who was pandora and why was she created
Pandora The Pandora myth first appears in lines 560–612 of Hesiod's poem in epic meter, the Theogony (ca. 8th–7th centuries BC), without ever giving the woman a name. After humans received the stolen gift of fire from Prometheus, an angry Zeus decides to give humanity a punishing gift to compensate for the boon they had been given. He commands Hephaestus to mold from earth the first woman, a "beautiful evil" whose descendants would torment the human race. After Hephaestus does so, Athena dresses her in a silvery gown, an embroidered veil, garlands and an ornate crown of silver. This woman goes unnamed in the Theogony, but is presumably Pandora, whose myth Hesiod revisited in Works and Days. When she first appears before gods and mortals, "wonder seized them" as they looked upon her. But she was "sheer guile, not to be withstood by men." Hesiod elaborates (590–93):
Triptolemus While Demeter (in the guise of an old woman named Doso) was searching for her daughter Persephone, who had been abducted by Hades, she received a hospitable welcome from Celeus. He asked her to nurse Demophon—"killer of men", a counterpart to Triptolemus— and Triptolemus, his sons by Metanira. Demeter saw Triptolemus was sick and fed him her breast milk. Not only did he recover his strength but he instantly became an adult.[1] As another gift to Celeus, in gratitude for his hospitality, Demeter secretly planned to make Demophon immortal by burning away his mortal spirit in the family hearth every night. She was unable to complete the ritual because Metanira walked in on her one night. Instead, Demeter chose to teach Triptolemus the art of agriculture and, from him, the rest of Greece learned to plant and reap crops. He flew across the land on a chariot drawn by dragons while Demeter and Persephone, once restored to her mother, cared for him, and helped him complete his mission of educating the whole of Greece in the art of agriculture. Triptolemus was equally associated with the bestowal of hope for the afterlife associated with the expansion of the Eleusinian Mysteries (Kerenyi 1967 p 123).