of the palace, with the king and queen looking on from a balcony. Velzquez painted portraits of the royal family for the Palacio del Buen Retiro. In Philip IV on Horseback, the king is depicted in an image of imperturbable majesty, demonstrating expert horsemanship by executing an effortless levade.Velzquez's only painting depicting contemporary history is The Surrender of Breda, which was painted for the Palacio. The treatment of a Spanish military victory over the Dutch is symbolic and does away with the rhetoric of conquest and superiority that is typical in such scenes. Velzquez shows the Spanish general standing before his Dutch counterpart as equal, and extending to him a hand of consolation. The face of the influential minister is familiar to us from the many portraits painted by Velzquez. One is full-length, stately and dignified, in which he wears the green cross of the order of Alcantara and holds a wand, the Badge of his office as master of the horse, and the other is The Count-Duke of Olivares on Horseback. Velzquez repaid the gratitude he owed to the patron who brought him to the king in these portraits. One of Velzquez's equestrian portraits of the king, which was cast in bronze by the Florentine sculptor Pietro Tacca, stands in the Plaza de Oriente in Madrid.Velzquez painted a portrait of the monarch in the costume as he reviewed his troops during his visit to Aragon in 1644. Ancient writers are depicted in the guise of beggars in Velzquez's paintings. Mars Resting is a depiction of a mythical figure and a portrait of a tired looking man. The model is painted with attention to his individuality, while his unkempt, oversized mustache is a faintly comic incongruity. According to Alfonso E. Pérez Snchez, the equivocal image has been seen as a meditation on Spain's decline. Velzquez would not have been able to release his work if it weren't for his royal appointment. The only surviving female nude by Velzquez is the first known female nude painted by a Spanish artist.Velzquez painted portraits of other members of the royal family, including Philip's first wife, Elizabeth of Bourbon, and her children. A group of people sat for Velzquez. In Philip's court, Velzquez painted several buffoons and dwarfs, who he depicted sympathetically and with respect for their individuality. The buffoon of Coria and Pablo de Valladolid are part of the middle period. Velzquez didn't have a lot of commission for religious works as a court painter. Christ was painted for the Convent of San Plcido in Madrid. The Savior's head hangs on his breast and a mass of dark hair hides part of his face to reinforce the idea of death.There is a dark background before the figure is presented. In 1634, Velzquez's son-in-law Juan Bautista Martnez del Mazo succeeded him as usher, and he received a steady promotion in the royal household. The inspector of works in the palace was appointed in 1647 after he received a pension of 700 ducats. Velzquez was given the task of procuring paintings and sculpture for the royal collection. Rich in pictures, Spain was weak in statuary, and Velzquez was commissioned once again to go to Italy to make purchases. During his second visit to Italy in 1649, he was accompanied by his assistant Juan de Pareja who was a slave and had been trained in painting by Velzquez. Velzquez traveled from Mlaga to Genoa and then from Milan to Venice, buying paintings of Titian, Tintoretto and Veronese.The portrait of the duke that he painted at the Modena gallery came from the sale of Modena in 1746. The great portrait of Pope Innocent X in the Doria Pamphilj Gallery in Rome is a noble example of the painter's third and latest manner. He received a medal and a golden chain from the Pope. Sir Joshua Reynolds thought the portrait was the best picture in Rome and Velzquez took a copy with him to Spain. There are several copies of it in different galleries, some of which are replicas of the original. The manera abreviada is a term used by contemporary Spaniards for this bolder, sharper style. Innocent hung the portrait in his official visitor's waiting room because he was pleased with the work, even though some in the Vatican feared that it would be seen unfavorably by the Pope.The Metropolitan Museum of Art in New York City has a portrait of Juan de Pareja by Velzquez. He was elected into the Accademia di San Luca. This portrait was created by Velzquez as a warm-up to his portrait of the Pope. It shows Pareja's face and his patched clothing with an economic use of brushwork. Juan de Pareja was freed by Velzquez in November 1650. There are two landscape paintings titled View of the Garden of the Villa Medici. Velzquez's close study of light at different times of day is revealed by the


