What type of genre did Robery Ranke's Graves White Goddess fit into?
The White Goddess The White Goddess: a Historical Grammar of Poetic Myth is a book-length essay on the nature of poetic myth-making by author and poet Robert Graves. First published in 1948, the book is based on earlier articles published in "Wales" magazine, corrected, revised and enlarged editions appeared in 1948, 1952 and 1961. "The White Goddess" represents an approach to the study of mythology from a decidedly creative and idiosyncratic perspective. Graves proposes the existence of a European deity, the "White Goddess of Birth, Love and Death," much similar to the "Mother Goddess", inspired and represented by the phases of the moon, who lies behind the faces of the diverse goddesses of various European and pagan mythologies.
She-tragedy The term she-tragedy, also known as ""pathetic tragedy"" refers to a vogue in the late 17th and early 18th centuries for tragic plays focused on the sufferings of a woman, sometimes innocent and virtuous but often a woman who has committed some sort of sexual sin. Prominent she-tragedies include Thomas Otway's "The Orphan" (1680), John Banks' "Virtue Betrayed, or, Anna Bullen" (1682), Thomas Southerne's "The Fatal Marriage" (1694) and Nicholas Rowe's "The Fair Penitent" (1703) and "Lady Jane Grey" (1715). Rowe was the first to use the term "she-tragedy," in 1714.