Bernardo de Muro debuted in performing in "Cavalleria rusticana" by the Italian composer who ushered in which movement?
Bernardo de Muro Bernardino de Muro was born on November 3, 1881, in Tempio Pausania, Sardinia, to Antonio Maria and Jeanne-Marie Demuro. His father was a small landowner. Bernardo’s formal education ceased at primary school. Initially self-taught, he began singing in a café in Tempio. Moving to Rome, he participated in a competition for admission to the Conservatory of St. Cecilia in 1903. He studied under A. Sbriscia and Alfredo Martino. His operatic debut was on May 12, 1910, at the Teatro Costanzi in Rome, performing in "Cavalleria rusticana" by Mascagni. He received flattering reviews for this performance. In the next few years he performed in "Madama Butterfly", "L'Africaine", "Carmen", and further performances of "Cavalleria rusticana". Although he was long a star at La Scala, he was largely unknown to American audiences until he began to tour there. His continued career carried him to such places as the Solis in Montevideo, Uruguay in 1916, the Dal Verme in Milan (performing "Mefistofele"), the Hippodrome, St. Petersburg, Florida, in 1927, and The Dell Ofrecie Grand Opera Company of New York (performing "Aida").
Teatro Regio Ducal The Teatro Regio Ducal (Italian, "Royal Ducal Theatre") was the opera house in Milan from 26 December 1717 until 25 February 1776, when it was burned down following a carnival gala. Many famous composers and their operas are associated with it, including the premieres of Mozart's "Ascanio in Alba", "Mitridate, re di Ponto", and "Lucio Silla". The opera house also saw the premiere of Maria Teresa Agnesi Pinottini's "Ciro in Armenia" in 1753; one of the earliest successfully received operas by a female composer. Variant forms such as "Regio-Ducal Teatro" and "Teatro Regio Ducale" are also seen.