who holds the record for chutney soca monarch
Chutney Soca Chutney soca's rise in popularity through the mid to late 1990s was expedited by its changing role in Trinidad's Carnival celebration.[4] The 1995-96 Carnival season saw the establishment of the Chutney Soca Monarch Competition and the performance of a number of chutney socas during the calypso-soca competition by creole musicians, including Marcia Miranda, Tony Ricardo, Chris Garcia, Brother Marvin, and Luta. Embraced as it was by non-Indian performers, who abandoned formal Indianisms, sang solely in English and emphasized the soca beat, chutney-soca became a national fad.[4] The Chutney Soca Monarch competition has become the largest and most important Indo-Caribbean concert of its kind in the world. Today its production costs more than US$1 million annually. It has crowned many champions from 1996 to 2010 which include Rikki Jai, Heeralal Rampartap and Ravi Bissambhar. Since the late 1990s, chutney soca has spawned the similar styles of chutney rap, chutney jhumar and chutney lambada, dance music whose Indo-Caribbean themes are mixed with Bombay film music and American popular music.[5][6]
Early Cholas Karikala Chola (c. 90 BCE) stands pre-eminent amongst all those mentioned in Pattinappaalai. Karikala's father was Ilamcetcenni, a brave king and a hard fighter. 'Karikala' means 'elephant feller' or 'charred leg', which is assumed to be a reference to an accident by fire which befell the prince early in his life. Pattinappaalai describes this accident and the enterprising way in which the prince escaped and established himself in the Chola throne. Pattinappalai is a long poem on the then Chola capital Kaveripattinam. This work also describes the numerous battles Karikala fought against the other two Tamil kings in one of which the Chera king was disgraced (received a wound on his back) and committed suicide. Karikala thus broke the confederacy that was formed against him and established hegemony over Pandyas and Cheras.