texts: <mask> was an American financier. According to historian Thomas A. Krueger, <mask> was one of the country's richest and most powerful men for half a century. A great speculator, public official, presidential counselor, political benefactor, and indefatigable almoner, his public life provides a clear view of the inner workings of the American political system. After amassing a fortune on the New York Stock Exchange, he impressed President Wilson by managing the nation's economic mobilization in World War I as chairman of the War Industries Board. Wilson was advised by him during the Paris Peace Conference. He made a lot of money in the postwar bull market, but sold out in advance of the Wall Street crash. He was an advisor to President Roosevelt on the role of industry in war supply, and he was credited with shortening the production time for tanks and aircraft.He helped develop programs for injured servicemen. He was the United States representative to the UN Atomic Energy Commission in 1946, but his plan for international control of atomic energy was rejected by the Soviet Union. On August 19, 1870, <mask> was born to a Jewish family in Camden, South Carolina. His parents were a doctor and a woman. He was the second of four sons. <mask> and his brothers attended local schools after the family moved to New York City. He graduated from the City College of New York.Annie is an Episcopalian from New York. They had three children. He became a partner in A.A. Housman & Company. He bought a seat on the New York Stock Exchange with his earnings and commission. At that time plantations were booming in Hawaii and he amassed a fortune from speculation in the sugar market. The Intercontinental Rubber Company of New York dominated the guayule rubber market in the U.S. with holdings in Mexico. His partners were Senator Nelson Aldrich, Daniel Guggenheim, John D. Rockefeller, Jr., George Foster Peabody and others.He gained the reputation of "The Lone Wolf of Wall Street" because he refused to join any financial house. He was one of Wall Street's best-known financiers by 1910. The United Daughters of the Confederacy's Mrs. <mask> University Award was established in 1925 to support scholars who have written unpublished monographs for full-length books on Confederate history. His mother was an early member of the organization. The US bull market has been in existence since 1924. As early as 1927, he began anticipating a Wall Street crash and sold stocks short. After the Labor Day peak of the DOW, <mask> refused to join a bull pool of financiers to support the market.Will Rogers was advised to leave the market before the crash. Rogers told <mask> that he did what he was told and that he saved his life. In 1916, <mask> left Wall Street to advise President Wilson on national defense and terms of peace during the First World War. He became the chairman of the War Industries Board in January 1918 after serving on the Advisory Commission to the Council of National Defense. During World War I, this body successfully managed the US's economy. Wilson asked <mask> to serve as a staff member at the Paris Peace Conference in 1919. Wilson's view that there needed to be new forms of cooperation as well as the creation of the League of Nations was supported by <mask>.The President of the United States of America, authorized by the Act of Congress, July 9, 1918, takes pleasure in presenting the Army distinguished service medal to Mr. <mask><mask> for his services in support of the war effort. By establishing a broad and comprehensive policy for the supervision and control of the raw materials, manufacturing facilities, and distribution of the products of industry, he stimulated the production of war supplies, coordinated the needs of the military service and the civilian population, and contributed alike to the completeness and speed of the General orders of the war department. In the 1920s and 1930s, the United States needed to be prepared for another world war. The War Industries Board was the only way to ensure maximum coordination between civilian and military needs, and he wanted a more powerful version. After Franklin D. Roosevelt's election, <mask> supported his domestic and foreign policy initiatives. Eleanor Roosevelt's initiative to build a community for unemployed mining families in Arthurdale, West Virginia was a major contributor to Baruch.This relationship didn't stop the Nye Committee from looking into his role in war profiteering. In 1940, responding to pleas to help Harry Truman's shoestring bid for reelection to the U.S. Senate, <mask> provided crucial funding. President Roosevelt appointed a special adviser to the Office of War Mobilization after the United States entered World War II. His office was at 120 Broadway. The "work or fight" bill was supported by him. The creation of a permanent superagency was advocated by the man. The role of civilian businessmen and industrialists was enhanced by his theory.James Byrnes was appointed to carry out the ideas. Two years off the time taken to produce tanks, bombers, etc. is estimated by these policies. Hitler was caught completely by surprise. In 1944, President Roosevelt spent a month as a guest at the South Carolina estate of <mask>, who was a trusted adviser. Donald M. Nelson was the head of the War Production Board. He said he only needed to ask his doctor if he was healthy enough for the job. Roosevelt declined to discuss the job offer further after he was persuaded that firing Nelson at the army's demands would make him look weak.Over a million dollars was given to medical schools to further the cause of establishing the medical specialty of Physical Medicine and Rehabilitation after a committee of physicians recommended it in 1944. <mask> was the first teacher of physical medicine at Columbia. President Roosevelt was advised to expand rehabilitation programs for injured soldiers in the same year. The Veterans' Administration adopted these programs after the war. The United States representative to the United Nations Atomic Energy Commission was appointed in 1946, by President Harry S. Truman. On Friday, June 14, 1946, a modified version of the Acheson–Lilienthal plan was presented to the UNAEC, which proposed international control of then-new atomic energy. The Soviet Union rejected the proposal because the U.S. already had nuclear weapons.There was a stalemate. In 1947, he resigned from the commission. As he grew out of step with the views of the Truman administration, his influence began to diminish. In Washington, D.C.'s Lafayette Park, and in New York City's Central Park, the man was well-known. He discussed government affairs with other people while sitting on a park bench. This was his most famous characteristic. In the 1949 Bugs Bunny animated short, Rebel Rabbit, it was referenced.When visiting the United States, Churchill sometimes stayed in the New York home of one of his personal friends. On his ninth birthday in 1960, a park bench in Lafayette Park across from the White House was dedicated to him by the Boy Scouts. There is a bronze of <mask> sitting on a park bench in the Lobby of the Vertical Campus. The Stevensons decided to donate their personal papers to the university because of their admiration for Wilson and Dean Mathey. He died in New York City at the age of 94. 700 people attended his funeral at Temple Shaaray Tefila. His grave is located in Queens, New York City.A string of thoroughbred racehorses were raced under the name "Kershaw Stable". Happy Argo won the Carter Handicap in 1927. The University of New York was named after him. The Bernard Baruch Handicap was named after him. He was mentioned in an episode of The Dick Van Dyke Show, as well as in The Burns and Allen Show, Make Room for Daddy, and A Gift From the Boys. He received a Doctor of Laws degree in 1933. His daughter was never married.His son married a woman who ended up divorcing him. They didn't have any children. His daughter married a man. They didn't have any children. The purchase of the former 18th century Hobcaw Barony took place between 1905 and 1907 and resulted in the consolidation of 14 plantations on the Waccamaw Neck between the Winyah Bay and the Atlantic Ocean. The property was later developed as a winter hunting resort. He sold the property to his daughter.The property became an educational and research preserve after her death in 1964. The 18th and 19th century rice cultivation industry and early-to-mid 20th century winter resorts are some of the historic buildings on the property. On November 2, 1994, the entire property was named to the National Register of Historic Places. The University of South Carolina was selected as an educational institution with a mandate to preserve and study the Hobcaw Barony. The University of South Carolina established a institute for marine and coastal sciences. Both universities have formed partnerships with other schools in South Carolina that carry out research and educational programs. The Hobcaw Barony Discovery Center is operated by the North Inlet-Winyah Bay National Estuarine Research Reserve.In Wilson, Francis X. Bushman and Sam Wanamaker were portrayed by <mask><mask>. There are two volumes of my own story. <mask>. The treaty made the Reparation and Economic Sections. <mask>. The War Industries Board published a report on American Industry in War. ed.Richard H. Hippelheuser was born in 1941. Robert D. Cuff wrote "<mask>: Symbol and myth in industrial mobilization." The origins of the Cold War were discussed in the Business History Review. Diplomatic History 6.1 was published in 1982. The two men worked together in 1930. Preclk, Vratislav. Masaryk is a legie.The book was published by Paris Karvin in cooperation with the Masaryk Democratic Movement. The International Encyclopedia of the First World War. The FBI files on <mask> can be found at vault.fbi.gov. The people of the cold war were recipients of the distinguished service medal.

masks:
Bernard Mannes Baruch
Bernard Baruch
Bernard Baruch
Bernard
Simon Baruch
Baruch
Baruch
Baruch
Baruch
Baruch
Bernard M
. Baruch
Baruch
Baruch
Baruch
Simon Baruch
Baruch
Bernard M
. Baruch
Bernard M
Bernard M
Bernard Baruch
Bernard Baruch


type: paraphrased

texts: <mask> is an American actor, mixed martial artist and sports commentator. <mask> was the host of the weekly television show Human Weapon on The History Channel. He has appeared in a number of television shows. <mask> was one of the "America's Most Eligible" bachelors. <mask> was recently appointed to the Board of Directors of the City of Hope National Medical Center, a Cancer Research institute. On March 23, 1980 in Chicago, Illinois, <mask>, a homemaker, and George West, who worked for Roadway Services, had a child, who was Greek, French and Irish descent. <mask> lived in Tinley Park, Illinois until the age of 12 and then moved to Chicago at the age of 16.<mask> moved to New York City to study acting. He moved to Los Angeles in 2006 <mask> lives in Florida. <mask> and Jon Anik provided color commentary for the English broadcast of the Bellator Fighting Championships. He was the lead color commentator for ONE Championship. <mask> has previously sat in the color commentator seat for MMA events, but he was not hired by The Ultimate Fighting Championship to handle play-by-play duties. In 2000 acting began at Act One Studios in Chicago and later at The Second City Training Center.He moved to New York to continue his studies. He appeared in the show Can You Tell? And as the world changes. He moved to Los Angeles in 2006 to play Spencer on Days of Our Lives and Mercury on CSI: NY. He appeared in one episode of The Middleman before the show was canceled after its first season. Bill Duff and Hosting <mask> co-hosted Human Weapon on The History Channel from July 20, 2007, to August 28, 2008. <mask> is a host for NBC's YourLaTv, a show about things to do and see in and around Los Angeles.He co-hosted the "MMA Chokehold" segment of Attack of the Show. They discuss upcoming MMA events. The TJCP was launched on September 1, 2021. It has been called the next best thing to the Joe Rogan Experience. Award Winning Author Ben Mezrich, MMA Hall of Famer Matt Serra, BJJ Standout Garry Tonon, Charlie Shrem, and comedians Bryan Callen and Russel Peters are just a few of the interesting guests that <mask> chats with twice a week. TJCP is one of the fastest growing news and entertainment shows in the US. He began writing for other media in 2010.There is a magazine. He was a contestant on "Fear Factor" in 2004. <mask> is a martial arts instructor with a brown belt in 10th Planet Jiu-Jitsu, a black belt in Renzo Gracie, and a Jeet Kune Do concepts instructor. He learned martial arts in Israel.

