what american composer arranged simple gifts for orchestra
Simple Gifts The song was largely unknown outside Shaker communities until Aaron Copland used its melody for the score of Martha Graham's ballet Appalachian Spring (Shakers once worshipped on Holy Mount, in the Appalachians), first performed in 1944. Copland used "Simple Gifts" a second time in 1950 in his first set of Old American Songs for voice and piano, which was later orchestrated. Many people thought that the tune of "Simple Gifts" was a traditional Celtic one but both the music and original lyrics are actually the compositions of Brackett. "Simple Gifts" has been adapted or arranged many times since by folksingers and composers.[3]
Woodwind section The woodwind section of the late 19th-century symphony orchestra (for instance, in compositions by Wagner, Brahms, Bruckner, Tchaikovsky, and Richard Strauss) typically includes: flutes (sometimes with one doubling piccolo)[vague], oboes[vague] (sometimes with one doubling cor anglais), clarinets[vague] (sometimes with one doubling bass clarinet and/or another doubling E-flat clarinet), bassoons[vague] (sometimes with one doubling contrabassoon).[1] The section might also on occasion be supplemented with saxophones.[1] In the early part of the 20th century the woodwinds (as well as other sections) were often considerably expanded. For example, Mahler in his Symphony No. 8 (1910) employs 2 piccolos, 4 flutes, 4 oboes, cor anglais, 2 E-flat clarinets, 3 B-flat clarinets, bass clarinet, 4 bassoons, and contrabassoon.[1] After World War I, the number of instruments was often reduced, approaching the size of a chamber orchestra, with individual instrument combinations differing for each composition. The change can be illustrated by comparing two works by Stravinsky: The Rite of Spring (1911â€“1913) with a large woodwinds section similar to the above and his Histoire du soldat (1918), which only utilizes one clarinet and one bassoon.[1]