text_chunks:
<mask> (born 22 September 1982) is an English former professional footballer. He played as a midfielder. <mask> started his career with local club Cambridge United, progressing through the club's youth system and eventually breaking into the first-team in 2001. He spent three seasons at Cambridge, before being released at the end of the 2003–04 season after failing to agree terms on a new contract. <mask> had a brief spell in Latvia playing for FK Rīga, before returning to England to play four games for Braintree Town in January 2005. He joined Histon in March 2005, playing for the club until the end of the season. He left Histon at the end of the season, and subsequently earned himself a one-year contract to rejoin Cambridge United in July 2005.He played regularly for the club for two seasons, but was released again in 2007. <mask> then joined Kettering Town ahead of the 2007–08 season, helping the club achieve promotion from the Conference North to the Conference Premier in his first season at the club. At the end of the season he rejected a contract offer from Kettering and joined Stevenage on a free transfer. In his first season at the Hertfordshire club, he helped the team to FA Trophy success, as well as helping the club earn promotion to the Football League for the first time in the club's history the following season. He was also part of the squad that helped Stevenage earn back-to-back promotions during the 2010–11 season. Ahead of the 2011–12 season, <mask> re-joined Conference Premier club Kettering Town. He left the club after one season, and spent a year at Chelmsford City, before signing for Bury Town in May 2013.He had a brief spell at Brackley Town, before spending two seasons combining playing and coaching at King's Lynn Town. He initially announced his retirement from playing in May 2016 and joined St Neots Town as first-team coach a year later, where he began playing again for the 2017–18 season. He left St Neots Town in August 2018, taking up the position of head of coaching at League Two club Lincoln City. <mask> also earned one cap for the England C team. Early life
Born in Huntingdon, Cambridgeshire, <mask> attended St Peter's School in Huntingdon. Club career

Cambridge United
Bridges played for local team Cambridge United, whom he joined at the age of eight, and he progressed through the club's youth system before signing his first professional contract in February 2002. He broke into the first-team towards the end of the 2001–02 season, making his debut as a substitute in a 1–0 defeat to Huddersfield Town at the Abbey Stadium on 16 March 2002.He played six further games in the same season, scoring his first goal for Cambridge in a 2–1 home victory against Tranmere Rovers on 13 April 2002. <mask> played regularly in the opening half of the 2002–03 season, playing 25 times and scoring once in a 3–0 victory against York City. A "persistent" ankle injury cut his run in the first-team short, and he did not play from February through to the remainder of the season. He returned to the first-team in a 1–0 defeat to Wycombe Wanderers on 14 October 2003, and played a further 22 times for the club throughout the 2003–04 season. <mask> left Cambridge at the end of the season after failing to agree a contract extension. On leaving Cambridge, <mask> said "I was offered a contract that was almost a kick in the teeth after the time I had been at the club when players were coming in from all over the place who did not care about the club. They were getting paid five or six times what I was offered, and I thought it was probably time to move on".During his three seasons with the club, <mask> made 55 appearances in all competitions, scoring four times. Journeyman
<mask> trialled at a number of clubs before the start of the 2004–05 season, including Chesterfield and Northampton Town, without successfully securing a deal. He also spent the majority of the close season in the United States training with two professional American football clubs, before realising it was not financially viable to move to America on a permanent basis. <mask> struggled to find a club ahead of the 2004–05 season, and took up an offer to play for FK Rīga in Latvia. He suffered a fractured foot just ten days after signing for the club, and did not make any appearances for the Latvian club. Despite the injury, he spent three months in Latvia before returning to England to "assess his options". After returning to England in November 2004 for rehabilitation at Lilleshall, he began part-time training with Cambridgeshire club Histon in January 2005.He signed for Braintree Town on a short-term contract shortly after training with Histon, making his debut for the club in a 2–1 home victory against Slough Town a day after joining the club. He suffered a foot injury in a 3–1 away victory at Hendon, which proved to be his last game for the club; he played four times for Braintree, all of which were victories. A month later, <mask> joined Histon on a short-term basis, making his debut for the club in March 2005, playing the whole match in a 3–1 home win against Tiverton Town. He scored once for Histon in a 3–0 home victory against Solihull Borough on 18 April 2005. <mask> made 11 appearances for Histon and helped the club achieve promotion to the Conference South in his two months at the club. He left Histon at the end of the season, and subsequently earned himself a one-year contract to re-join his former employers, Cambridge United, following a successful trial at the club. <mask> said he "did not hesitate in joining Cambridge for a second time" when he was eventually offered a full-time contract in June 2005.Return to Cambridge
During the 2005–06 season, <mask> was a regular in the centre of Cambridge's midfield. He made his second debut for Cambridge in a 1–0 defeat at Forest Green Rovers, and scored in the following two games against both Hereford United and Accrington Stanley. <mask> played 40 times during the season, scoring seven goals from midfield. He was voted the club's Player of the Year award at the end of that season, as well as earning a one-year contract extension in May 2006. He continued playing regularly under new manager Jimmy Quinn in the 2006–07 season. He scored his first goal of the season in a 3–0 home win against Gravesend & Northfleet in November 2006, and scored again two weeks later in the club's 2–1 away win at Southport at Haig Avenue. After Cambridge's 2–0 home defeat to St Albans City in December, <mask> did not feature in the first-team for two months.He returned to the first-team in Cambridge's 3–0 win against Woking on 27 January 2007, and scored his third of the season in a 2–1 away victory against Stafford Rangers. He played 31 games during the season, scoring three times. <mask> was released by Cambridge in May 2007 as they made wholesale changes to their playing squad. During his second spell at Cambridge, <mask> made 71 appearances in all competitions over two seasons, scoring ten times. Kettering Town
Two months later, <mask> joined Conference North club Kettering Town on a one-year deal. <mask> made his debut for Kettering in late August 2007, starting in the club's 3–2 away victory against Worcester City. He scored his first goal for the club in the following game, doubling Kettering's lead in a victory against Tamworth.He played regularly for the Northamptonshire club throughout Kettering's 2007–08 league season, scoring 11 goals in 27 appearances to help Kettering earn promotion to the Conference Premier. Stevenage
He was offered a new contract by manager Mark Cooper, which was rejected, as he opted to join his former Kettering team-mates Craig Westcarr and Gary Mills in signing for Stevenage on 13 May 2008. <mask> suffered a knee injury during pre-season and subsequently missed the first half of the 2008–09 season. He eventually made his debut for the Hertfordshire club in a 1–1 draw against Oxford United on 20 December 2008, scoring Stevenage's goal with an "unstoppable drive from outside the area". <mask> scored three goals in the club's successful FA Trophy run that season, scoring in 4–0 victories against both Burton Albion and Forest Green Rovers, as well as scoring the winner in Stevenage's 3–2 home win against Ebbsfleet United in the first leg of the semi-final. His season was cut short when he suffered an injury in a 1–1 draw against Oxford United at Broadhall Way, a game in which he scored Stevenage's goal, but ultimately missed the rest of the season. <mask> made 19 appearances during the club's 2008–09 season, scoring six times.<mask> returned from injury at the start of the 2009–10 season, starting in a 0–0 draw against Barrow at Holker Street on 15 August 2009. He scored his first goal of the season in a 2–0 victory over Ebbsfleet United on 12 December 2009, and followed this up by scoring twice against Vauxhall Motors in the FA Trophy. He scored his eighth goal that season in a 1–0 victory over York City, the final league match of the club's 2009–10 season, as Stevenage earned promotion as Conference Premier champions. <mask> played 38 times during the season, scoring eight goals from midfield. He missed the first three games of the 2010–11 season as a result of the red card he received in the FA Trophy 2010 FA Trophy Final. He made his first appearance of the 2010–11 season in Stevenage's 1–1 draw away to Aldershot Town, coming on as a 38th-minute substitute. He suffered an ankle injury in training that ruled him out of first-team action for a month, returning to the first-team as a second-half substitute in Stevenage's 2–0 home defeat to Wycombe Wanderers, but admitted he was "not fully fit".He scored his only goal of the season in Stevenage's 3–1 away victory against Port Vale on 22 February 2011. <mask> played 24 games in all competitions, helping Stevenage earn promotion to League One in their first Football League season. Return to Kettering
Bridges re-joined Conference Premier club Kettering Town on 1 August 2011, signing a two-year deal with the club. He joined Kettering on a free transfer, having been out of contract at Stevenage — "I got injured at the back end of last season and I was out of contract and because of all the deals that needed to be sorted at Stevenage, I wasn't a priority and I had to wait. There comes a time when you can't wait any longer and I needed to sort my future out so here we are". <mask> made his Kettering Town debut in a 2–0 away win at Lincoln City on 10 September 2011, the club's first away victory of the season. After making just five appearances for Kettering, <mask> was transfer-listed by new manager Mark Stimson on 29 September.Despite being transfer-listed due to Kettering's financial problems, <mask> continued to play in the first-team, and he scored his first goal for the club in a 2–2 draw against Ebbsfleet United, scoring from close range to give the club an initial one-goal lead. <mask> was forced to take training following the departure of Stimson, with only six other Kettering players turning up to train due to unpaid wages. Despite the off-field problems, he remained ever-present for the remainder of the season, playing 38 times in all competitions, and scoring his third and final goal of the season in a 1–1 home draw with Barrow on 21 April 2012. Kettering were relegated, finishing bottom of the league, and faced a further relegation due to entering a Company Voluntary Arrangement. <mask> had one-year remaining on his contract at Kettering, but left in July 2012, calling the season the "worst of his career". Chelmsford City
In August 2012, <mask> signed for Conference South club Chelmsford City on a free transfer. He made his debut for the club in a 3–2 home win over Bromley on 25 August 2012.<mask> scored his first goal for Chelmsford in the club's 2–2 draw with East Thurrock United in the FA Cup on 20 October 2012, with a shot through a crowded penalty area after East Thurrock had failed to clear a corner. It took <mask> seven months to score his first league goal, netting on the hour mark in a 6–0 home victory over Farnborough on 18 March 2013, a game in which he also assisted two other goals. It proved to be his only league goal of the season, in which Chelmsford would once again make the Conference South play-offs, but ultimately fall short. They lost 2–1 on aggregate in the semi-finals to Salisbury City, with <mask> playing in both games. He made 36 appearances in all competitions during the season, scoring two goals. Later career
Shortly after the end of the 2012–13 season, <mask> signed for Isthmian League Premier Division club Bury Town on a free transfer. On joining Bury Town, <mask> said — "I'm good friends with Adam Tann and Craig Parker and they couldn't say enough good things about the club.They told me that the players are really well looked after and the club is full of good honest people". He left Bury Town in December 2013 due to the club's financial problems, and subsequently joined Brackley Town of the National League North in January 2014. <mask> made his debut for Brackley on 11 January 2014, coming on as an 87th-minute substitute in a 3–1 victory over Gainsborough Trinity. He made 15 appearances during the second half of the 2013–14 season whilst at Brackley, scoring two goals. <mask> left Brackley in the summer and signed for King's Lynn Town of the Northern Premier League on 28 May 2014. On securing the signing of <mask> for the season, manager Gary Setchell stated "I'm probably very, very fortunate I've stumbled across Bridgo when he's got a lot going on outside of football, business wise". Whilst out injured, and having already obtained his UEFA 'B' coaching badge, <mask> was made first-team coach at the club in February 2015.He combined the role alongside continuing to play in the first-team. King's Lynn were moved into the Southern League Premier Division for the 2015–16 season and <mask> played regularly in the King's Lynn team during the campaign, making 39 appearances in all competitions. <mask> retired from playing in May 2016 to "concentrate on his successful business ventures and spend time with his family". On his retirement, manager Setchell said "<mask> will be missed by a lot of people at the football club but I totally understand his decision to call it a day on his fantastic playing career and pursue his business interests and spend more time with his young family." Having been retired from playing for over a year, <mask> appeared for St Neots Town of the Southern League Premier Division, the club he was also first-team coach, in a 1–0 away loss against AFC Rushden & Diamonds in a Southern Combination Challenge Cup match on 3 October 2017. He ended up playing 25 times during the 2017–18 season, his final season playing, scoring five goals, including two in his final appearance as St Neots won the Huntingdonshire Senior Cup. International career
<mask> was named in the England C team, who represent England at non-League level, in January 2006, for a friendly against Italy C, staged at Cambridge's Abbey Stadium, his home ground at the time.He came on as a 73rd-minute substitute as England C won the match 3–1 in front of a crowd of 2,711. Style of play
Deployed predominantly as a central midfielder throughout his career, <mask> also played across all of the midfield areas. Manager Graham Westley said that <mask> is a player with "a lot of off-the-ball intelligence" and that he "reads the game well". Coaching career
<mask> gained experience coaching whilst playing at Kettering Town, taking training sessions in January 2012 in the absence of a first-team manager. He gained his UEFA B Licence during his time playing at King's Lynn Town and became the club's first-team coach in February 2015, staying in the role for a year-and-a-half whilst also playing. In May 2017, he took up his first coaching-only role when he joined St Neots Town of the Southern League Premier Division as first-team coach. <mask> left St Neots in order to become head of coaching at League Two club Lincoln City on 13 August 2018.He spent over two years at Lincoln, before being appointed as a coach educator for the Professional Footballers' Association in February 2021. Personal life
He supports Manchester United. Career statistics