masks:
Chambers
Chambers
Chambers
Chambers
Dale Chambers
Chambers
Chambers
Chambers
Chambers
Chambers
Chambers
Chambers
Jason
Chambers


texts: <mask>ner law, is credited with demonstrating the non- linear relationship between psychological sensation and physical intensity. <mask> was born at Gro Srchen, near Muskau, in Lower Lusatia, where his father was a pastor. Fechner was raised by a religious father. He was educated at Sorau. He spent the rest of his life in the city of Leipzig, where he studied medicine in the 19th century.He earned his PhD in 1835. He was appointed professor of physics in 1834. He injured his eyes in the research on afterimages by gazing at the sun through colored glasses and resigned after much suffering. He turned to the study of the mind and its relations with the body after recovering, giving public lectures on the subjects dealt with in his books. Fechner had an insight into the relationship between mental and material sensations while lying in bed. The development of psychology was influenced by this insight as there was now a relationship between the mental and physical worlds. Chemical works by Jean-Baptiste Biot and Louis Jacques Thénard were translated from French to English.He wrote several poems and humorous pieces, such as the Vergleichende Anatomie der Engel. Mises. The progenitor of the Psychophysik Fechner's work was the Elemente der Psychophysik. He thought that bodily facts and conscious facts were different sides of the same reality. He is trying to find an exact mathematical relation between them. The most famous outcome of his inquiries was the law known as <mask>'s Law, which states that in order for a sensation to increase in intensity, it must increase in progression. The law was found to be very useful, but also to fail for very strong sensations.<mask>ner and Repeal His Law", he proposed that stimulation is related to perception. <mask>'s formula for getting at the number of units in any sensation is S + log R, where S stands for the sensation, R for the stimulus numerically estimated, and c for a constant that must be separately determined by experiment. <mask>'s reasoning has been criticized due to the fact that stimuli are not sensations. William James says that "every sensation presents itself as an indivisible unit; and it is quite impossible to read any clear meaning into the notion that they are mass of units combined." The Fechner color effect is a perceptual illusion in which colors are seen in a pattern of black and white.The invention of the spinning top that bears the name Benham's top was made possible by the English journalist and amateur scientist Charles Benham. It is not known if <mask> and Benham ever met face to face. The idea of the median was developed in a paper by <mask>. He thought about the shapes and dimensions of pleasing objects. He used the sizes of paintings as his data base. The method of extreme ranks was used by him in 1876. The median was introduced into the formal analysis of data by Fechner.The first empirical survey of coloured letter photisms was reported in 1871. His work was followed by that of Francis Galton. One of <mask>'s speculations was about consciousness and the brain. He knew that the brain is symmetrical and that there is a deep division between the two halves. The mind would become two streams of consciousness if the corpus callosum were split. <mask> thought that his theory wouldn't be tested. During the mid-twentieth century, Roger and Michael worked on epileptic patients with sectioned corpus callosum and observed that Fechner's idea was correct.Golden section hypothesis Fechner constructed ten rectangles with different ratios of width to length and asked many people to choose the "best" and "worst" shape. He was concerned with the look of the rectangles. Participants were told to ignore any associations with the rectangles. There are objects of the same ratios. The best rectangles were chosen by the largest number of participants and the worst by the smallest. The golden section is the ratio of a rectangle's width to length that is most appealing to the eye. Carl was in the study.Many mathematicians, including Mario Livio, refuting the results of the experiment, as the fact that Fechner deliberately discarded the study ill-fitting to his needs became known. The Zweiseitige Gauss'sche Gesetz or two-piece normal distribution was introduced by <mask> in his posthumously published Kollektivmasslehre. Several authors working in different fields rediscovered the distribution. In 1861, Fechner reported that if he looked at a light with a dark piece of glass over one eye then closed that eye, the light appeared to become brighter even though less light was in his eyes. The phenomenon has been called <mask>'s paradoxes. In the 2000s, it was the subject of many research papers. The perceived brightness of the light with both eyes open is similar to the average brightness of each light viewed with one eye.Influence <mask> is one of the founding fathers of modern experimental psychology. The demonstration that psychology had the potential to become a quantified science was his most important contribution. Theorists have long said that a science of psychology is also impossible. He had a lot of influence on psychophysics, but the actual disciples of his general philosophy were very few. Mach was inspired by his work. In 1904, William James wrote an introduction to the English translation of <mask>'s Bchlein vom Leben nach dem Tode. Fechner influenced Sigmund Freud when he introduced the concept of psychic locality in his The Interpretation of Dreams.The world concept was animistic. In plants, earth, stars, and the total universe, he felt the thrill of life. Man is between the souls of plants and stars. The existence of God is analogous to that of men. Natural laws are just a part of God's perfect plan. <mask> contrasts the light view of the world with the dark view of the dead in his last work. The work of Fechner is important.Experiments were conducted to show that certain forms and proportions are pleasing to the eye. <mask>'s work had been neglected for so long that Charles Hartshorne regretted that he had been a predecessor on his and Alfred North Whitehead's philosophy. Fechner's position in reference to predecessors is not very clear. He learned a lot from the likes of G. W. F. Hegel and Arthur Schopenhauer. <mask>'s work continues to have an influence on modern science, inspiring continued exploration of human perceptual abilities by researchers such as Jan Koenderink. The crater on the far side of the moon was named after Fechner. The annual conference of the International Society for Psychophysics was called Fechner Day.The anniversary of <mask>'s waking up on that day in 1850 will be celebrated with a new approach into how to study the mind at the conference. Fechner Day is celebrated on the 37th of March every year. Each year it is organized by a different academic host. Fechner Day was held online in 2020 and 2021. The circumstances, cause, and manner of <mask>'s death are not known. <mask> was the brother of a painter and the stepmother of a second wife. "Advances in the general theory of organisms" is the work of Praemissae.Stapelia mixta was written by Dr. Mises. Results of plant analyses undertaken to date can be found in the Internet Archive. The Internet Archive is located inStanford. Schutzmittel fr die Cholera was written by Dr. Mises. The Repertorium der Experimentalphysik is located in Harvard. There are 3 volumes. Volume 1.Internet Archive (Oxford) Volume 2. Internet Archive (Oxford) Volume 3. The Internet Archive is a part of the NYPL. Hauslexicon. Vollstndiges Handbuch ist fr alle Stnde. There are 8 volumes. The Bchlein was found in the Tode.The 6th ed. was published in 1906. On Life After Death is part of the Internet Archive. IA (UToronto) 2nd ed. was published in 1906. The Internet Archive was published in 1914. The Little Book of Life After Death was published in 2004. IA (UToronto) 1905, Internet Archive (UCal) - IA (Ucal) - IA (UToronto) (Dr. Mises) Gedichte. Internet Archive (Oxford) Ueber das hchste Gut.The Internet Archive was founded by Dr. Mises. The second ed. was published in 1899. The 3rd ed. was published in 1903. The 4th ed. of the Internet Archive was published in 1908. The Internet Archive (Harvard) contains information about the Himmels and the Jenseits. There are 3 volumes. The 3rd ed. was published in 1906.The Ueber are from Harvard. 2nd ed. Professor Schleiden und der Mond are from the Internet Archive. The Psychophysik elemente was published in the early 20th century. There are 2 volumes. Volume 1. Volume 2 of the search engine.Ueber die Seelenfrage is from the Internet Archive. Internet Archive (UMich) 2nd ed., 1907. There are three motives and reasons of faith. The Internet Archive (NYPL) is an archive of the internet. The Internet Archive was founded by Dr. Mises. The Internet Archive (UMich) is an online archive. The Aesthetik (Harvard) has a Vorschule der Aesthetik.There are 2 volumes. The Internet Archive is in Harvard. The Internet Archive is located inStanford. The 2nd ed. of Google was published in 1904. The Internet Archive has a revision of the Psychophysik. The Internet Archive is located in Harvard. There are references to "<mask> Fechner" in Statisticians of the Centuries.The authors are C. C. Heyde and E. Seneta. 142–147. New York: Springer Verlag. Nature From Within: <mask> <mask> and his Psychophysical Worldview was published in 2004. The University of Pittsburgh Press was published in 2004. "<mask>ner: 150 years of Elemente der Psychophysik" was written by David K. Robinson. 409–411.The History of Statistics: The Measurement of Uncertainty before 1900 was published in 1986. 243–243. There are external links to William James on Fechner Works. There is an excerpt from Elements of Psychophysics from the Classics in the History of Psychology website. The introduction to elemente der psychophysik was written by Robert H. Wozniak. The Little Book of Life after Death was written by <mask> Fe.

