Who was the drummer for the recording of "The Man Who Sold the World" released in the US in 1970?
Memory of a Free Festival "Memory of a Free Festival" is a 1970 single by David Bowie. The song had originally been recorded in September 1969 as a seven-minute opus for Bowie's second self-titled album. It was reworked in March-April 1970 at the behest of Mercury Records, the label believing that the track had a better chance of success as a single than "The Prettiest Star", released earlier in the year. Bowie and Tony Visconti roughly split the track in half, re-recording it so both halves could function as individual songs. A more rock-oriented version than the earlier album cut, this rendition marked guitarist Mick Ronson's and drummer Mick Woodmansey's studio debut with Bowie's band, bringing together the line-up that would shortly record "The Man Who Sold the World".
Barrett Martin Barrett Martin (born April 14, 1967) is an American drummer, composer, producer, award-winning writer, and Zen artist. He was the drummer for the Seattle, Washington groups Skin Yard and Screaming Trees, as well as the supergroups Mad Season and Tuatara. A multi-instrumentalist and producer, he does recording session work in Seattle and Los Angeles and has played on, or produced, over 100 albums to date. In 2014, he was awarded the ASCAP Deems Taylor award for excellence in writing for his liner notes in the Mad Season Deluxe Reissue. He is primarily known for his powerful tribal drumming style, which includes the use of the tom toms as a rhythmic component that replaces the traditional hihat and ride cymbal. He credits the jazz drummers Art Blakey, Max Roach, and Elvin Jones for inspiring this approach to his drumming style, as well as the rock drummers John Bonham, Keith Moon, and Neil Peart. He has also stated that the heavyweight boxer Muhammad Ali inspired his drumming at a young age, saying, "Ali was so incredibly fast on his feet, and his hands were both light and heavy at the same time. Float like a butterfly, sting like bee, that's the way a great drummer should play – light and heavy, the way Ali boxed."