this artist is credited with popularizing skiffle in britain
Skiffle Skiffle was a relatively obscure genre, and it might have been largely forgotten if not for its revival in the United Kingdom in the 1950s and the success of its main proponent, Lonnie Donegan. British skiffle grew out of the developing post-war British jazz scene, which saw a move away from swing music and towards authentic trad jazz.[1] Among these bands were Ken Colyer's Jazzmen, whose banjo player Donegan also performed skiffle music during intervals. He would sing and play guitar with accompaniment of two other members, usually on washboard and tea-chest bass. They played a variety of American folk and blues songs, particularly those derived from the recordings of Lead Belly, in a lively style that emulated American jug bands. These were listed on posters as "skiffle" breaks, a name suggested by Ken Colyer's brother Bill after recalling the Dan Burley Skiffle Group.[7] Soon the breaks were as popular as the traditional jazz. After disagreements in 1954, Colyer left to form a new outfit, and the band became Chris Barber's Jazz Band.[1]
Marcelling Accounts vary about the invention of the style. Some reports ascribe the invention of the technique to Marcel Grateau (1852–1936), who invented it in 1872 (others say 1875).[3][4][5] François Marcel Woelfflé, who later changed his name to François Marcel,[6] was granted U.S. patents for implements for performing the technique: the first, U.S. patent 806386, entitled "Curling-Iron", was published in 1905,[7] and the second, entitled "Hair-Waving Iron", for an electric version, under the name François Marcel, was published in 1918.[6] There is also a 1936 obituary for Francois Marcel Grateau, with dates matching those of the first-named Marcel Grateau.[2] Given the dates, and the coincidence of names, it is quite possible that they were all the same man.[citation needed]