masks:
Gustav Theodor Fechnerch
Fechner
Fechner
Fechnerch
Fechner
Fechner
Fechner
Fechner
Fechner
Fechner
Fechner
Fechner
Fechner
Fechner
Fechner
Fechner
Fechner
Fechner
Fechner
Fechner
Gustav Theodor
Gustav Theodor
Fechner
Gustav Fech
Gustav Theodor


texts: He was an author of proletarian literature. The short novel Kaniksen was published in 1929. The story of the hard life of cannery workers, fishermen and seamen on board a cannery ship and the beginning of their revolt against the company and its managers is told. The young writer died after being tortured by the Tokk police two years after his arrest. <mask> was born in Odate, Akita, Japan. His family moved to Hokkaido at the age of four. The family didn't have a lot of money, but <mask>'s uncle was able to pay for his education and he attended the current Otaru University of Commerce.While studying, he became interested in writing and submitted essays to literary magazines, served in the editorial committee for his school's alumni association magazine, and had his own writing published. Nobuyuki Okuma was one of his teachers at school. Due to financial hardship, he joined the labour movement. He worked at the Hokkaido Takoku Bank after graduating from school. In the 1928 general election, <mask> went to the base of Mount Ytei to listen to Kenzo Yamamoto's speech. He incorporated this experience into his book. His story based on the March 15 incident was published in the literary magazine Senki.The Tokk special higher police were depicted torturing people in the story. In 1929, the novel Kaniksen about a crab-fishing and canning ship's crew determined to stand up to a cruel manager was published. It became a standard-bearer of Marxist proletarian literature. It was performed at the Imperial Garden Theater in July of that year as a theatrical performance. The full text of Kaniksen was not available in Japan until 1948. Three times Kaniksen was translated into English, as well as in other languages. The Absentee Landlord was published in 1929.The hard life of local or immigrant tenant farmers on the northern island of Hokkaido, and their struggle with the way they are treated by rich landowners, is described in this book, as Japan was making efforts to strengthen its colonization of this island and to develop its agriculture and industry. The village of 'S' is where the story is located. It is close to the town of Asahikawa, which is about 80 miles from where <mask> was living. The publication of his new book in the Chkron magazine became grounds for his dismissal from his job at the bank after the police marked him for surveilling. In the spring of 1930, <mask> became the secretary general of the Proletarian Writer's Guild of Japan. He was temporarily released on June 7 after being arrested on suspicion of giving financial support to the Japanese Communist Party. He was indicted on charges of Lse majesté in July after returning to Tokyo.He was imprisoned in Toyotama Penitentiary under the Public Order and Police Law of 1900. He was released on bail on January 22, 1931. He secluded himself at the hot spring. In October 1931, <mask> became a member of the Japan Communist Party. He went underground in the spring of 1932 after visiting the house of Naoya Shiga in Nara Prefecture. On February 20, 1933, <mask> went to a meeting spot in Akasaka to meet with a fellow Communist Party member, who turned out to be a Tokk spy. Although he tried to escape, he was captured and arrested.Tsukiji Police Station is where he was tortured. On the day after, police authorities announced that he had died of a heart attack. Hospitals wouldn't perform an autopsy for fear of the Tokk. Kaniksen became a surprise bestseller in 2008 thanks to an advertising campaign. Russian, Chinese, English, Korean, Spanish, Basque, Italian, Portuguese, German, French, Polish, and Norwegian are some of the languages that have been translated into. The International Publishers in New York published The Cannery Boat in 1933. William Maxwell "Max" Bickerton was the translator.The translation of the title text is incomplete because of censorship. The full text of the novel was not available in Japan until 1948. The Absentee Landlord and The Factory Ship were translated into English by Frank Motofuji and published by the University of Tokyo Press. The Crab Cannery Ship and Other Novels of Struggle was published by the University of Hawaii Press. The Life of a Party Member and a new translation of the title text are included in the book. Yichi Komori is a professor at Tokyo University. The translator was a woman.The Indonesia version of Takijis work, Kani Kosen, was published by the Jalasutra publisher. The Crab Cannery Ship and The Absentee Landlord were both published in French. There is a coterie of <mask> <mask>'s admirers. The 80th anniversary of <mask>'s death was organized. The 80th anniversary was attended by Norma Field. The Takiji-sai is chaired by Katsuo Terai. The Greater Tokyo Suginami-Nakano-Shibuya Memorials are one of the places that were important to <mask>'s life.Takiji Sai feature a musical program as well as talks on <mask>'s life and works. Suite Slaughter Suite Slaughter is a musical written by Inoue Hisashi and depicts the life of <mask> from the time he was picked up for questioning in Osaka to his death three years later. The play opened in Tokyo on October 3, 2009. It will travel to the Hyogo Performing Arts Center in Nishinomiya and the Kawanishicho Friendly Plaza in Yamagata after "Suite Slaughter" closes. According to The Japan Times, "Suite Slaughter" picked up several prestigious awards after its premiere in October 2009. Sano Chikara, a businessman who graduated from the University of Commerce, established the Takiji Library. The Takiji Library was a centralized source of information.The publication of ten books was sponsored by it. A series of international symposia was co-sponsored by the Takiji Library. An essay contest was co-sponsored by the Takiji Library and the University for Commerce. Strike the Hour, Takiji Strike the Hour, Takiji is a documentary film about <mask>'s life. It was released in 2005. Several Japanese writers are featured in the Otaru Literary Museum. There is a bronze death mask in the museum.The museum has seen a rise in attendance from the "Kani kosen boom". The "Kani kosen boom" has brought excitement to the city of Otaru, which has a compelling claim to be the hometown of Takiji Kobayashi. Fans can retrace places of significance to Takiji <mask> with the help of books. The Japan Tourist Bureau has a bus tour. There is a museum that features <mask> and other Japanese writers. A special visit to the gravesite of <mask> <mask> is made by the bus. On October 9, 1965, the Takiji Kobayashi Literary Monument was unveiled.The observatory overlooks the city of Otaru. Hongo Shin built the monument. The Absentee Landlord is based on the March 15 incident in the works Kaniksen, University of Hawaii Press. The first American edition of "The Dogs That Kill Men" was published in 1973.

masks: Kobayashi Kobayashi Kobayashi Kobayashi Kobayashi Kobayashi Kobayashi Takiji Kobayashi Kobayashi Takiji Takiji Kobayashi Kobayashi Kobayashi Takiji Takiji Kobayashi


texts: <mask> was a singer, musician, and actor of the 1930s and 1940s. Several of the songs he wrote and published were in the top ten on the "Hit Parade". "In Ole Oklahoma" was named Oklahoma's state song by the Oklahoma State Junior Chamber of Commerce. He was the youngest of three sons of Louise and G. L<mask>. According to the federal census of 1920, Truman's father was a policeman in Oklahoma. His father was a native of Tennessee and his mother was from Arkansas, according to the census. He got his nickname "Pinky" because his fair skin sunburned easily, because he had a crop of red hair as a boy.His talent for playing the banjo earned him a reputation as a performer. <mask> was hired to play on a boat in St. Louis at the age of 16. He learned to play the guitar at the RKO Roxy Theatre in New York and at the Biltmore Bowl in Hollywood, later becoming an important part of his live shows. The song "The Object of My Affection" was written for a coed at the University of Oklahoma and became a national hit in the 1930s. His original composition was adapted by Coy Poe and recorded in 1934. "The Object of My Affection" was a number-one hit for the Coconut Grove Orchestra. <mask> was asked by Grier to introduce the hit song to the public.It was recorded by other orchestras and singers, but the best known version was that of <mask>. The Boswell Sisters had a number. The song was a hit in 1935. "The Object of My Affection" was one of two songs she performed at the age of 17 when she competed in an amateur contest at the Apollo Theater in Harlem. His hits include "What's the Reason (I'm Not Pleasin' You?)?" and "The Object of My Affection". He accepted offers from Hollywood to expand his career into motion pictures. The popular singer was cast in more than a dozen feature films during the 1930s and early 1940s.He was groomed to be an actor as well as a singer by Metro-Goldwyn-Mayer, who cast him in three films in 1935: Times Square Lady, Smart Girl, and King Solomon of Broadway. He allowed his MGM contract to lapse because he was concentrating on his musical career. He appeared in films such as Paddy O'Day, Don't Get Personal, and Down in 'Arkansaw'. With Love and Kisses, Sing While You're Able, Thanks for Listening, and Swing It, Professor were all produced by Maurice Conn. In June 1937, <mask>'s appearance on Eddie Cantor's Texaco Town radio show led to a regular spot on that program, however, the opportunity was ended when it was discovered that the publicity man was trying to recruit <mask> as his replacement. In 1938, he organized his own swing band. "Pinky Tomlin and His Orchestra" played in theaters, nightclubs, and school proms across most of America for more than two years, on a schedule prepared by the talent agency.The band was successful, but Tomlin disliked the constant travel because he was devoted to his family. After his tour, he only appeared in occasional motion pictures and television shows. After retiring from show business in the mid-1950s, he pursued his interest in geology and studied at the University of Oklahoma. He established "Pinky Tomlin Oil Properties", an oil- and gas-drilling company that is based in Beverly Hills. He was peripherally involved in the oil and gas businesses until a few years before his death. He was active in the Beverly HillsRotary Club and occasionally performed after his retirement. He appeared on television.On February 27, 1958, <mask> competed as a contestant on an episode of You Bet Your Life. He sang at Groucho's request. Fifteen years later, the song was used in the soundtrack of the hit movie Paper Moon and was featured in the film's accompanying soundtrack album. After a heart attack, <mask> died at a medical center in North Hollywood, California. He was buried in Hollywood Hills. His wife died a year ago. The couple had two children.There were 20th-century American composers, American musicians, American singers, American bandleaders and American business people buried at Forest Lawn Memorial Park.

