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<mask> (born February 3, 1960) is an American professional wrestler who has worked for promotions including the World Wrestling Federation/Entertainment (WWF/E), the American Wrestling Association (AWA), World Championship Wrestling (WCW) and Extreme Championship Wrestling (ECW), and has won a total of 20 championships. Jannetty is widely known for his tenure as half of tag team The Rockers, in which he partnered with Shawn Michaels. The duo originally found success during the mid-to-late 1980s under the moniker of The Midnight Rockers, becoming two-time AWA World Tag Team Champions and winning various regional titles. They became one of the foremost teams of the WWF's "Golden Age", headlining multiple events. The Rockers held the WWF World Tag Team Championship in late 1990, but their reign was voided for disputed reasons. After splitting from Michaels in early 1992, Jannetty became a one-time WWF Intercontinental Champion and a one-time WWF World Tag Team Champion with the 1-2-3 Kid. He competed in multiple world championship matches between ECW and the WWF from 1995–1996, but Jannetty's star faded thereafter, and he was largely used as enhancement talent during a late 1990s run in WCW.He made sporadic appearances for WWE during the latter half of the 2000s (including a brief 2005 reunion with Michaels), and has remained a challenger for titles on the independent circuit. Although his career was continually halted by personal issues and his achievements overshadowed by those of Michaels, Jannetty was described by Talksport as being "as smooth and jaw-dropping as his partner, with a drop-kick to rival any". Early life

Jannetty was an amateur wrestler in the state of Georgia, qualifying for the state championship tournament his last three years of high school. He also boxed while in high school, and won many Golden Gloves events. After high school, he wrestled at Chattahoochee Valley Community College in Alabama where he was a two time NJCAA qualifier. He then went to Auburn University to wrestle, but the school dropped its wrestling program. He thought about trying football, but was instead coaxed into professional wrestling by Jerry Oates, who trained him.Professional wrestling career

Early career (1983–1984)
Jannetty began his wrestling career in September 1983 for Mid-South Wrestling teaming with trainer Jerry Oates (as "cousin" <mask>), until November. After leaving Mid-South, he would wrestle under his real name for Southeastern Championship Wrestling, where he would wrestle the likes of Super Olympia and Mr. Olympia. Central States Wrestling (1984–1986)

Jannetty resumed his wrestling career in March 1984, wrestling for the National Wrestling Alliance affiliate Central States Wrestling. He wrestled in singles and tag team competition with various partners, including Bulldog Bob Brown, Dave Peterson and Tommy Rogers (as The Uptown Boys) until joining forces with fellow rookie Shawn Michaels in late 1985. The two teamed as The Midnight Rockers and quickly won the NWA Central States Tag Team Championship from The Batten Twins. Jannetty wrestled Ric Flair for the NWA World Heavyweight Championship during his time in CSW. In the summer of 1985, Jannetty wrestled his first Japanese tour for All Japan Pro Wrestling, where his biggest match there was a loss to Tiger Mask II on September 5.American Wrestling Association (1986–1988)

In 1986, the duo left CSW for the American Wrestling Association. In the AWA, <mask> and Michaels quickly built a reputation as a talented tag team, performing many acrobatic moves in tandem and electrifying crowds with their athleticism. The two won the World Tag Team Championship twice, first defeating Buddy Rose and Doug Somers and then The Midnight Express for their second and final reign. They also won the Southern Tag Team Championship twice after defeating the Rock 'n' Roll RPMs on two separate occasions before jumping to the World Wrestling Federation in 1988. World Wrestling Federation

The Rockers (1988–1992)

Now called simply The Rockers, <mask> and Michaels' popularity carried over from their stint in the AWA and the team was often called "tag team specialists" by commentator Gorilla Monsoon. They made their WWF debut at a television taping on June 18, 1988, and they faced tag teams such as Demolition, The Hart Foundation, and the Brain Busters for the rest of 1989. Duos including The Rockers routinely headlined house show events during this era of tag team wrestling.Despite their previous success, The Rockers never officially won the Tag Team Championship during their three-year run together in the WWF. On October 30, 1990, The Rockers were scheduled to win the titles from The Hart Foundation due to Jim Neidhart, one-half of the championship team, being in the process of negotiating his release from the company. The match was taped with The Rockers fairly winning the belts, but soon after, Neidhart reportedly came to a stop-gap agreement with management and was rehired. On the other hand, Michaels claimed in his book that the Hart Foundation lobbied backstage to keep the title. The belts were returned to the Hart Foundation a week later, and despite The Rockers making a title defense against Power and Glory on November 3, the change was never broadcast or acknowledged on television. During a tag team match at the USF Sun Dome in December 1990, Jannetty executed his Rocker Dropper finishing move on Chuck Austin, who was teaming with Lanny Poffo. Austin's neck was instantly broken as a result of tucking his head during the move, rather than falling flat on the mat.Austin was paralyzed and sued Jannetty, Michaels, and Titan Sports. When the case finally came to court in early 1994, Austin was awarded $26.7 million. In a 1991 angle, Michaels was "accidentally" kicked in the face during a maneuver initiated by Jannetty on one of The Nasty Boys, which clipped Shawn in the face and resulted in an elimination at Survivor Series. Michaels got up after being pinned and began screaming at Jannetty, blaming him for being eliminated. Attempting to help settle their differences, Brutus Beefcake invited both on his interview segment "The Barber Shop" on the January 12, 1992 episode of WWF Wrestling Challenge. Michaels and Jannetty appeared to reconcile, but then Michaels turned heel, hitting Jannetty with "Sweet Chin Music" and slamming him face first through the Barber Shop window, causing Jannetty to bleed profusely. Jannetty was initially meant to work the injury, thus missing the opportunity to win the vacant WWF Championship at the 1992 Royal Rumble.He was scheduled to return shortly after to start a feud which was to lead to a one-on-one match between Michaels and Jannetty at WrestleMania VIII. However, in the early hours of January 25, 1992, Jannetty was arrested in Tampa, FL after an altercation with police. His female companion, a 19-year-old named Angela Ialacci, was arrested for trying to use a fake ID. Jannetty assaulted the officer performing the arrest, which led to his arrest. They were found to be in possession of less than a gram of cocaine. Jannetty was charged with possession of cocaine, possession of drug paraphernalia, and resisting arrest with force. He was indefinitely suspended by the WWF following the incident and his singles matches that were taped in January did not air.In March 1992, he was sentenced to 6 months of house arrest and was released by the WWF shortly after. Michaels ended up facing El Matador in the opening match of WrestleMania VIII with no storyline. United States Wrestling Association (1992)
After first leaving the WWF in 1992, Jannetty joined the USWA and turned heel. During his stay, he was managed by Bert Prentice and feuded with Jerry Lawler. Return to WWF

Intercontinental Champion (1992–1993)
Shortly after his house arrest concluded, Jannetty re-signed with the WWF and returned on October 12, 1992 at a TV taping in Saskatoon, Saskatchewan from the crowd, attempting to strike Michaels with his mirror but inadvertently hitting Sensational Sherri, Michaels's then-valet, when Michaels pulled her in front. He challenged Michaels to a match at the 1993 Royal Rumble for the WWF Intercontintental Championship. Jannetty lost after interference by Sherri backfired.It was planned for the two to continue their feud, but Jannetty was released again after rumors circulated stating that he had been under the influence of alcohol or other drugs during the match, leading to its comparably low quality. Jannetty to this day denies having been intoxicated at the event, but explains having been rather tired because of lack of sleep, and that the rumor had been started by Shawn Michaels. Jannetty returned once again on May 17, 1993, challenging Michaels for the Intercontinental Championship after appearing out of the crowd on Monday Night RAW when Michaels was being interviewed by Vince McMahon and telling the audience that he would defend his title against anyone at any time. Though Michaels initially tried to back out of fighting Jannetty (clearly not expecting anyone, least of all Jannetty, to challenge him that night), he eventually put his title on the line against his former partner. Jannetty won the title that night, thanks to Mr. Perfect preventing Michaels from heading to the locker room where he would be counted out but keep his title. Jannetty had only one title defense on TV, defeating Bam Bam Bigelow by countout on the May 31, 1993 edition of Monday Night RAW.He lost it back to Michaels just three weeks after winning it on June 6, 1993 in a non-televised match in Albany, New York due to interference from Michaels' debuting bodyguard Diesel. According to Jannetty, it was Curt Hennig who petitioned to bring him back to the WWF. Hennig, who was on good terms with Vince McMahon, convinced Vince that the bad performance at the Royal Rumble was indeed Shawn Michaels' fault. Jannetty believes that his title victory was meant as punishment for Shawn Michaels for lying. After losing the championship back to Michaels, Jannetty feuded with Doink the Clown, eventually winning the program with a final best of three falls match on the June 21, 1993 edition of Monday Night Raw where Doink almost won the match 2 falls to 1 after Doink II interfered in the match. Randy Savage (who was commentating the match), attacked the first Doink and revealed the second to the referee, making Jannetty win by reversed decision. Teaming with 1-2-3 Kid (1993–1994)
Jannetty then formed a tag team with the 1-2-3 Kid, with the two being the winners and survivors of their match at Survivor Series.Jannetty won the Tag Team Championship with the 1-2-3 Kid from The Quebecers (Jacques and Pierre) on the January 10 episode of Monday Night Raw. They lost the title to The Quebecers seven days later at Madison Square Garden at a non-televised event when 1-2-3 Kid was pinned following an assisted senton. A clip of the finish of the match aired on the 1994 Royal Rumble video. In the lead up to WrestleMania X, the court case brought forward by Charles Austin was heard. While neither the WWF or Jannetty admitted that it was the outcome of this case which resulted in Jannetty's sudden disappearance from the promotion, it has never been denied either. Jannetty then vanished from the mainstream wrestling scene until early 1995 when he made several appearances in Extreme Championship Wrestling. Extreme Championship Wrestling (1995)
Jannetty debuted for ECW on February 25 at the ECW show Return of the Funker where he challenged ECW World Heavyweight Champion Shane Douglas in a losing effort.A few months later on April 28, Jannetty defeated Jim Neidhart and the next night he defeated Shane Douglas. On May 13 at Enter

masks:
Fredrick Martin Jannetty
Marty Oates
Jannetty
Jannetty


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 the Sandman Jannetty challenged Eddie Guerrero for the ECW World Television Championship but failed to win the title. On July 20 Jannetty defeated Bull Pain, the next night on July 21, Jannetty defeated The Terrorist. On June 9 and July 22, Jannetty unsuccessfully challenged The Sandman for the ECW World Heavyweight Championship. On July 28 Jannetty faced Jim Neidhart with the match ending in a double disqualification. This turned out to be Jannetty's final match in ECW as he left for the WWF again. Second Return to WWF (1995-1996)

