the forms and composition of titian's venus of urbino were evolved primarily from ____
Venus of Urbino The figure's pose is based on the Dresden Venus, traditionally attributed to Giorgione but which Titian at least completed. In this depiction, Titian has domesticated Venus by moving her to an indoor setting, engaging her with the viewer, and making her sensuality explicit. Devoid as it is of any classical or allegorical trappings – Venus displays none of the attributes of the goddess she is supposed to represent – the painting is sensual and unapologetically erotic.
Venus Venus is the second planet from the Sun, orbiting it every 224.7 Earth days.[12] It has the longest rotation period (243 days) of any planet in the Solar System and rotates in the opposite direction to most other planets (meaning the Sun would rise in the west and set in the east).[13] It does not have any natural satellites. It is named after the Roman goddess of love and beauty. It is the second-brightest natural object in the night sky after the Moon, reaching an apparent magnitude of −4.6 – bright enough to cast shadows at night and, rarely, visible to the naked eye in broad daylight.[14][15] Orbiting within Earth's orbit, Venus is an inferior planet and never appears to venture far from the Sun; its maximum angular distance from the Sun (elongation) is 47.8°.