In what century was the the style of voices popular that the Liebeslieder Walzer, Op. 52 was in?
Liebeslieder Walzer, Op. 52 (Brahms) Johannes Brahms' Liebeslieder Waltzes ("Liebeslieder-Walzer") are distributed across two opus numbers: Op. 52 and Op. 65. The waltzes are a collection of love songs in Ländler style for voices and piano four hands. The lyrics for the "Liebeslieder" come from Georg Friedrich Daumer's "Polydora", a collection of folk songs and love poems. While there is no concrete record indicating the exact inspiration for the Waltzes, there is speculation that Brahms' motivation for the songs was his frustrated love for pianist Clara Schumann, composer Robert Schumann's wife.
Sängerfest Sängerfest, also Sängerbund-Fest, Sängerfeste, or Saengerfest, meaning singer festival, is a competition of Sängerbunds, or singer groups, with prizes for the best group or groups. Such public events are also known as a Liederfest, or song festival. Participants number in the hundreds and thousands, and the fest is usually accompanied by a parade and other celebratory events. The sängerfest is most associated with the Germanic culture. Its origins can be traced back to 19th century Europe. Swiss composer Hans Georg Nägeli and educator Carl August Zeller, both protégés of Swiss educator Johann Heinrich Pestalozzi, established sängerbunds to help foster social change throughout Germany and Prussia. University students began to choose the art form as an avenue for political statements. As the sängerfest concept gained popularity and spread around the world, it was adapted by Christian churches for spiritual worship services.