when was the portrait of dorian gray written
The Picture of Dorian Gray The Picture of Dorian Gray is a philosophical novel by Oscar Wilde, first published complete in the July 1890 issue of Lippincott's Monthly Magazine.[1] Fearing the story was indecent, the magazine's editor without Wilde's knowledge deleted roughly five hundred words before publication. Despite that censorship, The Picture of Dorian Gray offended the moral sensibilities of British book reviewers, some of whom said that Oscar Wilde merited prosecution for violating the laws guarding the public morality. In response, Wilde aggressively defended his novel and art in correspondence with the British press, although he personally made excisions of some of the most controversial material when revising and lengthening the story for book publication the following year.
A Portrait of the Artist as Filipino Set in the Filipino world of pre-World War II Intramuros of Old Manila in October 1941,[3] the play explores the many aspects of Philippine high society by telling the story of the Marasigan sisters, Candida and Paula, and their father, the painter Don Lorenzo Marasigan. Due to an artistic drought on Don Lorenzo's part, the family has to make ends meet by relying on the financial support provided by their brother Manolo and sister Pepang, who were urging them to sell the house.[5] Later on, they also had to take a male boarder, in the person of Tony Javier.[7] Don Lorenzo, who refused to sell, donate, or even exhibit his self-portrait in public, was only content in staying inside his room, a stubbornness that already took a period of one year.[3] The painting has attracted the attention and curiosity of journalists such as a family friend named Bitoy Camacho, and other obnoxious visitors pretending as art critics.[3] When one of the daughters, Paula, elopes with Tony, a journey of personal liberation is set in motion, which ends with a restoration of family relations which had been strained due to the neediness of the artist's family.[7] The theme focuses on family conflict and the amalgamation of old Filipino identity and cultural character with the arrival of contemporary and Western ideals.[5]