the red violin is it a true story
The Red Violin The film was inspired by one of the violins of Antonio Stradivari, the 1721 Red Mendelssohn, which features a unique red stripe on its top right side.[3][4] By the time the film was made, the Red Mendelssohn was owned by Elizabeth Pitcairn, heiress to the PPG fortune, whose grandfather purchased it for her 16th birthday for $1.7 million at auction at Christie's London.[3][4] Despite rumours and the film, the Red Mendelssohn is varnished with burgundy rather than blood.[3] Stradivarius used red varnish on numerous other violins from 1704 to 1720, the so-called "golden period", and other red-coloured violins besides the Red Mendelssohn survived.[5]
Program music Program music or programme music is a type of art music that attempts to musically render an extra-musical narrative. The narrative itself might be offered to the audience in the form of program notes, inviting imaginative correlations with the music. A classic example is Hector Berlioz's Symphonie fantastique, which relates a drug-induced series of morbid fantasies concerning the unrequited love of a sensitive poet involving murder, execution, and the torments of Hell. The genre culminates in the symphonic works of Richard Strauss that include narrations of the adventures of Don Quixote, Till Eulenspiegel, the composer's domestic life, and an interpretation of Nietzsche's philosophy of the Superman. Following Strauss, the genre declined and new works with explicitly narrative content are rare. Nevertheless the genre continues to exert an influence on film music, especially where this draws upon the techniques of late romantic music.