texts: <mask> is an English poet, performance poet, broadcaster, children's author and playwright. He performs his own poetry as well as presenting on the Radio 4 programme. A group of young poets influenced by Beat poetry and the popular music and culture of the 1960s were led by <mask>. He is a fellow of the Royal Society of Literature and the President of the Poetry Society. <mask> was the child of <mask> and <mask>, who were born in Litherland. He was raised in the Roman Catholic faith. He went on to study French and Geography at the University of Hull after graduating from St Mary's College in Crosby.<mask> lived in Needler Hall for three years in 1955 and was the hall librarian. After arriving at Hull, the poet Philip Larkin became the university's librarian and served as a sub-warden at Needler Hall. <mask> sent some of his own poems to Larkin as he still lacked the confidence to approach the man directly. He thanked <mask> for the poetry that he had enjoyed reading. He said that he believed that McGough fell off the tightrope on occasion. The Scaffold and Grimms returned to Merseyside in the early 1960s and he worked as a French teacher and organised arts events. The Scaffold were signed to Parlophone records in 1966 and formed a trio with <mask> and Gorman.The Scaffold performed a mixture of comedy and poetry. Their version of "Lily the Pink" reached the number one spot on the UK Singles Chart in 1968. <mask> wrote the lyrics for many of the group's songs and also recorded a musical comedy/poetry album. Grimms was formed in 1971 as a result of the merger of the Scaffold, Bonzo Dog Band and the Liverpool Scene. Neil Innes said about the formation of the group, "We were incredibly anarchic, which was probably something shared by the Scaffold as well." <mask>'s poem The Mersey Sound was published in 1967. <mask>, Brian Patten, and Adrian Henri wrote poetry in The Mersey Sound.It went on to sell over 500,000 copies and became one of the best-selling poetry anthologies of all time. The title of the anthology was a conscious association of the three poets with the musical phenomenon caused by the eruption of the Beatles and associated bands from the same city. "To Macca's Trousers" is a comic poem about <mask>'s personal connection with the Beatles. <mask> found a pair of blue trousers that were given to him by McCartney's brother Mike in the early 1960s. One of <mask>'s early poems, Let Me Die a Youngman's Death, was included in the anthology of the British nation's hundred favourite poems. Carol Ann Duffy calls <mask> the patron saint of poetry. <mask>'s poetry was included in The Oxford Book of Twentieth Century English verse.The copies of his books in Hull University's library were well-thumbed when compared to his own. Possibly his shortest, most memorable and political poem was "Conservative Government Unemployment Figures". The title of the poem is repeated in the text, with layout and punctuation resulting in an arch critique. The House of Commons debated the poem in 2004. <mask>'s poetry has been studied. From its early examples, it was seen as reliant on play with words and meanings. At times it has been noted to exhibit a sadness based on themes of lost youth, unfulfilled relationships, and the downside of city life.His experience of writing song lyrics influenced the form of some of his verse. Ben Wright published a major critical examination of McGough's poetry. The author wanted to examine and evaluate the accessibility of <mask>'s message to a wide, general readership as well as appraise it by the most rigorous literary standards. <mask>'s popularity, commercial success, use of humour, and lack of pretension of his verse has tended to restrict appreciation of his work as "serious poetry". This under-appreciation is challenged by Wright's study. <mask> did not receive an on-screen credit for his work in Yellow Submarine. <mask> appeared in All You Need Is Cash, a mockumentary about the career of a Beatles-like group called the Rutles.The introduction of <mask> takes so long that he is only asked one question, "Did you know the Rutles?" <mask> cheerfully responds "Oh yes" before the documentary is forced to move along. He performed a one-minute version of "The Wreck of the Hesperus" on the Miniatures album. One of <mask>'s more unusual compositions was created in 1981 when he co-wrote an "Electronic poem" with the programmer Richard Warner for inclusion with the Welcome Tape of the BBC Micro home computer. Several novel themes, including user-defined elements to the poem, lines which changed their order (and meaning) every few seconds, and text which wrote itself in a spiral around the screen, were incorporated into Now Press Return. He made a programme about the elements for Channel 4. He appeared on a quiz panel show.<mask> translated three plays written by Molire and directed them. The Rose Theatre, Kingston, played host to the premired of Tartuffe in May 2008. The Hypochondriac was staged in July of 2009. The English Touring Theatre toured with The Misanthrope after it was staged at the Playhouse. The Very Hungry Caterpillar and Other Stories by Eric Carle was narrated by <mask>. He is a patron of Barnes. He was the President of ArtsRichmond for a year.<mask> was appointed an Officer (OBE) in 1997 and Commander (CBE) of the Order of the British Empire in 2004. He holds a Doctor of Letters from the College of Further Education. degrees from the University of Hull He was a fellow of the Royal Society of Literature. <mask> was an Academic at John Moores University and an Academic at Thames Valley University. McGough had a marriage and a divorce, and they had two children. He married Hilary in December 1986 and has two children.He lives in Barnes, which is south west of London. A profile of the corporation. James Campbell, "A life in poetry: <mask>", The Guardian, 22 August 2009, National Portrait gallery Shahesta Shaitly, <mask>: This much I know, The Observer, 4 November 2012

masks:
Roger Joseph McGough
McGough
McGough
Roger Francis
Mary McGough
McGough
McGough
McGough
McGough
McGough
McGough
McGough
McGough
McGough
McGough
McGough
McGough
McGough
Roger McGough
McGough
McGough
McGough
McGough
McGough
McGough
McGough
McGough
McGough
McGough
Roger McGough
Roger McGough


type: paraphrased

texts: Charles-<mask> was a French engraver, designer, writer, and art critic. He is called Charles-<mask> le Jeune, Charles-<mask> le fils, or Charles-<mask> to distinguish him from his father. <mask> was the son of <mask> the Elder and was born in Paris. Louise-Magdeleine Horthemels was an important engraver in Paris for fifty years. <mask> read the work of John Locke in the original and taught himself Latin, English, and Italian. <mask> benefited from good connections in the world of art, as well as having natural talent and academic training. Both of his parents are engravers, as well as his mother's two sisters.Marie-Anne-hyacinthe Horthemels worked in the same field as 1689, who died after 1745). Both Marie-Nicole and Marie-Anne-hyacinthe were married to Nicolas-Henri Tardieu. The works of masters of the Renaissance were engraved by Tardieu, who was a member of the Academy from 1720. The Horthemels family, originally from The Netherlands, were followers of the Dutch theologian and had links with the Parisian abbey of Port-Royal des Champs. <mask> was a member of the Gobelins group and centered around Charles Parrocel. Career <mask> went from success to fame quickly. As early as 1737, he was employed by the young King Louis XV to make engravings to commemorate every birth, marriage, and funeral at the king's court.He was an engraver to the court as well as being a designer, writer, and portrait artist. <mask> was selected by Mme de Pompadour to accompany her brother, the future marquis de Marigny, on a study tour of Italy in the company of the architect Jacques-Germain Soufflot and the art-critic Jean-Bernard. The triumph of Neoclassicism in France was brought about by <mask>, Soufflot and Marigny's combined influence. He was admitted to the Royal Academy of Painting and Sculpture in 1751. After the death of Charles-Antoine Coypel, he was appointed as the king's successor and given a lodging in the Louvre. He had the title of the King's administrator of the arts from 1755 to 1770, and in this role he commissioned work from other artists, established programmes for the decoration of the king's palaces and chateaux, and granted pensions. King Louis XV's director of the Btiments du Roi, the Marquis de Marigny, directed Cochin's work between 1750 and 1773.<mask> was Marigny's academic liaison. <mask> and Jérme-Charles Bellicard accompanied Marigny on a visit to the excavations at Herculaneum. The first illustrated account of the discoveries there was published in 1753 by Cochin and Bellicard. The work was published in English in 1753 and in French in 1755 and 1757. <mask> was one of the leaders of taste in France during the 18th century. His years of greatest influence were from 1752 to 1770. He was the Secretary of the Academy in 1755 and the director of the Société académique des Enfants d'Apollon for one year.He was a frequent guest at the dinners given by Madame Geoffrin, and was said to speak brilliantly at them of painting and engraving. <mask> was critical of the extravagance of the Rococo style and argued for technical precision and skill in the use of natural elements. The Got grec, an extreme phase of Neo-classicism, was attacked by him in the 17th century. <mask> was given a patent of nobility and membership of the Order of Saint Michael by King Louis XV. <mask> fell out of favor with the royal family after the death of Louis XV. There are more than fifteen hundred works of art by <mask>. Historical subjects, book illustrations, and portraits are included.The Bibliothque nationale has a collection of his engravings in the Royal Library. <mask>'s own compositions are usually rich, gracious, and full of erudition. The frontispiece to the 1764 edition of Diderot's Encyclopédie is noteworthy. The death of Hippolytus, after Franois de Troy, and David playing the harp before Saul are some of the best known prints of his historical work. He designed paintings and sculptures and illustrated more than two hundred books. Philippe Lebas, an early master of <mask>'s, engraved sixteen plates in the series Ports of France, of which fifteen are after paintings by Vernet and one is designed by himself. The monumental Charles-Nicolas Cochin et l'art des Lumires contains more than three hundred portraits of him.Cochin was designed by Georges Peignot in honor of the artist. The style was inspired by <mask>'s engravings, however, it is not a direct copy of those presented in the prints. Samuel, Charles-Nicolas <mask>, graveur et dessinateur were mentioned. The voyage d'Italie de Charles-Nicolas <mask> was published in 1991. Including. Christian, Charles-Nicolas <mask> et l'art des Lumires were illustrations. Including.Foster, Carter E., Charles-<mask> the Younger: The Philadelphia Portfolio in Philadelphia Museum of Art Bulletin, vol. 69 illustrations 90, no. pp. 381 (Summer, 1994) Charles-Nicolas <mask> et l'art des Lumires was described in The Art Bulletin as "the most sophisticated study of any single figure of the 18th-century European art world known to me". There are external links to Charles Nicolas <mask> the Younger at artnet.com.

