who pretends to be hero in much ado about nothing
Much Ado About Nothing In Much Ado About Nothing, there are many examples of deception and self-deception. The games and tricks played on people often have the best intentionsâ€”to make people fall in love, to help someone get what they want, or to lead someone to realize their mistake. However, not all are meant well, such as when Don John convinces Claudio that Don Pedro wants Hero for himself, or when Borachio meets 'Hero' (who is actually Margaret, pretending to be Hero) in Hero's bedroom window. These modes of deceit play into a complementary theme of emotional manipulation and the ease with which the characters' sentiments are redirected and their propensities exploited as a means to an end. The characters' feelings for each other are played as vehicles to reach an ultimate goal of engagement rather than seen as an end in themselves.
Gangsta's Paradise Coolio begins by reflecting on his life in a Biblical fashion: that his partaking in hoodlum activities has drained him of hope, and his damaged relationship with his mother. However, the narrative turns at this point with Coolio threatening rival gangs with certain death in the event that they take verbal liberties or transgress into his territory. He subsequently educates the listener on the history behind his current position in society; explaining the way in which his upbringing has entrapped him by creating his lust for power, money and murder. However it is at this point that he acknowledges the uncertainty of his survival on the street. Coolio therefore begins to lament the cyclical nature of the violence in which he partakes, as well as elucidating the collective chaos created by individual greed, selfishness and a lack of education or role models. He ends his personal journey on a hopeless admission: that his situation and surroundings will never improve.