which two frescos are displayed in the royal gallery in the houses of parliament
Palace of Westminster The decorative scheme of the Royal Gallery was meant to display important moments in British military history, and the walls are decorated by two large paintings by Daniel Maclise, each measuring 13.7 by 3.7 metres (45 by 12 ft): The Death of Nelson (depicting Lord Nelson's demise at the Battle of Trafalgar in 1805) and The Meeting of Wellington and Blücher (showing the Duke of Wellington meeting Gebhard Leberecht von Blücher at the Battle of Waterloo in 1815).[77] The murals deteriorated rapidly after their completion due to a range of factors, most importantly atmospheric pollution, and today they are almost monochrome.[88] The rest of the planned frescos were cancelled, and the walls are filled with portraits of kings and queens from George I onwards.[95] Another decorative element with military undertones are the eight statues of gilded Caen stone that flank the three doorways and the bay window of the Gallery, sculpted by John Birnie Philip. Each depicts a monarch during whose reign a key battle or war took place.[77] They are: Alfred the Great and William the Conqueror; Richard I and Edward III; Henry V and Elizabeth I; William III and Anne. The panelled ceiling, 13.7 metres (45 ft) above the floor,[41] features Tudor roses and lions, and the stained-glass windows show the coats of arms of the Kings of England and Scotland.[92]
Francis Rattenbury The province, anxious to show its growing economic, social and political status, was engaged in an architectural competition to build a new legislative building in Victoria. The new immigrant entered, signing his drawings with the pseudonym "A B.C. Architect," and won the competition. Despite many problems, including going over-budget by $400,000, the British Columbia Parliament Buildings were officially opened in 1898.[1] The grand scale of its 500-foot (150 m)-long facade, central dome and two end pavilions, the richness of its white marble, and its use of the currently-popular Romanesque style contributed to its being seen as an impressive monument for the new province. Rattenbury's success in the competition garnered him many commissions in Victoria and other parts of the province, including additions to the Legislative Buildings in 1913–1915. In 1900 he was commissioned to design the 18 bedroom, three story Burns Manor in Calgary for his close friend Pat Burns.