Mound of Butter is a painting by the 19th-century by which French realist painter, made between 1875 and 1885, the painting is hosted at The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW?
National Gallery of Art The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress. Andrew W. Mellon donated a substantial art collection and funds for construction. The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Brown Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western Art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
Prelude to a Broken Arm Prelude to a Broken Arm (En prévision du bras cassé in French) is a 1915 sculpture by Dada artist Marcel Duchamp that consisted of a regular snow shovel with the title and "from Marcel Duchamp 1915" painted on the handle. An antidote to what he called "retinal art", this sculpture was the second of a series of sculptures that he called "ready-mades", the most famous of which is his 1917 "Fontaine" ("Fountain"). At the time, the term "ready-made" referred to manufactured goods as opposed to handmade goods, but Duchamp used the term to describe "an ordinary object elevated to the dignity of a work of art by the mere choice of an artist". The original was hung from a wire in the studio and has since been lost. It is believed that the shovel was mistaken for an ordinary snow shovel and was removed to move snow off the sidewalks of Chicago. A replica of the sculpture is on display at the Yale University Art Gallery in New Haven, Connecticut.