when were the mysteries added to the rosary
History of the Rosary From the 16th to the early 20th century, the structure of the rosary remained essentially unchanged.[4] There were 15 mysteries, one for each of the 15 decades. In the 20th century the addition of the Fatima Prayer to the end of each decade became popular. After Vatican Council II, Msgr. Annibale Bugnini, architect of the liturgical reform, proposed further changes to the structure of the Rosary, but Pope Paul VI refused to implement the proposal on the grounds that changing such a well-established and popular devotion would unsettle the piety of the faithful and show a lack of reverence for an ancient practice. There were thus no other changes until 2002 when John Paul II instituted five new Luminous Mysteries.[17] In the 17th century, the Rosary began to appear as an element in key pieces of Roman Catholic Marian art. Key examples include Murrillo's Madonna with the Rosary at the Museo del Prado in Spain, and the statue of Madonna with Rosary at the church of San Nazaro Maggiore in Milan. Several Roman Catholic Marian churches around the world have also been named after the rosary, e.g. Our Lady of the Rosary Basilica, in Rosario Argentina, the Rosary Basilica in Lourdes and Nossa Senhora do Rosário in Porto Alegre, Brazil.
Shroud of Turin The Shroud of Turin or Turin Shroud (Italian: Sindone di Torino, Sacra Sindone [ˈsaːkra ˈsindone] or Santa Sindone) is a length of linen cloth bearing the negative image of a man who is alleged to be Jesus of Nazareth. It is kept in the royal chapel of the Cathedral of Saint John the Baptist in Turin, Piedmont, northern Italy. The cloth itself is believed by some to be the burial shroud that Jesus was wrapped in when he was buried after crucifixion. It is first securely attested in 1390, when a local bishop wrote that the shroud was a forgery and that an unnamed artist had confessed. Radiocarbon dating of a sample of the shroud material is consistent with this date.