Yes, you can do this with any television show, including those in a traditional weekly format whose full seasons are now available on platforms like Netflix and Hulu. But the episode ended with matriarch Lucille (Jessica Walter) commandeering the long-docked Queen Mary to escape the police boats, and Michael's alleged twin Lindsay (Portia de Rossi) learning she was actually adopted, which meant that Michael's son George Michael (Michael Cera) wasn't committing incest when he made out with his supposed cousin Maeby (Alia Shawkat). Netflix and other new content providers get that people want to watch an episode of a show when they want to watch it. OK, so when can we expect season five?
– The long wait is over: Arrested Development is back, with the entire fourth season available on Netflix. But does it live up to the hype? Plenty of critics say yes, though not all agree. Still, if you're not enamored with the show's new style, give it time and you just might change your mind. "If you were on Twitter in the early going of Sunday, when it launched, you would have read some discouraging comments ... and perhaps felt the twinge yourself of over-anticipation when jokes seemed to fall flat or scenarios made no sense," writes Tim Goodman at the Hollywood Reporter. "But the series quickly found its pacing, the elaborate Rashomon structure revealed its glorious ambition, and the combination of absurdity and intelligence meshed as well or better than you might have remembered from the original three seasons." "Just as the show's creator rehauled the traditional sitcom in 2003-06 when the original three series aired, he's trying to do the same again seven years on. But change always takes some getting used to," writes Hadley Freeman in the Guardian. "It demands the same kind of patience from the viewer as a show like The Wire, but with more ostrich attacks." "Do the new episodes live up to those of the first three seasons which ended in 2006? Yes, and then some: The new season is not only as smart and absurdly funny as ever, but also reflects the rapid changes in how we watch television," notes David Wiegand in the San Francisco Chronicle. But at Variety, we get a very different opinion from Brian Lowry: The show's return "feels less like a treat than a rather numbing burden," he writes. It's like "a reunion special," and "there’s a sort of awkwardness to it, as if nobody really has much to say."