what year is it at the beginning of guardians of the galaxy
Guardians of the Galaxy (film) In 1988, following his mother's death, a young Peter Quill is abducted from Earth by the Ravagers, a group of space pirates led by Yondu Udonta. Twenty-six years later on the planet Morag, Quill steals an orb but is attacked by Korath, a subordinate to the fanatical Kree, Ronan. Although Quill escapes with the orb, Yondu discovers his theft and issues a bounty for his capture, while Ronan sends the assassin Gamora after the orb.
Guardians of the Galaxy Vol. 2 Principal photography began on February 17,[42] with Marvel confirming that Russell had joined the cast, and revealing that Elizabeth Debicki and Chris Sullivan had also been cast, all in undisclosed roles.[42] The production used all 18 stages at Pinewood Atlanta, an increase in stage space from what was used for the first film. Gunn said the sequel required more sets than the first and "our sets are very large, even though a lot of the film is CGI. I like to have as many practical sets as we can and make the environments as real as possible so it balances out the CGI elements." Despite this, Gunn noted that there were less locations featured in the sequel, with the focus instead on being more specific and detailed with the fewer places shown. Sets constructed for the film included: several for the Sovereign planet, for which Chambliss used a "1950s pulp fiction variation on 1930s art deco design aesthetic"; the Ravager's main ship in the film, the Eclector, which was constructed in sections to provide a complete 360-degree view of the ship as well as the ability to move sections around and portray different areas of the ship; and the Iron Lotus establishment on the "pleasure planet" of Contraxia, which Chambliss wanted to feel like it had been put together from "a whole yard of repurposed junk where old spaceships are cast away and industrial materials that aren't of use anymore are just left to rot", creating a "kind of neon jungle in its own way and covered in ice and snow." Interiors for other ships were also constructed, to limit the amount of blue screen the actors had to interact with;[34] this includes the cockpit of Quill's ship that had been built for the first film before being stored in London which was transported to Atlanta for the sequel.[130]