masks:
Nicolas Cochin
Nicolas Cochin
Nicolas Cochin
Nicolas Cochin II
Cochin
Charles Nicolas Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Cochin
Nicolas Cochin
Cochin
Cochin


texts: <mask> is an American actor. His portrayal of Marshall Flinkman on J.J. Abrams' television series, Alias, which aired for five seasons on ABC, is one of his career highlights. <mask> played Dale Yorkes on the series for three years<mask> was born to a Jewish family in Los Angeles. He first appeared as The Professor in a fourth grade production of Gilligan's Island. <mask> was involved in local drama festivals in and around the Los Angeles area, performing work from the likes of William Shakespeare and Neil Simon. After graduating from the University of California, Los Angeles School of Theater, Film and Television, he went on to study acting at New York's prestigious Circle in the Square Theatre.A founding member of the Los Angeles based theater troupe, Buffalo Nights Theater Company, <mask> was awarded a lead actor award for his work in Murray Mednick's Villon. The Padua Playwrights produced the show. The production company in Los Angeles tackled the role of a frustrated writer in the premiere of The Return to Morality. A founding member of Buffalo Nights Theatre Company, <mask> has produced, directed and acted in over 25 productions in and around the Los Angeles area. The title role of Anatol in Arthur Schnitzler's Anatol, as well as the award- winning, Crazy Drunk, at the John Anson Ford Theatre in Los Angeles, are highlights. The company's productions include Madman and the Nun, Suburban Motel, Arthur Miller's Incident at Vichy, and Hope on the Range. Stand out performances include 'Tis Pity She's a Whore, The Greeks, and The Goldoni Trilogy at the Mark Taper Forum.At the La Mirada Theatre for the Performing Arts, <mask> appeared in Neil Simon's Lost in Yonkers and Donald Margulies' Pulitzer Prize winning play, Dinner with Friends. <mask> was cast as series regular, Kives, in the Stephen Merchant/HBO project, Hello Ladies, in which he was also known for his portrayal of Marshall J. Flinkman for five seasons on the critically acclaimed, ABC series, Alias. <mask> is one of the season's best new characters. Ned Berring, <mask>'s character in David E. Kelley's Amazon series, was anagoraphobic. Later that year, <mask> appeared as Stevie in a first-season episode of AMC's Better Call Saul entitled Hero, and landed the recurring role of Dr. Jeffrey Maynard on NBC's hit drama, The Blacklist. <mask> was tapped to play Ray Spiewack on the CBS drama, Scorpion, which resulted in a three season arcs. Other fan favorites include the recurring assistant district attorney, Todd Erlich, on TNT's Perception, and the memorable turn in The X-Files, Je Souhaite, written and directed by Vince Gilligan.In 2006 <mask> called on <mask> to appear in his now cult classic film, Clerks II, and in 2010 Rob Reiner hired him to play a mentally challenged brother in Flipped. The recurring role of Mr. Blonde was played by <mask> in Awake. The recurring role of the deferential minion, Dreg, on Buffy the Vampire Slayer is one of the television work. The Rock and Gone in 60 Seconds are two films that have additional film work. <mask> produced and acted in the independent feature film, The Illusion, which starred Kirk Douglas. At the 12th Annual Hamptons International Film Festival, Illusion was an official selection of the 16th Annual Palm Springs International Film Festival. <mask> is an avid poker player.Kyle Gass of Tenacious D and Jack Black were in the band Trainwreck. <mask>'s soothing voice has been used in ads for companies such as Nike, Coke, and ATT. He was the voice of Honda cars and trucks for three years. Three times <mask> has appeared on the TV Guide's "Top 10 Scene Stealers" list. Twice he has been nominated for a Teen Choice Award for his work. The cast of Alias won the People's Choice award for Best New Show. <mask> and the rest of the Alias cast were nominated for a Golden Globe Award in 2002.<mask> and Kyle Gass started the 'Did We Do It' podcast. The first-ever national television advertising campaign supporting donations to Jewish federations was launched in 2004. Film and television personalities celebrate their Jewish heritage and promote charitable giving to the Jewish community. The Children's Defense Fund is one of the charities <mask> is involved in. <mask> is 5'8" <mask> and Tanowitz were married in 2005. Maya Rose <mask> was born in 2006 and EliSamantha <mask> was born in 2008.They are still committed to co-parenting their two daughters. <mask> lives in Los Angeles in the Hollywood Hills and has three sisters. He has been practicing yoga for twenty years. Filmography Television Film References External links Official site <mask> at the All Alias Guide 1970 births Living people 20th-century American male actors 21st-century American male actors Male actors from Los Angeles American male film actors American male television actors UCLA Film School alumni Circle in the Square Theatre

masks:
Kevin Glen Weisman
Kevin
. Weisman
Kevin
Weisman
Weisman
Weisman
Weisman
Kevin
Weisman
Weisman
Kevin
Kevin Smith
Weisman
Weisman
Weisman
Kevin
Weisman
Weisman
Kevin
Weisman
Kevin
Weisman
Weisman
Weisman
Weisman
Kevin
Kevin Weisman


texts: <mask> was an Italian Marxist philosopher and historian, best known for his critiques of anti-communism, colonialism, imperialism, and the European tradition of liberalism. <mask> also wrote works on philosophers such as Antonio Gramsci, G. W. F. Hegel and Martin Heidegger. <mask> has been accused of revisionism for his critique of Communist states' and Joseph Stalin's demonization in anti-communist propaganda. <mask> obtained his doctorate in 1963 from the University of Urbino under the guidance of Pasquale Salvucci with a thesis on Karl Karl Rodbertus. <mask> taught history of philosophy at the Faculty of Educational Sciences and was the director of the Institute of Philosophical and Pedagogical Sciences. <mask> was president of the Hegelian International Association Hegel-Marx for Dialectical Thought. <mask> was the director of the Marx XXI political-cultural association as well as a member of the Leibniz Society of Sciences in Berlin.<mask> died of brain cancer at the age of 76. <mask> was involved in national and international politics from communist militancy to the study of the African-American and Native American question. Historian David Broder described <mask> as "already among the most renowned Italian Marxists at the international level." <mask> made his mark in scholarly works as well as historical studies of important thinkers from John Locke and Hannah Arendt to biographical and historical studies of Joseph Stalin. His scholarship on Hegel and modernity is considered an exemplary contribution to Hegel scholarship and he has published widely on topics such as conceptions of class struggle throughout history and the evolution of nonviolence in modern political life. <mask> was a Hegelian and Marxist philosopher as well as a historian. His work included contributions to the study of Kantian philosophy, as well as the revaluation of classical German ideals, especially by G. W. F. Hegel.<mask>'s reflection moved in particular from the themes of radical criticism of liberalism, capitalism, and colonialism as well as the traditional conception of totalitarianism in the perspective of a defense of Marxism. <mask> included his works in the history of ideas and concerned the investigation of questions of contemporary history and politics with a constant critical attention to historical revisionism. <mask> criticized a reactionary tendency among contemporary revisionist historians such as Nolte and Furet, who linked the Stalinist purges to a "disease" from the French Revolution. According to <mask>, the purpose of these revisionists is to eradicate the revolutionary tradition as their true motives have little to do with the search for a greater understanding of the past but rather it lies in both the climate and ideological needs of the political classes. A new perspective on the English, American, French, Russian, and anti-colonial revolutions was provided in his book War and Revolution. <mask> looked at the political history of modern German philosophy from the 19th century to the 20th century, starting from the criticism and the debate that developed in Germany in the second half of the 19th and 20th century. <mask> argued that the New Imperialism of the late 19th century was the true original sin of the 20th century.<mask> devoted himself to four areas of research after the fall of the Soviet Union, including critique of liberalism and the fight against the belief that liberals were at the forefront of democratic struggles. "From the classics of philosophy to the debate around the figure of Stalin, from the analysis of the role of China to historical revisionism, from liberal thinking to the issues of Bonapartism and modern democracy, from the history, after <mask>'s death in 2018)." Despecification is the exclusion of an individual or group from the civilian community. There are two types of despecification, political and moral, in which the exclusion is due to political or moral factors. Naturalistic despecification is when the exclusion is due to biological factors. naturalistic despecification is worse than political-moral for <mask>. Since naturalistic despecification refers to biological factors that are un changeable, it is not possible to escape through the change of ideology.<mask> was willing to admit that the Holocaust of the Jewish people was tragic and that it was not incomparable. <mask> stated that the comparisons he offers about this did not seek to be a relativisation or a belittlement of the Holocaust, but that to consider the Jewish Holocaust as incomparable meant to lose historical perspective and to overlook the Black Holocaust. The American Holocaust or the genocide of black people. The genocide of Native Americans in the United States through the continued deportation to the west, as well as other mass killings, can be found. <mask> was a critic of the equation of Nazism and communism made by scholars such as Franois Furet and Hannah Arendt. <mask> criticized the idea of a Red Holocaust. He argued that in the Nazi concentration camps there was an explicit homicidal intention because the Jew who entered was destined not to get out of it.In the first case, the Nazis imprisoned those who they considered to be subhuman, while in the second case, the dissidents were locked up to be re-educated and not to be killed. The Great Purge began after the murder of Sergey Kirov, despite being a practice to be condemned, according to <mask>. The Gulag was not morally equivalent to the Nazi concentration camps according to the opinion of Primo Levi, who was imprisoned at Auschwitz. He said that British concentration camps and penal colonies were worse than Joseph Stalin's, and that politicians such as Harry S. Truman were guilty of war crimes and crimes against humanity. <mask> was critical of Mahatma Gandhi. <mask> came up with the idea of autophobia to describe how victims tend to hate themselves when they see their oppressors in a different light. The study of Jewish history and the history of slavery led to the creation of the concept of autophobia.Political parties that have suffered defeat were extended the concept by <mask>. <mask> believes that communists suffer from autophobia, a pathological problem that must be faced, unlike healthy self-criticism. <mask> harshly criticized the revelations contained in Nikita Khrushchev's "Secret Speech". According to <mask>, Stalin's bad reputation came from the lies Khrushchev read during the 20th Congress of the Communist Party of the Soviet Union in February. <mask> gave credit to one of the accusations that was at the center of the bloody oppression against his opponents. The fifth column in the Soviet Union is ready to ally with the enemy. <mask> said that he did not want to rehabilitate Stalin, but only to place him in the historical context and present a more neutral analysis of the facts.<mask> supported the idea that Mao Zedong paid attention to the process of female emancipation and colonized peoples in order to give the plurality to the class struggle. <mask> believed that the Chinese economic reform did not undermine its socialist values. <mask> was a member of both the Italian Communist Party and the Communist Party of Italy, and he was also the director of the Marx XII. <mask> was opposed to American interventionism and its foreign policies and was against the awarding of the peace prize to the Chinese dissident. <mask> was very critical of the European intellectual tradition of liberalism. <mask> said that the influence of left-Nietzscheanism was a major problem because it hollows out rationalist-oriented socialist thought. Although left-Nietzscheanism is beyond just that setting, this critique came from the application of Nietzsche by Italian leftists.The political context of <mask>'s debates on the Italian left shape much of his critique of Nietzschean thought in the contemporary world. A new generation of Marxist philosophers and historians can begin to re-visit the tradition of left after reading the book details of <mask>'s comments on contemporary left-Nietzscheanism. <mask> criticized the historical revisionism of authors such as Franois Furet. <mask> used the image of the Second Thirty Years War as an expression that historians often use to describe the period between 1914 and 1945. Furet and Nolte's theory that the Russian Revolution started the European Civil War so that the conflict between Bolshevism and Nazism is emphasized was accused by <mask>. The total war as an experience shared by all those involved in the war and colonialism as a common modern European phenomenon was omitted by revisionist historians. The acquisition of a German India to the American frontier was part of the American conquest to the Pacific."Eastern Europe certainly represented the 'living space' that one wanted to colonize, but this conquest implied the annihilation of the USSR and Bolshevism, a state and an ideology which the Nazis saw as the product of a connection between 'Jewish intelligentsia'," wrote Traverso. <mask> argued that the European Jews got into this colonialist scenario as "Oriental natives" and that the fate of the Jews has been sealed. Liberalism: A Counter-History In Liberalism: A Counter-History was first published in English in 2011. <mask> believes that the origins of Nazism can be found in the policies of the Western world. <mask> looked at the intellectual and political positions of intellectuals. He thought that Friedrich modernity was the greatest thinker of all time, with the greatest critic being Friedrich Nietzsche. Liberalism: A Counter-History received positive reviews from both academic and popular presses.Stalin: History and Criticism of A Black Legend in Stalin: History and Criticism of A Black Legend was written by <mask>. <mask> was opposed to the idea of totalitarianism in the works of Hannah Arendt and Franois Furet.

