American Anglican Council

The American Anglican Council is an organization of theologically conservative Anglicans from both the Anglican Church in North America (ACNA) and The Episcopal Church in the United States. According to its membership brochure, it was founded "as a response to unbiblical teachings that crept into The Episcopal Church and the larger Anglican Communion."  The organization believes that "the Episcopal Church (and a few other parts of the Anglican Communion, including the Anglican Church in Canada) faces an extreme crisis of belief centered on the uniqueness of Jesus Christ as Savior and the authority of Scripture. This crisis has resulted in conflicts over specific behavior and practices that are informed by Scripture, including issues concerning human sexuality and marriage, though these issues are in reality symptoms of the deeper issues."

In 2008, the AAC was one of the founding members of the ACNA.

Mission
According to its website, the American Anglican Council is "a network of individuals, parishes, dioceses and ministries who affirm biblical authority and Christian orthodoxy within the Anglican Communion" whose mission is "to build up and defend Great Commission Anglican churches in North America and worldwide through advocacy and counsel, leadership development and equipping the local church."

Positions
The AAC believes that "Christian mission is rooted in unchanging biblical revelation."  Presently it sees "specific challenges to authentic faith and holiness [...] which require thoughtful and vigorous response."  These challenges include moral relativism, a lack of "Christian ethical principles" in "the public life of the nation", "abortion, unwanted pregnancy, and end-of-life illness", and questions of sexual ethics.

Ecclesiastical status
The American Anglican Council is not an ecclesial body, but rather an advocacy organization with ministry involving education, communication, strategic planning, diplomacy, counsel and resource networking with other Anglican bodies domestically and internationally.

It works directly with Episcopal Churches and Episcopalians who are committed to remaining in the Episcopal Church for the foreseeable future; conservative Anglican Churches and individuals who are in the process of leaving the Episcopal Church; and
Anglican churches and individuals who are outside or were never affiliated with the Episcopal Church.

Leadership
The AAC leadership includes:

 David Anderson, President and Chairman of the Board
 J. Philip Ashey, Chief Executive Officer


Bruno Piazzalunga

Bruno Piazzalunga (born 25 October 1944 in Chiomonte, Italy) is a retired Italian alpine skier who competed in the 1968 Winter Olympics.

External links
 sports-reference.com


Pulitzer Arts Foundation

Pulitzer Arts Foundation is an art museum in St. Louis, Missouri, that presents special exhibitions and public programs. Known informally as the Pulitzer, the museum is located at 3716 Washington Boulevard in the Grand Center Arts District. The building is designed by the internationally renowned Japanese architect Tadao Ando. Admission to the museum is free.

History
The Pulitzer Arts Foundation was established in 2001 by Emily Rauh Pulitzer, who—together with her husband Joseph Pulitzer Jr.—had originally sought to create a space in which to install works from their private collection. The Pulitzers commissioned Tadao Ando in the early 1990s to renovate an abandoned automobile factory and showroom in midtown St. Louis, which had been an entertainment district known as Grand Center (now known as the Grand Center Arts District). During the design phase of the Pulitzer's gallery, Joseph Jr. died from colon cancer, and the project was not realized. Emily Rauh Pulitzer later approached Ando again, and she commissioned the architect's first freestanding public building in the United States.

The inaugural exhibition featured a selection of works from the Pulitzers’ private collections, including artwork by Roy Lichtenstein, Claude Monet, Pablo Picasso, Mark Rothko, Kiki Smith, and Andy Warhol. Beginning with the second exhibition, Selected Works by Ellsworth Kelly from St. Louis Collections, the Pulitzer extended the scope of its exhibitions to include works outside of the family's private collection, and this practice has driven nearly all subsequent exhibitions.

Operating under the name The Pulitzer Foundation for the Arts from 2001 to 2014, the Pulitzer has presented a variety of exhibitions including groups shows of minimalist art, Buddhist art, Old Masters, and contemporary themes, as well as solo exhibitions of Dan Flavin, Ann Hamilton, Gordon Matta-Clark, Richard Serra, Hiroshi Sugimoto, and others. Works at the Pulitzer are installed without the wall labels to encourage unmediated encounters with art.

Building
Completed in October 2001 after four years of construction and nearly ten of planning, the Pulitzer Arts Foundation was the first public building in United States to be designed by architect Tadao Ando, who won the Pritzker Architecture Prize in 1995. The building is characterized by Ando's longstanding attention to natural elements such as light and water, as well as his signature use of concrete. The concrete forms that comprise the building were cast on site during a nearly four-year construction period using advanced techniques that  were uncommon in America at the time. The building has been described as “both a serene setting for the contemplation of art and a contribution toward revitalizing the urban landscape of historic St. Louis.”

In June 2014 the building underwent an expansion project that would renovate storage and office spaces in the existing lower level to create two new public galleries. In consultation with Ando and his office, the Pulitzer increased the public space in the building from 6,800 square feet to roughly 10,400  square feet and reopened on May 1, 2015, with three concurrent solo exhibitions of artists Alexander Calder, Fred Sandback and Richard Tuttle.

Exhibitions

Pulitzer Arts Foundation is a non-collecting museum that presents temporary art exhibitions, and has been called “one of the loveliest places in the country to look at art.” The inaugural exhibition in 2001 featured works curated exclusively from the Pulitzer private collection. Since then, the museum has presented art from a variety of time periods, disciplines, and collections. The art is often installed in ways that highlight or engage with the architecture of Tadao Ando, who has written that in the design of the Pulitzer, he sought “to create a very stimulating place, where works of art are not exhibited merely as specimens but can speak to us as living things.”

In addition to its curatorial staff and guest curators, the Pulitzer has a history of artist-curated exhibitions, including Blue Black (2017), curated by Glenn Ligon, who was inspired by his initial experience viewing Ellsworth Kelly’s site-specific sculpture of the same name. Kelly himself curated the exhibition Selected Works by Ellsworth Kelly from Saint Louis Collections (2002). Artist Gedi Sibony curated In the Still Epiphany (2012), and artist Ann Hamilton was commissioned by the Pulitzer to create a new work, stylus – a project by ann hamilton (2010–11), which activated the entire building and surrounding grounds.

Other notable exhibitions include art that has been under-recognized or rarely exhibited, such as nineteenth-century Japanese ukiyo-e drawings, the late-period multicolored works of Donald Judd, and the sculptures, photographs, and drawings of the Italian artist Medardo Rosso.

Permanent Art on View

Three works of art are permanently on view at the Pulitzer. Ellsworth Kelly’s Blue Black is a twenty-eight-foot vertical wall sculpture beneath a skylight in the building’s main gallery. Richard Serra’s Joe is the first in the artist’s series of torqued spirals of Cor-Ten weathering steel, and is located in the courtyard to the west of the building. The works by Kelly and Serra were commissioned for the Pulitzer by Emily Rauh Pulitzer and were installed before the building opened.The Pulitzer later acquired a sculpture by artist Scott Burton, Rock Settee, which faces the building’s exterior reflecting pool.

Both Kelly and Serra collaborated with Mrs. Pulitzer and Tadao Ando on the installation of their works, of which Ando writes: “Into the spaces that I created with form, material, and light, Ellsworth Kelly and Richard Serra brought their own expression, conceiving a space for art that could exist only there.”

Programs
The Pulitzer engages in a variety of public programs that directly relate to the exhibition on view or are aligned with ongoing community initiatives. These programs have included music, meditation, symposia, panel discussions, performances, poetry readings, as well as a variety of education-oriented projects and events. Additionally, the Pulitzer presents an ongoing collaborative chamber concert series of contemporary music with the Saint Louis Symphony Orchestra. Concert programs are chosen based on their relationship to the artworks exhibited. A similar collaboration with St. Louis-based music collective Farfetched has yielded a variety of live music performances.

In January 2014 the Pulitzer presented Reset, a week-long programming series that occurred during a period between exhibitions. Beginning with the installation of a site-specific, temporary floor and wall sculpture by artist David Scanavino, the programs included a variety of interactive and participatory events including a breakdancing competition, yoga, family activities, and a drag show. Reset also included a St. Louis Symphony Orchestra performance of the U.S. premiere of John Cage’s “Thirty Pieces for Five Orchestras,” a work which the Los Angeles Times referred to as “the most significant American orchestral work never played in America.”

The Pulitzer has organized the debut of a number of public performances through commissions and residencies, including new poetry by Claudia Rankine (2014) and a video poem by Rankine and filmmaker John Lucas (2016); a sound event by composer David Lang (2015); a residency and performance by interdisciplinary artist Chris Kallmyer (2015); and an iteration of artist Aram Han Sifuentes’s Protest Banner Lending Library (2018). In 2016 a gallery installation and series of public projects by the German architecture collective raumlaborberlin transplanted the building materials from a condemned two-story home on St. Louis's north side into the Pulitzer's main gallery.

Community Projects

The Pulitzer has a history of developing projects and programs aimed at engaging local communities and inviting participation from a wide variety of individuals and groups.

Working with Prison Performing Arts and the George Warren Brown School of Social Work at Washington University in St. Louis, the Pulitzer developed two iterations of Staging: a program that invited homeless veterans and formerly incarcerated individuals into the galleries over several weeks for a program that included theatrical training, employment counseling, and arts education, culminating in a public performance that invited audience members to see the artwork through their eyes and experiences.

In 2014, the Pulitzer launched PXSTL, a joint project with the Sam Fox School of Design & Visual Arts at Washington University in St. Louis. The first iteration of PXSTL, created by Freecell Architecture and titled Lots, transformed an empty lot across from the Pulitzer into a site for community activity and public access to the arts, including dance, music, photography, food, and meditation. The second iteration of PXSTL was a commission by artist-architects Amanda Williams and Andres L. Hernandez that resulted in a multiphase project evaluating the life cycle of a building.


2011 Tennessee Volunteers football team

The 2011 Tennessee Volunteers football team represented the University of Tennessee in the 2011 NCAA Division I FBS football season. The team was coached by Derek Dooley, who entered his second season with UT. The Volunteers played their home games at Neyland Stadium in Knoxville, Tennessee, and competed in the Eastern Division of the Southeastern Conference (SEC).

