Cemetery Man
Cemetery Man () is a 1994 comedy horror film directed by Michele Soavi and starring Rupert Everett, François Hadji-Lazaro and Anna Falchi. It was produced by Tilde Corsi, Gianni Romoli and Soavi and based on the novel Dellamorte Dellamore by Tiziano Sclavi. Everett plays a beleaguered caretaker of a small Italian cemetery, who searches for love while defending himself from dead people who keep rising again.  It is an international co-production between Italy, France, and Germany. The film's original title is a wordplay in Italian: "Della morte" meaning "of death" and "Dell'amore" meaning "of love"; which can be interpreted as either "About the death of love" or "About death, about love". The main character's name Francesco Dellamorte literally stands for "Francis of Death".

Plot
Francesco Dellamorte (Rupert Everett) is the cemetery caretaker in the small Italian town of Buffalora. He lives in a ramshackle house on the premises, constantly surrounded by death, with only his intellectually disabled assistant Gnaghi (François Hadji-Lazaro) for company. Young punks in town spread gossip that Dellamorte is impotent. His hobbies are reading outdated telephone directories, in which he crosses out the names of the deceased, and trying to assemble a puzzle shaped like a human skull. Gnaghi, whose interests include spaghetti and television, can speak only one word: "Gna."

The Latin inscription over the Buffalora Cemetery gate reads RESURRECTURIS ("For those who will rise again"), and indeed, Dellamorte has had his hands full of late. Some people rise from their graves on the seventh night following their death, reanimated and ready to assault the living. Dellamorte destroys these creatures, who he calls "Returners", before they overrun the town. Buffalora's mayor (Stefano Masciarelli) is so fixated on his campaigning that he seems unable even to hear Dellamorte's pleas for an investigation. In any event, being an outcast in the village and almost illiterate, Dellamorte doesn't want to lose the job. He opens up to his only friend, Franco, a municipal clerk, but doesn't file the paperwork necessary to get assistance: "It's easier just to shoot them."

At a funeral, Dellamorte falls hard and fast in love, with the unnamed young widow (Anna Falchi) of a rich, elderly man. The widow only begins to show an interest when Dellamorte tells her about the ossuary, which she adores. While consummating their relationship by her husband's grave, the husband returns, attacks, and bites her. She seems to die from the bite, but the coroner claims it was a heart attack. Fearing the worst, Dellamorte stays near her corpse, and shoots her when she rises.

Gnaghi becomes infatuated with the mayor's capricious daughter, Valentina (Fabiana Formica). This would seem to end tragically when she is decapitated in a motorcycle accident. Instead, Gnaghi digs up her reanimated head, and an innocent romance begins. The young widow also rises again, causing Dellamorte to believe that she was not really a zombie when he first shot her, in which case it was he who killed her. He plummets into a depression and is visited by the leering figure of Death, who tells him to "Stop killing the dead", asking him why he doesn't shoot the living instead.

Dellamorte encounters two more unnamed women, also played by Falchi. He goes to outrageous ends to be with the first of these, an assistant to the new mayor: when the object of his affection says she is terrified of sexual penetration, Dellamorte pretends that the rumour about his impotence is correct, and visits a doctor to have his penis removed. The doctor talks him out of it, giving him an injection for temporary impotence instead. Meanwhile, the woman has been raped by her employer, and then fallen in love with her rapist, discarding both her phobia and the cemetery man.

His grip on reality slipping, Dellamorte heads into town at night with his revolver, shooting the young men who have made fun of him for years due to his rumored impotence. He meets a third manifestation of the woman he loves, but upon finding out that she is a prostitute, he kills her and two other women by setting their house on fire with a room heater. His friend Franco (Anton Alexander) is accused of these murders after killing his wife and child, and attempts suicide the same night by drinking a bottle of iodine. Dellamorte goes to visit his friend in the hospital, to find out why Franco stole his murders. Sitting by the hospital bed, he casually murders a nun, a nurse, and a doctor. Franco doesn't even recognize him, so even these acts fail to change Dellamorte's situation. He screams out a confession, but is ignored.

Gnaghi and Dellamorte pack up the car, and head for the Buffalora city limits and the mountains beyond. Gnaghi's head is injured when Dellamorte slams on the brakes. They get out of the vehicle and walk to the edge of the road, where it drops into a chasm. Gnaghi begins to seize, and collapses to the ground. Dellamorte, realizing that the rest of the world doesn't exist and fearing that his assistant is dead or dying, loads a gun with two dum-dum bullets to finish them both off. Gnaghi wakes up and drops Dellamorte's gun off the cliff. He then asks to be taken home, speaking clearly. Dellamorte replies: "Gna."

Cast
 Rupert Everett as Francesco Dellamorte
 François Hadji-Lazaro as Gnaghi
 Anna Falchi as She
 Mickey Knox as Marshall Straniero
 Anton Alexander as Franco
 Fabiana Formica as Valentina Scanarotti
 Clive Riche as Dr. Vercesi
 Stefano Masciarelli as Mayor Scanarotti
 Alessandro Zamattio as Claudio
 Katja Anton as Claudio's girlfriend
 Barbara Cupisti as Magda
 Patrizia Punzo as Claudio's mother
 Renato Doris as She's husband

Release

Cemetery Man was first released in 1994. American distributor October Films changed its title to Cemetery Man and released it on April 26, 1996.

Anchor Bay Entertainment released the film on R1 DVD in 2006 under the American title Cemetery Man.

Reception
Rotten Tomatoes, a review aggregator, reports that 63% of 27 surveyed critics gave the film a positive review; the average rating is 6.15/10. The site's consensus reads: "Cemetery Man will frustrate viewers seeking narrative cohesion or coherence, but this surreal brand of humor and horror should satisfy B-movie fans in the mood for quirk". Stephen Holden of The New York Times wrote that the film is unconventional but becomes repetitive as Everett dispatches shallow metaphors for fascism.  Bob Stephens of The San Francisco Examiner wrote that the film suffers from an uneven tone but "is redeemed by his uncommon visual imagination".  Deborah Young of Variety wrote, "A hip, offbeat horror item floating on a bed of dark philosophy, Dellamorte Dellamore is a deceptively easy genre picture with hidden depths."  Mick LaSalle of the San Francisco Chronicle wrote, "It aims high and misses, but it does hold interest with visual flash, wry humor and a couple of sex scenes that can make steam come out of your ears."  In more modern reviews, Bloody Disgusting rated it 5/5 stars and called it "one of the greatest cult films of the last twenty years".  Joshua Siebalt of Dread Central rated it 4/5 stars and wrote that Soavi's direction and film's humor make it different and memorable.

Director Martin Scorsese called Dellamorte Dellamore one of the best Italian films of the 1990s.

Sequel
In January 2011, Fangoria reported that director Michele Soavi was planning a sequel. Soavi planned to shoot the film sometime near the end of 2011 or early 2012. He would produce the film himself and wanted the film to be a great, strong, shocking Italian horror film.