Then there was that suggestion of odd stirrings. Nothing was open, yet in spite of the general draftlessness Jones felt that the air was not uniformly quiet. There were intangible variations in pressure—not quite decided enough to suggest the loathsome pawings of unseen elementals. It was abnormally chilly, too. He did not like any of this. The air tasted salty, as if it were mixed with the brine of dark subterrene waters, and there was a bare hint of some odor of ineffable mustiness. In the daytime he had never noticed that the waxen figures had an odor. Even now that half-received hint was not the way wax figures ought to smell. It was more like the faint smell of specimens in a natural-history museum. Curious, in view of Rogers' claims that his figures were not all artificial—indeed, it was probably that claim which made one's imagination conjure up the olfactory suspicion. One must guard against excesses of imagination—had not such things driven poor Rogers mad?