Cher's title track from her 22nd album is featured in what video anthology?
Believe (Cher song) "Believe" is a song recorded by American singer-actress Cher. It is the title track from her twenty-second album of the same name (1998), and was released as the lead single from the album on October 19, 1998 by Warner Bros. Records. It was written by Brian Higgins, Stuart McLennen, Paul Barry, Steven Torch, Matthew Gray and Timothy Powell, although Cher claimed later in a 2000 interview that she also wrote part, and was produced by Mark Taylor and Brian Rawling. A considerable departure from Cher's work at the time, "Believe" abandoned the singer's then pop rock-based repertoire in favor of being more club-friendly, in order to engage a younger audience.
Madonna videography American entertainer Madonna has released 68 music videos, 11 concert tour videos, 2 documentary videos, 4 music video compilations, 2 music video box sets, 4 promotional videos, and 5 video singles. In 1982, Madonna signed a recording contract with Sire Records and released her first two singles before launching her eponymous debut album. Her first video to receive attention on MTV was "Borderline", followed by "Lucky Star" and "Like a Virgin", which popularized Madonna's image and fashion among younger generation. Her early videos were released commercially on "Madonna" (1984), which became the best-selling videocassette of 1985. With the title track from her third studio album "True Blue" (1986), Madonna's impact on MTV and popular music was established when a contest entitled "Making My Video", was held to create a music video for the song. "La Isla Bonita" and "Who's That Girl", both released in 1987, showed Madonna's fascination with Hispanic culture and religious symbolism. In 1989, the video of "Like a Prayer" portrayed her dancing in front of burning crosses, receiving stigmata, kissing a black saint and having sex with him in a church altar. It faced strong reaction from religious groups and media. "Express Yourself" released the same year was critically appreciated for its positive feminist themes.