Screen grab from online trailer for "Flight" Movies Flight: The official trailer 
 
 But we already knew that, since the opening scene, just as good, coolly reveals “Whip” Whitaker’s morning ritual. "Flight," which was directed by Robert Zemeckis, soars when Whip is at the controls, struggling to save a seemingly doomed airplane. Now that’s a sobering thought indeed, which, the next time I’m sandwiched into an aisle seat staring past the drinks cart at the locked cockpit, I dearly hope to have forgotten. Flight is Zemeckis at his most emotionally open and thematically provocative. An airline pilot (Denzel Washington) saves a flight from crashing, but an investigation into the malfunctions reveals something troubling. Can Whip stay up all night doing drinks, drugs and sex with a hottie flight attendant (Nadine Velazquez) and still make his 9 a.m. flight to Atlanta? A video game villain (John C. Reilly) wants to be a hero, but his quest brings havoc to the whole arcade where he lives. Emmet is as lowdown as a man can get.
– The new release Flight, starring Denzel Washington as drug- and alcohol-addicted pilot, gets a solid 78% on Rotten Tomatoes. Most critics seem to think the acting and directing are superb, but at some point, the movie takes a bit of a nosedive: Flight starts out with a thrilling plane crash, and after that "takes a surprising turn into a drama of addiction and moral exploration," writes Joe Morgenstern at the Wall Street Journal. Unfortunately, the latter parts feel "shopworn"and "instead of hurtling to a climax, the story moves in fits and starts, loses momentum." Rick Groen at the Globe and Mail praises director Robert Zemeckis' ability to deliver a good crash scene, but thinks his sentimentality hurts the movie. "This movie is captivating until it gets uplifting—Flight soars when it crashes and crashes when it soars," he writes. Good music, strong supporting actors, and great special effects are Flight's strong suits, but the "downward addiction and denial spiral" is all too familiar, writes Tom Long for the Detroit News. "It's that movie, done well, but done again." Peter Travers, writing for Rolling Stone, disagrees. He says those complaining are "missing the point of an exceptional entertainment that Zemeckis shades into something quietly devastating—not an addiction drama, but the deeper spectacle of a man facing the truth about himself."