John Christopher Schulte, born 1959, is an American writer, director, and producer of animation, toys and entertainment properties, he has enjoyed several resurgences since its original inception for Teenage Mutant Ninja Turtles, by the comic book duo, Kevin Eastman and which American comic book writer and artist?
John C. Schulte John Christopher Schulte (born 1959) is an American writer, director, and producer of animation, toys and entertainment properties. He has developed many iconic intellectual properties from the 1980s, 1990s and on into the 21st-century. Working as a developer and writer, he served on the development team for the wildly popular "Teenage Mutant Ninja Turtles", which became a multi-billion dollar franchise internationally and has enjoyed several resurgences since its original inception by the comic book duo, Kevin Eastman and Peter Laird. He provided seminal development for licensee, Playmates Toys, and contributed stories to the animated series, helmed by veteran satirist, Jack Mendelsohn.
Creator's Bill of Rights The Creator's Bill of Rights (officially, A Bill of Rights for Comics Creators) was a document drafted in November 1988 by a number of independent comic book artists, writers, and publishers, designed to protect their rights as creators and publishers and oppose exploitation by corporate work for hire practices and the power of distributors to dictate the means of distribution. Issues covered by the Bill included giving creators proper credit for their characters and stories, profit-sharing, distribution, fair contracts, licensing, and return of original artwork. The signing of the Bill spurred Cerebus creator and self-publisher Dave Sim and "Teenage Mutant Ninja Turtles" creators/self-publishers Kevin Eastman and Peter Laird to sell or continue selling collected volumes of their comics directly to readers via their periodic issues, rather than through direct market distributors selling the collections at comic book specialty shops. Comic book professionals that have commented on the Bill conclude that it had little or no impact on the comic book industry.