Recruiting class

Tennessee's recruiting class was highlighted by six players from the "ESPN 150": No. 57 DeAnthony Arnett (WR); No. 63 Curt Maggitt (OLB); No. 73 Marcus Jackson (OG); No. 105 Antonio Richardson (OT); No. 118 A.J. Johnson (ILB); and No. 134 Marlin Lane (RB). Tennessee signed the No. 13 recruiting class according to Rivals and the No. 11 recruiting class according to Scout. The football program received 27 letters of intent on National Signing Day, February 2, 2011.

Schedule

Schedule Source:

Personnel

Coaching staff

The Middle Tennessee game is notable for having Derrick Brodus, a redshirt freshman walk-on who was not on the depth chart and never played college football, plucked from his fraternity's couch after Tennessee's other kickers (regular Michael Palardy was out and his replacement Chip Rhome hurt himself during warm-ups) were unavailable. He got the call less than an hour before kickoff. Brodus scored three extra points and a field goal in the victory.

Team players drafted into the NFL

Reference:


Dead Man's Curve

Dead Man's Curve is an American nickname for a curve in a road that has claimed lives because of numerous crashes.

A curve on Sunset Boulevard in Los Angeles memorialized in the hit song "Dead Man's Curve" by Jan and Dean. The song's lyrics clearly place the location of the "Dead Man's Curve" accident at the curve on westbound Sunset Boulevard one block west of Doheny Drive in West Hollywood.
 A sharp turn on eastbound Interstate 70 just west of exit 259 near Morrison that is preceded by a  stretch of a 6.5% grade downslope, which has been the site of numerous fatal runaway truck accidents.
 In Marquette Township in Marquette County, Michigan, Dead Man's Curve referred to a curve on County Road 492, where the first state highway center line in the United States was painted when the road was part of State Highway M-15. ()
 Between Albuquerque and Tijeras, State Road 333 (previously known as U.S. Route 66) makes a sudden curve near the I-40 overpass. This stretch of highway has earned its name because of the rocky cliffs on the south side of the highway, and frequent deer traffic contributes to its hazardousness.
Union Square, Manhattan had a long history of traffic congestion extending back to the 1890s, when trolley lines were first installed. Two parallel trolley lines made a double curve at the southwest corner of Broadway and Fourteenth Street. In spite of traffic wardens on duty, the trolleys regularly struck pedestrians crossing the tracks in the busy shopping district around the park.  By 1930,  the Fourteenth Street Association, a retail business association headed by its president, H. Prescott Beach, had successfully lobbied the New York transit authority to remove the above-ground rails, and move routes underground.
 The nearly 90º turn on Interstate 90 near downtown Cleveland, officially called the "Innerbelt Curve", where the Cleveland Memorial Shoreway connects to the Innerbelt Freeway at a modified trumpet interchange just south of Burke Lakefront Airport. Location:
 A dangerous curve on South Carolina Highway 9 about 10 miles west of Chester, South Carolina, is responsible for several fatal crashes.


Cirolana

Cirolana is a genus of isopod crustaceans.

Names

Some of the species are named for people, as C. brucei for zoologist Niel L. Bruce, who has named many isopods; C. mercuryi for musician Freddie Mercury; C. cranchii for explorer John Cranch, a friend and employee of William Elford Leach who first described the genus in 1818. The generic name Cirolana is an anagram of Carolina, named for an unknown woman called Caroline. Leach named a number of isopod genera with anagrams of Caroline or Carolina. In the French work in which Leach proposed these names he gave each new genus a French name as well as a Latin zoological name.  Sometimes - as with Cirolana - it was the French name that was the anagram of Caroline; in this case 'Cirolane'.

Species

Cirolana includes the following species:

Subgenus Cirolana (Anopsilana) Leach, 1818</small>
Cirolana acanthura  (Notenboom, 1981)Cirolana aleci  (Brusca, Wetzer & France, 1995)
Cirolana barnardi  (Bruce, 1992)Cirolana browni  (Van Name, 1936)
Cirolana conditoria  (Bruce & Iliffe, 1993)Cirolana crenata  (Bowman & Franz, 1982)
Cirolana cubensis  (Hay, 1903)Cirolana hirsuta  (Yasmeen, 2005)
Cirolana jonesi  (Kensley, 1987)Cirolana lingua  (Bowman & Iliffe, 1987)
Cirolana luciae  (Barnard, 1940)Cirolana magna  (Ortiz, Lalana & Perez, 1997)
Cirolana marosina  Botosaneanu, 2003Cirolana oaxaca  (Carvacho & Haasmann, 1984)
Cirolana pleocissa  (Botosaneanu & Iliffe, 1997)Cirolana poissoni  (Paulian & Delamare Deboutteville, 1956)
Cirolana pustulosa  (Hale, 1925)Cirolana radicicola  (Notenboom, 1981)
Cirolana sinu  (Kensley & Schotte, 1994)Cirolana willeyi  (Stebbing, 1904)

(main genus)
Cirolana albida Richardson, 1901Cirolana albidoida Kensley & Schotte, 1987
Cirolana aldabrensis Schotte & Kensley, 2005Cirolana arafurae Bruce, 1986
Cirolana australiense Hale, 1925Cirolana australis Keable, 2001
Cirolana avida Nunomura, 1988Cirolana bougaardti Kensley, 1984
Cirolana bovina Barnard, 1940Cirolana brocha Bruce, 1986
Cirolana brucei Javed & Yasmeen, 1995Cirolana bruscai Bruce & Olesen, 2002
Cirolana canaliculata Tattersall, 1921Cirolana capricornica Bruce, 1986
Cirolana carina Jones, 1976Cirolana carinata Yu & Li, 2001
Cirolana chaloti Bouvier, 1901Cirolana cingulata Barnard, 1920
Cirolana comata Keable, 2001Cirolana cooma Bruce, 1986
Cirolana coronata Bruce & Jones, 1981Cirolana corrugis Jones, 1976
Cirolana cranchii Leach, 1818Cirolana crenulitelson Kensley & Schotte, 1987
Cirolana cristata Bruce, 1994Cirolana curtensis Bruce, 1986
Cirolana diminuta Menzies, 1962Cirolana dissimilis Keable, 2001
Cirolana enigma Wieder & Feldmann, 1992 †Cirolana epimerias Richardson, 1910
Cirolana erodiae Bruce, 1986Cirolana fabianii de Angeli & Rossi, 2006 †
Cirolana fernandezmilerai Ortiz, Lalana &Varela, 2007Cirolana ferruginosa Risso, 1826
Cirolana fluviatilis Stebbing, 1902Cirolana furcata Bruce, 1981
Cirolana garuwa Bruce, 1986Cirolana glebula Bruce, 1994
Cirolana grumula Bruce, 1994Cirolana halei Bruce, 1981
Cirolana harfordi (Lockington, 1877)Cirolana hesperia Bruce, 1986
Cirolana imposita Barnard, 1955Cirolana improceros Bruce, 1986
Cirolana incisicauda Barnard, 1940Cirolana indica Nierstrasz, 1931
Cirolana kendi Bruce, 1986Cirolana kiliani Müller, 1993
Cirolana kokoru Bruce, 2004Cirolana kombona Bruce, 1986
Cirolana lata Haswell, 1882Cirolana leptanga Bruce, 1994
Cirolana lignicola Nunomura, 1984Cirolana littoralis Barnard, 1920
Cirolana magdalaina Bruce, 1980Cirolana makikihi Feldmann, Schweitzer, Maxwell & Kelley, 2008 †
Cirolana manorae Bruce & Javed, 1987Cirolana mascarensis Müller, 1991
Cirolana mclaughlinae Bruce & Brandt, 2006Cirolana meinerti Barnard, 1920
Cirolana mekista Bruce, 1986Cirolana mercuryi Bruce, 2004
Cirolana meseda Hobbins & Jones, 1993Cirolana mimulus Schotte & Kensley, 2005
Cirolana minuta Hansen, 1890Cirolana morilla Bruce, 1986
Cirolana namelessensis Brusca, Wetzer & France, 1995Cirolana nielbrucei Brusca, Wetzer & France, 1995
Cirolana oreonota Bruce, 1986Cirolana palifrons Barnard, 1920
Cirolana paraerodiae Müller & Salvat, 1993Cirolana parva Hansen, 1890
Cirolana perlata Barnard, 1936Cirolana pilosa Yu & Li, 2001
Cirolana pleonastica Stebbing, 1900Cirolana portula Bruce, 1986
Cirolana quechso Bruce, 2004Cirolana rachanoi Bruce & Olesen, 2002
Cirolana repigrata Bruce, 1994Cirolana rugicauda Heller, 1861
Cirolana sadoensis Nunomura, 1981Cirolana saldanhae Barnard, 1951
Cirolana similis Bruce, 1981Cirolana solitaria Bruce, 1986
Cirolana somalia Schotte & Kensley, 2005Cirolana songkhla Rodcharoen, Bruce & Pholpunthin, 2014
Cirolana stenoura Bruce, 1986Cirolana sulcata Hansen, 1890
Cirolana sulcaticauda Stebbing, 1904Cirolana tarahomii Khalaji-Pirbalouty & Wägele, 2011
Cirolana theleceps Barnard, 1940Cirolana transcostata Barnard, 1959
Cirolana triloba Bruce, 1981Cirolana troglexuma Botosaneanu & Iliffe, 1997
Cirolana tuberculata (Richardson, 1910)Cirolana tuberculosa Bruce, 1986
Cirolana tumulosa Holdich, Harrison & Bruce, 1981Cirolana undata Schotte & Kensley, 2005
Cirolana undulata Barnard, 1914Cirolana vanhoeffeni Nierstrasz, 1931
Cirolana venusticauda Stebbing, 1902Cirolana vicina Barnard, 1914
Cirolana victoriae Bruce, 1981Cirolana wongat Bruce, 1994
Cirolana yucatana Botosaneanu & Iliffe, 2000Cirolana yunca (Botosaneanu & Iliffe, 2000)


Point Udall (U.S. Virgin Islands)

Point Udall is at the east end of St. Croix in the U.S. Virgin Islands is the easternmost point (by travel, not longitude) of the United States including territories and insular areas. It was named in 1969 for Stewart Udall, United States Secretary of the Interior under Presidents John F. Kennedy and Lyndon Johnson.