A. The "Other" column constitutes appearances and goals (including those as a substitute) in the Conference League Cup, FA Trophy and Football League Trophy. International

Honours
Histon
 Southern Premier League: 2004–05

Kettering Town
 Conference North: 2007–08

Stevenage
 FA Trophy: 2008–09; runner-up: 2009–10
 Conference Premier: 2009–10
 League Two play-offs: 2010–11

St Neots Town
 Huntingdonshire Senior Cup: 2017–18

References

External links

1982 births
Living people
People from Huntingdon
English footballers
England semi-pro international footballers
Association football midfielders
Cambridge United F.C. players
FK Rīga players
Braintree Town F.C. players
Histon F.C.players
Kettering Town F.C. players
Stevenage F.C. players
Chelmsford City F.C. players
Bury Town F.C. players
Brackley Town F.C. players
King's Lynn Town F.C. players
St Neots Town F.C.players
English Football League players
National League (English football) players
Southern Football League players

masks:
David Stephen Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges
David
Bridges
Bridges
Bridges
Bridges
Bridges
Bridges


text_chunks:
<mask> (born February 17, 1972) is an American singer, songwriter, guitarist and actor. He is best known as the lead vocalist, primary songwriter, and lead guitarist of the rock band Green Day, which he co-founded with Mike Dirnt in 1987. He is also a guitarist and vocalist for the punk rock band Pinhead Gunpowder, and provides lead vocals for Green Day's side projects Foxboro Hot Tubs, The Network, The Longshot, and The Coverups. <mask> developed an interest in music at a young age, and recorded his first song at the age of five. He met Dirnt while attending elementary school, and the two instantly bonded over their mutual interest in music, forming the band Sweet Children when the two were 14 years old. The band later changed its name to Green Day. <mask> has also pursued musical projects including numerous collaborations with other musicians.In 1997, to coincide with the release of Nimrod, he founded Adeline Records to help support other bands, signing acts such as The Frustrators, AFI, and Dillinger Four. The record company later shut down in August 2017. Early life
<mask> <mask> was born in Oakland, California, on February 17, 1972, the youngest of six children of Ollie Jackson (born 1932) and Andrew Marciano <mask> (1928–1982). He was raised in Rodeo, California. His father, a jazz musician and truck driver for Safeway, died of esophageal cancer in September 1982, when <mask> was 10 years old. The song "Wake Me Up When September Ends" is a memorial to his father. <mask> has three older sisters named Marci, Hollie, and Anna, and two older brothers named David and Alan.His mother worked as a waitress at Rod's Hickory Pit in El Cerrito, California, where he and Mike Dirnt would play their first gig in 1987. His great-great-grandparents Pietro Marsicano and Teresa Nigro were Italian immigrants from Viggiano who settled in Boston until 1869, when they moved to Berkeley, California. He also meet with Nigro family while he visit Viggiano

<mask> attended Hillcrest Elementary School in Rodeo, where a teacher encouraged him to record a song titled "Look for Love" at the age of five on the Bay Area label Fiat Records. After his father died, his mother married a man whom her children disliked, which resulted in <mask>'s further retreat into music. At the age of 10, he met Dirnt in the school cafeteria, and they immediately bonded over their love of music. He became interested in punk rock after being introduced to the genre by his brothers. He has also cited The Replacements and Hüsker Dü as major musical influences.The first concert he watched was Van Halen in 1984. Along with Hillcrest Elementary, <mask> attended Carquinez Middle School and John Swett High School, both in Crockett, California, and later transferred to Pinole Valley High School in Pinole, California. On his 18th birthday, he dropped out to pursue a musical career. Career
In 1987, aged 15, <mask> formed a band called Sweet Children with his childhood friend Mike Dirnt. In the beginning, <mask> and Dirnt both played guitar, with Raj Punjabi on drums and Sean Hughes on bass. Punjabi was later replaced on drums by John Kiffmeyer, also known as Al Sobrante. After a few performances, Hughes left the band in 1988; Dirnt then began playing bass and they became a three-piece band.They changed their name to Green Day in April 1989, choosing the name because of their fondness for marijuana. In 1989, Green Day released their debut EP 1,000 Hours through Lookout! Records. They recorded their debut studio album 39/Smooth and the extended play Slappy in 1990, which were later combined with 1,000 Hours into the compilation 1,039/Smoothed Out Slappy Hours in 1991. In 1990, <mask> provided lead guitar and backing vocals on three songs for The Lookouts' final EP IV, which featured Tré Cool on drums. Tré became Green Day's drummer in late 1990 after Sobrante left in order to go to college. Cool made his debut on Green Day's second album, Kerplunk (1991).In 1991, <mask> joined the band Pinhead Gunpowder, consisting of bassist Bill Schneider, drummer Aaron Cometbus, and fellow vocalist/guitarist Sarah Kirsch. Kirsch left the group in 1992, and was replaced by Jason White. The group has released several extended plays and albums from 1991 to the present, and performs live shows on an intermittent basis. In 1993, <mask> played live several times with California punk band Rancid. Rancid's lead singer, <mask>, asked <mask> <mask> to join his band, but he refused due to his progress with Green Day. However, <mask> <mask> was credited as a co-writer on Rancid's 1993 song, Radio. With their third LP, Dookie (1994), Green Day broke through into the mainstream, and have remained one of the most popular rock bands of the 1990s and 2000s with over 60 million records sold worldwide.The album was followed by Insomniac (1995), Nimrod (1997), and Warning (2000). <mask> collaborated with many artists. He co-wrote The Go-Go's 2001 song "Unforgiven". He has also co-written songs with Penelope Houston ("The Angel and The Jerk" and "New Day"), and sung backing vocals with Melissa Auf der Maur on Ryan Adams' "Do Miss America" (where they acted as the backing band for Iggy Pop on his album Skull Ring ("Private Hell" and "Supermarket"). <mask> produced an album for The Riverdales. He was part of the Green Day side project The Network from 2003 to 2005, which became active again in 2020. The Network released two albums: 2003's Money Money 2020 and 2020's Money Money 2020 Part II: We Told Ya So!.Hoping to clear his head and develop new ideas for songs, <mask> traveled to New York City alone for a few weeks in 2003, renting a small apartment in the East Village of Manhattan. He spent much of this time taking long walks and participating in jam sessions in the basement of Hi-Fi, a bar in Manhattan. However, the friends he made during this time drank too much for his liking, which was the catalyst for <mask>'s return to the Bay Area. After returning home, <mask> was arrested for driving under the influence on January 5, 2003 and released on $1,200 bail. In 2004, Green Day debuted American Idiot, their first rock opera. The album has sold more than 15,000,000 copies worldwide, fueled by the hit singles "American Idiot", "Boulevard of Broken Dreams" and "Wake Me Up When September Ends". In 2009, Green Day released 21st Century Breakdown, the band's second rock opera, which was another commercial success.Between these two projects, <mask> was the lead vocalist of the Green Day side project Foxboro Hot Tubs, who formed in 2007 and have performed intermittent live shows ever since. Foxboro Hot Tubs released one album, Stop Drop and Roll!! !, in 2008. In 2009, <mask> formed a band called Rodeo Queens, along with members of Green Day and NYC punk rocker Jesse Malin. They released one song, along with a video, called "Depression Times". In 2009, American Idiot was adapted into a Broadway musical, also called American Idiot. The musical won two Tony Awards.<mask> appeared in American Idiot in the role of St. Jimmy for two stints in late 2010 and early 2011. In 2012, Green Day released a trio of albums: ¡Uno!, ¡Dos!, and ¡Tré!. In 2013, <mask> appeared on Season 3 of NBC's The Voice as an assistant mentor for Christina Aguilera's team. In 2013, <mask> and singer-songwriter Norah Jones released the album Foreverly, consisting of covers of songs from The Everly Brothers' album Songs Our Daddy Taught Us. The first single from the album, "Long Time Gone", was released on October 23. <mask> also collaborated with the comedy hip hop group Lonely Island in their song "I Run NY" from The Wack Album released on June 7, 2013. He starred alongside Leighton Meester in the 2014 film Like Sunday, Like Rain.For his work in the film, Bilie <mask> won the Breakout Performance Award at the 2014 Williamsburg Independent Film Festival. <mask> wrote songs for These Paper Bullets, a rock musical adaptation of Much Ado About Nothing, which premiered at Yale Repertory Theater in March 2014. In 2014, <mask> joined The Replacements for a number of shows beginning on April 19 at Coachella. Frontman Paul Westerberg had been suffering with back problems and spent the majority of the gig lying on a sofa while <mask> helped play his parts. Westerberg referred to <mask> as an "expansion of the band". <mask> joined The Replacements on stage again at the Shaky Knees music festival in Atlanta in May. In November 2014, <mask> moved with his son Joseph to New York and began working on another acting role, in the film Ordinary World.It was <mask>'s first lead acting role. The film centers on the mid-life crisis of a husband and father who attempts to revisit his punk past, and was released in 2016. It included new songs written and performed by <mask>. The film got mixed reviews, although <mask>'s own performance was generally praised, with The Village Voice writing that he had "a low-key charm suggesting that, if he desired it, he could get more onscreen gigs in between albums." In October 2016, Green Day released their latest album, Revolution Radio. In July 2017, it was announced <mask> formed a supergroup with <mask> of Rancid, aptly named The Armstrongs. In April 2018, <mask> formed the rock band The Longshot, and on April 20, the band released their debut studio album Love Is For Losers.Shortly after, <mask> announced that he and The Longshot would embark on a summer tour. Aside from <mask>, the band's lineup consists of Kevin Preston and David S. Field of the band Prima Donna on lead guitar and drums, respectively, and longtime Green Day live member Jeff Matika on bass. In 2019, <mask> co-wrote and performed the track "Strangers & Thieves" on the album Sunset Kids by Jesse Malin. Instruments

