Which American guitarist produced the album 'Road Trip' in 2011 which was ranked 37 in a list of the top 50 albums of that year by a popular music magazine, first published in 1993 which had Bod Dylan and John Lennon as its first cover stars?
Mojo (magazine) Mojo is a popular music magazine published initially by Emap, and since January 2008 by Bauer, monthly in the United Kingdom. Following the success of the magazine "Q", publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. "Mojo" was first published on 15 October 1993; in keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for "Blender" and "Uncut". Many noted music critics have written for it including Charles Shaar Murray, Greil Marcus, Nick Kent and Jon Savage. The launch editor of "Mojo" was Paul Du Noyer and his successors have included Mat Snow, Paul Trynka and Pat Gilbert.
All Things Must Pass All Things Must Pass is a triple album by English musician George Harrison. Recorded and released in 1970, the album was Harrison's first solo work since the break-up of the Beatles in April that year, and his third solo album overall. It includes the hit singles "My Sweet Lord" and "What Is Life", as well as songs such as "Isn't It a Pity" and the title track that had been turned down for inclusion on releases by the Beatles. The album reflects the influence of Harrison's musical activities with artists such as Bob Dylan, the Band, Delaney & Bonnie and Billy Preston during 1968–70, and his growth as an artist beyond his supporting role to former bandmates John Lennon and Paul McCartney. "All Things Must Pass" introduced Harrison's signature sound, the slide guitar, and the spiritual themes that would be present throughout his subsequent solo work. The original vinyl release consisted of two LPs of songs and a third disc of informal jams, titled "Apple Jam". Several commentators interpret Barry Feinstein's album cover photo, showing Harrison surrounded by four garden gnomes, as a statement on his independence from the Beatles.