texts: landscapes that were painted directly from nature.Matteo Bonuccelli was commissioned by Velzquez to cast twelve bronze copies of the Medici lions as part of his mission to procure decorations for the Room of Mirrors at the Royal Alcazar of Madrid. The Royal Palace of Madrid and the Museo del Prado hold the copies. Antonio is not known to have ever been seen by Velzquez, who fathered him during his time in Rome. Philip wanted Velzquez to return to Spain. After visiting Naples and Venice, Velzquez returned to Spain via Barcelona in 1651, taking with him many pictures and 300 pieces of statuary, which were arranged and catalogued for the king. The king of France died in 1644) and the queen of Austria married him. The duty of looking after the quarters occupied by the court was imposed on him by the king to fill the high office of aposentador mayor, which interfered with the exercise of his art.His works of this period are some of the best examples of his style. Margaret Theresa, the oldest daughter of the new queen, appears to be the subject of Las Meninas. Four years before his death, it was created. Theology of painting was referred to as the "philosophy of art" by the Englishman Thomas Lawrence in the 18th century. It is not clear who the true subject of the picture is. Is it the royal daughter or the painter? The king and queen are seen reflected in a mirror on the back wall, but the source of the reflection is a mystery: are the royal pair standing in the viewer's space, or does the mirror reflect the painting on which Velzquez is working?The fall of the Spanish Empire may have been foretold by the faded image of the king and queen on the back wall. The opening chapter of Foucault's 1966 book is devoted to an analysis of Las Meninas. The painting problematizes issues of representation through its use of mirrors, screens, and the subsequent oscillations that occur between the image's interior, surface, and exterior. The Cross of Saint James of the Order of Santiago is said to have been painted on the breast of a painter by the king. Three years after the painting's execution, Velzquez received the honor of knighthood. The King of Spain could not make his favorite knight a belted knight without the consent of the commission that was established to inquire into the purity of his descendants. The aim of these inquiries would be to prevent the appointment to positions of anyone found to have a trace of Jewish or Moorish blood or contamination by trade or commerce in either side of the family for many generations.The archives of the Order of Santiago contain the records of this commission. The honor was given to Velzquez in 1659. As a painter to the king, he was not involved in the practice of selling pictures. There were only two patrons of art in Spain, the church and the king. Bartolomé Esteban Murillo, who toiled for a rich and powerful church, left little means to pay for his burial, while Velzquez lived and died in the enjoyment of a good salary and pension. One of his last works was a 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 Titian's The Rape of Europa is the basis for the tapestry in the background.It has a lot of light, air and movement. The work seemed to have been painted by the pure force of will. Velzquez had gathered a lot of art-knowledge during his long artistic career. The scheme is simple and consists of red, bluish-green, gray and black. The Infanta Margarita Teresa in a Blue Dress is one of Velzquez's best works, it is almost impressionistic and the painter's personal style reached its high-point: shimmering spots of color on wide painting surfaces produce an almost impressionistic effect. The portrait of the delicate and sickly Prince Felipe Prospero is remarkable for its combination of sweet features of the child prince and his dog with a subtle sense of gloom. The hope that was placed at that time in the sole heir to the Spanish crown is reflected in the depiction, as fresh red and white stand in contrast to late autumnal, morbid colors.A small dog with wide eyes looks at the viewer as if questioningly, and the pale background hints at a gloomy fate: the little prince was barely four years old when he died. The artist's late paintings have a fluid and vibrant handling of the colors. The marriage of Maria Theresa with Louis XIV took place on the Island of Pheasants, a small swampy island in the Bidassoa. The Spanish pavilion was decorated by Velzquez. He attracted a lot of attention because of his bearing and costume. On June 26 he returned to Madrid and on July 31 he was sick. Fuensalida, his friend and the keeper of the royal records, was appointed as his sole administrator after he signed his will.On August 6, 1660, he died. He was buried in the church of San Juan Bautista's Fuensalida vault and his wife was buried beside him eight days later. The place of interment is unknown because the church was destroyed by the French. It was not until after the death of King Philip that the accounts between Velzquez and the treasury were finally settled. Velzquez's career was divided by his two visits to Italy. The dates of his most important works are in the royal archives. There are internal evidence and history related to his portraits.Velzquez was strong enough to resist external influences and work out his own principles of art, even though he was acquainted with all the Italian schools and a friend of the foremost painters of his day. The Habsburg portraiture was established by Titian, Antonio Mor, and Alonso