Partnership with Razor Ramon
Later that year, just months after Michaels made a shocking face turn that got him over, Jannetty returned to the WWF in September 1995.He continued to wrestle as a face, despite bad blood between him and Michaels that had carried over in the storylines. Jannetty teamed with Razor Ramon during November and December in a feud with Sycho Sid and the now heel 1-2-3 Kid. The New Rockers
Following this, Jannetty turned heel in February 1996 by joining Leif Cassidy to form "The New Rockers", who were unsuccessful in their attempts to win the Tag Team Championship. Jannetty interfered unsuccessfully in a singles match between Michaels and Cassidy that March, then lost to Michaels in a WWF Championship match at the Kuwait Cup event in May, as well as in a non-title match that July. Jannetty left the WWF following Survivor Series after asking for his release, as he was unhappy with the team's lack of success and management's refusal to split them up. His last match came on December 16, when the New Rockers were defeated by Pierroth and Cibernetico in a match that aired on the December 23rd episode of Raw. Independent circuit (1997–present)

After his run with the World Wrestling Federation, Jannetty joined the New York-based independent promotion Ultimate Championship Wrestling in 1997 along with other WWF alumni.He also made an appearance in ECW when he teamed with Vampire Warrior in a losing match against Roadkill and former partner Al Snow at a house show in Orlando, FL on September 27, 1997. Jannetty made his first appearance following this injury on May 8, 1999, facing IPW Heavyweight Champion The Cuban Assassin. In the summer of 1999 he embarked on a tour of Australia for the Australasian Wrestling Federation (AWF), facing Sabu, Chris Candido, and TNT. On October 10, 1999 he teamed with Tommy Rogers against The Samoan Swat Team on the Heroes of Wrestling PPV. After wrestling one match in ECW in 2000, Jannetty resumed working in independent promotions, including a stint in Jimmy Hart's XWF promotion. His most active recent year on the independent was in 2012, where he competed in over a dozen matches. In May 2018, Jannetty wrestled his most recent singles match for AIW, a match he lost to Joey Janela.World Championship Wrestling (1998–1999)
As part of an effort to enhance WCW's roster as Thunder was introduced into the weekly lineup, World Championship Wrestling signed several former WWF wrestlers including Jannetty. He made his debut on the January 12th, 1998 edition of WCW Monday Nitro, defeating Black Cat. A week later on Nitro, he was defeated by Chris Benoit. Much as Al Snow's run in the WWF in 1997, Jannetty was initially utilized at an enhancement level, falling to wrestlers such as Raven, Dean Malenko, and Chris Jericho. He was successful lower level competition, defeating Lenny Lane, Frankie Lancaster, and Horshu. In April 1998 he had his first substantial winning streak in WCW, defeating Barry Horowitz and Vincent. In May he began a house show series with Konnan.In July he wrestled Konnan in another series of house show matches, and his final match came on August 31 when he lost to Konnan on Nitro. Jannetty was released from his contract while recovering from a shoulder injury suffered during this match. Third Return to WWE (2005–2009)
On the March 14, 2005 episode of Raw, Jannetty returned for a one-time only reunion with his former tag team partner Shawn Michaels, once again billed as The Rockers and performing their traditional entrance with their original music, against La Résistance (Sylvain Grenier and Rob Conway). Jannetty scored the win for his team after he used his signature Rocker Dropper. This was preparation for Jannetty's match with Kurt Angle on that week's SmackDown!, as Angle had challenged Jannetty prior to his WrestleMania 21 match with Shawn Michaels. Angle claimed that since Jannetty had taught Michaels "everything he knows" while part of The Rockers, he could teach Michaels "how to tap out" by forcing Jannetty to submit on SmackDown!. Angle made good on his promise and forced Jannetty to submit to his ankle lock, but only after a nearly twenty-minute match and an impressive showing for Jannetty which saw him nearly pin the Olympic champion.WWE soon signed him to a new contract, however he was arrested and unable to meet the commitments of his WWE contract, leading to his release on July 6. On the February 20, 2006 episode of Raw, Shawn Michaels was pitted against four of the five members of the Spirit Squad in their in-ring debut. After he had used Sweet Chin Music, Michaels was attacked by all five members until an unknown man came storming in to the ring to defend Michaels. During the melee, it was revealed that it was <mask>y coming to defend his former tag team partner. Later on Raw, Vince McMahon came out to mention that he would offer Jannetty a full-time contract. McMahon then added a stipulation that Jannetty had to join Mr. McMahon's "Kiss My Ass Club" the following week on Raw. Jannetty refused, and McMahon instead offered Jannetty the possibility of breaking Chris Masters' signature submission hold, the Master Lock.Jannetty appeared to almost break the hold, but Mr. McMahon (who was officiating) hit Jannetty with a low blow. Unable to break it, he was only released from the hold when Michaels ran in to save him. Shortly after Michaels had saved Jannetty, Shane McMahon ran in the ring with a steel chair and knocked out Michaels. The former Rockers were supposed to continue a program with the McMahons, but Jannetty was absent from the next episode of Raw and instead Triple H and Shawn Michaels reunited as D-Generation X. On March 3, WWE announced that it had severed all professional ties with Jannetty without further explanation. On September 15, it was announced on WWE.com that Jannetty had signed a new contract and would be returning as a veteran to work with younger talent. WWE.com also stated that Jannetty, along with Brad Armstrong and Rodney Mack, could also be granted a full-time contract pending the success of this initial venture.According to Wrestling Observer Newsletter, Jannetty was rumored to have been released yet again on September 29. Jannetty countered this rumor on his Myspace page, stating it was untrue. In a blog on his website, Jim Ross said Jannetty was no longer with WWE on December 24 due to a court order in Florida preventing him from traveling on the road. On the December 3, 2007 episode of Raw, Mr. Kennedy, who was feuding with Shawn Michaels at the time, said that he would speak to three people who knew Michaels very well as part of a feud between him and Michaels. The three were imposters dressed as Razor Ramon, Diesel, and Jannetty. Along with a fake Michaels, they were all attacked with Sweet Chin Music by the real Michaels. The next week on the 15th anniversary of Raw, Jannetty appeared along with Michaels in an interview.Michaels wanted to see what would happen when Kennedy fought the real <mask>. In the end, he was defeated by Kennedy. On October 19, 2009, Jannetty made an appearance on Raw, losing in a match against The Miz. Chikara (2011–2013)
On October 22, 2011 it was announced that Jannetty had signed with Chikara as a trainer and as a wrestler. His debut match for the promotion was booked for October 29 against Tursas, but the show was eventually cancelled. He then made his official debut on November 13 at High Noon, Chikara's inaugural internet pay-per-view, by accompanying The Young Bucks (Matt and Nick Jackson) to the ring. Jannetty made his Chikara in-ring debut on August 12, 2012, when he teamed with Green Ant in a tag team match, where they were defeated by Los Ice Creams (El Hijo del Ice Cream and Ice Cream, Jr.).Jannetty returned on September 16, 2012, when he and the 1-2-3 Kid won the annual tag team gauntlet match at the 2012 King of Trios. When <mask> and the 1-2-3 Kid also defeated the Heart Throbs (Antonio Thomas and Romeo Roselli) on November 18, they earned their third point, or third back-to-back win, and a future shot at the Chikara Campeonatos de Parejas. <mask> and the 1-2-3 Kid received their title shot on December 2 at the Under the Hood internet pay-per-view, where they were defeated by the defending champions, The Young Bucks. Personal life
In July 2016, Jannetty was named part of a class action lawsuit filed against the WWE which alleged that wrestlers incurred traumatic brain injuries during their tenure and that the company concealed the risks of injury. The suit was litigated by attorney Konstantine Kyros, who has been involved in a number of other lawsuits against the WWE. The lawsuit was dismissed by US District Judge Vanessa Lynne Bryant in September 2018. Bryant was critical of Kyros for including irrelevant information in the lawsuit, including details about Jannetty’s broken ankle, which she said had wasted the court's time.In the early morning hours of August 5, 2020, Jannetty made a Facebook post in which he said he made a man "disappear" when he was 13. Police in Columbus, Georgia confirmed that they would investigate the post. Jannetty later clarified that he did not kill the man but he hit him in the head with a brick after an attempted sexual assault and "made [him] disappear". The following month, Jannetty said that his comments were part of a wrestling storyline, which he had to drop because of the police investigation. Championships and accomplishments
 American Wrestling Association
 AWA World Tag Team Championship (2 times) – with Shawn Michaels
 Central States Wrestling
 NWA Central States Heavyweight Championship (2 times)
 NWA Central States Tag Team Championship (5 times) – with Tommy Rogers (2), Bob Brown (2) and Shawn Michaels (1)
 NWA Central States Television Championship (1 time)
 Continental Wrestling Association
 AWA Southern Tag Team Championship (2 times) – with Shawn Michaels
 Deutsche Wrestling Allianz
 DWA World Heavyweight Championship (1 time)
 Dynamic Wrestling Alliance
 DWA Internet Championship (1 time)
 Platinum Wrestling Worldwide
 PWW Heavyweight Championship (1 time)
 Michigan Wrestling Alliance
 MWA Heavyweight Championship (1 time)
 Midwest Territorial Wrestling
 MTW Heavyweight Championship
 New York Wrestling Connection
 NYWC Heavyweight Championship (1 time)
 Pro Wrestling Illustrated
 Ranked No. 13 of the top 500 singles wrestlers in the PWI 500 in 1993
 Ranked No. 194 of the Top 500 singles wrestlers of the "PWI Years" in 2003
 Ranked No.33 of the Top 100 Tag Teams of the "PWI Years" with Shawn Michaels in 2003
 PWI Match of the Year (1993) vs. Shawn Michaels on Monday Night Raw on May 17
 UWA Elite
 UWA Elite iChampionship (1 time)
World Wide Wrestling Alliance
 WWWA Intercontinental Championship (1 time)
 World Wrestling Federation
 WWF Intercontinental Championship (1 time)
 WWF Tag Team Championship (1 time) – with the 1-2-3 Kid
 Wrestling Observer Newsletter
 Tag Team of the Year (1989) with Shawn Michaels