masks:
Domenico Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo


texts: <mask> argued that it was necessary to use isolated elements of historical reality to place Nazi Germany and other fascist regimes, along with the Soviet Union and other, in order to apply totalitarianism to the political sphere. <mask> wanted to bring to historical knowledge two elements that are under-represented in Marxist historiography, namely rational reflection on the role of great men and rational criticism of the original form of moral leftism. <mask> thinks that the ferment of authoritarianism in the communist movement is more libertarian than the desire to build a state. <mask> said that his work on Stalin was a history of Stalin's image and not a biography or political history of the system. According to <mask>, questioning the clichés of anti-Stalinism and Stalinism, including in Communist ranks since 1956, required returning to the substance of the question of the evaluation of Soviet history from 1922 to 1953 and even beyond, since the categories of anti-Stalinism andThe study of "the black legend" was mixed with a rehabilitation of the personality and the figure of Stalin, who is clearly distinguished from the political regime. At the time of Stalin's death, the image of him was positive in the world, despite the propaganda on both sides. The god was "cast into hell" by the Khrushchev report. <mask> said that the document was lacking in credibility because of the internal struggle in the leadership of the party. Liguori stated that Stalin is controversial. Storia e critica di una leggenda nera had interesting elements. He did not propose much to save Stalin, but he did not consider him in a negative light.David Broder wrote for Jacobin that he recognized the paranoid aspects of Stalin's leadership and that his efforts to relativize it were often governed by a polemical zeal. This made his reframing of Stalinism more interesting. <mask>'s view was rendered polarising by the book. <mask> has been criticized for his criticism of liberalism by some and accused of Stalinism by others. Caetano's new favorite author is Stalinist, revolutionary, farcical, anti-imperialist, revisionist, and everyone has an adjective on the tip of their tongue to refer to him. The Italian was a champion of socialism who denied farces. He was a supporter of the crimes of the Soviet dictator Joseph Stalin.<mask> compared the crimes of Stalin to those of liberalism and argued that the liberals have the dirtiest or worst track record. <mask> criticized the demonisation of Stalin carried out by the historiography and tried to remove it from what he calls "the black" in a review written in April 2009. Around twenty editors sent a letter of protest to the editor of the newspaper in which they criticized both <mask>'s attempt at Stalin's rehabilitation in his book and Liguori's review for being too positive with respect to the book. The methodology used by Valerio Evangelisti, Niccol Pianciola, and others was criticized for its claims. Liguori <mask> believes that purges were legitimate because of the permanent state of exception caused by imperialist intervention and siege. <mask>'s work has been praised by historical revisionist Grover Furr, who started a friendship with <mask> after reading his 2008 book on Stalin. <mask> introduced Furr to an Italian publisher who published the Italian translation of Khruschev Lied.<mask> wrote an introduction to The Murder of Sergei Kirov and a blurb for the back-cover of the book. <mask> said there was a split between Western Marxism and Eastern Marxism. <mask> criticized Western Marxism for neglecting the great problems of its time, abandoning the class struggle and the struggle against imperialism, and embracing the narratives of globalization. <mask> was labelled a neo-Stalinist by critics in Brazil and Germany after the book about Stalin. <mask>'s work was accused of being a defence of Stalin's decisions, but Professor Araujo Cicero wrote that <mask> "recognizes 'tragedy and horror' from the years when the Soviet Union was led by Stalin". The reference and support bibliography used by <mask> consists of revisionist, denialist and openly conservative and anti-communist authors and/or researchers. Historian argued that the work was not an apology of the Soviet leader, but an accusation ofStalinism.It is a critical history and a serious assessment of the Stalinist period in the Soviet Union. <mask> did not deny the crimes during the Stalin era, but he described them in detail. <mask> does not evade a series of crimes committed by the regime and its dictator, nor does it qualify them as'mistakes', as Cicero wrote about <mask>'s work on Stalin. The author isn't concerned with showing the coherence of his practices with Marxism or Leninism. The book seeks to highlight the great problems of your country and its time, even against the most ingrained beliefs and utopias of your former travel companions. Stalin and his regime leave their assessment with a positive balance despite all the barbarities committed. "For the simple reason that they managed to build a state and a society sufficiently vertebrate to face the chaos of the Russian'second period of disorder' is what Cicero argued," he said."Stalin and Stalinism are defended for reasons to which any admirer of State-building as a good in itself, regardless of its ideological purposes and justifications, should surrender," Cicero wrote. 'Socialism in one country' is just a formula that the dictator and his supporters improvised to fit in with the language that was understandable to them. <mask>'s books like "The Counterhistory of Liberalism" expose liberalism in an energetic and well documented way. Vargaftiq referred to <mask> as a "neo-Stalinist chic" and criticized him for stating that "reading these books on Liberalism and Bonapartism is useful to historians and Marxists in general". Mario Maestri, a Marxist historian, accused <mask> of replacing proletarian internationalism and class struggles of the "Western Marxists" with the unified nation. The capitalist restoration in China in 1978 under the leadership of reformer Deng Xiaoping and the dissolution of the Soviet Union in 1992 consolidated the globalization of capitalism according to Maestri. According to Maestri, <mask> defended that the working classes of the countries on the fringes of the capital give up their political independence and pragmatically ally themselves with the capitalism of the Chinese CP.References to Marxist historiography can be found in the Bibliopolis. Hegel was a man. Questione nazionale. <mask> was a professor at the Universit degli Studi. Tra Hegel. The rivoluzione del 1848, la crisi della cultura tedesca, was written by Editori Riuniti. Marx e i suoi critici, a cura di con Gian Mario Cazzaniga e Livio Sichirollo.Atti del Convegno. Cattolica, 18-20 settembre 1986, a cura di e con Gian Mario Cazzaniga e Livio Sichirollo. Stato, Roma, Editori Riuniti, 1988, Libert, uguaglianza. Biblioteca comunale di Cattolica is a organizzato dall'Istituto italiano. Cattolica, 19-21 maggio 1988, a cura di e con Gian Mario Cazzaniga e Livio Sichirollo. Problemi del marxismo, a cura di e con Georges Labica e Jacques Texier. Biblioteca comunale di Cattolica is a organizzato dall'Istituto italiano.Cattolica, 13-15 settembre 1989, a cura di e con Alberto Burgio e Jacques Texier. There is a person named Prassi. Come orientarsi. The Biblioteca Comunale di Cattolica is a cura di con Mario Cazzanig. Heidegger e l'ideologia della Guerra, Torino, was published in 1991. Biblioteca comunale di Cattolica is a organizzato dall'Istituto italiano. Cattolica, 27-29 settembre 1990, a cura di e con Alberto Burgio.Rivoluzione francese e filosofia classica tedesca, a cura di, Urbino, was published in 1993. Trionfo e decadenza del suffragio universale, Torino. La citt del sole, 1994, a cura di e con Ruggero Giacomini. La repubblica. ............................. Utopia e stato d'eccezione. Laboratorio politico, 1996, storica del socialismo reale.The repubbliche dec, a cura di e con Maurizio Viroli, was published in 1997. In 1994, a cura di e con Ruggero Giacomini, Napoli, La citt del sole. Antonio Gramsci dalo al Comunismo critico, Roma, Gamberetti, 1997. La citt del sole, 1997 per una storia politico-sociale della fortuna di Hegel in Italia. The questione nazionale tra rivoluzione e reazione was in 1997. Dal Medio Oriente ai Balcani, per una biografia politica. La citt del sole, 1999 is the location of L'alba di sangue del secolo americano.Biblioteca comunale di Cattolica is a organizzato dall'Istituto italiano. URSS: bilancio di un'esperienza. Atti del Convegno. The settembre 1997 was a cura di e con Ruggero Giacomini. Fuga dalla storia? La citt del sole, 1999, il movimento comunista tra autocritica e autofobia. La sinistra, la Cina e l'imperialismo, Napoli, La citt del sole, 2000.La comunit, la morte, l'Occidente. Heidegger e l'ideologia della Guerra, Torino, was published in 2001. Torino, Bollati Boringhieri, 2002, biografia intellettuale e bilancio critico. Un incontro di culture. La citt del sole, 2003 was a cura di e con Stefano G. Azzara. The Controstoria del liberalismo was held in Laterza. Bibliopolis, 2007, nel pensiero politico di Kant.La citt del sole was sul marxismo di Antonio Gramsci. Thelinguaggio dell'Impero. Lessico dell'ideologia americana is located in Laterza. Storia e critica in Carocci. Perugia, Morlacchi, 2008, diritto e politica. The sinistra assente. The book is called "Societ dello spettacolo, <mask> <mask>'s work. A person who writes on the internet. The article was published on 18 May 2019. "Nazisme racisme colonialisme - <mask>" was written in French. You can watch it on YouTube.The year ended on 21 November 2009. The article was published on 18 May 2019. Anti-revisionists are historians of communism, Italian communists, Italian philosophers, and Italian political

