She sang Beethoven's "Per piet non dirmi addio" with a subdued but searching pathos which had that essential of perfect singing, the making one oblivious of art or manner, and only possessing one with the song. 
She sang Beethoven's "Per piet non dirmi addio," with a subdued but searching pathos which, like all perfect singing, made one oblivious of art or manner, and only possessed one with the song. 