Snchez Coello, and he rejected the pomp that characterized other European courts. He mixed the paints with great skill to achieve different colors. He mainly used azurite, smalt, vermilion, red lake, lead-tin-yellow and ochres. His early works were painted on canvases. During his first trip to Italy, he used light-gray grounds for the rest of his life. The change resulted in paintings with a silvery range of color.Most drawings are attributed to Velzquez. Although some of his paintings exist, his method was to paint directly from life, and x-rays of his paintings reveal that he frequently made changes in his composition as a painting progressed. Between 100 and 120 known canvases were produced by Legacy Velzquez. He did not produce any etchings or engravings and only a few drawings are attributed to him. The most influential figure in the history of Spanish portraiture is Velzquez. Although he had few immediate followers, Spanish court painters such as his son-in-law and Juan Carreo de Miranda took inspiration from his work. Many paintings and copies of them were once attributed to Velzquez.Spanish court portraiture was dominated by artists of foreign birth and training in the 18th century. When Velzquez died, the glory of Painting in Spain died with him, according to an essay published in 1781. Goya made etchings after paintings by Velzquez as part of a project by the Count of Floridablanca to produce prints of paintings in the Royal Collection. The older master's work was a model for Goya for the rest of his career. The work of Velzquez was not known outside of Spain until the 19th century. During the Peninsular War, his paintings were mostly stolen by the French marshals. In 1828, Sir David Wilkie wrote from Madrid that he felt himself in the presence of a new power in art as he looked at the works of Velzquez, and at the same time found a wonderful affinity between this artist and the British school of portrait painters, especially Henry Raeburn.The modern impression pervading Velzquez's work in both landscape and portraiture struck him. The bridge between realism and impressionism is often considered to have been created by Velzquez. He admired the immediacy and vivid brushwork of Velzquez's work, and built upon Velzquez's motifs in his own art. The influence of Velzquez was strong in the late nineteenth century. The respect with which twentieth-century painters regard Velzquez's work attests to its continuing importance. In 1957, Picasso recreated Las Meninas in 44 variations, paying homage to Velzquez. Although Picasso was concerned that his reinterpretations of Velzquez's painting would be seen as copies rather than unique representations, the enormous works, including the largest he had produced since 1937, obtained a position of importance in the canon of Spanish art.The painting entitled Velzquez Painting the Infanta Margarita With the Lights and Shadows of His Own Glory was created in anticipation of Velzquez's death. The color scheme shows Dal's serious tribute to Velzquez; the work also functioned, as in Picasso's case, as a vehicle for the presentation of newer theories in art and thought. One of the greatest portraits ever was Velzquez's portrait of Pope Innocent X. The expressionist variations of this piece were created in the 1950s, however, the depictions of Innocent were more gruesome than the expressionist variations. Figure with Meat shows the pope between the halves of a cow. In 2009, the Portrait of a Man in the collection of the Metropolitan Museum of Art, which had been associated with the followers of Velzquez' style of painting, was cleaned and restored. The features of the man match those of a figure in a painting by Velzquez.The canvas may be a study for that painting. The identity of the sitter is still open to question, despite the fact that the attribution to Velzquez is certain. Some art historians think the study is a self-portrait by Velzquez. It was reported in 2010 that a damaged painting could be an early work by Velzquez. The painting is thought to have been given to Yale in 1925. The Prado Museum in Madrid is not ready to attribute the painting to Velzquez. The work depicting the Virgin Mary being taught to read will be restored.The portrait found in the UK in the former collection of the 19th-century painter Matthew Shepperson is a previously unknown work by Velzquez. Juan Mateos could be the Master of the Hunt for Velzquez's patron, King Philip IV of Spain. The painting was sold at an auction for over $3 million. Descendants Velzquez and his daughter Francisca de Silva Velzquez y Pacheco are related to the Casado de Monteleone. King Felipe VI of Spain is descended from his mother Sophia of Greece and Denmark, as well as King Willem-Alexander of the Netherlands and King Albert II of Belgium. In a Spanish fantasy television series, Velzquez is portrayed by Julin Villagrn. A recurring character in the series is Velzquez.See the list of works by <mask>. L'opera was performed by Velzquez. Carr, Bray, and Velzquez are from Milano. Velzquez. The National Gallery is in London. There is a person named Velazquez. Ithaca, N.Y.: Cornell University Press.Looking at Velazquez. The Yale University Press. There is a person named Velazquez. Random House in New York. The Spanish Portrait from El Greco to Picasso is on display at the Museo nacional del Prado. Brown, Jonathan, and Brown, Johnathan, are reading Velzquez: Painter and Courtier. The Slave in European Art The Warburg Institute 2012 and Velzquez in Seville National Gallery of Scotland are examples.The Variations on Past Masters was written by Erenkrantz. There is a mask and a mirror. On April 10, 2005. Edward L. Goldberg wrote "Velzquez in Italy: Painters, Spies and Low Spaniards". The Art Bulletin is a monthly publication. 