References

External links

1960 births
American male professional wrestlers
Living people
Sportspeople from Columbus, Georgia
Professional wrestlers from Georgia (U.S. state)
WWF/WWE Intercontinental

masks:
Marty Jannett
Jannetty
Jannetty
Jannetty


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<mask> (née, Hopkinson)  is a London-born former film casting consultant. She is one of the founders of Advocates for Survivors of Child Abuse (now Blue Knot Foundation) and is the Founder of the Heal For Life Foundation (formerly Mayumarri Healing Centre) and created the TREE (Trust, Release, Empower Educate) Model of Trauma Recovery. Mullinar is regarded as an expert in the field of trauma. In 2019, she presented the TREE model at the International Congress of Trauma and Attachment alongside other trauma experts including American Psychiatrist Daniel J. Siegel, and British Psychoanalyst Peter Fonagy OBE. Honours
She was made a Member of the Order of Australia (AM) in the 1997 Australia Day Honours for her services to the performing arts and entertainment as a theatrical and film casting consultant and to the community. She was awarded the Australian Centenary Medal in 2001 for her services as co-founder and advocate for Advocates for Survivors of Child Abuse. In 2011, she was a State Finalist in the Australian of the Year Awards.TED Talk

In 2011, Mullinar gave a TEDx Talk on treating the core problem of addiction and mental illness. The talk explains the link between trauma and mental illness and has had over 185,000 views. Career

Film casting director
<mask> was born Elizabeth Laura Hopkinson. She was a casting director in the Australian film industry for more than 25 years. She worked as a consultant in the early careers of actors including Nicole Kidman, Cate Blanchett, Portia De Rossi, and Geoffrey Rush. Her company was responsible for casting such films as Picnic at Hanging Rock, Shine and Babe. Founder, Advocate for Survivors of Child Abuse (Blue Knot Foundation)
After a visit to a hospital to visit her newborn niece, Mullinar experienced a "triggered response" which she states entailed weeks of illness and sleepless nights.With help from a professional, Mullinar states she recovered suppressed memories of being sexually abused as a child by a doctor. After this experience, Mullinar left her career in film and television to form the Australian Association for Recovered Memories in 1995. The organization later changed its name to We Remember, then Advocates for Survivors of Child Abuse. now known as the Blue Knot Foundation. Founder, Heal For Life Foundation (Formerly Mayumarri Healing Centre)

In 1997, she co-founded The Mayumarri Healing Centre (now Heal For Life Foundation) with husband Rodney Phillips to provide a safe location where survivors of child abuse could recover from their ordeal. According to Mayumarri's financial records, the centre received more than $1 million between 2003 and 2005, of which nearly half was in the form of government grants. In 1999, the organisation changed its name to the Heal For Life Foundation to better reflect the services provided.The centre promotes itself as providing affordable effective healing for survivors of all forms of childhood trauma. By this time, the centre had developed a specific model of trauma recovery (TREE) designed to help survivors heal from trauma by teaching them how to release emotions suppressed at the time of the trauma. The TREE model of trauma recovery is based on recommendations from Phoenix Australia (formerly Australian Centre for Post Traumatic Mental Health), where the cornerstone of treatment involves confronting the traumatic memory. Independent evaluation by Central Coast Research and Evaluation published on the Heal For Life website, found the program is able to achieve statistically significant improvements in participant mental health, social and emotional functioning, pain and vitality index scores. It also found these improvements were present 6 months and 4 years post-program, indicating the program achieves long-term results. Currently, the organisation does not accept government funding for its programs. Author
<mask> has written three books.Breaking The Silence - Survivors of Child Abuse Speak Out, The <mask> Story, and Heal For Life: How to heal yourself from the pain of childhood trauma

Controversy
Mullinar has faced controversy for her beliefs in recovered memories and the practice of satanic ritual abuse within the community. Richard Guilliatt, a journalist for The Australian and author of the book Talk of the Devil: Repressed Memory and the Ritual Abuse Witch-Hunt has been an outspoken critic of the validity of claims by survivors of child abuse, including Mullinar and her colleague in trauma advocacy, Dr Cathy Kezelman. Some critics have accused Mullinar as contributing to a moral panic. due to her position on ritual abuse. However, the Royal Commission into Institutional Responses to Child Sexual Abuse revealed a significant issue with child sexual abuse within ritualistic institutions. According to research conducted by Central Coast Research and Evaluation, 6.3% of Mayumarri clients claimed to be victims of Ritual Abuse. After speaking publicly about her ordeal as a child in response to an article by Richard Guilliatt, Mullinar received significant media attention.Initially, Mullinar believed her future in advocacy would be with the church and she completed her Bachelor of Theology with the intent to become an Anglican minister. She was rejected by the Anglican Archdiocese of Newcastle as an unsuitable candidate for ordination. It was later reported by the Royal Commission in regards to the Anglican Archdiocese of Newcastle: "The cumulative effect of a number of systemic issues allowed a group of perpetrators to operate within the diocese for at least 30 years. The report found that systemic issues included a focus on protecting the reputation of the Church and its powerful and influential members. Abusive and predatory sexual relationships were misrepresented as consensual homosexual relationships." Former guests and volunteer staff, as well as a former board member the Heal For Life, have called for an independent investigation into damaging practices. They include allegations of inadequate staff training, insufficient health professionals on staff, a high incidence of self-harm and false recovered memories of ritual abuse.No evidence of wrongdoing has been recorded by any regulatory body. Mullinar remains an advocate for the use of peer support in Heal For Life's programs, which are supervised by registered psychologists. Peer support refers to the use of trained people with lived experience of the issues facing service users. International standards in trauma-informed practice confirm peer support is essential for trauma recovery. Heal For Life is independently audited and has received accreditation through the Quality Innovation Performance Council, an organisation that provides third-party verification of service safety and quality based on governing standards in the Australian community sector. Regarding recovered memories, she states that "Anyone who recovers memories, who has flashbacks, their child is telling the truth. The child at the age it happened to them is telling the truth of what happened to them.A therapist cannot create the truth…"

The Heal For Life website states that guests are to be believed and have their story validated as part of the services provided. Heal For Life has a policy that discourages guests from 'swapping stories' to prevent the risk of "vicarious trauma, re-traumatisation or the potential spread of memories". Bibliography

References

British casting directors
People in health professions from London
Satanic ritual abuse
Living people
British expatriates in Australia
Members of the Order of Australia
1945 births

masks:
Elizabeth Laura Mullinar
Liz Mullinar
Mullinar
Liz Mullinar


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<mask>,  (10 March 1903 – 21 November 1989) was an English painter, illustrator and graphic artist, known for his prints, book covers, posters, and garden metalwork furniture. Bawden taught at the Royal College of Art, where he had been a student, worked as a commercial artist and served as a war artist in World War II. He was a fine watercolour painter but worked in many different media. He illustrated several books and painted murals in both the 1930s and 1960s. He was admired by <mask>, David Gentleman and other graphic artists, and his work and career is often associated with that of his contemporary Eric Ravilious. Early life and studies
<mask> was born on 10 March 1903 at Braintree, Essex, the only child of <mask>, an ironmonger, and <mask> (née Game). His parents were Methodist Christians.A solitary child, he spent much time drawing or wandering with butterfly-net and microscope. At the age of seven he was enrolled at Braintree High School, and began studying or copying drawings of cats by Louis Wain, illustrations in boys' and girls' magazines, and Burne Jones' illustrations of Malory's Morte d'Arthur. Later his parents paid for him to attend the Friends' School at Saffron Walden, and there, when he was fifteen, the headmaster recommended him to study for one day a week at Cambridge School of Art. Upon leaving school in 1919, he attended Cambridge School of Art full-time from 1919 to 1921. There he became interested in calligraphy and in the work of Aubrey Beardsley, Richard Doyle, William Morris and other Victorians. This was followed in 1922 by a scholarship to the Royal College of Art School of Design in London, where he took a diploma in illustration until 1925. Here he met his fellow student and future collaborator Eric Ravilious; the pair were described by their teacher Paul Nash as "an extraordinary outbreak of talent".Early work

It was during this period that Bawden produced the tiles for the London Underground that were exhibited at the International Building Trades Exhibition at Olympia in April 1928. In 1928, Bawden was commissioned by Sir Joseph Duveen, at the rate of £1 per day, to create a mural for the Refectory at Morley College, London along with Ravilious and Charles Mahoney. The mural was unveiled in 1930 by former Prime Minister Stanley Baldwin, who was at the time Leader of the Opposition. By 1930, Bawden was working one day a week for the Curwen Press, as was Ravilious and their former tutor, Nash, producing illustrations for leading companies at the time such as London Transport, Westminster Bank, Twinings, Poole Potteries, Shell-Mex & BP, the Folio Society, Chatto & Windus and Penguin Books. In the early 1930s he was discovered by the Stuart Advertising Agency, owned by H. Stuart Menzies and Marcus Brumwell. Around this time Bawden produced some of his most humorous and innovative work for Fortnum & Mason and Imperial Airways. He also worked for The Listener.In 1932, Bawden married Charlotte Epton, who had been a fellow-student at the Royal College. They had two children, Joanna and Richard, both of whom would become artists. At first the couple lived in a flat in Hammersmith, but soon moved to a Georgian house in Great Bardfield, Essex, only a few miles from Braintree, where Bawden had been born. Following his move to the country he began to paint more, in addition to his commercial design work, developing his watercolour technique. Most of his subjects were of scenes around Great Bardfield. He held an exhibition of his Essex watercolours at the Zwemmer Gallery in 1934, and another show of his paintings was held at the Leicester Galleries in 1938. In 1938, Bawden collaborated with John Aldridge, who also lived in the village, on a range of wallpapers that they intended to be printed commercially, but from lino blocks handcut by the designers.The project left little other time for other work during the year, and war intervened before the papers could go into production. One of Bawden's most familiar designs from this era was the 'Puzzled Lion and Startled Unicorn' Observer masthead, which was created around 1939 and remained in use by the national newspaper until 1989. War artist

