What type of genre did Robery Ranke's Graves White Goddess fit into?
The White Goddess The White Goddess: a Historical Grammar of Poetic Myth is a book-length essay on the nature of poetic myth-making by author and poet Robert Graves. First published in 1948, the book is based on earlier articles published in "Wales" magazine, corrected, revised and enlarged editions appeared in 1948, 1952 and 1961. "The White Goddess" represents an approach to the study of mythology from a decidedly creative and idiosyncratic perspective. Graves proposes the existence of a European deity, the "White Goddess of Birth, Love and Death," much similar to the "Mother Goddess", inspired and represented by the phases of the moon, who lies behind the faces of the diverse goddesses of various European and pagan mythologies.
Opéra féerie Opéra féerie (plural: "opéras féeries ") is a French genre of opera or opéra-ballet, often with elements of magic in their stories. Popular in the 18th century, from the time of Jean-Philippe Rameau onwards, the form reached its culmination with works such as "La belle au bois dormant" by Michele Carafa and "Cendrillon" by Nicolas Isouard at the beginning of the 19th century.