input: TEXT: MUSIC IN: EXT. STREET - DAY (SFX: SIRENS B.G.) RICK: Let's move! Let's go! Get those BAs up. Pull a cord and a half! Let's get ready to roll! Davis, get those utilities turned off, quickly! Move it! DAVIS: (MUFFLED) I'm on it, Sir! RICK: (V.O./MUFFLED) We're in front. You start in back! FIRE FIGHTER: (V.O./MUFFLED) Come on, Scotty. You're with me. Let's move. (KNOCK ON DOOR) RICK: (SHOUTS) Fire department! Let's go. (SFX: DOOR BURSTS OPEN) [SCENE_BREAK] INT. HOUSE - DAY (SFX: FLAMES B.G.) (SFX: SMOKE ALARM BEEPING B.G.) RICK: (V.O./MUFFLED) You two spread out. Clear the bedrooms! I'll take the kitchen! FIREFIGHTER: (V.O.) We'll cover these down here!(SFX: FIREFIGHTERS VOICES B.G.) (SFX: RICK BREATHES HEAVILY B.G.) [SCENE_BREAK] INT. KITCHEN - DAY RICK: (V.O./MUFFLED) Every damn time. False alarm, fellas. Just another overcooked bird. Or something. (ON CAMERA) Tough to tell after six hours in the - oh dear. (MUSIC UP AND OUT) (THEME MUSIC UP OVER OPENING TITLE/SCENES/ CREDITS AND OUT) MUSIC IN: INT. COFFEE HOUSE - DAY (SFX: ESPRESSO COFFEE MACHINE B.G.) LANDON: Double Americano for Thom. (BEAT) Aren't you Thom? MCGEE: Yes, thank you.
  SUMMARY:
output: During the murder investigation of a Petty Officer, McGee is unsettled when elements of the crime scene resemble the descriptions in his new novel, which is half-finished. The only person who had access to McGee's book, other than McGee himself, is his publisher. The killer promises two more kills and when the second body is found, McGee is pressured to determine who the killer plans to kill next.