During World War II Bawden served as an official war artist, first with the British army in France and then, following the army's evacuation from there, in the Middle East. Already in France before World War II was declared, he recorded defences being prepared at Halluin, then witnessed the bombing of Armentières and the evacuation from Dunkirk. He was posted to North Africa as a War Office Artist on a full-time War Artists' Advisory Committee contract. Bawden painted landscapes and portraits in Libya, Sudan, Cairo, Eritrea and Ethiopia, reaching Addis Ababa in May 1941. At the start of 1942 he travelled with Anthony Gross to Palestine and Lebanon.After making a series of studies of the Marsh Arabs in southern Iraq, Bawden was recalled to London. He departed Cairo aboard the SS Stratheden but transferred to the RMS Laconia in Durban on 27 August 1942. After the Laconia was torpedoed and sunk, on 12 September 1942, he spent five days in an open lifeboat before being rescued by a French ship, the Gloire. He was held prisoner in a Vichy internment camp in Casablanca for two months before the camp was liberated by American troops. From Casablanca he sailed to Norfolk, Virginia. When he eventually returned to Britain, Bawden did portrait work at the Military Hospital in Colchester and in Scotland, with Polish forces training there. He returned to Iraq in September 1943, as a Ministry of Information artist to work in Baghdad and Kurdistan, before he joined the Middle East Anti-Locust Unit on its trek to Jeddah.From Jeddah, he returned to the Marsh Arabs in southern Iraq, before entering Iran to portray supply shipments to the Soviet Union. Bawden returned to England in 1944 and for a short while, painted at Southampton Docks before departing for Yugoslavia, by way of Rome. Unable to enter Yugoslavia he went to Ravenna, then Greece, Austria and Florence before travelling back to England in July 1945. Later work

Bawden lived in Great Bardfield, Essex from the 1930s to 1970. While living at Bardfield he was an important member of the Great Bardfield Artists. This group of local artists were diverse in style but shared a love for figurative art, making the group distinct from the better known St Ives art community in Cornwall, who, after the war, were chiefly dominated by abstractionists. In 1949, Bawden provided illustrations for the book London is London – A Selection of Prose and Verse by D. M. Low.Bawden completed a series of eleven murals for the First Class lounge of the P&O liner Oronsay, which was launched in 1951. The theme was the English pub and Bawden depicted traditional pub names, such as the Rose & Crown, in purely visual form in his design. For the Festival of Britain in 1951 he created a mural, English Country Life, that was displayed in the entrance of The Lion and the Unicorn Pavilion. During the 1950s, the Great Bardfield Artists organised a series of large 'open house' exhibitions which attracted national press attention. Positive reviews and the novelty of viewing art works in the artists' own homes (including Bawden's Brick House) led to thousands visiting the remote village during the summer exhibitions of 1954, 1955, and 1958. As well as these shows, the Great Bardfield Artists held several touring exhibitions of their work in 1957, 1958, and 1959. After the death of his wife in 1970, Bawden moved to the nearby town of Saffron Walden, where he continued to work until his death at home on 21 November 1989.Legacy

Bawden bequeathed about 3,000 of his works to The Higgins Art Gallery & Museum, Bedford. His work can be seen in many major collections and is shown regularly at the Fry Art Gallery, Saffron Walden and at the Higgins. His notable surviving public works include a tile depicting a foot ferry on the River Lea, commissioned by London Underground and located on the Victoria line platform at Tottenham Hale tube station. Bawden also produced the cameo-like silhouette of Queen Victoria located at Victoria tube station. An early map, produced in 1931 for Scarborough's Pavilion Hotel and presented to Scarborough Library when the hotel was sold, was recently restored and rehung in the library. The original Morley College mural that Bawden created in the 1930s was destroyed during a wartime bombing raid; however the rebuilt and relocated college on the South Bank contains a fine surviving mural by him. In 1965 Bawden completed a mural for Queen's University, Belfast.Teaching, appointments and awards
Having briefly taught design and book illustration at Goldsmiths, University of London, from 1928 to 1931, Bawden then went on to teach at the Royal College of Art between 1930 and 1963 (except for the years of World War II). In 1968, he became a tutor at the Royal Academy Schools. In 1969 Bawden became a Senior Part-Time Lecturer in Graphics at the City of Leicester Polytechnic. Among his numerous appointments and awards that came later in his career are:
 1946 – Appointed a Commander of the Order of the British Empire (CBE)
 1947 – Associate of the Royal Academy
 1949 – Royal Designer for Industry (RSA)
 1949/50 – Guest instructor for the Summers of 1949/50 at the Banff School of Fine Art, Canada
 1951 – Trustee of the Tate Gallery (1951–1958
 1956 – Elected Royal Academician
 1962 – Honorary Associate of Manchester College of Art
 1963 – Honorary Fellow of the Royal College of Art
 1964 – Silver Medal from the Society of Industrial Artists
 1970 – Honorary Doctorate from the Royal College of Art
 1974 – Honorary Doctorate from the University of Essex
 1979 – Honorary Fellow of the Royal Society of Painter-Etchers and Engravers

Writings by Bawden
 Life in an English Village (King Penguin Books No. 51) (1949, Penguin Books)
 The English Scene (1952, Sheneval Press)
 Hold Fast By Your Teeth (1963, Routledge & Kegan Paul)
 Travels of a War Artist 1940–45 (1983, Imperial War Museum)
 <mask>, war artist, and his letters home, 1940–1945 edited by Ruari McLean. 1989, Scolar Press, Aldershot, in association with the Imperial War Museum

References

Further reading

External links

 Bawden's Cats

 Cecil Higgins Art Gallery
 Great Bardfield Parish Council
 1980 interview with <mask>, © IWM

1903 births
1989 deaths
20th-century British painters
Academics of Goldsmiths, University of London
Academics of the Royal College of Art
Alumni of the Royal College of Art
British illustrators
British male painters
British war artists
British World War II prisoners of war
Chartered designers
English artists
People educated at Friends School Saffron Walden
People from Braintree, Essex
People from Great Bardfield
People from Saffron Walden
Shipwreck survivors
World War II artists
British printmakers
World War II prisoners of war held by Vichy France

masks:
Edward Bawden
Edward Gorey
Edward Bawden
Edward Baden
Eleanor Bawden
Edward Bawden
Edward Baden


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<mask> (; 23 September 1888 – 16 July 1979) was a New Zealand novelist, teacher and librarian. She was a prolific writer who specialised in romantic comedies set in rural New Zealand, and her books were widely read both in New Zealand and overseas. From 1953 to 1978 she wrote at a rate of at least one book per year. She published over thirty novels, five detective novels written jointly with Joyce West, an autobiography, and three collections of plays. Early life and education
<mask> was born in Waimate North, Northland, New Zealand in 1888. She was the daughter of Marsden Clarke, a grazier, and his wife Frances Emily Stuart. She was a great-granddaughter of George Clarke, an early New Zealand missionary.After <mask>'s father died in 1889, her mother took her and her older siblings to Napier, New Zealand to live with their maternal grandfather, Edward Stuart, the second Bishop of Waiapu. She attended Napier Girls' High School for two years, after which the family moved to Auckland and she attended Auckland Girls' Grammar School. In 1905 she went to Auckland University College to study English, French and history. After a period of teaching at Gisborne High School, she completed a Masters of Arts with first-class honours, graduating in 1910. After graduating she continued her teaching career. In around 1912 she climbed the mountain range of The Remarkables with her brother and was possibly the first woman to do so. Marriage and farm
In October 1914 she married <mask>, her sister's husband's brother, and they moved to a sheep farm on the slopes of Mount Pirongia in the King Country.They had four children together. The farming life was a difficult one and the family struggled with most of their cattle dying of bush sickness, and much of their property being destroyed by two fires in 1917 and 1918. Years later she was to tell the story of their struggle to develop the property and raise a family in her autobiography, Days That Have Been (1966), and would also use these experiences as the basis for her novel The Unwritten Book (1957). In 1927 the family moved to a new farm at Ngutunui, near Te Awamutu, and <mask> took a job as a librarian in town. Literary career
<mask> began writing in the late 1920s, in order to supplement the family's income. She wrote humorous sketches, based on her own life on the farm and starring the character "Barbara", a farmer's wife, for the Dunedin Evening Star, The New Zealand Herald and other newspapers on a weekly basis. In 1930 the New Zealand Artists' Annual recognised her as its "Annual Discovery".She continued writing for newspapers in both New Zealand and the UK for the next fifty years, at times as many as fourteen articles a month. <mask>'s first two novels, Where the Apple Reddens and And Shadows Flee were published under a pseudonym, Marten Stuart, in the mid-1930s. Unlike her later novels, they were historical romances set in early nineteenth century New Zealand, and she was later to say that they were "better buried in oblivion". Her newspaper "Barbara" stories proved so popular that they were published in five collections over the next twenty years, beginning with Barbara and the New Zealand Back-blocks (1936), and recorded for radio broadcast. The first collection was published by Thomas Avery & Sons, New Plymouth and they were thereafter published by A.H. and A.W. Reed. They were set on the New Zealand "backblocks", a term used in Australia and New Zealand to describe remote rural farmland.In a review of Barbara Prospers, the Otago Daily Times said that her Barbara books were "a series of lively, intimate pictures, by turn uplifting or depressing, but never pessimistic or cheerless, of the everyday happenings of backblocks life". The Manawatu Times said the first collection was "a gem which should be on the shelves of all collectors of New Zealand books", and warned readers that "the whole edition is likely to be sold out by Christmas". <mask>'s novels were mainly light and contemporary romantic comedies set in the King Country, published both in London and New Zealand. They were described by Joan Stevens as "certainly readable; they follow an easily foreseen pattern, evoke the expected reactions, and provide comedy without ever stretching the faculties too far". Stevens highlighted One of the Family (1958) as one of the most successful of the novels, about an English uncle visiting New Zealand. They did, however, have an undercurrent of seriousness, due to <mask>'s family's experiences in the Great Depression; many of her stories featured themes of debt and poverty, or the failure of being forced to leave the backblocks and return to living in town. She also published three volumes of plays, and in the 1960s collaborated with fellow New Zealand writer Joyce West on five detective novels starring the character Inspector Wright.In 1940 <mask> was asked how she managed to find time to run a farm, a family and a home as well as write. In response, she said that her husband would be annoyed if she said she ran the farm, that nobody could be said to "run" a family, and that her home ran itself. <mask> was a household name in New Zealand during her lifetime. New Zealand academic Terry Sturm wrote that she was "the first popular novelist to set all her fiction in New Zealand and to think of her readership as primarily a New Zealand one". Her books had better New Zealand sales figures than any other New Zealand author. Her novels were also popular overseas and translated into several European languages. In Germany she had several bestsellers; her book Breakfast at Six, first published in 1953 and the most popular of her novels, was translated into German and published as Frühstück um Sechs by Goldmann in 1956, and a new edition was published by Weltbild in 2001.An article in The Press in 1957 noted that very few other New Zealand authors had had works translated into foreign languages at that time, save Katherine Mansfield and Ngaio Marsh. Selected works

