Which Italian Renaissance composer of sacred music had an important role in the Counter-Reformation?
Tomás Luis de Victoria Tomás Luis de Victoria (sometimes Italianised as "da Vittoria"; c. 1548 – 27 August 1611) was the most famous composer in 16th-century Spain, and was one of the most important composers of the Counter-Reformation, along with Giovanni Pierluigi da Palestrina and Orlando di Lasso. Victoria was not only a composer, but also an accomplished organist and singer as well as a Catholic priest. However, he preferred the life of a composer to that of a performer.
Giandomenico Martoretta Giandomenico Martoretta (Mileto 15151560s?) was an Italian Renaissance composer. Little is known of his life, but the style of the dedication of the "master of theology" Giovanfrancesco di Chara in the second book indicates that Martoretta may have been minor gentry or member of an academy. But the preface to the third book of madrigals reveals that he had made a pilgrimage to the Holy Land and stayed in Cyprus as guest of a certain noble cavaliere, Piero Singlitico. His first book of madrigals was written in the rapid "note nere", black note, style introduced by Constanzo Festa. Theodor Kroyer (1902) believed that Martoretta's madrigals demonstrated chromatic keys.