masks:
Pinky Tomlin
. Tomlin
Pinky
Tomlin
Tomlin
Tomlin
Tomlin
Tomlin
Tomlin


texts: <mask> was an American radio personality, television host, and actress. <mask> was the daughter of Walter and <mask>. Theodore Adams "Ted" <mask> was a Minnesota State Senator. <mask> was the former assistant Attorney General of Minnesota. <mask> attended a boarding school during her senior year of high school. She moved to Hollywood after graduating from St. Lawrence University. <mask> earned a reputation in the media for being a "wild child", although she claimed many of the rumors were false.She was married three times and had no children, as well as being involved with some high-profile men, including former President Bill Clinton. <mask>'s first marriage ended in August 1989 when Van Horne filed for divorce. She dated a rock singer in 1990 and traveled with him to Australia. She dated George Starke. <mask>'s second marriage was to Greg Malban, a DJ. Mondale moved to New York to be with her boyfriend at the time, New York plastic and reconstructive surgeon Joe DeBellis. <mask> was married to Chan Poling of The New Standards.<mask> and Poling lived on a small farm in Minnesota where they raised miniature horses. <mask> moved to Hollywood after taking time off from college. She had a speaking line in the TV series. She graduated from St. Lawrence University in 1982. <mask> had small roles on TV shows such as Three's Company, Dynasty, and Matt Houston by January 1983, when she was back in Hollywood. <mask> was a regular guest. There was a TV show in the late 1990s and early 2000s.<mask> began her journalism career in Los Angeles, working at KABC-TV. She got her first radio break as a helicopter reporter in Chicago after leaving the station. She was taking fill-in jobs at various Chicago radio stations. She was waiting for the pilot of "The Rock 'n Roll Evening News" to be sold. <mask> was the Midwest correspondent for the show when it began airing in national syndication. <mask> signed a one-year contract with a Chicago radio station in 1986 to be a frequent contributor. <mask> joined the Chicago radio station in 1987 as a morning news anchor.<mask> was the co- host of the morning show with John Fisher. <mask> took a leave of absence from the station to work on a book about the children of presidents. <mask> was an entertainment reporter for WCCO-TV in Minneapolis. <mask> quit just a few days before a local magazine was to publish a feature on him called "Walter and Joan's Wild Child". <mask> was a morning sidekick on WLOL-FM in Minneapolis until the station was bought by Minnesota Public Radio in 1991. She hosted "The Great American TV Poll" on Lifetime. <mask> returned to Chicago's airwaves as a morning sidekick in April 1991, working alongside Robert Murphy.In January 1993 <mask> and Dan Walker were forced out of WKQX. <mask> began working in television after leaving WKQX. <mask> and Robin Leach co-hosted a two-hour special on national television about Madonna in 1993. <mask> started working as a correspondent for NBC's Today show in 1994. <mask> was a regular correspondent for the network's news division, as well as being an anchor and host of "Q and E", a half-hour weekly celebrity show. <mask> was hired by CBS as a Los Angeles-based correspondent in 1996. <mask> hosted the E!.Wild On was shown on E! in 1997. News Live. She was a reporter on the horse racing events for two years. She was a reporter for the Professional Rodeo Cowboys Association. She co-hosted The World's Greatest Auto Shows on the Speed Channel. She worked for CBS. <mask> was a host at WCCO-AM after battling brain cancer for the first time.When she left the radio station in 2009, she was on disability because of her cancer. She was posthumously inducted into the Minnesota Broadcasting Hall of Fame. <mask> had five speaking lines in the film Drop Dead Fred. She narrated the feature documentary film "Fritz: The Walter Mondale Story", which details the life of her father and aspects of her own childhood, as well as appearing in the 1999 film Ground Control as Christine. The short film Mirage was directed by Sayer Frey and produced by Shelli Ainsworth. <mask> was diagnosed with brain cancer in June 2005. She announced in February 2008 that a small tumor had returned and that she would seek treatment at the Mayo Clinic.<mask> was diagnosed with brain cancer again in August of 2009, and was scheduled to have surgery later that month. She died from the disease at her home in Minnesota at the age of 51. There is a list of people with brain tumors.

masks:
Eleanor Jane Mondale Poling
Mondale
Joan Mondale
Mondale
William Hall Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Eleanor Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale
Mondale


texts: <mask> is from Rhode Island. She served in the Rhode Island House of Representatives, representing the 21st district, which contains the neighborhoods of Conimicut, Hoxsie, and the T.F. The airport is green. She was defeated in the September 13, 2016 primary election in her bid to serve for a 13th term after being first elected to the House of Representatives in 1992. <mask><mask> was born in Rhode Island. She graduated from Annhurst College in South Woodstock, Connecticut with a degree in 1967. She graduated from the Southern New England School of Law.She is a member of the Board of Directors for the Warwick Chamber of Commerce, the Warwick Historical Society, the Warwick Arts Foundation, the Gaspee Days Committee, the Conimicut Village Association, and the Ocean State Lyric Opera. The Naughton's live in the Conimicut neighborhood of Warwick, where they raise heritage breed livestock and poultry. Christine and William are her two children. Naughton was first elected to the House of Representatives in 1992 from District 32, defeating incumbent Michael McEntee in the Democratic primary and Republican Arthur F. Chapman in the general election by a margin of 73% to 27%. Naughton was elected to the 21st District after the House of Representatives was reduced from 100 to 75 members. The Moderate Party challenger Richard L. Lavallee was defeated on 2 November 2010 by a margin of 62.1% to 37.9%. Naughton served on the Judiciary committee for four years.She was the chairperson of the Subcommittee on Health and the Environment in 2005, after serving on the Finance Committee since 1997. She was appointed as the chairperson of the Rules Committee in 2005, after being selected as a Council of State Governments Henry Toll Fellow. In addition to being a long-standing member of the Environment & Natural Resources Committee, Naughton has served on a number of committees and commissions focusing on natural resources and environmental issues. She served as a Legislative Commissioner on the Atlantic States Marine Fisheries Commission and as a member of the Rhode Island Coastal Resources Management Council. She was the chairperson of the Legislative Commission on Aquaculture Development, the chairperson of the Legislative Commission to develop and coordinate a collaborative effort to Formulate a restoration plan for the North Cape Barge Oil spill, and the chairperson of the Narragansett Bay Trust Study Commission. She is a member of the Rhode Island Commission on Women, the Rhode Island Agricultural Lands Preservation Commission, and the RI Economic Policy Council. In her early years in the General Assembly, Naughton included an update to the laws regarding the production of food in the coastal waters of the state.She served as chairperson of a legislative commission to study blood banking of umbilical cord blood in support of adult stem cell research. She has been a member of the Director's Council of Public Representatives for the National Institutes of Health since 2008. She is the chairperson of the Rules Committee, chairperson of the Health and Environment Subcommittee, chairperson of the Finance Committee, as well as serving on the Environment and Natural Resources, and Labor Committees. The September 13, 2016 Democratic Party primary election was won by Vella-Wilkinson. The legislation created a board to assist in carrying out the provisions of aquaculture laws and regulations dealing with diseases among aquatic organisms. The legislation was designed to develop and promote Rhode Island's aquaculture industry by creating a "one-stop" permitting process and by designating the Coastal Resources Management Council as the lead agency for the regulation of aquaculture. The Rhode Island Bays, Rivers, and Watersheds Coordination Team was established to coordinate the management, restoration, protection, and sustainable economic development of the state's bays, rivers.The Student Vision Health Act requires the department of health to establish a school vision-testing program for children entering publicly funded pre-kindergarten or kindergarten program for the first time. PreNatal HIV screening was included in the Prevention and Suppression of Contagious Diseases legislation. The Lindsay Ann Burke Act required school districts to include an age-appropriate dating violence education program for grades 7 through 12. Hospitals were required to report hospital-acquired infections to the Department of Health. The Prevention and Suppression of Contagious Diseases - HIV/AIDS legislation enabled health care policies and regulations to reduce vulnerability to HIV/AIDS transmission, protect persons with HIV from discrimination, ensure informed consent for testing, and to provide consistent terms and standards. State policies to decrease emergency response times for stroke victims were enabled by the Stroke Prevention Act of 2009. Legislative homepage 1945 births Living people Members of the Rhode Island House of Representatives People from Kent County, Rhode Island Politicians from Warwick, Rhode Island

masks:
Eileen Slattery Naughton
Eileen S
. Naughton


texts: When she was contracted to work for the state-owned Universum Film AG in Germany between 1936 and 1943, she was a Swedish singer and actress. She was probably one of Europe's best-selling recording artists prior to 1945. Her films and lyrics were identified as Nazi propaganda because of her involvement with UFA. She was dubbed an "Enemy of Germany" by Joseph Goebbels and was a controversial figure for the rest of her life. She was known for her dark, veiled voice and her confident ways as a singer. As a child, she studied piano and violin and sang on stage for the first time at the age of six. She did not want to become a professional performer and instead led an ordinary life.When she was a teenager, she lived in Latvia for two years, where she learned German, took up work as a secretary, and had two children. She sang "Do You Want to See a Star?" for the first time in 1929 in a touring cabaret by the entertainer and producer Ernst Rolf. Soon she would become her signature tune. She played a part in a film, made her first records, and participated in four cabarets in the capital of Sweden in 1930. As "Hanna Glavari" in The Merry Widow, she had her break-through. She had divorced him by then. She made a living as an artist on stage and in film after expanding her career.Her fame brought her proposals from Europe and Hollywood, where a number of Swedish actors and directors were working. Karl Gerhard was a prominent anti-Nazi and she performed with him in the beginning of the 1930s. The song "I skuggan av en stvel" was written in 1934 and strongly condemned the persecution of Jews in Nazi Germany. A career on the European continent was what <mask> chose. As a mother of two school-age children, she ruled out a move to America, fearing the consequences of taking the children a great distance and being unable to find employment. Despite the political situation, Austria and Germany were closer to home, and <mask> was well-versed in German. The world premiere of Axel an der Himmelstr (Axel at the Gate of Heaven) was directed by Max Hansen and took place in Vienna.It was a parody of Hollywood and a parody of Marlene Dietrich. She played a cabaret star in the Austrian film premiere. She landed a contract with UFA in Berlin in 1936 after being introduced to the studio head by director Douglas Sirk. She demanded both influence and a high salary, half of which was to be paid in Swedish kronor to a bank in Stockholm. She participated in ten films, most of them great successes, despite being dubbed an "Enemy of Germany" by the Propaganda Minister. <mask> didn't socialized with leading party members or take part in official Nazi Party functions. A likely apocryphal meeting resulted in this exchange.Isn't that a Jewish name? "But what about Josef?" the actress asked. Goebbels reportedly replied, "Hmmm... yes, yes, a good answer." The Yiddish song "Bei Mir Bistu Shein" was recorded in 1938 despite her involvement with the Nazi propaganda machine. Many of her songs were written by Michael Jary, with whom she had an affair, and Bruno Balz, with music and lyrics. In her films, she played independent, beautiful, passionate and self-confident women. In her signature deep voice, she sang two of the biggest hits of her career, "This is not the end of the world" and "Ich weiss."These two songs are examples of effective Nazi propaganda. She is likely to have been one of Europe's best-selling recording artists prior to 1945. She said that the royalties from the records she released made her a fortune, not her salary from UFA. Her last film was in Nazi Germany. The Nazis pressured her to apply for German citizenship after her villa was hit in an air raid. She decided to retreat to Sweden, where she had bought a mansion. She was contractually obligated for another film to UFA, but held up the film representatives by rejecting script after script.She was able to land engagements on the Swedish stage. She returned to tour Germany and Austria after the war, giving concerts, making new records and acting in musicals. Her comeback was well received by pre-war generations who had never forgotten her. She appeared in a number of films and television shows, but she would never regain the popularity she had before and during World War II. She died of a stroke in 1981 after retiring from show business. She was questioned about her time in Nazi Germany. She wouldn't mind talking about her past, but she didn't want to be accused of having sympathy for the Nazi regime.She said that her position as a German film actress was to please an enthusiastic audience in a difficult time. In an interview recorded shortly before his death in 1996, the senior Soviet intelligence officer claimed that he had actually been a Soviet agent with the codename "Stina-Rose". She was said to have refused payment for her work because she was a secret member of the Swedish Communist Party and therefore conducted the work for political reasons. She denied that she had acted as a spy. After World War II, Legacy Leander was popular in Germany. She was interviewed before she died. The single "Zarah" was released in 1983 by a New Wave singer who had been influenced by a child.Two musicals were written about a woman. The Opera house of Vrmland was the site of the bronze statue that was placed in 2003 in Karlstad. The town government accepted the statue on behalf of the local society. There is a museum near the mansion. A scholarship is given to an artist every year. The performer received the prize in 2010, the female impersonater in 2009, and the creator of the museum in 2008.

