where did the term an eye for an eye come from
Eye for an eye The principle was first referenced in the Code of Hammurabi, which predates the Hebrew bible. In the Hebrew Law, the "eye for eye" was to restrict compensation to the value of the loss. Thus, it might be better read 'only one eye for one eye'.[3] The idiomatic biblical phrase "an eye for an eye" in Exodus and Leviticus (עין תחת עין‬, ayin tachat ayin) literally means 'an eye under/(in place of) an eye' while a slightly different phrase (עַיִן בְּעַיִן שֵׁן בְּשֵׁן, literally "eye for an eye; tooth for a tooth") is used in another passage (Deuteronomy) in the context of possible reciprocal court sentences for failed false witnesses.[9][10][11] The passage in Leviticus states, "And a man who injures his countryman – as he has done, so it shall be done to him [namely,] fracture under/for fracture, eye under/for eye, tooth under/for tooth. Just as another person has received injury from him, so it will be given to him." (Lev. 24:19–21)[9]. For an example of תחת‬ being used in its regular sense of under, see Lev. 22:27 "A bull, sheep or goat, when it is born shall remain under its mother, and from the eighth day..."
These Eyes "These Eyes" is a song by the Canadian rock band The Guess Who. The song was co-written by the group's lead guitarist Randy Bachman and lead singer Burton Cummings and originally included on the band's 1969 album Wheatfield Soul. It was first released as a single (backed by "Lightfoot"), in their native Canada, where its chart success (#7),[3] along with the influence of CKLW-AM Windsor's radio station music director Rosalie Trombley, helped land them a U.S. distribution deal with RCA Records.[4] It was then released in the U.S. In March 1969, and became a breakthrough success for the group, as it would be their first single to reach the top ten on the Billboard Pop Singles chart, peaking at number six,[5] and would eventually be certified gold by the RIAA for sales of over one million copies. While it was actually the 18th single released by the band, it was the first from the quartet of Cummings, Bachman, Jim Kale, and Garry Peterson as produced by Jack Richardson.[6]