74, No. pp. 3 (September, 1992)4556.3–4 <mask> Silva Velzquez: Das Werk und der Maler 2 Vols was written by Wolf Moser. "Lives of Velzquez" is part of the Edition Saint-Georges, Lyon, Pacheco, Francisco and Antonio Palomino. The Fundacin de Apoyo a la Histria del Arte Hispanico was founded in 2002. Hispnica is part of the Enciclopedia. <mask>, 1599–1660: the face of Spain Taschen, Kln, was written by Wolf. There are 202 paintings by <mask> at DiegoVelazquez.org and at the Web Gallery of Art Velzquez.It's called ColourLex. Spanish Baroque painters died in the 16th

masks:
Diego Velzquez
Diego de
Diego Velzquez
Diego Velzquez


texts: <mask> was born in New York. David is an opera director as well as his twin brother. Robert Wilson and Peter Sellars are part of a generation of directors. They are known for staging revisionist operas. The show business family had two identical twins, David and <mask>. Their mother was a Broadway dancer and their father was a playwright. From an early age, the brothers were drawn to musical theater.They used to buy standing room tickets at the Metropolitan Opera when they were teenagers. They decided they wanted to be opera directors when they were 13 years old. <mask> appeared in the New York Shakespeare Festival production of Two Gentlemen of Verona in the 70s after studying theater at the University of Pennsylvania. He was an assistant to Jean-Pierre Ponnelle in Houston, Paris and Salzburg. In 1974 he staged his first operas in New York. During the 1970s, Santa Fe Opera, Opera Theatre of St. Louis, and Dallas Opera had more assignments. In 1982, Michael Milenski of Long Beach Opera engaged <mask> to mount a conventional staging of La Boheme.The next year saw a production of Benjamin Britten's Death in Venice that was a breakthrough for Long Beach Opera. <mask> tells the story with shadows and hints. He uses people as scenery and ideas as costumes. The director wanted to show the central philosophical conflicts between Apollo and Dionysus. The Rape of Lucretia, The Return of Ulysses, and La Vie parisienne are just a few of the settings that Long Beach Opera has collaborated with. He began a long relationship with the San Francisco Opera in the early '90s, staging the American premiere of Aribert Reimann's Ghost Sonata as well as new productions of Les Contes d'Hoffmann and Das Verratene Meer. He made his debut with New York City Opera as early as 1979 with a staging of Rossini's Le comte Ory and went on to create productions for NYCO and Glimmerglass Opera that included Handel's Imeneo, The Rape of Lucretia.The New York premiere of Leonard Bernstein's A Quiet Place will be in October 2010. There are several major and regional American opera companies that <mask> has worked with. The world premiere production of Anthony Davis' Tania was created by him. Jonathan Dove's reduced versions of Das Rheingold and Die Walkre were mounted for the Eos Orchestra of New York. He produced the American premiere of Gluck's L'Ile de Merlin for the Spoleto Festival USA. He has worked at Welsh National Opera, Scottish Opera, English National Opera, and The Makropulos Case with Charles Mackerras. In 2005, he and David Pountney co-directed Eight Little Greats, an acclaimed series of eight short operas for Opera North.He presented a triple bill of Bizet's Don Procopio, Le docteur Miracle and Djamileh at the Opéra Comique in Paris. <mask> is known for his use of contemporary imagery and a minimalist visual style, though never as spare as his contemporary Robert Wilson. He likened his 1984 production of Poppea to a new wave rock video and has frequently expressed his desire to connect the inner world of opera theater to a younger audience. He has an eye for bold theatrical gestures that can be very effective. His use of overt sexuality, brutal violence and over-the-top satirical humor has soured his relationship with conservative patrons. Though some opera audiences may be put off by his art, it is never his aim to shock for the sake of shock value. His approach to stagecraft, with its anachronistic cultural symbols, blood-and-guts characterizations and eye-catching visuals, is driven by a desire to reveal how powerfully opera stories can resonance with modern experience."Although fascinating the era in which an opera was composed may be, I have a primary responsibility to the world we live in now," he said. <mask> website Columbia Artists Management Inc agency page has links to External links.