masks:
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
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Losurdo
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Losurdo
Losurdo
Losurdo
Losurdo
Losurdo
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Losurdo
Domenico Giammarco
GDomenico
Losurdo
Domenico Losurdo


texts: 7th Heaven, Street Angel, Bad Girl, A Farewell to Arms, and Man's Castle were all directed by <mask>. <mask>'s father, Luigi Borzaga, was born in Ronzone in 1859. He met his future wife, Maria, when she worked in a silk factory in Los Angeles. Borzaga worked as a coal miner in Hazleton, Pennsylvania in the early years of the 20th century. He brought his fiancée to the United States to marry him. Henry was their first child. The Borzaga family moved to Salt Lake City, Utah, where <mask> was born in 1894.The couple had fourteen children, eight of which survived childhood: Henry, Mary Emma, Bill, <mask>, Daniel, Lew, and Dolly. Maria Borzaga died of cancer in 1947 and her husband, Luigi Borzaga, died of a car accident in 1934. <mask> was an actor in Hollywood until 1917. The Pitch o' Chance was his directorial debut. Borzage was 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 800-273-3217 The German director F.W. had visual influences. In 1927 he won the first Academy Award for Best Director for his film 7th Heaven, which starred Janet Gaynor and Charles Farrell, and was part of a hugely successful series of films.He won an Oscar for Bad Girl in 1931. Humoresque, a box office winner starring Vera Gordon, was his greatest success in the silent era. <mask>'s trademark was his identification with the feelings of young lovers in the face of adversity, with love in his films triumphing over such trials as World War I. Three Comrades and The Mortal Storm were both made in 1933. Green Light, Strange Cargo and The Big Fisherman were films that took a spiritual turn. The film noir Moonrise has received a lot of critical praise. His output was sporadic after 1948.The George Eastman Award was given to <mask> in 1955 and 1957. <mask> received a star on the Hollywood Walk of Fame for his contributions to the film industry. The star is on Hollywood Boulevard. He was the original director of Journey Beneath the Desert, but was too unwell to continue. <mask> was not credited for his work. He received an award while in the hospital. He was a board member of the Directors Guild of America.<mask> and Rogers were married in Los Angeles on June 7, 1916. He married the ex-wife of Red Skelton in 1945, but they were divorced in 1949. He was married to another woman when he died. He was a keen sportsman with a 3-goal polo handicap and a two handicap in golf, as well as being a yachtsman. In 1962, <mask> on Broadway (1919), The Ghost Flower (1918), The Atom (1918), Toton the Apache (1919), and Billy Jim (1922) are examples.They had to see Paris, Lucky Star, The River, and Young as You Feel. The narrator noticed Borzage in the crowd and had a brief conversation with him, expressing his admiration of No Greater Glory and sharing his own ambition to become a film director. Further reading Hervé. The Life and Times of a Hollywood Romantic was written by <mask>. In 2006 Frederick Lamster. "souls made great through love and adversity" is a film by <mask>.The Scarecrow appeared in 1981. Senses of Cinema: Great Directors Critical Database They Shoot Pictures, Don't They? The adaptation of Ernest Hemingway's novel A Farewell to Arms has fallen into the public domain and is available online through the Internet Archive. <mask> and the Classic Hollywood Style <mask> at Virtual History was born in 1894.

masks:
Frank Borzage
Frank Borzage
Frank Borzage
Frank
Frank Borzage
Borzage
Borzage
Borzage
Borzage
Borzage
Borzagerudence
Frank Borzage
Frank Borzage
Frank Borzage
Frank Borzage


masks:
David John LeMahieu
LeMahieu
LeMahieu
LeMahieu
LeMahieu
LeMahieu
LeMahieu
LeMahieu
LeMahieu
LeMahieu
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LeMahieu


masks: LeMahieu LeMahieu LeMahieu LeMahieu LeMahieu LeMahieu LeMahieu LeMahieu


texts: During the reign of Pharaoh Ramesses XI, Herihor was the High Priest of Amun at Thebes. His career was placed before the High Priest of Amun, Piankh, since it was believed that he was his son. The filiation was based on an incorrect reconstruction by Karl Richard Lepsius. The partly preserved name of the son of <mask> is thought to have been different. Karl Jansen-Winkeln has argued that Herihor outlived Ramesses XI before being succeeded in this office by Pinedjem I. According to tradition, Herihor would have served in office as High Priest for longer than just 6 years. The following paragraphs give only one possible reconstruction based on the traditional order.His parents are thought to be Libyans. <mask>'s predecessor, Piankh, was thought to be Herihor's successor, according to a recent publication. During the reign of Ramesses XI, Herihor advanced through the ranks of the military. His wife Nodjmet may have been Ramesses XI's daughter, and perhaps even Piankh's wife. The hypostyle hall walls of the temple of Khonsu at Karnak were decorated by Herihor, who was shown obediently performing his duties as chief priest. He assumed more and more titles before finally taking the royal title at Thebes, even if he still nominally recognised the authority of Ramesses XI, the actual king of Egypt. The 'royal phase' of Herihor's career may or may not have started after Ramesses XI's lifetime.Ramesses XI may have outlived Herihor by two years because Herihor assumed some form of royal status at Thebes. Herihor's usurpation of royal privileges is observed in the decoration of the court of the Khonsu temple, but his royal datelines betrayed nothing of the royal status he enjoyed according to the contemporary scenes and inscriptions of the court of the Khonsu temple. While both <mask> and his wife Nodjmet were given royal cartouches in inscriptions on their funerary equipment, their 'kingship' was limited to a few relatively restricted areas of Thebes, whereas Ramesses XI's name was still recorded in official administrative documents throughout During the Wehem Mesut era, the Theban high priest, Herihor, and Ramesses XI quietly agreed to accept the new political situation where the High Priest was unofficially as powerful as Pharaoh. The report of Wenamun was made in Year 5 of Herihor and Herihor is mentioned in several Year 5 and Year 6 mummy linen graffiti. The unofficial political division of Egypt between Upper Egypt and Lower Egypt was caused by the split between Ramesses XI and his 21st Dynasty successors with the High Priests of Amun at Thebes. The accession of the Libyan Dynasty 22 king Shoshenq I in 943 BC ended this division.Shoshenq was able to appoint his son Iuput to be the new High Priest of Amun at Thebes, thus exercising authority over all of ancient Egypt. It is certain that Herihor had a wife called Nodjmet. She is depicted at the head of a procession of children of Herihor, as well as on Stela V 65, where she is depicted with Herihor. She is usually identified with the mummy of a Nodjmet which was found in the Deir el-Bahari cache. Two books of the dead were found with this mummy. The King's Mother Nodjmet was the daughter of the King's Mother Hrere. Nodjmet was written in a cartouche, but Hrere was not.Since most of this Nodjmet is seen as the wife of the High Priest Herihor, Herere's title is often interpreted as "King's Mother-in-law", although her title "who bore the Strong Bull" suggests that she must have given birth to The belief that there was only one Queen Nodjmet has been challenged, as well as the belief that the mummy found in the Royal Cache was that of Herihor's mother. douard Naville believes that Herihor must have had a mother called Nodjmet, as she was already recognised by Champollion. The other Book of the Dead was found with her mummy. Although Herihor is in P. BM 10541, Nodjmet is nowhere to be found in her two Books of the Dead. She is stressed out about her position as "King's Mother". This is true for all of the sources.The ruling family from the 20th to the 21st dynasty is notorious for the repetitiveness of their names, so Herihor could have a wife and mother. If the Nodjmet was the mother of Herihor, then Hrere must have been the grandmother of Herihor. Hrere could have been the wife of the High Priest Amenhotep. There is a proposal to refer to the mother of Herihor as "Nodjmet A" and the wife of Herihor as "Nodjmet B". Herihor, and his successors through Pinudjem II, were among the rulers of the Semitic Agazyan Ethiopia dynasty, and they are thought to have ruled Ethiopia for 16 years. Herihor's reign was dated to 1156-1140 BC by a king list presented by the prince of Ethiopia. Herihor's parents were said to be the former High Priest Amenhotep and his mother Ramesses IV."Herihor, Vizir (Statue du Caire, no 42190)," read M. Gustave Lefebvre, "Die Hohenpriester des Amun von Karnak von Herihor". "Hérihor fut-il effectivementroi?" asked Marie-Ange Bonhme. ", "Das Ende des Neuen Reiches", by Karl Jansen-Winkeln, was published in 1992. "In Search of King Herihor and the Penultimate Ruler of the 20th Dynasty" was written by Gttinger Miszellen. Steven R. W. Gregory is the author of Herihor in art and iconography: kingship and the gods in the ritual landscape of Late New Kingdom Thebes.

