She has thrown herself upon the floor and lies with her hair all wildly scattered and her face buried in the cushions of a couch. She rises up, hurries to and fro, flings herself down again, and rocks and moans. The horror that is upon her is unutterable. If she really were the murderess, it could hardly be, for the moment, more intense.
For as her murderous perspective, before the doing of the deed, however subtle the precautions for its commission, would have been closed up by a gigantic dilatation of the hateful figure, preventing her from seeing any consequences beyond it; and as those consequences would have rushed in, in an unimagined flood, the moment the figure was laid low--which always happens when a murder is done; so, now she sees that when he used to be on the watch before her, and she used to think, "if some mortal stroke would but fall on this old man and take him from my way!" it was but wishing that all he held against her in his hand might be flung to the winds and chance-sown in many places. So, too, with the wicked relief she has felt in his death. What was his death but the key-stone of a gloomy arch removed, and now the arch begins to fall in a thousand fragments, each crushing and mangling piecemeal!

She hurries to and fro, flings herself down upon the couch, and rocks and moans. The horror that is upon her is unutterable. If she really were the murderess, it could hardly be more intense. Although she felt a wicked relief in the death of her enemy, what was it but the key-stone of a gloomy arch removed, and now the arch begins to fall in a thousand fragments!
