who started now that's what i call music
Now That's What I Call Music! The idea for the series was conceived in the office of Virgin Records in Vernon Yard, near Portobello Road, by the head of Licensing and Business Affairs at Virgin Records (1979–1990) – Stephen Navin, and General Manager (1983–1988) – Jon Webster.[2] The concept was taken to Simon Draper (Managing Director at Virgin Records) and then Peter Jamieson (Managing Director of EMI Records (1983–1986)). Jamieson had similar plans to launch such a compilation and he immediately agreed to the partnership. The deal was negotiated and finalised on Richard Branson's boat moored in Little Venice.[3]
1970s in music In North America, Europe, and Oceania, the decade saw the rise of disco, which became one of the biggest genres of the decade, especially in the mid-to-late 1970s.[1] In Europe, a variant known as Euro disco[1] rose in popularity towards the end of the 1970s. Aside from disco, funk, smooth jazz, jazz fusion, and soul remained popular throughout the decade. It is this influx of popular music that soon transformed into rock and roll during the Early 1970s. Rock music played an important part in the Western musical scene, with punk rock thriving throughout the mid to late 1970s.[2] Other subgenres of rock, particularly glam rock, hard rock, progressive, art rock and heavy metal achieved various amounts of success. Other genres such as reggae were innovative throughout the decade and grew a significant following.[3] Hip hop emerged during this decade,[4] but was slow to start and did not become significant until the late 1980s. Classical began losing a little momentum; however, through invention and theoretical development, this particular genre gave rise to experimental classical and minimalist music by classical composers. A subgenre of classical, film scores, remained popular with movie-goers. Alongside the popularity of experimental music, the decade was notable for its contributions to electronic music, which rose in popularity with the continued development of synthesizers and harmonizers; more composers embraced this particular genre, gaining the notice of listeners who were looking for something new and different. Its rising popularity, mixed with the popular music of the period, led to the creation of synthpop. Pop also had a popularity role in the 1970s.