who sang have you ever really loved a woman
Have You Ever Really Loved a Woman? "Have You Ever Really Loved a Woman?" is a song written by Bryan Adams, Michael Kamen and Robert John "Mutt" Lange, and recorded by Adams for the film Don Juan DeMarco. The melody is used as a musical motif throughout the film, and the song is featured three times in the movie, twice performed by other artists in Spanish, and finally performed by Adams himself during the closing credits. The Adams version of the song, which features flamenco guitarist Paco de Lucia, is featured on the soundtrack album and also on the album 18 til I Die, which was released over a year later. It was at number one for five weeks on the Billboard Hot 100 in the United States, making it the third number one song for the songwriting team, and went on to earn them their second Oscar nomination.[citation needed] It also went to number one in Canada (five weeks), Australia, Austria and Switzerland while reaching the top five in nine additional countries, including the UK, and the top ten in a further four countries. The song was nominated for Best Original Song at the 68th Academy Awards but lost to "Colors of the Wind" from Pocahontas.
I Will Always Love You In 1992, R&B singer Whitney Houston recorded a new arrangement of "I Will Always Love You" for the soundtrack to The Bodyguard, her film debut. She was originally to record Jimmy Ruffin's "What Becomes of the Brokenhearted" as the lead single from The Bodyguard. However, when it was discovered the song was to be used for Fried Green Tomatoes, Houston requested a different song. It was her co-star Kevin Costner who suggested "I Will Always Love You", playing her Linda Ronstadt's 1975 version from her album Prisoner in Disguise.[26][27] Producer David Foster re-arranged the song as a soul ballad.[28] Her record company did not feel a song with an a cappella introduction would be as successful; however, Houston and Costner insisted on retaining it. When Parton heard that Houston was using Ronstadt's recording as a template, she called Foster to give him the final verse, which was missing from the Ronstadt recording, as she felt it was important to the song. The tenor saxophone solo was played by Kirk Whalum. Whitney Houston's recording is not the only version of the song featured in the movie. In a scene where she dances with Kevin Costner, a version by John Doe can be heard playing on a jukebox.