TEXT: "The Woman at the Airport" [SCENE_BREAK] [The scene opens on a skeleton displayed on top of a lab table in the room of body drawers. As Dr. Goodman begins to speak the camera pans away from the skeleton to reveal Dr. Goodman, Zack and Dr. Brennan.] Dr. Goodman: These remains, dating from the Iron Age, were found at the bottom of shaft three at the site. There were five sets of human remains found. This is the only one found whole. Zack: He's in good shape. Brennan: Fifteen hundred years old, he shouldn't look this good. Dr. Goodman: Which is why we're here. We're going to either authenticate the find as a set of human remains from the Iron Age ever found or dash the hopes of a thousand scholars. Let me know how it turns out. Brennan: Dr. Goodman, this is extremely prestigious. Aren't you going to be part of the team? Dr. Goodman: No, I have an institution to run. Zack: Didn't you use to be an Archeologist? Dr. Goodman: Yes, Mr. Addy. Thanks for reminding me. (Dr. Goodman leaves.) Brennan: (to Zack) x-rays, pictures, we're going to do this without touching the actual skeleton as much as possible. Zack: Kid gloves? Brennan: Latex should be all right. (Pauses) Zack, were you being metaphoric? Zack: I decided to give it a shot, which is also metaphoric. [Brennan walks into her office to find Booth sitting in her desk chair with a very cheerful smile gracing his face. Her face immediately shifts to annoyance as she walks toward him.] Brennan: (sighs) I need a receptionist. I can't just have anybody waltzing in here. Booth: Take a look at this. (Holds up sheets of papers) Brennan: (takes the papers from Booth) A bunch of red circles? Booth: Each circle shows were a body part was found. Brennan: What is this, an airport
SUMMARY:
Dr. Temperance Brennan and FBI Special Agent Seeley Booth travel to Los Angeles to determine the identity of a woman whose body parts were found near Los Angeles International Airport. With Booth at the wheel of their convertible rental car, they are assisted on the L.A. end of the case by young FBI Agent Tricia Finn, who is a little too eager to help. Agent Finn knows Brennan's books inside and out and mentions reading in an entertainment industry trade paper that the film rights to Brennan's latest book were bought by producer/director Penny Marshall. When Brennan and Marshall meet face to face on the set of "Entertainment Tonight," both Marshall and ET's Jann Carl are impressed and a little taken aback by Brennan's dedication to her latest case. Brennan's skills are put to the test when she realizes the victim's identity is hidden by previous extensive plastic surgery.