A sundial known as the Millennium Monument was built above Point Udall for the New Year's celebration in 2000 — it marks the azimuth of the first U.S. sunrise of that year. From the monument an informal trail of moderate difficulty leads down to the point, composed primarily of uplifted and rotated volcanic and sedimentary rocks of Upper Cretaceous origin.

The westernmost point of the United States by travel, not longitude, which is in Guam, is also named Point Udall, in honor of Stewart's brother, Morris Udall. In a 1987 statement in regards to H.R. 2434, the legislation which led to the naming of the point in Guam, Denny Smith and Guam's nonvoting congressional delegate Ben Blaz said "If our legislation is approved, America's day would begin and end at a Point Udall."

When Mo Udall died in 1998, President Bill Clinton issued a statement saying in part "It is fitting that the easternmost point of the United States, in the Virgin Islands, and the westernmost point, in Guam, are both named 'Udall Point.' The Sun will never set on the legacy of Mo Udall." This was also noted in the Congressional Record by Rep. George Miller of California.


National Archives of Georgia

The National Archives of Georgia is the legal entity of public law under the Ministry of Justice of the nation of Georgia. The National Archives holds written documents, film documents, photos, and audio records, totaling more than five million exhibits. The exhibits preserved at the depositories of the archives are dated back to the 9th through 21st century. They include: historical, contemporary history, audio-visual archives and local archives from every region. The documents in the Archives are official, and their preservation has been established by law. Some of the preserved documents include texts from the First Republic, scientific archives, the parish books that hold information about the christening and the death of citizens, the gospel of the 9th century, Anchi gospel (12th century), Kings' deeds, private letters, verdicts, other legal monuments, photos from the 19th century, first film documents, and the documents of different state or private structures.

The History of the National Archives

The National Archives serve the political, economical, scientific and cultural interests of the country and as an ancestors’ documentary heritage is the essential trapping of the authority. In ancient Georgia, as well as in other countries,  manuscripts were kept and preserved by their authors, secular and ecclesiastic jutoddictions – court and religious centers.  Every jurisdiction would penerally need  juridical standards and the documents depicting them, legislative acts, income: expense books, agreements, deeds, diplomatic letters (etc.) in internal and foreign relatives.

According to the indirect notifications it is confirmed that there was a royal archive in the 6th century that was not only the treasury but the depository for documents. Church and private archives also existed.

The modern archives in Georgia were established on April 23, 1920, according to the law about the establishment of Republic's Central Scientific Archive, issued by the Democratic Republic of Georgia. On July 1, 1921 the revolutionary committee of Georgia issued a decree “About the reorganization of the Archival Affair”. From 2004 the archival institution was under the Ministry of Justice of Georgia as the State department of Archives of Georgia.

In accordance with the law # 71 from March 12, 2007, issued by the Minister of Justice of Georgia, the legal entity the National Archives of Georgia was formed. At present,  the state control of archival and clerical work fields, the development of the national archival fund, is in its authority.

The functions of the National Archives
The National Archives of Georgia under the state control independently ensures the ruling of archival affairs in Georgia, the improvement of clerical work and the development of the national archival fund.

The goals of the National Archives of Georgia are:

a) the supplement of the national archival fund;
b) the description and the centralized registration of the national archival fund;
c) to ensure the protection and the preservation of the documents of the national archival fund, the conservation, the restoration of the damaged documents, to create the insurance fund on the documents of the special value;
d) to provide the free acknowledgment on the documents of the national archival fund according to the stated legislation;
e) the organization, coordination, the normative and methodical ensuring of the work of the central archives and territorial organs – the local archives.

On the base of the law of Georgia "About the National Archival Fund and the National Archives", the National Archive realizes the registration, protection and the preservation of the documents of the national archival fund without the distinction of their place of preservation (among them the monuments of the cultural heritage from the national archival fund), also the state control and the supervision of the rules of the clerical work.

The National Archives of Georgia receives the documents of the national archival fund in time and regularized.

Realizes to display the documents representing the history of Georgia preserved in foreign Archives, prepares the sentences to acquire these documents or their copies.

Provides the protection of the archival documents preserved in the National Archives, the monitoring and the optimization arrangements of the conditions of their preservation.

Provides the free acknowledgment of the interested persons on the documents of the national archival fund according to the stated legislation.

Publishes the documents of the national archival fund according to the stated rules, also the informational literature about the composition and the content of the documents preserved in the National Archives of Georgia.

It realizes the methodical leadership and control of the activities of the central archives and the local archives - the territorial organs of the National archives of Georgia.

It controls and guides the work of the archives of different institutions, also the preparation of their documentation to pass to the National Archives of Georgia.

Conducts the scientific research works in the field of archives, documents, archeography and adjacent historical disciplines; works out methodical manuals, collects, analyzes and pervades scientific-technical information in the field of archives and documents.

The Central Archives

The Central Historical Archive of Georgia

The origin of the Central Historical Archive of Georgia is connected with the activities of the so-called military historical department at the staff of Caucasus army in 1878 and Caucasus military archive, established in 1908.

After the declaration of the independence of Georgia, on 26 May 1918, the archival materials, scattered through the country, were gathered in one archival institution. In 1920 it was called the Central Scientific Archive and the State Historical Archive of Georgia in 1939.

The Central Historical Archive is one of the most important scientific institutions of our country. The precious documents, hold in this archive, represents the rich materials for the studies of not only Georgian but Caucasian history.

Department of Ancient Documents

The Central Historical Archive holds plenty of documentary materials and written monuments that were created during centuries and depict the history of our nation.

The unique materials preserved at the department of Ancient Documents that are dated back to the first half of 9th-19th centuries are exceptionally valuable.

Four collections of Georgian historical documents are preserved at the department. The documents depict feudal-economical and cultural life, the issues of the landownership and interdependence of separate ranks, the history of principalities, court organization, the relation with neighbouring countries, peasants' taxes, custom system, condition of churches in Georgia and many other interesting matters.

The collection of Georgian ancient document originals include over 11,000 documents. The materials of the documents are parchment (small number) and paper (white, gray, sky-blue and light brown). Most of the scripts are Mkhedruli, and the small part are Nuskhuri (the old Georgian scripts).

Among the documents, preserved in the collection, the earliest one is the donation of adornments, parish things and slave-estate to Mtskheta Svetitskhoveli, issued by Catholicos Melkisedek, dated by 1029-1033. The parchment.

The following documents are very important:
 The deed of renovated donation of villages given to Shiomghvime monastery by Giorgi II in 1072, fragment, parchment.

 Two documents issued by David Aghmashenebeli: 1. the grace deed of estate given to Niania Nianidze by David Aghmashenebeli; 2. the will of David Aghmashenebeli given to Shiomgvime monastery, dated by 1123. He has donated Kartli villages and the property taken from Persia, fragment, parchment.
 The donation book of village Chorvila, issued by Queen Tamar in 1187, to Gelati Virgin monastery to feed twelve poor wanderers, parchment.
 The dismissal deed, issued by Lasha-Giorgi in 1222, given to Shimghvime monastery. King has released village Agara from taxes, fragment, parchment.
 The documents issued by Georgian Kings – Konstantine I, Alexsander I, the Great, Leoni, Archili, Vakhtang VI, Teimuraz I, Teimuraz II, Erekle II, Giorgi XII, also the deeds of Catholicos-Patriarchs and other ecclesiastic persons are presented in the collection.

Three collections of the ancient documents’ copies are not of less importance. They cover the 11th-19th centuries. These documents are rewritten from the originals in different time by different persons. There are many public figures among the scribes. The rewritten copies are as valuable as the originals because most of the rewritten documents have not reached to our days.

The Georgian manuscript books’ collection consist 9th-19th centuries. Mainly paper is used for material, the part is written on parchment. The most part is written with Mkhedruli and Nuskhuri, the small part – Asomtavruli. The manuscripts’ contents consist many spheres: history, philology, hagiography, secular and parish law, Old and New Testament, geology, physics, lexicography, mythology, medicine, prose, poetry, etc.

There are the autographs of Vakhushti Batonishvili, David Tumanishvili, Nikoloz Baratashvili, Giorgi Eristavi and Rapiel Eristavi among the manuscript books.

The ancient manuscript, dated back to the 9th century, is a gospel. It is written on parchment with Asomtavruli. It is the equal of Jruchi gospel.

The canticle with note system, allots to 9th-10th centuries; it is written on parchment with Nuskhuri, fragment. The gospel of Queen Tamar is dated back to the 12th century. Its cover is decorated with silver and big green stone, made by the goldsmith Beka Opizari. It has the miniatures; one of them is Matthew. By the order of Queen Tamar, the manuscript was taken from Tskarostavi Church (Klarjeti) and set in Anchiskhati Church.

Gulani (the collection of theologian works) of the 16th century is distinguished with miniatures and is attached 12 pictures with different colours. The author is unknown. The manuscript is thick. It’s rewritten in Megrelia by the order of Levan (I) Dadiani.

The gospel of 1534 is the earliest among the dated manuscripts. Its leather cover is decorated with silver cross.
The History and Geography of Georgia and Atlas (autographs) of Vakhushti Batonishvili, Georgian dictionary of Sulkhan-Saba Orbeliani, Rusudaniani, the Knight in the Panther’s Skin, the law books of Vakhtang VI, the World History of David Tumanishvili, the poetry of Teimuraz I, the medical books, Giorgi Eristavi’s “Gakra” (division) (with the pictures of Italian artist Corradin), “Rhetoric” of Anton Catholicos and many others are among the manuscript books.

The personal funds of the ecclesiastical persons and historians that are not less important and interesting, are also stored in the department. Among them are the personal funds of Kirion II, Polievktos Karbelashvili, Giorgi Bochoridze, Tedo Zhordania. Each of these persons has done their bit in collecting the historical documents, researching and editing them.

The Central Archive of the Contemporary History of Georgia
The Central Archive of the Contemporary History of Georgia was founded in 1927.

It is one of the biggest fund holders, where the documents about the activities of state authorities and supreme board organs, scientific-research and higher educational institutions, trade unions, voluntary organizations, sport societies and other institutions are gathered. About one million preserving units of 1618 funds, dating from 1921 (1918) to the present time are kept there.

The personal funds of Georgian famous people - scientists, cultural and educational workers are preserved in this archive (total 376 funds, 15312 preserving units).

