On this third visit Deronda found Hans Meyrick installed with his easel at Diplow, beginning his picture of the three daughters sitting on a bank, "in the Gainsborough style," and varying his work by rambling to Pennicote to sketch the village children and improve his acquaintance with the Gascoignes. Hans appeared to have recovered his vivacity, but Deronda detected some feigning in it, as we detect the artificiality of a lady's bloom from its being a little too high-toned and steadily persistent (a "Fluctuating Rouge" not having yet appeared among the advertisements). Also with all his grateful friendship and admiration for Deronda, Hans could not help a certain irritation against him, such as extremely incautious, open natures are apt to feel when the breaking of a friend's reserve discloses a state of things not merely unsuspected but the reverse of what had been hoped and ingeniously conjectured. It is true that poor Hans had always cared chiefly to confide in Deronda, and had been quite incurious as to any confidence that might have been given in return; but what outpourer of his own affairs is not tempted to think any hint of his friend's affairs is an egotistic irrelevance? That was no reason why it was not rather a sore reflection to Hans that while he had been all along naively opening his heart about Mirah, Deronda had kept secret a feeling of rivalry which now revealed itself as the important determining fact. Moreover, it is always at their peril that our friends turn out to be something more than we were aware of. Hans must be excused for these promptings of bruised sensibility, since he had not allowed them to govern his substantial conduct: he had the consciousness of having done right by his fortunate friend; or, as he told himself, "his metal had given a better ring than he would have sworn to beforehand." For Hans had always said that in point of virtue he was a _dilettante_: which meant that he was very fond of it in other people, but if he meddled with it himself he cut a poor figure. Perhaps in reward of his good behavior he gave his tongue the more freedom; and he was too fully possessed by the notion of Deronda's happiness to have a conception of what he was feeling about Gwendolen, so that he spoke of her without hesitation.

 made a third visit. This time, he found Hans Meyrick installed with his easel at Diplow, beginning his picture of the three daughters "in the Gainsborough style," and varying his work by rambling to Pennicote to see the Gascoignes. Hans appeared to have recovered his vivacity, but Deronda detected some artificiality in it. With all his admiration for Deronda, Hans could not help a certain irritation against him, for keeping the true state of his feelings hidden.
It is true that poor Hans had confided in Deronda without any curiosity as to confidences that might have been given in return; but he must be excused for his bruised sensibility, since he had the consciousness of having done right by his fortunate friend. Perhaps in reward of his good behaviour he gave his tongue more freedom; and he was too convinced of Deronda's happiness to have any idea of what he was feeling about Gwendolen, so that he spoke of her without hesitation.