<mask>'s first guitar was a Cherry Red Hohner acoustic, which his father bought for him. He received his first electric guitar, a Fernandes The Revival RST-50 Stratocaster that he named "Blue", when he was ten years old in 1982, the same year his father died. His mother got "Blue" from George Cole, who taught <mask> playing guitar for 10 years. <mask> says in a 1995 MTV interview, "Basically, it wasn't like guitar lessons because I never really learned how to read music.So he just taught me how to put my hands on the thing." Cole bought the guitar new from David Margen of the band Santana. Cole install the Bill Lawrence L500XL Humbucker pickup in the bridge position at an angle similar to Eddie Van Halen's guitar Frankenstrat which <mask> very influenced by Van Halen. <mask> replace the L500XL with a white Yamaha Pacifica humbucker at Woodstock '94. <mask> later reinstalled the  Bill Lawrence L500XL pickup before recording Insomniac, and used it for a long time after that, although he has switched to a black Seymour Duncan SH-4 JB in 1995, this also inspired Tom DeLonge to put DiMarzio X2N pickup similar to L500XL with rail  at an angle albeit with white color to his famous "Sticker Guitar" Stratocaster in 1995 like <mask>, He toured with this guitar from the band's early days and still uses it to this day. "<mask> fetishized his teacher's guitar, partly because the blue instrument had a sound quality and Van Halen-worthy fluidity he couldn't get from his little red Hohner. He prized it mostly, however, because of his relationship with Cole, another father figure after the death of Andy."Both middle and neck pickups are disconnected and the pickup selector locked in the bridge position, this also apply to his backup guitar and "Blue" copies, mainly Fender Stratocaster. "Blue" appears in a number of Green Day music videos such as "Longview", "Welcome to Paradise", "Basket Case", "Geek Stink Breath", "Stuck with Me", "Brain Stew/Jaded", "Hitchin' a Ride" and most recently in "Minority", "Blue" also  appears on the album cover of Insomniac, the "BJ" initial  on Blue is stand for <mask>, it was inspired by Stevie Ray Vaughan which his Stratocaster has "SRV" initial on pickguard. Today, <mask> mainly uses Gibson and Fender guitars. Twenty of his Gibson guitars are Les Paul Junior models from the mid- to late-1950s. His Fender collection includes: Stratocaster, Jazzmaster, Telecaster, a Gretsch hollowbody,

masks:
Billie Joe Armstrong
Armstrong
Armstrong
Billie Joe
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Tim Armstrong
Billie Joe
Armstrong
Billie Joe
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Joe
Armstrong
Armstrong
Armstrong
Billie Joe
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Tim Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Billie Joe
Armstrong


text_chunks:
 Rickenbacker 360 and his copies of "Blue" from Fender Custom Shop. Recently he has begun giving away guitars to audience members invited to play on stage with Green Day, usually during the songs "Knowledge" or "Longview". He states that his favorite guitar is a 1956 Gibson Les Paul Junior he calls "Floyd".He bought this guitar in 2000 just before recording the album Warning. <mask> also has three of his own Les Paul Junior signature models from Gibson. The first has been in production since 2006 and is modeled closely after "Floyd", <mask>'s original 1956 Les Paul Junior. The second began production in 2012 and is a TV Yellow double-cutaway Junior. Both models include a Gibson "H-90" pickup, exclusive to <mask>'s models. Gibson has also released an extremely limited run of acoustic signature guitars. He plays several other instruments as well as guitar.He recorded harmonica and mandolin parts on (Nimrod and Warning), piano parts on 21st Century Breakdown, American Idiot: The Original Broadway Cast Recording (2010) and ¡Tré!, and plays drums and bass from time to time. Personal life

In June 2018, <mask> was given honorary citizenship of Viggiano, the Italian commune from where his great-great-grandparents hailed, by Viggiano's mayor Amedeo Cicala. <mask> is a member of the board of directors of Project Chimps, a sanctuary for former research chimpanzees funded in large part by the Humane Society of the United States. Business ventures
In 1997, <mask> co-founded Adeline Records, a rock and punk rock record label which had, in recent years, been managed by Pat Magnarella, Green Day's manager. Adeline Records closed in August 2017 following Magnarella's split from Green Day. In April 2015, <mask> opened Broken Guitars, a guitar shop in Oakland, California with fellow Pinhead Gunpowder member and longtime Green Day associate, Bill Schneider. In December 2015, <mask> and Mike Dirnt launched a coffee company, Oakland Coffee Works.The company sells organic coffee beans and is said to be the first company to use mass-produced compostable bags and pods. Fashion

<mask> has been noted for his punk fashion style, which influenced his followers of previous and current generations to the point of being known as an "style icon". He also launched an eye liner with Kat Von D named "Basket Case", which is a cosmetic that he implemented as part of his singing character since his beginnings. Political views
<mask> supported Barack Obama during the 2008 and 2012 presidential elections, and Bernie Sanders in the 2016 presidential election. Following Sanders' failure to become the Democratic nominee, <mask> declared his support for Hillary Clinton. He was critical of Donald Trump during the election and throughout Trump's presidency, calling him a "fascist" and a "puppet of the Illuminati", comparing him to Adolf Hitler, and blaming "uneducated white working-class people" for his rise to power. In a 2017 Rolling Stone interview, he stated that he does not align himself with any political party and described himself as an independent.He again supported Sanders during the 2020 presidential election, later endorsing <mask> after Sanders lost the primary. Relationships and sexuality

