what is the chinese word for the makeup in beijing opera
Peking opera The Chou (ä¸‘) is a male clown role. The Chou usually plays secondary roles in a troupe.[49] Indeed, most studies of Peking opera classify the Chou as a minor role. Chou roles can be divided into Wen Chou, civilian roles such as merchants and jailers, and Wu Chou, minor military roles. The Wu Chou is one of the most demanding in Peking opera, because of its combination of comic acting, acrobatics, and a strong voice. Chou characters are generally amusing and likable, if a bit foolish. Their costumes range from simple for characters of lower status to elaborate, perhaps overly so, for high status characters. Chou characters wear special face paint, called xiaohualian, that differs from that of Jing characters. The defining characteristic of this type of face paint is a small patch of white chalk around the nose. This can represent either a mean and secretive nature or a quick wit. Originally, there were five roles in Beijing Opera, but the last role "Mo" became a part of "Chou".[51]
Chinese dragon The early Chinese dragons can be depicted with two to five claws. Different countries that adopted the Chinese dragon have different preferences; in Mongolia and Korea, the four-clawed dragons are used, while in Japanese dragon three-clawed dragons are common.[31] By the Yuan dynasty, the five-clawed dragons became reserved for use by the emperor while the princes used four-clawed dragons.[4] The usage of the dragon motif was codified during the Yuan dynasty, and phoenixes and five-clawed two-horned dragons may not be used on the robes of officials and other objects such as plates and vessels.[4][32] It was further stipulated that for commoners, "it is forbidden to wear any cloth with patterns of Qilin, Male Fenghuang (Chinese phoenix), White rabbit, Lingzhi, Five-Toe Two-Horn Dragon, Eight Dragons, Nine Dragons, 'Ten thousand years', Fortune-longevity character and Golden Yellow etc."[33]