masks: Leander Leander Leander


texts: <mask> is also known as an academic, engineer and journalist. He is a member of the Writers' Union of Romania and its public relations executive, as well as the head of its Bucharest chapter. He has published in a number of journals, including Ramuri and Sptmna Financiar. The popularization of contract bridge is covered in his career in the media. The author of several scientific works on engineering, Grbea is also a faculty member. The recipient of several national awards for literature, he received critical attention for plays, short stories and novels which merged intertextuality and parody with neo realistic elements. Chekhov, Ion Luca Caragiale, Gustave Flaubert, Costache Negruzzi and various other of his predecessors have been reworked by Grbea in his work for the Romanian stage.His country's post-1989 history is one of the themes borrowed from the 1989 Revolution. His works in novel and short prose often take the form of political fiction or satire aimed at his writer colleagues. The contributions have consolidated Grbea's success with the general public, but have divided critical opinion on the issue of their ultimate literary value. <mask> Grbea is the grandson of a Land Forces general and diplomat. When he first heard Dante Aligheri, his grandfather's passion for literature was passed onto him. The future writer wanted to become a writer, but chose a sciences-based curriculum at the high school. He stated his intention to have two books published by the year 2000 when he was a guest on a talk show hosted by Mircea Sntimbreanu.The student magazine Amfiteatru published Grbea's poems at the age of twenty. He graduated from the Department of Landscaping and Environmental Engineering. A member of the teaching staff at his alma mater since 1987, he received a Doctor of Science degree from the Politehnica University in 1999. The Monday Literary Club was founded by literary criticNicolae Manolescu and journalist Radu Clin Cristea. He received a 1986 prize from Spain's University of Bilbao. The Romanian Revolution of 1989 was a turning point in <mask> Grbea's writing career. One of his first works in drama, translated into English as The Serpent, was performed by the British Royal Court Theatre in 1990.After a year, Pescruul din livadacu viini was first staged at the Victor Ion Popa Theater, followed by the premiere of Funcionarul destinului. He made his editorial debut with the 1993 volumes Doamna Bovary snt ceilali and Mephisto. Stpnul tcerii was staged in Piteti in 1994. The first volume of Grbea's poetry, "Biographical Text", was published in 1996. The writer followed up with a second collection of poems, which was 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 800-313-5780 The French-language street theater performance "They Are Moving On" was written by him in 1996. The short story volume Misterele Bucuretilor and the novel Cderea Bastiliei were both published in 1997.The 1999 book Decembrie was directed by Grbea. The Writers' Union Prize for Theater was given to it. The Crile was featured in the 2000 program of the student theater company Calandrinon. The anthology of texts for the stage was published in 2001. Who Killed Marx? The recipient of the Ion Luca Caragiale Award was delayed for three years. His short story collection was published in 2001.In 2003 there were two more books: Vacan n infern and Ra Cu portocale. "Raising Pet Iguanas" is a poem. The latter was in the running for the USR Award. He began his career in the post-Revolution press in 1990 when he was a writer for a magazine founded by Ctlin rlea and Laureniu Ulici. He was an active theater critic and chronicler, as well as a contract bridge popularizer. His articles were published by other places. He joined the editorial staff of the magazine in 2001.He was an early contributor to the local version of Playboy, as well as publishing fiction in the new wave of lifestyle magazines. Between 2002 and 2003 he published several works related to his field of expertise in engineering. <mask> Grbea was elected president of the Bucharest chapter of the Writers' Union in 2003 and was appointed head of the Union's public relations branch two years later. He worked with a publishing house to popularize the writings of his fellow association members. He has worked as a dramaturge at the Toma Caragiu Theater since 1998 and joined the UNITER association of theatrical professionals in 1993. His work in this field includes translations and adaptations of plays by Chekhov, Corneille, and Fo. We won't pay.), Pierre de Marivaux, Molire, Fernando Arrabal, Jacques Copi, Eugne Ionesco, John D. MacDonald, Niccol. Grbea began working in screenwriting in 1998. He was employed by Pro TV from 1998 to 2001 and worked on the variety show Ministerul Comediei. He contributed to a similar production, Naionala de bere, as well as writing for Romic ociu and Cornel Palade's Alomania sketch comedy show. Clanul Popetilor was written by Grbea in 2001. He hosted a talk show on cultural issues at TVR Cultural. Authors <mask> Grbea, Valeriu Butulescu, Mircea Ghiulescu and Mircea Petean traveled to Vietnam in 2004.The road to Nghe An was published in the collective travel account Drumul spre Nghe An. The Cleopatra a aptea, a new work for the stage, was published by Sfntu Gheorghe and Grbea oversaw the publishing of Editura Limes. His 2005 collection of essays, Bridge n 41 de povestiri vesele, was included in his own work. A 2004 presidential decree made Grbea a Knight of Meritul Cultural order. He set up a version of France's literary festival Le Printemps des Potes in Romania. His play was staged by the Comedy Theater during the Romanian Comedy Festival. In 2005, Grbea and the Writers' Union collaborated with Paul Goma, a novelist and former dissident who lives in France.Viaa Romneasc, a literary magazine managed by the Union, republished fragments from Goma's diary which caused public outrage. The publication was approved by Grbea and USR president. In an early interview with Gardianul daily, he spoke of the editorial staff as having displayed "negligence", and noted that replacing the panel of editors was one of the sanctions being considered. Rumors that Viaa Romneasc was going to be disestablished were dismissed by Grbea. Goma threatened a lawsuit on libel grounds because of the USR's public expression of regret. Viaa Romneasc is a press organ edited by the USR. Paul Goma is free to believe what he likes.We are talking about the magazine, not him. I don't see why he would take me to court. According to an overview of the episode by journalist Ovidiu imonca, <mask> Grbea had inadvertently prompted Goma to state his intention of suing the Jewish-Romanian community league. Grbea explained that the FCER's reaction was an incentive in the USR's internal investigation. imonca noted that Goma ignored the fact that Grbea had not disclosed any names. In 2006 Grbea published his second novel, Crime la Elsinore. His new drama volume, "Live Divorce", was nominated for a USR award.In late 2007, he was part of a group of writers who were involved in a children's literature project. The 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 His son was born in the same year. The history of Romania's literature was investigated with the 2008 Trecute Viei de Fani i de Birlici. He was involved in the project "Writers on the Royal Road", which was organized by the former King of Romania Michael I, the Royal House, the USR and various other venues for the benefit of award-winning writers. He was the USR's envoy to the Three Seas Writers and Translators Committee conference in Rhodes, Greece. Grbea reduced his contributions to drama and theater criticism due to his family obligations.I never had productions at a satisfactory level or significant material gains, other than for translations. He wrote a fantasy novel for the youth, Ft Frumos din lun, as well as a cycle of poems known as Cntecele lui Huppy. Grbea included his own novella Detestarea naiunii in an anthology of political fiction. Fratele detept al lui Kalanikov was published in 2010 by Editura Limes. The Heydar Aliyev Foundation invited Grbea to visit and he published some of his impressions in Revista 22. The Living Flame, his larger travel writing, was launched at the Frankfurt Book Fair. The Nisan Poetry Festival in Maghar was attended by Grbea and Ruxandra Cesereanu.Grbea was a member of the Optzeciti group of writers, who reached their creative peak after 1980. The 1990s generation of post-Optzeciti was identified with Grbea. According to Grbea's own statement, the move from one generation group to the other coincides with his leaving and joining Universitas. He criticized the large-scale novelistic cycle by the Optzeciti group leader. According to Bianca Bura-Cernat, Grbea is one of the lesser authors of the 1990s generation. Grbea was included in the Columbia University Encyclopedia of Modern Drama as one of the best known post-absurd-surrealist playwrights. According to his definition, there are others in this group.Grbea and the others were mentioned in a 2001 overview of the generation's contribution. The reliance on intertextuality is one of the main characteristics of Grbea's main works. "It still seemed to me that being a writer meant having visions and struggling to communicate them so that others may have them as well," he said. I enjoyed writing drama because I had invented something very fun to do: old characters in new situations. <mask> Grbea is a dramatist who puts his stake on the resources of parody and the intertextual play. A postmodern spirit who knows that all books have been written and therefore only their "rewriting" is possible gave birth to the parodic here. Intertextual references were placed in connection with William Shakespeare's phrase "All the world's a lie", as literary critic Mircea A. Diaconu commented on the texts grouped within Cine l-a ucis pe Marx?The author was praised for not making his own intervention felt in the text. The idea that a line is more important than an event, a pun more important than a murder, and that they all display an "existential bearing" is supported by Diaconu. <mask> Grbea's theater emerges from the consistency of history when faced with it. Critics see <mask> Grbea's contribution as greatly indebted to the work of 19th century dramatist and humorist Ion Luca Caragiale. Caragiale's influence is the "depth" of Grbea's work, going beyond the surface level of intertextual references and tributes. The author's debt to Eugne Ionesco, as well as his manner of mixing eras, languages, writings, characters or historical figures, fiction and document, echo the techniques of Argentinian writer Jorge Luis Borges. Interwar author Mateiu Caragiale is one of the main influences on Grbea's work.One of the authors who was most inspired by the "matein" narratives was the one who wrote Grbea. Grbea cannot part with the speculative charm of a brain given to bookish games, but he does follow a realistic tradition with his analysis of everyday weakness. Grbea's literature is supported by his sarcasm and his contribution to Romania's humor. According to Soviany, the "rewriting" of texts is carried by "absurd humor" and "the most unusual (as well as the most hilarious) arrangements of famous characters and quotes". "<mask> Grbea's writing is inventive, farcical, the obvious attribute of intelligence and refinement, also displaying bookish support and being enhanced by zestful language," writes poet and critic Paul Aretzu. The author's dominant structure as a playwright is revealed by the tendency of sketching portraits and detailing scenes. The writer parted with the Optzeciti.The focus on everyday issues prompted Ctlin rlea to view Grbea's prose as a revival of neorealism after the Optzeciti experimentalism. The writer continued to use experimental devices long after 1989, avoiding the "referential ostentation" of other writers. Older critics and Grbea's own mentors appreciated his work. In his 2008 synthesis of Romania's literary history, Manolescu spoke of Grbea's contribution as having "indisputably, the fabric of a dramatist". Grbea, one of the truly alive writers of his time, was among the few debuting local playwrights to have their works staged by prominent Romanian directors. Alex is a contributor to Grbea's Romnia Literar. tefnescu claimed that directors and actors take pleasure in staging Grbea's plays and contrasted his writings with the " boring" works by some of his peers.For its size and diversity, Grbea's work stands out. According to Aretzu, he is one of the most ubiquitous authors in present-day literature, and that he is gifted with a great availability in processing reality. Daniel Cristea-Enache describes his colleague as "multilateral who can adapt himself with great ease to any particular genre's specificity". In 2007, tefnescu defined him as a "one-man orchestra" of the apathetic and sometimes shy-brazen literature of today. As productive as an entire literary school, <mask> Grbea is a veritable Stakhanovite of writing, who has dealt in all genres and species. Grbea is an author who has received recognition abroad. Grbea's Ra Cu portocale has been translated into German by Veronika Dreichlinger.His work was included in the English-, French-, German-, Russian- and Serbian-language anthologies. There are several controversial aspects to Grbea's public notoriety, involving reactions against academic verdicts, and objecting to the close relationship between Grbea and mainstream cultural forums such as the USR.

