the actors in ancient greek theatre wore masks because
Theatre of ancient Greece In a large open-air theatre, like the Theatre of Dionysus in Athens, the classical masks were able to create a sense of dread in the audience creating large scale panic, especially since they had intensely exaggerated facial features and expressions.[18] They enabled an actor to appear and reappear in several different roles, thus preventing the audience from identifying the actor to one specific character. Their variations help the audience to distinguish sex, age, and social status, in addition to revealing a change in a particular character's appearance, e.g. Oedipus after blinding himself.[19] Unique masks were also created for specific characters and events in a play, such as The Furies in Aeschylus' Eumenides and Pentheus and Cadmus in Euripides' The Bacchae. Worn by the chorus, the masks created a sense of unity and uniformity, while representing a multi-voiced persona or single organism and simultaneously encouraged interdependency and a heightened sensitivity between each individual of the group. Only 2-3 actors were allowed on the stage at one time, and masks permitted quick transitions from one character to another. There were only male actors, but masks allowed them to play female characters.
Son of the Mask It also stars Alan Cumming as the god of mischief, Loki, whom Odin has ordered to find the Mask. It co-stars Traylor Howard, Kal Penn, Steven Wright, and Bob Hoskins as Odin. Ben Stein makes a brief reappearance within the first few minutes of the film as Dr. Arthur Neuman from The Mask to reestablish the relationship with the mask and Loki. Bill Farmer and Richard Steven Horvitz provide the voice and vocal effects of Masked Otis.