who argued that we are born with intellectual blank slates
Tabula rasa The modern idea of the theory, however, is attributed mostly to John Locke's expression of the idea in Essay Concerning Human Understanding (he uses the term "white paper" in Book II, Chap. I, 2). In Locke's philosophy, tabula rasa was the theory that at birth the (human) mind is a "blank slate" without rules for processing data, and that data is added and rules for processing are formed solely by one's sensory experiences. The notion is central to Lockean empiricism. As understood by Locke, tabula rasa meant that the mind of the individual was born blank, and it also emphasized the freedom of individuals to author their own soul. Individuals are free to define the content of their character—but basic identity as a member of the human species cannot be altered. This presumption of a free, self-authored mind combined with an immutable human nature leads to the Lockean doctrine of "natural" rights. Locke's idea of tabula rasa is frequently compared with Thomas Hobbes's viewpoint of human nature, in which humans are endowed with inherent mental content—particularly with selfishness.[citation needed]
Thomas Gray Grayâ€™s surviving letters also show his sharp observation and playful sense of humour. He is well known for his phrase, "where ignorance is bliss, 'tis folly to be wise." The phrase, from Ode on a Distant Prospect of Eton College, is possibly one of the most misconstrued phrases in English literature. Gray is not promoting ignorance, but is reflecting with nostalgia on a time when he was allowed to be ignorant, his youth (1742). It has been asserted that the Ode also abounds with images which find "a mirror in every mind".[15] This was stated by Samuel Johnson who said of the poem, "I rejoice to concur with the common reader ... The Church-yard abounds with images which find a mirror in every mind, and with sentiments to which every bosom returns an echo".[1] Indeed, Gray's poem follows the style of the mid-century literary endeavor to write of "universal feelings."[16] Samuel Johnson also said of Gray that he spoke in "two languages". He spoke in the language of "public" and "private" and according to Johnson, he should have spoken more in his private language as he did in his "Elegy" poem.[17]