A dove-like note of melancholy in this speech caused Mrs. Meyrick to look at Mirah with new examination. After laying down her hat and pushing her curls flat, with an air of fatigue, she placed herself on a chair opposite her friend in her habitual attitude, her feet and hands just crossed; and at a distance she might have seemed a colored statue of serenity. But Mrs. Meyrick discerned a new look of suppressed suffering in her face, which corresponded to the hint that to be patient and hopeful required some extra influence.
"Is there any fresh trouble on your mind, my dear?" said Mrs. Meyrick, giving up her needlework as a sign of concentrated attention.
Mirah hesitated before she said, "I am too ready to speak of troubles, I think. It seems unkind to put anything painful into other people's minds, unless one were sure it would hinder something worse. And perhaps I am too hasty and fearful."

A note of melancholy in this speech caused Mrs. Meyrick to examine Mirah. She sat opposite her friend in her habitual attitude, feet and hands crossed, in apparent serenity. But Mrs. Meyrick discerned a new look of suppressed suffering in her face.
"Is there any fresh trouble on your mind, my dear?" she said.
Mirah hesitated before she said, "I am too ready to speak of troubles, I think. Perhaps I am too hasty and fearful."