masks:
Christopher Alden
Alden
Christopher
Alden
Alden
Alden
Christopher Alden
Christopher Alden


texts: <mask> was an English painter best known for his paintings of horses. Reynolds or Gainsborough were two of the great artists of the eighteenth century. His greatest skill was in painting animals, which may have been influenced by his love and study of anatomy. The paintings on the theme of a lion attacking a horse are early examples of the Romantic movement that emerged in the late 18th century. His painting, Whistlejacket, is in the National Gallery. The son of a leather-dresser, <mask>, and his wife Mary, was born inLiverpool. Information on his life until the age of 35 or so is sparse, relying almost entirely on notes made by Ozias Humphry, a fellow artist and friend; Humphry's informal memoir, which was not intended for publication, was based on a series of private conversations he hadAt the age of 15 or 16, he told his father that he wanted to become a painter. While initially resistant to his son's choice of career path, his father eventually agreed to it on the condition that he could find a mentor. The painter and engraver Hamlet Winstanley was briefly engaged to <mask> in a sort of apprenticeship relationship, probably not more than several weeks in duration. Having initially demonstrated his abilities and agreed to do some copying work, <mask> had access to and opportunity to study the collection at Knowsley Hall, the estate where Winstanley was then residing, however, he soon left when he came into conflict with the older artist over exactly which pictures he He was self-taught as an artist. He moved to York, in the North of England, to study the subject under experts because he had a passion for it. One of his earliest works is a set of illustrations for a textbook on midwifery, which was written by John Burton.Italy was visited by <mask> in 1754. He told Ozias Humphry that his reason for going to Italy was to convince himself that nature was better than art. He rented a farmhouse in the village of Horkstow and spent 18 months working on horses. He moved to London in 1759 and published The anatomy of the Horse. The Royal Academy has a collection of original drawings. Prior to his book's publication, leading aristocratic patrons were aware that his drawings were more accurate than those of earlier horse painters such as James Seymour and Peter Tillemans. His career was secured in 1759 when the 3rd Duke ofRichmond commissioned three large pictures from him.He lived in London for the rest of his life after buying a house in Marylebone, a fashionable part of the city. Whistlejacket, a painting of a thoroughbred race horse rising on his hind legs, is in the National Gallery in London. There is a break with convention in having plain background paintings. He produced a wide range of individual and group portraits of horses. He painted the horses with their grooms. He continued to accept commission for portraits of people. He exhibited at the Society of Artists of Great Britain from 1761 to 1776, but in 1769 he moved to the Royal Academy of Arts.He was able to observe more exotic animals, including lions, tigers, giraffes, monkeys, and rhinoceroses, in private menageries. Many 18th-century Britons saw the first glimpse of this animal in his painting. He came up with several variations on the theme of a wild horse being threatened by a lion. These and other works became well known through engravings of <mask>'s work, which appeared in increasing numbers in the 1770s and 1780s. These historical pictures are not well regarded. He produced some work in the late 17th century. The larger type of panel was developed at the request of <mask>.The venture left him in debt as he tried to achieve commercial success with his paintings. He received an increasing number of commissions to paint hunts with their packs of hounds, as well as painting single portraits of dogs for the first time. He was still active at his old age. In the 1780s he produced a pastoral series called Haymakers and Reapers, and in the early 1790s he painted on horseback for the Prince of Wales. A comparative exposition of the structure of the human body with that of a tiger and a common fowl, fifteen engravings from which appeared between 1804 and 1806, was his last project. The project was unfinished after the death of <mask> on July 10, 1806 in London. The graveyard of the church is now a public garden.