masks: Herihor Herihor Herihor


texts: Sheikh <mask>-Zein was a Shi'a intellectual from South Lebanon. He was a scholar who engaged in intellectual debates that were popular in Arab and Muslim societies in the early 20th century. Disappointed by the lack of education and prosperity of his community under Ottoman rule, he collaborated with other local scholars on interaction with reform movements underway in Damascus, Baghdad and Cairo. He is credited with bringing literary edification and news of scientific innovations to his community and others across the Arab-speaking world by founding the monthly magazine Al-Irfan. He established the first printing press in South Lebanon and published a weekly paper. He helped female authors by publishing their material under their real names and promoted education for both sexes in his conservative society. He was a pillar in the national Syrian-Arab movement against Ottoman rule in the later years of the Sultanate and resisted the French mandate by advocating independence for Lebanon.He wanted to reconcile Islamic values with Western ideas of liberty and democracy. On July 10, 1884, El-Zein was born in Shhur, South Lebanon. He was sent to a single-teacher school in a nearby village because there were no schools in his village. He attended the Rushdiya public school in Sidon for four years after moving there with his family. At the age of 11, his father sent him to a religious institution where he was educated in the Arabic language. He studied Islamic Jurisprudence with the scholar Sayed Abd-al-Hussein Sharaf- El-Deen. He continued his religious education after returning to Sidon in 1904.He exposed Lebanon's Shi'a to the new ideas of the era and the latest innovations in science and technology while fighting for the rights of the under-privileged in his community. He married his cousin in 1904. They had seven children, three sons and five daughters. He died on a visit to the shrine of Imam Ali Al-Rida in Iran. He was buried inside the shrine. El-Zein worked as a correspondent for several newspapers in Lebanon, including Thamarat Al-Funoon, Al-Ittihad Al-Othmani, and Hadikat Al-Akhbar. The first issue of Al-Irfan was published on February 5, 1909.The world was introduced to the Shi'a community in Lebanon and Iraq and debated issues of concern to Shi'a and Arabs. The magazine was printed in Lebanon for two years. The monthly was printed in Sidon until the 1960s. It was published 10 times a year until the death of the founder's son. Between 1992 and 1996 it was published again. Chibli Mallat wrote "Aspects of Shi'i Thought From the South of Lebanon" for the Center for Lebanon Studies at Oxford. As Al-Irfan became the point of convergence for the Shi'a writers on politics and social affairs, the contributors to the magazine reflected and to an extent shaped, history to come.Its influence can be seen in political and religious writings. In addition to his monthly journal and weekly paper, he also published poetry, fiction, political and religious. The history of Sidon was written by him in 1913. A book about the history of the Shi'a was published in 1914. Al-Hub al-Sharif is a short story. The Mediation between Al-Mutanabi and his Opponents was edited and published by him. The Confluence of Knowledge in the Interpretation of the Quran is referred to as Majma' Al-Bayan Fi Tafseer Al-Quran.The Struggle Against Occupations and Work for Independence El-Zein participated in several underground Arab societies, such as Al-Ahid, Al-Islah, and the Al-Shabiba Al-Arabiya, opposing Ottoman rule and working for the independence of Arab nations. The first Arab Congress was held in Paris in 1913 to reform the Ottoman Empire and open Arabs to modern civilization. The Society for Arab Revolution merged with the Decentralization Society in October 1914. He was responsible for recruiting members. His home and printing press became a hub for his activities, which led to his arrest and imprisonment by the Ottomans. He had to retreat to his farm in south Lebanon and abandon Al-Irfan for six years after being released from jail. The 1920 French mandate of Lebanon was opposed by El-Zein and he participated in a national conference in support of the Syrian Revolt.He was briefly held by the French authorities for his support of the Syrian Revolt. He participated in several anti-occupation conferences and demonstrations. He was sentenced to two months in jail after a peaceful demonstration in front of the Government House in Sidon. During the Second World War, he moved to his farm in the south of Lebanon and Al-Irfan ceased publication. At the end of the 19th century, El-Zein rejected the prevailing practices that confined himself and his community to act within the limitations of religious and cultural views and believed in openness to other religions. He sought to spread knowledge and promote natural sciences because of his troubles. He used his writings, influence, and participation in public forums to promote new ideas and trends in thought.Learning and training was the only way for the East to reach intellectual and political liberty. He called for the adoption of a free- thinking pedagogy instead of the approach of rote memorization prevalent in traditional Islamic culture and current French practices. He advocated exploring the powers of the brain and using scientific principles to develop them. The Anglo-Saxon educational approach promoted the practical as opposed to the French approach. Adoption of Western Values El-Zein encouraged informed choices of those ideals and values that could fit easily with a conservative Muslim society. He worked to overcome the weakness in his community that prevented them from adapting innovations from the West. The condition of women was believed to be a major cause of poverty in the Muslim community.Since they were essential to making their children productive members of society, he saw the cure in educating them. Al-Irfan included a women's corner that covered the lives of accomplished women throughout history. Female writers were encouraged by him to publish their works. The importance of women in science and medicine was emphasized by him. Favoring the moderate approach of covering the hair but not the face to the controversial issue of veiling, El-Zein devoted extensive space in his journal to its discussion. The condition set in Islamic jurisprudence of fair treatment that a man can never treat more than a woman equally was paralleled by other Muslim progressives. El-Zein called for a return to the true spirit of religion with its teachings of good conduct.Even if they differed in presentation and practice, he still considered all religions to be one. He supported the pan-Islamic movement that called for unity among Muslim sects. His moderate and reconciliatory attitudes were criticized by some Muslim and Christian people. There were fiery media debates between him and his supporters and the Local Jesuits, Orientalist Jesuits, and Sunni Muslims. At a time when the region was undergoing major political and intellectual changes, the debates reflected a changing social and intellectual environment. The importance of economic independence for Arabs was emphasized by El-Zein in an article he wrote for The Ottoman Union newspaper entitled "Factories, Factories - How Can We?" No society could prosper without utilizing all its national resources and stimulating the agricultural and industry sectors.The three regimes that El-Zein lived through were Ottoman, French mandate and independence. He was opposed to both the Ottomans and the French. The French offered him the position of education minister and modern printing equipment, but he refused. After independence, he preferred to stay on the sidelines, pushing for progress and helping the under-privileged in his community. He was a member of several secret societies that opposed the Ottomans. He believed that a future of Arab unity would be realistic and encompass. The Declaration was strongly condemned by him.The 1948 Arab defeat and the establishment of Israel brought shame to the nation with a loss of dignity and a lack of national awareness. Journalism El-Zein was adamant about the proper use of the classical standard Arabic language, calling for its proper use in all instances. His advocacy sprang from a nationalist belief that protecting the language was a way to advance and protect the Arab identity. He believed that a nation that didn't take care of its language was putting itself at risk of extinction. The mission of journalism to El-Zein was reform with political, educational, and religious aspects. He is committed to the critical and scrutinizing role of the press as he understood and practiced it. There are references to Shia scholars of Islam.