<mask> has identified himself as bisexual, saying in a 1995 interview with The Advocate, "I think I've always been bisexual. I mean, it's something that I've always been interested in. I think people are born bisexual, and it's just that our parents and society kind of veer us off into this feeling of, 'Oh, I can't.' They say it's taboo. It's ingrained in our heads that it's bad, when it's not bad at all. It's a very beautiful thing."In an April 2010 interview for Out magazine, he stated, "There were a lot of people who didn't accept it, who were homophobic. The fact that it's an issue is kind of phobic within itself. At some point, you gotta think, this should be something that's just accepted. I don't really classify myself as anything. And when it comes to sex, there are parts of me that are very shy and conservative." In February 2014, he again discussed his bisexuality in a Rolling Stone article about the Green Day album Dookie, which he described as "touch[ing] on bisexuality a lot". About the song "Coming Clean", he said, "It was a song about questioning myself.There are these other feelings you may have about the same sex, the opposite sex, especially being in Berkeley and San Francisco then. People are acting out what they're feeling: gay, bisexual, transgender, whatever. And that opens up something in society that becomes more acceptable. Now we have gay marriage becoming recognized... I think it's a process of discovery. I was willing to try anything." <mask> met his first serious girlfriend, Arica Pelino, at 924 Gilman Street on his 16th birthday.She became known as the "first official Green Day fan" as she listened to the first four-track recordings by <mask> and Sean Hughes, encouraging the band, touring with them and acting as an occasional photographer for them. She inspired many of Green Day's well-known songs, including "Christie Road", which was written about the local railroad tracks where she and <mask> would sneak out to meet. When <mask> began living in punk houses and warehouses at the age of seventeen, including the warehouse above a West Oakland brothel which ultimately inspired the song "Welcome to Paradise", she would often stay with him despite the dangers of doing so, later saying, "I would stay with him sometimes in these warehouses full of crusty punks." The couple split in late 1991. Arica is the sister of former Green Day touring member Mike Pelino and the sister-in-law of Janna White, who is married to Green Day touring guitarist Jason White. Shortly after his split with Pelino, <mask> met a woman he has identified only as "Amanda" at 924 Gilman Street, and they began dating. Amanda produced and distributed her own fan zine and was an "iron-willed" feminist, which enthralled <mask>.Amanda, however, was unimpressed with <mask>; though the couple dated for some time, she ultimately dumped him in 1994 and joined the Peace Corps, leaving him feeling suicidal. <mask> stated in an interview with Spin about the inspiration behind the Green Day song "Armitage Shanks" in 1995: "It was right before Dookie came out and I was really at odds with myself. I was like, 'Man, do I really want to do this?' A lot of time I was thinking about suicide, how it's so easy to kill yourself, but it's so hard to stay alive. I was in a break-up with my then-girlfriend, a total, raving punk rocker who didn't approve of me being on a major label. She moved down to Ecuador saying she couldn't live in a world with McDonald's and such. It was fucking me up pretty bad."<mask> has written many songs about Amanda, both during their relationship and afterwards, including "She", "Good Riddance", "Stuart and the Ave", "Sassafras Roots", "Amanda", "She's a Rebel", "Extraordinary Girl", and "Whatsername". The character of Whatsername on the album American Idiot, and in the American Idiot musical, is based on Amanda. In 1990, <mask> met Adrienne Nesser (the sister of professional skateboarder Steve Nesser) at one of Green Day's early performances in Minneapolis. They married on July 2, 1994, with Nesser discovering that she was pregnant the day after their wedding. Their first son, Joseph Marciano "<mask>" <mask>, was born on February 28, 1995. He would go on to play drums in the Oakland-based band SWMRS until accusations of sexual misconduct and coercion were made against him in 2020. Their second son, Jakob Danger <mask>, was born on September 12, 1998; he is a guitarist and singer-songwriter who released his first material online in 2015 and currently plays with the band Mt.Eddy. In a February 2014 interview with Rolling Stone, <mask> described his sudden marriage and fatherhood: "I was very impulsive at that time. I think that impulsive behavior was meant to counteract the chaos in my life." Controversies

Substance abuse
On September 21, 2012, during a Green Day performance at Las Vegas' iHeartRadio Music Festival, <mask> became agitated onstage and stopped the band's set midway through their performance of the 1994 hit song "Basket Case". In an expletive-filled rant, <mask> criticized the event's promoters for allegedly cutting short the band's performance, before smashing his guitar and storming off stage. The band later issued a statement apologizing for the incident and clarifying that their set had not actually been cut short. The incident occurred just four days prior to the release of Green Day's ninth studio album, ¡Uno!Two days after the incident at the iHeartRadio Music Festival, Green Day announced that <mask> was seeking treatment for an unspecified substance abuse problem. As a result, scheduled appearances on Jimmy Kimmel Live and The Ellen DeGeneres Show were canceled. According to Claudia Suarez Wright, Tre Cool's ex-wife and the mother of <mask>'s godson, <mask> had been drinking heavily in Las Vegas prior to the iHeartMusic Festival, following approximately one year of sobriety. <mask> gave an interview to Rolling Stone in March 2013 in which he said that he had "been trying to get sober since 1997, right around Nimrod". He discussed how, during the 21st Century Breakdown tour of 2009–2010, "There were meltdowns on that tour that were huge". <mask> detailed his addiction, in particular how it had escalated in the months prior to the release of the ¡Uno!, ¡Dos!, and ¡Tre! albums and the performance at iHeartRadio, stating that during the band's 2011 summer tour of Europe, "I was at my pill-taking height at that time, medicating the shit out of myself".<mask> gave details of a gig at Irving Plaza in New York just over a week before the iHeartRadio incident, in which he "Threw back four or five beers before we went on and probably had four or five when we played. Then I drank my body weight in alcohol after that. I ended up hungover on the West Side Highway, laying in a little park." Green Day canceled all remaining concert dates for 2012 and early 2013 as <mask> continued dealing with his personal problems. In late December 2012, the band announced they would return to touring at the end of March 2013. <mask> later said that the substances he had been abusing were alcohol and prescription pills for anxiety and insomnia. Awards

Discography

Solo releases
Albums
 Foreverly (2013, with Norah Jones)
 No Fun Mondays (2020)

Singles
 "Look for Love" (1977)
 "Long Time Gone" (2013)
 "I Think We're Alone Now" (2020)
 "Manic Monday" (2020)
 "That Thing You Do!(2020)
 "Kids in America" (2020)
 "You Can't Put Your Arms Around a Memory" (2020)
 "Corpus Christi" (2020)
 "War Stories" (2020)
 "Amico" (2020)
 "Not That Way Anymore" (2020)
 "That's Rock 'n' Roll" (2020)
 "Gimme Some Truth" (2020)
 "A New England" (2020)

Green Day

 39/Smooth (1990) – lead vocals, guitar
 Kerplunk! (1991) – lead vocals, guitar, drums on "Dominated Love Slave"
 Dookie (1994) – lead vocals, guitar, percussion on "All by Myself" (hidden track)
 Insomniac (1995) – lead vocals, guitar
 Nimrod (1997) – lead vocals, guitar, harmonica
 Warning (2000) – lead vocals, mandolin, guitar, piano, harmonica
 American Idiot (2004) – lead vocals, guitar, piano
 21st Century Breakdown (2009) – lead vocals, guitar, piano
 American Idiot: The Original Broadway Cast Recording (2010) – vocals, guitar, piano
 ¡Uno! (2012) – lead vocals, guitar
 ¡Dos! (2012) – lead vocals, guitar, piano
 ¡Tré! (2012) – lead vocals, guitar, piano
 Revolution Radio (2016) – lead vocals, guitar, piano
 Father of All Motherfuckers (2020) - lead vocals, guitar
 BBC Sessions (Live) (2021) - lead vocals, guitar

Pinhead Gunpowder
Vocals and guitar on all

 Jump Salty (1994)
 Carry the Banner (1994)
 Goodbye Ellston Avenue (1997)
 Shoot the Moon (EP) (1999) – also production
 Compulsive Disclosure (2003)
 West Side Highway (EP) (2008)

The Network
 Money Money 2020 (2003) – guitar, vocals
 Trans Am (EP) (2020)
 Money Money 2020 Part II: We Told Ya So! (2020) -  lead vocals, lead guitar, backing vocals, drums

Foxboro Hot Tubs
 Stop Drop and Roll!!! (2008) – lead

masks:
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Joe Biden
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Joey
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong
Armstrong


text_chunks:
<mask> (October 4, 1927 – January 19, 2022) was an American architect who was a longstanding member of the American Institute of Architects College of Fellows. Among other works, Dworsky designed Crisler Arena, the basketball arena at the University of Michigan named for Dworsky's former football coach, Fritz Crisler. Other professional highlights include designing Drake Stadium at UCLA, the Federal Reserve Bank in Los Angeles and the Block M seating arrangement at Michigan Stadium. He is also known for a controversy with Frank Gehry over the Walt Disney Concert Hall. Previously, <mask> was an American football linebacker, fullback and center who played professional football for the Los Angeles Dons of the All-America Football Conference in 1949, and college football for the Michigan Wolverines from 1945 to 1948. He was an All-American on Michigan's undefeated national championship teams in 1947 and 1948. College football at the University of Michigan
Born in Minneapolis, Minnesota in 1927, Dworsky lived in the Twin Cities and Sioux Falls, South Dakota before attending the University of Michigan.Dworsky was a four-year starter for Fritz Crisler's Michigan Wolverines football teams from 1945 to 1948. He played linebacker, fullback, and center for the Michigan Wolverines and was a key player on the undefeated 1947 and 1948 Michigan football teams that won consecutive national championships. The 1947 team, anchored by Len Ford, Alvin Wistert, <mask> and Rick Kempthorn, has been described as the best team in the history of Michigan football. Dworsky won a total of six varsity letters at Michigan, four in football and two in wrestling where he competed in the heavyweight division. Dworsky is among the famous Jews in football, and has been extensively profiled in encyclopedic Jewish publications. Dworsky married the former Sylvia Ann Taylor on August 10, 1957. The couple has three children: Douglas, Laurie and Nancy.They resided in Los Angeles. 1947 season

The 1947 Michigan Wolverines football team went 10–0 and outscored their opponents 394 to 53. Dworsky led a defensive unit that gave up an average of 5.3 points per game and shut out Michigan State (55–0), Pitt (60–0), Indiana (35–0), Ohio State (21–0), and USC (49–0). He also played fullback and center for the 1947 team and was named a third team All-American by the American Football Coaches Association. In a 1988 interview with the Los Angeles Times, Dworsky described the 1947 team's defensive scheme as follows: "We were an intelligent team and we had some complex defenses, the nature of which you see today. I called the defensive signals and we would shift people, looping, or stunting." After going undefeated and winning the Big Ten championship, Michigan was invited to Pasadena to face the USC Trojans in the 1948 Rose Bowl—the Wolverines' first bowl game since 1901.Just before Christmas, the team boarded a train in Ann Abor for a three-day trip across the country. With little to do on the train, Alvin Wistert recalled that Dworsky entertained the team with music. "<mask>y was a piano player. We'd gather around and sing. There was a piano in the last car." After the long trip, the Wolverines beat the Trojans 49–0. Dworsky recalled that the coaching staff did an excellent job of scouting the Trojans."When we went to the Rose Bowl, we had USC down pat. We knew their system as well as they did." The Trojans gained only 91 yards rushing and 42 yards passing, moving past midfield only twice. Dworsky played center during the Rose Bowl, blocking USC's All-American tackle (and future Los Angeles city councilman), John Ferraro. In Dworsky's collegiate days, the final national rankings were determined before the bowl games. At the end of the regular season in 1947, Michigan was ranked No. 2 behind Notre Dame, but after defeating USC 49–0 in the Rose Bowl, the Associated Press held a special poll, and Michigan replaced Notre Dame as the national champion by a vote of 226 to 119.Dworsky later noted, "Notre Dame still claims that national championship and so do we." 1948 season
The 1948 Michigan Wolverines football team went 9–0 and outscored their opponents 252 to 44. The defensive unit led by Dworsky held its opponents to just 4.9 points per game, including shutouts against Oregon (14–0), Purdue (40–0), Northwestern (28–0), Navy (35–0), and Indiana (54–0). The 1948 Wolverines finished the season ranked No. 1 by the AP, but Big Ten Conference rules prohibited a team from playing in the Rose Bowl two years in a row. Dworsky did, however, play in the 1948 Blue–Gray All Star game. Relationship with Fritz Crisler
Dworsky was a four-year starter under Michigan's legendary coach, Fritz Crisler.<mask> later said that Crisler's "real genius" was in blending all the elements. The 1947 championship team included several older veteran players who had returned from military service. Dworsky recalled: "About half of us were 18-year old kids, and half were veterans. We had guys who were serious guys and guys who were excitable. Fritz struck a balance, so we never had to be pushed, but we never lost our focus either." Dworsky recalled: "Crisler was not only an intellectual in strategy, but also in the way he ran practices.... He ran practices rigidly and we called him 'The Lord'.He would allow it to rain, or not. He was a Douglas MacArthur-type figure, handsome and rigid.... I sculpted him and gave him the bust in 1971." Dworsky also kept another bust of Crisler in his office. Professional football with the Los Angeles Dons
In 1949, Dworsky was the first round draft pick of the Los Angeles Dons of the All-America Football Conference. The Dons were the first professional football team in Los Angeles. Dworsky played eleven games with the Dons in 1949, his only season in professional football.Dworsky played linebacker and blocking back for the Dons and had one interception and one kick return for 14 yards. The AAFC disbanded after the 1949 season, and Dworsky turned down an offer from the Pittsburgh Steelers to return to the University of Michigan where he graduated in 1950 with a degree in architecture. Dworsky later noted: "It was a toss-up whether I would become a pro football player or an architect. Being a linebacker is good conditioning for a young designer. You learn to block the bull coming at you from all sides." Career as an architect

