Volumnia, in her room up a retired landing on the staircase--the second turning past the end of the carving and gilding, a cousinly room containing a fearful abortion of a portrait of Sir Leicester banished for its crimes, and commanding in the day a solemn yard planted with dried-up shrubs like antediluvian specimens of black tea--is a prey to horrors of many kinds. 
Volumnia, up in her room, is a prey to horrors of many kinds. 