What sensibilities from postmodernism does Dieselpunk borrow from?
Postmodernism Postmodernism describes a broad movement that developed in the mid- to late 20th century across philosophy, the arts, architecture and criticism which marked a departure from modernism. While encompassing a broad range of ideas, postmodernism is typically defined by an attitude of skepticism, irony or rejection toward grand narratives, ideologies and various tenets of universalism, including objective notions of reason, human nature, social progress, moral universalism, absolute truth, and objective reality. Instead, it asserts to varying degrees that claims to knowledge and truth are products of social, historical or political discourses or interpretations, and are therefore contextual or socially constructed. Accordingly, postmodern thought is broadly characterized by tendencies to epistemological and moral relativism, pluralism, irreverence and self-referentiality.
D-beat D-beat (also known as "discore", "kängpunk" (Swedish for "boot-punk"), and "discrust") is a style of hardcore punk, developed in the early 1980s by imitators of Discharge, after whom the genre is named, as well as a drum beat characteristic of this subgenre. D-beat is known for its "grinding, distorted and brutally political" sound. Discharge may have themselves inherited the beat from Motörhead and the Buzzcocks. D-beat is closely associated with crust punk, which is a heavier, more complex variation. The style was particularly popular in Sweden, and developed there by groups such as Crude SS, Anti Cimex, Mob 47 and Driller Killer. Other D-beat groups include Doom and the Varukers from the UK; Disclose from Japan; Crucifix and Final Conflict from the U.S.; Ratos de Porão, from Brazil; and MG15, from Spain. While the style initially developed in the early 1980s, a number of new groups working within the subgenre emerged in the mid-1990s. These include the Swedish groups Wolfbrigade, Totalitär, Avskum, Skitsystem and Disfear.