Overview of Dworsky's practice
After receiving his degree in architecture in 1950, Dworsky moved to Los Angeles and served as an apprentice in the early 1950s with prominent local early modernists William Pereira, Raphael Soriano, and Charles Luckman. In 1953, Dworsky began his own architecture firm in Los Angeles, known as Dworsky Associates.The firm grew into one of the most prominent architectural firms in California, creating major public buildings in California. Dworsky Associates won the 1984 Firm of the Year Award from the California Council of the American Institute of Architects. In September 2000, Dworsky Associates merged with CannonDesign and ceased to operate as an independent firm. Architectural style
Dworsky belongs to the generation of post-World War II modernists that took its cues from the 1920s German Bauhaus and the French-Swiss master Le Corbusier. In 1988, Dworsky noted: "I am most intrigued by the essential mystery of architecture. For me, built space will always be a kind of theater, a stage on which life is played, and played out. That's why I keep on being an architect.Asked what inspires his architecture, <mask> said he draws from the "solid, resolved concepts" of modern designers such as Le Corbusier and Marcel Bruer, while being encouraged on occasion to experiment by such "new wave" designers as Frank Gehry and Eric Owen Moss. Crisler Arena and the Block "M"

<mask>'s first major commission was to design a basketball arena for his alma mater, the University of Michigan. The members of the 1947 Michigan Wolverines football team had reunions with Fritz Crisler every five years in Ann Arbor, and it was at one of those reunions that Crisler (by then the school's athletic director) gave Dworsky one of his big breaks, asking him to design the arena. Built in 1967, the arena was named Crisler Arena, as a tribute to the coach. Dworsky's design of the arena was well received and was said to demonstrate "his ability to combine majesty of scale with human accessibility". The roof of Crisler Arena is made of two plates, each weighing approximately 160 tons. The bridge-like construction allows them to expand or contract given the change of seasons or the weight of the snow.Crisler Arena remains the home of Michigan's basketball team and houses memorabilia and trophies from all Wolverine varsity athletic teams. In 1965, the wooden benches at Michigan Stadium were replaced with blue fiberglass benches. Dworsky designed a yellow "Block M" for the stands on the eastern side of the stadium, just above the tunnel. Drake Stadium at UCLA
After his work on Crisler Arena, Dworsky was commissioned by UCLA to design a track and field stadium on the university's central campus. Dworsky designed the stadium, known as Drake Stadium. Since its inaugural meet on February 22, 1969, the stadium has been the site of numerous championship meets, including the National AAU track & field championships in 1976, 1977, and 1978. It is also used each year for special campus events, such as the annual UCLA Commencement Exercises in June.Walt Disney Concert Hall controversy

In February 1989, the Walt Disney Concert Hall Committee selected Dworsky as executive architect to work with designated architect Frank Gehry in designing the future home of the Los Angeles Philharmonic. Dworsky was selected to translate Gehry's conceptual designs into working drawings that would meet building code specifications. By 1994, the cost of the project had skyrocketed to $160 million (it eventually reached $274 million), and controversy halted the project. By 1996, a major donor was sought to complete the project by 2001 (four years behind schedule). Gehry and his design came under fire, and some considered him a spoiled, impractical artist. Gehry publicly blamed Dworsky: "The executive architect was incapable of doing drawings that had this complexity. We helped select that firm.I went to <mask>, supposedly a friend, and I said, 'This is going to fail and we now have the capability to do it, so let us ghost-write it.'" Dworsky refused. Gehry was also quoted in the Los Angeles Times as saying: "We had the wrong executive architect doing the drawings. I helped pick him, I'm partly responsible. It brought us to a stop."" Gehry told Los Angeles magazine in 1996 that he "no longer speaks to his former friend (Dworsky)". Gehry continued his public attacks on Dworsky: "He (Dworsky) made a lot of money.He begged me for the job. I'd like to shoot him." <mask> was eventually told to stop working on the drawings before he completed them, but he defended himself against Gehry's criticism. "Knowledgeable people were supportive of us. They were saying it's a very complex and unusual design, and they can understand the difficulties in trying to achieve this within a limited budget and a limited schedule. It was unfortunate that Frank came out with his criticism, but he was the center of the storm, having designed the building, and he was just trying to lessen the blame on himself." <mask> also told the Los Angeles Times: "This is a one-of-a-kind building.You just don't simply open up the plans and understand them quickly." Dworsky's allies refer to Gehry's work as "confusing". Disney Hall official Frederick M. Nicholas also defended Dworsky's work against Gehry's attacks, denying that there were any problems with the Dworsky drawings not attributable to fast-tracking. Nicholas said: "They were not 'bad' drawings. It was a question of the subs not understanding them." Personal life and death
<mask> died in Los Angeles on January 19, 2022, at the age of 94. Major works
The major works credited to Dworsky and his firm include the following:
 The Jerry Lewis Neuromuscular Research Center at UCLA (1979).The Tom Bradley International Terminal at Los Angeles International Airport (1984). A  planned community complex for the California School for the Blind in Fremont, California. The design won a merit award from the California AIA. The Theater Arts Building at California State University Dominguez Hills. Dworsky cited the theater as one of his favorite projects. Photograph of Building
 The Angelus Plaza residential complex in the Bunker Hill area of downtown Los Angeles (1982) Photograph of Building
 The Ventura County Jail. The Los Angeles Branch of the Federal Reserve Bank located at Grand Avenue and Olympic Boulevard in downtown Los Angeles (1987).Dworsky Associates won several awards for its design of the , $50 million building. Photograph of Building
 The Northrop Electronics Division Headquarters in Hawthorne, California. Dworsky Associates received a Gold Nugget Grand Award for Best Commercial Office Building and top honors in the Crescent Architecture Awards competition for the design. The Kilroy Airport Center in Long Beach, California, a complex of office buildings fronting the 405 Freeway with direct runway access to the Long Beach Airport for private aircraft (1987). Photograph of Building
 The Westwood Terrace building on Sepulveda Boulevard in West Los Angeles, California occupied by New World Entertainment.Photograph of Building
 The 20-story City Tower in Orange, California near the intersection of the Garden Grove (22) and Santa Ana (5) freeways in Orange County. Photograph of Building
 The Home Savings building on Ventura Boulevard in Sherman Oaks, California. The Metropolitan, a 14-story upscale rental complex in downtown Los Angeles’ South Park area.The Van Nuys Municipal Court building in Van Nuys, California. Dworsky Associates received the Kaufman & Broad Award for Outstanding New Public or Civic Project for the design. The Federal Office Building in Long Beach, California. Dworsky Associates was awarded a 1992 Design Award from the General Services Administration for its design of the federal building. The renovation of the Carnation Building at 5055 Wilshire Boulevard in Hollywood. The renovated building was occupied by The Hollywood Reporter, Billboard, and other entertainment industry companies. The Beverly Hills Main Post Office in Beverly Hills, California.Dworsky Associates received a Beautification Award from the Los Angeles Business Council for the design. The San Joaquin County Jail in French Camp, California. Shortly after the prison opened, six prisoners escaped after cutting through a one-inch bar in the dayroom with a hacksaw. The prison break led to finger-pointing among the construction firm, the architect, and the prison guards over who was responsible for the lapse in security. The UC Riverside Alumni and Visitors Center (1996). Photographs
 The Thousand Oaks Civic Arts Plaza, a project on which Dworsky Associates teamed with New Mexico architect Antoine Predock. The New Mexico chapter of the AIA gave Predock and Dworsky Associates an award in 1996 for their work on the Civic Arts Plaza.The Calexico Port of Entry building in Calexico, California. The innovative design won the highest award from the California AIA, and it won a Presidential Design Award from President Bill Clinton. Photos and Drawings of Award Winning Calexico Port of Entry
 Beckman Hall at Chapman University in Orange, California (1999). Photograph of Building
 The Lloyd D. George Federal Courthouse in Las Vegas, Nevada (2000). Photographs of Courthouse
 The Hollywood-Highland station on the Metro B Line in the heart of Hollywood. Photograph of Station

