where was the star wars the force awakens filmed
Star Wars: The Force Awakens In February 2014, Abrams said filming would begin in May and last about three months.[107] The official announcement came in March, when Disney and Lucasfilm announced that principal photography would commence in May and be based at Pinewood Studios in Buckinghamshire, United Kingdom.[149] That month, it was revealed that pre-production filming would take place in Iceland prior to the start of official filming in May, consisting of landscape shots that would be used for scenery in the film.[150] In April, Walt Disney Studios chairman Alan Horn confirmed that filming had begun,[151] filming in secret in the U.A.E. emirate of Abu Dhabi by a second-unit.[152][153] Later that month, it was revealed that in addition to 35mm film, segments of the film were being shot in the 65mm IMAX format.[154] In July, Bad Robot reported on Twitter that the film would be at least partially shot on IMAX cameras.[155]
Star Wars: Episode II – Attack of the Clones Principal photography occurred between June 26, 2000 and September 20, 2000 at Fox Studios Australia in Sydney. Location shooting took place in the Tunisian desert, at the Plaza de España in Seville, London, China, Vancouver, San Diego, and Italy (Villa del Balbianello on Lake Como, and in the former royal Palace of Caserta). At his own personal request, Samuel L. Jackson's character Mace Windu received a lightsaber that emitted an amethyst glow, as opposed to traditional blue and green for "good guys" and red for "bad guys".[16] Reshoots were performed in March 2001. During this time, a new action sequence was developed featuring the droid factory after Lucas had decided that the film lacked a quick enough pace in the corresponding time-frame. The sequence's previsualization was rushed, and the live-action footage was shot within four and a half hours.[17] Because of Lucas' method of creating shots through various departments and sources that are sometimes miles and years apart from each other, Attack of the Clones became the first film ever to be produced through what Rick McCallum called "virtual filmmaking".[17]