<mask> <mask> was an artist. The subject of a lion attacking a horse was the subject of at least 17 images over a period of about 30 years. These paintings are some of his most influential. The monumental picture A Lion Attacking a Horse is in the Mellon Collection. One of the outstanding events in English eighteenth-century art for within the context of painting at that date is most striking. Thirty years had passed since the publication of Harlot's Progress. Predating the work of more familiar masters of the movement such as William Turner and Eugne Delacroix, the seminal paintings are among the earliest manifestations of Romanticism in painting.Jean Clay, professor of art history at the University of Paris, observed that the energy and terror of the animals mirrored the spirit of romanticism but, as the series progressed, the horror seemed to diffuse and expand throughout the whole of the landscape. The paintings in the series are mostly oil on canvas, but there are also examples of copper, original engravings, and even a relief model in Wedgwood clay. An architect friend of the artist, Mr. Payne, secured the painting of the white horse from one of the Kings Horses. The lion that was in the menagerie of Lord Shellburne was studied by <mask>. A Lion Attacking a Horse is a life-size painting. The Yale Center for British Art is where it is now. Basil Taylor thinks the theme was treated in three separate episodes: Episode A, a lion prowling at some distance from a terrified horse; Episode B, a lion close to a terrified horse; and Episode C, a lion on the horse's back biting its flank.It wasn't until later that he was inspired to paint the moments leading up to the event that he painted "Episode C". An anecdote about the origin of the subject matter was published in The Sporting Magazine in 1808 and has been repeated many times over the course of a century and a half. H. W. Janson said, "On a visit to North Africa, he had seen a horse killed by a lion; this experience haunted his imagination, and from it he developed a new type of animal picture full of Romantic feeling for the grandeur and violence of nature." According to research published in 1965, the inspiration for the painting was an antique sculpture he had seen in a well documented 1754 stay in Rome. The Palazzo dei Conservatori, Rome, has a restored Roman copy of a Hellenistic sculpture called Lion Seizing a Horse. Since the Renaissance, when Michelangelo admired it, it has been copied many times by various artists in marble, bronze, and prints, including an 18th century marble copy in the collection of <mask>'s patron. A secondary figure in British art until the mid-twentieth century was Legacy Stubbs.The art historian Basil Taylor and art collector Paul Mellon both supported the work. The first painting that Mellon bought was by Stubbs's Pumpkin with a Stable-lad. Basil Taylor was commissioned in 1955 to write the book Animal Painting in England - From Barlow to Landseer, which included a large segment on Stubbs. They first met in 1959 because of their appreciation of Stubbs. The Paul Mellon Foundation for British Art was created with Taylor as the director. The largest collection of Stubbs paintings in the world would become part of the larger collection of British art that would become the Yale Center for British Art. The seminal catalogue was published in 1971 by Taylor.The record price for a <mask> painting was set by the sale at Christie's in London in July of 2011. The British Woolavington Collection of sporting art sold it. There are 16 paintings by <mask> in the British Royal Collection. The National Maritime Museum in London bought two paintings by <mask> after a public appeal to raise money. The Kongouro from New Holland and Portrait of a Large Dog were painted in 1772. They are the first depictions of Australian animals in Western art. A retrospective exhibition of his work was held at the Whitechapel Gallery in London.In 1984 The Tate Britain and the Yale Center for British Art organized the largest exhibition ever devoted to <mask>, which traveled to New Haven. The memoirs of Thomas Dodd, William Upcott, and <mask> were written by D. Marples. Judy Egerton. <mask> was published in 1984 by Tate Gallery Publications. Judy Egerton. <mask> is a painter. The catalogue Raisonné was published for the Paul Mellon Centre for Studies in British Art by Yale University Press.In Hildesheim, New York, Walter Gilbey wrote about the "Sporting Art" genre. The second volume of Animal Painters of England was published in 1900. Morrison is from Venetia. The art of <mask> was created by Headline Book Pub. Myrone and Martin. The British Artists series was published by Tate Publishing. Taylor, Basil.<mask>' biography can be found in the Encyclopedia of Irish and World Art.

