In which theatre of New York City did a play, described as Marxism but using the figure from a Christmas pantomime in the United Kingdom, perform?
Mother Goose The figure of Mother Goose is the imaginary author of a collection of fairy tales and nursery rhymes often published as "Old Mother Goose's Rhymes", as illustrated by Arthur Rackham in 1913. As a character, she appears in one nursery rhyme. A Christmas pantomime called "Mother Goose" is often performed in the United Kingdom. The so-called "Mother Goose" rhymes and stories have formed the basis for many classic British pantomimes. Mother Goose is generally depicted in literature and book illustration as an elderly country woman in a tall hat and shawl, a costume identical to the peasant costume worn in Wales in the early 20th century, but is sometimes depicted as a goose (usually wearing a bonnet).
New Line Theatre New Line Theatre in St. Louis, Missouri, is an alternative musical theatre company producing challenging, adult, politically and socially relevant works of musical theatre. The company was created in 1991 and produces world premieres such as "Love Kills, Johnny Appleweed, Woman with Pocketbook, She's Hideous, In the Blood, Attempting the Absurd", and "The AmberKlavier"; lesser known Broadway and off Broadway shows such as "High Fidelity, Passing Strange, , The Wild Party, Floyd Collins, A New Brain, March of the Falsettos, Passion, The Robber Bridegroom, The Nervous Set", and ""; abstract musicals such as "Hair, Jacques Brel is Alive and Well and Living in Paris", and "Songs for a New World"; absurdist musicals such as "Reefer Madness, Attempting the Absurd, The Cradle Will Rock", and "Anyone Can Whistle"; concept musicals such as "Company", "Assassins", "Urinetown", "Chicago", "Sunday in the Park with George", and "Cabaret"; and reinterpretations of more mainstream works, such as "Evita", "Man of La Mancha", "Camelot", "Pippin", "Sweeney Todd", "Grease", and "Into the Woods".