what are the instruments used in sublian festival
Subli Theatrical versions (often performed outside of a devotional context) are set to a rondalla ensemble playing a tune by Juan P. Silos, but in its older form the dance is accompanied only by the constant beating of drums, punctuated by the clacking of wooden castanets used by the men. The frenetic rhythm of the drums is also seen as proof of the custom's pre-Hispanic origins, in line with the theory that it is a Christianised version of much older, animist rites. A chant to the Holy Cross is sometimes intoned at the beginning of the SublÃ®, underscoring the dance's originally religious character.
Concerto A concerto (/kənˈtʃɛərtoʊ/; plural concertos, anglicised from the Italian concerti, which is also used in English) is a musical composition, whose characteristics have changed over time. In the 17th century, "sacred works for voices and orchestra were typically called concertos."[1] J. S. Bach "...was thus reflecting a long-standing tradition when he used the title 'concerto' for many of the works that we know as cantatas."[1] However, in recent centuries and up to the present, a concerto is a piece usually composed in three parts or movements, in which—usually—one solo instrument (for instance, a piano, violin, cello or flute) is accompanied by an orchestra or concert band.