The archive realizes control functions in the field of supreme authority groups in the business correspondence and archival field.

2006
In 2006, the Archives expanded to include the Central Historical Archive of Georgia and the National Archive of Kutaisi, also known as the Kutaisis State Historical Archives.

Department of Scientific and Technical Documentation

In the Department of Scientific and Technical Documentation of the Central Archive of the Contemporary History, the different sort of board, design, scientific, technological and patent documents are preserved. The documents are connected with the lay-out of the cities, administrative buildings, housing constructions, industrial and agricultural buildings, power networks and water thrifts, aircraft, fluvial and sea ports, tunnels, bridges, etc.

The technical department is rich with the personal funds of Georgia's famous workers of science and techniques. The warm and business-like interrelation of the scientists of foreign countries towards the Georgian people is underlined in these correspondences.

The technical department holds 133,553 preserving units, among them 95,952 units are technical.

The Department of Literature and Art
The Department of Literature and Art of the Central Archive of Contemporary History holds the materials of creative unions, societies, publishing-houses and editorial offices, schools and e. t. c., as well as personal funds of literary and art workers.

The Archive of Literature and Art was created in 1970. The eminent cultural workers responded to the creation of the archive. They have transferred their family funds to the archive free of charge. Exactly in this way were created the personal funds of Erekle Jabadari, Zurab Anjaparidze, Leila Abashidze, Kita Buachidze, Levan Gotua, Anzor Erkomaishvili, Medea Kakhidze, Mikheil Kvlividze, Vazha Azarashvili, Besarion Zhghenti, Akaki Khorava, Akaki Shanidze, Revaz Anjaparidze and others.

The department of literature and art is also rich with the personal archives of the Georgian honored workers living in foreign countries. This department holds: the funds of Alexandre Sulkhanishvili, Ilia Kuchukhidze, Giorgi Nakashidze, Vakhtang Zhordania and others, as well as the rich collections of emigrant writing.

131 851 files of 321 funds dated with 1780-2006 are preserved in the department of literature and art.

The Central Archive of Audio-Visual Documents
The Archive of Audio-Visual Documents was founded in 1944. It consists of the departments of film, photo, phonograph documents, utilization and publication.

The archive holds 328 133 preserving unites, among them 34 228 film documents, 274 625 photos and 19 280 voice records.

The informational-searching system of film documents was created at the archive.

For photo documents systematic, nominative and author’s catalogues are created; for voice records – genre-thematic and implementation-author’s catalogues, archive’s guide.

Film Archive
The first documentary preserved at the archive is dated by 1909. This is “The funeral of the head of city Tbilisi Alexander Matinov”; “The review of Tbilisi military garrison before Alexander Nevel’s military temple” was shot in 1910; “The sanctify of the new building of Bank in Tbilisi” is also dated by 1910; the funeral of the famous manufacturer and the public man David Sarajishvili is dated by 1911.

“The Journey of Akaki Tsereteli in Racha-Lechkhumi” shot in 1912 by the cameraman Vasil Amashukeli is the first full-length chronicle-documentary film.

The archive also holds the chronicles of 1918-1920: the parade of the national guard in Tbilisi; the parade of Shevardnelys on the Vake field on May 26, 1920. Here is also the arrival of the leaders of the first International.

One little subject has saved us the civil funeral rites of the Armenian artist and scene-painter in Tbilisi. Sh. Eliava, Sandro Akhmeteli, Titsian Tabidze, Paolo Iashvili and others were presented.

The archival materials depict the social-political movement, economical development, the current process of culture, science and religion.

Photo Archive

Alexander Ivanitski made the oldest photograph that has reached to our days in 1858. It represents the views of Tbilisi and Mtskheta.
The archive has rich collections of Alexsandre Roinashvili, K. Zanisa, N. Sagharadze, E. Klara, Dimitri Ermakov and others.
The works of Dimitri Ermakov – the views of Batumi, Poti, Sukhumi, Borjomi, the construction of the railway line of South Caucasus, Georgian churches and monasteries are especially important.
The photos of Dimitri Ermakov represent valuable ethnographic materials.

The photo documents about the war between Russia and Turkey are also preserved at the archive.

Audio Archive

Unique voice records are preserved at the depositories of the phonograph archive. The 1912 speech of Akaki Tsereteli, address to future generations. The "Golden Fund" of the archive holds the poetry articulated by Akaki Tsereteli: "Mgosani" and "Gantiadi". The romances sung by Vano Sarajishvili are also preserved in this fund. The couplets from the life of old Tbilisi are represented by the actors B. Abashia and N. Gotsiridze.

The rich collections of the records are preserved at the archive. It contains the masterpieces of the Italian operatic music from the end of the 19th century to the beginning of the 20th century.

There are the phonographic records of Georgian folk music performed by M. Tarkhnisvili, S. Kavsadze, K. Pachkoria, Dz. Lolua and other ethnographical ensembles and chorus groups.

The literary-dramatic records include: the monologues read by the coryphaeus of Georgian theatre Ushangi Chkheidze, the fragments from Georgian performances by Sh. Ghambashidze, T. Chavchavadze, M. Davitashvili, Veriko Anjaparidze, Akaki Khorava, Akaki Vasadze and others.

The treasure of the archive of the phonographs also represents the voice records of famous Georgian scientists: Korneli Kekelidze, Akaki Shanidze, Giorgi Chubinashvili, Giorgi Akhvlediani, Ivane Beritashvili, Niko Muskhelishvili, Ilia Vekua, Shalva Chkhetia and others.


1931–32 Manchester United F.C. season

The 1931–32 season was Manchester United's 36th season in the Football League.

The season saw Herbert Bamlett sacked as manager on 9 November 1931 after a dismal run of form in the league, and Walter Crickmer recruited as his successor on the same day. United recovered well in the league after his appointment and finished 12th, banishing fears of a second successive relegation which would have pushed them into the Third Division North for the first time. At the end of the season Scott Duncan replaced Walter Crickmer as the full-time manager.

Second Division

Pld = Matches played; W = Matches won; D = Matches drawn; L = Matches lost; GF = Goals for; GA = Goals against; Pts = Points

FA Cup


Lou Carnesecca

Luigi P. Carnesecca (born January 5, 1925) is a retired American college basketball coach at St. John's University. Carnesecca also coached at the professional level, leading the New York Nets of the American Basketball Association for three seasons. Carnesecca was elected to the Naismith Memorial Basketball Hall of Fame in 1992.

He coached the St. John's basketball program to 526 wins and 200 losses over 24 seasons (1965–70, 1973–92). The colorful "Looie" (as he was popularly known by fans and by the media) reached the post-season in every season he coached the team, including a Final Four appearance in 1985. He was selected as the National Coach of the Year in 1983 and 1985 by the U.S. Basketball Writers Association.

Carnesecca is widely known for his sense of humor and his signature sweaters. In November 2004, St. John's University officially dedicated and renamed the historic Alumni Hall to Carnesecca Arena.

Early life and education
Carnesecca attended high school at St. Ann's Academy in Manhattan (now academic and athletic powerhouse Archbishop Molloy High School). Upon graduation, he served for three years in the US Coast Guard during World War II, where he served on a troop transport in the Pacific theater.

Basketball career
Upon discharge from the Coast Guard, he then enrolled at St. John's and graduated in 1950. He also coached his high school alma mater, St. Ann's, where he was succeeded by Jack Curran.

After beginning his coaching career at St. John's in 1965, Carnesecca jumped to the pro level. In the 1970–71, 1971–72 and 1972–73 seasons, Carnesecca coached the New York Nets of the defunct American Basketball Association (ABA), now the Brooklyn Nets of the National Basketball Association (NBA). The 1971–72 Nets reached the ABA Finals, where they were defeated by the Indiana Pacers. Carnesecca returned to St. John's in 1973.

Carnesecca was also a longtime announcer for the USA Network's coverage of the yearly NBA drafts of the 1980s.

Head coaching record

High school

College

ABA

|-
| align="left" |NYN
| align="left" |1971
|84||40||44||.476|| align="center" |3rd in Eastern||6||2||4||.333
| align="center" |Lost in ABA Division Semifinals
|-
| align="left" |NYN
| align="left" |1972
|84||44||40||.524|| align="center" |3rd in Eastern||19||10||9||.526
| align="center" |Lost in ABA Finals
|-
| align="left" |NYN
| align="left" |1973
|84||30||54||.357|| align="center" |4th in Eastern||5||1||4||.200
| align="center" |Lost in ABA Division Semifinals
|-class="sortbottom"
| align="left" |Career
| ||252||114||138||.452|| ||30||13||17||.433


Ammurapi

Ammurapi was the last Bronze Age ruler and king (c. 1215 to 1180 BC) of the ancient Syrian city of Ugarit. Ammurapi was a contemporary of the Hittite King Suppiluliuma II. He wrote a preserved vivid letter (RS 18.147) in response to a plea for assistance from the king of Alashiya. The letter dramatically highlights the desperate situation facing Ugarit while it was also under attack by the invading Sea Peoples.

Ammurapi wrote:

Ugarit would become one of the many states of the ancient Near East that were destroyed or abandoned during the Bronze Age collapse.

Suppiluliuma II was responsible for the divorce settlement between Ammurapi and a Hittite woman, but it did not cause a problem between the Kingdom of Ugarit and the Hittite Empire; instead it demonstrated the relationship between both kingdoms.


Bristlebird

"Dasyornis" redirects here. This was also used by Richard Lydekker for the prehistoric pseudotooth bird genus Dasornis in error.

The bristlebirds are a family of passerine birds, Dasyornithidae. There are three species in one genus, Dasyornis. The family is endemic to the south-east coast and south-west corner of Australia. The genus Dasyornis was sometimes placed in the Acanthizidae or, as a subfamily, Dasyornithinae, along with the Acanthizinae and Pardalotinae, within an expanded Pardalotidae, before being elevated to full family level by Christidis & Boles (2008).

