who designed the opening title sequence for psycho
Saul Bass For Alfred Hitchcock, Bass provided effective, memorable title sequences, inventing a new type of kinetic typography, for North by Northwest (1959), Vertigo (1958), working with John Whitney, and Psycho (1960). It was this kind of innovative, revolutionary work that made Bass a revered graphic designer. Before the advent of Bass's title sequences in the 1950s, titles were generally static, separate from the movie, and it was common for them to be projected onto the cinema curtains, the curtains only being raised right before the first scene of the movie.[4] In 1960, Bass wrote an article for Graphis magazine called "Film Titles â€“ a New Field for the Graphic Designer," which has been revered as a milestone for "the consecration of the movie credit sequence as a design object."[5][6] One of the most studied film credit designers, Bass is known for integrating a stylistic coherence between the designs and the films in which they appear.[6]
The Texas Chain Saw Massacre The concept for The Texas Chain Saw Massacre arose in the early 1970s while Tobe Hooper was working as an assistant film director at the University of Texas at Austin and as a documentary cameraman.[3] He had already developed a story involving the elements of isolation, the woods, and darkness.[4] He credited the graphic coverage of violence by San Antonio news outlets as one inspiration for the film[5] and based elements of the plot on serial killer Ed Gein in 1950s Wisconsin;[6] Gein inspired other horror films such as Psycho (1960) and The Silence of the Lambs (1991).[7][8][9][10] During development, Hooper used the working titles of Headcheese and Leatherface.[11][12]