References

External links
 <mask> reading a letter she wrote for the Countrywoman's newsletter, 1949, hosted by Ngā Taonga Sound & Vision
 Profile of <mask> for the Evening Star, December 1936

1888 births
1979 deaths
New Zealand schoolteachers
New Zealand women novelists
People from the Bay of Islands
20th-century New Zealand novelists
20th-century New Zealand women writers
People educated at Napier Girls' High School
People educated at Auckland Girls' Grammar School
University of Auckland alumni

masks:
Mary Edith Scott
Scott
Scott
Walter Scott
Scott
Scott
Scott
Scott
Scott
Scott
Scott
Mary Scott
Mary Scott


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<mask>  (1769–1837) was an English landscape and marine painter, and printmaker, notable for his work in aquatint. He travelled extensively in India in the company of his uncle <mask>, with whom he collaborated on one of the finest illustrated works of the period – Oriental Scenery. He later travelled around the coastline of Britain to paint watercolours for the equally ambitious book A Voyage Round Great Britain. His work was exhibited at the Royal Academy and the British Institution and he became a Royal Academician in 1822. Early life

<mask> was born in Kingston upon Thames, Surrey. His father was a bricklayer and owner of a public house called The Swan in nearby Chertsey. Daniell's future was dramatically changed when he was sent to live with his uncle, the landscape artist <mask> (1749–1840)  after his father's premature death in 1779.In 1784 <mask> accompanied his uncle to India, who worked there on a series of prints, acting as his assistant in preparing drawings and sketches. <mask>'s brother <mask> remained independent of his uncle and also became a topographical artist; he went to South Africa in 1801 and after his return to England published African Scenery and Animals (1804–5), a collection of aquatints. From 1806 he lived in Ceylon. India
Daniell was sixteen when he accompanied his uncle to India. On 17 July 1786, a few months after their arrival in Calcutta,  <mask> placed an advertisement in the Calcutta Chronicle, announcing the forthcoming publication of a set of twelve views of the city. This seemed a promising idea, since Calcutta was rapidly expanding and its European inhabitants might be willing to buy prints showing its latest buildings. Both he and <mask> were inexperienced printmakers and had to enlist the help of Indian craftsmen, but the set, executed in aquatint, was completed in November 1788 and sold well.Thomas then began planning an ambitious tour of northern India, possibly inspired by the wealth of picturesque scenery indicated in <mask>'s collection of aquatints, Select Views in India (1785–8). In August 1789, Thomas and <mask> set off up-river past Murshidabad to Bhagalpur, where they stayed with Samuel Davis (1760–1819), an employee of the East India Company and a skilled amateur artist. They continued on to Kanpur and then travelled overland to Delhi, visiting Agra, Fatehpur Sikri and Mathura on the way; the following April they made a pioneering tour to Srinagar, Uttarakhand and Garhwal in the Himalayas. Thomas and <mask>l were back in Calcutta at the end of 1791. They held a lottery of their completed work, using the proceeds to fund a tour to the South. Since the Third Mysore War was in progress, the Daniells suspected that a market existed among the British for oil paintings and drawings of the areas in which the conflict was taking place. They duly visited various hill-forts on their way south, as well as the huge and richly carved temples at Madurai, Mamallapuram and Rameswaram.Once back in Madras they held another lottery of their work and set off on a tour to western India. On their arrival in Bombay in March 1793 they met James Wales (1747–95), then busy drawing the area's cave temples. He took them to Elephanta, Karli and Kanheri among other places. Return to England
In September 1794 the Daniells returned to England. Over the period 1784 to 1794 <mask> had kept a detailed diary of their travels. This is now in the British Library. After 1794 he no longer kept a diary and so we have no information in his own hand about the rest of his life.The Royal Academician, Joseph Farington, himself a landscape painter and topographical draughtsman, kept a diary from 1793 until he died in 1821. The Daniells were close friends of Farington. John Garvey has gone through the diary and extracted glimpses of <mask>'s private life and of his artistic work. The diaries are almost the only written record we have of the life of <mask>. In 1794, <mask> and his uncle set up house at 37 Howland Street, Fitzroy Square. Their first priority was to publish a selection of their paintings of India. The views that were selected were made into aquatint prints, calling upon <mask>'s skills in this delicate medium.These skills were hard earned. Farington records in his diary that <mask> had informed him that on his return to England he spent the next seven years working from six in the morning until midnight perfecting his aquatinting techniques. Financial success
The Daniells' great work on India, Oriental Scenery, was published in six parts over the period 1795–1808. It comprised a total of 144 coloured aquatints and six uncoloured title-pages. The cost of a complete set was £210. The publication was a success, both artistically and financially. Thirty sets were sold to the East India Company, and a further order for eighteen copies was received.Thomas Sutton in his book The Daniells: Artists and Travellers (1954), quotes a glowing tribute to the work of the Daniells from the Calcutta Monthly magazine:The execution of these drawings is indeed masterly; there is every reason to confide in the fidelity of the representations; and the effect produced by this rich and splendid display of oriental scenery is truly striking. In looking at it, one may almost feel the warmth of an Indian sky, the water seems to be in actual motion and the animals, trees and plants are studies for the naturalist. Further different versions of Indian scenes were published, and details can be found in Sutton's book, together with a detailed inventory of all the artistic output of Thomas, Samuel and <mask>. Oriental Scenery took its place among such revered works as J. Stuart and N. Revett's Antiquities of Athens (1762), Baron Denon's Voyage dans la basse et la haute Egypte (1802) and Robert Wood's Ruins of Palmyra (1753) and Ruins of Balbek (1757). It provided an entirely new vision of the Indian subcontinent that was to influence both decorative arts and British architectural design. Above all, it formed a popular vision in Britain of a romantic and picturesque India that to some extent persists. <mask>'s years after 1804 included making 72 etchings after George Dance's highly finished pencil profile portraits of Regency London's artistic establishment.A Collection of Portraits were published over ten years from 1804. Many are now held by the National Portrait Gallery. For Rees's Cyclopædia he contributed drawings, but these have not been identified. A Voyage Round Great Britain
In 1813 <mask> decided to undertake what was to be his greatest artistic work, A Voyage Round Great Britain. His plan was to journey around the whole coast and record views of places of interest. An integral part of the venture was to provide a running commentary, which described the scenery and the conditions of the people. Daniell had already had excursions in England, Wales and Scotland and so he had a good idea where to go and what he might find by way of subjects for paintings.The original intention was to make a coastal trip by sea, but it became clear early on in the venture that this was not practical, and most of the journey around the coast had to be made by road. The journey was completed in six separate trips, over the period 1813 to 1823. In the summer of 1813, <mask> and his companion, Richard Ayton, who was to write the accompanying text, covered the coast from Land's End to Holyhead. The following year in August they went from Holyhead to Kirkcudbright. Richard Ayton did not accompany Daniell on the rest of the journey, leaving <mask> to sketch the scenery and also write the text. Daniell's approach was to make pencil sketches of views that looked interesting, annotating them with details of colour and texture. The sketches included people and scenery.The transfer of the picture from paper to copper in the form of an aquatint plate required great artistic skill and dexterity. The process is very delicate. This was done on his return to London, as was the printing and colouring of the prints. Daniell must have had a very good visual memory of the places he had visited, as up to five years elapsed between the production of the sketches and the prints being completed. In 1815, <mask> set out in May and travelled north to Wigtown. It is likely that he took the Mail Coach, a journey of 4 to 5 days. On his way north he travelled via Edinburgh, and took advice from many people there on the places to visit on the coast up and around the north of Scotland.The novelist Walter Scott not only advised Daniell  on the places to visit in Scotland, but also provided him with material for inclusion in the accompanying text. Friends in Edinburgh were able to give Daniell letters of introduction to people who were willing to provide hospitality to him on his journey. This was important, as the availability of hostelries was very limited and their quality dubious. During July and August 1815 <mask> journeyed around the islands of Eigg, Rùm, Skye and Raasay, together with the Hebridean Islands of Harris and Lewis. His trip continued up the west coast of Scotland, around the north coast, out to the Orkney Islands and down the east coast as far south as Dundee. He arrived in Dundee in October 1815. When setting out from London in May, he had not planned to cover so much of the coastline on one visit, but the weather in 1815 was exceptionally favourable, with good visibility and clear skies providing perfect conditions for an artist.This mammoth journey resulted in 139 aquatint prints being finally published, the last completed in 1821. In August 1821 <mask> once again journeyed north to St Andrews. During August and September he went around the coast as far as Southend, finding 28 subjects from which he produced prints. In the period July to September 1822, the journey as far as Torquay, along the popular south coast of England, resulted in a total of 52 published prints, and August and September 1823 brought Daniell back to Land's End, with a further 31 prints. The final prints of A Voyage Round Great Britain were published on 20 May 1825. A Voyage Round Great Britain was published by Longman in eight volumes over the period 1814 to 1825. The complete set of eight volumes was priced at £60.The final number of prints included was 308. Garvey's book follows Daniell around part of the voyage, the Hebridean islands of Eigg, Rum, Skye and Raasay, locating the viewpoints included in his aquatint prints. Over the period 1813 to 1825, in parallel with preparing the prints for the Voyage, <mask> was busy on other projects, which included paintings for the Academy Exhibitions. Many of the works exhibited were oil paintings of Scottish scenes. The artistic quality of the paintings and aquatints produced and published by Daniell for A Voyage Round Great Britain was considered to be very high. The atmospheric effects which he was able to convey in the aquatint medium were quite overwhelming. This was particularly true of his portrayal of ships and maritime scenery, as he had demonstrated in many earlier paintings and prints.In February 1822 after many years of endeavour, <mask> was finally elected an R.A. In the final ballot the voting was between John Constable and <mask>, the result being 11 to 17. <mask> produced a number of marine paintings. One, The Burning of the "Kent" is in the Museum of the Queen's Royal Surrey's, having been rediscovered after having disappeared for over a hundred years. It is an illustration of the dramatic loss of the East Indiaman , and the rescue of some 550 survivors of her 650 crew and passengers. His shipping scenes, such A Bird's-Eye View of the East India Dock at Blackwell (National Maritime Museum, London), were supplemented by greatly admired battle pieces. In 1825, he won a prize of £100 for a pair of paintings depicting the Battle of Trafalgar, exhibited at the British Institution.<mask> turned to panorama painting before his death, beginning in 1832 with a painting of Madras, including a depiction of the Hindu mode of taming wild elephants. <mask>'s last great artistic work was produced between 1827 and 1830. Over this time he became interested in the scenery around Windsor. In 1827, 1828 and 1830, he exhibited a total of five oil paintings of Windsor Castle and its surroundings and two oil paintings of Virginia Water, at the Royal Academy Exhibitions. These were considered to be among his finest oil paintings, and according to Sutton, his view of the Long Walk at Windsor was generally acknowledged to be his masterpiece in oils. Daniell produced a set of 12 aquatints of the Windsor and Virginia water views. Sutton writes of this series:These twelve prints are the finest aquatints ever made, standing alone at the highest possible peak: aquatint could go no further, and although attempts have been made by others to excel them, none succeeded.The prints were made in <mask>'s usual way, engraved by himself from his own drawings, and published by himself at 14, Russell Place, Fitzroy Square. By this time he was a comparatively wealthy man, and one can imagine him lovingly and carefully tinting the plates, leisurely savouring their subtle beauties, unhampered by time or financial worry. We feel, in looking at these aquatints, that perhaps Daniell, with the philosophy of a much-travelled man, realised that in the cool greys and greens with which he "stained" his prints was the charm of his own land, more enduring than the exotic mystery of the Orient or the strange architecture of Hindistan. Daniell worked right up to his death, on 16 August 1837 at Brecknock Terrace, Camden Town (now 135 St Pancras Way). The house is marked by a commemorative plaque. He submitted five pictures to the Royal Academy Summer Exhibition in that year. The final twist in the story of A Voyage Round Great Britain, was the discovery, in 1962, of 306 of the original 308 Daniell copper plates, the location of which had not been known for more than 100 years.They are now the property of the Tate. It seems appropriate that of all the topographical books of the 19th century it should be copper plates for <mask>'s Voyage Round Great Britain that have survived – they are a monument to his industry and his unsurpassed skill in handling the remarkable delicacy of the aquatint process. Published works
Among his publications, engraved in aquatint, were:
 Voyage to India
 Zoography
 Animated Nature
 Views of London
 Views of Bootan, a work prepared from his uncle's sketches
 A Voyage Round Great Britain, which occupied him for several years. Collections
<mask> is represented in the following collections, among others: National Portrait Gallery, London; Royal Academy of Arts, London; National Maritime Museum, London; Courtauld Institute of Art, London; Fine Arts Museums of San Francisco; National Museums and Galleries of Wales, Cardiff; Indianapolis Museum of Art, U.S.A.; Falmouth Art Gallery, Falmouth, UK; Dallas Museum of Art, Texas; Watford Museum, Watford, UK; National Museum of India, New Delhi. References