Taxonomy and systematics
Taxa accepted or described by Schodde & Mason (1999) include, with their estimated conservation status:
 Eastern bristlebird (Dasyornis brachypterus)
 D. brachypterus brachypterus – endangered
 D. brachypterus monoides – critically endangered
 Rufous bristlebird (Dasyornis broadbenti)
 D. broadbenti broadbenti – lower risk (least concern)
 D. broadbenti caryochrous – lower risk (near threatened)
 D. broadbenti litoralis (western rufous bristlebird) – extinct
 Western bristlebird (Dasyornis longirostris) – endangered

Once placed within various Northern Hemisphere lineages (such as Old World warblers or Old World flycatchers), the Dasyornithidae's closest relatives are now known to be Australian endemics such as the pardalotes and honeyeaters. Although their exact position within the Australasian basal lineages of passerines is not fully resolved, Marki et al.’s 2017 study, the first to sample and sequence molecular data for all three species of bristlebirds, placed them within the ecologically diverse infra-order Meliphagides (formerly known as Meliphagoidea). This lineage consists of five families: Maluridae (fairywrens and allies), Acanthizidae (thornbills and gerygones), Meliphagidae (honeyeaters), Pardalotidae (pardalotes) and Dasyornithidae (bristlebirds). While other families within this grouping are highly speciose e.g. the Meliphagidae (honeyeaters) - 187 species, Dasyornis broadbenti, D. brachypterus' and D. longirostris are only three known species of bristlebirds. Marki et al. found strong support for D. broadbenti' as sister lineage to D. brachypterus and D. longirostris, having diverged from its relatives in the mid-Miocene ca.13 Mya and that D. brachypterus and D. longirostris diverged in the early Pliocene, ca. 5 Mya. They infer from this that genetic divergences within the family may be greater than their similar morphologies might suggest and urge denser sampling to explore the possibility of overlooked cryptic species.

Description
Bristlebirds are long-tailed, sedentary, ground-frequenting birds.  They vary in length from about 17 cm to 27 cm, with the Eastern Bristlebird the smallest, and the Rufous Bristlebird the largest, species. Their colouring is mainly grey with various shades of brown, ranging from olive-brown through chestnut and rufous, on the plumage of the upperparts.  The grey plumage of the underparts or the mantle is marked by pale dappling or scalloping. The common name of the family is derived from the presence of prominent rictal bristles - three stiff, hair-like feathers curving downwards on either side of the gape. This feature distinguishes them from the scrub-birds, to which they are similar in appearance although not closely related. The bristles, which are conspicuous in many birds that like the bristlebirds forage for insects in dark locations, may serve a tactile function in locating or manipulating prey.

Distribution and habitat
Eastern Bristlebirds were first seen by Europeans in Port Jackson (Sydney Harbour) when Latham first described the species for science in 1801. According to Gould, they were "to be found throughout New South Wales in all places suitable to its habits, although, from the recluse nature of its disposition, it is a species familiar to few, even of those who have long been resident in the colony."  After two centuries of European colonisation, two of the three species of bristlebirds are endangered (see Status and Conservation), and all have restricted and disjunct ranges. Their distributions are non-overlapping, with the Western Bristlebird, inhabiting a tiny area of dense heathland on the south-west coast of Western Australia, the most specialised. On the east coast, the Eastern Bristlebird occupies a wider range of habitats in relict pockets of far south-east Queensland and northern New South Wales, and coastal fringes south of Sydney to the Victorian border. The Rufous Bristlebird's range is dense coastal shrub and heathland in far south-west Victoria and extreme east South Australia. The least-shy member of the family, the newly discovered subspecies caryochrous, occurs in open eucalyptus forest with dense understorey in the Otway range, but is also found in car parks, tracks and gardens along the edges of its dense habitat. Gould's description of the Eastern Bristlebird's habitat as "reed-beds and thickets, particularly such as are overgrown with creepers and vegetation" captures the density of coastal heath scrub and grasslands favoured by the Dasyornithidae, although not the fire-dependence of these environments, which require burning to prevent the trees shading out the grass component.

Behaviour and ecology

Often described as shy, elusive or secretive, they scamper through the thickest vegetation on strong legs, sometimes with their tails held partly erect. They preferentially run to avoid danger, but are capable of flying short distances on their short rounded wings. They are more often heard than seen, singing in sweet and resonant voices with a distinctive metallic character. It is usually the male that sings. The song is thought to be territorial in nature and is often made from on top of a log or shrub to better carry in the air. Diurnal, nothing is known of their roosting behaviour except that it is in dense thickets.

They generally occur in pairs, but their social structure has not been studied closely. Most of the food is found by foraging on the ground. Birds forage in pairs, making small contact calls to keep in touch, and constantly flicking their tails whilst moving. The major part of the diet is composed of insects and seeds. Spiders and worms are also taken, and birds have been observed drinking nectar as well.

The breeding behaviour of bristlebirds is poorly known. They are thought to mostly be monogamous and defend a territory against others of the same species. The Western Bristlebird breeds July–October, the two eastern species between August and February. All are single-brooded, and eastern and Rufous Bristlebirds will lay replacement clutches if the first one is lost, an important factor in the success of captive breeding programs being undertaken in Queensland for the critically endangered northern subspecies monoides of the Eastern bristlebird.

The nest is constructed by the female in low vegetation and is a large ovoid dome with a side entrance with finer grasses for lining. Two eggs are laid, white or dullish whitish-brown or pink dotted with purplish-brown spots. As far as is known only the female incubates the clutch, for a period of between sixteen and twenty-one days. Both sexes feed the young. The nestling stage is known to be long, eighteen to twenty-one days.

Status and conservation
With two of the three recognised species already on the IUCN Red List, the Dasyornithidae are increasingly vulnerable to habitat destruction by ever more fierce and frequent bush fires. The Rufous Bristlebird D. broadbenti is still comparatively common in its core areas of western Victoria and far south-east South Australia, but the ranges of the other two species have contracted since European settlement to relict populations found almost entirely within national parks and reserves with appropriate weed eradication and fire management regimes. The latter are essential for bristlebirds: with their small rounded wings they are poor flyers and prefer to run than to fly. Large and unchecked bushfires can cause local extinctions, compounding population fragmentation. Recent research suggests total avoidance of fire in the management of Western and Rufous Bristlebird populations. Eastern bristlebirds require a more delicate balance with some degree of burning needed to promote regeneration of the grasslands they favour but too much destroying both habitat and potential refugia where populations can shelter until vegetation recovers. Habitat loss since European settlement from land-clearing for agriculture and extensive housing development along coastal strips in more recent times also threatens bristlebird survival.  The western subspecies litoralis of the Rufous Bristlebird, once found in dense impenetrable shrub-land on the coastal dunes of extreme south-west Western Australia is probably extinct.


Elazar Stern

Elazar Stern (, born 25 August 1956) is an Israeli politician and former soldier. He served as a Major General in the Israel Defense Forces, and as Head of the Manpower Directorate. In 2013, he became a member of the Knesset for Hatnuah, served as an MK for Yesh Atid and is currently an MK for Blue and White.

Biography
Born in Tel Aviv, Stern attended Bar-Ilan University, where he received a BA in Economics and Land of Israel Studies. He also received a Master's degree in Business Administration from Tel Aviv University and Northwestern University.

Stern was drafted into the IDF in 1974. He volunteered as a paratrooper in the Paratroopers Brigade. He served as a soldier and a squad leader. In 1976, he became an infantry officer after completing Officer Candidate School and return to the Paratroopers Brigade as a platoon leader. Stern took part in various raids against terrorist camps in Lebanon, and served as a Company commander in the 890 "Efe" (Echis) paratroop company. Stern fought in the 1982 Lebanon War, and later on commanded Paratroopers Brigade's training base and the 202 paratroop battalion in South Lebanon. During his career, Stern commanded a reserve Paratroopers Brigade and the IDF's Officer Candidate School (Bahad 1). Afterwards, he served as the chief of the IDF's Education and Youth Corps and succeeded Gil Regev as head of the Manpower Directorate (a name he changed to Human Resources) in July 2004.

As head of Human Resources, Stern oversaw a program to convert non-Jewish IDF troops to Judaism. He has also led the integration of hesder units, homogeneous units of Orthodox male soldiers combining yeshiva studies with military service, into mainstream units. While criticised by some religious Israelis that the action was meant only to prevent insubordination of religious troops during the Gaza pullout, Stern maintains that it is better for the troops.

On 14 October 2005, Stern and his family were assaulted in Jerusalem while praying at the Western Wall in protest of his leading role in expelling Jews from the Gaza Strip during the disengagement plan. In 2008, he is said to have "stormed the stage" to prevent teenage rock star Shira Gavrielov from performing at a military farewell party on the grounds that she had not served in the military.

Stern completed his tenure as the head of the Human Resources Directorate in July 2008, and retired from the IDF. He was replaced by Avi Zamir, who received the Aluf rank.

Prior to the 2013 Knesset elections, Stern joined the new Hatnuah party, and was placed fourth on its list. He was elected to the Knesset after the party won six seats, but announced on 20 December 2014 that he had left the party.

In the build-up to the 2015 elections, he joined Yesh Atid, and was placed twelfth on its list. With the party winning only 11 seats, he lost his seat. However, he re-entered the Knesset on 4 September 2015 after Shai Piron resigned his seat.


Erhard Domay

Erhard Domay (30 April 1940, Gießen - 25 June 2012) was a German Protestant theologian, mainly notable as the author and editor of several works on liturgy.

Life
He studied Protestant theology and German studies at the Johannes Gutenberg-Universität Mainz and the Philipps-Universität Marburg from 1960 to 1964.