masks:
Horia Rzvan Grbea
Horia
Horia
Horia
Horia
Horia
Horia
Horia
Horia
Horia
Horia


texts: The implications of positive appraisals by these venues were debated by literary critic Bogdan Creu, who argued that Nicolae Manolescu tended to overrate authors in his proximity, while being critical of their contribution to drama. In his critique of Manolescu's "caprices", Dan C. Mihilescu suggested that his older colleague had assigned Grbea's entry space more than to a better known novelist. According to Mihilescu, Crtrescu may have had his rival Grbea in mind when reproaching Manolescu that he had insisted on writers who were not at all worthy of recognition. Grbea was seen as "uninhibited" in matters of literary discourse, but critically noted that the poet was also preoccupied, "to the point of obsession", with his own cultural imprint. Bianca Bura-Cernat is a critical voice.She thinks that Grbea displays an implausible self- certainty by adopting all forms of writing. She points out that Grbea's notoriety is ensured by a promotional system with "all the stakes" and "all the pulleys", as well as by critical appreciation and his status as a "good colleague" and "devoted shadow" of other writers. Usually assigned by their author the name of "texts", in preference over "plays", several of Grbea's earliest works for the stage are Postmodern reworkings of classical motifs, fashioned into new statements about the limits of literature. The Pescruul din livadacu viini is a personal take on the works of Chekhov. According to the author's own assessment, the text fits in with a Chekhovian homage trend among Romanian dramatists, including Iosif Naghiu's "Chekhov the Armorer" and La machine Tchekhov. Soviany singles out the text as an answer to claims that parody is always inferior to its models, by identifying its original motifs in a new statement about theater itself. The dramatist imagines an apocalypse of fiction, during which the characters are slowly being swallowed by the mud flows of subterranean waters, which could imply that literature is unavoidably leaking its own death.One finds the most profound message of <mask> Grbea's theater in this analogy. In Doamna Bovary snt ceilali, the theme and protagonists are borrowed from Gustave Flaubert's 1857 novel, used by the author to make a statement about drama itself. The lead character in Stpnul tcerii is an example of Grbea's reflection on the conflict between history and fiction. Decembrie, n direct recounts a changing of roles between torturer and victim, set to the background of political turmoil. The first part introduces the two main characters: a failed boxer turned interrogator for the main communist repressive structure and a dissident who became a dissident. The dissident is successful in persuading his interrogator that communism is doomed, and both flee the prison to participate in the victorious Revolution. The second part shows the dissident being transformed into an agent for the Intelligence Service who will torment and kill his former associate.The brainwashing experiment carried out by the Securitate in Piteti prison is connected to a violent episode in Romania's communist history. The reeducation experiment in Piteti prison, when victims were forced into becoming torturers, succeeded because of the blurred lines between victim and executioner. The victim in Grbea's play becomes a torturer without being made to do so. Cesereanu ranks it and Macrinici's T/ara mea. "My Dead Weight/Country" is one of the post-1989 dramatic texts that brought up the Securitate issue. Decembrie, n direct is Grbea's first entirely original text for the stage, and he rates it over intertextual texts from the same period. Capul lui Mooc "Mooc's Head" is a novel by Costache Negruzzi, which romanticizes events inMoldavia.The Meterul Manole myth, Shakespeare, and various others are all allusions to the style of Ion Luca Caragiale. At the end of the play, Mooc reveals himself to be an alter ego of Karl Marx, using a discourse rich in political imagery. "I fear that Grbea did not know how to end his play and quickly fabricated, deus ex machina", says Nelega, who is critical of the text. The three-character comedy and satire Cafeaua domnului Ministru, seen by poet and literary chronicler Emil Mladin as one "of morals", shows the stormy encounter between a matron, a female secretary and a politician. The dialogues are seen by Mladin as a parody of the discourse with which any television station assassinates us. In the context of 2000 elections, the story pokes fun at the Social Democratic Party and the Democratic Convention governments of the post-1989 period. The play's symbolism shows the stupidity of the political mechanism, whose sphere is turned into a sort of no man's land where everything is possible.According to Alex. Cafeaua domnului Ministru productions get as much applause as a rock music recital. The author introduced his style to the works of Ion Luca Caragiale, Conu Leonida facu reaciunea and O scrisoare pierdut. The play was used as a teaching tool for student actors at the Caragiale Academy. With his debut novel Cderea Bastiliei, Grbea shows a satirical portrayal of his fellow Romanian writers, disguising their real names with anagrams or other words. Alex. The author's own mock-disclaimer states that the identification of some characters with real person constitutes an abuse of interpretation.Since the inspiration from "writers' deeds" is "capricious" and the resemblance with real persons is "partial", tefnescu cautions against reading Cderea Bastiliei solely as a roman  clef. "<mask> Grbea does not hate his characters, does not love them, he understands them," said poet and journalist Cornelia Maria Savu, who compared the narrator to a puppeteer. He offers them a few moments to evolve with no strings. Paul Aretzu looked at the work from a different point of view and identified allusions to Ion Luca Caragiale and others. In passing the introduction of situations and even entire passages from Albert Camus' The Plague, tefnescu attributes such presences to parody. The heroes of the narrative are vagrants, misfits or alcoholics who lead tragicomic lifestyles. The plot shows writer Aldu Rdulescu seducing literary chronicler Alteea Fleciu as revenge for a negative review of his work.The manner in which the developments are presented constitutes a continuous demonstration of brilliant intelligence and spectacular linguistic imagination according to Paul Aretzu. The chapter on groups of people differentiated by their respective drinking cultures was praised by him as a sort of poem dedicated to the kinds of drink and drunks in a small alcoholic town. The latter episode is praised for its "irresistible" black humor. A commentator states that the novelist has a joy in writing. You feel the joy of living, of communicating, of being in the captivating spectacle of being after you finish reading this novel. The parts of Cderea Bastiliei in which Grbea discusses the annual competition for literary prizes offer evidence of both a "captivating" humorous focus on everyday occurrences and an "innocent cynicism" characteristic for the author. The author also exercises through correlations and quotes the function of depersonalization, laughing at one's misfortunes, and projecting oneself into clichés.In his opinion, the episodes of Cderea Bastiliei are mostlycharades, whose main quality is being "droll", according to literary reviewer Cosmin Ciotlo. Alex describes <mask> Grbea's contribution to short fiction. tefnescu was "endearing" and "ingenious". The political fiction is described as a lot of sub-worlds structured around "framework situations" and moving between "petty politics of the day" and ironic parables. The author cannot refrain from staging acts and short plays. The same commentator identifies in the stories several allusions, homages or intertextual borrowings, from the "semiotic games" of Umberto Eco to a "landscape of luxuriant vegetation" characteristic for the Latin American Boom writers. The final story in the collection, Motanii din bibliotec, speculates about the future of Grbea's generation, and depicts bibliophiles keeping pets.The intertextual and parodic conventions were transferred into a free verse format in Creterea iguanelor de cas. It and his other poetry collections are better than most contemporary authors who recommend themselves as poets. tefan Augustin Doina and his Mistreul Cu coli de argint: the "prince from the Levant", which Grbea transfers into the destitute, is a motifs borrowed from the Sibiu Circle poet tefan Augustin Part of it reads, "Oprea also highlighted ironic and dismissive borrowings from Romania's national poet Mihai Eminescu, and from poets Laureate such as Octavian Goga and Vasile Alecsandri, as well as an actual lineage from the black humor of 1930s He believes there is a direct link between Grbea and the "existential" absurdism of Ionesco and Kafka. According to Oprea, such texts are raised as a mixture of everyday images and bookish suggestions, well tied to each other, to the point where their articulation into colloquial speech puts to use the technique of reabsorbing the dramatic element and the narrative nucleus of balladesque nature into the sphere of In this case, the satire is directed at the theatrical environment.Cosmin Ciotlo notes that the setting is a fictional theater in Clrai, which is named after the Getic ruler Dromichaetes. "Whichever way you look at it, set free from the contextual interpretations exercised in reading tabloids, the novel stands only to gain," he said. The narrative focus is on the kitschy ambition of a failed theater manager who tries to make a show of Shakespearean tragedy into a show of regular proportions. Shakespeare's lines are mixed with quotes from Pierre Beaumarchais, Euripides and Molire in the text used for the project. Crime la Elsinore was reproached by Ciotlo for lack of subtlety, in the presence of a "not exactly indispensable" glossary of terms. Although he acknowledges that the writing is "amusing", he also contends that it is "impossible to extend sociologically or connect to some reality", being isolated "in its own world", and displaying "compositional precariousness." A book that is perfect in its own way, but not perfect in ours.According to Bura-Cernat, the author adopts the manner of an untalented journalist, with "see-through" results, in taking sides and explaining his intentions. She believes that Grbea's main comedy resource is the cheap anecdote with a trite climax, which she compares to those published by the communist-era magazine Urzica. The irony of Cosma's reliance on intertextuality, which she finds similar to Grbea's own work for the stage, is commented on by Bura-Cernat. The author's tendency to humiliate his characters before us readers are in the least familiar with them was the reason why the critic disliked almost all the book. Grbea revisits the main themes of Romanian literature, looking into biographies of fictional characters, their lifestyles, personal preferences and social positioning. He defined the overview as a collection of essays on the edge of literary history. One of the chapters compares the games of the table to the games of thieves in Eugen.Marin Sorescu's neorealist prose and the fantasy short stories of Mircea Eliade are some of the attitudes toward love discussed in other sections. The depiction of violence is depicted between Ion Luca Caragiale's satire D-ale carnavalului, where people threaten to poison each other with sulfuric acid, and Marin Pre's depictions of officers disciplining their subordinates with the use of belts. The incidence of failure among intellectual protagonists is part of the book and leads Grbea to conclude that, with the exception of Mihail Sebastian's Accidentul, Romanian narratives generally show their intellectual protagonists incapable of finding their way in life. According to Daniel Cristea-Enache, Grbea generally and willingly limited the scope of his investigation to canonical and urbane literary realism, avoiding allegorical styles such as Onirism. "Trecute Viei de Fani i de Birlici represents a link which the reader needed in his relationship with the characters of stories", said Emil Mladin in his review of the volume. Even when starting from literary locations that are often threatened with turning into clichés, the book creates new paths in interpretation. <mask> Grbea proves that his main intention does not reside in the willingness to impose a new hermeneutic grid on Romanian literature, but in the attempt to demonstrate that the resources of literature can never, ever, be completely exhausted.The book is as interesting as it is enjoyable according to Cristea-Enache. Had this sytagm not been bastardized in our country by so many printed works that offend the reader's intellect, there would be a holiday read. Short humorous essays about various topics in post-1989 society and modern Romania are included in Grbea's work. There is a chapter about the issue of what it means for a working artist to be treated unfairly or unfairly. The rapid spread of abbreviations such as sal (for salut, "hello"), vb (vorbim, "we'll talk") and ms is ridiculed in another fragment. Grbea pokes fun at the jargon of parenting magazines and compares it to the awe he experienced after the birth of his son Tudor. The force of an entity which benefits from the advantage of The Unknown does not inspire in me the image of fragility and fondness.He smiles down on me when I call him using his human name, so that I can understand my lack of imagination. No matter what happens in the future, these winter days will always be for me, for the first time in my life, an inexplicable creature. Fratele mai detept al lui Kalanikov received mixed reviews. The main one, Articolul 96, which is about a lecherous politician dating an anorexic model, has the same defects as Crime. Terian notes that Grbea pokes fun at Povestea unui om lene by Ion Creang in other pieces, while showing his "sure hand" in other pieces. Father's Return from War"). The same narrative cliché is explored from several different perspectives.According to Terian, the volume as a whole displays influences from poet and satirist Tudor Arghezi, as well as borrowings from fellow parodist Ioan Groan. The Living Flame gives an insight into Grbea's trip and the Nagorno-Karabakh conflict. There are poems about the Guba mass grave. The texts were criticized for being "disinformation" and for Grbea's claim that Heydar Aliyev was a civilizing hero. The personal blog translations from <mask> Grbea can be found in the Plural Magazine: Own Goal with Actor and Accountant. Who needs a theater? The Pleasures of Life was published in 2001.There is an e-book version of Ra Cu portocale and Crime la

