who is on the cover of the contra album
Contra (album) On July 15, 2010, Vampire Weekend, along with XL Recordings and Brody, were sued by Ann Kirsten Kennis, the woman who identified herself as the mysterious woman on the cover, for $2 million for using the photo without her permission.[12][13] Kennis has said that the photo was taken while she was "a high-fashion model under contract with prestigious agencies in New York City." In addition, Kennis said that the release forms for the photo that was allegedly signed by Kennis herself, were forged.[14] In a statement released by Kennis' lawyer Alan Neigher, Neigher said that Kennis discovered herself on the cover when her daughter brought home a copy of Contra and showed it to Kennis. Neigher also mentioned that Brody did not take the photo and said that it was taken by Kennis' mother. Despite this claim, Brody claims that he took the photo and says that he had the photo for 26 years[15] until Vampire Weekend discovered it on his Flickr page and bought it for five thousand dollars. Kennis' own former agent, Sue Charney, told Vanity Fair, "To me it is very clearly a Polaroid taken at a casting session."[16] Koenig later responded on the matter and said that "this is the first time any of us have ever been sued, so we're still learning how it works." He added, "There's nothing we can say about it. We're not trying to be mysterious. I imagine in the next few months there'll be plenty to talk about. Given it's our first time, we just want to do it properly."[17]
News of the World (album) The album's cover was a painting by American sci-fi artist Frank Kelly Freas. Taylor had an issue of Astounding Science Fiction (October 1953) whose cover art depicted a giant intelligent robot holding the dead body of a man. The caption read: "Please... fix it, Daddy?" to illustrate the story "The Gulf Between" by Tom Godwin.[21] The painting inspired the band to contact Freas, who agreed to alter the painting for their album cover, by replacing the single dead man with the four "dead" band members (with Taylor and Deacon falling to the ground, and Taylor only visible on the back cover). The inner cover (gatefold) has the robot extending its hand to snatch up the petrified fleeing audience in the shattered auditorium where the corpses were removed.[22] Freas said he was a classical music fan and did not know Queen, and only listened to the band after doing the cover "because I thought I might just hate them, and it would ruin my ideas", but eventually liked their music.[21]