What was the professional name of the recorder of Live at the Carousel Ballroom?
Owsley Stanley Owsley Stanley (born Augustus Owsley Stanley III, January 19, 1935 – March 12, 2011) was an American audio engineer and clandestine chemist. He was a key figure in the San Francisco Bay Area hippie movement during the 1960s and played a pivotal role in the counterculture of the 1960s. Under the professional name Bear, he was the soundman for the rock band the Grateful Dead, whom he met when Ken Kesey invited them to an Acid Test party. As their sound engineer, Stanley frequently recorded live tapes behind his mixing board, designed their trademark skull logo, and developed their Wall of Sound sound system, one of the largest mobile public address systems ever constructed.
The Black Messiah The Black Messiah is a live album by jazz saxophonist Cannonball Adderley recorded at The Troubadour in Los Angeles, California in 1970 featuring performances by Adderley's Quintet with Nat Adderley, George Duke, Walter Booker and Roy McCurdy with guest appearances by Airto Moreira, Mike Deasy, Ernie Watts, Alvin Batiste, and Buck Clarke. After many years of being out of print, "The Black Messiah" was reissued in 2014 by Real Gone Music; the new 2CD reissue included liner notes by music journalist/blogger Bill Kopp.