texts: An important figure in early British ballet was <mask>, a South African ballet dancer and teacher who migrated to England. She had a second career as a dance critic, writing under the name Alexander Bland. Cape Town is the southernmost city and legislative capital of South Africa. One of the most multicultural cities in the world is located on Table Bay. Helen Webb, who arrived from England in 1912, opened her own school of "fancy dancing" and introduced dance into the curriculum of the South African College of Music. She used the Cecchetti method of instructing her students in Cape Town, including the young <mask>. <mask> went to London with an introduction to Marie Rambert, a well-known teacher of ballet at her school in Notting Hill, after some years of training with Webb and performing in recitals staged at the town hall.When she was 16 or 17 years old, <mask> arrived in England and immediately joined Rambert's school. She went back to South Africa in 1927 and taught at the school for three years before deciding to go abroad. <mask> was one of Rambert's students who became founding members of the Ballet Club, the performing group from which Ballet Rambert was to evolve. She appeared in repertory works with the Camargo Society and danced with this group at several West End theaters. She was a leading dancer in the regular Sunday performances of Rambert's Ballet Club at the Mercury Theatre. Other members of the club included emerging choreographers who would respond to <mask>'s technical ability, as well as her intelligence, elegance, and sensitivity, by creating roles for her in their works. <mask> remained with Ballet Rambert until 1940, despite occasional brief absences to dance with other British companies and to visit South Africa once more.She followed in the footsteps of Pearl Argyle andAlicia Markova, the company's first ballerinas, but soon had her own roles. <mask> was drawn to Antony Tudor immediately when she met him in one of Rambert's classes. She and Hugh Laing inspired him to create many works with roles focused on her special qualities. "Not only was she very pretty, with beautifully curved feet, but she also danced with a rich, natural expressiveness that fed the psychological realism with which Tudor was experimenting." Jardin aux Lilas is the most enduring of the Tudor works in which she danced leading roles. <mask>, who gives up her lover for The Man She Must Marry, was a beautifully nuanced exposition of the simmering passions and dutiful restraint characteristic of Edwardian life. She and Tudor danced a pas de Deux to the second song in Dark Elegies.She danced Aurora in Rambert's version of Aurora's Wedding, the Prelude in Les Sylphides, and Odette in a one-act version of Swan Lake. She danced in both The Lady of Shallot and Howard's Cinderella and also appeared in Bar aux Follies-Bergres by Ninette de Valois. One reviewer of the roles in Lloyd's repertory described her as having a noble serenity and a deep expressiveness allied to sparkling gifts of comedy. Tudor left Rambert's company and formed his own troupe called the London Ballet. One of the founding members of the company was <mask>. She created two more memorable roles for it. As the Italian ballerina in Tudor's Gala Performance, she displayed both elegance and wit in competing for the limelight with her French and Russian rivals, and in Howard's La Fte trange, a haunting, dreamlike tale, she was mysteriously beautiful as the bride-toFrank Staff, a fellow South African and former student of Lloyd's in Cape Town, played The Boy. After the outbreak of war with Germany in September 1939, and Tudor's departure for safer pastures in America, <mask> and Peggy van Praagh directed and danced in the company. <mask> retired from the stage when Ballet Rambert took over the London Ballet. <mask> created important roles in the ballets of Antony Tudor and other choreographers working in London in the 1930s. The following are included. In the ballets of the Tudors. Music by Girolamo Frescoobaldi.Tudor was in the role of Malvolio. There was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a Mr. Old English music is set to Roll's Quadrilles. There is a pas de trois with Elizabeth Schooling and Betty Cuff. 1934. Gustav Holst wrote music for The Planets.Role: Venus. 1935. Ernest Bloch wrote The Descent of Hebe. There is a role for Night. 1936. The music is by Ernest Chausson. There is a role for this person.1937. Gustav Mahler wrote the music for Dark Elegies. The mother was in a pas de Deux with Tudor. 1937. The first television show on the BBC was called Pasquinade. The dancer was a solo dancer. 1937.Fugue for Four Cameras is an experimental work. The dancer was a solo dancer. There was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a Benjamin Britten arranged the music for Soirée Musicale. There is a role for Tirolese, a pas de Deux with Tudor. There was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a time when there was a Sergei Prokofiev wrote the music for the Gala Performance.The role is called La Déesse de la Danse. In other works in 1927. Henry Purcell wrote the opera The Fairy Queen. There are five roles: Echo Dance, Three Swans, Dance of the Haymakers, and Chaconne. Music by Paul Dukas was used in La Péri. There is a role for a companion. 1931.Frederick Ashton choreographed Faade. There are two Roles: Scotch Rhapsody and Valse. 1931. Frederick Ashton choreographed The Lady of Shallot. There is a role called The Reflection. 1931. Susan Salaman choreographed Le Boxing.Sport Girl is a role. 1935. Music by Maurice Ravel and choreographed by Frederick Ashton. Solange has a role. 1940. Gabriel Fauré wrote the music for La Fte trange. There is a role for the young chatelaine.<mask> married an art and dance critic in the summer of 1939 and retired to do welfare work. She began a second career after Richard Buckle persuaded her to start writing reviews of dance performances for his magazine Ballet. The name Alexander Bland was derived from the names of two characters in the tales of Beatrix Potter: Pigling Bland, who is described as "hopelessly volatile" and his brother Alexander. When Buckle left his post as dance critic for The Observer in 1955, the Goslings took over and stayed until his death in 1982. They wrote, edited, or contributed to ten books on ballet and dance, four of which dealt with the life and career of Nureyev, during almost two decades of working together. Nureyev danced with the Kirov Ballet in Paris before he defected to the West. The Goslings were asked to befriend the young Russian virtuoso after he came to London to perform for the Royal Academy of Dance.They came to regard him with great admiration. He was described as a balletic missile, a wild animal loose in the drawing room, in their glowing review of his first Covent Garden performance. They helped him adjust to life in a new country by giving him a free run of their home. There was genuine respect and liking on both sides as the friendship deepened. After Nicholas married and moved away, Nureyev became the son of the couple's late middle age. They became his surrogate parents, offering him guidance, affection, and hospitality until the end of his and their lives. As it was to Nureyev, who had admired the intelligence, culture, and quiet dignity of the man who had married him, the death of 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266 800-381-0266The care and attention of Nureyev and others kept <mask> alive for another twenty years. She was loved and admired by everyone who knew her. Even though she didn't have sight or hearing, she lived out her days in simplicity and mental generosity. She died in the presence of family and friends. Alexander Bland's published works include the following. 1963. The dancer's world.They were written by Michael Peto and Alexander Bland. There are drawings by Josef Herman. There is a person in New York. 1963. Nureyev has a book with pictures. Alexander Bland edited by Rudolf Nureyev. Richard Avedon took the photographs.London: Dutton. Reissued as Nureyev: His Spectacular Early Years: An Autobiography. 1968. Internationales Ballett. Photographs and text by Alexander Bland. The Prestel-Verlag is in Munich. 1976.The image is of Nureyev. The studio is in London. The Quadrangle is in New York. 1976. There is a history of Ballet and Dance in the Western World. There are two people in London: Barrie and Jenkins. Praeger is in New York.1977. There is a film called The Nureyev: Portrait of a Film. The studio is in London. Dell is located in New York. 1979. The story of a partnership is told by Fonteyn and Nureyev. Orbis is in London.The Times books are in New York. 1981. The first fifty years of the Royal Ballet. The author is Dame Ninette de Valois. London has Threshold Books. Doubleday in New York. 1984.Men are dancing. They were written by Alexander Bland and John Percival. New York. 1985. The Observer of the Dance was held from 1955 to 1982. There are dance books in London. There were deaths of South African ballerinas and Rambert Dance Company dancers.

masks:
Maude Lloyd
Maude Lloyd
Lloyd
Lloyd
Lloyd
Lloyd
Lloyd
Lloyd
LloydCaroline
Lloyd
Lloyd
Lloyd
Lloyd
Lloyd
Lloyd


