Jane Marie Andrée Rhodes sang Renata in the first recorded performance of an opera that could be  considered one of the composer’s what?
Jane Rhodes Jane Marie Andrée Rhodes (March 13, 1929 – May 7, 2011) was a French opera singer whose voice encompassed both the soprano and high mezzo-soprano ranges. Her most celebrated role was Carmen, which she sang in the opera's first ever staging at the Palais Garnier. She also created the roles of Isadora in Marcel Landowski's "Le Fou" and Maguelone in Georges Delerue's "Le Chevalier de Neige" and sang Renata in the first recorded performance of Prokofiev's "The Fiery Angel". Admired for both her voice and her glamorous stage presence, she was nicknamed the "Bardot of the Opéra". She was married to conductor Roberto Benzi.
Per la ricuperata salute di Ofelia Per la ricuperata salute di Ofelia (For the recovered health of Ophelia), K. 477a, is a solo cantata for soprano and fortepiano composed in 1785 by Antonio Salieri and Wolfgang Amadeus Mozart, formerly thought to have been enemies, and a third, unknown composer, Cornetti, to a libretto written by the Vienna court poet Lorenzo Da Ponte. It is speculated that "Cornetti" may refer to Alessandro Cornetti, a vocal teacher and composer active in Vienna at the time, or that it is a pseudonym of either Salieri or Stephen Storace, a composer who organized the collaborative work to honor his famous sister. The music had been considered lost until November 2015, when German musicologist and composer Timo Jouko Herrmann identified the score while searching for music by one of Salieri's ostensible pupils, Antonio Casimir Cartellieri, in the archives of the Czech Museum of Music in Prague.