masks: Horia Horia Horia Horia Horia


texts: <mask> was a Brazilian singer and musician. She performed a mix of rock and MPB in the early 1990s. <mask> released five studio albums in her lifetime. Her sixth studio album was released posthumously. Acstico MTV - Cssia Eller sold over 1 million copies. Rolling Stone ranked her as the 18th greatest vocalist and 40th greatest Brazilian musician. She died of a heart attack at the age of 39.Her name was suggested by her grandmother, who was devoted to St. Rita, who was the daughter of an Army sergeant and a housewife. She moved with her family to Minas Gerais at six years old. She went to Santarém, Par when she was 10 years old and returned to Rio at 12. She received a guitar as a gift when she was 14. She played a lot of Beatles songs. She arrived in Brasilia at the age of 18. She worked in two operas as a showgirl and sang in a forr group.She played the Surdo drum in a samba group and was part of the first electric trio of Brasilia. She played and sang in several bars. In 1981 she appeared in a show. She moved to Belo Horizonte at the age of 19 because she wanted a place to live and a job. She went to work as a bricklayer after arriving. She said she made mortar and set up bricks. There was a small rented room where she lived.She didn't finish high school because she didn't have enough time to study because she was doing shows on different shifts. She played songs of great composers of Brazilian rock such as Cazuza and Rita Lee, as well as songs of MPB like Caetano Veloso and Chico Buarque. She had ten recorded albums over the course of twelve years. Her career took off in 1989. She recorded a demo tape with the help of her uncle. <mask> was hired by the label after his uncle took the tape to PolyGram. In 1990 she participated in the album "Baobab".Eller preferred live albums and always had a very intense stage presence. She was always invited for special participations. She composed only three of the songs on her first album, and declared herself to be an interpreter of other people's work. The year 2001 was a great one for Eller. On January 13, 2001, she performed at Rock in Rio III, a show where she sang baio, samba and MPB classics in a rock rhythm. REM, Foo Fighters, Beck, Baro Vermelho, Fernanda Abreu and Eller performed on this day. The concert was attended by 190 thousand people.Between May and December, he did 95 shows. She recorded a DVD between March 7 and 8 in So Paulo. The artists of high artistic and technical ability were included in the project. The Making Of, photo gallery, discography and i.clip were included in the album. The biggest hit in Eller's career has been the album, which has sold more than a million copies. She was not considered an extremely popular singer because of her good sales and experience. She performed at MTV's Video Music Brasil in 2001 with Rita Lee, Roberto de INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDeals INRDealsDuring the celebrations of the new year, she was scheduled to perform at Praa do  in Barra da Tijuca. On December 29 she died. Luciana was her replacement. During the homage of the passage of the year in memory of Eller, there was a minute of silence at several spots. At their shows at the turn of the year, several artists paid homage to the singer. On her 40th birthday, Eller's sixth studio album was released. In 1993 she gave birth to her first child, a son named Francisco, the love child of a casual relationship with a friend.A week before Chico was born, his father died in a car accident. <mask> and her partner Maria Eugnia Martins were the parents of Chico. The two had been in a relationship since 1987 and were together until 2001. Maria Eugnia was responsible for the care of Francisco after her partner raised him after a legal battle over his father's custody. The Silver Rooster, an honor given to the fans of Clube Atlético Mineiro, was contacted by <mask>, who was a fan of the club. The trophy was delivered to her mother in 2002 after Cssia died. She has the Athletic shield on her instruments.She put the shield on her victories. There is a shield on the door of the studio. Cssia died on December 29, 2001, in the Santa Maria clinic in the south of Rio de Janeiro, after suffering three cardiac arrests due to sudden Myocardial infarction. At the peak of her career, she was 39 years old. She was placed in the intensive care center after being hospitalized. The singer was complaining of nausea due to overwork, according to her manager. Stress is thought to be the cause of the symptoms.She was working a lot. She has done over a hundred shows in seven months. The drug overdose hypothesis was raised. The cause of death was initially thought to be the cause of death, but after a necropsy the cause was not found. The report stated that she died of a heart attack. There were no alcohol or drug traces in her body. He found that Eller had heart problems, such as early onset of fat thrombi and myocardial fibrosis.She is buried in the Jardim da Saudade Cemetery in the city of Rio de Janeiro. Discography studio albums Cssia Eller, O Marginal, and Veneno AntiMonotonia.

