what are the instruments used in sublian festival
Subli Theatrical versions (often performed outside of a devotional context) are set to a rondalla ensemble playing a tune by Juan P. Silos, but in its older form the dance is accompanied only by the constant beating of drums, punctuated by the clacking of wooden castanets used by the men. The frenetic rhythm of the drums is also seen as proof of the custom's pre-Hispanic origins, in line with the theory that it is a Christianised version of much older, animist rites. A chant to the Holy Cross is sometimes intoned at the beginning of the SublÃ®, underscoring the dance's originally religious character.
The Carnival of the Animals Following a disastrous concert tour of Germany in 1885–86, Saint-Saëns withdrew to a small Austrian village, where he composed The Carnival of the Animals in February 1886.[1] It is scored for two pianos, two violins, viola, cello, double bass, flute (and piccolo), clarinet (C and B♭), glass harmonica, and xylophone.