Selected works
 Erhard Domay: Und es lohnt sich doch. Tagebuch eines Pfarrers, Gütersloh 1977.
 Erhard Domay, Johannes Jourdan und Horst Nitschke (Hg.): Rufe. Religiöse Lyrik der Gegenwart, Band 1 Gütersloh 1979, Band 2 Gütersloh 1981.
 Erhard Domay (ed.): Mit Vertrauen leben. Lesebuch für Gespräche über den Glauben, Band 1 Auf dem Weg zu mir selbst, Stuttgart 1983; Band 2 Auf der Suche nach Gott, Stuttgart 1984.
 Erhard Domay: Dein heiliger Engel sei mit mir. Gedanken und Bilder von den Wegen Gottes in unserer Welt, Lahr 1991.
 Erhard Domay (ed.): Menschenzeit Gotteszeit. Ein Vorlesebuch zum Kirchenjahr für Schule und Gemeinde, Lahr 1992.
 Erhard Domay: Vorlesebuch Symbole. Geschichten zu biblischen Bildwörtern. Für Kinder von 6-12 Jahren, Lahr 1994 3. Auflage.
 Erhard Domay (ed.): Leben in Gemeinschaft mit der Schöpfung. Ein Vorlesebuch für Schule und Gemeinde, Lahr 1994.
 Erhard Domay: Mein Engel hat immer Zeit für mich. Mit sechs farbigen Abbildungen. Verlag Ernst Kaufmann,  Lahr 1993. (Katholischer Kinder- und Jugendbuchpreis der Deutschen Bischofskonferenz 1995 Empfehlung)
 Erhard Domay in Zusammenarbeit mit Ursel Heinz: Wende dich zu mir. Gebete mit Sterbenden, Gütersloh 1995.
 Erhard Domay and Hanne Köhler (ed.s): der gottesdienst, Liturgische Texte in gerechter Sprache. Teil 1: Der Gottesdienst, Gütersloh 1997.
 Erhard Domay and Hanne Köhler (ed.s): der gottesdienst, Liturgische Texte in gerechter Sprache. Teil 2: Das Abendmahl/Die Kasualien, Gütersloh 1998.
 Erhard Domay and Hanne Köhler (ed.s): der gottesdienst, Liturgische Texte in gerechter Sprache. Teil 3: Die Psalmen, Gütersloh 1998.
 Erhard Domay and Hanne Köhler (ed.s): der gottesdienst, Liturgische Texte in gerechter Sprache. Teil 4: Die Lesungen, Gütersloh 2001.
 Erhard Domay and Vera-Sabine Winkler, Im Brennglas der Worte. Zeitgenössische Lyrik als Element der Liturgie, Gütersloh 2002.
 Erhard Domay, Spiritualität leben, Gütersloh 2002
 Erhard Domay and Hanne Köhler (ed.s): Werkbuch Gerechte Sprache in Gemeinde und Gottesdienst, Gütersloh 2003.
 Erhard Domay and Hanne Köhler (ed.s): Gottesdienstbuch in gerechter Sprache. Gebete, Lesungen, Fürbitten und Segenssprüche für die Sonn- und Feiertage des Kirchenjahres, Gütersloh 2003.
 Erhard Domay and Hanne Köhler (ed.s): Die Feste im Kirchenjahr. Gottesdienste und Erläuterungen zum Feiern in gerechter Sprache, Gütersloh 2004.
 Erhard Domay, Burkhard Jungcurt and Hanne Köhler (ed.s): Singen von deiner Gerechtigkeit. Das Gesangbuch in gerechter Sprache, Gütersloh 2005.
 Erhard Domay: Neue Gottesdienstgebete. Gebete für alle Sonn- und Feiertage des Kirchenjahres, Gütersloh 2005.
 Margarete Luise Goecke-Seischab and Erhard Domay: Botschaft der Bilder. Christliche Kunst sehen und verstehen lernen, Lahr, 2005, 2. veränderte Auflage (1. Auflage 1990).
 Ulrike Bail, Frank Crüsemann, Marlene Crüsemann, Erhard Domay, Jürgen Ebach, Claudia Janssen, Hanne Köhler, Helga Kuhlmann, Martin Leutzsch and Luise Schottroff (ed.s), Gütersloh 2006, 3. Auflage 2007.

External links

 Weidenkirche Kaiserslautern Ansichten und Einsichten (pdf-Dokument u. a. mit Texten von Erhard Domay).
 STÜCKWERKE – WERKSTÜCKE Moderne Kunstwerke, entstanden im Dialog mit alten Sachen aus Kirchen (Ausstellung im Jahr 2000 in Speyer).


Holme Valley

Holme Valley is a large civil parish in the Metropolitan Borough of Kirklees in West Yorkshire, England.  It has a population of 25,049 (2001 census), increasing to 34,680 for the two wards in the 2011 Census.   Its administrative centre is in Holmfirth. Other sizeable settlements in the parish include, Brockholes, Honley and New Mill.  It is named from the River Holme that runs through the parish.

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The parish is the successor to the Holmfirth urban district.  An urban district covering Holmfirth was created in 1894 by the Local Government Act 1894 and then in 1938, under a County Review Order, absorbed parts of the Holme, Honley, New Mill, South Crosland and Thurstonland and Farnley Tyas urban districts, keeping the name.  Under the Local Government Act 1972, the Holmfirth urban district was abolished on 1 April 1974, but its area was retained as a single civil parish with a parish council. The council changed its name from Holmfirth Parish Council to its present Holme Valley Parish Council in 1975.

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Listed buildings in Chetton

Chetton is a civil parish in Shropshire, England.  It contains 13 listed buildings that are recorded in the National Heritage List for England.  Of these, two are listed at Grade II*, the middle of the three grades, and the others are at Grade II, the lowest grade.  Apart from the small village of Chetton, the parish is entirely rural.  Other than a church, all the listed buildings are houses, farmhouses, and farm buildings.
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Key

Buildings


To the Lighthouse

To the Lighthouse is a 1927 novel by Virginia Woolf. The novel centres on the Ramsay family and their visits to the Isle of Skye in Scotland between 1910 and 1920.

Following and extending the tradition of modernist novelists like Marcel Proust and James Joyce, the plot of To the Lighthouse is secondary to its philosophical introspection. Cited as a key example of the literary technique of multiple focalization, the novel includes little dialogue and almost no action; most of it is written as thoughts and observations. The novel recalls childhood emotions and highlights adult relationships. Among the book's many tropes and themes are those of loss, subjectivity, the nature of art and the problem of perception.

In 1998, the Modern Library named To the Lighthouse No. 15 on its list of the 100 best English-language novels of the 20th century. In 2005, the novel was chosen by TIME magazine as one of the one hundred best English-language novels since 1923.

Plot summary

Part I: The Window
The novel is set in the Ramsays' summer home in the Hebrides, on the Isle of Skye. The section begins with Mrs Ramsay assuring her son James that they should be able to visit the lighthouse on the next day. This prediction is denied by Mr Ramsay, who voices his certainty that the weather will not be clear, an opinion that forces a certain tension between Mr and Mrs Ramsay, and also between Mr Ramsay and James. This particular incident is referred to on various occasions throughout the section, especially in the context of Mr and Mrs Ramsay's relationship.

The Ramsays and their eight children have been joined at the house by a number of friends and colleagues. One of them, Lily Briscoe, begins the novel as a young, uncertain painter attempting a portrait of Mrs. Ramsay and James. Briscoe finds herself plagued by doubts throughout the novel, doubts largely fed by the claims of Charles Tansley, another guest, who asserts that women can neither paint nor write. Tansley himself is an admirer of Mr Ramsay, a philosophy professor, and his academic treatises.

The section closes with a large dinner party. When Augustus Carmichael, a visiting poet, asks for a second serving of soup, Mr Ramsay nearly snaps at him. Mrs Ramsay is herself out of sorts when Paul Rayley and Minta Doyle, two acquaintances whom she has brought together in engagement, arrive late to dinner, as Minta has lost her grandmother's brooch on the beach.

Part II: Time Passes
The second section gives a sense of time passing, absence, and death. Ten years pass, during which the First World War begins and ends. Mrs Ramsay dies, as do two of her children – Prue dies from complications of childbirth, and Andrew is killed in the war. Mr Ramsay is left adrift without his wife to praise and comfort him during his bouts of fear and anguish regarding the longevity of his philosophical work. This section is told from an omniscient point of view and occasionally from Mrs. McNab's point of view. Mrs. McNab worked in the Ramsay's house since the beginning, and thus provides a clear view of how things have changed in the time the summer house has been unoccupied.

Part III: The Lighthouse
In the final section, "The Lighthouse", some of the remaining Ramsays and other guests return to their summer home ten years after the events of Part I. Mr Ramsay finally plans on taking the long-delayed trip to the lighthouse with daughter Cam(illa) and son James (the remaining Ramsay children are virtually unmentioned in the final section). The trip almost does not happen, as the children are not ready, but they eventually set off. As they travel, the children are silent in protest at their father for forcing them to come along. However, James keeps the sailing boat steady and rather than receiving the harsh words he has come to expect from his father, he hears praise, providing a rare moment of empathy between father and son; Cam's attitude towards her father changes also, from resentment to eventual admiration.

They are accompanied by the sailor Macalister and his son, who catches fish during the trip. The son cuts a piece of flesh from a fish he has caught to use for bait, throwing the injured fish back into the sea.

While they set sail for the lighthouse, Lily attempts to finally complete the painting she has held in her mind since the start of the novel. She reconsiders her memory of Mrs and Mr Ramsay, balancing the multitude of impressions from ten years ago in an effort to reach towards an objective truth about Mrs Ramsay and life itself. Upon finishing the painting (just as the sailing party reaches the lighthouse) and seeing that it satisfies her, she realises that the execution of her vision is more important to her than the idea of leaving some sort of legacy in her work.

Major themes

Complexity of experience
Large parts of Woolf's novel do not concern themselves with the objects of vision, but rather investigate the means of perception, attempting to understand people in the act of looking. To be able to understand thought, Woolf's diaries reveal, the author would spend considerable time listening to herself think, observing how and which words and emotions arose in her own mind in response to what she saw.

Complexity of human relationships
This examination of perception is not, however, limited to isolated inner-dialogues, but also analysed in the context of human relationships and the tumultuous emotional spaces crossed to truly reach another human being. Two sections of the book stand out as excellent snapshots of fumbling attempts at this crossing: the silent interchange between Mr. and Mrs. Ramsay as they pass the time alone together at the end of section 1, and Lily Briscoe's struggle to fulfill Mr. Ramsay's desire for sympathy (and attention) as the novel closes.

Narration and perspective
The novel lacks an omniscient narrator (except in the second section: Time Passes); instead the plot unfolds through shifting perspectives of each character's consciousness. Shifts can occur even mid-sentence, and in some sense they resemble the rotating beam of the lighthouse itself. Unlike James Joyce's stream of consciousness technique, however, Woolf does not tend to use abrupt fragments to represent characters' thought processes; her method is more one of lyrical paraphrase. The lack of an omniscient narrator means that, throughout the novel, no clear guide exists for the reader and that only through character development can readers formulate their own opinions and views because much is ambiguous.

