what is the name called out in the neverending story
The NeverEnding Story (film) Atreyu and Falkor flee before the Nothing consumes the Southern Oracle. In flight, Atreyu is knocked from Falkor's back into the Sea of Possibilities, losing the Auryn in the process. He wakes on the shore of the abandoned ruins, where he meets Rock Biter, who laments the loss of his friends. Atreyu finds a series of paintings depicting his quest. Gmork reveals himself, having been lying in wait and explains that Fantasia represents humanity's imagination, and that the Nothing represents adult apathy and cynicism against it. Atreyu fends off and kills Gmork as the Nothing begins to consume the ruins. Falkor, who had managed to locate the Auryn, rescues Atreyu in time. The two find themselves in a void with only small fragments of Fantasia remaining, and fear they have failed when they spot the Empress's Ivory Tower among the fragments. Inside, Atreyu apologizes for failing the Empress, but she assures him he has succeeded in bringing to her a human child who has been following his quest: Bastian. She further explains that, just as Bastian is following Atreyu's story, "others" are following Bastian's, making this part of the neverending story. As the Nothing begins to consume the Tower, the Empress pleads directly to Bastian to call out her new name, but in amazement that he himself has been incorporated into the story as the child they were looking for, he denies the events as just being a story and Atreyu dies. Bastian runs to the window and calls out the name he had selected into the storm (Moonchild), and loses consciousness.
Never Say Never Again James Horner was both Kershner's and Schwartzman's first choice to compose the score after being impressed with his work on Star Trek II: The Wrath of Khan. Horner, who worked in London for most of the time, wound up unavailable according to Kershner, though Schwartzman later claimed Sean Connery vetoed the American. Frequent Bond composer John Barry was invited, but declined out of loyalty to Eon.[37] The music for Never Say Never Again was written by Michel Legrand, who composed a score similar to his work as a jazz pianist.[38] The score has been criticised as "anachronistic and misjudged",[29] "bizarrely intermittent"[28] and "the most disappointing feature of the film".[21] Legrand also wrote the main theme "Never Say Never Again", which featured lyrics by Alan and Marilyn Bergman—who had also worked with Legrand in the Academy Award-winning song, "The Windmills of Your Mind"[39]—and was performed by Lani Hall[21] after Bonnie Tyler, who disliked the song, had reluctantly declined.[40]