작품의 경향은 회원마다 달랐는데, 형식적으로는 구상과 비구상으로 나뉘었으며, 구상의 경우 풍경화가 주를 이루었다.
The tendency of the works was different for each member, which was divided into two types, representational and non-representational, and landscape paintings were the main for the representationals..