texts: The Belgian opera singer <mask>nos at the Paris Opéra from 1860 to 1870. She created the roles of Sélika in the world premiere of Meyerbeer's L'Africaine and Elisabeth de Valois in the world premiere of Verdi's Don Carlos. She studied music in Milan with Franois-Auguste Gevaert, and made her debut in Venice as Gilda in Verdi. She began her career as a vocalist in the cafés of Paris and Brussels after the death of her father. Delphine Ugalde heard her at the Café Géant in Paris. The director of the Thétre Lyrique at that time was Léon Carvalho, who was brought to the attention of Ugalde by her singing lessons.On September 27, 1859, <mask> performed in Mozart's Les noces de Figaro using the stage name <mask>x. One reviewer wrote, "Mlle Sax possesses a magnificent voice, but both as a vocalist and as an actress, she is in the state of raw material, which will undoubtedly reward the discoverer." ... Mlle Sax's talents were discovered at an early stage as her voice is still fresh, and she has not been long enough in the exercise of her calling to form any vicious habits. Her present school and her time and experience will make her a valuable acquisition to the stage. She performed as Eurydice in Gluck's Orphée after her initial success at the Thétre Lyrique. The version of the opera which was used in this landmark revival was prepared by the composer, who also coached and supervised the singers.The opera was originally written in Italian as Orfeo ed Euridice and was performed by Gaetano Guadagni. When Gluck decided to bring the opera to Paris in 1774, castrato singers were unusual in France and sometimes objects of ridicule. Gluck adapted the role of Orphée for the haute-contre Joseph Legros. The opera was rarely performed because the French version was impractical due to the rise in standard pitch. The Spanish opera singer was suggested to sing the role by Giacomo Meyerbeer. He wanted her to perform the opera in his theatre because he had heard it in a concert. The new adaptation was to be prepared by an expert on the music of Gluck.When he heard that Carvalho was casting Mademoiselle Sax, a singer, as described by him, he suggested that he had good intentions. She had a beautiful voice without art, but Berlioz thought she was ignorant as a carp of everything to do with art. At one of the rehearsals, she asked Viardot if he was Monsieur Gluck, and she became famous for it. It's one of his friends. In his absence, he has a nerve. Gluck had already been dead for 72 years. The performances, which began on 18 November 1859, were enormously successful, both critically and commercially, and were attended by many of the important musicians in Paris.Between 1859 and 1863, the production received 136 representations. The role of Mlle Sax in the show proved to be the beginning of her rise to fame, as she was the star of the show. Bacchante in Gounod's Philmon et Baucis was the final season at the Thétre Lyrique. The production was not as successful as it could have been. The quality of performances at the theatre began to decline after Carvalho resigned as director of the company. The revival of Robin des bois (Robin Hood), originally translated and adapted by Sauvage and Castil-Blaze in 1824, was a renowned and highly altered French travesty. There were two concerts, the first of which was a benefit for Viardot on 20 April, and the second of which was a benefit for Ugalde on 14 May.She made her house debut in the role of Robert le diable on August 3, 1860, after being engaged by the Paris Opéra to sing Alice in Meyerbeer's Robert le diable. Her voice was not yet mature, but it showed promise and she was retained. The notorious Paris premiere of Tannhuser on 13 March 1861 at the Opéra's Salle Le Peletier was performed by her. <mask>'s performance was praised by Wagner. She said that the part had been altered to accommodate her vocal range. She had a score of the opera written in the composer's hand. Richard was L'Auteur.To my friend Mademoiselle <mask>. She went on to sing many of the important roles in the company's repertory at the time, including Laura in the French version of Il trovatore. Verdi tried to resuscitate the fortunes of Les vpres in September 1863. The opera didn't do well after the retirement of the Sopranos at the end of the first run of performances. The new stars at the Opéra were pinned on by him. Villaret was well received in his debut, as Arnold in Rossini's Guillaume Tell. Verdi wrote some new music, replacing Henri's "O jour de peine" with "O toi qui j'ai chéri".Verdi's aria wasn't satisfied when Louis Guymard sang it at the premiere. In her memoirs, she said she loved working with authors and composers, but singing to Meyerbeer was not the same as preparing the role with Verdi. They were careful to not hurt the feelings of the artiste. How different? Verdi! At times, he was almost cruel. I have cried many times at the end of these hearings because of the sharp words that escaped him. After the master had cooled down, he would apologize, speak kind words of encouragement, and we would begin all over again with enthusiasm.Thanks to Verdi's counsel, my voice, still somewhat rough, became most flexible, and as a result of his teachings, I achieved one of the greatest successes of my career. The performances didn't generate much enthusiasm for the opera. The singers were "out of voice" according to the press. The opera was replaced after a few more performances. After one more revival in 1865, the company ceased to exist. <mask> was married to a French bass in 1864, but they divorced in 1867. In 1865, Adolphe Sax brought a suit against her, demanding that she refrain from using her stage name.She changed it to Saxe, prompting speculation that she might be sued by "le Roi de Saxe, le duc de Saxe- Coburg-Gothe, le duc de Saxe-Meiningen", among others. She was selected to play Sélika in the opera L'Africaine. He agreed to some minor modifications to accommodate her abilities after she worked with him for three months. The premiere of the role was held at the Paris Opéra on April 28, 1865. Anna in Don Juan was an adaptation of Mozart's Don Giovanni which deviated significantly from the original. Originally performed at the Opéra in March 1834, this version was very popular and continued to be performed there up to 1934, when it was replaced with a new version by Adolphe Boschot. There were three productions of Don Juan in Paris in the year 1866, one at the Opéra and two at the Thétre-Italien.The year was even more memorable for the singer, when the persistent Adolphe Sax again brought suit contesting her new stage name and insisted that his "individuality would suffer if she were allowed to continue using the name of Saxe." At this time, she began to use the stage name. She may have disliked her real name because of the French word for bailing scoop. In the last months of the 19th century, <mask> was selected to create the role of Elisabeth de Valois in Verdi's Don Carlos. The role of Eboli was hard to find for the Opéra's director. In order to spare the contralto's voice, he removed her from the 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 888-666-1846 He wanted to replace Bloch with a singer with a wide range of vocal cords.She was able to perform music with low notes in rehearsals. Guymard, who had sung Léonore in the revival of Le trouvre, was also a rival of <mask>. "If she commits herself firmly to undertake deep mezzo- Soprano roles you might perhaps entrust her with the part of Eboli without changing a note of the tessitura, and we should gain by having two proven artists of cast." "If you are not afraid of embarrassment from rivalry between Mme Sass and Mme Gueymard, nothing could be better than Mme Gueymard for Eboli," Verdi wrote back. After the rehearsals began, Verdi realized he would have to make adjustments to accommodate Guymard. Relations between the singers became strained, and Verdi stayed away at least once, on 18 October, because he was annoyed by Mme Sass's grimacing at the alterations made for Mme Gueymard. This was one of the factors that led to the dropping of their duet.Verdi was in Paris for nearly a year because of the preparations for Don Carlos. The premiere took place on 11 March 1867. The production achieved 43 performances, but disappeared from the repertory until modern times. According to some reviews, the voice of Morre in the role of Don Carlos was not good enough and that Mme Sass's portrayal was "bored" and "listless". If only <mask> could be persuaded that the part is better than she thinks, that's what Verdi wrote to Du Locle. In Italy, it was turned into the main role. <mask>'s marriage fell apart in 1867 and she divorced her husband.There were roles in Hamlet and Les Huguenots at the Opéra. When the Franco-Prussian War broke out in the summer of 1870, she was back in Paris. Daniel Auber's La muette de Portici was performed with the "Marseillaise" interpolated into the third act and sung by Mme Sass with far more conviction than she had ever brought to Verdi's Elisabeth." After the French defeat at Sedan, plans were made to convert the nearly finished opera house into an emergency hospital. <mask> left the Opéra and moved to Italy. She was in Saint Petersburg during the 1870–1871 season. The world premiere of Verdi's new opera Aida was to be performed in Cairo in 1871, but in April 1871 Paul Draneht, the general manager of the Cairo Opera, negotiated with <mask> about the possibility of appearing as Amneris.Verdi wrote to Giovanni Battista Lampugnani, the theatrical agent in Milan, saying that he had no use for her, either as Amneris or Aida. In May, Draneht visited Verdi at his home in Sant' Agata. Draneht had already signed her to sing Amneris. Verdi was opposed not only because the part was too low, but also because he knew it was in the interest of both the management and the composer to give her operas in which she is the only Soprano. Draneht was in a bad position because the opera was completely cast and the artist's fees had been very high. Draneht would need the approval of the Viceroy of Egypt to hire another singer. The entire cost of the Aida production was covered by the Viceroy, who had hired Italian architects to build the Cairo Opera House.He spent a lot of money on inessential projects that led to Egypt's downfall. Draneht tried to get Verdi to let Eleonora Grossi sing the role, but he refused. Verdi relented after receiving good reports about Grossi. In his 1911 book Style in Singing, W. E. Haslam states that <mask> had tried to prepare for the role of Aida in the Cairo production, but found that it was too high for her range. She was compelled by her contract to sing the opera and asked Verdi to make some slight changes to bring the music closer to her. He refused to make the least change. She asked if Verdi should have shown himself more unreasonable or less yielding than other people.Is there more that can be said about Meyerbeer ou Wagner? The title role in Donizetti's Lucrezia Borgia and Amelia in Verdi's Un ballo in maschera was sung by <mask>. She retired from the stage at the age of forty-three and published her memoirs under the title Souvenirs d'une artiste. She died in Paris ofject poverty at the age of 73. Cited sources include Budden. The operas of Verdi were written. From Il Trovatore to La Forza del destino.London: Budden. The operas of Verdi were written. From Don Carlos to Falstaff. The book was written in London by Hans Busch. Verdi's Aida. The opera's history can be found in letters and documents. The University of Minnesota Press is in Minneapolis.There is a hardcover and a paperback. David Cairns was born in 1999. There is a man named Berlioz. The second volume is called Servitude and Greatness. The University of California Press is in Berkeley, California. There is a hardcover and a paperback. The editor was Conati.There were encounters with Verdi. Ithaca, New York: Cornell University Press. There is a style in singing. New York: G. Schirmer. D. Kern. There is a man named Berlioz. Harvard University Press in Cambridge, Massachusetts.The New Kobbé's Complete Opera Book was edited and revised by the Earl of Harewood. New York: Putnam. The Dictionary of Opera was written by Baker. New York: Schirmer Books. Operas, Ballets, Composers, and Performers can be found in The Paris Opéra. Growth and Grandeur in the 19th century. Rushton is from New York."Christoph Willibald Gluck" was written by the editor. There is an opera guide from the New Penguin. The score was 313– 327. London: Penguin Books. The back of the paper. Stanley, editor, was edited by Sadie. There is a Dictionary of Opera.Stanley, editor; John Tyrell, executive editor. The Dictionary of Music and Musicians is the second edition. London: Macmillan. Hardcover. The book is called (eBook). Albert Visetti was born in 1905. There is a song called Verdi.George Bell was in London. There is a view at the books. Walsh, T.J. The year 1981. The Second Empire Opera is located in Paris. Warrack, John; West, Ewan. The Oxford Dictionary of Music.Oxford University Press. Souvenirs d'une artiste. Paris: Molire. Belgian women opera singers died in 1907.