Further reading
Garvey, John. <mask>'s Isle of Skye & Raasay (Matador, UK, 2009). Garvey, John.<mask>'s Inverness & The Moray Firth (Matador, UK, 2014). External links

<mask> online (ArtCyclopedia)
Biography
Biography (Lachlan & Elizabeth Macquarie Archive)
Europeana: Images by <mask>
Books about <mask>'s journeys around Skye, Raasay and the Moray Coast in 1815

18th-century English painters
English male painters
19th-century English painters
English watercolourists
English engravers
British marine artists
Royal Academicians
1769 births
1837 deaths
People from Kingston upon Thames
Burials at Kensal Green Cemetery

masks:
William Daniell
Thomas Daniell
William Daniell
Thomas Daniell
William
William
Samuel Daniell
Thomas Daniell
William
William Hodges
William
William Daniel
William
William
William Daniell
William
William
William
William Daniell
Daniell
Daniell
Daniell
Daniell
Daniell
Daniell
Daniell
Daniell
Daniell
Daniell
William
Daniell
Daniell
Daniell
Daniell
Daniell
William Daniell
William Daniell
William Daniell
William Daniell
William Daniell


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<mask> (born 8 July 1992) is a French professional racing driver who is currently driving for Realteam Racing in the FIA World Endurance Championship. <mask> is known for finishing as the runner-up in the 2010 F4 Eurocup 1.6 season and the 2012 Formula Renault 2.0 Alps season, and for winning both in Monaco and Hungary in the 2014 Formula Renault 3.5 Series season. Career

Karting
Born in Cannes, <mask> began his karting career at the age of nine and won the Championnat de France "Minimes" and "Cadet" categories in 2004 and 2005 before winning the Copa Campeones Trophy KF2 in 2007. In 2009, <mask> won the French KZ2 Championship which he followed with a win at the KZ2 Monaco Kart Cup in 2010. Formula Renault
Nato made his debut in single-seater competition in 2010 by joining the F4 F4 Eurocup 1.6 series with the Autosport Academy team. The Frenchman won on debut at the Ciudad del Motor de Aragón and took one further victory at the Circuit de Barcelona-Catalunya. <mask> ended the season with eight podium finishes and 123 points to finish as runner-up to Stoffel Vandoorne.In 2011, <mask> graduated to Eurocup Formula Renault 2.0 with the R-ace GP team. He finished 11th overall after taking two podiums at the Nürburgring and the closing race of the season in Barcelona, with another five points-scoring finishes. He also partially competed in Formula Renault 2.0 Northern European Cup with the same team, bringing another podium at Nürburgring. For 2012, <mask> continued to race in the Eurocup but joined debutants RC Formula. He took one victory at Spa alongside three podium finishes at Aragon, the Nürburgring and the Hungaroring to finish fourth overall with 96 points. <mask> also raced in Formula Renault 2.0 Alps in 2012 and battled against Daniil Kvyat for the title. In the final race of the season in Barcelona, he was involved in an accident with Kvyat and finished as the runner-up with a three-point deficit.He ended the season with four wins and four further podium finishes. <mask> graduated to the highest tier of the World Series by Renault in 2013 by joining DAMS in the Formula Renault 3.5 Series as a team-mate to Kevin Magnussen. He took one pole position and finished 13th in the Drivers' Championship with 33 points. The Frenchman stayed on with the team for the 2014 season, this time partnering Carlos Sainz Jr. <mask> took two victories which included a Grand Slam performance at the prestigious Monaco race in which he won from pole position and set the fastest lap. He finished seventh in the standings with 89 points. GP2 Series
On 29 January 2015, it was confirmed that Arden International had signed <mask> as its number one driver in the GP2 Series. He finished 18th overall with 20 points.<mask> joined Racing Engineering for the 2016 GP2 Series and won the opening race of the season in Barcelona. He finished on the podium again in Monaco, Hungary and Malaysia, and took one further victory at Monza to finish fifth in the Drivers' Championship with 136 points. In 2017, <mask> returned to Arden to start his third season in the Formula One feeder series, now renamed as Formula 2. He took one win after beating eventual champion Charles Leclerc at the Baku City Circuit and recorded two further podiums, finishing as the runner-up in the Bahrain and Silverstone Feature Races. <mask> finished ninth overall, accumulating 91 points. European Le Mans Series
For the 2018 season, <mask> made a switch to sportscar racing by joining the European Le Mans Series with Racing Engineering in the LMP2 class. He won the opening race of the season at Le Castellet alongside team-mates Paul Petit and Olivier Pla.<mask> took one further podium at the Red Bull Ring to finish third in the championship standings with 66 points. Alongside his ELMS campaign, <mask> contested his first 24 Hours of Le Mans in which he finished in 10th place with SMP Racing. He also raced at the 2018 Petit Le Mans in the WeatherTech SportsCar Championship, finishing in 11th place with Tequila Patron ESM. For 2019, the Frenchman joined reigning ELMS champions G-Drive Racing and contested the opening two races of the season, taking fourth place at Le Castellet and winning at Monza. World Endurance Championship
<mask> made his debut in the FIA World Endurance Championship in 2019 in which he raced at the 6 Hours of Spa with LMP2 team TDS Racing, taking fourth in class. For the 2019–20 season, <mask> joined LMP1 team Rebellion Racing. The Frenchman took his first FIA World Endurance Championship victory at the 4 Hours of Shanghai and also won the 2020 Lone Star Le Mans at the Circuit of the Americas.<mask> took second place at the 88th running of the 24 Hours of Le Mans. He ended the campaign in third place in the Drivers' Championship alongside team-mates Gustavo Menezes and Bruno Senna, finishing on the podium on six occasions in seven entries. For 2021, <mask> joined Realteam Racing to compete in LMP2, partnering Loic Duval and team owner Esteban Garcia. Formula E
In 2018, <mask> was named as Venturi Racing's Reserve Driver in Formula E. The Frenchman took part in the series' official Rookie Test in Marrakesh and set the 10th-fastest time. Venturi re-hired <mask> as its Reserve Driver for the 2019–20 season. He again took part in Formula E's official Rookie Test and took sixth position. 2020–21 season
In 2020, <mask> was promoted to a full-time race seat with Venturi as a team-mate to Edoardo Mortara, replacing 11-time Formula One race winner Felipe Massa.After making his debut at the 2021 Diriyah ePrix, <mask> finished on the podium in only his fourth race start by taking third in Race 2 in Rome, however, was disqualified after overconsuming energy. Two weekends later, the Frenchman again finished inside the top three by taking second place in Race 2 of the Valencia ePrix, but after receiving a five-second time penalty, was demoted to fifth. After missing out on silverware twice, <mask> finally finished on the podium by concluding his season with a dominant victory in Berlin, taking Venturi's third win in Formula E. With this result, and outside of Formula E's inaugural campaign, <mask> became only the third driver to win a race in their rookie season. The Frenchman finished in 18th position in the Drivers' Championship with 54 points, becoming Venturi's most successful rookie driver in history. <mask> was replaced by Lucas di Grassi on 15 September 2021 for Season 8. 2021–22 season
After failing to secure a full-time drive, <mask> joined Jaguar Racing as the team's Reserve Driver, partnering former Venturi driver Tom Dillmann. Racing record

Career summary

Complete Formula Renault 3.5 Series results
(key) (Races in bold indicate pole position) (Races in italics indicate fastest lap)

