one technique of medieval drama--as in the second shepherds' play--was to
The Second Shepherds' Play The Second Shepherds' Play (also known as The Second Shepherds' Pageant) is a famous medieval mystery play which is contained in the manuscript HM1, the unique manuscript of the Wakefield Cycle. These plays are also referred to as the Towneley Plays, on account of the manuscript residing at Towneley Hall. The plays within the manuscript roughly follow the chronology of the Bible and so were believed to be a cycle, which is now considered not to be the case.[1] This play gained its name because in the manuscript it immediately follows another nativity play involving the shepherds. In fact, it has been hypothesized that the second play is a revision of the first.[2] It appears that the two shepherd plays were not intended to be performed together since many of the themes and ideas of the first play carry over to the second one.[3] In both plays it becomes clear that Christ is coming to Earth to redeem the world from its sins. Although the underlying tone of The Second Shepherd's Play is serious, many of the antics that occur among the shepherds are extremely farcical in nature.
Theatre of ancient Greece The plays had a chorus from 12 to 15[10] people, who performed the plays in verse accompanied by music, beginning in the morning and lasting until the evening. The performance space was a simple circular space, the orchestra, where the chorus danced and sang. The orchestra, which had an average diameter of 78 feet, was situated on a flattened terrace at the foot of a hill, the slope of which produced a natural theatron, literally "seeing place". Later, the term "theatre" came to be applied to the whole area of theatron, orchestra, and skenÃ©. The coryphaeus was the head chorus member who could enter the story as a character able to interact with the characters of a play.