the actors in ancient greek theatre wore masks because
Theatre of ancient Greece In a large open-air theatre, like the Theatre of Dionysus in Athens, the classical masks were able to create a sense of dread in the audience creating large scale panic, especially since they had intensely exaggerated facial features and expressions.[18] They enabled an actor to appear and reappear in several different roles, thus preventing the audience from identifying the actor to one specific character. Their variations help the audience to distinguish sex, age, and social status, in addition to revealing a change in a particular character's appearance, e.g. Oedipus after blinding himself.[19] Unique masks were also created for specific characters and events in a play, such as The Furies in Aeschylus' Eumenides and Pentheus and Cadmus in Euripides' The Bacchae. Worn by the chorus, the masks created a sense of unity and uniformity, while representing a multi-voiced persona or single organism and simultaneously encouraged interdependency and a heightened sensitivity between each individual of the group. Only 2-3 actors were allowed on the stage at one time, and masks permitted quick transitions from one character to another. There were only male actors, but masks allowed them to play female characters.
Ancient Olympic Games The ancient Olympics had fewer events than the modern games, and only freeborn Greek men were allowed to participate,[9] although there were victorious women chariot owners. As long as they met the entrance criteria, athletes from any Greek city-state and kingdom were allowed to participate, although the Hellanodikai, the officials in charge, allowed king Alexander I of Macedon to participate in the games only after he had proven his Greek ancestry.[10][11] The games were always held at Olympia rather than moving between different locations as is the practice with the modern Olympic Games.[12] Victors at the Olympics were honored, and their feats chronicled for future generations.