masks:
George Stubbs
John Stubbs
Stubbs
Stubbs
Stubbs
Stubbs
Stubbs
Stubbs
George Townly
Stubbs
Stubbs
Stubbs
Stubbs
Stubbs
Stubbs
Stubbs
George Stubbs
George Stubbs
George Stubbs
George Stubbs
George Stubbs


texts: Charles H<mask> was an American football player who played for the University of Michigan from 1948 to 1950 and in the National Football League for the Pittsburgh Steelers in 1951 and the Dallas Texans in 1952. Ortmann was raised in Milwaukee. He turned down offers from the University of Wisconsin and nearby Marquette University, as well as coach Bear Bryant at the University of Kentucky, to attend the University of Michigan and play football. <mask> was told by his high school coach that if he picked Michigan, he would be picking the best. People will remember you after you graduate. I made the right decision. He was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217He was a starter for the 1948 Michigan football team that won the National Championship. He was responsible for most of Michigan's offense as a senior. On December 31, 2009, he was in the Rose Bowl Hall of Fame. The Snow Bowl Ortmann is most known for his role in the 1950 Snow Bowl game against Ohio State, in which he punted 24 times in a snowstorm for 723 yards, still a Michigan record. Michigan punted on first down for its first two plays from scrimmage because of the bad weather and decided to keep the ball on the other side of the field and in the hands of Ohio State. The strategy worked, as the game's only touchdown was scored after Ortman punted the ball out of bounds at the Ohio State six-yard line, Ohio State was forced to punt from deep in its own territory, and Tony Momsen recovered a blocked punt in the endzone. We wouldn't have gone outside to get the newspaper on that day.We were trying to play football. Michigan did not get a first down and had 27 yards of total offense, while Ortman was 0 for 8 passing and 9 yards in 10 rushing attempts. Momsen's touchdown after the blocked punt was the difference as the UM won 9–3 on a safety and a safety. In an interview about the Snow Bowl, Ortmann said he couldn't see the backfield because the snow was falling. As we were about to punt, Tony Momsen said, "Charlie, I don't feel like punting today, you punt." I had not punted in three months. The hero of that game was not <mask>n, but Carl Kreager.The ball was always there when I put my hands down. I remind him that he never got enough credit for that game. It was boring. I have a film of the game, but I haven't watched it since. In a 14–6 win over California, Ortmann passed for 146 yards and six passes for 80 yards in the fourth quarter to lead Michigan's comeback from a 6–0 deficit. In his three years as a starter at Michigan, Ortmann had 2,078 yards passing and 676 yards rushing. He was an All-Big Ten halfback in 1950.Ortmann was selected by the Pittsburgh Steelers as the 20th pick in the 1951 NFL draft and played in all 12 of the team's games. He was the leading passer in the 1951 season, throwing 56 completions for 671 yards and three touchdown. He had 327 yards rushing, 62 yards receiving, and 62 yards on an intercept return. Ortmann kicked seven times for a 43.1 yard average, including a 72 yard punt. After the 1951 season, Ortmann was signed by the Dallas Texans. After playing only three games for the Texans, he injured his ankle and finished his playing career. After his football career ended, Ortmann accepted a job with a Chicago nonferrous metals company owned by a former Michigan All-American.Ortmann moved to Georgia in 1991. Betty Ortmann was his high school sweetheart and they had four children. <mask> established a youth football program in Glen Ellyn. <mask> was the coach of the Glen Ellyn Rams. Larry Krupp was the student manager of the team during the first year. The University of Michigan Athletic Hall of Honorducted Ortmann in 2004. When fans start talking about putting an all-time Michigan team together, I think they're wrong to pick someone from the old era.I ran and passed for 750 yards in the Big Ten. John Navarre has the same amount of yards and passes in a game as I did in a season. The guys I played with were good, but nothing like the players today. Dominic Tomasi was a lineman. Today, they have cheerleaders that big. Ortmann died in Gig Harbor, Washington, at the age of 88. There are references to births and deaths of American football players.

masks:
. Ortmann
Chuck
Chuck Ortman
Chuck
Chuck