Which old-time banjo player, who recorded for Folkways Records, influenced Fleming Brown?
Dock Boggs Moran Lee "Dock" Boggs (February 7, 1898 – February 7, 1971) was an influential old-time singer, songwriter and banjo player. His style of banjo playing, as well as his singing, is considered a unique combination of Appalachian folk music and African-American blues. Contemporary folk musicians and performers consider him a seminal figure, at least in part because of the appearance of two of his recordings from the 1920s, "Sugar Baby" and "Country Blues", on Harry Smith's 1951 collection "Anthology of American Folk Music". Boggs was first recorded in 1927 and again in 1929, although he worked primarily as a coal miner for most of his life. He was "rediscovered" during the folk music revival of the 1960s and spent much of his later life playing at folk music festivals and recording for Folkways Records.
Moonshine Kate Moonshine Kate (born Rosa Lee Carson, October 10, 1909, Atlanta, Georgia - 1992, Bainbridge, Georgia) was an American country and folk guitarist and banjo player who is best known for recording with her father Fiddlin' John Carson and his band, the Virginia Reelers. Kate was among the earliest recorded women in country music, and arguably her best remembered song was a rendition of her father's composition "Little Mary Phagan".