masks:
Cssia Rejane Eller
Cssia Eller
Eller
Eller
Eller


texts: She wrote extensively in English about the art, culture, and history of Mexico. She was born in Mexico, raised and educated in the U.S., and returned to Mexico in the 1920s after the Mexican Revolution. She came up with the term 'Mexican Renaissance' to describe the cultural florescence that emerged from the revolution. She experienced both antisemitism and acceptance as a child of immigrants. When she fled discrimination in Texas, she found mentors and colleagues among the European Jewish diaspora living in both Mexico and New York, but Mexico, not the US or Europe, held her loyalty and enduring interest. She was a member of the post-Revolutionary art movement. The first book to document the artworks, styles and artists of Mexico from Prehistory through the 1920s was written by a PhD student at Columbia University.Her most important work was filled with photographs by renowned photographers and interviews with the most influential and prolific artists of the period. She published her fourth book, The Wind That Swept Mexico; The History of the Mexican Revolution, in between printed a guidebook and a children's story. The Mexican Revolution retells the events from a Mexican perspective and is the first book to give a complete account in either English or Spanish. Isador and <mask>'s daughter,<mask>, was born 13 August 1905 in Aguascalientes, Mexico. Her birth name was listed on her birth certificate. During the Mexican Revolution, her father moved his family back and forth between Mexico and Texas. The family settled in San Antonio, Texas, in 1916, but Brenner's nanny influenced her passion for Mexico.She took an English course with J. Frank Dobie at the University of Texas Austin after attending Our Lady of the Lake University. She was able to convince her father to let her return to Mexico because she felt excluded by her university peers because of their antisemitism. After her father secured promises from B'nai B'rith that they would look after her, Isador agreed to let her go. She settled in Mexico City at the age of 18. Brenner was introduced to the community of international artists, refugees, and intellectuals by Frances Toor. Brenner was an important link in the cosmopolitan circle. She was an important voice for bringing the Mexican artistic florescence to the attention of readers in the U.S., effectively representing it north of the Mexican border.For the first time in her life, Brenner felt accepted and began to explore her Jewish roots. She worked at B'nai B'rith for a short time and helped Jewish immigrants at the port of Veracruz with their paperwork. As a journalist, Brenner was a key voice in the indigenismo movement. Brenner met two influential U.S. journalists in this early period of her career. She was helped launch her publishing career by Beals. She was the research assistant for Gruening's book, Mexico and Its Heritage, which he spent five years developing in Mexico before it was published in 1928. Her first published article was "The Jew in Mexico," published in 1924 by The Nation.President <mask>'s, ConchaMichel, participated in a similar program and gathered indigenous folk songs. Tina Modotti and Edward Weston were hired by <mask> to travel with her and take photographs for her book on Mexican decorative arts. The funding for the two-volume series was provided by the National University of Mexico. Weston and Modotti took pictures of Brenner. The differences between them are related to the aesthetic of the photographers.Weston's black-and-white images of semi-abstract nudes, landscapes, and organic forms were known for their abstract qualities. The photographs of Brenner's back are devoid of interest or a study of form. Modotti tried to capture scenes and personality in her images. Her photographs show her wearing a man's suit and fedora. Like most of the female artists of the period, she was not a feminist and she was discreet about her sexuality. Their works were not feminist statements for society. In 1927, Brenner left Mexico for New York to attend Columbia University.The "founding father of American anthropology" encouraged her to pursue a doctorate after she served as translator and editor for a leading Mexican anthropologist. In 1929, she was able to publish her book on Mexican artwork, but instead of the two volumes originally planned, she published one volume. The main premise of the book was that behind the Spanish "altars", visible Hispanic, Catholic culture, lay the "idols", invisible authentic culture of the real Mexico, which the "Mexican Renaissance" was rediscovering. She considers it her most important work and it was well received. It was the first attempt to permanently record art throughout the country, as well as analyze the works, styles and artists of Mexico. It reads like a "who's who" of the Mexican art scene of the 1920s, according to the review. Although she never finished a bachelor's or master's degree, she did finish her PhD in anthropology at the ancient site of Colhuacan.After her successful defense of her thesis, she was awarded a Guggenheim fellowship in 1930 to study the geographical extent of Aztec art in Mexico and at various museums in Europe. She was a war correspondent for The New York Times during the Spanish Civil War. Your Mexican Holiday was a travel book that was published in 1932. She published hundreds of articles in The Nation, New York Times Sunday Magazine, Mademoiselle, and the Brooklyn Daily Eagle. Many of Mexico's artists were helped navigate the U.S. audiences by Brenner. She introduced Orozco to Reed who helped plan his first New York show. She and Orozco fell out.She wrote reviews and helped with the translation of The Underdogs, which sold 3,000 copies, she promoted Diego Rivera, as well as Carlos Mérida and David Alfaro Siqueiros, though they at times had a contentious relationship. The Mexican artists of the post-Revolutionary decades accepted that the government endorsement of using art to educate the largely uneducated public was a tacit approval to produce art reflecting communist ideology. Many works of the period combined revolutionary themes and communism. Mexican communists were sometimes embraced by the US and Soviets, but not always. Some of the Mexican avant–garde, like Brenner, were sympathizers and sometimes members of the Communist Party. Brenner was classified as a fellow traveler, but not a party member. The Russian role in the Spanish Civil War was evaluated by Brenner as an independent reporter.She found evidence that the Gosudarstvennoye Politicheskoye Upravlenie, the Russian secret police and Stalin's move away from helping workers were part of an effort to silence critics of the Comintern. Stalin would be the only one who would benefit from Communism being adopted by the Spanish Government. In 1934, after signing an open letter on their anti-Stalin stance, 24 of them received negative reviews from New Masses, which branded her a Trotskyist. She said that the intellectual's role was to question and criticize. Intellectuals were not allowed to do their jobs by the Communist Party. For Troskyist newspapers, Brenner occasionally wrote under a different name. Diego Rivera received a telegram from New York in 1936 asking him to use his influence to find Leon Trotsky a safe haven in Mexico.Norway was in the process of expelling Trotsky, who had been in exile for nine years. Rivera was asked to help in the crisis and secure asylum. President Lzaro Crdenas was immediately contacted by Rivera. When her family moved to Texas, her husband and two children decided to return to Mexico. She grew asparagus and garlic. She continued to publish in the U.S. and collaborated with Jean Charlot on several children's books. She published her fourth book, The Wind That Swept Mexico, in 1943, with the help of George R. Leighton.It was the first complete account of the events that took place during the Mexican Revolution. It was the first time that a Mexican perspective of the conflict was given in English. Many versions of the events of the war had been printed in the US, but mostly they were journalism pieces which negatively reported on events in Mexico. William Randolph Hearst's papers were designed to arouse anti-Mexican feelings in order to protect his land holdings in Mexico. Mexico has the right to determine its own path. The book was well received when it was re-released in the 1970s. Mexico/This Month was established in 1955.She was able to make Mexico known to the English-speaking public because of her familiarity with both sides of the border. She refused the Order of the Aztec Eagle, the highest honor Mexico can give a non-national, because she was Mexican by birth. She received a citation as a distinguished tourism pioneer in 1967. She separated from David Glusker ten years prior to his death. She had two children, a daughter and a son. After <mask>'s death, two posthumous volumes were released by his daughter. The Journals of the Roaring Twenties was prepared using diaries and notes from the period from 1925 until her marriage in 1930 and photographs from the files of her husband.Some of the photographs were taken by Modotti and Weston and others were taken by Mximo Pacheco and Orozco. She died in an automobile accident in Ojuelos de Jalisco on December 1, 1974 at the age of 69. Legacy Brenner is an important figure in post-Revolutionary art and history in Mexico, an enthusiast for Mexican art and culture and an active advocate for its importance to a U.S. audience. She has been the subject of studies by Mexicanist scholars. The Skirball Cultural Center in Los Angeles hosted an exhibition titled "Another Promised Land:<mask>ner's Mexico." The Harry Ransom Center at the University of Texas at Austin has a collection of works by the author.

masks:
Paula Brenner
Anita
CallAnita
Brenner
Brenner
Anita Bren


texts: <mask> was born in Massachusetts in 1747 and died in 1813. The <mask> Osgood House in New York City was once the country's first Presidential mansion. He was the fourth Postmaster General of the United States and the first under the current Constitution, serving during George Washington's first term. He was elected the first president of the newly formed City Bank of New York in 1812. <mask> came to Massachusetts from England in 1638. He named the new settlement after his home town. Captain <mask> had a third son in 1747 and named him <mask>.<mask> studied theology at Harvard College after graduating from Dummer Academy. He went back to follow a career in commerce. He joined the local militia, was elected to represent the town in the colonial assembly, and was a member of the provincial congress that functioned as a revolutionary government. In the spring of 1775, a local company of minutemen was led into the Battle of Lexington and Concord. They were part of the Siege of Boston. While serving at Cambridge, he was made Major of a brigade. He was promoted to Colonel.After the siege in the spring of 1776, <mask> left the army and returned to the congress. The Massachusetts Board of War was named after him by the Provincial Congress. He was a delegate to the convention. He was elected to the Massachusetts State Senate in 1780 and served two terms. <mask> was a delegate to the Continental Congress from 1782 until 1784. After a brief term in the Massachusetts House of Representatives in 1784, the governor appointed <mask> a judge but he soon resigned when the National Congress made him a commissioner of the Treasury. He held this office until the Congressional Government ended.Postmaster General and New York career When a new U.S. government was installed in 1789, President Washington appointed <mask> the first Postmaster General. From 1789 to 1791, he was the Postmaster. The post office in Baltimore was made the new regional headquarters by <mask>. John White was appointed as her replacement and she resigned from her post. The official residence of the President was located at 3 Cherry Street, which was the home of <mask> and his family, and the seat of the Federal Government was in New York City. The mansion was offered to Washington so that the President and his wife could live in the best house in the city. America's first executive mansion was the residence.After ten years in Philadelphia, the Federal Government moved to Washington, D.C., but <mask> chose to remain in New York. He cast his votes for George Washington and George Clinton. He was Speaker of the New York State Assembly in 1800-01. He held the position of Naval Officer of the Port of New York until his death. He was President of the new City Bank of New York for the last year of his life. He was a member of the American Philosophical Society and spent his later years studying and writing. He had correspondence with many people, including George Washington and Thomas Jefferson.Martha Brandon was married to <mask> on January 4, 1775. Maria Browne, widow of Walter Franklin and mother of Maria Franklin Clinton, was married to <mask> on May 24, 1786. They had a daughter who married a diplomat. Sarah Pickman and her sister, Rebecca Taylor Pickman, were married on December 8, 1794. Sally Pickman <mask> married Bailey Loring and had a son, George B. Loring. Mary Pickman was the cousin of his first two wives. His first two wives were cousins of Benjamin Pickman.He died in New York City. His New York residence is listed on the National Register of Historic Places, as is his birthplace in North Andover, Massachusetts. The President's Room of the U.S. Capitol has housed Col. <mask>'s portrait since Lincoln's presidency. American people of English descent Continental Congressmen from Massachusetts 18th-century American politicians Harvard College alumni Massachusetts militiamen in the American Revolution Massachusetts state senators Members of the New York State Assembly

masks:
Samuel Osgood
Samuel
John Osgood
Peter Osgood
Samuel
Samuel
Osgood
Osgood
Osgood
Osgood
Osgood
Samuel Osgood
Osgood
Osgood
Osgood
Osgood
Osgood