how did fire start glasgow school of art
Glasgow School of Art A large fire broke out in the Mackintosh Building on 15 June 2018, causing extensive damage. Emergency services received the first call at 11:19 pm BST, and 120 firefighters and 20 fire engines were dispatched to the fire.[17] No casualties were reported. The cause of the fire is not yet known.[update][2][18] Alan Dunlop, visiting professor of architecture at Robert Gordon University[19] who studied at the Mackintosh School of Architecture, was contacted by the press immediately after the fire and stated: "I can’t see any restoration possible for the building itself. It looks totally destroyed."[20] This point of view was not supported by the early external building surveys, which appeared to indicate that much of the exterior had survived, though extensively damaged. Drone footage enabled a clearer assessment of the extent of the interior damage, and a programme of partial dismantling was established to stabilise the portions of the facade at risk of collapse, notably the south elevation.[21] A Glasgow City Council spokesperson said: "There is a consensus emerging that the intention of the building control people, HES (Historic Environment Scotland) people and the art school is to save the building... Right now, people are operating on the understanding it will be saveable."[22] It was also noted by Roger Billcliffe that “It has been voted Britain’s most important building several times over, and we have all of the information needed to recreate every detail, following extensive laser surveys after the first fire."[23]
We Didn't Start the Fire A music video for the single was directed by Chris Blum,[10] which chronicles a white middle-class married couple and their goal of the American Dream: a home, careers, and children. This is symbolised by the constant revamping of a domestic kitchen – 1940s utilitarian turning into 1950s Populuxe, 1960s op art, 1970s earth-colored tiles and macramé, and finally 1980s black lacquer & granite bench tops. This is juxtaposed with symbols of the tumultuous social times of the second half of the 20th century (e.g., bra burning, lynching, and draft-card burning). The singer acts as an unseen but omnipresent observer. During each chorus, Joel wearing sunglasses (similar to Roy Orbison's) rhythmically beats on a black table; in the background, famous photographs (of Lee Harvey Oswald's assassination and Nguyễn Văn Lém's execution, among others) are consumed by fire, a metaphor of the song's theme and title.