What is the main depiction of No Exit by Jean-Paul Sartre which was staged by director Hamid Samandarian?
No Exit No Exit (French: "Huis Clos" , ] ) is a 1944 existentialist French play by Jean-Paul Sartre. The original title is the French equivalent of the legal term "in camera", referring to a private discussion behind closed doors. The play was first performed at the Théâtre du Vieux-Colombier in May 1944. The play begins with three characters who find themselves waiting in a mysterious room. It is a depiction of the afterlife in which three deceased characters are punished by being locked into a room together for eternity. It is the source of Sartre's especially famous and often misinterpreted quotation "L'enfer, c'est les autres" or "Hell is other people", a reference to Sartre's ideas about the and the perpetual ontological struggle of being caused to see oneself as an object from the view of another consciousness.
Rhinoceros (play) Rhinoceros (French original title Rhinocéros) is a play by Eugène Ionesco, written in 1959. The play was included in Martin Esslin's study of post-war avant-garde drama, "The Theatre of the Absurd", although scholars have also rejected this label as too interpretatively narrow. Over the course of three acts, the inhabitants of a small, provincial French town turn into rhinoceroses; ultimately the only human who does not succumb to this mass metamorphosis is the central character, Bérenger, a flustered everyman figure who is initially criticized in the play for his drinking, tardiness, and slovenly lifestyle and then, later, for his increasing paranoia and obsession with the rhinoceroses. The play is often read as a response and criticism to the sudden upsurge of Fascism and Nazism during the events preceding World War II, and explores the themes of conformity, culture, mass movements, mob mentality, philosophy and morality.