Whereas in Part I, the novel is concerned with illustrating the relationship between the character experiencing and the actual experience and surroundings, part II, 'Time Passes', having no characters to relate to, presents events differently. Instead, Woolf wrote the section from the perspective of a displaced narrator, unrelated to any people, intending that events be seen in relation to time. For that reason the narrating voice is unfocused and distorted, providing an example of what Woolf called 'life as it is when we have no part in it.' Major events like deaths of Mrs Ramsay, Prue, Andrew are related parenthetically, which makes the narration a kind of journal-entry. It's also possible that the house itself is the inanimate narrator of these events.

Allusions to autobiography and actual geography

Woolf began writing To the Lighthouse partly as a way of understanding and dealing with unresolved issues concerning both her parents and indeed there are many similarities between the plot and her own life. Her visits with her parents and family to St Ives, Cornwall, where her father rented a house, were perhaps the happiest times of Woolf's life, but when she was thirteen her mother died and, like Mr. Ramsay, her father Leslie Stephen plunged into gloom and self-pity. Woolf's sister Vanessa Bell wrote that reading the sections of the novel that describe Mrs Ramsay was like seeing her mother raised from the dead. Their brother Adrian was not allowed to go on an expedition to Godrevy Lighthouse, just as in the novel James looks forward to visiting the lighthouse and is disappointed when the trip is cancelled. Lily Briscoe's meditations on painting are a way for Woolf to explore her own creative process (and also that of her painter sister), since Woolf thought of writing in the same way that Lily thought of painting.

Woolf's father began renting Talland House in St. Ives, in 1882, shortly after Woolf's own birth. The house was used by the family as a family retreat during the summer for the next ten years. The location of the main story in To the Lighthouse, the house on the Hebridean island, was formed by Woolf in imitation of Talland House. Many actual features from St Ives Bay are carried into the story, including the gardens leading down to the sea, the sea itself, and the lighthouse.

Although in the novel the Ramsays are able to return to the house on Skye after the war, the Stephens had given up Talland House by that time. After the war, Virginia Woolf visited Talland House under its new ownership with her sister Vanessa, and Woolf repeated the journey later, long after her parents were dead.

Publication history
Upon completing the draft of this, her most autobiographical novel, Woolf described it as 'easily the best of my books' and her husband Leonard thought it a "'masterpiece' ... entirely new 'a psychological poem'". They published it together at their Hogarth Press in London in 1927. The first impression of 3000 copies of 320 pages measuring  was bound in blue cloth. The book outsold all Woolf's previous novels, and the proceeds enabled the Woolfs to buy a car.

Bibliography
 Virginia Woolf, To the Lighthouse, (London: Hogarth, 1927) First edition; 3000 copies initially with a second impression in June.
 Virginia Woolf, To the Lighthouse, (New York: Harcourt Brace, 1927) First US edition; 4000 copies initially with at least five reprints in the same year.
Virginia Woolf, To the Lighthouse (Wordsworth Classics, 1994), with introduction and notes by Nicola Bradbury,

Adaptations
 To the Lighthouse, a 1983 telefilm starring Rosemary Harris, Michael Gough, Suzanne Bertish, and Kenneth Branagh.
 To the Lighthouse, a 15-minute Drama, BBC Radio 4 11/08/2014 - 15/08/2014 dramatised by Linda Marshall Griffiths
 To the Lighthouse, a 2017 opera composed by Zesses Seglias to an English libretto by Ernst Marianne Binder. Premiered at the Bregenz Festival.

Footnotes


Mere Hamdam Mere Dost

Mere Hamdam Mere Dost is a 1968 film starring Dharmendra, Sharmila Tagore, Rehman, Mumtaz and Om Prakash. The music is by Laxmikant Pyarelal and the lyrics by Majrooh Sultanpuri. The film is directed by Amar Kumar and produced by Kewal Kumar under the production banner Kawaljit Productions. The movie was a blockbuster.

Plot summary
Sunil (Dharmendra) lives a middle class life with his mother and sister in Delhi. He works for Chopra & Co., Chartered Accountants. He comes across a beautiful woman posing for a painting, and thinks she is poor and needy, and gives her a tip. The woman's name is Anita, and both are attracted to each other. Sunil and Anita intend to marry, and Sunil even introduces Anita to his mother. One day when attending a party, Sunil is shocked to learn that Anita is a multi-millionaire. Stunned at this deception, he swears he will have nothing to do with her. When Anita attempts to soothe things over, Sunil does cool down. It is then he finds out that Anita's dad, who is serving time, had killed his father, and that Anita's mother is still alive, after making her living as a former prostitute.

Cast
 Dharmendra as Sunil
 Sharmila Tagore as Anita
 Rehman as Ajit Narang
 Mumtaz as Meena
 Om Prakash as Dhand Melaram
 Achala Sachdev as Sunil's mom
 Nigar Sultana as Mohinii
 Ruby Myers as Mrs. Modi
 Santosh Kumar as Ramesh
 Brahm Bhardwaj as Chopra

Soundtrack
Composed by the music duo Laxmikant Pyarelal, the songs of the film are penned by Majrooh Sultanpuri.


Unleashed (concert tour)

The Unleashed Tour was a concert tour by the rock band Fleetwood Mac. The tour ran from March 1, to December 20, 2009 in the United States, Canada, Germany, Ireland, the United Kingdom, Australia and New Zealand and was the band's first tour in five years, the group featured tracks within the setlist that spanned "all the Mac's many greatest hits" and pulled two rarely played live tracks 'Storms' and 'I Know I'm Not Wrong' that were taken from the Tusk album and resurrected the Peter Green track 'Oh Well' for the first time live since 1995. The tour ranked #13 in the Worldwide Concert Tours data that is maintained by Pollstar and grossed a total of $84.9 million with a total attendance of 832,597.

Background
This was the first tour that the later Rumours-era band of Fleetwood Mac had undertaken without a new album to promote, Christine McVie did not participate in this tour as she had retired from the group in 1998. In addition Stevie Nicks spoke about Sheryl Crow potentially joining the band to add an additional female to the group dynamic in the absence of Christine McVie. The group were also planning to re-release their Rumours album from 1977 as a CD/DVD combo with unreleased songs, demos and previously unreleased footage of the band from that era, however this re-release never materialised and was held back to 2013 when the Rumours deluxe and super-deluxe editions were released.

Tour dates

Set List
 "Monday Morning"
 "The Chain"
 "Dreams"
 "I Know I'm Not Wrong"
 "Gypsy"
 "Go Insane"
 "Rhiannon"
 "Second Hand News"
 "Tusk"
 "Sara"
 "Big Love"
 "Landslide"
 "Never Going Back Again"
 "Storms"
 "Say You Love Me"
 "Gold Dust Woman"
 "Oh Well"
 "I'm So Afraid"
 "Stand Back"
 "Go Your Own Way"

First encore
 "World Turning"
  "Drum solo"
 "Don't Stop"

Second encore
 "Silver Springs"

Personnel

Fleetwood Mac
 Lindsey Buckingham – lead guitar, vocals
 Stevie Nicks – vocals, tambourine
 John McVie – bass guitar
 Mick Fleetwood – drums, percussion

Supporting musicians
 Brett Tuggle – keyboards, rhythm guitar, backing vocals, maracas on "Oh Well"
 Neale Heywood – rhythm guitar, backing vocals
 Sharon Celani – background vocals
 Jana Andeson – background vocals
 Lori Nicks – background vocals


The Doctrine of Fascism

"The Doctrine of Fascism" () is an essay attributed to Benito Mussolini. In truth, the first part of the essay, entitled "" () was written by philosopher Giovanni Gentile, while only the second part () is the work of Mussolini himself. It was first published in the Enciclopedia Italiana of 1932, as the first section of a lengthy entry on "Fascismo" (). The entire entry on Fascism spans pages 847–884 of the Enciclopedia Italiana, and includes numerous photographs and graphic images. The Mussolini entry starts on page 847 and ends on 851 with the credit line "Benito Mussolini." All subsequent translations of "The Doctrine of Fascism" are from this work.

A key concept of the Mussolini essay was that fascism was a rejection of previous models: "Granted that the 19th century was the century of marxism, liberalism, democracy, this does not mean that the 20th century must also be the century of marxism, liberalism, democracy. Political doctrines pass; nations remain. We are free to believe that this is the century of authority, a century tending to the Right, a Fascist century. If the 19th century was the century of the individual (liberalism implies individualism) we are free to believe that this is the 'collective' century, and therefore the century of the State."

Quotations

—Benito Mussolini, 1935, "The Doctrine of Fascism", Firenze: Vallecchi Editore.

The Labour Charter (Promulgated by the Grand Council for Fascism on April 21, 1927)—(published in the Gazzetta Ufficiale, April 3, 1927) [sic] (p. 133)

The Corporate State and its Organization (p. 133)

—Benito Mussolini, 1935, "Fascism: Doctrine and Institutions", Rome: 'Ardita' Publishers.

Edition and Translation differences

"The Doctrine of Fascism"

"Fascism, the more it considers and observes the future and the development of humanity quite apart from political considerations of the moment, believes neither in the possibility nor the utility of perpetual peace. It thus repudiates the doctrine of Pacifismborn of a renunciation of the struggle and an act of cowardice in the face of sacrifice. War alone brings up to its highest tension all human energy and puts the stamp of nobility upon the peoples who have courage to meet it."
—Mussolini

"Fascism: Doctrine and Institutions"

"First of all, as regards the future development of mankind, and quite apart from all present political considerations. Fascism does not, generally speaking, believe in the possibility or utility of perpetual peace. It therefore discards pacifism as a cloak for cowardly supine contradistinction to self-sacrifice. War alone keys up all human energies to their maximum tension and sets the seal of nobility on those peoples who have the courage to face it."
—Mussolini


ARHGAP31

The Rho GTPase activating protein 31 is encoded in humans by the ARHGAP31 gene. It is a Cdc42/Rac1 GTPase regulator.

Function

ARHGAP31 encodes a GTPase-activating protein (GAP). A variety of cellular processes are regulated by Rho GTPases which cycle between an inactive form bound to GDP and an active form bound to GTP. This cycling between inactive and active forms is regulated by guanine nucleotide exchange factors and GAPs. The encoded protein is a GAP shown to regulate two GTPases involved in protein trafficking and cell growth.

