The embitterment of hatred is often as unaccountable to onlookers as the growth of devoted love, and it not only seems but is really out of direct relation with any outward causes to be alleged. Passion is of the nature of seed, and finds nourishment within, tending to a predominance which determines all currents toward itself, and makes the whole life its tributary. And the intensest form of hatred is that rooted in fear, which compels to silence and drives vehemence into a constructive vindictiveness, an imaginary annihilation of the detested object, something like the hidden rites of vengeance with which the persecuted have made a dark vent for their rage, and soothed their suffering into dumbness. Such hidden rites went on in the secrecy of Gwendolen's mind, but not with soothing effect--rather with the effect of a struggling terror. Side by side with the dread of her husband had grown the self-dread, which urged her to flee from the pursuing images wrought by her pent-up impulse. The vision of her past wrong-doing, and what it had brought on her, came with a pale ghastly illumination over every imagined deed that was a rash effort at freedom, such as she had made in her marriage. Moreover, she had learned to see all her acts through the impression they would make on Deronda: whatever relief might come to her, she could not sever it from the judgment of her that would be created in his mind. Not one word of flattery, of indulgence, of dependence on her favor, could be fastened on by her in all their intercourse, to weaken his restraining power over her (in this way Deronda's effort over himself was repaid); and amid the dreary uncertainties of her spoiled life the possible remedies that lay in his mind, nay, the remedy that lay in her feeling for him, made her only hope. He seemed to her a terrible-browed angel, from whom she could not think of concealing any deed so as to win an ignorant regard from him: it belonged to the nature of their relation that she should be truthful, for his power over her had begun in the raising of a self-discontent which could be satisfied only by genuine change. But in no concealment had she now any confidence: her vision of what she had to dread took more decidedly than ever the form of some fiercely impulsive deed, committed as in a dream that she would instantaneously wake from to find the effects real though the images had been false: to find death under her hands, but instead of darkness, daylight; instead of satisfied hatred, the dismay of guilt; instead of freedom, the palsy of a new terror--a white dead face from which she was forever trying to flee and forever held back. 
The embitterment of hatred is often, like devoted love, out of direct relation with any outward causes. Passion finds nourishment within, directs all currents toward itself, and makes the whole life its tributary. And the intensest form of hatred is that rooted in fear, which compels to silence and leads to an imaginary annihilation of the detested object, like hidden rites of vengeance.
Such rites went on in the secrecy of Gwendolen's mind, with the effect of a struggling terror. Side by side with the dread of her husband had grown the self-dread, which urged her to flee from the images wrought by her pent-up impulse. The vision of her past wrong-doing cast a ghastly illumination over every imagined deed that was a rash effort at freedom.
Moreover, she had learned to see all her acts through the impression they would make on Deronda, and the judgment of her that would be created in his mind. She could not recall one word of flattery or indulgence from him that might weaken his restraining power over her (in this way Deronda's effort over himself was repaid); and amid the dreary uncertainties of her spoiled life, the possible remedies in his mind, and her feeling for him, made her only hope. He seemed to her a terrible-browed angel, from whom she could not think of concealing any deed.
But her vision of what she had to dread took more decidedly than ever the form of some fiercely impulsive deed, committed as in a dream that she would instantaneously wake from to find the effects: to find death under her hands, guilt and terror - a white dead face from which she was forever trying to flee and forever held back. 