who said that each of us is born with a tabula rasa
Tabula rasa The modern idea of the theory, however, is attributed mostly to John Locke's expression of the idea in Essay Concerning Human Understanding (he uses the term "white paper" in Book II, Chap. I, 2). In Locke's philosophy, tabula rasa was the theory that at birth the (human) mind is a "blank slate" without rules for processing data, and that data is added and rules for processing are formed solely by one's sensory experiences. The notion is central to Lockean empiricism; it serves as the starting point for Locke's subsequent explication (in Book II) of simple ideas and complex ideas. As understood by Locke, tabula rasa meant that the mind of the individual was born blank, and it also emphasized the freedom of individuals to author their own soul. Individuals are free to define the content of their character—but basic identity as a member of the human species cannot be altered. This presumption of a free, self-authored mind combined with an immutable human nature leads to the Lockean doctrine of "natural" rights. Locke's idea of tabula rasa is frequently compared with Thomas Hobbes's viewpoint of human nature, in which humans are endowed with inherent mental content—particularly with selfishness.[citation needed]
The Little Rascals (film) Alfalfa makes several attempts to woo back Darla, including sending her a fake love note. When that attempt fails, Spanky goes with him to formally break things off with Darla. They are initially turned from the door of her ballet school, but Spanky insists that they will wait for Darla to come out; Spanky gives Alfalfa a frog to play with while they wait. They are soon spotted by the neighborhood bullies Butch (Sam Saletta) and Woim (Blake Jeremy Collins), who chase them inside the building. To get away, the boys duck into a costume room and disguise themselves in ballet drag. They manage to evade the bullies, but when they attempt to enter another room to get out of their disguises, they are surprised to find the room filled with girls, including Darla, dressed in ballet outfits. The boys nervously pretend to be in the ballet recital that is about to take place, but Alfalfa almost gives them away when the frog he is still holding croaks. Just as they are about to back out of the room, the ballet mistress (Lea Thompson) enters and ushers them all on stage.