what happens at the end of call of the wild
The Call of the Wild Buck comes to love and grow devoted to Thornton as he nurses him back to health. He saves Thornton when the man falls into a river. After Thornton takes him on trips to pan for gold, a bonanza king (someone who hit it rich in a certain area) wagers Thornton on the dog's strength and devotion. Buck wins by breaking a half-ton (1,000-pound (450 kg)) sled free of the frozen ground, pulling it 100 yards (91 m) and winning US$1,600 in gold dust. A king of the Skookum Benches offers a large sum to buy Buck, but Thornton has grown fond of him and declines.[3] While Thornton and his friends continue their search for gold, Buck explores the wilderness and socializes with a timber wolf from a local pack. One night, he returns from a log hunt to find that his beloved master and the others in the camp have been killed by a group of Yeehat natives. Buck eventually kills the natives to avenge Thornton, and he then is attacked by an entire pack of wolves. Buck wins the fight, then finds that the same timber wolf he had socialized with is in the pack he fought. Buck then follows the wolf and its pack into the forest, and answers the call of the wild. At the end of the story, Buck returns each year as the Ghost Dog of the Northland Legend, to mourn at the site of Thornton's death.
The Wild Wild West The Wild Wild West was filmed at CBS Studio Center on Radford Avenue in Studio City in the San Fernando Valley. The 70-acre lot was formerly the home of Republic Studios, which specialized in low-budget films including Westerns starring Roy Rogers and Gene Autry and Saturday morning serials (which The Wild Wild West appropriately echoed). CBS had a wall-to-wall lease on the lot starting in May 1963, and produced Gunsmoke and Rawhide there, as well as Gilligan's Island. The network bought the lot from Republic in February 1967, for $9.5 million. Beginning in 1971, MTM Enterprises (headed by actress Mary Tyler Moore and her then-husband, Grant Tinker) became the Studio Center's primary tenant. In the mid-1980s the western streets and sets were replaced with new sound stages and urban facades, including the New York streets seen in Seinfeld. In 1995 the lagoon set that was originally constructed for Gilligan's Island was paved over to create a parking lot.[16]