「문밖에서」[이혜경 안무]는 무대 고저를 감안한 구성주의적 무대 장치가 이색적이었으나, 분장 등이 필요 이상으로 어두움과 무서움의 느낌을 주었다는 평을 받았다.
"Outside the door," (Lee Hye-gyeong choreography) was unique in that it had a constitutional stage system that took into consideration the height of the stage, but the makeup and the like gave the feeling of darkness and fear more than necessary.