Complete GP2 Series results
(key) (Races in bold indicate pole position) (Races in italics indicate fastest lap)

† Driver did not finish the race, but was classified as he completed over 90% of the race distance.Complete FIA Formula 2 Championship results
(key) (Races in bold indicate pole position) (Races in italics indicate points for the fastest lap of top ten finishers)

Complete European Le Mans Series results

‡ Half points awarded as less than 75% of race distance was completed. Complete 24 Hours of Le Mans results

Complete FIA World Endurance Championship results

Complete WeatherTech SportsCar Championship results
(key) (Races in bold indicate pole position) (Races in italics indicate fastest lap)

Complete Formula E results
(key) (Races in bold indicate pole position; races in italics indicate fastest lap)

References

External links

1992 births
Living people
Sportspeople from Cannes
French racing drivers
French F4 Championship drivers
Formula Renault 2.0 NEC drivers
Formula Renault Eurocup drivers
Formula Renault 2.0 Alps drivers
World Series Formula V8 3.5 drivers
GP2 Series drivers
FIA Formula 2 Championship drivers
24 Hours of Le Mans drivers
European Le Mans Series drivers
FIA World Endurance Championship drivers
Formula E drivers
Auto Sport Academy drivers
R-ace GP drivers
RC Formula drivers
DAMS drivers
Arden International drivers
Racing Engineering drivers
G-Drive Racing drivers
W Racing Team drivers
Rebellion Racing drivers
Venturi Grand Prix drivers
TDS Racing drivers

masks:
Norman Nato
Nato
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David E<mask> (born 1953) is a scientist and software engineer best known for his scientific skepticism research and writings. He is a graduate of the New Mexico Institute of Mining and Technology, and his skeptic work covers the Roswell and Aztec UFO sightings, the Bible code, global warming, the 9/11 Truth movement and chemtrails. <mask> is frequently published in Skeptical Inquirer magazine. <mask> currently works at the Program for Array Seismic Studies of the Continental Lithosphere (PASSCAL) at New Mexico Tech and is an adjunct instructor of psychology and education there. Education and awards
<mask> is a graduate of the New Mexico Institute of Mining and Technology and holds a bachelor's degree in mathematics and physics and a master's degree in mathematics. He received the Brown Award, New Mexico Tech's highest undergraduate award, in 1979, the Langmuir publication award as a graduate student, and the National Center for Science Education's Friend of Darwin Award. <mask> has served as president of the New Mexico Academy of Science and is a fellow of the Committee for Skeptical Inquiry.He has been both a board member of the Coalition for Excellence on Science and Math Education (CESE) and the president of New Mexicans for Science and Reason since 1998. Career
<mask> worked at BDM International, Inc. in Albuquerque from 1981–1994 and for ITW Magnaflux/Quasar from 1994-2007. <mask> and scientist Kim Johnson co-hosted Science Watch, a weekly podcast on AM 1350, from 2005 to 2010 and has been published in Skeptical Inquirer since 1995. Skepticism

UFOs
Regarding the Roswell UFO incident, <mask> has joked that "My theory...is that the Roswell ship did not actually crash, that it only landed and took off again and continued to land at all these other sites." He maintains that the incident involved a crashed Project Mogul balloon and was not in any way related to extraterrestrial activity. <mask> also frequently discusses the Aztec, New Mexico, UFO incident hoax, and his explanation of the scam at the Aztec UFO Symposium ended his regular speaking appearance there. The Symposium's last meeting was in 2011.In 2009, <mask> presented at UFOcon in Tucson, Arizona, where he covered both incidents. Bible code
<mask> has applied his knowledge of mathematics and computer engineering to dispute the credibility of the Bible code He offers coincidental examples of secrets "coded" in other texts, such as apparent references to Hitler in War and Peace and the phrase "The code is a silly snake-oil hoax" in Michael Drosnin's The Bible Code. <mask> maintains that "Hidden messages can be found anywhere, provided you're willing to invest time and effort to harvest the vast field of probability." Matt Young's No Sense of Obligation, a skeptical examination of science and religion, references <mask>'s work. Climate change
In 2014, <mask> joined fellow scientist Kim Johnson on Albuquerque's 94 Rock morning show for a four-part conversation regarding climate change. They discussed the geographic patterns and implications of global warming as well as refuting the idea that human interference has a negligible effect on the crisis. That same year, <mask> joined more than 60 fellow skeptics clarifying the media's use of "skeptic" and "denier" when discussing those who undermine and reject climate science.The letter explains that "Proper skepticism promotes scientific inquiry, critical investigation, and the use of reason in examining controversial and extraordinary claims. It is foundational to the scientific method. Denial, on the other hand, is the a priori rejection of ideas without objective consideration." The 9/11 Truth movement

<mask> has engaged in several public debates with advocates of the 9/11 Truth movement. After offering a live refutation to architect Richard Gage's 2009 New Mexico Tech alumni weekend presentation on the collapse of the twin towers, <mask> debated Gage and chemist Niels Harrit on the same subject live on Ian Punnett's nationally syndicated radio show Coast to Coast in 2010. In 2014, <mask> and Michael Fullerton took part in a similar debate conducted via YouTube. <mask> has written scientific refutations of other conspiracy theorists' claims surrounding the September 11 attacks.Chemtrails
<mask> concludes a 2008 piece for the Skeptical Inquirer, in which he debunks frequently cited videos and photographs perpetuating the chemtrail conspiracy theory, by explaining that "Kennedy assassination and 9/11 conspiracy theorists are mere pikers compared to “chemtrail” buffs. You will rarely find a more virulently self-deluded group, anywhere." Creationist legislation and intelligent design
In February of 2011, the Education Committee of the New Mexico House of Representatives voted 5-4 to table House Bill 302, which sought to prevent public school teachers from being disciplined or removed from their positions for teaching "relevant scientific information regarding either the scientific strengths or scientific weaknesses pertaining to 'controversial' scientific topics". <mask> testified his concern that the bill "is really just a ploy to get creationism in the classroom." In The Panda's Thumb, he wrote "The proposed legislation is not needed by New Mexico's students or teachers. New Mexico's existing standards already protect students from religious indoctrination or harassment by their teachers. Furthermore, the bill is unconstitutional as written, and its passage and enactment will almost certainly result in expensive litigation."He alleged that the bill originated as part of the intelligent design movement and pro-intelligent design think tank groups. At CSICon 2011, <mask> presented "Something Rotten In Denmark: How Hamlet's 'Weasel' Reveals The Vacuousness Of Intelligent Design" where he discussed genetic algorithms as well as reviewing the status of the New Mexico bill. In 2004, <mask> offered the "opposing view" for the New Mexico division of the Intelligent Design Network's Darwin, Design and Democracy V symposium where he outlined why intelligent design is inappropriate for public school science curriculum. Personal life
<mask> is married and has two sons. He performs juggling and magic shows and was a member of The Vigilante Band on bass guitar, mandolin and vocals. References

External links

21st-century American physicists
Living people
New Mexico Institute of Mining and Technology alumni
1953 births
American skeptics
Mathematicians from New Mexico

masks:
. Thomas
Thomas
Thomas
Thomas
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Thomas
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<mask>, born in 1943 in Paris, is a painter, engraver, lithographer, sculptor, and French designer. Formation
From 1959 to 1960, he studied at the "École supérieure des Arts Décoratifs" in Strasbourg. In 1964 he moved to Montmartre where he met one of his Masters Jean-Louis Viard from which he took evening classes at the city of Paris, street Lepic, from 1965 to 1970. The two men will be bond by friendship and respect until the death of Jean-Louis Viard in 2009. In 1966, he joined a group of painters in Paris to learn all the traditional art of print : the etching, the aquatint, the dry point, and also the lithography and screen printing. He participated from 1968 to 1970 at different exhibitions in Paris at the Autumn Salon, at Salon des artistes français at Salon des Independants, Societe des Artistes Independants. He won a first prize of young painter in Geneva, Switzerland in 1970.<mask> has received the title of Chevalier des Arts et des Lettres. Techniques
Since 1960, <mask> invests himself in technical research and innovation. This will be one of his major artistic commitment. He falls in love with the techniques of watercolor and pastel so unfairly dismissed at that time and decides to give them back their true worth. He also practices the traditional art of engraving on copper, and lithograph on limestone . Watercolor
In the years 60 – 70, watercolor often remains preparatory work of the final oil. So he decides to assert the watercolor's technique as full totally abandoning painting in oil.The artist works in series ( girls, chairs, balloons...) Over the years and gallery exhibitions its willingness and
determination to bear fruits. Early 1970s, <mask> develops a technique of watercolor to fully wet the paper sponge and away a product for
screen painting, ( drawing gum ) to preserve the white of the paper, to keep at the watercolor is essential quality of transparency, subtlety and not to have the often seen bad effect to have put gouache . He paints watercolors very large formats, mainly landscapes, poetic character to return in the best transparencies and lighting. His watercolors are made on site during various trips, ( Italy, Greece, Spain, Brittany, Le Crotoy Baie of Somme, Provence...). "With <mask> , seduction comes first, in his art of reproducing transparency, fluidity, and the most subtle,
the most refined shades of light he consequently creates an intense emotional appeal. ",
Emmanuel Robles, writer 1914 – 1995 – member of the Academy Goncourt. Extract from the catalogue of the exhibition " <mask>, Watercolors : retrospective 1977–1987",
and the speech at the opening of the exhibition " A gallery, A painter, 10 years of friendship – retrospective Watercolors 1977 – 1987",
Rue de Seine, Gallery Candillier, Paris.Pastel
After being practiced by the greatest masters in the eighteenth and nineteenth century, pastel fell into disuse. In 1970, in collaboration with JM Paillard et Lambertye manufacturers, <mask> working on the development of new shades of dry pastels and new media. With determination the artist organizes a series of didactic and popular exhibitions expressing his love for pastel, he then creates the Pastel Passion and Passion Pastel titles which become over the years his imprint and his official professional mark. At the same time, <mask> is pending a full subject. He works on the revival of the Carnival of Venice with his Venetian friends. Humanism which then emerges, will become the central theme of his work. Galleries, collectors and museums, including the Museum Antoine Lecuyer – Maurice Quentin de La Tour in Saint-Quentin, France, support achievements, focusing the Carnivals and especially the Carnival of Venice, from jazz,
and dance."<mask> has focused mainly on work on paper [...] So by a natural process he came to Pastels, guessing the satisfaction that the technique would give him, and wishing too that with his talent, he would give it back its true worth, or at least its own identity and its unique originality. This is where the artist's worth lies : he is contributing back in favor an endearing technique which is too often thought as minor and which is so little – known. He shows us convincingly the various possibilities of plastic expressions that it offers artists of our time. <mask> can also prove that pastel is not only synonymous with soft colors. [...]