Awards and honors
Dworsky has received numerous national, regional and community awards for design excellence, including the following:
 Dworsky's numerous award-winning projects in his first 14 years of practice led to his election to the American Institute of Architects College of Fellows at the early age of 41. Gold Medal Award from the Los Angeles Chapter of the American Institute of Architects
 Lifetime Achievement Award for Distinguished Service from the American Institute of Architects, California Council, awarded in 2004.In granting the award, the Council noted that Dworsky had "made a major, positive impact on California architecture" and his "strong, simple sculpted work has provided a compelling statement for California architecture the past half century". He was voted one of the twelve most distinguished architects in Los Angeles. Dworsky Associates won the 1984 Firm of the Year Award from the American Institute of Architects, California Council, for "excellence in design of distinguished architecture" and reaching for a livelier style beyond the boundaries of conventional modernism. He was honored by the Southern California Institute of Architecture in May 1986 for his professional accomplishments and his efforts on behalf of the school's scholarship program. Dworsky was awarded a $3.5 million grant by the California Board of Corrections in 1982 to study the idea of the modular jail. Dworsky served on the Architectural Evaluation Board for the County of Los Angeles. Dworsky also served on the board of directors and the "directors circle" of the Southern California Institute of Architecture.Notes

External links
 Photo of Soboleski, Dworsky, Wistert, Elliott and Crisler at 1948 Rose Bowl
 Photo of 1948 Rose Bowl Team - <mask> 3rd from left in back row

1927 births
2022 deaths
20th-century American architects
21st-century American Jews
American football centers
Architects from California
Los Angeles Dons players
Michigan Wolverines football players
Players of American football from Minneapolis
Sportspeople from Sioux Falls, South Dakota
Jewish American sportspeople
Jewish architects
Taubman College of Architecture and Urban Planning alumni
American wrestlers
Players of American football from South Dakota
Players of American football from Los Angeles

masks:
Daniel Leonard Dworsky
Dworsky
Dworsky
Dan Dworsk
Dworsky
Dworsky
Dworsky
Daniel
Dworsky
Dworsky
Dworsky
Dworsky


text_chunks:
<mask> ( Hīllēl; variously called <mask>, <mask>aken, <mask> or HaBavli, was born according to tradition in Babylon c. 110 BCE, died 10 CE in Jerusalem) was a Jewish religious leader, sage and scholar associated with the development of the Mishnah and the Talmud and the founder of the House of Hillel school of tannaim. He is popularly known as the author of two sayings:  (1) "If I am not for myself, who will be for me? And being only for myself, what am I? And if not now, when?" and (2) the expression of the ethic of reciprocity, or "Golden Rule": "That which is hateful to you, do not do to your fellow. That is the whole Torah; the rest is the explanation; go and learn." Biography
<mask> was born in Babylon.According to the Talmud, he descended from the Tribe of Benjamin on his father's side, and from the family of David on his mother's side. When Josephus speaks of <mask>'s great-grandson, Rabban Shimon ben Gamliel I, as belonging to a very celebrated family, he probably refers to the glory the family owed to the activity of <mask> and Rabban Gamaliel Hazaken. Only <mask>'s brother Shebna is mentioned; he was a merchant, whereas <mask> devoted himself to studying the Torah whilst also working as a woodcutter. <mask> lived in Jerusalem during the time of King Herod and the Roman emperor Augustus. In the Midrash compilation Sifre, the periods of <mask>'s life are made parallel to those in the life of Moses. Both lived 120 years, and at the age of forty <mask> went to the Land of Israel; forty years he spent in study; and the last third of his life he was the spiritual head of the Jewish people. A biographical sketch can be constructed; that <mask> went to Jerusalem in the prime of his life and attained a great age.His 40 years of leadership likely covered the period of 30 BCE to 10 CE. According to the Mishnah, <mask> went to Jerusalem with the intention of studying biblical exposition and tradition at the age of 40 in 70 BCE. The difficulties <mask> had to overcome to gain admittance to the school of Sh'maya and Abtalion, and the hardships he suffered while pursuing his aim, are told in the Talmud. Some time later, <mask> succeeded in settling a question concerning the sacrificial ritual in a manner that showed his superiority over the Bnei Bathyra, who were at that time the heads of the Sanhedrin. On that occasion, it is narrated, they voluntarily resigned their position as Nasi (President) in favor of <mask>. After their resignation, <mask> was recognized as the highest authority among the Pharisees (predecessors to Rabbinic Judaism). <mask> was the head of the great school, associated at first with Menahem the Essene (who might be the same Menahem the Essene as the one mentioned by Flavius Josephus in relation to King Herod), and later with Shammai (Hillel's peer in the teaching of Jewish Law).According to the Jerusalem Talmud (Nedarim 5:6), <mask> the Elder had eighty pairs of disciples, the greatest of whom being Jonathan ben Uzziel, while the least of whom was Yohanan ben Zakkai. Whatever <mask>'s position, his authority was sufficient to introduce those decrees handed down in his name. The most famous of his enactments was the Prozbul, an institution that, in spite of the law concerning cancellation of debts in the Sabbatical year ensured the repayment of loans. The motive for this institution was the "repair of the world", i.e., of the social order, because this legal innovation protected both the creditor against the loss of his property, and the needy against being refused the loan of money for fear of loss. A similar tendency is found in another of Hillel's institutions, having reference to the sale of houses. These two are the only institutions handed down in Hillel's name, although the words that introduce the prozbul show that there were others. Hillel's judicial activity may be inferred from the decision by which he confirmed the legitimacy of some Alexandrians whose origin was disputed, by interpreting the marriage document (ketubah) of their mother in her favor.No other official acts are mentioned in the sources. According to the Midrash <mask> lived to be 120 years old, like Moses, Yohanan ben Zakkai, and Rabbi Akiva. Notable sayings

Some of <mask> the Elder's teachings remain commonly known. However, at least two other notable Hillels came after him, and some scholars have suggested that some sayings attributed to "<mask>" may have originated from them. The saying of <mask> that introduces the collection of his maxims in the Mishnaic treatise Pirkei Avot mentions Aaron HaKohen (the high priest) as the great model to be imitated in his love of peace, in his love for his fellow man, and in his leading mankind to a knowledge of the Law (Pirkei Avoth 1:12). In mentioning these characteristics, which the aggadah attributes to Moses' brother, Hillel stated his own prominent virtues. He considered "love of his fellow man" the kernel of Jewish teaching.The Golden Rule

The comparative response to the challenge of a prospective convert who asked that the Torah be explained to him while he stood on one foot, illustrates the character differences between Shammai and <mask>. Shammai dismissed the man. <mask> gently chastised the man, saying: "What is hateful to you, do not do to your fellow: this is the whole Torah; the rest is the explanation; go and learn." Love of peace

The exhortation to love peace emanated from <mask>'s most characteristic traits—from that proverbial meekness and mildness—as in the saying: "Let a man be always humble and patient like <mask>, and not passionate like Shammai". <mask>'s gentleness and patience are illustrated in an anecdote that describes how two men made a bet on the question of whether <mask> could be made angry. Though they questioned him and made insulting allusions to his Babylonian origin, they were unsuccessful. Obligations to self and others
From the doctrine of man's likeness to God, Hillel deduced man's duty to care for his own body.According to Midrash Leviticus rabbah he said "As in a theater and circus the statues of the king must be kept clean by him to whom they have been entrusted, so the bathing of the body is a duty of man, who was created in the image of the almighty King of the world." In this work, <mask> calls his soul a guest upon earth, toward which he must fulfill the duties of charity. In Avot, Hillel stated  "If I am not for myself, who is for me? And being for my own self, what am ‘I’? And if not now, when?" The third part contains the admonition to postpone no duty, the same admonition he gave with reference to study: "Say not, 'When I have free time I shall study'; for you may perhaps never have any free time." The precept that one should not separate oneself from the community, Hillel paraphrases (referencing ) in the following saying: "Appear neither naked nor clothed, neither sitting nor standing, neither laughing nor weeping."Man should not appear different from others in his outward deportment; he should always regard himself as a part of the whole, thereby showing that love of man Hillel taught. The feeling of love for one's neighbor shows itself also in his exhortation (Avot 2:4). How far his love of man went may be seen from an example that shows that benevolence must be given with regard to the needs of the poor. Thus, Hillel provided a riding horse to a man of good family who became poor, in order that he not be deprived of his customary physical exercise; he also gave him a slave, that he might be served. Other maxims
 "Don't trust yourself until the day you die". "Do not judge your fellow until you are in his place." "Whosoever destroys one soul, it is as though he had destroyed the entire world.And whosoever saves a life, it is as though he had saved the entire world." "A name gained is a name lost." "Where there are no men, strive to be a man!" "My humiliation is my exaltation; my exaltation is my humiliation." The study of Torah
The many anecdotes according to which <mask> made proselytes, correspond to the third part of his maxim: "Bring men to the Law." A later source (Avot of Rabbi Nathan) gives the following explanation of the teaching: <mask> stood in the gate of Jerusalem one day and saw the people on their way to work. "How much," he asked, "will you earn to-day?"One said: "A denarius"; the second: "Two denarii." "What will you do with the money?" he inquired. "We will provide for the necessities of life." Then said he to them: "Would you not rather come and make the Torah your possession, that you may possess both this and the future world?" This narrative has the same points as the epigrammatic group of <mask>'s sayings (Avot 2:7) commencing: "The more flesh, the more worms," and closing with the words: "Whoever has acquired the words of the Law has acquired the life of the world to come." In an Aramaic saying <mask> sounds a warning against neglect of study or its abuse for selfish purposes: "Whoever would make a name (i.e.glory) loses the name; he who increases not [his knowledge] decreases; whoever learns not [in Avot of Rabbi Nathan 12: "who does not serve the wise and learn"] is worthy of death; whoever exploits for his own use the crown (of Torah) perishes" (Avot 1:13). Halachic teachings
Only a few halachic decisions have been handed down under <mask>'s name; but there can be no doubt that much of the oldest anonymous traditional literature was due directly to him or to the teachings of his masters. The fixation of the hermeneutical norms for Midrash and halakhic scripture exposition was first made by <mask>, in the "seven rules of Hillel," which, as is told in one source, he applied on the day on which he overcame the Bnei Bathyra. On these seven rules rest the thirteen of R. Ishmael; they were epoch-making for the systematic development of the ancient Scripture exposition. Hillel's influence: "House of Hillel" vs. "House of Shammai"

