Beginning in the late 1950s and 1960s, architectural phenomenology emerged as an important movement in the early reaction against modernism, with architects like Charles Moore in the USA, Christian Norberg-Schulz in Norway, and Ernesto Nathan Rogers and Vittorio Gregotti in Italy, who collectively popularized an interest in a new contemporary architecture aimed at expanding human experience using historical buildings as models and precedents. Postmodernism produced a style that combined contemporary building technology and cheap materials, with the aesthetics of older pre-modern and non-modern styles, from high classical architecture to popular or vernacular regional building styles. Robert Venturi famously defined postmodern architecture as a "decorated shed" (an ordinary building which is functionally designed inside and embellished on the outside), and upheld it against modernist and brutalist "ducks" (buildings with unnecessarily expressive tectonic forms). COUNT 5
QSN1 When was the start of the  architectural phenomenology movement? ANS1 the late 1950s and 1960s QSN2 What was  architectural phenomenology reacting to? ANS2 modernism QSN3 What were the architectural phenomenologists hoping to expand? ANS3 human experience QSN4 Who called postmodern architecture a "decorated shed"? ANS4 Robert Venturi QSN5 What term did Venturi use for brutalist and mondernist buildings? ANS5 "ducks"