What Venue in Buenos Aires, Argentina did Carlton Gauld make his debut in 1932?
Carlton Gauld Carlton Gauld (before 1931 – after 1960) was an American operatic bass who had a prolific career during the 1930s through the 1960s. Raised in Bedford, Indiana, Gustos first rose to prominence at the Metropolitan Opera in New York City, making his debut with the company in the 1931–1932 season as the King of Egypt in Giuseppe Verdi's "Aida". He made his debut with the Teatro Colón in Buenos Aires in 1932, shortly followed by his European debut at the Opéra Comique as Nilakantha in Delibes's "Lakmé". He remained at the Opéra Comique for three years, portraying a variety of roles like, Basilio in "The Barber of Seville", the title role in Giacomo Puccini's "Gianni Schicchi", the Prior in Massenet's "Le Jongleur de Notre Dame", de Grieux in "Manon", Lothario in "Mignon", Ramon in Charles Gounod's "Mireille", the four villains in "The Tales of Hoffmann", Count Almaviva in "Le nozze di Figaro", and Scarpia in "Tosca" among others. He also sang in the world premiere of Emmanuel Bondeville's "L’École des maris" (1933) with the company.
Estadio Monumental Antonio Vespucio Liberti Estadio Antonio Vespucio Liberti (] ), also referred to as River Plate Stadium, Monumental de Núñez or simply El Monumental, is a stadium in the Núñez district of Buenos Aires, Argentina, home of the football club River Plate. It was opened on 25 May 1938 and named after former club president Antonio Vespucio Liberti. It is the largest stadium in Argentina with a capacity of 62.000 and also home of the Argentina national football team. It was the main venue in the 1951 Pan American Games and in the 1978 FIFA World Cup which hosted the final between Argentina and the Netherlands. Additionally, it hosted four finals of the Copa América, most recently in 2011 for the 2011 Copa América.