Hillel's disciples are generally called the "House of Hillel", in contrast to Shammai's disciples, the "House of Shammai". Their controversies concern all branches of the Jewish law. Hillel's sandwich

During the Passover Seder (the annual commemoration of the Exodus from Egypt), one re-enacts ancient customs in the Haggadah.In the section of Korech, or 'sandwich', participants are instructed to place bitter herbs between two pieces of matzo and eat them after saying in Hebrew: This is a remembrance of <mask> in Temple times—This is what <mask> did when the Temple existed: He enwrapped the Paschal lamb, the matzo and the bitter herbs to eat them as one, in fulfillment of the verse, "with matzot and maror they shall eat it. "(Numbers 9:11). This sandwich apparently refers to traditional soft matzot rather than modern crisp matzot, and so would have borne a striking resemblance to a modern shawarma. In modern times, when there is no paschal lamb, the Babylonian Talmud requires the practice of emulating Hillel's example by making a sandwich of matzo and maror (the "bitter herbs": either lettuce, endive, or horseradish). The maror, if lettuce or endive, is dipped in the meal's traditional charoset (a finely chopped sweet mixture of fruits and nuts; among Ashkenazi Jews it is typically made of apples, walnuts, red wine, cinnamon, and honey) just before the sandwich is made. In Ashkenazi families where grated horseradish is used for the maror instead of lettuce or endive, the maror cannot be dipped in the charoset, so it is the custom to spread the bottom piece of matzah with horseradish maror, cover it with a pile of charoset, and top it with another piece of matzah to make a hot-sweet sandwich. 'Rabbi' <mask>
<mask> was never referred to as "Rabbi Hillel" in classical times or among early rabbinic sources.It was said about <mask> that his reputation was a greater honor than any rabbinic title would have been (גדול מרבן שמו). Nevertheless, in the modern era, when anecdotes of his life are recounted or his sayings are quoted by non-Orthodox writers, he is sometimes given the anachronistic title "rabbi". In contemporary culture
<mask>'s reputation is such that his influence extends beyond Judaism and has entered into popular culture. Beginning in the late 1940s, soap-maker Emanuel Bronner (February 1, 1908 – March 7, 1997), a German-Jewish immigrant to the United States, featured the maxims of Hillel on millions of product labels. He referred to these as "<mask>'s Moral ABC." The label texts were later collected into a self-published book titled The Moral ABC I & II by Dr. Emmanuel Bronner. On page 23, Bronner wrote, "<mask> taught Jesus to unite the whole human race in our Eternal Father's great, All-One-God-Faith."On page 39, he stated that "Small minds discuss people. Average minds discuss events. Great minds teach <mask>'s Moral ABC." These references to 'Rabbi' Hillel remain in print in the book and on the million more soap labels manufactured since Dr. Bronner's death. In The Chosen Image: Television's Portrayal of Jewish Themes and Characters by Jonathan Pearl and Judith Pearl (MacFarland, 2005), the authors mention "episodes of [the 1960s series] 'Have Gun – Will Travel' [in which] Paladin, the program's erudite gunslinger [...] employs an adage from the sage Hillel"—and they continue by noting that "<mask>'s popularity as disseminator of wisdom extended to a 1973 episode of 'Medical Center,' where series star Dr. Gannon appears to be an admirer of him as well"
 In a National Public Radio transcript of a broadcast called "Modern Lessons From Hillel," which originally aired on the news show All Things Considered with co-hosts Melissa Block and Robert Siegel on September 7, 2010, Siegel said: "Well, I mentioned something that a great Jewish sage, <mask>, said not long before the time of Jesus. A man asked <mask> to teach him the entire Torah, the five books of Moses, while standing on one foot. ..."
 In The Jewish Story Finder: A Guide to 668 Tales Listing Subjects and Sources by Sharon Barcan Elswit (McFarland, 2012), the famous story of the man who stands on one foot is told, including this passage, "The man then goes to the great <mask>.He tells <mask> that he does not have much time. ... <mask> replies ..."
 In "Do Justly, Love Mercy, and Walk Humbly with God," Dale Gunnar Renlund  of the Quorum of the Twelve Apostles of The Church of Jesus Christ of Latter-day Saints, spoke about <mask> the <mask> to a worldwide audience in a live broadcast of General Conference in October 2020: "The importance of not mistreating others is highlighted in an anecdote about <mask> the Elder, a Jewish scholar who lived in the first century before Christ. One of <mask>’s students was exasperated by the complexity of the Torah—the five books of Moses with their 613 commandments and associated rabbinic writings. The student challenged <mask> to explain the Torah using only the time that Hillel could stand on one foot. <mask> may not have had great balance but accepted the challenge. He quoted from Leviticus, saying, “Thou shalt not avenge, nor bear any grudge against the children of thy people, but thou shalt love thy neighbour as thyself.” <mask> then concluded: “That which is hateful unto you, do not do to your neighbor.This is the whole of the Torah; the rest is commentary. Go forth and study.”
In Episode 5 of the Christian television drama The Chosen, Hillel's phrase "If not now, when?" is a key line exchanged between Jesus and Mary. In the second season, Pharisees Yanni and Shmuel discuss the politics of the Sanhedrin, which they see as dividable into two schools of thought: The School of Hillel and the School of Shammai. See also
 Pharisees
 Prozbul
 Simeon ben Hillel

References

Sources

External links

 "Hillel: Foundations of Rabbinic Culture," Video Lecture by Dr. Henry Abramson
 Jewish Encyclopedia: Hillel
 Jewish Encyclopedia: Bet Hillel and Bet Shammai

110s BC births
10s deaths
2nd-century BC philosophers
1st-century BC philosophers
1st-century philosophers
Mishnah rabbis
Jewish philosophers
Jewish scholars
2nd-century BCE rabbis
1st-century rabbis
Longevity claims
1st-century BCE rabbis
People from Babil Governorate
Zugot
110 BC births
Davidic line
Sanhedrin

masks:
Hillel
Hillel HaGadol
Hillel HaZ
Hillel HaBavli
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Hillel
Rabbi Hillel
Rabbi Hillel
Rabbi Hillel
Rabbi Hillel
Rabbi Hillel
Rabbi Hillel
Rabbi Hillel
Hillel
Rabbi Hillel
Hillel
Elder
Hillel
Hillel
Hillel
Hillel
Hillel


text_chunks:
<mask> (November 25, 1873 – June 29, 1945), was the most decorated American painter ever at the French Academy, winning the Prix De Rome, four gold medals and five cash prizes. He was born in Denmark, Iowa and taught, lived and worked for many years in Chicago. His masterpiece is the programme of eleven decorative wall and two ceiling paintings / murals for the Supreme and Appellate Court Rooms in Springfield, Illinois (1907-1911). Although educated as a realist in Paris, which is reflected in his neoclassical mural works, he is most famously known as an American Impressionist. Later in his career, Krehbiel experimented in a more modernist manner (a style that became known as "synchromism"). Life and career

Born in Denmark, Iowa, in 1873. In 1879, he moved with his family to Newton, Kansas, where his father was a prominent Mennonite layman, prosperous carriage and buggy maker, and later a co-founder of Bethel College.In the summer of 1898, Krehbiel made his way from Newton to Chicago by bicycle with his younger brother, Fred, and enrolled at The Art Institute for the fall semester. <mask> Krehbiel became a graduate of the Art Institute of Chicago, where, in 1902, he was granted an American Traveling Scholarship to study abroad. In 1903, he began his three years of study at the Académie Julian in Paris under history painter and muralist Jean-Paul Laurens. ; Krehbiel won four gold medals at the Académie Julian (the only American ever to have done so)  as well as the coveted Prix de Rome. In 1905, he received the esteemed honor of having two of his neoclassical works selected by jury for the annual exhibition organized by the Société des Artistes Français in Paris (also known as the Paris Salon). Returning to the United States, Krehbiel was commissioned to design and paint the mural for the wall of the Chicago Juvenile Court in 1906. In 1907, he was unanimously awarded the commission in a national competition to design and paint the eleven wall and two ceiling murals for the Supreme and Appellate Court Rooms of the Illinois Supreme Court Building in Springfield, the state's capital.Begun in 1907, the final Supreme Court Building mural was completed and installed in 1911. Mr. W. Carby Zimmerman, architect of the building, considered the work done by Krehbiel to be "an example of the best mural painting ever executed in the West." In 1918 and 1919, Krehbiel spent his summers at art colonies in Santa Monica, California, and in Santa Fe, New Mexico. From 1920 through 1923, he spent summers exclusively in Santa Fe as an exhibiting member of the Santa Fe Art Colony. In the summers of 1922 and 1923, Krehbiel was invited by the Museum of New Mexico in Santa Fe to participate in its Visiting Artists Program and was given a studio in the prestigious Palace of the Governors next to his contemporary, Ashcan realist Robert Henri. Krehbiel had associations and exhibitions with the other artists of the Santa Fe Art Colony—and the Taos Society of Artists—such as George Bellows and Gustave Baumann (exhibition in McPherson, Kansas, 1918), and Bror Julius Olsson Nordfeldt, Marsden Hartley, and Sheldon Parsons (exhibition in El Paso, Texas, 1920). Other notable artists that Krehbiel exhibited with during this period include William Victor Higgins, Ernest L. Blumenschein, John French Sloan, Raymond Jonson, and Stuart Davis.Krehbiel was a member of the faculty at the Art Institute of Chicago for 39 years and at the Armour Institute of Technology (later Illinois Institute of Technology after merging with the Lewis Institute) for 32 years. In 1926, he helped pioneer the Chicago Art Institute Summer School of Painting (later named Ox-Bow) in Saugatuck, Michigan, where he spent most of his remaining summers teaching and painting. In 1934, Krehbiel opened his own summer school of art in Saugatuck called the AK Studio  When able to break away from his students, he would capture the surrounding rolling hills and the Kalamazoo River in oil, watercolor, and pastel. He would often visit Saugatuck in winters to portray the area in its vast and billowing cover of snow. Painting outdoors

