what kind of voice did frank sinatra have
Frank Sinatra's recorded legacy Sinatra also possessed an outstanding vocal range. According to music critic Henry Pleasants "The voice itself was a typical Italian light baritone with a two octave range from G to G, declining, as it darkened in later years, to F to F and with greater potential at the top than he was commonly disposed to exploit. He could and sometimes did depress the larynx and 'cover' as classical singers do, to sustain a full rounded tone in moving up the scale. On his recording 'Day by Day,' for example he gives out with full-voiced, admirably focused D's and E's and even lands a briefly held but confident high G just before the end." [1] His early recordings found him singing in near-tenor range, hitting a high F on "All or Nothing At All" (1939) or "Where's My Bess" (1946), whilst being equally adept in the lower register, the low E on his 1962 recording of "Ol' Man River" being a prime example of such. His phrasing was also impeccable, getting to the heart of a song by emphasizing words and lines in ways that made a song more personal, whilst his ability to hold notes, sing above or behind the beat and rest on a note were hallmarks of a singer fully in command of his instrument.
Frank Albertson Albertson made well over 100 appearances (1923–1964) in movies and television. In his early career he often sang and danced in such films as Just Imagine (1930) and A Connecticut Yankee (1931). He was featured in Alice Adams (1935) as the title character's brother, and in Room Service (1938) he played opposite the Marx Brothers. He served in the U.S. Army Air Forces' First Motion Picture Unit making training films during World War II. As he aged he moved from featured roles to supporting and character parts—in his later career he can be seen as Sam Wainwright, the businessman fond of saying "Hee-Haw" in the movie It's a Wonderful Life (1946).