what is the theory of forms in summary
Theory of forms The theory of Forms or theory of Ideas[1][2][3] is a viewpoint attributed to Plato, which holds that non-physical (but substantial) forms (or ideas) represent the most accurate reality.[4] When used in this sense, the word form or idea is often capitalized.[5] Plato speaks of these entities only through the characters (primarily Socrates) of his dialogues who sometimes suggest that these Forms are the only objects of study that can provide knowledge. The theory itself is contested from within Plato's dialogues, and it is a general point of controversy in philosophy. Even whether the theory represents Plato's own views is held in doubt by modern scholarship.[6] However, the theory is considered a classical solution to the problem of universals.
Rondo In rondo form, a principal theme (sometimes called the "refrain") alternates with one or more contrasting themes, generally called "episodes", but also occasionally referred to as "digressions" or "couplets". Possible patterns in the Classical period include: ABA, ABACA, or ABACABA.[2] These are sometimes designated "first rondo", "second rondo", and "third rondo", respectively. The first rondo is distinguished from the three-part song form principally by the fact that at least one of the themes is a song form in itself, but the difference in melodic and rhythmic content of the themes in the rondo form is usually greater than in the song form, and the accompanimental figuration in the parts of the rondo (unlike the song form) is usually contrasted.[3] The number of themes can vary from piece to piece, and the recurring element is sometimes embellished and/or shortened in order to provide for variation.