what is the most common subject of cycladic sculptures
Cycladic art The Spedos type, named after an Early Cycladic cemetery on Naxos, is the most common of Cycladic figurine types. It has the widest distribution within the Cyclades as well as elsewhere, and the greatest longevity. The group as a whole includes figurines ranging in height from miniature examples of 8 cm to monumental sculptures of 1.5 m. With the exception of a statue of a male figure, now in the Museum of Cycladic Art Collection, all known works of the Spedos variety are female figures.[20] Spedos figurines are typically slender elongated female forms with folded arms. They are characterized by U-shaped heads and a deeply incised cleft between the legs.
Mortuary Temple of Hatshepsut .Hatshepsut's chancellor, royal architect Senenmut oversaw the construction of the temple.[3] Although the adjacent, earlier mortuary temple of Mentuhotep II was used as a model, the two structures are nevertheless significantly different in many ways. Hatshepsut's temple employs a lengthy, colonnaded terrace that deviates from the centralised structure of Mentuhotep’s model – an anomaly that may be caused by the decentralized location of her burial chamber.[1] There are three layered terraces reaching 29.5 metres (97 ft) tall. Each story is articulated by a double colonnade of square piers, with the exception of the northwest corner of the central terrace, which employs proto-Doric columns to house the chapel. These terraces are connected by long ramps which were once surrounded by gardens with foreign plants including frankincense and myrrh trees.[3] The layering of Hatshepsut's temple corresponds with the classical Theban form, employing pylons, courts, hypostyle, sun court, chapel and sanctuary.