From which French philosopher's work did John Maus derive the title of the album whose positive response caused him to grow more widely accepted as an outsider artist?
We Must Become the Pitiless Censors of Ourselves We Must Become the Pitiless Censors of Ourselves is the third album from the American electronic musician John Maus, released in 2011, on Ribbon Music in the United States and Upset the Rhythm in the UK. Critics met the album with generally favorable reviews. The title is derived from French philosopher Alain Badiou's "Fifteen Theses on Contemporary Art".
On the Postcolony On the Postcolony is a collection of critical essays by Cameroonian philosopher and political theorist Achille Mbembe. The book is Mbembe's most well-known work and explores questions of power and subjectivity in postcolonial Africa. The book is split into an introduction, six essays – "Of "Commandement"," "Of Private Indirect Government," "The Aesthetics of Vulgarity," "The Thing and Its Doubles," "Out of the World," and "God's Phallus" – and a conclusion. It has been characterized as "one of the most lastingly provocative and stimulating contributions to the theoretical literature on the postcolonial state in sub-Saharan Africa" and is the winner of the 2006 Bill Venter/Altron Award.