During the years of 1912 through about 1930, Krehbiel was known to leave his Park Ridge, Illinois, home on a freezing cold morning and not return until the end of the day with two or three freshly painted canvases of the surrounding landscape. He also composed many watercolors and countless pastels of the area, often capturing the local inhabitants in the warmer months working in the fields or taking a moment to enjoy the lush forest landscape populated with brooks and streams. Occasionally, Krehbiel would visit the northern Illinois town of Galena on weekends and holidays to paint large canvases of the tree-covered hills with their scattering of homes and barns.When teaching at the Art Institute of Chicago and residing (at the Cliff Dwellers Club) in downtown Chicago, Krehbiel turned to recreating the urban landscapes, most of them within walking distance to his classrooms. These familiar scenes were painted between classes from the banks of the Chicago River. Most were painted during rush hour when automobiles and pedestrians populated the bridges and streets. He painted the Michigan Avenue Bridge and the Chicago River numerous times, each from a different perspective. Most of the images of the bridge were executed in 1920, the year of its grand opening, with the bridge towers draped in banners of red, white, and blue ribbons. Beginning in around 1926 and continuing through the early 1940s, Krehbiel created a series of synchromistic figure compositions in watercolor and in oil on small, unstretched pieces of canvas and, in the latter years, in pastel and in oil on larger canvases as well. The figures in this series reproduce the postures of models in his art classes and, while naturalistic at first, they gradually become geometric, even somewhat cubist.Krehbiel developed this new style into a method of teaching figure depiction by having students compose while drawing. Sketches of a three-figure model group, observed from various points in the room, would be rendered on a single sheet of paper – or a series of quick poses by one model would be composed on a single sheet. He also produced a large number of landscapes in this synchromistic and relatively abstract style beginning in 1926. Created mainly in Saugatuck, most of these works were done in pastel on paper. Death
Throughout the years, Krehbiel painted continuously. From his sketches and paintings done while studying in Paris and his neoclassical murals to his impressionistic American Southwest works, Chicago street and river scenes, and wooded presentations of the rural Midwest to his synchromistic figure compositions and landscapes, he painted incessantly and in all seasons without regard for the elements. <mask> <mask> died from a heart attack on June 29, 1945, in Evanston, Illinois, while preparing for a traveling and painting trip through Illinois and Kansas.His death occurred a few days after his retirement from teaching at the Illinois Institute of Technology, although he had agreed to stay on at The Art Institute of Chicago for one more year. In February 2008, <mask> was named the Illinois State Historical Artist for the thirteen murals that he painted for the ceilings and walls of the Illinois Supreme Court Building in Springfield, Illinois. Exhibitions

During his prolific career, <mask> <mask>'s works were shown in a multitude of exhibitions. Some of Krehbiel's career resume of prominent exhibitions includes the following:

Salon des Artistes Français, Paris, France (1905)
The American Art Association in Paris, France (1905)
Société des Artistes Français, Paris, (1905)
Nine paintings at Académie Julian, Paris France (1903–1906)
Two paintings in the Louvre, Paris, France (ca. 1905)
<mask>. Krehbiel at the First Exhibition of Works by Former Students and Instructors of the Art Institute of Chicago; January 8 to February 7, 1918
Regular exhibitions in the 1920s and 1930s, and a Memorial Exhibition in 1946, at the  Cliff Dwellers Club. <mask> <mask> currently has 171 works listed in the Smithsonian Institution Inventories of American Paintings and Sculpture in Washington, D.C., and selected archival material on Krehbiel's career is available at the Smithsonian Institution Archives of American Art in Washington, D.C., as well as at The Art Institute of Chicago's Ryerson & Burnham Libraries and at fine arts libraries throughout the country. 14 – 20.<mask>, Santa Fe Works, exhibition catalogue by Catherine Whitney; Gerald Peters Gallery, Santa Fe, New Mexico; 1996; 35 pp., color ill. ; The Art Institute of Chicago Ryerson and Burnham Libraries Catalog
Allegories of Justice, The Albert H. Krehbiel Murals in the Supreme Court Building of Illinois; University of Illinois at Urbana-Champaign; presented at the Tenth Annual Meeting of the Midwest Art Historical Society, Iowa City, Iowa, April 1, 1983; 12 pp. ; cover article by Lizabeth (Betsy) Wilson; Journal of the Illinois State Historical Society, ISSN 0019-2287, Spring 1984; pp. 2 –13. <mask> <mask>, 1873-1945; Richard Norton Gallery, Chicago, IL : c2001. The Art Institute of Chicago Reyerson and Burnham Libraries Catalog
Art Across America, Two Centuries of Regional Painting, 1710 –1920, by William Gerdts; Volume Two; Abbeville Press, New York; p. 319. ; Library of Congress CALL NUMBER: ND212 .G47 1990
"Art-Related Archival Materials in the Chicago Area" by Betty Blum; Archives of American Art, American Art-Portrait Gallery Building, Smithsonian Institution, Washington, D.C., 1991
The Annual Exhibition Record of the Art Institute of Chicago, 1888 – 1950; Peter Hastings Falk, editor, Andrea Ansell Bien, assistant editor; Sound View Press, 1990; pp. 525 – 526. The Annual Exhibition Record of the Pennsylvania Academy of Fine Arts, 1914 – 1968.Peter Hastings Falk, editor; 1989; 538 pp. <mask><mask>, biography compiled for the Krehbiel family by Rebecca F<mask> (Mrs. Evans L.); 1978; 16 pp., illus. <mask>: An American Impressionist, by Kim Coventry; Sonnenschien Gallery; Lake Forest College, Lake Forest, Illinois; 1989; 11 pp., ill.
<mask><mask> – An Architect's Appreciation, article in Illinois Society of Architects, Monthly Bulletin; October – November 1945; Vol. 30, Nos. 4 – 5. Art and Architecture, section of El Palacio, vol. V, No.13, October 19, 1918, p. 217; published by the Museum of New Mexico and the School of American Research. Catalog of the First Exhibition of the National Society of Mural Painters, September 25 – October 26, 1925, p. 7; The Buffalo Fine Arts Academy Albright Art Gallery, Buffalo, New York. Catalog <mask> Henry Krehbiel, Richard Noton Gallery, 2001.
http://richardnortongallery.com/artists/albert-h-krehbiel
Community Planning, section in El Palacio, vol. VIII, No.1 – 2, January 31, 1920, p. 51; published by the Museum of New Mexico and the School of American Research. Fiesta Exhibition, including the Eleventh Annual Exhibit of Taos Society of Artists, section in El Palacio, Vol. XV, No. 6, September 15, 1923, pp.98 – 99; published by the Museum of New Mexico and the School of American Research. Mural Paintings and Bad Boys, article in Architectural Record, January 1908, pp. 77– 78. The court of A. Krehbiel: A niche in the landscape of Illinois art, article by Steve Slack, Saturday Magazine, The State Journal Register; September 27, 1980; pp. 8A – 9A; Springfield, Illinois. <mask> Krehbiel documentation, 1918-1996, New Haven, Connecticut: Yale University. Haas Arts Library, Art & Arch Collection.<mask>. Krehbiel at Oxford University Press; University of Oxford; Oxford, England. Further listing of books and publications about or containing information on <mask> Krehbiel at AskArt.com

The letters and writings of Albert Henry Krehbiel are currently held in the archives of the Krehbiel Corporation, Evanston, Illinois. These letters and writings as well as further archival material on <mask>l are available on microfilm at the Smithsonian Institution Archives of American Art in Washington, D.C., as well as at the Art Institute of Chicago's Ryerson and Burnham Libraries''. References

External links

Small sampling of the works of <mask>l (click on pictures for a larger image) at http://pintores.vtrbandaancha.net/pintores_impresionistas.html
<mask> <mask> (1873-1945): American Impressionist Painter and Muralist
<mask> Krehbiel at About.com:Art History
The Carriage Factory Art Gallery: <mask><mask>, American Impressionist
<mask> Krehbiel at AskArt.com; includes museums, book references, auction records and biographies
<mask> Krehbiel works and biographical information at Art Experts, Inc. In February 2008, <mask> was named the Illinois State Historical Artist for the murals that he painted on the walls and ceilings of the Illinois Supreme Court Building, Springfield, Illinois: Kalo Foundation.org
<mask>l at Art in Context Center for Communications. Hosted by the Center for Arts Management and Technology, Carnegie Mellon University. Albert Henry Krehbiel at The Worldwide Art Gallery: Art Education; Great Artists; American Art
<mask> Henry Krehbiel represented at New Deal/W.P.A.Artist Biographies. Krehbiel was a strong influence on many young WPA artists. <mask> at the-artists.org
<mask><mask> at Richard Norton Gallery.com
<mask><mask> at Suttons Bay Galleries.com
<mask> at Gerald Peters Gallery
<mask><mask> at artnet.com
<mask>,<mask>; U.S., Born Denmark, Iowa, November 25, 1873-- † Death : Evanston, Illinois, June 29, 1945. At http://pintores.vtrbandaancha.net/pintores_impresionistas.html

1873 births
1945 deaths
19th-century American painters
American male painters
20th-century American painters
Alumni of the Académie Julian
American Impressionist painters
American muralists
Artists from Iowa
Artists from Michigan
Artists from Park Ridge, Illinois
Artists from Santa Fe, New Mexico
Artists of the American West
Illinois Institute of Technology faculty
Modern artists
People from Lee County, Iowa
Prix de Rome for painting
School of the Art Institute of Chicago alumni
19th-century male artists
Painters from Michigan
Painters from Illinois
Painters from New Mexico

masks:
Albert Henry Krehbiel
Albert Henry
Albert Henry
Krehbiel
Albert Krehbiel
Albert Henry
Krehbiel
Albert H
Albert Henry
Krehbiel
Albert Krehbiel
Albert Henry
Krehbiel
Albert H
. Krehbiel
. Krehbiel
Albert Krehbiel
Albert H
. Krehbiel
Albert
Albert Henry
Albert H
Albert Henry
Albert Krehbie
Albert Krehbie
Albert Henry
Krehbiel
Albert Henry
Albert H
. Krehbiel
Albert Henry
Albert Henry
Albert Krehbiel
Albert Krehbielbie
Albert
Albert Krehbiel
Albert H
. Krehbiel
Albert H
. Krehbiel
Albert Krehbiel
Albert H
. Krehbiel
Krehbiel
Albert Henry