Suddenly, after rounding an obtuse angle at the top of a sharp ascent, the car came to a standstill. On my left, across a well-kept lawn which stretched to the road and flaunted a border of whitewashed stones, rose a white, two-and-a-half-story house of unusual size and elegance for the region, with a congenes of contiguous or arcade-linked barns, sheds, and windmill behind and to the right. I recognised it at once from the snapshot I had received, and was not surprised to see the name of Henry Akeley on the galvanised-iron mailbox near the road. For some distance back of the house a level stretch of marshy and sparsely-wooded land extended, beyond which soared a steep, thickly-forested hillside ending in a jagged leafy crest. This latter, I knew, was the summit of Dark Mountain, half way up which we must have climbed already.