conflict of the story the day the dancers came
The Day the Dancers Came A tale of the Filipino diaspora and regarded as a Filipino literary classic, the story "The Day the Dancers Came" won the Free Press Literary Awards on September 24, 1960, an award given by the Philippine Free Press magazine.[4] Also a second-prize winning story during the 1961 Palanca Awards, it is also part of Santos's short story collection of the same name, The Day the Dancers Came and Other Prose Works, published in Manila in 1967.[5] In "The Day the Dancers Came" – as in Scent of Apples and You Lovely People — Santos “memorialized the tenderness, nostalgia,” and “bittersweet story” of Filipino manongs,[6] a title or designation referring to male old-timers from the Ilocos region, living in the United States by creating tales based on “his memories" of his own "generation".[7] In the story, Santos wrote that “Like time, memory was often a villain, a betrayer.".[8] Set during the 1950s in the U.S. city of Chicago, the short story’s central character named Fil is longing for the Philippines and is enthusiastic to meet, greet, and entertain a visiting group of young Filipino female tinikling dancers.[9] However, Fil realizes that the dancers must have been cautioned against “manongs” like himself because the “bamboo dancers” circumvents[10] and made fun of Fil and other old-timers.[3] "The Day the Dancers Came" has literary and thematic connections with other short stories by Santos. As Paul A. Rodell explained, even though modern-day Filipinas have changed (as in Santos’s short story "Brown Coterie") and the “face in the picture has become blurred” (as in Santos’s short story Scent of Apples), the Filipino émigrés held on to their visualizations of the Philippines because such visions were the “only things worth holding on to and the only things tying” the old-timers like Fil to “their homeland”.[3] In the short story, Santos examined the multifarious character of the “hybrid Philippine society” as it carefully moves forward into the contemporary world.[9] Through "The Day the Dancers Came", Santos illustrated the United States as a place where dreams die away and “turn to ashes”, a western land where the early cohort of Filipino settlers and exiles crave to return to the Philippines, only to be confronted with the senselessness of doing such a homecoming.[11]
Dirty Dancing In the summer of 1963, 17-year-old Frances "Baby" Houseman is vacationing with her family at Kellerman's,[5] a resort in the Catskill Mountains. Baby, the younger of two daughters, plans to study economics in underdeveloped countries and enter the Peace Corps. Her father, Jake, is the doctor and friend of Max Kellerman, the resort proprietor. Baby develops a crush on the resort's dance instructor, Johnny Castle, and meets his cousin, Billy. The staff holds secret after-hours parties in their quarters, and Baby is surprised by their "dirty dancing". Intrigued, Baby receives a brief, impromptu dance lesson from Johnny.