From which French philosopher's work did John Maus derive the title of the album whose positive response caused him to grow more widely accepted as an outsider artist?
We Must Become the Pitiless Censors of Ourselves We Must Become the Pitiless Censors of Ourselves is the third album from the American electronic musician John Maus, released in 2011, on Ribbon Music in the United States and Upset the Rhythm in the UK. Critics met the album with generally favorable reviews. The title is derived from French philosopher Alain Badiou's "Fifteen Theses on Contemporary Art".
The Dream (Rousseau painting) The Dream (French: "Le Rêve", occasionally also known as "Le Songe" or "Rêve exotique") is a large oil-on-canvas painting created by Henri Rousseau in 1910, one of more than 25 Rousseau paintings with a jungle theme. His last completed work, it was first exhibited at the Salon des Indépendants from 18 March to 1 May 1910, a few months before his death on 2 September 1910. Rousseau's earlier works had received a negative reception, but poet and critic Guillaume Apollinaire remarked on its debut: "The picture radiates beauty, that is indisputable. I believe nobody will laugh this year."