For what international computer art subculture did Mark Alan Knight start out his career writing chiptune and module file music for?
Demoscene The demoscene is an international computer art subculture that specializes in producing demos: small, self-contained computer programs that produce audio-visual presentations. The main goal of a demo is to show off programming, artistic, and musical skills.
Experimental Music Catalogue The Experimental Music Catalogue (commonly known as the EMC) was founded in 1968 by Christopher Hobbs in order to provide an outlet for new music by composers of the English experimental movement, Publications appeared mainly as generic anthologies, such as the "Verbal Anthology","String Anthology", "Rhythmic Anthology" and the "Scratch Anthology of Compositions". These anthologies featured music by British composers such as Cornelius Cardew, Hugh Shrapnel, Howard Skempton, Gavin Bryars, John White, and other experimental composers, including those in the Scratch Orchestra, but also others, including Robert Ashley and Terry Jennings.