Clinical relevance
ARHGAP31 mutations result in a loss of available active Cdc42 and consequently disrupt actin cytoskeletal structures, causing syndromic cutis aplasia and limb anomalies.


Inflatable Raiding Craft

The Inflatable Raiding Craft (IRC) is a series of fast raiding and assault craft in service with the Royal Navy (incl. the Royal Marines and the Special Boat Service). Despite being among the smallest of the amphibious craft, the IRC is one of the most widely used due to its mobility and versatility.  The IRC is essentially a type of inflatable boat, the American equivalent is the Combat Rubber Raiding Craft.

Specifications
The Inflatable Raiding Craft has the following specifications:
Weight (full): 1,250 kg (1.25 tonnes)
Length:
Width :
Speed (full):
Endurance: 2 hours
Troops: 6 Royal Marines (1 driver, 5 fully equipped troops)


First Ladies and Gentlemen of Costa Rica

First Lady or First Gentleman (Spanish: Primera dama de Costa Rica and Primer caballero de Costa Rica) is the title of the wife or husband of the president of Costa Rica. Traditionally, the president's wife was colloquially known as la presidenta ("the president", with a feminine -a ending). The current term was first used under Federico Alberto Tinoco Granados.

Operations
The Office of First Lady of First Gentleman is allocated no official funding from the government budget of Costa Rica. Instead, the office and officeholder relies on private donations to cover the expenses. These funds support the first lady's causes and foundations, which traditionally focus on cultural, environmental, and social issues. The office of Leila Rodríguez Stahl, the first lady 2002 to 2006, had a staff of approximately 60 at its largest. However, many of those staffers worked pro bono or were employed temporarily from other government offices.

First ladies and gentlemen of Costa Rica (1847–Present)


Sturgeon Creek (Washington)

Sturgeon Creek is a stream in the U.S. state of Washington.

Sturgeon Creek's name is an accurate preservation of its Indian name.


Doloplazy (Olomouc District)

Doloplazy is a village and municipality (obec) in Olomouc District in the Olomouc Region of the Czech Republic.

The municipality covers an area of , and has a population of 1,313 (as at 3 July 2006).

Doloplazy lies approximately  east of Olomouc and  east of Prague.


Megachile villosa

Megachile villosa is a species of bee in the family Megachilidae. It was described by Johan Christian Fabricius in 1775.


Cymreigyddion Society

The Cymreigyddion Society () was a London-based Welsh social, cultural and debating society, which existed from 1794 or 1795 until about 1855.

History
The Cymreigyddion Society was stated in later accounts to have been founded in 1795, although a reference to a meeting on 19 November 1794 suggests that it may have assembled informally at a slightly earlier date. It was established by a group of twelve expatriate Welshmen resident in London, most if not all of whom were members of the existing Gwyneddigion Society (founded 1770), and who included Jac Glan-y-gors (John Jones). At a slightly later date Iolo Morganwg (Edward Williams) was also a member.

The last record of the Society's existence, when it was clearly barely surviving, is from 1855; and it had disappeared by 1858.

Activities
The Society's Rules appear to have been settled in 1797, printed in 1798, and revised in 1810 and 1827. Meetings were held regularly on Thursday evenings, and mainly consisted of debates: in the early days, this seems to have been what distinguished the Cymreigyddion from the Gwyneddigion, among whom debating had fallen into abeyance. Other activities included a strong social element and the dispensing of charity. Proceedings were held in both Welsh and English, and one of the Society's objects was the teaching of English to Welsh newcomers to London. In its later years it held lectures and organised eisteddfodau, and seems to have acquired a radical political character.

The Society was (like the Gwyneddigion) anti-Methodist, and revelled in the disgrace of the preacher Edward "Ginshop" Jones, sued in a breach of promise case in 1801: it published a 24-page booklet containing the texts of Jones's love-letters, which had been read out in court, and a ribald ballad about the affair by Glan-y-gors.

The Cymreigyddion always seems to have been a more "democratic" body than the Gwyneddigion, and in the early 19th century, as the Gwyneddigion fell into decline, the Cymreigyddion to some extent took over the membership of the older society.

Legacy
The name Cymreigyddion was adopted by several literary and cultural societies in Wales itself in the early part of the 19th century, probably in conscious imitation of the London society. The Cymreigyddion y Fenni of Abergavenny (founded in 1833) still survives.

Notes

Bibliography


Antonio Dal Monte

Antonio Dal Monte (Rome, October 31, 1931) is an Italian physician, former Scientific Director and Head of the Department of Physiology and Biomechanics Institute of Sports Science of the Italian National Olympic Committee (C.O.N.I.).

Biography
Dal Monte was Scientific Director and Head of the Department of Physiology and Biomechanics Institute of Science of the Italian National Olympic Committee Sport (CONI). He is also considered one of the founders of Science of functional evaluation of Athlete, of which he was a teacher at the School of Specialization in Sports Medicine for Doctor of the University of Rome La Sapienza, of  the Catholic University of  Sacred Heart of Rome and of the University of L'Aquila.

Dal Monte graduated from the faculty of Medicine and Surgery at the University of Rome, then obtained a teaching qualification in Physiology Human and Sports Medicine.  He is also a specialist in Pneumology, Occupational Medicine and in aerospace medicine.

For more than 35 years, Del Monte has consulted with Fiat (FCA) in the field of vehicle seat and on-board instrumentation design as well as the ergonomic study of the driving position and posture of race vehicles, motorboats, aircraft and gliders — to understand and optimize the operational relationship of man and machine. Consulting with Fiat (FCA), Del Monte designed seats for the Fiat Idea using biometric principles developed at the Italian National Olympic Committee's sport medicine institute.

Del Monte carried out scientific work in the field of evaluation cardio-circulatory, respiratory, metabolic and biomechanical of athletes, reflected in the publication of several books, monographs and scientific works. He designed numerous devices, especially an ergometer for the field study of athlete and for the laboratory simulation of the sporting gesture.

Awards
2006 Honorary Doctorate  in Sciences and Techniques of Sports (University of L'Aquila)


CD78

CD78 is a protein expressed on the surface of some immature and all mature B-cells.  It is considered a pan-B cell antigen.  Other names include Cdw78, Ba antigen, Leu21 and LO-panB-a.

Function
It is part of the MHC class II.

Expression
CD78 is expressed on all stages of B cell development from pre-B cell through plasma cells.  Its expression is strongest on activated B cells.

It is also present on tissue macrophages and on epithelial cells.

Clinical significance
With flow cytometry, it can be used to detect B cells during many stages of their development.  It is one of relatively few markers usefully expressed on plasma cells, and when combined with detection of markers such as CD22, can be used to determine the relative proportion of plasma cells.


Miyanagolla

Miyanagolla is a village in Sri Lanka. It is located within Central Province.


United Nations Security Council Resolution 1843 was unanimously adopted on 20 November 2008.

Resolution
The Security Council this morning authorized a temporary increase of the military strength of the United Nations Organization Mission in the Democratic Republic of the Congo (MONUC) of up to 2,785 military personnel, and the strength of its formed police unit of up to 300 personnel.

Unanimously adopting resolution 1843 (2008), the Council, acting under Chapter VII of the United Nations Charter and following the recommendations by the Secretary-General in his letter of 12 November (document S/2008/703), authorized the immediate deployment of those additional capacities until 31 December.  It expressed its intention to extend that authorization on the occasion of MONUC’s mandate renewal, underlining that the duration of stay of the additional forces would depend on the security situation in the Kivus.

The Council stressed that the temporary increase in personnel was aimed at enabling MONUC to reinforce its capacity to protect civilians, to reconfigure its structure and forces and to optimize their deployment.  It underscored the importance of MONUC implementing its mandate in full, including through robust rules of engagement.

After the vote, the representative of South Africa said his delegation had supported the resolution because the situation in the eastern Democratic Republic of the Congo, in particular around the city of Goma, was deteriorating very fast and the humanitarian situation was becoming dire.  While pleased with the increase in the number of peacekeepers, he underlined the need for the political process to go forward.  In that regard, he welcomed the appointment by the Secretary-General of Nigerian President Olusegun Obasanjo to assist in the process.  He hoped the resolution would also serve to encourage the political process.


Drizzona

Drizzona (Cremunés: ) is a former comune (municipality) in the Province of Cremona in the Italian region Lombardy, located about  southeast of Milan and about  east of Cremona. On 1 January 2019 it merged with Piadena to form Piadena Drizzona.

Drizzona bordered the following municipalities: Canneto sull'Oglio, Isola Dovarese, Piadena, Torre de' Picenardi, Voltido.


Dehqanabad-e Chulak

Dehqanabad-e Chulak (, also Romanized as Dehqānābād-e Chūlak; also known as Dehqānābād) is a village in Tariq ol Eslam Rural District, in the Central District of Nahavand County, Hamadan Province, Iran. At the 2006 census, its population was 508, in 130 families.


Sophiahemmet University College

Sophiahemmet Högskola (or Sophiahemmet University) is a Swedish institution for higher education associated with Sophiahemmet. In addition to a degree in nursing, the institution also offers programmes at advanced level, such as Specialist Nursing programmes, as well as Bachelor, Master and Diploma programmes. Sophiahemmet Högskola has approximately 450 students enrolled in the three-year nursing programme and a total of approximately 1500 students on a yearly basis. Education is only offered in Swedish. Sophiahemmet University College was founded in 1884 by queen Sophia.

External links
 Official website for Sophiahemmet University College
 Sophiahemmet University College


Oktyabrskoye, Khanty-Mansi Autonomous Okrug

Oktyabrskoye () is an urban locality (an urban-type settlement) and the administrative center of Oktyabrsky District of Khanty-Mansi Autonomous Okrug, Russia. Population:


Alexandru Istrate

Alexandru Istrate (born 8 May 1947) is a Romanian fencer. He competed in the individual and team épée events at the 1972 Summer Olympics.


Canton of Romilly-sur-Seine-2

The Canton of Romilly-sur-Seine-2 is a former canton of the arrondissement of Nogent-sur-Seine, in the Aube department, in northern France. It was disbanded following the French canton reorganisation which came into effect in March 2015. It covered part of the commune Romilly-sur-Seine.

Romilly-sur-Seine-2nd