masks:
Marie Constance Sassepra
Sasse
Marie Sa
Sasse
Marie Saxe
Sasse
Sasse
Sasse
Sasse
Marie Sasse
Sasse
Sasse
Marie Sasse
Sasse


texts: <mask> was an American Southern Baptist pastor and conservative author. He was president of the Southern Baptist Convention for three years. <mask> was born in Florida. He became a Christian at the age of nineteen. He graduated from New Orleans Baptist Theological Seminary. <mask> was a member of The Village Baptist Church in West Palm Beach. His first job as a senior pastor was at a small church in Florida.He was the first person to bebaptized in the C-54 Canal. He was the senior pastor of First Baptist Church in Florida from 1964 to 1972. He was the senior pastor of the church in Memphis, Tennessee, from 1972 to 2005. The church's membership grew from 9000 to 29,000 and the church moved into a new facility. <mask> was named pastor emeritus after he retired. In the late 1970s, <mask> was elected president of the Southern Baptists and was instrumental in the resurgence of the conservative movement. The 2000 revised edition of the Baptist Faith and Message was produced by the chairman.Love Worth Finding is a radio and television program that broadcasts in English and Spanish. The Adrian Rogers Pastor Training Institute for ministers is headed by <mask>' widow, two sons, and a granddaughter. <mask> died at the age of seventy-four after contracting pneumonia of both lungs as a result of colon cancer treatments. <mask> served as president of the Southern Baptist Convention three times. He was the first conservative elected to this post in 1979 on a platform of biblical inerrancy, and the denomination went through a ten-year-long process of shifting to a theologically conservative stance under his leadership. The Southern Baptist Convention has a conservative resurgence. Liberal and moderate seminary professors were replaced by theological conservatives when conservative control of the seminary and agencies was complete.All employees were required to affirm their adherence to the Baptist Faith and Message. Since <mask>' time as president, the denomination has remained conservative. The conservative resurgence in the denomination was started by the election of <mask> as president of the SBC in 1979. In 2004, in a symposium at Southern Baptist Theological Seminary in Louisville, Kentucky, Pressler said that the real movers in the Conservative resurgence were the independent minded laypersons who came for years to the annual convention to be heard. The Christian right co-founded the Moral Majority in 1979 with Ed McAteer, a prominent member of <mask>' congregation. The Religious Roundtable was active in the campaign toelect Ronald W. Reagan as the U.S. President. <mask> was involved in the advancement of a conservative political agenda in the United States.Christians have a duty to be involved in government. <mask> had an issue with dynamics. He labeled fathers that dropped out as "drop-out dads". According to <mask>, since the Bible emphasizes the paternal role in a family, the father should be the primary source of teaching in the home. He was critical of fathers who don't fulfill this role. They forgot their assignments to teach the Ten Commandments. Gun violence is one of the consequences of fathers avoiding this responsibility.He wrote that it is a pastor's duty to influence the political decisions of the members of the pastor's congregation. Under IRS regulations, a church could lose its tax-exempt status if a pastor endorsed a specific candidate. He wrote that if a pastor has done his job, his members will use the standard of God's Word to pick the right candidate. <mask>, along with twenty-four other religious leaders and persons of influence, signed a letter sent from Gary Bauer's conservative organization American Values to President George W. Bush. The Road Map for Peace initiative was criticized by the letter as being too easy towards the Palestinians. The letter states that it would be morally reprehensible for the United States to be evenhanded with Israel. Cecil Sherman, the leader of the Cooperative Baptist Fellowship, a group of liberal Baptists who separated from the Southern Baptist Convention, wrote in his autobiography that he once questioned <mask> about biblical inerrancy with reference to New Testament passages that support slavery.<mask> said that if we had slavery today, we wouldn't have this mess. All races are equal before the Lord, according to a revised Baptist Faith and Message declaration signed by <mask>. <mask> was an ardent supporter of the anti-abortion movement and supported a boycott of Disney because of the company's promotion of homosexuality. One story tells of a father who learned that his daughter had died while driving drunk, and vowed revenge against whoever sold her the alcohol, only to discover that she had taken the bottle from his own liquor cabinet. <mask> preached against gambling. He said he witnessed Muhammad Ali in Paradise Island. You can't divide wealth.<mask>' quote is often attributed to him with an incorrect date of 1931. The quotation is part of a longer sermon by <mask> from 1984 in a larger series titled God's Way to Health, Wealth and Wisdom, but it also appears as a passage in <mask>' 1996 work Ten Secrets for a Successful Family. <mask> wasn't the originator of the quote. He didn't claim to have originated it. He was citing anti-Soviet propaganda that had appeared in magazines in the early 1960s. The Congressional Record of 1958 contained the quote, which was appended to the record by the U.S. A senator from Vermont.The words were taken from Senator James Eastland of Mississippi, who spoke at the Illinois Agricultural Association's annual meeting in 1957. They were written by Gerald L. K. Smith in his magazine, The Cross and the Flag. Since the quote was attributed to <mask> in 2009, it has been regularly attributed to him; however, <mask> was essentially quoting Eastland or Smith at the time. Some of the works include Believe in Miracles but Trust in Jesus, The Power of His Presence, Ten Secrets for a Successful Family, and What Every Christian Ought to Know Standing for Light and Truth Adrian.

masks: Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers Rogers


texts: <mask> is a Norwegian singer and voice actress. She was surrounded by music as the daughter of two folksingers. The clarity and range of her voice is characterized as "unique" and "beautiful" by Nilsen. She used to accompany her singing with a ukulele, which she plays in a fingerpicking style. <mask> was nominated for a NorwegianGrammy in the category of Best Female Artist in December of 2011. For several years, <mask> has had a career as a voice actress, with roles in several feature films and television. She was born in Norway and grew up in the town of Sagene.She appeared in two Norwegian films as a child, one of which she co-starred in. At the age of twenty, Nilsen decided to devote herself to music as a career and was a ballet dancer. She turned to a secret notebook full of songs that she had been crafting since her early teens to express herself as an artist. In April 2007, Nilsen performed at The Good Cafe. Nilsen won a competition sponsored by the Norwegian record label Grappa. The jury described Nilsen as having the courage to write simple, personal and intimate lyrics in Norwegian when they awarded her the prize for best debut artist. Nilsen received a record contract as part of the award.<mask> was a voice actress in Norwegian-version feature films and television. <mask>'s first record, "We Who See in the Dark", was released on October 5, 2009, and features songs written mostly in Norwegian, but also in English. Jan Martin Smrdal produced the album. Music critics had the same opinion of <mask>'s voice and lyrics. <mask> was described as an artist who had already found her own voice. <mask>'s music was described as ranging from "sensitive melancholy moods to light and playful tones" and "imparting joy and peace of mind". Nilsen said that her songs are not just about herself but can also be about things that she's observed or heard from others.Nilsen collaborated with musicians Jens Carelius and yvind Rsrud Gundersen, who are part of the group "Blues Run the Game." Nilsen plays a lot of instruments on the tracks. The album is described as having a modern tone. The title of the album and single is "They All Speak the Truth", and Nilsen explained that it means to reconcile one's gut feeling with the other messages received from the head and heart. The songs were written in the dead of winter. She said that the words were meant to comfort her, but by early summer she was already in a different mindset. The album's lyrics were well written and honest.One reviewer said that <mask> was "remarkably deft at combining bright colors with subtle hints of darkness" and that this usually prevents this light, music from becoming overly cute. Many reviewers focused on <mask>'s voice. The single, "Alle snakker sant", received praise in the pages of The Guardian. The album was released in the UK. The album's title refers to recurring themes in her work: the dichotomy of not feeling entirely present in your own life, and the feeling of having to fight against different aspects of yourself, while at the same time being drawn. The ukulele is almost completely absent from these songs. In August 2012 Nilsen released "Siri Nilsen: Live from Rockefeller Music Hall".The tracks were recorded during her concert at the Rockefeller in Norway in March. There are two people on the single, "Death Hanging". It was released all over the world on 24 May. <mask> is a musician and poet in addition to her solo career. <mask> uses pedals as part of her singing. She uses the pedals to sample elements of her singing and loops them as a backing track. The award ceremony for the Best Female Artist for her album, Alle snakker sant, will take place on January 14, 2012 at the National Theatre in Norway.<mask> performed at the yafestivalen. The music festival is held at a park in Nilsen's hometown. <mask> was a backing singer for Jens Carelius. During Nilsen's opening song, "Take me with you", it was possible to hear the soundcheck of the black metal band, but Nilsen seemed unaffected. This was Nilsen's first concert since the Rockefeller in March 2012 and since giving birth to a daughter two months previous. Nilsen said, "Now I've got a million new things to write about, there's so much I want to say." Nilsen has a "strong artistic presence" and a voice which is "comfortably clear" with a "steady top and powerful down."Concert reviews of Nilsen's live performances note the clear softness of her voice contrasted against her vocal power, and that she can convey moredimensionality with her voice live than what comes across on digitized recordings. An orchestra of 30–40 musicians performed some of Nilsen's music such as "Brev" and "Snu, Ikke Snu" at the SPOT music festival in rhus, Denmark. Nilsen grew up listening to music. Her father is Lillebjrn <mask>, who came to prominence in Norway in the early 1970s after the release of his first albums, and her mother is American. When she was six years old, she wrote her first song, but she was not exposed to the different aspects of the music industry. One day, after learning that their father had written a song, <mask> and her sister came home from school and sang it to him, but they didn't realize that he had written it. A popular song/ guitar book written by Lillebjrn Nilsen has been in print for decades.Nilsen performed with her father on a Norwegian talk show. She played the ukulele and sang the song Alle snakker sant. In June 2012 Nilsen gave birth to a daughter with Bye, who she has been in a relationship with for several years. Songs from the album Skyggebokser Discography were featured in the Rockefeller Music Hall Singles. Voice acting roles live acting role in feature film

masks: Nilsen Nilsen Nilsen Nilsen Nilsen Nilsen Nilsen Nilsen Nilsen Nilsen Nilsen Nilsen Nilsen Nilsen Nilsen Siri