A triple album released by English musician George Harrison included a song that appears in a reprise and a more well-known version of how many minutes that was previously rejected for inclusion on releases by the Beatles?
All Things Must Pass All Things Must Pass is a triple album by English musician George Harrison. Recorded and released in 1970, the album was Harrison's first solo work since the break-up of the Beatles in April that year, and his third solo album overall. It includes the hit singles "My Sweet Lord" and "What Is Life", as well as songs such as "Isn't It a Pity" and the title track that had been turned down for inclusion on releases by the Beatles. The album reflects the influence of Harrison's musical activities with artists such as Bob Dylan, the Band, Delaney & Bonnie and Billy Preston during 1968–70, and his growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney. "All Things Must Pass" introduced Harrison's signature sound, the slide guitar, and the spiritual themes that would be present throughout his subsequent solo work. The original vinyl release consisted of two LPs of songs and a third disc of informal jams, titled "Apple Jam". Several commentators interpret Barry Feinstein's album cover photo, showing Harrison surrounded by four garden gnomes, as a statement on his independence from the Beatles.
The King of Rock and Roll The King of Rock and Roll is Little Richard's second album for Reprise Records, a follow-up album that contained one original Little Richard song, the gospel rock "In the Name" and a new song co-written by Producer H. B. Barnum, "Green Power", the single release; and versions of tracks by artists as diverse as Hank Williams, The Temptations, Martha and the Vandellas, Three Dog Night, and The Rolling Stones. The title track, a mock braggadocio that referenced Tom Jones, Elvis Presley, Ike & Tina Turner, Sly and the Family Stone, and Aretha Franklin, amongst others, upset some fans, although the album's title tune got good airplay in New York - a 1950s style jump blues, with an exceptional Little Richard shouting vocal! But fans and critics were further upset that the album did not feature acoustic piano and that most tracks were badly mixed, with an intrusive girl group chorus.