"When music imitates the modulations of grief or joy, it either actually inspires us with those passions, or at least puts us in the mood which disposes us to conceive them. But when it imitates the notes of anger, it inspires us with fear. Joy, grief, love, admiration, devotion, are all of them passions which are naturally musical. Their natural tones are all soft, clear, and melodious; and they naturally express themselves in periods which are distinguished by regular pauses, and which upon that account are easily adapted to the regular returns of the correspondent airs of a tune."
The Theory of Moral Sentiments
10 entries in the ESTC (1759, 1761, 1764, 1767, 1774, 1777, 1781, 1790, 1792, 1793, 1797). A revised title with a complicated textual history.<br>
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See <u>The Theory of Moral Sentiments: By Adam Smith</u> (London: Printed for A. Millar; and A. Kincaid and J. Bell, in Edinburgh, 1759). &lt;<a href="http://estc.bl.uk/T141578">Link to ESTC</a>&gt;&lt;<a href="http://name.umdl.umich.edu/004894986.0001.000">Link to ECCO-TCP</a>&gt;<br>
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Reading Adam Smith, <u>The Theory of Moral Sentiments</u>, ed. D.D. Raphael and A.L. Macfie (Indianapolis: Liberty Fund, 1984).