who is the father of indian classical music
Indian classical music Purandara Dasa (1484 â€“ 1564) was a Hindu composer and musicologist who lived in Hampi of the Vijayanagara Empire.[41][42] He is considered Pithamaha (literally, "grandfather") of the Carnatic music. Purandara Dasa was a monk and a devotee of the Hindu god Krishna (Vishnu, Vittal avatar).[41] He systematized classical Indian music theory and developed exercises for musicians learn and perfect their art. He travelled widely sharing and teaching his ideas, and influenced numerous South Indian and Maharashtra Bhakti movement musicians.[43] These exercises, his teachings about raga, and his systematic methodology called Suladi Sapta Tala (literally, "primordial seven talas") remains in use in contemporary times.[42][44] The efforts of Purandara Dasa in the 16th century began the Carnatic style of Indian classical music.[43]
U. Srinivas Srinivas was born 28 February 1969, in Palakollu in Andhra Pradesh.[8] At the age of five, he picked up his father U. Satyanarayana's mandolin, after he heard it being played at a concert he attended with his father.[9] Upon realizing the talent of his son, his father, who had studied classical music, bought him a new mandolin,[9] and started teaching him. Guitarist Vasu Rao, introduced seven-year-old Srinivas to western music in 1976.[10] Soon, Satyanarayana's guru, Rudraraju Subbaraju, (disciple of Chembai Vaidyanatha Bhagavathar) who had also taught Srinivas' father and Vasu Rao, recognized the astounding potential in the child Srinivas and started teaching him.[10] Since Rudraraju Subbaraju did not know how to play the mandolin, he would just sing pieces from the Carnatic classical repertoire, and U. Srinivas, all of six, would play them on the mandolin, thus developing a phenomenal style of playing entirely his own, and astonishingly, on an instrument that had never been played in the rigorous and difficult Carnatic style before. Soon, the family moved to Chennai, the mecca of Carnatic music, where most Carnatic musicians live.[11] When Srinivas gave his first performance it led to him being compared to the world's greatest prodigies: "Some of you have heard or read about exceptionally gifted children, our own Mandolin Srinivas, Sir Yehudi Menuhin, Beethoven, Sir Isaac Newton, Picasso, Madam Curie, the list is endless."[12]