What diss song was a response to Mobb Deep, featuring the group the Outlawz?
Hit 'Em Up "Hit 'Em Up" is a diss song by rap artist 2Pac featuring his group the Outlawz. It is the B-side to the single "How Do U Want It", released on June 4, 1996. The song’s lyrics contain vicious insults to several East Coast rappers, chief among them, Shakur's former friend turned rival, The Notorious B.I.G., also known as Biggie Smalls. The song was recorded in Los Angeles, California at Can Am Studios in May 1996. Reporter Chuck Philips, who interviewed Shakur at Can Am, described the song as "a caustic anti-East Coast crusade in which the rapper threatens to eliminate Biggie, Sean Combs (Puffy), and a slew of Bad Boy artists and other New York acts." The song was produced by long-time collaborator Johnny "J" and samples the bassline from "Don't Look Any Further" by Dennis Edwards and interpolates "Get Money" by Biggie Smalls group Junior M.A.F.I.A., which used the Dennis Edwards sample as well. The song's chorus contains an interpolation of Yellowman's 1982 hit reggae single 'Zungguzungguguzungguzeng'. The video, itself described as infamous, includes impersonations of Biggie, Puffy and Lil' Kim.
Hurt Me Soul "Hurt Me Soul" is a song written by rapper Lupe Fiasco. The Needlz-produced track was released in September 2006 on his debut album "Food & Liquor". Before the opening verse, you can hear Lupe say "Astaghfirullah".In the opening verse, Lupe first acknowledges his own hypocritical tendencies during his younger years, and even more so the over-bearing presence of hypocrisy in the modern rap scene. Afterward, he makes reference to the fact that contemporary rap music is being flooded with the glorification or subliminal promotion of misogyny, drug-dealing, materialism and violence. However, this kind of rap music can be metaphorically viewed as the world in general, for these vices still continue to exist universally, even in societies where rap is absent. Despite his evidently strong opposition for such distasteful music, Lupe contradicts himself by questioning whether or not hip-hop should be criticized for such things. In doing so, he explains how rap legends such as 2Pac, Nas, Too Short, and Jay-Z (who are frequent sources for such glorification) rap about these subjects as they are in reality "coming true", despite the vulgarity of it all.