text: Caption: Cutting the Sugar Cane, on Delap's Estate, men and women in first gang, black driver supervising; white manager/overseer on horseback. Little is known of William Clark although he was probably a manager or overseer of plantations in Antigua. The ten prints in the collection (only 9 of which are shown on this website) are based on his drawings, converted into prints by professional printmakers. All of the prints are shown and extensively described in T. Barringer, G. Forrester, and B. Martinez-Ruiz, Art and Emancipation in Jamaica: Isaac Mendes Belisario and his Worlds (New Haven : Yale Center for British Art in association with Yale University Press, 2007), pp. 318-321; the descriptions in the Yale publication are based on Clark's unpaginated text and quotations from that text.