<mask> has become the painter of Celebrations and color as well as the friend of all the characters of the Italian Comedy who live in his paintings [...]
With his handwriting where the fathoms all secrets, he translates with surprising mastery, the thousand different shimmers of the rain, of clouds, of mist, or the water sparkling in grey daylight. Therefore, his style reminds us of Impressionists. At other times though, the nervous hatchings have replaced the juxtaposed dabs of paint and they take over the flat tint to render, in a style more akin to frottage, more shimmering, indeed very free and modern, [...] <mask> is also the painter of movement, poses caught on the spot, and feelings expressed with equal spontaneity and truth in every one of his characters [...]
He then becomes the First French painter who works on the theme of Carnivals : Basle, Binche and mostly Venice that he has followed since 1981 and chosen to be the central core of his work as a pastel artist".Mrs Christine Debrie, Doctor in history of Art – Curator of the Museum Antoine Lecuyer – Maurice Quentin de La Tour in Saint-Quentin, France. Extract from the catalogue and the opening speech of the exhibition , retrospective <mask> – Pastels – Carnavals de 1981 à 1987. Etching
<mask> also practice the traditional technique of etching on copper in the studio Lacourière-Frélaut, in Montmartre, Paris, famous to have worked with Picasso,for making the well-known "suite Ambroise Vollard." <mask> has created there in particular his triptyque Commedia dell' Arte (1981) collected by the Cabinet des estampes de la bibliothèque nationale de France. It mixes the three techniques of etching, aquatint, eau forte and dry point. Lithography
The lithographs by <mask> are using the traditional technique on limestones, the artist works on his own hand press "bête a cornes"  1840. Sculpture
The sculptures on iron created by <mask> are the continuity and a natural extension of his work on the jazz, dance, body movement, the human being and societal mechanics.Solo didactic exhibitions
 1975 Club du Droit and economie, Paris
 1977 Foundation Paul Ricard, Paris
 1979 Orangerie du Luxembourg, Senat, Paris
 1984 Museum of Chateau of Dourdan, France
 1984 Opening cultural center Boris-Vian, Les Ulis, France
 1987 Retrospective <mask>, carnivals Pastels 1981–1987
 Museum Antoine Lecuyer – Maurice Quentin de La Tour in Saint-Quentin, France
 1988 Cultural Center Abou Dhabi, week of France, exhibition and lectures United Arab Emirates
 1990 French Cultural Center, Oslo, Norway
 1990 French Cultural Center, Stavanger, Norway
 1995 Retrospective Orangerie du Luxembourg, Senat, Paris
 1999 Guest Futuroscope, Poitiers, France
 2010 Retrospective Risch as life, Zug (city), Switzerland

Since 1968 <mask> has been exhibited countless time in France and abroad, (Brussels, Genève, Abu Dhabi, New York City, Tokyo)... It must be said is in public collections as well as private. Bibliography

 Emmanuel Benezit, Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs, tome 11, 1976, , 1999,  &
 Carnaval d'Antan et d'Ailleurs – Cent estampes et peintures de la collection Jean Sebille, International museum of Carnival and Mask of Binche, Belgium, Collection Jean Sebille,
 Cabinet des Estampes de la Bibliothèque nationale de Paris, France, De Bonnard à Baselitz – Dix ans d'enrichissements du Cabinet des Estampes, 1978 to 1988 ,
 <mask>, Pastels : Carnivals 1981–1987., ed. Antoine Lecuyer – <mask> Risch, 1987. <mask>isch, Aquarelles : retrospective 1977–1987, ed. Pierre Risch, 1987. Pierre Risch, Pastel Passion rétrospective 1995, ed.<mask> – Orangerie du Luxembourg, Senat, Paris. <mask>, <mask> – Pastel Passion, tome 1 ed. <mask> – Pastel Passion, 2013,
 <mask>, <mask> – Swingstreet – sculptures, tome 2 ed.

masks:
Pierre Risch
Pierre Risch
Pierre Risch
Pierre Risch
Risch
Pierre Risch
Pierre Risch
Pierre Risch
Pierre Risch
Pierre Risch
Pierre Risch
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Pierre Risch
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<mask> (born December 8, 1945) is a retired American tennis player who won 22 women's singles titles. In 1969 and 1974, she was ranked World No. 5, her highest career ranking. In 1968 and 1969, she was ranked No. 2 in the U.S. She was Canadian National 18 and Under Singles Champion at age 12, U.S. Champion in Girls’ 15 Singles and Girls’ 18 Singles, Italian Open Singles Champion, Canadian Singles and Doubles Champion, and U.S. Clay Court Doubles Champion. She won three medals at the 1968 Mexico City Olympics, and three gold medals at the 1969 Maccabiah Games. In 2018, Heldman published a memoir, Driven, A Daughter's Odyssey.The book offers insights into the history of women's tennis in the mid-20th century, including an insider's account of the birth of the tour. Heldman reveals her struggles with the trauma of her mother's emotional abuse and with bipolar disorder. Early life
Heldman was born in Berkeley, California, the daughter of Julius and <mask>. Julius was the 1936 National Junior Champion. He was a scientist and a leading amateur player, and <mask> was the founder, editor, and publisher of World Tennis magazine and the founder of the women's pro tour in 1970. Heldman is Jewish. Her older sister, Carrie, was also a competitive tennis player.Education
Heldman received her Bachelor of Arts from Stanford University in 1966, and her Juris Doctor from UCLA Law School in 1981, where she was a UCLA Law Review editor and was Law School Graduate of the Year, as well as UCLA Graduate Woman of the Year. Early tennis career

Heldman started playing tennis when she was eight, and won her first national title (the Canadian 18 and under singles) at age 12, in 1957. She won the US National Girls 15 & under singles title in 1960 and the US National Girls 18 and under title in 1963. While a student at Stanford University in 1964, Heldman reached the national collegiate singles and doubles finals. In 1965, Heldman reached the Italian championships semi-finals, won the Canadian National women's singles title, and was the finalist in the US National Clay Courts. Olympics

In 1968, Heldman won a gold, a silver, and a bronze medal at the Mexico City Olympic Games when tennis was a demonstration sport Also in 1968, she won the South American mixed doubles with partner Herb Fitzgibbon. Later tennis career

In early 1969, Heldman had two wins over world number one Margaret Court, one win over U.S.Number One Nancy Richey, and two wins over the 1968 U.S. Open champion Virginia Wade. Heldman's most important title was the Italian Open, where she beat Ann Jones in the semis and Kerry Melville in the final. During her career, Heldman reached the semifinals of three Grand Slam singles championships: the 1970 French Open, the 1974 Australian Open, and the 1974 US Open. She also won doubles title at the US Women's Clay Court Championships and at the Canadian Open in 1974. She was one of the Original 9, which was a group of female tennis players who joined the Virginia Slims Circuit, even with the risk of suspension for doing so. The Virginia Slims Circuit eventually led to the creation of the WTA Tour. Women's pro tour

In 1970, Heldman's mother, Gladys, established the women's pro tour at the suggestion of Larry King and the sponsorship of Joe Cullman and Virginia Slims.She ran the tour for its first three years. <mask> was one of the Original 9 players who competed in the Houston event, and she played on the tour until she retired in 1975. Federation Cup

Heldman played on the US Federation Cup teams that captured the world team championship in 1966 and 1969. She also played on the U.S. Federation Cup teams in 1970, 1974, and 1975. She was the captain of the team in 1975. Her career win-loss record in Federation Cup competition was 21–9. Maccabiah Games

Heldman won three gold medals at the 1969 Maccabiah Games, in singles, doubles, and mixed doubles.Other career highlights
 Ranked in the USTA Top 10, 1963–65, 1968–69, 1971–75
 Ranked in the World Top 10, 1969–70, 1973–74
 Virginia Slims Professional Tour, 1971–75
 U.S. Wightman Cup Team Member, 1969–71, 1974; Most Valuable Player, 1969; Team Captain, 1974–75
 U.S. Bonne Bell Cup Team Member, 1973–1974; Most Valuable Player, Team Captain, 1974
 Winner of USTA Service Bowl 1975

Halls of Fame
Heldman was inducted into the:
Stanford Athletics Hall of Fame, 1978
National Jewish Sports Hall of Fame, 1989
ITA Women's Hall of Fame, 1998
International Jewish Sports Hall of Fame, 2001
USTA Eastern Tennis Hall of Fame, 2006

Personal life
After Heldman ended her playing career, she worked as a television color commentator and journalist, with CBS, NBC, PBS, and HBO at the US Open and Wimbledon, 1973–1978. She published articles about tennis in various magazines, including World Tennis and Seventeen. She was the first woman to cover a men's tennis event (the 1976 Avis Challenge Cup). In 1981, Heldman married Bernie Weiss, and their daughter Amy was born in 1987. In 1985, Heldman became president and co-chair of Signature Eyewear. Heldman retired in 2000 because she suffered a breakdown that lasted nearly 15 years. Memoir
Heldman's memoir Driven, A Daughter's Odyssey was published in August 2018.She writes “the book became a mainstay of my existence. It has profoundly contributed to my well being.” The book has been praised by former players and critics alike. Tennis historian Steve Flink called it "mandatory reading." Chris Evert called it a "must read." Portrayal in film
Bridey Elliott plays Heldman in the 2017 movie Battle of the Sexes. WTA Tour finals

Singles 1

Doubles 2 (1–1)

See also
List of select Jewish tennis players

References

External links

ITA bio
Jewish Sports Hall of Fame bio (2000)

1945 births
Living people
American female tennis players
Jewish American sportspeople
Jewish tennis players
Maccabiah Games gold medalists for the United States
Sportspeople from Berkeley, California
Stanford Cardinal women's tennis players
Tennis commentators
Tennis people from California
Maccabiah Games medalists in tennis
Competitors at the 1969 Maccabiah Games
Tennis players at the 1968 Summer Olympics
21st-century American Jews
21st-century American women

masks:
Julie Heldman
Gladys Heldman
Gladys Heldman
Julie Heldman