this artist is credited with popularizing skiffle in britain
Skiffle Skiffle was a relatively obscure genre, and it might have been largely forgotten if not for its revival in the United Kingdom in the 1950s and the success of its main proponent, Lonnie Donegan. British skiffle grew out of the developing post-war British jazz scene, which saw a move away from swing music and towards authentic trad jazz.[1] Among these bands were Ken Colyer's Jazzmen, whose banjo player Donegan also performed skiffle music during intervals. He would sing and play guitar with accompaniment of two other members, usually on washboard and tea-chest bass. They played a variety of American folk and blues songs, particularly those derived from the recordings of Lead Belly, in a lively style that emulated American jug bands. These were listed on posters as "skiffle" breaks, a name suggested by Ken Colyer's brother Bill after recalling the Dan Burley Skiffle Group.[7] Soon the breaks were as popular as the traditional jazz. After disagreements in 1954, Colyer left to form a new outfit, and the band became Chris Barber's Jazz Band.[1]
History of painting Japanese painting (絵画) is one of the oldest and most highly refined of the Japanese arts, encompassing a wide variety of genres and styles. As with Japanese arts in general, Japanese painting developed through a long history of synthesis and competition between native Japanese aesthetics and adaptation of imported ideas. Ukiyo-e, or "pictures of the floating world," is a genre of Japanese woodblock prints (or "woodcuts") and paintings produced between the 17th and 20th centuries, featuring motifs of landscapes, theater, and courtesan districts. It is the main artistic genre of Japanese woodblock printing. Japanese printmaking, especially from the Edo period, exerted enormous influence on French painting over the 19th century.