Stanislav Binički, was a Serbian composer, conductor, and pedagogue, he composed one of his most famous works, "March on the Drina", following the Serbian victory at which fight between Austria-Hungary and Serbia in August 1914 during the early stages of the Serbian Campaign of the First World War?
Stanislav Binički Stanislav Binički (, ] ; 27 July 1872 – 15 February 1942) was a Serbian composer, conductor, and pedagogue. A student of German composer Josef Rheinberger, he became the first director of the Opera Sector of the National Theatre in Belgrade in 1889 and began working with the Belgrade Military Orchestra a decade later. He composed the first Serbian opera, "At Dawn" (Serbian: "Na uranku" ), in 1903. In 1911, Binički established the second Serbian Music School. He joined the Serbian Army following the outbreak of World War I and composed one of his most famous works, "March on the Drina", following the Serbian victory at the Battle of Cer. He retired as head of the Opera Sector of the National Theatre in 1920 and died in Belgrade in 1942. He is considered one of the leading Serbian composers of the Generation of the 1870s.
Spirit of 1914 The Spirit of 1914 (German: Augusterlebnis) was the alleged jubilation in Germany at the outbreak of World War I. Many individuals remembered that euphoria erupted on 4 August 1914 after all the political parties in the Reichstag, including the previously antimilitarist Social Democratic Party of Germany (SPD), supported the war credits in a unanimous vote, later referred to as the "Burgfrieden" (literally "castle peace", but more accurately party truce). Many, particularly those in the middle class, believed Germany had ended its decades of bitter domestic political conflict. The string of military victories in the following weeks, which demonstrated what Germany could accomplish when unified and suggested that the war would be short, reinforced the ebullience. Many on the political right accordingly believed, and continued to believe into the Nazi era, that these first weeks of the war were Germany's finest hour, the German equivalent to 1789 in France. Until the 1990s, most historians took the memory of the Spirit of 1914 at face value and claimed that the enthusiasm in August 1914 was universal.