"'I suppose,' he was saying, 'that nobody can tell just what it is in some scenes or objects that makes them aesthetic stimuli for certain individuals. Basically, of course, it must have some reference to each man's background of stored-up mental associations, for no two people have the same scale of sensitiveness and responses. We decadents are artists for whom all ordinary things have ceased to have any emotional or imaginative significance, but no one of us responds in the same way to exactly the same extraordinary. Now take me, for instance. . .'"